Podcasts about commissioned

Commissioned To Go / Pastor Jessie Stuck by Hope City Church

Sweet Wall is a film installation by Cinzia Mutigli, made in 2020, which includes a repeated sugar wallpaper motif, posters printed with jam recipe, jam sandwiches and a central film, duration 19 minutes 29 seconds. The film explores the relationship between trauma and addiction, patterns of behaviour and the trade of slaves, sugar and other commodities between Britain, Africa and the Caribbean Islands. Commissioned by Jupiter Artland, Cinzia was asked to respond to and reimagine a work by American performance artist, Allan Kaprow, and chose Sweet Wall, which took place in 1970 in Berlin, on wasteland close to the Berlin Wall among the wreckage of buildings bombed during the Second World War. The intervention consisted of the construction of a concrete wall about thirty metres long and half a metre tall. The mortar used to join the blocks consisted of strawberry jam spread onto slices of bread. Kaprow constructed the wall in an afternoon with the cooperation of a dozen people, and once finished it was knocked down. Mutigli uses sugar as a central metaphor, linking the historic trauma of the trans-Atlantic slave trade with an exploration of addiction, understood as any repeated behaviour in which a person feels compelled to persist, often experienced as a result of an unresolved trauma. The film features a kaleidoscope of sweet imagery, including black and white footage of sugar cube production to sugar cubes being added to tea; colourful repetitive Candy Crush lines dropping satisfyingly into position; footage of jam being made with cascades of sugar; and a sugar cube being placed on Cinzia's tongue. This imagery is accompanied by a parallel narrative about addiction and repetitive behaviour. Featuring the voice of Cinzia overlapped with Dr. Maté Gabor, a renowned addiction expert who calls for a compassionate approach toward addiction, whether in ourselves or in others. Gabor believes that the source of addiction is not to be found in genes, but in childhood trauma, and in stress and social dislocation endemic to systems of inequality and injustice. Of the work, selector, Anthony Shapland, said: “There's a phrase about nothing being so blind to us as our immediate past, with only time and distance allowing us to see clearly the things that bring us to the ever-moving present. The artworld trope of discovering hidden practices jars in the fact that they were always there, in plain sight. Neither hard to reach or obscure. Cinzia reminds us that some of these patterns or systems that we move through day after day have become as invisible to us as air, but that they exist and shape the world.” Cinzia said: “I consider how domestic, social, political and popular cultural aspects of our environment impact our persona…our sense of place in the world.” Cinzia Mutigli works across film, audio, print, animation, performance and text. She explores themes that intersect the personal, social, spiritual and psychological. Current and recurring modes, forms and motifs include (her) voice, popular cultural icons, wellness and self-care in a consumerist context, and how the ‘individual' connects with the ‘group'. Sweet Wall by Cinzia Mutigli was acquired in 2021 through the Wakelin Award, an annual award given to an artist living and working in Wales, whose work is purchased for the Glynn Vivian Art Gallery's permanent collection.

Can God use women in ministry?   It's a question that has been highly debated for generations. Some say “of course!” Others say “definitely not…” but you?  You might not actually be sure…  So what DOES the Bible actually reveal?? Bc in it, you'll find the prophetess Deborah… to Huldah… to Priscilla… to Philip's daughters who prophesied… Scripture reveals that God has always used women in many powerful ways to accomplish His purposes.  However, stand alone, without any context, some verses quite honestly, leave literally, no room for any consideration of women in the pulpit.  You see, God's Word also establishes principles of order, authority, and biblical structure within His Church. So how do we reconcile these Biblical facts?  Before we begin our new series entitled, “Called, COVERED, and Commissioned,” we're starting with a special foundational message to the series titled, “To be or not to be:  Women in Ministry”… We'll examine all the passages on this subject, explore what Scripture actually teaches to its context, and discover how the Bible reconciles God calling, equipping, and using women while maintaining His divine order within the Church. Email Us:  info@heartofworshipchurch.com Visit Our Website:  www.heartofworshipchurch.com

AP correspondent Julie Walker reports on a government study showing drinking risks that the Trump administration isn't featuring in new guidelines.

Commissioned in 1604 and published in 1611 by authorization and sponsorship of British King James the First, the King James Bible is an English translation of the Christian Bible for the Church of England. Noted for its "majesty of style", the King James Version (KJV) has been described as one of the most important books in English culture and a driving force in the shaping of the English-speaking world. E215. Check out the YouTube version of this episode at https://youtu.be/ElNEfUJckrM which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. King James Version (KJV) Bibles available at https://amzn.to/3jOQna7 ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVine Mark's History of North America podcast: www.parthenonpodcast.com/history-of-north-america Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 X (twitter): https://twitter.com/MarkVinet_HNA Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM Audio credits: The Story of the King James Bible with James Naughtie (BBC Radio 4). Audio excerpts reproduced under the Fair Use (Fair Dealings) Legal Doctrine for purposes such as criticism, comment, teaching, education, scholarship, research and news reporting.See omnystudio.com/listener for privacy information.

Title: Commissioned to CollideSpeaker: Nate HoldridgeOverview: In this Sunday message, Pastor Nate Holdridge walks through Matthew 9:35–10:15, where the compassionate King who has been colliding with darkness begins to multiply that work through ordinary people. Jesus looks out over crowds that are harassed and helpless—sheep without a shepherd—and is moved with a gut-level compassion that becomes the engine of everything that follows (Matthew 9:36). Rather than rushing to strategize, he commands his followers to pray that the Lord of the harvest would thrust laborers into the field, then forms a strikingly diverse band of twelve and sends them out to represent him in his own self-giving way (Matthew 10:1–8). Pastor Nate shows how the mission still flows downhill from Christ's heart rather than uphill toward God's approval, and how the same King who once sent the Twelve commissions us today to carry his kingdom into the dark places around us. A warm, gospel-centered call to see ourselves not as spectators of Jesus, but as participants in his ongoing collision with darkness.Link to Sermon Notes

Join Pastor Derek Neider in this inspiring episode of The Daily Devotional as he walks us through the verses of Matthew. Through thoughtful reflections, Derek encourages us to embrace our calling to serve Christ wholeheartedly and live out our faith with purpose and surrender.Tune in for insightful teachings, practical application, and a fresh perspective on what it means to live as servants of the gospel. This is just the beginning—there's so much more to come as we journey through Matthew together!Thank you for listening! Here are some ways to learn more and stay connected!New to faith? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn more about Pastor Derek Neider⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Derek on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to the daily devotional⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Explore recent messages!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠This podcast was created by Pastor Derek Neider as a ministry of Awaken Las Vegas.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠our website. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We are located at 7175 W. Oquendo Road, Las Vegas, NV 89113.  Our gathering times are 9am & 11am Sundays and 6:30pm Thursdays.

