Podcasts about Prism

Why did Avraham accept extravagant gifts from Pharaoh but adamantly refuse even the smallest present from the King of Sodom? This week's Parshas Lech Lecha episode explores a striking contradiction that reveals a fundamental principle about spiritual growth: you can't become more spiritual at someone else's expense.Through a remarkable Midrash about Avraham's debts and a powerful story about the Skoliner Rebbe's last three matzos before Pesach, Reb Asaf Aharon Prisman uncovers an often-overlooked prerequisite for authentic spiritual development. The episode examines how our pursuit of personal stringencies and higher madreigos can sometimes blind us to our obligations to others—and why true tzidkus requires extraordinary sensitivity to how our choices affect those around us.You'll discover the difference between genuine avodas Hashem and spiritual selfishness, learn how to identify when your personal growth might be creating problems for others, and understand why sensitivity to others isn't just a nice middah but the essential foundation for all ruchniyus advancement. Whether you're navigating personal chumros, considering life-altering spiritual decisions, or simply trying to grow in your Yiddishkeit, this episode offers crucial Torah wisdom for authentic spiritual living.Prism of Torah brings deep Torah analysis with practical application, making complex concepts accessible for everyday Jewish life. Hosted by Reb Asaf Aharon Prisman.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

The Prism of America's Education with Host Karen Schoen – I sent a letter to Governor DeSantis, asking him what solar panels taste like as we replace our food farms with solar farms. I never got an answer. I started researching in my old files. I was trying to find out why, when President Trump's energy policy is drill baby drill, and uses all forms of energy, Florida is not paying attention...

