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This is the Sunday evening liturgy during the Fall season of Ordinary Time for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #5” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Wishing Elsewhere” by Emily Hanrahan, © 2020 Emily Hanrahan.“My Savior Left His Throne Above” by Julie Anne Vargas and Zac Hicks, © 2015 Unbudding Fig Music (ASCAP) & Julie Anne Vargas, CCLI #7056910.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of...
Send us a textThe concept of dignity—the unwavering worth within each human being—lies at the heart of our religious traditions, political systems, and human interactions. But what does it mean to respect someone's dignity, especially when society has trained us to look away?In this episode, Melissa has a conversation with Dr. Beth Sarah Wright, author of "DIGNITY: Seven Strategies for Creating Authentic Community", centered on James 3:18. They discuss human dignity and how genuine community emerges when we honor each person's inherent value. "Dignity isn't a moral imperative, nor is it a political imperative—it really is a human imperative," Dr. Wright explains. She unpacks how respect etymologically means "to look again," challenging us to see beyond our initial judgments to recognize the full humanity in others. Listen in for the full conversation.Dr. Beth-Sarah Wright is an Atlanta-based author, dynamic speaker, and strategic thought partner who inspires and drives transformation in communities, institutions, and individual lives—all while centering human dignity.As Co-Founder and Executive Director of Thrive With Dignity, LLC, Dr. Wright partners with organizations to build authentic, thriving communities. She works with a wide range of institutions—schools and universities, corporations, nonprofits, and faith communities—using her signature DIGNITY Lens©. This powerful framework, grounded in seven strategic pillars, helps organizations interrogate their practices, align with their core values, and embed human dignity into the very structures that shape daily life. More than a framework, the DIGNITY Lens© is both a leadership tool and an integrity compass—empowering communities to increase capacity, make meaningful progress, and change outcomes in sustainable ways.She is the author of seven influential books, covering topics from organizational integrity and adaptive leadership to depression, healing, and spiritual growth. Her book DIGNITY: Seven Strategies for Creating Authentic Community (2020), selected as the 2023 featured book of the year by the National Association of Episcopal Schools (NAES), along with its companion The DIGNITY Lens Workbook, offers a practical and transformative approach to leadership, strategic decision-making, and creative problem-solving. These resources have been used across sectors to conduct integrity audits and enhance alignment with mission and purpose.Support the show Follow us on IG and FB at Bishop Rob Wright.
Patrick kicks off the show with news of Pope Leo's surprise appearance at the Jubilee of Youth and his heartfelt words to young people gathering in Rome. Shifting tone, Patrick unpacks the life of St. John Henry Newman, tracing his unexpected journey from Anglican critic to Catholic convert and soon-to-be Doctor of the Church, while listener calls spark practical wisdom about conscience, daily Catholic living, and the turmoil of scrupulosity. Pastoral advice meets snippets of history and lively conversation, leaving listeners with both fresh perspective and food for thought. Pope Leo XIV made a surprise appearance in St. Peter’s Square on Tuesday evening to greet the thousands of participants at the welcoming Mass for the Jubilee of Youth. (00:51) St John Henry Newman set to become newest Doctor of the Church (03:51) Elizabeth - I am paying someone out of pocket for childcare. I realize this is wrong. How can I make this better? (21:22) Sean – “Lead Kindly Light” is a famous hymn that was written by Cardinal Newman (34:06) John - My son is getting married civilly but I want him to get married in the Church. You said you can do civil wedding after, but the priest is telling me we have to do civil wedding first. (39:02) Morgan (email) – Does God change his mind? (46:33)
This is the Thursday evening liturgy during the season of Pentecost for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #3” by Wen Reagan, © 2020 Sursum Corda Music.“Compline #4” by Wen Reagan, © 2020 Sursum Corda Music.“Come to Me” by Wendell Kimbrough, © 2017 Wendell Kimbrough, CCLI #7100076.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love!Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new
This is the Wednesday evening liturgy during the season of Pentecost for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #3” by Wen Reagan, © 2020 Sursum Corda Music.“Compline #4” by Wen Reagan, © 2020 Sursum Corda Music.“Come to Me” by Wendell Kimbrough, © 2017 Wendell Kimbrough, CCLI #7100076.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love!Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal
This is the Tuesday evening liturgy during the season of Pentecost for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #3” by Wen Reagan, © 2020 Sursum Corda Music.“Compline #4” by Wen Reagan, © 2020 Sursum Corda Music.“Come to Me” by Wendell Kimbrough, © 2017 Wendell Kimbrough, CCLI #7100076.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love.Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new...
Guest Preacher Sam Bartlett preaches from the Gospel of Luke on the Seventh Sunday after Pentecost.
This is the Monday evening liturgy during the season of Pentecost for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #3” by Wen Reagan, © 2020 Sursum Corda Music.“Compline #4” by Wen Reagan, © 2020 Sursum Corda Music.“Come to Me” by Wendell Kimbrough, © 2017 Wendell Kimbrough, CCLI #7100076.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love.Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp,...
The Old Testament can feel daunting to preach, but it's an essential part of the story we're called to tell. Many pastors avoid preaching texts of violence, trauma, and grief but what if these difficult texts are exactly what our churches need to hear? In this conversation, Old Testament scholar and Anglican priest Dr. Lissa Wray Beal offers a thoughtful and deeply encouraging guide for engaging the harder parts of Scripture. Drawing from her current writing on the book of Jeremiah and her years of pastoral ministry and academic scholarship, Lissa makes the case that these ancient texts are essential for helping congregations find language in time of suffering and struggle.Together Lissa and Jason explore: - Preaching texts of trauma with both theological clarity and pastoral care, especially in communities shaped by grief, abuse, or injustice,- Finding solidarity with Jeremiah as a model for faithful ministry in seasons of exhaustion, obscurity, or rejection,- Navigating denominational shifts with humility, theological conviction, and an openness to the diverse expressions of the Church,- Recovering the Psalms as vital resources for congregational prayer, especially in times of cultural and spiritual disorientation,- Rethinking the future of seminaries: the importance of embodied formation, theological depth, and renewed partnership with the Church.Lissa is thoughtful and pastoral, blending scholarly depth with real-world insight. This is a thoughtful conversation about formation in the word, pastoral faithfulness, and the steady grace of God in the complexity of everyday life.Show NotesLissa Wray Beal's PublicationsThe Pastorate Listener SurveyFall 2025 Pastors Retreat at Barnabas LandingSupport the Work of The PastorateThe work of strengthening pastors across Canada is only possible because of generous partners like you. As we look to the future, would you consider joining us in prayer, sharing this episode, or making a gift to invest in a vibrant, Jesus-centered church in every community? Thank You to Our Episode SponsorSpecial thanks to the Canadian Bible Society for making this episode possible. We invite you to explore their Bible Course to help your church grow in Scripture engagement.
