Podcasts about albrecht d

Redan stenåldersmänniskorna trodde att himlafenomenen påverkade tillvaron på jorden. Solens betydelse är ju självklar och månen gav människorna en tydlig rytm som med tiden gav oss kalendrar. Det är först i Mesopotamien som planeterna drogs in när astrologin utvecklas.Idag tror inga vetenskapsmän på astrologi – trots att de borde skicka de tidiga astrologernas sin tacksamhet för utvecklandet av den vetenskapliga metoden och för naturvetenskapens framgångar.I detta avsnitt av podden Historia Nu Premium samtalar programledaren Urban Lindstedt med Jonathan Lindström om astrologins uppkomst och dess märkliga dubbelroll i historien: som både omstridd trosföreställning och som drivkraft för observationer, tabeller och den sorts systematik som så småningom bidrog till vetenskaplig metod. Detta är början på ett Historia Nu Premium-avsnitt. Vill du lyssna på hela avsnittet blir du medlem på www.historia.nu/premium. Det kostar 75 kr/mån och då får du två extra avsnitt samt alla vanliga avsnitt reklamfria. Föreställningen att himlafenomen påverkar livet på jorden är äldre än de första städerna. Solens makt över värme, växtlighet och dygn är fysisk och självklar. Men månen – den närmaste himlakroppen – gav något minst lika viktigt: en tydlig rytm. Den blev en naturlig klocka för jakt, vandringar, tidräkning och riter. Där, i månens återkomst, föddes tanken att himlen inte bara lyser – den talar.Månmånaden återkommer med sådan regelbundenhet att den tidigt blev grund för kalendrar. Och där det finns mönster uppstår frågor. När kommer nästa fullmåne? När är det bäst att så? Varför försvinner månen i en förmörkelse? Sådana frågor gör människan till observatör – och observationen är första steget mot systematik.Det avgörande språnget kom när samhällen blev mer komplexa: jordbruk, städer, skatter, administration – och kungar som ville veta om framtiden bar goda eller dåliga tecken. Då räckte inte minnet eller muntlig tradition. Man behövde register. I Mesopotamien – området mellan Eufrat och Tigris – utvecklades en kultur där skrivkonst, tempeladministration och kungamakt knöts samman. Och där himlen blev ett arkiv av tecken som kunde samlas, jämföras och läras ut.Den tidiga mesopotamiska astrologin var i grunden omenbaserad: himlafenomen tolkades som gudomliga varningar eller löften, framför allt om kollektiva frågor – kungens hälsa, krig, skördar och väder. Under andra årtusendet f.Kr. kodifierades detta i enorma samlingar. Den mest berömda är Enūma Anu Enlil, en serie på cirka 68–70 lertavlor med uppskattningsvis 6 500–7 000 omen kopplade till himmelska och atmosfäriska fenomen.Omenläran var inte vetenskap – men den krävde noggrann observation, klassificering och återanvändbara referenser. Prästlärda blev specialister som skrev ned, jämförde och försökte hitta återkomster. Det liknar, på ett avlägset men verkligt sätt, embryot till en metod: samla data, se mönster, dra slutsatser.I Babylonien utvecklades så småningom en mer beräkningsbar himmel. Den uniforma zodiaken – indelningen av ekliptikan i tolv lika stora delar om 30 grader – växte fram i slutet av 400-talet f.Kr.. Det blev ett avgörande steg mot ett koordinatsystem som gjorde tabeller och prognoser möjliga. Ungefär samtidigt skiftar fokus från statens öde till individens: det äldsta bevarade horoskopet för en enskild person dateras till 410 f.Kr.När babylonisk kunskap rörde sig västerut – via erövringar, handel och översättningar – mötte den grekisk filosofi och matematik. I den hellenistiska världen blev astrologi inte bara en konst att tyda tecken, utan något man försökte motivera som en ordnad lära om hur kosmos hänger ihop.Bild: Titelbladet till den tyska utgåvan av De scientia motus orbis (1504), en astronomisk skrift tillskriven Māshā'allāh (ca 730–815). Illustration av Albrecht Dürer, Wikimedia Common. Public domain.Musik: And Spring Awakes av Yagull Music, Storyblock AudioKlippare: Emanuel Lehtonen Hosted on Acast. See acast.com/privacy for more information.

“Martin Schongauer” Le bel immortelau Musée du Louvre, Parisdu 8 avril au 20 juillet 2026Entretien avec Hélène Grollemund,chargée de collection au département des Arts graphiques, musée du Louvre,et co-commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 1er juin 2026, durée 24'10,© FranceFineArt.https://francefineart.com/2026/06/02/3720_martin-schongauer_musee-du-louvre/CommuniquéCommissariatPantxika Béguerie De Paepe, conservatrice honoraire du musée UnterlindenHélène Grollemund, chargée de collection au département des Arts graphiques, musée du Louvre.Surnommé le « beau Martin » par Albrecht Dürer, Martin Schongauer (Colmar, vers 1445 – Vieux-Brisach, 1491), peintre, dessinateur et graveur virtuose, reste méconnu au delà du cercle des spécialistes et des amateurs. Il est pourtant l'un des artistes les plus importants et les plus populaires de la fin du Moyen Âge.A travers une centaine d'oeuvres, l'exposition met en lumière l'oeuvre et la postérité par-delà les frontières et le temps de Schongauer. Elle présente quelques rares dessins et une large sélection d'estampes auxquelles il doit sa renommée européenne, et, pour la première fois, la quasitotalité des peintures (retables et tableaux de chevalet) qui lui sont attribuées, dont l'exceptionnelle Vierge au buisson de roses de 1473, son seul panneau peint daté.Le parcours de l'exposition est organisé en deux grands chapitres : le premier retrace la vie et l'oeuvre de Martin Schongauer ; le second étudie la profonde empreinte que ses gravures ont eu sur la culture visuelle européenne.La vie de Martin Schongauer reste mal connue du fait de la rareté des sources. Fils et frère d'orfèvres colmariens, il atteint rapidement dans ses gravures une grande maîtrise du délicat travail au burin, surpassant l'exemple de son aîné, le Maître ES, par son sens aigu de la précision et une claire appréhension de la profondeur. Ses premières œuvres mettent en évidence sa connaissance de l'art des grands Flamands comme Rogier van der Weyden, mais aussi des artistes de Nuremberg, une ville dans laquelle il a certainement séjourné à l'occasion d'un voyage entrepris entre 1465 et 1470 environ.De rares et précieuses peintures de Schongauer sont parvenues jusqu'à nous. Elles révèlent un souci esthétique tant dans la représentation humaine que dans le décor environnant et un goût profond du détail ornemental ou réaliste. Les petits panneaux peints par Schongauer mettent en avant la nouvelle relation intimiste entre la Vierge et l'Enfant, la sérénité des scènes d'adoration et le rôle primordial de Marie. L'exposition confronte ces oeuvres, destinées à la dévotion privée, avec de grands ensembles commandés par les institutions religieuses – ils ornaient des églises de Colmar ou la commanderie d'Issenheim et n'ont que rarement quitté l'Alsace.Le style séduisant de Martin Schongauer trouve toutefois son apogée dans ses estampes. Sa virtuosité technique impressionnante s'allie à sa connaissance approfondie des textes apocryphes ou des commentaires de la vie des saints. Il s'y révèle un artiste lettré, un narrateur inventif et délicat ainsi qu'un fin observateur de la nature. Il joue sur la diversité des sujets afin de toucher le plus grand nombre de clients. A côté de scènes religieuses, il développe des thèmes animaliers et fantastiques ou des éléments décoratifs.[....] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Pünktlich zum 555. Geburtstag von Albrecht Dürer gibt es im Nürnberger Albrecht Dürer Haus vom 21. bis 24. Mai die nächsten Tattoo Sessions. In diesem Jahr mit der Künstlerin Myriam Black. Museumschefin Christine Demele im Studiogespräch über Vergangenheit und Gegenwart ihres Hauses. Radio F Moderation: Günther Moosberger.Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

Maximilian I died on January 12th, 1519. But his likeness is everywhere. None of his predecessors left behind as many depictions of their life, from being fed by his nurse as a toddler to the Totenbild, the picture of the emperor in death, stripped of all his paraphernalia, even his teeth broken out.If you search in google for the most reproduced image of a Holy Roman Emperor, two come up, the portrait of Maximilian that Albrecht Dürer produced in Augsburg in 1518, as shown on last weeks episode artwork and Titian's equestrian portrait of Charles V after the battle of Mühlberg, which in turn is a composition that goes back to several equestrian portraits of Maximilian I.Basically, Maximilian I is the most visually present Holy Roman emperor of them all. And that is not by chance. As he said on several occasions, quote:"Whoever does not provide for his commemoration during his lifetime has no commemoration after his death and is forgotten with the sound of the bell that rings at his burial"The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFor do it yourself merchandise go to: Merchandise • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the ReformationThe Empire in the 15th centuryThe Fall and Rise of the Habsburgs

KI liefert nicht. CEOs wissen es. Und jetzt wissen Sie es auch.Die entscheidende Frage ist: Was machen Sie daraus?In Teil 1 ging es um die Fakten hinter dem KI-Hype: Klarna, Builder.ai, OpenAI und die Zahlen, die viele ungern offen ansprechen. In Teil 2 geht es jetzt um die Konsequenzen — konkret, direkt und relevant für den Markt.Denn viele Unternehmen merken gerade:KI allein löst keine Vertriebsprobleme.KI allein schafft keinen Umsatz.KI allein ersetzt keine Menschen, die Vertrauen aufbauen, Komplexität einordnen und Kunden wirklich bewegen.In dieser Folge spreche ich darüber,→ warum Zuverlässigkeit in diesem Markt oft wichtiger ist als reine Kompetenz→ wie eine einzige Frage im Erstgespräch ein komplettes Gespräch drehen kann→ warum Seniorität, Erfahrung und Netzwerk aktuell wieder massiv an Wert gewinnen→ und was wir aus Air Canada, Stanford und sogar Albrecht Dürer über den realen KI-Markt lernen könnenFür IT-Vertriebsprofis in Cybersecurity, Enterprise Software und AI ist das gerade eine entscheidende Phase.Nicht trotz KI.Sondern wegen KI.Wer heute die Brücke bauen kann zwischen technologischem Anspruch und echter Business-Realität, hat eine stärkere Position als viele glauben.https://www.nordh.de