Preached May 31, 2026 at Risen Church | ⁠⁠risenhayward.com⁠

“Commissioned by Governor Lachlan Macquarie and built with convict labour, Hyde Park Barracks was the first convict barracks in the colony. Previously, convicts had been allowed to find their own accommodation, but by housing them in a barracks Macquarie hoped to increase their productivity and improve their moral character. The three-storey building with massive shingled roof and a simple yet striking façade was designed by convict architect Francis Greenway. So impressed was Macquarie with this design that he granted Greenway a full pardon”. – Museums of History NSW Follow me on Instagram at @douglaswelch, @dewdesignphoto, and @agardenersnotebook and Pixelfed.

Revd Dr Joyce Popoola: ‘Commissioned: Care for nature, care for neighbour' by Methodist Central Hall, Westminster

Commissioned Sermon Series

Message: Mark Christian, Senior MinisterPassage: Joshua 1:1–18Series: Joshua: A Man After God's Victory

Warren Okonowski • 1 Peter 3:13–3:17 • Commissioned

Pastor Will MartinThe same God who told Joshua "Rise up and conquer" is telling His church the same thing today. In "Commissioned to Conquer," we discover that Joshua's march into the Promised Land isn't just ancient history — it's a type, a living blueprint for the Great Commission. The land has already been given. The victory is already secured. The question is whether we have the faith — and the courage — to take it.This message will challenge the church to stop shrinking back and start fighting forward.

A new MP3 sermon from Covenant Baptist Church is now available on SermonAudio with the following details: Title: You're Commissioned Subtitle: Practical Christianity 101 Speaker: Pastor Charles Swann Broadcaster: Covenant Baptist Church Event: Sermon Clip Date: 5/17/2026 Bible: Colossians 3:23-24 Length: 0 min.

Watch the Devotion Based on Matthew 28:16-20 Commissioned Whether you are an officer or enlisted the Triune God has commissioned you for a very important task: Go and make disciples of all nations. That's a tall order. But he also gives you the tools to do it: by baptizing…. and by teaching. Your commander-in-chief promises you, “All authority in heaven and on earth has been given to me” (Matthew 28:18). Jesus has all authority. After all, he is the one who died and came back to life from the dead. He gives you the authority to carry out this commission.    He also promises, “I am with you always, to the very end of the age” (Matthew 28:20).   This is especially important to take to heart, considering the context of your calling. The military culture and community is not always friendly to people like you and me. They are not always receptive to Jesus' words. Some can be a little rough around the edges. Not all of your coworkers and neighbors have the same religious foundation. Some make questionable moral decisions. Others are hurting because they are wracked with guilt. Some are hurting because of trauma or abuse or moral injury. They are no different from you or me.   They are sinners who need forgiveness, like you and me. They are sinners who will one day die, like you and me. Like us, they need to know they have a Father who loves them so much, he planned the salvation of their body and soul from before the creation of the world. They need to know they have a brother who loves them so much, he took on human flesh to carry out the Father's plan of salvation. They have a brother who lived to earn righteousness for them, just as he did for you. They have a brother who died to earn forgiveness them, just as he did for you. They have a brother who rose from the dead to win a resurrection from the grave for them, just as he did for you.   Like us, they need to know the wonderful blessings of baptism: this water is God's pledge that our conscience is clear because he washed us, cleansed us, and clothed us with Christ.   You know these truths. You believe them. Now, confess them boldly, with courage, with love and patient instruction. You have been commissioned for this task.   Jesus will be with you.   Prayer: Holy Trinity – Father, Son and Holy Spirit – you call us to go forth and preach the gospel to all who are in need. Open a door for us this week in conversation with a friend, relative or neighbor so that we might first listen, and seek to understand and then open our lips to point them to your promises. Grant us courage and love to pour out your life-giving water to thirsty souls. Amen.   Written and recorded by Rev. Paul Horn, WELS National Civilian Chaplain to the Military, San Diego, California. All Scripture quotations, unless otherwise indicated, are taken from the Holy Bible, New International Version®, NIV®. Copyright ©1973, 1978, 1984, 2011 by Biblica, Inc.™ Used by permission of Zondervan. All rights reserved worldwide. Note: Scripture reading footnotes are clickable only in the web version.

