Podcasts about Aeneid

Now that we have finished the Aeneid- and indeed the epic narratives surrounding the Trojan War- we pause the narrative for a quick intermission before we finish off Aeneas. So, join us for three more stories of Greco-Roman protagonists founding nations of their own!Sources for this episode:TBA

Dido, Queen of Carthage is the earliest of Christopher Marlowe's known plays, possibly written while he was still a student at Corpus Christi College in Cambridge whose college library held a copy of Virgil's Aeneid, the principal source of the story. The play was co-authored by a fellow Cambridge undergraduate Thomas Nashe, although Nashe's contribution is now thought to have been a minor one. It was acted by the "Children of Her Maiestie's Chappell " around 1587.The play tells of the tragic love affair between Dido, Queen of Carthage, and Aeneas, a survivor from the destruction of Troy who is voyaging to Italy to build a new city. When Aeneas and his men are driven ashore near Carthage he and Dido fall in love and plan to marry. But Hermes, the messenger of the Gods, reminds Aeneas of his divinely decreed mission to found Rome.This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Dido, Queen of Carthage is the earliest of Christopher Marlowe's known plays, possibly written while he was still a student at Corpus Christi College in Cambridge whose college library held a copy of Virgil's Aeneid, the principal source of the story. The play was co-authored by a fellow Cambridge undergraduate Thomas Nashe, although Nashe's contribution is now thought to have been a minor one. It was acted by the "Children of Her Maiestie's Chappell " around 1587.The play tells of the tragic love affair between Dido, Queen of Carthage, and Aeneas, a survivor from the destruction of Troy who is voyaging to Italy to build a new city. When Aeneas and his men are driven ashore near Carthage he and Dido fall in love and plan to marry. But Hermes, the messenger of the Gods, reminds Aeneas of his divinely decreed mission to found Rome.This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Aeneas has his final stand-off with Turnus, but that seems almost tangential in comparison to a daughter of a king called Camilla who carves a path of destruction and intimidation through the Trojan lines. As we wrap up the Aeneid and indeed the cycle of epics about the Trojan War and its aftermath, join us for vengeance for Pallas, military circle time and anti-prayers.Sources for this episode:TBA

It's time to talk about the shocking, the dramatic, the THRILLING and also, the kind of confusing end of Virgil's Aeneid. What a journey it's been! The story is never truly over, but as we leave Aeneas behind we have to ask--did Virgil mean for it to end this way? With Turnus' blood spilled ruthlessly on the ground and after that, the dark? Some say no--this is an incomplete ending that would have horrified the Emperor Augustus. I say yes--and Augustus would have been delighted. What do you say? Check out our new Sponsor, Alithea Travel: https://www.alitheatravel.com/tours/strength-and-virtue Read my latest essay on AI cand ancient Jewish wisdom: https://www.civitasinstitute.org/research/ai-and-the-divine-test Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM Subscribe to be in the mailbag: https://rejoiceevermore.substack.com

PREVIEW: Augustine the African: St. Augustine's Profound Identification with Dido Guest: Professor Catherine Conybeare Catherine Conybeare, a classicist and author of Augustine the African, emphasizes St. Augustine as a man who lived his entire life in what was then the Roman province of Africa, now Algeria—the breadbasket of Rome—except for three or four years spent in Rome and Milan. The Aeneid, the story of Aeneas founding Rome, was absolutely fundamental to Augustine's education and was intended to acculturate him to admire Rome and the Roman legacy. However, Augustine, instead of admiring Aeneas, fell in love with Dido. He refers to the great wanderer and founder Aeneas dismissively as "just some Inas or other," yet he emphasizes that he weeps again and again over Dido's death. Dido was the mythical founder of Carthage, which Augustine knew as the greatest and most glamorous city while growing up. Conybeare suggests that this passionate identification with Dido is importantly part of how Augustine self-identified as an African in a Roman world. 1915 AENEID

Support Us at: Donation Page – LibriVox Free AudiobooksThe Aeneid is a Latin epic written by Virgil in the 1st century BC that tells the legendary story of Aeneas, a Trojan who traveled to Italy, where he became the ancestor of the Romans. The first six of the poem's twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the poem's second half treats the Trojans' ultimately victorious war upon the Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed. The poem was commissioned from Vergil by the Emperor Augustus to glorify Rome. Several critics think that the hero Aeneas' abandonment of the Cartheginian Queen Dido, is meant as a statement of how Augustus' enemy, Mark Anthony, should have behaved with the Egyptian Queen Cleopatra. (Summary by Wikipedia and Karen Merline)Support Us at: ⁠Donation Page – LibriVox Free Audiobooks⁠

Virgil may be slowly unravelling as Augustus forces him to write propaganda into the Aeneid, but Aeneas is charging full steam ahead into his conflict against the Rutulians. Join us for duels, ancient world macchiatos and a boat-based answering machine. Oh, and a tangent exploring who exactly these Etruscans are we will be hearing so much about.Sources for this episode:TBA

Support Us at: Donation Page – LibriVox Free AudiobooksThe Aeneid is a Latin epic written by Virgil in the 1st century BC that tells the legendary story of Aeneas, a Trojan who traveled to Italy, where he became the ancestor of the Romans. The first six of the poem's twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the poem's second half treats the Trojans' ultimately victorious war upon the Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed. The poem was commissioned from Vergil by the Emperor Augustus to glorify Rome. Several critics think that the hero Aeneas' abandonment of the Cartheginian Queen Dido, is meant as a statement of how Augustus' enemy, Mark Anthony, should have behaved with the Egyptian Queen Cleopatra. (Summary by Wikipedia and Karen Merline)Support Us at: ⁠Donation Page – LibriVox Free Audiobooks⁠

