Podcasts about Rembrandt

Op stap door het KMSKA! En dat stappen mag je letterlijk nemen, want museumgids Katrijn Krekels neemt Kobe Ilsen op sleeptouw langs zeven eeuwen unieke kunst. Want, wat als je maar 45' tijd hebt om het museum te bezoeken? Dan is het moeilijk kiezen tussen Rembrandt of Rubens, of Ensor, of Magritte, of Tuymans, of Fouquet, of Wouters, of Titiaan, of van Eyck, of of .... Er is zoveel moois. Van Vlaamse barok tot uitdagende pop-art, elk meesterwerk heeft een verhaal. Een aflevering ism het KMSKA.

Read the translations of this poem on the Modern Poetry in Translation website: https://modernpoetryintranslation.com/poem/three-poems-3/ Translator Stine An writes in the introduction: Yoo Heekyung's fifth poetry collection, Winter Night Rabbit Worries (Hyundae Munhak, 2023), turns to the origins of stories and poetry. Both the tales that get passed on through time around a small fire on a winter night and the tales spun in the dark alone as a prelude to dreaming. When I first encountered Yoo's story-poems, they felt like fine watercolour etchings from an old storybook—delicate, wistful, and glowing with a quiet warmth. Later, Yoo shared that his work was haunted by Aloysius Bertrand's Gaspard de la Nuit: Fantasies in the Manner of Rembrandt and Callot (1842), the collection that introduced the modern prose poem to the Western literary tradition and inspired Baudelaire's Paris Spleen. These character-driven prose poems are like intimate one-act plays that flame into existence as visions. Within South Korean poetry, his debut Today's Morning Vocabulary (Moonji Books, 2011) marked a departure from the experimental avant-garde poetics popular at the time. Yoo's work as a writer and cultural worker is undergirded by his faith in poetry's plurality, accessibility, and necessity. Poetry is air: the atmosphere he's shared through Wit N Cynical, the poetry bookshop and project space he founded in Seoul set to celebrate its 10-year anniversary in July 2026. Yoo approaches translation as literary collaboration, as a form of spooky action at a distance. He has described our work being connected by an invisible thread. I reflected on this thread as I brought my own lyricism and literary experiences to these poems. I imagined myself paying attention to the minute vibrations in the language to portray the tonal shadows and the rhythms of the many voices heard and the gestures felt through the dark. – Stine An

This week on Framed, we're diving into one of the strangest little art-crime stories ever: the tale of Portrait of Jacob de Gheyn III, the tiny Rembrandt that became known as the Takeaway Rembrandt after being stolen four different times from the same gallery. We get into the absurd heists, the bizarre ways the painting kept disappearing and reappearing, the criminals who realized it was easier to steal than to sell, and why this one small portrait became legendary in the art world. Come follow us on all the apps@framedthepod@joeldavid_b@cheersthanxalotWant to watch the episode? Come on over to YouTube to see the chaos: https://www.youtube.com/@Framedthepodcast Hosted on Acast. See acast.com/privacy for more information.

Russ Ramsey is a gifted storyteller and a trusted guide in the world of art. He is the author of Rembrandt is in the Wind and Van Gogh Has a Broken Heart: What Art Teaches Us About The Wonder and Struggle of Being Alive. In this episode from October 2024, Russ and Jonathan Rogers talk about sunflowers, the sublime, and the connection between suffering and wonder. This episode is sponsored by The Habit's Writer Development Cohorts.Support the show: https://therabbitroom.givingfuel.com/memberSee omnystudio.com/listener for privacy information.

The Shadow's secret weapon isn't just his hypnotic mind—it's how he outsmarts a mounting web of deception threatening to destroy him. When Lamont Cranston learns that his most daring enemies are framing him for murder, the stakes skyrocket. He must unravel the truth behind a killer's plot before it's too late, but with a crime so convincing even the police are convinced it's his guilt, the game is deadly serious.In this episode, you'll discover how the Shadow exposes a masterful frame-up involving a stolen Rembrandt, a deadly car crash, and a web of blackmail. We break down the tactics Cranston uses to turn the tide—including a covert phone call with Angel Nolan's sister that reveals the real mastermind behind the conspiracy. We explore the psychological genius behind the Shadow's invisibility, and how his illusions expose layers of deceit hiding in plain sight.You'll learn about the key clues that unravel the false evidence—ordinary wear and tear on steering gear, witness statements, and overlooked alibis—all used to build a case that even the law can't ignore. But more than that, you'll see how mental agility and strategic thinking can turn a seemingly hopeless situation around, transforming a deadly trap into a victory for justice.Why does this matter? Because the Shadow's approach isn't just about fighting crime—it's about mastering the art of strategic thinking. Whether you're facing complex problems, false accusations, or high-stakes challenges, this episode offers insights you can apply today. It's a lesson in intuition, resilience, and the relentless pursuit of truth.Perfect for crime fighters, strategic thinkers, or anyone who refuses to accept the obvious, this episode proves that understanding the subtle game of deception is your best defense. If you're ready to see things differently—and outthink your opponents—this is essential listening.

Há uma fotografia tirada em 2014 pelo fotógrafo Gijsbert van der Wal que nunca deixou de circular nas conversas sobre tecnologia e educação. Mostra um grupo de jovens sentados em frente a «A Ronda da Noite», de Rembrandt, no Rijksmuseum de Amesterdão — todos com os olhos fixos nos telemóveis. A imagem tornou-se num símbolo quase perfeito do que os educadores mais temem: a indiferença das novas gerações perante tudo o que não caiba num ecrã. Acontece, porém, que a história não era bem essa. Os jovens naquela sala não estavam a jogar nem nas redes sociais. Estavam a usar a aplicação interactiva do próprio museu para aprofundar o que tinham acabado de ver. A realidade, uma vez mais, era mais complexa do que o símbolo.É a partir desta tensão — entre o que parece e o que é, entre o medo que os adultos projectam nas tecnologias e o que os jovens realmente fazem com elas — que Luís Caldas de Oliveira, professor do Instituto Superior Técnico da Universidade de Lisboa, estrutura um argumento publicado recentemente no jornal SOL. O texto merece atenção precisamente porque não cede à tentação fácil de culpar a tecnologia por tudo, nem tampouco de a absolver de tudo.

