Podcasts about Aeneid

This fall, Crack the Book is heading into the ancient world with an epic reading project: Homer's Iliad and Odyssey, followed by Virgil's Aeneid. We'll move at a beginner-friendly pace, keeping our eyes on the forest rather than examining every leaf, while exploring the history, mythology, translations, movies, and enormous cultural influence of these stories.I'll be reading Robert Fagles as my primary translation, while dipping into versions by Emily Wilson, W.H.D. Rouse, and Sarah Ruden to see how translation changes the experience. Along the way, I'll share practical strategies for handling the intimidating number of names, gods, heroes, and places—and bring in guests and experts for other perspectives.Most importantly, you don't need to know Greek mythology or be an expert to begin. These books have survived because they are great stories. Come find out why they still have the power to surprise us.Next week: The Iliad, Books 1–5.BOOKS MENTIONED IN THIS EPISODEHomer, The Iliad — Robert Fagles translation, Penguin Classics Deluxe EditionHomer, The Odyssey — Robert Fagles translation, Penguin Classics Deluxe EditionVirgil, The Aeneid — Robert Fagles translation, Penguin Classics Deluxe EditionHomer, The Iliad — Emily Wilson translationHomer, The Odyssey — Emily Wilson translationHomer, The Iliad — W. H. D. Rouse translation (prose)Homer, The Odyssey — W. H. D. Rouse translation (prose)Virgil, The Aeneid — Sarah Ruden translationApuleius, The Golden Ass — Sarah Ruden translation CONNECTThe complete list of Crack the Book Episodes (Amazon affiliate links): https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ Like what you heard? Buy me a coffee! https://ko-fi.com/crackthebookLISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

In this second “Odysseason” panel, another group of classicists discuss Christopher Nolan's new “Odyssey” film and the major changes made in his adaptation and what those changes enable, including: a traumatized, guilt-ridden Odysseus; the Aeneid-derived character Sinon reframed as Odysseus's victim; an expanded, emotional focus on Argos and a merged Argos/Telemachus recognition scene. Panelists critique the film's persistent visual and aural darkness, the diminished role of gods and humor, omissions like the Phaeacians and Penelope's bed recognition, and Nolan's war-movie/PTSD framing with parallels to Oppenheimer and Interstellar. They debate whether the Odyssey “belongs” to Greece, note Greek and Greek American reactions (including promotional and casting concerns), and consider scholarly responsibilities regarding political/ethical production issues. They emphasize using the film's popularity to spur reading Homer, teaching critical reception, supporting new adaptations, and encouraging creative retellings, including Odyssey Day on Oct. 15. Originally recorded August 14, 2026.Panelists: Dr. Melissa Funke (Prof of Classics, University of Winnipeg)https://www.uwinnipeg.ca/classics/faculty/melissa-funke.htmlDr. Deb Trusty (Prof of Classics, University of Iowa)https://interdisciplinaryprograms.uiowa.edu/people/debra-trustyDr. Justin Arft (Prof of Classics, University of Tennessee, Knoxville) https://classics.utk.edu/people/justin-arft/ Dr. Rachel Lesser (Prof of Greek and Roman Studies, Gettysburg College)https://www.gettysburg.edu/academic-programs/classics/faculty/employee_detail.dot?empId=010208999320013288&pageTitle=Rachel+Lesser Dr. Christie Vogler (Co-host of the Movies We Dig podcast)https://shows.acast.com/movies-we-dig/aboutDr. Suzanne Lye (Prof of Classics, University of North Carolina, Chapel Hill)https://classics.unc.edu/people-3/faculty-2-2/suzanne-lye/Lexie Henning (University of Bristol Classics PhD student, host and moderator) https://www.bristol.ac.uk/people/person/Lexie-Henning-771d72b2-fe81-48e0-94b1-a3135ee2a618/ Want more Odyssey material? Check out The Oxford Critical Guide to Homer's Odyssey (which was edited by Joel Christensen): https://global.oup.com/academic/product/the-oxford-critical-guide-to-homers-odyssey-9780198985099?cc=gb&lang=en&Check out an article where Suzanne talks about the ancient concept of Xenia: https://www.elle.com/culture/movies-tv/a73170278/the-odyssey-movie-zeus-law-explained/For more Homer content check out Justin's book Arete which was mentioned in the episode: https://global.oup.com/academic/product/arete-and-the-odysseys-poetics-of-interrogation-9780192847805?cc=gb&lang=en&Listen to the Movies We Dig Odyssey panel: https://shows.acast.com/movies-we-dig/episodes/the-odyssey-2026-reception-battle-part-1-with-joel-christensCustom music by Brent Arehart of Arehart Sounds and edited by Dan Maday. Want a transcript of the episode? Email us at theozymandiasprojectpodcast@gmail.com and we can provide one. Ancient Office Hours is a proud member of Mnemosyne: The Memory Collective, a podcast network and creator collective for historians, archaeologists, artists, and other creators and educators dedicated to sharing content about and featuring the ancient world that is accurate, accessible, and inclusive. To learn more about the collective and its contributors, check out collectivemem.com. Hosted on Acast. See acast.com/privacy for more information.

Today's episode of The Literary Life is part 4 of our series on Richard Adams' Watership Down. Angelina and Thomas discuss chapters 31-40 this week, starting with some thoughts on the conventions of literature in different literary periods. Thomas also makes a note that although this book mirrors many aspects of The Aeneid, readers ought not expect to find exact correspondence between the characters and plot points in the two stories. They talk about the depth and weight of this story due to its connections with mythology and the literary tradition. Don't forget to check out everything going on over at HouseofHumaneLetters.com, and sign up for the newsletter to stay up to date on all the upcoming new autumn classes and webinars. To view the full show notes for this episode, please visit https://theliterary.life/343. 

What if understanding the Bible requires more than simply reading the words on the page? In this special episode of Shadows to Substance, Pastor George Sayour is joined by C.R. Wiley to explore the idea of biblical imagination—and why modern Christians can struggle to recognize the stories, types, prophecies, symbols, and word pictures woven throughout Scripture. How does the Bible train us to see the world? Why did earlier generations often think more naturally in terms of story and typology? And how does God use real history to reveal realities that point beyond themselves? George and C.R. discuss Tolkien, Narnia, the Aeneid, Acts 9, technology, Apple, artificial intelligence, transhumanism, and humanity’s ancient temptation to seize knowledge and become like God. This conversation may change the way you think about reading Scripture. https://canonpress.com/products/manma...

Welcome to The Literary Life Podcast and the second episode in our series on Richard Adams' Watership Down.This week Angelina and Thomas will be discussing chapters 11-20. In addition to covering the main plot points and characters in these chapters, they share connections with other stories in the literary tradition and highlight elements of the journey story seen in this section of the book. The contrasts between the Aeneid and the Odyssey and Illiad are part of the conversation in context of the ways in which Watership Down reflects the Aeneid. Angelina also brings out some of the beast fable elements we find in this part of the story. Be back here next week when we will talk about chapters 21-30. Don't forget to check out everything going on over at HouseofHumaneLetters.com to stay up to date on all the upcoming new autumn classes and webinars. For the full show notes on this episode, please visit https://theliterary.life/341.  

No drinking pints standing up in London's nightlife hotspot? No new reservoirs until 2040? Welcome to Veto Britain – where infrastructure, housing and even a round at the bar are all subject to the mercy of endless local objection. So how did we become a country that seems incapable of building, changing or enjoying itself anymore? Plus, racist disorder erupts in Norfolk, scrutiny of Andy Burnham's early prisoner release plan intensifies and the PM's crackdown on “subscription traps” gives cancel culture a whole new meaning.  • Questions for But Your Emails? Thoughts? Comments? Email us at ogwn@podmasters.co.uk.  ESCAPE ROUTES • Jonn finally watched Stephen Fry and Mark Carwardine's documentary Last Chance to See, based on Carwardine and Douglas Adams' book and radio series of the same name • Rachel has been reading Virgil's epic The Aeneid – “the Roman response to Homer,” she says. • Raf saw a production of Molière's Tartuffe while in France which is coming to the Marylebone Theatre next month.  • Zoë zoomed through Jem Calder's I Want You to Be Happy Image: Cartoon depicting Sir Wilfrid Lawson, 2nd Baronet of Brayton (1829-1906), an English temperance campaigner and radical, anti-imperialist Liberal Party politician. Dated 19th Century. No idea who the bloke on the right is. (Universal History Archive/Universal Images Group via Getty Images) www.patreon.com/ohgodwhatnow Presented by Zoë Grünewald, with Rachel Cunliffe, Jonn Elledge and Rafael Behr. Produced by James Liddell. Audio Production: Tom Taylor. Art direction: James Parrett. Theme tune by Tom Taylor and Simon Williams. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. OH GOD, WHAT NOW? is a Podmasters production. www.podmasters.co.uk  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Fr Peter George Flynn brings on Oxford classicist Sam Troy to talk through Christopher Nolan's Odyssey and what Hollywood cut from Homer's original — including most of the comedy and nearly all of the gods. The conversation turns to Pope Francis's own fondness for the Aeneid, and the image of Aeneas carrying his father out […] L'articolo Catechesis – Was St Paul a Secret Classicist? – Fr Peter George Flynn OFMConv and Sam Troy proviene da Radio Maria.

Salvete sodales! Welcome to our series, "Rem Tenē!" a Latin podcast presented by Latinitas Animi Causa for beginner and intermediate learners of the Latin language built and designed for the acquisition and understanding of it as a language, not just a code to decipher. In this episode of Rem Tenē, we begin our new series within Rem Tenē! telling the story of Book 4 of the Aeneid in comprehensible Latin!Episode 0: https://youtu.be/vr2IdjRbPPk?si=TjyiYVEQCU4us5FvEpisode 1: https://youtu.be/LdGXknMxfVI?si=tu5dQ_myCqxa7tTQEpisode 2: https://www.youtube.com/watch?v=HKpk7akf5xQ&t=508sEpisode 3: https://www.youtube.com/watch?v=Z2Sqs7rS0Ok