Chris flies solo today, without Mitzi on this Monday, but still manages to keep it (mostly) on the sunny side! Today, on National Tartan Day, and the year’s 250th anniversary of our Declaration of Independence, we explore the fascinating history and linkage between our Declaration, and the Scottish Declaration of Arbroath, along with a special bonus surprise anniversary connection of the “Triumphal Entry” of Jesus Christ on Apr 6, 32 AD (10th of Nisan) spoken of in all four Gospels! If the Son therefore shall make you free, ye shall be free indeed. – John 8:36 KJV Triumphal Entry – in all four Gospels! Mat 21:1–11 Mar 11:1–10 Luk 19:28–40 Jhn 12:12–19 From the National Tartan Day Time and Date page: The Scottish Declaration of Independence was signed on April 6, 1320. The American Declaration of Independence was, in fact, modeled on this particular document. Almost half of the signers of the American Declaration of Independence were of Scottish descent. The US Senate Resolution on National Tartan Day was passed on March 20, 1998. From that point onward, National Tartan Day was designated as a day for all Americans, particularly those of Scottish descent, on April 6 each year. From the summary of John King Bellassai’s Two Declarations with a Common Purpose: The Link between 1320 and 1776: Tartan Day in the United States is April 6th, which is also the anniversary of the signing of the 1320 Declaration of Arbroath. The significance of this date is the striking similarities in phrasing and intent between the Declaration of Arbroath and the Declaration of Independence. A key to understanding this link is the fact that the American Revolution came right on the heels of the Scottish Enlightenment. While Scottish immigrants were a small part of the general colonial population, their influence on the worldview held by the educated segment of the colonial population, most notably Thomas Jefferson was very influential. Several other key events including the fact that Jefferson's mother's family were of Scottish decent of one of the signers of the Declaration of Arbroath and his Scottish William & Mary professor William Small, whom Jefferson described as his mentor, most notably also played a role in the creation of the Declaration of Independence. Links Videos / Clips [x] = Played [x] Braveheart Theme with Highland Bagpipes (the way it should have been) [x] @josephtawadros “Thank you for replacing the Ayatollah…” [x] @cheesyandthebears and @troycaylak “America vs. Europe 2” [x] Braveheart – Motivational Speech – Inspirational Speech – William Wallace – HD Quality [x] Declaration of Arbroath [x] The 1320 Scottish Declaration of Arbroath Explained… [x] Braveheart: Scotland is Free (HD CLIP) NAR – The Series An Unholy Alliance With Israel – NAR the Series S01E02 [x] 0:00--7:04 Scottish Guy reads The DECLARATION OF ARBROATH for the first time Scotland's Origin Story – What You Never Realised about The Declaration of Arbroath Walter Williams: Why the Founders Did Not Want a Democracy – YouTube The Rest [x] = Mentioned / Discussed [x] Braveheart – Wikipedia Wars of Scottish Independence – Wikipedia First War of Scottish Independence – Wikipedia [x] Battle of Falkirk – Wikipedia [x] United States Declaration of Independence – Wikipedia [x] Declaration of Arbroath – Wikipedia Magna Carta – Wikipedia S.RES. 155 | Congressional Chronicle | C-SPAN.org Text – S.Res.155 – 105th Congress (1997-1998): A resolution designating April 6 of each year as “National Tartan Day” to recognize the outstanding achievements and contributions made by Scottish Americans to the United States. | Congress.gov | Library of Congress H.RES. 109 | Congressional Chronicle | C-SPAN.org Text – H.Res.109 – 107th Congress (2001-2002): Recognizing the anniversary of the signing of the Declaration of Arbroath and supporting the establishment of a National Tartan Day to recognize the outstanding achievements and contributions made by Scottish Americans to the United States. | Congress.gov | Library of Congress H.RES. 514 | Congressional Chronicle | C-SPAN.org Text – H.Res.514 – 108th Congress (2003-2004): Expressing the sense of the House of Representatives that a day should be established as “National Tartan Day” to recognize the outstanding achievements and contributions made by Scottish Americans to the United States. | Congress.gov | Library of Congress [x] John Adams, letter to William Tudor, Quincy (Jun 1, 1818) When general counsels and deliberations commenced, the objects could be no other than the mutual defence and security of every individual for his life, his liberty, and his property. To suppose them to have surrendered these in any other way than by equal rules and general consent was to suppose them idiots or madmen, whose acts were never binding. To suppose them surprised by fraud, or compelled by force, into any other compact, such fraud and such force could confer no obligation. Every man had a right to trample it under foot whenever he pleased. In short, he asserted these rights to be derived only from nature and the author of nature; that they were inherent, inalienable, and indefeasible by any laws, pacts, contracts, covenants, or stipulations, which man could devise. [x] John Adams, A Dissertation on the Canon and Feudal Law – Teaching American History In a word, let every sluice of knowledge be opened and set a-flowing. The encroachments upon liberty in the reigns of the first James and the first Charles, by turning the general attention of learned men to government, are said to have produced the greatest number of consummate statesmen which has ever been seen in any age or nation. The Brookes, Hampdens, Vanes, Seldens, Miltons, Nedhams, Harringtons, Nevilles, Sidneys, Lockes, are all said to have owed their eminence in political knowledge to the tyrannies of those reigns. The prospect now before us in America, ought in the same manner to engage the attention of every man of learning, to matters of power and of right, that we may be neither led nor driven blindfolded to irretrievable destruction. Nothing less than this seems to have been meditated for us, by somebody or other in Great Britain. There seems to be a direct and formal design on foot, to enslave all America. This, however, must be done by degrees. The first step that is intended, seems to be an entire subversion of the whole system of our fathers, by the introduction of the canon and feudal law into America. The canon and feudal systems, though greatly mutilated in England, are not yet destroyed. Like the temples and palaces in which the great contrivers of them once worshipped and inhabited, they exist in ruins; and much of the domineering spirit of them still remains. The designs and labors of a certain society, to introduce the former of them into America, have been well exposed to the public by a writer of great abilities; and the further attempts to the same purpose, that may be made by that society, or by the ministry or parliament, I leave to the conjectures of the thoughtful. But it seems very manifest from the Stamp Act itself, that a design is formed to strip us in a great measure of the means of knowledge, by loading the press, the colleges, and even an almanac and a newspaper, with restraints and duties; and to introduce the inequalities and dependencies of the feudal system, by taking from the poorer sort of people all their little subsistence, and conferring it on a set of stamp officers, distributors, and their deputies. But I must proceed no further at present. The sequel, whenever I shall find health and leisure to pursue it, will be a “disquisition of the policy of the stamp act.” In the mean time, however, let me add, — These are not the vapors of a melancholy mind, nor the effusions of envy, disappointed ambition, nor of a spirit of opposition to government, but the emanations of a heart that burns for its country's welfare. No one of any feeling, born and educated in this once happy country, can consider the numerous distresses, the gross indignities, the barbarous ignorance, the haughty usurpations, that we have reason to fear are meditating for ourselves, our children, our neighbors, in short, for all our countrymen and all their posterity, without the utmost agonies of heart and many tears. [x] H. L. Mencken – Wikiquote Every normal man must be tempted, at times, to spit upon his hands, hoist the black flag, and begin slitting throats. – Prejudices, First Series (1919) Ch. 6, “The New Poetry Movement” Audience Contributed [x] Magnus Magnusson – Wikipedia [x] Scotland : the story of a nation : Magnusson, Magnus : Free Download, Borrow, and Streaming : Internet Archive On This Day Events April 2026 Calendar of Public Holidays | Office Holidays Holidays and Observances in the United States in 2026 What day is it today? Important events every day ad-free | United States OTD On This Day – What Happened on April 6 Today in History: April 6, United States enters World War I | AP News What Happened on April 6 – On This Day What Happened on April 6 | HISTORY April 6 – Wikipedia What Happened On April 6 In History? 06 | April | 2020 | Executed Today Holidays Easter Monday National Tartan Day12345 Sorry Charlie Day – Fun Holiday Historical Events 2017 – U.S. military launches 59 Tomahawk cruise missiles at an air base in Syria. Russia describes the strikes as an “aggression”, adding they significantly damage US-Russia ties. 2016 – First baby born with DNA from three parents through mitochondrial transfer in Mexico 1994 – Rwandan genocide begins: The assassination of Rwandan President, Juvénal Habyarimana, and Burundian President, Cyprien Ntaryamira, killed when the jet they were riding in was shot down by surface-to-air missiles as it attempted to land in Kigali, Rwanda abruptly ending peace negotiations and sparking the Rwandan Genocide, triggered a mass slaughter of ethnic Tutsis with up to 1 million victims. Those responsible have never been identified. 1980 – Post-it Notes first sold: 3M begins sales of Post-it Notes. The canary yellow sticky pads quickly become one of the best-selling office supply products in history and a ubiquitous staple in schools and offices around the world. 1970 – Sam Sheppard, the inspiration for “The Fugitive,” dies: Sam Sheppard, a doctor convicted of murdering his pregnant wife in a trial that caused a media frenzy in the 1950s, dies of liver failure. After a decade in prison, Sheppard was released following a re-trial. His story is rumored to have loosely inspired the television series and movie The Fugitive. 1968 – Pierre Elliott Trudeau wins the Liberal Party leadership election, and becomes Prime Minister of Canada soon afterward. 1965 – First commercial communications satellite is launched: Intelsat I, also known as Early Bird, facilitated the first live TV broadcast of a spacecraft splashdown when Gemini 6 landed in the Atlantic Ocean. 1954 – Sen. Joseph R. McCarthy, R-Wis., responding to CBS newsman Edward R. Murrow's broadside against him on “See It Now,” claimed in remarks filmed for the program that Murrow had, in the past, “engaged in propaganda for Communist causes.” 1930 – At the end of the Salt March, Gandhi raises a lump of mud and salt and declares, “With this, I am shaking the foundations of the British Empire.” 1929 – Huey P. Long, Governor of Louisiana, is impeached by the Louisiana House of Representatives. 1924 – First successful around-the-world flight begins: A team of aviators begins the first round-the-world flight in history. Four aircraft left Seattle on a westbound route around the globe. 157 days later, two of them reached the same location. 1917 – World War I: The United States entered World War I as the House joined the Senate in approving a declaration of war against Germany that was then signed by President Woodrow Wilson. 1909 – North Pole Expedition: Robert Peary and Matthew Henson allegedly become the first people to reach the North Pole. Peary’s claim has never been verified and is widely contested. The first undisputed journey to the North Pole was the 1948 Soviet Sever-2 expedition. 1896 – First modern Olympic Games are opened in Athens, Greece: 241 athletes from 14 countries took part in the First Olympiad. The event took place over 1500 years after the last ancient Olympic Games, which originated in Olympia in south-western Greece. 1866 – The Grand Army of the Republic, an American patriotic organization composed of Union veterans of the American Civil War, is founded. It lasts until 1956. 1865 – American Civil War: [better known as the War of Eastern European banking aggression] The Battle of Sailor’s Creek: Confederate General Robert E. Lee’s Army of Northern Virginia fights and loses its last major battle while in retreat from Richmond, Virginia, during the Appomattox Campaign. 1862 – American Civil War: [better known as the War of Eastern European banking aggression] The Battle of Shiloh begins: In Tennessee, forces under Union General Ulysses S. Grant meet Confederate troops led by General Albert Sidney Johnston, as Confederate forces launched a surprise attack against Union troops, who beat back the Confederates the following day. 1860 – Mormon LDS cult: The Reorganized Church of Jesus Christ of Latter Day Saints, later renamed Community of Christ, is organized by Joseph Smith III and others at Amboy, Illinois. 1841 – John Tyler inaugurated as 10th U.S. President: John Tyler is sworn in as president. Tyler was elected as William Henry Harrison's vice president earlier in 1841 and was suddenly thrust into the role of president when Harrison died one month into office. He was the first vice president to immediately assume the role of president after a sitting president's untimely exit and set the precedent for succession thereafter. 1830 – Mormon LDS cult: Joseph Smith and others met in Fayette, New York, to form the Church of Christ — now known as The Church of Jesus Christ of Latter-day Saints. 1812 – British forces under the command of the Duke of Wellington assault the fortress of Badajoz. This would be the turning point in the Peninsular War against Napoleon-led France. 1808 – John Jacob Astor incorporates the American Fur Company, that would eventually make him America’s first millionaire. 1800 – The Treaty of Constantinople establishes the Septinsular Republic, the first autonomous Greek state since the Fall of the Byzantine Empire. (Under the Old Style calendar then still in use in the Ottoman Empire, the treaty was signed on 21 March.) 1772 – Beard… Tax…? Empress of Russia Catherine the Great ends the tax on men with beards, enacted by Tsar Peter the Great in 1698 1652 – Cape Colony, the first European settlement in South Africa, is established by the Dutch East India Company under Jan van Riebeeck 1320 – Tartan Day:12345 The Scots reaffirm their independence by signing the Declaration of Arbroath, the Scottish “Declaration of Independence”. The day is increasingly renamed Declaration Day, since 2016, and associated with events commemorating the Declaration of Arbroath and other aspects of Scottish history. Tartan Day has expanded into an entire Tartan Week in New York City and Angus, and into multi-day events in some other locations, including Washington, DC. The name Scotland Week has also been promoted in Scotland. The events typically have parades of pipe bands, Highland dancing, and other Scottish-themed activities. In 1998, the efforts of the coalition and the Caledonian Foundation (led then by JoAnne Phipps), with the legislative sponsorship of Senator Trent Lott, resulted in United States Senate Resolution No. 155 (introduced March 6, 1998) to adopt April 6 as National Tartan Day. The resolution passed March 20, 1998, “to recognize the outstanding achievements and contributions made by Scottish Americans to the United States”; it also referred to the predominance of Scots among the Founding Fathers of the United States and claimed that the American Declaration of Independence was “modelled on” the Scottish Declaration of Arbroath. The now quasi-official National Tartan Day was held annually thereafter; The Washington Times reported in 2000 on the event, by which time it was already growing into a three-day affair in Washington, DC. Births 1976 – Candace Cameron Bure, American actress (50) 1969 – Paul Rudd, American actor (57) 1964 – Tim Walz, American politician, Governor of Minnesota & vice presidential candidate (62) 1952 – Marilu Henner, Greek-Polish American actress and author (74) 1942 – Barry Levinson, American actor, director, producer, and screenwriter (84) 1937 – Merle Haggard, American singer-songwriter and guitarist (died 2016) 1937 – Billy Dee Williams, American actor, singer, and writer (89) 1931 – Ram Dass (Richard Alpert), American theosophist, cult leader (died 2019) 1671 – Jean-Baptiste Rousseau, French poet and playwright (died 1741) 1135 – Maimonides, Jewish philosopher, Torah scholar, physician and astronomer (March 30 also proposed, died 1204) Deaths 1992 – Isaac Asimov, American science fiction writer (born 1920) 1971 – Igor Stravinsky, Russian-American pianist, composer, and conductor (born 1882) 1528 – Albrecht Dürer, German painter, engraver, and mathematician (born 1471) 1520 – Raphael, Italian painter and architect (born 1483) 1199 – Lionheart Richard, The Stranger King: Richard I of England, King of England, also known as Richard the Lionheart. Richard the Lionheart, Robin Hood's king is considered one of the great English monarchs. Yet he cost his country a fortune and barely lived there. (born 1157) 2014 – Mickey Rooney, American soldier, actor, and dancer (born 1920) 2014 – Massimo Tamburini, Italian motorcycle designer, co-founded Bimota (born 1943) 2015 – James Best, American actor, director, and screenwriter, best known as the bumbling Sheriff Rosco P. Coltrane in the action comedy series The Dukes of Hazzard, which originally aired on CBS from 1979 to 1985. (born 1926) 2015 – Ray Charles – the other Ray Charles, American singer-songwriter and conductor (born 1918) 2017 – Don Rickles, American actor and comedian (born 1926) 2025 – Jay North, American actor best known for his role as the good-natured but mischievous Dennis Mitchell on the CBS situation comedy Dennis the Menace (1959–1963), based on the comic strip created by Hank Ketcham. (born 1951) Wikipedia Contributors. “Tartan Day.” Wikipedia, Wikimedia Foundation, 3 Apr. 2026, en.wikipedia.org/wiki/Tartan_Day. Accessed 5 Apr. 2026. ↩↩ “National Tartan Day 2026 in the United States.” Timeanddate.com, 2026, www.timeanddate.com/holidays/us/national-tartan-day. Accessed 5 Apr. 2026. ↩↩ “History of National Tartan Day”. NationalCapitalTartanDay.com. National Capital Tartan Day Committee. 2023. Retrieved July 31, 2023. ↩↩ “National Tartan Day” (PDF). Congressional Record – Senate. United States Senate. March 20, 1998. p. S2373. Archived from the original on January 8, 2022. Retrieved July 31, 2023 – via Library of Congress. ↩↩ Bellassai, John. Two Declarations with a Common Purpose: The Link between 1320 and 1776. Mar. 2022. Archived at National Capital Tartan Day, Issue Papers. www.nationalcapitaltartanday.com/issue-papers/. Accessed 5 Apr. 2026. ↩↩

