Podcasts about musetta

Act II builds on the suspense and burgeoning relationship between Rodolfo and Mimi, newfound neighbors and bohemian lovers in the Latin quarter of Paris. Their spark of divine love is juxtaposed with the contrasting passion and suffering of Marcello and Musetta, the latter whose adulterous liaison serves as the locus of lustful competition, jealousy, and spite. Such destructive tendencies are representative of our collective humanity's consequent obsession with carnal desire and adultery, symbolized in Revelations as the scarlet whore who entices the multitudes with false prophecy and blind promises that lead to intense affliction. See how spiritual initiates like Puccini warned against following blind passion and the ways to recognize salvation within oneself: the path of chastity or sexual purity within the perfect matrimony.

The Royal Ballet and Opera House in London continue their programme of access to their productions for blind and partially sighted people with both live and recorded audio description for their current production of Puccini's La Bohème from 18 December 2024 into January 2025.  RNIB Connect Radio's Toby Davey was joined by Principal Guest Conductor Designate - Speranza Scappucci, freelance Audio Describer - Julia Grundy and Paul Adams - Access manager at The Royal Opera House for an overview to the story of La Bohème, what blind and partially sighted people might expect from either attending the live audio described performance on Wednesday 18 December 2024 at 7.30pm with a touch tour at 6.30pm or from the recorded audio description at the remaining performances throughout December and into January 2025. About Puccini's La Bohème  Set in 19th-century Paris, La Bohème is about the lives of a group of struggling young artists. Based on Henry Murger's novel Scenes de la vie de Bohème, the opera follows a love story between a poet named Rodolfo and Mimi, a seamstress, as they are forced to face the challenges of Mimi's declining health and the realities of living in Paris' Latin Quarter during the 1830s. The relationships and hardships faced by the pair along with their friends Marcello and Musetta are explored, alongside the effects of poverty, illness and youthful passion. A poignant take on the fleeting nature of happiness, La Bohème is an everlasting tale of tragic romance. To find out more about Puccini's La Bohème at The Royal Opera House in London, book your tickets for one of the up-coming audio described performances do visit the following website link and you can always of course email boxoffice.access@roh.org.uk if you have any enquiries regarding access at The Royal ballet and Opera House. https://www.rbo.org.uk/tickets-and-events/la-boheme-details (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)

Juliet and Scoobie Frank sit down with Musetta Vander (the teacher, Natalie French, in Teacher's Pet) for her most in-depth Buffy interview to date. Musetta also shares highlights from her impressive life and career. You can also watch the on-camera interview at: http://www.youtube.com/@slayinitpodcastThumbnail art by Slayin It listener, Harmony Davidson ____________________________Juliet Landau's directorial feature debut, A Place Among The Dead Trailer: https://vimeo.com/791299045/5b5d98726a A Place Among The Dead Blu-Ray with nearly 5 hours of bonus extras: https://www.amazon.com/gp/product/B0CJJY4MB9/ref=ox_sc_saved_image_4?smid=ATVPDKIKX0DER&psc=1Twitter/X - @SlayinitpodcastYouTube - http://www.youtube.com/@slayinitpodcastJuliet's X - @julietlandauJuliet's Facebook - https://www.facebook.com/juliet.landauJuliet's Instagram - https://www.instagram.com/juliet_landauJuliet's website - http://www.julietlandau.comFrank's X - @WTTFmovieChris's X - @ChrisFeinHaHThe guy's other podcastsChris/Haunted American History - http://www.linktr.ee/hauntedamericanhistoryFrank - Zoning Out - https://cms.megaphone.fm/channel/BDA6251398689Send us a Text Message.

Reunimos otra vez, de nuevo con la colaboración de Ricardo de Cala, un ramillete de jóvenes voces españolas. Primero tres barítonos: Borja Quiza en El barberillo de Lavapiés; David Menéndez en la romanza de Vidal de Luisa Fernanda, y Juan Jesús Rodríguez en la salida de Juan de Los Gavilanes.Después, tres sopranos en páginas puccinianas: Raquel Lojendio interpretando Donde lieta uscì de La bohème; Vanessa Goicoechea matizando Vissi d’arte de Tosca y Carmen Romeu cantando la traviesa aria de Musetta de La bohème. Enseguida contrastamos con un timbre de bajo, el de Rubén Amoretti, que nos ofrece Ol’ Man River de Showboat de Kern. Dos tenores nos siguen amenizando la noche: Alejandro del Cerro, con su recreación del Ingemisco del Requiem de Verdi, y Alejandro Roy, en el aria de Maurizio L’anima ho stanca de Adriana Lecouvreur de Cilea. Cambiamos de cuerda y escuchamos la luminosa voz de Sonia de Munck en la romanza de Rosa de El rey que rabió de Chapí. Y cerramos con una voz hispanoamericana, la del tenor argentino Marcelo Álvarez, que nos canta la muy difícil aria de Raoul de Nangis de Los Hugonotes de Meyerbeer Plus blanche que la blanche hermine.Escuchar audio

Ihr Name ist heute vor allem unter Gesangsstudierenden eine Institution für sich. Nicht wenige Sopranistinnen hat sie in der Berliner Universität der Künste hervorgebracht und ihnen zu einer erfolgreichen Sängerkarriere verholfen, die sie selbst einst innehatte. Ihren deutschsprachigen Wurzeln folgend wagte sie jung den Weg von Amerika nach Europa, um sich auf dem hart umkämpften Sängermarkt zu etablieren. Der Weg sollte kein leichter werden, doch nicht wenige Zweifler belehrte sie bald eines Besseren. Die Bayerische Staatsoper in München wurde ihr künstlerisches Zuhause, wo sie in Partien wie Despina, Zdenka, Sophie, Musetta und Susanna Maßstäbe setzte und die sie schließlich auch auf den großen, internationalen Bühnen verkörpern durfte. Zeitgenössische Komponisten wie Aribert Reimann wissen ihre Kunst auch als Konzertsängerin zu schätzen und widmen ihr maßgeschneiderte Werke. Wieso man beim Studieren neuer Werke manchmal eine Woche an nur zwei Takten übt, wie schwer es sein kann, im Vorsingen sein volles Potential zeigen können und was Singen und Betrunkensein gemeinsam haben, davon berichtet die amerikanische Sopranistin und erfolgreiche Gesangsprofessorin Julie Kaufmann.