Preached May 25, 2026 at Risen Church | ⁠risenhayward.com⁠

Commissioned Sermon Series

Jeremy Smith • 1 Peter 1:3–1:9 • Commissioned

In 1993, the World Bank published a report on a remarkable development story.East Asia's post-war growth — Japan, South Korea, Taiwan, Hong Kong and their neighbours — had lifted millions out of poverty in a generation. The report documented the influence of export subsidies, state-directed credit, land reform, and government-business dialogue. But the bank, constrained by the Washington Consensus of the time, underplayed the industrial policies that were at the heart of this miracle.Nancy Birdsall was head of the department that produced the report. In this week's VoxDev Talk, she looks back, talking to Tim Phillips about whether this stance affected policy in other developing countries.Birdsall tells Tim Phillips how the report came to exist at all — financed by the Japanese government as a deliberate strategy to expose the bank's economists to a success story their prevailing framework couldn't explain. With industrial policy back at the centre of economic debate, Birdsall's new article in the Journal of Economic Perspectives asks whether the bank missed its moment to embed those lessons into its operational work. The research behind this episode:Birdsall, Nancy. 2025. "The World Bank's East Asian Miracle: Too Much a Product of Its Time?" Journal of Economic Perspectives 39(4): 127–48. A free download is available at the Center for Global Development.To cite this episode:Phillips, Tim, and Nancy Birdsall. 2026. "The World Bank's East Asian Miracle." VoxDev Talk (podcast). [Episode URL].Assign this as extra listening. The citation above is formatted and ready for a reading list or VLE.About Nancy BirdsallNancy Birdsall is president emerita of the Center for Global Development, which she co-founded in 2001. She was previously executive vice president of the Inter-American Development Bank and, before that, director of the Policy Research Department at the World Bank, where she oversaw the department responsible for the East Asian Miracle report. Her research spans development finance, inequality, economic growth and the role of multilateral institutions in the global economy.Research cited in this episodeThe East Asian Miracle (World Bank, 1993). A 400-page study of the economic performance of eight high-performing Asian economies — Japan, South Korea, Taiwan, Hong Kong, Singapore, Indonesia, Malaysia and Thailand — covering the period 1965 to 1990. Commissioned with Japanese government funding, the report documented both market fundamentals and a range of active state policies; its handling of industrial policy was carefully hedged to remain within the bounds of what the bank's dominant Washington Consensus framework could accept. The full report is available from the World Bank Open Knowledge Repository.The Washington Consensus. A term coined by economist John Williamson in 1989 to describe the package of macroeconomic and structural reforms — fiscal discipline, trade liberalisation, privatisation, deregulation and market-determined prices — that the IMF, World Bank and US Treasury broadly promoted as the framework for development in the late 1980s and 1990s. The consensus was dominant inside the bank during the period the East Asian Miracle report was written; countries following activist state policies did not fit its categories easily.MITI (Japan's Ministry of International Trade and Industry). The Japanese government body responsible for coordinating industrial and trade policy during Japan's post-war growth period, including the direction of credit, protection of infant industries and promotion of heavy manufacturing exports. MITI was widely known inside the bank, but its role in Japan's development was not systematically studied or incorporated into the bank's policy advice until the East Asian Miracle report. It was abolished and reorganised as the Ministry of Economy, Trade and Industry (METI) in 2001.Performance-based credit subsidies. A mechanism used across several East Asian economies in which exporters could access subsidised credit conditional on demonstrating actual export orders. The conditionality — credit only if you are already performing — was central to why the policy worked: it rewarded productive firms and withdrew support from those that failed to deliver. The East Asian Miracle report described this approach in detail without classifying it as industrial policy.Japan's postal savings system. A government-run savings scheme that channelled household deposits through post offices into state-directed investment, providing below-market returns to savers while funding subsidised credit to targeted sectors. Birdsall notes it as a mechanism worth studying for developing countries seeking to finance industrial support without relying on private capital markets.Indonesia and the airplane sector. The Indonesian government under Suharto sought to develop a domestic aerospace industry, with state subsidies to Industri Pesawat Terbang Nusantara (IPTN). The World Bank's East Asia regional department, which managed the bank's lending relationship with Indonesia, was concerned that the East Asian Miracle report might be read as endorsing this approach. Their pressure to limit the report's treatment of industrial policy is the episode's opening anecdote — and the source of what is possibly the best line in the show.IDB report on public-private dialogue in Latin America. Birdsall references work by the Inter-American Development Bank on the conditions under which structured dialogue between government bureaucrats and private-sector firms can support industrial policy; she notes that access at the highest levels of government — including the president — appears to be a factor in whether such dialogues produce results. More VoxDev Talks on this topicIndustrial policy for economic development, Dani Rodrik on the evidence for active state roles in directing investment and exports, and the institutional prerequisites for making them work.The future of the World Bank: Why knowledge is power, Penny Goldberg on the bank's role as a producer and broker of development knowledge, and how that function has evolved since the Washington Consensus era.Related reading on VoxDevModern industrial policy: The Asian miracles' blueprint, a VoxDev Talk examining how the principles behind East Asian industrial success — performance conditionality, export orientation, technology learning — can be translated into policy frameworks for today's developing economies.Where are we in the economics of industrial policies?, what three decades of research have established about when and why industrial policy works, and what conditions determine whether government intervention helps or hinders.Implementing industrial policy effectively: Lessons from shipbuilding in China, how policy design and performance conditionality determine whether sector-level support produces lasting productivity gains — the same question at the heart of the East Asian Miracle debate.

From “In the Beginning” to Amen // Called and Commissioned  2 Corinthians 5:18-20 (NLT)“And all of this is a gift from God, who brought us back to himself through Christ. And God has given us this task of reconciling people to him. For God was in Christ, reconciling the world to himself, no longer counting people's sins against them. And he gave us this wonderful message of reconciliation. So, we are Christ's ambassadors; God is making his appeal through us. We speak for Christ when we plead, ‘Come back to God!'” Ambassadors Carry the Authority of the One Who Sent Them Ambassadors Carry the Presence and Character of Their King Ambassadors Carry the Power of Heaven's Message Ambassadors Are Also Intercessors An Ambassador with No Burden for People Has Forgotten the Heart of The King

Preached May 17, 2026 at Risen Church | risenhayward.com

Commissioned into the Royal Australian Navy on the eve of World War II, HMAS Perth (I) was the only RAN vessel in the Atlantic at the outbreak of war. She returned to Australia for a short period before serving in the Mediterranean, gaining praise for her crew's seamanship and accurate gunnery. Returning to Australia for repairs she was present at the outbreak of the Pacific War and was eventually assigned to waters surrounding the Dutch East Indies (Indonesia). It was here that she would meet her fate after an unexpected contact with the Japanese invasion fleet.https://www.australianmilitaryhistorypodcast.com/https://www.patreon.com/c/u46029761?view_as=patron&vanity=u46029761 Hosted on Acast. See acast.com/privacy for more information.