Nous sommes en 1508, à Nuremberg, cité artistique et berceau de l'Humanisme dans le Saint-Empire. Christoph von Scheurl, juriste et diplomate, écrit : « Que dois-je dire au demeurant du Nurembergeois Albrecht Dürer qui de l'avis général occupe en notre siècle le plus haut rang tant en peinture qu'en sculpture ? Alors qu'il était récemment en Italie où j'ai souvent servi d'interprète, il a été salué par les artistes de Venise et de Bologne comme un deuxième Apelle (Apelle de Cos est un peintre grec du Ve siècle avant notre ère). Les Allemands qui résident à Venise font remarquer que le tableau le plus réussi de la ville a été exécuté par lui, celui où il a représenté l'empereur si précisément que seul le souffle semble lui manquer. Trois tableaux décorent aussi la très sainte église de Wittenberg près de l'autel. Avec ces trois peintures, il pensait pouvoir rivaliser avec Apelle. Comme chez nous, ces anciens peintres habités par une nature joyeuse — comme d'ailleurs tous les gens instruits — notre Albrecht est aussi social amical, aimable et très droit, ce qui explique qu'il soit très apprécié par les hommes les plus remarquables et aimé par-dessus tout comme un frère par Willibald Pirckheimer, un homme hautement instruit en grec et en latin, un orateur remarquable membre du conseil de la ville et chef militaire ». En 1508, il reste vingt années à vivre à Albrecht Dürer. Le peintre est reconnu internationalement, il est un personnage en vue dans sa ville, adoubé par les plus hautes sphères du pouvoir et l'auteur d'une sorte d'autobiographie en images qui le cache plus qu'elle ne le révèle. A quoi est due la fascination qu'exerce encore aujourd'hui l'œuvre de Dürer ? Invitée : Anne Hustache, historienne de l'art sujets traités : Albrecht Dürer, Saint-Empire, Nuremberg, peintre, Apelle Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In the fifth episode of Was it just a dream?, we find ourselves at sea in the Middle Ages. A raven lands on deck and transforms. What is it asking of us?Share your own commentary and read the full dream on our Substack page.Reference to Albrecht Dürer's medieval engraving Knight, Death and the Devil.Music: It was just a dream by Rafael Krux. Courtesy of the Krux Music Publishing Limited Company. 

Viele Lesarten bergen die Druckgraphiken aus der Kunstsammlung der Universität im Auditorium, aus denen Studierende des Kunstgeschichtlichen Seminars eine Ausstellung konzipiert haben. Darauf deutet bereits das Leitmotiv „Eremiten. Naturräume der Einsamkeit“. In der Sammlung von Arbeiten bedeutender Künstler wie etwa Albrecht Dürer und Henrik Goltzin werden Wüsten, Höhlen, Felslandschaften und waldreiche Regionen als Rückzugsorte erfahrbar. In diesen lebten christliche Heilige wie ...

The first Art Basel Qatar art fair is now open in Qatar's capital, Doha, and The Art Newspaper's art market editor, Kabir Jhala, joins Ben Luke to discuss its impact, as well as reflecting on the wider artistic outlook in Qatar and the Middle East. The author of a new catalogue raisonné of the work of Albrecht Dürer argues that a painting of the artist's father in the National Gallery in London, long thought to be a copy after Dürer's original, is in fact an autograph work. Our special correspondent in London, Martin Bailey, tells us about the arguments for and against its authenticity. And this episode's Work of the Week is actually a pair of works. That is because there is a compelling double header opening at the Albertinum in Dresden this weekend, the exhibition Paula Modersohn-Becker and Edvard Munch: The Big Questions of Life. The exhibition's co-curator Andreas Dehmer discusses Selbstbildnis mit Hand am Kinn or Self-Portrait with Hand on Chin (1906) by Modersohn-Becker and Vampir or Vampire (1895) by Munch with our digital editor, Alexander Morrison.Art Basel Qatar continues until Saturday, 7 February.Christof Metzger, Albrecht Dürer: The Complete Paintings. Selected Drawings and Prints, Taschen, £175 (hb)Paula Modersohn-Becker and Edvard Munch: The Big Questions of Life, Albertinum, Dresden, 8 February-31 May.To buy The Art Newspaper's guidebook The Year Ahead 2026, an authoritative look at the year's unmissable art exhibitions, museum openings and significant art events, visit theartnewspapershop.com. £14.99 or the equivalent in your currency. Hosted on Acast. See acast.com/privacy for more information.

00:00 Introduction00:07 Merlin, from the Nuremberg Chronicle00:20 Merlin by Aubrey Beardsley00:24 Prince Arthur Educated by Thomas Pennant01:03 The Mad Prophet01:18 Fresco "Iwein" by Hartmann von Aue, photo Thomas Wozniak, Creative Commons01:37 Alauda arvensis Nest, photo Beentree, Creative Commons01:48 Battle of Crécy by Loyset Liédet01:59 Geoffrey of Monmouth, The Life of Merlin02:57 Zum Wilden Mann, Passau, photo Andreas Praefcke, Creative Commons03:05 The Wild Man by Conrad Meyer03:25 Carrion Crow, photo Marie-Lan Taÿ Pamart, Creative Commons03:28 Phoenix by Friedrich Justin Bertuch03:37 Virtuous Lady Tames Woodwose04:48 Page from the Black Book of Carmarthen05:21 Map of Roman Britain by William and Alexander Keith Johnston05:32 Stonehenge from the Roman De Brut05:43 Myrddin Being Converted to Christianity by Saint Kentigern05:50 Wild Man by Hans Holbein the Younger06:06 The Supernatural Sorcerer06:42 Christ in Limbo by Fra Angelico06:48 Story of Merlin by Jean Colombe07:23 Conception of Merlin by Antoine Vérard08:00 Merlin Reads His Prophesies to King Vortigern08:19 Vortigern and the Dragons by the Master of Edward IV08:57 Red Dragon Sculpture, photo Rickfive, Creative Commons09:22 Uther Pendragon, Aethelbert, Arthur, and Oswald by Matthew Paris09:34 The Holy Grail and the Round Table by Évrard d'Espinques09:52 Uther and Igraine by Wladislaw T Benda10:00 Pelleas and Igraine by Wladislaw T Benda10:06 Gorlois, Uther, and Igraine by Wladislaw T Benda10:30 Uther Pendragon by Howard Pyle10:39 Arthur's Conception10:55 So The Child Was Delivered Unto Merlin by Arthur Rackham11:21 Idylls of the King by Gustave Doré11:58 So The Child Was Delivered Unto Merlin by N C Wyeth12:05 Merlin Dictating Prophesies to His Scribe, Blaise12:18 Young Arthur Retrieving the Sword Excalibur12:36 Gargoyle12:55 Sack of Aquileia, from the Chronicon Pictum12:59 The Achievement of the Grail by Edward Burne-Jones, William Morris, and John Henry Durle13:04 Excalibur, from Ballads of Bravery by George Melville Baker13:39 The Fate of Merlin13:43 Vivian and Merlin by Julia Margaret Cameron14:08 Idylls of the King by Gustave Doré14:18 Diana of the Chase by Anna Hyatt Huntington14:37 Diana Hunting, Via Livenza, Rome, Italy14:45 Secondary Basins of Brittany by Marie-Nicolas Bouillet14:55 The Golden Bough by Joseph Mallord William Turner15:12 Myth of Actaeon, photo Carole Raddato, Creative Commons15:26 Idylls of the King by Gustave Doré15:44 Robert De Boron, Prose Merlin16:17 Idylls of the King by Gustave Doré16:32 Merlin and Vivienne by W Otway Cannell16:42 April by the Brothers of Limbourg16:48 Musician With Tambourine, Man and Maiden Playing Chess, Bodleian Library, Oxford, England16:52 Maidens Dance to the Music of a Citoler Playing, Bodleian Library, Oxford, England16:59 Walther von Klingen by the Master of the Codex Manesse17:04 Duke and Ladies in a Garden by Christine de Pisan17:18 Vivien Bewitches Merlin by Arthur Pyle17:33 Merlin and Nimue by Edward Burne-Jones18:06 Vivien and Merlin by Julia Margaret Cameron18:17 Idylls of the King by Eleanor Fortescue-Brickdale18:23 Merlin and Vivien by George Housman Thomas18:40 The Beguiling of Merlin by Edward Burne-Jones18:53 Witches' Tree by Edward Burne-Jones19:12 Merlin and Vivien, from Tales of the Round Table by Andrew Lang19:18 Idylls of the King by Eleanor Fortescue-Brickdale20:02 Bradamante at Merlin's Tomb by Alexandre-Evariste Fragonard20:30 Conclusion20:51 Awarding the Artists Coat of Arms to Albrecht Dürer by Eugene Napoleon Neureuther20:55 Idylls of the King by Gustave Doré21:13 The Story of Tom Thumb, from The Heart of Oak Books by Charles Eliot Norton21:43 Sleeping Merlin Sculpture at Merlin's Cave, Tintagel, England, photo by Nathan Russell-Raby, Creative CommonsAll works of art are in the public domain unless otherwise noted.Ambiment - The Ambient by Kevin MacLeod is licensed under a Creative Commons Attribution license.

Rok kończymy z jednym z najsławniejszych wizerunków artysty - Autoportretem Albrechta Dürera z 1500 r. ze Starej Pinakoteki w Monachium.Opowiadam o tym, jak można czytać ten obraz, jak i o tym, że badacze nie są zgodni co do ostatecznej interpretacji. Jak i o tym jaki był status malarza w Niemczech na przełomie wieków.W styczniu 2026 w środy będę opowiadała o dziełach renesansowych w cyklu „Czy renesans rzeczywiście przyniósł odrodzenie?” w ramach „Podróży przez Sztukę” dla Fundacji Art Transfer.Karnet możecie zakupić tutaj: https://app.evently.pl/events/11682-czy-renesans-rzeczywiscie-przyniosl-odrodzenieW odcinku wspominam o tej książce: Ulinka Rublack, Dürer's Coats Renaissance Men and Material Cultures of Social Recognition , którą kupiłam specjalnie do przygotowania tego odcinka, dzięki wsparciu Patronek i Patronów w serwisie Patronite.pl Możesz dołączyć do tego grona https://patronite.pl/otulina_o_sztuce Znajdź mnie na Facebooku: ⁠https://www.facebook.com/otulinablogpl⁠ lub na Instagramie: ⁠https://www.instagram.com/otulina_o_sztuce⁠

Jana Byars meets one of her academic heroes when Ulinka Rublack joins her to talk about Dürer's Coats: Renaissance Men and Material Cultures of Social Recognition (Routledge, 2025). During the Renaissance, clothing became more and more elaborately decorated and expensive. It often emphasised the privilege of the male elite. Yet clothing could also subvert or reshape conventional cultural norms. This book draws on the case of Albrecht Dürer to examine Renaissance male outerwear as a key element of signalling communication in everyday life. The recognised artist fought for the esteem of urban creators. In asserting his dignity and taste, outerwear was particularly important to Dürer and his time. Ulinka Rublack argues that cloaks and gowns gained in importance during this period and were among the things that mediated social relationships for centuries to come. An investigation into outerwear opens a new window into how people and things were connected in the Renaissance and how important clothing was in shaping subjectivities in everyday life. Using the example of Dürer and his wife as emerging social types, the study follows the artist and the men and women of his time through the streets of Venice, Nuremberg, Augsburg and Antwerp. It poses pressing questions about Albrecht Dürer's entanglement in unequal networks of global trade and the German Renaissance Atlantic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Jana Byars meets one of her academic heroes when Ulinka Rublack joins her to talk about Dürer's Coats: Renaissance Men and Material Cultures of Social Recognition (Routledge, 2025). During the Renaissance, clothing became more and more elaborately decorated and expensive. It often emphasised the privilege of the male elite. Yet clothing could also subvert or reshape conventional cultural norms. This book draws on the case of Albrecht Dürer to examine Renaissance male outerwear as a key element of signalling communication in everyday life. The recognised artist fought for the esteem of urban creators. In asserting his dignity and taste, outerwear was particularly important to Dürer and his time. Ulinka Rublack argues that cloaks and gowns gained in importance during this period and were among the things that mediated social relationships for centuries to come. An investigation into outerwear opens a new window into how people and things were connected in the Renaissance and how important clothing was in shaping subjectivities in everyday life. Using the example of Dürer and his wife as emerging social types, the study follows the artist and the men and women of his time through the streets of Venice, Nuremberg, Augsburg and Antwerp. It poses pressing questions about Albrecht Dürer's entanglement in unequal networks of global trade and the German Renaissance Atlantic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Jana Byars meets one of her academic heroes when Ulinka Rublack joins her to talk about Dürer's Coats: Renaissance Men and Material Cultures of Social Recognition (Routledge, 2025). During the Renaissance, clothing became more and more elaborately decorated and expensive. It often emphasised the privilege of the male elite. Yet clothing could also subvert or reshape conventional cultural norms. This book draws on the case of Albrecht Dürer to examine Renaissance male outerwear as a key element of signalling communication in everyday life. The recognised artist fought for the esteem of urban creators. In asserting his dignity and taste, outerwear was particularly important to Dürer and his time. Ulinka Rublack argues that cloaks and gowns gained in importance during this period and were among the things that mediated social relationships for centuries to come. An investigation into outerwear opens a new window into how people and things were connected in the Renaissance and how important clothing was in shaping subjectivities in everyday life. Using the example of Dürer and his wife as emerging social types, the study follows the artist and the men and women of his time through the streets of Venice, Nuremberg, Augsburg and Antwerp. It poses pressing questions about Albrecht Dürer's entanglement in unequal networks of global trade and the German Renaissance Atlantic. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jana Byars meets one of her academic heroes when Ulinka Rublack joins her to talk about Dürer's Coats: Renaissance Men and Material Cultures of Social Recognition (Routledge, 2025). During the Renaissance, clothing became more and more elaborately decorated and expensive. It often emphasised the privilege of the male elite. Yet clothing could also subvert or reshape conventional cultural norms. This book draws on the case of Albrecht Dürer to examine Renaissance male outerwear as a key element of signalling communication in everyday life. The recognised artist fought for the esteem of urban creators. In asserting his dignity and taste, outerwear was particularly important to Dürer and his time. Ulinka Rublack argues that cloaks and gowns gained in importance during this period and were among the things that mediated social relationships for centuries to come. An investigation into outerwear opens a new window into how people and things were connected in the Renaissance and how important clothing was in shaping subjectivities in everyday life. Using the example of Dürer and his wife as emerging social types, the study follows the artist and the men and women of his time through the streets of Venice, Nuremberg, Augsburg and Antwerp. It poses pressing questions about Albrecht Dürer's entanglement in unequal networks of global trade and the German Renaissance Atlantic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Jana Byars meets one of her academic heroes when Ulinka Rublack joins her to talk about Dürer's Coats: Renaissance Men and Material Cultures of Social Recognition (Routledge, 2025). During the Renaissance, clothing became more and more elaborately decorated and expensive. It often emphasised the privilege of the male elite. Yet clothing could also subvert or reshape conventional cultural norms. This book draws on the case of Albrecht Dürer to examine Renaissance male outerwear as a key element of signalling communication in everyday life. The recognised artist fought for the esteem of urban creators. In asserting his dignity and taste, outerwear was particularly important to Dürer and his time. Ulinka Rublack argues that cloaks and gowns gained in importance during this period and were among the things that mediated social relationships for centuries to come. An investigation into outerwear opens a new window into how people and things were connected in the Renaissance and how important clothing was in shaping subjectivities in everyday life. Using the example of Dürer and his wife as emerging social types, the study follows the artist and the men and women of his time through the streets of Venice, Nuremberg, Augsburg and Antwerp. It poses pressing questions about Albrecht Dürer's entanglement in unequal networks of global trade and the German Renaissance Atlantic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Jana Byars meets one of her academic heroes when Ulinka Rublack joins her to talk about Dürer's Coats: Renaissance Men and Material Cultures of Social Recognition (Routledge, 2025). During the Renaissance, clothing became more and more elaborately decorated and expensive. It often emphasised the privilege of the male elite. Yet clothing could also subvert or reshape conventional cultural norms. This book draws on the case of Albrecht Dürer to examine Renaissance male outerwear as a key element of signalling communication in everyday life. The recognised artist fought for the esteem of urban creators. In asserting his dignity and taste, outerwear was particularly important to Dürer and his time. Ulinka Rublack argues that cloaks and gowns gained in importance during this period and were among the things that mediated social relationships for centuries to come. An investigation into outerwear opens a new window into how people and things were connected in the Renaissance and how important clothing was in shaping subjectivities in everyday life. Using the example of Dürer and his wife as emerging social types, the study follows the artist and the men and women of his time through the streets of Venice, Nuremberg, Augsburg and Antwerp. It poses pressing questions about Albrecht Dürer's entanglement in unequal networks of global trade and the German Renaissance Atlantic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Die Wiesbadener Albrecht-Dürer-Schule soll umgebaut werden, der Bundesgerichtshof hat die Revision im Fall um sexuelle Übergriffe eines ehemaligen Jugendfußballtrainers aus Hattersheim verworfen und Bauarbeiten auf der A3. Das und mehr heute im Podcast. Alle Hintergründe zu den Nachrichten des Tages finden Sie hier: https://www.wiesbadener-kurier.de/lokales/wiesbaden/stadt-wiesbaden/wiesbadener-haupt-und-realschule-soll-umgewandelt-werden-5152149 https://www.wiesbadener-kurier.de/lokales/wiesbaden/stadt-wiesbaden/streit-um-stellplaetze-eigentuemern-droht-zwangsgeld-5071463 https://www.wiesbadener-kurier.de/lokales/hessen/fussballtrainer-rechtskraeftig-wegen-vergewaltigung-verurteilt-5161003 https://www.wiesbadener-kurier.de/lokales/wiesbaden/stadt-wiesbaden/a3-reparaturen-zwischen-niedernhausen-und-wiesbadener-kreuz-5161700 https://www.wiesbadener-kurier.de/lokales/hessen/wetter-wettervorhersage-hessen-schnee-glaette-5164547 Ein Angebot der VRM.

