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Roman imperial epic is enjoying a moment in the sun in the twenty-first century, as Lucan, Valerius Flaccus, Statius, and Silius Italicus have all been the subject of a remarkable increase in scholarly attention and appreciation. Lucan and Flavian Epic (Brill, 2023) characterizes and historicizes that moment, showing how the qualities of the poems and the histories of their receptions have brought about the kind of analysis and attention they are now receiving. Serving both experienced scholars of the poems and students interested in them for the first time, this book offers a new perspective on current and future directions in scholarship. Translations: -Lucan: Jane Wilson Joyce -Valerius Flaccus: P.J. Davis -Statius' Thebaid: Jane Wilson Joyce -Statius' Achelleid: Stanley Lombardo -Silius Italicus: Neil Bernstein and Antony Agoustakis Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices
Roman imperial epic is enjoying a moment in the sun in the twenty-first century, as Lucan, Valerius Flaccus, Statius, and Silius Italicus have all been the subject of a remarkable increase in scholarly attention and appreciation. Lucan and Flavian Epic (Brill, 2023) characterizes and historicizes that moment, showing how the qualities of the poems and the histories of their receptions have brought about the kind of analysis and attention they are now receiving. Serving both experienced scholars of the poems and students interested in them for the first time, this book offers a new perspective on current and future directions in scholarship. Translations: -Lucan: Jane Wilson Joyce -Valerius Flaccus: P.J. Davis -Statius' Thebaid: Jane Wilson Joyce -Statius' Achelleid: Stanley Lombardo -Silius Italicus: Neil Bernstein and Antony Agoustakis Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History.
Roman imperial epic is enjoying a moment in the sun in the twenty-first century, as Lucan, Valerius Flaccus, Statius, and Silius Italicus have all been the subject of a remarkable increase in scholarly attention and appreciation. Lucan and Flavian Epic (Brill, 2023) characterizes and historicizes that moment, showing how the qualities of the poems and the histories of their receptions have brought about the kind of analysis and attention they are now receiving. Serving both experienced scholars of the poems and students interested in them for the first time, this book offers a new perspective on current and future directions in scholarship. Translations: -Lucan: Jane Wilson Joyce -Valerius Flaccus: P.J. Davis -Statius' Thebaid: Jane Wilson Joyce -Statius' Achelleid: Stanley Lombardo -Silius Italicus: Neil Bernstein and Antony Agoustakis Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Roman imperial epic is enjoying a moment in the sun in the twenty-first century, as Lucan, Valerius Flaccus, Statius, and Silius Italicus have all been the subject of a remarkable increase in scholarly attention and appreciation. Lucan and Flavian Epic (Brill, 2023) characterizes and historicizes that moment, showing how the qualities of the poems and the histories of their receptions have brought about the kind of analysis and attention they are now receiving. Serving both experienced scholars of the poems and students interested in them for the first time, this book offers a new perspective on current and future directions in scholarship. Translations: -Lucan: Jane Wilson Joyce -Valerius Flaccus: P.J. Davis -Statius' Thebaid: Jane Wilson Joyce -Statius' Achelleid: Stanley Lombardo -Silius Italicus: Neil Bernstein and Antony Agoustakis Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Roman imperial epic is enjoying a moment in the sun in the twenty-first century, as Lucan, Valerius Flaccus, Statius, and Silius Italicus have all been the subject of a remarkable increase in scholarly attention and appreciation. Lucan and Flavian Epic (Brill, 2023) characterizes and historicizes that moment, showing how the qualities of the poems and the histories of their receptions have brought about the kind of analysis and attention they are now receiving. Serving both experienced scholars of the poems and students interested in them for the first time, this book offers a new perspective on current and future directions in scholarship. Translations: -Lucan: Jane Wilson Joyce -Valerius Flaccus: P.J. Davis -Statius' Thebaid: Jane Wilson Joyce -Statius' Achelleid: Stanley Lombardo -Silius Italicus: Neil Bernstein and Antony Agoustakis Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Roman imperial epic is enjoying a moment in the sun in the twenty-first century, as Lucan, Valerius Flaccus, Statius, and Silius Italicus have all been the subject of a remarkable increase in scholarly attention and appreciation. Lucan and Flavian Epic (Brill, 2023) characterizes and historicizes that moment, showing how the qualities of the poems and the histories of their receptions have brought about the kind of analysis and attention they are now receiving. Serving both experienced scholars of the poems and students interested in them for the first time, this book offers a new perspective on current and future directions in scholarship. Translations: -Lucan: Jane Wilson Joyce -Valerius Flaccus: P.J. Davis -Statius' Thebaid: Jane Wilson Joyce -Statius' Achelleid: Stanley Lombardo -Silius Italicus: Neil Bernstein and Antony Agoustakis Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Roman imperial epic is enjoying a moment in the sun in the twenty-first century, as Lucan, Valerius Flaccus, Statius, and Silius Italicus have all been the subject of a remarkable increase in scholarly attention and appreciation. Lucan and Flavian Epic (Brill, 2023) characterizes and historicizes that moment, showing how the qualities of the poems and the histories of their receptions have brought about the kind of analysis and attention they are now receiving. Serving both experienced scholars of the poems and students interested in them for the first time, this book offers a new perspective on current and future directions in scholarship. Translations: -Lucan: Jane Wilson Joyce -Valerius Flaccus: P.J. Davis -Statius' Thebaid: Jane Wilson Joyce -Statius' Achelleid: Stanley Lombardo -Silius Italicus: Neil Bernstein and Antony Agoustakis Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