Graduating, commencing, and a better way.  __________ Start Truth Rising: The Study for free today at colsoncenter.org/study.

Send us Fan MailPeaches, Trent, and Jason Attinger—aka AT—are back in the team room for one of the most legit combat rescue conversations we've ever had.AT didn't just talk about rescue… he lived it. Former United States Air Force Pararescue operator. Commissioned officer. Fairchild Republic A-10 Thunderbolt II pilot. And now one of the guys helping preserve the Sandy mission when the military needs it most.This episode goes deep into DUDE44—what happened, how combat search and rescue actually unfolds in denied territory, what a Sandy really does, why the Hog still matters, and why America better not forget how to recover its own.Then the boys get into pilot boards, Guard hiring, A-10 extension drama, acquisition failures, and who's actually going to carry the rescue mission forward when the Hog finally retires.Bottom line: aircraft matter… but it's still humans willing to stay in the fight that bring people home. ⏱️ Timestamps:00:00 Tasty Gains, Prep Gear & Candidate Advice 04:00 Vegas Stories & Real Men Stepping Up 08:00 Meet Jason Attinger 10:00 From PJ to Officer to Hog Driver 13:00 Is AT the Reason the A-10 Is Still Alive? 16:00 Why Combat Search and Rescue Is Back 19:00 What a Sandy Actually Does 23:00 DUDE44 Alpha—The First Rescue 29:00 The Hog Takes Battle Damage 34:00 DUDE44 Bravo—48 Hours Behind Enemy Lines 41:00 Watching DUDE44 Unfold in Real Time 47:00 When Everybody Finally Came Home 53:00 The Whiskey Toast 56:00 A-10 Extension to 2030 01:00:00 Who Replaces the Sandy Mission? 01:04:00 Why Defense Procurement Is Broken 01:08:00 OA-1K, F-16s & Future CAS 01:11:00 How to Get Hired as a Guard Pilot 01:13:00 PJ or Pilot—Which Meant More? 01:15:00 Final Thoughts—Humans Win Wars

Ministered by Pastor Jonathan Skiles at New Life Church of La Habra in La Habra, CA. God bless you and thank you for listening! If you would like to learn more about our ministry or give an offering, please visit our website at www.nlclahabra.com Visit us on Instagram: @nlclahabra Our Address: New Life Church of La Habra 740 E. Lambert Rd. Unit E  La Habra, CA 90631

Commissioned Sermon Series With Pastor Josh McElwee

This past Sunday, we had the privilege of welcoming Hunter Allison to preach at Horicon Baptist Church. Hunter is a deacon at Redeemer Reformed Presbyterian Church and has been a longtime friend of Horicon Baptist. It was a joy and encouragement to have him open God's Word for our church family.In John 13:1-17, Hunter walked us through the incredible scene of Jesus washing His disciples' feet on the night before His crucifixion. Even knowing betrayal, suffering, and the cross were directly in front of Him, Christ continued to love and serve His people to the very end.#John13 #GospelOfJohn #JesusChrist #ServantKing #HumbleKing #LoveOfChrist #HoriconBaptistChurch #FaithComesByHearing

Rodney Andersen • 2 Timothy 1:8–1:11 • Commissioned

The post COMMISSIONED appeared first on Gateway Family Church.

This week, Shat The Movies steps into the crossfire with Rapid Fire, the 1992 action thriller that gave Brandon Lee his best showcase as a leading man. Commissioned by listener Rob H., this early-'90s cult favorite blends Chicago mobsters, Chinese Triads, and some of the most inventive martial arts choreography of the decade. Listener Rob calls it "an absolute belter" and wonders how big Brandon Lee might have become had tragedy not cut his career short. Gene and Big D revisit Lee's undeniable screen presence, Powers Boothe's mustache-free oddness, and a string of brilliantly staged fight scenes that turn restaurant pillars, cutlery drawers, and even laundry racks into weapons. Along the way, they debate whether Rapid Fire is a gritty action gem, a glorified Teenage Mutant Ninja Turtles movie without the turtle suits, or simply the finest use of a clothing rail in cinematic history. Is Rapid Fire the forgotten martial arts classic that proved Brandon Lee was destined for stardom—or just a formulaic early-'90s thriller elevated by charisma, choreography, and pure ass-kicking energy? Full movie info below After witnessing the murder of his father during the Tiananmen Square protests, a college student with elite martial arts skills is drawn into a deadly war between federal agents, the Chicago mob, and Chinese drug traffickers when he becomes the key witness in a major criminal case. Subscribe Now Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