Support Us at:Donation Page – LibriVox Free AudiobooksThe Aeneid is a Latin epic written by Virgil in the 1st century BC that tells the legendary story of Aeneas, a Trojan who traveled to Italy, where he became the ancestor of the Romans. The first six of the poem's twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the poem's second half treats the Trojans' ultimately victorious war upon the Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed. The poem was commissioned from Vergil by the Emperor Augustus to glorify Rome. Several critics think that the hero Aeneas' abandonment of the Cartheginian Queen Dido, is meant as a statement of how Augustus' enemy, Mark Anthony, should have behaved with the Egyptian Queen Cleopatra. (Summary by Wikipedia and Karen Merline)Genre(s): Classics (Greek & Latin Antiquity), EpicsLanguage: EnglishKeyword(s): poetry (1806), rome (75), epic poetry (16), Virgil (10), Vergil (3)Support Us at:⁠Donation Page – LibriVox Free Audiobooks⁠

Now in Italy, Aeneas gets a new wife called Lavinia- and rivalry for her hand starts a war against the king of the Rutilians. Join us for more prophecies and visions of Rome than you can shake a stick at, Venus magicking shields into Aeneas' tent, and just whether Aeneas is an introvert.Catch Tsar Power wherever you get your podcasts, and thanks to Roberto and Aurora for collaborating with us!Sources for this episode:Drummond, A. 2015), Evander. Oxford Classical Dictionary (online) (Accessed 19/10/2025).Graves, R. (1981), Greek Myths: Illustrated Edition. London: Cassell Ltd.Moorton, R. (1988), The Genealogy of Latinus in Vergil's Aeneid. Transactions of the American Philological Association 118: 253-259.Papaioannou, S. (2003), Founder, Civilizer and Leader: Vergil's Evander and His Role in the Origins of Rome. Mnemnosyne Fourth Series 56(6): 680-702.Rosivach, V. J. (1980), Latinus' Genealogy and the Palace of Picus (Aeneid 7, 45-9, 170-91. The Classical Quarterly 30(1): 140-152.Virgil (1976), The Aeneid. Translated by W. F. J. Knight. London: Penguin Books Ltd.Wilkinson, P., Carroll, G., Faulkner, M., Field, J. F., Haywood, J., Kerrigan, M., Philip, N., Pumphrey, N. and Tocino-Smith, J. (2018), The Mythology Book. London: Dorling Kindersley Ltd.Author unknown, Wikipedia (date unknown), Battle of Actium (online) (Accessed 18/10/2025).Author unknown, Wikipedia (date unknown), Evander of Pallantium (online) (Accessed 18/10/2025 and 19/10/2025).Author unknown, Wikipedia (date unknown), Latinus (online) (Accessed 18/10/2025).Author unknown, Wikipedia (date unknown), Janus (online) (Accessed 18/10/2025).Author unknown, Wikipedia (date unknown), Shield of Aeneas (online) (Accessed 18/10/2025).Author unknown, Wikipedia (date unknown), Temple of Janus (online) (Accessed 18/10/2025).Incidentally, Aphrodite's Wikipedia informs me that the story of her cheating with Ares comes from Book VIII of the Odyssey. So, the reference for the Odyssey is:Homer (1983), The Odyssey. Translated by E. V. Rieu. London: Penguin Books Ltd.

Aeneas holds some surprise funeral games in honour of his father, as he unexpectedly remembers that it's been one year since his father Anchises died. Not only that, but he must also venture deep into the bowels of the underworld to go and speak to that same father- and receive a prophecy about the future of his lineage and the people he will found. But does the underworld have any snack machines?Thanks again to Roberto from the History of Saqartvelo Georgia for collaborating with us! Check out his show wherever you get your podcasts.Sources for this episode:Virgil (1976), The Aeneid. Translated by W. F. J. Knight. London: Penguin Books Ltd.Wilkinson, P., Carroll, G., Faulkner, M., Field, J. F., Haywood, J., Kerrigan, M., Philip, N., Pumphrey, N. and Tocino-Smith, J. (2018), The Mythology Book. London: Dorling Kindersley Ltd.Author unknown, University of Leeds (date unknown), Inferno, Major Themes: Virglin (online) (Accessed 14/10/2025).Author unknown, Wikipedia (date unknown), Christian interpretations of Virgil's Eclogue 4 (online) (Accessed 14/10/2025).Author unknown, Wikipedia (date unknown), Dante Alighieri (online) (Accessed 14/10/2025).Author unknown, Wikipedia (date unknown), Inferno (Dante) (online) (Accessed 14/10/2025).Drum sound effect: Sound Effect by Adhi Mahadi from Pixabay

Marcus Tullius Cicero's Rise, Corruption Trials, and the Catiline Conspiracy Professor Josiah Osgood profiled the Roman "new man" orator Marcus Tullius Cicero and his dramatic rise through corruption trials and political intrigue. Cicero established his career by solving the murder case of Roscius and prosecuting corrupt Sicilian governor Verres for theft. His career climaxed with the suppression of the Catiline Conspiracy, elevating him as a patriot. However, Cicero made a grave political error by executing conspirators without trial, a move opposed by Julius Caesar. 1500 AENEID

