Podcasts about George Herbert

Join The Revd Steve Morris, Associate Priest of St Bride's, and St Bride's Choir for this week's reflection in words and music. This week's reflection begins in joyous mood with a setting of the Gloria by Jonathan Dove from his 'Missa brevis' – commissioned by the Cathedral Organists' Association in 2009. It is a spirited, lively dance, rhythmically reminiscent of Stravinsky. Our associate priest, Steve Morris, begins his reflection with the admission that he is from a family of people not very good at sitting still. We end with the hymn "Teach me, my God and King" – words by the great 17th century English priest and poet, George Herbert. A new episode of this online act of worship is released every Sunday morning. Information about our weekly Sunday services in St Bride's of Choral Eucharist at 11am (https://www.stbrides.com/worship-music/worship/regular-services/choral-eucharist/) and Choral Evensong at 5:30pm (https://www.stbrides.com/worship-music/worship/regular-services/choral-evensong/) can be found on the website. Find out what's happening at St Bride's at https://www.stbrides.com/whats-on If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. SUPPORT ST BRIDE'S ================== We are hugely grateful for people's generosity which we wholly rely on to continue our work, maintain our wonderful architectural heritage and support world-class music-making. If you would like to make a donation, you can do so at https://www.justgiving.com/stbrideschurchfleetstreet

Good words are worth much and cost little. - George Herbert Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

In Search Of… “Jack the Ripper” Recorded: 12 Apr 2025 Edited: 11 Jun 2025 Released: 13 Jun 2025 Links: Solenopsis invicta: Red fire ants, an invasive species with a painful sting, have spread to Europe | CNN Residents sound alarm after invasive red fire ants land over 20 people in hospital, kill puppy: 'They're just everywhere' I Want to Rewatch - In Search of... “Deadly Ants” Jack the Ripper - Wikipedia Dear Boss letter - Wikipedia From Hell letter - Wikipedia Thames Torso Murders - Wikipedia Henry Herbert, 4th Earl of Carnarvon - Wikipedia George Herbert, 5th Earl of Carnarvon - Wikipedia Trust No 1 News Special Report: “The Death of Lord Carnarvon” The Five: The Untold Lives of the Women Killed by Jack the Ripper (Amazon) The Five: The Untold Lives of the Women Killed by Jack the Ripper (Amazon alternative) Bad Women: The Ripper Retold - Ep. 1: The Ripper Myth - linked to first episode of Season 1 (Ripper Retold) Unobscured, S3 – 1: Temple Mount - linked to first episode of Season 3 (Jack the Ripper) The Enduring Mystery of Jack the Ripper [Video] Jack the Ripper: The Final Solution - Wikipedia From Hell - Wikipedia From Hell (Amazon) They All Love Jack: Busting the Ripper by Bruce Robinson (review) – a huge establishment cover-up I Want to Rewatch - Kolchak: The Night Stalker, Season 1, Episode 1: “The Ripper” Time After Time (1979 film) - Wikipedia Jack the Ripper (miniseries) - Wikipedia Jack's Back - Wikipedia Beforeigners - Wikipedia The Salvation Army - Wikipedia National Donut Day - Wikipedia Optography - Wikipedia Music: “Dark Science” by David Hilowitz “The Truth Is What We Make of It” by The Agrarians All our episodes are at iwtrw.com (or at iwanttorewatch.com, if you want to type more letters for some reason). Links for everything else I Want To Rewatch-related (including our sweet merch) are at I Want To Rewatch | Linktree.

