17th-century Dutch painter and printmaker
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George explores friendship as a vital aspect of growth and learning in the spiritual life through the words of Jesus, a Rembrandt painting on the prodigal son's return home, and a poetic spin on the meaning and value of friendship to our everyday lives and relationships.SLIDES GEORGE READ IN OUR GATHERINGThis new kind of Father refuses to own us, demand our submission, or punish our rebellion. Father God is one who respects our freedom, mourns our alienation, waits patiently for our return... Sr. Sandra Schneiders, Jesuit School of TheologyThe dynamic of friendship is almost always underestimated as a constant force in human life. Friendship is the great hidden transmuter of all relationship: it can transform a troubled marriage, make honorable a professional rivalry and become the newly discovered ground for a mature parent-child relationship. David Whyte
====================================================SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1====================================================DEVOCIÓN MATUTINA PARA ADULTOS 2025“CON JESÚS HOY”Narrado por: Exyomara AvilaDesde: Bogotá, ColombiaUna cortesía de DR'Ministries y Canaan Seventh-Day Adventist Church ===================|| www.drministries.org ||===================10 de JunioEl abrazo del padre«Entonces se levantó y fue a su padre. Cuando aún estaba lejos, lo vio su padre, y fue movido a misericordia, y corrió, y se echó sobre su cuello, y lo besó» (Luc. 15: 20).Uno se los cuadros más emotivos que conozco lleva por título El regreso del hijo pródigo y se encuentra en el Museo del Hermitage de San Petersburgo (Rusia). Henri Nouwen describe así el impacto que le causó su descubrimiento: «La primera vi el cuadro de Rembrandt, en el otoño de 1963, toda mi atención fue captada por las manos del anciano padre, estrechando contra su pecho al hijo arrepentido. Esas manos hablaban de perdón, de reconciliación, de sanación, pero también de seguridad, de reposo, de regreso al hogar. Pero si esta imagen del abrazo revivificante de un padre a su hijo pudo afectarme tan profundamente fue porque todo mi ser deseaba más que nada ser acogido como el hijo pródigo. Este encuentro marcó el principio de mi propio regreso a Dios» (Le retour de l'enfant prodigue, Québec: Bellarmin, 1995, pág. 167).Después de toda una vida consagrada al servicio de los demás, Henri Nouwen concluye: «Cuando regresé a San Petersburgo, hace cuatro años, para volver a ver El regreso del hijo pródigo, no sospechaba que iba a tener que vivir yo mismo lo que estaba viendo. Me asombra constatar hasta dónde me ha llevado Rembrandt. Me ha llevado del joven arrodillado y harapiento al anciano de pie, inclinado hacia él, del lugar de quien recibe la bendición al lugar de quien bendice. Al observar mis manos, ahora envejecidas, sé que me han sido dadas para acoger a los que sufren, para posarse sobre los hombros de quienes vienen a mí, y sobre todo, para transmitir la bendición que procede del inmenso amor de Dios» (ibid., pág. 173).Quien ha vivido hasta el fondo la experiencia del perdón, sabe cuán importante es transmitirla a otros. Del propio Esaú se dice que, cuando vio a su hermano Jacob regresar al hogar, le perdonó tan profundamente sus engaños y fraudes que» «corrió a su encuentro y, echándose sobre su cuello, lo abrazó y besó» (Gén. 33: 4). Y Jacob, al verse perdonado tan generosamente, le rogó que lo aceptase de regreso al hogar, añadiendo: «Porque he visto tu rostro como si hubiera visto el rostro de Dios, pues que con tanta bondad me has recibido» (vers. 10).Señor, hazme capaz de ver el rostro de Dios en el de mis seres queridos, como el pródigo lo vio en su padre y Jacob en su hermano.
Fluent Fiction - Dutch: Bridging Friendship: A Day at the Rijksmuseum's Rembrandt Exhibit Find the full episode transcript, vocabulary words, and more:fluentfiction.com/nl/episode/2025-06-08-22-34-02-nl Story Transcript:Nl: Zomerzon scheen helder in Amsterdam.En: The summer sun shone brightly in Amsterdam.Nl: Sven, Johan en Elsa stapten de statige zalen van het Rijksmuseum binnen.En: Sven, Johan, and Elsa stepped into the grand halls of the Rijksmuseum.Nl: Het was druk.En: It was busy.Nl: Mensen liepen nieuwsgierig rond, ogen gericht op de majestueuze kunstwerken.En: People wandered around curiously, eyes fixed on the majestic artworks.Nl: "Wow," zei Johan, terwijl hij naar de hoge plafonds keek.En: "Wow," said Johan, as he looked up at the high ceilings.Nl: "Het is hier groot."En: "It's big here."Nl: Hij haalde zijn camera tevoorschijn.En: He took out his camera.Nl: Elsa keek rond, een beetje onverschillig, maar wel benieuwd naar wat ze zou zien.En: Elsa looked around, a bit indifferent, but curious about what she would see.Nl: Voor Sven was het museum een droom.En: For Sven, the museum was a dream.Nl: Als kunstgeschiedenisstudent was hij dol op Rembrandt.En: As an art history student, he loved Rembrandt.Nl: Hij wilde zijn passie delen.En: He wanted to share his passion.Nl: "Kom," riep hij opgewonden.En: "Come," he called excitedly.Nl: "De nieuwe Rembrandt-tentoonstelling is die kant op."En: "The new Rembrandt exhibition is that way."Nl: Ze liepen naar de grote zaal met de beroemde Nachtwacht.En: They walked to the large hall with the famous Night Watch.Nl: De hal was groots en vulde zich met het zachte geroezemoes van bewonderaars.En: The hall was grand and filled with the soft murmur of admirers.Nl: Sven straalde van enthousiasme, maar Johan en Elsa leken afgeleid.En: Sven beamed with excitement, but Johan and Elsa seemed distracted.Nl: Johan stopte om een selfie te maken, terwijl Elsa een glimp van het café opving.En: Johan stopped to take a selfie, while Elsa caught a glimpse of the café.Nl: "Rembrandt gebruikte licht en schaduw op een magische manier," begon Sven, proberend hun aandacht te winnen.En: "Rembrandt used light and shadow in a magical way," Sven began, trying to capture their attention.Nl: Maar Johan richtte zijn camera op de schilderijen en Elsa keek naar de wachrij bij het café.En: But Johan aimed his camera at the paintings, and Elsa looked at the line at the café.Nl: Gefrustreerd nam Sven een beslissing.En: Frustrated, Sven made a decision.Nl: Hij ging voor de Nachtwacht staan, zijn ogen glanzend van passie.En: He stood in front of the Night Watch, his eyes sparkling with passion.Nl: Hij vertelde over de verborgen details, de avonturen erachter, de emoties gevangen in verf.En: He spoke about the hidden details, the adventures behind them, the emotions captured in paint.Nl: Zijn stem werd warm, zijn ogen groot van bewondering.En: His voice grew warm, his eyes wide in admiration.Nl: Langzaam maar zeker trok hij hun aandacht.En: Slowly but surely, he drew their attention.Nl: Johan stopte met klikken en Elsa zocht de blikken van mensen langs het doek.En: Johan stopped clicking, and Elsa followed the glances of people along the canvas.Nl: Ze luisterden, geboeid door de verhalen die Sven vertelde.En: They listened, captivated by the stories Sven told.Nl: Bij de Nachtwacht, midden tussen de drukte, voelden ze een moment van gedeelde verwondering.En: By the Night Watch, amidst the hustle and bustle, they felt a moment of shared wonder.Nl: Johan lachte, Elsa stelde vragen.En: Johan laughed, and Elsa asked questions.Nl: Ze zagen Rembrandt's werk met nieuwe ogen.En: They saw Rembrandt's work with new eyes.Nl: De tentoonstelling werd hun gezamenlijke avontuur.En: The exhibition became their shared adventure.Nl: Glimlachend liepen ze verder, elk schilderij nieuw bekeken en besproken.En: Smiling, they moved on, each painting newly seen and discussed.Nl: Sven zag Johan en Elsa eindelijk genieten.En: Sven saw Johan and Elsa finally enjoying themselves.Nl: Hun interesse was gewekt, hun appreciatie gegroeid.En: Their interest was sparked, their appreciation grew.Nl: Ze verlieten het museum met een gevoel van verbondenheid.En: They left the museum with a feeling of connection.Nl: Buiten, in de warme zomerzon, voelde Sven trots.En: Outside, in the warm summer sun, Sven felt proud.Nl: Hij had geleerd geduldig te zijn.En: He had learned to be patient.Nl: Zijn passie was een brug geworden tussen hem en zijn vrienden.En: His passion had become a bridge between him and his friends.Nl: En zo eindigde hun dag.En: And so their day ended.Nl: Drie vrienden verrijkt door kunst, met verhalen om nog lang over na te praten.En: Three friends enriched by art, with stories to talk about for a long time. Vocabulary Words:majestic: majestueuzegrand: statigewandered: liepencuriously: nieuwsgierigindifferent: onverschilligexcitedly: opgewondenexhibition: tentoonstellingmurmur: geroezemoesbeamed: straaldefrustrated: gefrustreerdsparkling: glanzendcaptured: gevangenadmiration: bewonderingcaptivated: geboeidhustle: druktewonder: verwonderingenrichment: verrijkingenthusiasm: enthousiasmeshared: gedeeldglance: glimpnewly: nieuwcanvas: doeksparked: gewektbridge: brugpatience: geduldattention: aandachtrembrandt: rembrandtartworks: kunstwerkenstories: verhalenwarm: warm
In this episode Gary Mansfield speaks to Jessica Gale (@Jess.Gale.Art) Jessica Gale is a British landscape artist born in 1967 in Catterick, Yorkshire. She began painting in 2010 during a period living in Amsterdam, inspired by the subdued beauty of a Dutch winter and influenced by Rembrandt's moody palette . Her work encompasses both representational and abstract landscapes. She investigates the interplay of shapes, light, and negative space, manipulating these elements through form and colour to convey the energy of her subjects. Gale trained at The Heatherley School of Fine Art in Chelsea, London, and currently resides and works in London and Dorset. Her diverse media include oil, acrylic, charcoal, pastels, and printmaking. She has exhibited widely, including at Harvey and Woodd in Edinburgh and the Otter Gallery in Dorset, and participated in the 2024 season of Sky's Landscape Artist of the Year. For more information on the work of Jessica Gale go tohttps://jessicagalefineart.com To Support this podcast from as little as £3 per month: www.patreon/ministryofarts For full line up of confirmed artists go to https://www.ministryofarts.orgEmail: ministryofartsorg@gmail.comSocial Media: @ministryofartsorg Hosted on Acast. See acast.com/privacy for more information.