Sermon delivered by Bp. Stephen Scarlett on Sunday, July 27, 2025.View Transcript:https://bit.ly/Sermon_2025-07-27_The-Sixth-Sunday-after-Trinity_Bp-Scarlett
Lead Pastor Kris McDaniel preaches from Colossians.Learn more at atltrinity.org.
This is the Sunday evening liturgy during the season of Pentecost for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #3” by Wen Reagan, © 2020 Sursum Corda Music.“Compline #4” by Wen Reagan, © 2020 Sursum Corda Music.“Come to Me” by Wendell Kimbrough, © 2017 Wendell Kimbrough, CCLI #7100076.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love.Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new...
Psalm 95:1-11; John 10:27-28 Tee Feyrer
Rev. Justin Hendrix // Psalm 138; Colossians 2:1-15; Luke 11:1-13⛪ Church of the Incarnation is an Anglican (ACNA) parish in western Henrico, Virginia, committed to:
Erica Ridderman, Minister for Children, Youth, and Family Formation, preaches on the seventh Sunday after Pentecost.
Send us a textWhen Jesus' disciples asked, "Lord, teach us to pray," they recognized how Jesus connected with the Divine. The prayer the disciples asked for wasn't about polished words. It was about relationship. In this episode, Melissa has a conversation with The Rev. Canon Salmoon Bashir about prayer and its power to transform our spiritual lives. Salmoon shares the story of how his mother instilled prayer as a non-negotiable daily practice in their family life. The conversation reveals how early formation in prayer creates patterns that sustain us through life's complexities.Prayer emerges not as a performance or obligation but as relationship-building with the divine. "The focus of prayer is to be like Jesus, love like Jesus, pray like Jesus, forgive like Jesus, welcome strangers like Jesus," Salmoon explains. This relational approach dismantles the anxiety many feel about "praying correctly," affirming that from ancient liturgical traditions to simple heartfelt words, there's no wrong way to pray. As Salmoon prepares to pass these prayer traditions to his four-month-old son by reading Psalms at bedtime, we're reminded that prayer forms not just our spiritual lives but the generations that follow. Listen in for the full conversation.Read For Faith, the companion devotional.The Rev. Canon Salmoon Bashir serves as the Canon for Liturgy and Ecumenism at the Cathedral of St. Philip. Originally from Pakistan, Salmoon brings over a decade of experience in offering compassionate and thoughtful leadership across multicultural, multi-faith contexts in the United States, Pakistan, Iraq, the United Kingdom, and the Republic of Georgia.Before ordained ministry, Salmoon worked as a Project Engineer in the oil and gas industry in the Middle East. Responding to a vocational call, he joined the Community of St. Anselm at Lambeth Palace in London, serving alongside the Archbishop of Canterbury. He later moved to the Republic of Georgia, where he served as Assistant Pastor in a vibrant, multiethnic, and multidenominational church.Salmoon's call to the priesthood in The Episcopal Church led him to Atlanta, where he earned a Master of Divinity degree with a Certificate in Episcopal-Anglican Studies and a Chaplaincy concentration from Emory University's Candler School of Theology. In addition to his ministry, Salmoon serves on several academic, religious, and nonprofit boards. He is married to Mari, a fellow graduate of Candler School of Theology, who works with a faith-based nonprofit organization. Support the show Follow us on IG and FB at Bishop Rob Wright.