In this interview, Lamorna Ash, author of Don't Forget We're Here Forever: A New Generation's Search for Religion, and one of my favourite modern writers, talked about working at the Times Literary Supplement, netball, M. John Harrison, AI and the future of religion, why we should be suspicious of therapy, the Anatomy of Melancholy, the future of writing, what surprised her in the Bible, the Simpsons, the joy of Reddit, the new Pope, Harold Bloom, New Atheism's mistakes, reading J.S. Mill. I have already recommended her new book Don't Forget We're Here Forever, which Lamorna reads aloud from at the end. Full transcript below.Uploading videos onto Substack is too complicated for me (it affects podcast downloads somehow, and the instructions to avoid this problem are complicated, so I have stopped doing it), and to upload to YouTube I have to verify my account but they told me that after I tried to upload it and my phone is dead, so… here is the video embedded on this page. I could quote the whole thing. Here's one good section.Lamorna: Which one would you say I should do first after The Sea, The Sea?Henry: Maybe The Black Prince.Lamorna: The Black Prince. Great.Henry: Which is the one she wrote before The Sea, The Sea and is just a massive masterpiece.Lamorna: I'll read it. Where do you stand on therapy? Do you have a position?Henry: I think on net, it might be a bad thing, even if it is individually useful for people.Lamorna: Why is that?Henry: [laughs] I didn't expect to have to answer the question. Basically two reasons. I think it doesn't take enough account of the moral aspect of the decisions being made very often. This is all very anecdotal and you can find yourself feeling better in the short term, but not necessarily in the long-- If you make a decision that's not outrageously immoral, but which has not had enough weight placed on the moral considerations.There was an article about how lots of people cut out relatives now and the role that therapy plays in that. What I was struck by in the article that was-- Obviously, a lot of those people are justified and their relatives have been abusive or nasty, of course, but there are a lot of cases where you were like, "Well, this is a long-term decision that's been made on a short-term basis." I think in 10 years people may feel very differently. There wasn't enough consideration in the article, at least I felt, given to how any children involved would be affected later on. I think it's a good thing and a bad thing.Lamorna: I'm so with you. I think that's why, because also the fact of it being so private and it being about the individual, and I think, again, there are certain things if you're really struggling with that, it's helpful for, but I think I'm always more into the idea of communal things, like AAA and NA, which obviously a very particular. Something about doing that together, that it's collaborative and therefore there is someone else in the room if you say, "I want to cut out my parent."There's someone else who said that happened to me and it was really hard. It means that you are making those decisions together a little bit more. Therapy, I can feel that in friends and stuff that it does make us, even more, think that we are these bounded individuals when we're not.Henry: I should say, I have known people who've gone to therapy and it's worked really well.Lamorna: I'm doing therapy right now and it is good. TranscriptHenry: Today I am talking to Lamorna Ash. Lamorna is one of the rising stars of her generation. She has written a book about a fishing village in Cornwall. She's written columns for the New Statesman, of which I'm a great admirer. She works for a publisher and now she's written a book called, Don't Forget, We're Here Forever: A New Generation's Search for Religion. I found this book really compelling and I hope you will go and read it right now. Lamorna, welcome.Lamorna Ash: Thank you for having me.Henry: What was it like when you worked at the Times Literary Supplement?Lamorna: It was an amazing introduction to mostly contemporary fiction, but also so many other forms of writing I didn't know about. I went there, I actually wrote a letter, handwritten letter after my finals, saying that I'd really enjoyed this particular piece that somehow linked the anatomy of melancholy to infinite jest, and being deeply, deeply, deeply pretentious, those were my two favorite books. I thought, well, I'll apply for this magazine. I turned up there as an intern. They happened to have a space going.My job was Christmas in that I just spent my entire time unwrapping books and putting them out for editors to swoop by and take away. I'd take on people's corrections. I'd start to see how the editorial process worked. I started reading. I somehow had missed contemporary fiction. I hadn't read people like Rachel Kask or Nausgaard. I was reading them through going to the fiction pages. It made me very excited. Also, my other job whilst I was there, was I had the queries email. You'd get loads of incredibly random emails, including things like, you are cordially invited to go on the Joseph Conrad cycle tour of London. I'd ask the office, "Does anyone want to do this?" Obviously, no one ever said yes.I had this amazing year of doing really weird stuff, like going on Joseph Conrad cycling tour or going to a big talk at the comic book museum or the new advertising museum of London. I loved it. I really loved it.Henry: What was the Joseph Conrad cycling tour of London like? That sounds-Lamorna: Oh, it was so good. I remember at one point we stopped on maybe it was Blackfriars Bridge or perhaps it was Tower Bridge and just read a passage from the secret agent about the boats passing underneath. Then we'd go to parts of the docks where they believe that Conrad stayed for a while, but instead it would be some fancy youth hostel instead.It was run by the Polish Society of London, I believe-- the Polish Society of England, I believe. Again, each time it was like an excuse then to get into that writer and then write a little piece about it for the TLS. I guess, it was also, I was slightly cutting my teeth on how to do that kind of journalism as well.Henry: What do you like about The Anatomy of Melancholy?Lamorna: Almost everything. I think the prologue, Democritus Junior to the Reader is just so much fun and naughty. He says, "I'm writing about melancholy in order to try and avoid melancholy myself." There's six editions of it. He spent basically his entire life writing this book. When he made new additions to the book, rather than adding another chapter, he would often be making insertions within sentences themselves, so it becomes more and more bloated. There's something about the, what's the word for it, the ambition that I find so remarkable of every single possible version of melancholy they could talk about.Then, maybe my favorite bit, and I think about this as a writer a lot, is there's a bit called the digression of air, or perhaps it's digression on the air, where he just suddenly takes the reader soaring upwards to think about air and you sort of travel up like a hawk. It's this sort of breathing moment for a reader where you go in a slightly different direction. I think in my own writing, I always think about digression as this really valuable bit of nonfiction, this sense of, I'm not just taking you straight the way along. I think it'd be useful to go sideways a bit too.Henry: That was Samuel Johnson's favorite book as well. It's a good choice.Lamorna: Was it?Henry: Yes. He said that it was the only book that would get him out of bed in the morning.Lamorna: Really?Henry: Because he was obviously quite depressive. I think he found it useful as well as entertaining, as it were. Should netball be an Olympic sport?Lamorna: [laughs] Oh, it's already going to be my favorite interview. I think the reason it isn't an Olympic-- yes, I have a vested interest in netball and I play netball once a week. I'm not very good, but I am very enthusiastic because it's only played mostly in the Commonwealth. It was invented a year after basketball as a woman-friendly version because women should not run with the ball in case they get overexerted and we shouldn't get too close to contacting each other in case we touch, and that's awful.It really is only played in the Commonwealth. I think the reason it won't become an Olympic sport is because it's not worldwide enough, which I think is a reasonable reason. I'm not, of all the my big things that I want to protest about and care about right now, making that an Olympic sport is a-- it's reasonably low on my list.Henry: Okay, fair enough. You are an admirer of M. John Harrison's fiction, is that right?Lamorna: Yes.Henry: Tell us what should we read and why should we read him?Lamorna: You Should Come With Me Now, is that what it's called? I know I reviewed one of his books years ago and thought it was-- because he's part of that weird sci-fi group that I find really interesting and they've all got a bit of Samuel Delany to them as well. I just remember there was this one particular story in that collection, I think in general, he's a master at sci-fi that doesn't feel in that Dune way of just like, lists of names of places. It somehow has this, it's very literary, it's very odd, it's deeply imaginative. It is like what I wanted adult fiction to be when I was 12 or something, that there's the way the fantasy and imagination works.I remember there was one about all these men, married men who were disappearing into their attics and their wives thought they were just tinkering. What they were doing was building these sort of translucent tubes that were taking them off out of the world. I remember just thinking it was great. His conceits are brilliant and make so much sense, whilst also always being at an interesting slant from reality. Then, I haven't read his memoir, but I hear again and again this anti-memoir he's written. Have you read that?Henry: No.Lamorna: Apparently that's really brilliant too. Then he also, writes those about climbing. He's actually got this one foot in the slightly travel nature writing sports camp. I just always thought he was magic. I remember on Twitter, he was really magic as well. I spent a lot of time following him.Henry: Are you optimistic or pessimistic about the future of writing and literature and books and this whole debate that's going on?Lamorna: It's hard to. I don't want to say anything fast and snappy because it's such a complicated thing. I could just start by saying personally, I'm worried about me and writing because I'm worried about my concentration span. I am so aware that in the same way that a piano player has to be practising the pieces they're going to play all the time. I think partly that's writing and writing, I seem to be able to do even with this broken, distracted form of attention I've got. My reading, I don't feel like I'm getting enough in. I think that means that what I produce will necessarily be less good if I can't solve that.I've just bought a dumb phone on the internet and I hope that's going to help me by no longer having Instagram and things like that. I think, yes, I suppose we do read a bit less. The generation below us is reading less. That's a shame. There's so much more possibility to go out and meet people from different places. On an anthropological level, I think anthropology has had this brilliant turn of becoming more subjective. The places you go, you have to think about your own relationship to them. I think that can make really interesting writing. It's so different from early colonial anthropology.The fact that, I guess, through, although even as I'm saying this, I don't know enough to say it, but I was going to say something about the fact that people, because we can do things like substacks and people can do short form content, maybe that means that more people's voices are getting heard and then they can, if they want to, transfer over and write books as well.I still get excited by books all the time. There's still so much good contemporary stuff that's thrilling me from all over the place. I don't feel that concerned yet. If we all do stop writing books entirely for a year and just read all the extraordinary books that have been happening for the last couple of thousand, we'd be okay.Henry: I simultaneously see the same people complaining that everything's dying and literature is over and that we have an oversupply of books and that capitalism is giving us too many books and that's the problem. I'm like, "Guys, I think you should pick one."Lamorna: [laughs] You're not allowed both those arguments. My one is that I do think it's gross, the bit of publishing that the way that some of these books get so oddly inflated in terms of the sales around them. Then, someone is getting a million pounds for a debut, which is enormous pressure on them. Then, someone else is getting 2K. I feel like there should be, obviously, there should be a massive cap on how large an advance anyone should get, and then more people will actually be able to stay in the world of writing because they won't have to survive on pitiful advances. I think that would actually have a huge impact and we should not be giving, love David Beckham as much as I do, we shouldn't be giving him five million pounds for someone else to go to write his books. It's just crazy.Henry: Don't the sales of books like that subsidize those of us who are not getting such a big advance?Lamorna: I don't think they always do. I think that's the problem is that they do have this wealth of funds to give to celebrities and often those books don't sell either. I still think even if those books sell a huge amount of money, those people still shouldn't be getting ridiculous advances like that. They still should be thinking about young people who are important to the literary, who are going to produce books that are different and surprising and whose voices we need to hear. That feels much more important.Henry: What do you think about the idea that maybe Anglo fiction isn't at a peak? I don't necessarily agree with that, but maybe we can agree that these are not the days of George Eliot and Charles Dickens, but the essay nonfiction periodicals and writing online, this is huge now. Right? Actually, our pessimism is sort of because we're looking in the wrong area and there are other forms of writing that flourish, actually doing great on the internet.Lamorna: Yes, I think so too. Again, I don't think I'm internet worldly enough to know this, but I still find these extraordinary, super weird substats that feel exciting. I also get an enormous amount of pleasure in reading Reddit now, which I only just got into many, many years late, but so many fun, odd things. Like little essays that people write and the way that people respond to each other, which is quick and sharp, and I suppose it fills the gap of what Twitter was.I think nonfiction, I was talking about this morning, because I'm staying with some writers, because we're sort of Cornish, book talk thing together and how much exciting nonfiction has come out this year that we want to read from the UK that is hybrid-y nature travel. Then internationally, I still think there's-- I just read, Perfection by Vincenzo, but there's enough translated fiction that's on the international book list this year that gets me delighted as well. To me, I just don't feel worried about that kind of thing at all when there's so much exciting stuff happening.I love Reddit. I think they really understand things that other people don't on there. I think it's the relief now that when you type in something to Google, you get the AI response. It's something like, it's so nice to feel on Reddit that someone sat down and answered you. Maybe that's such a shame that that's what makes me happy now, that we're in that space. It does feel like someone will tell you not just the answer, but then give you a bit about their life. Then, the particular tool that was passed down by their grandparents. That's so nice.Henry: What do you think of the new Pope?Lamorna: I thought it was because I'd heard all the thing around fat Pope, thin Pope, and obviously, our new Pope is maybe a sort of middle Pope, or at least is closer to Francis, but maybe a bit more palatable to some people. I guess, I'm excited that he's going to do, or it seems like he's also taking time to think, but he's good on migration on supporting the rights of immigrants. I think there's value in the fact of him being American as this being this counterpoint to what's happening in America right now. If feels always feels pointless to say because they're almost the idea of a Pope.I guess, Francis said that, who am I to judge about people being gay, but I think this Pope has so far has been more outly against gay people, but he stood up against JD Vance and his stupid thoughts on theology. I'm quietly optimistic. I guess I'm also waiting for Robert Harris's prophecy to come true and we get an intersex Pope next. Because I think that was prophecy, right? What he wrote.Henry: That would be interesting.Lamorna: Yes.Henry: The religious revival that people say is happening, particularly among young people, how is AI going to make it different than previous religious revivals?Lamorna: Oh, that's so interesting. Maybe first of all, question, sorry, I choked on my coffee. I was slightly questioned the idea if there is a religious revival, it's not actually an argument that I made in the book. When I started writing the book, there wasn't this quiet revival or this Bible studies and survey that suggests that more young people are going to church hadn't come out yet. I was just more, I guess, aware that there were a few people around me who were converting and I thought it'd be interesting if there's a few, there'll be more, which I think probably happens in every single generation, right? Is that that's one way to deal with the longing for meaning we all experience and the struggles in our lives.I was speaking to a New York Times journalist who was questioning the stats that have been coming out because first it's incredibly small pool. It's quite self-selecting that possibly there are people who might have gone to church already. It's still such a small uptick because it makes it hard to say anything definitive. I guess in general, what will the relationship be between AI and religion?I guess, there are so many ways you could go with that. One is that those spaces, religious spaces, are nicely insulated from technology. Not everywhere. Obviously, in some places they aren't, but often it's a space in which you put your phone away. In my head, the desire to go to church is as against having to deal with AI or having to deal with technology being integrated to every other aspect of my life.I guess maybe people will start worshiping the idea of the singularity. Maybe we'll get the singularity and Terminator, or the Matrix is going to happen, and we'll call them our gods because they will feel like gods. That's maybe one option. I don't know how AI-- I guess I don't know enough about AI that maybe you'll have AI, or does this happen? Maybe this has happened already that you could have an AI confession and you'd have an AI priest and they tell you--Henry: Sure. It's huge for therapy, right?Lamorna: Yes.Henry: Which is that adjacent thing.Lamorna: That's a good point. It does feel something about-- I'm sure, theologically, it's not supposed to work if you haven't been ordained, but can an AI be ordained, become a priest?Henry: IndeedLamorna: Could they do communion? I don't know. It's fascinating.Henry: I can see a situation where a young person lives in a secular environment or culture and is interested in things and the AI is the, in some ways, easiest place for them to turn to say, "I need to talk about-- I have these weird semi-religious feelings, or I'm interested." The AI's not going to be like, "Oh, really? That's weird." There's the question of will we worship AI or whatever, but also will we get people's conversions being shaped by their therapy/confessors/whatever chat with their LLM?Lamorna: Oh, it's so interesting. I read a piece recently in the LRB by James Vincent. It was about AI relationships, our relationship with AI, and he looked at AI girlfriends. There was this incredible case, maybe you read about it, about a guy who tried to kill the Queen some years back. His defense was that his AI girlfriend had really encouraged him to do that. Then, you can see the transcripts of the text, and he says, "I'm thinking about killing the Queen." His AI girlfriend is like, "Go for it, baby."It's that thing there of like, at the moment, AI is still reflecting back our own desires or refracting almost like shifting how they're expressed. I'm trying to imagine that in the same case of me saying, "I feel really lonely, and I'm thinking about Christianity." My friend would speak with all of their context and background, and whatever they've got going on for them. Whereas an AI would feel my desire there and go, "That's a good idea. It says online this." It's very straight. It would definitely lead us in directions that feel less than human or other than human.Henry: I also have this thought, you used to, I think you still do, but you see it less. You used to get a Samaritan's Bible in every hotel. The Samaritans, will they start trying to install a religious chatbot in places where people--? There are lots of ways in which you could use it as a distribution mechanism.Lamorna: Which does feel so far from the point. Not to think about the gospels, but that feeling of something I talk about in the book is that, so much of it is human contact. Is that this factor of being changed in the moment, person to person. If I have any philosophy for life at the moment is this sense of desperately needing contact that we are saved by each other all the time, not by our telephones and things that aren't real. It's the surprise.I quote it in the book, but Iris Murdoch describes love is the very difficult realization that someone other than yourself is real. I think that's the thing that makes us all survive, is that reminder that if you're feeling deeply depressed, being like, there is someone else that is real, and they have a struggle that matters as much as mine. I think that's something that you are never going to get through a conversation with a chatbot, because it's like a therapeutic thing. You are not having to ask it the same questions, or you are not having to extend yourself to think about someone else in those conversations.Henry: Which Iris Murdoch novels do you like?Lamorna: I've only read The Sea, The Sea, but I really enjoyed it. Which ones do you like?Henry: I love The Sea, The Sea, and The Black Prince. I like the late books, like The Good Apprentice and The Philosopher's Pupil, as well. Some people tell you, "Don't read those. They're late works and they're no good," but I was obsessed. I was absolutely compelled, and they're still all in my head. They're insane.Lamorna: Oh, I must, because I've got a big collection of her essays. I'm thinking is so beautiful, her philosophical thought. It's that feeling, I know I'm going the wrong-- starting in the wrong place, but I do feel that she's someone I'd really love to explore next, kind of books.Henry: I think you'd like her because she's very interested in the question of, can therapy help, can philosophy help, can religion help? She's very dubious about therapy and philosophy, and she is mystic. There are queer characters and neurodivergent characters. For a novelist in the '70s, you read her now and you're like, "Well, this is all just happening now."Lamorna: Cool.Henry: Maybe we should be passing these books out. People need this right now.Lamorna: Which one would you say I should do first after The Sea, The Sea?Henry: Maybe The Black Prince.Lamorna: The Black Prince. Great.Henry: Which is the one she wrote before The Sea, The Sea and is just a massive masterpiece.Lamorna: I'll read it. Where do you stand on therapy? Do you have a position?Henry: I think on net, it might be a bad thing, even if it is individually useful for people.Lamorna: Why is that?Henry: [laughs] I didn't expect to have to answer the question. Basically two reasons. I think it doesn't take enough account of the moral aspect of the decisions being made very often. This is all very anecdotal and you can find yourself feeling better in the short term, but not necessarily in the long-- If you make a decision that's not outrageously immoral, but which has not had enough weight placed on the moral considerations.There was an article about how lots of people cut out relatives now and the role that therapy plays in that. What I was struck by in the article that was-- Obviously, a lot of those people are justified and their relatives have been abusive or nasty, of course, but there are a lot of cases where you were like, "Well, this is a long-term decision that's been made on a short-term basis." I think in 10 years people may feel very differently. There wasn't enough consideration in the article, at least I felt, given to how any children involved would be affected later on. I think it's a good thing and a bad thing.Lamorna: I'm so with you. I think that's why, because also the fact of it being so private and it being about the individual, and I think, again, there are certain things if you're really struggling with that, it's helpful for, but I think I'm always more into the idea of communal things, like AAA and NA, which obviously a very particular. Something about doing that together, that it's collaborative and therefore there is someone else in the room if you say, "I want to cut out my parent."There's someone else who said that happened to me and it was really hard. It means that you are making those decisions together a little bit more. Therapy, I can feel that in friends and stuff that it does make us, even more, think that we are these bounded individuals when we're not.Henry: I should say, I have known people who've gone to therapy and it's worked really well.Lamorna: I'm doing therapy right now and it is good. I think, in my head, it's like it should be one among many and I still question it whilst doing it.Henry: To the extent that there is a religious revival among "Gen Z," how much is it because they have phones? Because you wrote something like, in fact, I have the quote, "There's a sense of terrible tragedy. How can you hold this constant grief that we feel, whether it's the genocide in Gaza or climate collapse? Where do I put all the misery that I receive every single second through my phone? Church can then be a space where I can quietly go and light a candle." Is it that these young people are going to religion because the phone has really pushed a version of the world into their faces that was not present when I was young or people are older than me?Lamorna: I think it's one of, or that the phone is the symptom because the phone, whatever you call it, technology, the internet, is the thing that draws the world closer to us in so many different ways. One being that this sense of being aware of what's happening around in other places in the world, which maybe means that you become more tolerant of other religions because you're hearing about it more. That, on TikTok, there's loads of kids all across the world talking about their particular faiths and their background and which aspera they're in, and all that kind of thing.Then, this sense of horror being very unavoidable that you wake up and it is there and you wake up and you think, "What am I doing? What am I doing here? I feel completely useless." Perhaps then you end up in a church, but I'm not sure.I think a bigger player in my head is the fact that we are more pluralistic as societies. That you are more likely to encounter other religions in schools. I think then the question is, well then maybe that'll be valuable for me as well. I think also, not having parents pushing religion on you makes kids, the fact of the generation above the British people, your parents' generations, not saying religion is important, you go to church, then it becomes something people can become more curious about in their own right as adults. I think that plays into it.I think isolation plays into it and that's just not about technology and the phone, but that's the sense of-- and again, I'm thinking about early 20s, mid 20s, so adults who are moving from place to place, who maybe feel very isolated and alone, who are doing jobs that make them feel isolated and alone, and there are this dearth of community spaces and then thinking, well, didn't people used to go to churches, it would be so nice to know someone older than me.I don't know how this fits in, but I was thinking about, I saw this documentary, The Encampments, like two days ago, which is about the Columbia University encampments and within that, Mahmood Khalil, who's the one who's imprisoned at the moment, who was this amazing leader within the movement and is from Palestine. The phone in that, the sense about how it was used to gather and collect people and keep people aware of what's happening and mean that everyone is more conscious and there's a point when they need more people in the encampments because the police are going to come. It's like, "Everyone, use your phone, call people now." I think I can often be like, "Oh no, phones are terrible," but this sense within protest, within communal activity, how valuable they can be as well.I haven't quite gotten into that thought. I don't know, basically. I think it's so hard. I've grown up with a phone. I have no sense of how much it plays a part in everything about me, but obviously, it is a huge amount. I do think it's something that we all think about and are horrified by whilst also seeing it as like this weird extension of ourselves. That definitely plays into then culturally, the decisions we make to either try and avoid them, find spaces where you can be without them.Henry: How old do you think a child should be when they're first given a phone? A smartphone, like an iPhone type thing?Lamorna: I think, 21.Henry: Yes?Lamorna: No, I don't know. I obviously wouldn't know that about a child.Henry: I might.Lamorna: I'd love to. I would really love to because, I don't know, I have a few friends who weren't allowed to watch TV until they were 18 and they are eminently smarter than me and lots of my other friends. There's something about, I don't know, I hate the idea that as I'm getting older, I'm becoming more scaremongering like, "Oh no, when I was young--" because I think my generation was backed in loads of ways. This thing of kids spending so much less time outside and so much less time being able to imagine things, I think I am quite happy to say that feels like a terrible loss.I read a piece recently about kids in New York and I think they were quite sort of middle-class Brooklyn-y kids, but they choose to go days without their phones and they all go off into the forest together. There is this sense of saying giving kids autonomy, but at the same time, their relationship with a phone is not one of agency. It's them versus tech bros who have designed things that are so deeply addictive, that no adult can let go of it. Let alone a child who's still forming how to work out self-control, discipline and stuff. I think a good parenting thing would be to limit massively these completely non-neutral objects that they're given, that are made like crack and impossible to let go of.Henry: Do you think religious education in schools should be different or should there be more of it?Lamorna: Yes, I think it should be much better. I don't know about you, but I just remember doing loads of diagrams of different religious spaces like, "This is what a mosque looks like," and then I'd draw the diagram. I knew nothing. I barely knew the difference between the Old Testament and the New Testament. In fact, I probably didn't as a teenager.I remember actually in sixth form, having this great philosophy teacher who was talking about the idea of proto antisemitism within the gospels. I was like, "Wait, what?" Because I just didn't really understand. I didn't know that it was in Greek, that the Old Testament was in Hebrew. I just didn't know. I think all these holy texts that we've been carrying with us for thousands of years across the world have so much in them that's worth reading and knowing.If I was in charge of our R.E., I would get kids to write on all holy texts, but really think about them and try and answer