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We are in the middle of our gay porn series on the podcast, and this week I talked with Coach Nic.He is a Certified Somatic Sex Educator, Sexological Bodyworker and soooo much more.He's an ex-priest who helps individuals heal sexual shame.And he supports models in the gay porn industry.This episode was so powerful.Coach Nic is a fabulous storyteller with a boat load of stories and amazing wisdom about sex and self-pleasure to share.This episode will get you comfortable and even excited to practice your own self pleasure, with or without a partner.Get full show notes and more info here:https://coachalexray.com/podcast/88 Get on the best email list for building your confidence.Sign up to receive my free 21 Sassy Affirmations for ConfidenceReady to take your confidence to the next level?Join Confident Queer™
Nic Reveles, somatic sex educator and sexological bodyworker, has dedicated the past several years of his life to helping gay, bisexual and queer-identified men recover from the trauma imposed on their bodies by culture, church and family in a centuries' old attempt to control sexuality and sexual expression. “Coach Nic” developed Body Prayer to reclaim the Sacred for our Erotic Bodies. In his new profession – he was a reknown musician for more than two decades and then shifted careers to the Catholic priesthood before choosing sexological bodywork – he helps men learn to enjoy their bodies more, deepen their sacred body experience, and open up to the possibility of the erotic body. “You marry the ritual of the sacred with the erotic, the body and spirit, and it can be “really delicious,” he professes. Too many people feel shackled and don't even know how to ask the questions about their sexual erotic being, he finds. It can be as simple as touching a hand, but touching for many brings feelings of shame and guilt. Nic helps clients understand how touch works, explore touching in ways never tried before, and learn to love the sacred experience. During a Smart Sex, Smart Love podcast, Coach Nic talks about how men can feel safe and comfortable about their sexual erotic being.
Blythe Gaissert was last with us in 2017 in our Detour production of Laura Kaminsky's As One, and returns now as Hansel in Hansel and Gretel. In this interview with Nic Reveles, she tells us about the physicality necessary to play this very active role, as well as the vocal resources necessary to carry over Humperdinck's large, Wagnerian style orchestra! Enjoy this fun interview with this delightful artist!
The delightful Sara Gartland is back with us as Gretel in Hansel and Gretel, after having performed the role of Musetta for us in La boheme (2015). She's really thought a lot about Gretel and what makes her tick in this operatic version of the Grimm Brothers' fairy tale. Listen in as our Nic Reveles interviews her about this charming production and the challenges of the score by composer Englebert Humperdinck!
We've done Humperdinck's wonderful opera Hansel and Gretel a number of times in our history of productions here at San Diego Opera, but we've never had a tenor play the role of the Witch! We're welcoming back tenor Joel Sorensen, who's been with the company a number of times since 1999 (Carlisle Floyd's Of Mice and Men). On top of singing the role, something of a challenge simply from the standpoint of musicality and vocalism, Joel has to manipulate a life-sized puppet as a costume, something that makes this a very special opportunity for him as a singing actor. Listen in as Nic Reveles interviews him about this challenging role!
Check out our latest SDO Podcast as Nic Reveles interviews our Amneris in Verdi’s Aida, Russian mezzo-soprano Olesya Petrova. Born in St. Petersburg, her love for her native city is palpable as she talks about the artistic atmosphere that surrounded her during her vocal studies. She has some wonderfully insightful things to say about the character of Amneris, one of the most challenging roles in the Verdi repertoire for mezzo. Enjoy!
Maestro Steven White is making his debut with San Diego Opera in this production of Rigoletto. (He also happens to be married to soprano Elizabeth Futral who has been with us on several occasions in the past, most notably as Violetta in our 2010 La traviata.) Steven is in love with this Verdi masterwork and has a lot of wonderful things to say about its musical structure in scintillating conversation with Nic Reveles. In fact, they both seem to enjoy "geeking out" over Verdi! Have fun with this dive into the deep end of one of Verdi's greatest works.
This is Canadian stage director Michael Cavanagh's debut with San Diego Opera and he's made quite an impression on the cast and crew working on Rigoletto with his positivity, collegiality and generous support of everyone involved in this important project! Listen in to this conversation with Nic Reveles as he gives us his point of view on Verdi's masterpiece and an inside look at what opera stage directors do. Enjoy!
Baritone Stephen Powell is one of our favorite singers here at San Diego Opera, having sung ten productions with us over the years. He's bringing us his very special take on one of the strangest yet most powerful characters in all opera, and a favorite of the composer himself: Rigoletto. It's a role that demands absolutely everything: technique, musicality, a strong voice and physicality. In this conversation with Nic Reveles the singer shares his ideas about this role as well as some of the other Verdi roles that he has sung (and would like to sing!) Enjoy!
Bass-baritone Evan Hughes and baritone John Moore play Figaro and Count Almaviva, respectively, in our upcoming production of Mozart's The Marriage of Figaro. In this wonderful conversation with Nic Reveles they talk about their careers, their roles and the contributions of the author of the plays that this opera (and Rossini's The Barber of Seville) are based on: Pierre-Augustin Caron de Beaumarchais. These singers also find a lot in this opera for us to think about in terms of current affairs. Enjoy!
This isn't your grandma's Carmen! This is a version of the Bizet opera devised by eminent director Peter Brook back in the '80s in an attempt to focus intensely on the story and the important relationships in it. More based on the Prosper Merimee novella upon which the Bizet is based, The Tragedy of Carmen brings us much closer to the characters, especially the elemental power of the main character, while still using the great tunes and musical moments that we all know and love. In this conversation with Nic Reveles, stage director Alexander Gedeon gives us a preview of his take on this fascinating piece, complete with sneak peaks at video sequences by Yuki Izumihara and renderings of the costumes that will be used in our production by costume designer Adam Alonso. Enjoy!
Fresh from the Ryan Center for young artists at Chicago Lyric Opera, Kentucky native Anthony Clark Evans is a singer with a big career ahead of him. He's making his role debut as Sharpless, the American consul, in Madama Butterfly. In this interview with Nic Reveles he talks about his experience as a singer so far and assesses the role in approaching it as a young artist.
Let's dig a little deeper! Tosca is a fictional character, of course, but her background was painstakingly detailed from history by her original creator, playwright Victorien Sardou. Nic Reveles gives us the low-down on that history, putting the story in a historical context.
The West Coast Premiere of Jake Heggie and Terrence McNally's new opera, Great Scott, is coming to San Diego Opera in May, 2016! Its World Premiere production at Dallas Opera is currently in rehearsal. In this podcast, Nic Reveles introduces us to the creators, the cast and the story of this wonderful new opera.
The tale of Giacomo Puccini's operatic journey continues with Madama Butterfly which followed Tosca. Your host Nic Reveles talks about the things that the two operas share, Puccini's 'signatures' as a composer, as well as some of the things that make them different.
The duet may seem to be a pretty simple musical form featured in opera that really doesn't need any explanation, right? But there's a little more to it than just "this person sings, then that person sings, then they sing together!" Dr. Nic Reveles, the Geisel Director of Education & Outreach for San Diego Opera, lets you in on what kinds of duets exist in opera and how they communicate the feelings of the characters using the love duet from Verdi's Un ballo in maschera, A Masked Ball. Enjoy!