Dr. Matthew Barrett recently announced that he is leaving the Southern Baptist Convention and joining the Anglican tradition, citing his shift to paedobaptism as a major factor. In his announcement, he references Acts 2:39—“For the promise is for you and for your children…”—as part of the biblical basis for this change.In this video, we take a closer look at that verse. Does Acts 2:39 actually support the practice of infant baptism? Is it a strong argument against believer's baptism as held by Baptists?Let's explore five key reasons why this verse does not teach paedobaptism—and why the broader context actually reinforces the Baptist view of baptism as a response of personal faith.Support the showGET THE NEWSLETTEREach edition of the Reasonable Theology newsletter contains my latest article or podcast episode PLUS: A Theological Word or Phrase Explained Quickly and Clearly A Painting Depicting a Scene from Scripture or Church History Audio of a Hymn or other Musical Selection to Enjoy A Recommended Book or Resource to Expand Your Library SUBSCRIBE HERE
From the mountains of Saudi Arabia to the ruins of Noah's Ark in Turkey, Joseph F. Dumond has spent over four decades uncovering prophetic patterns hidden in plain sight. His discoveries about the Jubilee cycles, the Red Heifer's coming sacrifice in 2026, and the shocking fulfillment of biblical prophecies in our headlines today… will shake you. Joseph F Dumond I was born in 1958 to an Anglican mother and a Catholic father. I was raised Catholic and married my high school sweetheart, Barbara, in 1978 after graduating in 1977 from Orangeville District Secondary School in Ontario, Canada.Barbara and I had our daughter in 1981, our son in 1982, and then later our third child—another son in 1990. We wanted to be good parents and began to attend the Catholic church weekly, but we learned very little about God at this time.In 1981, I first heard Herbert Armstrong teaching about the Sabbath on my car radio late one night on my way to work in Eastern Ontario. He was teaching about the ancestry of the French people, which I found very interesting as I worked on my family tree, but I was not able to write his contact information down while I drove.A few days later, I heard him again as I left from work and wrote in to request some material. That winter of 1981-82, I found myself studying the Bible unlike I had ever done in the past. I was desperately trying to prove wrong what he said about the Sabbath being Friday sunset to Saturday sunset. How could one billion Catholics be keeping the Sabbath on the wrong day?I worked seven days a week as a foreman, supervising natural gas pipeline workers. There was no way I could possibly take a day off to attend church on Saturday. But finally, after six months of solid day and night study, I could no longer discount just how clear Yehovah has always been on this matter and that we all should be keeping the Sabbath. I was forced to conclude the seventh day Saturday Sabbath had never changed, and that it was the Catholic Church that was to blame for changing the Saturday Sabbath to Sunday, so I began to attend the Worldwide Church of God (WCG) in April of 1982.About a month after my first visit, I learned about the Holy Days. Through those Holy Days—all of which are found in Leviticus 23—I was able to learn of Yehovah's divinely inspired plan for mankind and how it was all to come together. I attended the WCG from 1982-1994. Hebert Armstrong died in 1986 and the Church he left behind began to return to—and look more and more like—the Catholic Church. There were many splits during these years.I left the WCG after attending Sukkot in 1994. They were now serving communion which is what we did every Sunday in the Catholic faith. I began to study on my own from that week onward. Because my wife was not interested, I would leave the house each Saturday and drive to a deserted dead-end road and study there alone—and did so until 9/11 took place in 2001.The Sabbath after 9/11, I was attending the United Church of God (UCG) which was one of the many offshoots of the WCG. While there, I began to write just a few articles for the Good News Magazine and the monthly newspaper published by the UCG.In the winter of 2004-05, I heard about Michael Rood and Nehemia Gordon giving a teaching in Lansing, Michigan. I drove down and for the first time learned that God had a name, that the Hillel calendar I was currently following began in 358 C.E., and the original calendar used by Yehshua and the Apostles was the crescent moon to begin the month and the barley each spring to begin the year. Once again, I was being challenged in my beliefs. Once again, I began an intensive search to discover the truth.I was not sure which methodology was correct, so I decided to keep both and no one would know. The Holy Days would only be a couple days apart at the most. Then Nehemia announced the barley was Aviv and they would be keeping the Holy Days one month before those on the Hillel calendar. I decided to keep both calendars anyway, even though they would be 30 days apart. On Passover according to the barley, I discovered the proof scripture showing me absolutely which calendar was correct. It was when Yehshua said no man could know the day or the hour. Then on that same day through Qadesh La Yahweh Press, Yehovah showed me the Jubilee years, when they were, and how to prove them. They had written about 11 historical Sabbatical and Jubilee years.I was able to connect the curses of Leviticus 26 to these Jubilee cycles. I was then able to bridge the gap between the Old and New Testament chronologies because of the Jubilee cycles, one of which (the year they entered the Promised Land) I discovered when I did the Genesis chronology. This led me to know that the end of the 6th millennial day of mankind would be in 2044.This also led me to understand the prophecy of Daniel 9, which shows there are 70 Jubilee cycles from the Exodus—and it was not talking about Jesus. The middle of the 70th week, or 70th Jubilee cycle, was 2020. I began warning about 2020 starting in 2005. Then the COVID-19 pandemic impacted the entire world in 2020.In the WCG I had learned how the Holy Days of Leviticus 23 explained the plan of salvation, but it was not until I combined the Jubilee cycles with those Holy Days that it all came together.I had begun to talk to the brethren about all I was discovering and by August 2006 I was asked to leave the UCG. That same month I began our website, Sightedmoon.com. The internet was still new and growing fast. This is when we began to write a weekly newsletter and share all those things we were discovering about the Jubilee cycles and prophecy, which I had written up in short articles since Passover 2005.I never wanted to be someone who teaches religion. Never. But when I saw that no one else was speaking about the Sabbatical and Jubilee cycles and how they revealed end-time prophecy, I could no longer remain silent.In 2005, I took my first tour of Israel. In 2006, I mikveh'd (baptized) in the Gihon Spring and had hands laid on me. I have not been able to shut up since this time. Then in 2007, I went to Noah's Ark in eastern Turkey on the Iranian border to prove to myself if this was true and whether I could believe in the Bible. It was at this time that I also discovered I was in the Garden of Eden. After going to Israel and then Noah's Ark, I came away knowing the accuracy of the Bible. As of December 2024, I have been conducting my own tours of Israel, having now been there 25 times, as well as climbing Mount Sinai in Saudi