(01:38) Het WK voetbal in de VS, Mexico en Canada is al sinds donderdag van start, maar deze zondag mag eindelijk ook het Nederlandse elftal officieel beginnen: om 22:00 uur Nederlandse tijd speelt Oranje zijn eerste wedstrijd tegen Japan.     Alleen zijn de ogen dit WK niet alleen op het veld gericht, maar ook op de Amerikaanse immigratiediensten: In Miami werd de beste scheidsrechter van Afrika, de Somaliër Omar Artan, deze week de toegang tot de VS ontzegd. Ook het Irakese nationale elftal werd op het asfalt van het vliegveld gefouilleerd; sommigen werden zelfs uren ondervraagd.    Het is volgens migratie-historicus Leo Lucassen bedoeld als power play van de regering-Trump: kijk eens hoe streng wij zijn. En het is zeker niet voor het eerst dat een staatshoofd een groot sportkampioenschap gebruikt als podium voor hun politiek, aldus Lucassen.  (12:08) Het was één van de laatste veilige plekken in Zuid-Libanon: het oude centrum van Tyrus, ook bekend als de christelijke wijk, die al millennia lang bewoond wordt.    Maar afgelopen week heeft Israël voor het eerst gedwongen evacuatiebevelen uitgevaardigd voor ook die wijk van de oude stad. Bij bombardementen kwamen tot nu toe acht mensen om het leven.    Journalist en schrijver Mounir Samuel bezocht Tyrus meerdere keren, voor het laatst afgelopen december, toen bijna niemand dat meer deed. Hij vreest voor het erfgoed van Tyrus en haar zusterstad Sidon: die staat of valt niet alleen vanwege de stenen, maar juist ook vanwege de mensen en de cultuur.    (28:43) Wie straks online porno wil kijken moet misschien eerst via een app bewijzen oud genoeg te zijn; tenminste, als het aan de Europese Unie ligt. Maar deze week waarschuwden deskundigen: zo'n leeftijdscheck is lang niet altijd anoniem, want in theorie kan precies worden bijgehouden wie welke site bezoekt.     Een hypermodern probleem? Zorgen over wie er meekijkt bij wat we achter gesloten deuren bekijken en trucjes om zo anoniem te blijven zijn zo oud als de pornografie zelf, aldus hoogleraar cultuurgeschiedenis Inger Leeman, vandaag te gast.    (40:27) Elke week bespreken we historische tips met afwisselend Nadia Bouras, Wim Berkelaar, Bart Funnekotter, Sanne Frequin, en Fresco Sam-Sin. Deze week is de beurt aan Nadia Bouras. Zij bespreekt twee boeken en een tentoonstelling:  Queer geschiedenis van Nederland - Marijke Huisman  Woorden als wapens - Saul van Stapele  Het land van Hagelslag - Tentoonstelling (https://www.hartmuseum.nl/tentoonstellingen/het-land-van-hagelslag/) Hart Museum    (58:10) Een filosoof, die zit achter een bureautje, op afstand van de wereld. Niet direct een vruchtbaar onderwerp voor een musical. En toch inspireerden het leven en denken van Baruch Spinoza tot een muzikaal spektakel dat vanaf begin deze maand te zien is in het Amsterdamse Bostheater. Maar hoe transformeer je het verhaal van deze 17e eeuwse denker tot een 21e eeuws verhaal over de wereld van nu? Dat vertelt regisseur van Spinoza – de Mokum musical Guy Weizman.        (01:10:33) OVT Doc: De verdwenen Rembrandts    Het Rembrandthuis in Amsterdam viert vandaag zijn 125e verjaardag. Een goed excuus voor ons om de documentaire te herhalen die Laura Stek in 2019 maakte over het wonderbaarlijke verhaal van twee schilderijen van Rembrandt.    Het waren de lievelingen van de laatste Poolse koning, er werd om de werken gevochten door Hitler en Göring, en even leken ze in een grote brand verloren te zijn gegaan. Tot ze in 1994 opeens weer opdoken: de twee Rembrandtschilderijen Meisje in een schilderijlijst en Geleerde aan zijn lessenaar. Nu hangen ze in het Koninklijk Paleis in Warschau.     Laura Stek maakte deze documentaire op basis van het boek Het meisje en de geleerde van Gerdien Verschoor.    Meer info: https://www.vpro.nl/ovt/artikelen/ovt-14-juni-2026   (https://www.vpro.nl/ovt/artikelen/ovt-14-juni-2026)

Fluent Fiction - Dutch: From Pressure to Peace: Discovering True Art Appreciation Find the full episode transcript, vocabulary words, and more:fluentfiction.com/nl/episode/2026-06-13-07-38-19-nl Story Transcript:Nl: Daan stond tussen de menigte in het Rijksmuseum.En: Daan stood among the crowd in the Rijksmuseum.Nl: De zomerzon scheen door de hoge ramen.En: The summer sun shone through the tall windows.Nl: Lichtvlekken dansten op de glanzende houten vloeren.En: Light patches danced on the gleaming wooden floors.Nl: De zachte stemmige geluiden van mensen om hem heen vulden de ruimte.En: The soft, subdued sounds of people around him filled the space.Nl: Voor hem hing "De Nachtwacht", het meesterwerk van Rembrandt.En: In front of him hung "The Night Watch", the masterpiece by Rembrandt.Nl: Daan voelde zijn hart sneller kloppen.En: Daan felt his heart beat faster.Nl: Hij was een kunstliefhebber uit Rotterdam.En: He was an art lover from Rotterdam.Nl: Vandaag was een droom die uitkwam.En: Today was a dream come true.Nl: Eindelijk zag hij de beroemde schilderijen van Rembrandt met eigen ogen.En: Finally, he was seeing the famous paintings of Rembrandt with his own eyes.Nl: Maar diep vanbinnen voelde hij druk.En: But deep inside, he felt pressure.Nl: Hij wilde begrijpen, bewonderen, en versteld staan.En: He wanted to understand, admire, and be amazed.Nl: Hoe kon hij anders zijn liefde voor kunst bewijzen, zelfs aan zichzelf?En: How could he prove his love for art, even to himself, otherwise?Nl: Daan voelde zweet op zijn voorhoofd.En: Daan felt sweat on his forehead.Nl: Zijn ademhaling werd zwaarder.En: His breathing became heavier.Nl: Hij probeerde zijn focus op het schilderij te houden, maar alles begon te draaien.En: He tried to keep his focus on the painting, but everything began to spin.Nl: De mix van bewondering en druk werd te veel.En: The mix of admiration and pressure became too much.Nl: Opeens werd alles zwart.En: Suddenly, everything went black.Nl: Toen Daan zijn ogen opende, hoorde hij een zachte stem.En: When Daan opened his eyes, he heard a soft voice.Nl: "Gaat het?"En: "Are you alright?"Nl: vroeg Eva, een vriendelijke medewerkster van het museum.En: asked Eva, a friendly staff member of the museum.Nl: Naast haar stond Max, een andere bezoeker die water aanbood.En: Next to her stood Max, another visitor who offered water.Nl: Daan knikte, nog een beetje duizelig.En: Daan nodded, still a little dizzy.Nl: Hij ging op een nabijgelegen bankje zitten en nam voorzichtig een slok water.En: He sat on a nearby bench and carefully took a sip of water.Nl: Terwijl hij zat, dacht Daan na.En: As he sat, Daan thought.Nl: Waarom hield hij zo van kunst?En: Why did he love art so much?Nl: Het was niet om anderen te imponeren.En: It wasn't to impress others.Nl: Het ging om het gevoel, de emotie die kunst hem gaf.En: It was about the feeling, the emotion that art gave him.Nl: Het besef kwam als een warme golf.En: The realization came like a warm wave.Nl: Het ging niet om begrijpen of imponeren.En: It wasn't about understanding or impressing.Nl: Het ging om genieten.En: It was about enjoying.Nl: Daan keek op.En: Daan looked up.Nl: Hij glimlachte naar Eva en Max.En: He smiled at Eva and Max.Nl: "Dank jullie," zei hij.En: "Thank you," he said.Nl: Langzaam stond hij op en liep terug naar "De Nachtwacht".En: Slowly, he stood up and walked back to "The Night Watch".Nl: Deze keer voelde hij zich kalm en ontspannen.En: This time, he felt calm and relaxed.Nl: De druk was weg.En: The pressure was gone.Nl: Hij stond op een afstand en liet het schilderij op zich inwerken zoals het voor hem natuurlijk voelde.En: He stood at a distance and let the painting wash over him as it naturally felt to him.Nl: In dat moment vond Daan de verbinding waar hij naar zocht.En: In that moment, Daan found the connection he was looking for.Nl: De schoonheid van de kunst raakte zijn hart.En: The beauty of the art touched his heart.Nl: Geen druk meer, alleen vreugde.En: No more pressure, only joy.Nl: Het was een waardevolle les.En: It was a valuable lesson.Nl: Nu wist hij waar echte waardering over ging: persoonlijk genot en verbinding.En: Now he knew what true appreciation was about: personal enjoyment and connection.Nl: En dat, besloot hij, was meer dan genoeg.En: And that, he decided, was more than enough. Vocabulary Words:crowd: menigteshone: scheengleaming: glanzendesubdued: stemmigemasterpiece: meesterwerkart lover: kunstliefhebberpressure: druksweat: zweetforehead: voorhoofddizzy: duizeligvisitor: bezoekersip: slokrealization: besefemotion: emotievalue: waardeadmire: bewonderenheavier: zwaarderbench: bankjeconnection: verbindingbeauty: schoonheidjoy: vreugdeappreciation: waarderingenough: genoegnaturally: natuurlijkcalm: kalmrelaxed: ontspannenimpress: imponerenadmiration: bewonderingsoft: zachtedream: droom