Zaak 56: Een Frans Hals, Twee Lachende Jongens, Drie keer gestolenOf het nu groot of klein is, anoniem of niet, eenmalig of maandelijks, elke bijdrage helpt ons om dit fascinerende verhaal voort te zetten en meer verborgen verhalen aan het licht te brengen: https://fooienpod.com/kunstmaffiaZeer veel dank mochten jullie iets voor onze podcast over hebben! Alright, folks, buckle up because today we're diving into the wild world of art heists with a twist that'll leave you chuckling and gasping. Our main gig today? The infamous “Two Laughing Boys” by Frans Hals—yup, that same masterpiece has been swiped not once, not twice, but three times! We're talking about a tale that stretches from the late '80s to the present, where these cheeky chaps have become the poster boys for art theft drama. You'll hear about the shenanigans of a guy in a ski mask who broke in and held a couple hostage just to snag those paintings—talk about a paint job gone wrong! And as we navigate through these theatrical escapades, we'll also sprinkle in some fun facts about Hals and why his work still cracks us up four centuries later. So grab your snacks, sit back, and let's unravel this artful comedy of errors together!Get ready for a rollercoaster of a podcast episode that'll have you laughing, gasping, and maybe even a little bit outraged. We're diving deep into the wild saga of 'De Twee Lachende Jongens', a masterpiece by Frans Hals that just can't seem to stay put! Over the years, this cheeky painting has been swiped from the Hofje van Mevrouw van Aarde in Leerdam three times, and let me tell you, the stories behind each theft are juicier than a ripe Dutch cheese! We start with a thrilling recounting of the very first heist in 1988, where a masked bandit, armed and ready, decides that art should be free—his way! The audacity! And if you think that was the end of it, think again. Fast forward to 2011, and our beloved boys are off on another escapade, and then again in 2020! It's like they're the most wanted criminals in the art world, and we're here for the drama!But what makes this episode truly fascinating is how we weave in the rich history of Frans Hals. He was no ordinary painter; he's part of the elite club of Dutch masters who defined an entire era. We get into the nitty-gritty of his life, his style, and how his art reflects the jovial spirit of his time. It's not just about the thefts—oh no! We're exploring the broader implications of art theft on culture and heritage, asking tough questions about how we protect our treasures when even the most secure museums aren't safe. And let's not forget the humor—because if you can't laugh about a little art theft, what's the point? With a mix of humor, insightful commentary, and a dash of crime drama, this episode will keep you on the edge of your seat. Who knew art could be this exciting? So sit back, relax, and let's unravel the tale of those two laughing boys who just can't stop getting into trouble.Takeaways: In deze aflevering bespreken we de drie verschillende diefstallen van het schilderij 'De Twee Lachende Jongens' van Frans Hals, dat een waar kunstmaffia-drama is. Frans Hals, geboren in Antwerpen maar opgegroeid in Haarlem, wordt vaak vergeten in de schaduw van Vermeer en Rembrandt, maar zijn kunst blijft onvergetelijk. De gestolen schilderijen gingen voor miljoenen over de toonbank, maar de complicaties van verzekering en losgeld maken het een complexe zaak. De kunstwereld heeft een schimmige kant, waar criminelen zoals Klaas Bruinsma zelfs als culturele beschermers worden gezien, hoe bizar is dat? De terugkeer van de schilderijen na jaren van onduidelijkheid laat ons vragen over hoe vaak dit eigenlijk voorkomt in de kunstwereld en waarom. De huidige ontwikkelingen rondom de diefstal van 'De
Zaak 56: Een Frans Hals, Twee Lachende Jongens, Drie keer gestolenOf het nu groot of klein is, anoniem of niet, eenmalig of maandelijks, elke bijdrage helpt ons om dit fascinerende verhaal voort te zetten en meer verborgen verhalen aan het licht te brengen: https://fooienpod.com/kunstmaffiaZeer veel dank mochten jullie iets voor onze podcast over hebben! Alright, folks, buckle up because today we're diving into the wild world of art heists with a twist that'll leave you chuckling and gasping. Our main gig today? The infamous “Two Laughing Boys” by Frans Hals—yup, that same masterpiece has been swiped not once, not twice, but three times! We're talking about a tale that stretches from the late '80s to the present, where these cheeky chaps have become the poster boys for art theft drama. You'll hear about the shenanigans of a guy in a ski mask who broke in and held a couple hostage just to snag those paintings—talk about a paint job gone wrong! And as we navigate through these theatrical escapades, we'll also sprinkle in some fun facts about Hals and why his work still cracks us up four centuries later. So grab your snacks, sit back, and let's unravel this artful comedy of errors together!Get ready for a rollercoaster of a podcast episode that'll have you laughing, gasping, and maybe even a little bit outraged. We're diving deep into the wild saga of 'De Twee Lachende Jongens', a masterpiece by Frans Hals that just can't seem to stay put! Over the years, this cheeky painting has been swiped from the Hofje van Mevrouw van Aarde in Leerdam three times, and let me tell you, the stories behind each theft are juicier than a ripe Dutch cheese! We start with a thrilling recounting of the very first heist in 1988, where a masked bandit, armed and ready, decides that art should be free—his way! The audacity! And if you think that was the end of it, think again. Fast forward to 2011, and our beloved boys are off on another escapade, and then again in 2020! It's like they're the most wanted criminals in the art world, and we're here for the drama!But what makes this episode truly fascinating is how we weave in the rich history of Frans Hals. He was no ordinary painter; he's part of the elite club of Dutch masters who defined an entire era. We get into the nitty-gritty of his life, his style, and how his art reflects the jovial spirit of his time. It's not just about the thefts—oh no! We're exploring the broader implications of art theft on culture and heritage, asking tough questions about how we protect our treasures when even the most secure museums aren't safe. And let's not forget the humor—because if you can't laugh about a little art theft, what's the point? With a mix of humor, insightful commentary, and a dash of crime drama, this episode will keep you on the edge of your seat. Who knew art could be this exciting? So sit back, relax, and let's unravel the tale of those two laughing boys who just can't stop getting into trouble.Takeaways: In deze aflevering bespreken we de drie verschillende diefstallen van het schilderij 'De Twee Lachende Jongens' van Frans Hals, dat een waar kunstmaffia-drama is. Frans Hals, geboren in Antwerpen maar opgegroeid in Haarlem, wordt vaak vergeten in de schaduw van Vermeer en Rembrandt, maar zijn kunst blijft onvergetelijk. De gestolen schilderijen gingen voor miljoenen over de toonbank, maar de complicaties van verzekering en losgeld maken het een complexe zaak. De kunstwereld heeft een schimmige kant, waar criminelen zoals Klaas Bruinsma zelfs als culturele beschermers worden gezien, hoe bizar is dat? De terugkeer van de schilderijen na jaren van onduidelijkheid laat ons vragen over hoe vaak dit eigenlijk voorkomt in de kunstwereld en waarom. De huidige ontwikkelingen rondom de diefstal van 'De
Eva P continues our series on with a message from Philemon 1:8-11. She refers to this painting by Rembrandt of Paul in prison. Click the arrow below, or if you're reading this in an email you can click this link, to play the service: This service is available for download free on iTunes, where you can also subscribe to our podcast. Search for "Westchester Chapel" on the iTunes Store. If you want to know more about starting a relationship with Jesus Christ visit www.WestchesterChapel.org/salvation.
Ben Luke talks to Huma Bhabha about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Bhabha was born in 1962 in Karachi, Pakistan, and has been based in the US since 1981—she now lives in Poughkeepsie, New York state. She has achieved a profoundly individual figurative sculptural language, exploring the rich history of her medium while also looking to the future. Informed by ancient monuments, Modernist sculpture and an array of other artforms, Huma employs various sculptural traditions—from modelling with clay, to carving, to found-object assemblage—to create figures that are monumental yet vulnerable, otherworldly yet rooted in the vicissitudes of contemporary geopolitics. Alongside her sculptures, Huma has made similarly powerful work in two-dimensions, particularly in combinations of drawing and collage. She reflects on the early and ongoing impact of Rembrandt on her work, her fascination with Pablo Picasso and Robert Smithson, the influence of the writing of Amy Goodman and Roberto Bolaño and how she has responded to the films of Jean-Luc Godard and Jean Negulesco. She also gives insight into her life in the studio and answers our usual questions, including: what is art for?Huma Bhabha—Encounters: Giacometti, Barbican, London, until 10 Aug; Huma Bhabha: Distant Star, 13 June-26 July. Hosted on Acast. See acast.com/privacy for more information.
Charles Spurgeon | Turn Away by Yeti Music | The Mill by Rembrandt van Rijn | Find more at www.ryanbush.org
Cette semaine, dans Quête Secondaire, on consacre un épisode complet à Clair Obscur: Expédition 33, le premier jeu du studio montpelliérain Sandfall Interactive, et l'un des titres les plus marquants de 2025. Avec son univers inspiré de la Belle Époque, sa direction artistique saisissante et ses combats en tour par tour teintés d'action, le jeu a attiré l'attention du monde entier. Bruno a terminé le jeu, et c'est Alexis qui le questionne tout au long de cet épisode pour décortiquer, sans spoiler, ce que le jeu a réellement à offrir. Est-ce que Clair Obscur réussit à rendre le JRPG accessible à un nouveau public ? Tient-il ses promesses artistiques ? Quel impact peut-il avoir sur l'industrie ? Le Baguette-RPG vient-il d'être inventé ? Et on s'improvise profs d'art en analysant des peintures de Le Caravage, Rembrandt et Georges de La Tour ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Pastor Jim Warren continues our series on "A Prophet's Life: Lessons Learned from Those Called to Communicate God's Truth," with a message from Daniel 5:24-31. He refers to this painting -- "Belshazzar's Feast" -- by Dutch artist Rembrandt van Rijn. Click the arrow below, or if you're reading this in an email you can click this link, to play the service: This service is available for download free on iTunes, where you can also subscribe to our podcast. Search for "Westchester Chapel" on the iTunes Store. If you want to know more about starting a relationship with Jesus Christ visit www.WestchesterChapel.org/salvation.
Nuevo episodio de Solo ante el PeligROL en el que nuestro protagonista, Jackson Rembrandt, se ve envuelto en una trama de bandas y la escena de clubs del Manhattan del 2080.