moral problems. You'd put philosophy back with religion and really connect them and think, what is Nietzsche reacting against? What does Freud about how is this form of Christianity different like this? I think that my sense is that since Gove, but also I'm sure way before that as well, the sense of just not taking young people seriously, when actually they're thoughtful, intelligent and able to wrestle with these things, it's good for them to have know what they're choosing against, if they're not interested in religion.Also, at base, those texts are beautiful, all of them are, and are foundational and if you want to be able to study English or history to know things about religious texts and the practices of religion and how those rituals came about and how it's changed over thousands of years, feels important.Henry: Which religious poets do you like other than Hopkins? Because you write very nicely about Hopkins in the book.Lamorna: He's my favorite. I like John Donne a lot. I remember reading lots of his sermons and Lancelot Andrews' sermons at university and thinking they were just astonishingly beautiful. There are certain John Donne sermons and it's this feeling of when he takes just maybe a line from one of Paul's letters and then is able to extend it and extend it, and it's like he's making it grow in material or it's like it's a root where suddenly all these branches are coming off it.Who else do I like? I like George Herbert. Gosh, my brain is going in terms of who else was useful when I was thinking about. Oh it's gone.Henry: Do you like W.H. Auden?Lamorna: Oh yes. I love Auden, yes. I was rereading his poems about, oh what's it called? The one about Spain?Henry: Oh yes.Lamorna: About the idea of tomorrow.Henry: I don't have a memory either, but I know the poem you mean, yes.Lamorna: Okay. Then I'm trying to think of earlier religious poets. I suppose things like The Dream of the Rood and fun ways of getting into it and if you're looking at medieval poetry.Henry: I also think Betjeman is underrated for this.Lamorna: I've barely read any Betjeman.Henry: There's a poem called Christmas. You might like it.Lamorna: Okay.Henry: It's this famous line and is it true and is it true? He really gets into this thing of, "We're all unwrapping tinsely presents and I'm sitting here trying to work out if God became man." It's really good. It's really good. The other one is called Norfolk and again, another famous line, "When did the devil first attack?" It talks about puberty as the arrival of the awareness of sin and so forth.Lamorna: Oh, yes.Henry: It's great. Really, really good stuff. Do you personally believe in the resurrection?Lamorna: [chuckles] I keep being asked this.Henry: I know. I'm sorry.Lamorna: My best answer is sometimes. Because I do sometimes in that way that-- someone I interviewed who's absolutely brilliant in the book, Robert, and he's a Cambridge professor. He's a pragmatist and he talks about the idea of saying I'm a disciplined person means nothing unless you're enacting that discipline daily or it falls away. For him, that belief in a Kierkegaardian leap way is something that needs to be reenacted in every moment to say, I believe and mean it.I think there are moments when my church attendance is better and I'm listening to a reading that's from Acts or whatever and understanding the sense of those moments, Paul traveling around Europe and Asia Minor, only because he fully believed that this is what's happened. Those letters and as you're reading those letters, the way I read literature or biblical writing is to believe in that moment because for that person, they believe too. I think there are points at which the resurrection can feel true to me, but it does feel like I'm accessing that idea of truth in a different way than I am accessing truth about-- it's close to how I think about love as something that's very, very real, but very different from experiential feelings.I had something else I wanted to say about that and it's just gone. Oh yes. I was at Hay Festival a couple of weeks ago. Do you know the Philosopher Agnes Callard?Henry: Oh, sure.Lamorna: She gave a really great talk about Socrates and her love of Socrates, but she also came to my talk and she and her husband, who I think met through arguing about Aristotle, told me they argued for about half a day about a line I'd said, which was that during writing the book, I'd learned to believe in the belief of other people, her husband was like, "You can't believe in the belief of other people if you don't believe it too. That doesn't work. That doesn't make sense." I was like, "That's so interesting." I can so feel that if we're taking that analytically, that if I say I don't believe in the resurrection, not just that I believe you believe it, but I believe in your belief in the resurrection. At what point is that any different from saying, I believe in the resurrection. I feel like I need to spend more time with it. What the slight gap is there that I don't have that someone else does, or as I say it, do I then believe in the resurrection that moment? I'm not sure.I think also what I'm doing right now is trying to sound all clever with it, whereas for other people it's this deep ingrained truth that governs every moment of their life and that they can feel everywhere, or perhaps they can't. Perhaps there's more doubt than they suggest, which I think is the case with lots of us. Say on the deathbed, someone saying that they fully believe in the resurrection because that means there's eternal salvation, and their family believe in that too. I don't think I have that kind of certainty, but I admire it.Henry: Tell me how you got the title for this book from an episode of The Simpsons.Lamorna: It's really good app. It's from When Maggie Makes Three, which is my favorite episode. I think titles are horribly hard. I really struck my first book. I would have these sleepless nights just thinking about words related to the sea, and be like, blue something. I don't know. There was a point where my editor wanted to call it Trawler Girl. I said, "We mustn't. That's awful. That's so bad. It makes me sound like a terrible superhero. I'm not a girl, I'm a woman."With this one, I think it was my fun title for ages. Yes, it's this plaque that Homer has put-- Mr. Burns puts up this plaque to remind him that he will never get to leave the power plant, "Don't forget you're here forever."I just think it's a strong and bonkers line. I think it had this element of play or silliness that I wanted, that I didn't think about too hard. I guess that's an evangelical Christian underneath what they're actually saying is saying-- not all evangelicals, but often is this sense of no, no, no, we are here forever. You are going to live forever. That is what heaven means.That sense of then saying it in this jokey way. I think church is often very funny spaces, and funny things happen. They make good comedy series when you talk about faith.Someone's saying she don't forget we're here forever. The don't forget makes it so colloquial and silly. I just thought it was a funny line for that reason.Then also that question people always ask, "Is religion going to die out?" I thought that played into it. This feeling that, yes, I write about it. There was a point when I was going to an Extinction Rebellion protest, and everyone was marching along with that symbol of the hourglass inside a circle next to a man who had a huge sign saying, "Stop, look, hell is real, the end of the world is coming." This sense of different forms of apocalyptic thinking that are everywhere at the moment. I felt like the title worked for that as well.Henry: I like that episode of The Simpsons because it's an expression of an old idea where he's doing something boring and his life is going to slip away bit by bit. The don't forget you're here forever is supposed to make that worse, but he turns it round into the live like you're going to die tomorrow philosophy and makes his own kind of meaning out of it.Lamorna: By papering it over here with pictures of Maggie. They love wordplay, the writers of The Simpsons, and so that it reads, "Do it for her," instead. That feeling of-- I think that with faith as well of, don't forget we're here forever, think about heaven when actually so much of our life is about papering it over with humanity and being like, "Does it matter? I'm with you right now, and that's what matters." That immediacy of human contact that church is also really about, that joy in the moment. Where it doesn't really matter in that second if you're going to heaven or hell, or if that exists. You're there together, and it's euphoric, or at least it's a relief or comforting.Henry: You did a lot of Bible study and bible reading to write this book. What were the big surprises for you?Lamorna: [chuckles] This is really the ending, but revelation, I don't really think it's very well written at all. It shouldn't be in there, possibly. It's just not [unintelligible 00:39:20] It got added right in the last minute. I guess it should be in there. I just don't know. What can I say?So much of it was a surprise. I think slowly reading the Psalms was a lovely surprise for me because they contain so much uncertainty and anguish, and doubt. Imagining those being read aloud to me always felt like a very exciting thing.Henry: Did you read them aloud?Lamorna: When I go to more Anglo Catholic services, they tend to do them-- I never know how to pronounce this. Antiphonally.Henry: Oh yes.Lamorna: Back and forth between you. It's very reverential, lovely experience to do that. I really think I was surprised by almost everything I was reading. At the start of Kierkegaard's Fear and Trembling, he does this amazing thing where he does four different versions of what could be happening in the Isaac and Abraham story underneath.There's this sense of in the Bible, and I'm going to get this wrong, but in Mimesis, Auerbach talks about the way that you're not given the psychological understanding within the Bible. There's so much space for readers to think with, because you're just being told things that happened, and the story moves on quickly, moment by moment. With Isaac and Abraham, what it would mean if Isaac actually had seen the fact that his father was planning to kill him. Would he then lose his faith? All these different scenarios.I suddenly realised that the Bible was not just a fixed text, but there was space to play with it as well. In the book, I use the story of Jacob and the angel and play around with the meaning of that and what would happen after this encounter between Jacob and an angel for both of them.Bits in the Gospels, I love the story of the Gerasene Demoniac. He was a knight. He was very unwell, and no one knew what to do with him. He was ostracised from his community. He would sit in this cave and scream and lacerate himself against the cave walls. Then Jesus comes to him and speaks to him and speaks to the demons inside him. There's this thing in Mark's Gospel that Harold Bloom talks about, where only demons are actually able to perceive. Most people have to ask Christ who he really is, but demons can perceive him immediately and know he's the son of God.The demons say that they are legion. Then Jesus puts them into 1,000 pigs. Is it more? I can't remember. Then they're sent off over the cliff edge. Then the man is made whole and is able to go back to his community. I just think there's just so much in that. It's so rich and strange. I think, yes, there's something about knowing you could sit down and just read a tiny bit of the Bible and find something strange and unusual that also might speak to something you've read that's from thousands of years later.I also didn't know that in Mark's Gospel, the last part of it is addended, added on to it. Before that, it ended with the women being afraid, seeing the empty tomb, but there's no resolution. There's no sense of Christ coming back as spirit. It ended in this deep uncertainty and fear. I thought that was so fascinating because then again, it reminds you that those texts have been played around with and thought with, and meddled with, and changed over time. It takes away from the idea that it's fixed and certain, the Bible.Henry: What did you think of Harold Bloom's book The Shadow of a Great Rock?Lamorna: I really loved it. He says that he treats Shakespeare more religiously and the Bible more like literature, which I found a funny, irreverent thing to say. There's lovely stuff in there where, I think it was Ruth, he was like, maybe it was written by a woman. He takes you through the different Hebrew writers for Genesis. Which again, becoming at this as such a novice in so many ways, realising that, okay, so when it's Yahweh, it's one particular writer, there's the priestly source for particular kinds of writing. The Yahwist is more ironic, or the God you get is more playful.That was this key into thinking about how each person trying to write about God, it's still them and their sense of the world, which is particular and idiosyncratic is forming the messages that they believe they're receiving from God. I found that exciting.Yes, he's got this line. He's talking about the blessings that God gives to men in Genesis. He's trying to understand, Bloom, what the meaning of a blessing is. He describes it as more life into a time without boundaries. That's a line that I just found so beautiful, and always think about what the meaning of that is. I write it in the book.My best friend, Sammy, who's just the most game person in the world, that you tell them anything, they're like, "Cool." I told them that line. They were like, "I'm getting it tattooed on my arm next week." Then got me to write in my handwriting. I can only write in my handwriting, but write down, "More time into life without boundaries." Now they've just got it on their arm.Henry: Nice.Lamorna: I really like. They're Jewish, non-practicing. They're not that really interested in it. They were like, "That's a good line to keep somewhere."Henry: I think it's actually one of Bloom's best books. There's a lot of discussion about, is he good? Is he not good? I love that book because it really just introduces people to the Bible and to different versions of the Bible. He does all that Harold Bloom stuff where he's like, "These are the only good lines in this particular translation of this section. The rest is so much dross.He's really attentive to the differences between the translations, both theologically but also aesthetically. I think a lot of people don't know the Bible. It's a really good way to get started on a-- sitting down and reading the Bible in order. It's going to fail for a lot of people. Harold Bloom is a good introduction that actually gives you a lot of the Bible itself.Lamorna: For sure, because it's got that midrash feeling of being like someone else working around it, which then helps you get inside it. I was reading that book whilst going to these Bible studies at a conservative evangelical church called All Souls. I wasn't understanding what on earth was going on in Mark through the way that we're being told to read it, which is kids' comprehension.Maybe it was useful to think about why would the people have been afraid when Christ quelled the storms? It was doing something, but there was no sense of getting inside the text. Then, to read alongside that, Bloom saying that the Christ in Mark is the most unknowable of all the versions of Christ. Then again, just thinking, "Oh, hang on." There's an author. The author of Mark's gospel is perceiving Christ in a particular way. This is the first of the gospels writing about Christ. What does it mean? He's unknowable. Suddenly thinking of him as a character, and therefore thinking about how people are relating to him. It totally cracks the text open for you.Henry: Do you think denominational differences are still important? Do most people have actual differences in dogma, or are they just more cultural distinctions?Lamorna: They're ritual distinctions. There really is little that you could compare between a Quaker meeting and a Catholic service. That silence is the fundamental aspect of all of it. There's a sense of enlighten.My Quaker mate, Lawrence, he's an atheist, but he wouldn't go to another church service because he's so against the idea of hierarchy and someone speaking from a pulpit. He's like, honestly, the reincarnated spirit of George Fox in many ways, in lots of ways he's not.I guess it becomes more blurry because, yes, there's this big thing in the early 20th century in Britain anyway, where the line that becomes more significant is conservative liberal. It's very strange that that's how our world gets divided. There's real simplification that perhaps then, a liberal Anglican church and a liberal Catholic church have more in relationship than a conservative Catholic church and a conservative evangelical church. The line that is often thinking about sexuality and marriage.I was interested, people have suddenly was called up in my book that I talk about sex a lot. I think it's because sex comes up so much, it feels hard not to. That does seem to be more important than denominational differences in some ways. I do think there's something really interesting in this idea of-- Oh, [unintelligible 00:48:17] got stung. God, this is a bit dramatic. Sorry, I choked on coffee earlier. Now I'm going to get stung by a bee.Henry: This is good. This is what makes a podcast fun. What next?Lamorna: You don't get this in the BBC studios. Maybe you do. Oh, what was I about to say? Oh, yes. I like the idea of church shopping. People saying that often it speaks to the person they are, what they're looking for in a church. I think it's delightful to me that there's such a broad church, and there's so many different spaces that you can go into to discover the church that's right for you. Sorry. I'm really distracted by this wasp or bee. Anyway.Henry: How easy was it to get people to be honest with you?Lamorna: I don't know. I think that there's certain questions that do tunnel right through to the heart of things. Faith seems to be one of them. When you talk about faith with people, you're getting rid of quite a lot of the chaff around with the politeness or whatever niceties that you'd usually speak about.I was talking about this with another friend who's been doing this. He's doing a play about Grindr. He was talking about how strange it is that when you ask to interview someone and you have a dictaphone there, you do get a deeper instant conversation. Again, it's a bit like a therapeutic conversation where someone has said to you, "I'm just going to sit and listen." You've already agreed, and you know it's going to be in a book. "Do you mind talking about this thing?"That just allows this opportunity for people to be more honest because they're aware that the person there is actually wanting to listen. It's so hard to create spaces. I create a cordon and say, "We're going to have a serious conversation now." Often, that feels very artificial. I think yes, the beauty of getting to sit there with a dictaphone on your notebook is you are like, "I really am interested in this. It really matters to me." I guess it feels easy in that way to get honesty.Obviously, we're all constructing a version of ourselves for each other all the time. It's hard for me to know to what extent they're responding to what they're getting from me, and what they think I want to hear. If someone else interviewed them, they would probably get something quite different. I don't know. I think if you come to be with openness, and you talk a bit about your journey, then often people want to speak about it as well.I'm trying to think. I've rarely interviewed someone where I haven't felt this slightly glowy, shimmery sense of it, or what I'm learning feels new and feels very true. I felt the same with Cornish Fisherman, that there was this real honesty in these conversations. Many years ago, I remember I got really obsessed with interviewing my mom. I think I was just always wanting to practice interviewing. The same thing that if there's this object between you, it shifts the dimensions of the conversation and tends towards seriousness.Henry: How sudden are most people's conversions?Lamorna: Really depends. I was in this conversation with someone the other day. When she was 14, 15, she got caught shoplifting. She literally went, "Oh, if there's a God up there, can you help get me out of the situation?" The guy let her go, and she's been a Christian ever since. She had an instantaneous conversion. Someone I interviewed in the book, and he was a really thoughtful card-carrying atheist. He had his [unintelligible 00:51:58] in his back pocket.He hated the Christians and would always have a go at them at school because he thought it was silly, their belief. Then he had this instant conversion that feels very charismatic in form, where he was just walking down an avenue of trees at school, and he felt the entire universe smiling at him and went, "Oh s**t, I better become a Christian."Again, I wonder if it depends. I could say it depends on the person you are, whether you are capable of having an instant conversion. Perhaps if I were in a religious frame of mind, I'd say it depends on what God would want from you. Do you need an instant conversion, or do you need to very slowly have the well filling up?I really liked when a priest said to me that people often go to church and expect to be changed in a moment. He's like, "No, you have to go for 20 years before anything happens." Something about that slow incremental conversion to me is more satisfying. It's funny, I was having a conversation with someone about if they believe in ghosts, and they were like, "Well, if I saw one, then I believe in ghosts." For some people, transcendental things happen instantaneously, and it does change them ultimately instantly.I don't know, I would love to see some stats about which kinds of conversions are more popular, probably more instant ones. I love, and I use it in the book, but William James' Varieties of Religious Experience. He talks about there's some people who are sick-souled or who are also more porous bordered people for whom strange things can more easily cross the borders of their person. They're more likely to convert and more likely to see things.I really like him describing it that way because often someone who's like that, it might just be described as well, you have a mental illness. That some people are-- I don't know, they've got sharper antennae than the rest of us. I think that is an interesting thought for why some people can convert instantly.Henry: I think all conversions take a long time. At the moment, there's often a pivotal moment, but there's something a long time before or after that, that may or may not look a conversion, but which is an inevitable part of the process. I'm slightly obsessed with the idea of quests, but I think all conversions are a quest or a pilgrimage. Your book is basically a quest narrative. As you go around in your Toyota, visiting these places. I'm suspicious, I think the immediate moment is bundled up with a longer-term thing very often, but it's not easy to see it.Lamorna: I love that. I've thought about the long tail afterwards, but I hadn't thought about the lead-up, the idea of that. Of what little things are changing. That's such a lovely thought. Their conversions began from birth, maybe.Henry: The shoplifter, it doesn't look like that's where they're heading. In retrospect, you can see that there weren't that many ways out of this path that they're on. Malcolm X is like this. One way of reading his autobiography is as a coming-of-age story. Another way of reading it is, when is this guy going to convert? This is going to happen.Lamorna: I really like that. Then there's also that sense of how fixed the conversion is, as well, from moment to moment. That Adam Phillips' book on wanting to change, he talks about our desire for change often outstrips our capacity for change. That sense of how changed am I afterwards? How much does my conversion last in every moment? It goes back to the do you believe in the resurrection thing.I find that that really weird thing about writing a book is, it is partly a construction. You've got the eye in there. You're creating something that is different from your reality and fixed, and you're in charge of it. It's stable, it remains, and you come to an ending. Then your life continues to divert and deviate in loads of different ways. It's such a strange thing in that way. Every conversion narrative we have fixed in writing, be it Augustine or Paul, whatever, is so far from the reality of that person's experience.Henry: What did the new atheists get wrong?Lamorna: Arrogance. They were arrogant. Although I wonder, I guess it was such a cultural moment, and perhaps in the same way that everyone is in the media, very excitedly talking about revival now. There was something that was created around them as well, which was delight in this sense of the end of something. I wonder how much of that was them and how much of it was, they were being carried along by this cultural media movement.I suppose the thing that always gets said, and I haven't read enough Dawkins to say this with any authority, but is that the form of religion that he was attempting to denigrate was a very basic form of Christianity, a real, simplified sense. That he did that with all forms of religion. Scientific progress shows us we've progressed beyond this point, and we don't need this, and it's silly and foolish.I guess he underestimated the depth and richness of religion, and also the fact of this idea of historical progress, when the people in the past were foolish, when they were as bright and stupid as we are now.Henry: I think they believed in the secularization idea. People like Rodney Stark and others were pointing out that it's not really true that we secularized a lot more consistency. John Gray, the whole world is actually very religious. This led them away from John Stuart Mill-type thinking about theism. I think everyone should read more John Stuart Mill, but they particularly should have read the theism essays. That would have been--Lamorna: I've only just got into him because I love the LRB Close Reading podcast. It's Jonathan Rée and James Wood. They did one on John Stuart Mill's autobiography, which I've since been reading. It's an-Henry: It's a great book.Lamorna: -amazing book. His crisis is one of-- He says, "The question of religion is not something that has been a part of my life, but the sense of being so deeply learned." His dad was like, "No poetry." In his crisis moment, suddenly realizing that that's what he needed. He was missing feeling, or he was missing a way of looking at the world that had questioning and doubt within it through poetry.There was a bit in the autobiography, and he talks about when he was in this deep depression, whenever he was at 19 or something. That he was so depressed that he thought if there's a certain number of musical notes, one day there will be no more new music because every single combination will have been done. The sense of, it's so sweetly awful thinking, but without the sense-- I'm not sure what I'm trying to say here.I found his crisis so fascinating to read about and how he comes out of that through this care and attention of beautiful literature and thinking, and through his love of-- What was his wife called again?Henry: Harriet.Lamorna: Harriet. He credits her for almost all his thinking. He wouldn't have moved towards socialism without her. Suddenly, humans are deeply important to him. He feels sorry for the fact that his dad could not express love or take love from him, and that that was such a terrible deficiency in his life.Henry: Mill's interesting on religion because he looks very secular. In fact, if you read his letters, he's often going into churches.Lamorna: Oh, really?Henry: Yes, when he's in Italy, because he had tuberculosis. He had to be abroad a lot. He's always going to services at Easter and going into the churches. For a secular person, he really appreciates all these aspects of religion. His stepdaughter was-- there's a diary of hers in their archives. She was very religious, very intense. As a young woman, when she's 16, 17, intensely Catholic or Anglo-Catholic. Really, it's quite startling.I was reading this thing, and I was like, "Wait, who in the Mill household is writing this? This is insane." There are actually references in his letters where he says, "Oh, we'll have to arrive in time for Good Friday so that she can go to church." He's very attentive to it. Then he writes these theism essays, right at the end of his life. He's very open-minded and very interrogatory of the idea. He really wants to understand. He's not a new atheist at all.Lamorna: Oh, okay. I need to read the deism essays.Henry: You're going to love it. It's very aligned. What hymns do you like?Lamorna: Oh, no.Henry: You can be not a hymn person.Lamorna: No. I'm not a massive hymn person. When I'm in church, the Anglican church that I go to in London now, I always think, "Remember that. That was a really nice one." I like to be a pilgrim. I really don't have the brain that can do this off the cuff. I'm not very musically. I'm deeply unmusical.There was one that I was thinking of. I think it's an Irish one. I feel like I wrote this down at one point, because I thought I might be asked in another interview. I had to write down what I thought in case a hymn that I liked. Which sounds a bit like a politician, when they're asked a question, they're like, "I love football." I actually can't think of any. I'm sorry.Henry: No, that's fine.Lamorna: What are your best? Maybe that will spark something in me.Henry: I like Tell Out My Soul. Do you know that one?Lamorna: Oh, [sings] Tell Out My Soul. That's a good one.Henry: If you have a full church and people are really going for it, that can be amazing. I like all the classics. I don't have any unusual choices. Tell Out My Soul, it's a great one. Lamorna Ash, this has been great. Thank you very much.Lamorna: Thank you.Henry: To close, I think you're going to read us a passage from your book.Lamorna: I am.Henry: This is near the end. It's about the Bible.Lamorna: Yes. Thank you so much. This has definitely been my favourite interview.Henry: Oh, good.Lamorna: I really enjoyed it. It's really fun.Henry: Thank you.Lamorna: Yes, this is right near the end. This is when I ended up at a church, St Luke's, West Holloway. It was a very small 9:00 AM service. Whilst the priest who'd stepped in to read because the actual priest had left, was reading, I just kept thinking about all the stories that I'd heard and wondering about the Bible and how the choices behind where it ends, where it ends.I don't think I understand why the Bible ends where it does. The final lines of the book of Revelation are, "He who testifies to these things says, Yes, I am coming soon. Amen. Come, Lord Jesus, the grace of the Lord Jesus be with God's people. Amen." Which does sound like a to-be-continued. I don't mean the Bible feels incomplete because it ends with Revelation. What I mean is, if we have continued to hear God and wrestle with him and his emissaries ever since the first overtures of the Christian faith sounded.Why do we not treat these encounters with the same reverence as the works assembled in the New Testament? Why have we let our holy text grow so antique and untouchable instead of allowing them to expand like a divine Wikipedia updated in perpetuity? That way, each angelic struggle and Damascene conversion that has ever occurred or one day will, would become part of its fabric.In this Borgesian Bible, we would have the Gospel of Mary, not a fictitious biography constructed by a man a century after her death, but her true words. We would have the conversion of the Ethiopian eunuch on the road between Jerusalem and Gaza from Acts, but this time given in the first person. We would have descriptions from the Picts on Iona of the Irish Saint Columba appearing in a rowboat over the horizon.We would have the Gospels of those from the early Eastern Orthodox churches, Assyrian Gospels, Syriac Orthodox Gospels. We would have records of the crusades from the Christian soldiers sent out through Europe to Jerusalem in order to massacre those of other faiths, both Muslim and Jewish. In reading these accounts, we would be forced to confront the ways in which scripture can be interpreted