Het Rembrandthuis in Amsterdam viert vandaag zijn 125e verjaardag. Een goed excuus voor ons om de documentaire te herhalen die Laura Stek in 2019 maakte over het wonderbaarlijke verhaal van twee schilderijen van Rembrandt. Het waren de lievelingen van de laatste Poolse koning, kwamen in handen van een fantastische en dappere gravin, er werd om de werken gevochten door Hitler en Göring én ze leken ze in een grote brand verloren te zijn gegaan. Tot ze in 1994 opeens weer opdoken: de twee Rembrandtschilderijen Meisje in een schilderijlijst en Geleerde aan zijn lessenaar. Nu hangen ze in het Koninklijk Paleis in Warschau.   Laura Stek maakte deze documentaire op basis van het boek Het meisje en de geleerde van Gerdien Verschoor. 

1632 ist das Jahr, in dem Rembrandt van Rijn nach Amsterdam zieht, seinen Namen zur Marke macht und in zwölf Monaten 32 Gemälde schafft. Die Sonderausstellung „Rembrandt 1632 – Entstehung einer Marke" im Schloss Wilhelmshöhe in Kassel nimmt genau dieses Schlüsseljahr in den Blick. Im Gespräch mit Kurator Dr. Justus Lange und Kunsthistorikerin Marina Heß von Hessen Kassel Heritage entfaltet sich ein Rembrandt, der zugleich Künstler, Stratege und Unternehmer war. Themen sind Werkstattpraxis, Zuschreibung, der Vergleich mit Rubens und die Frage, was Originalität bedeutet - damals wie heute. Eine Folge über Kunst, Markt und die langen Linien menschlicher Ambition.

What if one of the most powerful marketing tools for your business isn't another social media post? In this episode of The Katie Lance Podcast, I'm joined by public relations expert, author, and founder of Rembrandt Communications, Melanie Rembrandt. We dive into how Realtors and entrepreneurs can use public relations, personal branding, and an often-overlooked strategy – mini books – to build credibility, stand out in a crowded market, and create more opportunities for their business.Melanie shares practical ways to leverage PR as a local expert, connect with media outlets, and position yourself as the go-to resource in your community. We also discuss why authenticity matters more than ever in the age of AI and how a simple mini book can become a powerful tool for marketing, lead generation, and relationship building.In this episode, you'll learn:✔️ Why Realtors have a unique advantage when it comes to PR and media exposure✔️ How to become a trusted local expert and resource✔️ Common PR mistakes that can hurt your visibility✔️ The power of mini books and how they can help you stand out✔️ Why credibility and authority matter more than ever✔️ How to repurpose existing content into valuable marketing assets✔️ The importance of having a marketing strategy behind your contentIf you're looking for creative ways to differentiate yourself, build trust, and attract more opportunities, this episode is packed with practical ideas you can start implementing right away.

durée : 00:03:35 - Par Jupiter ! - par : Charline Vanhoenacker - Des œuvres de Picasso, Rembrandt ou Giacometti sont menacées par la guerre au Moyen-Orient. 250 œuvres ont en effet été prêtées par la France au Louvre Abu Dhabi, situé entre les tirs de missiles. (qui a payé 400 millions pour prétendre porter ce nom, "Louvre") Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:03:35 - Charline explose les faits - par : Charline Vanhoenacker - Des œuvres de Picasso, Rembrandt ou Giacometti sont menacées par la guerre au Moyen-Orient. 250 œuvres ont en effet été prêtées par la France au Louvre Abu Dhabi, situé entre les tirs de missiles. (qui a payé 400 millions pour prétendre porter ce nom, "Louvre") Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

In Part 3 of our Merkers Mine series, the clock is ticking. Under the Yalta agreements, the region containing the mine is slated to be handed over to Soviet control. Every gold bar, suitcase of SS loot, and priceless work of art must be moved to the American zone immediately. Enter Lieutenant George Stout, America's premier art conservation expert, and the legendary "Monuments Men." Descending into the pitch-black tunnels, they face an impossible logistical nightmare: safely extracting hundreds of delicate, priceless masterpieces—including works by Rembrandt and Manet. In a detail that reads like pure fiction, the American soldiers frantically wrap these uncrates paintings in thousands of abandoned German army sheepskin coats, garments originally tailored for the Nazis' disastrous 1941 winter invasion of Russia.Meanwhile, the operation to extract 250 tons of gold bullion goes into overdrive. It is a backbreaking, round-the-clock effort to haul thousands of unwieldy bags up a single, shuddering elevator shaft. What follows is a massive, heavily guarded overland transport featuring 10-ton trucks, military police battalions, and continuous P-51 Mustang air cover. But the most valuable discovery of the day might not be the gold itself. Financial expert Colonel Bernard Bernstein uncovers the meticulous internal ledgers of the Reichsbank's precious metals department—the smoking gun that documents exactly whose wealth was stolen, providing crucial evidence that will later be used to prosecute Nazi leaders at the Nuremberg trials.But this story is not just about staggering wealth; it is inextricably linked to unimaginable horror. This episode returns to the devastating aftermath of the Ohrdruf concentration camp liberation, detailing General Eisenhower's uncompromising order to force local German civilians to march through the camp and witness the atrocities committed in their name—an event that ended in the shocking suicide of the town's mayor. Today, the Merkers Mine is an adventure tourist attraction with laser light shows, but as we conclude this chapter, we are reminded that much of the Nazi wealth disappeared into the shadows, and the final accounting has never truly been settled. Listen in as we trace the treasure out of the darkness and prepare for the finale of this World War II prelude.

