Podcasts about Rembrandt

Andrew Graham-Dixon's new book, Vermeer: A Life Lost and Found, rests on the conviction that you cannot understand what's in a painting without knowing what its maker was thinking about. In Vermeer's case, that context includes a forgotten liberal sect — the Remonstrants and Collegiants, Christians without a church who believed peace would come through reading and toleration rather than a returning Messiah. Recover that world and a woman alone in a sunlit room is a radical image in a Europe where half of Germany had just died in war. If he's right, the label beside every Vermeer in every museum will one day have to change. Tyler and Andrew discuss whether it was inevitable we'd rediscover Vermeer, how that vanishingly rare sect left its fingerprints all over his life, why the Met has misread its own Allegory of the Catholic Faith, whether Vermeer painted for money or pointedly refused to, where the Gardner's stolen Concert might be, why Dutch music never blossomed as much as Dutch painting did, how the Church of England rivaled the Cultural Revolution in wiping out British art, whether you can still spot an English painting on sight, the love that saturates late Rembrandt and the mystery of his soaring print prices, the nail on the wall that proves two Vermeer paintings are a pair, why the French are to blame for George Stubbs lack of status, whether we can still love Malevich, why Andrews calls recent Richter "almost like printing money," why female artists and antique textiles remain absurdly cheap, why nobody builds beautiful neighborhoods any longer, and much more. Read a full transcript enhanced with helpful links, or watch the full video on the new dedicated Conversations with Tyler channel. Recorded April 7th, 2026. Other ways to connect Follow us on X and Instagram Follow Tyler on X Follow Andrew on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here. Timestamps: 00:00:00 - Intro 00:00:44 - The Mystery of Vermeer 00:12:53 - Dutch Music 00:15:51 - English Art 00:19:49 - Rembrandt 00:23:17 - Attributions 00:26:22 - Exhibitions and Restorations 00:30:05 - Underrated French Artists 00:35:16 - Howard Hodgkin 00:38:00 - Difficult-To-Love Artists 00:40:53 - Other Dutch Painters 00:44:20 - Contemporary Art 00:48:05 - Buying Art 00:50:39 - Neighborhood Aesthetics 00:54:39 - Advice for Aspiring Art Critics 00:56:14 - Outro Image Credit: Aliona Adrianova

Umenie nás inšpiruje, robí z nás vnímavejších, citlivejších a lepších ľudí. Pridajte sa k našim podporovateľom - každá, aj malá suma, nám pomôže pripravovať pre vás ďalší zaujímavý obsah a dávať priestor hlasom, ktoré si zaslúžia byť vypočuté. Ďakujeme, že ste súčasťou našej komunity! Prispieť môžete jednorazovo alebo pravidelným darom prostredníctvom portálu DARUJME.sk. Viac informácií o možnostiach podpory nájdete na našom webe www.artstory.sk. Ďakujeme! -- Žiadny umelec pred ním (a málokto po ňom) nezanechal takú detailnú, úprimnú a psychologicky hlbokú autobiografiu na plátne. V novej epizóde podcastu Artstory sa Michaela Šimonová ponorí do osudu jedného z najväčších velikánov dejín umenia, Rembrandta van Rijna. Spoločne preskúmame jeho unikátnu kolekciu takmer 90 autoportrétov, ktoré fungujú ako úprimný vizuálny denník zachytávajúci vývoj jeho talentu aj psychiky. Odhalíme jeho cestu od hravého mladíka, cez sebavedomého „cosplayera“, až po Rembrandta zlomeného bankrotom a osobnými tragédiami.  Taktiež rozoberieme jeho revolučnú techniku vrstvenia farieb a vysvetlíme, prečo je tento „zosadený kráľ“ symbolom nezlomnosti ľudského ducha a prečo jeho diela pôsobia prekvapivo moderne aj v dnešnej dobe. Vypočujte si epizódu a spoznajte skutočného Rembrandta, ktorý sa odmietol vzdať svojho majstrovstva aj v tých najtemnejších chvíľach. LINKY: Rembrandt, Autoportrét so Saskiou v krčme, 1635: https://sk.wikipedia.org/wiki/Rembrandt#/media/Súbor:Rembrandt_-_Rembrandt_and_Saskia_in_the_Scene_of_the_Prodigal_Son_-_Google_Art_Project.jpg Rembrandth, Autorportrét na tróne, 1658: https://en.wikipedia.org/wiki/Self-Portrait_(Frick,_Rembrandt)#/media/File:Rembrandt_Harmensz._van_Rijn_130.jpg Rembrandt, Autoportrét s dvoma kruhmi, 1665: https://en.wikipedia.org/wiki/Self-Portrait_with_Two_Circles#/media/File:Rembrandt_Self-portrait_(Kenwood).jpg Rembrandt, Autoportrét vo veku 63 rokov, 1669: https://en.wikipedia.org/wiki/Self-Portrait_at_the_Age_of_63#/media/File:Rembrandt,_Self_Portrait_at_the_Age_of_63.jpg Rembrandt, Nočná hliadka, 1642: https://sk.wikipedia.org/wiki/Rembrandt#/media/Súbor:The_Nightwatch_by_Rembrandt_-_Rijksmuseum.jpg Rembrandt, Prorokyňa Anna, 1631: https://upload.wikimedia.org/wikipedia/commons/1/1c/Prophet_Anna%2C_by_Rembrandt_van_Rijn.jpg Sledujte nás aj na našej Facebook stránke, na našej Instagram stránke a na našom webe: https://artstory.sk/ -- EV 160/23/EPP | 6. ročník | epizóda 04/2026

National Be a dork day. Entertainment 1979. Rosetta Stone found in Eygypt, Zebulon Pike sets out on expediton, Duck billed platypus put on display. Todays birthdays - Rembrandt, Linda Ronstadt, Alicia Bridges, Willie Aames, Forest Whitaker, Brigitte Nielsen, Scott Foley, Brian Astin Green, Gabriel Iglasias. Gianni Versace died.Intro - God did good - Dianna Corcoran https://www.diannacorcoran.com/Dork for you - Pepper Jill & JackBad Girls - Donna SummerShadows in the moonlight - Anne MurrayBirthdays - In da club - 50 Cent https://www.50cent.com/When will I be loved - Linda RonstadtI love the night life - Alicia BridgesExit - Three words away - Wes Ryan https://wesryan.pro/History & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.comNational Days Puzzles - JulyGrace & Grit Christian Country Radio

The grand experiment continues with a series of naturalistic explanations for the origins of ideas or modes of life. The scholar's intellectual habits are inherited "in blood and instinct"; Spinoza's philosophy is sourced to his sickliness; Darwinian theories of evolution are a product of the "musty air" of English overpopulation; religious and moralistic perspectives are the post hoc rationalizations of the weak and the tame. In this episode we'll also discuss the very important section, "On the Genius of the Species", which treats consciousness as an organ of communication. Episode art: The Anatomy Lesson of Dr. Deijman by Rembrandt

420 jaar geleden werd Rembrandt geboren. Dat vieren we met het opnieuw uitbrengen van podcasts over de bekendste schilder van de 17de eeuw.  Wanneer Rembrandt zich in 1631 in Amsterdam vestigt, komt hij terecht in een bruisende stad. De hoofdstad van de Republiek der Nederlanden is één van de belangrijkste steden van Europa. Vermogende kooplieden besteden hun geld aan de bouw van grachtenpanden, stijlvolle kleding en kunst. Rembrandt groeit al snel uit tot dé portrettist van de elite. Iedereen valt voor zijn originele en onorthodoxe manier van schilderen, óók Marten en Oopjen.

Neue Kunst-Ausstellung: „Rembrandt 1632 – Entstehung einer Marke“ im Schloss Wilhelmshöhe in Kassel. (Autor: Samuel Wolff)

Neue Kunst-Ausstellung: „Rembrandt 1632 – Entstehung einer Marke“ im Schloss Wilhelmshöhe in Kassel. (Autor: Samuel Wolff)