For the 4th of July, the 250th birthday of America, Adam did the most Okie thing a man can do to celebrate: he took the family to a rodeo. Both boys went mutton busting, Friday and Saturday. Leo, six, drew a slow sheep the second night and rode it a full 17 seconds, hanging on and hollering "keep going, keep going!" into its ear because he knew he needed that sheep to move to score.-----------Sponsor: The Amen app (from the Augustine Institute)The Amen app is the free Catholic prayer app the guys use to prep the family for Sunday, listening to the Sunday Gospel on the way to Holy Mass so the kids are ready to receive it before they walk in. No paywall, no subscription trap, no upfront cost. Download the Amen app right now.Sponsor: Select International Tours: selectinternationaltours.comWhen Adam and Dave decided to lead their first pilgrimage, one name kept coming up: Select International Tours. Having used them, the guys can vouch for it. Wherever in the world you want to go, Select has a tour ready. Whether you want to lead a pilgrimage or attend one, head to selectinternationaltours.com and see everything they offer. You won't regret it.----------He placed top three, took home a little money and a free snow cone, and nobody's sure which one he was prouder of. John, three, puffed his chest out all day, crumbled at the chute, rode two seconds, hit the dirt, cried, and then immediately declared he was doing it again tomorrow. He did. Same result. He was in it for the story.Then there's Adam and the bull. He's always had the itch to put himself on the line, to go where it takes fortitude and prudence and a whole lot of luck. So he slipped up to the chute with the cowboys, just to feel the atmosphere next to something that powerful. A storm blew in and cut the bull riding short. Adam's calling that one Providence, same as the fight that got cancelled back when COVID shut down the world. Some signs you don't get to ignore.The pour is Teeling Wonders of Wood Single Pot Still, Virgin Swedish Oak. Ninety three dollars, and worth it. No Jim on hand to work the yummy scale, so the guys guessed it might've metamorphosed into a 7.321. Deep, resonant, dangerously delicious.The prayer request is Mary. She's a little over four months now, still in the NICU. Adam sent a photo of her smiling right through all the tubing, and it melted everybody. It's been a hard stretch, a step back, but she recovered fast, her breathing's improving, and there's talk of scheduling open heart surgery in the next four to six months. Adam described the NICU "tree," the pole that once held fifteen to twenty bags and lines and now holds four. Look where they were. Look where they are. Thank you for the prayers. They have not been in vain, and Lady Haylee has been heroic through all of it.Then the topic: what to do when you're struggling. Not just spiritual struggle. Focus, work, sin, the whole weight of it. Most of it isn't laziness. It's disorder, a misalignment between the intellect and the appetites, an internal civil war stoked by stress and exhaustion and distraction. Aquinas names it. Augustine sharpens it: the mind commands the body and it obeys instantly, but the mind commands itself and is resisted. Adam's own admission cut deepest. There is a part of him that does not want to be holy. Naming that was the whole battle. Once he saw the enemy clearly, fasting and prayer stopped feeling like punishment and started feeling like war worth waging. Protect, provide, establish, and fight for your own soul while you're at it. Win the next 15 minutes. Then win the next one. Raise your glass.TOPICS COVEREDCelebrating the 4th of July, America's 250th, the most Okie way possible: a rodeoLeo and John mutton busting both nights, and Leo riding a slow sheep 17 seconds while yelling at it to keep goingJohn, three years old, crumbling at the chute, crying, and immediately signing up to do it againThe bull that jumped the arena into the stands, and Adam's lifelong itch to ride oneAdam sneaking up to the chute and the storm that cut the bull riding short as ProvidenceCarl's 4th of July party, the Declaration recited by teenagers, the bike parade, and drinking a beer while riding a bike ("bunking")Bourbon of the week: Teeling Wonders of Wood Single Pot Still, Virgin Swedish Oak, $93Running the yummy scale without Jim and guessing at a 7.321Prayer update on baby Mary: four months in the NICU, a smiling photo through the tubing, and open heart surgery on the horizonThe NICU "tree" as a visualization of progress, from twenty lines down to fourWhy most struggle is not laziness but disorder and a lack of a clear vision of the endThe human person broken down: intellect, will, and appetites, each with different triggersSt. Thomas Aquinas on the harmony between intellect and appetite, and the civil war when they misalignSt. Augustine on the mind that commands the body instantly but resists commanding itselfThe full life of St. John Paul II as a case study in struggle met with faith and joyWhy you should tell your kids and grandkids your real struggle stories, not hide themRedemptive suffering, and the shortage of real perseverance stories for kids raised on pop cultureTolkien on dragons: children already know dragons exist; they need to know dragons can be beatenCuriosity as the quiet vice, and choosing the good over even a lesser goodWhy it's about atmosphere and scenarios, not willpower, because willpower gives out fastAdam's admission that part of him does not want to be holy, and going to war against itFortitude as the virtue of winning by not losing, and building a habit of small victoriesThe Dave Ramsey debt snowball as a picture of stacking winsCustody of the eyes, stopping the struggle before it starts, and "today, I will be a saint"REFERENCED IN THIS EPISODEBooks & Writings:Confessions by St. Augustine (the mind commands itself and is resisted)Summa Theologiae by St. Thomas Aquinas (harmony and misalignment of intellect and appetite)The Aeneid by Virgil (Adam reading it aloud with his boys over the summer)Tolkien's line on dragons in children's stories (misremembered on air as "Jetson")Saints & Church Figures:St. John Paul II, Karol Wojtyła (the extended story of his life and suffering)St. Thomas AquinasSt. AugustineThe bishop referenced in the "bishop's flattery" aside, may he rest in peacePeople:Adam Minihan (host; the rodeo, the chute, baby Mary, M6 Marketing, The Grounded Builder on Substack)Dave Niles (host; Lady Pamela and the kids)Lady Haylee (heroic through Mary's NICU stay)Leo and John Minihan (the mutton busters)Karl Graham (friend of the show; the 4th of July party)Dave Ramsey (the debt snowball and the philosophy of stacking wins)

Ellen's thoughts on what really happened at The Battle of Milvian Bridge, with help from Virgil.Please help keep this podcast going!Buy your "Infallible Jesus" t-shirt here: https://catholics-against-militarism.checkoutstores.comBecome a CAM supporter for $3, $5, or $10 a month. https://www.buzzsprout.com/296171/supportMake a one-time gift to Ellen at Venmo:Ellen-FinniganFind CAM here:  https://catholicsagainstmilitarism.comRSS feed: http://www.buzzsprout.com/296171​Rumble: https://rumble.com/c/CAMpodcastSupport the showFind CAM here:  https://catholicsagainstmilitarism.comRSS feed: http://www.buzzsprout.com/296171​Rumble: https://rumble.com/c/CAMpodcast

Wir springen in dieser Folge zurück in die Antike: nach Rom, ins 1. Jahrhundert vdZw. Dort verfasst ein Dichter gerade ein Werk, das das Bild Roms, und vor allem auch das Bild seines neuen Herrschers Augustus bis heute prägen wird. Aber dieses Werk, die Aeneis, hätte eigentlich zerstört werden sollen. Warum das nicht passierte, weshalb die Aeneis überhaupt geschrieben wurde und wer dieser Mann war, der damit so unsterblich wurde, darüber sprechen wir in dieser Folge. //Erwähnte Folgen - GAG556: Galeas per Montes – https://gadg.fm/556 - GAG451: Eine kleine Geschichte der verlorenen Bücher – https://gadg.fm/451 - GAG435: Die Schlacht bei Carrhae – https://gadg.fm/435 - GAG390: Kleopatra Selene und das Ende der Römischen Republik – https://gadg.fm/390 - GAG466: Julia Felix und das Ende Pompejis – https://gadg.fm/466 - GAG336: George Smith und die Entdeckung des Gilgamesch-Epos – https://gadg.fm/336 - GAG498: Eine kleine Geschichte des Grimoires – https://gadg.fm/498 //Literatur - Farrell, Joseph, und Michael C. J. Putnam, Hg. A Companion to Vergil's Aeneid and Its Tradition. Blackwell Companions to the Ancient World. Chichester/Malden, MA: Wiley-Blackwell, 2010. - Gowers, Emily. Rome's Patron: The Lives and Afterlives of Maecenas. Princeton/Oxford: Princeton University Press, 2024. - Holzberg, Niklas. Vergil: Der Dichter und sein Werk. München: C.H. Beck, 2006. - Ruden, Sarah. Vergil: The Poet's Life. Ancient Lives. New Haven/London: Yale University Press, 2023. - Vergil. Aeneis: Lateinisch–Deutsch. Übersetzt und herausgegeben von Niklas Holzberg. Sammlung Tusculum. Berlin/München/Boston: De Gruyter, 2015. - White, Peter. Promised Verse: Poets in the Society of Augustan Rome. Cambridge, MA: Harvard University Press, 1993. - Ziolkowski, Jan M., und Michael C. J. Putnam, Hg. The Virgilian Tradition: The First Fifteen Hundred Years. New Haven/London: Yale University Press, 2008. Das Episodenbild zeigt Vergil in einem Ausschnitt eines Mosaiks aus dem 3. Jahrhundert. AUS UNSERER WERBUNG Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte! Unser neues Buch „Mehr Geschichten aus der Geschichte. Auf den Spuren verblüffender Erfindungen und kurioser Tüfteleien“ erscheint am 4. September. Ein signiertes Exemplar ist ab jetzt bei der Autorenwelt vorbestellbar: https://shop.autorenwelt.de/products/mehr-geschichten-aus-der-geschichte-von-richard-hemmer-und-daniel-messner //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Geschichten aus der Geschichte jetzt auch als Brettspiel! Werkelt mit uns am Flickerlteppich! Gibt es dort, wo es auch Becher, T-Shirts oder Hoodies zu kaufen gibt: https://geschichte.shop // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Dave took another trip to the emergency room this week — though this one wasn't for him. His daughter Bernadette and one of his boys built a foam block bridge, she went off the side of it, landed on the wall, and broke her clavicle. Clean break. When Adam got the x-ray, he zoomed in, screenshotted just the broken collarbone, and sent it to Lady Haylee with no context — let her think Adam had been out grinding, building fences, shouldering it like a tough guy. Bernadette, for the record, is doing great. Three weeks and she's back to normal. As Dave put it, if you're going to break your clavicle, do it young. Don't do it at Jim's age.A lot of life packed into this one before the topic. Adam and his boys, Luke and Jude, are going to read the Aeneid together this summer — Luke already read it at Holy Family Classical School, so he'll lead the way. Adam helped Dave harvest wheat (the invoice is coming), and the two of them talked homesteading honestly: you don't get into it to save time or money. It's a lifestyle, and the pork chop costs $400 if you're foolish enough to count your own labor. Adam also turned 40 — by the time this airs, the birthday's passed — and he spent his Substack this week reflecting on the four ten-year cycles he's got left, if he's lucky. The big lesson from 30 to 40: he had it backwards. He was making his life serve the business instead of the business serve his life. Build the habits of prayer, reading, and friendship young, because life only gets busier, and it's far easier to keep a habit than to add one.Two prayer requests worth holding. Lady Pamela's due date is this week — baby Niles number seven, two middle names this time, names not yet shared. And baby Mary is still in the NICU. They're going to try again this week to take her off the breathing tube. She's weaning off sedation — which means withdrawals, which is hard — but she's gaining weight and getting stronger. Get past the tube and the next hill is open heart surgery. Adam's grateful for every prayer, and for the guys who sent DoorDash cards. Keep praying for Mary. And a shout-out to Dan O'Brien, David's father-in-law, walking the Camino as this drops — Dan, hope the feet are holding up.This week's pour is a funny one: WhistlePig's 250th Anniversary of America 10-Year "Piggy Bank" Limited Edition Straight Rye, 55% ABV. The box is a literal piggy bank and the bottle is a chrome-plated ceramic pig. Spicier and more herbal than your Weller or Buffalo Trace — but smooth for the proof, with caramel and warm undertones. Picked up at Broken Arrow Wine and Spirits, owned by a good Catholic family from St. Benedict. Jim's yummy scale (bourbon scale): 5.87 out of 6.Then the main course: the Finding of Jesus in the Temple. Luke 2, the last joyful mystery, the only Gospel that records it — and the very first time Jesus is recorded speaking. Adam walks through it with the Catena Aurea, Aquinas's compilation of the Church Fathers edited by St. John Henry Newman. The caravan to Jerusalem split women and children up front, men in the back, and a twelve-year-old could be in either — so Mary thought He was with Joseph, Joseph thought He was with Mary. Theophylact says it wasn't negligence. A logistical blind spot. Any father who's left a kid at church after coffee and donuts gets it.The three days they searched? St. Ambrose says that's no accident — a rehearsal for the three days of the Passion, lost and then found again. The age of twelve is no accident either: right before the bar mitzvah, the Lord fulfilling the law perfectly, right on time, and twelve standing for the tribes and the apostles. Watch Mary, too. She brings her grief straight to her Son without accusation — "why have you done this to us?" — modeling how a soul carries pain to Christ: honestly, blaming no one, trusting before she fully understands. Watch Joseph, who says nothing, and pursues his mission relentlessly without drama. That's the masculine answer to adversity: very well, and you handle it. Protect, provide, establish.Was Jesus being disobedient? The Fathers say no — His higher obedience to His Father's business ran underneath the surface, and verse 51 shows Him going home and being subject to them. God first, then family, and that order doesn't fracture the home. It grounds it. And where did they find Him? In the temple. His Father's house. Which is the whole point: you can find Jesus in nature, in the car, anywhere — but you are guaranteed to find Him in the church, body, blood, soul, and divinity, in the tabernacle of every Catholic church in the world. If you want to become holy, go be with Him. Get an adoration hour. Holiness doesn't happen the way Adam's buddy Juan figured he'd "just kind of one day have a six pack." You have to do something about it. Raise your glass.TOPICS COVEREDDave's daughter Bernadette breaking her clavicle falling off a foam block bridge the kids builtAdam screenshotting the x-ray and sending just the broken collarbone to Lady Haylee with no contextAdam reading the Aeneid with his sons Luke and Jude this summer — and why he's doing it men's-group styleHarvesting wheat, and the honest economics of homesteading ("the $400 pork chop")Why you never homestead to save time or money — it's a lifestyle, not a shortcutAdam turning 40 and his Substack reflection on the four ten-year cycles he has leftThe biggest lesson from 30 to 40 — making the business serve your life instead of your life serving the businessWhy habits of prayer, reading, and friendship are easier to keep than to add laterLeveraging competent friends instead of trying to do everything yourselfLady Pamela due this week with baby Niles number seven — and the two-middle-names debateBaby Mary update — another attempt to come off the breathing tube, weaning off sedation, gaining weightWhy open heart surgery is the next hill after the breathing tubeDan O'Brien walking the Camino — a shout-out for sore feetBourbon of the week: WhistlePig 250th Anniversary 10-Year "Piggy Bank" Limited Edition Straight Rye, 55% ABVThe ceramic pig bottle, the piggy-bank box, and why a limited shelf whiskey runs $250–$350Jim's yummy scale hitting 5.87 out of 6 on the bourbon scaleThe Finding of Jesus in the Temple — Luke 2, the last joyful mystery, and the only Gospel that records itThe first recorded words of Our LordReading the story through the Catena Aurea — Aquinas's compilation of the Fathers, edited by St. John Henry NewmanHow the Passover caravan split women and children up front and men in the back — and how Jesus fell into the gapTheophylact on why it was a logistical blind spot, not negligence or bad parentingSt. Ambrose on the three-day search foreshadowing the three days of the Passion and ResurrectionWhy the age of twelve matters — the year before the bar mitzvah, and the symbolism of the twelve tribes and apostlesJesus fulfilling the law perfectly and right on time, not jumping aheadMary bringing her grief to Christ without accusation — the model for carrying pain to the Lord"About my father's business" vs. "in my father's house" — the translation and what it meansSt. Bede on faith preceding comprehension — assenting before fully understandingSt. Joseph as the model father — pursuing his mission relentlessly, without drama or self-pityMary honoring Joseph's fatherhood — "your father and I" — and why spouses don't belittle each otherHow complaining about your spouse to others actually breaks your wedding vowsWas Jesus disobedient? The Fathers say no — the higher obedience running underneathThe devil's-advocate case that He chose to be left behind, and His right as the Logos to do soJesus using the Socratic method in the temple — asking questions and "making them wonder upon him"The hierarchy of Christ's presence — and why you're guaranteed to find Him in the tabernacleA convert's story and the simple counsel: you just need to be in front of Jesus"Nothing if not you" — non nisi te, Domine — St. Thomas Aquinas's answer to the LordThe spiritual six pack — why holiness never just "happens on its own"Getting an adoration hour as a statement about the kind of man you want to beREFERENCED IN THIS EPISODEBooks & Writings:Catena Aurea by St. Thomas Aquinas, edited by St. John Henry Newman (the Fathers' commentary on the Gospels)The Gospel of Luke, chapter 2 (the Finding in the Temple, vv. 41–52)The Aeneid by Virgil (Adam's summer read with his sons)The Iliad and the Odyssey by Homer (mentioned alongside Luke's classical reading)Adam's Substack, The Grounded Builder — this week's reflection on his ten-year cyclesSaints & Church Fathers:St. Thomas Aquinas (the Catena Aurea; non nisi te, Domine)St. John Henry Newman (editor of the Catena Aurea)Theophylact (the caravan blind spot, not negligence)St. Ambrose (the three days foreshadowing the Passion; Mary's grief without rebuke; "right on time")St. Bede the Venerable (faith preceding comprehension; the hierarchy of loves)St. Teresa of Avila ("no wonder you have so few friends, with how you treat them")St. Humbert of Romans (the importance of place and location in prayer)The Blessed Virgin Mary and St. Joseph (the model of unified, honoring...