Maarten Hijink vertelt over zijn debuutroman Lichtval. Hij vertelt over zijn avontuurlijke hoofdpersonage Hendrickje Stoffels, de reis die zij na een dramatische gebeurtenis aflegde vanuit Bredevoort naar Amsterdam en hoe het voor haar was om bij Rembrandt in te trekken en een leven op te bouwen. Daarna geeft boekverkoper Anoinet Wisse in de Drvkkery in Middelburg mooie boekentips.   Boekentips:   Lichtval - Maarten Hijink - www.libris.nl/9789028453920 De grote schoonmaak - Rob van Essen - www.libris.nl/9789493399655   Leven in mootjes - Maud Vanhauwaert  Een haas in huis - Chloe Dalton - www.libris.nl/9789044660166   Wij komen in vrede - Bibi Dumon Tak en Annemarie van Haeringen - www.libris.nl/9789045132129 De mooiste van het land - Evelien De Vlieger - www.libris.nl/9789059961920  

Abstract: In this episode, Karin and Elizabeth discuss their experiences at Kingvention, a Michael Jackson fan convention. Karin explained her decision to skip this year's convention due to ethical concerns about AI-generated content using Michael Jackson's art and voice, comparing it to desecrating works by Shakespeare or Rembrandt. Elizabeth shared her experience, where she sold copies of her book "Dangerous Philosophies" and met with other fans and talked about the special guests, including Bill Wolfer, Hugo Huizar, and Seth Smith. They discussed the convention's exhibits featuring Captain EO memorabilia, costumes, and props, as well as the community's commitment to preserving Michael Jackson's artistic legacy. Elizabeth emphasised the importance of bringing together fans and academics to advance Michael Jackson studies, noting how the convention helped foster this community connection. REFERENCE AS:Merx, Karin, and Elizabeth Amisu. “Episode 92 – KingVention Special” Podcast, Michael Jackson's Dream Lives On: An Academic Conversation, 13 no. 4 (2026). Published electronically 03/06/26. https://michaeljacksonstudies.org/episode-92-kingvention-special Episode 92 – KingVention SpecialBy Elizabeth Amisu & Karin Merx Elizabeth Amisu, PGCE, MA, is editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. Karin Merx, BMus, MA Art History, BA Cultural Philosophy, Classically trained Artist, Classically trained Musician, is editor of The Journal of Michael Jackson Academic Studies, and author of  A festive parade of highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam, published with academic publisher Eburon. Find out more about Karin here. Our References and Where to Easily Find Them: Elizabeth Amisu, The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife (Bloomsbury, paperback 2023) https://www.bloomsbury.com/uk/dangerous-philosophies-of-michael-jackson-9798765123645/ Karin Merx, 'Echoes without Presence: AI Michael Jackson, and the Crisis of Cultural Authenticity', The Journal of Michael Jackson Academic Studies (Nov. 18, 2025) https://michaeljacksonstudies.org/echoes-without-presence-ai-michael-jackson-and-the-crisis-of-cultural-authenticity/

En este episodio de Designaholic hablamos con Raúl de la Cerda, sobre cómo construir una práctica creativa que pueda moverse entre interiores, mobiliario, curaduría, hospitalidad y proyectos culturales sin perder identidad en el proceso.La conversación gira alrededor de Barón y Vicario, Casa Rosa Polanco y la importancia de entender el diseño no solo como producción de objetos o espacios, sino también como una herramienta para generar relaciones, comunidad y colaboración. También se reflexiona sobre viajes, referencias culturales, crecimiento profesional, equipos de trabajo y el reto de convertir la creatividad en una estructura sostenible a largo plazo.**Escucha este episodio si estás…**- construyendo un estudio o práctica creativa- interesado en diseño de interiores y mobiliario contemporáneo- explorando modelos colaborativos dentro de las industrias creativas- buscando balancear creatividad y negocio- interesado en proyectos culturales y comunidad creativaGrabado en showroom de MillerKnoll CDMXShow Notes y Links relacionados a este episodio**Consejo:** “Contrata gente igual de chingona que tú”**Objeto favorito:** Una obra de Rembrandt recientemente adquirida**Recomendación:** *Kane and Abel* - Jeffrey Archer (https://www.amazon.com.mx/Kane-y-Abel-Jeffrey-Archer/dp/6073116462)de la Cerda → https://delacerda.com.mx/es/inicio/Casa Rosa → https://www.casarosapolanco.com/Baron & Vicario → https://www.baronyvicario.com/Sigue a Raúl en Instagram → https://www.instagram.com/rauldelacerda_/- IED Madrid (Istituto Europeo di Design) → https://www.ied.edu/- Carsten Lemme → https://www.instagram.com/carstenlemme/- Jaime Hayon → https://www.instagram.com/jaimehayon/- FormaFantasma → https://formafantasma.com/- Domingo Seminario → https://www.instagram.com/dosecol/- Artelinea → https://artelinea.mx/- Tatiana Bilbao → https://tatianabilbao.com/- Zona Maco Diseño → https://zsonamaco.com/zsonamaco-diseno/- Design Week México → https://designweekmexico.com/- C Cubica Arquitectos → https://ccubicaarquitectos.com/- Andrea Cesarman → https://www.instagram.com/andycesarman/- Emilio Cabrero → https://www.instagram.com/ecabrero/- Marco Coello → https://www.instagram.com/coellobuck/- Carolina Botto → https://blog.joinnus.com/carolina-botto-ceo-de-joinnus-entre-las-50-mujeres-mas-poderosas-del-pais-segun-forbes/No te pierdas nuestros episodios, publicamos todos los Martes.Síguenos en: Instagram https://www.instagram.com/designaholic.mxFacebook https://www.facebook.com/designaholicmx/X https://x.com/designaholicmx Suscríbete a nuestro newsletter semanal “Las 5 de la Semana” aquí: https://embeds.beehiiv.com/b98191c1-e91e-4e8c-bf49-e4ff0603f851Nuestra página web es: http://designaholic.mxTambién te dejo mi cuenta personal donde además de publicar sobre mi estudio y los proyectos que hacemos, comparto mucho más sobre Arte, Arquitectura y Diseño. Instagram https://www.instagram.com/jd_etienneX https://x.com/jd_etienne Hosted on Acast. See acast.com/privacy for more information.