Hace tiempo que no contestamos por los micrófonos las cartas de algunos oyentes. Recuperamos hoy tres misivas que tienen ya algún tiempo. En primer lugar la firmada por don Luis Pingarrón, que nos solicitaba la radiación del famoso Trío de El caballero de la rosa de Strauss por Montserrat Caballé, Teresa Zilys-Gara y Edith Mathis en la versión de Glyndebourne de 1965 dirigida por John Pritchard. Luego comentamos un párrafo de la extensa carta de don Manuel González en el que habla precisamente de Caballé. La escuchamos en dos arias de bigote: Suicidio de La Gioconda de Ponchielli y La mamma morta de Andrea Chénier de Giordano. Y comentamos sus interpretaciones. Antes habremos seguido a Edita Gruberova, de la que también habla nuestro oyente, cantando la cabaletta final de La sonnambula de Bellini. Cerramos el programa contestando a la carta de don Fernando (no consta su apellido), que pide que hablemos de dos cantantes mexicanos otrora famosos: el tenor Jorge Lagunes, que nos canta una copla popular, y la soprano Lupita Pérez, que nos obsequia con el vals de Musetta de La bohème y O mio babbino caro de Gianni Schicchi, ambas de Puccini. Cerramos con otro Jorge Lagunes, este barítono de nuestros días, que interpreta dos canciones muy famosas: La rosa y el sauce y Siboney.Escuchar audio

A Dutch South African, Musetta Vander was raised without that most basic of modern conveniences--television! Radio programming, childhood books and weekend trips to the drive-in introduced her to the magical world of movies. It was not until the mid-'70s that South Africa finally got television, and the big black box in the family living room "miraculously" sprang to life. However, as the daughter of a ballet teacher, Musetta was no stranger to the entertainment world and debuted on stage at the age of four.  Shortly after her arrival, she became part of the very world she used to host, appearing as the "dream girl" in more than 20 music videos for such top recording artists as Rod Stewart, Amy Grant, Tina Turner, Elton John and Chris Isaak. It was her critically acclaimed stage performance in the original South African play "Soweto's Burning", about the trials of an interracial friendship in that racially segregated country, that provided her transition to the big screen. Musetta has since performed in numerous feature films, including collaborating with her husband on Under the Hula Moon and Gunshy. She has also worked alongside such screen veterans as Kevin Kline, Kenneth Branagh and Will Smith in Wild Wild West, George Clooney and John Turturro in O Brother, Where Art Thou? and John Hurt and Louis Gossett Jr. in Monolith. She's also added a slew of television credits to her arsenal, including guest appearances on the hit shows Star Trek: Voyager, Frasier, Xena, Babylon 5, Highlander, Stargate SG-1 and Buffy the Vampire Slayer.   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Detroit Opera Resident Artists Ben Reisinger, Melanie Spector and Rolfe Dauz visited Interlochen Public Radio's Studio A along with Associate Artistic Director Christine Goerke and Resident Artist Program Director Nathalie Doucet. Melanie Spector, soprano: "Quando me'n vo'" from Giacomo Puccini's La bohème (a/k/a "Musetta's Waltz") Ben Reisinger, baritone: "O vin, dissipe la tristesse" from Ambroise Thomas's Hamlet Rolfe Dauz, baritone: "Votre toast" from George Bizet's Carmen (a/k/a "The Toreador Song")

Soprano Julie Lea Goodwin performs across opera, musical theatre, and classical cross-over. She has played Musetta in La Bohème and Maria in West Side Story for Opera Australia. She performed opposite Anthony Warlow in Phantom of the Opera, and has sung as a soloist with many of Australia's Symphony Orchestras. With Christmas in the air, she'll be joining the Sydney Philharmonia Choirs for Carols at the House for three concerts from 15th to the 17th of December in the Concert Hall of the Sydney Opera House. Julie Lea knew she wanted to be a performer from a very early age, and tells stories of singing to the horses on the family's property out of Brisbane and enjoying the old Hollywood musicals on video. She charts her carer from her remarkable early break as Christine in Phantom of the Opera, through making her debut with Opera Australia and singing with orchestras and ensembles around the country.

It's time for my fourth annual April Fools Day episode! The first one that I published exactly four years ago, entitled Alternate Universe Bel Canto, has proven to be one of my most popular, and one that was the gateway episode for many of my most devoted listeners. Furthermore, this one came specifically at the request of one of my newest Patreon supporters (hint, hint to those of you who are not yet supporting the podcast there!) Instead of an overview of all those “outsider music” opera singers out there, I have chosen to focus in on three sopranos in particular whom I find to be the most original, entertaining: Mari Lyn (AKA Marilyn Sussman), Olive Middleton (AKA Olive Townend), and Natália de Andrade. Each of these women created her own platform. Mari Lyn was the Singing Hostess of the 1980s New York-based cable network series The Golden Treasury of Song. After a career in the 1920s singing roles such as Musetta under Thomas Beecham at Covent Garden, British soprano Olive Middleton became, much later in life, the lead diva of New York's La Puma Opera Company, giving quixotic performances with that company well into her seventies (and well past her vocal expiration date!), performances that gained her a fanbase that included lead singers of the Metropolitan Opera as well as the fussiest of opera queens. And the Portuguese soprano Natália de Andrade (my favorite!) gained fame and notoriety in her native country and beyond for her self-financed recordings, particularly the late-career ones published in the 1980s, which gained her the grudging respect given to those most deluded of holy fools. And lest one think that this episode deals only with sopranos, I also give a nod to the raucous-voiced American mezzo-soprano Sylvia Sawyer, who appeared in the 1950s on complete opera recordings issued on the Capitol Records label and produced, incredibly, under the auspices of the Rome Opera. To be clear: though I find each of these deluded divas to be, each in her own distinctive way, hilarious, in the end, each of them earns my respect for her enterprising undertakings, her firm belief in her own talent, and her unique approach to tuning, phrasing, and language, here perpetrated exclusively on the music of Giuseppe Verdi, who must surely be turning over in his grave right about now! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.    

Sir Malcolm Walker is the chairman and co-founder of the frozen food supermarket chain Iceland. He was brought up in Grange Moor, West Yorkshire. He was just 14 when his father died, and he helped his mother run a smallholding, driving a tractor and ploughing fields. His business instinct kicked in during his teenage years, when he promoted Saturday night dances by booking bands into local church halls. After receiving rejections from Marks & Spencer and Littlewoods, he became a trainee manager at Woolworths, and recalls that he started at the very bottom, sweeping the floors for many months before gradually winning promotions and moving round the country. In 1970, he and Peter Hinchcliffe, a colleague from Woolworths, opened a shop in Oswestry, selling loose frozen food from chest freezers. The business soon began to take off, Malcolm and Peter were both fired by Woolworths, and Malcolm went on to build a company which now has more than 1000 stores in the UK and Ireland. Along the way, boardroom battles led to his departure in the early 2000s, but he later returned and Iceland is now back in family ownership. Alongside his business pursuits, Malcolm has been a fundraiser for dementia charities, after his wife was diagnosed with early-onset Alzheimer's. She died in 2021 after more than 50 years of marriage. He was knighted in 2017, has three children, one of whom also works in the family business, and he married for the second time in August last year. DISC ONE: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio, composed by Max Bruch, performed by Itzhak Perlman (violin) and the Royal Concertgebouw Orchestra, conducted by Bernard Haitink DISC TWO: Goodbye by Josef Locke DISC THREE: Only You by The Platters DISC FOUR: Silence is Golden by The Tremeloes DISC FIVE: Memory composed by Andrew Lloyd Webber and performed by Elaine Paige DISC SIX: All I Ask of You composed by Andrew Lloyd Webber and performed by Steve Barton and Sarah Brightman DISC SEVEN: La bohème, SC 67 / Act I composed by Giacomo Puccini and performed by Luciano Pavarotti (tenor) and Mirella Freni (soprano) with the Berlin Philharmonic, conducted by Herbert von Karajan DISC EIGHT: Quando me'n vo (“Musetta's Waltz”) from La Bohème composed by Giacomo Puccini and performed by Natalie Walker BOOK CHOICE: Robinson Crusoe by Daniel Defoe LUXURY ITEM: A cast iron cooking pot CASTAWAY'S FAVOURITE: Quando me'n vo (“Musetta's Waltz”) from La Bohème composed by Giacomo Puccini and performed by Natalie Walker Presenter Lauren Laverne Producer Sarah Taylor