Jann Arden speaks with legendary rock icon Carole Pope and documentary director Michelle Mama about the impact of Pope's music and the new documentary Antidiva: The Carole Pope Confessions. They discuss Pope's groundbreaking role in the music industry, her artistic expression, and the community she built through her work. They also touch on the evolution of music, the consequences of being open about one's identity and sexuality, and the inspiration behind Pope's songwriting. Carole Pope reflects on the impact of her fame and aging in the music industry with fond memories with iconic figures like Jane Fonda, Jimi Hendrix, David Gilmour, and more. As an influential queer artist, Carole emphasizes the importance of authenticity and perseverance in the face of adversity and the legacy she hopes to leave behind for future artists. Antidiva: The Carole Pope Confessions Directed by Canadian filmmaker Michelle Mama and produced by Allison Grace and Bill Taylor, Antidiva: The Carole Pope Confessions premiered on opening night of the 2026 Hot Docs Festival on Thursday, April 23. Described by the filmmakers as a love letter to the power of defiance, the film spotlights queer rock icon Carole Pope as she reclaims her rightful place in music history—not as a footnote, but as a godmother of punk glam, queer pride, and radical authenticity. Commissioned by documentary Channel, Antidiva: The Carole Pope Confessions, which will be distributed in Canada by Motion 58, received funding in 2023 from the Hot Docs-Slaight Family Fund to support the project in its development stage.     In Toronto's vibrant music, art and fashion scene of the 1970s and 1980s, Carole Pope made her mark with the new wave band Rough Trade, which produced bold, boundary-breaking music delivered with a sexy punk edge. “High School Confidential,” the band's breakthrough hit, did something not many had done before: it featured an openly queer performer fearlessly expressing lesbian desire on daytime radio. Now in her 70s, Pope continues to channel her creativity into new forms. Her latest project is a musical that draws on her life and career with Rough Trade, as well as the story of her beloved late brother Howard, himself a celebrated musician and AIDS activist. Featuring interviews with celebrity friends like Peaches, k.d. Lang, Jann Arden, Rufus Wainwright and Jeanne Beker, Antidiva: The Carole Pope Confessions is a long overdue cinematic tribute to a fierce and talented queer maverick.  You'll be able to watch it on CBC Gem starting July 24, 2026 and The Documentary Channel on July 19, 2026. https://www.carolepope.com/ https://www.imdb.com/title/tt33549474/ https://www.instagram.com/carole_pope/ https://www.instagram.com/meemama/ Chapters (00:00) Introduction to Carole Pope and Antidiva (02:48) The Impact of Rough Trade and Community Building (06:00) The Evolution of Music and Artistic Expression (09:04) Consequences of Openness in the Music Industry (12:07) Performing in the Present Day (14:56) Inspiration and Legacy (17:59) Behind the Scenes of Antidiva (19:47) The Power of Female Sexuality (21:03) Aging in the Music Industry (24:00) The Impact of Fame and Recognition (26:23) Memorable Encounters with Icons (30:31) The Canadian Identity and Artistic Legacy (32:46) Advice for Aspiring Queer Artists (35:33) Carol Pope's Impact on Jann (38:39) Aging and Timelessness in Music #ASKJANN - want some life advice from Jann? Send in a story with a DM or on our website. Leave us a voicenote! ⁠www.jannardenpod.com/voicemail/⁠⁠ Get access to bonus content and more on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/JannArdenPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Connect with us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.jannardenpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/jannardenpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/jannardenpod Learn more about your ad choices. Visit megaphone.fm/adchoices

Preached May 10, 2026 at Risen Church | risenhayward.com

What do you do when you hire investigators to look into your own organization and they come back saying your top leadership needs to go?If you're Greater Grace World Outreach, apparently, you publish the report and then do as little as possible about it.The GRACE investigation was 172 pages. It named four leaders who should be removed. It described an authoritarian culture rooted in fear-based messaging and theological manipulation. It found that leadership had been involved in silencing victims and smoothing over allegations in ways the investigators described as consistent with a cover-up.The church responded with a general apology that named no specific individuals who failed. They published a roadmap that referenced future leadership transitions with no dates and no commitments. Some lower-level ordinations were revoked. But the senior pastor, the missions director, the youth pastor, and the youth ministry director — all four specifically named — remained in place. Then the church resigned from the Evangelical Council for Financial Accountability while under governance review.Elita Galvin has been watching every move. She started publicly investigating Greater Grace in 2023, well before the official process began, and now hosts the Looking for Grace podcast. She understands the investigation findings, the church's response, and the parallels to the IBLP system that our audience already knows from covering the Duggar family.Oscar, joining us under a pseudonym, offers something different — the voice of someone who left two decades ago and still gets physically sick trying to process the report's contents. This episode is about what broke the silence, what the investigation revealed, and whether this institution is capable of the accountability the report demands.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#GreaterGrace #GGWO #GRACEReport #ChurchScandal #ReligiousAbuse #InstitutionalAccountability #CultInvestigation #BaltimoreBanner #ThomasSchaller #AbuseInChurch

May 3, 2026 at Risen Church | risenhayward.com

YIRRAMBOI 2027 will bring a live music experience with Yorta Yorta language, music, and community together on stage with album Ganbinan! by Allara Briggs Pattison and Dr Lou Bennett AM and more.

Commissioned Sermon Series With Pastor Brandon Calhoun

This week on So Brook Hills, Matt and Daniel talk about the sermon, "Commissioned" from Mark 6:1-13.