In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified “horrifying heresies,” but the precise reasons for his expulsion remain a mystery. When he published his Theological-Political Treatise in 1670, which was condemned as “the most atheistic book ever written,” he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist—even a “God-intoxicated man,” as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In Spinoza, Atheist (Princeton University Press, 2026), Steven Nadler, one of the world's leading authorities on the philosopher, aims to settle the question and show that that's exactly what he was. Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn't an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural—no mystery, ineffability, or sublimity. Spinoza does speak of “blessedness” and “salvation,” but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world. Whether Spinoza believed in God is a fascinating and enduring controversy. Spinoza, Atheist promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.  Steven Nadler is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin–Madison. His many books include Rembrandt's Jews, which was a finalist for the Pulitzer Prize, Spinoza: A Life, Think Least of Death: Spinoza on How to Live and How to Die, and A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age. Abe Silberstein is a Ph.D. student in the joint doctoral program in History and Hebrew and Judaic Studies at New York University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified “horrifying heresies,” but the precise reasons for his expulsion remain a mystery. When he published his Theological-Political Treatise in 1670, which was condemned as “the most atheistic book ever written,” he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist—even a “God-intoxicated man,” as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In Spinoza, Atheist (Princeton University Press, 2026), Steven Nadler, one of the world's leading authorities on the philosopher, aims to settle the question and show that that's exactly what he was. Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn't an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural—no mystery, ineffability, or sublimity. Spinoza does speak of “blessedness” and “salvation,” but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world. Whether Spinoza believed in God is a fascinating and enduring controversy. Spinoza, Atheist promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.  Steven Nadler is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin–Madison. His many books include Rembrandt's Jews, which was a finalist for the Pulitzer Prize, Spinoza: A Life, Think Least of Death: Spinoza on How to Live and How to Die, and A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age. Abe Silberstein is a Ph.D. student in the joint doctoral program in History and Hebrew and Judaic Studies at New York University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified “horrifying heresies,” but the precise reasons for his expulsion remain a mystery. When he published his Theological-Political Treatise in 1670, which was condemned as “the most atheistic book ever written,” he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist—even a “God-intoxicated man,” as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In Spinoza, Atheist (Princeton University Press, 2026), Steven Nadler, one of the world's leading authorities on the philosopher, aims to settle the question and show that that's exactly what he was. Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn't an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural—no mystery, ineffability, or sublimity. Spinoza does speak of “blessedness” and “salvation,” but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world. Whether Spinoza believed in God is a fascinating and enduring controversy. Spinoza, Atheist promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.  Steven Nadler is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin–Madison. His many books include Rembrandt's Jews, which was a finalist for the Pulitzer Prize, Spinoza: A Life, Think Least of Death: Spinoza on How to Live and How to Die, and A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age. Abe Silberstein is a Ph.D. student in the joint doctoral program in History and Hebrew and Judaic Studies at New York University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified “horrifying heresies,” but the precise reasons for his expulsion remain a mystery. When he published his Theological-Political Treatise in 1670, which was condemned as “the most atheistic book ever written,” he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist—even a “God-intoxicated man,” as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In Spinoza, Atheist (Princeton University Press, 2026), Steven Nadler, one of the world's leading authorities on the philosopher, aims to settle the question and show that that's exactly what he was. Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn't an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural—no mystery, ineffability, or sublimity. Spinoza does speak of “blessedness” and “salvation,” but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world. Whether Spinoza believed in God is a fascinating and enduring controversy. Spinoza, Atheist promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.  Steven Nadler is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin–Madison. His many books include Rembrandt's Jews, which was a finalist for the Pulitzer Prize, Spinoza: A Life, Think Least of Death: Spinoza on How to Live and How to Die, and A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age. Abe Silberstein is a Ph.D. student in the joint doctoral program in History and Hebrew and Judaic Studies at New York University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified “horrifying heresies,” but the precise reasons for his expulsion remain a mystery. When he published his Theological-Political Treatise in 1670, which was condemned as “the most atheistic book ever written,” he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist—even a “God-intoxicated man,” as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In Spinoza, Atheist (Princeton University Press, 2026), Steven Nadler, one of the world's leading authorities on the philosopher, aims to settle the question and show that that's exactly what he was. Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn't an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural—no mystery, ineffability, or sublimity. Spinoza does speak of “blessedness” and “salvation,” but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world. Whether Spinoza believed in God is a fascinating and enduring controversy. Spinoza, Atheist promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.  Steven Nadler is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin–Madison. His many books include Rembrandt's Jews, which was a finalist for the Pulitzer Prize, Spinoza: A Life, Think Least of Death: Spinoza on How to Live and How to Die, and A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age. Abe Silberstein is a Ph.D. student in the joint doctoral program in History and Hebrew and Judaic Studies at New York University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified “horrifying heresies,” but the precise reasons for his expulsion remain a mystery. When he published his Theological-Political Treatise in 1670, which was condemned as “the most atheistic book ever written,” he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist—even a “God-intoxicated man,” as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In Spinoza, Atheist (Princeton University Press, 2026), Steven Nadler, one of the world's leading authorities on the philosopher, aims to settle the question and show that that's exactly what he was. Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn't an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural—no mystery, ineffability, or sublimity. Spinoza does speak of “blessedness” and “salvation,” but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world. Whether Spinoza believed in God is a fascinating and enduring controversy. Spinoza, Atheist promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.  Steven Nadler is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin–Madison. His many books include Rembrandt's Jews, which was a finalist for the Pulitzer Prize, Spinoza: A Life, Think Least of Death: Spinoza on How to Live and How to Die, and A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age. Abe Silberstein is a Ph.D. student in the joint doctoral program in History and Hebrew and Judaic Studies at New York University. 

In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified “horrifying heresies,” but the precise reasons for his expulsion remain a mystery. When he published his Theological-Political Treatise in 1670, which was condemned as “the most atheistic book ever written,” he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist—even a “God-intoxicated man,” as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In Spinoza, Atheist (Princeton University Press, 2026), Steven Nadler, one of the world's leading authorities on the philosopher, aims to settle the question and show that that's exactly what he was. Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn't an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural—no mystery, ineffability, or sublimity. Spinoza does speak of “blessedness” and “salvation,” but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world. Whether Spinoza believed in God is a fascinating and enduring controversy. Spinoza, Atheist promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.  Steven Nadler is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin–Madison. His many books include Rembrandt's Jews, which was a finalist for the Pulitzer Prize, Spinoza: A Life, Think Least of Death: Spinoza on How to Live and How to Die, and A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age. Abe Silberstein is a Ph.D. student in the joint doctoral program in History and Hebrew and Judaic Studies at New York University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified “horrifying heresies,” but the precise reasons for his expulsion remain a mystery. When he published his Theological-Political Treatise in 1670, which was condemned as “the most atheistic book ever written,” he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist—even a “God-intoxicated man,” as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In Spinoza, Atheist (Princeton University Press, 2026), Steven Nadler, one of the world's leading authorities on the philosopher, aims to settle the question and show that that's exactly what he was. Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn't an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural—no mystery, ineffability, or sublimity. Spinoza does speak of “blessedness” and “salvation,” but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world. Whether Spinoza believed in God is a fascinating and enduring controversy. Spinoza, Atheist promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.  Steven Nadler is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin–Madison. His many books include Rembrandt's Jews, which was a finalist for the Pulitzer Prize, Spinoza: A Life, Think Least of Death: Spinoza on How to Live and How to Die, and A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age. Abe Silberstein is a Ph.D. student in the joint doctoral program in History and Hebrew and Judaic Studies at New York University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified “horrifying heresies,” but the precise reasons for his expulsion remain a mystery. When he published his Theological-Political Treatise in 1670, which was condemned as “the most atheistic book ever written,” he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist—even a “God-intoxicated man,” as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In Spinoza, Atheist (Princeton University Press, 2026), Steven Nadler, one of the world's leading authorities on the philosopher, aims to settle the question and show that that's exactly what he was. Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn't an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural—no mystery, ineffability, or sublimity. Spinoza does speak of “blessedness” and “salvation,” but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world. Whether Spinoza believed in God is a fascinating and enduring controversy. Spinoza, Atheist promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.  Steven Nadler is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin–Madison. His many books include Rembrandt's Jews, which was a finalist for the Pulitzer Prize, Spinoza: A Life, Think Least of Death: Spinoza on How to Live and How to Die, and A Book Forged in Hell: Spinoza's Scandalous Treatise and the Birth of the Secular Age. Abe Silberstein is a Ph.D. student in the joint doctoral program in History and Hebrew and Judaic Studies at New York University.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/secularism