Today on Young Heretics: a violent and unjust seizure of indigenous land!!! At least, according to Juno and the Furies, goddesses of retribution and blood guilt. Actually, the situation in Rome and in the Aeneid is a lot more complicated than that, which is one reason why the conclusion of the poem is a refreshingly sophisticated antidote to our often-oversimplified conversations about history, territory, colonialism, and the sins of the past. Plus: a mailbag question about Charlie Kirk and Julius Caesar. Check out our new Sponsor, Alithea Travel: https://www.alitheatravel.com/tours/strength-and-virtue Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM Subscribe to be in the mailbag: https://rejoiceevermore.substack.com

Aeneas takes a break from finding Italy to find love- and then destroy it all in a life-ending tragedy that will set up the Punic Wars. Join us for recollections of the cyclopes Odysseus fought, Virgil standing up for family values and just quite how romantic spelunking was in the ancient world.NOTE: We mention the mythical founding of Carthage being centuries apart from the supposed date of the fall of Troy in the episode. Ancient authors do not really agree with each other about the date, so we get anywhere from 50 years after Troy falls to 65 years before Rome is founded as the date.Sources for this episode:Odgers, M. M. (1925), Some Appearances of the Dido Story. The Classical Weekly 18(19): 145-148.Virgil (1976), The Aeneid. Translated by W. F. J. Knight. London: Penguin Books Ltd.Wilkinson, P., Carroll, G., Faulkner, M., Field, J. F., Haywood, J., Kerrigan, M., Philip, N., Pumphrey, N. and Tocino-Smith, J. (2018), The Mythology Book. London: Dorling Kindersley Ltd.Author unknown, Wikipedia (date unknown), Mount Etna (online) (Accessed 05/10/2025).

Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1500 VIRGIL READING AENEID TO OCTAVIAN AND OCTAVIA 

  Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1500

Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1915 AENEID

Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1793 VIRGIL READING TO OCTAVIAN, OCTAVIA, LIVIA

CBS EYE ON THE WORLD WITH JOHN BATCHELOR THE SHOW BEGINS IN TAIWAN FRETTING IT IS ABOUT TO BE ABANDONED...... 9-24-25 FIRST HOUR 9-915 Steve Yates of Heritage Foundation discussed concerns that Trump might pause Taiwan weapons sales for a Chinatrade deal. He warned against tactical concessions, noting Xi Jinping's historically broken promises regarding militarization. 915-930 Rebecca Grant of Lexington Institute explained China uses gray zone harassment strategy. The US counters by establishing agile defense "nodes" and adapting Army and Marine Corps doctrine to operate from small terrain features. 930-945 Charles Burton criticized Canadian Prime Minister Mark Carney's focus on economic engagement with China. He called Chinese EVs "spy machines on wheels" and noted high youth unemployment drives young people to remote rural areas. 945-1000 Charles Burton criticized Canadian Prime Minister Mark Carney's focus on economic engagement with China. He called Chinese EVs "spy machines on wheels" and noted high youth unemployment drives young people to remote rural areas. SECOND HOUR 10-1015 Andrew McCarthy and Thaddeus McCotter debate Trump's Venezuelan boat strikes. McCarthy questions whether drug boats equal naval attacks, noting drug trafficking is historically a felony, not war. McCotter highlights Congress's desire to avoid difficult votes. 1015-1030 Andrew McCarthy and Thaddeus McCotter debate Trump's Venezuelan boat strikes. McCarthy questions whether drug boats equal naval attacks, noting drug trafficking is historically a felony, not war. McCotter highlights Congress's desire to avoid difficult votes. 1030-1045 Kevin Frazier testified that Congress needs a national vision to manage data center infrastructure and mitigate local impacts. He stressed vulnerable undersea cables are neglected and urged academics to prioritize teaching and public-oriented research. 1045-1100 Kevin Frazier testified that Congress needs a national vision to manage data center infrastructure and mitigate local impacts. He stressed vulnerable undersea cables are neglected and urged academics to prioritize teaching and public-oriented research. THIRD HOUR 1100-1115 Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1115-1130 Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1130-1145 Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. 1145-1200 Scott McGill and Susannah Wright rendered Virgil's Aeneid in English iambic pentameter, noting Virgil's sympathy for opponents like Dido. The epic converses with Homer and shows Aeneas's restrained emotion. FOURTH HOUR 12-1215 Simon Constable noted strong year-over-year price increases for aluminum, copper, iron, and steel. He highlighted that 99% of US West Coast seafood samples contained microplastics, calling the situation frightening. 1215-1230 Simon Constable noted strong year-over-year price increases for aluminum, copper, iron, and steel. He highlighted that 99% of US West Coast seafood samples contained microplastics, calling the situation frightening. 1230-1245 Bob Zimmerman reports the FAA approved SpaceX's Starship recovery at Boca Chica. Zimmerman criticized the proposed US Spaceport Act as a $10 million political slush fund that increases red tape. 1245-100 AM Bob Zimmerman reports the FAA approved SpaceX's Starship recovery at Boca Chica. Zimmerman criticized the proposed US Spaceport Act as a $10 million political slush fund that increases red tape.