How did medieval people think about the environments in which they lived? In a world shaped by God, how did they treat environments marked by religious difference? The Keys to Bread and Wine: Faith, Nature, and Infrastructure in Late Medieval Valencia (Cornell UP, 2022) explores the answers to these questions in Valencia in the later Middle Ages. When Christians conquered the city in 1238, it was already one of the richest agricultural areas in the Mediterranean thanks to a network of irrigation canals constructed under Muslim rule. Despite this constructed environment, drought, flooding, plagues, and other natural disasters continued to confront civic leaders in the later medieval period. Abigail Agresta argues that the city's Christian rulers took a technocratic approach to environmental challenges in the fourteenth century but by the mid-fifteenth century relied increasingly on religious ritual, reflecting a dramatic transformation in the city's religious identity. Using the records of Valencia's municipal council, she traces the council's efforts to expand the region's infrastructure in response to natural disasters, while simultaneously rendering the landscape within the city walls more visibly Christian. This having been achieved, Valencia's leaders began by the mid-fifteenth century to privilege rogations and other ritual responses over infrastructure projects. But these appeals to divine aid were less about desperation than confidence in the city's Christianity. Reversing traditional narratives of technological progress, The Keys to Bread and Wine shows how religious concerns shaped the governance of the environment, with far-reaching implications for the environmental and religious history of medieval Iberia. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
How did medieval people think about the environments in which they lived? In a world shaped by God, how did they treat environments marked by religious difference? The Keys to Bread and Wine: Faith, Nature, and Infrastructure in Late Medieval Valencia (Cornell UP, 2022) explores the answers to these questions in Valencia in the later Middle Ages. When Christians conquered the city in 1238, it was already one of the richest agricultural areas in the Mediterranean thanks to a network of irrigation canals constructed under Muslim rule. Despite this constructed environment, drought, flooding, plagues, and other natural disasters continued to confront civic leaders in the later medieval period. Abigail Agresta argues that the city's Christian rulers took a technocratic approach to environmental challenges in the fourteenth century but by the mid-fifteenth century relied increasingly on religious ritual, reflecting a dramatic transformation in the city's religious identity. Using the records of Valencia's municipal council, she traces the council's efforts to expand the region's infrastructure in response to natural disasters, while simultaneously rendering the landscape within the city walls more visibly Christian. This having been achieved, Valencia's leaders began by the mid-fifteenth century to privilege rogations and other ritual responses over infrastructure projects. But these appeals to divine aid were less about desperation than confidence in the city's Christianity. Reversing traditional narratives of technological progress, The Keys to Bread and Wine shows how religious concerns shaped the governance of the environment, with far-reaching implications for the environmental and religious history of medieval Iberia. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
How did medieval people think about the environments in which they lived? In a world shaped by God, how did they treat environments marked by religious difference? The Keys to Bread and Wine: Faith, Nature, and Infrastructure in Late Medieval Valencia (Cornell UP, 2022) explores the answers to these questions in Valencia in the later Middle Ages. When Christians conquered the city in 1238, it was already one of the richest agricultural areas in the Mediterranean thanks to a network of irrigation canals constructed under Muslim rule. Despite this constructed environment, drought, flooding, plagues, and other natural disasters continued to confront civic leaders in the later medieval period. Abigail Agresta argues that the city's Christian rulers took a technocratic approach to environmental challenges in the fourteenth century but by the mid-fifteenth century relied increasingly on religious ritual, reflecting a dramatic transformation in the city's religious identity. Using the records of Valencia's municipal council, she traces the council's efforts to expand the region's infrastructure in response to natural disasters, while simultaneously rendering the landscape within the city walls more visibly Christian. This having been achieved, Valencia's leaders began by the mid-fifteenth century to privilege rogations and other ritual responses over infrastructure projects. But these appeals to divine aid were less about desperation than confidence in the city's Christianity. Reversing traditional narratives of technological progress, The Keys to Bread and Wine shows how religious concerns shaped the governance of the environment, with far-reaching implications for the environmental and religious history of medieval Iberia. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
How did medieval people think about the environments in which they lived? In a world shaped by God, how did they treat environments marked by religious difference? The Keys to Bread and Wine: Faith, Nature, and Infrastructure in Late Medieval Valencia (Cornell UP, 2022) explores the answers to these questions in Valencia in the later Middle Ages. When Christians conquered the city in 1238, it was already one of the richest agricultural areas in the Mediterranean thanks to a network of irrigation canals constructed under Muslim rule. Despite this constructed environment, drought, flooding, plagues, and other natural disasters continued to confront civic leaders in the later medieval period. Abigail Agresta argues that the city's Christian rulers took a technocratic approach to environmental challenges in the fourteenth century but by the mid-fifteenth century relied increasingly on religious ritual, reflecting a dramatic transformation in the city's religious identity. Using the records of Valencia's municipal council, she traces the council's efforts to expand the region's infrastructure in response to natural disasters, while simultaneously rendering the landscape within the city walls more visibly Christian. This having been achieved, Valencia's leaders began by the mid-fifteenth century to privilege rogations and other ritual responses over infrastructure projects. But these appeals to divine aid were less about desperation than confidence in the city's Christianity. Reversing traditional narratives of technological progress, The Keys to Bread and Wine shows how religious concerns shaped the governance of the environment, with far-reaching implications for the environmental and religious history of medieval Iberia. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices
How did medieval people think about the environments in which they lived? In a world shaped by God, how did they treat environments marked by religious difference? The Keys to Bread and Wine: Faith, Nature, and Infrastructure in Late Medieval Valencia (Cornell UP, 2022) explores the answers to these questions in Valencia in the later Middle Ages. When Christians conquered the city in 1238, it was already one of the richest agricultural areas in the Mediterranean thanks to a network of irrigation canals constructed under Muslim rule. Despite this constructed environment, drought, flooding, plagues, and other natural disasters continued to confront civic leaders in the later medieval period. Abigail Agresta argues that the city's Christian rulers took a technocratic approach to environmental challenges in the fourteenth century but by the mid-fifteenth century relied increasingly on religious ritual, reflecting a dramatic transformation in the city's religious identity. Using the records of Valencia's municipal council, she traces the council's efforts to expand the region's infrastructure in response to natural disasters, while simultaneously rendering the landscape within the city walls more visibly Christian. This having been achieved, Valencia's leaders began by the mid-fifteenth century to privilege rogations and other ritual responses over infrastructure projects. But these appeals to divine aid were less about desperation than confidence in the city's Christianity. Reversing traditional narratives of technological progress, The Keys to Bread and Wine shows how religious concerns shaped the governance of the environment, with far-reaching implications for the environmental and religious history of medieval Iberia. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies
How did medieval people think about the environments in which they lived? In a world shaped by God, how did they treat environments marked by religious difference? The Keys to Bread and Wine: Faith, Nature, and Infrastructure in Late Medieval Valencia (Cornell UP, 2022) explores the answers to these questions in Valencia in the later Middle Ages. When Christians conquered the city in 1238, it was already one of the richest agricultural areas in the Mediterranean thanks to a network of irrigation canals constructed under Muslim rule. Despite this constructed environment, drought, flooding, plagues, and other natural disasters continued to confront civic leaders in the later medieval period. Abigail Agresta argues that the city's Christian rulers took a technocratic approach to environmental challenges in the fourteenth century but by the mid-fifteenth century relied increasingly on religious ritual, reflecting a dramatic transformation in the city's religious identity. Using the records of Valencia's municipal council, she traces the council's efforts to expand the region's infrastructure in response to natural disasters, while simultaneously rendering the landscape within the city walls more visibly Christian. This having been achieved, Valencia's leaders began by the mid-fifteenth century to privilege rogations and other ritual responses over infrastructure projects. But these appeals to divine aid were less about desperation than confidence in the city's Christianity. Reversing traditional narratives of technological progress, The Keys to Bread and Wine shows how religious concerns shaped the governance of the environment, with far-reaching implications for the environmental and religious history of medieval Iberia. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices
How did medieval people think about the environments in which they lived? In a world shaped by God, how did they treat environments marked by religious difference? The Keys to Bread and Wine: Faith, Nature, and Infrastructure in Late Medieval Valencia (Cornell UP, 2022) explores the answers to these questions in Valencia in the later Middle Ages. When Christians conquered the city in 1238, it was already one of the richest agricultural areas in the Mediterranean thanks to a network of irrigation canals constructed under Muslim rule. Despite this constructed environment, drought, flooding, plagues, and other natural disasters continued to confront civic leaders in the later medieval period. Abigail Agresta argues that the city's Christian rulers took a technocratic approach to environmental challenges in the fourteenth century but by the mid-fifteenth century relied increasingly on religious ritual, reflecting a dramatic transformation in the city's religious identity. Using the records of Valencia's municipal council, she traces the council's efforts to expand the region's infrastructure in response to natural disasters, while simultaneously rendering the landscape within the city walls more visibly Christian. This having been achieved, Valencia's leaders began by the mid-fifteenth century to privilege rogations and other ritual responses over infrastructure projects. But these appeals to divine aid were less about desperation than confidence in the city's Christianity. Reversing traditional narratives of technological progress, The Keys to Bread and Wine shows how religious concerns shaped the governance of the environment, with far-reaching implications for the environmental and religious history of medieval Iberia. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices
Throughout the early modern period, political theorists in France and England drew on the works of Plutarch to offer advice to kings and princes. Elizabeth I herself translated Plutarch in her later years, while Jacques Amyot's famous translations of Plutarch's The Parallel Lives led to the wide distribution of his work and served as a key resource for Shakespeare in the writing of his Roman plays, through Sir Thomas North's English translations. Rebecca Kingston's Plutarch's Prism: Classical Reception and Public Humanism in France and England, 1500–1800 (Cambridge UP, 2022) explores how Plutarch was translated into French and English during the Renaissance and how his works were invoked in political argument from the early modern period into the 18th century, contributing to a tradition she calls 'public humanism'. This book then traces the shifting uses of Plutarch in the Enlightenment, leading to the decline of this tradition of 'public humanism'. Throughout, the importance of Plutarch's work is highlighted as a key cultural reference and for its insight into important aspects of public service. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
Throughout the early modern period, political theorists in France and England drew on the works of Plutarch to offer advice to kings and princes. Elizabeth I herself translated Plutarch in her later years, while Jacques Amyot's famous translations of Plutarch's The Parallel Lives led to the wide distribution of his work and served as a key resource for Shakespeare in the writing of his Roman plays, through Sir Thomas North's English translations. Rebecca Kingston's Plutarch's Prism: Classical Reception and Public Humanism in France and England, 1500–1800 (Cambridge UP, 2022) explores how Plutarch was translated into French and English during the Renaissance and how his works were invoked in political argument from the early modern period into the 18th century, contributing to a tradition she calls 'public humanism'. This book then traces the shifting uses of Plutarch in the Enlightenment, leading to the decline of this tradition of 'public humanism'. Throughout, the importance of Plutarch's work is highlighted as a key cultural reference and for its insight into important aspects of public service. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History.
Throughout the early modern period, political theorists in France and England drew on the works of Plutarch to offer advice to kings and princes. Elizabeth I herself translated Plutarch in her later years, while Jacques Amyot's famous translations of Plutarch's The Parallel Lives led to the wide distribution of his work and served as a key resource for Shakespeare in the writing of his Roman plays, through Sir Thomas North's English translations. Rebecca Kingston's Plutarch's Prism: Classical Reception and Public Humanism in France and England, 1500–1800 (Cambridge UP, 2022) explores how Plutarch was translated into French and English during the Renaissance and how his works were invoked in political argument from the early modern period into the 18th century, contributing to a tradition she calls 'public humanism'. This book then traces the shifting uses of Plutarch in the Enlightenment, leading to the decline of this tradition of 'public humanism'. Throughout, the importance of Plutarch's work is highlighted as a key cultural reference and for its insight into important aspects of public service. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Throughout the early modern period, political theorists in France and England drew on the works of Plutarch to offer advice to kings and princes. Elizabeth I herself translated Plutarch in her later years, while Jacques Amyot's famous translations of Plutarch's The Parallel Lives led to the wide distribution of his work and served as a key resource for Shakespeare in the writing of his Roman plays, through Sir Thomas North's English translations. Rebecca Kingston's Plutarch's Prism: Classical Reception and Public Humanism in France and England, 1500–1800 (Cambridge UP, 2022) explores how Plutarch was translated into French and English during the Renaissance and how his works were invoked in political argument from the early modern period into the 18th century, contributing to a tradition she calls 'public humanism'. This book then traces the shifting uses of Plutarch in the Enlightenment, leading to the decline of this tradition of 'public humanism'. Throughout, the importance of Plutarch's work is highlighted as a key cultural reference and for its insight into important aspects of public service. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
Throughout the early modern period, political theorists in France and England drew on the works of Plutarch to offer advice to kings and princes. Elizabeth I herself translated Plutarch in her later years, while Jacques Amyot's famous translations of Plutarch's The Parallel Lives led to the wide distribution of his work and served as a key resource for Shakespeare in the writing of his Roman plays, through Sir Thomas North's English translations. Rebecca Kingston's Plutarch's Prism: Classical Reception and Public Humanism in France and England, 1500–1800 (Cambridge UP, 2022) explores how Plutarch was translated into French and English during the Renaissance and how his works were invoked in political argument from the early modern period into the 18th century, contributing to a tradition she calls 'public humanism'. This book then traces the shifting uses of Plutarch in the Enlightenment, leading to the decline of this tradition of 'public humanism'. Throughout, the importance of Plutarch's work is highlighted as a key cultural reference and for its insight into important aspects of public service. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Throughout the early modern period, political theorists in France and England drew on the works of Plutarch to offer advice to kings and princes. Elizabeth I herself translated Plutarch in her later years, while Jacques Amyot's famous translations of Plutarch's The Parallel Lives led to the wide distribution of his work and served as a key resource for Shakespeare in the writing of his Roman plays, through Sir Thomas North's English translations. Rebecca Kingston's Plutarch's Prism: Classical Reception and Public Humanism in France and England, 1500–1800 (Cambridge UP, 2022) explores how Plutarch was translated into French and English during the Renaissance and how his works were invoked in political argument from the early modern period into the 18th century, contributing to a tradition she calls 'public humanism'. This book then traces the shifting uses of Plutarch in the Enlightenment, leading to the decline of this tradition of 'public humanism'. Throughout, the importance of Plutarch's work is highlighted as a key cultural reference and for its insight into important aspects of public service. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices
Throughout the early modern period, political theorists in France and England drew on the works of Plutarch to offer advice to kings and princes. Elizabeth I herself translated Plutarch in her later years, while Jacques Amyot's famous translations of Plutarch's The Parallel Lives led to the wide distribution of his work and served as a key resource for Shakespeare in the writing of his Roman plays, through Sir Thomas North's English translations. Rebecca Kingston's Plutarch's Prism: Classical Reception and Public Humanism in France and England, 1500–1800 (Cambridge UP, 2022) explores how Plutarch was translated into French and English during the Renaissance and how his works were invoked in political argument from the early modern period into the 18th century, contributing to a tradition she calls 'public humanism'. This book then traces the shifting uses of Plutarch in the Enlightenment, leading to the decline of this tradition of 'public humanism'. Throughout, the importance of Plutarch's work is highlighted as a key cultural reference and for its insight into important aspects of public service. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Throughout the early modern period, political theorists in France and England drew on the works of Plutarch to offer advice to kings and princes. Elizabeth I herself translated Plutarch in her later years, while Jacques Amyot's famous translations of Plutarch's The Parallel Lives led to the wide distribution of his work and served as a key resource for Shakespeare in the writing of his Roman plays, through Sir Thomas North's English translations. Rebecca Kingston's Plutarch's Prism: Classical Reception and Public Humanism in France and England, 1500–1800 (Cambridge UP, 2022) explores how Plutarch was translated into French and English during the Renaissance and how his works were invoked in political argument from the early modern period into the 18th century, contributing to a tradition she calls 'public humanism'. This book then traces the shifting uses of Plutarch in the Enlightenment, leading to the decline of this tradition of 'public humanism'. Throughout, the importance of Plutarch's work is highlighted as a key cultural reference and for its insight into important aspects of public service. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices
Throughout the early modern period, political theorists in France and England drew on the works of Plutarch to offer advice to kings and princes. Elizabeth I herself translated Plutarch in her later years, while Jacques Amyot's famous translations of Plutarch's The Parallel Lives led to the wide distribution of his work and served as a key resource for Shakespeare in the writing of his Roman plays, through Sir Thomas North's English translations. Rebecca Kingston's Plutarch's Prism: Classical Reception and Public Humanism in France and England, 1500–1800 (Cambridge UP, 2022) explores how Plutarch was translated into French and English during the Renaissance and how his works were invoked in political argument from the early modern period into the 18th century, contributing to a tradition she calls 'public humanism'. This book then traces the shifting uses of Plutarch in the Enlightenment, leading to the decline of this tradition of 'public humanism'. Throughout, the importance of Plutarch's work is highlighted as a key cultural reference and for its insight into important aspects of public service. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend. But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil's most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil's dying wish that it be destroyed. In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil's own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil's work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend. But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil's most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil's dying wish that it be destroyed. In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil's own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil's work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend. But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil's most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil's dying wish that it be destroyed. In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil's own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil's work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend. But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil's most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil's dying wish that it be destroyed. In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil's own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil's work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend. But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil's most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil's dying wish that it be destroyed. In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil's own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil's work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend. But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil's most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil's dying wish that it be destroyed. In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil's own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil's work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend. But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil's most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil's dying wish that it be destroyed. In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil's own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil's work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend. But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil's most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil's dying wish that it be destroyed. In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil's own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil's work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
Early in the third century, a small group of Greek Christians began to gain prominence and legitimacy as intellectuals in the Roman Empire. Examining the relationship that these thinkers had with the broader Roman intelligentsia, Jared Secord contends that the success of Christian intellectualism during this period had very little to do with Christianity itself. With the recognition that Christian authors were deeply engaged with the norms and realities of Roman intellectual culture, Secord examines the thought of a succession of Christian literati that includes Justin Martyr, Tatian, Julius Africanus, and Origen, comparing each to a diverse selection of his non-Christian contemporaries. Reassessing Justin's apologetic works, Secord reveals Christian views on martyrdom to be less distinctive than previously believed. He shows that Tatian's views on Greek culture informed his reception by Christians as a heretic. Finally, he suggests that the successes experienced by Africanus and Origen in the third century emerged as consequences not of any change in attitude toward Christianity by imperial authorities but of a larger shift in intellectual culture and imperial policies under the Severan dynasty. Original and erudite, Christian Intellectuals and the Roman Empire: From Justin Martyr to Origen (Penn State UP, 2020) demonstrates how distorting the myopic focus on Christianity as a religion has been in previous attempts to explain the growth and success of the Christian movement. It will stimulate new research in the study of early Christianity, classical studies, and Roman history. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices
Early in the third century, a small group of Greek Christians began to gain prominence and legitimacy as intellectuals in the Roman Empire. Examining the relationship that these thinkers had with the broader Roman intelligentsia, Jared Secord contends that the success of Christian intellectualism during this period had very little to do with Christianity itself. With the recognition that Christian authors were deeply engaged with the norms and realities of Roman intellectual culture, Secord examines the thought of a succession of Christian literati that includes Justin Martyr, Tatian, Julius Africanus, and Origen, comparing each to a diverse selection of his non-Christian contemporaries. Reassessing Justin's apologetic works, Secord reveals Christian views on martyrdom to be less distinctive than previously believed. He shows that Tatian's views on Greek culture informed his reception by Christians as a heretic. Finally, he suggests that the successes experienced by Africanus and Origen in the third century emerged as consequences not of any change in attitude toward Christianity by imperial authorities but of a larger shift in intellectual culture and imperial policies under the Severan dynasty. Original and erudite, Christian Intellectuals and the Roman Empire: From Justin Martyr to Origen (Penn State UP, 2020) demonstrates how distorting the myopic focus on Christianity as a religion has been in previous attempts to explain the growth and success of the Christian movement. It will stimulate new research in the study of early Christianity, classical studies, and Roman history. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Early in the third century, a small group of Greek Christians began to gain prominence and legitimacy as intellectuals in the Roman Empire. Examining the relationship that these thinkers had with the broader Roman intelligentsia, Jared Secord contends that the success of Christian intellectualism during this period had very little to do with Christianity itself. With the recognition that Christian authors were deeply engaged with the norms and realities of Roman intellectual culture, Secord examines the thought of a succession of Christian literati that includes Justin Martyr, Tatian, Julius Africanus, and Origen, comparing each to a diverse selection of his non-Christian contemporaries. Reassessing Justin's apologetic works, Secord reveals Christian views on martyrdom to be less distinctive than previously believed. He shows that Tatian's views on Greek culture informed his reception by Christians as a heretic. Finally, he suggests that the successes experienced by Africanus and Origen in the third century emerged as consequences not of any change in attitude toward Christianity by imperial authorities but of a larger shift in intellectual culture and imperial policies under the Severan dynasty. Original and erudite, Christian Intellectuals and the Roman Empire: From Justin Martyr to Origen (Penn State UP, 2020) demonstrates how distorting the myopic focus on Christianity as a religion has been in previous attempts to explain the growth and success of the Christian movement. It will stimulate new research in the study of early Christianity, classical studies, and Roman history. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Early in the third century, a small group of Greek Christians began to gain prominence and legitimacy as intellectuals in the Roman Empire. Examining the relationship that these thinkers had with the broader Roman intelligentsia, Jared Secord contends that the success of Christian intellectualism during this period had very little to do with Christianity itself. With the recognition that Christian authors were deeply engaged with the norms and realities of Roman intellectual culture, Secord examines the thought of a succession of Christian literati that includes Justin Martyr, Tatian, Julius Africanus, and Origen, comparing each to a diverse selection of his non-Christian contemporaries. Reassessing Justin's apologetic works, Secord reveals Christian views on martyrdom to be less distinctive than previously believed. He shows that Tatian's views on Greek culture informed his reception by Christians as a heretic. Finally, he suggests that the successes experienced by Africanus and Origen in the third century emerged as consequences not of any change in attitude toward Christianity by imperial authorities but of a larger shift in intellectual culture and imperial policies under the Severan dynasty. Original and erudite, Christian Intellectuals and the Roman Empire: From Justin Martyr to Origen (Penn State UP, 2020) demonstrates how distorting the myopic focus on Christianity as a religion has been in previous attempts to explain the growth and success of the Christian movement. It will stimulate new research in the study of early Christianity, classical studies, and Roman history. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Early in the third century, a small group of Greek Christians began to gain prominence and legitimacy as intellectuals in the Roman Empire. Examining the relationship that these thinkers had with the broader Roman intelligentsia, Jared Secord contends that the success of Christian intellectualism during this period had very little to do with Christianity itself. With the recognition that Christian authors were deeply engaged with the norms and realities of Roman intellectual culture, Secord examines the thought of a succession of Christian literati that includes Justin Martyr, Tatian, Julius Africanus, and Origen, comparing each to a diverse selection of his non-Christian contemporaries. Reassessing Justin's apologetic works, Secord reveals Christian views on martyrdom to be less distinctive than previously believed. He shows that Tatian's views on Greek culture informed his reception by Christians as a heretic. Finally, he suggests that the successes experienced by Africanus and Origen in the third century emerged as consequences not of any change in attitude toward Christianity by imperial authorities but of a larger shift in intellectual culture and imperial policies under the Severan dynasty. Original and erudite, Christian Intellectuals and the Roman Empire: From Justin Martyr to Origen (Penn State UP, 2020) demonstrates how distorting the myopic focus on Christianity as a religion has been in previous attempts to explain the growth and success of the Christian movement. It will stimulate new research in the study of early Christianity, classical studies, and Roman history. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Early in the third century, a small group of Greek Christians began to gain prominence and legitimacy as intellectuals in the Roman Empire. Examining the relationship that these thinkers had with the broader Roman intelligentsia, Jared Secord contends that the success of Christian intellectualism during this period had very little to do with Christianity itself. With the recognition that Christian authors were deeply engaged with the norms and realities of Roman intellectual culture, Secord examines the thought of a succession of Christian literati that includes Justin Martyr, Tatian, Julius Africanus, and Origen, comparing each to a diverse selection of his non-Christian contemporaries. Reassessing Justin's apologetic works, Secord reveals Christian views on martyrdom to be less distinctive than previously believed. He shows that Tatian's views on Greek culture informed his reception by Christians as a heretic. Finally, he suggests that the successes experienced by Africanus and Origen in the third century emerged as consequences not of any change in attitude toward Christianity by imperial authorities but of a larger shift in intellectual culture and imperial policies under the Severan dynasty. Original and erudite, Christian Intellectuals and the Roman Empire: From Justin Martyr to Origen (Penn State UP, 2020) demonstrates how distorting the myopic focus on Christianity as a religion has been in previous attempts to explain the growth and success of the Christian movement. It will stimulate new research in the study of early Christianity, classical studies, and Roman history. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies
In The Student: A Short History (Yale UP, 2023), Michael S. Roth narrates a vivid and dynamic history of students, exploring some of the principal models for learning that have developed in very different contexts, from the sixth century BCE to the present. Beginning with the followers of Confucius, Socrates, and Jesus and moving to medieval apprentices, students at Enlightenment centers of learning, and learners enrolled in twenty-first-century universities, he explores how students have been followers, interlocutors, disciples, rebels, and children becoming adults. There are many ways to be a student, Roth argues, but at their core is developing the capacity to think for oneself by learning from others, and thereby finding freedom. In an age of machine learning, this book celebrates the student who develops more than mastery, cultivating curiosity, judgment, creativity, and an ability to keep learning beyond formal schooling. Roth shows how the student throughout history has been someone who interacts dynamically with the world, absorbing its lessons and creatively responding to them. Micheal Roth is president of Wesleyan University. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices
In The Student: A Short History (Yale UP, 2023), Michael S. Roth narrates a vivid and dynamic history of students, exploring some of the principal models for learning that have developed in very different contexts, from the sixth century BCE to the present. Beginning with the followers of Confucius, Socrates, and Jesus and moving to medieval apprentices, students at Enlightenment centers of learning, and learners enrolled in twenty-first-century universities, he explores how students have been followers, interlocutors, disciples, rebels, and children becoming adults. There are many ways to be a student, Roth argues, but at their core is developing the capacity to think for oneself by learning from others, and thereby finding freedom. In an age of machine learning, this book celebrates the student who develops more than mastery, cultivating curiosity, judgment, creativity, and an ability to keep learning beyond formal schooling. Roth shows how the student throughout history has been someone who interacts dynamically with the world, absorbing its lessons and creatively responding to them. Micheal Roth is president of Wesleyan University. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
In The Student: A Short History (Yale UP, 2023), Michael S. Roth narrates a vivid and dynamic history of students, exploring some of the principal models for learning that have developed in very different contexts, from the sixth century BCE to the present. Beginning with the followers of Confucius, Socrates, and Jesus and moving to medieval apprentices, students at Enlightenment centers of learning, and learners enrolled in twenty-first-century universities, he explores how students have been followers, interlocutors, disciples, rebels, and children becoming adults. There are many ways to be a student, Roth argues, but at their core is developing the capacity to think for oneself by learning from others, and thereby finding freedom. In an age of machine learning, this book celebrates the student who develops more than mastery, cultivating curiosity, judgment, creativity, and an ability to keep learning beyond formal schooling. Roth shows how the student throughout history has been someone who interacts dynamically with the world, absorbing its lessons and creatively responding to them. Micheal Roth is president of Wesleyan University. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education
In The Student: A Short History (Yale UP, 2023), Michael S. Roth narrates a vivid and dynamic history of students, exploring some of the principal models for learning that have developed in very different contexts, from the sixth century BCE to the present. Beginning with the followers of Confucius, Socrates, and Jesus and moving to medieval apprentices, students at Enlightenment centers of learning, and learners enrolled in twenty-first-century universities, he explores how students have been followers, interlocutors, disciples, rebels, and children becoming adults. There are many ways to be a student, Roth argues, but at their core is developing the capacity to think for oneself by learning from others, and thereby finding freedom. In an age of machine learning, this book celebrates the student who develops more than mastery, cultivating curiosity, judgment, creativity, and an ability to keep learning beyond formal schooling. Roth shows how the student throughout history has been someone who interacts dynamically with the world, absorbing its lessons and creatively responding to them. Micheal Roth is president of Wesleyan University. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
In The Student: A Short History (Yale UP, 2023), Michael S. Roth narrates a vivid and dynamic history of students, exploring some of the principal models for learning that have developed in very different contexts, from the sixth century BCE to the present. Beginning with the followers of Confucius, Socrates, and Jesus and moving to medieval apprentices, students at Enlightenment centers of learning, and learners enrolled in twenty-first-century universities, he explores how students have been followers, interlocutors, disciples, rebels, and children becoming adults. There are many ways to be a student, Roth argues, but at their core is developing the capacity to think for oneself by learning from others, and thereby finding freedom. In an age of machine learning, this book celebrates the student who develops more than mastery, cultivating curiosity, judgment, creativity, and an ability to keep learning beyond formal schooling. Roth shows how the student throughout history has been someone who interacts dynamically with the world, absorbing its lessons and creatively responding to them. Michael Roth is president of Wesleyan University. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
In The Student: A Short History (Yale UP, 2023), Michael S. Roth narrates a vivid and dynamic history of students, exploring some of the principal models for learning that have developed in very different contexts, from the sixth century BCE to the present. Beginning with the followers of Confucius, Socrates, and Jesus and moving to medieval apprentices, students at Enlightenment centers of learning, and learners enrolled in twenty-first-century universities, he explores how students have been followers, interlocutors, disciples, rebels, and children becoming adults. There are many ways to be a student, Roth argues, but at their core is developing the capacity to think for oneself by learning from others, and thereby finding freedom. In an age of machine learning, this book celebrates the student who develops more than mastery, cultivating curiosity, judgment, creativity, and an ability to keep learning beyond formal schooling. Roth shows how the student throughout history has been someone who interacts dynamically with the world, absorbing its lessons and creatively responding to them. Micheal Roth is president of Wesleyan University. Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network