Plongez dans l'histoire des grands personnages et des évènements marquants qui ont façonné notre monde ! Avec enthousiasme et talent, Franck Ferrand vous révèle les coulisses de l'histoire avec un grand H, entre mystères, secrets et épisodes méconnus : un cadeau pour les amoureux du passé, de la préhistoire à l'histoire contemporaine.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dans son atelier florentin, le peintre religieux Sandro Botticelli dessine les contours du premier nu féminin depuis 1 000 ans, un nu mythologique, la Naissance de Vénus, son tableau aujourd'hui le plus connu.Embarquez pour un voyage au cœur de la Renaissance italienne, à la découverte de l'un des chefs-d'œuvre les plus célèbres de l'histoire de l'art : La Naissance de Vénus de Sandro Botticelli.

Emanuele Arielli, Lev Manovich"Estetica artificiale"IA generativa, arte e mediaLuca Sossella Editorewww.lucasossellaeditore.itCosa significa fare arte quando una macchina sembra poterlo fare al posto nostro? Quando un algoritmo compone musica nello stile di Bach, genera un ritratto “alla Rembrandt” o scrive una poesia convincente? Domande come queste rimettono al centro questioni di fondo: che cosa rende un'opera autentica? Chi può dirsi artista? Che cosa influenza il nostro gusto?Estetica artificiale mostra come l'intelligenza artificiale generativa stia trasformando non solo gli strumenti della creazione, ma le condizioni stesse dell'esperienza estetica. Immagini, suoni e testi non vengono soltanto realizzati, ma variati e ottimizzati. E in questo passaggio arte ed estetica si ricombinano in modelli capaci di generare forme e di orientare gusti e preferenze.Lev Manovich, tra i massimi teorici della cultura e dei media digitali, ed Emanuele Arielli, filosofo e studioso di estetica, non si limitano a chiedersi se l'IA sia creativa: interrogano le condizioni stesse che rendono possibile parlare di autore, opera e gusto nell'epoca degli algoritmi. Ricostruiscono la metamorfosi del ruolo dell'artista e mostrano come le macchine non si limitino a generare contenuti, ma imparino anche dalle nostre reazioni e abbiano un impatto sulla nostra sensibilità.Attraverso teoria dei media, filosofia dell'arte e cultura visiva, gli autori tracciano la mappa di questo passaggio decisivo, offrendo una bussola per orientarsi in un'epoca in cui l'immaginazione diventa computabile e l'estetica, sempre più, una tecnologia culturale.Qui troverete dei materiali aggiuntivi relativi alla pubblicazione: https://lucasossellaeditore.it/progetto/estetica-artificiale/Lev ManovichProfessore alla City University di New York, è tra i massimi teorici internazionali della cultura e dei media digitali. È autore di decine di libri, tra cui Il linguaggio dei nuovi media, considerato un classico della teoria dei media contemporaneiEmanuele ArielliProfessore all'Università IUAV di Venezia, è filosofo e studioso di estetica. Tra i suoi libri: Idee virali. Perché i pensieri si diffondono e Farsi piacere. La costruzione del gusto.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Közel száz évvel ezelőtt Szerb Antal pár év leforgása alatt írta meg két nagyszerű regényét, A Pendragon legendát és az Utas és holdvilágot. A két regény különleges, az olvasókat a mai napig megszólító világáról, Szerb személyéről és irodalomtudósi munkáiról is beszélgettünk a Nem rossz könyvek legújabb epizódjának élő, brunch-csal egybekötött felvételén a Hadik Kávéházban. Vendégünk Prieger Zsolt volt, aki nemcsak az Anima Sound System, hanem a Szerb Antal Társaság alapítója is, és sok éve szervez alternatív irodalomórákat, interdiszciplináris irodalmi esteket. A tartalomból: 00:00 Az első találkozások Szerb Antallal. Költőként tudós és tudósként költő, minimális verssel. Akinek koncepciója volt, de ADHD-s módra csapongott. 06:21 Ambivalenciák mindenfelé, és hogy nem tudod eldönteni, itt most van valami nagy mondás, vagy csak játék az egész. És ahol nincs magas és alacsony irodalom, hanem minden egyszerre burjánzik. 11:48 Tudomány és írás egymás mellett. 20:20 A hatalmas olvasói népszerűség és a kánonok, amikbe sosem fért be igazán. 24:10 A Pendragon-legenda: miért pont Wales? Miért pont kísértethistória? Misztikus vonzalmak Szerbnél és a korszakban. 36:30 Mikor mit olvasunk ki az Utas és holdvilágból? Generációs különbségek, és ma mit látnak benne a fiatalok? Az Ulpius-univerzum csodája, és a fejlődés és visszafejlődés regénye. 44:00 Radikális szabadságvágy Szerbnél, és a vallás szerepe. 59:46 Három plusz egy könyv Prieger Zsolt ajánlásában: Tommy Wieringa - Szent Rita, Rényi András - Rembrandt, Pamela Pettyfeather - Pápasztorik, és Martin Buber - Haszid történetek. Továbbra is várjuk a könyv- és témaötleteket a facebookos csoportunkban! Addig is további könyves tartalmakért ajánljuk Anna Instagramját és Bence Nemrosszkönyvek Instagramját, ahonnan a podcast nevét is kölcsönöztük. A műsor meghallgatható a 444 Spotify- és Apple Podcast-csatornáján is.See omnystudio.com/listener for privacy information.

Aesthetic medicine moves billions of dollars a year, which means the loudest takes on injectable cosmetics — pro or con — usually come from someone with something to sell. Dr. Lawrence Bass walks through six widely-circulated claims about fillers — that they look puffy and unnatural, that they can be repeated as often as you want, that they only suit younger faces, that they lift sagging tissue, that they stretch the skin and accelerate aging, and that they qualify as "forever chemicals" — and lays out what the evidence actually says. Two ideas anchor the conversation. Results depend on the amount of product used and the skill of the injector — give a five-year-old and Rembrandt the same paints and you'll get two very different paintings. And there's a real upper limit on retreatment: stacking too many sessions too close together traumatizes tissue and can make the original concerns reemerge in reverse as older product breaks down. Separate hype from evidence — including the fact that hyaluronic acid is nothing like the PFAS compounds in nonstick cookware — and you can decide whether injectables belong in your beauty plan based on what they actually do. Questions answered by this episode 1. Do all fillers create a puffy or unnatural look? 2. What actually determines how natural fillers look — the product or the injector? 3. How often can fillers be repeated without overdoing it? 4. What happens when fillers are stacked too quickly or too often? 5. Are fillers only useful for younger faces and early-stage aging? 6. Can fillers actually lift sagging tissue, or do they only add volume? 7. Do fillers stretch out the skin and speed up aging? 8. How are hyaluronic acid fillers different from PFAS "forever chemicals"? 9. Can fillers be reversed if something goes wrong? 10. How do you decide if fillers belong in your beauty plan?   Innovator. Industry veteran. In-demand Park Avenue board certified plastic surgeon, Dr. Lawrence Bass is a true master of his craft, not only in the OR but as an industry pioneer in the development and evaluation of new aesthetic technologies. With locations in both Manhattan (on Park Avenue between 62nd and 63rd Streets) and in Great Neck, Long Island, Dr. Bass has earned his reputation as the plastic surgeon for the most discerning patients in NYC and beyond. To learn more, visit the Bass Plastic Surgery website at or follow the team on Instagram @drbassnyc  Subscribe to the Park Avenue Plastic Surgery Class newsletter to be notified of new episodes & receive exclusive invitations, offers, and information from Dr. Bass.

Episode: 1573 Donatello: Of his age or for all time?  Today, we ask: Of an age, or of all time?

In the early hours of March 18, 1990, two men dressed as Boston police officers walked into the Isabella Stewart Gardner Museum and disappeared into history carrying over $500 million worth of stolen art. Paintings by Rembrandt van Rijn, Johannes Vermeer, and Edgar Degas vanished without a trace in what remains the largest unsolved art heist in modern history.This week on Seven Deadly Sinners, we dive into the suspects, mafia connections, bungled investigations, and chilling theories surrounding the infamous Isabella Stewart Gardner Museum theft. Who pulled it off? Where is the missing artwork now? And how does a crime this massive stay unsolved for decades?Some masterpieces are priceless. Some secrets are deadly.SHOW NOTES:https://www.gardnermuseum.org/https://www.fbi.gov/history/cases-and-criminals/isabella-stewart-gardner-museum-heisthttps://www.bostonglobe.com/

Dit is de gehele uitzending van dr Kelder en Co waar Jort Kelder belt met Simon Ceulemans (JA21) over de rellen in Loosdrecht. Over de top tussen Trump en Xi legt dr. Rogier Creemers uit wat de oogst was voor de Amerikaanse president. De jonge dr. Charlotte Rulkens heeft onderzoek gedaan naar hoe we wetenschappelijk kunnen optimaliseren of een kunstwerk aan een grootmeester kan worden toegeschreven. En econoom dr. Matthijs Korevaar legt uit hoe we wel iets aan die hypotheekrenteaftrek kunnen doen, een maatregel die voor veel mensen in 2031 afloopt. 

There's an old idea in M&A called the Rembrandt in the attic. A company owns something valuable — a brand, a patent, a customer list, a data set — and nobody inside the business sees it for what it is. The right acquirer walks in, looks at the same asset through a different lens, and recognizes a masterpiece.  Dori Yona spent six years and raised $14 million building what he thought was a price protection company for consumers. Earny tracked everything its users bought online and automatically clawed back refunds whenever the price dropped within the retailer's protection window.  The model never quite worked. After two rounds of layoffs, a shutdown plan presented to the board, and a move out of the Santa Monica office, Dori pivoted to selling the one thing the company had in abundance: SKU-level purchase data on 3.5 million users.  That pivot found the acquirer.  To a consumer packaged goods (CPG) giant trying to understand what shoppers were actually putting in their carts during COVID, the data was the prize. The consumer app was almost incidental. 

The Front Row Network welcomes independent wrestler Ryan Rembrandt. Brandon and Ryan discuss his journey to his in-ring career as well as emphasis on character and storytelling. They also discuss Ryan's ultimate in-ring goals. 

Probst, Carsten www.deutschlandfunk.de, Kultur heute

New York, 1888. Ann O'Delia Diss Debar — self-styled Spirit Princess, alleged daughter of Lola Montez — convinced a grieving Madison Avenue lawyer that Raphael and Rembrandt were painting for him in his own parlor. The paintings were chemical tricks. The deed to his townhouse was hers. And the worst of her career was still ahead.Jump to the AD-FREE Safe House EditionBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-crime-historian--2909311/support.You can pay more if you want to, but rent at the Safe House is still just a buck a week, and you can get access to over 400 ad-free episodes from the dusty vault, Safe House Exclusives, direct access to the Boss, and whatever personal services you require.We invite you to our other PULPULAR MEDIA podcasts:If disaster is more your jam, check out CATASTROPHIC CALAMITIES, telling the stories of famous and forgotten tragedies of the 19th and 20th centuries. What could go wrong? Everything!For brand-new tales in the old clothes from the golden era of popular literature, give your ears a treat with PULP MAGAZINES with two new stories every week.

durée : 00:04:57 - La main verte - par : Alain Baraton - Alain Baraton nous parle ce matin des tulipes et de Rembrandt. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

O escritor Benjamin Moser diz que se mudar para um país desconhecido é como passar a viver em um mundo invertido. "No começo, você não sabe para onde olhar. Não sabe onde está nem o que está olhando. Não sabe nem por onde começar", ele escreve na introdução de "O Mundo de Ponta-cabeça", agora lançado no Brasil. Quando tinha 25 anos, Moser deixou Nova York e foi morar na Holanda. Para lidar com a condição de estrangeiro, começou a olhar para a pintura da Idade de Ouro do país —percorrendo galerias e museus, se deparou com obras de Rembrandt, Vermeer e outros grandes pintores do século 17. A curiosidade com esses artistas virou obsessão e, duas décadas depois, deu origem ao livro, que explora a vida e a obra de quase 20 deles, mas, sobretudo, a sua experiência de descobrir esses artistas e entender melhor o mundo invertido em que estava vivendo. Neste episódio, o escritor fala sobre as circunstâncias históricas do período em que os pintores viveram e defende que é impossível separar a obra e a vida de um artista. Moser, conhecido pelas biografias de Clarice Lispector e Susan Sontag, diz que tanto a trajetória das duas escritoras quanto a dos mestres holandeses lembra que nenhum artista sabe o destino que vai ter —um talento extraordinário não é suficiente para prosperar, e as chances de fracassar ou terminar a vida na miséria são enormes. Produção e apresentação: Eduardo Sombini Edição de som: Raphael Concli See omnystudio.com/listener for privacy information.

5 Questions with ABJ RembrandtWelcome To 5 Questions with ABJ. Street Interview style content asking people what their goals are in life and how they are working to achieve them possible set backs and if they are over all happy currently in this journey. You never know who will pop up for 5 Questions.https://linktr.ee/anthonyblackwelljrOur Guest Links:https://twitter.com/TheRembrandt_https://www.instagram.com/therembrandt__/

Time has a way of changing the way you can see things. What does that mean, and what might that phrase have to do with Peter's encouraging New Testament letter? Pastor Chris began a short series on the first letter of Peter. Could you use some encouragement? Let's listen carefully to Peter's words to Christians scattered across the known world and see how they might put a "pep in our step" as we live and work and serve in the "meantime." You have been born again! Your new life will last forever! Note: The artwork associated with this podcast/post is Rembrandt's interpretation of St. Peter.

In the heart of The Hague, Netherlands, the museum Mauritshuis displays some of the world's most iconic art in its Royal Cabinet of Paintings, including ones from Rembrandt and Vermeer's Girl with a Pearl Earring. But there's another oil painting by Vermeer that is also quite famous, called View of Delft — it's of his hometown, created around 1660.The painting is a cityscape — the only one Vermeer ever painted — a snapshot of the Dutch city of Delft from across the Schie River. In it you see the city's beautiful architecture on full display, including buildings with striking red roofs. Well, at least they used to be red. Today they have a pink-ish hue and if you looked at the painting up close, you'd see that they are covered in white spots. And what may come as a surprise is that they are, in fact, soap. In today's episode of Tiny Matters, we're going to talk about the weird chemistry of soap, what ancient soap was like, and why scientists are finding soap in old oil paintings.Send us your science facts, news, or other stories for a chance to be featured on an upcoming Tiny Show and Tell Us bonus episode. And, while you're at it, subscribe to our newsletter!All Tiny Matters transcripts and references are available here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Writer and director John Morton, one of the team behind 2012 and W1A, on the new comedy Twenty Twenty Six, set in the run up to this year's football World Cup.Artist Lachlan Goudie's new book The Secrets of Painting explores the creative big bangs in art over the centuries which have given us artistic movements - from Giotto and Rembrandt's use of oil paint to Berthe Morisot's use of an outdoor easel and Jackson Pollock's use of materials intended for industrial use, Goudie tells us how he has undergone a series of experiments to inform his understanding of pioneering techniques. A new gig theatre production at The Mac in Belfast honours the Women's Coalition in Northern Ireland whose activism was an important force behind the 1998 Good Friday Agreement. Writer Vittoria Cafolla joins us to tell us their story. And as we go on air, the winners of this year's Windham-Campbell Awards for writing are announced. Each recipient receives $175,000, and we'll hear from one of the winners, as well as the Director who heads up the judging panel. Presenter: Kirsty Wark Producer: Mark Crossan

Lent begins with the story of Jesus being tempted in the wilderness by Satan. But ... what is temptation? As we come to the end of our 40 days of Lent now in Holy Week, we take a moment to truly ask of God and ourselves what temptation is, and is not. Join friend of Rev. Lizzie and the pod, The Rev. Angela Tyler-Williams. We're excited to welcome Rev. Laura back from maternity leave next month! Please pray for her continued rest and recovery in the meantime :)  +++ Like what you hear? We are an entirely crowd-sourced, you-funded project.  SUPPORT US ON PATREON: https://www.patreon.com/AndAlsoWithYouPodcast There's all kinds of perks including un-aired live episodes, Zoom retreats, and mailbag episodes for our Patreons! +++ Our Website: https://andalsowithyoupod.com Our Instagram: https://www.instagram.com/andalsowithyoupodcast/ ++++ MERCH: https://www.bonfire.com/store/and-also-with-you-the-podcast/ ++++ More about Father Lizzie: BOOK: https://www.penguinrandomhouse.com/books/762683/god-didnt-make-us-to-hate-us-by-rev-lizzie-mcmanus-dail/ RevLizzie.com https://www.instagram.com/rev.lizzie/ https://www.tiktok.com/@rev.lizzie Jubilee Episcopal Church in Austin, TX - JubileeATX.org  ++++ More about Mother Laura: https://www.instagram.com/laura.peaches/ https://www.tiktok.com/@mother_peaches St. Paul's Episcopal Church in Pittsburgh, PA ++++ Theme music: "On Our Own Again" by Blue Dot Sessions (www.sessions.blue). New episodes drop Mondays at 7am EST/6am CST!  Cover art today is a sketch by Rembrandt of the Temptation of Christ. 

The true story of the world's largest art heist, as told by the FBI agent who investigated the case.On March 18, 1990, thirteen works of art were plucked from the walls of the Isabella Stewart Gardner Museum in Boston by two subjects posing as police officers. They rang the night bell, claiming they were responding to a call of a disturbance. After incapacitating the guard and his partner with handcuffs and duct tape, the subjects spent the next eighty-one minutes inside the museum, leisurely removing some of the world's most valuable pieces of artwork from the walls, including a rare Vermeer and Rembrandt's only known seascape. The total loss associated with this robbery has been estimated at over $1 billion.Based on meticulous investigations conducted to the standards required of an FBI special agent, Thirteen Perfect Fugitives offers author Geoffrey Kelly's insights and theories about the infamous heist.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

INTRO (00:24): Kathleen opens the show drinking a Conway's Irish Ale from Great Lakes Brewing Company in Cleveland. She reviews her weekend in Pittsburgh and Cleveland, visiting her favorite Cleveland dive bar and seeing her first Faberge egg.     TOUR NEWS: See Kathleen live on her “Day Drinking Tour.”   TASTING MENU (4:26): Kathleen samples Pennystick's Stick Pretzels, Ballreich's Buffalo Garlic Parmesan Chips, and Sarris Candies Milk Chocolate Covered Pretzel Rods.    COURT NEWS (41:12): Kathleen shares news about Dolly Parton's Songteller Hotel in Nashville confirming an opening date, and Taylor Swift is credited for Travis Kelce's return to the Kansas City Chiefs 2026 roster.    HOLLYBOBBY (25:05): HollyBobby provides the latest news in Hollywood.    UPDATES (45:00) : Kathleen shares updates on Britney Spears' DUI, stowaway Svetlana Dali sneaks on another European flight, Punch the Japanese snow monkey has outgrown his orangutan stuffed animal, Elon's proposed Tesla tunnel loop meets opposition in Nashville,     FRONT PAGE PUB NEWS (1:03:52): Kathleen shares articles on the history of Faberge eggs, Ticketmaster experiences further issues with the Metallica Sphere onsale, Southwest considers only cleaning premium seats, Costco plans to build apartments over their warehouse stores,  American Airlines could be downgrading their crew hotels, David Copperfield retires from his Vegas residency, the current owner of Epstein's island is revealed, and the woman who designed the iconic Vegas sign never made a fortune on her design.    HOLY SHIT THEY FOUND IT (1:01:35): Kathleen reads about a lost Rembrandt rediscovered in Amsterdam.    WHAT ARE WE WATCHING (42:13): Kathleen recommends watching “Love Story” on FX, and “Death By Lightening” on Netflix.    SAINT OF THE WEEK (1:32:14): Kathleen reads about St. Damien of Molokai, patron saint of lepers.    FEEL GOOD STORY (1:26:11): Kathleen shares a story about a golden doodle who gets a happy ending after being abandoned at a Las Vegas airport ticket counter.