By Dean Pinter

Being that the 2026 Independent Hotel Show Miami is only a couple of months away, this special IHS Series episode features the VP of Development, U.S. & Canada at Minor Hotels, Genna Panagopoulos!  Genna joins the Suite Spot podcast to discuss: The Minor Hotels Brand & Special Announcements The Independent & Lifestyle Hotel Landscape The 2026 Independent Hotel Show Creating Unique Experiences for Travelers And much more. Ryan Embree: Welcome to Suite Spot, where hoteliers check in, and we check out what’s trending in hotel marketing. I’m your host, Ryan Embree. Hello everyone, and welcome to another episode of The Suite Spot. This is your host, Ryan Embree. We are here for the second season of our Independent Hotel Show series. That means we are gearing up, if you can believe it, for the Independent Hotel Show here in September and Miami Beach. I am so excited and equally excited to bring in a familiar voice. We had her on the podcast just a couple months ago in New York City, Genna Panagopoulos, VP of Development North America at Minor Hotels. Genna, welcome back to the Suite Spot. Genna Panagopoulos: Hey, thanks for having me again. Ryan Embree: Yeah, excited to have you. We were talking off camera. Typically, I usually do the virtual interview before meeting you in person, so this is a little bit more comfortable here, virtually back in, in, I think you’re in Atlanta. I’m here in our TMG headquarters in Orlando, but second time on the Suite Spot. We really didn’t get to get into your hospitality background, kind of a tradition here. Wanna introduce you to our audience a little bit more, intimately and in depth. Talk to us a little bit about your background in hospitality and the journey that led you to Minor Hotels. Genna Panagopoulos: Well, it starts a long time ago because I grew up in the hospitality industry. Typical greek immigrant story. My father came here with just a few dollars in his pocket and ended up building a pretty successful restaurant business in Detroit. So if you ever are in Detroit, if you say Jimmy, the Greek people will know him. But I went to, I obviously grew up in Michigan, went to Michigan State, really, and started studying hospitality with the intent of taking over the restaurant business. And then I did an internship for my father and realized I did not love it as much as he did. And so I ended up falling into the hotel space and specifically hotel investment, real estate development, and have just fallen in love ever since I started my career at Davidson Hotels and Resorts back when they were in Memphis, actually on their business development team. And then they moved to Atlanta, ironically, next to IHGs headquarters. So I was with Davidson for a few years, hopped in over to IHG, where I was for 10 years, did everything from feasibility to business development to even brand, which is a little bit unique. And I don’t wanna undermine that because I had a lot of people say at the time, why would a developer ever go to brand? Like, that’s, you’re where you wanna be. But for me, it was so critical to kind of unlocking new opportunities in the future because the skills I gained in a year and a half on the team work just the role that I’m in now is super helpful because it’s, it’s kind of like wearing two different hats, right? A creative versus a mathematician. So anyways, I was there at IHD for 10 years, and then this opportunity at Minor came up last summer. I was so ready and excited to take on like a new challenge and I thought that it’d be a really fun and exciting new endeavor for me with this combination of my background. So, it’s exciting. Minor’s been super supportive and it’s a little weird to go from working in an office with thousands of colleagues to being the one of one in an entire continent, but it’s been great so far. Ryan Embree: Yeah. And what a unique opportunity. We’re gonna talk about that here in a moment because I think it’s absolutely fascinating. But your story is very familiar. I mean that we hear all the time from our guests, a lot of them start in that f&b kind of space and then transition over to the hospitality side, but super comprehensive skillset, which I’m sure has set you up for success in your role at Minor Hotels. Now, we met face to face at NYU IHIF, where just a couple weeks removed. I call this kind of takeaway season where everybody’s on LinkedIn, kind of frantically typing their takeaways and what they felt about the state of the industry right now, what we’re looking back on New York City, maybe you could start kind of zoomed in version of how that event for you and then maybe back up with an industry lens on some of the biggest takeaways from your time at New York City. Genna Panagopoulos: So from a Minor perspective, we had a really successful conference. So we had tons of meetings while we were there. Really good ones too, on some deals that were hopefully perpetuating. And then we’ll be announcing maybe by the Independent Boutique Hotel Show, but it was, the energy was very live, the excitement for Minor Hotels, was very visceral people, I think, you know, hoteliers are really looking for brands that understand their position. And because Minor is, you know, I always describe it as an owner first, then an operator, now a brand, right? And we still own an owner lease a vast majority of our portfolio. So we know what it’s like to be in their shoes, quite honestly. So it was a successful, like I said, the energy was there. It’s very validating to know that a lot of our marketing is working and all of the, the word of mouth and the fact that we’re out there, iI’m having to educate people less and less with every conference about who we are. So that’s great. Zooming out on an industry lens, you know, I think, you know, even just looking at beginning of the year to NYU IHIF, this sentiment is very different, right? You know, at the beginning of the year there was so much excitement over the World Cup. You and I spoke about that at NYU and it’s, it’s obviously been tempered quite a bit, and the K economy is still happening. We’re seeing luxury, the rates of the projects that I’m working on, I’m just shocked at how high they are and, how well the competitors are doing in the upper luxury space. It’s really fascinating. So I’m definitely seeing that as well. But the sentiment, and appetite to grow is definitely there. People are still looking to place equity, not ton, not huge amounts, but we’re, we’re seeing that there are still gaps on that front. Ryan Embree: The resiliency of our industry, I think, continues, right? It just, the momentum there, every single time we see a headwind, we continue to push through, which is really, really cool to see that owner. And, and from a development, I mean, new brands, new projects being announced, this is the space that we’d love to see, you know, more and more because there’s more and more demand growing travelers continue to prioritize travel and the experience economy, which is great for us hoteliers. So we just need some more rooms here, which is obviously what you’re tasked with, right, Jenna? So, but I wanna talk about Minor Hotels. I know you talked about needing a little less education now, but educate us here on the Suite Spot. I mean, Minor Hotels, brand spanning from select service all the way up to that ultra luxury segment ton of brands. They don’t have time for all of them today, but maybe you could share some of your personal favorites and within the hotel, Minor Hotels portfolio, what makes those brands unique? Genna Panagopoulos: Yeah, sure. So yeah, like you said, we now have 12 different brands, four of which were launched last year right before I joined the company. But we have these two lineages, I think within Minor Hotels history, right? We have our roots, which come from Thailand, and Anantara and Avani are great examples of that. And then we have our European roots from acquisitions over the years. So we’ve got brands like…that came from Portugal, NH, which is a very established brand out of Madrid. The four that we launched last year, offer really unique things that we never had before in our portfolio. So as we were looking to grow, we knew that that was something we’d have to have to kind of have on our menu of options for potential hotels, because some of these brands don’t work in every asset type and not every market, though most of our brands have a lot of flexibility to be able to grow into different asset types. But I guess my favorite, and I’m really excited about the Wolseley hotel brand we launched last year. So Minor International owns, which of course, Banner Hotels Resorts is a part of, owns Wolseley Hospitality Group out of London. And there’s a really beautiful institutional restaurant called the Wolseley that’s very famous. If you ask anybody from London, they definitely know the Wolseley. In fact, most people I know that just traveled to London know the Wolseley. So we own, we own that company and decided to take that brand into the hotel space, which is interesting because it’s a restaurant moving into the hotel world. And our first one will open in New York next year, but it’s been really fast. I think it’s really fascinating. There’s a lot of membership club opportunities with that one. And so that’s kind of an new trend we’re starting to see in the luxury space. Ryan Embree: It’s gotta be great to be able to have that breadth and spectrum of property or investment type for an owner to come in and say, this is maybe the market that I’m interested in pursuing, and then figuring out and kind of curating and tailoring what asset, what brand is gonna fit best there. And we talked about this a little at NYU, but I think, again, your job is so fascinating. You have this well-established, extremely popular worldwide brand, and here you are tasked with bringing it into the North American market, right? I’m sure there’s a lot of envious developers out there, what has been kind of, and really you only get to launch a brand like this into a new market only once. So what has been kind of your approach, Jen? I’d love to get kind of the background on what’s been your approach and what kind of feedback you’ve been initially hearing. Have owners been kind of waiting for this, you know, to arrive here and, and what are you hearing from owners right now? Genna Panagopoulos: It’s a tale of two stories as they say, right? So in the luxury space, there’s so much excitement. We are very established, people in that space know us, and wanna be the first to help us develop here. So that’s where we’ve seen the vast majority of our interest. Now, when you shift to looking at some of the upper upscale through the select service brands that we now also offer franchise, which I don’t know the stat off the top of my head, but it is a large component of those properties, those segments are operated by third parties and franchised. So being that we’re newer into that space, that’s where the challenge has been. So, but yeah, in terms of the hardest thing and I have to tackle every day is where do I spend my time? Because there’s constantly deals coming my way. We have to, we have to be quite strategic and mindful about what has the most likelihood of being the best representation of our brand in our target markets. So early on, when I started, I think the first four weeks of me taking the role, I had developed a pretty cohesive development strategy of where we wanted to spend that time. And where that is really any of the top, let’s call it 20 markets in the US that have international demand. So we have top markets that don’t have as much international demand, and we’ll look at those, but we just think that our value is gonna come from driving international business into these hotels. And then totally opposite from that, with Anantara, our, you know, wellness, upper luxury experiential brand. We are really excited about finding deals in kind of everywhere else except for those urban markets, right? So hard to get to places. Last week I was driving through Utah and Colorado, six hours in between each of them. So just to give you a little flavor, we were looking at a couple different opportunities in those states. You know, Hudson Valley is somewhere we wanna be Montana, Wyoming. So, you know, it’s a little bifurcated our approach to our various brands. But we’re trying to be very diligent and strategic about it. So we don’t get distracted by things that aren’t going to help us grow here. Because once we have good examples, we really believe the first few have to be really good. Once we have those, we’ll be able to drive further, further growth at a more quick pace. Ryan Embree: Yeah, no, absolutely. And what you were talking about how best to spend your time, I think that’s a, a challenge that hoteliers have had since the dawn of this industry. But it’s very exciting and very cool to hear those different approaches because, you know, you have the privilege of having that background, of having that history and, and culture already built over an in another market, bringing that here. But you also have the exciting new flavor of providing something new, maybe in some, some very experiential markets right now, which experiential travel is just absolutely exploding another traveler trend right now. And you already have some several success stories we touched on at NYU. Let’s dive a little deeper into some of those projects, Genna. Genna Panagopoulos: Yeah, so we’ve got, I guess our next one that I’ve already kinda spilled the beans on it, but the releases are already out there, but the first Wolseley in the world will be opening next year in New York in the former Lambs Club property. And I think it’s just such a fantastic market to open the first Wolseley hotel. You know, theoretically it could have been in London and hopefully we do have one in London soon, but it’s a very special cherished brand and it’s not the one thing I also just wanna spend a moment on, even though it’s luxury and it’s this very quintessential British kind of formal service style, it’s egalitarian at its roots, it’s really meant for everybody. So you could walk into the, into the Wolseley in London and see celebrities next to politicians and you’re Joe Schmo walking in off the street, you don’t need a reservation. And so I think it’s a really beautiful evolution of the, of the history of that brand. And I’m so excited for it to land in New York. Ryan Embree: So we can announce right now in 2027. The Suite Spot will be on site. We can do nice little episode up there hopefully. Genna Panagopoulos: Next, next conference in New York. We’ll be able to do it there. Ryan Embree: Alright. Genna Panagopoulos: Yes. And then a little, actually, I guess the next one that’ll open in 2029 is Anantara Turks and Caicos, which is a 100% residential hotel, really, really beautiful resort heavy wellness, you’ll find with Anantara. We really lean into the wellness, longevity space. And so, we pride ourselves on always being at the forefront of the latest wellness, the direction wellness is going. And so longevity, for example, right now is very important to us. And we’re seeing that bleed into the residential space. So, you know, just the way that’s getting threaded into the residential experience, into the hotel guest experiences is very fascinating to watch. And then in 2030, we’ll also have another Anantara in Miami, very close to design district. It’s kind of at the epicenter of where design district, Edgewater and Midtown all meet the views from the hotel will be incredible. There’ll be a helipad, a 30,000 square foot spa. And then a mix of hotel rooms, residences that people are living in, and then also residences that can get rented out to hotel guests as well. So we are super excited, I think, you know, having these three hotels in these three markets, right? We’ve covered New York where we already have a hotel, by the way, the NH collection, Madison Avenue, we’ve had there for a few years, which we actually own. And then, you know, Miami, which is a key market, obviously very heavy international demand, but just if you had to tell me to pick one plate, one urban market to put it an Anantara, that would be it. And then Turks and Caicos is such a important market for U.S. leisure travel. So these couldn’t have been better, better markets for us to be entering and launching region. Ryan Embree: Congratulations. What a strong pipeline and really cool projects you’re working on, excited to kind of see those and the announcements as they start to roll in and the pictures, those views that you’re talking about. But I think, you know, the Turks and Caicos property is something we’ve been talking about on the podcast. That CALA region is also booming right now. So, you know, it’s not just, I think sometimes when we say, you know, obviously bringing into the North American market, we tend to go a little bit more domestic, but to expand that into CALA I think is gonna be absolutely critical. ’cause you’re right, so much of that US domestic travel is now spending, you know, time and money in those areas, and looking a little bit more towards that for their experiences. So exciting all around. And of course we love, you know, we’re based here in Florida, so we’d love a new project. We’ll, we’ll definitely be keeping an eye on that Miami project that you have. But this is speaking of Miami, this is our independent hotel show series. Talk to us, you know, why you feel some of the Minor Hotel brands fit within this independent and lifestyle category. And what advantages do you see independent hotels or even experiential brands and lifestyle brands have in today’s hospitality landscape? Genna Panagopoulos: I’ll answer that last question first. If you don’t have that experiential, that’s table stakes today. So, we’re, I believe we’re only gonna see that become more and more important as the years go on. Because if you look at the consumer data of what the younger demographic, where they’re spending their money, it’s not experiences. It’s not, it’s no longer on goods. So having these really cool, unique