Melissa Short Zapin started as a soprano in Honolulu, Hawaii. An unforgettable rendition of Je veux vivre from Romeo et Juliet won her the Miss Hawai‘i title and a place on the famed Miss America stage. There, she won the talent and swimsuit competitions and finished in the top ten. Melissa was first in the NSAL Opera Competition, performing Christine in Phantom of the Opera and Cinderella in Rogers and Hammerstein's Cinderella. Both performances won Po'okela awards for Best Female Performer in a Musical. She was a featured guest artist at several galas for the Hawaii Opera Theater. After receiving the Hungarian Arts Music Festival Award, Melissa accompanied famed tenor Marcello Giordani in several concerts appearing at the Fresno Grand Opera House in Dayton, Ohio. Her operatic performances included La Contessa in Mozart's Le Nozze di Figaro, Desdemona in Verdi's Otello at Vero Beach, and Musetta in La Boheme. Melissa was the featured soloist in Mozart's Vesperae solennes de Consessore and John Rutter's Mass at the world-famous Carnegie Hall, both of which were highlights of her career. Melissa also worked as a voiceover artist and performer, appearing on television in the hit shows Sex in the City and Elementary with Lucy Liu. In 2015 Melissa retired as an Opera singer and began Grandma Ruth's Pies, baking handmade, all-natural, preservative-free pies. What started as baking for family and friends to enjoy during the holidays quickly expanded to local farm stands in the Hamptons. When she moved to Los Angeles in 2017, Melissa's business boomed, reaching a larger audience. She started servicing the entertainment industry and local farmers' markets, turning Grandma Ruth's Pies into a year-round operation. She currently sells online, offering local delivery in Los Angeles and the Hamptons and flash-frozen pies shipped nationally. Some crowd favorites are the Vegan Apple Crumble Pie and Chocolate Cream Pie. Grandma Ruth's Pies bring families together with fresh, handmade, natural ingredients molded by skilled hands into perfection. Made from scratch and with her Grandma Ruth's love, the pies brought Melissa's family together throughout the years. Melissa now delivers that sentiment to the homes of everyone that eat her delicious pies. It's A Hawaii Thing Productions. Quality content for the Hawaii Enthusiast and traveler. Celebrities, artists & community leaders vomming together to showcase the spirit of the islands. New weekly program dedicated to anything and everything unique to life in Hawaii. To Learn more about It's A Hawaii Thing visit: https://www.itsahawaiithing.com/ It's A Hawaii Thing is a https://www.wikiocast.com/ production.

This week Ash + Avi chat to British Soprano Nadine Benjamin. We hear about how Nadine's unconventional route into Opera has led to an exciting and successful career in the Music industry. In high demand as a Soprano with major Opera Companies, Nadine is well known for having played some of the most iconic leading ladies such as Musetta, Aida and Countess. Having established this reputation, Nadine looks forward to performing in new Opera's and more contemporary repertoire and recitals... tune in to find out where to catch this! When Nadine is not on the stage, she can be found on our TV screens, having performed at the BBC Proms and most recently in the Celebration of the Commonwealth Service earlier this week (link below!) Nadine's artistry is something to be admired and more than ever inspiration is guaranteed in this episode as Nadine is a fully qualified High Performance Coach - she shares with us her vision for Everybody Can! which provides a platform to encourage and support others in recognising and achieving their own visions. After the interview Avi gives a little shout out to the great Samuel Barber, listen to an insight into his music on the month of his Birthday!

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjarding MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the channel Islands for the next in his regular Connect Radio audio described theatre reviews. This week Vidar is reviewing the audio described performance of English National Opera's production of Puccini's La bohème at the Coliseum in London. This is a slightly different accessible performance as there was no live through audio description however, more enhanced recorded described introductory notes were played out through headsets 15 minutes before curtain up with more recorded notes played during the intervals between each of the acts provided by Sightlines Audio Describer Willie Elliot. Puccini's La bohème is one of the most famous operas ever written, following the unforgettable story of two young, bohemian lovers in Paris. With a great love story comes a beautiful score, including arias like Musetta's Waltz and ‘Yes, they call me Mimì' (Si, mi chiamano Mimì). La bohème is Vidar's favourite opera and one he has seen many times over the years and Vidar began by telling Toby how the enhanced introductory notes helped him with his understanding of the look and feel to the costumes and set of ENO production of La bohème. Vidar also explained how the enhanced notes differed from the usual introductory notes that he normally receives for other audio described performances. With Vidar knowing La bohème so well it more than likely helped with his understanding and enjoyment of this production with no through audio description and Vidar noted how much he does rely on the live through audio description for a full understanding of the theatre productions he attends at many theatres around the country.  Vidar summed up by saying that as he knows La bohème so well he was able to enjoy this production with just the enhanced introductory notes however, he would not normally have as an enjoyable and full filled experience without the live through audio description. Although if you were very familiar with a theatre show you might be able to have a good experience with just the enhanced introductory notes but that is no substitute for the full AD experience; intro notes, touch tour and the live through description. To find out more about English National Opera and their productions do visit the ENO website - https://www.eno.org/ (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)

TramaL'esistenza spensierata di alcuni giovani artisti bohémien nella Parigi del 1830, costituisce l'ambientazione dei diversi episodi in cui si snoda l'intera opera.QUADRO INella soffittaIl periodo è la vigilia di Natale. Marcello (un pittore) e Rodolfo (un poeta) tentano di scaldarsi davanti a un caminetto. Marcello sta dipingendo, mentre Rodolfo usa le pagine di un suo poema per ravvivare il fuoco.Si unisce a loro prima il filosofo Colline e in seguito il musicista Schaunard con un cesto di cibarie e la notizia di aver finalmente guadagnato qualche moneta. L'inaspettata visita di Benoît (il padrone di casa) smorza gli entusiasmi.Con uno stratagemma il padrone di casa viene allontanato e il gruppo di amici si reca al caffè Momus.Rodolfo rimane indietro, promettendo di raggiungerli non appena avesse finito di scrivere il suo articolo.Mimì, la giovane vicina di casa, bussa alla porta di Rodolfo per chiedergli una cortesia: il suo lume si è spento e vorrebbe una candela per riaccenderlo. La ragazza però ha un mancamento: è il primo sintomo della tisi.Quando alfine si accinge a tornare a casa, si rende conto di aver perso la chiave della sua stanza. Sia Rodolfo che Mimì si inginocchiano per cercarla; nella concitazione del momento, entrambi i lumi si sono spenti.Rodolfo, volendo trascorrere più tempo in compagnia di Mimì, nasconde in tasca la chiave appena ritrovata. I due conversano delle loro vite, mentre continuano a cercare la chiave al buio. Mimì racconta di vivere da sola e di essere una rcamatrice di fiori.L'intimità dei due viene interrotta dalle grida degli amici di Rodolfo, che reclamano la sua presenza al caffè; Mimì gli propone di accompagnarla, quindi entrambi si recano al caffè MomusQUADRO IIAl caffè MomusIl gruppetto di amici si ricongiunge al caffè Momus, dove Rodolfo presenta agli altri la giovane Mimì.Intanto giunge anche Musetta, una vecchia fiamma di Marcello, insieme al ricco e non più giovane Alcindoro. Lei aveva lasciato Marcello per tentare nuove avventure. Musetta fa di tutto per attirare l'attenzione di Marcello, arrivando a togliersi una scarpa e scoprire la caviglia, con la scusa di un dolore improvviso al piede.Marcello non può resisterle e si ricongiunge quindi alla giovane. La coppia di amanti ritrovati insieme al gruppo di amici, se ne va, lasciando ad Alcindoro la scarpetta e il conto.QUADRO IIILa Barriera d'EnferE' giunto ormai il mese di Febbraio e la neve ricopre qualunque cosa. Le due coppie di giovani amanti scoprono ben presto che la convivenza è impossibile. I litigi tra Marcello e Musetta scatenati dalla gelosia sono ormai la norma, così come le incomprensioni tra Rodolfo e Mimì. Lei viene incolpata di eccessiva leggerezza e infedeltà.Rodolfo ha intuito la malattia di lei, capisce anche che vivere in una soffitta potrebbe peggiorare le sue condizioni.Il ricordo dei bei momenti passati insieme ha però la meglio, e i due rinviano l'inevitabile addio all'ormai prossima primavera.Musetta e Marcello si separano dopo l'ennesima lite.QUADRO IVDi nuovo in soffittaMarcello e Rodolfo, separati ormai da Musetta e Mimì, parlano dell'amore e delle pene che porta con sè. L'atmosfera diventa più giocosa condo sopraggiungono anche Colline e Schaunard. I giochi e le battute, però, servono solo a mascherare la profonda disillusione che i quattro provano realmente.Arriva di corsa Musetta che avverte di aver visto Mimì sulle scale, sofferente.Musetta invia Marcello a vendere i suoi orecchini per comprare delle medicine per Mimì. Lei stessa parte alla ricerca di un manicotto per scaldare le mani di Mimì. Colline decide di contribuire, vendendo il suo amato cappotto.Nella soffitta del loro primo incontro, Rodolfo e Mimì ricordano con tenerezza i giorni del loro amore. Mimì si spegne così, dolcemente, circondata dai suoi amici. Mimì sembra assopita; il primo ad accorgersi della sua morte è Schaunard, che lo confida a Marcello.Rodolfo, una volta accortosi di quanto accaduto abbraccia piangendo la sua amata ripetendo straziato il suo nome.