Okamura entfernt ukrainische Flagge, Albrecht Dürers Nashorn-Grafik, Tschechisch gesagt: Die Pension, Leipziger auf Begegnungsreise in der Partnerstadt Brünn

Okamura entfernt ukrainische Flagge, Albrecht Dürers Nashorn-Grafik, Tschechisch gesagt: Die Pension, Leipziger auf Begegnungsreise in der Partnerstadt Brünn

On today's show: Celebrating Roma Language Day; Albrecht Dürer's first edition of Rhinoceros discovered in Czech Academy library; and with the announcement that Prague D's Olbrachtova metro stop has been constructed, although of course far from opened, we thought to bring you our interview on why Prague needs a fourth metro line.

On today's show: Celebrating Roma Language Day; Albrecht Dürer's first edition of Rhinoceros discovered in Czech Academy library; and with the announcement that Prague D's Olbrachtova metro stop has been constructed, although of course far from opened, we thought to bring you our interview on why Prague needs a fourth metro line.

In an extraordinarily rare interview, artist Raymond Pettibon discusses his journey, from early punk rock works to present day artistic themes, technique and rhythms, the Getty archives and more. Topics Include: Raymond Pettibon has been drawing constantly since childhood, "always with a pen in hand" Started with crayons, pastels, pencil - India ink came later as too messy Early influences included Albrecht Dürer, etchings, and comic book art equally Self-taught artist who learned through trial and error, never attended art school Studied economics in college, bringing analytical thinking to his art practice Approaches work as fine art, not commercial art, values creative freedom Rarely takes commissions - the more constraints, the less he likes it Band artwork usually selected from existing drawings rather than commissioned pieces Black Flag's "Nervous Breakdown" images came from his "Captive Chains" book Artwork inspired by "Blackboard Jungle" film - students destroying teacher's jazz records Has experience teaching, can identify with teacher-student conflicts from that period Left SST Records in 1985-86 due to oppressive environment Describes certain subjects he returns to repeatedly over the decades Works on multiple drawings simultaneously, some remaining unfinished for years Enters a meditative "fugue state" when drawing or writing Never experiences artist's block - blank paper doesn't intimidate him Believes he can write about any subject with natural fluency Doesn't plan series - they develop organically through returning to themes Sometimes works directly on gallery walls during exhibitions for coherence Used to work all day and night when deeply engaged Dislikes deadlines - they make work harder, not easier for him Sees deadlines as triggering psychological rebellion despite wanting to please collectors Hates when people suggest ideas - it "breaks the spell" Admits he's not the greatest draftsman but learned on the job Recently donated personal archive to Getty Research Institute for scholarly access Participated in Getty's research scholar program, one artist among academics Program reconnected him with economics after years away from the discipline Still has unfinished drawings in studio, some over 30 years old Currently creating less due to frustrations with art world dynamics Values complete artistic freedom - no curator has ever asked him to change High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Photo by John Newsom Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Atemberaubend! Überall Striche, jedes Barthaar ist erkennbar! Ganz, ganz wunderbar mein Herr. So oder so ähnlich klang es wohl des Öfteren in Albrecht Dürers Atelier am Albrecht-Dürer-Platz, wenn wieder rot besamtete Patrizier aufliefen, um dem jungen Altmeister eines seiner Werke unterm Hintern wegzukaufen. Kunst halt! Und in genau diese Stiefel ziehen sich unsere beiden Radiokurator:innen Eisi (remote) und Meisi (on-site) an und stapfen los in die wirren der Kunstgeschichte, die ja bekanntlich so alt ist, wie der Traum vom fliegen, der ja seinerseits auch schon einige Lenze zählt. Da Herr Eisenbart mal wieder unpässlich ist, hat er uns ein Lexikon der Kumfstbegriffe erstellt, in das wir auch gerne mal hineinhören. Frau Meisendraht indes hat sich im Schnelldurchlauf die gesamte westliche Kunstgeschichte in den Schlund gestopft und göbelt sie uns, einer Vogelmutter gleich, ganz frisch-fröhlich in die Schnäbel. Das tut sie aber nicht alleine, denn zu zweit ist einfach besser: Herr Chillbert Knödel vom “Uhu-Ball-institut für zeitvergessene Knust” hat sich bereit erklärt, uns seine Expertise in Form von hinein geworfenen Kommentaren zur Verfügung zu stellen, was wir natürlich mit Handkuss annehmen, gefälligst. Es soll also von der Steinzeit über die Antike bis hin in die Jetztzeit um alles gehen, was die Kunstgeschichte so hervorgebracht hat: Wehrkirchen, Individuen und Genies, Ohren und Brunnen spielen Rollen in dieser ziselierten Revue des Ausdrucks. Und am Ende definieren wir sogar den Kunstbegriff. Natürlich wieder dabei: Die schillernden Texte unseres original EBMD-Autor:innenpools, die um uns in einem schwindelerregenden Reigen herumtanzen und unsere Herzen erfreuen. Prösterchen Ihr Pappy, der Redaktionspapgey ============ Die Autor:innen - Lisa Neher - Katrin Rauch - David Telgin - Christian Knieps - Bastian Kienitz - Maria Fischer - Ella:r Gülden Die Sprecher:innen - Maria Fischer

Wie immer diskutieren wir im ersten Teil unseres Programms über aktuelle Ereignisse der Woche. Wir beginnen mit einem alarmierenden Trend: Zwei Jahre nach dem Angriff der Hamas am 7. Oktober 2023 erlebt Europa einen Anstieg des Antisemitismus. Führende Vertreter der jüdischen Gemeinschaft warnen davor, dass Antisemitismus zunehmend instrumentalisiert wird. Anschließend sprechen wir über Frankreich, wo der Zusammenbruch der Regierung Präsident Emmanuel Macron und das Land in eine zunehmend eskalierende politische Krise stürzt. Wie geht es weiter für Frankreich nach dem überraschenden Rücktritt von Premierminister Sébastien Lecornu? In unserem Wissenschaftssegment sprechen wir heute über das einzigartige Vermächtnis von Jane Goodall für die Forschung und über ihren Einsatz für den Naturschutz. Und zum Schluss erinnern wir an Claudia Cardinale, eine der berühmtesten Schauspielerinnen Italiens. Sie ist im Alter von 87 Jahren gestorben. Der Rest des Programms ist der deutschen Sprache und Kultur gewidmet. Die heutige Grammatiklektion konzentriert sich auf Relative Clauses. Ein Probedruck des Nürnberger Künstlers Albrecht Dürer ist nach 143 Jahren Leihgabe wieder zurückgekehrt. Wir sprechen darüber, um welches Werk es sich handelt, wo es so lange war und warum es wichtig ist zu wissen, wem ein Kunstwerk rechtmäßig gehört. Die Redewendung dieser Woche ist Aus dem Häuschen sein. Darauf passt der phänomenale Sieg der deutschen Nationalmannschaft der Männer im Basketball. Sie gewann vor ein paar Wochen das EM-Finale gegen die Türkei in Riga. Ein sensationeller Erfolg für Deutschland! Zunehmender Antisemitismus in Europa zwei Jahre nach dem Anschlag der Hamas Verschärfung der politischen Instabilität Frankreichs nach dem erneuten Zusammenbruch der Regierung Jane Goodalls einzigartiges Vermächtnis für die Forschung und den Naturschutz Die italienische Film-Ikone Claudia Cardinale ist gestorben Kunstwerk kehrt nach 143 Jahren zurück Deutschland ist Europameister im Basketball

Wie immer diskutieren wir im ersten Teil unseres Programms über aktuelle Ereignisse der Woche. Wir beginnen mit einem alarmierenden Trend: Zwei Jahre nach dem Angriff der Hamas am 7. Oktober 2023 erlebt Europa einen Anstieg des Antisemitismus. Führende Vertreter der jüdischen Gemeinschaft warnen davor, dass Antisemitismus zunehmend instrumentalisiert wird. Anschließend sprechen wir über Frankreich, wo der Zusammenbruch der Regierung Präsident Emmanuel Macron und das Land in eine zunehmend eskalierende politische Krise stürzt. Wie geht es weiter für Frankreich nach dem überraschenden Rücktritt von Premierminister Sébastien Lecornu? In unserem Wissenschaftssegment sprechen wir heute über das einzigartige Vermächtnis von Jane Goodall für die Forschung und über ihren Einsatz für den Naturschutz. Und zum Schluss erinnern wir an Claudia Cardinale, eine der berühmtesten Schauspielerinnen Italiens. Sie ist im Alter von 87 Jahren gestorben. Der Rest des Programms ist der deutschen Sprache und Kultur gewidmet. Die heutige Grammatiklektion konzentriert sich auf Relative Clauses. Ein Probedruck des Nürnberger Künstlers Albrecht Dürer ist nach 143 Jahren Leihgabe wieder zurückgekehrt. Wir sprechen darüber, um welches Werk es sich handelt, wo es so lange war und warum es wichtig ist zu wissen, wem ein Kunstwerk rechtmäßig gehört. Die Redewendung dieser Woche ist Aus dem Häuschen sein. Darauf passt der phänomenale Sieg der deutschen Nationalmannschaft der Männer im Basketball. Sie gewann vor ein paar Wochen das EM-Finale gegen die Türkei in Riga. Ein sensationeller Erfolg für Deutschland! Zunehmender Antisemitismus in Europa zwei Jahre nach dem Anschlag der Hamas Verschärfung der politischen Instabilität Frankreichs nach dem erneuten Zusammenbruch der Regierung Jane Goodalls einzigartiges Vermächtnis für die Forschung und den Naturschutz Die italienische Film-Ikone Claudia Cardinale ist gestorben Kunstwerk kehrt nach 143 Jahren zurück Deutschland ist Europameister im Basketball

En 1515, le sultan de Cambaïa offre au roi du Portugal un rhinocéros, animal encore inconnu en Occident. Albrecht Dürer en fera une célèbre gravure, copiée à de nombreuses reprises au cours des siècles suivants. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

„Wish you were queer“. Unter diesem Titel thematisiert das Museum im Prediger in Schwäbisch Gmünd die Sichtbarkeit und Un-Sichtbarkeit von LSBTI* in Kunst und Geschichte: Lesben, Schwule, Bisexuelle, Transgeschlechtliche und Intersexuelle, die seit Jahrhunderten oft Ächtung und Verfolgung erfuhren. Ihr Leben konnte in der Kunst lange nur codiert dargestellt werden, etwa von Albrecht Dürer in Werken voller homosexueller Chiffren. Auch im Alltag konnten sich LSBTI* noch im 20. Jahrhundert nur mit Hilfe von Codes begegnen – als „Gleichgesinnte“. Für Kurator Martin Weinzettl ein Herzensprojekt.

This week, we discuss a series of "intellectual crimes" in which the stolen objects were more valuable for their history and status than for their resale price.  And stick around for an artsy "Last Thing Before We Go". Thank you to this week's sponsors! Help your liver and save 25% on your first month of subscription by going to dosedaily.co/MOMS or entering MOMS at checkout. Get organized now, with Skylight! Right now, Skylight is offering our listeners $30 off their 15-inch Calendars by going to SkylightCal.com/MOMS. Download the free Rakuten App or go to Rakuten.com to start saving today.  And right now, IQBAR is offering our special podcast listeners twenty percent off all IQBAR products—including the sampler pack—plus FREE shipping. To get your 20% text MOMS to 64000.  Message and data rates may apply. See terms for details. The Boston Public Library's "Lost" Art: We dive into the bizarre case of two priceless artworks—an Albrecht Dürer engraving and a Rembrandt van Rijn etching—that went missing from one of the country's most prestigious libraries. The disappearance caused a media uproar and led to the resignation of the library's president . But in a twist, the art was never stolen; it was just in the wrong spot for an entire year.  The Man Who Loved Books Too Much: We explore the story of John Charles Gilkey, a man driven by intellectual vanity who used stolen credit card numbers to amass a collection of rare books worth over $200,000. Gilkey wasn't in it for the money; he simply wanted to appear to be a sophisticated intellectual . His obsessive "bibliokleptomania" forced the rare book community to tighten security and share information on thefts.  The Notorious Map Thief: Next, we cover Edward Forbes Smiley III, a charming and respected rare map dealer whose financial troubles led him to a life of crime. Using an X-Acto blade, he would carefully slice rare maps out of centuries-old atlases from institutions like Yale and Harvard. We reveal how a single misplaced blade led to his downfall, exposing his theft of nearly 100 maps . The Notorious Map Thief: Next, we cover Edward Forbes Smiley III, a charming and respected rare map dealer whose financial troubles led him to a life of crime. Using an X-Acto blade, he would carefully slice rare maps out of centuries-old atlases from institutions like Yale and Harvard. We reveal how a single misplaced blade led to his downfall, exposing his theft of nearly 100 maps. Check-out bonus episodes up on Spotify and Apple podcast now! Get new episodes a day early and ad free, plus chat episodes, at Patreon.com/momsandmysteriespodcast .    To advertise on the show, contact sales@advertisecast.com or visit https://www.advertisecast.com/MomsandMysteriesATrueCrimePodcast.    Listen and subscribe to Melissa's other podcast, Criminality!! It's the podcast for those who love reality TV, true crime, and want to hear all the juicy stories where the two genres intersect. Subscribe and listen here: www.pod.link/criminality    Check-out Moms and Mysteries to find links to our tiktok, youtube, twitter, instagram and more.     

Last year I went to an exhibition at the Städel museum in Frankfurt that was entitled Holbein and the Renaissance in the North. That is the elder Holbein, the father of the Holbein who came to England. This exhibition has now ended, but there is still a great summary available on the Städel website.Though obviously not present at the exhibition, one key focus was the Fugger chapel in the church of St. Anne in Augsburg, one of the earliest and most significant Renaissance building north of the Alps. I wanted to kick off this episode with this chapel and then move on to Holbein, Burgkmair etc. But as I dug deeper and deeper into the late 15th and early 16th century art in Southern Germany, the more connections and links emerged that I hope you will find as fascinating as I did.Links to artworks:Fugger chapel: Die Fuggerkapelle | St. Anna AugsburgRiemenschneider Heilig Blut Altar: The Altar of the Holy Blood | ReliquarianThe Hare: Young Hare, 1502 - Albrecht Durer - WikiArt.orgSchongauer St. Anthony: Martin Schongauer | Saint Anthony Tormented by Demons | The Metropolitan Museum of ArtRhinocerus: Albrecht Dürer | The Rhinoceros | The Metropolitan Museum of ArtRitter, Tod und Teufel and other works: Albrecht Dürer (1471–1528) - The Metropolitan Museum of ArtThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I...

Im Jahr 1515 schenkte der portugiesische König Manuel I. dem Papst Leo X. ein Nashorn – das allerdings nie lebend in Rom ankam. Eine Beschreibung und eine Skizze des Tiers fielen allerdings Albrecht Dürer in die Hände. Sein „Rhinocerus“ prägte anschließend lange Zeit das Bild von Nashörnern in Europa. Bis ein niederländischer Kapitän ab 1746 mit dem Panzernashorn Clara zu einer Europa-Tour aufbrach. Wir sprechen in der Folge über Tiere als Statussymbole in fürstlichen Menagerien, Elefantendiplomatie und wie schließlich Wandermenagerien die Vorstellung von nicht-heimischen Tieren in Europa veränderten. //Erwähnte Folgen - GAG279: Muskat und Manhattan – https://gadg.fm/279 - GAG440: Eine Giraffe für den König – https://gadg.fm/440 - GAG204: Obaysch - das viktorianische Nilpferd – https://gadg.fm/204 - GAG373: Morocco und der Kluge Hans – https://gadg.fm/373 - GAG71: Wie die Kartoffel nach Europa kam (und alles veränderte) – https://gadg.fm/71 // Literatur - Silvio Bedini: The Pope's Elephant, 1997. - Louise E. Robbins: Elephant Slaves and Pampered Parrots: Exotic Animals in Eighteenth-Century Paris, 2002. - Glynis Ridley: Clara's Grand Tour: Die spektakuläre Reise mit einem Rhinozeros durch das Europa des 18. Jahrhunderts, 2005. - Laura Fuchs & Katrin Hirt: Ein Nashorn namens Clara, 2022. (Kinderbuch) //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

durée : 00:30:32 - Les Nuits de France Culture - par : Antoine Dhulster - Une méditation sur la mort de sa mère...? Le dernier épisode de la série "Dürer et l'ange de la mélancolie" s'intéresse au temple et son gardien incarné par l'ange et tente de comprendre la profondeur des symboles utilisés par l'artiste pour exprimer la rêverie, la mélancolie et la mort. - réalisation : Virginie Mourthé

durée : 00:29:56 - Les Nuits de France Culture - par : Antoine Dhulster - Que peut-on dire de l'ange et de l'angelot dans la "Melencolia" d'Albrecht Dürer ? Ce quatrième volet de la série "Dürer et l'ange de la mélancolie" analyse en détail les deux personnages principaux. Une interprétation chrétienne étonnante autour de la symbolique du chiffre et de l'ange Gabriel. - réalisation : Virginie Mourthé

durée : 00:29:17 - Les Nuits de France Culture - par : Antoine Dhulster - Que signifie la présence de l'encrier dans la "Melencolia" de Dürer ? Et celle de la sphère et des instruments de géométrie ? Ce troisième numéro de la série "Dürer et l'ange de la mélancolie" propose une relecture chrétienne étonnante de l'œuvre bien au-delà d'une simple interprétation humaniste. - réalisation : Virginie Mourthé

durée : 00:29:55 - Les Nuits de France Culture - par : Antoine Dhulster - Quel astre, quelles lumières traversent la "Melencolia" de Dürer ? Le deuxième volet de la série "Dürer et l'ange de la mélancolie", diffusée en 1982 sur France Culture, explore la complexité de l'espace saturnien, le rôle du polyèdre et du creuset, la présence du chien allongé aux pieds de l'ange. - réalisation : Virginie Mourthé

durée : 00:30:50 - Les Nuits de France Culture - par : Antoine Dhulster - "Les mélancoliques : un regard vers l'extérieur, des génies, de grands voyants". C'est ce regard mélancolique que Dürer exprime en 1514 dans sa "Melencolia". En 1982 France Culture décline une série "Dürer et l'ange de la mélancolie" à la (re)découverte de ce chef-d'œuvre étonnant de la Renaissance. - réalisation : Virginie Mourthé

Mokuhanga is carried by those with a desire to explore the medium to its fullest, to foray into uncharted territory, to educate many, and to draw more people to the art form. On this episode of The Unfinished Print, I speak with Vladimir Ivaneanu and Soetkin Everaert, co-founders of the Japanese print promotion project Mokuhanga Magic! We discuss how Mokuhanga Magic! began, exploring the mokuhanga journeys of both Soetkin and Vladimir, dive into the art of collaboration, share stories of their travels to Japan, and reflect on the current state of mokuhanga today. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me andrezadorozny@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Mokuhanga Magic! - website Emil Nolde (1867–1956) was a German-Danish Expressionist known for his bold use of colour, deep interest in spirituality and the human condition. As a printmaker, Nolde was a pioneering figure in early 20th-century German art, producing powerful woodcuts, etchings, and lithographs that often explored biblical themes, folklore, and dramatic human expressions. Despite being banned by the Nazi regime—who labeled his work as "degenerate art"—Nolde continued to create in secret. Nolde's printmaking helped shape the visual language of German Expressionism and influenced generations of artists. Durchbrechendes Licht (Light Breaking Through), 1950 oil on canvas 68.5 x 88.5 cm MEXT (Mombukagakusho) Scholarship is a prestigious academic scholarship offered by the Japanese Ministry of Education, Culture, Sports, Science and Technology to support international students studying in Japan. Established in 1954, it provides funding for various academic levels, including undergraduate, graduate, vocational, and research programs. The scholarship covers tuition, a monthly stipend, and round-trip airfare. Students can apply either through Japanese embassies (Embassy Recommendation) or directly through Japanese universities (University Recommendation). It aims to promote international exchange and has supported over 65,000 students from around the world. Paul Furneaux  is a Scottish born mokuhanga printmaker and teacher who uses the medium of mokuhanga creating pieces of work that are third dimensional, abstract and sculptural. Little Loch (Lochin) 47 x 36 cm Variable edition of 10 Nagasawa Art Park (MI Lab) Awaji City - Nagasawa Art Park was an artist-in-residence program located in Awaji City, Hyōgo Prefecture, Japan. It was open for 12 years before evolving into MI Lab in 2012. More info, here.  Tintin is a fictional character and the protagonist of The Adventures of Tintin, a comic book series created by Belgian cartoonist Hergé (1907-1983) (the pen name of Georges Remi). First appearing in 1929, Tintin is a young Belgian reporter and adventurer who travels the world, often finding himself embroiled in dangerous plots, solving mysteries, and fighting injustice. The series became internationally beloved for its clean graphic style, detailed research, and engaging storytelling, making Tintin one of the most iconic comic book characters of the 20th century. MI Lab  is a mokuhanga artists residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here.  manga is a style of Japanese comic books and graphic novels that encompasses a wide range of genres and themes, appealing to audiences of all ages. Typically published in black and white, manga is known for its distinctive art style, expressive characters, and cinematic storytelling. It is often serialized in magazines before being collected into volumes called tankōbon. Manga covers everything from action, romance, and fantasy to slice-of-life, horror, and science fiction. It has deep cultural roots in Japan but has gained massive popularity worldwide, influencing global comic art and animation, and serving as the foundation for many anime adaptations. hanmoto system  is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer. Motoharu Asaka - is a woodblock carver (horishi) and printer based in Shinjuku, Tōkyō Japan. website Tuula Moilanen - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989 to 2012, where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937–2019). Her work can be found here. Her interview with The Unfinished Print: A Mokuhanga Podcast can be found here. Stake Out By the Bridge 21x30cm from Sea Lion Series (2023) Kari Laitinen - is a Finnish artist and printmaker based in Finland. His works explore colour and dimension. More information can be found, here. He helped write, with Tuula Moilanen, the book Woodblock Printmaking with Oil-based Inks and the Japanese Watercolour Woodcut. It was published in 1999. William Blake (1757–1827) was an English poet, painter, and printmaker known for his visionary and symbolic works that combined text and image. Though largely unrecognized in his lifetime, he is now celebrated as a key figure of the Romantic era. His major works, such as Songs of Innocence and of Experience and The Marriage of Heaven and Hell, explore themes of spirituality, imagination, and social critique. Blake's unique style and integration of poetry and visual art have made him a lasting influence on both literature and art. Keiko Kadota (1942-2017) - was the director of Nagasawa Art Park at Awaji City from 1997-2011, and then of MI Lab at Lake Kawaguchi from 2011 until her passing. Terry McKenna  is a mokuhanga printmaker and teacher residing in Karuizawa, Japan. He received guidance in the art form from Richard Steiner, a prominent mokuhanga printmaker based in Kyoto. Terry established the Karuizawa Mokuhanga School, a renowned residency dedicated to mokuhanga education, located in Karuizawa, Japan.  Further details about Terry and his school can be found, here. Additionally, you can listen to Terry's interview with The Unfinished Print: A Mokuhanga Podcast, here and Richard Steiner's interview here.  Storm Clearing Wattle Flat (2015) 8.6" x 14" Albrecht Dürer (1471–1528) was a German Renaissance artist known for his woodcuts, engravings, and detailed drawings. Based in Nuremberg, he brought international recognition to printmaking with works like Melencolia Iand The Four Horsemen of the Apocalypse. Dürer combined Northern European detail with Italian Renaissance ideals, influencing art across Europe and contributing to theories on proportion, perspective, and human anatomy. Michihamono  - is a tool manufacturer for woodblock printmaking as well as other woodworking. Located in Tōkyō. You can find their online store, here. © Popular Wheat Productions Opening and closing musical credit - background noise from Gyozanomanshu Kami Shakuji restaurant. logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)  Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***  

Onze huiscartoonist Lectrr vertelt hoe The Simpsons ervoor zorgden dat hij begon met tekenen, waarom hij de 16e-eeuwse kunstschilder Albrecht Dürer het liefst van al een pak slaag zou geven, en hoe de chaos van de Britse band The KLF hem inspireert om hetzelfde te doen. See omnystudio.com/listener for privacy information.

Tate Modern this week opened a vast exhibition exploring the life and work of the maverick Australian-born performance artist, fashion designer and self-styled “club monster”, Leigh Bowery, as well as the variety of cultural figures in his orbit in London. It coincides with other related London shows: one analysing the fashion work of Bowery and his collaborators and peers at the Fashion and Textile Museum, and another at the National Portrait Gallery about the style and culture magazine The Face, which emerged around the same time as Bowery set foot in the UK capital in the early 1980s. Ben Luke reviews the shows with Louisa Buck, The Art Newspaper's contemporary art correspondent. Three years on from Russia's invasion of Ukraine, and amid fraught international diplomacy following the US's abrupt shift in approach to the war under President Trump, we speak to Sophia Kishkovsky, our international correspondent who has widely reported on Russia and Ukraine, about how Ukraine's art world is responding to this new era. And this episode's Work of the Week is actually a pair of works made more than 400 years apart called The Women's Bath. The first is a woodcut based on a drawing by Albrecht Dürer from around 1500; the second a painting responding to it, made by the German artist Max Beckmann in 1919. They feature in an exhibition opening this week at the National Museum in Oslo, Gothic Modern: From Darkness to Light. Cynthia Osiecki, a curator at the museum, tells us more.Leigh Bowery!, Tate Modern, until 31 August; Outlaws: Fashion Renegades of 80s London, Fashion and Textile Museum, London, until 9 March; The Face Magazine: Culture Shift, National Portrait Gallery, London, until 18 May.Gothic Modern: From Darkness to Light, National Museum, Oslo, 28 February-15 June.Subscription offer: enjoy 3 issues of The Art Newspaper for just £3/$3/€3—subscribe before 21 March to start your subscription with the April bumper issue including our Visitor Figures 2024 report and an EXPO Chicago special. Subscribe here. https://www.theartnewspaper.com/subscriptions-3FOR3?utm_source=podcast&promocode=3FOR3 Hosted on Acast. See acast.com/privacy for more information.

Wir machen in dieser Folge einen kleinen Galopp durch die Jahrtausende, und sehen uns an, wie sich Menschen von der Frühgeschichte bis ins 20. Jahrhundert gereinigt haben. Dabei sprechen wir über äußere und innere Reinigung, warum im antiken Griechenland eine regelrechte Hygienewissenschaft entstand und weshalb sich manche Gläubige im Mittelalter absichtlich von Insekten anfressen ließen. // Erwähnte Folgen - GAG36: Eine sehr kurze Geschichte des Deodorants – https://gadg.fm/36 - GAG462: Die Schlacht an den Thermopylen oder Das erste letzte Gefecht der Geschichte – https://gadg.fm/432 - GAG472: Die Antoninische Pest – https://gadg.fm/472 - GAG466: Julia Felix und das Ende Pompejis – https://gadg.fm/466 - GAG73: Ludwig XIV. und seine pikante Operation – https://gadg.fm/73 - GAG314: Eine kurze Geschichte der Cholera – https://gadg.fm/314 - GAG23: Ziemlich beste Feindschaft oder Die Anfänge der Bakteriologie – https://gadg.fm/23 - GAG263: Lavoisier und die Entdeckung des Sauerstoffs – https://gadg.fm/263 // Literatur - Curtis, Valerie A. „Dirt, Disgust and Disease: A Natural History of Hygiene“. Journal of Epidemiology and Community Health 61, Nr. 8 (August 2007): 660–64. https://doi.org/10.1136/jech.2007.062380. - History Today. „The Flies, Fleas and Rotting Flesh of Medieval Monks“. Zugegriffen 17. Februar 2025. https://www.historytoday.com/archive/feature/flies-fleas-and-rotting-flesh-medieval-monks. - Virginia Smith. Clean: A History of Personal Hygiene and Purity. OUP Oxford, 2007. Das Episodenbild zeigt einen Ausschnitt des in der Folge erwähnten Stichs von Albrecht Dürer "Das Männerbad". Alle Infos zu Fragen und Audiobeiträgen für die 500. Folge gibt's hier: https://www.geschichte.fm/allgemein/jubilaeumsfolge-gag500/ //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

In this episode of Platemark, Ann talks with Susan Dackerman, a curator and art historian specializing in Northern European print culture. They discuss Susan's recent book, Dürer's Knots: Early European Print and the Islamic East, which looks at the artist's relationship to the Islamic world, revealing groundbreaking insights about the intersection of early modern printmaking and contemporary history.  Susan's book covers three of Dürer's prints or print series. The first section looks at The Sea Monster (Das Meerwunder), c. 1498, and postulates that it chronicles the return to Venice of Caterina Cornado following her forced abdication as the last queen of Cyprus in 1489. Susan pieces together the narrative, which often claims to be about the abduction of a woman on the fins of Neptune. The second section looks at a series of six woodcuts Dürer made to mimic the designs of silver inlay found in Mamluk brass bowls. Susan has an intriguing theory about the Knots's connection to a set of engravings by none other than Leonardo da Vinci. The final section looks at the iron etching Landscape with a Cannon, 1518, and answers the question why make this image as an etching rather than an engraving. The book challenges traditional narratives and recasts Dürer's prints that reference the Islamic East as much more nuanced and reflective of contemporaneous history. Susan's book is clear, concise, and thoughtful, and well worth the read. Platemark website Sign-up for Platemark emails Leave a 5-star review Support the show Get your Platemark merch Check out Platemark on Instagram Join our Platemark group on Facebook Susan's IG https://www.instagram.com/susanmdackerman/ Susan Dackerman. Dürer's Knots: Early European Print and the Islamic East. Princeton, NJ: Princeton University Press, 2024. https://press.princeton.edu/books/hardcover/9780691250441/durers-knots?srsltid=AfmBOoo2o2yjJJeOlkdsXIURAOdx595jWpEKkUllE8jpzXRidPeYLEG8 Susan Dackerman. The Painted Print: The Revelation of Color. University Park, PA: Penn State University Press, 2002. https://www.psupress.org/books/titles/0-271-02234-5.html Albrecht Dürer (German, 1471–1528). Sea Monster (Das Meerwunder), c. 1498. Engraving. Sheet (trimmed to platemark): 24.7 x 18.8 cm. (9 3/4 x 7 3/8 in.). National Gallery of Art, Washington, D.C. Albrecht Dürer (German, 1471–1528). The First Knot (with a heart-shaped shield), probably 1506/1507. Woodcut. National Gallery of Art, Washington, D.C. Albrecht Dürer (German, 1471–1528). The Third Knot (with a black circle on a white medallion), probably 1506/1507. Woodcut. National Gallery of Art, Washington, D.C. Albrecht Dürer (German, 1471–1528). The Sixth Knot (combining seven small systems of knots with black centers), probably 1506/1507. Woodcut. National Gallery of Art, Washington, D.C. Attributed to Leonardo da Vinci (Italian 1452–1519). The Fifth Knot (Interlaced Roundel with Seven Six-pointed Stars), c. 1498. Engraving. Plate: 10 3/8 × 7 13/16 in. (26.4 × 19.8 cm.). Metropolitan Museum of Art, New York. Albrecht Dürer (German, 1471–1528). Landscape with the Cannon, 1518. Etching (iron). Sheet (trimmed to image): 21.9 × 32.2 cm. (8 5/8 × 12 11/16 in.). National Gallery of Art, Washington, D.C.  