This Postmodern Realities episode is a conversation with JOURNAL author Louis Markos about his article, “George Herbert's Devotional Poetry: An Apologist's Guide to God's Call, Prayer, and Gospel Transformation:" https://www.equip.org/articles/george-herberts-devotional-poetry-an-apologists-guide-to-gods-call-prayer-and-gospel-transformation/Related articles and podcasts by this author:Hank Unplugged:How to Explain Hell with Louis MarkosHow Dante's Inferno Can Help Explain Hell to Modern Seekers (article)Atheism on Trial with Dr. Louis MarkosPostmodern Realities podcastsEpisode 429: How Greek Myth, Tragedy, And Philosophy Point to Christian TruthHow Greek Myth, Tragedy, And Philosophy Point to Christian TruthEpisode 332 Exhortations to College-bound StudentsSeven or So Exhortations to College-Bound Students Don't miss an episode; please subscribe to the Postmodern Realities podcast wherever you get your favorite podcasts. Please help spread the word about Postmodern Realities by giving us a rating and review when you subscribe to the podcast. The more ratings and reviews we have, the more new listeners can discover our content.

Welcome to Episode 241 of The Thinklings Podcast! In this episode, Thinkling Boyd returns to the poetic brilliance of George Herbert, offering more reflections and analysis on the themes and beauty found in Herbert's work. Thanks for joining us for this week's episode!