Arabia in 2022 where I saw the Golden Calf Altar.I continued to explain my findings to people repeatedly through our website, or in various Bible study groups, but few understood. In 2008, a friend told me to publish my writings into a book so they all would be in one place.In 2009, I kept my first Sabbatical year and let our land rest, stocking up food the year before. I also published the Sabbatical and Jubilee Charts for the first time in 2009.Having never written a book before, I was able to publish my first book The Prophecies of Abraham in 2010. I was trying to explain everything I understood in one book. I felt the least qualified to teach or to write as my English communication skills were horrendous.I assumed everyone already knew all these things I was explaining and that I was just another person saying the same old things once again. To my amazement, they did not know these things, nor had they heard such teachings before. Those double checking what I was saying could not find fault.This book, along with the charts, compares various prophetic Jubilee cycles with our current 120th cycle. Luke speaks of the days of Noah and of Lot. This is only understood when you see each of their Jubilee cycles and compare it to our own. Then that scripture makes so much more sense. Then we discovered the seven years of plenty and the seven years of famine also confirmed what I was explaining.Many people could not understand how The Prophecies of Abraham demystified the Sabbatical and Jubilee years. To help them, in 2013, I then published Remembering the Sabbatical Year of 2016. I went into great detail and explained how to know when each and every Sabbatical and Jubilee year was. I walked the reader through each step in understanding how to figure this subject out, answering every question that has been raised about this subject.I was able to present all of this for the first time in 2013 at Sukkot in Fall Creek Falls State Park in Tennessee. I was able to record all of these teachings for the very first time on video. It was during this Sukkot that I was introduced to the Tombstones of Zoar for the very first time.But the brethren still had trouble understanding the 70 weeks of Daniel 9 in relation to the Jubilee cycles. These end-time prophecies needed yet another book to explain them in great detail. This led me to publish my 4th book in 2014, The 2300 Days of Hell. I originally wanted to call it the 70 Shabua of Daniel, but no one understood the title, so I changed it just before publishing. Once you see the charts for the Jubilee cycles, you can then see how they explain the meaning of the 70 Weeks of Daniel, which were sealed until the time of the end. That time is right now.The brethren can now see many things on the nightly news that this book explains: the deception of the Paris Accords or Climate Change, and the rise of military confrontations in the Middle East, EU, Iran and China. In 2014, there was a lot of hype about the Blood Moons. Our 5th book, The Blood Moons-The Elephant in the Room, is only available as an e-book through our website, Sightedmoon.com. It shows you how there were blood moons on each of the Jewish Holy Days in the spring and in the fall just before almost every major event in the Bible, all the way back to just before the death of Adam. It is a stunning book which can only be explained when you understand the Jubilee cycles.In 2019, I was convinced of the need to write our 6th book, It Was A Riddle Not A Command, because many people would write us and say that no man knows the day or the hour, and therefore you cannot know these end-time prophecies that you are teaching in your other books. It was always disappointing to see this response, as it showed they would not and could not learn any more than what they had already come to understand at their local church or assembly. They had stopped growing. They had never learned what that expression they so often used was actually telling them—the very day our Messiah was going to come back on.In order to prove to you what this Hebrew idiom actually does mean, we must look at a few other subjects, which will again deepen your understanding of the time when our Messiah was killed and of what is meant by Revelation 12. You will also learn that Yehshua always spoke in parables to purposely not reveal the information He was teaching about to the public. He wanted them to remain ignorant because they would not take the time to learn about Him in more detail.In the Parable of the Ten Virgins, I hope you will be just like the wise virgins who bought extra oil so that they had it when they needed it. The five foolish virgins had to go buy the oil because they did not have enough, but they were too late.I had stated publicly I would close our website if nothing happened in 2020 as we had been warning in our book The 2300 Days of Hell. COVID-19 did happen, and it proved our accuracy of the Jubilee cycles, but it even took us some time to realize just how huge COVID was and what that meant.My 7th book was published in 2021. The Mystery of the Jewish Rapture 2033 was addressing the rapture debate and showing from scriptures when it was to take place. In The Mystery of the Jewish Rapture 2033, we drill down on the Rapture itself and show you exactly where it is explained and the very day and year it is to take place on—exactly as your Bible shows you. Our book It Was A Riddle Not A Command also tells you the very day our Messiah is to come, so these last two books answer that burning desire most Christians have as to when these things are to take place. This answer is not possible to know though unless you understand the Sabbatical and Jubilee years.With the restrictions of COVID diminishing in 2022, and after having seen the Golden Calf Altar and Mount Sinai in Saudi Arabia, the realization of how COVID was a signal or marker to start another countdown began to dawn on me. I was now in a rush to get our next book out, but it turned out it was going to have to be three books which we called our Elijah Trilogy.Our 8th book was titled The Restoration of All Things and published in August 2022 as part one of our Elijah Trilogy. Yehshua said that Elijah must come first, and he would restore all things, and then the Messiah would come. So, what are the “all things” that have been lost and who is restoring those things today? Once we know what to look for, then we can see those who are restoring what was lost.Out 9th book, number two in the Elijah Trilogy, is The Abomination That Makes Desolate—The Epilogue. Released January 1, 2023, this book shows you how to know when the abomination was set up. Yes, the countdown to the abomination was already winding down as we raced to publish this book. Most have no clue because they are not looking, having not seen any of the works Yehovah is doing right now worldwide. Yes, we fully expected the abomination to be set up in 2023 and I even went to Israel to specifically look for it. I wrote Prime Minster Netanyahu and the Chief Rabbi and spoke face to face with Rabbi Yehudah Glick on September 10, 2023, but no one believed me. I was so stupid, so naive. Yehshua warned us that when you see the abomination you were to flee. Yehudah did text me on October 7 to say I was right, but it was too late for many people.I found a new shrine to the Blessed Virgin Mary in the very location we expected to discover this abomination. Fortunately for me the abomination was set up on October 6, 2023, exactly 1290 days after the count had begun. To confirm this count date, the second part of Daniel's