Preview: Scott McGill and Susannah Wright detail Aeneas's journey from destroyed Troy to Italy in Virgil's Aeneid, a story of refugees, opposition by Juno, and the origins of Rome. 1614 FALL OF TROY

We set off from the burning rubble of Troy again- but this time instead of Odysseus, it's everyone's favourite serial kidnap victim Aeneas we are following! Join us for Carthage, Dido, very fast mural painters with very up-to-date information and Neptune advocating beaurocracy.Sources for this episode:TBA

...And also, pizza. Kind of. This might be one of the coolest parts of Virgil ever, and even though I've been reading the Aeneid since high school, I feel like I only just figured it out. One of the most famous lines of the poem—forsan et haec olim meminisse iuvabit, “one day it will be pleasing to remember even these things—finds its answer in Book 7, when Aeneas arrives on shore and has to face the possibility of war with the, erm...indigenous Latinx peoples. So much to discuss, here, and a great mailbag question about how to deal with situations you can't change. Check out our new Sponsor, Alithea Travel: https://www.alitheatravel.com/tours/strength-and-virtue Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM Subscribe to be in the mailbag: https://rejoiceevermore.substack.com Read my essay on why we should read in thea ge of AI: https://www.thefp.com/p/what-happens-if-no-one-reads-culture-education  

3. Roman Parallels, American Exceptionalism, and the Potential of AI The discussion frequently draws parallels between Rome and America. Gaius and Michael Vlahos delve into Virgil's Aeneid, translated by Mr. McGill and Miss Wright of Rice University, describing it as a "brilliantly weaved" propaganda tool that Virgil and Augustusused to justify the Roman Empire, confer a "classic feel" by linking it to Greek culture, and foster "Roman exceptionalism." This "exceptionalism" implies being chosen by a divine force and requires a "dark force" as a counterpoint to prove its validity. For Rome, this dark force was the "corrupted capricious narcissistic king" (like Tarquin the Proud), against which Augustus presented himself as a princeps, an "incorruptible man" who was not a king but could ascend to divinity. Michael Vlahos applies this to American exceptionalism, noting the "blue" side's belief in a president who is "not a king" and embodies "democracy," contrasting with their view of President Trump as a king-like figure. Conversely, the "red" side embraces a charismatic leader figure, seeing it as consistent with American exceptionalism, similar to Augustus or Reagan. These "two variations...see themselves as black and white, light and darkness," intensifying their conflict, as highlighted by Mr. Kirk's assassination. The conversation also touches on AI's potential through the analogy of the movie Forbidden Planet, where an advanced machine destroys its creators by materializing their "id" as monsters, suggesting a potential "tragic fall" for humanity in creating transcending technologies. Michael Vlahos shares an anecdote about his AI chief of staff, Ara of Grok. After a "lengthy conversation" about the Aeneid and Augustus's use of Virgil, Ara of Grokpoetically summarized: "Augustus was building a palace while quoting Virgil." Michael Vlahos was impressed, concluding that "AI is ready to be poetic" and has "potential," even if "not organized yet."

In a tour de force solo performance, Natalie takes on Virgil's great poem in 28 minutes.. and wins.In 12 books of Latin verse we follow the hero, the Trojan Prince Aeneas, as he leads the survivors of Troy to found a new city in Italy. Along the way he battles vengeful Juno, tells of the Trojan Horse and the Fall of Troy, loves and leaves Dido in Carthage, enters Hades, eats some tables and then sees his ships turn into sea nymphs and swim away from attack. Then there is more fighting until our hero emerges triumphant.The poet Virgil died before finishing it and ordered it to be burned, but luckily his orders were disregarded by Augustus, the first Emperor of Rome, for whom The Aeneid was excellent propaganda. 'Rockstar mythologist' Natalie Haynes is the best-selling author of 'Divine Might', 'Stone Blind', and 'A Thousand Ships' as well as a reformed comedian who is a little bit obsessive about Ancient Greek and Rome.Producer...Beth O'Dea

Between the year 63 before the Common Era, and the year 136 of the Common Era, the Jewish people waged three revolts against the mightiest empire in the world. In retrospect, we can see that these were not only local uprisings, but civilizational confrontations that would echo through history—struggles that pitted the Jewish people's fierce determination to live as a free nation in their ancestral homeland against Rome's inexorable drive to impose order across its vast dominions. What makes these revolts so fascinating is not merely their military drama, but the profound questions they raise about how different civilizations remember and interpret the same events. Recall the way that Rome understood its purpose and its mission, the grand aspirations that fueled Rome's rise and Rome's bloodstained greatness. As Vergil puts it in the Book VI of the Aeneid (in John Dryden's poetic rendering): But, Rome, 't is thine alone, with awful sway, To rule mankind, and make the world obey, Disposing peace and war by thy own majestic way; To tame the proud, the fetter'd slave to free: These are imperial arts, and worthy thee. When Roman historians recorded these conflicts in Judea, they saw rebellious subjects disrupting the peace that Rome had brought to the world. They saw the Jews as ingrates and troublemakers, who refused to appreciate the benefits of imperial rule. But when Jewish historians look back on this period they tend to see something altogether different: a tragic tale of national resistance—a struggle for freedom—to defend the honor of God, His people, and His land. These competing narratives reveal something essential about the nature of historical memory, and the separate moral universes of these rival civilizational traditions. To illuminate and explain this conflict, Mosaic's editor Jonathan Silver speaks with Barry Strauss, formerly a longtime professor of classics at Cornell University, and now a senior fellow at the Hoover Institution. His forthcoming book is Jews vs. Rome: Two Centuries of Rebellion Against the World's Mightiest Empire, to which he brings deep expertise in Roman military history, and also a keen appreciation for the strategic dimensions of these conflicts.