experiences that they can travel and and receive is gonna be critical in terms of what we have to offer for independent hoteliers, keep in mind this is our roots, right? We started our, our company was founded by Bill Heineke, who, fun fact, and I can’t remember if I’ve already told you this, but the reason we’re called Minor is that he went to go start his business at a very young age of 17. And when he was getting his his business license, they said, sorry, but you need an adult to sign with you ’cause you’re a minor. So he’s really one of those serial entrepreneurs, wicked smart, wicked great at launching businesses, but he was an independent hotelier. That’s how he got his start. So he’s still driving a lot of the vision of the company. And I could tell you coming from a larger brand company into this environment, it is incredibly entrepreneurial. And because we also own hotels, but also operate for a lot of our owners, we truly believe we have this, like this hotelier mindset. We’re more of an operator than we are a brand at this moment. And so I think that could help lend itself to independent owners who are looking for a little bit of support. And we’re here to lean in as much as they want and as little as they want, but there’s benefits to it, right? We can help save on OTA costs, we can help save on purchasing. We’ve got great technology to help with forecasting and revenue management and and so on. So there’s definitely places to tap in. And I think particularly now more than ever with our two collection brands that we launched last year, so I started telling you this, but I didn’t finish telling you the brands that we launched, but two of them that we launched last year are collections. One is minor reserve collection, which is in the luxury space. And then Colbert collection, which is more upper upscale, maybe entry luxury. And those are just such, they’re primed for independent hotels, right? That’s why they were launched. To be able to keep the heritage and the name of an independent hotel play off of it, but then get all the back support, all the things behind the scenes that consumers will really never see, but it’ll help make operations much more efficient and smooth. And so we think that’s where there’s a lot of opportunity and we’re, you know, we’re priding ourselves on that. We’re here to be a partner and not a brand that’s telling you have to do it this way. So that’s where we’re really thinking this is the opportunity for us in that space. Ryan Embree: Well, it says, it says a lot that, to have two collection brands dedicated to that space really shows the investment in the future of these kind of independently run or branded properties and see the opportunity there because again, looking, you mentioned the lens and view challenges about independent hotelier and brand is very different from those big brands that have the scale to kind of combat those challenges a little bit more efficiently. So, you know, independent hotels, we always talk about on this series specifically are looking for any edge or opportunity to differentiate themselves to the traveler because they are really first in line to present a one of a kind experience. If you think about it, one of those places is f&b, a trend that obviously Minor Hotels has taken and ran with, especially with converting a f&b brand to hospitality brand. How have you leveraged the f&b theme with potential owners and when you’re having these conversations with investors, as you look to bring Minor Hotels to North America? Genna Panagopoulos: Yeah, so, well first we have a, when I was doing my onboarding in Madrid and Amsterdam, I toured our Anantara in Amsterdam and they had just, maybe they, a couple months before they had just concluded a chef series where they brought I believe 20 or 30 Michelin rated chefs under their roof and had a food festival, which I had never seen that. Like how amazing to bring. I didn’t know that, that that many Michelin chefs would be side by side cooking for each other, right? But it’s a really special thing. And I think that shows you that Minor is very credible in this super experiential high end f&b space separate to that. And so we have the talent in-house. Separate from that, when you look at our brands and the way our Colbert brand, for example, our Colbert, I don’t even wanna call it a brand ’cause it’s a collection. It’s not really a brand the way we thread food and beverage into the guest experience, right? So each hotel is completely unique within the collection. We don’t want any two to really look alike, to be honest with you. But as part of the one ritual that you can, that you can count on as a guest at every Colbert is a food and beverage driven experience. So whether that’s a bespoke cocktail that’s mixed for you, right as you enter the door, or maybe, after you’ve checked in and you’re in your room, a bell cart is a food and beverage bell cart of sorts is delivering a special experience to your door something that ties back to the identity that the hotel has, but is very curated and special, right? Not something that’s like a here’s the, the chocolate chip cookies we made today. No. Right? We want something really beautiful, thoughtful, creative, and that shows the craft in it that either ties to the experience or the identity of the hotel. So I think that’s really important and those little things go a very long way. Ryan Embree: A hundred percent. And those are the little things that add up in the independent hoteliers world that can, you can have the edge, right? And I mean there’s a whole now space with food tourism. I mean, it’s got a name for it now. That’s how large this trend is. And hoteliers are looking at F&B very, very differently than they did five, 10 years ago. It was a first a place where they started to look and say, where can we cut costs? Where can we make efficiencies? Now the brands that I think are doing it right are leaning into it. They’re seeing it as a part of their guest experience and also a huge opportunity for their local markets too. I think people, you know, in locally have looked at through a different lens at what a hotel F&B experience can be. And when someone comes to town, they might not be going to that restaurant. They might be going to a hotel or a resort, and it having that experience there. So very interested to see, right. Genna Panagopoulos: It’s, I don’t mean to interrupt you. But I just wanna say, I was recently having the conversation because when I started in the industry, we would joke, you could, you could like blow a cannon through a hotel restaurant. Nobody wanted to go to a hotel restaurant. Back in the day, they were cool. And it was like, oh, I’m staying at this hotel, meet me at the restaurant. But for a while, you didn’t wanna go to a hotel restaurant. It was vanilla, it was boring, it had no identity. It was just an extension. It was just a restaurant within a hotel. Now it’s such an important driver of bringing people to that hotel, whether local or visiting from out of town. And so there’s such an opportunity. I just, I look back at the time that those hotel restaurants were not attractive. And now I’m like, no, it’s such a beautiful component to an experience and I’ve seen really amazing destination hotels that are operated by the operators, but have a totally unique identity that’s very strong and compatible with the hotel, but not homogenous with the hotel. Ryan Embree: Absolutely. It’s very, very cool to see that evolution. And I think it’s only, again, as the trend continues to grow, I think it’s only gonna get stronger. You’re gonna see more emphasis on that f&b experience. And I personally can’t wait. Because I love those types of experiences to kind of see that evolve. And we’re gonna learn a little bit about maybe some of your favorite f&b experiences within the portfolio here. So let’s do my favorite part of the episode. Some rapid fire to get to know you Genna and the Minor Hotel portfolio a little bit better. Let’s start with one of your, you talked about maybe future favorite views at your property, but right now what is one of the favorite views at your properties in the portfolio? Genna Panagopoulos: I know you’re trying to do rapid fire, but of course I’ll just story tell a little bit. Ryan Embree: No, not at all. Please. Genna Panagopoulos: The Avani in Amsterdam, I had the opportunity during my onboarding with Minor to go to Amsterdam for a few days. Because we have a ton of hotels in Amsterdam. And I got to stay there and I woke up, I think it was a Sunday morning, and I had one of the upper level rooms and floor to ceiling windows. And I just, I watched the city wake up. It was so cool to see the sunrise from my room, but also the canals were coming to life. People were in boats and I had this cup of coffee and they had a great lounge here. And it’s not, it’s not a fancy hotel, right? It’s an approachable lifestyle of hotel. But it was really, it was so beautiful. I had this like Minor Magazine I was reading and I read the full thing. It was so lovely. And I’m actually taking my daughter there in a few, in two weeks, because I loved it so much. Ryan Embree: Very cool. Yeah. And she’ll get to have that view of the, the property as well. What about favorite fact? A fun fact about one of the properties? Genna Panagopoulos: Okay, so one of our new Colbert collections, that I believe is open now in Florence. It’s called Port Rosa, which it translates to Red Door. And it is actually one of the oldest, it might have been the first hotel actually in Italy and one of the first hotels in Europe. So it’s just so funny ’cause here we call our historic hotels 200 years old. And, and here we have like an 800 year old hotel. So I think that’s, I don’t think I could top that. Ryan Embree: Yeah, that puts it in perspective. Favorite signature dish? We talked about f&b experiences at one of the properties. Genna Panagopoulos: So I know I’m talking a lot about Amsterdam, but that was, it obviously left an impression on me, but at the Tivoli, which is one of our entry luxury brands, very well established in Europe, they really pride themselves on food and wine. And so culinary is a huge component of that experience. So I get to eat at the restaurant in the Tivoli called Ombre. And they really try to weave in creativity and art into the overall experience. And so they took it, they took inspiration from Rembrandt, and so Ombre is one of the 12 colors of Rembrandt’s palette. And so they, they had a beautiful way of weaving that into the food, the color of the food, the color of the menu, the names of the menu items. And it was just a beautiful, and you could watch the chef finish the food right at the entrance. And it was just, it was remarkable. It’s also on the canal. It was an evening candle lit room. It was beautiful. Ryan Embree: I mean the marketing team for some of these properties I’m sure has no shortage of content and storytelling. I mean, this is every hotel marketer’s dream. What about favorite guest experience or amenities at one of your properties? Genna Panagopoulos: That’s a good question. The, also in the Avani in Madrid, so, when I had wrapped up, I had trained in Madrid. I went to Amsterdam for a weekend, came back to Madrid to kind of give everybody my 2 cents of how the project or how the onboarding went. And I was only there for one or two nights. I was so tired. I had been gone for like two weeks. I missed my kids. But I came back and the Avani in Madrid as my welcome city had a smoothie set up. And I had never seen this, and I don’t even know if I’ll ever see this again, but they had a little, a little tiny, I think it’s called like a bullet blender, right? That I could blend in my room. They had the most beautiful, I don’t even know what fruit it was, but it was sweet. It was delicious. They had a variety of milks next to it that I could mix with the fruit, and then of course a little ice bucket and some honey. And it was just everything that I needed. I was so tired from being on the road and to come back and have this really like, cool, healthy, nutritious, it was so, it was like they were reading my mind of what I needed. And I’ve never been in a lot of amazing hotels. And again, Avani is not a luxury brand, but they totally nailed it. And then about an hour later after it, ’cause I had checked in fairly late in the day, they showed up at my door with this beautiful wind down tea set up, and it was, you know, tea can be hit or miss. Yeah, it was so beautifully floral and delicious. And I’m not even a tea drinker. And I loved every moment of it. And they had the most perfect cookie to compliment. Ryan Embree: It’s brilliant by the way, that smoothie, because it makes you a part of the process. It makes you feel a part of the experience. I’m sure a ton of people are sharing that on social media. They’re talking about it. I mean, how easy could it have been to just deliver a smoothie, but for you to kind of be a part of that experience, I think makes it a little bit more special. Very, very cool. I’ve never heard that either. Very cool. And then the last but not least, favorite piece of artwork at one of your properties? Genna Panagopoulos: Thats a tough one. Coming back to the fact that we have an NH hotel in Amsterdam called the Schiller, with tons of authentic Danish artwork. But I’ve also heard that the Tivoli Puerto Gaia has a lot of remarkable pieces. In fact, they have over 70 pieces of authentic art. One of my favorite artists is a Spanish artist…and his works are there. So I haven’t seen it in real life, but that’s on my bucket list. Ryan Embree: Well, I’ll tell you, this was probably the most internationally friendly rapid fire that we’ve had here. When asking these questions. You took us to Madrid, Amsterdam, Italy, all over the place. So, we’ll definitely, I can feel the hoteliers now doing some research on these hotels and planning their vacations. Let’s shift to the Independent Hotel show. It’s happening September 16th, 17th in Miami Beach. And remember Suite Spot listeners, don’t forget to use promo code Ryan26 for a complimentary registration. Genna, and I would love to see you there. Genna, you recently joined the show’s advisory board. Congratulations on that. What inspired you to get involved with this event and how do you see it supporting independent hoteliers? Genna Panagopoulos: First of all, thank you. And I’m really flattered to be on the advisory board. When we started our, when I was working through our development strategy as part of that, we were talking about the various conferences we wanted to attend. And we really think that we’re different from a lot of the big players that are already here, right? We’re trying to not be aligned with them, but a totally different offering. And so for us, it was really important that we find these independent hoteliers, boutique hoteliers that, again, are looking for somebody to help support them and maybe make their lives a little bit easier, but not be always watching over their shoulder. And so for us that this was perfect, I actually hadn’t come across it until they reached out to me. And it came about 48 hours after we had said, we need to find a show or a conference that has specifically this. And it just fell into our lap. And so we, it was, it was very serendipitous and we’re very excited. In fact, I hope we can continue to attend and I’ll be bringing my colleague from Mexico actually to help run the process with us while we’re there. So we’re excited. I also think that we could learn a lot of what independent hoteliers need and their challenges are and be able to help them out. Ryan Embree: Yeah, it’s a very, very unique event. I’ve had the privilege of being to the show since its inception a few years back. So much learning, there is something special when you put a group of independent hoteliers together in a room. The networking that goes down. It really is unlike any other event I’ve been to. So, again, hope you will join Genna and I in Miami Beach in September. We hope to see you there. As we wrap up today, we got a couple more minutes. What is your vision for the future of Minor Hotels in North America? Genna Panagopoulos: Listen, we don’t wanna be as big as everybody else that’s here, but we wanna have a really good foothold. I don’t think I mentioned this, but we have a little over 600 hotels worldwide, including in pipeline. And we’re really everywhere except for North America. And so it just feels like the right progression, of where we even have hotels in South America, in Mexico, right? So we’re really kind of closing in from all directions. And so we just wanna have good hotels here. Good representation on, fun fact, British and US travelers make up the majority of Anantara guests worldwide, even though we have no Anantara here in the U.S.. So, Norin England. So people want it, and I think once they’re here they will absolutely come. So we’re excited. We just want what we want. A good representation of hotels. Hopefully that’s somewhere around 20 to 30 hotels in the coming years. Ryan Embree: Well, you’re off to a super strong start. Congratulations again, Genna. It’s exciting to be here, kind of at the starting line of this Minor Hotel’s journey in North America. It will soon follow suit, like the rest of your brand is. So we’re excited to watch that unfold here in the upcoming years. Genna, thank you so much. We know you’re busy. You mentioned it before. We appreciate you taking your time, spending some time with us and talking about Minor Hotels and in the Independent Hotel Show. Again, we’re, we’re excited that we’ll both be attending there in Miami. And hope you will too. So Genna, thank you for your time. Genna Panagopoulos: Thanks for having me again. Ryan Embree: Alright and we’ll talk to you next time on The Suite Spot. Thank you for listening. To Join our Loyalty program. Be sure to subscribe and give us a five star rating on iTunes. Suite Spot is produced by Travel Media Group. Our editor is Brandon Bell with Cover Art by Bary Gordon. I’m your host Ryan Embree, and we hope you enjoyed your stay.