Oggi parliamo de La bohème, un'opera in quattro "quadri" di Giacomo Puccini, ispirata al romanzo di Henri Murger "Scene della vita di Bohème" e rappresentata per la prima volta nel 1896. È una delle opere italiane più conosciute, amate e rappresentate in tutto il mondo. Racconta le storie di alcuni giovani e poveri artisti nella Parigi del 1800.Contenuti⏱️ 01:22 Prima parola: soffitta (nome)⏱️ 01:52 Seconda parola: affitto (nome)⏱️ 02:30 Terza parola: caffè (nome)⏱️ 03:51 Parigi, 1851. Henri Murger, Scènes de la vie de bohème⏱️ 05:07 Milano, 1893. La competizione tra Puccini e Leoncavallo⏱️ 06:29 La struttura: quattro quadri (o atti)⏱️ 07:18 Primo quadro - In soffitta⏱️ 12:14 Secondo quadro - Al caffè⏱️ 14:46 Terzo quadro - La Barriera d'Enfer⏱️ 17:10 Quarto quadro - In soffitta⏱️ 20:30 La versione di Von Karajan. L'italiano dell'opera⏱️ 21:40 Le tre parole di oggiAudio

In this episode I will visit with my dear friends, Julie Wyma and Anastasia Nikolov, founders of Opera Programs Berlin. Both Julie and Anastasia went through traditional conservatory training, and were both taken aback by the insistence that there's only one prescribed path to success in opera.  Their answer to filling the gaps in vocal education was to create http://www.operaprogramsberlin.com (Opera Programs Berlin,) an online and in-person opera academy which has grown exponentially over the last year in the online space. As an educator, Julie's passion lies in helping singers make the transition from student to professional, and in guiding talented people to the places where they are needed. She has served as a vocal coach, preparing singers for auditions and talent competitions, as well as an audition panelist and advisor. With organizations such as Opera Programs Berlin, Dramatic Voices Program Berlin, Irrational Entertainment, Midwest Early Opera Works, Voci Inglesi, Berlin Wagner Gruppe and Berliner Opernverein, she has facilitated performance opportunities for singers seeking additional stage experience and the chance to hone their craft in a supportive, professional environment. As a professional operatic soprano she has performed more than 25 roles, including die Königin der Nacht and Pamina in Die Zauberflöte, Rosina in I barbiere di Siviglia, Adele in Die Fledermaus, Gilda in Rigoletto, Marie in Die verkaufte Braut, Musetta in La Bohème, Sophie in Werther, Gretel in Hänsel und Gretel, the Waldvogel in Siegfried, and Norina in Don Pasquale. Of her Norina, the Kansas City Metropolis said: “soprano Julie Wyma sparkled with a self-confident air and a strong, beautiful voice.”  ​ An active concert performer and recitalist, her recent appearances include concerts at the US Consul General in Düsseldorf and the Residence of the US Ambassador to Germany in Berlin; a song recital at the University of Pittsburg at Greensburg; Lovers' Quarrels, a concert of operatic duets and arias in Concord, New Hampshire and Niemegk, Germany; Three Tenors and a Soprano concerts in Cornish and New London, New Hampshire; and Viva Divas!, a concert of operatic arias, duets, and trios in Cornish, New Hampshire, Phoenix, Arizona and Berlin, Germany. ​​Soprano Anastasia Nikolov started her musical training at the age of 5, studying piano. She was a member of the Bulgarian National Theater Youth Ensemble, where she was cast in numerous main stage and touring productions. Her training at the National Theatre included acting, improvisation, Latin and folk dance. Other musical studies also included percussion and classical guitar. Ms. Nikolov is a champion of new music. She has premiered works by prominent American and British composers such as Vartan Aghababian, Michael Djupstrom, Victoria Ellis, Heather Gilligan and Eric Sawyer; some of these works were written and dedicated to her. In addition to numerous song cycles and solo concert works with orchestra, she also created the role of Anna von Mildenburg in the new piece Geboren Alma Schindler (Berliner Opern Verein); the role of Member of the Chamber in the premiere performance of Eric Sawyer's Our American Cousin (Composers in Red Sneakers); and the title role in the world premiere of Victoria Ellis' opera Darling (One of Us Foundation). Twitter @operaberlin Instagram @operaprogramsberlin Facebook  @operaprogramsberlin http://www.operaprogramsberlin.com (www.operaprogramsberlin.com) At http://makinitinopera.com/ (makinitinopera.com), you can  Get access to a spreadsheet of resources and inspiration from folks who are changing the conversation about how we tell stories and how we train artists Subscribe to the Audition Pep Talk Series newsletter Donate and support the podcast If you'd like to share your point of view of what it means to “make it”, send me a voice recording to makinitinopera@gmail.com and I may feature you in a...

Fall in love with "Moonstruck" over and over again! Curses, infidelity, pasta. That's amore in this mesmerizing romantic comedy about a superstitious Brooklyn widow (Cher) who is ready to get married again. Only this time, she plans on doing it right - even if she has to say "yes" to a man she doesn't really love. When she unexpectedly falls in love with her fiancé's estranged brother, what comes next is a romantic complication worthy of the greatest comedic operas. Source: 1987 DVD cover.