Ep. 682: Cranford | Chapter 4 Book talk begins at 10:00 A mysterious stranger stirs up gossip, secrets slip out over tea, and Miss Matty's world gets just a little more complicated. --------------------------------------------------------------- 00:00 Episode start 01:56 MAY RAFFLE - Sir Walter Scott Cross stitch from Rebecca S (Of Book it with Becca, who wrote the wonderful post: 2:42 The dimensions of the cross-stitch are 9”x11” (23cmx30cm) Also, Plum Deluxe's CraftLit tea collection is here:  03:55 - and and 06:12 07:18 - Thin Man Movie Watch Party, May 24, 2025. If you need to level-up to join us 09:54 - Re- hash Chapter 3: A Love Affair of Long Ago - Miss Matty Jenkyns reminisces about her past romance with Mr. Holbrook, which was thwarted by her family's disapproval.  Miss J couldn't SUCK an orange (then by ch 3 she was gone from us) Martha, the new girl of all work trying to learn how to do her job and nudging Major Jenkyns when he didn't serve himself fast enough 11:00 Miss Matilda SATE bolt upright (not a typo) 11:16 Poetry today from George Herbert—selections from will be featured at the end of the episodes, Euan Bartlett is the reader 12:00 “Pudding before meat” and “no broth no ball; no ball, no beef” Suet Pudding: Spotted Dick pudding: Steak and Kidney pudding: Yorkshire Pudding 14:00 15:32 Old fashioned forks - like 16th Century/1500s - were two-tine forks. 16:44 “Aminé at her grains of rice after her previous feast with the Ghoul” - from “The Story of Sidi-Nouman” from One Thousand and One Nights (1765-8) Aminé is wife of Sidi Nouman who notices she only eats rice with a bodkin. He figures out she's a Ghoul who goes to cemeteries at night to feast on the newly-buried dead so rice was pretty ‘meh' for her.  17:48 “Unbecoming to put on over their caps” - threw me b/c of the Caleche's in Dracula - turns out they're related! Retractable hood to put over a cap! 19:34 Tennyson - a line about cedars from 1842's and in the original text It's missing from the published version so a conversation turn would have been less of an utter non-sequiter in the OG version. 20:30 Headsup for the crocheters in our midst. 20:48 - not included accidentally. 21:04 Visiting rules - more 49:40 ‘“My cousin might make a drive, I think,” said Miss Pole, who was afraid of ear-ache, and had only her cap on. '— spectacular set of non-sequiters (p41) 53:30 I saw, I imitated, I survived - Mary Smith as Cæsar - using rounded knife tip as a spoon-ish food delivery device Don't forget! George Herbert's poetry often draws on the natural world, gardens, and quiet reflection: 1. “The Flower” Theme: Renewal, the seasons of the soul, joy in growth Perfect for July because: It celebrates the resurgence of beauty and hope—after cold or darkness, flowers bloom again. “Grief melts away Like snow in May, As if there were no such cold thing.” “Who would have thought my shriveled heart Could have recovered greenness? It was gone Quite underground; as flowers depart To see their mother-root, when they have blown.” “Thy garden is not bare; And I shall find once more The sweet communion with thy saints.” 2. “Easter” Yes, it's tied to the holiday, but it also celebrates light and blooming. “Rise heart; thy Lord is risen. Sing his praise Without delays, Who takes thee by the hand, that thou likewise With him mayst rise.” Pair this with literal rising things—morning sun, lilies, tall foxgloves. 3. “The Pulley” Theme: Why God withholds perfect rest—so we seek Him. This works well in summer, when life feels abundant, but still leaves a twinge of longing. “When God at first made man, Having a glass of blessings standing by…” (and yet withheld rest, to draw man's soul back to God) A beautiful idea for a reflective pause among too-perfect blooms. 4. “Love (III)” Theme: Divine love, human unworthiness, and acceptance It's more theological, but gentle and moving—great for a quiet bench moment in a shady corner. “Love bade me welcome; yet my soul drew back…” “You must sit down,” says Love, “and taste my meat.” So I did sit and eat.” It pairs beautifully with the hum of bees and the hospitality of a garden. If you want a very short quote for your garden journal or bench-musing: • “Thou hast given me this herb of grace to smell and taste.” — from “Grace” • “Sweet rose, whose hue angry and brave…” — from “Virtue” • “He that in mirth and youthful jollity keeps measure, is more temperate than he that lets his sorrow flow out without check.” — from his prose The Country Parson *CraftLit's Socials* • Find everything here: https://www.linktr.ee/craftlitchannel • Join the newsletter: http://eepurl.com/2raf9  • Podcast site: http://craftlit.com • Facebook: https://www.facebook.com/CraftLit/ • Facebook group: https://www.facebook.com/groups/craftlit • Pinterest: https://www.pinterest.com/craftlit/ • TikTok podcast: https://www.tiktok.com/@craftlit • Email: heather@craftlit.com • Previous CraftLit Classics can be found here: *SUPPORT THE SHOW!* • CraftLit App Premium feed bit.ly/libsynpremiumcraftlit (only one tier available) • PATREON:   https://patreon.com/craftlit (all tiers, below) ——Walter Harright -  $5/mo for the same audio as on App ——Jane Eyre - $10/mo for even-month Book Parties ——Mina Harker - $15/mo for odd-month Watch Parties *All tiers and benefits are also available as* —*YouTube Channel Memberships*  —*Ko-Fi* https://ko-fi.com/craftlit  —*NEW* at CraftLit.com — Premium Memberships https://craftlit.com/membership-levels/ *IF you want to join a particular Book or Watch Patry but you don't want to join any of the above membership options*, please use PayPal.me/craftlit or CraftLit @ Venmo and include what you want to attend in the message field. Please give us at least 24 hours to get your message and add you to the attendee list.     • Download the FREE CraftLit App for iOS or Android (you can call or email feedback straight from within the app) • Call 1-206-350-1642

••• The Blessings Of Understanding .••• Bible Study Verses: Acts 16.27-34, Psalm 119:18, Genesis 13:14-15, Proverbs 4.7, 1 Chronicles 12.32, Proverbs 21.16, Ephesians 4.18, Romans 1.21-22, Proverbs 2.6, James 1.5-6, Proverbs 17.3 . ••• ••• “A man of great memory without learning hath a rock and a spindle and no staff to spin”, George Herbert 1593-1633, A Welsh poet, orator & priest. Being born into an artistic & wealthy family, he received a good education which led to his holding prominent positions at Cambridge University & Parliament. As a student at Trinity College, Cambridge, England, George Herbert excelled in languages & music. He went to college with the intention of becoming a priest, but his scholarship attracted the attention of King James I. Herbert served in parliament for two years. After the death of King James & at the urging of a friend, Herbert's interest in ordained ministry was renewed. In 1630, in his late thirties he gave up his secular ambitions & took holy orders in the Church of England, spending the rest of his life as a rector of the little parish. He was noted for unfailing care for his parishioners, bringing the sacraments to them when they were ill, & providing food & clothing for those in need. Throughout his life he wrote religious poems characterized by a precision of language. He is best remembered as a writer of poems & the hymn "Come, My Way, My Truth, My Life" † ••• “All scripture is given by inspiration of God, and is profitable for doctrine, for reproof, for correction, for instruction in righteousness: That the man of God may be perfect, thoroughly furnished unto all good works” 2 Timothy 3:16-17, KJV .••• Why did Our Lord, Christ Jesus weep?••• What are the 4-negative consequences of lack of understanding the Word of God?••• What are 4-reasons why people refuse to learn the Word of God?••• What are 4-life actions in gaining understanding of God's Word?••• What type of prayer is the most effective?••• What are the some of the-blessings?••• Are you going to ask your small group to pray that you will be more intentional about searching for the understanding that comes from the presence of the Almighty God through the power of Holy Spirit? ••• Pastor Otuno expounds on this and much more on the exciting journey of Fresh Encounter Radio Podcast originally aired in April, 2025 on WNQM, Nashville Quality Ministries and WWCR World Wide Christian Radio broadcast to all 7-continents on this big beautiful blue marble, earth, floating through space. Please be prayerful before studying The Word of God so that you will receive the most inspiration possible.••• This Discipleship Teaching Podcast is brought to you by Christian Leadership International and all the beloved of God who believe in it's mission through prayer and support. Thank you••• Broadcaster's Website - https://www.lifelonganointing.com/ .••• Exceeding Thanks to Universe Creator Christ Jesus AND photo by Tima Miroshnichenko Photography, Warsaw, Poland, Tele:+48-572-319-055, mproductionart@gmail.com, https://www.instagram.com/tima_miroshnichenko/, vimeo.com/user89443702, Art Direction by gil on his mac. ••• Study Guides at - https://shows.acast.com/fresh-encounter-radio-podcast/episodes .••• SHARING LINK: https://shows.acast.com/fresh-encounter-radio-podcast/250412-blessings-of-understanding-part-b-ep376 .••• † http://christian-quotes.ochristian.com/George-Herbert-Quotes/ .••• RESOURCE - https://www.soundcloud.com/thewaytogod/ .••• RESOURCE - https://www.biblegateway.com/audio/mclean/kjv/john.1%20 .••• FERP250412 Episode#376 GOT250412 Ep376••• Understand God's Word Part B: The Blessings Of UnderstandingSupport this show http://supporter.acast.com/fresh-encounter-radio-podcast. Hosted on Acast. See acast.com/privacy for more information.

Welcome to Episode 237 of The Thinklings Podcast! In this episode, Thinkling Boyd guides us through another work by the great poet George Herbert—this time, the poem Death. But first, we kick things off with some fun-nonsense, a little coffee talk, and a round of Books & Business ☕

••• Diligently Learning The Word . ••• Bible Study Verses: John 11.21-35, Luke 19.41-42, Matthew 13.18-23, 1 Corinthians 2:9, Acts 16.27-34 . ••• “A man of great memory without learning hath a rock and a spindle and no staff to spin”, George Herbert 1593-1633, A Welsh poet, orator & priest. Being born into an artistic & wealthy family, he received a good education which led to his holding prominent positions at Cambridge University & Parliament. As a student at Trinity College, Cambridge, England, George Herbert excelled in languages & music. He went to college with the intention of becoming a priest, but his scholarship attracted the attention of King James I. Herbert served in parliament for two years. After the death of King James & at the urging of a friend, Herbert's interest in ordained ministry was renewed. In 1630, in his late thirties he gave up his secular ambitions & took holy orders in the Church of England, spending the rest of his life as a rector of the little parish. He was noted for unfailing care for his parishioners, bringing the sacraments to them when they were ill, & providing food & clothing for those in need. Throughout his life he wrote religious poems characterized by a precision of language. He is best remembered as a writer of poems & the hymn "Come, My Way, My Truth, My Life" † ••• “All scripture is given by inspiration of God, and is profitable for doctrine, for reproof, for correction, for instruction in righteousness: That the man of God may be perfect, thoroughly furnished unto all good works” 2 Timothy 3:16-17, KJV . ••• Why did Our Lord, Christ Jesus weep? ••• What determines the amount of fruit in a biblical Christians life? ••• What determines ones level of productivity in the Christians' lives? ••• What helps break heavy yokes and chains in one's life? ••• Why do dictators and our adversary restrict the flow of information? ••• Why does the enemy your soul now want you to read the scripture? ••• Are you going to ask your small group to pray that you will be more intentional about learning The Word through the power of Holy Spirit? ••• Pastor Otuno expounds on this and much more on the exciting journey of Fresh Encounter Radio Podcast originally aired on April, 2025 on WNQM, Nashville Quality Ministries and WWCR World Wide Christian Radio broadcast to all 7-continents on this big beautiful blue marble, earth, floating through space. Please be prayerful before studying The Word of God so that you will receive the most inspiration possible. ••• This Discipleship Teaching Podcast is brought to you by Christian Leadership International and all the beloved of God who believe in its mission through prayer and support. Thank you . ••• Broadcaster's Website - https://www.lifelonganointing.com/ .••• Exceeding Thanks to Universe Creator Christ Jesus AND photo by Tima Miroshnichenko Photography, Warsaw, Poland, Tele:+48-572-319-055, mproductionart@gmail.com, https://www.instagram.com/tima_miroshnichenko/, vimeo.com/user89443702, Art Direction by gil on his mac with free mac layout software . ••• Study Guides at - https://shows.acast.com/fresh-encounter-radio-podcast/episodes .••• SHARING LINK: https://shows.acast.com/fresh-encounter-radio-podcast/250405-understand-god's-word-part-a-ep375 . ••• † http://christian-quotes.ochristian.com/George-Herbert-Quotes/ . ••• RESOURCE - https://www.soundcloud.com/thewaytogod/ . ••• RESOURCE - https://www.biblegateway.com/audio/mclean/kjv/john.1%20 .••• FERP250405 Episode#375 GOT250405 Ep375••• Understand God's Word Part A: Diligently Learning The WordSupport this show http://supporter.acast.com/fresh-encounter-radio-podcast. Hosted on Acast. See acast.com/privacy for more information.

Thursday 3rd April: George Herbert by St Martin's Voices

Some of us have heard the names of 17th-century poets like George Herbert, John Donne, and John Milton. But did you know that John Bunyan also wrote poems? And that there were many female poets too? Join Trinity, Mina, and Sean as they discuss these poets and their exciting lives with Dr. David Parry, Tutorial Fellow in English at Regent's Park College in Oxford, England.   Show Notes If you'd like to find out more about the poets Dr. Parry mentioned in this episode, here are their names: John Milton, John Bunyan, George Herbert, John Donne, Lucy Hutchinson, Mary Sydney. "Upon a Snail" by John Bunyan https://www.poetrybyheart.org.uk/poems/upon-the-snail Some articles by Simonetta Carr about some of the authors mentioned: Lucy Hutchison https://www.placefortruth.org/blog/lucy-hutchinson-%E2%80%93-puritan-woman-changing-times John Donne https://www.placefortruth.org/blog/john-donne-poet-of-grace-and-comfort George Herbert https://www.placefortruth.org/blog/george-herbert-pastor-and-poet

Passage: 14 “I am the good shepherd. I know my own and my own know me, 15 just as the Father knows me and I know the Father; and I lay down my life for the sheep. 16 And I have other sheep that are not of this fold. I must bring them also, and they will listen to my voice. So there will be one flock, one shepherd. 17 For this reason the Father loves me, because I lay down my life that I may take it up again. 18 No one takes it from me, but I lay it down of my own accord. I have authority to lay it down, and I have authority to take it up again. This charge I have received from my Father.” (John 10:14-18) Song: The Good Shepherd by Fernando Ortega, Jana Alayra, and Tim Macres Lyrics: I am The Good Shepherd I lay down my life for you Enter in enter in enter in I am The Good Shepherd As the Father knows me I know you I know you I know you I know you And no one can take you away And no one can take you away You are The Good Shepherd You lay down your life for me Enter in enter in enter in You are The Good Shepherd As the Father knows you you know me You know me you know me you know me And no one can take you away And no one can take you away Prayer: “O, make your Word a swift Word, passing from the ear to the heart, from the heart to the lip and conversation; that, as the rain returns not empty, so neither may your Word, but accomplish that for which it is given. Amen.” — George Herbert

Welcome to Episode 233 of The Thinklings Podcast! In this episode, Thinkling Boyd walks us through a poem by George Herbert: The Windows. But first, we kick things off with our usual segments: “What Coffee Are We Drinking?” ☕ A banterful, segue-enriching Books & Business

