Podcasts about prodigiously

We all know the parable of the Prodigal Son, but what is the final outcome of the older brother. The parable leaves us hanging without a conclusion. The question is WHY? Jesus knew what He was doing when he did this. This parable is the last of three parables Jesus tells in succession, and the punch line is the key in the Prodigal Son. Listen why.

According to the 2010 US census, more than seventy percent of Black women in America are unmarried. Black Women, Black Love: America's War on African-American Marriage (Seal Press, 2020) reveals how four centuries of laws, policies, and customs have created that crisis. Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split up couples again as millions embarked on the Great Migration north, where the welfare system mandated that women remain single in order to receive government support. And no institution has forbidden Black love as effectively as the prison-industrial complex, which removes Black men en masse from the pool of marriageable partners. Prodigiously researched and deeply felt, Black Women, Black Love reveals how white supremacy has systematically broken the heart of Black America, and it proposes strategies for dismantling the structural forces that have plagued Black love and marriage for centuries. Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

According to the 2010 US census, more than seventy percent of Black women in America are unmarried. Black Women, Black Love: America's War on African-American Marriage (Seal Press, 2020) reveals how four centuries of laws, policies, and customs have created that crisis. Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split up couples again as millions embarked on the Great Migration north, where the welfare system mandated that women remain single in order to receive government support. And no institution has forbidden Black love as effectively as the prison-industrial complex, which removes Black men en masse from the pool of marriageable partners. Prodigiously researched and deeply felt, Black Women, Black Love reveals how white supremacy has systematically broken the heart of Black America, and it proposes strategies for dismantling the structural forces that have plagued Black love and marriage for centuries. Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

According to the 2010 US census, more than seventy percent of Black women in America are unmarried. Black Women, Black Love: America's War on African-American Marriage (Seal Press, 2020) reveals how four centuries of laws, policies, and customs have created that crisis. Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split up couples again as millions embarked on the Great Migration north, where the welfare system mandated that women remain single in order to receive government support. And no institution has forbidden Black love as effectively as the prison-industrial complex, which removes Black men en masse from the pool of marriageable partners. Prodigiously researched and deeply felt, Black Women, Black Love reveals how white supremacy has systematically broken the heart of Black America, and it proposes strategies for dismantling the structural forces that have plagued Black love and marriage for centuries. Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

According to the 2010 US census, more than seventy percent of Black women in America are unmarried. Black Women, Black Love: America's War on African-American Marriage (Seal Press, 2020) reveals how four centuries of laws, policies, and customs have created that crisis. Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split up couples again as millions embarked on the Great Migration north, where the welfare system mandated that women remain single in order to receive government support. And no institution has forbidden Black love as effectively as the prison-industrial complex, which removes Black men en masse from the pool of marriageable partners. Prodigiously researched and deeply felt, Black Women, Black Love reveals how white supremacy has systematically broken the heart of Black America, and it proposes strategies for dismantling the structural forces that have plagued Black love and marriage for centuries. Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

According to the 2010 US census, more than seventy percent of Black women in America are unmarried. Black Women, Black Love: America's War on African-American Marriage (Seal Press, 2020) reveals how four centuries of laws, policies, and customs have created that crisis. Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split up couples again as millions embarked on the Great Migration north, where the welfare system mandated that women remain single in order to receive government support. And no institution has forbidden Black love as effectively as the prison-industrial complex, which removes Black men en masse from the pool of marriageable partners. Prodigiously researched and deeply felt, Black Women, Black Love reveals how white supremacy has systematically broken the heart of Black America, and it proposes strategies for dismantling the structural forces that have plagued Black love and marriage for centuries. Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

According to the 2010 US census, more than seventy percent of Black women in America are unmarried. Black Women, Black Love: America's War on African-American Marriage (Seal Press, 2020) reveals how four centuries of laws, policies, and customs have created that crisis. Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split up couples again as millions embarked on the Great Migration north, where the welfare system mandated that women remain single in order to receive government support. And no institution has forbidden Black love as effectively as the prison-industrial complex, which removes Black men en masse from the pool of marriageable partners. Prodigiously researched and deeply felt, Black Women, Black Love reveals how white supremacy has systematically broken the heart of Black America, and it proposes strategies for dismantling the structural forces that have plagued Black love and marriage for centuries. Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

According to the 2010 US census, more than seventy percent of Black women in America are unmarried. Black Women, Black Love: America's War on African-American Marriage (Seal Press, 2020) reveals how four centuries of laws, policies, and customs have created that crisis. Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split up couples again as millions embarked on the Great Migration north, where the welfare system mandated that women remain single in order to receive government support. And no institution has forbidden Black love as effectively as the prison-industrial complex, which removes Black men en masse from the pool of marriageable partners. Prodigiously researched and deeply felt, Black Women, Black Love reveals how white supremacy has systematically broken the heart of Black America, and it proposes strategies for dismantling the structural forces that have plagued Black love and marriage for centuries. Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

According to the 2010 US census, more than seventy percent of Black women in America are unmarried. Black Women, Black Love: America's War on African-American Marriage (Seal Press, 2020) reveals how four centuries of laws, policies, and customs have created that crisis. Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split up couples again as millions embarked on the Great Migration north, where the welfare system mandated that women remain single in order to receive government support. And no institution has forbidden Black love as effectively as the prison-industrial complex, which removes Black men en masse from the pool of marriageable partners. Prodigiously researched and deeply felt, Black Women, Black Love reveals how white supremacy has systematically broken the heart of Black America, and it proposes strategies for dismantling the structural forces that have plagued Black love and marriage for centuries. Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter Learn more about your ad choices. Visit megaphone.fm/adchoices

According to the 2010 US census, more than seventy percent of Black women in America are unmarried. Black Women, Black Love: America's War on African-American Marriage (Seal Press, 2020) reveals how four centuries of laws, policies, and customs have created that crisis. Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split up couples again as millions embarked on the Great Migration north, where the welfare system mandated that women remain single in order to receive government support. And no institution has forbidden Black love as effectively as the prison-industrial complex, which removes Black men en masse from the pool of marriageable partners. Prodigiously researched and deeply felt, Black Women, Black Love reveals how white supremacy has systematically broken the heart of Black America, and it proposes strategies for dismantling the structural forces that have plagued Black love and marriage for centuries. Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

On today's episode, we discuss Black Women, Black Love: America's War on African American Marriage by Dianne Stewart This episode contains spoilers. Summary In this analysis of social history, examine the complex lineage of America's oppression of Black companionship. According to the 2010 US census, more than 70 percent of Black women in America are unmarried. Black Women, Black Love reveals how four centuries of laws, policies, and customs have created that crisis. Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split up couples again as millions embarked on the Great Migration north, where the welfare system mandated that women remain single in order to receive government support. And no institution has forbidden Black love as effectively as the prison-industrial complex, which removes Black men en masse from the pool of marriageable partners. Prodigiously researched and deeply felt, Black Women, Black Love reveals how white supremacy has systematically broken the heart of Black America, and it proposes strategies for dismantling the structural forces that have plagued Black love and marriage for centuries. Stay connected with us! Follow us on Instagram : www.instagram.com/ebonymusingspodcast BookShop: bookshop.org/shop/ebonymusingspodcast Contact: ebonymusingspodcast@gmail.com --- Support this podcast: https://anchor.fm/ebonymusingspodcast/support

John and Coleman announce their schedule change! Also, the guys discuss the process of donating plasma for a bit. Did you know you can possibly make some decent money donating your plasma? Ask us how! The topics this week ranged all over! For “Did Ya Hear?”, topics included China building a hospital in 5 days, … Continue reading 167. Prodigiously Producing a Prolific Plasma-cast →

George Herbert is arguably the foremost devotional lyric poet in the English language. Prodigiously gifted, his intention to serve as an Anglican priest was interrupted by the positions he was offered in public service. He functioned for seven years as Public Orator at Cambridge University before briefly serving in Parliament. He returned to his initial vocation, however, by serving as the rector of the little parish of St Andrew's Church, Lower Bemerton, Salisbury. And it is there that he in all likelihood wrote the personal devotional poems - in English, Latin, and Greek - that are now his greatest legacy. Shortly before his death at the age of 39, he sent a literary manuscript to Nicholas Ferrar, the founder of a semi-monastic Anglican religious community at Little Gidding, recommending that he publish the poems if he thought they might "turn to the advantage of any dejected poor soul", and otherwise to burn them. In 1633, Ferrar published all of his English poems in The Temple: Sacred Poems and Private Ejaculations. They were received with great public approval and reprinted regularly throughout the seventeenth century.

Prodigiously popular. Terrifyingly tenacious. Brilliantly bold. No silly, not Dave and Ol - we're talking about the globe-conquering, Inhofe-silencing Greta Thunberg. We investigate how come an upstart teenager from Sweden has tipped the global climate debate on its head. Isn't it all a bit - let's face it - odd? (in a good way). Are we right to pin so much of our hopes on her? And what happens when she's old enough for her haters to hate her to her face? Meanwhile the UK Labour party has signed up to net zero emissions in just over a decade. Shriek! Is that - whisper it - *too* ambitious? Sustainababble is your friendly environment podcast, out weekly. Theme music by the legendary Dicky Moore – @dickymoo. Sustainababble logo by the splendid Arthur Stovell. Ecoguff read out by Arabella. Love the babble? Bung us a few pennies at www.patreon.com/sustainababble. MERCH: sustainababble.teemill.com Available on iTunes, Spotify, Acast & all those types of things, or at sustainababble.fish. Visit us at @thebabblewagon and at Facebook.com/sustainababble. Email us at hello@sustainababble.fish.

Tonight, we Digivolve into the podcast crossover event of the century. Nightcaps at the Theater X Anime Was (Not) A Mistake. Join hosts Daniel Ryan and Jonathan Kwiatkowski, as they “Prodigiously” examine the cinema/anime classic Digimon: The Movie. Being the only two Digimon scholars left in existence, we carefully dissect the themes, virtues, and plot holes of this pinnacle of a childhood franchise. What kind of Digimon are you? How do you do the things you do? Angela Anaconda is only briefly mentioned before you will have your answer. So stay tuned and prepare yourself for a digital wave of nostalgia coming your way! Art Provided By: John Cafiero @bonehaver420 Music: "Riviera Jazz" Provided By: Crazy G  You can find our humble little podcast: On Podbean/iTunes Or Follow us on Instagram: @animewasnotamistakepodcast or @nightcapcinema Or on Facebook: @animewasnotamistake or @nightcpasatthtetheater If you want to follow our hosts you can find, me Jonathan Kwiatkowski On Twitter: @DrinkandReadjk or Instagram: @losingmymindjk And you can follow Dan @kingdannis on Instagram

  Tonight, we Digivolve into the podcast crossover event of the century. Nightcaps at the Theater X Anime Was (Not) A Mistake. Join hosts Daniel Ryan and Jonathan Kwiatkowski, as they “Prodigiously” examine the cinema/anime classic Digimon: The Movie. Being the only two Digimon scholars left in existence, we carefully dissect the themes, virtues, and plot holes of this pinnacle of a childhood franchise. What kind of Digimon are you? How do you do the things you do? Angela Anaconda is only briefly mentioned before you will have your answer. So, stay tuned and prepare yourself for a digital wave of nostalgia coming your way! Its been…one week since you listened to us… dropped your head to the side and said Jeezus. Art Provided By: John Cafiero @bonehaver420 Music: "Riviera Jazz" Provided By: Crazy G  You can find our humble little podcast: On Podbean/iTunes Or Follow us on Instagram: @animewasnotamistakepodcast or @nightcapcinema Or on Facebook: @animewasnotamistake or @nightcpasatthtetheater If you want to follow our hosts you can find, me Jonathan Kwiatkowski On Twitter: @DrinkandReadjk or Instagram: @losingmymindjk And you can follow Dan @kingdannis on Instagram

Prodigiously talented young songwriter Jessica Cerro - better known as Montaigne - first stepped into the spotlight as a 16-year-old Unearthed High finalist. In this episode of Inspired, she dishes you the details on one of her biggest songs to date. Subscribe to the Inspired podcast for weekly episodes.

Prodigiously talented young songwriter Jessica Cerro - better known as Montaigne - first stepped into the spotlight as a 16-year-old Unearthed High finalist. In this episode of Inspired, she dishes you the details on one of her biggest songs to date. Subscribe to the Inspired podcast for weekly episodes.

Dr Lucy Worsley chooses a figure as familiar as she is unknown, the great champion of Victorian nursing, Florence Nightingale. Known as 'the Lady with the Lamp' for her work in the Crimea. Born in 1820 into an upper middle class family, Florence experienced early life as a bird in a gilded cage and suffered frequent 'nervous collapse'. Prodigiously intelligent, she was also deeply religious, and at 16 declared she had heard the voice of God, calling her to nursing. By her thirties, and despite opposition from her family, Florence had succeeded in training as a nurse. She was working in a Harley Street establishment for the care of gentlewomen when Britain and France joined Turkish forces against the Russians in the Crimea. As reports came in of the men's suffering, she became convinced of her ability to help. Commissioned by the War Office, Florence set sail for the Crimea in 1854, and her work there quickly became well known. Walking the corridors with her lamp, she was adored by the men for her determination to spare them the diseases like cholera and typhus that were decimating their numbers. But she was as steely as she was compassionate, and ran her troop of nurses with a military discipline. In Britain her reputation grew. By the time of her return two years later, Florence was a reluctant celebrity, frail and ill. While her mother and sister basked in her glory, Florence retreated from the limelight, and for some years was bed-bound. It's now believed she had brucellosis, an illness contracted through infected milk, which leads to depression and severe pain. Yet this did not stop her engagement with medicine, and even from her bed she was instrumental in changing the way that healthcare was implemented both in the Army, and in society at large. Statistics was key to this, and a passion for Florence, who saw in the gathering of data, the evidence of God's patterns at work. She also famously established a school for nursing, and professionalised nursing work. Dr Lucy Worsley, television historian, writer and Chief Curator at Historic Royal Palaces, the independent charity that looks after buildings including Hampton Court and the Tower of London, joins Matthew Parris to discuss the complex background of 'the Lady with the Lamp'. And biographer Mark Bostridge explains why Nightingale has a right to be regarded as a great genius of the Victorian age. Producer: Lizz Pearson First broadcast on BBC Radio 4 in 2013.