What the Stone Did Not ForgetThe lineage of the sacred feminine from Neolithic Europe all the way to the Stardust Lineage.There is an image of a woman small enough to fit in the palm of your hand. She is less than four and a half inches tall, carved from Neolithic limestone over 28,000 years ago near the Danube River in what is now called Austria. She is all curved. A sacred feminine body with a round belly, full breasts, wide hips, a body in its fullness and generative power, honored in the most permanent material available.She has no face. She does not need one. She is not a portrait of an individual woman. She is every woman. And she is a statement about what the female body means, what it carries, what it represents, and the cosmology of the people who made her. She is, of course, the Venus of Willendorf.She was once tinted with red ochre, the same iron-rich pigment as human blood, and women's blood. Even in the act of carving, there was an awareness of the connection between body, earth, and cosmos. The stone itself was not incidental. The stone holds what time cannot otherwise keep. The stone holds the story and remembers.Across a vast arc of prehistoric Europe and Asia, from France to Siberia, archaeologists have uncovered hundreds of similar figurines spanning thousands of years of human creative life. Each one encoded the same understanding. The female body is sacred. It doesn't represent the sacred. It is the sacred and created from the sacred. She is the source. She is the organizing principle of human life.Honoring the feminine because of matriarchy was not something radical, was not feminism. It was not simply embedded into the fabric of early human cultures. It was actually what the fabric was woven from — not just embedded, woven from. It is the very fibers of the tapestry.And this story lasts for thousands and thousands and thousands of years before the eventual widespread emergence of organized warfare, before the legal and theological structures that would later declare the female body a problem to be managed and named, before the invention of land ownership.The stone did not forget, even as later cultures obscured, suppressed, and reinterpreted and renamed what these figurines meant. The stone holds the story. The clay holds the imprint.Marija Gimbutas and the Language of the Sacred BodyMuch of what we know about these ancient cultures comes from the work of Marija Gimbutas, the Lithuanian-American archaeologist, Professor Emeritus at UCLA, and one of the most important and most contested scholars in the 20th century. She spent decades excavating what she called Old Europe, the Neolithic cultures of prehistoric Europe that flourished before the arrival of the patriarchal peoples from the Pontic-Caspian steppes beginning around 4000 BCE. In the regions of what is now known as Ukraine, Moldova, and Romania, the Cucuteni-Trypillia era, she documented cultures that developed sophisticated symbolic systems over thousands of years, deeply rooted in agricultural art and the cyclical understandings of life.In thousands of figurines, burial sites, ceremonial objects, and symbolic markings, she identified a coherent visual language — circles, spirals, triangles, and the female form encoding an entire civilization's understanding of life, death, the regeneration cycle, and the sacred. This is not primitive decoration. These are not fertility charms made for male desire. These are acts of reverence and collaboration, a co-creative relationship, symbols encoded into stone and clay, telling a story about who we were and perhaps who we could be.And she found no weapons there until later.Her interpretation, by the way, has been challenged and debated by subsequent scholars. Her naming, her description of the archaeomythology of the ancient mothers — to this day, archaeologists are trying to disprove her theories and relabel her findings.And yet the figurines — it's even hard to call them that. The mother. She just exists. The symbols recur across vast distances and thousands of years with a consistency that really demands no explanation. We honored her and her body. Whatever the precise nature of the social structures that produced them, the female body represented in these artifacts is the power. She is the primary symbol through which a civilization found its meaning.That understanding did not disappear when the cultures that held it were disrupted. It went underground, literally, and it survived in objects and then modern day practices that the dominant culture wasn't successful in stamping out.So much they took from us. So much we remembered. The stone remembers, and the stardust bones remember.Lenore Thomas Straus — Choosing the MotherThis is how it leads into our Stardust Lineage.In 1937, sculptor Lenore Thomas Straus received a commission through the Public Works Administration — sometimes called the Works Progress Administration — in Greenbelt, Maryland. This is one of the New Deal communities being built during the Depression, supported by the Roosevelts' vision for an American public life. Lenore worked on multiple projects connected to this era of public art, and photographs document her alongside Eleanor Roosevelt in a hard hat.Lenore also made a note that these communities were being built for white people, but by Black people. That is part of the story. The untold story.For the Greenbelt commission, Lenore was given latitude to choose her subject. It was going to go in the town square. She chose a mother and child — not a warrior, not a statesman for the area, not an allegory of progress or industry. A mother kneeling, with her child holding a cup with both hands. It is carved across three four-foot limestone blocks from Indiana, twelve feet of stone placed in public space, and functional — a water fountain. Just like a woman, she wanted to make sure it made sense. Utility and reverence made inseparable, the act of offering water given permanent form in stone. The sculpture was commissioned in 1937 and completed in 1939.This is, of course, a conscious choice. With the full range of American civic iconography available to her, with the imprimatur of federal commission behind her, Lenore Thomas Straus chose to place the sacred feminine body in a public square — a mother and a child.She also carved in a separate commission the Preamble to the Constitution in stone, also in Maryland.She knew what she was doing. She was doing what the Neolithic carvers had done across thousands of years — inscribing the female body and the values of a society that honors life in the most permanent material available.She wrote of her relationship to carving stone as an artist: Quietly, I bow to the stone.To our community, this summarizes the root system of Intentional Creativity. The sentence holds an entire philosophy. The sculptor does not dominate the material. She listens to it. She honors what it carries. She brings her full devotion to bear before she raises a hand to shape it.Greenbelt, Maryland is where Lenore Thomas Straus is from — Prince George's County, Maryland.Lenore Thomas Straus became the teacher of a young artist named Sue Hoya Sellers. She recognized Sue when Sue was seventeen years old. Sue had ridden seven miles on dirt roads to find her, a portfolio strapped to her bicycle, clothes starched and ironed, two years of preparation. Lenore called her a young artist, and Sue was one.Among the things Lenore passed to Sue was an understanding that the sacred feminine image belonged in the hands of women — that carving was not decoration, that it was transmission, and honestly, a form of decolonizing the female body.Sue carried this forward in her own large-scale work, including a monumental pregnant woman carved in wood commissioned for Alice Walker that stands at Stardust Ranch in Sonoma — the sacred feminine body again in the most permanent material available, given to the woman who had sat at the table with Sue, given to the writer who told me that to be happy is one of the most revolutionary acts.And Sue passed this assignment to me when I was twenty-four. Sue co-mothered me, and this was among the most sacred things she passed forward.A Cold Day and a Palm-Sized PrayerI remember the day.It was cloudy and cold on the mountain. Sue and I, months before, had gone out to dig the very clay from the earth — red clay. She wanted me to understand the whole cycle of making. Finally, the clay was made. It was placed in my hands, and she said: make it fit the palm of your hand. For prayer. Put your intention into it.I brought the clay into my hands and began to shape it. I didn't know what it would become, but I knew that I was called to make the Sacred Mother. It was the first thing I ever made out of clay.Amazingly, years after Sue's death, Lenore's daughter Nora sent me a small figurine carved in stone — one of Sue's earliest works — a goddess figurine, small enough to fit in the palm of your hand. It was only then, holding that piece, understanding what Sue had been handed and what she handed to me, that I received the full weight of the assignment — not as an instruction, as a lineage, as a specific, unbroken transmission of an understanding that Lenore had carried from her own teachers, and they from theirs, all the way back to the women who pressed their hands into cave walls and shaped limestone into figurines small enough to fit in the palm of your hand.It makes me think of my recent visit to Malta — how the Sleeping Lady of Malta is so tiny she can almost fit in the palm of your hand. But there were also sculptures so huge they were claimed to be made by giantesses. Lenore and Sue did the same thing — made the tiny and the large.Lenore was a Norwegian woman. She decided to carve an enormous sculpture, a mother and child. She went on to carve the Preamble to the Constitution in stone. She taught Sue and Sue taught me — from hand to hand and really from heart to heart.And when I think of this teaching and share it with my students today, I feel the throughline of the sacred feminine image always emerging and becoming and arriving in and through our hands. Back at the beginning, right at the time I made that sculpture, I knew I wanted to change the way that women were treated and the way that the face of the feminine was regarded in my lifetime.Thousands of paintings are part of it. The carrying on of a Stardust Lineage — from Neolithic limestones to these stardust bones.Us. We.Footnotes(1) The Venus of Willendorf is housed in the Naturhistorisches Museum, Vienna, Austria. On the red ochre tinting and its connection to blood symbolism in prehistoric ritual contexts, see: Jill Cook, Ice Age Art: Arrival of the Modern Mind (British Museum Press, 2013); Marija Gimbutas, The Language of the Goddess (HarperCollins, 1989).(2) On the geographic distribution of similar prehistoric female figurines: Gimbutas, The Language of the Goddess (1989), Introduction; Cook, Ice Age Art (2013).(3) Marija Gimbutas, The Civilization of the Goddess: The World of Old Europe (HarperCollins, 1991). On the Kurgan hypothesis and the cultural transition beginning around 4000 BCE.(4) On the Cucuteni-Trypillia culture: Gimbutas, The Language of the Goddess (1989). See also: John Chapman, Fragmentation in Archaeology (Routledge, 2000) for a more recent treatment.(5) Gimbutas, The Language of the Goddess (1989). On the visual symbolic language of prehistoric European artifacts.(6) For scholarly critique of Gimbutas's methodology, see: Lynn Meskell, “Goddesses, Gimbutas and ‘New Age' Archaeology,” Antiquity 69 (1995): 74–86. For a balanced recent assessment, see: Douglass Bailey, Prehistoric Figurines: Corporeality and Representation in the Neolithic (Routledge, 2005).(7) Lenore Thomas Straus, Mother and Child, Indiana limestone water fountain, commissioned 1937, completed 1939, Greenbelt Homes Inc., Greenbelt, Maryland. Commissioned through the Public Works Administration / Works Progress Administration Federal Art Project. Photographic documentation of Straus with Eleanor Roosevelt held in the Stardust Lineage archive. For archival verification, consult Greenbelt Museum records.(8) Lenore Thomas Straus, Preamble to the Constitution, stone, Greenbelt, Maryland. Documented by personal visit. For archival citation, consult Greenbelt Museum records and WPA Federal Art Project documentation.(9) Lenore Thomas Straus, Stone Dust. Exact page number to be confirmed before publication. Get full access to Tea with the Muse at teawiththemuse.substack.com/subscribe