====================================================SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1==================================================== DEVOCIÓN MATUTINA PARA ADULTOS 2025“CON JESÚS HOY”Narrado por: Exyomara AvilaDesde: Bogotá, ColombiaUna cortesía de DR'Ministries y Canaan Seventh-Day Adventist Church ===================|| www.drministries.org ||===================08 de MarzoFiel en lo poco«El que es fiel en lo muy poco, también en lo más es fiel» (Luc. 16: 10).Cuando era todavía un niño, mi madre, para insistirme sobre la importancia de terminar mis trabajos en todos los detalles, me solía repetir un dicho muy conocido, y presuntamente histórico: «Por un clavo se perdió una herradura; por una herradura, un caballo; por un caballo, un caballero; y por un caballero, un reino».Este dicho lo recoge George Herbert en su Jacula prudentum, una antigua recopilación de proverbios y frases célebres publicada en 1651. El dicho podría inspirarse en una famosa leyenda basada en la muerte del rey inglés Ricardo III, cuya derrota en la batalla de Bosworth fue inmortalizada por el célebre verso de Shakespeare, en su obra Ricardo III (1594-1597), «¡Un caballo, un caballo! ¡Mi reino por un caballo!».El rey Ricardo se preparaba para la batalla de su vida. Los ejércitos enemigos, conducidos por el conde de Richmond, marchaban contra él. El combate decidiría quién gobernaría Inglaterra. La mañana de la batalla, Ricardo envió a un palafrenero a comprobar si su caballo favorito estaba preparado. Por las prisas no le puso todos los clavos que necesitaba en una de las herraduras. En medio de la batalla el caballo perdió la herradura, tropezó, y Ricardo cayó al suelo. El asustado animal echó a correr y, cuenta la historia que el rey desesperado gritó: «¡Un caballo! ¡Mi reino por un caballo!».Pero no había ningún caballo a mano. Su ejército se había desbandado y los soldados enemigos se abalanzaron sobre él sin remedio.El mensaje de Jesús nos recuerda la importancia que tiene, para nuestro carácter, el hecho de prestar atención a los pequeños detalles, de terminar lo que emprendemos y no dejar nada a medias.Comenzar algo suele llenarnos de entusiasmo. Empezar un nuevo año, un nuevo trabajo, un nuevo proyecto: lo nuevo trae consigo, además de naturales inquietudes, hermosas expectativas. Pero el carácter se prueba en la capacidad de persistir cuando el éxito no llega y la fatiga y el desánimo nos vencen.Perseverar es la clave de quienes alcanzan sus metas. Los grandes proyectos requieren atención constante. Las grandes obras se componen de pequeños esfuerzos, de acciones repetidas que no parecen tener mucha trascendencia.Por eso hoy te pido, Señor, que me recuerdes la importancia de ser fiel en lo poco, de prestar atención a las cosas pequeñas. Sé que, si persevero y actúo con sentido del deber y cuento con tu ayuda, juntos tú y yo lo lograremos. 

rWotD Episode 2862: George Herbert Baker Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Wednesday, 5 March 2025 is George Herbert Baker.George Herbert Baker (February 14, 1878 – March 11, 1943) was an American Impressionist artist who worked primarily in the Richmond, Indiana area and was a member of the "Richmond Group" of painters. He worked in oil, watercolor and pastels. He worked for a time in Brown County, Indiana and is sometimes associated with that group of artists.Born in Muncie, Indiana, Baker lived in Richmond and Centerville most of his life. He studied with John Elwood Bundy, at the Cincinnati Art Academy and the Boothbay Art School. In 1925 he was a visiting instructor at Miami University.His work is represented in the collections of the Indianapolis Museum of Art, Haan Mansion Museum of Indiana Art, Richmond Art Museum, Earlham College, Miami University Art Museum, Morrisson-Reeves Library, Centerville, Indiana Library and a devoted group of private collectors. A painting titled "November Meadows" painted during the time he was an instructor at Miami University hangs today over the mantle in the formal living room of the Miami president's home, Lewis Place.The Richmond Art Museum held a retrospective of his work in 2001 and was said to be the largest exhibition of his work ever mounted.This recording reflects the Wikipedia text as of 00:36 UTC on Wednesday, 5 March 2025.For the full current version of the article, see George Herbert Baker on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kevin.

Evening Prayer for Thursday, February 27, 2025 (The Second to Last Sunday of Epiphany: World Mission Sunday, or Sexagesima; George Herbert, Priest and Poet, 1633).Psalm and Scripture readings (60-day Psalter):Psalm 143Lamentations 3:1-9, 19-33, 52-66Romans 11⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here to access the text for the Daily Office at DailyOffice2019.com.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here to support The Daily Office Podcast with a one-time gift or a recurring donation.

Morning Prayer for Thursday, February 27, 2025 (The Second to Last Sunday of Epiphany: World Mission Sunday, or Sexagesima; George Herbert, Priest and Poet, 1633).Psalm and Scripture readings (60-day Psalter):Psalm 140Exodus 6:1-13Matthew 12:1-21⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here to access the text for the Daily Office at DailyOffice2019.com.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here to support The Daily Office Podcast with a one-time gift or a recurring donation.

In this rebroadcast, Steve, Dana, and Lee discuss the often-memed subject of Saint Nicholas punching the heretic Arius at the Council of Nicea. Is that a true story? What is its relevance? Why are creeds important? We tackle all of this on this episode.*********************************************************************Library Ladder Links: "The One True God: A Biblical Study of the Doctrine of God" by Paul Washer: https://a.co/d/8Zye2FV"Christ & Creed: The Early Church Creeds & their Value for Today" by Nate Pickowicz: https://a.co/d/5bZNasg"The Need for Creeds Today" by J.V. Fesko: https://a.co/d/1fdSj4O"The Temple" by George Herbert: https://a.co/d/d3VD7NE*********************************************************************Website: rbcbellefontaine.comIntro Music: “Thunder” by Telecasted

Today's selection may not be traditionally recognized as a holiday poem, but it interprets the Christmas mystery as well or better than many poems written for the season. Happy reading! Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Melvyn Bragg and guests discuss the poet George Herbert (1593-1633) who, according to the French philosopher Simone Weil, wrote ‘the most beautiful poem in the world'. Herbert gave his poems on his relationship with God to a friend, to be published after his death if they offered comfort to any 'dejected pour soul' but otherwise be burned. They became so popular across the range of Christians in the 17th Century that they were printed several times, somehow uniting those who disliked each other but found a common admiration for Herbert; Charles I read them before his execution, as did his enemies. Herbert also wrote poems prolifically and brilliantly in Latin and these he shared during his lifetime both when he worked as orator at Cambridge University and as a parish priest in Bemerton near Salisbury. He went on to influence poets from Coleridge to Heaney and, in parish churches today, congregations regularly sing his poems set to music as hymns. WithHelen Wilcox Professor Emerita of English Literature at Bangor UniversityVictoria Moul Formerly Professor of Early Modern Latin and English at UCLAndSimon Jackson Director of Music and Director of Studies in English at Peterhouse, University of CambridgeProducer: Simon TillotsonReading list: Amy Charles, A Life of George Herbert (Cornell University Press, 1977)Thomas M. Corns, The Cambridge Companion to English Poetry: Donne to Marvell (Cambridge University Press, 1993) John Drury, Music at Midnight: The Life and Poetry of George Herbert (Penguin, 2014)George Herbert (eds. John Drury and Victoria Moul), The Complete Poetry (Penguin, 2015)George Herbert (ed. Helen Wilcox), The English Poems of George Herbert (Cambridge University Press, 2007)Simon Jackson, George Herbert and Early Modern Musical Culture (Cambridge University Press, 2022)Gary Kuchar, George Herbert and the Mystery of the Word (Palgrave Macmillan, 2017)Cristina Malcolmson, George Herbert: A Literary Life (Palgrave Macmillan, 2004)Victoria Moul, A Literary History of Latin and English Poetry: Bilingual Literary Culture in Early Modern England (Cambridge University Press, 2022)Joseph H. Summers, George Herbert: His Religion and Art (first published by Chatto and Windus, 1954; Center for Medieval and Renaissance Studies, New York, 1981)Helen Vendler, The Poetry of George Herbert (Harvard University Press, 1975)James Boyd White, This Book of Starres: Learning to Read George Herbert (University of Michigan Press, 1995)Helen Wilcox (ed.), George Herbert. 100 Poems (Cambridge University Press, 2021) In Our Time is a BBC Studios Audio production

Andrea Catherwood sits down with Director of BBC News Programmes John McAndrew to get answers on listeners' comments following the announcement of cuts - including the axing of long running World Service programme Hard Talk, with Stephen Sackur, the closure of the Asian Network's news team, a reshuffle for overnight bulletins on Radio 2 and 5Live and cutting R4's News Briefing at 0530. Two music obsessives drop into our VoxBox to give their views on Johnny Marr's Great British Groups, a recent series on Radio 2. But did the legendary guitarist manage to settle the debate on the UK's best band once and for all?And following a week of US election news, listeners got in touch about something that might seem unlikely - the discussion of the life and works of 17th century poet George Herbert on In Our Time. A reading of "the most beautiful poem in the world" in which Love welcomes us like a pub landlord, some singing, and the expertise of three Herbert-ologists made for, in some listeners' views, an uplifting audio experience. Presenter: Andrea Catherwood Producer: Pauline Moore Executive Producer: David PrestA Whistledown Scotland production for BBC Radio 4

Order of Service: - Prelude - Hymn 510 - Fear and Love Thy God and Lord - John 1:17: For the law was given through Moses; grace and truth came through Jesus Christ. - Choir anthem: The Call Z. Randall Stroope c. 2013 : Come, my Way, my Truth, my Life: Such a Way, as gives us breath: Such a Truth, as ends all strife: Such a Life, as killeth death. Come, my Light, my Feast, my Strength: Such a Light, as shows a feast: Such a Feast, as mends in length: Such a Strength, as makes his guest. Come, my Joy, my Love, my Heart: Such a Joy, as none can move: Such a Love, as none can part: Such a Heart, as joys in love. George Herbert, 1593-1633 - Homily - Choir Canticle: Magnificat, arr. R. Kreutz: My soul proclaims the greatness of the Lord; my spirit rejoices in God my Savior. For He has looked upon His lowly servant. From this day all generations will call me blessed: The Almighty has done great things for me, and holy is His Name. He has mercy on those who fear Him in every generation. He has shown the strength of His arm, and has scattered the proud in their conceit. He has cast down the mighty from their thrones and has lifted up the lowly. He has filled the hungry with good things, and the rich He has sent away empty. He has come to the help of His servant Israel for He remembered His promise of mercy, The promise He made to our fathers, to Abraham and his children forever. - The Kyrie (Lord have mercy) (pp. 116-117) - The Collect (pp. 118-119) - Hymn 584 - Grant Peace, We Pray, in Mercy, Lord - The Benedicamus (p. 119) - The Benediction (p. 119) - Postlude Service Participants: Peter Estrem (Preacher), Hannah Caauwe (Organist)

Order of Service: - Prelude - Hymn 510 - Fear and Love Thy God and Lord - John 1:17: For the law was given through Moses; grace and truth came through Jesus Christ. - Choir anthem: The Call Z. Randall Stroope c. 2013 : Come, my Way, my Truth, my Life: Such a Way, as gives us breath: Such a Truth, as ends all strife: Such a Life, as killeth death. Come, my Light, my Feast, my Strength: Such a Light, as shows a feast: Such a Feast, as mends in length: Such a Strength, as makes his guest. Come, my Joy, my Love, my Heart: Such a Joy, as none can move: Such a Love, as none can part: Such a Heart, as joys in love. George Herbert, 1593-1633 - Homily - Choir Canticle: Magnificat, arr. R. Kreutz: My soul proclaims the greatness of the Lord; my spirit rejoices in God my Savior. For He has looked upon His lowly servant. From this day all generations will call me blessed: The Almighty has done great things for me, and holy is His Name. He has mercy on those who fear Him in every generation. He has shown the strength of His arm, and has scattered the proud in their conceit. He has cast down the mighty from their thrones and has lifted up the lowly. He has filled the hungry with good things, and the rich He has sent away empty. He has come to the help of His servant Israel for He remembered His promise of mercy, The promise He made to our fathers, to Abraham and his children forever. - The Kyrie (Lord have mercy) (pp. 116-117) - The Collect (pp. 118-119) - Hymn 584 - Grant Peace, We Pray, in Mercy, Lord - The Benedicamus (p. 119) - The Benediction (p. 119) - Postlude Service Participants: Peter Estrem (Preacher), Hannah Caauwe (Organist)

Order of Service: - Prelude - Hymn 510 - Fear and Love Thy God and Lord - John 1:17: For the law was given through Moses; grace and truth came through Jesus Christ. - Choir anthem: The Call Z. Randall Stroope c. 2013 : Come, my Way, my Truth, my Life: Such a Way, as gives us breath: Such a Truth, as ends all strife: Such a Life, as killeth death. Come, my Light, my Feast, my Strength: Such a Light, as shows a feast: Such a Feast, as mends in length: Such a Strength, as makes his guest. Come, my Joy, my Love, my Heart: Such a Joy, as none can move: Such a Love, as none can part: Such a Heart, as joys in love. George Herbert, 1593-1633 - Homily - Choir Canticle: Magnificat, arr. R. Kreutz: My soul proclaims the greatness of the Lord; my spirit rejoices in God my Savior. For He has looked upon His lowly servant. From this day all generations will call me blessed: The Almighty has done great things for me, and holy is His Name. He has mercy on those who fear Him in every generation. He has shown the strength of His arm, and has scattered the proud in their conceit. He has cast down the mighty from their thrones and has lifted up the lowly. He has filled the hungry with good things, and the rich He has sent away empty. He has come to the help of His servant Israel for He remembered His promise of mercy, The promise He made to our fathers, to Abraham and his children forever. - The Kyrie (Lord have mercy) (pp. 116-117) - The Collect (pp. 118-119) - Hymn 584 - Grant Peace, We Pray, in Mercy, Lord - The Benedicamus (p. 119) - The Benediction (p. 119) - Postlude Service Participants: Peter Estrem (Preacher), Hannah Caauwe (Organist)

“Who aimeth at a star, Shoots higher, far, Than he who means a tree.” Charlotte Mason quotes this phrase from the poet George Herbert when describing “the power and beauty of a holy youth” (Formation of Character, p. 209). She chides us for not having a higher standard when it comes to the religious training … The post A Programme for Sunday Reading first appeared on Charlotte Mason Poetry.

Amanda Holmes reads George Herbert's “The Pulley.” Have a suggestion for a poem by a (dead) writer? Email us: podcast@theamericanscholar.org. If we select your entry, you'll win a copy of a poetry collection edited by David Lehman. This episode was produced by Stephanie Bastek and features the song “Canvasback” by Chad Crouch. Hosted on Acast. See acast.com/privacy for more information.

Julie and Scott talk about Simone Weil's astounding biography, including her experiences volunteering for the Spanish Civil War and participating in the French Resistance. We discuss her essays “The Iliad, or, The Poem of Force,”“The Need for Roots,” and “Reflections on the Right Use of School Studies with a View to the Love of God.” And we ask, how does war turn us into objects? What is the relationship between openness to God and openness to the neighbor? What might a society of “attention” look like? What are some of the complexities of pacifism and anti-statism? What might mean to create a society of attention? And finally, how does Scott read Weil as a Jewish thinker, necessary for us today?Note: For our use of the term “thingification” see Aimé Césaire's Discourse on Colonialism.Other texts and authors discussed:George Herbert, “Love III”Kathryn Lawson, Ecological Ethics and the Philosophy of Simone Weil: Decreation for the Anthropocene. Routledge, 2024.Emmanuel Levinas, “Simone Weil and the Bible” in Levinas, Difficult Freedom: Essays on Judaism, Trans. Sean Hand. Johns Hopkins University Press, 1990.Kenneth Novis.Scott B. Ritner joined the Political Science department at the University of Colorado Boulder in 2022 following appointments at SUNY Potsdam (2021-2022) and Temple University (2018-2021). He earned his PhD from The New School for Social Research in 2018. Scott's research focuses on 20th and 21st Century Critical Social Theory, Race & Ethnic Politics, and Popular Culture including literature and music. His manuscript in progress is titled Revolutionary Pessimism: The Antifascist Politics of Simone Weil. He is currently President of the American Weil Society (http://www.americanweilsociety.org). He teaches courses in Political Theory, American Politics, and Comparative Politics. When not researching or teaching, you can [try to] find him in the mountains. His work on Simone Weil can be found in Theory & Event, in various edited volumes, and at H-Net France.

“Once there were three baby owls: Sarah and Percy and Bill. They lived in a hole in the trunk of a tree with their Owl Mother…” [1] These are the first lines in the children's picture book Owl Babies. One night the three children wake up and find that their mother has gone.   The older two siblings have theories about where their mother went and wavering confidence that she will return. The youngest one Bill just repeats “I want my mommy.” It is a simple story about growing up, about the difficult task of learning to become separate from our parents. Sweet Alexandra loved owls, animals, babies and the experience of childhood itself. This was her favorite story and the basis for her nickname “Owlexandra” or just plain “Owl.”   It is hard to move gracefully from being a child to adulthood. It is hard to leave behind our childhood especially when we are very well adapted to it. It is hard to care for children in this time of transition. It is hard to be a child, or the friend of a child, who is becoming an adult.   Stories help to guide us as we make our way. Alexandra loved stories like Frozen, Wicked, and Hamilton. Her mother is American and her father is from England so they read quite a variety of stories including those of the British author Enid Blyton (1897-1968). In Five on a Treasure Island the first book in the Famous Five series, Julian, Dick and Anne are on their way to spend their first summer away from their parents, at the seashore home of their uncle and aunt, and their cousin Georgina and her dog Timmy.   “The car suddenly topped a hill – and there was the shining blue sea, calm and smooth in the evening sun…” At the house they meet their aunt for the first time (and they “liked the look of her”). She says, “Welcome to Kirrin [Bay]… Hallo, all of you! It's lovely to see you… There were kisses all round, and then the children went into the house. They liked it. It felt old and rather mysterious somehow, and the furniture was old and very beautiful.” [2]   These books are filled with secret passageways, hidden treasure, stolen goods, old maps, smugglers, spies and suspicious strangers. But ultimately bravery, perseverance, kindness and loyalty are always rewarded. In the end everything is perfectly resolved and clear. You know where everyone stands. There is no gray area or ambiguity.   You might say that real life is not like this and you would be right. Each of us is a mixture of good and bad. But we need each other to remind us to feed what is good in us every day so that we grow in kindness.   I love the way Alexandra's parents talk about her as a “gift from God” and uniquely filled with Christmas magic. In London her older sibling asked Father Christmas (or Santa Claus) for a little sister and ten months later she arrived. Alexandra was an angel in our Christmas pageant right here where I am standing. At the age of three she fell in love with the realistic looking babies in the FAO Schwartz store window. She loved children and animals. The Marin Primary motto is “treasuring childhood” and Alexandra did. She participated in theater, sports like cross country. She made art including a painting based on the work of Keith Haring.   One of the greatest treasures in this Cathedral is a triptych that Keith Haring (1958-1990) finished only weeks before his death from AIDS. It shows a mother holding her baby surrounded by joyful angels.   Alexandra knew that the most important question for a child is not what do you want to be when you grow up. It is who do you want to be; or better how do you want to be. Alexandra was empathetic, a thoughtful caregiver who valued kindness above everything else.   This way of being matches the values of this Cathedral where it is not about who is in or out, who is good or evil, who is saved or damned. The style of faith here is not about condemning other people or other religions. It is not overly preoccupied with the sin which is so evident in the world, the cruelty and unkindness that lead to tragedies like a young person's death.   Instead we believe that God loves everyone without exception. We hold a faith that arises chiefly out of gratitude, out of an experience of nature's beauty and the simple pleasure of being kind and helping the people who travel along with us. Jesus says, “Blessed are the pure in heart… Blessed are the peacemakers” and we try to be people who build bridges and look for the best in others. We sing “All things bright and beautiful, all creatures great and small, all things wise and wonderful, the Lord God made them all.” And in the midst of terrible tragedy we remember what a gift our life is.   At the end of the service my friend Luis will sing a poem by the sixteenth century Anglican priest George Herbert. It ends with these words. They are a kind of invitation to God. “Come, my Joy, my Love, my Heart: Such a Joy, as none can move: Such a Love, as none can part: Such a Heart, as joys in love.” Love and joy – these are the qualities exemplified by God. They are the possibilities that we realize in our own life.   Jesus does not say much about what happens after we die, about what the poet Mary Oliver calls “that cottage of darkness.” But he does say over and over that God is like a loving parent, an Owl Mother if you will, who always returns, who cares for us as every day of our life as we face the struggles of maturing.   And I imagine heaven as like the opening of an Enid Blyton book, the beginning of summer when suddenly we come across “the shining blue sea, calm and smooth in the evening sun,” and we are welcomed with “kisses all round” into an old house and a new adventure. And we will see again our lovely Owl as a kind of angel filled with kindness and the magic of Christmas. [1] “Once there were three baby owls: Sarah and Percy and Bill. They lived in a hole in the trunk of a tree with their Owl Mother. The hole had twigs and leaves and owl feathers in it. It was their house.” Martin Waddell, Illustrated by Patrick Benson, Owl Babies (Cambridge, MA: Candlewick Press, 1992). [2] Enid Blyton, Five on a Treasure Island Illustrated by Ellen A. Soper (NY: Hatchette Children's Books, 1997 originally published in 1942), 7-9.

Episode 124:A conversation with Margaret Oakes about the book 'To Gender or Not to Gender: Casting and Characters for 21st Century Shakespeare' which explores ways in which gender is being reinterpreted by British and North American productions since the turn of the millennium. After an initial chapter outlining recent gender theory, which is very useful to a newcomer to this as an academic study, like myself, the rest of the book uses examples of recent productions to illustrate different possibilities in cross gender casting, and the questions that this approach can lead to. I found it to be an absolutely fascinating read, driven by Margaret's enthusiasm for her subject, which you can also hear in our conversation.Margaret J. Oakes is a Professor of English at Furman University, a liberal arts college in Greenville, South Carolina. She specializes in early modern British poetry and drama and detective fiction. She holds a B.A. in English and a J.D. from the University of Illinois at Urbana-Champaign, an M.A. in English from Northwestern University, and a Ph.D. in English and Humanities from Stanford University. She has published on George Herbert, Francis Bacon, J.K. Rowling, Sara Paretsky, and Dorothy L Sayers.https://mcfarlandbooks.com/product/to-gender-or-not-to-gender/https://www.amazon.co.uk/Gender-Not-Casting-Characters-Shakespeare-ebook/dp/B0D76WMZZK/ref=sr_1_1?crid=11CZZNA8QVXMS&dib=eyJ2IjoiMSJ9.Fihl0uzGo8sTOhBH_I4U8wOKjYHyDayfQRaiJC8DtmU2ys8o2ElWldOC_VbzQCTL8m9pHSr8AoWvS-DvPKEK95JDT0OLndsd1tmX0761a0mRVME0k2kAiYP2gv6iazDe_eDgN3NATv9tYPQW2r5F3odhSC2oKCtn9O8jhT_SDIZm4-SSu4y_Rn_KxtwO4aRTW3gap_sqUj1T_nfvUY_3VQXB04ieAYtntSqU7UrZq9k.QIlJWmZhVaV9c6eAKS1TbJIl5tUJlRuDAD4RIRn2fpM&dib_tag=se&keywords=to+gender+or+not+to+gender&qid=1718710353&s=books&sprefix=to+gender+or+not+to+gender%2Cstripbooks%2C87&sr=1-1This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Inspired by the upcoming 2024 Institute on Liturgy, Preaching and Church Music (July 9–12), the Ladies are turning their attention to the book of Psalms. In the second of a five-episode series, Sarah, Erin, and Rachel welcome fellow Lutheran lady Sarah Reinsel (LCMS writer, editor and former English teacher) to the Lounge to talk about the literary beauty of psalmic poetry.   What makes literature literature and poetry poetry?  Are the Psalms poetry? What universal and uniquely Hebrew poetic devices do we see in the Psalms? What do we gain by learning to appreciate their literary beauty more deeply?    At the end of the episode, the Ladies introduce an all-new “Write This:” challenge — write your own psalm. Submit your original work by June 12 to be included in our online recap.   To learn more, check out the following:   2024 Institute on Liturgy, Preaching and Church Music - LCMS Calendar  Engaging the Psalms: A Guide for Reflection and Prayer - Concordia Publishing House (cph.org)  Understanding Biblical Literary Devices– A Key to Correctly Interpreting Scripture | Hoshana Rabbah BlogHoshana Rabbah Blog  Sarah Reinsel is a staff writer and editor for LCMS Communications. She studied English at Hillsdale College and earned her master's in medieval literature from the University of St. Andrews. Find an archive of Sarah's LCMS online articles here.  Need inspiration? Check out or revisit these authors and poets recommended by Sarah Reinsel during the episode:  Augustine of Hippo  William Shakespeare  John Donne   George Herbert  Gerard Manly Hopkins  Czesław Miłosz  Connect with the Lutheran Ladies on social media in The Lutheran Ladies' Lounge Facebook discussion group (facebook.com/groups/LutheranLadiesLounge) and on Instagram @lutheranladieslounge. Follow Sarah (@hymnnerd), Rachel (@rachbomberger), and Erin (@erinaltered) on Instagram! Sign up for the Lutheran Ladies' Lounge monthly e-newsletter here, and email the Ladies at lutheranladies@kfuo.org.

Good words are worth much, and cost little. - George Herbert Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

Peace Talks continues its series exploring the impact of the arts on spiritual formation, justice, and peace with this engaging interview with guest host, Suzie Lind and Jon Guerra. Their conversation considers why putting your head in the sand isn't always a bad thing and why peace isn't great for headlines. Listen in as they discuss surrendering to life as it comes. You don't want to miss this one!JON GUERRA is a Devotional Music Singer-Songwriter based in Austin, TX.  In 2020, he independently released, “Keeper of Days.” Guerra began describing his style as “devotional music” - a term he coined to refer to his musical style - as “less Sunday morning worship music, and more Monday morning prayer music.” His 2023 album, “Ordinary Ways,” was critically acclaimed and won Best Album of The Year at the Gospel Coalition's yearly round up. His songs have been described as, “contemporary Psalms with the earnestness of George Herbert, the reverent doubt of R.S. Thomas, the piercing acuity of Christian Wiman, and the determined vulnerability of St. Augustine's Confession.” (Fr. Zac Koons, Mockingbird Magazine) In addition to songwriting, Guerra, alongside his wife, Valerie, composed music for Terrence Malick's “A Hidden Life” (2019). He is currently touring, writing for his next album, and enjoying tacos with his wife and daughter in the ever-balmy Texas hill country. » Subscribe to PEACE TALKS Podcast: https://podcasts.apple.com/us/podcast/peace-talks/id1590168616About the Center for Formation, Justice and Peace:Justice and peace come from the inside out—from the overflow of a transformed heart. This belief led our founder, Bishop Todd Hunter, to start the Center for Formation, Justice and Peace in 2021. The Center brings together a diverse, interdenominational community of people who want to be formed in love to heal a broken world. Because “religion” is often part of the problem, we've created a brave, Jesus-centered space for dialogue, questioning, creating, and exploration. PEACE TALKS introduces you to women and men who are working to undo oppression, leading to lives of deeper peace for all.*Connect with The Center Online!*Visit The Center's Website: https://centerfjp.orgFollow The Center on Facebook: https://www.facebook.com/centerfjpFollow The Center on Twitter: https://twitter.com/CenterFjpFollow The Center on Instagram: https://www.instagram.com/centerfjp/Support the Show.

The life and poetry of George Herbert is spotlighted.

Today’s Links: Wonderful World: Explore amazing Barcelona with the delightful Phil Rosenthal, HERE. Good Company: Check out this lovely interview of Phil Rosenthal on ‘The Late Show with Stephen Colbert”, HERE. Sounds Good: Enjoy a wonderful Oboe Concerto (reconstruction) composed by Bach, HERE.

Today’s Links! Wonderful World: Explore Tokyo with Phil Rosenthal, HERE! Good Times: Check out a stunning performance by blues master Muddy Waters, HERE. Sounds Good: Enjoy Bach’s delightful Concerto for Two Violins in D Minor, Link HERE!

In today's poem: George Herbert meditating on the simple profundity of a single, sustained metaphor. Happy reading. Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Today’s Links! Wonderful World: Explore stunning Barcelona and its culinary wonders, with Phil Rosenthal! Link HERE. Good For You: The comic films of Buster Keaton are always Good For You! Explore them HERE! Sounds Good: Enjoy a performance of Bach’s Cello Suite No. 2 in D Minor, HERE.

Today’s Links! Wonderful World + Bon Appetit: Join Phil Rosenthal as he takes in the foods and sights of Italy, HERE. Sounds Good: Take in the wonder of Bach’s Brandenburg Concerto No. 5, HERE.

Today’s Links Wonderful World: Explore the culinary and cultural delights of Paris with Phil Rosenthal, HERE. Sounds Good: Kick off our Bach-Week with a stirring rendition of the Cello Suite No. 1, HERE.