Die Gemäldegalerie Alte Meister in Dresden zeigt vom 19. September 2026 bis 10. Januar 2027 die Ausstellung „Correggio. Berührend menschlich“. Der aus der Nähe von Parma stammende Künstler zählte über Jahrhunderte zu den berühmtesten Malern Italiens, ist heute jedoch weitgehend in Vergessenheit geraten. Die von der Kulturstiftung der Länder geförderte Ausstellung widmet sich seinem Werk erstmals außerhalb Italiens. Antonio Allegri da Correggio, wie er eigentlich heißt, gilt als wichtiger, auch einflussreicher Vorläufer des Barock. Seine revolutionäre, illusionistische Kuppeldekoration im Dom von Parma beeinflusste stark die spätere Freskomalerei, sein meisterhafter Einsatz von Licht und Schatten (Chiaroscuro) inspirierte zahlreiche Maler wie Giovanni Battista Tiepolo, Rembrandt oder Rubens. Im Gespräch mit Hans-Georg Moek erläutert Dr. Andreas Plackinger, Kurator der Ausstellung, die Hintergründe des Ausstellungsprojekts, Correggios außergewöhnliche Bedeutung für die Kunstgeschichte und die Gründe, weshalb der einst gefeierte Renaissancekünstler heute kaum noch bekannt ist.

420 jaar geleden werd Rembrandt geboren. Dat vieren we met het opnieuw uitbrengen van podcasts over de bekendste schilder van de 17de eeuw.  Het verhaal begint in Leiden, waar Rembrandt in 1606 wordt geboren in een molenaarsgezin. Anders dan zijn broers en zussen krijgt Rembrandt de kans om naar school te gaan. Daar komt zijn grote tekentalent aan het licht. Hij gaat in de leer bij de Leidse schilder Jacob van Swanenburg. Rembrandt ontwikkelt zich razendsnel. Na een korte periode bij een tweede leermeester begint hij zijn eigen atelier. En daarmee ligt de weg naar roem en succes open.

Just after midnight on March 18, 1990, two men dressed as Boston police knocked on the door of the Isabella Stewart Gardner Museum, claimed they were responding to a disturbance, and were calmly let inside. Ninety‑one minutes later, the guards were tied up in the basement, thirteen masterpieces, including a Rembrandt seascape and a rare Vermeer, had been sliced from their frames, and more than $500 million in art had vanished into the night, leaving behind empty gold frames that still hang on the museum walls as taunting reminders of the biggest unsolved art heist in modern history.

Episode: 3264 David Hockney, Digital Painting, and Art's Technophobia.  Today, painting with pixels, in the hands of a master.

420 jaar geleden werd Rembrandt geboren. Dat vieren we met het opnieuw uitbrengen van podcasts over de bekendste schilder van de 17de eeuw.  Vandaag: directeur Taco Dibbits over zijn topstuk 'Het Joodse bruidje', in gesprek met Janine Abbring.

Historische goodread over de laatste vrouw van Rembrandt, Hendrickje Stoffels - voor lezers van Simone van der Vlugt Uitgegeven door Wereldbibliotheek Spreker: Karin Douma

Read the translations of this poem on the Modern Poetry in Translation website: https://modernpoetryintranslation.com/poem/three-poems-3/ Translator Stine An writes in the introduction: Yoo Heekyung's fifth poetry collection, Winter Night Rabbit Worries (Hyundae Munhak, 2023), turns to the origins of stories and poetry. Both the tales that get passed on through time around a small fire on a winter night and the tales spun in the dark alone as a prelude to dreaming. When I first encountered Yoo's story-poems, they felt like fine watercolour etchings from an old storybook—delicate, wistful, and glowing with a quiet warmth. Later, Yoo shared that his work was haunted by Aloysius Bertrand's Gaspard de la Nuit: Fantasies in the Manner of Rembrandt and Callot (1842), the collection that introduced the modern prose poem to the Western literary tradition and inspired Baudelaire's Paris Spleen. These character-driven prose poems are like intimate one-act plays that flame into existence as visions. Within South Korean poetry, his debut Today's Morning Vocabulary (Moonji Books, 2011) marked a departure from the experimental avant-garde poetics popular at the time. Yoo's work as a writer and cultural worker is undergirded by his faith in poetry's plurality, accessibility, and necessity. Poetry is air: the atmosphere he's shared through Wit N Cynical, the poetry bookshop and project space he founded in Seoul set to celebrate its 10-year anniversary in July 2026. Yoo approaches translation as literary collaboration, as a form of spooky action at a distance. He has described our work being connected by an invisible thread. I reflected on this thread as I brought my own lyricism and literary experiences to these poems. I imagined myself paying attention to the minute vibrations in the language to portray the tonal shadows and the rhythms of the many voices heard and the gestures felt through the dark. – Stine An

Russ Ramsey is a gifted storyteller and a trusted guide in the world of art. He is the author of Rembrandt is in the Wind and Van Gogh Has a Broken Heart: What Art Teaches Us About The Wonder and Struggle of Being Alive. In this episode from October 2024, Russ and Jonathan Rogers talk about sunflowers, the sublime, and the connection between suffering and wonder. This episode is sponsored by The Habit's Writer Development Cohorts.Support the show: https://therabbitroom.givingfuel.com/memberSee omnystudio.com/listener for privacy information.

The Shadow's secret weapon isn't just his hypnotic mind—it's how he outsmarts a mounting web of deception threatening to destroy him. When Lamont Cranston learns that his most daring enemies are framing him for murder, the stakes skyrocket. He must unravel the truth behind a killer's plot before it's too late, but with a crime so convincing even the police are convinced it's his guilt, the game is deadly serious.In this episode, you'll discover how the Shadow exposes a masterful frame-up involving a stolen Rembrandt, a deadly car crash, and a web of blackmail. We break down the tactics Cranston uses to turn the tide—including a covert phone call with Angel Nolan's sister that reveals the real mastermind behind the conspiracy. We explore the psychological genius behind the Shadow's invisibility, and how his illusions expose layers of deceit hiding in plain sight.You'll learn about the key clues that unravel the false evidence—ordinary wear and tear on steering gear, witness statements, and overlooked alibis—all used to build a case that even the law can't ignore. But more than that, you'll see how mental agility and strategic thinking can turn a seemingly hopeless situation around, transforming a deadly trap into a victory for justice.Why does this matter? Because the Shadow's approach isn't just about fighting crime—it's about mastering the art of strategic thinking. Whether you're facing complex problems, false accusations, or high-stakes challenges, this episode offers insights you can apply today. It's a lesson in intuition, resilience, and the relentless pursuit of truth.Perfect for crime fighters, strategic thinkers, or anyone who refuses to accept the obvious, this episode proves that understanding the subtle game of deception is your best defense. If you're ready to see things differently—and outthink your opponents—this is essential listening.

(01:38) Het WK voetbal in de VS, Mexico en Canada is al sinds donderdag van start, maar deze zondag mag eindelijk ook het Nederlandse elftal officieel beginnen: om 22:00 uur Nederlandse tijd speelt Oranje zijn eerste wedstrijd tegen Japan.     Alleen zijn de ogen dit WK niet alleen op het veld gericht, maar ook op de Amerikaanse immigratiediensten: In Miami werd de beste scheidsrechter van Afrika, de Somaliër Omar Artan, deze week de toegang tot de VS ontzegd. Ook het Irakese nationale elftal werd op het asfalt van het vliegveld gefouilleerd; sommigen werden zelfs uren ondervraagd.    Het is volgens migratie-historicus Leo Lucassen bedoeld als power play van de regering-Trump: kijk eens hoe streng wij zijn. En het is zeker niet voor het eerst dat een staatshoofd een groot sportkampioenschap gebruikt als podium voor hun politiek, aldus Lucassen.  (12:08) Het was één van de laatste veilige plekken in Zuid-Libanon: het oude centrum van Tyrus, ook bekend als de christelijke wijk, die al millennia lang bewoond wordt.    Maar afgelopen week heeft Israël voor het eerst gedwongen evacuatiebevelen uitgevaardigd voor ook die wijk van de oude stad. Bij bombardementen kwamen tot nu toe acht mensen om het leven.    Journalist en schrijver Mounir Samuel bezocht Tyrus meerdere keren, voor het laatst afgelopen december, toen bijna niemand dat meer deed. Hij vreest voor het erfgoed van Tyrus en haar zusterstad Sidon: die staat of valt niet alleen vanwege de stenen, maar juist ook vanwege de mensen en de cultuur.    (28:43) Wie straks online porno wil kijken moet misschien eerst via een app bewijzen oud genoeg te zijn; tenminste, als het aan de Europese Unie ligt. Maar deze week waarschuwden deskundigen: zo'n leeftijdscheck is lang niet altijd anoniem, want in theorie kan precies worden bijgehouden wie welke site bezoekt.     Een hypermodern probleem? Zorgen over wie er meekijkt bij wat we achter gesloten deuren bekijken en trucjes om zo anoniem te blijven zijn zo oud als de pornografie zelf, aldus hoogleraar cultuurgeschiedenis Inger Leeman, vandaag te gast.    (40:27) Elke week bespreken we historische tips met afwisselend Nadia Bouras, Wim Berkelaar, Bart Funnekotter, Sanne Frequin, en Fresco Sam-Sin. Deze week is de beurt aan Nadia Bouras. Zij bespreekt twee boeken en een tentoonstelling:  Queer geschiedenis van Nederland - Marijke Huisman  Woorden als wapens - Saul van Stapele  Het land van Hagelslag - Tentoonstelling (https://www.hartmuseum.nl/tentoonstellingen/het-land-van-hagelslag/) Hart Museum    (58:10) Een filosoof, die zit achter een bureautje, op afstand van de wereld. Niet direct een vruchtbaar onderwerp voor een musical. En toch inspireerden het leven en denken van Baruch Spinoza tot een muzikaal spektakel dat vanaf begin deze maand te zien is in het Amsterdamse Bostheater. Maar hoe transformeer je het verhaal van deze 17e eeuwse denker tot een 21e eeuws verhaal over de wereld van nu? Dat vertelt regisseur van Spinoza – de Mokum musical Guy Weizman.        (01:10:33) OVT Doc: De verdwenen Rembrandts    Het Rembrandthuis in Amsterdam viert vandaag zijn 125e verjaardag. Een goed excuus voor ons om de documentaire te herhalen die Laura Stek in 2019 maakte over het wonderbaarlijke verhaal van twee schilderijen van Rembrandt.    Het waren de lievelingen van de laatste Poolse koning, er werd om de werken gevochten door Hitler en Göring, en even leken ze in een grote brand verloren te zijn gegaan. Tot ze in 1994 opeens weer opdoken: de twee Rembrandtschilderijen Meisje in een schilderijlijst en Geleerde aan zijn lessenaar. Nu hangen ze in het Koninklijk Paleis in Warschau.     Laura Stek maakte deze documentaire op basis van het boek Het meisje en de geleerde van Gerdien Verschoor.    Meer info: https://www.vpro.nl/ovt/artikelen/ovt-14-juni-2026   (https://www.vpro.nl/ovt/artikelen/ovt-14-juni-2026)

Fluent Fiction - Dutch: From Pressure to Peace: Discovering True Art Appreciation Find the full episode transcript, vocabulary words, and more:fluentfiction.com/nl/episode/2026-06-13-07-38-19-nl Story Transcript:Nl: Daan stond tussen de menigte in het Rijksmuseum.En: Daan stood among the crowd in the Rijksmuseum.Nl: De zomerzon scheen door de hoge ramen.En: The summer sun shone through the tall windows.Nl: Lichtvlekken dansten op de glanzende houten vloeren.En: Light patches danced on the gleaming wooden floors.Nl: De zachte stemmige geluiden van mensen om hem heen vulden de ruimte.En: The soft, subdued sounds of people around him filled the space.Nl: Voor hem hing "De Nachtwacht", het meesterwerk van Rembrandt.En: In front of him hung "The Night Watch", the masterpiece by Rembrandt.Nl: Daan voelde zijn hart sneller kloppen.En: Daan felt his heart beat faster.Nl: Hij was een kunstliefhebber uit Rotterdam.En: He was an art lover from Rotterdam.Nl: Vandaag was een droom die uitkwam.En: Today was a dream come true.Nl: Eindelijk zag hij de beroemde schilderijen van Rembrandt met eigen ogen.En: Finally, he was seeing the famous paintings of Rembrandt with his own eyes.Nl: Maar diep vanbinnen voelde hij druk.En: But deep inside, he felt pressure.Nl: Hij wilde begrijpen, bewonderen, en versteld staan.En: He wanted to understand, admire, and be amazed.Nl: Hoe kon hij anders zijn liefde voor kunst bewijzen, zelfs aan zichzelf?En: How could he prove his love for art, even to himself, otherwise?Nl: Daan voelde zweet op zijn voorhoofd.En: Daan felt sweat on his forehead.Nl: Zijn ademhaling werd zwaarder.En: His breathing became heavier.Nl: Hij probeerde zijn focus op het schilderij te houden, maar alles begon te draaien.En: He tried to keep his focus on the painting, but everything began to spin.Nl: De mix van bewondering en druk werd te veel.En: The mix of admiration and pressure became too much.Nl: Opeens werd alles zwart.En: Suddenly, everything went black.Nl: Toen Daan zijn ogen opende, hoorde hij een zachte stem.En: When Daan opened his eyes, he heard a soft voice.Nl: "Gaat het?"En: "Are you alright?"Nl: vroeg Eva, een vriendelijke medewerkster van het museum.En: asked Eva, a friendly staff member of the museum.Nl: Naast haar stond Max, een andere bezoeker die water aanbood.En: Next to her stood Max, another visitor who offered water.Nl: Daan knikte, nog een beetje duizelig.En: Daan nodded, still a little dizzy.Nl: Hij ging op een nabijgelegen bankje zitten en nam voorzichtig een slok water.En: He sat on a nearby bench and carefully took a sip of water.Nl: Terwijl hij zat, dacht Daan na.En: As he sat, Daan thought.Nl: Waarom hield hij zo van kunst?En: Why did he love art so much?Nl: Het was niet om anderen te imponeren.En: It wasn't to impress others.Nl: Het ging om het gevoel, de emotie die kunst hem gaf.En: It was about the feeling, the emotion that art gave him.Nl: Het besef kwam als een warme golf.En: The realization came like a warm wave.Nl: Het ging niet om begrijpen of imponeren.En: It wasn't about understanding or impressing.Nl: Het ging om genieten.En: It was about enjoying.Nl: Daan keek op.En: Daan looked up.Nl: Hij glimlachte naar Eva en Max.En: He smiled at Eva and Max.Nl: "Dank jullie," zei hij.En: "Thank you," he said.Nl: Langzaam stond hij op en liep terug naar "De Nachtwacht".En: Slowly, he stood up and walked back to "The Night Watch".Nl: Deze keer voelde hij zich kalm en ontspannen.En: This time, he felt calm and relaxed.Nl: De druk was weg.En: The pressure was gone.Nl: Hij stond op een afstand en liet het schilderij op zich inwerken zoals het voor hem natuurlijk voelde.En: He stood at a distance and let the painting wash over him as it naturally felt to him.Nl: In dat moment vond Daan de verbinding waar hij naar zocht.En: In that moment, Daan found the connection he was looking for.Nl: De schoonheid van de kunst raakte zijn hart.En: The beauty of the art touched his heart.Nl: Geen druk meer, alleen vreugde.En: No more pressure, only joy.Nl: Het was een waardevolle les.En: It was a valuable lesson.Nl: Nu wist hij waar echte waardering over ging: persoonlijk genot en verbinding.En: Now he knew what true appreciation was about: personal enjoyment and connection.Nl: En dat, besloot hij, was meer dan genoeg.En: And that, he decided, was more than enough. Vocabulary Words:crowd: menigteshone: scheengleaming: glanzendesubdued: stemmigemasterpiece: meesterwerkart lover: kunstliefhebberpressure: druksweat: zweetforehead: voorhoofddizzy: duizeligvisitor: bezoekersip: slokrealization: besefemotion: emotievalue: waardeadmire: bewonderenheavier: zwaarderbench: bankjeconnection: verbindingbeauty: schoonheidjoy: vreugdeappreciation: waarderingenough: genoegnaturally: natuurlijkcalm: kalmrelaxed: ontspannenimpress: imponerenadmiration: bewonderingsoft: zachtedream: droom

What if one of the most powerful marketing tools for your business isn't another social media post? In this episode of The Katie Lance Podcast, I'm joined by public relations expert, author, and founder of Rembrandt Communications, Melanie Rembrandt. We dive into how Realtors and entrepreneurs can use public relations, personal branding, and an often-overlooked strategy – mini books – to build credibility, stand out in a crowded market, and create more opportunities for their business.Melanie shares practical ways to leverage PR as a local expert, connect with media outlets, and position yourself as the go-to resource in your community. We also discuss why authenticity matters more than ever in the age of AI and how a simple mini book can become a powerful tool for marketing, lead generation, and relationship building.In this episode, you'll learn:✔️ Why Realtors have a unique advantage when it comes to PR and media exposure✔️ How to become a trusted local expert and resource✔️ Common PR mistakes that can hurt your visibility✔️ The power of mini books and how they can help you stand out✔️ Why credibility and authority matter more than ever✔️ How to repurpose existing content into valuable marketing assets✔️ The importance of having a marketing strategy behind your contentIf you're looking for creative ways to differentiate yourself, build trust, and attract more opportunities, this episode is packed with practical ideas you can start implementing right away.

durée : 00:03:35 - Par Jupiter ! - par : Charline Vanhoenacker - Des œuvres de Picasso, Rembrandt ou Giacometti sont menacées par la guerre au Moyen-Orient. 250 œuvres ont en effet été prêtées par la France au Louvre Abu Dhabi, situé entre les tirs de missiles. (qui a payé 400 millions pour prétendre porter ce nom, "Louvre") Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:03:35 - Charline explose les faits - par : Charline Vanhoenacker - Des œuvres de Picasso, Rembrandt ou Giacometti sont menacées par la guerre au Moyen-Orient. 250 œuvres ont en effet été prêtées par la France au Louvre Abu Dhabi, situé entre les tirs de missiles. (qui a payé 400 millions pour prétendre porter ce nom, "Louvre") Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:03:35 - Le 6/9 de l'été - par : Charline Vanhoenacker - Des œuvres de Picasso, Rembrandt ou Giacometti sont menacées par la guerre au Moyen-Orient. 250 œuvres ont en effet été prêtées par la France au Louvre Abu Dhabi, situé entre les tirs de missiles. (qui a payé 400 millions pour prétendre porter ce nom, "Louvre") Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

In Part 3 of our Merkers Mine series, the clock is ticking. Under the Yalta agreements, the region containing the mine is slated to be handed over to Soviet control. Every gold bar, suitcase of SS loot, and priceless work of art must be moved to the American zone immediately. Enter Lieutenant George Stout, America's premier art conservation expert, and the legendary "Monuments Men." Descending into the pitch-black tunnels, they face an impossible logistical nightmare: safely extracting hundreds of delicate, priceless masterpieces—including works by Rembrandt and Manet. In a detail that reads like pure fiction, the American soldiers frantically wrap these uncrates paintings in thousands of abandoned German army sheepskin coats, garments originally tailored for the Nazis' disastrous 1941 winter invasion of Russia.Meanwhile, the operation to extract 250 tons of gold bullion goes into overdrive. It is a backbreaking, round-the-clock effort to haul thousands of unwieldy bags up a single, shuddering elevator shaft. What follows is a massive, heavily guarded overland transport featuring 10-ton trucks, military police battalions, and continuous P-51 Mustang air cover. But the most valuable discovery of the day might not be the gold itself. Financial expert Colonel Bernard Bernstein uncovers the meticulous internal ledgers of the Reichsbank's precious metals department—the smoking gun that documents exactly whose wealth was stolen, providing crucial evidence that will later be used to prosecute Nazi leaders at the Nuremberg trials.But this story is not just about staggering wealth; it is inextricably linked to unimaginable horror. This episode returns to the devastating aftermath of the Ohrdruf concentration camp liberation, detailing General Eisenhower's uncompromising order to force local German civilians to march through the camp and witness the atrocities committed in their name—an event that ended in the shocking suicide of the town's mayor. Today, the Merkers Mine is an adventure tourist attraction with laser light shows, but as we conclude this chapter, we are reminded that much of the Nazi wealth disappeared into the shadows, and the final accounting has never truly been settled. Listen in as we trace the treasure out of the darkness and prepare for the finale of this World War II prelude.

Abstract: In this episode, Karin and Elizabeth discuss their experiences at Kingvention, a Michael Jackson fan convention. Karin explained her decision to skip this year's convention due to ethical concerns about AI-generated content using Michael Jackson's art and voice, comparing it to desecrating works by Shakespeare or Rembrandt. Elizabeth shared her experience, where she sold copies of her book "Dangerous Philosophies" and met with other fans and talked about the special guests, including Bill Wolfer, Hugo Huizar, and Seth Smith. They discussed the convention's exhibits featuring Captain EO memorabilia, costumes, and props, as well as the community's commitment to preserving Michael Jackson's artistic legacy. Elizabeth emphasised the importance of bringing together fans and academics to advance Michael Jackson studies, noting how the convention helped foster this community connection. REFERENCE AS:Merx, Karin, and Elizabeth Amisu. “Episode 92 – KingVention Special” Podcast, Michael Jackson's Dream Lives On: An Academic Conversation, 13 no. 4 (2026). Published electronically 03/06/26. https://michaeljacksonstudies.org/episode-92-kingvention-special Episode 92 – KingVention SpecialBy Elizabeth Amisu & Karin Merx Elizabeth Amisu, PGCE, MA, is editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. Karin Merx, BMus, MA Art History, BA Cultural Philosophy, Classically trained Artist, Classically trained Musician, is editor of The Journal of Michael Jackson Academic Studies, and author of  A festive parade of highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam, published with academic publisher Eburon. Find out more about Karin here. Our References and Where to Easily Find Them: Elizabeth Amisu, The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife (Bloomsbury, paperback 2023) https://www.bloomsbury.com/uk/dangerous-philosophies-of-michael-jackson-9798765123645/ Karin Merx, 'Echoes without Presence: AI Michael Jackson, and the Crisis of Cultural Authenticity', The Journal of Michael Jackson Academic Studies (Nov. 18, 2025) https://michaeljacksonstudies.org/echoes-without-presence-ai-michael-jackson-and-the-crisis-of-cultural-authenticity/

In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified “horrifying heresies,” but the precise reasons for his expulsion remain a mystery. When he published his Theological-Political Treatise in 1670, which was condemned as “the most atheistic book ever written,” he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist—even a “God-intoxicated man,” as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In Spinoza, Atheist (Princeton University Press, 2026), Steven Nadler, one of the world's leading authorities on the philosopher, aims to settle the question and show that that's exactly what he was. Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn't an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural—no mystery, ineffability, or sublimity. Spinoza does speak of “blessedness” and “salvation,” but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world. Whether Spinoza believed in God is a fascinating and enduring controversy. Spinoza, Atheist promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.  Steven Nadler is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin–Madison. His many books include Rembrandt's Jews, which was a finalist for the Pulitzer Prize, Spinoza: A Life, Think Least of Death: Spinoza on How to Live and How to Die, and A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age. Abe Silberstein is a Ph.D. student in the joint doctoral program in History and Hebrew and Judaic Studies at New York University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified “horrifying heresies,” but the precise reasons for his expulsion remain a mystery. When he published his Theological-Political Treatise in 1670, which was condemned as “the most atheistic book ever written,” he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist—even a “God-intoxicated man,” as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In Spinoza, Atheist (Princeton University Press, 2026), Steven Nadler, one of the world's leading authorities on the philosopher, aims to settle the question and show that that's exactly what he was. Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn't an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural—no mystery, ineffability, or sublimity. Spinoza does speak of “blessedness” and “salvation,” but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world. Whether Spinoza believed in God is a fascinating and enduring controversy. Spinoza, Atheist promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.  Steven Nadler is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin–Madison. His many books include Rembrandt's Jews, which was a finalist for the Pulitzer Prize, Spinoza: A Life, Think Least of Death: Spinoza on How to Live and How to Die, and A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age. Abe Silberstein is a Ph.D. student in the joint doctoral program in History and Hebrew and Judaic Studies at New York University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified “horrifying heresies,” but the precise reasons for his expulsion remain a mystery. When he published his Theological-Political Treatise in 1670, which was condemned as “the most atheistic book ever written,” he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist—even a “God-intoxicated man,” as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In Spinoza, Atheist (Princeton University Press, 2026), Steven Nadler, one of the world's leading authorities on the philosopher, aims to settle the question and show that that's exactly what he was. Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn't an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural—no mystery, ineffability, or sublimity. Spinoza does speak of “blessedness” and “salvation,” but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world. Whether Spinoza believed in God is a fascinating and enduring controversy. Spinoza, Atheist promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.  Steven Nadler is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin–Madison. His many books include Rembrandt's Jews, which was a finalist for the Pulitzer Prize, Spinoza: A Life, Think Least of Death: Spinoza on How to Live and How to Die, and A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age. Abe Silberstein is a Ph.D. student in the joint doctoral program in History and Hebrew and Judaic Studies at New York University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified “horrifying heresies,” but the precise reasons for his expulsion remain a mystery. When he published his Theological-Political Treatise in 1670, which was condemned as “the most atheistic book ever written,” he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist—even a “God-intoxicated man,” as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In Spinoza, Atheist (Princeton University Press, 2026), Steven Nadler, one of the world's leading authorities on the philosopher, aims to settle the question and show that that's exactly what he was. Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn't an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural—no mystery, ineffability, or sublimity. Spinoza does speak of “blessedness” and “salvation,” but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world. Whether Spinoza believed in God is a fascinating and enduring controversy. Spinoza, Atheist promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.  Steven Nadler is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin–Madison. His many books include Rembrandt's Jews, which was a finalist for the Pulitzer Prize, Spinoza: A Life, Think Least of Death: Spinoza on How to Live and How to Die, and A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age. Abe Silberstein is a Ph.D. student in the joint doctoral program in History and Hebrew and Judaic Studies at New York University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified “horrifying heresies,” but the precise reasons for his expulsion remain a mystery. When he published his Theological-Political Treatise in 1670, which was condemned as “the most atheistic book ever written,” he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist—even a “God-intoxicated man,” as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In Spinoza, Atheist (Princeton University Press, 2026), Steven Nadler, one of the world's leading authorities on the philosopher, aims to settle the question and show that that's exactly what he was. Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn't an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural—no mystery, ineffability, or sublimity. Spinoza does speak of “blessedness” and “salvation,” but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world. Whether Spinoza believed in God is a fascinating and enduring controversy. Spinoza, Atheist promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.  Steven Nadler is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin–Madison. His many books include Rembrandt's Jews, which was a finalist for the Pulitzer Prize, Spinoza: A Life, Think Least of Death: Spinoza on How to Live and How to Die, and A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age. Abe Silberstein is a Ph.D. student in the joint doctoral program in History and Hebrew and Judaic Studies at New York University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified “horrifying heresies,” but the precise reasons for his expulsion remain a mystery. When he published his Theological-Political Treatise in 1670, which was condemned as “the most atheistic book ever written,” he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist—even a “God-intoxicated man,” as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In Spinoza, Atheist (Princeton University Press, 2026), Steven Nadler, one of the world's leading authorities on the philosopher, aims to settle the question and show that that's exactly what he was. Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn't an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural—no mystery, ineffability, or sublimity. Spinoza does speak of “blessedness” and “salvation,” but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world. Whether Spinoza believed in God is a fascinating and enduring controversy. Spinoza, Atheist promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.  Steven Nadler is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin–Madison. His many books include Rembrandt's Jews, which was a finalist for the Pulitzer Prize, Spinoza: A Life, Think Least of Death: Spinoza on How to Live and How to Die, and A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age. Abe Silberstein is a Ph.D. student in the joint doctoral program in History and Hebrew and Judaic Studies at New York University. 

In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified “horrifying heresies,” but the precise reasons for his expulsion remain a mystery. When he published his Theological-Political Treatise in 1670, which was condemned as “the most atheistic book ever written,” he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist—even a “God-intoxicated man,” as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In Spinoza, Atheist (Princeton University Press, 2026), Steven Nadler, one of the world's leading authorities on the philosopher, aims to settle the question and show that that's exactly what he was. Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn't an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural—no mystery, ineffability, or sublimity. Spinoza does speak of “blessedness” and “salvation,” but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world. Whether Spinoza believed in God is a fascinating and enduring controversy. Spinoza, Atheist promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.  Steven Nadler is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin–Madison. His many books include Rembrandt's Jews, which was a finalist for the Pulitzer Prize, Spinoza: A Life, Think Least of Death: Spinoza on How to Live and How to Die, and A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age. Abe Silberstein is a Ph.D. student in the joint doctoral program in History and Hebrew and Judaic Studies at New York University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified “horrifying heresies,” but the precise reasons for his expulsion remain a mystery. When he published his Theological-Political Treatise in 1670, which was condemned as “the most atheistic book ever written,” he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist—even a “God-intoxicated man,” as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In Spinoza, Atheist (Princeton University Press, 2026), Steven Nadler, one of the world's leading authorities on the philosopher, aims to settle the question and show that that's exactly what he was. Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn't an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural—no mystery, ineffability, or sublimity. Spinoza does speak of “blessedness” and “salvation,” but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world. Whether Spinoza believed in God is a fascinating and enduring controversy. Spinoza, Atheist promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.  Steven Nadler is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin–Madison. His many books include Rembrandt's Jews, which was a finalist for the Pulitzer Prize, Spinoza: A Life, Think Least of Death: Spinoza on How to Live and How to Die, and A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age. Abe Silberstein is a Ph.D. student in the joint doctoral program in History and Hebrew and Judaic Studies at New York University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified “horrifying heresies,” but the precise reasons for his expulsion remain a mystery. When he published his Theological-Political Treatise in 1670, which was condemned as “the most atheistic book ever written,” he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist—even a “God-intoxicated man,” as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In Spinoza, Atheist (Princeton University Press, 2026), Steven Nadler, one of the world's leading authorities on the philosopher, aims to settle the question and show that that's exactly what he was. Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn't an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural—no mystery, ineffability, or sublimity. Spinoza does speak of “blessedness” and “salvation,” but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world. Whether Spinoza believed in God is a fascinating and enduring controversy. Spinoza, Atheist promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.  Steven Nadler is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin–Madison. His many books include Rembrandt's Jews, which was a finalist for the Pulitzer Prize, Spinoza: A Life, Think Least of Death: Spinoza on How to Live and How to Die, and A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age. Abe Silberstein is a Ph.D. student in the joint doctoral program in History and Hebrew and Judaic Studies at New York University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/secularism

Dans son atelier florentin, le peintre religieux Sandro Botticelli dessine les contours du premier nu féminin depuis 1 000 ans, un nu mythologique, la Naissance de Vénus, son tableau aujourd'hui le plus connu.Embarquez pour un voyage au cœur de la Renaissance italienne, à la découverte de l'un des chefs-d'œuvre les plus célèbres de l'histoire de l'art : La Naissance de Vénus de Sandro Botticelli.

Plongez dans l'histoire des grands personnages et des évènements marquants qui ont façonné notre monde ! Avec enthousiasme et talent, Franck Ferrand vous révèle les coulisses de l'histoire avec un grand H, entre mystères, secrets et épisodes méconnus : un cadeau pour les amoureux du passé, de la préhistoire à l'histoire contemporaine.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Emanuele Arielli, Lev Manovich"Estetica artificiale"IA generativa, arte e mediaLuca Sossella Editorewww.lucasossellaeditore.itCosa significa fare arte quando una macchina sembra poterlo fare al posto nostro? Quando un algoritmo compone musica nello stile di Bach, genera un ritratto “alla Rembrandt” o scrive una poesia convincente? Domande come queste rimettono al centro questioni di fondo: che cosa rende un'opera autentica? Chi può dirsi artista? Che cosa influenza il nostro gusto?Estetica artificiale mostra come l'intelligenza artificiale generativa stia trasformando non solo gli strumenti della creazione, ma le condizioni stesse dell'esperienza estetica. Immagini, suoni e testi non vengono soltanto realizzati, ma variati e ottimizzati. E in questo passaggio arte ed estetica si ricombinano in modelli capaci di generare forme e di orientare gusti e preferenze.Lev Manovich, tra i massimi teorici della cultura e dei media digitali, ed Emanuele Arielli, filosofo e studioso di estetica, non si limitano a chiedersi se l'IA sia creativa: interrogano le condizioni stesse che rendono possibile parlare di autore, opera e gusto nell'epoca degli algoritmi. Ricostruiscono la metamorfosi del ruolo dell'artista e mostrano come le macchine non si limitino a generare contenuti, ma imparino anche dalle nostre reazioni e abbiano un impatto sulla nostra sensibilità.Attraverso teoria dei media, filosofia dell'arte e cultura visiva, gli autori tracciano la mappa di questo passaggio decisivo, offrendo una bussola per orientarsi in un'epoca in cui l'immaginazione diventa computabile e l'estetica, sempre più, una tecnologia culturale.Qui troverete dei materiali aggiuntivi relativi alla pubblicazione: https://lucasossellaeditore.it/progetto/estetica-artificiale/Lev ManovichProfessore alla City University di New York, è tra i massimi teorici internazionali della cultura e dei media digitali. È autore di decine di libri, tra cui Il linguaggio dei nuovi media, considerato un classico della teoria dei media contemporaneiEmanuele ArielliProfessore all'Università IUAV di Venezia, è filosofo e studioso di estetica. Tra i suoi libri: Idee virali. Perché i pensieri si diffondono e Farsi piacere. La costruzione del gusto.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Közel száz évvel ezelőtt Szerb Antal pár év leforgása alatt írta meg két nagyszerű regényét, A Pendragon legendát és az Utas és holdvilágot. A két regény különleges, az olvasókat a mai napig megszólító világáról, Szerb személyéről és irodalomtudósi munkáiról is beszélgettünk a Nem rossz könyvek legújabb epizódjának élő, brunch-csal egybekötött felvételén a Hadik Kávéházban. Vendégünk Prieger Zsolt volt, aki nemcsak az Anima Sound System, hanem a Szerb Antal Társaság alapítója is, és sok éve szervez alternatív irodalomórákat, interdiszciplináris irodalmi esteket. A tartalomból: 00:00 Az első találkozások Szerb Antallal. Költőként tudós és tudósként költő, minimális verssel. Akinek koncepciója volt, de ADHD-s módra csapongott. 06:21 Ambivalenciák mindenfelé, és hogy nem tudod eldönteni, itt most van valami nagy mondás, vagy csak játék az egész. És ahol nincs magas és alacsony irodalom, hanem minden egyszerre burjánzik. 11:48 Tudomány és írás egymás mellett. 20:20 A hatalmas olvasói népszerűség és a kánonok, amikbe sosem fért be igazán. 24:10 A Pendragon-legenda: miért pont Wales? Miért pont kísértethistória? Misztikus vonzalmak Szerbnél és a korszakban. 36:30 Mikor mit olvasunk ki az Utas és holdvilágból? Generációs különbségek, és ma mit látnak benne a fiatalok? Az Ulpius-univerzum csodája, és a fejlődés és visszafejlődés regénye. 44:00 Radikális szabadságvágy Szerbnél, és a vallás szerepe. 59:46 Három plusz egy könyv Prieger Zsolt ajánlásában: Tommy Wieringa - Szent Rita, Rényi András - Rembrandt, Pamela Pettyfeather - Pápasztorik, és Martin Buber - Haszid történetek. Továbbra is várjuk a könyv- és témaötleteket a facebookos csoportunkban! Addig is további könyves tartalmakért ajánljuk Anna Instagramját és Bence Nemrosszkönyvek Instagramját, ahonnan a podcast nevét is kölcsönöztük. A műsor meghallgatható a 444 Spotify- és Apple Podcast-csatornáján is.See omnystudio.com/listener for privacy information.

Aesthetic medicine moves billions of dollars a year, which means the loudest takes on injectable cosmetics — pro or con — usually come from someone with something to sell. Dr. Lawrence Bass walks through six widely-circulated claims about fillers — that they look puffy and unnatural, that they can be repeated as often as you want, that they only suit younger faces, that they lift sagging tissue, that they stretch the skin and accelerate aging, and that they qualify as "forever chemicals" — and lays out what the evidence actually says. Two ideas anchor the conversation. Results depend on the amount of product used and the skill of the injector — give a five-year-old and Rembrandt the same paints and you'll get two very different paintings. And there's a real upper limit on retreatment: stacking too many sessions too close together traumatizes tissue and can make the original concerns reemerge in reverse as older product breaks down. Separate hype from evidence — including the fact that hyaluronic acid is nothing like the PFAS compounds in nonstick cookware — and you can decide whether injectables belong in your beauty plan based on what they actually do. Questions answered by this episode 1. Do all fillers create a puffy or unnatural look? 2. What actually determines how natural fillers look — the product or the injector? 3. How often can fillers be repeated without overdoing it? 4. What happens when fillers are stacked too quickly or too often? 5. Are fillers only useful for younger faces and early-stage aging? 6. Can fillers actually lift sagging tissue, or do they only add volume? 7. Do fillers stretch out the skin and speed up aging? 8. How are hyaluronic acid fillers different from PFAS "forever chemicals"? 9. Can fillers be reversed if something goes wrong? 10. How do you decide if fillers belong in your beauty plan?   Innovator. Industry veteran. In-demand Park Avenue board certified plastic surgeon, Dr. Lawrence Bass is a true master of his craft, not only in the OR but as an industry pioneer in the development and evaluation of new aesthetic technologies. With locations in both Manhattan (on Park Avenue between 62nd and 63rd Streets) and in Great Neck, Long Island, Dr. Bass has earned his reputation as the plastic surgeon for the most discerning patients in NYC and beyond. To learn more, visit the Bass Plastic Surgery website at or follow the team on Instagram @drbassnyc  Subscribe to the Park Avenue Plastic Surgery Class newsletter to be notified of new episodes & receive exclusive invitations, offers, and information from Dr. Bass.

Episode: 1573 Donatello: Of his age or for all time?  Today, we ask: Of an age, or of all time?

In the early hours of March 18, 1990, two men dressed as Boston police officers walked into the Isabella Stewart Gardner Museum and disappeared into history carrying over $500 million worth of stolen art. Paintings by Rembrandt van Rijn, Johannes Vermeer, and Edgar Degas vanished without a trace in what remains the largest unsolved art heist in modern history.This week on Seven Deadly Sinners, we dive into the suspects, mafia connections, bungled investigations, and chilling theories surrounding the infamous Isabella Stewart Gardner Museum theft. Who pulled it off? Where is the missing artwork now? And how does a crime this massive stay unsolved for decades?Some masterpieces are priceless. Some secrets are deadly.SHOW NOTES:https://www.gardnermuseum.org/https://www.fbi.gov/history/cases-and-criminals/isabella-stewart-gardner-museum-heisthttps://www.bostonglobe.com/

Dit is de gehele uitzending van dr Kelder en Co waar Jort Kelder belt met Simon Ceulemans (JA21) over de rellen in Loosdrecht. Over de top tussen Trump en Xi legt dr. Rogier Creemers uit wat de oogst was voor de Amerikaanse president. De jonge dr. Charlotte Rulkens heeft onderzoek gedaan naar hoe we wetenschappelijk kunnen optimaliseren of een kunstwerk aan een grootmeester kan worden toegeschreven. En econoom dr. Matthijs Korevaar legt uit hoe we wel iets aan die hypotheekrenteaftrek kunnen doen, een maatregel die voor veel mensen in 2031 afloopt. 

There's an old idea in M&A called the Rembrandt in the attic. A company owns something valuable — a brand, a patent, a customer list, a data set — and nobody inside the business sees it for what it is. The right acquirer walks in, looks at the same asset through a different lens, and recognizes a masterpiece.  Dori Yona spent six years and raised $14 million building what he thought was a price protection company for consumers. Earny tracked everything its users bought online and automatically clawed back refunds whenever the price dropped within the retailer's protection window.  The model never quite worked. After two rounds of layoffs, a shutdown plan presented to the board, and a move out of the Santa Monica office, Dori pivoted to selling the one thing the company had in abundance: SKU-level purchase data on 3.5 million users.  That pivot found the acquirer.  To a consumer packaged goods (CPG) giant trying to understand what shoppers were actually putting in their carts during COVID, the data was the prize. The consumer app was almost incidental. 

The Front Row Network welcomes independent wrestler Ryan Rembrandt. Brandon and Ryan discuss his journey to his in-ring career as well as emphasis on character and storytelling. They also discuss Ryan's ultimate in-ring goals. 

New York, 1888. Ann O'Delia Diss Debar — self-styled Spirit Princess, alleged daughter of Lola Montez — convinced a grieving Madison Avenue lawyer that Raphael and Rembrandt were painting for him in his own parlor. The paintings were chemical tricks. The deed to his townhouse was hers. And the worst of her career was still ahead.Jump to the AD-FREE Safe House EditionBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-crime-historian--2909311/support.You can pay more if you want to, but rent at the Safe House is still just a buck a week, and you can get access to over 400 ad-free episodes from the dusty vault, Safe House Exclusives, direct access to the Boss, and whatever personal services you require.We invite you to our other PULPULAR MEDIA podcasts:If disaster is more your jam, check out CATASTROPHIC CALAMITIES, telling the stories of famous and forgotten tragedies of the 19th and 20th centuries. What could go wrong? Everything!For brand-new tales in the old clothes from the golden era of popular literature, give your ears a treat with PULP MAGAZINES with two new stories every week.

5 Questions with ABJ RembrandtWelcome To 5 Questions with ABJ. Street Interview style content asking people what their goals are in life and how they are working to achieve them possible set backs and if they are over all happy currently in this journey. You never know who will pop up for 5 Questions.https://linktr.ee/anthonyblackwelljrOur Guest Links:https://twitter.com/TheRembrandt_https://www.instagram.com/therembrandt__/