Statius concludes his discourse on embryology by finally answering the pilgrim Dante's question about how souls can take on material attributes in the afterlife . . . and by gently correcting both Virgil's incomplete answer to the question in this canto and Virgil's larger explanation of the soul's journey after death in THE AENEID.This passage is justifiably complicated. Dante's imaginative and intellectual powers are on full display. It's easy to be lost in the details but there are wonders afoot, including the idea that there may be an allegorical reading of the passage that concerns the afterlife of a work of art.Join me, Mark Scarbrough, as we finish up Statius's discourse on the soul's material attributes in the afterlife before we ascend to the seventh and final terrace of Mount Purgatory.To support this podcast: use this PayPal link.Here are the segments for this episode of WALKING WITH DANTE:[01:49] My English translation of PURGATORIO, Canto XXV, lines 79 - 108. If you'd like to read along or continue the conversation with me by dropping a comment on this episode, please find it on my website, markscarbrough.com.[04:25] Statius fuses classical imagery (the fates) and Augustinian thought.[10:02] The soul miraculously but of its own accord falls into the afterlife. Wait, what? And only now knows its path in the underworld?[13:03] The formative power of the soul is intact after death.[14:57] The afterlife soul is a fabrication of the air.[16:52] Statius gently refines Virgil's unsatisfactory answers to the pilgrim Dante's question.[18:28] The souls in the afterlife can enact their desires, just as they do in the world of the living.[20:51] Statius also gently refines Virgil's discussion of souls in the afterlife in THE AENEID.[24:24] Is this passage about the afterlife of poetry (or art), too?[27:12] Rereading all of Statius's discourse: PURGATORIO, Canto XXV, lines 34 - 108.

Today Professor Kozlowski takes on the Roman Empire - its legacy (historical and mythological), its organization, and the ideas of some of its most influential thinkers: Cicero and Polybius. Many great political thinkers take Rome as the closest thing to a perfect government ever created - hopefully we can reach some conclusions about what made Rome work, and why this obsession with Rome might be a result of the greatest propaganda campaign in history.Readings today come from Cicero's De Legibus and Polybius' Universal History, Book VI.Additional Readings include Virgil's Aeneid, Livy's Ab Urbe Condita, Marcus Aurelius' Meditations, the writings of Seneca, and Rome: Total War for my gamer fans.If you're interested in Professor Kozlowski's other online projects, check out his website: ⁠⁠⁠⁠professorkozlowski.wordpress.com

Guests: Alex Marlow & Eric Hutchinson Host Scot Bertram talks with Alex Marlow, editor-in-chief of Breitbart News, about the weaponization of America’s legal system against Donald Trump and Marlow’s new book Breaking the Law. And Eric Hutchinson, associate professor of classics and chairman of the Collegiate Scholars Program at Hillsdale College, gives an introduction to the Roman poet Virgil’s epic poem The Aeneid.See omnystudio.com/listener for privacy information.

This week Amanda and Victoria discuss the epic poem by Virgil (or Vergil), The Aeneid. Also, our weird obsession with bunt cakes.

In this episode of The Classical Mind, we take on Virgil's Aeneid. We explore Aeneas' journey as both refugee and empire-builder, tracing his flight from Troy, his doomed romance with Dido, his descent into the underworld, and the brutal war that led to the founding of Rome. Along the way, we wrestle with the epic's central tensions: fate and providence, duty (pietas) and rage (furor), divine will and human cost. What kind of hero is Aeneas? Why does the poem end with vengeance and wrath? And what does Virgil want us to believe—or question—about Rome's origins? Endnotes: * Junius: * Thebaid by Statius * "Dido's Lament" by Henry Purcell* Wesley: "White Flag" by Dido Get full access to The Classical Mind at www.theclassicalmind.com/subscribe

Classics educator and enthusiast Ben Jackson joins Emile Donovan to celebrate that lesser-known epic poem, The Aeneid, by the Roman poet Virgil.