Commissioned Sermon Series

Send us Fan MailThanks for joining us online!  Feel free to share this sermon with friends and family. Grace Baptist Church of Brandon, FL, led by Pastor John Jupp, is a dynamic church that will enrich your daily life. Whether you are just curious about church and God or you are a committed follower of Jesus Christ, you are welcome to join us here at Grace!If you have a prayer concern, we would love to come alongside you in prayer: Share that here:https://growingatgrace.churchcenter.com/people/forms/391447To worship through giving clink this link below:https://growingatgrace.churchcenter.com/givingFill out our digital connect card and help us to get to know you:https://growingatgrace.churchcenter.com/people/forms/602007Support the show

Love to hear from you; “Send us a Text Message”Evil rarely announces itself. More often it blends in, turns the temperature up one degree at a time, and convinces good people that numbness to sin is normal. Jack is with Claymore leader Dan McSweeney to talk plainly about the spiritual battle playing out in modern life and why so many young men feel drained, isolated, and stuck, even when everything looks “fine” on the surface. If you're watching marriages crumble, seeing addiction, especially to p*rnogra$hy (not a typo) become common, or feeling your own heart go passive, this conversation puts words to what's happening and why it matters.We also tackle a hard objection head-on: is the Church just a pile of rules? We walk through why the Ten Commandments are designed to set you free, not box you in. Freedom isn't “anything goes.” Freedom is the ability to love without fear, build trust, protect your family, and live with integrity when the culture pushes the opposite. Jack shares how the Catechism begins with desire and authentic love, reframing Catholic faith as a love story rather than a scolding, and why that changes the way a man fights the battle between love and lust.Then we get practical. Claymore's simple spiritual formation plan is built for real life: ten minutes of morning prayer before the phone, and a short nightly reading rhythm that can reshape your heart in 52 days. We talk about brotherhood, accountability, and why you should never try to do this alone, especially when spiritual resistance shows up after you start changing.Subscribe for more conversations on Catholic men's formation and the spiritual battle, share this with a friend who needs a reset, and leave a review to help more men find the Claymore Battle Plan. What part of the plan will you start this week?Sign up for the Claymore Newsletter, get notifications on Zoom calls and live events! https://claymoremiliteschristi.com/Email Jack with questions and comments to answer and discuss on future episides! jack@ClaymoreMilitesChristi.comSupport the show

Love to hear from you; “Send us a Text Message”Evil doesn't usually kick down the door. It slips in while we're busy, distracted, and telling ourselves we'll think about the big questions later. We talk about why so many men don't choose evil outright, but still end up cooperating with it through drift, silence, and “just doing my job.”We use the idea of the banality of evil to name what's happening, drawing on Hannah Arendt's reporting on Adolf Eichmann and the unnerving truth that massive harm can be carried out by ordinary, morally numb people. From there we widen the lens to the mystery of evil as spiritual warfare, not just politics or psychology, and we ask what it means to live in a culture that normalizes sin, denies objective truth, and fractures the family through addictions, abortion, and confusion about identity and love.Then we get practical: knees before screens, The Claymore 10-minute morning ritual that includes praying through temptation, followed by a simple 5-minute evening plan through the Claymore Battle Plan Handbook designed to form men fast over 52 days. Find everything here! ClaymoremilitesChristi.com Where you can view the brief Claymore Battle Plan Outline or download it for free. Also order the Claymore Battle Plan Handbook from the website or on Amazon! While there sign up and meet other men already in the Battle. If you're ready to stop drifting and start choosing the good with intention, listen, share this with a brother, and then leave a review and subscribe so more men can find a clear path to spiritual strength.Support the show

Pastor Kevin Bryan preaches on 2 Corinthians 5.