"CLOSE-UP" is a new NO FILMS GIVEN special where our listeners get to hear about movies discussed on the show from the very people involved in making them. In our very first CLOSE-UP, we're excited to present actress Musetta Vander. She was gracious enough to share with us her personal experience working on the set of “Wild Wild West” (1999) in role of Munitia. Listen in to hear from Musetta Vander about camera rehearsals, weapons training, as well as working with the rest of the cast! Thank you listeners for your support! You can listen, share, and support our podcast No Films Given here: https://anchor.fm/nofilmsgiven Let's keep in touch! Follow us on Facebook and Twitter @nofilmsgiven. We can also be heard on: Spotify - https://open.spotify.com/show/3xRLGAPsLrWvv2mw7lzvxX Google Podcasts - https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy81Zjk4N2IxNC9wb2RjYXN0L3Jzcw== Breaker - https://www.breaker.audio/no-films-given PocketCasts - https://pca.st/rvbpke19 RadioPublic - https://radiopublic.com/no-films-given-Wxr3Zj And MANY more! (Including Apple Podcasts, Castbox, and Overcast) --- Support this podcast: https://podcasters.spotify.com/pod/show/nofilmsgiven/support

Hailed by the New York Times as a soprano of “gleaming sound, free and easy high notes, agile coloratura runs and lyrical grace,” Jessica Pratt is considered one of today's foremost interpreters of some of bel canto's most challenging repertoire.Since her European debut in 2007 as Lucia di Lammermoor, Ms Pratt's schedule has included performances at opera theatres and festivals such as the Teatro alla Scala of Milan, Zurich Opera, Deutsche Oper Berlin, the Vienna State Opera and the Royal Opera House Covent Garden, working with conductors such as Daniel Oren, Nello Santi, Kent Nagano, Sir Colin Davis, Christian Thielemann, Donato Renzetti, Pier Giorgio Morandi, Carlo Rizzi, Antonino Fogliani, Wayne Marshall and David Parry.The 2012/13 season brought several acclaimed debuts at Festival Verdi in Parma, including Gilda to Leo Nucci's Rigoletto, at Deutsche Oper Berlin as Lucia, at Vlaamse Opera in New Year's Eve Concert, at Teatro de la Maestranza in Sevilla (Gilda, once more next to Leo Nucci), in the role of Matilde in Guillaume Tell next to Juan Diego Florez interpreting Arnold in Lima, Giulietta in I Capuleti e i Montecchi in Reims, in the role of Lisinga in Demetrio e Polibio of Rossini in Neaples, and in the role of the protagonist in Giovanna d'Arco at Festival della Valle d'Itria in Martina Franca.In the 2013/14 season Ms Pratt could be heard in new productions of Lucia di Lammermoor at La Scala and in Amsterdam, as Amina in La sonnambula in Bari, Gilda in Padova, in the season opening of La Fenice as Inès in Meyerbeer's L'Africaine, as Musetta in La Bohème in Salerno, in her role debut as Violetta in La Traviata in Melbourne, as Zenobia in Aureliano in Palmira at the Pesaro Rossini Opera Festival as well as in recitals in Tokyo and Florence with Vincenzo Scalera.In 2014/15 the soprano made her role debuts as Cleopatra in Handel's Giulio Cesare at the Teatro Regio in Turin and as Amenaide in Rossini's Tancredi at the Opéra de Lausanne. Other performances included Donna Anna in Don Giovanni and Giulietta in I Capuleti e i Montecchi at the Teatro La Fenice in Venice; Elvira in I Puritani in Florence and in Melbourne; Lucia di Lammermoor at the Rome Opera House and at the Festival Granda in Lima; her role and festival debut as Rosina in Il barbiere di Siviglia at the Arena di Verona, where she could also be heard as soprano soloist in Carmina Burana; the soprano solo in Rossini's Messa di Gloria alongside Juan Diego Florez and La morte di Didone at the Rossini Opera Festival; as well asconcerts in Milan, Bonn, and London.Performances of the 2015/16 season included Jessica Pratt's returns to Florence, Turin and Melbourne as Lucia di Lammermoor, her debuts at the Gran Teatre del Liceu Barcelona as Desdemona in Rossini's Otello, at the Palau de les Arts Reina Sofia Valencia in Mozart's Davidde penitente and at the ABAO Bilbao as Amina in La sonnambula, her role debuts as Semiramide at the Opéra de Marseille and later at the Washington Concert Opera and as Linda di Chamounix at the Rome Opera House; and concerts in Oviedo and Moscow.More recently, Semiramide and Rosmonda d'Inghilterra at the Florence Opera House, a concert with the Queensland Symphony Orchestra, Rosmonda d'Inghilterra at the Donizetti Festival Bergamo, her debut at the Metropolitan Opera House New York as Queen of the Night in The Magic Flute, and Rigoletto in Oviedo.The STAGES podcast is available from Apple podcasts, Spotify and Whooshkaa. Also where you find your favourite podcasts. www.stagespodcast.com.au

Inne afto telraz, un (madjik) hanu mit Musetta tsui djongguolant - hur seyena djongguolant na imatid, ka slucha ima inne djongguolant, au ting ka kawari inne djongguolant.

Tonight we will look into Puccini's opera about bohemians in France, travelling to Paris's Latin Quarter to celebrate Christmas and listening to Musetta's Waltz “Quando m'en vo”. Our links: https://beacons.page/operaforsleep Support us: https://www.buymeacoffee.com/operaforsleep Music we perform: "Foglio d'album" by Giacomo Puccini "Quando m'en vo" by Giacomo Puccini (La Boheme)

Today I am talking to soprano Henriikka Gröndahl. In our chat we discuss how career trajectories can change over time and the possible influence of relationships and parenthood on negotiating a singing career. Henriikka Gröndahl is a versatile lyric soprano with one foot firmly in the chorus of the Royal Opera House in Stockholm, and the other foot happily freelancing. Her career began with a boom at the Theatre Royal, Glasgow in 2004, when she stepped in as the cover of Mimì in La Bohème. She sang a total of 11 performances of it for Scottish Opera – both at the Theatre Royal in Glasgow and at the Edinburgh Festival Theatre. During her first years out of college, she also sang Pamina for British Youth Opera and Papagena (covering Pamina) for Garsington Opera, followed by a Pamina , Nannetta, Musetta and Julia at Gothenburg Opera in Sweden, Musetta and Princesse at the Royal Opera in Sweden and Fünfte Magd at Liceu in Barcelona, Fiordiligi for Samling Opera and Donna Elvira at Scottish Opera. She has since then stepped in at short notice to sing Liù at Gothenburg opera, Jorun at Vadstena Summer Academy and Olympia/Giulietta/Antonia/ at Folkoperan, where she later also performed Liù. Her latest role was Euredice (Gluck) at Norrlandsoperan, as well as small obscure solo bits and pieces at the Royal Opera in Stockholm. Her career has led her to sing in many countries around Europe, and she frequently performs at chamber music festivals and oratorios, but is nowadays also old enough to engage in other non music related activities like hiking, paddling, hanging out with friends and family, painting, throwing dinner parties and passionately enjoying life!www.henriikkagrondahl.com

ARTIST OF THE WEEK:The song is from the opera La Boheme by Giacomo Puccini. It is in Italian so just to let you know what I am singing about, I am playing a character named Musetta. I see my occasional boyfriend Marcello, and I sing a song about when I walk down the street, people stop and stare at my beauty. (It is a fun song to sing, lol). Song played by pianist Hector Valls. TUNE IN to P.E.G podcast/RADIO. CHECK IT OUT NOW

She was gone too soon! Dial the Gate is privileged to welcome actress Musetta Vander, who played "Shau'nac" and her dream variant in Stargate SG-1. She also takes your questions LIVE! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

The song is from the opera La Boheme by Giacomo Puccini. It is in Italian so just to let you know what I am singing about, I am playing a character named Musetta. I see my occasional boyfriend Marcello, and I sing a song about when I walk down the street, people stop and stare at my beauty. (It is a fun song to sing, lol). Song played by pianist Hector Valls. TUNE IN to P.E.G podcast/RADIO. CHECK IT OUT NOW

Check out episode 13 with Kelli, where we discuss opera, gaming, Terry Pratchett, letting yourself be ridiculous, and lots more! Kelli Butler (known online as The Opera Geek) is a professional opera singer, aria slinging mercenary, and Actual Bard. * She is an award-winning (actually, not just from my mom) opera soprano whose roles include Queen of the Night, Hanna Glawari, Musetta, Violetta, and more. When not performing - say, during a pandemic - she can be found playing games on her twitch channel or appearing in a multitude of other TTRPG/D&D shows, including the new campaign "Let's get Wildemount!", set in the Critical role universe.  Kelli is the co-author of the best-selling College of the Opera bard subclass for bards, which can be found on the DMsGuild. She lives in NY with her husband Justin and their two very irrational pets, Bones and Scotty.

Soprano singer Sara Duchovnay offers us a rare glimpse into the challenging and rewarding life as an opera singer. We learn how focus, training and determination leads you onto the main stage. She shares her inspirational perspective on successfully dealing with rejections and set backs. This episode is for everyone daring to dream big of a life on stage. Besides singing, her love for vintage and antique jewellery led her become a curator, collector, and treasure hunter of beautiful pieces. Addressing this second passion, she set up Songbird Sara Jewelry. Sara has performed the role Lauretta in Gianni Schicchi with Opera Delaware, Stella in A Streetcar Named Desire with Opera San Jose, and Die erste Dienerin in Die ägyptische Helena with Odyssey Opera and Musetta in La bohème. Roles in Sara's current repertoire include the title role in Alcina, the title role in Rusalka, and Leonora in Il trovatore. She made her role debut as Nedda in Pagliacci, under the baton of Steven White. A native of Bryn Mawr, Pennsylvania, Sara holds a Bachelor of Music degree in Vocal Performance from the Hartt School of Music and a Master of Music degree in Vocal Performance from the San Francisco Conservatory of Music. She was a previous studio artist at Opera Santa Barbara as well as an artist in residence at Opera Saratoga. Click here for more: http://www.saraduchovnay.com https://songbirdsaraantiquejewelry.com

Judy Kaye first came to prominence playing Lily Garland in the original Broadway production of On The 20th Century opposite John Cullum and Imogene Coca. In a career spanning five decades, she has played theaters and concert halls across the globe, in roles as diverse as Lucy Van Pelt, Rizzo, Maria Von Trapp, Mrs. Lovett, and Grandma Kurnitz in Lost in Yonkers. Recent Broadway appearances include Cinderella, Wicked, Anastasia and Diana. She played Eurydice in Orpheus In The Underworld, Musetta in La Boheme, and Lucy Lockett in The Beggar’s Opera at The Santa Fe Opera. She has twice received the Tony Award; first in 1988 for the role of the tempestuous opera diva Carlotta Giudicelli in The Phantom of the Opera, then again in 2012 for her performance as the high-flying Duchess Estonia Dulworth in Nice Work If You Can Get It. She has also twice received the Theater LA Ovation Award; for her work as Emma Goldman in Ragtime, and as the melodically challenged Florence Foster Jenkins in Souvenir, two roles she originated on Broadway. She has sung with symphony orchestras throughout the US and Europe, and twice at the White House. She is also the voice of Kinsey Millhone in the Sue Grafton Alphabet Mystery Series for Random House Audio. (Bio courtesy of Broadway.com)Cocktails at Table 7- Inside New York’s Joe Allen is produced and hosted by Jason Woodruff, Dana Mierlak and Sean Kent, with music by James Rubio and logo and artwork design by Christina D’Angelo. The Producers would like to extend a special thank you to the owners of Joe Allen, Orso and Bar Centrale Restaurants.

Chatting about Puccini's sublime score in this special livestreamed concert performance featuring celebrated Irish sopranos Celine Byrne and Anna Devin, in the roles of Mimì and Musetta. Live streamed from the Bord Gais Energy Theatre in Dublin!

Operina is a new opera podcast for kids, created and hosted by soprano Jessica Cambio. Each episode features children from around the world participating (in their own language) in a musical, historical, cultural, and linguistic educational adventure... with their parents' permission, of course.Opera, classical music, and linguistic studies are often neglected and/or not introduced to children at all, especially at the elementary school level. It has been scientifically proven that exposure to classical music, art, dance, culture, foreign languages, and even global travel at an early age encourages healthy brain stimulation and growth, a more peaceful upbringing, a stronger sense of community, and therefore, a better world. The Operina mission is to provide a fun, free, kid-friendly all-encompassing learning experience to enhance their musical and cultural education, expand their horizons, encourage them to think outside the box of their daily lives... all the while limiting their screen time. ;)Operina encourages kids to learn, grow, explore, and experience opera and classical music firsthand. The episodes, narrated by various musical guests worldwide, can be enjoyed in the comfort of your own home. Operina also encourages your children to make new friends, share information and opinions, learn new words in foreign languages, use their imagination and creativity, create a community, listen to the sounds of the human voice and orchestral instruments, design costumes and sets, dance, sing, and explore the stage, acting, and all the spectacle of opera from the inside.Operina features guests from all corners of the globe, stories extracted from operas that have survived hundreds of years, quizzes, foreign words integrated in the language of the opera being presented, and so much more. Join us on this new adventure!In this pilot episode, we learn about Giacomo Puccini's La Bohème. On Christmas Eve 1830 in Paris, France we meet Rodolfo, Marcello, Mimì, and Musetta, and many of their friends. These energetic and sassy characters come to life in this magical story about love, loss, poverty, and friendship. Be sure to stay tuned for the quiz at the end, and if you'd like to be featured as a guest on future episodes, please send your submissions (in any language) to: operinapodcast@gmail.com.DISCLAIMER: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.

Letture per il tempo che viene. Bambini nella tempesta..

Host Andreas Kraemer zooms with Maria Dominique Lopez, returning as Musetta in this final hipster production.  We also check in with veterans Keith Colclough and E. Scott Levine. The final presentations of this ICONIC POP production will be December 12 and 13 at 5:30pm.  Get your tickets now at pacificoperaproject.com.

Australian soprano Julie Lea Goodwin has been one of our busiest singers since she joined Opera Australia in 2015. Last year alone, she performed an extraordinary range of roles: Maria in West Side Story on Sydney Harbour, Susanna in The Marriage of Figaro, Musetta in La Bohème, and Madame Cortese in Il Viaggio a Reims. She also impressively created the role of Wendy Whiteley in the world premiere of Elena Kats-Chernin's opera, Whiteley. In this interview with our Artistic Director, Lyndon Terracini, Julie Lea talks about handling such diverse repertoire, making her way to opera via musical theatre, and what attracts her to certain roles. She also offers a special preview of The Merry Widow, which she'll be starring in at the Sydney Opera House in January 2021.

Operina is a new opera podcast for kids, created and hosted by soprano Jessica Cambio. Each episode features children from around the world participating (in their own language) in a musical, historical, cultural, and linguistic educational adventure... with their parents' permission, of course.Opera, classical music, and linguistic studies are often neglected and/or not introduced to children at all, especially at the elementary school level. It has been scientifically proven that exposure to classical music, art, dance, culture, foreign languages, and even global travel at an early age encourages healthy brain stimulation and growth, a more peaceful upbringing, a stronger sense of community, and therefore, a better world. The Operina mission is to provide a fun, free, kid-friendly all-encompassing learning experience to enhance their musical and cultural education, expand their horizons, encourage them to think outside the box of their daily lives... all the while limiting their screen time. ;)Operina encourages kids to learn, grow, explore, and experience opera and classical music firsthand. The episodes, narrated by various musical guests worldwide, can be enjoyed in the comfort of your own home. Operina also encourages your children to make new friends, share information and opinions, learn new words in foreign languages, use their imagination and creativity, create a community, listen to the sounds of the human voice and orchestral instruments, design costumes and sets, dance, sing, and explore the stage, acting, and all the spectacle of opera from the inside.Operina features guests from all corners of the globe, stories extracted from operas that have survived hundreds of years, quizzes, foreign words integrated in the language of the opera being presented, and so much more. Join us on this new adventure!In this pilot episode, we learn about Giacomo Puccini's La Bohème. On Christmas Eve 1830 in Paris, France we meet Rodolfo, Marcello, Mimì, and Musetta, and many of their friends. These energetic and sassy characters come to life in this magical story about love, loss, poverty, and friendship. Be sure to stay tuned for the quiz at the end, and if you'd like to be featured as a guest on future episodes, please send your submissions (in any language) to: operinapodcast@gmail.com.DISCLAIMER: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.

Today I am talking to Dana Lynne Varga. Dana is on the faculty of the Longy School of Music of Bard College in Boston, Massachusetts. In addition Dana is a career coach, founder and artistic director of the Boston-based opera company, MassOpera, as well as the founder and CEO of the Empowered Musician, a company which does just that—empowering musicians through guidance both  artistically as well as in business and career development. In our chat Dana speaks frankly about the problems in academia and the music industry as well as the possibilities of negotiating a correlating career with a career in music.Dr. Dana Lynne Varga is the Founder and CEO of The Empowered Musician, Founder and Co-Artistic Director of MassOpera, and an accomplished classical singer, voice teacher and career coach.In addition to maintaining a full private voice studio for over 15 years, highlights of Dana's teaching career have included seven years on the voice and opera faculty at the BU Tanglewood Institute, two years on the full-time voice faculty at University of Massachusetts, Amherst, and two years on the voice faculty at the New England Conservatory Prep school. She is currently on the voice faculty at the Longy School of Music of Bard College in Cambridge, Massachusetts.Dana regularly performs a wide variety of repertoire on opera and concert stages. Recently she made her Carnegie Hall debut as the soprano soloist in Haydn's Lord Nelson Mass with Mid-America Productions. Dana's 2019 appearance as Pallas Athene in Gluck's rarely heard Paride ed Elena with Odyssey Opera garnered critical acclaim. Other recent notable engagements include Beethoven's Missa Solemnis with The Cantata Singers, Beethoven's Ninth Symphony with the Wellesley Symphony and Mozart's Great Mass in C Minor with Coro Allegro. Favorite operatic roles performed include Musetta in La bohème, Fiordiligi in Cosi fan tutte, Anna Maurrant in Street Scene, Rosalinda in Die Fledermaus, Micaëla in Carmen, Hanna Glawari in The Merry Widow, and the title role in Alcina.Dana won the Second Place American Prize for Art Song and Oratorio in 2019 and was the  Winner of the professional division of the national Classical Singer Competition in 2016. She holds the Doctor of Musical Arts (DMA) degree in Vocal Performance from Boston University, the Master of Music in Vocal Performance from the New England Conservatory, and a Bachelor of Music in Vocal Performance from University of Massachusetts, Amherst.Websites and Social Media:www.theempoweredmusician.comwww.danavarga.comwww.massopera.orgInstagram: @danalynnevarga and @theempoweredmusician

Operina is a new opera podcast for kids, created and hosted by soprano Jessica Cambio. Each episode features children from around the world participating (in their own language) in a musical, historical, cultural, and linguistic educational adventure... with their parents' permission, of course.Opera, classical music, and linguistic studies are often neglected and/or not introduced to children at all, especially at the elementary school level. It has been scientifically proven that exposure to classical music, art, dance, culture, foreign languages, and even global travel at an early age encourages healthy brain stimulation and growth, a more peaceful upbringing, a stronger sense of community, and therefore, a better world. The Operina mission is to provide a fun, free, kid-friendly all-encompassing learning experience to enhance their musical and cultural education, expand their horizons, encourage them to think outside the box of their daily lives... all the while limiting their screen time. ;)Operina encourages kids to learn, grow, explore, and experience opera and classical music firsthand. The episodes, narrated by various musical guests worldwide, can be enjoyed in the comfort of your own home. Operina also encourages your children to make new friends, share information and opinions, learn new words in foreign languages, use their imagination and creativity, create a community, listen to the sounds of the human voice and orchestral instruments, design costumes and sets, dance, sing, and explore the stage, acting, and all the spectacle of opera from the inside.Operina features guests from all corners of the globe, stories extracted from operas that have survived hundreds of years, quizzes, foreign words integrated in the language of the opera being presented, and so much more. Join us on this new adventure!In this pilot episode, we learn about Giacomo Puccini's La Bohème. On Christmas Eve 1830 in Paris, France we meet Rodolfo, Marcello, Mimì, and Musetta, and many of their friends. These energetic and sassy characters come to life in this magical story about love, loss, poverty, and friendship. Be sure to stay tuned for the quiz at the end, and if you'd like to be featured as a guest on future episodes, please send your submissions (in any language) to: operinapodcast@gmail.com.DISCLAIMER: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.

Operina is a new opera podcast for kids, created and hosted by soprano Jessica Cambio. Each episode features children from around the world participating (in their own language) in a musical, historical, cultural, and linguistic educational adventure... with their parents' permission, of course.Opera, classical music, and linguistic studies are often neglected and/or not introduced to children at all, especially at the elementary school level. It has been scientifically proven that exposure to classical music, art, dance, culture, foreign languages, and even global travel at an early age encourages healthy brain stimulation and growth, a more peaceful upbringing, a stronger sense of community, and therefore, a better world. The Operina mission is to provide a fun, free, kid-friendly all-encompassing learning experience to enhance their musical and cultural education, expand their horizons, encourage them to think outside the box of their daily lives... all the while limiting their screen time. ;)Operina encourages kids to learn, grow, explore, and experience opera and classical music firsthand. The episodes, narrated by various musical guests worldwide, can be enjoyed in the comfort of your own home. Operina also encourages your children to make new friends, share information and opinions, learn new words in foreign languages, use their imagination and creativity, create a community, listen to the sounds of the human voice and orchestral instruments, design costumes and sets, dance, sing, and explore the stage, acting, and all the spectacle of opera from the inside.Operina features guests from all corners of the globe, stories extracted from operas that have survived hundreds of years, quizzes, foreign words integrated in the language of the opera being presented, and so much more. Join us on this new adventure!In this pilot episode, we learn about Giacomo Puccini's La Bohème. On Christmas Eve 1830 in Paris, France we meet Rodolfo, Marcello, Mimì, and Musetta, and many of their friends. These energetic and sassy characters come to life in this magical story about love, loss, poverty, and friendship. Be sure to stay tuned for the quiz at the end, and if you'd like to be featured as a guest on future episodes, please send your submissions (in any language) to: operinapodcast@gmail.com.DISCLAIMER: Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.