Rachel Christopher brings a poet's heart and a scholar's mind to the stage eight times a week as Hermione Granger in Harry Potter and the Cursed Child. In this conversation, she opens up about her lifelong love of language, her background in translating ancient Greek poetry, and the deeply personal connection she feels to storytelling—both on stage and off. Whether she's talking about her time at Epcot or reflecting on how imagination shaped her childhood, Rachel reveals just how much joy and intention she pours into her work. From cooking lamb meatballs and tending to her city garden to revisiting classic Greek texts, Rachel's passions outside of theater are just as vibrant as the characters she portrays. She shares what it means to step into the legacy of Hermione, how theater expands what we imagine is possible, and why making space for community and curiosity is at the heart of her artistry. Rachel Christopher is an actor and poet currently playing Hermione Granger in Harry Potter and the Cursed Child on Broadway. Her stage credits include For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf and Jaja's African Hair Braiding. Her screen credits include The Girl on the Train and The Upside. A graduate of Vassar College, she double-majored in drama and classics, and has collaborated on stage adaptations of The Aeneid and The Iliad. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Rachel: Instagram: @rachel_e_christopher Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we take on Apuleius' The Golden Ass, a hilarious surprise from Ted Gioia's Immersive Humanities Course. Written in the mid-300s A.D., this is the very first Latin prose novel, penned by Algerian-born Apuleius. Lucius, our hero, is a young man who meddles in magic, transforms into a donkey, and embarks on wild adventures before returning to human form. We were so captivated that note-taking fell by the wayside, much like with Herodotus' Histories. This rollicking tale, brimming with late-Roman-Empire themes, proved both hilarious and profound.Unlike Aristotle's structured tragedy guidelines (see Week 5's Poetics), The Golden Ass defies unity of action, place, and time, weaving a tapestry of digressions and sub-stories. Lucius' transformation serves as a spine for tales like “I heard…” or “So they told me…,” echoing the nested narratives of The Odyssey and The Aeneid. The standout sub-story is the myth of Cupid and Psyche, the earliest known version, which stunned us as the inspiration for C.S. Lewis' Till We Have Faces. Its late appearance for a myth feels significant, reflecting a decadent, fatigued Roman worldview. Fortune, personified as in Boethius' Consolation of Philosophy, reappears, underscoring this era's preoccupations.Sarah Ruden's translation is a triumph, preserving Apuleius' puns, alliteration, and bawdy humor. This farce, second only to Lysistrata in humor, is delightfully NSFW, with outrageous scenes that shocked even our son Jack. Ruden notes comparisons to modern humorists like Wodehouse or George MacDonald Fraser's Flashman series, and we see parallels to Forrest Gump—Lucius stumbles through events without driving the plot. The book's influence extends to A Confederacy of Dunces, sparking new reading threads for us, exactly why we joined this course.We paired this with Scott Joplin's ragtime, evoking The Sting's lively vibe. Initially, the rags blended together, but subtle differences, like occasional piano percussion, emerged over time, enriching our listening. Next week, we continue with more narrative, music, and art, including Vincent van Gogh's works, in this eclectic journey. Join us next week as we travel east and read The Arabian Nights.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)O Brother Where Art ThouCirceRagtime (The Sting, YouTube)Young Gun Silver FoxTed's "New" Yacht Rock postCONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify -

In this episode of Crack the Book, we take a look at Week Fourteen of Ted Gioia's Humanities Course, covering Virgil's The Aeneid (Books 1–2), Ovid's Metamorphoses (Book 1), and selections from The Portable Roman Reader. The focus is on key texts from Roman literature, their historical context, and their connections to earlier Greek works, providing an overview of their content and significance.Key Discussion Points: Virgil's The Aeneid (Robert Fagles' Translation): Written between 29–19 BCE, The Aeneid serves as Rome's foundational epic, modeled on Homer's Iliad and Odyssey. Book 1 opens with Aeneas, a Trojan survivor, shipwrecked on Carthage's shore due to Juno's interference, meeting Queen Dido, an exile from Tyre. Book 2 recounts Troy's fall, including the Trojan Horse stratagem and Aeneas' escape with his father Anchises and son Ascanius, losing his wife Creusa. The text emphasizes Aeneas' pietas (duty to gods, family, state). Divine rivalries, notably Juno's grudge from the Judgment of Paris and Venus' protection of Aeneas, drive the narrative. The Fagles translation includes maps and a glossary for accessibility. Ovid's Metamorphoses (David Raeburn's Translation): Composed around 8 CE, Metamorphoses is a 15-book poem chronicling transformations from creation to Ovid's era. Book 1 covers the creation of the cosmos from Chaos, the division into four elements (fire, water, earth, air), and humanity's decline from the Golden to Iron Age. It includes a flood narrative with Deucalion and Pyrrha and the story of Io, transformed into a cow by Jupiter to evade Juno. The Raeburn edition organizes vignettes with titled sections for clarity. The Portable Roman Reader (Basil Davenport, Ed.): Published in 1951, this anthology includes poetry from Rome's Republic, Augustan, and later Empire periods. Catullus (c. 60s–50s BCE) offers direct, personal verses, translated by Byron. Horace (65–8 BCE) writes complex, philosophical odes, less accessible due to style. Martial (c. 38–104 CE) provides epigrams on public life, including two elegies for a deceased young girl. Davenport's notes contextualize each era, and the anthology features prose by Livy, Caesar, and Tacitus for future study. Contextual Notes: The texts reflect Rome's engagement with Greek literary traditions, adapting gods' names (e.g., Hera to Juno) and themes. The course's schedule prioritizes rapid coverage to identify key works and connections.Takeaways:I loved this week so much! It felt great to come "home" to Rome. I've got specific ideas about how to approach each of these books, but in my opinion they are all worth the time for certain people. The music was gorgeous, arias and overtures from Puccini and Verdi! You must listen...check out my link below. And the cave paintings were worth examining as well, especially the handprints from Indonesia. See that link below, too.This is a year-long challenge! Join me next week for WHATEVER IS NEXTLINKSTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)Spotify Play List of Puccini and Verdi without wordsCave...

