Podcasts about Giacomo Puccini

durée : 00:17:28 - Les Midis de Culture - par : Marie Labory - Les critiques discutent de "Il Trittico", trois opéras en un de Giacomo Puccini, mis en scène par Christof Loy et dirigés par Carlo Rizzi à l'Opéra Bastille. Un voyage de la tragédie au drame entre la France et l'Italie, magnifié par l'émotion que procure la soprane Asmik Grigorian. - réalisation : Laurence Malonda, Camille Mati - invités : Marie Sorbier Productrice du "Point Culture" sur France Culture, et rédactrice en chef de I/O; Zoé Sfez Productrice de La Série musicale sur France Culture

durée : 00:27:20 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, de l'opéra et du théâtre, avec "Il Trittico" de Giacomo Puccini dirigé par Carlo Rizzi et mis en scène par Christof Loy à l'Opéra Bastille, et "L'Hôtel de Libre Echange" de Georges Feydeau, mis en scène par Stanislas Nordey au Théâtre de l'Odéon. - réalisation : Laurence Malonda, Camille Mati - invités : Zoé Sfez Productrice de La Série musicale sur France Culture; Marie Sorbier Productrice du "Point Culture" sur France Culture, et rédactrice en chef de I/O

Vanemuises esietendub täna õhtul Giacomo Puccini ooper "Boheem".

Joshua Conyers is an Assistant Professor of Voice at the Eastman School of Music at the University of Rochester, and a Grammy-nominated Baritone who is known for his captivating performances and recognized as one of the leading dramatic voices of today. He has performed with The Metropolitan Opera, Seattle Opera, Washington National Opera, Lyric Opera of Chicago, English National Opera, New York Philharmonic, National Symphony Orchestra, Carnegie Hall, and many others. His recordings include the Grammy-nominated “X: The Life and Times of Malcolm X” his debut solo album is “A Miracle in Legacy.” He says it tells his story of his “being born into the crucible of poverty, haunted by the specter of addiction and abuse.” He says “yet, amid the shadows, I found my guiding light in the melodies of classical music.” SONG 1: “I’ll Make Love to You” by Boyz II Men from their Album II released in 1994. https://youtu.be/USR_0iImpcM?si=VDXE1s_O2toNwRkJ SONG 2: “Nessun Dorma” by Giacomo Puccini from the opera Turandot...performed here by Franco Corelli from the 1958 film of Turandot.https://youtu.be/fWokel5YxM8?si=_D9UEH6jKbz1Bo2G SONG 3: “Cleanin’ Out My Closet” by Eminem off his 2002 album The Eminem Show. https://youtu.be/4t2ETI2Lrjg?si=pgmx0aGLs4Tag6HASee omnystudio.com/listener for privacy information.

Today we're stepping into the world of one of opera's most passionate, enduring, and beloved composers.His name is synonymous with soaring arias, impossible love stories, and music that grabs you by the heart and doesn't let go. This is the story of Giacomo Puccini. Inside Vancouver Opera presents: Un bel dì, A Life Begins: The World of Puccini written and performed by Jane Potter. So settle in, whether you're a seasoned opera lover or just Puccini-curious. This is a story of artistic fire, of human drama—and of one man's quest to give voice to the most fragile and fierce parts of the human soul.Learn MoreCredits:Jane Potter - Writer and NarratorAshley Daniel Foot - Host of Inside Vancouver OperaMack McGillivray - ProducerRichard Wolfe - Voice of George Bernard Shaw

Transmitido el sábado 12 de abril de 2025. La fanciulla del West (título original en italiano; en español, La chica del Oeste) es una ópera en tres actos con música de Giacomo Puccini y libreto en italiano de Guelfo Civinini y Carlo Zangarini, basado en una pieza de David Belasco.

Trump ripete che i dazi serviranno a riportare negli Stati Uniti industrie e posti di lavoro, ma il vantaggio che la Cina si è guadagnata negli ultimi decenni, con una quota del 29 per cento della produzione manifatturiera mondiale, è difficile da recuperare. Con Giuseppe Gabusi, docente di economia politica internazionale e dell'Asia orientale all'università di Torino.Un rapporto di Amnesty International rivela che Nel 2024 le esecuzioni di condannati a morte nel mondo ha raggiunto il numero più altro degli ultimi dieci anni. Con Riccardo Noury, portavoce di Amnesty International Italia.Oggi parliamo anche di:Giappone •  "Indipendenza precoce" di Clémence Leleuhttps://www.internazionale.it/magazine/clemence-leleu/2025/04/03/indipendenza-precoceMusica • Tosca di Giacomo Puccini, diretta di Daniel Harding (Deutsche Grammophon)Ci piacerebbe sapere cosa pensi di questo episodio.Scrivici a podcast@internazionale.itSe ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan Zenti

(00:57) Giacomo Puccini ist vor der Vollendung seiner Oper «Turandot» gestorben. Am Theater Basel ist sie mal mit einem Schluss zu sehen. Ob das funktioniert? Weitere Themen: (05:21) Portrait der Zürcher Violinistin Sophie Branson. (09:44) «Skype» ist bald Geschichte – Ein Nachruf. (12:45) Stück «Halluzinationen» am Schauspielhaus Zürich über Künstliche Intelligenz will zu viel. (17:10) Elfte Ausgabe von Erfolgsausstellung «Blumen für die Kunst» im Aargauer Kunsthaus enthält auch kritische Töne.

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Biopics … Eigentlich nicht mein Genre: Oft werden die wichtigen Stationen abgehakt, aber der Mensch, der im Mittelpunkt steht, hat entweder klischeehafte Züge oder wird als Symbol aufgeladen. Das ist nicht Pablo Larrains Herangehensweise: MARIA konzentriert sich auf die letzte Lebenswoche von Maria Callas 1977 in Paris. Seit viereinhalb Jahren steht sie nicht mehr auf der Bühne, ihre einst übermenschliche Opernstimme hat sie nicht mehr unter Kontrolle. Sie ist tablettensüchtig, schwer krank und behandelt ihre Haushaltsdame und ihren Butler mit einer Mischung aus Liebe und Schikane. Von hier springen wir in ihre Erinnerungen, an die deutschen Soldaten in Griechenland, an die sie ihre Mutter verkauft hat, an Triumphe auf allen großen Opernbühnen, an Onassis, der ihr das Singen verboten hat. Steven Knight findet in seinem Drehbuch eine bemerkenswert gelungene Balance zwischen psychologischen Einblicken auf der einen Seite und Prominenz und Popkultur auf der anderen Seite. (Steven Knight ist übrigens der Regisseur und Drehbuchautor von LOCKE!) Im Podcast direkt nach dem Film rede ich mit Katharina über Angeline Jolie, die eine außergewöhnliche Leistung als Schauspielerin zeigt, über Puccini und halluzinierte Interviews, über verschobene Klaviere, die Sucht nach Anbetung, über Star-Status und berührende Szenen.

Michele Paolino"La Bohème italiana"Emilio SalgariEdizioni del Capricornowww.edizionidelcapricorno.it “La Bohème italiana”, pubblicato per la prima volta nel 1909, è l'unico romanzo non d'avventura scritto da Emilio Salgari, un libro strano, anomalo e inclassificabile nel mare magnum salgariano di oltre 200 opere esotiche, tra romanzi e racconti, sfornate a ripetizione per sbarcare il lunario e compiacere i lettori, ma snobbate dai circoli letterari dell'epoca.Racconta le scapigliate vicende (in parte autobiografiche) di un variopinto gruppo di giovani artisti e letterati squattrinati e geniali che, abbandonando la vita di città (la Torino di fine Ottocento, qui ribattezzata “Grissinopoli”), si recano in campagna per fondare una piccola comunità artistica, la «Topaia».«Bisogna di nuovo ubriacarsi, abitare le soffitte e farsi crescere la barba». Come nel celebre libro di Henri Murger, da cui Giacomo Puccini trarrà la sua Bohème, i protagonisti di Salgari trascorrono una vita goliardica e spensierata, rocambolesca e divertente, fra abbondanti bevute di barbera e grappini, scherzi funambolici e lunghe partite a carte, rumorosi festini e incoscienti peripezie, infinite discussioni e schiamazzi teatrali, in una perenne situazione di ristrettezze economiche che li costringe a mettere in campo ingegnosi espedienti per ovviare alla continua «scarsità delle loro borse», come aste di improbabili oggetti, produzione di falsi papiri egiziani, apparizioni di spettri…E tuttavia, come nella Bohème pucciniana il Grande Freddo finisce per stringere Rodolfo e Mimì in un abbraccio mortale, così il testo di Salgari è pervaso dalla malinconia per un periodo della vita ormai perduto per sempre. Una rielaborazione ironica, scanzonata e dolceamara della sua stessa esistenza, agli antipodi del Salgari eroico. Un tentativo di onorare il proprio debito culturale, dichiarando a posteriori la propria appartenenza ad un movimento artistico e letterario, la “Scapigliatura” per l'appunto.Un Salgari molto diverso dal creatore delle avventure dei pirati malesi, lontanissimo dai mari d'Oriente e dagli esotismi per cui è diventato celebre: uno scrittore brillante, umoristico e insieme malinconico, vigoroso e anticonformista, ironico e scanzonato, talora nostalgico, mai decadente. Una (ri)scoperta preziosa; un piccolo capolavoro di virtuosa leggerezza. Un testo quasi sconosciuto, che vale davvero la pena di rileggere.«La Bohème italiana assomiglia a un messaggio rinchiuso in una bottiglia, a una richiesta d'aiuto, a una battaglia interiore tra malessere e voglia di vivere, a un invito, per tutti noi ‘cari amici lettori', a non smarrire le gioie, le speranze, la vivacità della nostra giovinezza. Una gemma rara, questa quasi autobiografia del papà dei nostri eroi, che non avrebbe di certo sfigurato tra i vasi di metallo prezioso, le perle, i cumuli di diamanti e di brillanti mescolati assieme, ‘scintillanti come tanti soli, sotto i riflessi della gran lampada dorata sospesa al soffitto' nel covo della Tigre della Malesia» (Michele Paolino). Emilio Salgari (Verona, 1862 - Torino, 1911) è stato il più popolare scrittore di romanzi di avventura della storia della letteratura italiana. Il ciclo dei pirati della Malesia, quello dei corsari delle Antille e storie fantastiche come Le meraviglie del Duemila (il testo più importante della protofantascienza in Italia), scritti senza mai abbandonare le sue case di Verona prima e di Torino poi, lo hanno fatto diventare celebre. I suoi più di 80 romanzi sono stati continuamente ristampati, con straordinario successo, e tutta[1]via fu sempre afflitto da angustie economiche. A lungo ignorato dalla critica, morì suicida nel parco di Villa Rey a Torino.Michele Paolino è nato nel 1966 in Borgo San Paolo, storico quartiere operaio di Torino, da una famiglia di origine lucana. Padre di tre figli, di cui una in affidamento, laureato in Scienze politiche, è stato per dieci anni presidente di circoscrizione e per nove consigliere comunale della sua città. Giornalista pubblicista, si occupa di comunicazione e di social media. Appassionato di musica d'autore italiana, conduce da alcuni anni una trasmissione dedicata a questo genere musicale su una web radio.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

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Mark-Anthony Turnage is a composer of contemporary classical music. Once called “Britain's hippest composer”, he has been in a rock band, got drunk with Francis Bacon, and tackled anything from drug abuse to football in his works. Mark was born in June 1960 in the Thames estuary town of Corringham in Essex. His musical talent was nurtured by his parents and he studied composition at the junior department at the Royal College of Music from aged fourteen. There he met the composer Oliver Knussen who became his tutor, mentor, and life-long friend. His first performed work, Night Dances, written while still at the Royal College, won a prize and heralded Mark's evolution into what one critic calls “one of the best known British composers of his generation, widely admired for his highly personal mixture of energy and elegy, tough and tender”. Greek, his debut opera, a reimagining of the Oedipus myth whose protagonist is a racist, violent and foul-mouthed football hooligan, shocked the establishment, which flinched, but accepted “Turnage, the trouble-maker” as a forceful voice. Over the past four decades he has sustained a distinguished and productive career that has seen him working closely with conductors of the stature of Bernard Haitink, Esa-Pekka Salonen and, particularly, Simon Rattle. He has been attached to prestigious institutions, such as English National Opera and both the BBC and Chicago symphony orchestras, and has written a vast range of music for many different instruments and ensembles. His influences include soul, gospel, all sorts of jazz and the great symphonic works of the repertoire. He has written operas, ballets, concertos, chamber pieces and choral works together with orchestrating a football match. His key works include Three Screaming Popes and Blood on the Floor (both inspired by Francis Bacon paintings, and the latter containing an elegy for his younger brother, Andrew, who died of a drug overdose in 1995), as well as more operas including one about the former Playboy model Anna Nicole Smith. Mark lives in North London with his partner, the opera director, Rachael Hewer. DISC ONE: Symphony No. 9 in D Minor, Op. 125 II. Molto vivace - Presto - Molto vivace – Presto. Composed by Ludwig Van Beethoven and performed by The Berlin Philharmonic, conducted by Sir Simon Rattle DISC TWO: St. Matthew Passion, BWV 244 Pt. 1 No. 1, Kommt, ihr Töchter, helft mir klagen. Composed by Johann Sebastian Bach and performed by Bach Collegium Japan, conducted by Masaaki Suzuki DISC THREE: Two Organa, Op. 27 – 1 “Notre Dame des Jouets”. Composed and conducted by Oliver Knussen and performed by The London Sinfonietta DISC FOUR: Blue in Green - Miles Davis DISC FIVE: Living for the City - Stevie Wonder DISC SIX: Puccini: Madama Butterfly, Act II: Un bel dì vedremo. Composed by Giacomo Puccini and performed by Mirella Freni (Soprano) and Wiener Philharmoniker, conducted by Herbert von Karajan DISC SEVEN: Symphony of Psalms (1948 Version): III. Alleluja. Laudate Dominum - Psalmus 150 (Vulgata) Composed by Igor Stravinsky and performed by English Bach Festival Choir and The London Symphony Orchestra, conducted by Leonard Bernstein DISC EIGHT: Let's Say We Did. Composed by John Scofield and Mark-Anthony Turnage and performed by John Scofield, John Patitucci, Peter Erskine, Frankfurt Radio Symphony, hr-Bigband and Hugh WolfBOOK CHOICE: Rebecca by Daphne du Maurier LUXURY ITEM: A grand piano and tuning kit CASTAWAY'S FAVOURITE: St. Matthew Passion, BWV 244 Pt. 1 No. 1, Kommt, ihr Töchter, helft mir klagen. Composed by Johann Sebastian Bach and performed by Bach Collegium Japan, conducted by Masaaki Suzuki Presenter: Lauren Laverne Producer: Sarah Taylor

Detroit Opera Resident Artists Brianna J. Robinson, Kendra Faith Beasley, Cole Bellamy and Cameron J. Rolling visited IPR's Studio A with Nathalie Doucet, Resident Artist Program Director. Music performed in Studio A Wolfgang Amadeus Mozart, "Se vuol ballare" from The Marriage of Figaro (Cole Bellamy, baritone) Giacomo Puccini, "Donde lieta" from La bohème (Brianna J. Robinson) Giuseppe Verdi, “Il lacerato spirito” from Simon Boccanegra (Cameron J. Rolling, baritone) Francesco Cilèa, “Acerba voluttà … O vagabonda stella” from Adriana Lecouvreur (Kendra Faith Beasley, mezzo-soprano) Resident Artist Program Director Nathalie Doucet was the collaborative pianist.

Mit "Nessun dorma" enthält diese Oper Puccinis wohl größten Hit. Doch die Geschichte von der eiskalten Prinzessin und ihren lebensgefährlichen Rätselfragen ist keine leichte Kost: Unter der Oberfläche lauern die Abgründe. Mit seiner letzten Oper suchte der Komponist Anschluss an die Moderne und hinterließ ein geniales Fragment. Von Michael Lohse.

Niclo Vitelli"Giacomo Puccini. Innamorato di tutto"Illustrazioni di Emma Dal FalcoCinquesensi Editorewww.cinquesensi.it"Giacomo Puccini. Innamorato di tutto" ci racconta l'uomo Puccini, quello delle passioni private e dell'amore per la vita e per la natura della sua Toscana, assolutamente fedele e generoso con i preziosi amici, sensibile al fascino muliebre, curioso del mondo e delle innovazioni.Il libro ci svela la personalità tormentata ed esigente, non solo con se stesso, di un musicista che cerca nella propria arte la soluzione alla propria irrequietezza. Che ci riferisce del suo rapporto specialissimo con alcune cantanti e della cura quasi maniacale nel valorizzare il loro talento. Che ci ragguaglia sulla famiglia d'origine, con cui si mostra legato da un vincolo indissolubile e del suo legame d'intimità con Lucca, la sua città natale e con Torre del Lago e la Versilia. Un ritratto umano ricco di aneddoti e di curiosi e sconosciuti episodi della sua vita, scritto da un autore di solida e conclamata fede pucciniana.L'opera è arricchita da alcuni contributi di specialisti che mettono in rilievo quanto ancora l'effetto del mito pucciniano sopravviva in piena salute, anche oltre la sua immortale eredità di musicista.I vivaci collage che scandiscono la lettura, restituiscono il lato giocoso del temperamento di Puccini, avvicinandolo al grande pubblico.Niclo Vitelli.Nato a Viareggio nel 1954, vive a Massarosa. È stato Segretario della Federazione del PCI della Versilia, Consigliere comunale e Assessore a Viareggio, Presidente del Festival Pucciniano negli anni Ottanta e successivamente del Consiglio di indirizzo della Fondazione Festival Puccini di Torre del Lago. Dirigente al Cantiere navale Sec di Viareggio, responsabile regionale di Lega Pesca e delle politiche concertative di Legacoop Toscana. Ha pubblicato i libri: C'eravamo tanto amati, una ricostruzione della propria esperienza politica; Un bel dì vedremo sull'attualità e modernità di Giacomo Puccini e al Festival a lui dedicato; per l'editore Cinquesensi Hop Frog sul locale mito della Versilia.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Humanities West and the Italian Cultural Institute celebrate the life and art of Giacomo Puccini (December 22, 1858 to November 29, 1924) on the 100th anniversary of his death. His operas La Bohème, Tosca, Madama Butterfly and Turandot are among the most beloved and most often-recorded operas of all time. His arias are famous for both their emotional resonance and their melodic beauty—even among millions who have never listened to a complete opera. Puccini was born into a centuries-old family of Italian composers, and he began his successful career just as Verdi was completing his, quickly inheriting Verdi's renown as the greatest living composer of Italian opera. We have brought the internationally praised scholar and musicologist Gabriele Dotto from Italy to share the stage with San Francisco Opera's favorite Kip Cranna to tell some of the stories behind the composition of Puccini's heavenly arias. Giacomo Puccini and the Impact of Early 20th Century Media Gabriele Dotto will trace the rapid rise of sound recordings and film as competitors for opera theaters and the traditional business of music publishers. Puccini and his publisher, Casa Ricordi, demonstrated an extraordinary combination of artistic creation and commercial activity, using new and efficient strategies to market Casa Ricordi's opera repertoire to a globally expanding audience and “branding” Puccini as the publishing house's most iconic composer. Puccini Before Fame: The Composer in His Youth Clifford (Kip) Cranna will discuss Puccini's boyhood experiences, his musical training and his operatic influences. Cranna will demonstrate that some of the music Puccini wrote as a student was eventually recycled in his later operas. He will also concentrate on Puccini's first two operas, the rarely performed Le Villi and Edgar, which were composed before his first big hit Manon Lescaut—the beginning of his enduring fame and operatic stardom. OrganizerGeorge Hammond   A Humanities Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. In association with Humanities West and the Italian Cultural Institute Learn more about your ad choices. Visit megaphone.fm/adchoices

“Seems an opera house is the perfect place for mischief and mayhem,” says the hard-boiled Inspector Cristina as she seeks to unravel the mystery at the heart of Overture to Murder, the meticulously researched third book of Erica Miner's “Julia Kogan Opera Mystery Series.” Mayhem and mischief are no strangers to the opera house, both on and off-stage.  Join us for a discussion of both Erica's new book and Giacomo Puccini's Il Tabarro, a powerful, gritty verismo opera inspired by the dramatic potential of the darker human impulses. For more on Erica Miner, visit ericaminer.com

Giacomo Puccini war vermutlich der letzte komponierende Weltstar der Oper. Noch heute locken La bohème, Madame Butterfly oder Tosca auch solches Publikum in die Opernhäuser, das sich dorthin gewöhnlich nicht verirrt, und erinnern darin an ein mit Puccini zu Ende gegangenes Zeitalter, in dem die Oper für eine kurze Zeit ihrer Geschichte (vor allem in Italien) eine tatsächlich populäre Kunstform war. Der 1858 im soeben toskanisch gewordenen Lucca geborene Puccini war am 29. November 1924 in Brüssel einer Krebserkrankung erlegen. Viele daraufhin erschienene Nachrufe betonten die schon damals absehbare enorme musiktheaterhistorische Bedeutung des Verstorbenen. Der Hamburgische Correspondent hält es in seinem kurzen Nekrolog am 3. Dezember eher persönlich-anekdotisch – und kommt dem, wie wir auch hier erfahren, eher schüchternen, gerne so titulierten Meister der ‘piccole cose‘ Puccini damit womöglich deutlich näher. Anlässlich seines 100. Todestages erinnert für uns an ihn Rosa Leu.

Iñigo Alberdi disecciona las tres óperas de un acto para las que Giacomo Puccini se inspiró en la Divina Comedia de Dante....

Because we American expats in Germany often celebrate Thanksgiving on the weekend after our compatriots in the US, I offer you today a second Thanksgiving episode, this one featuring the extraordinary Ina Souez (1903 – 1992), one of the few Native American singers to achieve worldwide fame on the operatic stage. (For those of you who are unaware, November is Native American Heritage Month). Though her career was truncated by world events, Souez's place in the history of recorded sound is assured by virtue of her participation in the series of Mozart operas as produced by HMV in the mid-1930s as souvenirs of the first seasons of the Glyndebourne Festival. Indeed, one could argue that her Fiordiligi remains the standard by which all other interpreters are judged. This episode also includes recordings from both ends of Souez's career, as it were, including an extraordinarily rare yet impressive and touching 1957 recording of Souez singing arias and songs long after her active career had ended. The episode also features Souez in near-definitive recordings from both Ernani and La Bohème, the latter particularly appropriate as we just recently observed the 100th anniversary of the death of Giacomo Puccini. Finally, this episode also serves as a memorial to Souez, who died 32 years ago this coming week. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.    

Kitsch oder Kult? Kolportage oder Kunst? Wie auch immer: Giacomo Puccinis "La Boheme", "Tosca" und "Turandot" ziehen bis heute die Menschen in die Opernhäuser der Welt. Puccini war Weltstar, Schwermütiger, Auto- und Techniknarr, eine vielseitige, oft widersprüchliche, immer aber faszinierende Figur. Von Christian Schuler

Ob beim Kochen oder unter der Dusche - Puccini geht immer. Seine größten Hits kennen auch Nicht-Klassiknerds: Unsterbliche Melodien, die Millionen zu Tränen rühren. Emotion und Schmalz pur, vielleicht auch manchmal etwas Kitsch. Privat war Giacomo Puccini ein ziemlicher Frauenheld, ging gerne auf die Jagd, liebte schnelle Autos und Rennboote und hatte ein Faible für technischen Schnickschnack. Vor 100 Jahren starb Puccini. Was uns bleibt? Jede Menge schmalziger Ohrwürmer ...

durée : 01:28:37 - Une heure et plus, un compositeur : Giacomo Puccini - par : Aurélie Moreau - « Il me faut mettre en musique des passions véritables, des passions humaines, l'amour et la douleur, le sourire et les larmes, et que je les sente, qu'elles m'empoignent, qu'elles me secouent. » Ainsi s'exprimait Giacomo Puccini, mort il y a 100 ans, le 29 novembre 1924.

(00:45) «La Bohème», «Tosca» oder «Madama Butterfly» - Der italienische Komponist hat sich für seine Musik aus ganz verschiedenen Quellen bedient. Eine davon ist sogar aus der Schweiz. Weitere Themen: (04:37) 40 Jahre Schweizer Berner Mundart-Institution: Zwei Bücher zu «40 Jahre Züri West» erschienen. (09:02) Secondhand, Vintage, Sammlerstücke mit Erinnerungswert: Stück «Gleichzeit – Boulevard of Brockenhaus» am Zürcher Maxim Theater zelebriert die Brockenstube. (13:07) Der Performancekünstler Frieder Butzmann pfeift Gedichte.

Nobel Prize winning Turkish writer Orhan Pamuk talks about the publication of his illustrated journals, Memories of Distant Mountains. As he takes on the role of Pharaoh in Joseph and the Amazing Technicolor Dreamcoat at the Playhouse Theatre in Edinburgh, Donny Osmond talks about his career in music. And in the week that marks the centenary of his death, artistic director of English National Opera Annilese Miskimmon and music critic and broadcaster Flora Willson discuss the perennially popular - but somewhat problematic - composer Giacomo Puccini. Presenter: Kate Molleson Producer: Mark Crossan

Rund um den 100. Todestag von Giacomo Puccini blickt BR-KLASSIK auf das bewegte Leben des großen Opernkomponisten. Sylvia Schreiber über Puccinis ganz besondere Leidenschaft.

durée : 00:19:29 - Disques de légende du lundi 25 novembre 2024 - A l'occasion du centenaire de la mort du compositeur Giacomo Puccini, ce vendredi 29 novembre, nous débutons une semaine spéciale : Un automne Puccini. Aujourd'hui, Turandot par Zubin Mehta.

durée : 00:59:12 - La Série musicale - par : Zoé Sfez - Le 29 novembre, nous célébrons le 100e anniversaire du décès de Giacomo Puccini. L'occasion d'une balade musicale parmi les œuvres du compositeur d'opéra italien le plus prolifique après Giuseppe Verdi. - réalisation : Thomas Jost

durée : 00:59:12 - La Série musicale - par : Zoé Sfez - Le 29 novembre, nous célébrons le 100e anniversaire du décès de Giacomo Puccini. L'occasion d'une balade musicale parmi les œuvres du compositeur d'opéra italien le plus prolifique après Giuseppe Verdi. - réalisation : Thomas Jost

”Boema” de Giacomo Puccini va avea două reprezentații, în 24 și 29 noiembrie. Spectacolul e dedicat celebrării Anului Puccini ce marchează un secol de la decesul marelui compozitor. Am stat de vorba cu baritonul Florin Estefan, managerul Operei.

Emotiva despedida anoche en la cancha del Martín Carpena a Rafa Nadal, un homenaje que se tuvo que realizar antes de lo deseado al caer eliminada España ante Países Bajos. El Consorcio de Compensación ha recibido, hasta ahora, 1.900 reclamaciones por daños causados por las dos últimas DANAS en la provincia de Málaga. Málaga y Baleares son las provincias españolas donde las familias tienen que dedicar más parte de su salario para alquilar una vivienda. Continúa adelante la trigésimo sexta Temporada Lírica del Teatro Cervantes con la puesta en escena este viernes y domingo de Madame Butterfly, la celebérrima ópera de Giacomo Puccini, hemos hablado en nuestro informativo con Emilio López, director de escena de esta ópera.Escuchar audio

Did you know that 232,000 Americans may have not died from COVID19 if they had been fully vaccinated? We review Robert F. Kennedy's track record on vaccines. This is important as he is slated to be the next Secretary of Health and Human Services in the Trump administration. Then, we discuss the declines we see nationally in IQ, fertility, and drug overdoses. Conversely, we speak of increases in youth depression and suicide, and how renewable energy and electric cars are playing a bigger role in the US energy portfolio. Breast cancer screening is also changing. ‘Bench Talk: The Week in Science' is a weekly radio program that airs on WFMP Louisville FORward Radio 106.5 FM (forwardradio.org) every Monday at 7:30 pm, Tuesday at 11:30 am, and Wednesday at 7:30 am. Visit our Facebook page for links to the articles discussed in this episode: https://www.facebook.com/pg/BenchTalkRadio/posts/?ref=page_internal Music is a public-domain recording of the 'Humming Chorus' from Giacomo Puccini's 1904 opera 'Madama Butterfly'.

Conversamos con Ainhoa Zubillaga y Juan Laborería, madre e hijo, cantantes profesionales y parte del elenco de Il Trittico de Giacomo Puccini...

En 2024 el mundo de la ópera celebra el centenario de la muerte de Puccini. Con este motivo, se están preparando homenajes al compositor en muchos teatros entre ellos, Euskalduna Bilbao. ABAO Bilbao Ópera fusiona tradición y modernidad en su 73º temporada, que, para conmemorar el centenario de Giacomo Puccini, incluye en su programa 2024-2025 'Il Trittico' por primera vez en su historia. En este 'Hoy por Hoy Bilbao-Bizkaia' repasamos las futuras óperas de este 2024-2025 

Aufbruch zu etwas Neuem. Der Koffer liegt offen vor Dir. Was nimmst Du mit, was kann hierbleiben? Der Vorteil an der Musik: Sie braucht keinen Platz und ist immer dabei, Dein treuer Begleiter. Du möchtest Philipps Playlist live im Planetarium Wolfsburg erleben? Dann klicke auf diesen Link – dort findest Du alle Infos, die Du brauchst: https://www.ndr.de/kultur/musik/Sternensound-Philipps-Playlist-im-Planetarium-Wolfsburg,planetariumwolfsburg100.html Diese Musikstücke hörst Du in dieser Folge: John Denver – "Leaving On A Jet Plane" // J.S. Bach – "Klavierkonzert f-moll (Largo)" // Elton John – "Daniel" // Giacomo Puccini – "Suor Angelica Intermezzo" // Frank Sinatra – "Leaving On A Jet Plane" // Den ARD Podcast "Baborie & Rakers – Sie orgeln sich durchs Alphabet" findest Du hier: https://www.ardaudiothek.de/sendung/baborie-und-rakers-sie-orgeln-sich-durchs-alphabet/13759699/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib mir eine Mail: playlist@ndr.de

Uno spettacolo che prende le mosse dalla celebre opera di Giacomo Puccini, arricchita dalla musica di artiste contemporanee, per raccontare i temi delle donne di tutti i tempi.

Solomea Krushelnytska, was hailed as the world's leading dramatic soprano during the Golden Age of opera at the turn of the 20th century. Born in 1872 into the family of a Ukrainian Catholic priest and his wife with eight children in a small village in Western Ukraine, she studied opera first in Lviv, and later in Milan, Vienna, and Paris. She battled to rise to fame and to perform with opera legends like Giacomo Puccini, Arturo Toscanini, and Enrico Caruso until she reached superstardom.

Giacomo Puccini - ChrysanthemumsEnso String QuartetMore info about today's track: Naxos 8.573108Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Welcome to Season 04 Episode 03 - the "Goldenrod" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Ms. Calabria Foti, vocalist; Mr. Chris Carosa, regional historian; and Prof. Don Marrazzo, SUNY Fredonia School of Music Voice Faculty. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps 02:17 - Calabria Foti/"From Bebop to Broadway" 20:03 - Chris Carosa/Lafayette in Fredonia 37:58 - Arts Calendar 40:27 - Prof. Don Marrazzo/Live at the Met Preview Media "Goldenrod", written, produced and performed by Kimberly and Alberto Rivera, from the album Spirit Songs, Nov. 13, 2017 "The Man with the Horn", performed by Calabria Foti (vocals) and Bob McChesney (trombone), written and composed by Bonnie Lake, Eddie DeLange, and Jack Jenney; from the album The Man with the Horn, June 1, 2019, MoCo Records. La Marseillaise (French National Anthem), written and composed by Claude Joseph Rouget de Lisle (1792); performed by the US Navy Band, May 5, 2016 "Mia Gelosa!", from the opera Tosca, composed by Giacomo Puccini, libretto by Luigi Illica and Giuseppe Giacosa (1900). Performed by Aleksandra Kurzak (Tosca) and SeokJong Baek (Cavaradossi) at the Metropolitan Opera House, September 2024. "Autumn Fell", written by Jerry Douglas Cole; performed by Authentic Unlimited, from the album Authentic Unlimited, June 27, 2022, Billy Blue Records Artist Links Calabria Foti Chris Carosa Prof. Don Marrazzo   BECOME AN OPERA HOUSE MEMBER!      

En este episodio de La Teoría de la Mente, nos sumergimos en una de las óperas más fascinantes de todos los tiempos: Turandot de Giacomo Puccini, y reflexionamos sobre temas universales como el orgullo, las pruebas que imponemos a los demás y la disonancia cognitiva. Primero, hablaremos sobre cómo el orgullo puede convertirse en una armadura emocional que nos protege del dolor, pero que también nos aísla del amor y las conexiones genuinas. Inspirados en la figura de la princesa Turandot, exploraremos las razones detrás de esta actitud y cómo podemos reconocer este comportamiento en nuestras propias vidas. Luego, reflexionaremos sobre la tendencia a poner pruebas a los demás para validar su amor o merecimiento. A través de ejemplos como los pretendientes de Turandot, analizaremos por qué nos cuesta confiar y cómo esta necesidad de control solo genera ansiedad, frustración y relaciones poco saludables. Finalmente, abordaremos el concepto de disonancia cognitiva, explicando cómo nuestras creencias y acciones muchas veces entran en conflicto, y cómo esto puede bloquear nuestro crecimiento personal. Compartiremos estrategias prácticas para enfrentar estos conflictos internos y aprender a aceptar tanto nuestras imperfecciones como las de los demás. Acompáñanos en este episodio lleno de lecciones poderosas sobre el orgullo, el amor y la autenticidad. ¡No te lo pierdas! ✨ 25 palabras clave: Turandot, Giacomo Puccini, Nessun Dorma, disonancia cognitiva, orgullo, relaciones, pruebas, ansiedad, autoconocimiento, vulnerabilidad, confianza, control, amor, sacrificio, ópera, Calaf, Liù, enigmas, crecimiento personal, autoaceptación, Groucho Marx, Cervantes, Rostand, Salinger, Pasternak. Hashtags: #Turandot #Ópera #NessunDorma #CrecimientoPersonal #Autoexploración #TeoríaDeLaMente Enlaces útiles : Nuestra escuela de ansiedad: www.escuelaansiedad.com Nuestro nuevo libro: www.elmapadelaansiedad.com Visita nuestra página web: http://www.amadag.com Facebook: https://www.facebook.com/Asociacion.Agorafobia/ Instagram: https://www.instagram.com/amadag.psico/ YouTube Amadag TV: https://www.youtube.com/channel/UC22fPGPhEhgiXCM7PGl68rw

Como ya es norma, José Manuel Zapata se viste de traje para brindarnos una nueva tanda, la tercera, del compositor italiano Giacomo Puccini y ahondar aún más en su obra. En este tercer capítulo, nuestro experto analizará otras 6 obras del compositor de Lucca, de las que destacan: "Edgar", "Rondine" o "Perduta". Escuchar audio

On the centenary of the great Italian composer's death, Giacomo Puccini, Melbourne Opera presents La Bohème. Australia's leading soprano Elena Xanthoudakis is debuting as Mimi. She talks to SBS Greek

Solomea: Star of Opera's Golden Age by Andriy J Semotiuk https://amzn.to/3ya7Y3A Myworkvisa.com What does it take to reach the very top of your profession or calling? How does one rise from humble beginnings to achieve greatness and to perform with other first-class artists on the world stage? How do you break through barriers blocking you from reaching success because you are not the "right kind" of person? How do you break through the glass ceiling as a woman? As a parent or grandparent, where can one find a great model for children or even grandchildren to emulate? These are just some of the questions answered in this book. Solomea Krushelnytska was hailed as the world's leading dramatic soprano during the Golden Age of opera at the turn of the 20th century. Born in 1872 into a family with eight children in a small village in Western Ukraine, she studied opera and battled her way to superstardom while performing with opera legends like composer Giacomo Puccini, director Arturo Toscanini, and tenor Enrico Caruso. Working with Arturo Toscanini, she played the lead roles of Salome and Elktra in the premiers of these operas in Italy. Among other major successes, Krushelnytska helped Giacomo Puccini rescue the opera Madama Butterfly from its failed debut at La Scala in Milan in 1904 by playing the lead role of Cio-Cio-San in the opera's re-creation in the Teatro Grande in Brescia, Italy later that year. Thanks to their joint efforts, Madama Butterfly remains one of the most popular operas to this day. She also played other leading roles in major opera houses in Europe, South America, North America, and Northern Africa. Throughout her career, she shared the fruits of her success with her family. Towards the end of her career, she moved back to Western Ukraine on the eve of World War II. Her beautiful voice was then drowned out by the gunfire of Soviet and Nazi armies and she was reduced to struggling for survival. Yet reverence for her talent likely helped her escape most of the ultraviolence that rampaged through her city at that time. Throughout the world war, she sheltered the author's mother, aunt, and grandparents in her apartment. She spent her final years in Lviv, teaching at the same place where her rise to fame and fortune had begun. Told from the perspective of her grand nephew Andriy Semotiuk, with intimate details related to his family's immigrant experience never before shared, her rags-to-riches life story is an amazing odyssey, a triumph of the human spirit, an incredible testament to her dedication to art, and an inspiration to people everywhere.

Welcome to a special concert edition of Inwood Art Works On Air podcast featuring the Inwood Chamber Players performing a chamber concert featuring selections from European Masters: Johannes Brahms, Franz Doppler, Maurice Ravel, Ottorino Respighi, Giacomo Puccini, Serge Prokofiev, Almilcare Ponchielli, Antonin Dvorak. It was recorded live on June 2, 2024 at Good Shepherd Auditorium. With arrangements by Inwood resident, Gilbert Dejean. Featuring soloists:Helen Campo - FluteDanny Miller - CelloSetsuko Otake - OboeProgram:Johannes BrahmsHungarian Dance No. 4 Ottorino RespighiFrom Ancient Airs and Dances Suite No. 2 - Laura Soave Serge ProkofievFrom Romeo and Juliet - Dance of the Knights Antonin DvorakConcerto for Cello and Orchestra op. 1042nd Movement Adagio, ma non troppoDanny Miller - Cello Soloist Ottorino RespighiFrom Ancient Airs and Dance Suite No. 2 - Danza Rustica Maurice RavelPavane Ottorino RespighiFrom Ancient Airs and Dances Suite No. 2 - Bergamasca Giocomo PucciniSenza Mamma from Suor AngelicaSetsuko Otake - Oboe Soloist Franz DopplerFantasie Pastorale HongroiseHelen Campo - Flute Soloist Almicare PonchielliDance of the Hours from La Gioconda Musicians:Helen Campo - Flute 1, Kimberly O'Hare - Flute 2 and Piccolo, Setsuko Otake - Oboe 1, Karen Birch Blundell - Oboe 2, Meryl Abt Greenfield - Clarinet 1, Jackie Gillette - Clarinet 2, RJ Kelly - Horn 1, Nancy Billmann - Horn 2, Sarah Boxmeyer - Horn 3, Laura Weiner - Horn 4, Patricia Wang - Bassoon 1, Yuki Higashi - Bassoon 2, Jeffrey Levine - Double Bass, Danny Miller – Cello, Violetta Norrie - Harp

On the latest episode of ‘New Classical Tracks,' tenor Jonathan Tetelman pays tribute to Giacomo Puccini, whose 100th death anniversary falls in 2024. Find out more!

Alondra de la Parra viene a hablarnos sobre el festival PAAX GNP 2024, que tendrá a Natalia Lafourcade como artista invitada y conmemoran el centenario de la muerte de Giacomo Puccini. Para saber más y comprar sus boletos vayan a www.festivalpaax.com Hosted on Acast. See acast.com/privacy for more information.