Podcasts about homo hop

The recent wave of black queer rap artists lead Dee and Kate to delve into conspiracy theories that there is a Gay Mafia pushing a homosexual agenda in the mainstream media to emasculate black men. Airbnb reportedly paid tourist $7M after rape in Manhattan rental. Woman found guilty of murdering husband with concoction of scalding...

It's just the boys on the podcast and we're only talking about Buffy the Vampire Slayer, season 2 episode 18 entitled "Killed By Death." Kidding, we're talking about much more, such as peppermints, names from James' past, tumblr witches, James gives a peak behind editing TC on Mostly Speakin' Sentai, how crucifixes work, school projects, "Homo Hop", being sedated, iMessage Olympics, we ponder if James had kids, expired license plates, children with political parties, city driving for suburbanites, our biggest fan Kela, & more! Follow us on Twitter @WTHMpod! Remember to rate, review, & subscribe to the podcast. Don't forget to tell a friend about us too!!! Love CBD oil and products? Want to support us while buying CBD products?! Purchase some at TryTheCBD with our affiliate link by clicking HERE! We'll see a percentage of all purchases using that link, so be sure to use the affiliate link whenever you need to re up! Follow TC on Twitter @tavia_cw and Instagram @tavia.cw as well as their transitioning Instagram @TransitioningWithTC! Follow Anissa on Twitter @_MissValdes and Instagram @_anissamarie. Check out James' other podcasts, "Mostly Speakin' Sentai", "I'll Get There", "This Movie's Gay", and "Hit It & Crit It" on the podcast app you're using to listen to What The Hellmouth. Find out more about these Marsh Land Media podcast on our website, www.MLMPod.com! Mostly Speakin' Sentai, a podcast where him & his betrothed talk to artists, podcasters, & musicians from Chicago trying to get them into Super Sentai, the source material for Power Rangers. Twitter & Facebook @MSSPod & Instagram @MSSPodcast. This Movie's Gay, where him & Corwyn watch then discuss LGBTQ movies! Follow them on Twitter @ThisMoviesGay! I'll Get There with Courtney, Monse, & James! They're BSin' an hour away about their sad boi lives, but keeping it humorous! Hit it & Crit It! A Dungeons & Dragons play podcast with James & a gang of others! Listen to James' rap music under Marsh Land Monster on Facebook, SoundCloud & YouTube.

June was perhaps the most exciting month for popular musick in 2017. We received a new album from Katy Perry + her 96-hour livestream, the momentous One Love Manchester concert in response to Islamic State's attack on an Ariana Grande Concert, and also the supplanting of Electropop by Trop-pop as the paradigm of the moment. Currently, we are in a transitional period, where many releases retain elements of both. It will be very interesting to see how this develops because Electropop had been ascendant since the time of the onset of the 'Great Recession.' I can't imagine tropical will still be 'a thing' in 10 years time, but who knows? We also have some folky pop, some rocky pop, and one Hip-Hop and ChillNB cut each, live performances, unreleased musick, as well as independent releases. Niall, Noah, Demi, Iggy, Liana Banks, bea miller, Ariana, and Miley all feature! 1) On The Loose (Live) - Niall Horan - Pop - Unreleased 2)I’m Stuck - Noah Cyrus - Folk-Pop - RECORDS 3)Instruction - Jax Jones - Trop-Pop - Polydor (Vivendi) 4)Switch - Iggy Azalea - Trop-Pop - Def Jam (Vivendi) 5)Roulette - Katy Perry - Electropop - Capitol (Vivendi) 6)buy me diamonds - Bea Miller - Pop - Hollywood (Disney) 7)People Like Me - Liana Banks - Trop-Pop - Rebirth/MARCH 8)Loose Wrists - Cazwell - Hip-Hop - SNOWCONE 9)Teenage Fantasy - Jorja Smith - Chill’NB - FAMM 10)Don’t Dream It’s Over (Live) - Ariana Grande + Miley Cyrus - Pop - Unreleased Best)Miss You More - Katy Perry - Pop - Capitol (Vivendi) Leaderboard: Artist- Katy Perry + Die Antwoord (Tie) (5) Genre- Hip Hop (57) Label- Atlantic (12) Conglomerate- Vivendi (32)

Every week thousands of songs are released to radio, on streaming platforms, on digital stores, on social media, mixtapes, & CD albums. It would be impossible for the average musick lover to absorb this & sift through them -- That's why you have me. I'm Jakob Musick, & I was meant for this. You could say it's in my blood, or genes. Or Whatever. This month was huge for new releases, as well as older releases just now getting recognition. This episode features a new recording of Pyotr Tchaikovsky from Liverpool, the return of teen heart-throb Aaron Carter, Leftfield & Chillout, Long-delayed remixes of older singles, lots of electropop, the great new LeAnn Rimes record, &, of course, some good ole American crap-hop! Tracklist: 1. Fool's Gold - Aaron Carter - Electropop - Z (Sony) 2. The Curtain Call (Frank Pole Remix) - Jessi Teich - Electropop - The Bearded Man (Armada) 3. Lights Out - DJ Katch & Hayley - Tropical House - WePlay (Warner Bros.) 4. Side To Side (Phantoms Remix)- Ariana Grande & Nicki Minaj - Electropop - Republic (Vivendi) 5. Humbled - LeAnn Rimes - Soul - Sony UK 6. Broken - DJ Roody & Jo MK - Electropop - Self-Released 7. Bata Boy (Dizraeli Remix) - Lakuta & Dizraeli - Leftfield - Tru Thoughts 8. Blue Sky Action - Bad Royale & Ruby Chase - Chillout - Mad Decent 9. Symphony No 4 In F Minor II - Royal Liverpool Philharmonic Orchestra - Classical - Onyx 10. Come First ( Felix Snow Based Mix) - Electropop - Terror Jr, Father, & Lil B - Atlantic (Warner Bros.) Worst. Bitty - Prince Charlez - Hip Hop - Republic (Vivendi) Worser. Bit Bak - Rich Gang, Young Thug, & Birdman - Hip Hop - Cash Money (Vivendi) Best. Mother - LeAnn Rimes - Pop - Sony UK Leaderboard: Artist: Die Antwoord (5) Genre: Hip Hop (53) Label: Atlantic (21) Conglomerate: Vivendi (24)

Cultural movements don't exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop's Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011), the first in a trilogy of books that cast a critical eye upon hip hop as a social and cultural movement, Reiland Rabaka traces the pre-history of hip hop as a series of separate yet connected movements that dealt with inequalities of race/ethnicity, gender, and sexual orientation. Using Africana, feminist, and queer critical theories as tools for understanding, Rabaka follows the history of black, women's, and LGBT resistance to heterosexual white male hegemony in U.S. culture. Rabaka's focus is always on the roles that art and artists (literary, visual, musical) have in people's active resistances to oppression. The Harlem Renaissance, Black Arts Movement, Black Women's Liberation, and Feminist Art Movements are just a few of the cultural happenings that Rabaka details as precursors to today's “conscious” rap, feminist rap, and Homo-Hop, among others. All along, Rabaka's message is not simply academic, he is also speaking directly to contemporary hip hoppers, urging them not to forget their past and to learn from the struggles of their forbears. Reiland Rabaka is an Associate Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Humanities Program at the University of Colorado at Boulder, where he is also an Affiliate Professor in the Women and Gender Studies Program and a Research Fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He has published ten books, including Hip Hop's Amnesia: From Blues and Black Women's Club Movement to Rap and the Hip Hop Movement (2012) and The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation (2013). Learn more about your ad choices. Visit megaphone.fm/adchoices

Cultural movements don’t exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011), the first in a trilogy of books that cast a critical eye upon hip hop as a social and cultural movement, Reiland Rabaka traces the pre-history of hip hop as a series of separate yet connected movements that dealt with inequalities of race/ethnicity, gender, and sexual orientation. Using Africana, feminist, and queer critical theories as tools for understanding, Rabaka follows the history of black, women’s, and LGBT resistance to heterosexual white male hegemony in U.S. culture. Rabaka’s focus is always on the roles that art and artists (literary, visual, musical) have in people’s active resistances to oppression. The Harlem Renaissance, Black Arts Movement, Black Women’s Liberation, and Feminist Art Movements are just a few of the cultural happenings that Rabaka details as precursors to today’s “conscious” rap, feminist rap, and Homo-Hop, among others. All along, Rabaka’s message is not simply academic, he is also speaking directly to contemporary hip hoppers, urging them not to forget their past and to learn from the struggles of their forbears. Reiland Rabaka is an Associate Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Humanities Program at the University of Colorado at Boulder, where he is also an Affiliate Professor in the Women and Gender Studies Program and a Research Fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He has published ten books, including Hip Hop’s Amnesia: From Blues and Black Women’s Club Movement to Rap and the Hip Hop Movement (2012) and The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation (2013). Learn more about your ad choices. Visit megaphone.fm/adchoices

Cultural movements don’t exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011), the first in a trilogy of books that cast a critical eye upon hip hop as a social and cultural movement, Reiland Rabaka traces the pre-history of hip hop as a series of separate yet connected movements that dealt with inequalities of race/ethnicity, gender, and sexual orientation. Using Africana, feminist, and queer critical theories as tools for understanding, Rabaka follows the history of black, women’s, and LGBT resistance to heterosexual white male hegemony in U.S. culture. Rabaka’s focus is always on the roles that art and artists (literary, visual, musical) have in people’s active resistances to oppression. The Harlem Renaissance, Black Arts Movement, Black Women’s Liberation, and Feminist Art Movements are just a few of the cultural happenings that Rabaka details as precursors to today’s “conscious” rap, feminist rap, and Homo-Hop, among others. All along, Rabaka’s message is not simply academic, he is also speaking directly to contemporary hip hoppers, urging them not to forget their past and to learn from the struggles of their forbears. Reiland Rabaka is an Associate Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Humanities Program at the University of Colorado at Boulder, where he is also an Affiliate Professor in the Women and Gender Studies Program and a Research Fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He has published ten books, including Hip Hop’s Amnesia: From Blues and Black Women’s Club Movement to Rap and the Hip Hop Movement (2012) and The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation (2013). Learn more about your ad choices. Visit megaphone.fm/adchoices

Cultural movements don’t exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011), the first in a trilogy of books that cast a critical eye upon hip hop as a social and cultural movement, Reiland Rabaka traces the pre-history of hip hop as a series of separate yet connected movements that dealt with inequalities of race/ethnicity, gender, and sexual orientation. Using Africana, feminist, and queer critical theories as tools for understanding, Rabaka follows the history of black, women’s, and LGBT resistance to heterosexual white male hegemony in U.S. culture. Rabaka’s focus is always on the roles that art and artists (literary, visual, musical) have in people’s active resistances to oppression. The Harlem Renaissance, Black Arts Movement, Black Women’s Liberation, and Feminist Art Movements are just a few of the cultural happenings that Rabaka details as precursors to today’s “conscious” rap, feminist rap, and Homo-Hop, among others. All along, Rabaka’s message is not simply academic, he is also speaking directly to contemporary hip hoppers, urging them not to forget their past and to learn from the struggles of their forbears. Reiland Rabaka is an Associate Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Humanities Program at the University of Colorado at Boulder, where he is also an Affiliate Professor in the Women and Gender Studies Program and a Research Fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He has published ten books, including Hip Hop’s Amnesia: From Blues and Black Women’s Club Movement to Rap and the Hip Hop Movement (2012) and The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation (2013). Learn more about your ad choices. Visit megaphone.fm/adchoices

Cultural movements don’t exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011), the first in a trilogy of books that cast a critical eye upon hip hop as a social and cultural movement, Reiland Rabaka traces the pre-history of hip hop as a series of separate yet connected movements that dealt with inequalities of race/ethnicity, gender, and sexual orientation. Using Africana, feminist, and queer critical theories as tools for understanding, Rabaka follows the history of black, women’s, and LGBT resistance to heterosexual white male hegemony in U.S. culture. Rabaka’s focus is always on the roles that art and artists (literary, visual, musical) have in people’s active resistances to oppression. The Harlem Renaissance, Black Arts Movement, Black Women’s Liberation, and Feminist Art Movements are just a few of the cultural happenings that Rabaka details as precursors to today’s “conscious” rap, feminist rap, and Homo-Hop, among others. All along, Rabaka’s message is not simply academic, he is also speaking directly to contemporary hip hoppers, urging them not to forget their past and to learn from the struggles of their forbears. Reiland Rabaka is an Associate Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Humanities Program at the University of Colorado at Boulder, where he is also an Affiliate Professor in the Women and Gender Studies Program and a Research Fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He has published ten books, including Hip Hop’s Amnesia: From Blues and Black Women’s Club Movement to Rap and the Hip Hop Movement (2012) and The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation (2013). Learn more about your ad choices. Visit megaphone.fm/adchoices

Cultural movements don't exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop's Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011), the first in a trilogy of books that cast a critical eye upon hip hop as a social and cultural movement, Reiland Rabaka traces the pre-history of hip hop as a series of separate yet connected movements that dealt with inequalities of race/ethnicity, gender, and sexual orientation. Using Africana, feminist, and queer critical theories as tools for understanding, Rabaka follows the history of black, women's, and LGBT resistance to heterosexual white male hegemony in U.S. culture. Rabaka's focus is always on the roles that art and artists (literary, visual, musical) have in people's active resistances to oppression. The Harlem Renaissance, Black Arts Movement, Black Women's Liberation, and Feminist Art Movements are just a few of the cultural happenings that Rabaka details as precursors to today's “conscious” rap, feminist rap, and Homo-Hop, among others. All along, Rabaka's message is not simply academic, he is also speaking directly to contemporary hip hoppers, urging them not to forget their past and to learn from the struggles of their forbears. Reiland Rabaka is an Associate Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Humanities Program at the University of Colorado at Boulder, where he is also an Affiliate Professor in the Women and Gender Studies Program and a Research Fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He has published ten books, including Hip Hop's Amnesia: From Blues and Black Women's Club Movement to Rap and the Hip Hop Movement (2012) and The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation (2013). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

When conference producer Leroy F Moore Jr announced the first-ever meeting of disabled and queer hip hop artists, reactions ranged from puzzlement to hate mail. But, artists like B-Sick, Tru Blu [Nyla}, Juba Kalamka, Great Scott, D.J. Quad and Miss Money showed up for this ground-breaking event. The frank discussion in these excerpts from an afternoon panel gives a flavor of this historic meeting of the musical minds. Host: Adrienne Lauby. For more info: http://www.myspace.com/cripmoore   The post Pushing Limits – Krip Hop Meets Homo Hop appeared first on KPFA.