Salvete sodales! Welcome to our series, "Rem Tene;" a Latin podcast presented by Latinitas Animi Causa for beginner and intermediate learners of the Latin language built and designed for the acquisition and understanding of it as a language, not just a code to decipher. In this episode of Rem Tenē, we begin our new series within Rem Tenē! telling the story of Book 3 of the Aeneid in comprehensible Latin!Episode 0: https://youtu.be/vr2IdjRbPPk?si=TjyiYVEQCU4us5FvEpisode 1: https://youtu.be/LdGXknMxfVI?si=tu5dQ_myCqxa7tTQEpisode 2: https://www.youtube.com/watch?v=HKpk7akf5xQ&t=508s

Salvete sodales! Welcome to our series, "Rem Tene;" a Latin podcast presented by Latinitas Animi Causa for beginner and intermediate learners of the Latin language built and designed for the acquisition and understanding of it as a language, not just a code to decipher. In this episode of Rem Tenē, we begin our new series within Rem Tenē! telling the story of Book 2 of the Aeneid in comprehensible Latin!Episode 0: https://youtu.be/vr2IdjRbPPk?si=TjyiYVEQCU4us5FvEpisode 1: https://youtu.be/LdGXknMxfVI?si=tu5dQ_myCqxa7tTQ

While we are on a break, enjoy this episode from Season 2. Season 3 starts May 19!This week, we take on Apuleius' The Golden Ass, a hilarious surprise from Ted Gioia's Immersive Humanities Course. Written in the mid-300s A.D., this is the very first Latin prose novel, penned by Algerian-born Apuleius. Lucius, our hero, is a young man who meddles in magic, transforms into a donkey, and embarks on wild adventures before returning to human form. We were so captivated that note-taking fell by the wayside, much like with Herodotus' Histories. This rollicking tale, brimming with late-Roman-Empire themes, proved both hilarious and profound.Unlike Aristotle's structured tragedy guidelines (see Week 5's Poetics), The Golden Ass defies unity of action, place, and time, weaving a tapestry of digressions and sub-stories. Lucius' transformation serves as a spine for tales like “I heard…” or “So they told me…,” echoing the nested narratives of The Odyssey and The Aeneid. The standout sub-story is the myth of Cupid and Psyche, the earliest known version, which stunned us as the inspiration for C.S. Lewis' Till We Have Faces. Its late appearance for a myth feels significant, reflecting a decadent, fatigued Roman worldview. Fortune, personified as in Boethius' Consolation of Philosophy, reappears, underscoring this era's preoccupations.Sarah Ruden's translation is a triumph, preserving Apuleius' puns, alliteration, and bawdy humor. This farce, second only to Lysistrata in humor, is delightfully NSFW, with outrageous scenes that shocked even our son Jack. Ruden notes comparisons to modern humorists like Wodehouse or George MacDonald Fraser's Flashman series, and we see parallels to Forrest Gump—Lucius stumbles through events without driving the plot. The book's influence extends to A Confederacy of Dunces, sparking new reading threads for us, exactly why we joined this course.Join us next week as we travel east and read The Arabian Nights.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!) The complete list of Crack the Book Episodes (Amazon affiliate links): https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rCONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ Like what you heard? Buy me a coffee! https://ko-fi.com/crackthebookLISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

fWotD Episode 3294: Golden Bough (Aeneid) Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Tuesday, 12 May 2026, is Golden Bough (Aeneid).The Golden Bough is a fantastical object described in the Aeneid, an epic poem by the Roman poet Virgil composed between 29 and 19 BCE narrating the adventures of the Trojan hero Aeneas after the Trojan War. The episode of the Golden Bough is found in its sixth book and is part of Aeneas's journey into the Underworld. The bough itself acts as proof of Aeneas's divine favour, and allows him to pass into the Underworld. He is tasked to find it in an expansive forest, which he accomplishes with the aid of his mother, the goddess Venus, and to remove it from its host tree. Although Aeneas has been told that it would come easily, if his journey is ordained by fate, Virgil describes the bough as briefly hesitating before he takes it.Virgil's portrayal of the bough has no direct literary antecedents, though it draws on several precedents from literature, folklore and philosophy. Scholars have connected it with, among others, the Golden Fleece in the story of the Argonauts; symbolic objects associated with deities such as Hermes, Dionysus and Circe; and the branches carried by prospective initiates into the Eleusinian Mysteries, a Greek religious rite centred on a symbolic journey into the Underworld. Virgil associates it with both death and immortality, partly by way of symbolic associations in Graeco-Roman culture between gold and the gods. It also recalls ideas put forth by the Roman philosopher Lucretius as to the nature of the soul. The episode of the Golden Bough was parodied by authors including Virgil's contemporary Ovid, and drawn upon by later Roman poets including Lucan and Valerius Flaccus.Early interpretations of the Golden Bough tended to give it an allegorical function, particularly via Pythagorean and Neoplatonist philosophy, which viewed it as symbolic of the choice between virtue and vice. Medieval commentators often considered it a symbol of wisdom, and several Christian theologians interpreted it as representing Christian wisdom and virtue. In the sixteenth century, it became a heraldic symbol of the Florentine House of Medici. Early modern receptions of the bough, including those of François Rabelais and Jonathan Swift, were often parodic or obscene. In the twentieth century, scholars following the Harvard School interpretation of the Aeneid argued that Virgil's use of the bough reflected his ambivalence towards Aeneas and the latter's mission to set in motion the rise of the Roman Empire. Other critics have highlighted echoes between the episode of the Golden Bough and the morally charged deaths of two of Aeneas's antagonists, Dido and Turnus.In the fourth or fifth century CE, the commentator Servius connected the bough to rex Nemorensis, a priest of the goddess Diana at Lake Nemi whose office was passed on by the killing of its holder. This equation influenced the anthropologist James George Frazer, who used the bough for the title of his 1890 work on comparative religion. The bough is recalled in Dante Alighieri's Divine Comedy and was the subject of an 1834 painting by J. M. W. Turner, which was used as the frontispiece for the early editions of Frazer's book. It was an influential motif in the "Byzantium" poems of W. B. Yeats and in the poetry of Seamus Heaney, who made several translations of Virgil's account of the episode. Scholars have also drawn parallels between the Golden Bough and significant objects in the novels of J. R. R. Tolkien.This recording reflects the Wikipedia text as of 00:53 UTC on Tuesday, 12 May 2026.For the full current version of the article, see Golden Bough (Aeneid) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Emma.

Salvete sodales! Welcome to our series, "Rem Tene;" a Latin podcast presented by Latinitas Animi Causa for beginner and intermediate learners of the Latin language built and designed for the acquisition and understanding of it as a language, not just a code to decipher. In this episode of Rem Tenē, we begin our new series within Rem Tenē! telling the story of Book 1 of the Aeneid in comprehensible Latin!