The music in this episode was composed by Emily Doolittle and is included with her kind permission https://emilydoolittle.com/ Three Summer Wassails 1. Blackberry Wassail 2. Potato Wassail 3. Mushroom Wassail Three songs for SATB choir, composed by Emily Doolittle with poetry by Forrest Pierce. Commissioned with funding from the Canada Council for the Arts. Performed by Via Nova, conducted by Daniel Galbreath. The Missing Witches coven is trans-inclusive, anti-racist, feminist, pro-science, anti-ableist, and full of AWE and LOVE.If that sounds like your people, come find out more. https://www.missingwitches.com/join-the-coven/

Raven Conversations: Join us for a fascinating conversation with CW5 Tim Gordon (Ret.), the former Command Chief Warrant Officer for the Washington National Guard! In this episode, Tim shares his extraordinary journey through the ranks, covering his unique path from commissioned to enlisted to warrant officer. He offers insightful perspectives on the challenges and rewards of his career.

The guys discuss one of the most famous Devil's Bridge in Germany…the Rakotzbrücke, located in Kromlau Park…near Gablenz, Saxony. Commissioned in 1860 by a knight, Friedrich Hermann Rötschke, this semi-circular stone bridge is designed to form a perfect circle with its reflection in the Rakotzsee lake below!!!https://thevalemagazine.com/2023/06/23/the-devils-bridge-germanys-sinister-architectural-marvel/https://search.brave.com/search?q=devils+bridge+germany&source=ios&summary=1&conversation=08f1e465226779941ec42acddd77fcea1212https://www.atlasobscura.com/places/rakotzbrucke-devils-bridge

Robert meets Sir Isaac Julien at Victoria Miro gallery in London to explore 4 decades of making art. We also meet Julien's long term collaborator Mark Nash to explore his major five-screen film installation All That Changes You. Metamorphosis, 2025 and new photographic works. All That Changes You. Metamorphosis is a vivid, sweeping, visual poem about change, what it means to transform, to adapt and to survive. Commissioned to celebrate 500 years of Palazzo Te, Mantua, Italy (where it is currently on view) and exhibited here for the first time as a five-screen installation, Julien's latest work moves between science fiction, philosophy, ecology and art, imagining new forms of life and identity beyond the human.All That Changes You. Metamorphosis draws inspiration from thinkers who explore how transformation shapes who we are and how we live, including writers Octavia Butler, Naomi Mitchison, Ursula K. Le Guin and philosopher Donna Haraway. Their ideas weave through the film's layered images and lyrical dialogue. Two protagonists are at the heart of the film, played by internationally acclaimed actors Sheila Atim and Gwendoline Christie.Isaac Julien is as acclaimed for his fluent, arresting films as for his vibrant and inventive gallery installations. One of the objectives of his work is to break down the barriers that exist between different artistic disciplines, drawing from and commenting on film, dance, photography, music, theatre, painting and sculpture, and uniting them to construct a powerfully visual narrative.Julien came to prominence in the film world with his 1989 drama-documentary Looking for Langston, gaining a cult following with this poetic exploration of Langston Hughes and the Harlem Renaissance. During the past three decades he has made work largely, though not exclusively, for galleries and museums, using multi-screen installations to express fractured narratives exploring memory and desire.Julien's major film installations include Once Again . . . (Statues Never Die), 2022, commissioned by the Barnes Foundation in celebration of its centennial, an immersive five-screen installation exploring the relationship between Dr Albert C. Barnes, who was an early US collector and exhibitor of African material culture, and the famed philosopher and cultural critic Alain Locke, known as the ‘Father of the Harlem Renaissance'; Lessons of the Hour – Frederick Douglass, 2019, a meditation on the life, words, and actions of Frederick Douglass (1818–1895), the visionary African American abolitionist and freed slave, and on the issues of social justice that shaped his life's work; Lina Bo Bardi – A Marvellous Entanglement, 2019, reflecting on the iconic work and on the legacy of the visionary modernist architect and designer (1914–1992); PLAYTIME, 2014, which explores the dramatic and nuanced subject of financial capital; Ten Thousand Waves, 2010, exploring China's ancient past and rapidly transforming present through a series of interlocking narratives. Follow @IsaacJulienIsaac Julien's major retrospective opens in Bergamo at gresart671 on 10th April 2026 and he will also showing a single screen version of All That Changes You. Metamorphosis at The Cosmic House in London from 22nd April, learn more here. Special thanks to Victoria Miro gallery. Hosted on Acast. See acast.com/privacy for more information.

In 1980, a mysterious granite monument was erected in Elbert County, Georgia. Commissioned by an anonymous person under the pseudonym R.C. Christian, and inscribed with guidelines for rebuilding society after an apocalyptic event, it quickly became the focus of many widespread conspiracy theories. Over the years, its critics ranged from locals frustrated by the site's notoriety to those who claimed its origins were satanic, and in 2022, the monument was destroyed in a, still, unsolved bombing. In this episode, Jack speaks with Tyler McBrien, host of the podcast Who Blew Up the Georgia Guidestones?, to examine both the enduring mystery of the monument's origins and the circumstances surrounding its destruction. Listen to Who Blew Up the Georgia Guidestones? Check out our Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For business inquiries contact: OtherworldTeam@unitedtalent.com If you have experienced something paranormal or unexplained, email us your story at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠stories@otherworldpod.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices