Podcast appearances and mentions of susan foister

Albrecht Dürer was the greatest German artist to come out of the Renaissance, whose high quality woodcuts revolutionised the potential of the medium. A spectacular exhibition at the National Gallery in London - the first major UK show of his work in nearly 20 years - charts Dürer's extensive travels to the Alps, Italy, Venice and the Netherlands, exploring how his journeys fuelled his curiosity and creativity, and increased his fame and influence across the continent. In this edition of Not Just the Tudors, Professor Suzannah Lipscomb goes to the National Gallery and is joined by curator Dr. Susan Foister to tour the show and find out more about Dürer, the world he encountered and how he depicted it. See acast.com/privacy for privacy and opt-out information.

In the early 1530s, the painter Hans Holbein the Younger returns to London. His patronage by Anne Boleyn and the influential Thomas Cromwell leads to Holbein creating the full-length portrait of King Henry VIII that has dominated how we have visualised him ever since. In this second of a two-part Not Just the Tudors special, Professor Suzannah Lipscomb further explores Holbein's fascinating life and work with three of the world's foremost scholars of the artist - Jeanne Nuechterlein, Franny Moyle and Susan Foister. See acast.com/privacy for privacy and opt-out information.

Hans Holbein the Younger is celebrated for his hyper-realistic, iconic portraits of Henry VIII, Thomas More, Thomas Cromwell, Anne of Cleves, Jane Seymour and an array of Tudor lords and ladies. But beyond these, Holbein was a humanist, satirist, political propagandist, book designer and religious artist.In this first of a two-part Not Just the Tudors special exploring the life and work of this multi-faceted genius, Professor Suzannah Lipscomb talks to three of the world's foremost Holbein scholars - Jeanne Nuechterlein, Franny Moyle and Susan Foister - about the early life of Tudor England's artistic giant. See acast.com/privacy for privacy and opt-out information.

On this week's podcast: the world’s greatest art heist. As a new Netflix documentary hits our screens, who stole the Isabella Stewart Gardner Museum’s paintings by Rembrandt, Vermeer and Manet, among other items, and are we any closer to finding them? We talk to Jeff Siegel, producer of the new Netflix series This is a Robbery about the 1990 heist at the Gardner museum, in Boston, Massachusetts. As Denmark brings in the "coronapas", a form of vaccine passport, we talk to Axel Rüger of the Royal Academy of Arts in London about whether such a scheme could work in the UK's museums and galleries, and to Tania Coen-Uzzielli of the Tel Aviv Museum of Art in Israel, where they have a “green pass” scheme, from which museums are exempt. And in this episode’s Work of the Week, Susan Foister, deputy director of the National Gallery in London, discusses Jan Gossaert’s Adoration of the Kings—the subject of a show at the gallery which has now been developed into an experience for smartphone users. See acast.com/privacy for privacy and opt-out information.

Francine Stock talks to the sleep scientist Matthew Walker whose latest book is a clarion call to get more sleep, as the latest research confirms that sleeping less than six or seven hours has a devastating impact on physical and mental health. Armed with proof that shift work is detrimental for workers, political strategist and chief executive of the RSA Matthew Taylor considers what responsibility companies have to their staff in making sure they get enough sleep and whether since industrialisation modern working practices militate against this. Concerns about lack of sleep and remedies for improving it are nothing new: the historian Sasha Handley looks back to early modern sleep patterns and advice, and wonders why so many of our forebears slept in two distinct phases with an hour in the early hours set aside for sex, housework or reading. The latest exhibition at the National Gallery, Reflections, co-curated by Susan Foister, shows how the medieval painter van Eyck had a huge influence on the Pre-Raphaelite painters, whose work stood in opposition to creeping industrialisation and harked back to a by-gone era of knights and sweet slumber. Producer: Hannah Sander.

When James Bond met Q at London’s National Gallery in 2012’s ‘Skyfall’, the pair sat opposite a painting rich with symbolism. It also happens to be the UK’s favourite artwork. We visit the gallery with deputy director Susan Foister to discover the symbolism behind ‘The Fighting Temeraire’.

An extensive overview of the art of Hans Holbein the Younger by Dr Susan Foister: http://www.gresham.ac.uk/lectures-and-events/hans-holbein-the-younger-a-man-very-excellent-in-making-of-physionamies Hans Holbein the Younger, portraitist, muralist, designer of jewellery and precious metalware, spent half of his distinguished career in London during the turbulent reign of King Henry VIII. Arriving in 1526 as a German speaking citizen of the city of Basel, Switzerland, he swiftly rose to become a court painter trusted to provide the likenesses of the King's potential Queens. This lecture will explore Holbein's work as a resident of the City of London, and examine the tensions between artists of the court and the City as well as the synergies between London and the continent which made the Tudor metropolis a magnet for foreign artists seeking fame and fortune.The transcript and downloadable versions of the lecture are available from the Gresham College website: http://www.gresham.ac.uk/lectures-and-events/hans-holbein-the-younger-a-man-very-excellent-in-making-of-physionamiesGresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 1,900 lectures free to access or download from the website.Website: http://www.gresham.ac.uk Twitter: http://twitter.com/GreshamCollege Facebook: https://www.facebook.com/greshamcollege Instagram: http://www.instagram.com/greshamcollege

With Mark Lawson Irving Berlin's three daughters reflect on their father's career as one of America's most successful songwriters. They also discuss their inherited responsibilities for his music and the continuing appeal of songs such as Cheek to Cheek and Puttin' On the Ritz, the light of a new UK stage version of the film Top Hat. The National Gallery's new exhibition Turner Inspired: In the Light of Claude, features the two paintings Turner donated to the gallery on the strict condition that they be hung alongside two specific paintings by the 17th century Old Master, Claude. The exhibition's curator Susan Foister and art critic William Feaver discuss the conditions and stipulations artists have made about how their work is displayed during their lifetime and beyond. Dramatist Helen Edmundson discusses her new play Mary Shelley, based on the life of the author of Frankenstein. The play centres on the scandalous relationship between Mary Shelley and her husband, poet Percy Bysshe Shelley, and the impact it had on their families. Producer Claire Bartleet.

Susan Foister, curator of the Holbein in England exhibition, talks through the key themes and issues presented by the exhibition, and Louise Govier from the National Gallery brings to light the many different readings of Hans Holbein's The Ambassadors 153