prophecy also took place 1335 days from that same marker. I experienced over 2000 rockets sent out from Gaza towards Israel and Jerusalem where I was. My understanding of prophetic events was proving to be spot on.My 10th book and 3rd book of the Elijah Trilogy was published in September 2023 and is titled The 10 Days of Awe. This book explains another understanding of the Holy Days from the Feast of Trumpets until the Day of Atonement. These 10 days are likened to the final 10 years before Satan is locked away with the Great Tribulation ending at that time. These 10 years are also connected to the curses of Revelation, as well as the 10 plagues of Egypt. I explain in this book about the curse of the Sotah woman of Numbers 5 and how each of the 10 plagues are what Yehovah is doing to show how the false gods have no power at all. My 11th book, The Stones Cry Out, published September 5, 2024, was originally going to be one book explaining all the various proofs we have discovered, demonstrating when the Sabbatical and Jubilee years are throughout history.You can know; it is not a mystery.As I began to write The Stones Cry Out, I quickly found myself going back, time and time again, to explain how the calendar is behind the confusion of the Sabbatical and Jubilee years. The Rabbis, as they began to write the Mishnah, incorporated wrong understandings, and those errors were written into what became known as the Mishnah, the Jerusalem and Babylonian Talmud and then the Mishneh Torah. The expulsion from the land and subsequent persecutions in trying to send out messengers to report the barley being found, or the crescent moon being seen, proved to be increasingly dangerous over time. All of these things took place over 14 centuries.Then as I was working on The Stones Cry Out, I discovered that many people were now accepting the Zadok calendar as factual. This is when we pivoted to include all the details of the various calendars that have crept back into public knowledge today and are being used to mislead new people who are just starting to learn about the calendar. All of this was directly connected to the period starting with the Hasmonaeans, up to the destruction of the Temple. Then with the compiling of the Mishnah, the studies that led into the writing of the Jerusalem Talmud, then the Babylonian Talmud, and finally the Mishneh Torah, each error that was added was compounded over time.The Stones Cry Out Part 1 explains the history of how each compilation of the Oral Torah incorporated errors, leading the followers thereof away from the actual Torah. In understanding these facts, it is then possible to understand more readily how the Sabbatical and Jubilee years were then mixed and later changed. By explaining all this history, I am able to help you, the reader, understand the tombstones when most authorities do not. They have assumed, to their error, the Hillel calendar to have always been used since Mount Sinai. Not understanding the history of the calendars is why most authorities dismiss the tombstones as too confusing to use. Once you understand The Stones Cry Out Part 1, Part 2 will be very easy to grasp.My 12th book, The Stones Cry Out Part 2, published in December 2024, utilizes the knowledge that there are multiple calendars being used throughout history. Reconciling them all into one cohesive chronology has been the difficulty of all chronologists. It is the lack of understanding about the various calendars why many of the Jubilee experts dismissed so many of the historical artefacts that were available to them.Some proofs are undeniable, while others are weak if they have to stand on their own. It is with a great sense of pride that I share with you what I have been able to document and what we now currently know about the Sabbatical and Jubilee proofs in our possession.Ladies and Gentlemen, this book should have actually been the first book I presented. When I began to understand the Sabbatical and Jubilee years in 2005, at that time I only had 11 Sabbatical years as a reference. From just those 11, I was able to prove a 2nd Jubilee year. Considering we only knew about one Jubilee year prior to this discovery and proof, I was excited. With just these 12 proofs, I have come to understand all the prophecies I have shared with you over the years in all of our books.All of these books, all of this understanding was only possible because of the understanding gained from the knowledge revealed through the Sabbatical and Jubilee cycles by Yehovah. They truly are the foundation or KEY to understanding all end-time prophecy.We have 84 Biblical & historical records recording 63 Sabbatical years and 5 Jubilee years. When all 68 are combined, they prove beyond all doubt when to keep the Sabbatical and Jubilee years. It has been my passion since 2005 to discover and explain these mysteries. As I have proven when the Sabbatical and Jubilee years are to be kept, Yehovah has revealed the profound meanings of many prophecies hidden by not understanding the Jubilee cycles. As I have learned them, I have shared these discoveries in each of my books in order for you, the reader, to also understand their profound meanings and grow closer to Yehovah God. It is for this purpose that I have created our website, Sightedmoon.com, and spent all this time and energy in producing these books—to help you to understand. I pray I have succeeded in helping you to understand. May they all be a blessing to you as well.You TubewebsiteFree Books
So I received word last week that Midwestern had not extended Barrett's contract, so he was leaving. Then it came out he was taking a position at an Anglican seminary, and finally, his own article explaining his reasons for converting to Anglicanism. So today we walked through the article in light of the fact that we have spoken often of the impact of the "Great Traditionists" and the fact that promoting such a perspective at a Baptist institution is inherently self-contradictory (and Barrett's conversion is actually proof of the correctness of our assertion).
This is the Thursday evening liturgy during the season of Pentecost for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #3” by Wen Reagan, © 2020 Sursum Corda Music.“Compline #4” by Wen Reagan, © 2020 Sursum Corda Music.“Come to Me” by Wendell Kimbrough, © 2017 Wendell Kimbrough, CCLI #7100076.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love!Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new
This is the Wednesday evening liturgy during the season of Pentecost for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #3” by Wen Reagan, © 2020 Sursum Corda Music.“Compline #4” by Wen Reagan, © 2020 Sursum Corda Music.“Come to Me” by Wendell Kimbrough, © 2017 Wendell Kimbrough, CCLI #7100076.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love.Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal
The lecture traces the English Reformation's complex history, beginning with Henry VIII's desire for a male heir and culminating in the establishment of the Church of England as a distinct institution. It highlights the shift from Roman Catholicism, the influence of key figures like Thomas Cranmer and William Tyndale, and the eventual development of the 39 Articles as a foundational doctrinal standard. The speaker emphasizes the legacy of the English Reformation, particularly its impact on shaping Anglican identity and its role as a significant part of the speaker's own ecclesiastical heritage, while also acknowledging the wide range of theological perspectives within the Anglican tradition today.
In this enlightening episode, we engage in a profound dialogue with Jon Machnee, an Anglican researcher and data analyst, who elucidates the intricate relationship between individuals on the autism spectrum and their experiences within the Church. Our discussion is anchored on the critical need for greater understanding and inclusion of autistic individuals within Christian communities. Machnee shares insights garnered from extensive research, which reveals a troubling trend: many churches operate under the assumption that their practices effectively accommodate neurodivergent individuals, yet this is often not the case. By exploring the nuances of autistic cognition and the barriers faced in spiritual contexts, we aim to illuminate pathways toward a more inclusive Church. Ultimately, this discourse challenges us to reconsider how we engage with and support those who navigate these dual identities of faith and neurodiversity.The discussion transitions into personal narratives, particularly focusing on Jonathan Mahney's experiences with faith and autism. Mahney recounts his journey from a Mennonite Brethren background, through a period of deconstruction during his university years, to a renewed engagement with Christianity. He reflects on the unique challenges faced by autistic individuals within religious contexts, emphasizing the need for churches to better accommodate and understand their experiences. The speakers further elaborate on the concept of neurodiversity within the church, advocating for the inclusion of diverse perspectives and the importance of recognizing the varied ways individuals connect with spirituality. They contend that understanding these differences can enrich congregational life and promote inclusivity, thereby allowing the church to fulfill its mission of unity in diversity. The episode posits that through compassion and informed dialogue, communities can forge deeper connections with all members, including those on the autism spectrum.The episode culminates in a discussion on practical steps for churches to engage more effectively with neurodivergent individuals. The speakers emphasize the importance of education and awareness, urging congregations to learn about autism and its implications for faith practice. They suggest implementing structured and liturgical elements in worship that resonate with autistic individuals, providing tangible expressions of faith that do not rely solely on emotional experiences. The dialogue reinforces the idea that churches can create environments where all individuals feel valued and understood, regardless of their neurodiversity. The speakers conclude with a call to action, encouraging listeners to embark on their own journeys of learning and to foster unity within their communities by embracing diversity and understanding the unique contributions of every member. This episode serves as a profound reminder that inclusivity is not merely an ideal but a necessary component of a vibrant and loving church community.Takeaways: Jon Machnee discusses the importance of understanding Autism Spectrum Disorder (ASD) within church communities, highlighting the need for awareness and education about how it manifests. The intersection of autism and Christianity reveals a trend where many autistic individuals feel disconnected from church practices, often perceiving them as tailored for neurotypical individuals. A significant portion of the autistic population experiences challenges with traditional relational expressions of faith, necessitating adaptations in church practices to ensure inclusivity. Machnee emphasizes the value of data mining in understanding the experiences of autistic Christians, which helps illuminate their specific needs and how churches can better accommodate them. The church's approach to evangelism often uses language and concepts that do not resonate with autistic individuals,...
In this episode of Ask the Church, we unpack one of the most debated lines in the Nicene Creed: “who proceeds from the Father and the Son.” Why did the Western Church add “and the Son”? Why do Eastern Christians omit it? And what does it tell us about the dynamic life of the Trinity?In the next five minutes, we'll discuss: - The biblical basis for the Spirit's procession (John 15:26)- How the concepts of “eternal source,” “eternal begetting,” and “eternal procession” help us understand the three Persons of the Trinity- The history and impact of the Filioque controversy and the Great Schism- Anglican flexibility in confessing or omitting the “and the Son” (Filioque) clause
This is the Tuesday evening liturgy during the season of Pentecost for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #3” by Wen Reagan, © 2020 Sursum Corda Music.“Compline #4” by Wen Reagan, © 2020 Sursum Corda Music.“Come to Me” by Wendell Kimbrough, © 2017 Wendell Kimbrough, CCLI #7100076.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love!Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new...
Do you think we are more divided now than ever? Are you tired of conflicts? Do you want to try to get along with others better? Lisa continues the conversation today with our guest James Twyman. James is known as a “Peace Troubadour” as he has united millions of people around the world with his music and messages of peace. He knows that there IS a way to get along. If we can give up the need to be right, we can listen and learn from one another. James is attempting to start a movement to further the idea of communication and peace. He talks about taking a very short survey on www.de-polarize.com. Can we be humorous with one another? Laughter also heals and brings people together. The biggest issue is that we don't listen to one another. Love can bring us together, and that's not about being “right.” James and Lisa also talk about safety in a conversation and how to navigate, knowing you may get verbally attacked. When we don't honor one another's opinions, and get into arguments, it may not feel safe. Yet, we are on the precipice of a wonderful opportunity. We can all become de-polarizing agents by finding ways to creatively communicate. James offers tools and will be teaching classes about peaceful ways to communicate and listen to one another. It's part of his movement toward peace. It starts with being open and mindful. If we create an open space for dialogue, and listen with love and compassion, others will as well. James also shares his experiences in Iraq and with Saddam Hussein. He held a peace concert and found people coming together in music. He discovered that they had much more in common and could heal their differences. People around the world were also meditating for peace and miracles occurred. If this can happen in war-torn circumstances, we can learn how to be peaceful toward people with differing beliefs. James is an Episcopal Franciscan and Anglican priest. His latest book is “I Don't Know, Maybe, I Love You: How to De-Polarize Your Family, Business, Country and the World.” This is Part 2 of the interview. Info: www.worldpeacepulse.com and www.de-polarize.com
Lead Pastor Ashley Mathews preaches from the Gospel of Luke on the Sixth Sunday after Pentecost.
This is the Monday evening liturgy during the season of Pentecost for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #3” by Wen Reagan, © 2020 Sursum Corda Music.“Compline #4” by Wen Reagan, © 2020 Sursum Corda Music.“Come to Me” by Wendell Kimbrough, © 2017 Wendell Kimbrough, CCLI #7100076.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love!Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp,...
WHEW! Guys, I had the BEST conversation with Avellina Balestri--nearly FOUR hours of chatting. And somehow I cut it down to less than an hour (okay, we didn't record the first hour). But... WHOA. This woman's historical knowledge is phenomenal. Listen in to see why I can't WAIT to read this book! note: links may be affiliate links that provide me with a small commission at no extra expense to you. Seriously, there is WAY too much for me to try to put into shown notes. Zip me a message or an email if you want the whole conversation 95% uncut (over two hours) uploaded to YouTube. I could make that happen. Gone for a Soldier by Avellina Balestri If you don a scarlet coat at the price of your conscience, the color will only remind you of the wound in your own soul! If you sign away the faith of your fathers, all lesser goods will be forfeited too!” ~ Young Edmund Southworth could not have foreseen the path his life would take upon befriending Gentleman Johnny Burgoyne, British military veteran and parliamentarian. As Catholic recusants from the north of England, Edmund's once noble family has struggled to survive for centuries in the shadow of the Anglican ascendancy. But General Burgoyne offers him the chance to put past humiliations behind him by joining the Church of England and donning a scarlet coat as an officer of King George III. Although his conscience is uneasy, Edmund embarks upon Burgoyne's March to subdue the American revolutionaries by splitting the colonies in two. He finds unexpected love in the arms of Abby Vanderkamp, a supporter of American independence, who will do anything to free her father from a British prison hulk or, failing that, strike a blow for the hard-pressed rebel cause. As the British advance through the New York wilderness devolves into increasing brutality and instability, Edmund will have his already divided loyalties tested to the breaking point under the influence of this hostile land, which presents him with new challenges and opportunities alike. Learn more about Avellina on her WEBSITE and follow her on GoodReads. Don't miss the literary magazine she edits as well! Like to listen on the go? You can find Because Fiction Podcast at: Apple Castbox Google Play Libsyn RSS Spotify Amazon and more!