Ten years, 50,000+ copies, four languages, and about a million stories later… the second edition of Mastering Portrait Photography is here. Sarah flips the mic and grills me about why we did a new edition, what changed (spoiler: basically everything but one image), how mirrorless and AI have shifted the craft, and why a tiny chapter on staying creative might be the most important two pages I've ever written. There's a Westie called Dodi, a cover star called Dory, and a street scene in La Boca that still makes me grin. Enjoy! Links: Signed Copy of Mastering Portrait Photography, New Edition - https://masteringportraitphotography.com/resource/signed-copy-mastering-portrait-photography-new-edition/   Transcript: Sarah: So welcome back to the Mastering Portrait Photography podcast and today's a special one. Hi, I'm Sarah, and I'm the business partner of Paul at Paulwilkinsonphotography.co.uk and also his wife too. Now, you might already know him as the voice behind this podcast, but today I'm gonna get the rare pleasure of turning the microphone around and asking him the questions. So Paul, it's been 10 years since the first edition of mastering portrait photography hit the shelves, and with selling over 50,000 copies, multiple reprints and translation into four languages, it's safe to say it's had a bit of an impact, but as we all know, photography doesn't stand still and neither do you. So today we're diving into the brand new second edition. So Hello Paul. Paul: Hello. It feels weird saying hello to my wife in a way that makes it sound like we've only just met. Sarah: Mm. Maybe, maybe. Paul: The ships that pass in the night. Sarah: Yes. So I thought we'd start with talking about the, the first version. You know, how did it come about? A bit of the origin story about it. Um, and I'll leave that with you. Paul: Well, of course Confusingly, it's co-authored with another Sarah, um, another photographer. And the photographer and brilliant writer called Sarah Plater, and she approached us actually, it wasn't my instigation, it was Sarah's, and she had written another book with another photographer on the Foundations of Photography. Very popular book. But she wanted to progress and had been approached by the publisher to create Mastering Portrait Photography. This thing that we now have become used to didn't exist 10 years ago, and when she approached us, it was because she needed someone who could demonstrate photographic techniques that would live up to the title, mastering portrait photography. And we were lucky enough to be that photographer. And so that first book was really a, a sort of trial and error process of Sarah sitting and interviewing me over and over and over and over and over, and talking about the techniques that photographers use in portraiture. Some of it very sort of over the sort of cursory look, some of it in depth, deep dives, but all of it focusing on how to get the very best out of your camera, your techniques, and the people in front of you. And that's how it came about. I mean, little did I know 10 years ago we'd be sitting here where we are with Mastering Portrait Photography as a brand in and of itself.This is the Mastering Portrait Photography Podcast Yes, because the book sold so well. Sarah: And did you expect it to do as well as it Paul : Oh, I'm a typical photographer, so, no, of course I didn't, you know, I kind of shrugged and thought it'd be all right. Um, and, and in some ways, because you have to boil it down into, I think there's a 176 pictures or there, there were in the first book or somewhere around there, a couple of hundred pages. There's this sense that there's no way you can describe everything you do in that short amount of space. And so instead of, and I think this is true of all creatives, instead of looking what we achieve. We look at the things we haven't done. And I talk about this on the podcast regularly, the insecurity, you know, how to, how to think like a scientist. That's something that will come up later when we talk about the new version of the book. But no, I, I thought it would be reasonably well accepted. I thought it was a beautiful book. I thought Sarah's words were brilliant. I thought she'd captured the, the processes that I was talking about in a way that clarified them because I'm not known for my clarity of thought. You know, you know, I am who I am, I'm a creative, um, and actually what happened was the minute it was launched, the feedback we got has been amazing. And of course then it's gone on to be translated into Italian. A couple of different Italian versions for National Geographic. It's been translated into Korean, it's been translated into German, it's been translated into Chinese. Um, and of course, technically it's been translated into American English. And, and one of the reviews that made me laugh, we've got amazing reviews on Amazon, but there is one that kind of made me laugh, but also upset me slightly, is that both Sarah and myself are British authors. Using English uk, UK English, but for the international market right from the get go the book was using American spellings, Sarah: right? Paul : We didn't know that was what was gonna happen. We provided everything in UK English and of course it went out in with American English as its base language. Its originating language. Um, and that's one of the biggest criticisms we Sarah: got. Paul - Studio Rode Broadcaster V4 (new AI): And when that's the criticism you're getting that people are a bit fed up that it's in American English and apologies to my US friends, of which I have many. Um, it was the only one that really. I don't like that. So I thought, well, it must be all right. And so for 10 years it's been selling really well. book. I never knew it'd be in different languages. Um, it was in the original contract that if the publisher wanted to do that, they could. And really, I only found out it was an Italian when I started getting messages in Italian from people who'd bought the book in Italy. And then of course, we found out. So it's been a remarkable journey and. I don't think I've been as proud of something we've done as I have of the book. I mean, me and you spent hours pouring over pictures and talking about stories. Sarah had to then listen to me. Sarah: Yes. Paul: Mono, sort of giving these sort of diatribes on techniques and things we do. Um, you know, and I think, I think it's a remark. I, well, I still think it's a remarkable achievement. I'm really proud of it. Sarah: Yes. Did, did you think the second edition would, would happen or, um, or how did it come about? Paul: No, not really. Because if you remember, we did a sort of interim update, which was just off the ISBN, so the same ISBN, same book number, but we'd been asked if there was anything that needed tweaking minor word changes, those kinds of things. And I assumed not really being, you know, that time experienced with this stuff is that was. Was a second edition, it was basically a reprint. So I sort of assumed that was the end of it. And then, um, we were contacted the end of last year, um, to say that with the success of the book over the past decade, would we consider, uh, refreshing it properly refreshing it, a new updated edition because of course there's lots of things that change over time. Um. And it's, it was worth having another look at it. So no, I didn't expect it, but it was an absolute joy when the email came in It must have been. It's, it's one of those things that's so lovely when other people appreciate it and know that, um, it would be really good to have a, have another go at it and, uh, see what's changed. Sarah: So it kind of brings me onto what, what have you changed in it? What's, what are the new, the new bits that are in the second edition? Or was it even that from the first edition? You, you knew that there were things you'd love to include? Paul: Well, in a decade, so much changes. I. The equipment is the most obvious. You know, there's a chapter at the beginning on Kit, so you know, one of these dilemmas with books. I think again, we took advice from the publisher as to what do you include in a book? And the publisher were really keen and have stayed really keen that there's a chapter on the kit at the beginning. Um, and apparently that just helps a very particular part of the market sell. So that's fair enough. No problem with that. It's quite fun talking about technology. I don't mind it. Um, but of course that technology's evolved, so we had to update all of that to reflect the fact that 10 years ago we were just beginning to talk about the advent of mirrorless cameras, but they were nowhere near the quality of a digital SLR, for instance. Well, now mirrorless is the professional choice. Everything has gone mirrorless because it's got fewer moving parts. The sensors have increased in, um, sensitivity to focusing, you know, there's a million reasons why that's happened. So of course we've updated all of the technology. I think more importantly, certainly from my point of view is in those 10 intervening years, I've changed every picture. Our clients, the techniques, the. Post-production, the thought processes, um, even down to the fact that with mirrorless cameras, you can actually shoot in a slightly different way. I mean, I'm a traditionalist in many ways. I grew up with a film camera. Yes. So, you know, metering either using a meter or very careful control. Because your dynamic range is pretty limited. Um, maybe the fact that you would focus on a point and then wait for whatever it is that's moving through it, to move through it and take your, take your picture. Um, these were the kind of techniques, you know, lock your focus repose when I started, even even A-D-S-L-R, you know, I'll give you a really good example on how the technology has helped, though. It's not actually part of this book, but it's a, it's a really good illustrative point. Um, technology isn't the be all and end all of photography. What goes on in your head is what matters, but the technology is the enabler. And I work with the hearing dogs every week. We photograph running dogs all the time and with the DSLRs I was using, it would just take four goes, maybe five goes to get that perfect moment where the dog is spot perfect in focus. It's airborne, its paws are off the floor. Everything about it is absolutely right. Four or five goes, you know, because I'm shooting at maybe 10 frames a second. The focusing is more or less keeping up because of course, every time you take a picture, the mirror slaps up and the focusing then has to predict where the dog might have ended up. It's not doing, it's not tracking it at that point, and then you move to mirrorless. Um, and the Z9 that I use now, the Nikon is an unbelievable piece of kit. It locks onto the dog. I can shoot at 20 frames a second. Um, and one of those shots is invariably the shot I'm looking for. And, and that sounds like I'm cheating in some ways, but when you are a professional photographer, your job is to do the very best for your client. And so instead of spending an inordinate, inordinate amount, it's not easy for me to say a very long time. Um. You know, trying to get the right shot. Now I can do it very quickly and move on to another shot so we can provide a wider variety to our clients. And that's true with running children too. Yes. So the technology has changed and the techniques have changed with it. Um, now you're seeing on the back of your camera or through the viewfinder exactly the image. Not a facsimile of it, not a mirror. Prism view of it, you're seeing precisely what you're gonna capture. Um, and that gives you a huge amount of confidence in the shot and a huge amount of control too. You can really fine tune exactly how you want the exposure to be. For instance, you know, you don't have to worry about, is that right? Let's must check the histogram afterwards. You can check the histogram, live in the viewfinder and all these little bits, just make your job different. They, you connect with the shot in a different way. You connect with a client in a different way, and that's the tech side. But I've also, you know, I, in 10 years, I'm 10 years older. You know, in some ways I'm 10 years faster. In other ways, I'm 10 years slower. You know, the cameras are quicker, my shots are quicker, my knees are slower. Um, and it's a different perspective on life. I also teach a lot. The podcast, the book itself, the first edition of the book, led us to the podcast and the website where we run workshops and everything else. So all of this cumulative knowledge, when you look back at the old book, and while I'm still massively proud of it, the new edition was a wonderful opportunity to sit down and say, what would I like, how would I like to be represented this time? Yes, and it's a much more grown up approach, I think. I mean, I, I wasn't a kid back then, but this time around because the book was successful, instead of providing 10 pictures for every slot, I provided the picture I want, in that slot. Right? And so the book is much closer to how I would like it to be as a photographer. Every picture. Now, I could tell you a story about every single picture, every single client, and having the luxury of success on the first version gave me the luxury of being able to do more of what I wanted in this version. This is much more reflective, I think. Of me personally. Yes. And so I've, I've loved it. It's absolutely, it's such a, a lovely process to go through. Sarah: So how many pictures have been changed between the two versions? Paul: All bar one. Sarah: bar one. How intriguing. So will you tell us what the one is, or is that Paul: can, you can go and find that out for yourself. Yeah, so there's one single image that hasn't been changed. There's single image that hasn't been but every other image has has changed from the first edition. Uh, just a caveat to that, of course, some of the kit pictures, uh, 'cause they were generic, they've stayed the same. But every portrait, Wow. every single portrait except for one, has been changed. Sarah: And how did you go about choosing those pictures? 'cause I can imagine, you know, if you're starting effectively with a blank canvas for where the images have gotta go, uh, how on earth did you do that Paul: Um, slowly the publisher will tell you, uh. The thing to you have to remember though, is that this is an updated edition. Yes. And that was the contract. It was not a complete start again. So, although I had the opportunity to change every picture, every picture had to fit into an almost identical space because they weren't gonna redesign it. Right. It's updated edition and we have to be clear about that. So part of the puzzle was not just, which pictures do I want to illustrate, which point. It was, which pictures in the same shape previous do I want to illustrate? I mean, there's some wiggle room in there, but the designers did not want to do a full redesign. That was not what we were contracted for. Um, obviously the words were being updated too. And both Sarah and myself, um, I mean, since the first book I now write for magazines and online articles and things all the time, I write for all sorts of photography stuff. Um, and so actually both Sarah and myself wrote words this time round. Um, but nonetheless, we couldn't change too much. We could bring it up to date, but there, there were still bits that, you know, if I was being truly honest, there are things that I think in the past 10 years have become less relevant. And things, it would've been nice to have put some different stuff in, but that again, this is an updated edition, um, not a complete from the ground up rewrite. So actually I sat down and I looked at all of the, um, chapters and the words that we'd written in the first edition and thought about what we were trying to illustrate and went back to sort of basics really, and where I already had pictures in the portfolio. Um, we used pictures of great clients, interesting light, interesting locations, interesting techniques where there are certain things where, I'm not sure, the first time round, um, the illustrations of them were as good as I, as strong as I would've liked. I shot them again here in the studio, so things like the lighting pattern. You know, I have, I've talked about them for 10 years, these lighting patterns. So it was a really nice chance to sit Katie, who works for us in the studio, uh, to sit Katie in front of the camera and say, right, this is what we're gonna do. And I worked every lighting pattern and redrew every diagram to make that absolutely on point, which I think the first time round, while they are very, very good. They're not what I would've liked them to be this time round. So there was that side of it too. And then of course, and I'm sure you're gonna come onto it, there's a couple of, well, there's a new chapter in there which did give us a chance to explore something a little bit different. Um, so yeah, it was just a long process of finding pictures that if I'm gonna put my name to it, are the ones that I would like. Yes. And it's not always the best picture. It's not always the competition winners. they're in there. They are in there. Of course they're in there. Um, but I think this time round, um, I really enjoyed reminiscing. I think some of the pictures in there, they're all beautiful pictures, don't get me wrong. But some of the people I picked to be in them are people because actually that was a moment that I will remember for the rest of my life for all sorts of reasons. And I think the, the strongest example of that is our cover shot is Dory now. The story of Dory. That sounds really weird. The story of Dory? photo. Dory. Story of photograph. Oh yeah, my you met Dory? Or should we go with I dunno if the story of Dory that's like, sounds like a children's book. That'd be a great chance to write a children's book. So Sarah and I were having dinner. Dory was working in the restaurant that, uh, we are having dinner in. Um, I laughed to Sarah and said, I think, um, Dory would photograph beautifully. Sarah said, we'll, go and ask her. And I asked her and she said, no. She absolutely said no, categorically. And I said, okay. Then I wrote our email address, sorry, I wrote our web address. Uh, on the back of a, of a napkin and handed it to her. I said, look, you know, if you're not interested, that's fine, but have a look at my work. Um, and this was after the first edition of mastering portrait photography, and my idea was for Dorie to come to the studio and we'd film some stuff where we photographed her and use it for information, stuff for people who read the book and maybe create some YouTube videos and things. Um, anyway, at four o'clock in the morning, got an email back from Dory saying, actually, I've just looked at your work. Yes, please. And Dory has gone on to be someone we've worked with fairly regularly. Um, mostly, um, because she's just the nicest person in the world, but also she's supremely photogenic and you bring those two things together and they're the kind of people I love to work with. I love to celebrate. Photography with, so her picture, one of those pictures I shot in that session is the cover shot in the book and she features later on as well. 'cause she's come back with her husband and her kids and it's just a delight. And then there, you know, there are people from all over the world. Um, and so there's a lot of memories in there for both me and for you I Yes, Um, and it was, uh, just a pleasure to go through it. Oh, and the other thing is every single shot is shot since we published the first edition. So I did limit us to the past 10 everything is limited to what, what you've captured in the last 10 years? Yeah. Yes. Because figured that, um, if you're gonna do an updated edition, then, although there were pictures in the first version of the book, I would've loved to have had in there that never made it. Why don't we start from that point and move forwards? Other than the one Other than other than the one other than, one Sarah: so you've, you've talked a little bit about how you've changed and that's been reflected in the book. You've talked a little bit about how the technology has changed, but probably one of the biggest changes has been post-production, um, the introduction of, of ai. So is that reflected in the book, Paul: Yeah, of course it is. Um, the post-production chapter, um, I mean, the thing with post-production is that's a volume of books in and of itself. Uh, we put it into the book Sarah and myself, because I think it was important to note that an image isn't generally finished in camera. It's finished when it's finished. And this is true for film, by the way. This is not news, you know? Um, and it's for as long as film has been shot, transparency's and negatives. People have been doing a certain amount of post-production on them afterwards in their development tanks. Um, or whether they're doing hand toning or something is', this isn't new for me. I think you're about halfway there. Now, the second half might be a very short half, but it's almost certainly gonna evolve, at the very least, um, brightening controlling your tones and cropping. Okay. Maybe a bit of sharpening if that's your thing. So we put that chapter in just to make the point that there is a finishing stage. That was 10 years ago. In those 10 years, everything has changed. Yes. Yes. You know, even if I just kept it to the Photoshopping that we had in the first edition, all of that is different. I. And of course AI has now arrived. Um, I mean, it's a precocious child of a technology at the moment, but it's growing up really very fast and it's gonna affect us in every single element of us as creatives of, of us as business owners. There's, there's no part of our work. Even. Even the people that say I don't believe in AI are using cameras that have AI in them. You know, there's no way of escaping it. It's here with us and you can fight it if you want. And there are bits of it that I'm not that comfortable with. Certainly some of the training, the way they did it on images, without any acknowledgement of copywriting things, it's problematic. But in the end, it's here, it's now, and if you don't embrace it, the people who are in your market as a professional competing with you. Are embracing it so there's no getting around it. So yeah, there's a part of our post-production now talks about specifically EVOTO.AI, which is the app that we use. There's others as well re Bloom and a few others that do a very similar thing. Um, and we've put it in there. Again, not as this is what AI does, but for make, to make people aware that AI is now part of the puzzle. Use it, don't use it. And that's completely your choice. The same as it is with Photoshop. But it's a good place to just remind people. That this is the direction of travel for a good chunk of the industry. So yeah, we've changed that quite a lot. Sarah: And a section at the end. Is it Paul: my favorite section? Yes. this Sarah: a, this was a request from you to add this in. Paul: Yes, yes. Um, there's a, one of the things with doing this as a job, and it's not just a risk, it really does happen, is you find yourself. Sort of burnt out isn't the right word for it, really, or the right phrase for it. But you find yourself same old, same old, same old. You get good at stuff, you get known for stuff. People ask you to do that stuff. You do more of it. You, you're still good at it, but eventually you start to find yourself just a little bit flat. Um, and it happens all the time. And so I put a chapter and I asked the publishers if we could wiggle some stuff around and make some space to put one specific chapter in. It's not a long chapter, but to me it might be the most important chapter in there. It's about staying creative. It's just little techniques, little ideas for staying on top of your game, thinking of new things, being a creative. And, and being a creative is something you have to work at. You can't just, you don't just invent ideas. You have to be open to seeing things and thinking things and trying things, experimenting, working with different people, having mentoring. These are all the facets that I wanted to just in a very short chapter, 'cause we could only squeeze in a couple of pages. But it's the chapter that I think I am the most proud of Sarah: Yes. And knowing you as well as I do, you know, it's part of my challenge in the business is making sure that you keep motivated and keep being creative. So I, I know how important it's, and how we have to put shoots in the diary and, and do things that are just for you, for no other reason. Just than just to let you play. So I, I can see how important that is. Paul: Yeah. I'm, I'm aware of just how much cotton wool you wrap me in and I can feel it building as well. I always know when I'm not firing on all cylinders, because you start to sort of wrap cotton wool around me and start to think about putting it in other things that we need to do, or just a break to get away for a week. You know, there's those things. It's really hard. It's hard being a creative, as in it's hard to be a creative a hundred percent of the time, and b, creative a hundred percent of the time. The, the, you know, being called a creative is one thing, but actually being creative is a process of invention and experimenting and doing things that you haven't done before. That's the point of being creative. Um, and so, yeah, I'm always aware when I'm clearly starting to feel a bit frazzled because I can feel you starting to. Talk about doing other things. Sarah: So what I didn't realize is what you said earlier, that the, all the images have all been taken since the last book. Um, and they're from clients we've had all around the world as well. So I wondered if it would be. Nice to pull out a couple of our favorite images. Um, I sort of going on from your comments about staying creative. One that jumps out to me is when, um, Vivian and Dody came to the studio and, you know, this was a, a lady who came in with her West Highland tert. So Westy Westy, it's a white west. Highland, ter. And, um, we did some beautiful shots indoors, outdoors, um, having lots of fun. And then you built this, uh, amazing scene, um, which is including in the, included in the posing chapter. Do you wanna just explain and tell me a little bit about that one? Yeah. Um. Paul: Um, you know, Dodie, sorry. Vivian had emailed Dodie didn't email, obviously Doty's Do's dog, Vivian Vivian emailed to say she wanted a shoot with her dog. And I kind of, I say I distinctly remember the email. I remember what she said in the email, which is that she couldn't find another photographer who photographed the owner with their dog. Now, I dunno how hard Vivian looked. I'm not, I'm sure there's a lot of photographers listening to this that photograph dogs with their owners and I judge a lot now as a, as a judge and as a coach. So I know it to. Out there. But anyway, she landed on us and I'm thrilled that she did Vivian and, uh, Dodie turned at the studio. And Vivian is just beautiful. She's elegant. She has a real sort of gentle way about her, uh, and this beautiful little West Highland ter, which was for the first 10 minutes, I have to be honest in now. Backstory, my Nan had repeatedly West Highland Terriers. My Nan repeatedly did not train her. Westie, my Nan's dogs repeatedly bit us all of us as kids, as teenagers, as adults. Even my dad would like shut the door and run because this dog would go for him. And so when she turned up with this little Westie, I must admit I backed away. However, Dodi, just like Vivian, was gentle and calm and just followed her around and, and he would sit. In the studio just looking at her while we worked, if it was shots for her on her own. And then when she scooped him up or we tried to do something with him, he was so patient and so well behaved. So I've got this incredible client who wants to do these shots, and at the end of the shoot sometimes the greatest privilege you get is to say to someone, how long have you got? And if they've got a little bit more time. What you can do is say, would you mind just trying a few bits with us? So we cleaned the studio out. It's a white, the, the dog was a white dog. Vivian had a light colored outfit and this kind of fair, and she was just, it. It struck me that we could do something interesting with the white walls of the studio, the white floor of the studio, the white posing blocks that I've had probably for 20 years here. And so I did a couple of things and we, we shot some different combinations and then in the post-production STA stage, I built a model of our studio in 3D in blender, it with blocks exactly the same. And then I can create almost any scene I wanted around this shot that's right in the middle of Dodi looking up at Vivian. Um, and it was one of those shoots that, I mean, every shoot in here, there's a story similar to this where I could tell you it's a shoot I'll remember forever. Um, and it was, and it was just a, a real luxury and, and just, you know, I dunno if Vivian listens to the podcast, but hello. Um, and Vivian's also very kindly sourced books from China for us. Yeah. yes. It's hard to get hold of some of these things when you are not in country. So we're still in touch with her very much. He's a lovely client. Another one that, um, oh, actually there's quite a few in the book from where we work as master photographers with Crystal cruises and so, um. Sarah: We've got this lovely line where we talk about the book, where is it From Venice to Vietnam and Haddenham to Hawaii. Yeah. But, uh, one of my favorite shoots that's included is Christine, when we were in Brena Aires, and actually this is from this year when we were in South America and there's quite a few people that we borrowed on the ship to get some pictures. And also what a lovely opportunity. I think it's in locations. Um. Where there is it and where was it? It was in Le Bocca. Wasn't Itca Le Bocca with Christine? Do you Well, a little bit about that one? What's Paul: It has been a, a real luxury for us in the intervening 10 years. So a lot happened in 20 14, 20 15. And one of the things that happened around the time of the book was they were asked to work with Crystal Cruises, a company that provided the photography to them. Interviewed myself and Sarah. Sorry, us too. It's weird talking, made a third person and giving it right here. Um, interviewed us as a team and ever since then we've been traveling the world with them grading high-end portraits for these beautiful international clients. Um, and this time round the deadline. Not the instigation, but the deadline for the book came up while we were working for about seven weeks around South America on the cruise. So I already had earmarked images from previous cruises, previous visits to different places. But when I was on the ship, there were a couple of people, um, that really leapt out just. Ship. And one of the great luxuries when you have something like a book or you like you've become well known as a photographer, is you can say to people, would you mind stepping in to allow us to take some photographs? So there's a couple of people from the crew where you have to get permission to work with the crew. Um, there's, um. Uh, Barbara is one of the team on there. Uh, say Hi is one of the people on there, um, who were crew members that we just loved the way they were with us. They made our lives wonderful. And so we photographed them specifically to put them in the book. Um, and then there's a client of ours, which is the one you've alluded to, which is Christine Now. We met Christine at the end of another shoot, and this is. Um, I mean, remember this is still the Mastering Portrait Photography podcast, and so it's always worth remembering some of the things that you can do as photographers. This is not just an interview about me in a book, but here's some ideas for you that work. So on the ship, we had just done a shoot, an amazing shoot, and a lady who was in that shoot was showing her images round the bar to all of her friends on our iPad. Now we were drinking, we were sat and we were sat next to this lovely lady who was very quiet and we'd said hello and had a quick chitchat, but not majorly a long conversation. When our client handed us back the iPad, Christine, who was the lady who was sitting with us, said, do you mind if I have a look? And I said, yeah, of course. It'd be my pleasure. You know? So she had a look and she said, would you be willing to do that for me? And I said, well, of course we would, you know, this is what we're here for. Um, and so we arranged to do a couple of different bits. A couple of it is actually two different shoots, but we did a site visit to Le Baca, this area in Buenos Aires. Is that right? Yes. Bueno Aires. Was it? No. Yes. Yes, it was. Bueno Argentina. Yeah. Thank you. Are confused. So we, we did a couple of visits to this place in, uh, bueno Aires Laca to go and check it out for different locations. Uh, myself and you and Keith, who's our client, strictly speaking, who runs the, the photo. Um, company found all these locations and went the following day with Christine to go and explore this really beautiful, touristy area of leer. It's very characterful, it's very hot. Um, very intense actually. There's a lot going on and you do have to have your head on a swivel. Yes. it's quite notorious for pickpockets and thefts and so you do have to be careful. So, Sarah, I mean you, sorry, this is really weird. So I'm used those to talking on my own. So you and me, we were working as a team with Keith. Christine was not. Christine was stealing sausages from barbecue places and running them down alleyways that probably she shouldn't have been. Christine everywhere, but really where we wanted her to be, which was safe and in our site. Um, and if you remember, we kind of, um, we went round a corner. In fact, we were just heading back to the car. We, so Christina had arranged the driver and we'd gone round the corner, haven't we? And we were in this little street. And I just, I looked over the top of the cars to the street shops, the shop fronts on the other side of the road and thought that would make a great picture because the color of Christine's dress, the color of these shops, the whole scene would just be something interesting. But I'm shooting across the road through cars. Um, we've got Keith on the other side of the road with her. You are on the side of the road with me. Both of us trying to keep eyes everywhere 'cause we've now stepped out of the touristy bit. We are now in an area where, strictly speaking, you shouldn't be hanging around with a 10,000 pound camera. Yes. Um, so I dragged the shutter. I got, I got everything else. I wanted it and dragged the shutter in a gap between the cars as somebody walked past. And I have this shot of Christine killing herself, laughing, looking at the camera. Um. With somebody walking past and it has this real vibe of a street shot, a candid shot. It's not, it's been staged, but it's one of my favorite shots in the book because it's, to me, every time I look at it, and this is true of your clients too, and when you're listening, the photographers are listening to this. Remember this every picture, if you've created an experience around it, that picture. We'll hold memories for that client of yours. And it's true for me too. This experience was amazing. We're still in touch with Christine. She's desperate for us to go out and visit her in Texas. Um, but it was such a privilege, such a pleasure. So much laughter and that every time I open that page in the book, that's what it takes me it. I I'm with I love the colors, I love everything about it. And it's nice that it's such a lovely story too. crazy story. Sarah: So who do you think the book is for? Who do you think we'd pick it up and find useful? Paul: Well, I'm hoping another 50,000 people will be. I've, I don't, I don't have total control over that. Um. It's really this, I think there's something for almost any portrait interested photographer in there. Um, if you are already a pro, you're probably not gonna pay a lot of attention to the kit chapter at the beginning. That won't be your shtick. Um, but there will be stuff on posing and interactions and some of the post-production might be of interest. Um, if you are ready. You know, a supremely experienced photographer, you might like it simply 'cause the pictures are really beautiful. I still buy photo books because I will pick them up, look at the pictures and think, do you know what? I'm gonna use that idea. I'm gonna meld that into something else I'm doing because I like, I love seeing. Great photographs. If you are truly a beginner, there's enough in there to get you going. And some of the techniques are a little bit further out there, but mostly it builds on this idea that you have a camera, you have a client, you have your subject, and you're gonna create an experience. And then from that experience, great pictures. So I think it's broader than possibly the mastering portrait photography title gives it. Um, but it covers a little bit of all bases. And it certainly has enough in there to say, actually there's, there's stuff in there that if you do this, it really is quite, um, sophisticated. Yes. Do you, we don't know at this stage in terms of whether it'll be translated into other languages that that usually comes a year after, doesn't it? After the, you last time, say. It was only when I started getting emails in Italian. Yes. Um, that I noticed what happened. And we didn't know if you remember that it was in Chinese and Korean no. we started to put the marketing together for this book. Yes. And we asked the publisher AB, in absolute terms, how many copies have you sold? Yes. And they back with different language versions that we never knew about. Yeah. So, you know. Been been a, a journey of discovery, a journey. a journey. Yes. So, yeah, who knows? I, I really hope they do, uh, create some, uh, different language versions of it. 'cause there's nothing quite like seeing your work in Italian, Yes. So, And, and Chinese, I think that's the one I find the, the most intriguing. Sarah: So the book is officially launched next Tuesday, I believe. Is the 28th. The 28th. Um, so what, what's on the horizon next is what, what are you gonna be doing with the book and knows? Um, I mean, obviously the first thing we've gotta do is get through the launch of the book. Yes. Um, which is exciting. And obviously us two have been walking the studio trying to figure out how to tidy the whole place up. 'cause we haven't done a full on party probably since the last book. No. Or thereabouts. So we've we're inviting. Everybody who's featured in the book Yeah. Um, to a, a launch at the weekend. Yeah. Um, and we are refreshing all of the pictures in the studio, uh, to reflect the pictures that are in the book as well. And it's just, it'll be such a lovely thing to do and it's, I can't wait to see everything when it's up. Yeah. So that's, but next week's gonna be a bit fraught It's 'cause in the middle of all that, I think I've got five shoots to work my way through. Right. I don't sleep much. I a challenge. Yeah. I'm not, I'm I'm not being super, thankfully. Um, so there's that. And then, you know, once that gets rolling, of course I go back to our regular job. I'm judging for the British Institute. Professional photographers print competition straight after. So we've got. A big bash on the Saturday night. Yeah. Uh, for all of our, all the people in the book on the Sunday, we're inviting anybody's around to come and a studio open day, studio open day in the afternoon. And then at some point in that afternoon, I have to go all the way up to Preston Salubrious, uh, Preston, to go and begin the process of judging the print competition for the 2025 print masters. So a lot going on. And you're gonna be busy signing books as well. yeah, It's been a while since I've had to sit and do a big a book signing, but there's a load of that going on. Yeah. Uh, it's just lovely. exciting. It really is. Well, I think that just about brings us to the end of everything. So I've enjoyed being on the other side of everything. Sarah: So I'd just like to say, Paul, thank you ever so much for letting me do that and sitting on the other side of the mic today, um. We have got a limited number of copies here at the studio that Paul can sign, but they will be available at all. Good bookshops, um, with water zones. I think there's some competitions going where they will be with Graphistudio and with. Um. A professional photo. Yeah. Yep. So there's, there's lots of ways for you to get your hands on it and uh, we'd love to know what you think of it and um, especially if you've got the first version and seeing the second version, we'd love some feedback 'cause we are so proud of it. And especially with the pictures in there, and if you can tell us what's that, what's the picture in there that, that haven't been changed? That will be even better. There's no prize. So, no, thank you. Thank you very much. Well, it's a pleasure. And you know what you've gotta say now, don't you? What's that? If you've enjoyed this podcast, is it? No. If you've enjoyed this podcast, please head over to mastering portrait photography.com, which is full of articles. And as it happens, I'm doing all of the behind the scenes diagrams and stories for the images that are in this book. It'll probably take me 10 years to get there, but there's a couple of hundred of those. Uh, and of course, whatever else you do. be kind to yourself. Take care guys.  

Back in episode 57, Colin and Phil recommended books and movies to each other. Now they act on those suggestions, reporting back with their findings. Will Phil appreciate Alan Dean Foster's Prism? Will Colin believe that you can journey to the Far side of the Sun? Join us as we travel by Toynbee Convector**batteries not includedFor more detail on the items covered in today's show, check out the show notes at https://101sf.blogspot.com/2025/10/toynbee-convecting-for-beginners.html

We cover the really mundane reason Monday's massive AWS outage shut down the internet, exposing an uncomfortable truth about how we've essentially put all our eggs in just three baskets: AWS, Google, and Microsoft. Closer to home, an AI-generated deepfake video showed an Irish election candidate withdrawing from the race, complete with a convincing fake Sharon Ní Bheoláin presenting it on RTÉ News. The question everyone's asking: who made it, and how do we stop this becoming the new normal? Plus, we'll look at why your driving licence is going digital by 2030.Plus, we'll be chatting with Grace Dinan of JunieXR about how live Augmented and Virtual Reality works on all our TV sports coverage.  You can also meet her when she exhibits at Prism next week, on October 29th, at Dundalk Institute of Technology.  See Eirmersive for more; https://www.eirmersive.com/listings/prismListen to Tech Radio now on Apple, Spotify and YouTube—----- Apple - https://podcasts.apple.com/us/podcast/tech-radio-ireland/id256279328Spotify - https://open.spotify.com/show/5vAWM1vvHbQKYE79dgCGY2YouTube - https://www.youtube.com/@TechRadioIrelandRSS - https://feeds.transistor.fm/techradio

Today, Michael welcomes New York Times bestselling author, speaker, and teacher, Laura Day. Laura has spent four decades using intuition to help individuals and billion-dollar companies alike identify and achieve their goals. In her latest book, The Prism: Seven Steps to Heal Your Past and Transform Your Future,  Laura reveals the seven points in our growth that can hinder us or help us thrive. By using intuitive methods to examine our roles, beliefs, and realities, we can remake our world, improving everything from relationships to wealth, and turning our life's wrongs into rights. Conversation highlights include: -About The Prism, — seven steps to heal your past and transform your future by changing what you do, not who you are -The “tiny change” approach Laura used to survive a traumatic childhood becomes a teachable system -Research shows how rehashing old traumas retraumatizes, and how moving toward goals brings old patterns to the surface to be changed -Healing without knowing “the why,” and how growth happens in forward movement  -The Seven Pieces of Self and Seven Life Areas: foundations, competence, will/drive, heart/value, expression, vision, unity—each with concrete practices -Why the most hidden, shamed place you've worked hardest on often becomes your superpower -The importance of documenting, testing, and using your intuition rather than blindly “believing” -Laura's practice of weekly nonlocal “sleep work” with friends; writing intentions, comparing results, watching life move -Where to find Laura; her daily Instagram practice; requesting The Prism at your local bookstore – and more! Next, Michael leads a guided meditation on escaping limited paradigms and waking up to your vibrational legacy of love.

Ep. 146 Is heightened intuition a gift or a trauma response? Why is it stronger for some than others, and what is the science behind why some people have ‘psychic' abilities? Laura Day, world-renowned intuitive and bestselling author of Practical Intuition and her new book The Prism, is diving into why our unique childhood experiences & ‘wounds' can determine the ways in which our intuition may express as an adult. Laura grew up in a chaotic home affected by suicide, manic depression, and narcissism, effectively raising her siblings alone, and is sharing how her beginning actually became the portal to discovering her intuitive gifts. She breaks down the important difference between intuition and wisdom, and why intuition can be both a superpower and a stumbling block depending on how we develop it. HERE'S THE JUICE - Breaking down how she developed her gift for intuition through trauma, highlighting  how many of our childhoods are prone to trauma due to lack of power - Laura shares her early life experiences – coming from three generations of physicians, and how that gave her a data-driven approach to intuition - Why the very things that challenged us most often become our points of greatest strength and tangible steps to identify our challenges and take small steps to create the life we want - The importance of avoiding the trap of constantly trying to “change yourself” and instead approaching the mind as a mechanical system that may only need a small change - The crucial difference between intuition and wisdom - Why intuition is a double-edged sword and when we should and shouldn't listen to it   TIMESTAMPS 00:00 Laura speaking on Gift and trauma of intuition 03:09 Laura Day's Story 09:24 The science behind intuition 15:38 The role of trauma in intuition 22:09 The mechanics of change and the importance of small changes 29:32 Understanding intuition and its limits 35:30 Empowered realistic thinking 36:21 Navigating self-perception and growth 40:07 The power of reparenting and healing 51:47 Understanding ergo centers and intuition 01:05:02 Setting goals and embracing change   MY MUSIC IS OFFICIALLY OUT NOW ⭐️❤️

The Prism of America's Education with Host Karen Schoen – The people suffering with the self-inflicted, Trump Derangement Syndrome (TDS), don't seem to have the courage to recognize that the world really is a better place when America leads, and that the leader of the Free World is still Donald Trump, and will be for the next 3 years. Will the Democrats ever give Trump the benefit of good? 

PRISM Enters the Chat & LTC Insurance in Pharmacy | TWIRx RxRated Version   

In this NBN episode, host Hollay Ghadery speaks with poet Patrick Grace about his stunning poetry collection, Deviant (U Alberta Press, 2024). Deviant traces a trajectory of queer self-discovery from childhood to adulthood, examining love, fear, grief, and the violence that men are capable of in intimate same-sex relationships. Richly engaged with the tangible and experiential, Patrick Grace's confessional poetry captures profound, sharp emotions, tracking a journey impacted equally by beauty and by brutality. Coming-of-age identity struggles are recalled with wry wit, and dreamlike poems embrace adolescent queer love and connections as a way to cope with the fear and cruelty that can occur in gay relationships. Later poems in the collection recall vivid moments of psychological trauma and stalking and explore the bias of the justice system toward gay men. Collecting memories, dreams, and fears about sexual identity, Deviant makes important contributions to queer coming-of-age and intimate partner violence narratives. Patrick Grace is an author and teacher who divides his time between Vancouver and Victoria, BC. His poems have been published widely in Canadian literary magazines, including Arc Poetry Magazine, Best Canadian Poetry, Columba, EVENT, The Ex-Puritan, The Fiddlehead, The Malahat Review, Prairie Fire, and more. His work has been a finalist for literary contests with CV2 and PRISM international, and in 2020, his poem "A Violence" won The Malahat Review's Open Season Award for poetry. He has published two chapbooks: a blurred wind swirls back for you (2023), and Dastardly (2021), both of which explore aspects of love, fear, and trauma that represent a personal queer identity. Deviant, his first full-length poetry collection, continues to explore these themes. Follow him on IG: @thepoetpatrick. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, I chat with Dr. Debi Silber, a leading expert on betrayal recovery and the founder of The PBT (Post Betrayal Transformation) Institute. After experiencing multiple betrayals herself, Dr. Debi turned her pain into purpose—transforming years of personal experience and scientific research into a proven framework for healing. Her groundbreaking discoveries about betrayal have changed the way we understand emotional trauma, resilience, and transformation.Some Key Highlights:The moment that shattered Dr. Debi's world—and how it became the starting point for transformationWhat she discovered about why betrayal hurts more deeply—and heals differently—than any other painThe hidden patterns that keep us replaying old pain—and how to finally break freeWhat changes when you finally stop doubting yourself—and start trusting your own inner guidanceThe unexpected “gift” that often appears once you've moved through true healingDr. Debi's story is raw, real, and hopeful. She invites us to see betrayal not as a life sentence, but as a sacred initiation into our next chapter of wholeness. She reminds us that even in our deepest pain, there's a path forward. If you've ever struggled to trust again—or to trust yourself—you'll want to listen.Dr. Debi's LinksWebsite: https://thepbtinstitute.comThe latest TEDx: “Do You Have Post Betrayal Syndrome?“: https://www.youtube.com/watch?v=iyqOR69dHiUTEDx: Stop Sabotaging Yourself: https://www.youtube.com/watch?v=XX30i6nC7ro The From Betrayal to Breakthrough podcast: https://thepbtinstitute.com/podcast/TikTok: https://www.tiktok.com/@debisilber Facebook: https://www.facebook.com/InspireEmpowerTransformLinkedin: https://www.linkedin.com/in/debisilber/Instagram: https://www.instagram.com/debisilber/YouTube: https://www.youtube.com/debisilber We'd appreciate a review on Apple Podcasts and/or Spotify. Connect with John Geraghty at:Website: https://john-geraghty.com/LinkedIn: https://www.linkedin.com/in/john-geraghtyInstagram: https://www.instagram.com/coachjohngeraghty/ Facebook: https://www.facebook.com/coachjohngeraghty/YouTube: https://www.youtube.com/@John-GeraghtyLearn about The Flow Cultivator program: https://theflowcultivator.com/Grab a copy of The Prism of Perspective Book here: https://a.co/d/f5Lfqbn

Brevis unveils its Pico Prism real-time proving zkVM. The Ethereum Foundation deploys 2400 ETH into Morpho. Jovay announces an Ethereum L2. And Basenames now support ENSIP-19. Read more: https://ethdaily.io/803 Disclaimer: Content is for informational purposes only, not endorsement or investment advice. The accuracy of information is not guaranteed.

In this NBN episode, host Hollay Ghadery speaks with poet Patrick Grace about his stunning poetry collection, Deviant (U Alberta Press, 2024). Deviant traces a trajectory of queer self-discovery from childhood to adulthood, examining love, fear, grief, and the violence that men are capable of in intimate same-sex relationships. Richly engaged with the tangible and experiential, Patrick Grace's confessional poetry captures profound, sharp emotions, tracking a journey impacted equally by beauty and by brutality. Coming-of-age identity struggles are recalled with wry wit, and dreamlike poems embrace adolescent queer love and connections as a way to cope with the fear and cruelty that can occur in gay relationships. Later poems in the collection recall vivid moments of psychological trauma and stalking and explore the bias of the justice system toward gay men. Collecting memories, dreams, and fears about sexual identity, Deviant makes important contributions to queer coming-of-age and intimate partner violence narratives. Patrick Grace is an author and teacher who divides his time between Vancouver and Victoria, BC. His poems have been published widely in Canadian literary magazines, including Arc Poetry Magazine, Best Canadian Poetry, Columba, EVENT, The Ex-Puritan, The Fiddlehead, The Malahat Review, Prairie Fire, and more. His work has been a finalist for literary contests with CV2 and PRISM international, and in 2020, his poem "A Violence" won The Malahat Review's Open Season Award for poetry. He has published two chapbooks: a blurred wind swirls back for you (2023), and Dastardly (2021), both of which explore aspects of love, fear, and trauma that represent a personal queer identity. Deviant, his first full-length poetry collection, continues to explore these themes and was shortlisted for the Robert Kroetsch Award. Follow him on IG: @thepoetpatrick. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

The Prism of America's Education with Host Karen Schoen – Don't fool yourself. Today in America, we do not have a free market. Crony Capitalism, where the government picks winners and losers, is our model. Will we ever go back to free markets, small government? Hopefully, some good will come out of the government shutdown. We do not need the government to survive...

Filled with depth, ‘Prism' shimmers and shakes as synths and stabs perpetually morph. The result is a continuous stream of sonic moments to lose yourself in. Thankfully, the dense bassline and drums bring you back from the edge of hypnosis, filling the space with an elastic energy as buoyant as a trampoline. Then comes the breakdown: bells dissolve into minor-key haze, half beautiful, half surreal: an inviting dream-logic that is hard to deny. @haftmusik

In this episode, I sit down with Jonathon Aslay, one of America's leading mid-life dating and relationship coaches. Jonathan's journey has taken him from personal struggles and loss to a place of deep self-awareness, purpose, and love. His story is both inspiring and practical, offering wisdom for anyone seeking to break free of limiting beliefs and live more authentically in midlife and beyond.Some Key Highlights:The pivotal life events that forced Jonathan to completely redefine his identityWhy many of us unconsciously follow “scripts” that don't serve our happinessThe surprising way Jonathan discovered his life's purpose after hitting rock bottomA perspective shift that helped him grieve with love rather than suffering after personal tragedyThe practice that continues to ground him in love, presence, and purposeJonathon's story reminds us that healing and growth are never linear—they are layered, evolving, and deeply personal. By sharing his own vulnerabilities, Jonathan highlights how self-love, presence, and purpose can guide us through life's toughest challenges. This episode is both an invitation and a reminder that no matter where you are in your journey, there is always a way forward, and that way can be rooted in love.Jonathon's Linkshttps://www.jonathonaslay.com/https://www.youtube.com/@JonathonAslayBook: What The Heck Is Self-Love Anyway?We'd appreciate a review on Apple Podcasts and/or Spotify. Connect with John Geraghty at:Website: https://john-geraghty.com/LinkedIn: https://www.linkedin.com/in/john-geraghtyInstagram: https://www.instagram.com/coachjohngeraghty/ Facebook: https://www.facebook.com/coachjohngeraghty/YouTube: https://www.youtube.com/@John-GeraghtyLearn about The Flow Cultivator program: https://theflowcultivator.com/Grab a copy of The Prism of Perspective Book here: https://a.co/d/f5Lfqbn

The Prism of America's Education with Host Karen Schoen – Soon we will come to the end of the road, and we will have a choice. A fork in the road will give us one last chance. The Left fork goes over the cliff into an abyss. The Right fork goes down a long, hilly path to a beautiful, lush valley. We will ask God to help us make the right choice, knowing full well that each choice brings its own consequences...

Celebrating the Launch of American Pharmacists Month 2025 “Caring for our Communities” This Week in Pharmacy (TWIRx) Friday, October 3, 2025 Episode Overview Today marks the kickoff of American Pharmacists Month 2025, a time to recognize the essential role pharmacists play across all healthcare settings. This special TWIRx episode spotlights leaders and innovators shaping pharmacy practice, technology, and patient care — and challenges the profession to embrace a 31-day journey of advocacy, community connection, and transformation. TWIRx NEWS Former Rep. Tiahrt: Pharmacy Benefit Manager bill could shut down CVS in Kansas | Opinion Read more at: https://www.kansas.com/opinion/guest-commentary/article312355904.html#storylink=cpy Neronha lawsuit against CVS Caremark can help save my Middletown pharmacy: Guest View https://www.newportri.com/story/opinion/columns/guest/2025/10/03/neronha-lawsuit-against-cvs-can-help-save-middletown-pharmacy-guest-view/86471928007/    FDA Approves Lurbinectedin Combination Regimen in Extensive-Stage SCLC https://www.pharmacytimes.com/view/fda-approves-lurbinectedin-combination-regimen-in-extensive-stage-sclc  Building an Opioid Stewardship Program in Cancer Care: Pharmacist Roles, Challenges, and Patient Safety https://www.pharmacytimes.com/view/building-an-opioid-stewardship-program-in-cancer-care-pharmacist-roles-challenges-and-patient-safety  Featured Guests Dr. Jesse McCullough, PharmD Founder, Keystone Pharmacy Insights Introducing the American Pharmacists Month 31-Day Challenge, a call to action for pharmacists to engage, educate, and elevate their communities. Bil Schmidtknecht Patient Protector Sharing insights on patient advocacy, protecting access to care, and the pharmacist's role in navigating today's healthcare complexities.   Dr. Devin Bustin, MD Chief Medical Officer, OvaryIt Dr. Lissette Logan, PharmD COO, OvaryIt Together, Dr. Bustin and Dr. Logan discuss innovative pharmacist-driven care models, treatment tracking, and platforms like PRISM designed to ensure pharmacists are recognized — and reimbursed — for their expertise.   Dr. Jill Kolesar, PharmD Dean, College of Pharmacy, The University of Iowa Highlighting the future of pharmacy education and how academia is preparing the next generation for expanded clinical and community roles. Dr. Jason Lang, PharmD Wellgistics Exploring the logistics and supply chain innovations that keep pharmacies agile in serving patient needs, especially as new therapies and technologies emerge. WELLGISTICS News: https://www.accessnewswire.com/newsroom/en/healthcare-and-pharmaceutical/wellgistics-health-nasdaq-wgrx-and-theracosbio-partner-to-expand-nati-1079815  SUBSCRIBE TO TWIRx HERE:  https://open.spotify.com/show/52NZjr9asE8fLrrbsMvBlQ  Celebrating the Launch of American Pharmacists Month 2025 | TWIRx 

Lissette Logan, PharmD, and Danielle Weaver, RPh, joined Over the Counter to discuss OvaryIt's PRISM platform and how it's helping pharmacists in rural communities provide contraceptive and family-planning services.

In this episode, I talk with Troy Horne, a three-time bestselling author, Broadway performer, and musician whose journey has taken him from NBC's The Sing-Off to the stages of RENT on Broadway. Beyond his impressive resume, Troy's passion today is guiding people over 40 to dream bigger and design a second half of life that's just as bold as the first. His story is one of reinvention, courage, and choosing possibility over decline.Some Key Highlights:The bold decision that changed his entire life direction at age 19A chance encounter that led to meeting his future wife at exactly the right momentThe eye-opening cultural experience that shifted his identity beliefs while living abroadThe surprising way fatherhood sparked his entrepreneurial journeyHis framework for designing your “second half” with clarity, energy, and purposeTroy's journey is a powerful reminder that life isn't meant to shrink as we age—it's meant to expand. Through breaking free from limiting beliefs and daring to listen to your inner voice, Troy shows us that our greatest years can still be ahead of us. Whether you're seeking inspiration for your next chapter or simply curious about what's possible after 40, this conversation will help you see your path with fresh eyes.Troy's Linkshttps://middlemanagement.bio/https://instagram.com/troyhorneofficialhttps://troyhorne.com/We'd appreciate a review on Apple Podcasts and/or Spotify. Connect with John Geraghty at:Website: https://john-geraghty.com/LinkedIn: https://www.linkedin.com/in/john-geraghtyInstagram: https://www.instagram.com/coachjohngeraghty/ Facebook: https://www.facebook.com/coachjohngeraghty/YouTube: https://www.youtube.com/@John-GeraghtyLearn about The Flow Cultivator program: https://theflowcultivator.com/Grab a copy of The Prism of Perspective Book here: https://a.co/d/f5Lfqbn

Ever felt like you're stuck in old relationship patterns, no matter how hard you try to break free? Or perhaps you find yourself repeating the same old arguments, feeling misunderstood, or cycling through self-doubt and disconnection from your partner. The truth is, long-term intimacy often brings hidden challenges to the surface, and many of us wrestle with how to unravel deeply ingrained habits that hold us back from experiencing truly authentic, safe, and thriving partnerships. In this episode, listeners discover how making tiny, targeted external shifts—rather than endlessly searching for answers within—can pave the way for new relational experiences and stronger partnerships. By exploring actionable strategies rooted in intuition, personal development, and a unique system for understanding your “ego centers,” you'll learn how even the smallest changes can disrupt well-worn habits, unlock growth, and attract more authentic, secure connections in your life. Whether struggling with undervaluing yourself, longing for healthier dynamics, or navigating the challenge of healing old wounds in love, this conversation offers fresh perspectives and practical tools to help you build the partnership you truly want. New York Times best-selling author and intuitive Laura Day has spent nearly four decades helping individuals, organizations, and companies harness and develop their innate intuitive abilities to create profound change. Newsweek magazine calls her “The $10,000-a-Month Psychic,” adding “When business people need a crystal ball, they turn to consultant Laura Day, the ‘intuitionist.'” The Independent dubbed her “The Psychic of Wall Street.” Laura's work has helped demystify intuition and bring it into the mainstream for everyday folk and A-Listers. In her workshops and presentations, she demonstrates the practical, verifiable, and sometimes astonishing uses of intuition in the fields of business, science, medicine, and personal growth. Check out the transcript of this episode on Dr. Jessica Higgin's website.   Episode Highlights 04:49 How Laura Day's trauma shaped her path as an intuitive. 08:11 Bringing structure and credibility to intuitive and psychic work.  11:57 Discovering the “Prism” and redefining the role of ego. 14:25 How small external shifts can disrupt ingrained patterns. 19:19 How our bodies and patterns shape reality. 21:02 What your heartbeat says about your relationships. 25:35 How self-talk influences the energy you bring to relationships. 29:10 How new habits around value impact every area of life. 31:12 Simple practices to reinforce self-worth and openness. 34:01 Setting goals and finding a community to support relational growth.   Your Check List of Actions to Take Write down three meaningful goals that give your life and relationships purpose. Pick one small, new habit to try today—something simple that disrupts old patterns. When you catch self-criticism, replace it with a gentle affirmation (e.g., “I forgive myself for being imperfect”). Practice responding to opportunities and compliments with openness and gratitude to change how you engage with the world. Pause to notice what emotion you're giving off before you act or speak. Invite new experiences, people, or communities into your life that challenge your habits or expand your perspective, rather than only looking inward. Do one thing outside your comfort zone or in a new environment. Join or engage with a community that encourages your growth.   Mentioned The Prism: Seven Steps to Heal Your Past and Transform Your Future (*Amazon Affiliate link) (book) Practical Intuition: How to Harness the Power of Your Instinct and Make It Work for You (*Amazon Affiliate link) (book) Practical Intuition in Love: Let Your Intuition Guide You to the Love of Your Life (*Amazon Affiliate link) (book)   Connect with Laura Day Websites: lauraday.com Facebook: facebook.com/lauradaycircle YouTube: youtube.com/user/LauraDayCircle Instagram: instagram.com/lauradayintuit LinkedIn: linkedin.com/in/laura-day-023b1713  

1673 - Luces en el Cielo: alucinantes observaciones con prismáticos desde Zaragoza, Cabo de Gata y Soria El muro de Comentarios de los episodios de UDM en iVoox NO es una red social. Universo de Misterios tiene reservado el derecho de admisión y publicación de comentarios. Generalmente, los comentarios anónimos podrían no ser publicados. No envíe comentarios que contengan falacias lógicas. No de información personal. No espere que su comentario sea respondido necesariamente. Comprenda que se reciben diariamente un elevado número de comentarios que han de ser gestionados se publiquen o no. Si hace comentarios con afirmaciones dudosas, arguméntelas aportando enlaces a fuentes fiables (recuerde, el muro de Comentarios de los episodios de UDM en iVoox NO es una red social). En caso de no respaldar su comentario como se indica en la caja de descripción del episodio, su comentario podrá ser no publicado. Contacto con Universo de Misterios: universodemisteriospodcast@gmail.com La imagen de la miniatura que ilustra este episodio ha sido creada con la ayuda de una Inteligencia Artificial. Puedes hacerte Fan de Universo de Misterios y apoyarlo económicamente obteniendo acceso a todos los episodios cerrados, sin publicidad, desde 1,99 €. Aunque a algunas personas, a veces, puede proporcionar una falsa sensación de alivio, la ignorancia nunca es deseable. Pero eso, tú ya lo sabes... Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Hunters are adopting more tactical optics than ever, but the terms can get confusing fast. Wade breaks down the differences between red dot sights, reflex optics, prism scopes, and holographic sights.Topics include:Why RDS (Red Dot Sight) is an all-encompassing termReflex vs Prism design differencesHolographic sights (EOTech, Vortex UH-1) and astigmatism benefitsWhy closed-emitter red dots matter for huntersOffsetting red dots on rifles, spotting scopes, and even camerasLeave us a rating and let us know: what optic are YOU running?

The Prism of America's Education with Host Karen Schoen – On October 17, 2025, there will be another protest for NO Kings. I thought and said out loud, "Boy, these people have no clue as to what they are asking for." How pathetic. They are giving away their own power. In America, We the People are King. We the People are the sovereign. Of course, you have to know what a sovereign is before you...

In Episode 325 of History in Five Songs with Martin Popoff, Martin explores how Randy Bachman's relentless pursuit of hit songs shaped BTO, Trooper, Prism, and beyond, sparking a uniquely Canadian glam-infused rock movement that left both successes and curiosities in its wake. Trooper – “Live from the Moon” 0:28 – 0:58 Prism – “Virginia” 0:30 – 0:59 Union – “Mainstreet U.S.A.” 0:12 – 0:42 Loverboy – “Jump” 0:18 – 0:48 Bachman-Turner Overdrive – “Can We All Come Together” 0:00– 0:30 Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the Grenade, we look into all of the news and House Show Results for February 1989 in the WWF! We talk Vince McMahon vs. Ted Turner, Roddy Piper's potential return, JJ Dillon & Tony Schiavone jump to the WWF, the McMahons publicly announce that WRESTLING IS FAKE(?), The Main Event Ratings, Red Rooster earns a stripe (down his head), the final Spectrum event aired on PRISM, MSG under repair, we say goodbye to Superstar Graham, Dick Graham, Kal Rudman & Rod Trongard,  Mean Gene gets physical with Slick, Duggan knee injury, HEEL Randy Savage vs. Bad News Brown in a Street Fight, Hulk Hogan vs. The Big Boss Man inside a Steel Cage, Big John Studd vs. Akeem, Jake vs. Andre continues, Demolition vs. Powers of Pain, Rockers vs. Brain Busters, Bushwhackers vs. Rougeaus, Mr. Perfect vs. Blue Blazer, Hacksaw vs. Dino Bravo, Rooster vs. Brawler, Title vs. Title - WWF Champ Macho Man vs. IC Champ Ultimate Warrior, & much more!  If you're enjoying WrestleCopia and interested in helping us continue to grow, please consider Subscribing to our Patreon to help us cover some of our costs! https://www.patreon.com/wrestlecopiaYOU CAN ALSO GIFT SOMEONE A PATREON MEMBERSHIP (OR ASK THEM TO GIFT YOU ONE) AT https://www.patreon.com/WrestleCopia/giftIncludes the $5 “All Access” Tier $9 "VIP Superfan" Tier, and "The ULLLTIMATE Tier", featuring our various VIDEO-CAST Series, Early Show Releases, our insanely detailed show notes (for the Grenade, Monday Warfare, Regional Rasslin, Puro Academy, & Retro Re-View), monthly DIGITAL DOWNLOADS for your viewing and reading pleasure, & more!HELP SUPPORT THE SELF-FUNDED WRESTLECOPIA BRAND, CONSIDER DONATING TO OUR PAYPALWRESTLECOPIA MERCHANDISE - https://www.teepublic.com/user/wrestlecopiaVisit the WrestleCopia Podcast Network https://wrestlecopia.comFollow WrestleCopia on “X” (Formerly Twitter) @RasslinGrenadeFollow & LIKE our FACEBOOK PAGE – https://www.facebook.com/RasslinGrenadeSubscribe to the WrestleCopia Youtube Channel at https://www.youtube.com/RasslinGrenade ★ Support this podcast on Patreon ★

Welcome back, Legal Team! With Real Housewives of Salt Lake City back on our screens and Lisa Barlow's lawsuits already stirring conversation, we thought it was the perfect time to revisit her legal saga. Over the past four years, Lisa and John Barlow have faced multiple lawsuits, and in this replay we're breaking down each case, the hurdles they've faced, and where things stand now. Let's just say Henry and Jack might want to start brushing up on their legal briefs. What's on the docket? First reactions to RHOSLC Season 6 A detailed breakdown of the lawsuits filed against Lisa and John from 2020-2024 Lisa's motion to dismiss in the lawsuit filed by Bart Carlson in June of 2024 Why Lisa's motion to dismiss was denied The meaning of Initial Disclosures and which states require them Whitney Rose vs. Lisa Barlow and the Prism drama Access additional content and our Patreon here: ⁠https://zez.am/thebravodocket⁠ The Bravo Docket podcast, the statements we make whether in our own media or elsewhere, and any content we post are for entertainment purposes only and do not provide legal advice. Any party consuming our information should consult a lawyer for legal advice. The podcast, our opinions, and our posts, are our own and are not associated with our employers, Bravo TV, or any other television network. Cesie is admitted to the State Bars of California and New York. Angela is admitted to the State Bars of Texas, Kansas, and Missouri. Thank you to our incredible sponsors! Balance of Nature: Use code DOCKET for 35% off your first order as a preferred customer, PLUS get a free bottle of Fiber and Spice.Quince: Go to Quince.com/DOCKET for free shipping on your order and 365-day returns. Rula: Go to ⁠⁠⁠Rula.com/bravodocket⁠⁠⁠ and take the first step towards better mental health today. Go Pure: Get 25% Off ⁠⁠⁠@gopurebeauty⁠⁠⁠ with code DOCKET at ⁠⁠⁠gopure.com⁠⁠ Schedule35: Get 15% off all orders with code DOCKET at ⁠Schedule35.co⁠ CBDfx: Get 40% off your first order with code BRAVODOCKET at cbdfx.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Creative Guts, co-hosts Laura Harper Lake and Becky Barsi chat with Shanta Lee Honeycutt, an award-winning visual artist, author, photographer; and Damon Honeycutt, a professional artist across the mediums of dance, martial arts, music composition. Both are also educators. Our conversations in this interview weave between the diverse mediums and adventures of these two creatives. We also discuss their meet-cute story and how collaboration goes from household to the work they do in the world.Shanta is a winner of the New England Poetry Club's Grant for Poetic Achievement, Abel Meeropol Social Justice Writing Award, and a 2024 National Arts Strategies Creative Community Fellow (New England), and her work has been widely featured in Harper's Magazine, The Massachusetts Review, ITERANT Literary Magazine, Palette Poetry, Prism, Ms. Magazine, and DAME Magazine.  Damon has traveled to over 20+ countries around the world dancing in venues that range from the 2009 Royal Variety Performance in the presence of HM The Queen to the 79th Annual Academy Awards Ceremony. As a composer, Damon has composed music for many including Chatham Baroque, The Power String Quartet headed by Jennifer Choi, The Delgani String Quartet, Ensemble Entelechron, and Ken Thomson's Saxophone Quartet.Learn more about Shanta at www.Shantalee.com and about Damon at https://damonomad.wixsite.com/damonhoneycutt.Listen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord. Creative Guts recently moved our newsletter to Substack, and you can find us at creativegutspod.substack.com. If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax-deductible donation at www.CreativeGutsPodcast.com. Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show!

In this episode, I talk with Dr. Danny Brassell, a dynamic speaker, author of 19 books, and coach who's been called “Jim Carrey with a Ph.D.” Danny's journey is one of resilience, reinvention, and relentless optimism. From life-altering challenges to building a global speaking career, he shares how perspective, presence, and humor can transform setbacks into stepping stones.Some Key Highlights:The childhood accident that reshaped his future and revealed an unexpected giftA crushing rejection that turned into one of his greatest blessingsHow heartbreak and loss led to an awakening on a riverboat in South AmericaThe financial collapse that tested everything—and the breakthrough it createdWhy curiosity, dialogue, and kindness matter more than ever in today's worldDanny's story reminds us that challenges aren't dead ends but doorways. He shows how shifting perspective opens new paths, how resilience is forged in the darkest moments, and how staying curious and kind connects us across every divide. Whether you're navigating personal setbacks, rethinking your next move, or simply needing a reminder that joy is possible even in hard seasons, this conversation will spark fresh energy for your journey.Danny's Linkshttps://www.YouTube.com/DannyBrassellhttps://www.twitter.com/DannyBrassellhttps://www.Facebook.com/DannyBrassellhttps://www.linkedin.com/in/dannybrassell/https://www.instagram.com/realDannyBrassellWe'd appreciate a review on Apple Podcasts and/or Spotify. Connect with John Geraghty at:Website: https://john-geraghty.com/LinkedIn: https://www.linkedin.com/in/john-geraghtyInstagram: https://www.instagram.com/coachjohngeraghty/ Facebook: https://www.facebook.com/coachjohngeraghty/YouTube: https://www.youtube.com/@John-GeraghtyLearn about The Flow Cultivator program: https://theflowcultivator.com/Grab a copy of The Prism of Perspective Book here: https://a.co/d/f5Lfqbn

In this episode of the Live Music Industry Podcast, Matt Ford chats with Anthony “Tony” Markun, the talent buyer behind Back 40 Live at Morris Farm Market. Tony shares how a surprise set from then-unknown Oliver Anthony drew 12,000 fans overnight and catapulted a small farm stage into a fast-growing live music destination.Inside the episode:How a backyard bonfire performance turned into a viral breakout momentThe scramble to produce a 12,000-person show in just two daysBuilding a venue from scratch with friends, family, and phone polesThe challenges (and scrappiness) of booking as an emerging venueWhy Tony believes live music is the antidote to the digital worldEpisode Timestamps:(00:00:15) Guest Introduction, Venue Origins and Development(00:02:06) Rise of Oliver Anthony, Putting on His First Live Show, the Psychology of an Internet Sensation(00:07:41) Handling Sudden Success, The Farm's Logistics and Challenges(00:13:04) Describing the Farm's Attraction / Building a Unique Venue(00:17:46) Personal Journey and Evolution(00:29:32) Implementing Tech at the Venue(00:34:39) Inclusive Initiatives and Community ImpactPlease share this with anyone that might be interested in the topics, links below to subscribe and stay in the loop with the podcast and Prism:Subscribe ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠More on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prism⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Instagram (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@prismfm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)Follow us on LinkedIn (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)Meet the Podcast Host/CEO of Prism -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Matt Ford⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Opening Music -⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Banana Bread - Layton.rx⁠⁠⁠⁠⁠⁠⁠⁠ (Prism engineer!)

The Prism of America's Education with Host Karen Schoen – The Smith-Mundt Modernization Act gives our Government the License to LIE. It is up to us to contact our Legislators and demand that this act be REPEALED. Sen Mike Lee is introducing a bill to repeal the Smith-Mundt Modernization Act and call it the Charlie Kirk Act to ban government-funded propaganda...

Hello beloved. When it comes to spiritual direction deep ing our sense of longing for itimacy with spirit - some foster intuition via telepathy, some open the Akashic Records, and most PRAY. There is NO right or wrong - it's all CONNECTION. Metaphor and meaning - of channeling the infinite and eternal:THE VERTICAL PRISM OF LIGHT. When I talk about "vertical intuition," I'm describing how we receive guidance from the Akashic record or our spiritual guides. The Akashic Records originate in the Dynamic Energy (living and always changing) because they are a record of our soul's journey, which is a journey of change and transformation.We exist on the vast infinite energy continuum. Potential energy is on one end and formed manifestations on the other. As an expression of this field, you're constantly evolving between those states.Think of it like a diamond—a vertical prism through which pure light flows. Our personal distortions (trauma, wounds, limiting beliefs) act as cloudiness in this prism. This is why inner work is vital—it clears the channel so your intuitive insights remain authentic, clear, and clean.Most of our lives, we operate from a linear perspective, always reaching outward to grasp information. But true intuition works differently. You're not searching; you're allowing information to flow inward and to you. Seeking clarity from the infinite and eternal is similar to stepping into warm water. Not straining to find answers—simply soften to the middle balance.This is where you allow information to arrive. You blend the hot and the cold, creating a state of balance for the subtle to come to you. We're not "data mining" to find certainty in the past or projecting into the future.It's not a place of expectation. This is where we lose our power. Powerful intuition requires a beginner's mind, a clear head, and an intentional heart. Then insights graciously - drop in. Contrary to what some traditions teach, you don't need special processes to access intuition. We all have this capacity naturally. As you clear the unconscious shame and conditioning at no fault to you via your energetic system, your intuition and psychic abilities come online quickly and powerfully. You stop trauma treadmilling. Here's an image to support how information clearly comes in when we have "done the work—and stop fixing ourselves."IN A TIME OF GREAT CHAOS - THIS, IS THE PATH TO STRENGTHENING YOUR INTUITIONThe distortions dissolve, and your natural guidance system emerges. The journey back to your own wisdom isn't about adding more—more knowledge, more tools, more practices. It's about stripping away what stands between you and what you already know.BELOW is a solution to expedite healing and expanding your telepathic abilities…ENTER THE LIGHT BETWEEN Journey + APP The Light Between Oracle Journey offers a space to:* reconnect with your intuitive power, * challenge the stories that keep you small, and * remember the truth of who you are and why you're here.Not because you need fixing, but because sometimes we all need a mirror that reflects our light instead of our fears. A guide that leads us back to ourselves rather than away.Enter your clairvoyance rising session and turn insights into action that creates change that actualy impacts your life's trajectory and - legacy!Return to the Prism of Your Light Body -a Vehicle to your IntuitionTwo Ways to Experience & Integrate - post resolve of current stressors and trauama's that wont budge - no matter how hard you've tried. ✨ Sign up for Free Astrology Transits & Dream Decodes or✨ Two Options: For just $7/month or $84/Year (w/ $258+ Free Resources), subscribers get access The Light Between Divination System for spiritual problem solving in high stakes times. Personalize Your Inquiry and Expansion, NOW! History is the study of power. That's all it is... And what is your life? Your life is the story of YOU in YOUR POWER ... When I listen to clients tell me about their life, what they're telling me is who took their power, who has power, who empowers them, and what kind of power they own from within. All my love .Kassandra Personalize Your Inquiry and Expansion, NOW! The Light Between is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to The Light Between at thelightbetween.substack.com/subscribe

Tune into the fourth installment of AJC's latest limited podcast series, Architects of Peace. Go behind the scenes of the decades-long diplomacy and quiet negotiations that made the Abraham Accords possible, bringing Israel, the United Arab Emirates, Bahrain, and later Morocco, together in historic peace agreements.  From cockpits to kitchens to concert halls, the Abraham Accords are inspiring unexpected partnerships. In the fourth episode of AJC's limited series, four “partners of peace” share how these historic agreements are reshaping their lives and work. Hear from El Mehdi Boudra of the Mimouna Association on building people-to-people ties; producer Gili Masami on creating a groundbreaking Israeli–Emirati song; pilot Karim Taissir on flying between Casablanca and Tel Aviv while leading Symphionette, a Moroccan orchestra celebrating Andalusian music; and chef Gal Ben Moshe, the first Israeli chef to ever cook in Dubai on his dream of opening a restaurant in the UAE. *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.  Episode lineup: El Mehdi Boudra (4:00) Gili Masami (11:10) Karim Taissir (16:14) Gal Ben Moshe (21:59) Read the transcript: https://www.ajc.org/news/podcast/partners-of-peace-architects-of-peace-episode-4 Resources: AJC.org/ArchitectsofPeace - Tune in weekly for new episodes. The Abraham Accords, Explained AJC.org/CNME - Find more on AJC's Center for a New Middle East Listen – AJC Podcasts: The Forgotten Exodus  People of the Pod Follow Architects of Peace on your favorite podcast app, and learn more at AJC.org/ArchitectsofPeace You can reach us at: podcasts@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript: El Mehdi Boudra: All the stereotypes started like getting out and people want to meet with the other. They wanted to discover the beauty of the diversity of Israel. And this is unique in the region, where you have Arabs Muslims, Arab Christians, Druze, Beta Yisrael, Ashkenazi, Sephardic Jews, Jews from India, from all over the world. This beauty of diversity in Israel is very unique for our region. Manya Brachear Pashman: In September 2020, the world saw what had been years – decades – in the making: landmark peace agreements dubbed the Abraham Accords – normalizing relations between Israel and two Arabian Gulf states, the United Arab Emirates and the Kingdom of Bahrain. Later, in December, they were joined by the Kingdom of Morocco.  Five years later, AJC is pulling back the curtain to meet key individuals who built the trust that led to these breakthroughs and turning the spotlight on some of the results. Introducing: the Architects of Peace. ILTV correspondent: Well, hello, shalom, salaam. For the first time since the historic normalization deal between Israel and the UAE, an Israeli and an Emirati have teamed up to make music. [Ahlan Bik plays] The signs have been everywhere. On stages in Jerusalem and in recording studios in Abu Dhabi. [Camera sounds]. On a catwalk in Tel Aviv during Fashion Week and on the covers of Israeli and Arab magazines. [Kitchen sounds]. In the kitchens of gourmet restaurants where Israeli and Emirati chefs exchanged recipes. Just days after the announcement of the Abraham Accords, Emirati ruler Sheikh Khalifa bin Zayed Al Nahyan formally ended the UAE's nearly 50-year boycott of Israel. Though commerce and cooperation had taken place between the countries under the radar for years, the boycott's official end transformed the fields of water, renewable energy, health, cybersecurity, and tourism.  In 2023, Israel and the UAE signed a Comprehensive Economic Partnership Agreement (CEPA) to advance economic cooperation, and by 2024, commerce between the UAE and Israel grew to $3.2 billion. Trade between Bahrain and Israel surged 740% in one year. As one of the world's most water-stressed countries, Bahrain's Electrical and Water Authority signed an agreement to acquire water desalination technology from Israel's national water company [Mekorot].  Signs of collaboration between Israeli and Arab artists also began to emerge. It was as if a creative energy had been unlocked and a longing to collaborate finally had the freedom to fly. [Airplane take off sounds]. And by the way, people had the freedom to fly too, as commercial airlines sent jets back and forth between Tel Aviv, Casablanca, Abu Dhabi, and Manama.  A gigantic step forward for countries that once did not allow long distance calls to Israel, let alone vacations to the Jewish state. At long last, Israelis, Moroccans, Emiratis, and Bahrainis could finally satisfy their curiosity about one another. This episode features excerpts from four conversations. Not with diplomats or high-level senior officials, but ordinary citizens from the region who have seized opportunities made possible by the Abraham Accords to pursue unprecedented partnerships. For El Medhi Boudra, the Abraham Accords were a dream come true.  As a Muslim college student in 2007 at Al Akhawayn University in Ifrane, Morocco, he founded a group dedicated to preserving and teaching the Jewish heritage of his North African home. El Mehdi knew fostering conversations and friendships would be the only way to counter stereotypes and foster a genuine appreciation for all of Morocco's history, including its once-thriving Jewish community of more than 100,000. Five years later, El Mehdi's efforts flourished into a nonprofit called Mimouna, the name of a Moroccan tradition that falls on the day after Passover, when Jewish and Muslim families gather at each other's homes to enjoy cakes and sweets and celebrate the end of the Passover prohibitions. Together.   El Mehdi Boudra: Our work started in the campus to fill this gap between the old generation who talk with nostalgia about Moroccan Jews, and the young generation who don't know nothing about Moroccan Judaism. Then, in the beginning, we focused only on the preservation and educating and the promotion of Jewish heritage within campuses in Morocco. In 2011, we decided to organize the first conference on the Holocaust in the Arab world. Manya Brachear Pashman: So did the Abraham Accords make any difference in the work you were already doing? I mean, I know Mimouna was already a longtime partner with AJC.  El Mehdi Boudra: With Abraham Accords, we thought bigger. We brought young professionals from Morocco and Israel to work together in certain sectors on challenges that our regions are overcoming. Like environment, climate change, water scarcity and innovation, and bring the best minds that we have in Morocco and in Israel to work together. But we included also other participants from Emirates and Bahrain. This was the first one that we started with.  The second was with AJC. We invited also young professionals from United States and France, which was an opportunity to work globally. Because today, we cannot work alone. We need to borrow power from each other. If we have the same vision and the same values, we need to work together.  In Morocco, we say: one hand don't clap. We need both hands. And this is the strategy that we have been doing with AJC, to bring all the partners to make sure that we can succeed in this mission.  We had another people-to-people initiative. This one is with university students. It's called Youth for MENA. It's with an Israeli organization called Noar. And we try to take advantage of the Abraham Accords to make our work visible, impactful, to make the circle much bigger. Israel is a country that is part of this region. And we can have, Israel can offer good things to our region. It can fight against the challenges that we have in our region. And an Israeli is like an Iraqi. We can work all together and try to build a better future for our region at the end of the day. Manya Brachear Pashman: El Mehdi, when you started this initiative did you encounter pushback from other Moroccans? I mean, I understand the Accords lifted some of the restrictions and opened doors, but did it do anything to change attitudes? Or are there detractors still, to the same degree? El Mehdi Boudra: Before the Abraham Accords, it was more challenging to preserve Moroccan Jewish heritage in Morocco. It was easier. To educate about Holocaust. It was also OK. But to do activities with civil society in Israel, it was very challenging. Because, first of all, there is no embassies or offices between Morocco. Then to travel, there is no direct flights.  There is the stereotypes that people have about you going to Israel. With Abraham Accords, we could do that very freely. Everyone was going to Israel, and more than that, there was becoming like a tendency to go to Israel.  Moroccans, they started wanting to spend their vacation in Tel Aviv. They were asking us as an organization. We told them, we are not a tour guide, but we can help you. They wanted to travel to discover the country.  All the stereotypes started like getting out and people want to meet with other. They wanted to discover the beauty of the diversity of Israel. And this is unique in the region where you have  Arab Muslims, Arab Christians, Druze, Beta Israel, Ashkenazi, Sephardic Jews, Jews from India, from all over the world. This beauty of diversity in Israel is very unique for our region.  And it's not granted in this modern time, as you can see in the region. You can see what happened in Iraq, what's happening in Syria, for minorities. Then you know, this gave us hope, and we need this hope in these dark times. Manya Brachear Pashman: Hm, what do you mean? How does Israel's diversity provide hope for the rest of the Middle East North Africa (MENA) region?  El Mehdi Boudra: Since the MENA region lost its diversity, we lost a lot. It's not the Christians or the Yazidis or the Jews who left the MENA region who are in bad shape. It's the people of the MENA region who are in bad shape because those people, they immigrated to U.S., to Sweden, they have better lives. But who lost is those countries.  Then us as the majority Muslims in the region, we should reach out to those minorities. We should work closely today with all countries, including Israel, to build a better future for our region. There is no choice. And we should do it very soon, because nothing is granted in life.  And we should take this opportunity of the Abraham Accords as a real opportunity for everyone. It's not an opportunity for Israel or the people who want to have relation with Israel. It's an opportunity for everyone, from Yemen to Morocco. Manya Brachear Pashman: Morocco has had diplomatic relations with Israel in the past, right? Did you worry or do you still worry that the Abraham Accords will fall apart as a result of the Israel Hamas War? El Mehdi Boudra: Yes, yes, to tell you the truth, yes. After the 7th of October and things were going worse and worse. We said, the war will finish and it didn't finish. And I thought that probably with the tensions, the protest, will cut again the relations. But Morocco didn't cut those relations. Morocco strengthened those relations with Israel, and also spoke about the Palestinians' cause in the same time.  Which I'm really proud of my government's decisions to not cut those relations, and we hope to strengthen those relations, because now they are not going in a fast dynamic. We want to go back to the first time when things were going very fastly. When United States signed with the Emirates and Bahrain in September 2020, I was hoping that Morocco will be the first, because Morocco had strong relations with Israel. We had direct relations in the 90s and we cut those relations after the Second Intifada in 2000.  We lost those 21 years. But it's not [too] late now. We are working. The 7th of October happened. Morocco is still having relations with Israel. We are still having the Moroccan government and the Israeli government having strong relations together.  Of course, initiatives to people-to-people are less active because of the war. But you know, the war will finish very soon, we hope, and the hostages will go back to their homes, Inshallah, and we will get back to our lives. And this is the time for us as civil society to do stronger work and to make sure that we didn't lose those two years. [Ahlan Bik plays] Manya Brachear Pashman: Just weeks after the White House signing ceremony on September 15, 2020, Israeli music producer Gili Masami posted a music video on YouTube. The video featured a duet between a former winner of Israel's version of The Voice, Elkana Marziano, and Emirati singer Walid Aljasim.  The song's title? Ahlan Bik, an Arabic greeting translated as “Hello, Friend.” In under three weeks, the video had garnered more than 1.1 million views. Gili Masami: When I saw Bibi Netanyahu and Trump sign this contract, the Abraham Accords, I said, ‘Wow!' Because always my dream was to fly to Dubai. And when I saw this, I said, ‘Oh, this is the time to make some project that I already know how to do.' So I thought to make the first historic collaboration between an Israeli singer and an Emirati singer.  We find this production company, and they say, OK. We did this historic collaboration. And the first thing it was that I invite the Emirati people to Israel. They came here. I take them to visit Jerusalem, Tel Aviv, and then I get a call to meet in Gitix Technology Week in the World Trade Center in Dubai. Manya Brachear Pashman: Gitix. That's the Gulf Information Technology Exhibition, one of the world's largest annual tech summits, which met in Dubai that year and invited an Israeli delegation for the first time. Gili Masami: They tell me. ‘Listen, your song, it was big in 200 countries, cover worldwide. We want you to make this show.' I said, OK. We came to Dubai, and then we understand that the production company is the family of Mohammed bin Zayed al Nayhan, the president of UAE. And now we understand why they agree.  The brother of Muhammad bin Zayed Al Nahyan, Sheik Issa Ben Zahid Al Nahyan, he had this production company. This singer, it's his singer. And we say, ‘Wow, we get to this so high level, with the government of Dubai.' And then all the doors opened in Dubai.  And then it was the Corona. 200 countries around the world cover this story but we can't do shows because this Corona issue, but we still did it first. Manya Brachear Pashman: The song Ahlan Bik translates to “Hello, Friend.” It was written by Israeli songwriter Doron Medalie. Can you tell our listeners what it's about? Gili Masami: The song Ahlan Bik, it's this song speak about Ibrihim. Because if we go to the Bible, they are cousins. They are cousins. And you know, because of that, we call this Abraham Accords, because of Avraham. And they are sons of Ishmael. Yishmael. And we are sons of Jacob.  So because of that, we are from back in the days. And this is the real cousins. Saudi Arabia, UAE, Morocco. They are the real ones. And this song speak about this connection. Manya Brachear Pashman: After Morocco joined the Abraham Accords, you also put together a collaboration between Elkana and Moroccan singer Sanaa Mohamed. But your connection to UAE continued. You actually moved to Dubai for a year and opened a production company there. I know you're back in Israel now, but have you kept in touch with people there?   Gili Masami: I have a lot of friends in UAE. A lot of friends. I have a production company in UAE too. But every time we have these problems with this war, so we can do nothing. I was taking a lot of groups to Dubai, making tours, parties, shows, and all this stuff, because this war. So we're still friends.  Manya Brachear Pashman: Given this war, do you ever go back and listen to the song Ahlan Bik for inspiration, for hope?  Gili Masami: I don't look about the thinking that way. These things. I know what I did, and this is enough for me. I did history. This is enough for me. I did [a] good thing. This is enough for me. I did the first collaboration, and this is enough for me. Manya Brachear Pashman: Moroccan pilot and music aficionado Karim Taissir also knows the power of music. In 2016, he reached out to Tom Cohen, the founder and conductor of the Jerusalem Orchestra East & West and invited him to Morocco to conduct Symphonyat, an orchestra of 40 musicians from around the world playing Jewish and Arab music from Morocco's past that often has been neglected.  Karim Taissir: In 2015 I contacted Tom via Facebook because of a story happening in Vietnam. I was in a bar. And this bar, the owner, tried to connect with people. And the concept was a YouTube session connected on the speaker of the bar, and they asked people to put some music on from their countries. So when he asked me, I put something played by Tom [Cohen], it was Moroccan music played by the orchestra of Tom. And people said, ‘Wow.'  And I felt the impact of the music, in terms of even, like the ambassador role. So that gave me the idea. Back in Morocco, I contacted him. I told him, ‘Listen, you are doing great music, especially when it comes to Moroccan music, but I want to do it in Morocco. So are you ready to collaborate? And you should tell me, what do you need to create an orchestra that do this, this excellency of music?'  And I don't know why he replied to my message, because, usually he got lots of message from people all over the world, but it was like that. So from that time, I start to look of musician, of all conditions, asked by Tom, and in 2016 in April, we did one week of rehearsals. This was a residence of musician in Casablanca by Royal Foundation Hiba. And this is how it starts. And from that time, we tried every year to organize concerts. Sometimes we succeed, and sometimes not. Manya Brachear Pashman: I asked this of El Mehdi too, since you were already doing this kind of bridge building Karim, did the Abraham Accords change anything for you? Karim Taissir: In ‘22 we did the great collaboration. It was a fusion between the two orchestras, under the conductor Tom Cohen in Timna desert [National Park], with the presence of many famous people, politician, and was around like more than 4,000 people, and the President Herzog himself was was there, and we had a little chat for that.  And even the program, it was about peace, since there was Moroccan music, Israeli music, Egyptian music, Greek music, Turkish music. And this was very nice, 18 musicians on the stage. Manya Brachear Pashman: Oh, wow. 18 musicians. You know, the number 18, of course, is very significant, meaningful for the Jewish tradition.  So, this was a combination of Israeli musicians, Moroccan musicians, playing music from across the region. Turkey, Greece, Egypt, Israel. What did that mean for you? In other words, what was the symbolism of that collaboration and of that choice of music? Karim Taissir: Listen, to be honest, it wasn't a surprise for me, the success of collaboration, since there was excellent artists from Israel and from Morocco. But more than that, the fact that Moroccan Muslims and other people with Israeli musicians, they work together every concert, rehearsals.  They became friends, and maybe it was the first time for some musicians, especially in Morocco. I'm not talking only about peace, happiness, between people. It's very easy in our case, because it's people to people. Manya Brachear Pashman: How have those friendships held up under the strain of the Israel-Hamas War? Karim Taissir: Since 7th October, me, for example, I'm still in touch with all musicians from Israel, not only musicians, all my friends from Israel to support. To support them, to ask if they are OK. And they appreciate, I guess, because I guess some of them feel even before they have friends from all over the world. But suddenly it's not the case for us, it's more than friendships, and if I don't care about them, which means it's not true friendships. And especially Tom. Tom is more than more than a brother. And we are looking forward very soon to perform in Israel, in Morocco, very soon. Manya Brachear Pashman: So I should clarify for listeners that Symphonyat is not your full-time job. Professionally you are a pilot for Royal Air Maroc. And a week after that concert in Timna National Park in March 2022, Royal Air Maroc launched direct flights between Casablanca and Tel Aviv. Those flights have been suspended during the war, but did you get to fly that route? Karim Taissir: They call me the Israeli guy since I like very much to be there. Because I was kind of ambassador since I was there before, I'm trying always to explain people, when you will be there, you will discover other things. Before 7th of October, I did many, many, many flights as captain, and now we're waiting, not only me, all my colleagues.  Because really, really–me, I've been in Israel since 2016–but all my colleagues, the first time, it was during those flights. And all of them had a really nice time. Not only by the beauty of the Tel Aviv city, but also they discover Israeli people. So we had really, really, very nice memories from that period, and hoping that very soon we will launch flight. Manya Brachear Pashman: Chef Gal Ben Moshe, the first Israeli chef to earn a Michelin Star for his restaurant in Berlin, remembers the day he got the call to speak at Gulfood 2021, a world food festival in Abu Dhabi. That call led to another call, then another, and then another.  Before he knew it, Chef Gal's three-day trip to the United Arab Emirates had blossomed into a 10-day series: of master classes, panel discussions, catered dinners, and an opportunity to open a restaurant in Dubai. Gal Ben Moshe: Like I said, it wasn't just one dinner, it wasn't just a visit. It's basically from February ‘21 to October ‘23 I think I've been more than six, eight times, in the Emirates. Like almost regularly cooking dinners, doing events, doing conferences. And I cooked in the Dubai Expo when it was there. I did the opening event of the Dubai Expo. And a lot of the things that I did there, again, I love the place. I love the people. I got connected to a lot of people that I really, truly miss. Manya Brachear Pashman: When we first connected, you told me that the Abraham Accords was one of your favorite topics. Why? Gal Ben Moshe: I always felt kind of like, connected to it, because I was the first Israeli chef to ever cook in Dubai. And one of the most influential times of my life, basically going there and being there throughout basically everything from the Abraham Accords up to October 7. To a degree that I was supposed to open a restaurant there on the first of November 2023 which, as you probably know, did not happen in the end.  And I love this place. And I love the idea of the Abraham Accords, and I've had a lot of beautiful moments there, and I've met a lot of amazing people there. And, in a way, talking about it is kind of me missing my friends less. Manya Brachear Pashman: So you were originally invited to speak at Gulfood. What topics did you cover and what was the reception like? Gal Ben Moshe: The journalist that interviewed me, he was a great guy, asked me, ‘OK, so, like, where do you want to cook next?' And I said, ‘If you would ask me six months ago, I would say that I would love to cook in Dubai, but it's not possible.' So having this happened, like, anything can happen, right? Like, if you would tell me in June 2020 that I would be cooking in Dubai in February 2021, I'm not sure I was going to believe you. It was very secretive, very fast, very surprising. And I said, ‘Yeah, you know, I would love to cook in Damascus and Beirut, because it's two places that are basically very influential in the culture of what is the Pan-Arabic kitchen of the Levant. So a lot of the food influence, major culinary influence, comes from basically Aleppo, Damascus and Beirut. Basically, this area is the strongest influence on food. A lot of Jordanians are probably going to be insulted by me saying this, but this is very this is like culinary Mecca, in my opinion.'  And I said it, and somebody from the audience shouted: ‘I'm from Beirut! You can stay at my place!' And I was like, it's just amazing. And the funny thing is, and I always talk about it is, you know, I talk about my vegetable suppliers in Berlin and everything in the Syrian chefs and Palestinian chefs and Lebanese chefs that I met in the Emirates that became friends of mine. And I really have this thing as like, I'm gonna say it is that we have so much in common. It's crazy how much we have in common.  You know, we have this war for the past two years with basically everyone around us. But I think that when we take this thing out of context, out of the politics, out of the region, out of this border dispute or religious dispute, or whatever it is, and we meet each other in different country. We have so much in common, and sometimes, I dare say, more than we have in common with ourselves as an Israeli society. And it's crazy how easy it is for me to strike a conversation and get friendly with the Lebanese or with a Palestinian or with the Syrian if I meet them in Berlin or in Dubai or in New York or in London. Manya Brachear Pashman: I should clarify, you run restaurants in Tel Aviv, but the restaurant that earned a Michelin star in 2020 and held on to it for four years, was Prism in Berlin. Tel Aviv was going to be added to the Michelin Guide in December 2023, but that was put on hold after the start of the Israel-Hamas War. Did your time in the Emirates inspire recipes that perhaps landed on your menu at Prism? Gal Ben Moshe: I was approached by a local journalist that wrote cookbooks and he did a special edition cookbook for 50 years for the Emirates. And he wanted me to contribute a recipe. And I did a dish that ended up being a Prism signature dish for a while, of Camel tartar with caviar, quail yolk, grilled onion, and it was served in this buckwheat tortelet. And at the time, it's a concept dish. So basically, the story is this whole story of Dubai. So you have the camel and the caviar, so between the desert and the sea. And then you have the camel, which basically is the nomadic background of Dubai, with the Bedouin culture and everything, and the caviar, which is this luxurious, futuristic–what Dubai is today. And it was really a dish about the Emirates. And I was invited to cook it afterwards in a state dinner, like with very high-end hotel with very high-end guests.  And basically the chef of the hotel, who's a great guy, is like, sending, writing me an email, like, I'm not going to serve camel. I'm not going to serve camel in this meal. And I was like, but it's the whole story. It's the whole thing. He's like, but what's wrong with Wagyu beef? It's like, we're in Dubai. Wagyu beef is very Dubai. And I was like, not in the way that the camel is in that story. Listen, for a chef working there, it's a playground, it's heaven. People there are super curious about food. They're open-minded. And there's great food there. There's a great food scene there, great chefs working there. I think some of the best restaurants in the world are right now there, and it was amazing. Manya Brachear Pashman: There have been other Israeli chefs who opened their restaurants in Dubai before October 7. I know Chef Eyal Shani opened with North Miznon in a Hilton hotel in Dubai. You recently closed Prism, which really was a mom and pop place in Berlin, and you've now opened a hotel restaurant in Prague. Would you still consider opening a kitchen in Dubai? Gal Ben Moshe: I have not given up on the Emirates in any way. Like I've said, I love it there. I love the people there. I love the atmosphere there. I love the idea of being there. I would say that there is complexities, and I understand much better now, in hindsight of these two years. Of why, basically, October 7 meant that much. I live in Berlin for 13 years, and I work with my vegetable suppliers for the past, I would say nine or eight years. They're Palestinians and Syrians and Lebanese and everything.  And even though October 7 happened and everything that's happened afterwards, we're still very close, and I would still define our relationship as very friendly and very positive. The one thing is that, I don't know, but I think it's because we know each other from before. And I don't know if they would have taken the business of an Israeli chef after October 7. So having known me and that I'm not a symbol for them, but I am an individual.  For them it is easier because we're friends, like we worked together, let's say for five years before October 7. It's not going to change our relationship just because October 7 happened. But I think what I do understand is that sometimes our place in the world is different when it comes to becoming symbols. And there are people who don't know me and don't know who I am or what my opinions are, how I view the world, and then I become just a symbol of being an Israeli chef. And then it's you are this, and nothing you can say at that moment changes it.  So I don't think that me opening a restaurant in Dubai before October 7 was a problem. I do understand that an Israeli chef opening a restaurant in Dubai after October 7 was not necessarily a good thing. I can understand how it's perceived as, in the symbolism kind of way, not a good thing. So I think basically, when this war is over, I think that the friendship is there. I think the connection is there. I think the mutual respect and admiration is there. And I think that there is no reason that it can't grow even further. Manya Brachear Pashman: In our next episode, expected to air after the High Holidays, we discuss how the Abraham Accords have held during one of Israel's most challenging times and posit which Arab countries might be next to join the historic pact.  Atara Lakritz is our producer. T.K. Broderick is our sound engineer. Special thanks to Jason Isaacson, Sean Savage, and the entire AJC team for making this series possible.  You can subscribe to Architects of Peace on Apple Podcasts, Spotify, or wherever you listen to podcasts, and you can learn more at AJC.org/ArchitectsofPeace. The views and opinions of our guests don't necessarily reflect the positions of AJC. You can reach us at podcasts@ajc.org. If you've enjoyed this episode, please be sure to spread the word, and hop onto Apple Podcasts or Spotify to rate us and write a review to help more listeners find us. Music Credits: Middle East : ID: 279780040; Composer: Eric Sutherland אלקנה מרציאנו & Waleed Aljasim - אהלן ביכ | Elkana Marziano AHALAN bik أهلاً بيك Moroccan Suite: Item ID: 125557642; Composer: umberto sangiovanni Medley Ana Glibi Biddi Kwitou / Ma Nebra - Symphonyat with Sanaa Marahati - Casablanca - 2022 Middle East: Item ID: 297982529; Composer: Aditya Mystical Middle East: ID: 212471911; Composer: Vicher  

In this episode, I talk with Arlene Cohen Miller, CEO of Jewel Consultancy, Professional Certified Coach and speaker who helps women lead with courage, clarity, and compassion. Arlene's journey weaves together law, leadership, and holistic counseling into a life devoted to empowering women. She opens up about her personal turning points, the practices that keep her grounded, and the wisdom she brings to her clients.Some Key Highlights:The unexpected “download” at 15 that set her on the path to becoming an attorneyHow early anger around inequality evolved into clarity and purposeThe role community played in her spiritual and personal growthSimple practices she uses daily to stay grounded, present, and resilientWhat it really takes to lead with courage and wholehearted compassionArlene's story is a reminder that transformation is both incremental and powerful. Through her experiences, she encourages us to honor our own journey, listen deeply, and make choices that align with our values. This episode will leave you feeling inspired.Arlene's Linkshttps://jewelconsultancy.comhttps://www.facebook.com/arlene.jewelhttps://x.com/JewelCoachPCChttps://www.instagram.com/jewelcoach2/https://www.tiktok.com/@jewelcoach2?lang=enhttps://www.youtube.com/@arlenecmillerhttps://www.linkedin.com/in/arlene-cohen-miller-jd-pcc-54435b59/We'd appreciate a review on Apple Podcasts and/or Spotify. Connect with John Geraghty at:Website: https://john-geraghty.com/LinkedIn: https://www.linkedin.com/in/john-geraghtyInstagram: https://www.instagram.com/coachjohngeraghty/ Facebook: https://www.facebook.com/coachjohngeraghty/YouTube: https://www.youtube.com/@John-GeraghtyLearn about The Flow Cultivator program: https://theflowcultivator.com/Grab a copy of The Prism of Perspective Book here: https://a.co/d/f5Lfqbn

In Episode 325 of History in Five Songs with Martin Popoff, Martin explores how Randy Bachman's relentless pursuit of hit songs shaped BTO, Trooper, Prism, and beyond, sparking a uniquely Canadian glam-infused rock movement that left both successes and curiosities in its wake. Trooper – “Live from the Moon” 0:28 – 0:58 Prism – “Virginia” 0:30 – 0:59 Union – “Mainstreet U.S.A.” 0:12 – 0:42 Loverboy – “Jump” 0:18 – 0:48 Bachman-Turner Overdrive – “Can We All Come Together” 0:00– 0:30 Learn more about your ad choices. Visit megaphone.fm/adchoices

Laura Day, world-renowned intuitive healer, has spent more than 40 years helping people harness the power of practical intuition to heal and transform their lives. From her breakout on The Oprah Winfrey Show with Demi Moore to her bestselling books and work with major companies, she’s become one of the great minds of our generation. But her gift was born from pain—Laura grew up in a turbulent home, lost her mother and two siblings to suicide, and survived by tuning into her intuition, which she says “saved my life.” Now, in her groundbreaking new book The Prism: Seven Steps to Heal and Transform Your Future, Laura distills decades of wisdom into one revolutionary system. At its core are the seven ego centers, showing how childhood wounds distort our “prism” and shape repeating life patterns—until we do the healing work to repair them. With compassion, clarity, and lived experience, Laura offers not just tools for reframing trauma, but a path to becoming the hero of your own story.See omnystudio.com/listener for privacy information.

The Prism of America's Education with Host Karen Schoen – This is a DARK week for America. Ukrainian Refugee, Iryna Zarutska, 19, was stabbed to death because she was white. Auburn University professor, Julie Gard Schnuelle, was killed while walking her dog in broad daylight in a city park in Auburn, AL — crimes of race. Beloved Charlie Kirk, the warrior, freedom fighter, patriot, lover of God, country, and...

En este episodio repasamos los nuevos iPhone: el 17, con pantalla de 120Hz, más RAM, mejor procesador y cámara frontal con Center Stage, y el sorprendente iPhone Air, ultradelgado y con un diseño que nos hace pensar en un futuro plegable. También comentamos la adopción total de la eSIM y los nuevos chips propios de Apple que marcan un paso clave hacia su independencia.Además hablamos de los Apple Watch y AirPods Pro: el Ultra 3 llega con pantalla más grande y conectividad satelital, mientras que el SE sigue siendo la opción equilibrada. Los AirPods Pro mejoran sonido y cancelación de ruido, estrenan función de traducción y hasta sensor cardíaco con cinco tamaños de almohadillas. iPhone 17 Pro y iPhone 17 Pro Max - Apple (ES) iPhone Air - Apple (ES) iPhone 17 - Apple (ES) Apple Watch SE 3 - Apple (ES) Apple Watch Ultra 3 - Apple (ES) Mysk

This episode continues our conversation with Kristopher Williams of PRISM and a frequent guest on Nature Calls: Conversations from the Hudson Valley. Kris is our go-to expert about all things invasive. We have talked to him about invasive plants, insects and diseases. Today we asked Kris to tell us some of the success stories about his long career as an environmental advocate. We have spoken to Kris in previously aired episodes 23, 24, 31,and 189, in case you want to look a little deeper into his work. First a reminder of the definition: PRISM stands for Partnership for Regional Invasive Species Management. It is one of eight regional districts in the state devised by NYS DEC and funded by the EPA to try to control the onslaught of invasive species of all kinds into the state. Part 2 features another success story. The Hudson Crossing Park in Schuylerville, NY is on the Washington/Saratoga County line. It's an island in the Battenkill near Lock 5 of the Champlain Canal. Over a period of several years, a volunteer group sought advice from the PRISM organization. It began with a speaking engagement on the actual site, combined with a “park walk” to assess the trail network, pavilion and gardens already in place. This is what Kris calls the outreach component, educating interested people. A year later, the group asked for advice on how to manage the woodland in the park. The next year they asked for maps to divide the area into plots. Another year later, the woman leading the efforts attended a regional partnership meeting and reported a successful grant application and heavy equipment acquisition. The progress continued. They designed a “tree promenade” of native trees and underplanted it with native shrubs. The funding magic continued as more local businesses participated.They ended up with fifty trees and thirty shrubs, planted by an army of volunteers and local businesses along with members of the PRISM team. This can be replicated, usually with a “driver”, a motivated volunteer. There is a link here to the park's website.  Tim then changed the subject to an invasive he's particularly irked by... Japanese stilt grass. Possible solutions were discussed, including some failures. It all ended with a positive note, though. Kris had cleared stiltgrass from an area and replanted with natives. The following season checkup revealed NO stiltgrass. The natives had prevailed. As an added note, there is some study going on regarding the effects of tannins from Hemlocks being a deterrent to stilt grass. So hope remains in the control of invasive species. Stay tuned! Hosts: Tim Kennelty and Jean Thomas Guest: Kristopher Williams Photo: Teresa Golden  Production Assistance: Linda Aydlett, Deven Connelly, Teresa Golden, Tim Kennelty, Amy Meadows, Xandra Powers, Annie Scibienski, Jean Thomas Recording: Resources

In this episode, I sit down with Erika Andersen, bestselling author and founder of Proteus, a coaching and consulting firm focused on leader readiness. Now in her seventies, Erika has turned her lifelong wisdom toward one of life's biggest opportunities: how to age with strength, purpose, and joy. Her journey is an inspiring reminder that growth and vitality don't have an expiration date.Some Key Highlights:The 50-year practice that has supported her mental and physical healthA powerful way to transform negative self-talk into fuel for resilienceWhy it's never too late to expand your flexibility—physically and mentallyThe principles Erika uses to envision and create a vibrant later lifeHow living in Spain has reshaped her outlook on aging and communityErika's story shows that getting older can be a time of exploration, curiosity, and renewed energy. With warmth and candor, she shares how we can reframe aging, embrace change gracefully, and keep tapping the edges of our potential. This conversation is for anyone who wants to approach the future with curiosity, confidence, and a fresh sense of possibility.Erika's LinksWebsite: https://erikaandersen.com/Books: https://erikaandersen.com/books/LinkedIn: https://www.linkedin.com/in/andersenerika/We'd appreciate a review on Apple Podcasts and/or Spotify. Connect with John Geraghty at:Website: https://john-geraghty.com/LinkedIn: https://www.linkedin.com/in/john-geraghtyInstagram: https://www.instagram.com/coachjohngeraghty/ Facebook: https://www.facebook.com/coachjohngeraghty/YouTube: https://www.youtube.com/@John-GeraghtyLearn about The Flow Cultivator program: https://theflowcultivator.com/Grab a copy of The Prism of Perspective Book here: https://a.co/d/f5Lfqbn

The Prism of America's Education with Host Karen Schoen – Most of those senators have been in office for over 20 years and that most of them accept money from Big Pharma. Liz Warren took over $800,000. Bernie Sanders said everyone took donations, so are they all corrupt? YES! Most of the Senators never paid attention to the fact that our kids are getting sicker, and autism is on the rise...

Send us a textMeet Mario Colucci, a psychiatrist who has worked in a variety of roles in the Trieste system for over 30 years.  He is currently the director of the Psychiatric Diagnosis and Treatment Service , which is linked to the general emergency room of the civil hospital in Udine, in the same region of Trieste.   I consider him “the psychiatrist's philosopher” because of his keen intellect and how he effortlessly weaves philosophy into telling the story of Basaglia.   In this interview, we explore four themes:Philosophy – and how it impacted the thinking of Franco Basaglia in the 1960'sEducation of psychiatrists – then and nowPower dynamics between clinician and patient – and power-sharingThe “total institution” To provide some additional resource material to follow along in the conversation, the following links may be helpful.General discussion of phenomenology.Four influential books that coincidentally were published in 1961, the same year that Franco Basaglia was assigned to the asylum in Gorizia:Madness and Civilization:  A History of Insanity in the Age of Reason.  Michel Foucault (1961)Asylums.  Erving Goffman.  (1961)The Wretched of the Earth.  Frantz Fanon.  (1961)The Land of Remorse. Ernesto de Martino (1961) Additionally, Dr. Colucci provided additional resources from his own research. In  2001, he and Pierangelo Di Vittorio wrote the first monograph on Basaglia.  In 2024, they wrote a book and the links to the abstract and the book are provided below. Franco Basaglia. Thought, Practices, Politics  [abstract from a book written by Mario Colucci and Pierangelo Di Vittorio]  2001 by Edizioni Bruno Mondadori, Italy. 2005 by Éditions Érès, France; 2006 by Ediciones Nueva Visión, Argentina; 2020 by Edizioni Alpha Beta, Italy; 2024 by Meltemi Editore, Italy. Franco Basaglia. Pensiero, pratiche, politica.  Mario Colucci and Pierangelo Di Vittorio.  2024 Here is a link to an article, “The Issue of Violence in Psychiatry,” written by Colucci in April, 2025.  Foucault and Psychiatric Power after Madness and Civilization [Published in Alain Beaulieu and David Gabbard (eds.), Michel Foucault and Power Today:International Multidisciplinary Studies in the History of the Present. Lanham, MD: Lexington Books, 2006.] Medicalisation.   Mario Colucci.  SISSA – International School for Advanced Studies Journal of Science Communication ISSN 1824 – 2049 http://jcom.sissa.it/   JCOM 5 (1), March 2006Psychiatrie et santé mentale: une querelle sans fin. Lettre d'Italie, L'Information psychiatrique 2021 ; 97 (10) : 845-7.  Mario Colucci.

This episode brings back our frequent guest, Kristopher Williams, of PRISM (Partnerships for Regional Invasive Species Management). Eight PRISMs exist across New York State and work to prevent or minimize the harm caused by invasive species on our environment, economy, and health and welfare of residents. PRISMs are intended to coordinate invasive species management functions including coordinating partner efforts, recruiting and training citizen volunteers, identifying and delivering education and outreach, establishing early detection monitoring networks and implementing direct eradication and control efforts. Regional partnerships with nonprofits, municipalities, conservation groups and volunteers are devised to cast the widest net for control over an enemy that recognizes no artificial borders. The Capital Region Prism ranges from the Catskills to the Adirondacks, encompassing eleven Counties and three million acres. Kris is our go-to expert about all things invasive. We previously have talked to him about invasive plants, insects and diseases. Today we asked Kris to tell us some of the success stories about his long career as an environmental advocate. Our earlier conversations with Kris have aired in episodes 23, 24 and 31, in case you want to look a little deeper into his work. The team has five core members and sixteen seasonal members on staff. Their mission is to coordinate all available resources, public and private, along with volunteers, to combat the multitude of invasive problems and organize alternatives. Their mission includes massive public lands and advisory status for privately owned properties. They act as the glue, Kris says, to hold all entities together. PRISM delivers science and educational programs for maximum impact, and always keeps in mind the different objectives of local and statewide groups. Tim asked Kris for some success stories, since we have discussed so many problems in the past. Kris listed some of the lasting beneficial effects: people achieve self-actuation by becoming aware of and seeking resolutions to invasive incursions; celebrating local impacts to inspire further efforts; there is now an exposition on invasives every two years; college-level programs are now available educating about invasives and remedies. The conversation drifted to the emotional part of treatment of invasives. Most of them got here because they were introduced for a particular feature, and then “escaped” because they were prolific and had no natural enemies. There are also “sleeper” invasives, a new designation. These are known invasives that are still being sold to the public. Unfortunately sixty-one per cent of all invasives are still being sold. There is a patchwork of states regulating and actively banning sale of certain plants. One success story Kris talks about is the Grassland Bird Trust. Washington County had a 20,000 acre trust facing the issue of dealing with invasives. A management plan was devised and a board established. Kris detailed the progress over several years as a management system was put into place and assessed for success year by year. Tim asked about what happens with much smaller efforts, and Kris described available training in IPM (integrated pest management) and land management as well as other volunteer-led controls, with consultation with PRISM staff. Basic measurements to assess success include removal, restoration, and adapting responses to predetermined thresholds. There's a lot of issues associated with invasive species management. Stay tuned for more in the next episode (Part 2). Hosts: Tim Kennelty and Jean Thomas Guest: Kristopher Williams Photo: Grassland Bird Trust Production Assistance: Linda Aydlett, Deven Connelly, Teresa Golden, Tim Kennelty, Amy Meadows, Xandra Powers, Annie Scibienski, Jean Thomas Resources

From escaping Vietnam as a child to changing patients lives in his clinic, Dr. Vi Tu Banh has had some of the most unique life and work experiences you could imagine.In this episode, Dr. Banh shares the stories of how his family was rescued from a deserted island in the Pacific by a few generous citizens in Canada and how that has shaped his mission to help a billion people.Dr. Banh has been doing some incredible work helping patients who have been suffering from concussion, vertigo, and many other neurological conditions that have caused vision issues but applying prism and tints in unique ways.Why (and how) do tiny amounts of prism change the way the brain works? How does color affect our emotion and ability to process information? How can we apply these methods in our own offices?These are all questions that we explore in this lively conversationPurchase 12 Elephants and Dragon:https://a.co/d/88TIfxQLearn more about Dr. Banh:https://uxbridgeoptometry.com/Register for Dr. Banh and Peddle's Prism Prescribing course:https://docs.google.com/document/d/1HxXz5Tu8YadQUJUGeHHruSJVoFcTZ5y5/edit?usp=sharing&ouid=108690642443164677922&rtpof=true&sd=trueLove the show? Subscribe, rate, review & share! http://www.aboutmyeyes.com/podcast/

The Prism of America's Education with Host Karen Schoen – Fed Chairman Jerome Powell wants us to be unemployed and unable to buy into the American Dream. Instead of looking in the mirror and blaming himself for high inflation, he blames the struggling American worker. “American wages are too high,” he moans. We need cheap labor to bring prices down. Illegals will work for less, since illegals get most of their...

The Prism of America's Education with Host Karen Schoen – Although it is hard to swallow, it is important for us to understand. No matter what you say, or how many facts you provide, you are demonized because you are the enemy, a NAZI, following HITLER. You are a White Supremacist, even if they can't find one thing that you do that a minority can't do. It doesn't matter. You are evil incarnate because you believe in...

The Prism of America's Education with Host Karen Schoen – To be clear, perfectly clear, the Deep State is in both parties. Most Democrats comply with the wishes of the so-called Elites. Sadly, they comply without question ⎯  which is why they will probably elect a Communist as the next Mayor of NYC. The RINOs, aka the Old Guard, hate MAGA, the newbies. MAGA wants to try to change things differently by...