Eric Hutchinson, associate professor of classics and chairman of Collegiate Scholars Program at Hillsdale College, joins host Scot Bertram to discuss the foundations of Roman mythology, best practices for teaching Virgil's The Aeneid, and the differences between Aeneas and other heroes of antiquity. Learn more: https://k12.hillsdale.edu/See omnystudio.com/listener for privacy information.

A major new look at Africa's influence on European culture and how colonization remade Africa in the image of a medieval Europe.Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, in Atlas's Bones: The African Foundations of Europe (U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil's Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt's, Libya's, and Carthage's influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.Atlas's Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world. D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A major new look at Africa's influence on European culture and how colonization remade Africa in the image of a medieval Europe.Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, in Atlas's Bones: The African Foundations of Europe (U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil's Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt's, Libya's, and Carthage's influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.Atlas's Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world. D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

A major new look at Africa's influence on European culture and how colonization remade Africa in the image of a medieval Europe.Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, in Atlas's Bones: The African Foundations of Europe (U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil's Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt's, Libya's, and Carthage's influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.Atlas's Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world. D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In this episode of Classical Et Cetera we continue our series on the best books of each era by turning from ancient Greece to ancient Rome. From Virgil's Aeneid and Cicero's orations to Roman historians, poets, philosophers, and early Christian writers, we consider the works that reveal Rome's ideals of order, duty, virtue, and piety—and the world-changing arrival of Christianity.   Whether you're new to Roman literature or looking to revisit the classics, this conversation offers guidance on what to read, why it matters, and how these books help us understand the foundations of Western civilization. Join us as we explore the essential works of ancient Rome, from empire to Augustine, and consider where to begin your reading. *What We're Reading* from This Episode:  "Mary Poppins" Pamela Lyndon Travers (Paul) "The Confederacy of Dunces" John Kennedy Toole (Paul) "84, Charing Cross Road" Helene Hanff (Jessica) "The Sea Hawk" Rafael Sabatini (Tanya) "The Little Colonel Stories" Annie Fellows Johnston (Tanya) "Educational Wastelands" Arthur E. Bestor (Martin)     *Reading List for Ancient Rome* Virgil - Aeneid - Other poetry   Cicero - Catilinarian Orations - The Republic - The Laws - On Duties / On Obligations - Pro Archia Poeta_ / _For Archias the Poet   Lucretius - De rerum natura_ / _On the Nature of Things   Marcus Aurelius - Meditations   Julius Caesar - Gallic Wars   Roman Historians - Works by Livy - Works by Tacitus - Works by Suetonius - Plutarch - _Parallel Lives   Roman Poetry - Works by Ovid - Works by Horace - Other poetry by Virgil   Early Christian Writings of the Roman Era - Didache - Writings by Clement of Rome - Writings by Ignatius of Antioch - Writings by Polycarp - Writings by Justin Martyr - Writings by Irenaeus - Writings by Tertullian - Writings by Origen - Writings by Eusebius   Augustine - Confessions - On Catechizing the Uninstructed - City of God

So much of what is happening these days seems utterly nonsensical, from Trump’s war crime and profanity-laced Easter rant, to the whipsaw on Iran. So, is it simply Occam’s razor, or is there more going on here than we’re led to believe? Since I entered politics, I have chiefly had men’s views confided to me privately. Some of the biggest men in the United States, in the field of commerce and manufacture, are afraid of somebody, are afraid of something. They know that there is a power somewhere so organized, so subtle, so watchful, so interlocked, so complete, so pervasive, that they had better not speak above their breath when they speak in condemnation of it. — President Woodrow Wilson, The New Freedom: A Call for the Emancipation of the Generous Energies of a People (1913) The real truth of the matter is, as you and I know, that a financial element in the larger centers has owned the Government ever since the days of Andrew Jackson — and I am not wholly excepting the Administration of W. W. The country is going through a repetition of Jackson’s fight with the Bank of the United States — only on a far bigger and broader basis. — President Franklin D. Roosevelt, letter to Col. Edward Mandell House (21 November 1933); as quoted in F.D.R.: His Personal Letters, 1928-1945, edited by Elliott Roosevelt (New York: Duell, Sloan and Pearce, 1950), pg. 373 I would suggest nothing we’re seeing, including (especially) the seemingly nonsensical, is ‘accidental’ or coincidental. It is PSYOP/PSWAR, a potent toxic mixture of POSIWID and chaos theory designed and intended to rapidly produce maximum chaos resulting in a ‘Clash of Civilizations‘ and The End of History and the Last Man, to ultimately bring about a ‘Novus Ordo Seclorum’1234 a la Genesis 11 → Genesis 6 → culminating in Psalm 2 → Revelation 19. Links Videos / Clips [x] = Played Trump says Americans against war with Iran are ‘foolish’ [x] 2:00–5:15 [x] 8:33–9:12 ‘Apparently I'm an idiot': Three-time Trump voter in Pennsylvania sounds off on Iran war [x] 3:15–3:45 Lucifer Has a NASA Moon Mission named Artemis. Here’s What They’re Hiding. Headlines [x] = Mentioned / Discussed Trump: “A Whole Civilization with Die Tonight” If President Trump carries out his threat to kill the entire civilization of Iran, he will join the ranks of Cato the Elder, Genghis Khan, Cortez, and other villains in history who chose the policy of destroying an entire civilization. Needless to say, this is not what Washington, Madison, Adams, Jefferson, and Franklin had in mind when they founded the US Constitutional Republic. Members of the US government—as well as We the People—should think about the reflections of multiple Roman authors who regarded the total annihilation of Carthage as an outrage and repudiation of Rome's republican values and virtues. In the Aeneid, Virgil frames the Punic Wars as a fateful conflict initiated by the Punic Queen Dido’s curse on Aeneas’s descendants. I interpret this as Virgil's way of condemning the “unspeakable” destruction of Carthage. The American people should be aware of the fact that if our US government does indeed annihilate the Iranian nation forever, it will certainly have a vast array of terrible consequences for us and for all of mankind. Among other disasters, it is likely that millions of Iranians will be forced to flee to other lands, including those of Europe. Many young men who see their mothers, fathers, brothers, sisters suffer will be animated with a burning desire for revenge. I anticipate great horrors ahead for all of us. Trump's F-Bomb on Iran Joins America's Rollicking History of Presidential Profanity White House Easter egg roll Monday: How to watch live White House Easter Egg Roll honors America’s egg farmers, says President Trump | Fox News [x] Pentagon's new plans in Iran give Trump a way out of war crime accusations – POLITICO [x] Trump threatens to jail journalist who reported on crew's rescue in Iran if they don't reveal source – POLITICO [x] Iran Says US Airman Rescue May Have Been Cover to ‘Steal Enriched Uranium' Artemis ‘Launch’ April Fool’s Day / Easter – Amazing ‘Coincidence’ [x] [Published April Fool's Day! Same as Artemis II 'launch'] Did Van Allen Belts Stop the Moon Landings? Myth vs Fact – FreeAstroScience [x] Artemis II live updates: Nasa astronauts returning to Earth after seeing parts of Moon ‘no human has ever seen' | The Independent Artemis – Wikipedia “Isis, Astarte, Diana, Hecate, Demeter, Kali, Innana…” & Asteroids | Fixed Stars Are the goddesses Ashteroth, Remphan, Isis, Ishtar, Belit, Anahita, Artemis, and Diana the same goddess with different names? – Quora Pan: The Complete Guide to the Greek God of Nature (2023) The Rest [x] = Mentioned / Discussed [x] Deutsche Bank – Wikipedia [x] Deutsche Bank [00:27, 17 May 2024 revision] – Wikipedia [x] Trump family faces high-stakes testimony in Manhattan fraud trial [x] At Trump Org fraud trial, ex-banker recalls ‘hunting' for Trump's business | Courthouse News Service [x] Finra Suspends Trump's Former Personal Banker – AdvisorHub [x] Rosemary Vrablic – Wikipedia [x] Jared Kushner – Wikipedia The thinly sourced theories about Trump's loans and Justice Kennedy's son (Jul 12, 2018) by Salvador Rizzo | The Washington Post [x] Why Trump Is Mentally Unfit to Be President: Pathology of Narcissism (Apr 5, 2017) by Alex Morris | Rolling Stone [x] Taibbi on the Madness of Donald Trump (Sep 19, 2017) by Matt Taibbi | Rolling Stone [x] Donald Trump Is About to Be a Loser, His Lawyers Say (Mar 22, 2023) by Asawin Suebsaeng and Adam Rawnsley | Rolling Stone [x] Donald Trump, Trickster God (Mar 4, 2016) by Corey Pein | The Baffler [x] Kushner and Witkoff – by esc [x] IMEC: Trump's War With Iran Is About Global Trade. Period. [x] What The Iran Attack Is Really All About – Road Warrior Radio [x] Road Warrior Radio with Chris Hinkley, March 10, 2026 Hour 1 – Republic Broadcasting Network [x] Road Warrior Radio with Chris Hinkley, March 10, 2026 Hour 2 – Republic Broadcasting Network On This Day Events April 2026 Calendar of Public Holidays | Office Holidays Holidays and Observances in the United States in 2026 What day is it today? Important events every day ad-free | United States OTD On This Day – What Happened on April 7 Today in History: April 7, Rwandan genocide begins | AP News What Happened on April 7 – On This Day What Happened on April 7 | HISTORY April 7 – Wikipedia What Happened On April 7 In History? 07 | April | 2020 | Executed Today Holidays National Beer Day (United States) Historical Events 2022 – The Senate confirmed Ketanji Brown Jackson – “Pizzagate” judge who was unable to define ‘woman' – to the Supreme Court, securing her place as the court's first Black female justice. 2021 – COVID-19 shenanigans: The Centers for Disease Control and Prevention announces that the SARS-CoV-2 Alpha variant has become the dominant strain of COVID-19 in the United States. 2020 – COVID-19 shenanigans: China ends its lockdown in Wuhan. 2020 – COVID-19 shenanigans: Acting Secretary of the Navy Thomas Modly resigns for his handling of the COVID-19 ‘pandemic’ on USS Theodore Roosevelt and the dismissal of Brett Crozier. 1994 – A day after the presidents of Rwanda and Burundi died in a missile attack on their aircraft, the moderate Hutu prime minister of Rwanda, Agathe Uwilingiyimana, and her husband were killed by Rwandan soldiers; in the 100 days that followed, Hutu extremists slaughtered hundreds of thousands of minority Tutsi and Hutu moderates. 1990 – John Poindexter is convicted for his role in the Iran–Contra affair. In 1991 the convictions are reversed on appeal. 1984 – The Census Bureau reported that Los Angeles had overtaken Chicago as the nation's “second city” in terms of population. 1980 – During the Iran hostage crisis, the United States severs relations with Iran. 1970 – John Wayne wins Best Actor Oscar: The legendary actor John Wayne wins his first—and only—acting Academy Award, for his star turn in the director Henry Hathaway's Western True Grit. Known for his tough, rugged, uniquely American screen persona, Wayne appeared in some 150 movies over the course of his long and storied career. 1969 – The internet is born: With the publication of RFC 1, The Advanced Research Projects Agency (ARPA) awarded a contract to build a precursor of today’s world wide web to BBN Technologies. The date is widely considered as the internet’s symbolic birthday. 1968 – Riots continue in over 100 US cities following the Apr 4 assassination of Martin Luther King Jr. 1966 – The U.S. Navy recovered a hydrogen bomb that the U.S. Air Force had lost in the Mediterranean Sea off Spain following a B-52 crash. 1964 – IBM announces the System/360. 1963 – Tito is made president of Yugoslavia for life: A new Yugoslav constitution proclaims Tito the president for life of the newly named Socialist Federal Republic of Yugoslavia. Formerly known as Josip Broz, Tito was born to a large peasant family in Croatia in 1892. 1961 – JFK lobbies Congress to help save historic sites in Egypt: President John F. Kennedy sends a letter to Congress in which he recommends the U.S. participate in an international campaign to preserve ancient temples and historic monuments in the Nile Valley of Egypt. The campaign, initiated by UNESCO, was designed to save sites threatened by the construction of the Aswan High Dam. 1954 – Domino Theory: President Dwight D. Eisenhower coined one of the most famous Cold War phrases, held a news conference in which he outlined the concept of the “domino theory” as he spoke of the importance of containing the spread of communism in Indochina, saying, “You have a row of dominoes set up, you knock over the first one, and what will happen to the last one is the certainty that it will go over very quickly.” 1953 – Sweden's Dag Hammarskjöld elected U.N. head: By a vote of 57 to 1, Dag Hammarskjöld is elected secretary-general of the United Nations. The son of Hjalmar Hammarskjöld, a former prime minister of Sweden, Dag joined Sweden's foreign ministry in 1947, and in 1951 formally entered the cabinet as deputy foreign minister. 1950 – President Truman receives NSC-68 report, calling for “containing” Soviet expansion: President Harry S. Truman receives National Security Council Paper Number 68 (NSC-68). The report was a group effort, created with input from the Defense Department, the State Department, the CIA, and other interested agencies; NSC-68 formed the basis for America's Cold War policy for the next two decades. 1949 – Tony-winning musical South Pacific opens on Broadway: The Rodgers and Hammerstein musical South Pacific opens at the Majestic Theatre on Broadway in New York City. The romantic musical about World War II, which touches on controversial racial themes, goes on to run for almost five years, becoming one of the most popular musicals of the 1950s. 1948 – World Health Organization established: The WHO, a privately funded United Nations agency front organization, ostensibly concerned with fighting disease and epidemics worldwide, building up national health services, and improving health education in its 194 member states. 1945 – World War II: The Imperial Japanese Navy battleship Yamato, one of the two largest ever constructed, is sunk by United States Navy aircraft during Operation Ten-Go, in Japan's first major counteroffensive in the struggle for Okinawa. Weighing 72,800 tons and outfitted with nine 18.1-inch guns, the battleship Yamato was Japan's only hope of destroying the Allied fleet off the coast of Okinawa. 1943 – The National Football League makes helmets mandatory. 1943 – Holocaust in Ukraine: In Terebovlia, Germans order 1,100 Jews to undress and march through the city to the nearby village of Plebanivka, where they are shot and buried in ditches. 1940 – Tuskegee Institute founder Booker T. Washington becomes the first Black American to be honored with a postage stamp. It will take nearly four decades for a Black woman to receive a similar honor: Harriet Tubman in 1978. 1939 – Benito Mussolini invades Albania, declares an Italian protectorate over Albania and forces King Zog I into exile. 1933 – National Beer Day: Prohibition in the United States is repealed for beer of no more than 3.2% alcohol by weight, eight months before the ratification of the Twenty-first Amendment to the United States Constitution. (Now celebrated as National Beer Day in the United States.) 1927 – First long-distance television transmission: an image of Secretary of Commerce Herbert Hoover is sent from Washington, D.C. to NYC by AT&T 1922 – Teapot Dome Scandal: Interior Secretary Albert B. Fall signed a secret deal to lease U.S. Navy petroleum reserves in Wyoming and California to his friends, oilmen Harry F. Sinclair and Edward L. Doheny, in exchange for cash gifts; Fall would eventually be sentenced to prison on bribery and conspiracy charges in what became known as the Teapot Dome Scandal. 1868 – Thomas D’Arcy McGee, one of the Canadian Fathers of Confederation is assassinated by the Irish, in one of the few Canadian political assassinations, and the only one of a federal politician. 1862 – American Civil War: Battle of Shiloh concludes: Two days of heavy fighting conclude near Pittsburgh Landing in western Tennessee. Union forces led by Gen. Ulysses S. Grant and Maj. Gen. Don Carlos Buell are victorious after the Confederate attack stalled on April 6, and fresh Yankee troops drove the Confederates from the field on April 7. 1832 – The Man Who Sold His Wife: Most modern readers believe Thomas Hardy was plunging into deep fiction when he wrote about a man selling his wife. He wasn’t. Nagging wives needed to be careful in 19th Century England, for, as Hardy recounted in The Mayor of Casterbridge, her husband might put her up for sale. That's just what happened on this day to Mary Thompson, according to a local newspaper report. 1829 – Joseph Smith, Jr., founder of the Latter Day Saint cult, commences translation of the Book of Mormon, with Oliver Cowdery as his scribe. 1827 – First friction match sold: English chemist John Walker produced and sold the first operable matches. They were soon banned in France and Germany because burning fragments would sometimes fall to the floor and start fires. 1805 – German composer Ludwig van Beethoven premieres his Third Symphony, at the Theater an der Wien in Vienna 1805 – Lewis and Clark depart Fort Mandan: After a long winter, the Lewis and Clark expedition departs its camp among the Mandan tribe and resumes its journey West. The Corps of Discovery had begun its voyage the previous spring, and it arrived at the large Mandan and Minnetaree villages along the upper Missouri River (north of present-day Bismarck, North Dakota) in late October. 1798 – The Mississippi Territory is organized from disputed territory claimed by both the United States and the Spanish Empire. It is expanded in 1804 and again in 1812. 1788 – American Pioneers to the Northwest Territory arrive at the confluence of the Ohio and Muskingum rivers, establishing Marietta, Ohio, as the first permanent American settlement of the new United States in the Northwest Territory, and opening the westward expansion of the new country. 1776 – Captain John Barry and the USS Lexington captures the Edward. 1739 – Dick Turpin is executed in England for horse stealing 1724 – Johann Sebastian Bach’s St. John Passion premiered: St. John’s Passion premieres on Good Friday at St. Nicholas Church in Leipzig, Electorate of Saxony (now Germany). The sacred oratorio is the oldest extant Passion by the German composer. The highly popular work is a dramatization of the final days of Jesus Christ, according to the Gospel of John. 1521 – Ferdinand Magellan arrives at Cebu. 529 – First draft of Corpus Juris Civilis or the Justinian Code (a fundamental work in jurisprudence) is issued by Eastern Roman Emperor Justinian I 451 – Attila the Hun captures Metz in France, killing most of its inhabitants and burning the town. 30 – Scholars estimate for the crucifixion of Jesus by Roman troops at the behest of Jewish leadership (Caiaphas the high priest, chief priests, scribes, elders) on Golgotha outside Jerusalem [or April 3] Births 1964 – Russell Crowe, New Zealand/Australian actor, singer, producer 1954 – Jackie Chan, Hong Kong-born actor and director noted for acrobatic stunt work in hits like “The Young Master” and the “Rush Hour” series. 1939 – Francis Ford Coppola, American director, producer, screenwriter 1938 – Jerry Brown, American lawyer and politician, 34th and 39th Governor of California 1931 – Daniel Ellsberg, American activist and author (died 2023) 1928 – James Garner, American actor, singer, and producer (died 2014) 1920 – Ravi Shankar, Indian/American sitar player, composer (died 2012) 1915 – Billie Holiday, American Jazz singer-songwriter, actress whose soulful intensity earned her the nickname “Lady Day.” Signature hits like “Strange Fruit” and “God Bless the Child.” (died 1959) 1897 – Walter Winchell, American journalist and radio host (died 1972) 1893 – Allen Dulles, American lawyer and diplomat, 5th Director of Central Intelligence (died 1969) 1890 – Marjory Stoneman Douglas, journalist, conservationist, activist best known for her advocacy for the preservation of Florida’s Everglades region. (died 1998) 1860 – Will Keith Kellogg, American businessman, ardent eugenicist, Seventh-day Adventist cult member, founded the Kellogg Company (died 1951) 1772 – Charles Fourier, French philosopher, communist (died 1837) 1770 – William Wordsworth, English poet (died 1850) Deaths 1947 – Henry Ford, American businessman, founded the Ford Motor Company (born 1863) 1928 – Alexander Bogdanov, Russian physician, philosopher, and author (born 1873) 1891 – P. T. Barnum, American businessman, co-founded Ringling Bros., Barnum & Bailey Circus (born 1810) 1804 – Toussaint Louverture, Haitian general (born 1743) 1733 – Samuel Partridge, very stupid and unconcern'd From the New England Weekly Journal, July 23, 1733 — a three-month-old news item (part of a roundup of dated minor dispatches) that had to cross the Atlantic from the mother country. Ipswich, April 7. Last Saturday Samuel Partridge was executed here, for robbing Mr. Barwell of Brockley in this City, of 31l, 10s., a Horse, and other Things, in Company with another Person not yet taken. He said he was born at Debden in Suffolk, that he was about 22 years of Age, and was brought up in Husbandry; he appeared to be very illiterate, for he could neither read nor write, and was entirely ignorant of the first Principles of Christianity. He denied the Fact for which he suffered, and said he was perswaded to own the Robbery by a Soldier that was in Halsted Bridewell with him, he telling him, that if he confessed the Fact he would come off very well; and that he advised him to say, that he had made use of a Bolt instead of a Pistol, and that he had hid it in a certain Place, where it was found according to his Direction. At the Place of Execution he seemed very stupid and unconcern'd; only, as directed, he called on God for Mercy when he was turned off. Elon Musk Tweets ‘Novus Ordo Seclorum' After Donald Trump Wins Reelection. MAGA Is The Pied Piper – winepressnews.com ↩ Novus Ordo Seclorum – History of Motto on Great Seal’s Unfinished Pyramid ↩ Novus ordo seclorum – Wikipedia ↩ Annuit cœptis – Wikipedia ↩

Week Two of our poetry and garden project is here (a poem read, a garden visited each week). We arrive in April with Aeneas' "sudden" encounter with his mother Venus in disguise as a huntress on the Libyan cliffs and a humble side-street garden in Brooklyn. To see a full image of the garden and the article for this week head over to https://theuplands.substack.com/p/the-aeneid-and-an-april-garden-brooklyn 

3. Epic Plots, Underworlds, and the Human Cost of Destiny Guest Authors: Scott McGill and Susanna Wright (5)This segment explores the *Aeneid*'s plot, following Aeneas's journey from the ashes of Troy to the founding of a new Roman lineage in Italy. The authors examine Virgil's "conversation" with Homer, blending Odyssean wandering with Iliadic warfare. They delve into the terrifyingly visual depiction of the underworld and the "magnificently gory" battle scenes that reflected ancient Roman aesthetics. Significant focus is placed on the human cost of Aeneas's mission, particularly the tragic treatment of female characters like Dido, whose powerful voice often overshadows the hero's own restrained and sometimes frustrating inner life. (6)1650 AENEAS VS TURNUS

1. Virgil's Origins and the Rise of a Roman Poet Guest Authors: Scott McGill and Susanna Wright (1)Professors Scott McGill and Susanna Wright discuss Virgil's 70 BCE birth near Mantua and his rural upbringing, which deeply influenced his poetry. Despite his "country mouse" persona, Virgil's ambition took him to Rome during a period of intense civil war and political transition from Republic to Empire. The authors explore his professional path as a poet under the patronage of Maecenas and his burgeoning relationship with Augustus. This connection, initially forged over the *Georgics*, eventually led to the creation of the *Aeneid*, a work intricately intertwined with the era's political and social turmoil. (2)1650 TROJAN WAR

4. Roman Exceptionalism and the Complexity of Power Guest Authors: Scott McGill and Susanna Wright (7)The final discussion addresses the *Aeneid* as a document of Roman exceptionalism, justifying Augustus's empire as a divinely ordained destiny. However, McGill and Wright argue the poem transcends mere propaganda by emphasizing the human scale and showing sympathy for Aeneas's adversaries, Dido and Turnus. They interpret Virgil's portrayal of weak or coercive kings as a potential critique of the era's shifting power dynamics. Ultimately, the work reflects the "veneer of Republicanism" Augustus maintained while establishing absolute rule, making the *Aeneid* a complex exploration of political transition and the hazards of individual power. (8)1915 AENEID

Salvete sodales! Welcome to our series, "Rem Tene;" a Latin podcast presented by Latinitas Animi Causa for beginner and intermediate learners of the Latin language built and designed for the acquisition and understanding of it as a language, not just a code to decipher. In this episode of Rem Tenē, we begin our new series within Rem Tenē! telling the story of the Aeneid in comprehensible Latin!

Send a textWhen the Loeb Classical Library was launched, the greatest language teacher of the age, W.H.D. Rouse, wrote an essay meant to promote the Loebs by extolling the magnificence of Greek literature and Latin literature. And boy did he. "Your mind cannot live without them. All the great intellectual impulses begin in Greece; the modern world only grows crops from the Greek seed." While Rouse admitted that his space was short, and so he had to "be dogmatic," this essay, "Machines or Mind?" is a worthy read, not least because of its response to the utilitarians who'd prefer we abandon the humanities and instead bend all of our time, effort, and resources to making more machines. One of Rouse's 21st century heirs, Senior Fellow of Classical Languages at New Saint Andrews College and founder of Picta Dicta, Timothy Griffith, joins the podcast to discuss the essay, Rouse's place in the tradition of humanist education, and whether the Aeneid can properly be called an epic.W.H.D. Rouse's Machines or Mind?: https://antigonejournal.com/2024/11/machines-or-mind-loebs-rouse/Picta Dicta: https://pictadicta.com/W.H.D. Rouse's Latin on the Direct Method: https://scholalatina.it/wp-content/uploads/2020/09/Rouse-Appleton-Latin-on-the-direct-method.pdfC.S. Lewis's Preface to Paradise Lost: https://bookshop.org/a/25626/9780195003451New Humanists is brought to you by the Ancient Language Institute: https://ancientlanguage.com/Links may have referral codes, which earn us a commission at no additional cost to you. We encourage you, when possible, to use Bookshop.org for your book purchases, an online bookstore which supports local bookstores.Music: Save Us Now by Shane Ivers - https://www.silvermansound.comSupport the show

Today on Ascend: The Great Books Podcast, Dr. Jason Baxter and Dcn. Harrison Garlick come together to introduce Dante's Purgatorio and Dr. Baxter's new translation!We are reading Dante's Purgatorio for Lent. Join us!Visit thegreatbookspodcast.com for our reading schedule!Check out our LIBRARY of written guides to the great books!DISCOUNT: Check out Dr. Jason Baxter's website and enter "Ascend" to receive **20%** off the Purgatorio audiobook read by Dr. Baxter!Check out Dr. Baxter's Substack article on his new translation.And thank you to the Center of Beauty and Culture at Benedictine College for promoting this reading of the Purgatorio!Dr. Baxter first describes the Center for Beauty and Culture at Benedictine College as a fellowship program (Angelico Fellows) that immerses students in beauty across the arts, music, literature, and theology—through concerts, museums, and pilgrimages—to foster interiority and the conviction that “beauty can save the world.”The conversation then contrasts Purgatorio with the Inferno: while the latter is dark, lurid, and focused on judgment, Purgatorio is a place of hope, mercy, transformation, and “eternal New Year's resolutions,” where repentant souls engage in spiritual exercises to purify their tarnished mirrors, learn authentic love and prayer, and prepare for Paradise. Baxter likens the shift to moving from heavy metal to Schubert, emphasizing greenness, brightness, and unexpected mercy.Baxter explains that his translation began as a personal quest for mastery—going word-by-word to internalize Dante like memorizing a piano piece—but evolved into a philosophy capturing Dante's “fugue” of style: ascending, prolix syntax with lofty classical allusions layered over humble, earthy words that reflect Franciscan humility and incarnational Christian poetics. Examples include goats ruminating on the “foco d'amore” (fire of love) amid elevated star imagery, or Statius calling Virgil's Aeneid “una mamma” (translated “mommy”).He describes Purgatorio as spiritual surgery—painfully removing the soul's “carcinogenic” elements through grace-filled cooperation—and a map for configuring to Christ beyond mere sin avoidance. Baxter advises first-time readers to pause at puzzling images or word choices, ask “why would Dante do that here?,” trust their instincts, and consider his audiobook for the text's soundscape, while Deacon Garlick stresses the canticle's role as a spiritual guide that mirrors one's own maturation toward God.Chapters00:00 Introduction to Ascend and Dante's Purgatorio03:43 The Center for Beauty and Culture05:40 Understanding Dante's Purgatorio07:54 The Nature of Purgatorio14:54 Dante the Pilgrim vs. Dante the Poet19:32 The Spirituality of Translation20:14 The Philosophy of Translation30:02 Dante's Christian Poetics34:22 Exploring Dante's Poetic Style36:51 Juxtaposition in Dante's Imagery41:42 The Concept of Spiritual Surgery44:49 The Journey of Holiness48:13 The Role of...

In 1599, a family in a small French town claimed that their daughter was possessed by a demon called Beelzebub and, despite daily exorcisms, the demon possessing this woman was staying put. So France's Henri IV set up a royal commission that would try something a little different. The woman would still receive exorcisms, complete with the normal exorcism accoutrements, but with a catch. The priest wouldn't actually be Catholic, the water in the vessel would be ordinary water, and the Latin used wouldn't be religious — it would be from Virgil's famous poem Aeneid. That's because this wasn't actually an exorcism. It was an experiment built on a deceptively simple tool that scientists and doctors still use today to study new medical treatments: a placebo.In this episode, we explore the surprising origins and evolution of one of modern medicine's most important tools: the clinical trial. We follow the development of experimental design across centuries to modern day randomized controlled trials and the debates about their limitations, trying to answer the question, “How do we know whether a treatment truly works?”Send us your science facts, news, or other stories for a chance to be featured on an upcoming Tiny Show and Tell Us bonus episode. And, while you're at it, subscribe to our newsletter!All Tiny Matters transcripts and references are available here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome back!! Happy 2026!! After a holiday hiatus, we're starting the year off strong with the Second Annual Inkling Awards for Literary Excellence. As an exciting new term of teaching kicks off for me at the University of Austin, TX, It's a good time to be thinking about some of the best questions: why should we read? How should we read? And how much? Without further ado, here are Dr. Klavan's rules of thumb for reading, the best books I read last year, and the books I'm looking forward to in 2026. Plus: C.S. Lewis on why you should read old books. Check out my cover essay in First Things on Virgil's Aeneid: https://firstthings.com/in-the-footsteps-of-aeneas/ Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM Subscribe to be in the mailbag: https://rejoiceevermore.substack.com

The parade of revelation has stopped and everything holds its breath for what comes next.She's veiled, behind scattered flowers. But Beatrice arrives, in the place of Jesus Christ, her second coming, her advent in the victory chariot.And as she arrives, Virgil disappears from COMEDY. (Statius, too, even if he's still standing next to the pilgrim.) This moment is perhaps the climax of the poem as we have understood it up until now. From here on, everything changes. We have moved out of time and into a world beyond human reason. It's a cause for rejoicing but also for great sadness.Here are the segments for this episode of WALKING WITH DANTE:[01:13] My English translation of PURGATORIO, Canto XXX, Lines 22 - 54. If you'd like to read along or drop a comment about this episode, please find its entry on my website, markscarbrough.com.[04:14] Word choices in the passage that reflect its thematic and emotional space.[07:04] The Vita Nuova as foundational to Beatrice's appearance.[12:00] Beatrice's colors and the parade of revelation.[13:39] Christological confusions with Beatrice.[16:48] Gender confusions during her arrival.[19:10] The pilgrim's imagined dialogue with a (mis)quote from The Aeneid.[23:03] The sad, quiet disappearance of Virgil and the pilgrim's pronounced, loud interiority.[29:02] The silent, almost unnoticed departure of Statius from the poem.[31:06] The cleansing of the pilgrim as a bookend for the work of PURGATORIO.[32:39] Rereading the passage: PURGATORIO, Canto XXX, lines 22 - 54

The grand parade of revelation has come to a stop across Lethe from our pilgrim, Virgil, and Statius. Everything seems to hold its breath: the constellations stop moving, the crowd goes quiet, one voice calls out for the bride, then a hundred angels appear, calling out for the groom . . . which is surely Jesus, right?We seem to be on the verge of a celestial marriage ceremony, the mystic union of Jesus and his church . . . except Virgil's AENEID gets the last word and darkens the scene considerably.Join me, Mark Scarbrough, as we stand in expectation at the top of Mount Purgatory for the arrival of . . . somebody.Here are the segments for this episode of WALKING WITH DANTE:[01:24] My English translation of PURGATORIO, Canto XXX, Lines 1 - 21. If you'd like to read along or continue the conversation with me by dropping a comment on this episode, please find its entry on my website: markscarbrough.com.[04:33] The Little Dipper, the North Star, the chariot, a griffin, and the Bible, all bound up in the longest sentence in COMEDY.[13:59] The resurrection with a reclothed voice (that is, the stuff of poetry).[16:38] Many angels in a very small cart.[19:32] Quoting the triumphal entry of Jesus into Jerusalem (here and in The Vita Nuova).[21:44] Quoting the tragic prophecy about Marcellus from THE AENEID.[24:43] Inserting Dante and Virgil into Biblical citations.[26:59] Rereading the passage: PURGATORIO, Canto XXX, lines 1 - 21.

HOMER'S NARRATIVE CHOICES AND ORAL TRADITION Colleague Professor Emily Wilson. Wilsondiscusses the "Homeric Question," noting that oral stories existed for centuries before the alphabet arrived in the 8th century BCE. She highlights the Iliad's sophisticated narrative structure, which omits famous events like the Apple of Discord and the Trojan Horse to focus intensely on a specific period of the war. The conversation compares the Iliad'sfocus on Greek infighting with Virgil's Aeneid, noting the distinct goals of each epic tradition. NUMBER 2 500 AD ALEXANDRIA

SHOW 12-30-25 CBS EYE ON THE WORLD WITH JOHN BATCHELOR THESDHOW BEGINS WITH DOUBTS ABOUT THE PURPOSE OF WAR-MAKING AS EXPRESSED MOURNFULLY BY HECTOR'S WIFE ANDROMACHE... SHOW 12-30-25 CBS EYE ON THE WORLD WITH JOHN BATCHELOR TRANSLATION AND THE SEARCH FOR TROY Colleague Professor Emily Wilson. John Batchelor interviews Professor Emily Wilson about her new iambic pentameter translation of the Iliad. They discuss the historical location of Troy in modern Turkey and the archaeological layers discovered by Schliemann, who wrongly believed he found Agamemnon's mask. Wilson explains that while the Greeks viewed the Iliad as partly historical, it is a poetic imagining composed centuries after the events, designed for oral performance and rhythmic reading. NUMBER 1 HOMER'S NARRATIVE CHOICES AND ORAL TRADITION Colleague Professor Emily Wilson. Wilsondiscusses the "Homeric Question," noting that oral stories existed for centuries before the alphabet arrived in the 8th century BCE. She highlights the Iliad's sophisticated narrative structure, which omits famous events like the Apple of Discord and the Trojan Horse to focus intensely on a specific period of the war. The conversation compares the Iliad'sfocus on Greek infighting with Virgil's Aeneid, noting the distinct goals of each epic tradition. NUMBER 2 TRAGIC COUPLES AND DIVINE INTERVENTION Colleague Professor Emily Wilson. The segment explores key character pairings, starting with Helen's complex view of Paris and her weaving as a metaphor for the story. Wilsonanalyzes the tragic relationship between Hector and Andromache, emphasizing Hector's choice of duty over family. They discuss the gods' roles, particularly Thetis's prayer to Zeus which seals Achilles' fate, and Hera's bargaining with Zeus to ensure Troy's destruction, highlighting the interplay of divine will and mortal suffering. NUMBER 3 TRANSLATION AND THE SEARCH FOR TROY Colleague Professor Emily Wilson. John Batchelor interviews Professor Emily Wilson about her new iambic pentameter translation of the Iliad. They discuss the historical location of Troy in modern Turkey and the archaeological layers discovered by Schliemann, who wrongly believed he found Agamemnon's mask. Wilson explains that while the Greeks viewed the Iliad as partly historical, it is a poetic imagining composed centuries after the events, designed for oral performance and rhythmic reading. NUMBER 1 HOMER'S NARRATIVE CHOICES AND ORAL TRADITION Colleague Professor Emily Wilson. Wilsondiscusses the "Homeric Question," noting that oral stories existed for centuries before the alphabet arrived in the 8th century BCE. She highlights the Iliad's sophisticated narrative structure, which omits famous events like the Apple of Discord and the Trojan Horse to focus intensely on a specific period of the war. The conversation compares the Iliad'sfocus on Greek infighting with Virgil's Aeneid, noting the distinct goals of each epic tradition. NUMBER 2 TRAGIC COUPLES AND DIVINE INTERVENTION Colleague Professor Emily Wilson. The segment explores key character pairings, starting with Helen's complex view of Paris and her weaving as a metaphor for the story. Wilsonanalyzes the tragic relationship between Hector and Andromache, emphasizing Hector's choice of duty over family. They discuss the gods' roles, particularly Thetis's prayer to Zeus which seals Achilles' fate, and Hera's bargaining with Zeus to ensure Troy's destruction, highlighting the interplay of divine will and mortal suffering. NUMBER 3 APHRODITE, PATROCLUS, AND TROPHY WOMEN Colleague Professor Emily Wilson. Wilson examines Aphrodite's intervention on the battlefield and her representation of baser instincts like lust. The discussion shifts to Briseis, a "trophy" of war, and her relationship with Patroclus, whom Wilson refuses to classify as a "beta male" despite his kindness. Patroclus is described as a brutal killer and Achilles' closest companion. The segment highlights the emotional depth of Achilles, who displays immense vulnerability alongside his capacity for violence. NUMBER 4 AGAMEMNON'S FAILURE AND DIVINE POLITICS Colleague Professor Emily Wilson. This segment details the plot's catalyst: Agamemnon seizing Briseis from Achilles, causing the hero to withdraw from battle. Wilson explains the divine politics, including Hera trading three Greek cities to Zeus to ensure Troy's destruction. They analyze Agamemnon's flawed leadership; while he blames Zeus for his bad decisions, the poem portrays the immense difficulty of holding a disparate army together, leading to disastrous choices that necessitate Achilles' eventual return. NUMBER 5 THE GORE AND GLORY OF BATTLE Colleague Professor Emily Wilson. Wilson discusses translating the Iliad'svivid violence, drawing on insights from combat veterans regarding the trauma of battlefield death. A central theme is the treatment of corpses; possessing and stripping a dead enemy's armor is the ultimate sign of dominance. The conversation touches on the physical nature of the gods, who bleed "ichor" when wounded, and Poseidon's support for the Greeks in contrast to his brother Zeus. NUMBER 6 THE DEATH OF PATROCLUS AND HECTOR Colleague Professor Emily Wilson. The tragedy culminates with Patroclus ignoring Achilles' warning, leading to his death by Hector and the loss of Achilles' armor. Wilson describes Achilles' terrifying return to battle, equipped with new armor from Hephaestus, and his slaughter of Trojans. The segment covers the final confrontation where Achilles kills Hector and, driven by vengeance, drags his body behind a chariot, denying him burial rights and intending to mutilate him forever. NUMBER 7 GRIEF, GAMES, AND ACCEPTANCE Colleague Professor Emily Wilson. After Hector's death, Achilles finds a form of healing through funeral games, which offer a non-lethal model of competition. He even awards Agamemnon a prize without a contest, possibly as a slight. The poem concludes not with victory, but with a "humanitarian pause" for Hector's funeral. Wilson notes the ending focuses on women's lamentations, emphasizing the Iliad's enduring lesson on the struggle to accept human mortality. NUMBER 8 FEMALE AUTHORSHIP AND THE TROJAN WOMEN Colleague Daisy Dunn. Daisy Dunn discusses the legend of Phantasia, a rumored female source for Homer, and the myth of Leda and the Swan. She argues that the Trojan Warlikely reflects real historical conflicts at the site of Hisarlik. The segment highlights key female figures: Andromache, who offers military advice to Hector, and Briseis, the enslaved woman central to the dispute between Agamemnon and Achilles, illustrating the centrality of women to the epic. NUMBER 9 SAPPHO OF LESBOS Colleague Daisy Dunn. Dunn explores the life of Sappho, debunking myths about her appearance and suicide. She explains that Sappho was exiled due to her family's aristocratic background during a time of political revolution. The conversation covers Sappho's disapproval of her brother's relationship with the courtesan Doricha and her professional jealousy when students left her school for rivals. Weaving is presented as a metaphor for women shaping fate. NUMBER 10 ETRUSCANS AND THE WOMEN OF EARLY ROME Colleague Daisy Dunn. Dunn discusses the Etruscans, noting their advanced dentistry and the shock Greeks felt at Etruscan men and women dining together openly. Transitioning to Rome, they recount the violent founding myth of the Rape of the Sabine Women. The segment details the tragedy of Lucretia, whose rape and subsequent suicide led Brutus to overthrow the monarchy and establish the Roman Republic, making her a paragon of virtue. NUMBER 11 DIDO AND THE FOUNDING OF CARTHAGE Colleague Daisy Dunn. Dunn recounts the story of Dido, the clever founder of Carthage who tricked a local king to secure land. When Aeneas abandons her to fulfill his destiny, Didocurses him, foreshadowing the Punic Wars between Rome and Carthage. The segment explores her tragic suicide on a pyre, noting the societal judgment against her for breaking vows of celibacy, while acknowledging her capacity as a talented ruler and builder of cities. NUMBER 12 CORNELIA AND SERVILIA: MOTHERS OF ROME Colleague Daisy Dunn. This segment focuses on Cornelia, the educated "one-man woman" who raised the reforming Gracchi brothers to challenge the Roman elite. Dunn notes Cornelia's heartbreak as she tried to dissuade her second son from following his assassinated brother's path. The discussion shifts to Servilia, Caesar's long-term mistress and mother of Brutus. Servilia is depicted as a politically astute woman caught between her lover and her son, the future assassin. NUMBER 13 CLEOPATRA AND CAESAR Colleague Daisy Dunn. Dunn describes Cleopatra's dramatic entrance from a rug to meet Caesar and secure her rule in Egypt. Despite her intelligence and linguistic skills, the Romans viewed her with suspicion and distaste, labeling her a "whore queen." Dunn challenges the Hollywood image of Cleopatra's beauty, noting coin portraits show a hooked nose, and argues her power lay in her charisma and voice. She remains a figure of admiration today. NUMBER 14 ANTONY, FULVIA, AND CLEOPATRA'S END Colleague Daisy Dunn. The conversation turns to Mark Antony'sunpopular affair with Cleopatra and his wife Fulvia, who instigated a war in Italy to counter Octavian. Dunn highlights the Roman propensity for public emotion and early marriage. Following Antony's botched suicide, Cleopatra takes her own life to avoid being paraded as a trophy by Octavian. Dunn suggests the "asp" story might be a myth covering a lethal injection or poison. NUMBER 15 THE WOMEN OF THE JULIO-CLAUDIAN DYNASTY Colleague Daisy Dunn. Dunn profiles the powerful women of the Julio-Claudian dynasty. Livia is portrayed as Augustus's essential political partner and diplomat. The segment covers the tragic life of Julia, the lechery of Caligula, and the notorious reputation of Messalina. Finally, Agrippina the Younger is described as a co-emperor to her son Nero before he turned against her. Dunn concludes that Roman politics were bloodier but more politically savvy than the Greeks. NUMBER 16

ROMAN EXCEPTIONALISM VS. HUMAN TRAGEDY Colleagues Scott McGill and Susanna Wright. They discuss whether the Aeneid justifies Roman empire or tells a human story. McGill argues the poem survives because it creates sympathy for antagonists like Dido and Turnus. They explore how Virgil portrays the costs of empire and Aeneas's rage, complicating the narrative of Augustan propaganda. NUMBER 12