Sermon delivered by Mr. Colin Moore on Sunday, July 20, 2025.View Transcript:https://bit.ly/Sermon_2025-07-20_The-Fifth-Sunday-after-Trinity_Mr-Colin
In this episode we visit the Anglican church in Ypres that was built when Ypres was redeveloped in the 1920's. Why did Ypres need a British church? Who were the worshippers? Why did they build a British school next door? And what happened in 1940 when the Germans occupied Ypres? How did the British people escape and what happened to the church? We go on a tour of the church and look at some of the hundreds of memorials displayed on the walls, and we have a chat with the Chaplain, Reverand Richard Clement.
Guest preacher Matthew Browne preaches from Colossians.Learn more at atltrinity.org.
This is the Sunday evening liturgy during the season of Pentecost for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #3” by Wen Reagan, © 2020 Sursum Corda Music.“Compline #4” by Wen Reagan, © 2020 Sursum Corda Music.“Come to Me” by Wendell Kimbrough, © 2017 Wendell Kimbrough, CCLI #7100076.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love!Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new...
Psalm 94:1-23; John 3:16-19, 36 The Rev. Lane Cowin
The Rev. Steven Breedlove // Psalm 15; Colossians 1:15-29; Luke 10:38-42⛪ Church of the Incarnation is an Anglican (ACNA) parish in western Henrico, Virginia, committed to:
Send us a textHave you ever considered the difference between being a tourist and being a pilgrim? Justin Strickland discovered this distinction firsthand during his transformative journey to Ghana and the Anglican Diocese of Cape Coast, the companion diocese of the Episcopal Diocese of Atlanta. His story reveals how true pilgrimage reshapes our understanding of presence, relationship, and spiritual growth.In this episode, Melissa and Justin have a conversation about Justin's recent pilgrimage and how it mirrors the tension of Mary and Martha in Luke 10:38-42 - the challenge of balancing doing with being. While Martha is busy attending to the practical needs of preparing for Jesus, Mary chooses to sit at his feet, listening to his teachings. Through visits to slave trade sites and immersion in Cape Coast's vibrant Anglican worship, Justin discovered the power of stepping away from constant activity to truly listen and connect. The journey began as historical exploration but blossomed into something far more meaningful - genuine relationships that continue to flourish across oceans. "We're such a doing people that we get so caught up in the doing that we forget when those holy moments to stop doing are," he reflects. His story challenges us all to recognize when we need to be Martha (doing) and when we need to be Mary (being) - finding those sacred moments where stopping to listen transforms not just our experience but our very selves. Listen in for the full conversation. Read For Faith, the companion devotional.Justin Strickland is a lifelong Christian who was raised in the Pentecostal tradition but found his spiritual home in The Episcopal Church. He is an active member of the Cathedral of St. Philip and a passionate advocate for LGBTQ+ inclusion in the life of the church. Recently, Justin deepened his faith journey by participating in a pilgrimage to Ghana. His life reflects a commitment to justice, community, and faithful witness.Support the show Follow us on IG and FB at Bishop Rob Wright.
This is the Thursday evening liturgy during the season of Pentecost for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #3” by Wen Reagan, © 2020 Sursum Corda Music.“Compline #4” by Wen Reagan, © 2020 Sursum Corda Music.“Come to Me” by Wendell Kimbrough, © 2017 Wendell Kimbrough, CCLI #7100076.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love.Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new
In this episode, Kim talks to Rt. Rev. Dr. Emily Onyango about the East Africa Revival Movement that began in 1927 and is still reverberating through East Africa today. Begun by two people praying for true faith in the Anglican church, the movement grew among laypeople to denominations across East Africa, challenging patriarchy, tribalism, and racism. Because one priest oversaw six or seven churches, women empowered by the spirit preached, shared their testimonies and lead their churches. They dressed in white to mark their new way of living, and today a few of these very elderly women still challenge and influence church leadership today. At the time of the revival, Kenya's practice of polygamy was at an all-time high, yet these believers lived monogamous, egalitarian marriages. They sent their daughters to school in addition to their sons, and the changed the fabric of society. Today, the leaders against government corruption and tribal sectarianism have their roots in the East Africa Revival Movement. Guest Bio Right Rev. Dr. Emily Onyango is the first woman in the history of the Anglican Church in Kenya to be elected as bishop. She serves as senior lecturer and dean of students at St. Paul's University in Limuru, Kenya. She earned a PhD from the University of Wales, as well as a Master of Theology from the Asian Center for Theological Studies and Mission in Seoul, South Korea, and a bachelor's degree from St. Paul's University, Limuru. She is the author of Gender and Development: A History of Women's Education in Kenya. CBE Resources: Women's History Month: The African Face of Global Evangelicalism by Mimi Haddad https://www.cbeinternational.org/resource/womens-history-month-the-african-face-of-global-evangelicalism/ by Emily Onyango: Read: The Negative Consequences of Dowry Payment on Women and Society https://www.cbeinternational.org/resource/negative-consequences-dowry-payment-women-and-society/ Watch: Working Towards Mutuality as a Mark of Christian Identity: A Case of the Work of the African Church for Biblical Equality https://www.cbeinternational.org/resource/working-towards-mutuality-mark-christian-identity-case-work-african-church/ Listen: The Challenge of Gender Based Violence in Kenya and the Response of the Church https://www.cbeinternational.org/resource/challenge-gender-based-violence-kenya-and-response-church/ The Challenge of the Resurgence of Negative Aspects of African Cultural Practices Among Christians in Kenya https://www.cbeinternational.org/resource/challenge-resurgence-negative-aspects-african-cultural-practices-among/ Global Impact: The Work of Service Not Power in the Anglican Church of Kenya with Rt Rev Dr Emily Onyango https://www.cbeinternational.org/resource/global-impact-work-service-not-power-anglican-church-kenya-rt-rev-dr-emily-onyango/ Disclaimer : The opinions expressed in CBE's Mutuality Matters' podcast are those of its hosts or guests do not purport to reflect the opinions or views of CBE International or its members or chapters worldwide. The designations employed in this podcast and the presentation of content therein do not imply the expression of any opinion whatsoever on the part of CBE concerning the legal status of any country, area or territory or of its authorities, or concerning the delimitation of its frontiers.
For more from Doug, subscribe to Canon+: https://canonplus.com/
This is the Wednesday evening liturgy during the season of Pentecost for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #3” by Wen Reagan, © 2020 Sursum Corda Music.“Compline #4” by Wen Reagan, © 2020 Sursum Corda Music.“Come to Me” by Wendell Kimbrough, © 2017 Wendell Kimbrough, CCLI #7100076.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love.Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal
This is the Tuesday evening liturgy during the season of Pentecost for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #3” by Wen Reagan, © 2020 Sursum Corda Music.“Compline #4” by Wen Reagan, © 2020 Sursum Corda Music.“Come to Me” by Wendell Kimbrough, © 2017 Wendell Kimbrough, CCLI #7100076.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love.Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new...
This is the Monday evening liturgy during the season of Pentecost for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #3” by Wen Reagan, © 2020 Sursum Corda Music.“Compline #4” by Wen Reagan, © 2020 Sursum Corda Music.“Come to Me” by Wendell Kimbrough, © 2017 Wendell Kimbrough, CCLI #7100076.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love.Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp,...
Last week The Spectator held a live event entitled ‘Recovering the Sacred' in the glorious surroundings of St Bartholomew the Great, the oldest parish church in the City of London.The speakers included two London parish priests – one Anglican, one Catholic – who have contributed much to the growing interest among young people in traditional liturgy and Christian theology, a development that the hierarchy of their respective churches certainly didn't foresee.They were the Rev Marcus Walker, Rector of St Bart's, whose Prayer Book Evensongs and Eucharists attract large numbers of young professionals to his ancient church; and Fr Julian Large, the Provost of the Brompton Oratory, where an increasingly youthful congregation flocks to Latin Masses.We also heard from Dr Cosima Gilhammer, a Fellow in English at Lady Margaret Hall, Oxford, whose writings on the rhythms and symbolism of the liturgy are deeply inspiring; The Spectator's editor, Michael Gove; and the Rev Prof Andrew Davison, Regius Professor of Divinity at Oxford University, who also holds a doctorate in biochemistry.The evening concluded with a panel discussion chaired by Holy Smoke's presenter, Damian Thompson, and – a real treat – a performance of Catholic and Anglican motets sung by the renowned choir of St Bart's.The event was completely sold out. Inevitably, many were disappointed not to attend in person – but the microphones were running, and so we are delighted to present ‘Recovering the Sacred'.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcasts. Contact us: podcast@spectator.co.uk
Last week The Spectator held a live event entitled ‘Recovering the Sacred' in the glorious surroundings of St Bartholomew the Great, the oldest parish church in the City of London.The speakers included two London parish priests – one Anglican, one Catholic – who have contributed much to the growing interest among young people in traditional liturgy and Christian theology, a development that the hierarchy of their respective churches certainly didn't foresee.They were the Rev Marcus Walker, Rector of St Bart's, whose Prayer Book Evensongs and Eucharists attract large numbers of young professionals to his ancient church; and Fr Julian Large, the Provost of the Brompton Oratory, where an increasingly youthful congregation flocks to Latin Masses.We also heard from Dr Cosima Gilhammer, a Fellow in English at Lady Margaret Hall, Oxford, whose writings on the rhythms and symbolism of the liturgy are deeply inspiring; The Spectator's editor, Michael Gove; and the Rev Prof Andrew Davison, Regius Professor of Divinity at Oxford University, who also holds a doctorate in biochemistry.The evening concluded with a panel discussion chaired by Holy Smoke's presenter, Damian Thompson, and – a real treat – a performance of Catholic and Anglican motets sung by the renowned choir of St Bart's.The event was completely sold out. Inevitably, many were disappointed not to attend in person – but the microphones were running, and so we are delighted to present ‘Recovering the Sacred'.
Guest preacher Matthew Browne preaches from Colossians.Learn more at atltrinity.org.
This is the Sunday evening liturgy during the season of Pentecost for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/.CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #3” by Wen Reagan, © 2020 Sursum Corda Music.“Compline #4” by Wen Reagan, © 2020 Sursum Corda Music.“Come to Me” by Wendell Kimbrough, © 2017 Wendell Kimbrough, CCLI #7100076.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral.SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love!Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new...
A listener asks whether it’s morally permissible to attend the wedding reception of a Catholic getting married outside the Church. In this episode, Catholic apologist Joe Heschmeyer explains the difference between supporting the person versus appearing to support an invalid union, and how to navigate these situations with charity, clarity, and fidelity to Church teaching. Join The CA Live Club Newsletter: Click Here Invite our apologists to speak at your parish! Visit Catholicanswersspeakers.com Questions Covered: 15:43 – Is there a small document that describes the latest eucharistic miracles from a scientific perspective? 21:38 – Is it ok to attend the reception of an invalid marriage of a confirmed Catholic who is not getting married in the Church? 28:38 – Melchizedek in Genesis. Where did he come from and what happened to him? 37:11 – If a laicized priest becomes an Anglican priest, is the host consecrated the body of Christ? 45:44 – What is your view on AI and what is the intersection between the Church and AI?
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