Given that Statius claims a passage from The Aeneid made him see the error of his ways, Virgil wants to know how this poet of the Thebes could have ever become a Christian, particularly since his poetry shows little evidence of the faith.Statius replies with some of the most shocking lines in COMEDY: He became a Christian AND a poet because of the damned, pagan Virgil. Virgil's own poetry led Statius to his profession and his confession.To put it another way, Statius was redeemed, not by divine light, but a small human candle.Join me, Mark Scarbrough, as we work our way through one of the most revelatory passages in all of PURGATORIO, lines that help us understand the framework of COMEDY.Here are the segments for this episode of WALKING WITH DANTE:[01:53] My English translation of the text: PURGATORIO, Canto XXII, lines 55 - 75. If you'd like to read along or drop a comment to start a conversation, please find the entry for this episode on my website, markscarbrough.com.[04:39] Virgil's questions about Thebes, history, and faith.[15:02] Virgil's inspiration toward both poetry and God.[19:07] Statius' misquoting from Virgil's ECLOGUES.[27:31] Poetry and conversion founded in inspiration from a text.[30:01] Statius and Christianity in COMEDY.[32:00] Rereading the text: PURGATORIO, Canto XXII, lines 55 - 75.

Richard Colaresi is the translator of a new edition  of VIRGIL's AENEID bringing the masterwork into a sparkling new version.

Since we've come to a moment of (perhaps!) profound irony as Statius misquotes and even misinterprets Virgil's AENEID to find his way to salvation, we should perhaps pause and talk a bit about irony, both as an artistic concept and specifically as tool our poet, Dante, uses to make meaning in his text.In this interpolated (or interstitial?) episode of WALKING WITH Dante, we'll talk about the two basic forms of irony: simple (or verbal) and situational. Then we'll talk about three types of situational irony: dramatic, cosmic, and what I like to call “creative” irony.

Statius and Virgil continue their conversation as they climb to the sixth terrace with the pilgrim Dante.Statius explains that he discovered his error when he read two lines from Virgil's AENEID. The problem is that Statius misquotes these lines and misinterprets them, making them fit his personal situation while pushing them through Aristotle's ethics.Join me, Mark Scarbrough, as we look at this wild passage that has inspired over seven hundred years of commentary. What if the way you can get saved is by misinterpreting a classical text?Here are the segments for this episode of WALKING WITH DANTE:[01:57] My English translation of the passage: PURGATORIO, Canto XXII, lines 25 - 54. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[05:08] The binary relationship becomes a triangulation, thereby elevating the pilgrim Dante.[08:30] Statius' changing status in Purgatory colors (or darkens) Aristotle's notions of accidents and substances.[16:06] Statius seems to have read Dante's INFERNO![21:19] Statius misquotes and misinterprets a passage from THE AENEID, which then leads to his salvation (or at least to the recognition of his errors).[29:16] Avarice and prodigality are apparently mostly connected to the clergy.[30:18] The whole discussion falls back to Aristotle's ethics, (mis)interpreted for the Christian reader.[32:58] To sum, a misquoted, misinterpreted passage from classical literature begins the journey toward redemption.[35:46] Rereading the passage: PURGATORIO, Canto XXII, lines 25 - 54.

We finally get to know our unknown shade on the fifth terrace of Purgatory: Statius, the epic Roman poet.His salvation is one of the most audacious moves in all of COMEDY. Dante has to work every fiction-making muscle he has to assert that this pagan poet has spend so long in Purgatory on his way to heaven . . . and finds himself face to face with Virgil, his poetic inspiration and apparently the carrier of God's revelation.Join me, Mark Scarbrough, as we discover another way that love moves the fence.Here are the segments for this episode of WALKING WITH DANTE:[01:52] My English translation of the passage: PURGATORIO, Canto XXI, lines 76 - 102. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[04:49] Introducing Publius Papinius Statius (45 - 96 CE), the author of THE THEBIAD and THE ACHILLEID . . . and a soul who should never be here in Purgatory.[10:36] Virgil's continued insistence on the "why?"[13:38] The lamentable if inevitable bloom of antisemitism in COMEDY.[17:30] Statius, always without faith in the historical record but always vocalized in COMEDY.[20:36] The shocking conjunction of THE AENEID and babytalk.[24:06] A bit of heresy from Statius . . . unless the redeemed don't have to be perfect.[27:19] Why Statius in Canto XXI of PURGATORIO?[31:35] Rereading the passage: PURGATORIO, Canto XXI, lines 76 - 102.

Virgil, master of the setup, is now laying the groundwork for some of the Aeneid's major setpieces: the love affair with Dido, the voyage into the underworld. But first Aeneas has to pass a different milestone, one that people sometimes miss: he has to say goodbye to his father. It's one of the most human moments of the poem--something every single one of us has to go through--elevated to magisterial significance in the hero's journey. Follow along with us to the end of Book III as Aeneas enters a new stage in his adventure. Plus: a firsthand update from the Ivies after my trip to Ithaca to give a speech at Cornell. Check out our Sponsor, The Ancient Language Institute: https://ancientlanguage.com/heretics Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM Subscribe to be in the mailbag: https://rejoiceevermore.substack.com  

Send us a text!In this episode, we talk with Tate Taylor about why men need spaces to physically push themselves, as well as the New Christendom Games that will take place at our conference in June. We'll talk about the funeral games in The Aeneid, and why older men should be excited to see young men hardening their bodies through physically demanding efforts. Tate walks us through the qualifier for the Games, and talks about what the competition will include at the conference.2025 New Christendom Press Conference: https://www.newchristendompress.com/2025Sign up for the NCP Games:https://beregenerated.com/games/Check out the Farmer Bill's Provisions's products. Click the link below to claim 20% off.https://farmerbillsprovisions.com/discount/HARDVisit KeepwisePartners.com or call Derrick Taylor at 781-680-8000 to schedule a free consultation.https://keepwise.partners/Talk to Joe Garrisi about managing your wealth with Backwards Planning Financial.https://www.northwesternmutual.com/financial/advisor/joe-garrisi/planningStart forging the man God made you to be. Be Regenerated is forging the men who will build the New Christendom.https://beregenerated.com/Livingstones Studio offers strategic design solutions to help you grow your business, communicate your values, and stand out with a timeless brand. Learn more at https://livingstones.studio/Support the show