It's the Rodcast baby.On this very special episode of That Peter Crouch Podcast, Pete, Chris, and Sids make a pilgrimage to the stately home of none other than Sir Rod Stewart—rock legend, model train aficionado, and die-hard Celtic fan.Recorded inside Rod's private gym and overlooking his personal football pitch, this episode is a goldmine of outrageous stories and charming confessions. From Elton John gifting him a Rembrandt painting, to the infamous drunken Scottish Cup draw, Rod holds nothing back.He opens up about his lifelong love affair with football, his competitive friendship with Elton, and how his model railway obsession helps him stay grounded (and vocally fit!) while touring the world.Whether he's reminiscing about pitch invasions at Wembley, revealing the secrets behind his Vegas shows, or naughty 70's antics, this is Rod Stewart at his most raw and relatable.Chumbawamba00:00 – The lads arrive at Rod's house00:57 – First glimpses into Rod's estate, football pitch, and gym setup.02:25 – Rod arrives05:04 – Rod's football upbringing, trial at Brentford, and passion for the game.07:10 – Competitive Christmases with Sir Elton John11:17 – Rod's sprint training12:00 – The iconic drunken Scottish Cup draw explained.14:11 – His dad turning off England's World Cup win—Scottish loyalties run deep.21:11 – Recounting the pitch invasion at Wembley in 1977.25:50 – Singing in front of the Queen and Prince Philip.31:13 – Rod's touring secrets, including building train factories in hotel rooms.35:24 – How “Maggie May” accidentally became a worldwide hit.Follow our Clips page https://www.youtube.com/channel/UCLNBLB3xr3LyiyAkhZEtiAAFor more Peter Crouch:Twitter - https://twitter.com/petercrouchTherapy Crouch - https://www.youtube.com/@thetherapycrouchFor more Chris StarkTwitter - https://twitter.com/Chris_StarkInstagram - https://www.instagram.com/chrisstark/For more Steve SidwellTwitter - https://twitter.com/sjsidwellInstagram - https://www.instagram.com/stevesidwell14#PeterCrouch #ThatPeterCrouchPodcast Hosted on Acast. See acast.com/privacy for more information.
This episode originally aired November 15, 2022.The life of Rembrandt shows one of self-reflection (and maybe obsession) that brought about some of the best art in Western history.
Artisti, opere e pittura nell'Olanda del Seicento, età del secolo d'oro olandese. Contesto storico, movimento pittorico, il mercato dell'arte.
Fluent Fiction - Dutch: The Truth Behind the Canvas: A Rembrandt Revelation Find the full episode transcript, vocabulary words, and more:fluentfiction.com/nl/episode/2025-05-24-22-34-02-nl Story Transcript:Nl: De zon scheen helder door de glazen dakramen van het Amsterdamse Kunstmuseum.En: The sun shone brightly through the glass ceiling windows of the Amsterdamse Art Museum.Nl: Bezoekers bewonderden de schilderijen van Nederlandse meesters.En: Visitors admired the paintings of Dutch masters.Nl: Tussen hen, bij het nieuwe Rembrandt-werk, stond Sophie.En: Among them, by the new Rembrandt piece, stood Sophie.Nl: Ze bekeek het schilderij nauwkeurig.En: She examined the painting carefully.Nl: Haar ogen speurden elk detail, gefocust en onrustig.En: Her eyes scanned every detail, focused and restless.Nl: Niet ver van haar stond Jeroen.En: Not far from her stood Jeroen.Nl: Met een zelfverzekerde glimlach op zijn gezicht sprak hij met een groep geïnteresseerden.En: With a self-assured smile on his face, he spoke with a group of interested people.Nl: Als ambitieuze kunsthandelaar wilde hij bekendheid krijgen.En: As an ambitious art dealer, he wanted to gain recognition.Nl: Deze vondst van een Rembrandt was zijn kans.En: This find of a Rembrandt was his chance.Nl: De twee kenden elkaar vaag.En: The two knew each other vaguely.Nl: Sophie herinnerde zich zijn naam van een vorige tentoonstelling.En: Sophie remembered his name from a previous exhibition.Nl: Plots draaide Jeroen zich om en zag Sophie.En: Suddenly, Jeroen turned around and saw Sophie.Nl: Hij glimlachte.En: He smiled.Nl: "Sophie, toch?En: "Sophie, right?Nl: Wat vind je van de nieuwe Rembrandt?En: What do you think of the new Rembrandt?"Nl: " vroeg hij.En: he asked.Nl: Sophie aarzelde even.En: Sophie hesitated for a moment.Nl: "Het is indrukwekkend, maar ik.En: "It's impressive, but I...Nl: ik heb twijfels.En: I have doubts."Nl: "Hij keek verbaasd.En: He looked surprised.Nl: "Twijfels?En: "Doubts?"Nl: ""Mijn vader was de kunsthistoricus die dit schilderij authenticeerde," legde Sophie uit, haar stem zachtjes.En: "My father was the art historian who authenticated this painting," Sophie explained, her voice soft.Nl: "Ik vrees dat zijn werk werd veranderd.En: "I fear that his work was altered."Nl: "Jeroen's glimlach verdween.En: Jeroen's smile disappeared.Nl: "Wat bedoel je?En: "What do you mean?"Nl: "Sophie en Jeroen liepen samen naar een hoek van de zaal.En: Sophie and Jeroen walked together to a corner of the room.Nl: Stil legde Sophie haar zorgen uit.En: Silently, Sophie explained her concerns.Nl: Kleine details in het schilderij klopten niet met haar vaders notities.En: Small details in the painting didn't match her father's notes.Nl: "Waarom vertel je mij dit?En: "Why are you telling me this?"Nl: " vroeg Jeroen.En: Jeroen asked.Nl: "Wat wil je dat ik doe?En: "What do you want me to do?"Nl: ""Alsjeblieft, help me.En: "Please, help me.Nl: We moeten de waarheid ontdekken," zei Sophie wanhopig.En: We need to discover the truth," Sophie said desperately.Nl: Jeroen keek naar de grond.En: Jeroen looked at the ground.Nl: Zijn ambities werkten in zijn hoofd, maar diep van binnen voelde hij haar eerlijkheid.En: His ambitions played in his head, but deep down he felt her honesty.Nl: "Oké, ik ben bij je.En: "Okay, I'm with you.Nl: Maar hoe bewijs je dit?En: But how do you prove this?"Nl: "Daarna brachten ze uren in het archief van het museum door.En: After that, they spent hours in the museum's archive.Nl: Ze zochten naar stukken die het werk van Sophie's vader zouden ondersteunen.En: They searched for pieces that would support Sophie's father's work.Nl: Geduldig en gefocust werkten ze samen.En: Patiently and focused, they worked together.Nl: Uiteindelijk, in een oude map, vonden ze het bewijs: schetsen en notities van Sophie's vader die duidelijk afwijkingen van het huidige schilderij laat zien.En: Eventually, in an old folder, they found the evidence: sketches and notes from Sophie's father that clearly showed discrepancies from the current painting.Nl: Met het bewijs in handen gingen ze naar de museumdirecteur.En: With the evidence in hand, they went to the museum director.Nl: Het was een moeilijke discussie, maar Sophie en Jeroen werkten als een sterk team.En: It was a tough discussion, but Sophie and Jeroen worked as a strong team.Nl: De waarheid kwam aan het licht.En: The truth came to light.Nl: Het schilderij was niet zoals het oorspronkelijk was bevonden.En: The painting was not as it was originally found to be.Nl: De juiste artiest kreeg erkenning en Sophie's vader kreeg de eer die hij verdiende.En: The rightful artist received recognition, and Sophie's father got the honor he deserved.Nl: Na afloop stonden Sophie en Jeroen in de museumtuin.En: Afterward, Sophie and Jeroen stood in the museum garden.Nl: Bloesems van de bomen vielen zachtjes om hen heen.En: Blossoms from the trees fell gently around them.Nl: "Bedankt, Jeroen," zei Sophie oprecht.En: "Thank you, Jeroen," Sophie said sincerely.Nl: Hij glimlachte.En: He smiled.Nl: "Ik heb veel geleerd.En: "I learned a lot.Nl: Integriteit is belangrijker dan naam of faam.En: Integrity is more important than name or fame."Nl: "Sophie knikte, haar zelfvertrouwen gegroeid.En: Sophie nodded, her self-confidence grown.Nl: De waarheid had gezegevierd, en samen hadden ze het bereikt.En: The truth had triumphed, and together they had achieved it.Nl: Ze liepen het museum uit, het voorjaar tegemoet, met een nieuw gevoel van voldoening en vriendschap.En: They walked out of the museum, into the spring, with a new sense of fulfillment and friendship. Vocabulary Words:admired: bewonderdenauthenticity: authenticeerdeambitious: ambitieuzeself-assured: zelfverzekerdehesitated: aarzeldealtered: veranderddiscrepancies: afwijkingendiscovered: ontdekkenevidence: bewijsintegrity: integriteitfulfillment: voldoeningfulfillment: voldoeningdiscussion: discussiegently: zachtjesnotices: notitiessupport: ondersteunenfocused: gefocustconcerns: zorgenhonesty: eerlijkheidrecall: herinnerdefaintly: vaagmasterpieces: meesterspatently: geduldigblossoms: bloesemsrecognition: erkenningauthenticating: authenticeerdetriumph: zegevierdachievement: bereiktartwork: schilderijhistorian: kunsthistoricus
Linda Tugnoli"Art Night"Rai5Art Night – Il volto e l'animaIndagine sul ritratto femminileL'intelligenza artificiale ha un problema con le donne, in particolare, con il modo con cui crea immagini che dovrebbero rappresentarle. Molti osservatori hanno notato che tende a generare, qualunque sia il “promt”, cioè la richiesta, donne troppo perfette, ipersessualizzate, preferibilmente dai tratti occidentali. Nei suoi dataset si sono depositati pregiudizi e bias preesistenti, impliciti nei milioni di immagini con cui è stata nutrita. Lo racconta il doc “Indagine sul ritratto femminile”, in onda mercoledì 21 maggio alle 21.15 in prima visione su Rai 5 per l'Art Night di Neri Marcorè.L'arte ha aiutato a forgiare quest'immagine archetipica del femminile? O potrebbe, invece, rappresentare un antidoto alla standardizzazione dei canoni estetici oggi in atto? Una storia del ritratto femminile è un viaggio che dalle Veneri preistoriche senza volto giunge fino al ‘900, in cui gli artisti hanno utilizzato il ritratto anche per esplorare tematiche di genere, identità e potere, a volte sfidando le convenzioni sociali e le aspettative riguardanti il “bel sesso”. Un viaggio che attraversa quindi numerose tematiche, dall'evoluzione dei canoni di bellezza femminile, al ruolo della donna nella società e nell'immaginario artistico e letterario maschile, alla nascita di un'arte “al femminile”, a una storia del costume. Giada Pistilli, responsabile dell'etica per una piattaforma di intelligenza artificiale franco-americana, Hugging Face, con sede a Parigi, punta il dito contro i limiti e i bias relativi all'immagine femminile, ipersessualizzata e stereotipata, nell'AI e nel mondo di Internet in genere. Per l'arte preistorica, dove dominano rappresentazioni femminili della fertilità e della maternità, si visita il Musée d'Archéologie Nationale in Francia, a St. Germain-en-Laye, intervistando Catherine Schwab, responsabile delle collezioni paleolitiche e mesolitiche, sulla celebre Dama di Brassempouy, forse il volto più antico nella storia dell'arte europea con i suoi 25.000 anni. Per l'arte egizia, Christian Greco, Direttore del Museo Egizio a Torino parla dei ritratti di due bellissime regine, Nefertiti e Tye. Luana Toniolo, Direttrice del Museo Nazionale Etrusco di Villa Giulia a Roma e Vincenzo Bellelli, Direttore del Parco Archeologico di Cerveteri e Tarquinia, vanno in uno straordinario viaggio attraverso le rappresentazioni femminili nell'arte etrusca, sottolineando il diverso ruolo sociale della donna nel mondo etrusco rispetto al mondo greco-romano. Fabrizio Paolucci, responsabile della Collezione delle Antichità Classiche delle Gallerie degli Uffizi, a Firenze, racconta la meravigliosa Giulia di Tito, un capolavoro della ritrattistica romana del II secolo d.C. Si indaga, inoltre, su un interessante fenomeno seicentesco, “Le stanze delle belle”, quelle “serie” o collezioni di ritratti femminili che riunivano tutte le esponenti delle famiglie nobili, con Francesca Cappelletti, Direttrice della Galleria Borghese a Roma, che a questo tema così particolare ha dedicato un libro, con Francesco Petrucci, conservatore del Palazzo Chigi in Ariccia dove si conserva una delle rarissime Stanze delle belle giunte fino a noi e Veronica Ambrosoli, responsabile dell'Ufficio Conservazione del FAI, Fondo Ambiente Italiano, che apre le porte dello straordinario Castello di Masino, nel Canavese, che ospita una collezione di belle donne francesi. Con Cristina Mazzantini, Direttrice della Galleria Nazionale d'Arte Moderna e Contemporanea, a Roma, si arriva fino alle soglie della modernità analizzando il fondamentale cambiamento del ruolo delle donne nella società tra ‘800 e ‘900, evidente nei volti affascinanti di Modigliani, Klimt o di Boldini conservati alla GNAM. Grazie a un accordo di collaborazione con il prestigioso Museo d'Orsay, a Parigi, che ospita la più importante collezione di opere d'arte della seconda metà dell'ottocento e in particolare dell'impressionismo, Sylvie Patry e Leïla Jarbouai approfondiscono il cambiamento forse più importante per il ritratto femminile nell'era moderna: la conquista di uno spazio autonomo da parte di artiste donne come Berthe Morisot, tra i fondatori del movimento impressionista, grazie alle quali finalmente acquista diritto di cittadinanza nel mondo dell'arte lo sguardo delle donne sulle donne. Anche tra i pionieri della fotografia, più o meno negli stessi anni, si possono annoverare diverse donne, come per esempio Julia Margaret Cameron, che, secondo Federica Muzzarelli, docente di Storia della Fotografia all'Università di Bologna, colgono con sorprendente rapidità e originalità le potenzialità proprie del nuovo mezzo, forse approfittando proprio della loro marginalità rispetto al mondo ufficiale della cultura e dell'arte.Il documentario, scritto da Linda Tugnoli e prodotto da Mark in video in collaborazione con Rai Cultura, è stato girato in Italia e in Francia integrando in modo sperimentale le tradizionali tecniche di ripresa e di grafica con tecniche di animazione con intelligenza artificiale. Art NightIndagini sull'autoritrattoViviamo nell'era del selfie: l'ultimo decennio ha visto la costruzione di un nuovo io, idealizzato, esibito e condiviso sui social; dappertutto nascono musei del selfie che predispongono sfondi appositi perché non ci basta più collezionare immagini di noi nel mondo. Secondo alcuni, questa nuova identità digitale rischia di svuotarci della nostra interiorità. L'arte è un punto di osservazione privilegiato su questo aspetto del mondo contemporaneo. Lo racconta “Indagini sull'autoritratto”, in onda in prima visione per l'Art Night di Neri Marcorè mercoledì 28 maggio alle 21.15 su Rai 5.L'autoritratto ha uno statuto assolutamente particolare all'interno della storia dell'arte: si trova all'intersezione di almeno tre elementi centrali: l'artista, la sua arte e la sua persona, intesa nel doppio significato del personaggio pubblico che l'artista intende mettere in scena e dell'individuo con la sua verità, con i suoi tratti distintivi, fisiognomici e caratteriali. Il compito di creare un proprio volto che resterà per sempre può far vacillare l'artista più sicuro di sé. A volte le facce non sono giuste, non hanno l'aspetto che dovrebbero avere: Van Dick, autore di austeri ritratti di nobili e di reali, sembra un bambino biondo; Delacroix così appassionato, così romantico, ha due baffetti a spazzola sotto un naso un po' antipatico; Degas ha un'aria un po' imbambolata; Rembrandt, nella serie di autoritratti più formidabile della storia dell'arte, non riesce a decidersi nemmeno sul suo colore d'occhi o di capelli, ma ci rivela che l'identità individuale è mutevole, come sono mutevoli le alterne fortune della vita e i segni che lo scorrere del tempo lascia sul corpo.C'è differenza tra un selfie e un autoritratto? Questo è stato il punto di partenza di questo viaggio, a Parigi, insieme a Dominique Cardon, sociologo del Médialab dell'università di SciencesPo.Il documentario, scritto da Linda Tugnoli e prodotto da Mark in video in collaborazione con Rai Cultura, è stato girato in Italia e in Francia integrando in modo sperimentale tecniche di animazione con intelligenza artificiale alle tradizionali tecniche di ripresa e di grafica.Linda Tugnoli vive tra Roma – dove lavora come autrice e regista di documentari, soprattutto per la Rai – e la campagna sabina, dove abita in un casale con il marito, tre figli, un orto, una serra e svariati cani di grossa taglia che periodicamente devastano l'orto e la serra. Ha contratto anni fa quello che gli inglesi chiamano il bug del giardiniere: una spiccata tendenza a parlare troppo di piante e di fiori. La forma del ghiaccio è il terzo romanzo dedicato alle indagini del giardiniere Guido.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.
Well, here we are my friends, the 100th and final episode! We go back to where it all started, the National Gallery of Art, for a look at one of Pieter de Hooch's idealized depictions of what a Dutch household was supposed to be. This cozy home may have been more wishful thinking than reality, though! We'll find out how an embarrassing meeting helped create the Gallery! And I'll share final thoughts and thank yous and a few podcast recommendations I think you'll really like (listed below). If you want to follow along, you can find it here on the Gallery's site SHOW NOTES “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/ Episode Music “The Well Tempered Clavier, Book I, BWV 846-869 - Prelude No. 19 in A major, BWV 864” composed by Johann Sebastian Bach. Performed by Kimiko Ishizaka. Courtesy of musopen.org https://musopen.org/music/43466-the-well-tempered-clavier-book-i-bwv-846-869 “Hand in Space” by Quantum Jazz https://archive.org/details/jamendo-046377 Artwork information https://www.nga.gov/artworks/1172-bedroom https://www.nga.gov/research/publications/online-editions/dutch-paintings-seventeenth-century-bedroom-16581660 Pieter de Hooch information “Pieter de Hooch, 1629-1684” by Peter C. Sutton (Archive.org) https://archive.org/details/pieterdehooch16200sutt https://www.theartstory.org/artist/de-hooch-pieter https://en.wikipedia.org/wiki/Pieter_de_Hooch “Public and Private Life in the Art of Pieter de Hooch” by Martha Hollander (JSTOR) Nederlands Kunsthistorisch Jaarboek (NKJ) / Netherlands Yearbook for History of Art 51 (2000): 272–93. https://www.jstor.org/stable/24706499 Women in Dutch life “The Embarrassment of Riches” by Simon Schama (Bookshop.org) Gallery history https://www.nga.gov/about-us/our-history https://www.doaks.org/resources/cultural-philanthropy/national-gallery-of-art “America's National Gallery of Art” by Philip Kopper (Internet Archive) https://archive.org/details/americasnational0000kopp/americasnational0000kopp Jazz in the Garden https://www.nga.gov/calendar/jazz-garden “The Mill” by Rembrandt https://www.nga.gov/artworks/1201-mill The Object Podcast--Minneapolis Institute of Art https://new.artsmia.org/the-object-podcast The Modern Art Notes Podcast https://manpodcast.com Tyler Greene presents in-depth discussions with artists about their practice and curators about current shows for a fascinating look at today's art world. Immaterial https://www.metmuseum.org/perspectives/series/immaterial-podcast The Metropolitan of Art's limited series podcast tells us surprising stories about the stuff art is made from. Transcript available at https://alonglookpodcast.com/bedroom-de-hooch
Fluent Fiction - Dutch: Discovering Hidden Histories: A Day at the Rijksmuseum Find the full episode transcript, vocabulary words, and more:fluentfiction.com/nl/episode/2025-05-12-22-34-02-nl Story Transcript:Nl: De zon scheen helder boven Amsterdam.En: The sun shone brightly over Amsterdam.Nl: Het was een perfecte lentedag voor een schoolreisje.En: It was a perfect spring day for a school trip.Nl: Sanne, Koen en Jelle stapten het Rijksmuseum binnen.En: Sanne, Koen, and Jelle stepped into the Rijksmuseum.Nl: De grote hallen waren gevuld met bezoekers.En: The large halls were filled with visitors.Nl: De voetstappen en zachte stemmen echoden door de gangen.En: The footsteps and soft voices echoed through the corridors.Nl: Sanne voelde een lichte spanning.En: Sanne felt a slight thrill.Nl: Ze wilde iets bijzonders ontdekken, iets dat haar kunstleraar zou imponeren.En: She wanted to discover something special, something that would impress her art teacher.Nl: Maar ze wilde ook plezier maken met haar vrienden.En: But she also wanted to have fun with her friends.Nl: Koen duwde haar speels aan.En: Koen playfully nudged her.Nl: "Kom op, Sanne!En: "Come on, Sanne!Nl: Tijd om te genieten, geen huiswerk vandaag!"En: It's time to enjoy, no homework today!"Nl: Jelle liep rustig naast hen.En: Jelle walked calmly beside them.Nl: Hij hield van geschiedenis en genoot van de kunst om hem heen.En: He loved history and enjoyed the art around him.Nl: Stiekem hoopte hij dat dit uitje hem dichter bij Sanne zou brengen.En: Secretly, he hoped this outing would bring him closer to Sanne.Nl: De groep stopte bij de Nachtwacht van Rembrandt.En: The group stopped at Rembrandt's Night Watch.Nl: Het was indrukwekkend.En: It was impressive.Nl: Toch, terwijl iedereen keek, vroeg Sanne zich af.En: Yet, while everyone was looking, Sanne wondered.Nl: Was er iets dat anderen niet zagen?En: Was there something that others didn't see?Nl: Haar nieuwsgierigheid won het van haar zorgen.En: Her curiosity won over her concerns.Nl: "Ik ga even rondkijken," zei Sanne plots.En: "I'm going to take a look around," Sanne suddenly said.Nl: Koen rolde met zijn ogen, maar Jelle keek nieuwsgierig op.En: Koen rolled his eyes, but Jelle looked on curiously.Nl: Sanne liep door de galerijen.En: Sanne walked through the galleries.Nl: Elk schilderij had een verhaal, maar één trok haar aandacht.En: Each painting had a story, but one caught her attention.Nl: Het was een kleine scène in een hoek van een groot tableau.En: It was a small scene in the corner of a large tableau.Nl: Ze herkende iets bekend - een symbool uit een geschiedenisboek dat ze onlangs had gelezen.En: She recognized something familiar—a symbol from a history book she had read recently.Nl: Ze keek dichterbij.En: She looked closer.Nl: Het verband tussen het schilderij en een belangrijke historische gebeurtenis werd duidelijk.En: The connection between the painting and an important historical event became clear.Nl: Het had te maken met een vergeten veldslag, iets wat zelfs haar leraar niet had verteld.En: It had to do with a forgotten battle, something even her teacher hadn't mentioned.Nl: Met opwinding zocht Sanne naar haar leraar.En: Excitedly, Sanne searched for her teacher.Nl: "Mevrouw de Vries!En: "Ms. de Vries!Nl: Kijk hier, volgens mij heeft dit detail te maken met de Slag bij Nieuwpoort."En: Look here, I think this detail is related to the Battle of Nieuwpoort."Nl: Haar leraar kwam snel kijken en knikte goedkeurend.En: Her teacher quickly came over and nodded approvingly.Nl: "Goed gezien, Sanne!En: "Well spotted, Sanne!Nl: Dit is echt bijzonder."En: This is really special."Nl: Jelle had haar gevolgd en luisterde aandachtig.En: Jelle had followed her and listened intently.Nl: "Sanne, dat is echt knap van je," zei hij met een glimlach.En: "Sanne, that's really impressive," he said with a smile.Nl: Terug bij Koen voelde Sanne zich schuldig.En: Back with Koen, Sanne felt guilty.Nl: Ze had hem alleen gelaten.En: She had left him alone.Nl: "Sorry, Koen.En: "Sorry, Koen.Nl: Maar ik wil je alles laten zien wat ik heb gevonden."En: But I want to show you everything I've found."Nl: Koen lachte.En: Koen laughed.Nl: "Laten we samen de rest van het museum ontdekken, en misschien nog een geheim vinden?"En: "Let's discover the rest of the museum together, and maybe find another secret?"Nl: Sanne leerde iets belangrijks die dag.En: Sanne learned something important that day.Nl: Het volgen van haar instincten bracht haar verder.En: Following her instincts took her further.Nl: En het beste was dat ze ontdekte dat echte vriendschap waarde daardoor alleen maar groeide.En: And the best part was discovering that true friendship only grew in value because of it.Nl: In de middag verlieten ze het Rijksmuseum, de zon nog steeds vriendelijk stralend.En: In the afternoon, they left the Rijksmuseum, the sun still shining kindly.Nl: En in haar hart wist Sanne dat ze niet alleen kunst, maar ook nieuwe vriendschappen had ontdekt.En: And in her heart, Sanne knew she had discovered not only art but also new friendships. Vocabulary Words:thrill: spanningdiscover: ontdekkenimpress: imponerenplayfully: speelsnudge: duwencalmly: rustigenjoyed: genootouting: uitjecorridors: gangenechoed: echodencuriosity: nieuwsgierigheidconcerns: zorgenwondered: vroeg zich afgalleries: galerijensymbol: symboolconnected: verbondenhistorical: historischebattle: veldslagforgotten: vergetennodded: knikteapprovingly: goedkeurendfollowed: gevolgdintently: aandachtigguilty: schuldiginstincts: instinctenvalue: waardesecretly: stiekemscene: scènelook closer: keek dichterbijexcitedly: met opwinding
Post-war wanderings and pilgrimages of the heart, a Rembrandt double-portrait and a poem for Béaltaine, with Denis Tuohy, Clare O'Dea, Barbara Leahy, Kerry Neville, Alan Cook and Lani O'Hanlon
On the quiet Labour Day weekend of 1972, three masked men executed a daring heist at the Montreal Museum of Fine Arts. Scaling a tree and slipping through a skylight under repair, they descended into the museum, subdued the guards, and made off with 18 paintings and 39 pieces of jewelry—valued at $2 million at the time, making it the largest art theft in Canadian history.Among the stolen works was a rare Rembrandt landscape, along with pieces by Delacroix, Rubens, and Millet.Despite ransom negotiations and extensive investigations, only two items have ever been recovered, and the culprits remain unidentified.All our links:https://bio.to/canboringThis podcast is hosted two idiots and created purely for entertainment purposes. By accessing this Podcast, I acknowledge that the CIB Podcast makes no warranty, guarantee, or representation as to the accuracy or sufficiency of the information featured in this Podcast. The information, opinions presented in this Podcast are for general entertainment and humor only and any reliance on the information provided in this Podcast is done at your own risk. However, if we get it badly wrong and you wish to suggest a correction, please email canadianpoliticsisboring@gmail.com Hosted on Acast. See acast.com/privacy for more information.
In this episode, I dig into a question that's always lurking in the back of a portrait photographer's mind – what really makes light flattering? It's a term we all use, but what does it actually mean? Is it just about soft shadows and low contrast, or is it more about the connection between the subject and the photographer? I talk through this while reflecting on a busy week – from a stunning wedding at Head Saw House to a corporate shoot for Barclays, and a spontaneous portrait session that reminded me why I love this job. I also share some thoughts on the updated Mastering Portrait Photography book, which hits shelves in September, complete with fresh images and a whole new chapter on AI post-production. If you've ever wondered what makes a light truly flattering – and why it's about more than just the gear – this episode is for you. And as always, wherever you are and whatever you're doing, be kind to yourself. Cheers P. If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode. PLEASE also subscribe and leave us a review - we'd love to hear what you think! If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk. Transcript Well, as I sit here in the studio, the sun is shining in through the windows and it's been a beautiful, beautiful week. I started it with a trip down to Devon with the in-laws. One great thing about being married to Sarah, whose family are from Plymouth, there are many great things about being married to Sarah. But one of the ones, in terms of geography, at least, is her family still lived down in Plymouth, in Devon, by the sea. So it was absolutely glorious to spend a couple of days down there walking the dog, drinking a beer, enjoying the sunshine, and the sun is still shining here right now. And on that happy note, I'm Paul. I'm very much looking forward to a barbecue, and this is the Mastering Portrait
Imagine if Jesus taught a bible study.....
May 3rd: Elsje Christiaens Executed (1664) There are some crimes that, though very little information exists, will be remembered for centuries to come. On May 3rd 1664 an execution took place in Amsterdam. One that drew a lot of attention. Including that of a famed artist. https://en.wikipedia.org/wiki/Elsje_Christiaens, https://www.metmuseum.org/art/collection/search/343628, https://andrejabrulc.wordpress.com/tag/elsje-christiaens/, https://www.executedtoday.com/2013/05/03/1664-elsje-christiaens-rembrandt-model/, https://www.metmuseum.org/art/collection/search/343628#:~:text=Elsje%20Christiaens%2C%20an%2018%2Dyear,her%20down%20the%20cellar%20stairs., https://harvardartmuseums.org/collections/object/298562 Learn more about your ad choices. Visit megaphone.fm/adchoices
Annamaria Bava"Da Botticelli a Mucha"Sale Chiablese, Musei Reali di TorinoNelle Sale Chiablese dei Musei Reali di Torino, la mostra DA BOTTICELLI A MUCHA. Bellezza, Natura, Seduzione, un viaggio nella seduzione e nella bellezza espresse attraverso il mito, la natura e l'universo femminile, da sempre principali soggetti della creazione artistica.Con oltre 100 opere tra dipinti, disegni, sculture antiche e oggetti d'arte provenienti dai Musei Reali di Torino, dalle Gallerie degli Uffizi e da molte altre prestigiose istituzioni, la mostra spazia da magnifiche statue e bassorilievi archeologici di età romana, passando da Botticelli e Lorenzo di Credi – di cui vengono messi a confronto due incredibili capolavori – proseguendo con opere rinascimentali; un excursus per temi che toccano il mito, il fascino dell'antico, la natura e l'universo femminile, fino ad arrivare all'inizio del Novecento con la seduzione delle opere di Alphonse Mucha, maestro dell'Art Nouveau.Tra i capolavori in mostra, la Venere di Botticelli della Galleria Sabauda e la Dama con l'unicorno di Luca Longhi da Castel Sant'Angelo.La mostra contiene anche preziosi focus su figure femminili straordinarie quali la Contessa di Castiglione, figura emblematica di fine Ottocento, nobildonna di rara bellezza e seducente agente segreto, o ancora principesse e regine di Casa Savoia.Vengono anche svelate, per la prima volta, le indagini diagnostiche realizzate sulla Venere di Botticelli, da cui si potranno scoprire i pensieri e i ripensamenti dell'artista.Contestualmente, ospite d'onore della mostra, lo splendido Volto di fanciulla, disegno autografo di Leonardo da Vinci realizzato tra il 1478 e il 1485 circa, proveniente dalla Biblioteca Reale ed esposto nel nuovo Spazio Leonardo al primo piano della Galleria Sabauda.Prodotta dai Musei Reali di Torino e da Arthemisia, la mostra è curata da Annamaria Bava.Anna Maria Bava, ha conseguito il dottorato di ricerca in Storia e critica d'Arte e il post-dottorato di ricerca in Storia dell'arte moderna presso l'Università di Torino. Nel 1999 è diventata funzionario della Soprintendenza per i Beni Storici Artistici ed Etnoantropologici del Piemonte. Dal 2011 è direttrice della Galleria Sabauda e ha curato il riordinamento dei nuovi settori a partire dal 2017. Ha pubblicato numerosi saggi, in particolare sul caravaggismo, sull'arte piemontese e sul collezionismo sabaudo tra il Cinquecento e il Settecento e ha curato diverse mostre in Italia e all'estero fra cui, tra le ultime, Le meraviglie del mondo: le collezioni di Carlo Emanuele I di Savoia; Van Dyck pittore di corte; Rubens. Capolavori d'arte dei Musei Italiani; Riccardo Gualino imprenditore e collezionista; Sulle tracce di Raffaello nelle collezioni sabaude; Le Signore dell'Arte. Storie di donne tra ‘500 e ‘600; Rembrandt incontra Rembrandt. Dialoghi in Galleria.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.
Das Augustinermuseum zeigt in „Alter!“ 77 Grafiken aus fünf Jahrhunderten und fragt: Wie haben Künstlerinnen und Künstler im Laufe der Zeit das Alter thematisiert? Unter anderem mit Druckgrafiken von Rembrandt, van Rijn, Erich Heckel, Käthe Kollwitz und Pablo Picasso.
Elsbeth Gruteke gaat in deze aflevering van Alle Registers Open in gesprek met één van de twee organisten van de Bovenkerk in Kampen: Gerwin van der Plaats. Gerwin is een duizendpoot; naast het geven van orgelconcerten is hij dirigent, heeft hij een geluidsopnamebedrijf, organiseert hij fundraisingbijeenkomsten en doet hij nog veel meer. Gerwin heeft twee missies: het orgel populair maken bij de jeugd en zijn geloof uitdragen door middel van z'n muziek. Voor hem kan de muziek niet zonder het geloof...
Read OnlineWhen Jesus had risen, early on the first day of the week, he appeared first to Mary Magdalene, out of whom he had driven seven demons. Mark 16:9The first person recorded in Scripture to whom Jesus appeared was Mary Magdalene. Notably, she was the one out of whom Jesus cast seven demons. Being possessed by seven demons has traditionally been understood to mean that she was completely possessed. Prior to Jesus freeing her, satan and His demons had completely taken over her will by her free submission to evil. And yet, it was to her, a woman with such a horrible past, that Jesus chose to give the honor of His first appearance. What an amazing fact!Everyone has a past. Some have been grave sinners. Others, like Saint Thérèse of Lisieux, have never committed a mortal sin. Obviously, the beauty of a soul like Saint Thérèse is deeply admirable, and such a soul will be greatly rewarded in Heaven. But what about the grave sinner? What about those like Mary Magdalene who have lived horribly sinful lives? What does our Lord think about them?The fact that Mary Magdalene is the first person recorded in Scripture to have seen the risen Lord should tell us much about how Jesus views a person who has greatly struggled with serious sin but has later overcome that sin and turned wholeheartedly to our Lord. Sin is demoralizing. When unrepented, it leaves a loss of dignity and integrity. However, even after one has repented, some people will continue to struggle with unhealthy guilt and shame. And for some, these struggles can become a weapon by which the evil one tries to discourage them from feeling worthy to serve our Lord with zeal and passion.But the truth in the mind of God is that repentant sinners are true jewels and beautiful in the eyes of our Lord. They are worthy of the greatest honors. God does not dwell on our past sin. Instead, our past sin, when it has been repented of and forgiven, will be an eternal sign of the love and mercy of God.How do you deal with your past sin? First, have you completely acknowledged it, repented of it and sought forgiveness from our Lord? If so, does it still haunt you? Does the evil one still try to remind you of your past and strip away your hope in the mercy of God? Reflect, today, upon the most grievous of your past sins. If you haven't yet confessed them, then do so as soon as you can. If you have, try to see your soul through the eyes of God. God does not see your past sins with anger and disgust. Rather, He sees only the depth of your conversion, sorrow and repentance. And, to Him, this is holy and beautiful. Ponder the beauty of your repentant heart and know that, as you do, you will be looking at your own heart through the eyes of God.My most merciful God, You love the sinner and hate the sin. You love me in ways that are beyond my understanding. Help me to understand how deeply You love my heart when I completely repent. And help me to see my heart only through Your eyes. I thank You for Your love and mercy, dear Lord. Help me to love You all the more. Jesus, I trust in You.Rembrandt, Public domain, via Wikimedia CommonsSource of content: catholic-daily-reflections.comCopyright © 2025 My Catholic Life! Inc. All rights reserved. Used with permission via RSS feed.
Did you know the story of Easter can be told by looking at three Gardens? Join us as Pastor Frank explores new life in gardens.
dorian bindels / eddy zoëy / wouter koolmees / jan paternotte / paasvuur
This chapter, immortalized in a historic painting by Rembrandt, tells how Belshazzar, drinking at a royal feast from the Temple vessels, is startled by the appearance of a hand, writing an indecipherable script on the wall of the banquet hall. Why could he not read it? What did it mean? And what is the meaning of this enigmatic story?
Have you thought about where you would paint yourself in the Easter Story? Join us a Pastor Frank explores the options.
An artist's job is to create works that attract attention or evoke emotion -- a dramatic story, a colorful moment, or an inspiring person. It's no wonder that throughout history, painters and sculptors have chosen to depict Jesus; He makes great subject matter for art. Leonardo da Vinci, Michelangelo, Donatello, Rembrandt, and thousands more have helped us visualize the life, ministry, and miracles of Christ. Join Horizon for The Master's Touch as we examine some of history's greatest masterpieces and the powerful Biblical moments that inspired them.
Join us for this unique look into the Easter events. Join us as Pastor Frank shares Rembrandt's unique perspective on Jesus and the events of Passion Week.
What did Peter and Judas have in common? What was the one thing that separated them in the eyes of Jesus? Join us as Pastor Frank explores this relationship and the manner in which Rembrandt brought those images to his audience.
We invite you to come with us inside one of America's most interesting art museums – an institution that is BOTH an art gallery and a historic home.This is The Frick Collection, located at 1 East 70th Street, within the former Fifth Avenue mansion of Gilded Age mogul Henry Clay Frick, containing many pieces that the steel titan himself purchased, as well as many other incredible works of art from master painters such as Rembrandt, Vermeer, Goya, Turner, and Whistler.Frick himself had a rather complicated legacy. As a master financier and chairman of Andrew Carnegie's massive steel enterprise, Frick helped create the materials for America's railroads and bridges. But his intolerance of labor unions led to a bloody confrontation in the summer of 1892, making him, for a time, one of the most hated men in America.New Yorkers' love for the Frick Collection, however, remains far less complicated. The institution, which as been a museum since 1935, allows visitors to experience the work of the great master painters in an often regal and intimate setting, allowing people to imagine the fanciful life of the Gilded Age. The Frick Collection reopens this month after an extensive renovation (temporarily relocating the collection to the Breuer Buildiing for a few years) and we've got a sneak preview, featuring Frick curator and art historian Aimee Ng.
Chris heeft last van 'telefonie', kijkt naar een zelfportret van Rembrandt, belt met dierenarts/detective Femke van Walbeek en hoort van ChatGPT dat hij vier afleveringen heeft gemaakt waarvan hij zélf het bestaan nog niet wist.Heb je een verhaal bij een van de volgende titels mail me dan op: manmetdemicrofoon@gmail.comDe man met de te lange armenDe geit in de liftDe radio die vanzelf aangaatDe buren ruiken mosterdDit is het Instagram-account van Man met de microfoon.Wil je lid worden of een eenmalige donatie doen via petjeaf.com dan kan dat: hierEenmalig overmaken kan ook naar: NL37 INGB 0006 8785 94 van Stichting Man met de microfoon te Amsterdam.Wil je adverteren, dan kun je een mailtje sturen naar: adverteren@dagennacht.nlZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.
An artist's job is to create works that attract attention or evoke emotion -- a dramatic story, a colorful moment, or an inspiring person. It's no wonder that throughout history, painters and sculptors have chosen to depict Jesus; He makes great subject matter for art. Leonardo da Vinci, Michelangelo, Donatello, Rembrandt, and thousands more have helped us visualize the life, ministry, and miracles of Christ. Join Horizon for The Master's Touch as we examine some of history's greatest masterpieces and the powerful Biblical moments that inspired them.
An artist's job is to create works that attract attention or evoke emotion -- a dramatic story, a colorful moment, or an inspiring person. It's no wonder that throughout history, painters and sculptors have chosen to depict Jesus; He makes great subject matter for art. Leonardo da Vinci, Michelangelo, Donatello, Rembrandt, and thousands more have helped us visualize the life, ministry, and miracles of Christ. Join Horizon for The Master's Touch as we examine some of history's greatest masterpieces and the powerful Biblical moments that inspired them.
An artist's job is to create works that attract attention or evoke emotion -- a dramatic story, a colorful moment, or an inspiring person. It's no wonder that throughout history, painters and sculptors have chosen to depict Jesus; He makes great subject matter for art. Leonardo da Vinci, Michelangelo, Donatello, Rembrandt, and thousands more have helped us visualize the life, ministry, and miracles of Christ. Join Horizon for The Master's Touch as we examine some of history's greatest masterpieces and the powerful Biblical moments that inspired them.
THIS EPISODE BROUGHT TO YOU BY: You'll notice that there's no sponsor in this episode. We'd love it if you'd consider supporting on Patreon. PATREON - patreon.com/nodumbquestions NDQ EMAIL LIST - https://www.nodumbquestions.fm/email-list STUFF IN THIS EPISODE: Inklings Book Club Lester Del Rey The Runaway Robot by Lester Del Rey Trap Door Spiders book club Van Gogh Has a Broken Heart by Russ Ramsey Vincent Van Gogh The Art Thieves by Rooktown Salvador Dalí - The Persistence of Memory Dalí Museum The Banjo Lesson by Henry Ossawa Tanner John J. Audubon's Birds of America Haystacks by Claude Monet The Voyage of Life by Thomas Cole Nighthawks by Edward Hopper The Return of the Prodigal Son by Rembrandt Andy Goldsworthy M.C. Escher CONNECT WITH NO DUMB QUESTIONS: Support No Dumb Questions on Patreon if that sounds good to you Discuss this episode here NDQ Subreddit Our podcast YouTube channel Our website is nodumbquestions.fm No Dumb Questions Twitter Matt's Twitter Destin's Twitter SUBSCRIBE LINKS: Subscribe on iTunes Subscribe on Android OUR YOUTUBE CHANNELS ARE ALSO FUN: Matt's YouTube Channel (The Ten Minute Bible Hour) Destin's YouTube Channel (Smarter Every Day)
In this first episode of the new series of A brush with…, Ben Luke talks to the painter Celia Paul about her influences—including writers as well as contemporary and historic artists—and the cultural experiences that have shaped her life and work. Paul was born in 1959 in Trivandrum, India, and now lives in London. She makes intense yet ruminative paintings of people close to her, the spaces in which she lives and works, and landscapes of poignant significance. Her paintings are made from life but are pregnant with memory, poetry and emotion, which she imbues in her distinctive painterly language. Her art possesses a rare tranquillity in which one perceives deep feeling; Paul wrote in her memoir that her paintings are “so private and personal that there's almost a ‘Keep Out' sign in front of them”. At once a singular figure yet also connected to strands of recent and historic figurative painting in Britain, she has been admired widely throughout her career but only recently been recognised as a major figure in British art of the past 40 years. She discusses the fact that she began painting before she knew about art, but when she was introduced to Old and Modern Masters, she discovered El Greco and Paul Cezanne, who remain important to her today. She also reflects on the compassion in Rembrandt and Vincent van Gogh, the stillness and scale of Agnes Martin and the elementary power of the novels of the Brontë sisters. She also describes her response in painting to the artists of the School of London, including Lucian Freud, with whom she was once in a relationship, and Frank Auerbach.Celia Paul: Colony of Ghosts, Victoria Miro, London, until 17 April 2025. Celia Paul: Works 1975–2025, published by MACK, £150 (hb) Hosted on Acast. See acast.com/privacy for more information.
An artist's job is to create works that attract attention or evoke emotion -- a dramatic story, a colorful moment, or an inspiring person. It's no wonder that throughout history, painters and sculptors have chosen to depict Jesus; He makes great subject matter for art. Leonardo da Vinci, Michelangelo, Donatello, Rembrandt, and thousands more have helped us visualize the life, ministry, and miracles of Christ. Join Horizon for The Master's Touch as we examine some of history's greatest masterpieces and the powerful Biblical moments that inspired them.
An artist's job is to create works that attract attention or evoke emotion -- a dramatic story, a colorful moment, or an inspiring person. It's no wonder that throughout history, painters and sculptors have chosen to depict Jesus; He makes great subject matter for art. Leonardo da Vinci, Michelangelo, Donatello, Rembrandt, and thousands more have helped us visualize the life, ministry, and miracles of Christ. Join Horizon for The Master's Touch as we examine some of history's greatest masterpieces and the powerful Biblical moments that inspired them.
patreon.com/eidolonplaytest Private message from xXx[FinDom]xXx to Heartbreaker2196 (2:40a LST): both to preserve the ideals of free speech on this forum and in the vain hope that you and the rest of your clique might one day develop a modicum of media literacy, i have consistently chosen to debate you in full view of the rest of thread's participants. however, that shit you said about Kia Soul in your last post went way too far. if you want to be wrong about Starelia then fine, go for it. if loving a ship that's the literary equivalent of a soylent cube makes you happy, who am i to tell you to seek out something more exciting and emotionally complex. but you do not insult Aurelia's actress. she has fewer lines compared to the other major characters because the writers and directors know she's actually capable of using body language and tone of voice to show instead of tell. she has subtlety and range. she's done stageplays. she is quite simply objectively better at her job than anyone else. you know what John Deere was doing before he got the role for Rembrandt? "starring" in commercials for hot pockets where they recorded slow-mo footage of a microwave being shot with an anti-materiel rifle. he wasn't even firing the rifle. he just said "whoa" a lot. i'll expect your apology and correction in the thread shortly. CREDITS: Iris Christianson as Trace Vector Tyberius Wilson as Bridgerton Larch Crystal Zaslavchik as Leila Marino Zoe Tunnell as Genevieves St. Cloud Luke Varner as The GM Additional Voices by Fabby Garza, Molly Rhinebeck, Lexi Waltner, and Mike Painter MUSIC BY MAXIE KNIGHTLEY EDITED BY LUKE VARNER CONTENT WARNING: This episode contains discussions of animal cruelty and gender dysphoria, as well as depictions of existential horror, unethical therapeutic treatment, and toxic sexual dynamics. Buy our book at bit.ly/eidolon2e!
Episode No. 697 features curator Sarah Humphreville and author Marisa Anne Bass. With Eric Crosby, Humphreville is the co-curator of "Gertrude Abercrombie: The Whole World is a Mystery." The exhibition survey's Abercrombie's synthesis of surrealism, landscape, portraiture and still-life, and is the most comprehensive presentation of the artist's work to date. It is at the Carnegie Museum of Art, Pittsburgh through June 1 before traveling to the Colby College Museum of Art. An excellent catalogue was published by the Carnegie and DelMonico Books. Amazon and Bookshop offer it for $50-55. Bass is the author of The Monument's End: Public Art and the Modern Republic, which was recently released by Princeton University Press. The book finds the origin of many of today's questions around monuments and memory within the early modern Netherlands. Among the artists Bass discusses are Rembrandt, Dirck van Delen, Hendrick de Keyser, Spencer Finch, Thomas Hirschhorn, and more. Bass is a professor at Yale University. Her previous books include Insect Artifice: Nature and Art in the Dutch Revolt and Jan Gossart and the Invention of Netherlandish Antiquity. Amazon and Bookshop offer "The Monument's End" for $20-42. Instagram: Sarah Humphreville, Marisa Bass, Tyler Green.
Longtime Boston Globe reporter Stephen Kurkjian joins "Mind Over Murder" hosts Bill Thomas and Kristin Dilley to talk about his book, "Master Thieves: The Boston Gangsters Who Pulled Off the World's Greatest Art Heist." This is Part 1 of our discussion with Steve about the 1990 theft of 13 masterworks taken from the Isabella Stewart Gardner Museum, still not recovered after 34 years. This bonus report originally ran on May 2, 2024.Master Thieves The Boston Gangsters Who Pulled Off the World's Greatest Art Heisthttps://www.hachettebookgroup.com/titles/stephen-kurkjian/master-thieves/9781610396325/?lens=publicaffairsWon't you help the Mind Over Murder podcast increase our visibility and shine the spotlight on the "Colonial Parkway Murders" and other unsolved cases? Contribute any amount you can here:https://www.gofundme.com/f/mind-over-murder-podcast-expenses?utm_campaign=p_lico+share-sheet&utm_medium=copy_link&utm_source=customerMaster Thieves: The Boston Gangsters Who Pulled Off the World's Greatest Art Heisthttps://www.amazon.com/Master-Thieves-Gangsters-World%C2%92s-Greatest/dp/1610394232/ref=tmm_hrd_swatch_0?_encoding=UTF8&dib_tag=se&dib=eyJ2IjoiMSJ9.BNHWYmLg3KykJTDhUai9iCN7ujPKVK66cvLTOp8KrPCeP2MeX-9yHsvBvfYsU3F4XB_CXnWVAVRlSeRNoEIvzG8gLXHaRAA_GMs-XwVmJIgG17o0Bp0MzeJBlMDkA4LG.NsYOlLoZ1dGseIZXWxz74bmRLd6B-h7sXKQmjuZ_Gqw&qid=1714350441&sr=8-1WTVR CBS News: Colonial Parkway murders victims' families keep hope cases will be solved:https://www.wtvr.com/news/local-news/colonial-parkway-murders-update-april-19-2024WAVY TV 10 News: New questions raised in Colonial Parkway murders:https://www.wavy.com/news/local-news/new-questions-raised-in-colonial-parkway-murders/WTKR News 3: Colonial Parkway Murders podcast records in Yorktown:https://www.wtkr.com/news/in-the-community/historic-triangle/colonial-parkway-murders-podcast-records-in-yorktownWVEC 13 News Now: Live Podcast to Discuss Colonial Parkway Murders Monday in Yorktownhttps://www.13newsnow.com/article/news/crime/true-crime/live-podcast-to-discuss-colonial-parkway-murders-monday-yorktown/291-601dd2b9-d9f2-4b41-a3e1-44bce6f9f6c6Alan Wade Wilmer Sr. has been named as the killer of Robin Edwards and David Knobling in the Colonial Parkway Murders in September 1987, as well as the murderer of Teresa Howell in June 1989. He has also been linked to the April 1988 disappearance and likely murder of Keith Call and Cassandra Hailey, another pair in the Colonial Parkway Murders.13News Now investigates: A serial killer's DNA will not be entered into CODIS database:https://www.13newsnow.com/video/news/local/13news-now-investigates/291-e82a9e0b-38e3-4f95-982a-40e960a71e49WAVY TV 10 on the Colonial Parkway Murders Announcement with photos:https://www.wavy.com/news/crime/deceased-man-identified-as-suspect-in-decades-old-homicides/WTKR News 3https://www.wtkr.com/news/is-man-linked-to-one-of-the-colonial-parkway-murders-connected-to-the-other-casesVirginian Pilot: Who was Alan Wade Wilmer Sr.? Man suspected in two ‘Colonial Parkway' murders died alone in 2017https://www.pilotonline.com/2024/01/14/who-was-alan-wade-wilmer-sr-man-suspected-in-colonial-parkway-murders-died-alone-in-2017/Colonial Parkway Murders Facebook page with more than 18,000 followers: https://www.facebook.com/ColonialParkwayCaseYou can also participate in an in-depth discussion of the Colonial Parkway Murders here:https://earonsgsk.proboards.com/board/50/colonial-parkway-murdersMind Over Murder is proud to be a Spreaker Prime Podcaster:https://www.spreaker.comJoin the discussion on our Mind Over Murder and Colonial Parkway Murders pages on Facebook.Mind Over Murder on Facebook: https://www.facebook.com/mindoverpodcastYou can also participate in an in-depth discussion of the Colonial Parkway Murders here:https://earonsgsk.proboards.com/board/50/colonial-parkway-murdersFollow Othram's DNA Solves: You can help solve a case. Help fund a case or contribute your DNA. Your support helps solve crimes, enable the identification of John & Jane Does, and bring closure to families. Joining is fast, secure, and easy.https://dnasolves.com/Daily Beast: "Inside the Maddening Search for Virginia's Colonial Parkway Serial Killer" By Justin Rohrlichhttps://www.thedailybeast.com/what-happened-to-cathleen-thomas-and-rebecca-dowski-inside-the-hunt-for-the-colonial-parkway-killerCitizens! Check out our new line of "Mind Over Murder" t-shirts and other good stuff !https://www.teepublic.com/stores/mind-over-murder-podcast?ref_id=23885Washington Post Op-Ed Piece by Deidre Enright of the Innocence Project:"The FBI should use DNA, not posters, to solve a cold-case murder" https://www.washingtonpost.com/opinions/2021/06/25/julie-williams-laura-winans-unsolved-murder-test-dna/Oxygen: "Loni Coombs Feels A Kinship To 'Lovers' Lane' Victim Cathy Thomas"Loni Coombs felt an immediate connection to Cathy Thomas, a groundbreaking gay woman who broke through barriers at the U.S. Naval Academy before she was brutally murdered along the Colonial Parkway in Virginia.https://www.oxygen.com/crime-news/loni-coombs-feels-a-kinship-to-colonial-parkway-victim-cathy-thomasYou can contribute to help "Mind Over Murder" do our important work:https://mindovermurderpodcast.com/supportFour one-hour episodes on the Colonial Parkway Murders are available on Oxygen as "The Lover's Lane Murders." The series is available on the free Oxygen app, Hulu, YouTube, Amazon, and many other platforms. https://www.oxygen.com/lovers-lane-murders Oxygen" "Who Were The Colonial Parkway Murder Victims? 8 Young People All Killed In Virginia Within 4 Years" https://www.oxygen.com/lovers-lane-murders/crime-news/who-were-the-colonial-parkway-murder-victims Washington Post Magazine: "Victims, Families and America's Thirst for True-Crime Stories." "For Bill Thomas, his sister Cathy's murder is a deeply personal tragedy. For millions of true-crime fans, it's entertainment." https://www.washingtonpost.com/news/magazine/wp/2019/07/30/feature/victims-families-and-americas-thirst-for-true-crime-stories/Daily Press excellent series of articles on the Colonial Parkway Murders: "The Parkway" http://digital.dailypress.com/static/parkway_cottage/main/index.htmlColonial Parkway Murders website: https://colonialparkwaymurders.com Mind Over Murder Podcast website: https://mindovermurderpodcast.comPlease subscribe and rate us at your favorite podcast sites. Ratings and reviews are very important. Please share and tell your friends!We launch a new episode of "Mind Over Murder" every Monday morning, and a bonus episode every Thursday morning.Sponsors: Othram and DNAsolves.comContribute Your DNA to help solve cases: https://dnasolves.com/user/registerFollow "Mind Over Murder" on Twitter: https://twitter.com/MurderOverFollow Bill Thomas on Twitter: https://twitter.com/BillThomas56Follow "Colonial Parkway Murders" on Facebook: https://www.facebook.com/ColonialParkwayCase/Follow us on InstaGram:: https://www.instagram.com/colonialparkwaymurders/Check out the entire Crawlspace Media network at http://crawlspace-media.com/All rights reserved. Mind Over Murder, Copyright Bill Thomas and Kristin Dilley, Another Dog Productions/Absolute Zero ProductionsBecome a supporter of this podcast: https://www.spreaker.com/podcast/mind-over-murder--4847179/support.
Longtime Boston Globe reporter Stephen Kurkjian joins "Mind Over Murder" hosts Bill Thomas and Kristin Dilley to talk about his book, "Master Thieves: The Boston Gangsters Who Pulled Off the World's Greatest Art Heist." This is Part 1 of our discussion with Steve about the 1990 theft of 13 masterworks taken from the Isabella Stewart Gardner Museum, still not recovered after 34 years. This bonus report originally ran on April 29, 2024.Master Thieves The Boston Gangsters Who Pulled Off the World's Greatest Art Heisthttps://www.hachettebookgroup.com/titles/stephen-kurkjian/master-thieves/9781610396325/?lens=publicaffairsWon't you help the Mind Over Murder podcast increase our visibility and shine the spotlight on the "Colonial Parkway Murders" and other unsolved cases? Contribute any amount you can here:https://www.gofundme.com/f/mind-over-murder-podcast-expenses?utm_campaign=p_lico+share-sheet&utm_medium=copy_link&utm_source=customerMaster Thieves: The Boston Gangsters Who Pulled Off the World's Greatest Art Heisthttps://www.amazon.com/Master-Thieves-Gangsters-World%C2%92s-Greatest/dp/1610394232/ref=tmm_hrd_swatch_0?_encoding=UTF8&dib_tag=se&dib=eyJ2IjoiMSJ9.BNHWYmLg3KykJTDhUai9iCN7ujPKVK66cvLTOp8KrPCeP2MeX-9yHsvBvfYsU3F4XB_CXnWVAVRlSeRNoEIvzG8gLXHaRAA_GMs-XwVmJIgG17o0Bp0MzeJBlMDkA4LG.NsYOlLoZ1dGseIZXWxz74bmRLd6B-h7sXKQmjuZ_Gqw&qid=1714350441&sr=8-1WTVR CBS News: Colonial Parkway murders victims' families keep hope cases will be solved:https://www.wtvr.com/news/local-news/colonial-parkway-murders-update-april-19-2024WAVY TV 10 News: New questions raised in Colonial Parkway murders:https://www.wavy.com/news/local-news/new-questions-raised-in-colonial-parkway-murders/WTKR News 3: Colonial Parkway Murders podcast records in Yorktown:https://www.wtkr.com/news/in-the-community/historic-triangle/colonial-parkway-murders-podcast-records-in-yorktownWVEC 13 News Now: Live Podcast to Discuss Colonial Parkway Murders Monday in Yorktownhttps://www.13newsnow.com/article/news/crime/true-crime/live-podcast-to-discuss-colonial-parkway-murders-monday-yorktown/291-601dd2b9-d9f2-4b41-a3e1-44bce6f9f6c6Alan Wade Wilmer Sr. has been named as the killer of Robin Edwards and David Knobling in the Colonial Parkway Murders in September 1987, as well as the murderer of Teresa Howell in June 1989. He has also been linked to the April 1988 disappearance and likely murder of Keith Call and Cassandra Hailey, another pair in the Colonial Parkway Murders.13News Now investigates: A serial killer's DNA will not be entered into CODIS database:https://www.13newsnow.com/video/news/local/13news-now-investigates/291-e82a9e0b-38e3-4f95-982a-40e960a71e49WAVY TV 10 on the Colonial Parkway Murders Announcement with photos:https://www.wavy.com/news/crime/deceased-man-identified-as-suspect-in-decades-old-homicides/WTKR News 3https://www.wtkr.com/news/is-man-linked-to-one-of-the-colonial-parkway-murders-connected-to-the-other-casesVirginian Pilot: Who was Alan Wade Wilmer Sr.? Man suspected in two ‘Colonial Parkway' murders died alone in 2017https://www.pilotonline.com/2024/01/14/who-was-alan-wade-wilmer-sr-man-suspected-in-colonial-parkway-murders-died-alone-in-2017/Colonial Parkway Murders Facebook page with more than 18,000 followers: https://www.facebook.com/ColonialParkwayCaseYou can also participate in an in-depth discussion of the Colonial Parkway Murders here:https://earonsgsk.proboards.com/board/50/colonial-parkway-murdersMind Over Murder is proud to be a Spreaker Prime Podcaster:https://www.spreaker.comJoin the discussion on our Mind Over Murder and Colonial Parkway Murders pages on Facebook.Mind Over Murder on Facebook: https://www.facebook.com/mindoverpodcastYou can also participate in an in-depth discussion of the Colonial Parkway Murders here:https://earonsgsk.proboards.com/board/50/colonial-parkway-murdersFollow Othram's DNA Solves: You can help solve a case. Help fund a case or contribute your DNA. Your support helps solve crimes, enable the identification of John & Jane Does, and bring closure to families. Joining is fast, secure, and easy.https://dnasolves.com/Daily Beast: "Inside the Maddening Search for Virginia's Colonial Parkway Serial Killer" By Justin Rohrlichhttps://www.thedailybeast.com/what-happened-to-cathleen-thomas-and-rebecca-dowski-inside-the-hunt-for-the-colonial-parkway-killerCitizens! Check out our new line of "Mind Over Murder" t-shirts and other good stuff !https://www.teepublic.com/stores/mind-over-murder-podcast?ref_id=23885Washington Post Op-Ed Piece by Deidre Enright of the Innocence Project:"The FBI should use DNA, not posters, to solve a cold-case murder" https://www.washingtonpost.com/opinions/2021/06/25/julie-williams-laura-winans-unsolved-murder-test-dna/Oxygen: "Loni Coombs Feels A Kinship To 'Lovers' Lane' Victim Cathy Thomas"Loni Coombs felt an immediate connection to Cathy Thomas, a groundbreaking gay woman who broke through barriers at the U.S. Naval Academy before she was brutally murdered along the Colonial Parkway in Virginia.https://www.oxygen.com/crime-news/loni-coombs-feels-a-kinship-to-colonial-parkway-victim-cathy-thomasYou can contribute to help "Mind Over Murder" do our important work:https://mindovermurderpodcast.com/supportFour one-hour episodes on the Colonial Parkway Murders are available on Oxygen as "The Lover's Lane Murders." The series is available on the free Oxygen app, Hulu, YouTube, Amazon, and many other platforms. https://www.oxygen.com/lovers-lane-murders Oxygen" "Who Were The Colonial Parkway Murder Victims? 8 Young People All Killed In Virginia Within 4 Years" https://www.oxygen.com/lovers-lane-murders/crime-news/who-were-the-colonial-parkway-murder-victims Washington Post Magazine: "Victims, Families and America's Thirst for True-Crime Stories." "For Bill Thomas, his sister Cathy's murder is a deeply personal tragedy. For millions of true-crime fans, it's entertainment." https://www.washingtonpost.com/news/magazine/wp/2019/07/30/feature/victims-families-and-americas-thirst-for-true-crime-stories/Daily Press excellent series of articles on the Colonial Parkway Murders: "The Parkway" http://digital.dailypress.com/static/parkway_cottage/main/index.htmlColonial Parkway Murders website: https://colonialparkwaymurders.com Mind Over Murder Podcast website: https://mindovermurderpodcast.comPlease subscribe and rate us at your favorite podcast sites. Ratings and reviews are very important. Please share and tell your friends!We launch a new episode of "Mind Over Murder" every Monday morning, and a bonus episode every Thursday morning.Sponsors: Othram and DNAsolves.comContribute Your DNA to help solve cases: https://dnasolves.com/user/registerFollow "Mind Over Murder" on Twitter: https://twitter.com/MurderOverFollow Bill Thomas on Twitter: https://twitter.com/BillThomas56Follow "Colonial Parkway Murders" on Facebook: https://www.facebook.com/ColonialParkwayCase/Follow us on InstaGram:: https://www.instagram.com/colonialparkwaymurders/Check out the entire Crawlspace Media network at http://crawlspace-media.com/All rights reserved. Mind Over Murder, Copyright Bill Thomas and Kristin Dilley, Another Dog Productions/Absolute Zero ProductionsBecome a supporter of this podcast: https://www.spreaker.com/podcast/mind-over-murder--4847179/support.
In today's episode of the Second in Command podcast, Cameron is joined by Mac Lackey, founder of ExitDNA.During this fascinating conversation, Cameron and Mac explore the journey of business leaders who are crafting legacies while preparing for transformative opportunities. You'll discover how embracing proactive strategies and gaining clarity on personal and professional goals can unlock unimaginable potential.You'll learn the critical balance between ambition and pragmatism. Through real-life examples, the discussion explores the importance of timing, preparation, and the courage to make life-changing decisions. Whether facing an unexpected twist or contemplating the best path forward, the stories reveal how understanding key factors — ranging from market dynamics to personal priorities — can empower leaders to seize opportunities on their terms.This episode offers a wealth of insight for those ready to chart a course toward greater freedom and purpose. For any entrepreneur wondering how to shape the next chapter of their journey, this conversation is both a guide and a source of inspiration.If you've enjoyed this episode of the Second in Command podcast, be sure to leave a review and subscribe today!Enjoy!In This Episode You'll Learn:How the analogy of Rembrandt paintings in the attic illustrates the concept of strategic value beyond financial metrics. (10:24)The dynamic of buyers wanting to buy companies on the rise and the importance of presenting a compelling future vision. (13:13)The importance of building a business that doesn't rely on the founder's presence, which increases its value and personal freedom. (16:46)The need to get clear on the value required to achieve personal and business goals and to be willing to walk away if the deal doesn't meet those criteria. (26:55)And much more...Resources:Connect with Mac: Website | LinkedInConnect with Cameron: Website | LinkedInGet Cameron's latest book "Second in Command: Unleash the Power of Your COO"Get Cameron's online course – Invest In Your Leaders
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