Amici Miei,Il musical del compianto Jonathan Larson: una rivisitazione della Boheme di Puccini in chiave moderna, dove New York sostituisce Parigi e l'Aids prende il posto della tisi. Personaggi memorabili, canzoni meravigliose per quest'opera rimasta in scena ininterrottamente per 13 anni e poi ripresa a teatro in tutto il mondo e al cinema in un film diretto da Chris Columbus.Ascolta, lascia un like, commenta, condividi con gli amici!TRACK LIST01. Valzer di Musetta - da La Boheme di Giacomo Puccini02. Rent03. Tango Maureen04. Another Day05. Will I06. La Vie Boheme A07. I Should Tell You08. La Vie Boheme B09. Seasons Of Love10. Without You11. Halloween12. What You Own13. Your Eyes14. Finale B15. Seasons Of Love - Versione di Stevie WonderCORRELATI:Episodio 005 - JESUS CHRIST SUPERSTARhttps://www.spreaker.com/user/baccassino/episodio-005-jesus-christ-superstarEpisodio 014 - NOTRE DAME DE PARIShttps://www.spreaker.com/user/baccassino/episodio-014-notre-dame-de-parisEpisodio 019 - HEDWIG ND THE ANGRY INCHhttps://www.spreaker.com/user/baccassino/episodio-019-hedwig-and-the-angry-inch

Vocalist, Thought Leader, Songwriter, Theatre/Film Producer, and Innovator in Music Education. Alena Bernardi grew up in the suburbs of Detroit, Michigan in a grey brick house that stood on a dirt road with 3 acres of land. In the evenings, as a child, Alena would listen to her mother stumble through and eventually master traditional piano classics from Beethoven to Debussy, while her father would read science fiction novels to her and her brother in the bedroom across the house. At seven, Alena finally had begged her mom and dad enough for lessons that they signed her up. It was around then that the Phantom of the Opera was in the midst of touring around the states, and, at a request to her mother to accompany her in the 2nd grade talent show singing Andrew Lloyd Webber’s classic, Angel of Music, Alena was off to developing an addiction to the style that perfectly blends musical theatre and classical music. Alena co-founded Unicorn Music Academy in January 2020 to open up the young people’s hearts and minds to the music around them and give them the tools they ned to organize their ideas and create freely. Credits include: Fiordiligi in Cosi Fan Tutte, Musetta in La Boheme, Barbarina in The Marriage of Figaro, Lily Garland in On The Twentieth Century, and Rapunzel in Into the Woods.

Reference recording for the tab posted--view my tabs here.

Reference recording for the tab posted--view my tabs here.

Escuchamos aquí las reflexiones de Sir Rudolf a la hora de planificar repartos, localizar cover, buscar directores musicales y de escena y demás obligaciones del director artístico de un Teatro como el Metropolitan. Salpimentamos la narración con fragmentos de Pagliacci de Leoncavallo (Prólogo por Leonard Warren, con Dimitri Mitropoulos en el foso), Adriana Lecouvreur de Cilea (Io son l’umile ancella por Renata Tebaldi), Norma de Bellini (Casta diva por Joan Sutherland), La walkiria de Wagner (Cabalgata por Marjorie Lawrence, con Eric Leinsdorff en el foso), La bohème de Puccini (aria de Musetta por Lucine Amara), La mujer sin sombra de Strauss (fragmento del tercer acto por Leonie Rysanek, con Böhm en el foso), Pelléas et Melisande de Debussy (comienzo, en la versión de Roger Désormière), Don Carlo (final Auto de fe con Fritz Stiedry en el foso) y Aida de Verdi (final Escena del Nilo por Franco Corelli, Gabriela Tucci y Cornell MacNeil), El Holandés errante de Wagner (Balada de Senta por Birgit Nilsson, con Leopold Ludwig a la batuta) y Ernani de Verdi (aria de Elvira por Leontyne Price, con Thomas Schippers en el foso). Escuchar audio

The delightful Sara Gartland is back with us as Gretel in Hansel and Gretel, after having performed the role of Musetta for us in La boheme (2015). She's really thought a lot about Gretel and what makes her tick in this operatic version of the Grimm Brothers' fairy tale. Listen in as our Nic Reveles interviews her about this charming production and the challenges of the score by composer Englebert Humperdinck! 

Matteo Pais talks through the text to "Quando me'n vo'", Musetta's aria from La Bohème with us, talking about double and single consonants, some standard closed [e] endings, and pitching voiced consonants and glides.  For more information, go to dictionpolice.com

Matteo Pais talks through the text to "Quando me'n vo'", Musetta's aria from La Bohème with us, talking about double and single consonants, some standard closed [e] endings, and pitching voiced consonants and glides.  For more information, go to dictionpolice.com

Starring: T-Hat and Erica Featuring: JR This week, T-Hat had an important confession to make about what he likes to do to children...NO!! IT'S NOT THAT KIND OF CONFESSION!!! THAT'S F**KING GROSS!! Plus: -- Usher tries to cover his penis in a Snap but fails to do so -- Birdman cusses out 'The Breakfast Club' morning show -- T-Hat announces his full team for this year's K-Star -- The provisions of HB2 "The Anti-LGBTQ Bathroom Bill" in North Carolina -- And we give you the rundown on who all is coming into the area (Illinois and St. Louis) in our "Summer Tours" segment (get your paper and pen, you'll need it) All that and more on THIS WEEK's episode of The Unusual Suspects ----- Music: -- Theme: "Angry Ophelia's Song" by Donnie Drost ft. Musetta (from ccmixter.org) -- "NO," by Pentatonic -- "Pillow Talk," by Travis Garland (https://soundcloud.com/travisgarland) -- "Work From Home," by Rosendale (https://soundcloud.com/rosendale)

Dubrise...with tracks by.... Spag Heddy, Ryuei Kotoge, Bandulu Dub, ReZiNdRiP, Psyborg, Vector Burn, OverHertz , Musetta, Dubvirus , Perkulat0r, Dubscribe. [suffusion-widgets id='1'] 00:00  Onvang, by Spag Heddy. Utrecht, Netherlands. [EDM.com] 03:25  Hole, by Ryuei Kotoge. Kobe, Japan. [Broken Bubble] 07:11  Velocity, by Bandulu Dub vs ReZiNdRiP. [Dan Dada Records] 10:45  Millenium Sunrise, by Psyborg. Dallas, [...]

International Opera Soprano Jennifer Rowley joins us to give you a behind the scenes look into the world of opera. She recently made her debut at the Metropolitan Opera as Musetta in La Bohème. Jennifer talks the ups and downs of opera life - including losing a prestigious role and her amazing comeback. We love this girl! Visit her here: http://jenniferrowley.com/

International Opera Soprano Jennifer Rowley joins us to give you a behind the scenes look into the world of opera. She recently made her debut at the Metropolitan Opera as Musetta in La Bohème. Jennifer talks the ups and downs of opera life - including losing a prestigious role and her amazing comeback. We love this girl! Visit her here: http://jenniferrowley.com/