Giuseppe Castellano talks to Skylar Smith, Professor of Liberal Arts at the Ringling College of Art and Design, about why there's no time like the present to start learning about illustration history; whether an illustration is fully complete without the interpretation of an audience; what Generative AI and a lawsuit by Albrecht Dürer have in common; and more.You can find Skylar on LinkedIn.Artists mentioned in this episode include: Jules Feiffer, Norman Rockwell, George Petty, Miné Okubo, Arthur Szyk, J.C. Leyendecker, Al Parker, Saul Tepper, Norman Bridwell, Beatrix Potter, Todd McFarlane, James Montgomery Flagg, Seymour Chwast, Hilary Knight, Ashley Bryan, Tomi Ungerer, Tex Avery, Eric Carle, George Herriman, Caravaggio, and Albrecht Dürer If you find value in this podcast, consider supporting it via Substack or Patreon. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, our best-selling Substack, and more. | Music for the podcast was created by Oatmello.

Join us on a captivating journey through the life and work of Albrecht Dürer, a pivotal figure in the Northern Renaissance. Born in Nuremberg, Dürer made a name for himself across Europe with his exceptional woodcut prints by his twenties. His extensive portfolio includes engravings, altarpieces, and portraits, with renowned pieces such as the Apocalypse series and the Rhinoceros. Explore the rich tapestry of Dürer's influences, from his early training in his father's goldsmith workshop to his apprenticeship with the painter Michael Wolgemut. His work is a testament to his meticulous attention to detail and his commitment to accurately depicting the human and animal form. Dürer's art also reflects the broader religious and cultural shifts of his time, particularly the impact of the Reformation on artistic expression. Discover how Dürer stands among illustrious contemporaries like Leonardo da Vinci, Michelangelo, and Martin Luther, each shaping the era's cultural, religious, and political landscape. Dürer's theoretical writings on mathematics and proportions further cement his legacy as a key figure in art history, blending Northern European detail with Italian Renaissance ideals. Delve into the spiritual dimensions of Dürer's art, where his focus on religious themes resonates with the values of Reformed Christianity. His life's work offers a fascinating insight into the intersection of art, religion, and culture during the Renaissance. Thank you for joining us at The Wandering Pilgrims. If you enjoyed this episode and wish to support our mission to create more content, you can support us here: Buy Me a Coffee: buymeacoffee.com/wanderingpilgrims Patreon: patreon.com/TheWanderingPilgrims Shop: teespring.com/stores/the-wandering-pilgrims Our Website: www.thewanderingpilgrims.com Connect with us on social media for more content: Instagram: instagram.com/thewanderingpilgrims Facebook: facebook.com/The-Wandering-Pilgrims YouTube: youtube.com/channel/UCbvMuDo9dpaQ0Bu71lRRiQw Twitter: @WanderPilgrims Truth Social: @wanderingpilgrims

Jeff Wall talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work.Wall—who was born in 1946 in Vancouver, Canada, where he still lives, though he also works in Los Angeles—makes photographs but aspires to approach his medium with the freedom, range and openness taken for granted by other artforms. Presented on a large scale, his images are enormously varied, from those that are close to reportage; to what he calls “near-documentary” images—tableaux, where he recreates a scene he has witnessed in reality with actors; to elaborately staged environments responding to art or literature; and even what he calls “hallucinations”. Crucially, he has used the term “cinematographic” to describe his approach, in that his pictures use different degrees of preparation and processing before he presses the shutter and afterwards, thereby applying what Jeff has called “aspects of the arts of dramatisation” to the pictorial practice of still photography. Because of this, his work has long had a fascinating philosophical relationship with truth and reality—two key cornerstones of orthodox claims for his medium's potency—and what Wall has called “blatant artifice”. Initially famous for the technique he pioneered in the art world of presenting vast transparencies on lightboxes, he now mostly works with prints, on a similar scale, in both colour and black and white. As he has engaged closely with the history of art, books and film, Jeff has used the term “prose poems” to describe his photographs: that form's complex structures and language and ability to conjure broad constellations of meanings, perfectly describe his art and how we experience it. He discusses how comics and Bruegel were his earliest visual inspirations, talks about his responses to historic works by Katsushika Hokusai and Albrecht Dürer, reflects on the “accidents while reading” that have led him to make images responding to literary works by Franz Kafka and Yukio Mishima, among others. Plus he answers some of our usual questions, including the ultimate, “what is art for?”Jeff Wall: Life in Pictures, White Cube Bermondsey, London until 12 January 2025; Museum of Art, Architecture and Technology, Lisbon, Portugal, April-August 2025. Hosted on Acast. See acast.com/privacy for more information.

We zien Erasmus staand achter zijn lessenaar, schrijvend, tussen de boeken zoals je verwacht van een geleerde zoals hij. Albrecht Dürer maakte deze gravure zes jaar nadat hij Erasmus had ontmoet. Waarom pas na zo'n lange tijd? En is dit portret een beeld van een hooggeleerde Erasmus die druk bezig is met nieuwe, inspirerende ideeën. Of laat het juist een beeld zien van een oude geleerde die zijn beste tijd gehad heeft en alleen nog maar in zijn boeken bestaat?

Merriam-Webster's Word of the Day for November 1, 2024 is: hatching • HATCH-ing • noun Hatching refers to the drawing or engraving of lines close together as a method of shading, or to a pattern so created. // The artist uses hatching to breathe life into her comics. // The hatching adds depth to the illustration. See the entry > Examples: "During the second half of the 19th century, drawing achieved a higher status. No longer merely a preparatory tool, nor merely just a method for training of the eye, it gained a new autonomy.... Pastel became popular at this time partly because it was easily portable and versatile, capable of supporting lively hatching as well as silky smoothness." — Frances Spalding, Apollo, 12 Feb. 2024 Did you know? Hatching refers to the drawing or engraving of lines close together as a method of shading. The closer the lines, the darker the impression that is created. When the lines are drawn at an angle so as to intersect one another, that is called cross-hatching. One notable artist who drew on this technique is John Tenniel, the illustrator of Lewis Carroll's 1865 novel Alice's Adventures in Wonderland. Another is Albrecht Dürer, whose sketches have been celebrated for their adept use of cross-hatching to indicate foreshortening (an appearance of something, such as a subject's nose, as shortened due to its being pointed toward the viewer). The word hatching is a gerund of the verb hatch, which in turn comes from the Middle French hacher, meaning "to chop, slice up, or incise with fine lines." If hatching isn't your preferred style of shading, you might also consider stippling or blending.

Latinets historia är en berättelse om ett språks uppgång, storhetstid och gradvisa omvandling från ett levande kommunikationsmedel till ett kulturellt arv. Från sina rötter i det antika Rom har latinet format europeisk kultur, vetenskap, religion och tänkande på ett sätt som få andra språk kan mäta sig med.Det var strävan att återskapa latinet från dess antika guldålder som gjorde det allt svårare att lära sig latin och med tiden skulle folkspråken ta över allt mer, även om det inom vetenskapen användes ända in på 1900-talet.I detta är det andra av två avsnitt om Latinets utveckling. I podden Historia Nu samtalar programledaren Urban Lindstedt med Karin Westin Tikkanen, journalist och docent i latin. Hon är aktuell med boken Latin – En handbok i odödlighet.Under medeltiden var latin det dominerande språket för lärdom och kommunikation i Europa. Det användes flitigt inom kyrkan, på skolor och universitet, samt för administration och historieskrivning. Latinet fungerade inte bara som ett funktionsspråk utan fortsatte att utveckla arvet från antiken och skapa ny litteratur.Karl den store (742-814) initierade en omfattande språkreform i sitt rike. I Aachen etablerades en skola ledd av Alkuin, som arbetade för att återupprätta ett "rent" latin baserat på klassiska förebilder. Detta bidrog till att bevara mycket av den antika latinska litteraturen.Under renässansen uppstod en rörelse kallad ciceronianismen, som strävade efter att återskapa Ciceros eleganta latinsk prosa. Detta ledde till intensiva debatter om hur man bäst kunde imitera de klassiska författarna.Med grundandet av de första universiteten på 1100-talet befästes latinets ställning som det akademiska språket par excellence. All högre utbildning skedde på latin, vilket skapade en internationell lärd gemenskap över hela Europa.Men när latinisterna under renässansen ville återskapa det klassiska latinet blev det början till slutet på latin som ett brett använt lingua franca i Europa eftersom det blev svårare att lära sig. Inom vetenskapen fortsatte latinet att spela en avgörande roll. Carl von Linné revolutionerade taxonomin genom att introducera ett systematiskt sätt att klassificera och namnge naturen på latin. Hans verk "Systema Naturae" lade grunden för modern botanik och zoologi. Linnés system används fortfarande globalt, vilket visar latinets bestående betydelse inom vetenskapen.Latinets inflytande sträckte sig långt in i modern tid. Det förblev det självklara lärdomsspråket för poeter, författare, vetenskapsmän och diplomater.Latinets "odödlighet" ligger kanske just i dess förmåga att transcendera sin ursprungliga funktion som ett kommunikationsmedel och istället bli en symbol för lärdom, kultur och en gemensam europeisk identitet. På så sätt förblir latinet, som någon en gång uttryckte det, inte dött, utan har snarare "upphört att vara dödligt".Bild: En skrivande Erasmus porträtterad av Albrecht Dürer (1526). Wikipedia, Public Domain.Musik: Italian Renaissance Court av Yagull Music, Yagull Music, Storyblock AudioKlippare: Emanuel Lehtonen Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.

Click Here to Text us Fan Mail! This week on Tournament Style, we're deep into Sketch-tember and the laughs keep coming! Guillermo and Austin tackle a jam-packed episode with a mix of hilarious sketches and one epic bracket. First, we bring you a film noir-inspired scene featuring Sam, our favorite Time Travel Agent, as he finds himself solving a mystery in Paris involving the Loch Ness Monster, a suspicious femme fatale, and a guy with a neck as thin as a pencil. Plus, Peso Pluma makes an appearance in a wild scenario you won't see coming!In this week's tournament, we're ranking the Best Drawings in the World, from a funny horse by Picasso to some of the wildest sketches ever made. Who will claim the title of artistic supremacy? Tune in to find out!1 Vitruvian Man by Leonardo da Vinci.2 Praying Hands by Albrecht Dürer.3 Two Figures by Michelangelo.4 Study for St. Paul Preaching in Athens by Raphael.5 Road in Etten by Vincent van Gogh.6 Sitting Woman by Egon Schiele.7 Drawing of a Horse by Pablo Picasso.8 My Portrait as a Skeleton by James Ensor.

HT1917 - The Fusion of Craft and Content We can't make artwork without craft, but craft without content is not art. When the two become fused, then there arises a magic that can take our breath away. I was reminded of this recently looking at some Albrecht Dürer original engravings. All 1900+ episodes of Here's a Thought . . . are available in their entirety to members of LensWork Online, our extensive resource library of our 30-year publishing history. Learn more about LensWork Online.