SHOW 12-25-25 THE SHOW BEGINS WITH DOUBTS ABOUT THE MODERN STORY OF MARY AND HER FAMILY. 1868 NAZARETH SEPPHORIS AND THE HISTORICAL CONTEXT OF MARY'S LIFE Colleague James Tabor. Tabor identifies Sepphoris, a Roman capital near Nazareth, as Mary's birthplace. He reimagines Jesus and Joseph as "tektons" (builders) working in this urban center rather than simple carpenters. This proximity meant Mary witnessed Romanbrutality and the city's destruction, influencing her family's spiritual views on the Kingdom of God. NUMBER 1 INVESTIGATING THE NAME PANTERA Colleague James Tabor. Tabor explores the name "Pantera," found in rabbinic texts and on a Roman soldier's tombstone. He suggests this might be a family name rather than a slur, investigating the possibility that Jesus's father was a relative or soldier, which challenges the theological narrative of a virgin birth. NUMBER 2 RECLAIMING THE HISTORICAL JEWISH FAMILY Colleague James Tabor. Highlighting the Protoevangelium of James, Tabor contrasts its depiction of a perpetual virgin Mary with historical evidence of a large Jewish family. He argues Mary had numerous children and that her parents were likely wealthy property owners in Sepphoris, integrating Jesus into a close-knit extended family. NUMBER 3 JAMES THE JUST AS TRUE SUCCESSOR Colleague James Tabor. Tabor asserts James, Jesus's brother, was the movement's true successor, not Peter. Citing Acts and the Gospel of Thomas, he notes James led the Jerusalem council and stood at the cross. Tabor argues the "beloved disciple" entrusted with Mary's care was this blood brother, not Johnthe fisherman. NUMBER 4 THE HEADQUARTERS ON MOUNT ZION Colleague James Tabor. Tabor describes excavations on Mount Zion, identifying a first-century house foundation as the "upper room" and headquarters of the early movement. He visualizes Mary as the matriarch in this courtyard, welcoming pilgrims and apostles like Paul, and establishes James as the leader of this house synagogue. NUMBER 5 THE FLIGHT TO PELLA AND MARY'S DEATH Colleague James Tabor. Tabor discusses the Christian flight to Pella during the Roman revolt. He speculates Mary died before this event, likely around 49–63 CE, and was buried on Mount Zion. Consequently, she disappears from the New Testament record, which shifts focus to Peter and Paul after the Jerusalem church's dispersal. NUMBER 6 THE TALPIOT TOMB AND DNA EVIDENCE Colleague James Tabor. Discussing the Talpiot tomb, Tabor details ossuaries bearing names like "Jesus son of Joseph" and "Mariamne." He argues statistical clusters and potential DNA evidence suggest this is the Jesus family tomb, positing that physical remains support historical existence without necessarily negating the concept of spiritual resurrection. NUMBER 7 THE Q SOURCE AND MARY'S TEACHINGS Colleague James Tabor. Tabor identifies the "Q" source as a collection of ethical teachings shared by Matthew and Luke. He attributes these core values—such as charity and humility—to a family tradition taught by Mary to Jesus, James, and John the Baptizer, aiming to restore Mary'shistorical influence as a teacher. NUMBER 8 VIRGIL'S RURAL ORIGINS AND AUGUSTAN CONNECTION Colleagues Scott McGill and Susanna Wright. The guests discuss Virgil's birth in 70 BCE near Mantua and his rural upbringing, which influenced his poetry. They trace his move to Rome during civil war and his eventual connection to Augustus, noting that Virgil promised a grand epic for the emperor in his earlier work, the Georgics. NUMBER 9 TRANSLATING THE SOUND AND METER OF VIRGIL Colleagues Scott McGill and Susanna Wright. The translators explain choosing iambic pentameter over dactylic hexameter to provide an English cultural equivalent to the original's epic feel. They describe their efforts to replicate Virgil's auditory effects, such as alliteration and assonance, and preserve specific line repetitions that connect characters like Turnus and Camilla. NUMBER 10 THE AENEID'S PLOT AND HOMERIC INFLUENCES Colleagues Scott McGill and Susanna Wright. McGill and Wright summarize the plot, from Troy's destruction to the war in Italy. They analyze Virgil's dialogue with Homer, noting how the poem's opening words invoke both the Iliad's warfare and the Odyssey's wanderings. They also highlight the terrifying, visual nature of Virgil's depiction of the underworld. NUMBER 11 ROMAN EXCEPTIONALISM VS. HUMAN TRAGEDY Colleagues Scott McGill and Susanna Wright. They discuss whether the Aeneid justifies Roman empire or tells a human story. McGill argues the poem survives because it creates sympathy for antagonists like Dido and Turnus. They explore how Virgil portrays the costs of empire and Aeneas's rage, complicating the narrative of Augustan propaganda. NUMBER 12 CLODIA'S PRIVILEGE AND CICERO'S AMBITION Colleague Douglas Boin. Boin introduces Clodia, a privileged woman from an ancient Roman family on Palatine Hill. He contrasts her aristocratic, independent nature—manifested in her name spelling—with the rise of Cicero, a talented outsider. Boin frames their eventual conflict as a clash between established power and ambitious newcomers. NUMBER 13 THE POLITICS OF TRIBUNES AND REFORM Colleague Douglas Boin. Boin details the divide between the Optimates and Populares. He explains how Clodia and her brother Clodius used the office of Tribune—the "people's protector" with veto power—to enact reforms. This strategy allowed them to challenge the Senate's authority and set the stage for Clodius's political dominance. NUMBER 14 THE TRIAL OF RUFUS AND CICERO'S MISOGYNY Colleague Douglas Boin. Boin describes a trial where Clodia accused her ex-lover Rufus of poisoning. Cicero defended Rufus by launching misogynistic attacks on Clodia, calling her "cow-eyed" and alleging incest. Boin argues this famous speech unfairly solidified Clodia's negative historical reputation while obscuring the political power she wielded. NUMBER 15 THE DEATH OF CLODIUS AND THE REPUBLIC'S END Colleague Douglas Boin. Boin recounts the violent death of Clodius by rival gangs, marking a turning point toward the Republic's collapse. He views Clodia's subsequent disappearance from history as a symbol of the loss of women's influence and civic rights, framing her story as a cautionary tale about political violence. NUMBER 16

THE AENEID'S PLOT AND HOMERIC INFLUENCES Colleagues Scott McGill and Susanna Wright. McGill and Wright summarize the plot, from Troy's destruction to the war in Italy. They analyze Virgil's dialogue with Homer, noting how the poem's opening words invoke both the Iliad's warfare and the Odyssey's wanderings. They also highlight the terrifying, visual nature of Virgil's depiction of the underworld. NUMBER 11

PREVIEW Guests: Scott McGill and Susanna Wright. Rice University classicists McGill and Wright discuss their new translation of Virgil's Aeneid, a "Hollywood worthy" epic detailing the origins of Rome. The narrative follows Aeneas leading a band of refugees from the burning ruins of Troy westward to their destined home in Italy. Their journey is fraught with the goddess Juno's opposition, leading to a detour in Carthage and a tragic romance with Dido. The poem concludes with a fierce war in Italy, ending abruptly as Aeneas kills his rival Turnus, securing the legacy where Trojansultimately become Romans. MORE TONIGHT AUGUSTUS, OCTAVIA AND LIVIA, LISTENING TO A READING OF THE AENEID BY VIRGIL HIMSELF

It's time to talk about the shocking, the dramatic, the THRILLING and also, the kind of confusing end of Virgil's Aeneid. What a journey it's been! The story is never truly over, but as we leave Aeneas behind we have to ask--did Virgil mean for it to end this way? With Turnus' blood spilled ruthlessly on the ground and after that, the dark? Some say no--this is an incomplete ending that would have horrified the Emperor Augustus. I say yes--and Augustus would have been delighted. What do you say? Check out our new Sponsor, Alithea Travel: https://www.alitheatravel.com/tours/strength-and-virtue Read my latest essay on AI cand ancient Jewish wisdom: https://www.civitasinstitute.org/research/ai-and-the-divine-test Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM Subscribe to be in the mailbag: https://rejoiceevermore.substack.com

PREVIEW: Augustine the African: St. Augustine's Profound Identification with Dido Guest: Professor Catherine Conybeare Catherine Conybeare, a classicist and author of Augustine the African, emphasizes St. Augustine as a man who lived his entire life in what was then the Roman province of Africa, now Algeria—the breadbasket of Rome—except for three or four years spent in Rome and Milan. The Aeneid, the story of Aeneas founding Rome, was absolutely fundamental to Augustine's education and was intended to acculturate him to admire Rome and the Roman legacy. However, Augustine, instead of admiring Aeneas, fell in love with Dido. He refers to the great wanderer and founder Aeneas dismissively as "just some Inas or other," yet he emphasizes that he weeps again and again over Dido's death. Dido was the mythical founder of Carthage, which Augustine knew as the greatest and most glamorous city while growing up. Conybeare suggests that this passionate identification with Dido is importantly part of how Augustine self-identified as an African in a Roman world. 1915 AENEID

Marcus Tullius Cicero's Rise, Corruption Trials, and the Catiline Conspiracy Professor Josiah Osgood profiled the Roman "new man" orator Marcus Tullius Cicero and his dramatic rise through corruption trials and political intrigue. Cicero established his career by solving the murder case of Roscius and prosecuting corrupt Sicilian governor Verres for theft. His career climaxed with the suppression of the Catiline Conspiracy, elevating him as a patriot. However, Cicero made a grave political error by executing conspirators without trial, a move opposed by Julius Caesar. 1500 AENEID

Today on Young Heretics: a violent and unjust seizure of indigenous land!!! At least, according to Juno and the Furies, goddesses of retribution and blood guilt. Actually, the situation in Rome and in the Aeneid is a lot more complicated than that, which is one reason why the conclusion of the poem is a refreshingly sophisticated antidote to our often-oversimplified conversations about history, territory, colonialism, and the sins of the past. Plus: a mailbag question about Charlie Kirk and Julius Caesar. Check out our new Sponsor, Alithea Travel: https://www.alitheatravel.com/tours/strength-and-virtue Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM Subscribe to be in the mailbag: https://rejoiceevermore.substack.com

CBS EYE ON THE WORLD WITH JOHN BATCHELOR THE SHOW BEGINS IN TAIWAN FRETTING IT IS ABOUT TO BE ABANDONED...... 9-24-25 FIRST HOUR 9-915 Steve Yates of Heritage Foundation discussed concerns that Trump might pause Taiwan weapons sales for a Chinatrade deal. He warned against tactical concessions, noting Xi Jinping's historically broken promises regarding militarization. 915-930 Rebecca Grant of Lexington Institute explained China uses gray zone harassment strategy. The US counters by establishing agile defense "nodes" and adapting Army and Marine Corps doctrine to operate from small terrain features. 930-945 Charles Burton criticized Canadian Prime Minister Mark Carney's focus on economic engagement with China. He called Chinese EVs "spy machines on wheels" and noted high youth unemployment drives young people to remote rural areas. 945-1000 Charles Burton criticized Canadian Prime Minister Mark Carney's focus on economic engagement with China. He called Chinese EVs "spy machines on wheels" and noted high youth unemployment drives young people to remote rural areas. SECOND HOUR 10-1015 Andrew McCarthy and Thaddeus McCotter debate Trump's Venezuelan boat strikes. McCarthy questions whether drug boats equal naval attacks, noting drug trafficking is historically a felony, not war. McCotter highlights Congress's desire to avoid difficult votes. 1015-1030 Andrew McCarthy and Thaddeus McCotter debate Trump's Venezuelan boat strikes. McCarthy questions whether drug boats equal naval attacks, noting drug trafficking is historically a felony, not war. McCotter highlights Congress's desire to avoid difficult votes. 1030-1045 Kevin Frazier testified that Congress needs a national vision to manage data center infrastructure and mitigate local impacts. He stressed vulnerable undersea cables are neglected and urged academics to prioritize teaching and public-oriented research. 1045-1100 Kevin Frazier testified that Congress needs a national vision to manage data center infrastructure and mitigate local impacts. He stressed vulnerable undersea cables are neglected and urged academics to prioritize teaching and public-oriented research. THIRD HOUR 1100-1115 Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1115-1130 Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1130-1145 Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1145-1200 Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. FOURTH HOUR 12-1215 Simon Constable noted strong year-over-year price increases for aluminum, copper, iron, and steel. He highlighted that 99% of US West Coast seafood samples contained microplastics, calling the situation frightening. 1215-1230 Simon Constable noted strong year-over-year price increases for aluminum, copper, iron, and steel. He highlighted that 99% of US West Coast seafood samples contained microplastics, calling the situation frightening. 1230-1245 Bob Zimmerman reports the FAA approved SpaceX's Starship recovery at Boca Chica. Zimmerman criticized the proposed US Spaceport Act as a $10 million political slush fund that increases red tape. 1245-100 AM Bob Zimmerman reports the FAA approved SpaceX's Starship recovery at Boca Chica. Zimmerman criticized the proposed US Spaceport Act as a $10 million political slush fund that increases red tape.

Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1500 VIRGIL READING AENEID TO OCTAVIAN AND OCTAVIA 

Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1915 AENEID

Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1793 VIRGIL READING TO OCTAVIAN, OCTAVIA, LIVIA

...And also, pizza. Kind of. This might be one of the coolest parts of Virgil ever, and even though I've been reading the Aeneid since high school, I feel like I only just figured it out. One of the most famous lines of the poem—forsan et haec olim meminisse iuvabit, “one day it will be pleasing to remember even these things—finds its answer in Book 7, when Aeneas arrives on shore and has to face the possibility of war with the, erm...indigenous Latinx peoples. So much to discuss, here, and a great mailbag question about how to deal with situations you can't change. Check out our new Sponsor, Alithea Travel: https://www.alitheatravel.com/tours/strength-and-virtue Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM Subscribe to be in the mailbag: https://rejoiceevermore.substack.com Read my essay on why we should read in thea ge of AI: https://www.thefp.com/p/what-happens-if-no-one-reads-culture-education