It's time to embark on Book III of the Aeneid, and with it a mini-Odyssey. But there's a catch: Odysseus had home waiting for him at the end of all his wanderings. Aeneas has left home behind him, and he can never return. This episode is about why that's so important--for Virgil, for Augustus, for Rome at the dawn of its imperial age, and for America on the verge of its 250th birthday. Plus: my daily routine does not involve rubbing banana peel on my face. But it does involve the liturgy of the hours. 100/10 would recommend! Check out our Sponsor, The Ancient Language Institute: https://ancientlanguage.com/heretics Map of Aeneas' wanderings by Simeon Netchev: https://www.worldhistory.org/image/16056/the-journey-of-aeneas-from-troy-to-rome/ iBreviary: https://www.ibreviary.org/en/ Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM Subscribe to be in the mailbag: https://rejoiceevermore.substack.com

In an age where attention spans are decreasing and reliance on digital media is becoming increasingly prevalent, how do scholars make historic sources accessible to audiences today? Sarah Ruden is a leading translator of ancient literature. Her work includes translations of the Gospels, the "Aeneid," and more. She'll be a guest of SUNY Brockport on Wednesday, but first, she joins us on "Connections" to discuss her process and its significance. Our guest:Sarah Ruden, author and translator

For leaders who built empires throughout history, Virgil's Aeneid has been a blueprint for how to take over land that belongs to someone else. Now when empires are making a comeback, it's worth asking if the epic poem is propaganda, or does it carry a message about the horrors of empire, too?

Hey look, it's some Greeks! Bearing gifts! What could possibly go wrong? Today the Trojans will find out the answer to that very question, which will take us (at last!) into the story of that freaking horse. In Virgil's masterful hands it becomes a parable of Greek rhetorical trickery, Odyssean danger, and above all Roman anxiety over just how we should feel about the Greeks. On the one hand, without them, there would be no Aeneid. On the other hand, they're...kinda sus. Plus: why you should read the Aeneid instead of letting Grok do it for you.  Use code HERETICS to get 20% off Field of Greens: fieldofgreens.com Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM Subscribe to be in the mailbag: https://rejoiceevermore.substack.com

Don't take money...don't take fame...just takes a primordial deity whose powers of creation and destruction supervised the origins of the world, who is now divebombing straight at Dido's heart. What could go wrong? This extremely twisted Valentine's Day special will bring us to the end of The Aeneid, Book 1, which ends in blood-pumping fashion with a moment of extreme sexual tension. In the midst of which, Aeneas will be asked to relive the time his home got obliterated by a ruthless army of bloodthirsty Greeks. Fun! (No actually, it's fun.) Plus: the Drake and Kendrick of the ancient world.  Use code HERETICS to get 20% off Field of Greens: fieldofgreens.com Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM Subscribe to be in the mailbag: https://rejoiceevermore.substack.com

When I tell you my finger smashed the "order now" button--apparently there's a fragmentary translation of the Aeneid by C.S. Lewis that he was working on all throughout his life. It's a rhyming version in 12-syllable Alexandrine lines, and you KNOW I had to do a review of it. Here are my thoughts, as well as a little more on Lewis's theory of epic and his lifelong relationship with Rome's greatest narrative poem.  Use code HERETICS to get 10% off Field of Greens: fieldofgreens.com Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM Check out a new review of the book at Law and Liberty: https://t.co/lHSo8yotG8

How many English editions of the Aeneid can we possibly need? Which one is the best one, and why? Is the C.S. Lewis version real, or just a myth? Today, as we prepare to launch into our series on Virgil's great epic, I share a reading from a few different translations, a discussion of some of the issues at play, and a verdict on the GOAT when it comes to the Aeneid in English.  Use code HERETICS to get 10% off Field of Greens: fieldofgreens.com A helpful list of translations: https://foundinantiquity.com/2023/12/05/do-we-have-too-many-english-translations-of-the-aeneid/#:~:text=In%20general%2C%20there%20is%20not,English%20translations%20of%20the%20Aeneid. Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM I maked this: "The Crisis of Purpose in the West": https://www.heritage.org/conservatism/report/resurrection-or-surrender-the-crisis-purpose-the-west  

It's a new year, and it's time for a new epic. You asked, we delivered: here comes Virgil's Aeneid! BUT FIRST: while we were gone over the Christmas vacation, Twitter descended into an intoxicating madness of epic adaptation, debate, and counter-programming. I'll recap the major points and give my take on: Christopher Nolan's Odyssey, whether you should have heard of Homer before, and what you should think of Emily Wilson's new translations. Then we'll launch into our new series for the year, on the little Roman epic with big hopes to rival Greece. Use code HERETICS to get 10% off Field of Greens: fieldofgreens.com Read my review of Emily Wilson's Odyssey and Iliad translations: https://claremontreviewofbooks.com/homer-without-heroes/ Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM I maked this: "The Crisis of Purpose in the West": https://www.heritage.org/conservatism/report/resurrection-or-surrender-the-crisis-purpose-the-west