This year on Old Books with Grace, I am offering a Lent series on penitential poetry from Early Modern poets. That is, on poems of the past that reflect on one's sin, on the need for forgiveness, on lament, on making things right, on conversion and satisfaction. In the spirit of Lent, this series will be stripped down to the essentials, which is something I'm trying to maintain in my own life this season. I will give you some background on the poet and poem, where you can find the poem, and translation information if need be. Then, I will read you the poem. I will offer five minutes of silence on the podcast. If you'd like to take this opportunity to meditate on the poem, here is space for you. Today's poem is The Agony by George Herbert. Philosophers have measur'd mountains, Fathom'd the depths of seas, of states, and kings, Walk'd with a staffe to heav'n, and traced fountains: But there are two vast, spacious things, The which to measure it doth more behove: Yet few there are that sound them; Sinne and Love. Who would know Sinne, let him repair Unto Mount Olivet; there shall he see A man so wrung with pains, that all his hair, His skinne, his garments bloudie be. Sinne is that presse and vice, which forceth pain To hunt his cruell food through ev'ry vein. Who knows not Love, let him assay And taste that juice, which on the crosse a pike Did set again abroach; then let him say If ever he did taste the like. Love is that liquour sweet and most divine, Which my God feels as bloud; but I, as wine.    

Today, on the Christian History Almanac, we remember one of the greatest devotional poets in the English language: George Herbert. Show Notes: Support 1517 1517 Podcasts The 1517 Podcast Network on Apple Podcasts 1517 on Youtube What's New from 1517: Remembering Rod Rosenbladt New 1517 Academy Course: The Early Church: Christ, Controversies and Characters with Bruce Hillman Preorder: Encouragement for Motherhood Edited by Katie Koplin Preorder: Be Thou My Song by Kerri Tom Here We Still Stand 2023 Videos are Available on YouTube Last Chance: NWA Conference May 3rd-4th More from the hosts: Dan van Voorhis SHOW TRANSCRIPTS are available: https://www.1517.org/podcasts/the-christian-history-almanac CONTACT: CHA@1517.org SUBSCRIBE: Apple Podcasts Spotify Stitcher Overcast Google Play FOLLOW US: Facebook Twitter Audio production by Christopher Gillespie (gillespie.media).

Evening Prayer for Tuesday, February 27, 2024 (Tuesday after the Second Sunday in Lent; George Herbert, Priest and Poet, 1633). Psalm and Scripture readings (60-day Psalter): Psalm 143 Lamentations 3:1-9, 19-33, 52-66 Romans 11 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here to access the text for the Daily Office at DailyOffice2019.com.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/dailyofficepodcast/support

Morning Prayer for Tuesday, February 27, 2024 (Tuesday after the Second Sunday in Lent; George Herbert, Priest and Poet, 1633). Psalm and Scripture readings (60-day Psalter): Psalm 140 Exodus 6:1-13 Matthew 12:1-21 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here to access the text for the Daily Office at DailyOffice2019.com.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/dailyofficepodcast/support

[SEGMENT 2-1] Trump's revenge plan 1 George Herbert said, "Living well is the best revenge", and boy has Trump live well. He's a triple-threat: success in business, TV, and politics. Very few people have this level of success in any career versus three careers. And now Trump is going for the "re-peat". Democrats are doing all they can to stop him. But you can't stop a moving train, especially the "Trump train". Ask by Laura Ingraham about the revenge question that Democrats seem so worried about. And Trump surprised everyone. "My revenge will be success." https://twitter.com/CollinRugg/status/1760111332362424564 What a comment. Very presidential. Those may be some of the most scary words the Democrats have heard, given all their fearmongering about a second Trump term. Also, Democrats hate success. Ironically, success is the reason Democrats targeted Trump in the coup of 2020 in the first place. Trump was too successful. Imagine going years with neither party having success, and then Democrats get their perfect candidate: Baby Black Jesus. And he blows it. [SEGMENT 2-2] Trump's revenge plan 2 Barack Obama accomplished nothing meaningful, and he divided the country in race, gender, sexuality, and religion. No need to recount all the economy-killing things the warmongering Nobel Peace Prize winning loser did. But his damage was plentiful. Then Trump follows him. The man who Obama dared to save Carrier. Trump obliged, making it look so easy it caused a panic in Democrat circles. Trump was winning on Day One. Democrats invest in failure. Because that's where the money is. Look at their leader. Biden is and has always been a dismal failure. But he's a cash dispensing machine. The bigger the failure, the more the "investment". Democrats have ruined the education system, nearly bankrupted the welfare and healthcare systems. They reward criminals by defunding the police. And there is much more fiendish activities by Democrats that prove they hate success. Government hadn't experienced success until Trump got elected. [caption id="attachment_79910" align="alignnone" width="929 Partial transcript: “You say ‘how do you get together?' We will get together through success,” Trump responded. “When this country—the country was at a level that we never—we had the best employment numbers in history. Everything was good. And this country was coming together. Then we got hit with Covid. But this country came together. “I don't care about the revenge thing,” Trump added. “I know they usually use the word revenge. Will there be revenge? My revenge will be success.” Democrats really opened Pandora's box. The public recognizes the witch hunt of Trump. And his $355 million civil fraud judgment only reinvigorated his resolve to drain the swamp. Now Trump pledges to take his campaign message straight to New York City. "I'm gonna see about Madison Square Garden and we're gonna go to the South Bronx and we're gonna go to Queens and other areas," he said. "If you look at what's happened in New York, I'm not even blaming the mayor. I think the mayor has sort of been told to take a backseat a little bit because they came after him violently." "My revenge will be success." "I'm gonna see about Madison Square Garden and we're gonna go to the South Bronx and we're gonna go to Queens and other areas." "If you look at what's happened in New York, I'm not even blaming the mayor. I think the mayor has sort of been told to take a backseat a little bit because they came after him violently." New Yorkers will show the world that New York City is Trump country. [SEGMENT 2-3] Government playing god… If you follow any religion, then you've heard of Judgment Day. That's the day you meet God and He determines what you did with your life. Supposedly there is a review of everything you did on Earth, and your fate is determined by all that. When I was young, I pictured books and perhaps videos of God watching all my sins. The thought of that was daunting. God know all and sees all. Well the new earthly god is the NSA. It knows all and sees all. Imagine the volumes of data the NSA can have on a person. If you don't believe me, check out the history Facebook keeps on you. It knows where you've been since you downloaded the app. And it has logged not some, but all of your searches, articles you've read, etc. Using sophisticated AI models, FB could rebuild you. All that data is with the NSA, who could make or break you. Unlike God who is content to look at your real accomplishments, He won't forsake you and make you out to be a villain if you're not one. But the government is not benevolent. Quite the contrary… [SEGMENT 2-4] Government playing god 2 - Jim Biden testimony The Biden crime family is being questioned one by one over the next few weeks. And the questioning began with Joe Biden's younger brother. Like the other Bidens, Jim Biden has no actual skillset. So he makes a living marketing his big brother. The entire family bet on Joe, like he's the blue-chip quarterback everybody hoped would go pro. Lucky for Joe Biden, elitists picked him to replace Trump in the coup, and the Biden family hopes were realized. Jim Biden's grift is well-documented. He promised a rural hospital group money from a foreign source, and he used his brother's name to get a cushy deal. Jim sent his big brother Joe, aka "the big guy" his cut, and now he's answering tough questions about the deal. Understand that the Biden crime family members know rule number one: protect Joe Biden. So initially Jim Biden claimed that he was not part of a deal involving Hunter Biden and his other business partners. However, according to one source, James Biden altered his story during a closed-door interview with lawmakers. All it took to get him to recant was evidence. Investigators showed Jim Biden an agreement that featured his signature alongside those of Hunter Biden and his business partners. Biden then pulled a "Joe Biden" and told legislators that he did not remember signing the agreement. Who can blame him, given all those LLCs the Biden crime family set up. So what deal did Jim Biden selectively forget? The biggest deal of the Biden family, a proposed joint venture involving an entity known as SinoHawk and the Chinese Communist Party (CCP)-tied CEFC China Energy Limited energy firm. This deal brought the Biden family millions, and I'm certain the money trail will validate this. The deal structured fifty percent ownership of SinoHawk by Hudson West IV — an entity nominally managed by CEFC “emissary” and Joe Biden “office mate” Gongwen Dong, and fifty percent to be owned by Oneida Holdings LLC, an entity composed of LLCs controlled by Hunter Biden, James Biden, Rob Walker, James Gilliar and Tony Bobulinski, according to Bobulinski's Feb. 13 testimony to congressional investigators and documents obtained by the Senate Judiciary Committee. Per Yahoo News, the Biden family was paid millions: CEFC China Energy, which has close ties to the Chinese Communist Party and People's Liberation Army, paid entities controlled by the then-cash-strapped Hunter Biden or his uncle James Biden $4.8 million over the course of 14 months beginning in 2017, according to The Washington Post. But the deal was meant to be much larger than the $4,8 million received. And the service to be provided by the Bidens? Introductions. Hunter Biden entered into a consulting contract with China's largest private energy company that initially earned him $10 million a year “for introductions alone,” according to leaked emails. In an email chain from Aug. 2, 2017, Biden discussed a deal with the former chairman of CEFC China Energy, Ye Jianming, saying Ye agreed to change the terms of Biden's three-year consulting contract with CEFC, which initially promised Biden $10 million per-year “for introductions alone,” to make it “much more lasting and more lucrative,” the New York Post reported, although the authenticity of the Biden emails has not been independently confirmed. The new deal included a 50 percent equity stake in a holding company created by Ye rather than the $10 million in annual cash that had been previously negotiated. "For introductions alone". I've never shopped for "introductions", but apparently they are more expensive than Lamborghinis. How could Jim Biden possibly forget to have signed a deal like this? What say the people? The results of a YouGov poll, were released on Wednesday. They showed that an astonishing 53 percent of registered voters believe that Joe Biden “personally profited” from his son's overseas business adventures. Perhaps the most telling statistic in this poll is that roughly 44 percent of Democrats believe Joe Biden profited. And by profited, they mean committed crimes by accepting money from America's enemy.

Thursday 22nd February: George Herbert by St Martin's Voices

Dr. Erik Ankerberg joins Sarah, Erin, and Rachel to discuss the latest Lutheran Ladies' Book Club pick: George Herbert's The Temple. An expert on Herbert's poetry (as well as a longtime fan), Dr. Ankerberg shares a depth of insight as he helps the Ladies unpack this beautiful but obscure volume of devotional verse. Who was George Herbert? To what extent was his Anglican faith influenced by Lutheran theology? What makes his poetry feel so fresh and relevant for Christians today? Poems discussed in detail in this episode include the following: “The Pulley” “The Collar” “The Holdfast” “Love (3)” At the conclusion of the episode, the Ladies announce their next book club pick: Louisa May Alcott's Little Women. Dr. Erik Ankerberg is president of Concordia University Wisconsin and Ann Arbor. Prior to his inauguration in 2023, he earned his Ph.D. in Renaissance Literature from Marquette University (dissertation: Toward a Re-Formed Confession: Johann Gerhard's Sacred Meditations and "Repining Restlessnesse" in the Poetry of George Herbert) and spent many years as an English professor. Click to learn more about Concordia University Wisconsin and Ann Arbor or to read Dr. Ankerberg's inaugural address (which includes George Herbert's sonnet “The Holdfast”). Learn more about George Herbert and sample his best-known poems at PoetryFoundation.org.  Connect with the Lutheran Ladies on social media in The Lutheran Ladies' Lounge Facebook discussion group (facebook.com/groups/LutheranLadiesLounge) and on Instagram @lutheranladieslounge. Follow Sarah (@hymnnerd), Rachel (@rachbomberger), and Erin (@erinaltered) on Instagram! Sign up for the Lutheran Ladies' Lounge monthly e-newsletter here, and email the Ladies at lutheranladies@kfuo.org.

We all have questions. You have questions. Join Stasi and today's special guest, her husband, John, as she poses questions sent in by listeners. They explore the topics of important daily practices, forgiveness, boundaries, waiting, and holding on to hope. This podcast is a treasure chest of insight and wisdom and will be helpful as you enter into the new year.…..SHOW NOTES:…..VERSES: 1 Peter 5:7 (NLT) — Give all your worries and cares to God, for he cares about you.Psalm 49:7–9 (NLT) — No one can redeem the life of another or give to God a ransom for them—the ransom for a life is costly, no payment is ever enough—so that they should live on forever and not see decay.Psalm 42:11 (NLT) — Why am I discouraged? Why is my heart so sad? I will put my hope in God! I will praise him again—my Savior and my God!Psalm 30:5 (NLT) — …Weeping may last through the night, but joy comes with the morning.Galatians 6:14 (NLT) — As for me, may I never boast about anything except the cross of our Lord Jesus Christ. Because of that cross, my interest in this world has been crucified, and the world's interest in me has also died.…..OTHER RESOURCES:For more on benevolent detachment, we recommend John's book Get Your Life Back  https://amzn.to/4870URQFor more on the three hopes, we recommend John's book All Things New  https://amzn.to/3v7mwz2Quote by George Herbert, The Complete Works of George Herbert: Prose (ed. 1874): I wept when I was borne, and every day shewes why.…..Don't Miss Out on the Next Episode – Subscribe for FreeSubscribe using your favorite podcast app:Spotify Podcasts – https://spoti.fi/42SsOipApple Podcasts – https://apple.co/42E0oZ1 Google Podcasts – http://wahe.art/3M81kxLAmazon Music & Audible – https://amzn.to/3M9u6hJ

Poet and critic Robert B. Shaw earned a BA from Harvard University, where he studied with Robert Lowell, and a PhD from Yale University. Influenced by Elizabeth Bishop and Philip Larkin, Shaw's wry and plainspoken formal verse is often grounded in, or sprung from, the debris of daily life. He is the author of several collections of poetry, including Solving For X (2002), which won the Hollis Summers Poetry Prize; Below the Surface (1999); and The Wonder of Seeing Double (1988). His criticism appears widely in such places as the New York Times Book Review, and he has also published a critical study of poets John Donne and George Herbert, The Call of God: The Theme of Vocation in the Poetry of Donne and Herbert (1981). Shaw has received Shenandoah's James Boatwright III Prize for Poetry as well as fellowships from the National Endowment for the Arts and the Ingram Merrill Foundation. Since 1983, Shaw has taught at Mount Holyoke College as the Emily Dickinson Professor of English.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe