Podcasts about Rembrandt

Waldy and Bendy have both been to Italy, but alas not together. They catch up on the newly reinstated Rembrandt, and laments the decline of art history being taught in school. Also, a celebration of International Women's Day with a Waldy vs Bendy on the most underrated woman artist. See the show notes here: https://zczfilms.com/podcasts/waldy-bendy/season-6-episode-1-new-rembrandt-and-forgotten-women/ Watch on YouTube here: https://youtu.be/unDUhZNNXXk

INTRO (00:24): Kathleen opens the show drinking a Conway's Irish Ale from Great Lakes Brewing Company in Cleveland. She reviews her weekend in Pittsburgh and Cleveland, visiting her favorite Cleveland dive bar and seeing her first Faberge egg.     TOUR NEWS: See Kathleen live on her “Day Drinking Tour.”   TASTING MENU (4:26): Kathleen samples Pennystick's Stick Pretzels, Ballreich's Buffalo Garlic Parmesan Chips, and Sarris Candies Milk Chocolate Covered Pretzel Rods.    COURT NEWS (41:12): Kathleen shares news about Dolly Parton's Songteller Hotel in Nashville confirming an opening date, and Taylor Swift is credited for Travis Kelce's return to the Kansas City Chiefs 2026 roster.    HOLLYBOBBY (25:05): HollyBobby provides the latest news in Hollywood.    UPDATES (45:00) : Kathleen shares updates on Britney Spears' DUI, stowaway Svetlana Dali sneaks on another European flight, Punch the Japanese snow monkey has outgrown his orangutan stuffed animal, Elon's proposed Tesla tunnel loop meets opposition in Nashville,     FRONT PAGE PUB NEWS (1:03:52): Kathleen shares articles on the history of Faberge eggs, Ticketmaster experiences further issues with the Metallica Sphere onsale, Southwest considers only cleaning premium seats, Costco plans to build apartments over their warehouse stores,  American Airlines could be downgrading their crew hotels, David Copperfield retires from his Vegas residency, the current owner of Epstein's island is revealed, and the woman who designed the iconic Vegas sign never made a fortune on her design.    HOLY SHIT THEY FOUND IT (1:01:35): Kathleen reads about a lost Rembrandt rediscovered in Amsterdam.    WHAT ARE WE WATCHING (42:13): Kathleen recommends watching “Love Story” on FX, and “Death By Lightening” on Netflix.    SAINT OF THE WEEK (1:32:14): Kathleen reads about St. Damien of Molokai, patron saint of lepers.    FEEL GOOD STORY (1:26:11): Kathleen shares a story about a golden doodle who gets a happy ending after being abandoned at a Las Vegas airport ticket counter. 

God sometimes uses the unlikeliest people and situations to accomplish His purposes. This week, Pastor Jim continues our journey through Judges with a look at the rise of Samson, a judge chosen by God before birth. He was set apart and given great strength. But from the very beginning of his story, Samson proved himself to be unspiritual, disrespectful, and impetuous. He chased pretty foreign women instead of deliverance for his people. And God used Samson's character flaws to spark a one-man war that would devastate the Philistine people. Pastor Jim leaves us with encouragement to obey God willingly, not in spite of ourselves, bringing the sweet honey of God's truth with us everywhere we go.This week, our hosts continue their discussion on the book of Judges, some of the talking points were, the jerks that God uses to fulfill His perfect plan, the lion and the bees, and ways we can grow spiritually. Oh and tune into the beginning to hear our hosts talk about something that a lot of us have been wondering, is TBC still planning on going on their trip to Israel?The wedding feast of Samson painted by Rembrandt: https://en.wikipedia.org/wiki/The_Wedding_Feast_of_Samson#/media/File:Rembrandt_Harmensz._van_Rijn_146.jpgIf you would like to watch the video podcast, find us on YouTube:https://www.youtube.com/channel/UCMhDfGn0zfzi6XjcKkSVcFAFacebook: https://www.facebook.com/discovertbcInstagram: https://www.instagram.com/topekabiblechurchWebsite: https://www.discovertbc.com/

In this episode of Gangland Wire, I sit down with retired FBI agent Geoff Kelly, a specialist in art theft investigations who inherited one of the most notorious unsolved cases in American history—the 1990 robbery at the Isabella Stewart Gardner Museum. He recently wrote a book about this theft titled 13 Perfect Fugitives: The True Story of Mob, Murder, and the World’s Largest Art Heist. Kelly's law enforcement career began as a New York City transit police officer before transitioning to the FBI. Like many agents, he initially sought violent crime work. Instead, he was assigned to economic crimes before eventually transferring to a violent crime squad. It was there that he encountered the Gardner case—a cold case largely untouched by senior agents at the time. The robbery itself remains extraordinary: two men posing as police officers gained entry to the museum and stole 13 works of art, including masterpieces by Rembrandt. More than three decades later, none of the works have been recovered. Inside the Gardner Heist Geoff explains how art theft is often misunderstood. Popular culture portrays refined, sophisticated criminals orchestrating elaborate capers. The reality, he says, is usually more opportunistic and frequently violent. Art theft often intersects with organized crime, drug trafficking, and even homicide. Massachusetts has a documented history of art-related crimes, and several individuals connected to the Gardner investigation met violent ends. The criminal underworld surrounding stolen art is less about wealthy collectors hiding paintings in private vaults and more about leverage—using artwork as collateral in criminal negotiations. The FBI's Art Crime Evolution Following the 2003 looting of Iraq's National Museum during the Baghdad invasion, the FBI formalized its Art Crime Team. Kelly discusses how intelligence gathering, informants, and international cooperation became central tools in recovering stolen artifacts. He emphasizes that solving art crimes often depends less on forensic breakthroughs and more on human intelligence. Informants remain essential, especially in cases where organized crime overlaps with high-value theft. Kelly also discusses his upcoming book, 13 Perfect Fugitives, which explores the intersections of mobsters, murder, and the illicit art market. Organized Crime and the Reality of Stolen Art Drawing on my own experience working organized crime in Kansas City, I found clear parallels between traditional mob rackets and art theft networks. The same structures—intimidation, secrecy, and violence—apply. Once a painting disappears into criminal circulation, it becomes a liability as much as an asset. Kelly challenges the myth that thieves profit easily from masterpieces. High-profile works are difficult to sell. The black-market art world is volatile and dangerous. In many cases, the artwork becomes bargaining collateral rather than a cash windfall. A Case Still Waiting for Closure More than 30 years later, the Gardner Museum still displays empty frames where the paintings once hung. Kelly remains committed to the idea that public awareness may eventually generate new leads.  The Gardner heist stands as both a cultural tragedy and a criminal mystery—one that continues to intersect with organized crime, violence, and international intrigue. Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Hey, you guys, Gary Jenkins back here in studio Gangland Wire. Y’all know me. I’m a retired Kansas City Police Intelligence Unit detective and now podcaster and documentary filmmaker. I have in the studio today… Jeff Kelly, he’s a now-retired FBI agent. He was an expert in recovering stolen artifacts and art pieces. He was involved. He wasn’t involved in the original theft of the Boston art theft, the Isabella Stewart Gardner Museum, but he ended up inheriting that case. So welcome, Jeff. Hi. Thanks, Gary. Nice to be here. And guys, I need to mention this right off the bat. Jeff has a book, 13 Perfect Fugitives, The True Story of the Mob, Murder, and the World’s Largest Art Heist. Be out on Amazon. I’ll have links down below in the show notes if you want to get that book. I think it would be pretty interesting. I was telling Jeff, I just interviewed Joe Ford, the million-dollar detective, the guy that goes after classic cars, and I read that book. I love these kind of caper kind of books and caper crimes. Those are the ones I like the best is the caper crimes. And Jeff is an expert at working caper crimes. And that’s what these are, capers. So Jeff, how did you get into this? Now you came on the FBI. You were a policeman before, I believe. So tell the guys a little bit about yourself and your FBI career. Yeah, I started out with the Metropolitan Transportation Authority Police in New York City. It was a transit cop. I did that for three years. And then I got into the FBI in October of 95. [1:30] And my goal was always, I wanted to work violent crime. That’s what drew me to law enforcement in the first place, working bank robberies and kidnappings and fugitives. I had to do my five years on working economic crime, telemarketing fraud. It was interesting, but not all that exciting. And finally in 2000, I got my transfer to the violent crime squad. And I loved working it. And I did it for my entire career from then on, right up until my retirement in 2024. But back then, art theft was considered a major theft violation, [2:01] and it was worked by the Violent Crime Squad. And so in 2002… My supervisor dumped this old moribund cold case in my lap. It was the Isabella Stewart Gardner Museum heist. [2:15] Nobody wanted it on the squad, so they figured, let’s give it to the new guy. I was ecstatic to get it because I’d heard about it. I went to school in Boston. I went to Boston University and graduated the year before it happened, but I knew about it. [2:28] That’s how I started working this case, this particular case, and then the following year during the U.S., there was a, the U.S. And coalition forces invaded Baghdad in Iraq. And during a 36-hour period, more than 15,000 objects of very, very important cultural history were looted from the National Museum of Iraq. And it’s really one of the most important museums in the world in terms of our shared history. Kind of the cradle of civilization over there in the Tigers and Euphrates River. Yeah, and that was the time when the FBI kind of belatedly realized that there was no art crime team to investigate this. And of course, FBI agents have been working art theft like any other property crime since the beginning of the FBI’s existence, but there was no codified team. So they did a canvas for the team in 2004 and I applied for it because at this point I’d been working the Gardner case for a couple of years and really was fascinated by it and made the team. And so then over the next 20 years, we continued to expand the team both in size and in scope and in our intelligence base and knowledge base. And when I left the Bureau in 2024, it was and still is a tremendous team with a lot of very dedicated and professional agents and professional support. [3:51] Now, guys, if you don’t know about the Isabella Stewart Gardner case, there was a Netflix documentary on it a few years ago. It was an art museum in Boston. [4:01] Two guys showed up. They had Boston police uniforms on, and they got in. They basically, it was an armed robbery, and they took control of the museum. The guards were in there late at night and took these really valuable paintings out. I believe you told me earlier they were Remington paintings. We’ll get into that. And it was a violent crime. It was an armed robbery of paintings, and you told me about other armed robberies of paintings. I think you got into some other armed robberies of paintings. You always think of, as you mentioned before, the Thomas Crown Affair character that goes out and does these sophisticated art thefts. That’s not always true, is it? It’s never that way, but it doesn’t matter. Don’t let the facts get in the way of a good story. Everybody wants to believe that art thefts are pulled off by the Thomas Crown Affairs and these gentlemen thieves repel in through skylights and do all that fancy stuff, put it in their underground lair. That’s just not the way it works. But if you look to art theft. [4:55] Massachusetts really is a cradle of art theft in this country, and it’s very unique. The first armed robbery of a museum occurred in Boston in 1972. It was committed by a guy named Al Monday, who was a prolific art thief. And they stole four pieces from the Worcester Art Museum in central Massachusetts with a gun. They ended up shooting the guard. And one of the pieces that they stole was a Rembrandt called St. Bartholomew. [5:26] And in keeping with the milieu of true art thieves, the paintings were stored on a pig farm just over the state line in Rhode Island. And when this Connecticut safecracker by the name of Chucky Carlo, who was looking at some serious time in prison for some of the crimes that he committed, when he found out that Al Monday had these paintings, he just simply kidnapped Al Monday and stuck a gun in his ribs and said he would kill him if he didn’t give him the paintings. which is no honor among thieves. And Al turned over the paintings, Chucky returned them, and he got a very significant break on his pending jail sentence. Right here in 1972, Boston thieves see Rembrandt as a valuable get-out-of-jail-free card. [6:09] And then if we jump forward three years to 1975, there was a very skilled art thief, really a master thief by the name of Miles Conner. I interviewed Miles for my book. It was very gracious of him to sit down with me for it. And he had robbed or committed a burglary of the Woolworth estate up in Maine, the family, the five and dime family magnets. And he got caught for it because he tried to sell those paintings to an undercover FBI agent. And so he was looking at 12 years in prison for it. And he was out on bail. And he reached out to a family friend who was a state trooper. And he asked him, how can I get away with this one? How can I get out of this? Because he was in serious trouble. The trooper’s response was meant to be hyperbolic. The trooper said, Miles, it’s going to take you a Rembrandt to get out of this one. [6:57] And so Miles said, okay, I’ll go get a Rembrandt. And he got a crew together and they did a daylight smash and grab at the Museum of Fine Arts in Boston, just across the street from the Gardner. And they stole Rembrandt, the girl in a gold-trimmed cloak. [7:12] And he was able to return that painting. Instead of doing 12 years, he did 28 months. And he even managed to, he told me he even managed to get the $10,000 reward in the process. So you have this atmosphere in Massachusetts that Rembrandts are a valuable commodity, right? They can help you out in a jam. And so I think it’s no coincidence that in 1990, when the Gardner Museum heist came down, the Gardner Museum had this array of motion sensors all throughout the museum. It would alert to wherever you went, every gallery, hallway, whatever. [7:49] And we know from these motion sensors that after, as you said, the two guys went in disguised as cops and bluffed their way into the museum, they made a beeline for the Dutch room, which is the room of all things Rembrandt. They stole three Rembrandts. They stole a fourth piece called Landscape with an Obelisk, which was actually by Govard Flink, but it had been misattributed to Rembrandt until the mid 80s. And then they took a large Rembrandt oil-on-panel off the wall and it was recovered the next morning leaning against a piece of furniture. We believe they just overlooked it in the dark. So out of the 13 pieces taken, three were Rembrandt, a fourth was misattributed to Rembrandt, and there was going to be a 14th piece taken, which was also Rembrandt. It definitely falls into that theory that this was going to be a hold-on to these pieces for a while and see if you can use them for a break. [8:48] Interesting. Now, back in the 70s, for example, when somebody would work in an art robbery like that or an art theft, you got your tried and true ways of working a crime. You got to have sources, you got to have witnesses, and hopefully you can get a crime like this. You can get a source that says, hey, this guy, we had a guy in Kansas City that he was a fence for these kinds of guys. He had an antique auction and he took all this stuff and got it somewhere else. So at the time, just use your regular police methods. And what changed over the years as you’ve done this? Yeah, certainly we’ve become much more sophisticated with the techniques that we use. But at the end of the day, it’s always still going to be intelligence. But I found from working my entire career in violent crime, virtually my whole career in violent crime, the sources are crucial. Having a good informant can make and break a case. And working art theft investigations, you’re certainly going to have the same types of fences of informants, fences for stolen property and what they’re hearing about what organized crime guys are doing and what drug guys are doing. But it also opened up a whole new avenue of sources for me as working in art investigations, because now you’ve got pawn shops and gallery owners and auction houses, and they’re in a position to know when not only when stolen artwork is coming in, but also fakes and forgeries. We spoke about this, that. [10:16] Somebody comes in with one valuable piece that would be very difficult for somebody in his or her position to come across one piece like this, let alone a dozen of them. That really points to probably a fake. And so that’s really the key to solving these things is just having a good intelligence base who’s going to let us know about when something comes up that’s either stolen or it’s been forged. [10:43] Brings up a question. In my mind, did you ever work a gallery owner or a gallery [10:48] that then would filter in, knowingly filter in some fakes every once in a while? They couldn’t do it 100% of the time, but you could certainly make some extra money by filtering fakes out of it because many people would get it and they’d never know. Nobody would ever know. Listen, it is a really difficult thing when you’re working these types of crimes because unlike bank robber, you go into a bank and you stick them up with a gun and take them on. It’s not up to the government to be able to prove at trial that you knew that the bank was insured by the FDIC. You went in and you robbed it, you committed the offense. When you’re talking about interstate transportation of stolen property or possession of stolen property, there are what’s called specific intent crimes, meaning you have to prove the element of knowledge. You have to be able to prove that the person knew that that item was stolen. Not that it said it was stolen. and you had to show that they knew it. And that’s a really high hurdle to overcome. And typically what we do to try and prove that specific intent is we’re going to go through. [11:53] Recorded statements made to a source or to an undercover or emails or texts or something that we can show that this person knew that item was stolen. And so we would see that a lot in auction houses and galleries. There’s a lot of willful blindness where a lot of gallery owners and auction houses, they’re going to look the other way because it’s too lucrative to pass up. And in fact, in 2015, the art crime team, once we received information that ISIL or ISIS was using looted cultural property from Syria and Iraq as a form, a viable form of terrorism financing. And we put auction houses and gallery owners on notice in 2015, and we basically told them that if you’re selling objects of cultural patrimony or cultural heritage with a dubious provenance, like a wink and a nod, you may be unwittingly or wittingly funding terrorism. While we never charged anybody with it, hopefully it was an eye-opener that when you’re getting into this world, it’s not a victimless crime. There are very real victims involved. [13:07] And that’s one of the things that really is interesting about working our crime investigations. And I used to get ribbed by my friends who were not on the art crime team about [13:18] where like the wine and cheese squad were raised and everything. But our subjects are far from it. We’re dealing with organized crime, gangs, terrorists. This is no joke. These are serious individuals and the stakes are high. And in the Gardner case, three or four people that we believe were involved in the heist were murdered a year after the Gardner case crime occurred. Yeah, I was just going to go back to that a little bit, as we said before, a little bit like the Lufthansa case. All of a sudden, everybody that was involved in the theft. Started dropping like flies. So tell the guys about that. That is really interesting. [14:00] Yeah. So the two individuals that we believe went into the museum dressed as cops, just a week shy of the one-year anniversary, one of the guys was found dead in his apartment of an acute overdose of cocaine, intravenous. And his family admitted that he used Coke, but they said he was terrified of needles. He was scared of needles. So it really looked to be like a hotshot, an intentional overdose of cocaine. Two weeks later, the other guy who we believe went into the museum with him, his wife reported him missing. And a couple of weeks later, his bullet riddled body was recovered in the trunk of his car out by Logan Airport in East Boston. There was another member of that crew. These were all part of the same crew. This Carmelo Merlino, who was a Boston mobster, had an auto shop down in the Dorchester section of Boston. Another member of his crew, a guy named Bobby, six weeks after the heist, he brought in, he visited a jeweler in the downtown crossing jewelry district in Boston. He came in with this object and he unwrapped it. It was an eagle. [15:03] It was the finial from the Napoleonic flag that was stolen in the Gardner heist. And he asked the jeweler, how much is this thing worth? And the jeweler looked at it and he said, it’s worth nothing. Because he immediately recognized it as one of the people that had been stolen six weeks earlier from the Gardner heist. And then a few months later, Bobby was stabbed to death and nearly decapitated on the front porch of his house. And the responding police saw that his house had been broken into and ransacked like his killers had been looking for something. There was a fourth guy, Jimmy, who bragged to his girlfriend a few months after the heist that he had a couple of pieces from the Gardner Museum hidden in his attic. [15:47] And in February of 1990, 11 months after the heist, he was executed on his front porch in what the local police called a mob hit. So, yeah, these are the types of crimes that have a tendency to have a chilling effect on anybody who harbors any aspirations to come forward with information. Yeah, and we talked earlier a little bit about, like, the crime itself, and the statute of limitations is up on that, what you said, and the crime itself, but how we talked a little bit and explained to them about how this could be part of a RICO case. And you’ve got the murders and you’ve got the actual theft and whatever they did with the paintings, then maybe you could get over after a Bob boss as a Rico case. Tell the guys a little bit about doing that. Yeah. [16:32] I’ve heard it so many times in more than two decades that I worked the case and people would say, geez, why don’t people come forward? They’re just paintings. There are so many times they’re just paintings. They’re like, yeah, they are, but there’s two things about that. Number one, there’s some dead bodies on these paintings, three or four, and that there’s no statute of limitations for murder. And so if you implicate yourself in the theft or you implicate yourself in possessing or transporting these paintings at any time, the fear is that you’re then implicating yourself in a homicide. And the other aspect of this, which I think has a chilling effect, is the fact that transportation of stolen property is one of the predicate acts for RICO, racketeering influence corrupt organization case. And RICO is basically, Gary, is basically an entire organization is corrupt. Yeah. There’s no legitimate purpose. It’s what we think about the mob and the [17:27] FBI has taken down the mob in the past. So if you implicate yourself in stolen property and you’re part of organized crime, that’s one of the predicate acts for a RICO. And that’s basically life sentences. And so one of my goals in the years and years that I worked in this case was to try and convince people that you could come forward with information and the U S attorney’s offices, whether it’s up in Boston or new Haven or Philadelphia. [17:58] Would be willing to figure out a way to get the paintings back with immunity from prosecution for a RICO case. Look, that’s a high hurdle. That’s a high hurdle to convince somebody that if you come forward, you’re not going to get charged and you’re eligible for millions of dollars in reward. That’s a tough bill to swallow, but it’s the truth. I’m retired from the FBI now. I can tell you that it was, it’s a, it was, and still is a bona fide offer. And that’s one of the goals that I’ve always tried to impress on anyone is the opportunity to become a millionaire without going to jail. There you go, Jeff. Can you, now you’re not with the Bureau anymore. Can you go out, if you could go out and find them and bring them in, could you collect that reward? I would certainly hope so. [18:48] I can’t tell you how many of my friends thought that I had some of these paintings stashed in my basement. Waiting for retirement to go turn them in the next day. I think half the guys I worked with were expecting to see me pull into the parking lot of the FBI. [19:01] Big package, but no. But yeah, I suppose I could. By this point, I can tell you the amount of my very being that I put into this case over two days. Yeah. I just would love to see these paintings go back just because they need to be back at the museum. That’s where they belong. Now, these crimes, they seem, You said there’s a lot of murders attached to this. They seem a little boring. Did you have any exciting moments trying to pop anybody or do any surveillances? I know we did a big surveillance of a bunch of junkies that were going around stealing from small museums around the Midwest. And we follow them here in Kansas City. And they would have been pretty exciting had we had a confrontation with them. Did you have any exciting moments in this? It actually was a fascinating case. And for the first, there’s the really boring aspects of this job and tedious aspects. And I would say that in my, two decades working this case, I probably did, I don’t know, 50, 60, 70 consent searches, searching in attics and basements and crawling through crawl spaces and just getting sweaty and covered in cobwebs. But the break in the case for me came in 2009 when one of the guys who was part of Merlino’s crew who was deceased, his niece came forward to me and told me that the paintings. Some of them had been hidden up in this guy’s hide at his house up in Maine. I went up to Maine with Anthony Amore, who’s the director of security for the Gardner Museum. We worked on this case together for years. [20:29] And then we found that hide. And then we interviewed, right from there, we went and interviewed Guarenti. That’s the guy, Bobby Guarenti. We interviewed his widow and she broke down and admitted that he once showed her the paintings and she gave them to a guy down in Connecticut. And we identified that guy and we interviewed him. My name is Bobby Gentile. He’s a made member of the Philly Mob. He got straightened out with his crew back in the late 90s. [20:54] And he refused to cooperate. And then that’s where we really just started getting, using a lot of ingenuity to try and break it. And an agent down in the New Haven office, a guy by the name of Jamie Lawton, he joined our team and we started working this case. And he had a source who knew Gentile, Bobby Gentile, and the source started buying drugs from Gentile. Ah, there we go. We ended up arresting Gentile and we did a search warrant at his house. And it was crazy. Like we recovered, I want to say seven handguns, loaded handguns lying all over the place. He had a pump action shotgun hanging by the front door. He had high explosives. We had to evacuate the house and call him the bomb squad. But the interesting thing was he had the March 19th, 1990 edition of the Boston Herald with headlines about the Gardner heist and tucked inside that newspaper was a handwritten list of all the stolen items. With what looked like their black market values. This is in the house of a guy who swore up and down that he’d never heard of the Gardner Museum. And we were able to figure out who wrote the list. It was written by none other than Al Monday, who’s the guy that did the first armed robbery of a museum, of a Rembrandt. And we interviewed him and he told us that he wrote that list for Bobby Gentile and his buddy up in Maine, Bobby Garanti, because they had a buyer for the paintings and they wanted to know what they were worth. [22:24] So yeah, and then Gentile took 30 months. [22:28] He wouldn’t cooperate. And while he was incarcerated, we turned two of his closest friends to becoming sources. And so when he got out of prison in February or April of 2014, they started talking to him and talked about the gardener and they said they might know somebody who’d want to buy him. That’s how we then introduced an undercover agent. Gentile was introduced to Tony, this undercover FBI agent. Over six months, they had long talks about selling the paintings. Unfortunately, before Gentile would sell the paintings, he wanted to do a drug deal first, which we couldn’t allow to happen. We can’t let drugs walk on the street. So we had to take it down. And although we’d seized all these guns from Gentile back in 2012, he told the sources the FBI didn’t get all of his guns. Because of that disturbing comment, one of the sources asked Gentile if he could buy a gun for him. And Gentile sold him a loaded 38. So we arrested him again. And he still refused to cooperate. I don’t respect what he did for a living or a lot of the things that he did, but you do have to respect his adherence to his values. However, misguided they may have been, he took the code of omerta, the code of silence to heart, and he took it to his grave. He died, I think, in 2021 after going to prison a second time. [23:50] While we never got any paintings back, it was a tremendous ride, and I’m confident they will come back. It’s just going to be a question of when. Yeah, that kind of brings up the question that you hear people speculate. Did you ever run across this? Is there actually any rich old guys or an Arab sheik or somebody that buys stuff like this and then really keeps it and never shows it to anybody? Does that unicorn really exist? everybody wants that to be true i know virtually it’s not yeah there’s there’s never been a case of some wealthy what we call the doctor no theory some some reclusive billionaire with his underground lair filled with all the illicit stolen treasures of the world yeah that’s it’s never happened yeah i guess you never say never but but no look the majority statistically about three-quarters of everyone that collects art in this country does it for, and I assume it’s probably worldwide, does it for the investment potential. There’s a lot of money to be made in collecting art. It rarely, if ever, drops in value. So that’s why people collect art. If there’s somebody who has a particular piece that they want so badly that they’re going to commission its theft, it’s more the stuff of Hollywood. It could happen, but we’ve never seen that happen yet. Interesting. [25:14] We did have one case here where we had a medical doctor and he had it on the wall of his house. And it was, I believe it was a Western artist named Remington that these junkies stole out of Omaha. But it was such a minor piece that he could show it to anybody and they wouldn’t. They would say, oh, that’s cool. You got a Remington. [25:30] There’s plenty of those around. And he could afford a real deal Remington anyhow. So it wasn’t that big a deal. And that’s really what it comes down to is that art, high-end art does get stolen. It gets stolen quite often. The art market is about $60 billion, and the FBI, we estimated about $6 to $8 billion of that is illicit, whether it’s theft or fakes and forgeries. It’s a tremendous market, but it’s mostly second and third tier items. [26:02] Really valuable, well-known pieces. They do get stolen, but that’s the easy part. The easy part is stealing it. The hard part is monetizing it. That’s why you very rarely see recidivism among art thieves, high-end art thieves, because you do it once, and now you’re stuck with the thing. It’s easier to steal something else. You got to go out and boost fur coats and stuff to make a living. Exactly. Do a jewelry store robbery down there and make a living. And that’s exactly the point. That’s why you’re seeing a sea change in terms of art thefts, museum thefts. The Louvre was a great example of that. Dresden green vault robbery where 100 million euros in gems were stolen back in 2019 yeah. [26:45] Gems and jewelry, it can be broken down. It’s going to greatly diminish their value, but you can recut a gem. You can melt down the setting. You can monetize it for a greatly diminished value, but at least you can monetize it. You can’t cut up a Rembrandt into smaller pieces. [27:02] It’s only valuable as a whole complete piece. Yeah. I’m just thinking about that. We got a couple of guys, Jerry Scalise and Art Rachel in Chicago, flew to London, robbed a really valuable piece, the Lady Churchill’s diamond or something, I don’t remember, but really valuable piece and mailed it to somebody on their way to the airport and then got caught when they got back to Chicago and brought back to London and did 14 years in England and they never gave up that piece and nobody could, it never appeared anywhere, but it was just cut up and they didn’t make hardly any money off of it. Yeah. Look, there’s a, there’s much more profitable ways to. Yeah. To make an illicit living than stealing high-end artwork, but it does still get stolen. And that’s one of the cruel ironies when you’re talking about art theft is if somebody has a $20,000 piece of jewelry or a very expensive watch, they’re most likely going to lock it up in a safe in their bedroom or something. But you have a $10 million piece of artwork, you probably got it on the mantle. You’ve got it over the fireplace or in the front foyer of your house and probably doesn’t have a passive alarm system protecting it or security screws to keep it from being taken off the wall because people want to show it off. Yeah. It’s way too enticing. [28:24] Really? So, yes, you need to keep the word out there and keep this in people’s minds. And I’m sure the museum tries to do this in some ways in order, hopefully, that maybe somebody will say, oh. Yeah. [28:38] I think I saw that somewhere in this news program or on this podcast. [28:42] I’ll put some pictures on the podcast when I end up editing this. No, please do, Kerry. And that’s the thing. That’s the basis for the title of my book is it really is a fugitive investigation. And that’s how I work this case is fugitives and perfect fugitives because they’re not like their human counterparts. They’re not going to get tripped up on the silly things that we need to do as human beings, getting a driver’s license or whatnot. Yeah. [29:09] And so that’s how I worked the case. The FBI was really, I was always impressed with the FBI’s support that they gave me on this investigation. We did billboard campaigns and social media and a lot of things to get these images out there to the public, hoping it might resonate with somebody. And that’s really my goal for this book. I felt it should be written. I felt it’s an important case. Certainly, it’s something that I wanted to write about. It’s something that’s very important to me. [29:42] But it’s yet another attempt to apprehend these fugitives. And I’m hopeful that somebody, it might resonate with somebody. Somebody’s going to see something. And there’s so much disinformation and misinformation that’s out there in the media about this case. People are endlessly, all these armchair detectives, and I don’t say it in a deprecating way. Good for them. Work as hard as you can. But if you want to work this case from your armchair, great. but you should be going off accurate information because there’s a lot of bad information that’s out there on the internet. And if you want to help out, if you want to collect that $10 million reward, great, but you should be going off the most accurate factual information that’s available. Yeah. And you probably ought to go down to the deep seamy underbelly of Philadelphia or Boston or somewhere and get involved with a mob and then work your way up and make different cocaine deals and everything. And eventually you might be trusted enough that some might say, oh yeah, I’ve got those in this basement. I would suggest there’s better hobbies. [30:47] That could be hazardous to your health. I wouldn’t recommend it. Yes, it could. All right. Jeffrey Kelly, the book is 13 Perfect Tuesdays. Those are the paintings that were stolen that you’ll see on the podcast on the YouTube channel. The true story of the mob, murder, and the world’s largest art heist. Jeffrey, thanks so much for coming on to tell us about this. Thanks, Gary. Thanks for having me.

Fluent Fiction - Dutch: Treasure Hunt in the Rijksmuseum: Discovering Art and Friendship Find the full episode transcript, vocabulary words, and more:fluentfiction.com/nl/episode/2026-03-07-08-38-19-nl Story Transcript:Nl: De zon scheen helder over Amsterdam op deze mooie lentedag.En: The sun shone brightly over Amsterdam on this beautiful spring day.Nl: Het Rijksmuseum, een baken van cultuur en geschiedenis, stond trots in de Grachtengordel.En: The Rijksmuseum, a beacon of culture and history, stood proudly in the Grachtengordel.Nl: Binnen de imposante muren van het gebouw, baaddend in licht dat door de hoge ramen viel, begonnen Kees en Sanne aan hun avontuur.En: Within the imposing walls of the building, bathed in light streaming through the high windows, Kees and Sanne began their adventure.Nl: Kees, een enthousiaste student kunstgeschiedenis, stond met een lijst in zijn handen.En: Kees, an enthusiastic art history student, stood with a list in his hands.Nl: "Dit wordt geweldig, Sanne!En: "This is going to be great, Sanne!Nl: Als we winnen, maak ik echt indruk op mijn professor," zei hij met glinsterende ogen.En: If we win, I'll really impress my professor," he said with sparkling eyes.Nl: Sanne grinnikte en gaf hem een speelse duw.En: Sanne chuckled and gave him a playful shove.Nl: "Rustig maar, Kees.En: "Take it easy, Kees.Nl: We zijn hier ook om plezier te hebben, toch?"En: We're here to have fun too, right?"Nl: De eerste aanwijzing leidde hen naar de Eregalerij, waar het beroemde schilderij "Nachtwacht" hing.En: The first clue led them to the Eregalerij, where the famous painting "Nachtwacht" hung.Nl: Sanne bekeek het schilderij met nieuwsgierige ogen.En: Sanne examined the painting with curious eyes.Nl: "Wauw, dit is echt indrukwekkend!"En: "Wow, this is really impressive!"Nl: Kees glimlachte.En: Kees smiled.Nl: "Ja, Rembrandt was een meester."En: "Yes, Rembrandt was a master."Nl: Ze losten de eerste aanwijzing snel op en markeerden het als gevonden.En: They quickly solved the first clue and marked it as found.Nl: Naarmate de dag vorderde, merkte Kees dat Sanne steeds meer wilde genieten van de kunst en de sfeer.En: As the day progressed, Kees noticed that Sanne increasingly wanted to enjoy the art and the atmosphere.Nl: Maar de tijd tikte door, en de druk om te winnen groeide voor Kees.En: But time was ticking, and the pressure to win grew for Kees.Nl: "Sanne, focus!"En: "Sanne, focus!"Nl: zei hij scherper dan bedoeld.En: he said more sharply than intended.Nl: Sanne zuchtte.En: Sanne sighed.Nl: "Kees, het is ook belangrijk om te genieten van wat we zien."En: "Kees, it's also important to enjoy what we see."Nl: Terwijl ze door de schilderachtige gangen van het museum liepen, besefte Kees dat hij te veel bezig was met winnen en minder met het prachtige gezelschap en de kunst om hem heen.En: As they walked through the picturesque halls of the museum, Kees realized he was too focused on winning and less on the beautiful company and art around him.Nl: Bij de laatste aanwijzing stonden zij en een ander team zij aan zij.En: At the final clue, they stood shoulder to shoulder with another team.Nl: Ze waren gelijk.En: They were tied.Nl: De laatste aanwijzing leidde hen naar een minder bekende zaal.En: The last clue led them to a lesser-known room.Nl: Kees keek naar Sanne.En: Kees looked at Sanne.Nl: "Laten we dit samen doen."En: "Let's do this together."Nl: Sanne knikte vastberaden.En: Sanne nodded decisively.Nl: "Oké, laten we dit winnen en er ook van genieten."En: "Okay, let's win this and enjoy it too."Nl: Met hun krachten gebundeld, werkten Kees en Sanne snel de aanwijzingen af.En: With their strengths combined, Kees and Sanne quickly worked through the clues.Nl: Sanne's speurneus en Kees' kunstkennis waren de perfecte combinatie.En: Sanne's sleuthing skill and Kees's art knowledge were the perfect combination.Nl: Binnen enkele momenten vonden ze het laatste schilderij.En: In moments, they found the last painting.Nl: Net op tijd riepen ze: "GEVONDEN!"En: Just in time, they shouted, "FOUND!"Nl: Het personeel van het museum kwam hen feliciteren met hun overwinning.En: The museum staff came to congratulate them on their victory.Nl: Kees keek naar Sanne, een brede glimlach op zijn gezicht.En: Kees looked at Sanne, a broad smile on his face.Nl: "Dank je, Sanne.En: "Thank you, Sanne.Nl: Zonder jou had ik dit niet kunnen doen en zo niet van de ervaring kunnen genieten."En: Without you, I couldn't have done this and wouldn't have enjoyed the experience."Nl: Sanne grijnsde.En: Sanne grinned.Nl: "Ik wist wel dat je het leuk zou vinden als je een beetje ontspande."En: "I knew you'd enjoy it if you relaxed a bit."Nl: Die dag in het Rijksmuseum leerde Kees dat het niet alleen om winnen draaide, maar ook om het plezier in de reis en het waardevolle gezelschap.En: That day in the Rijksmuseum, Kees learned that it wasn't just about winning, but also about enjoying the journey and the valuable company.Nl: Terwijl ze het museum verlieten, bedankte hij Sanne nog eenmaal.En: As they left the museum, he thanked Sanne once more.Nl: Samen vertrokken ze, handen vol nieuwe herinneringen en de belofte om deze dag nooit te vergeten.En: Together they departed, hands full of new memories and the promise never to forget this day. Vocabulary Words:shone: scheenbeacon: bakenimposing: imposantestreaming: baaddendenthusiastic: enthousiastesparkling: glinsterendechuckled: grinnikteplayful: speelseEregalerij: Eregalerijexamined: bekeekcurious: nieuwsgierigeimpressive: indrukwekkendmaster: meesterprogressed: vorderdeticking: tiktepressure: drukpicturesque: schilderachtigerealized: beseftecompany: gezelschapshoulder: schoudertied: gelijklesser-known: minder bekendedecisively: vastberadensleuthing: speurneuscombined: gebundeldcongratulate: feliciterenvictory: overwinningbroad: bredegrinned: grijnsdedeparted: vertrokken

Gli Stati Uniti e Israele hanno bombardato l'Iran, un grande e popoloso Paese che si trova in Medio Oriente, e ucciso la sua “guida suprema”, Ali Khamenei. L'Iran sta rispondendo agli attacchi lanciando missili: è una nuova guerra. In questa puntata parleremo di intelligenza artificiale e degli accordi tra il governo americano e le aziende per usarli per usi militari e di sorveglianza. Ad Amsterdam è stato scoperto un nuovo dipinto del pittore olandese Rembrandt; mentre due scienziati hanno visto che le foglie appuntite degli alberi si illuminano durante i temporali. E poi c'è William, un bambino di 5 anni, che ha corretto un errore sul manuale di addestramento per piloti

Each week Hot off the Wire looks at a variety of stories in business, science, health and more. This week's headlines include: People love to hate changing clocks twice a year, but can't agree how to fix it. The sea is higher than we thought and millions more are at risk, study finds. What to know before asking an AI chatbot for health advice. Jarring alarms out, quieter alerts in. New firehouse dispatch systems aim to ease stress. For US Muslims, immigration crackdown fears, new war worries and anti-Muslim rhetoric cloud Ramadan. Stranded travelers share firsthand accounts from the Middle East. Trump calls for Iran’s ‘unconditional surrender’ as Israel strikes Lebanon. Gulf allies complain US didn't notify them of Iran attacks and ignored their warnings, sources say. Israel strikes Beirut’s southern suburbs after issuing a blanket evacuation order. Attempted suicides, fights, pain 911 calls reveal misery at ICE’s largest detention facility. 'Smartphone for pets' lets furry friends call their owners. The US lost a surprising 92,000 jobs last month as the unemployment rate ticked up to 4.4%. Retail sales fall modestly in January as American consumers pull back on spending. They have a nose for finding people. Bloodhounds and their low-tech sniffers help police track. Triceratops skeleton 'Trey' to hit the auction block as dinosaur market soars. Dutch museum makes 'needle in a haystack' confirmation of Rembrandt painting. On this week's AP Religion Roundup, decades of clergy sex abuse in Rhode Island, and American Muslims face growing tension during Ramadan. —The Associated Press About this program Host Terry Lipshetz is managing editor of the national newsroom for Lee Enterprises. Besides producing the daily Hot off the Wire news podcast, Terry conducts periodic interviews for this Behind the Headlines program, co-hosts the Streamed & Screened movies and television program and is the former producer of Across the Sky, a podcast dedicated to weather and climate. Theme music The News Tonight, used under license from Soundstripe. YouTube clearance: ZR2MOTROGI4XAHRX

As the war against Iran instigated last week by Israel and the United States continues to spread through the Middle East, we explore how it affects tourism in the Arabian Gulf, of which art and culture more generally have been a cornerstone. One of The Art Newspaper's Middle East correspondents, Melissa Gronlund, joins Ben Luke to discuss the latest news. The 82nd biennial at the Whitney Museum of American Art in New York opens this weekend and our editor-in-chief in the Americas, Ben Sutton, and Elena Goukassian, our senior editor of museums and heritage, tell us what they thought of it. And this episode's Work of the Week is the Vision of Zacharias in the Temple (1633) by Rembrandt. Researchers at the Rijksmuseum in Amsterdam have demonstrated that the painting, which had previously been documented as a copy of a lost original, is in fact an authentic work by the Dutch master. We speak to Jonathan Bikker, curator of 17th-century Dutch paintings, who was part of the team that secured the attribution to Rembrandt. The picture is now on view to the public at the Rijksmuseum.Whitney Biennial 2026, Whitney Museum of American Art, New York, 8 March-23 AugustRembrandt's The Vision of Zacharias in the Temple is now on view at the Rijksmuseum, Amsterdam.Save up to 50% on The Art Newspaper's annual print and digital package with a new limited-time offer. Subscribe by 19 March to receive the April edition including our annual Visitor Figures guide and a special report on EXPO Chicago. In May, don't miss our Venice Biennale Guide and map to must-see exhibitions and pavilions.www.theartnewspaper.com/subscriptions-MARCH50?promocode=MARCH50&utm_source=podcast&utm_campaign=MARCH50 Hosted on Acast. See acast.com/privacy for more information.

Heute im Rückblick: Einfüllungsvermögen, Rembrandt und Abkürzungen...

Wähle deine Lieblings-Plattform Youtube: https://cutt.ly/rk1EJxY Whatsapp: http://dozz.es/10mja Telegram: https://t.me/zehnmmj Spotify: https://shorturl.at/yGIJ3 Ivoox: https://cutt.ly/Ok1EOoV Web: https://10minutenmitjesus.org Instagram: https://lmy.de/QddR Hallow: https://shorturl.at/BDxXI Hast du Fragen oder hat dich diese Betrachtung besonders angesprochen? Du kannst einen Priester aus unserem Team per Mail unter 10minutenmitjesus@gmail.com kontaktieren!

Wähle deine Lieblings-Plattform Youtube: https://cutt.ly/rk1EJxY Whatsapp: http://dozz.es/10mja Telegram: https://t.me/zehnmmj Spotify: https://shorturl.at/yGIJ3 Ivoox: https://cutt.ly/Ok1EOoV Web: https://10minutenmitjesus.org Instagram: https://lmy.de/QddR Hallow: https://shorturl.at/BDxXI Hast du Fragen oder hat dich diese Betrachtung besonders angesprochen? Du kannst einen Priester aus unserem Team per Mail unter 10minutenmitjesus@gmail.com kontaktieren!

The U.S. Embassy in Riyadh is hit by drones, Primary voters head to the polls across Texas, Arkansas and North Carolina, An Indian consulate staff is accused of aiding the 2023 assassination of a Canadian Sikh activist, Melania Trump presides over a U.N. Security Council meeting, U.K. Chancellor Reeves delivers the spring financial forecast, A Paris court reduces the sentences of three men convicted for beheading a teacher, Bill and Hillary Clinton's Epstein deposition videos are released, Kristi Noem testifies before the Senate Judiciary Committee on immigration enforcement, Several U.S. departments join the Trump administration's ban on Anthropic, and a lost Rembrandt painting is authenticated after 60 years. Sources: Verity.News

(00:00:00) Générique (00:01:20) (1) La peur de Jacob (00:06:15) (2) La lutte (00:08:24) (3) La dialogue (00:10:40) (4) Le nom (00:15:15) (5) La bénédiction (00:18:10) (6) Israël le boiteux (00:21:05) (7) Conclusion (00:22:52) Générique de fin L'avancée menaçante d'Ésaü et ses hommes fait craindre le pire à Jacob et les siens. C'est à cet instant qu'advient une étrange lutte avec un mystérieux personnage.  NOTES  ·        BIBLIOGRAPHIE | CARTES & ILLUSTRATIONS·        Épisode enregistré en Vendée (85, France), février 2025. Image de couverture : REMBRANDT, Jacob combattant avec l'ange, v.1659 – huile sur toile : 137 cm x 116 cm (Gemäldegalerie, Berlin, DE) – source : wikimedia-commons.  CHAPITRES 00:00 Générique et présentation 01:20 (1) La peur de Jacob 06:15 (2) La lutte 08:25 (3) La dialogue 10:40 (4) Le nom 15:15 (5) La bénédiction 18:10 (6) Israël le boiteux 21:05 (7) Conclusion 22:52 Générique de finPlateformes d'écoute | Réseaux Sociaux | @Contact  podcast@aularge.eu | Infolettre | RSS  Au Large Biblique, un  podcast conçu, réalisé et animé par François Bessonnet, prêtre & bibliste. Génériques : Erwan Marchand (D.R.)Sous Licence Creative Commons (cc BY-NC-ND 4.0 FR)Soutenez le podcast avec Tipeee  ou Ko-fihttps://linktr.ee/aulargebiblique

As loud explosions continue to be heard across Tehran there are reports that many residents are trying to flee the capital by car while others are stocking up on essential supplies. Israel says it's bombed Iran's presidential office and the US claims to have destroyed command facilities and missile launch sites across the country. Iran has threatened to open the gates of hell as it retaliates.Also, Leaked photo, hot tub, and Pizzagate - video of Clintons' testimony on Epstein ties released. And discovering your old painting was actually a masterpiece by Rembrandt!

Author Julia Quinn published The Duke and I, the first novel in her eight-part Bridgerton series, in 2000. Twenty years later the adaption of her books would become a television phenomenon. Julia reflects on the place of class, race, and sex in her Regency romances and why getting a call from one of television's most successful producers was such a transformative moment for the genre that she loves.With the government proposing an overnight visitor levy or ‘tourism tax' in England, Nick talks to travel journalist Simon Calder and CEO of London's Southbank Centre, Elaine Bedell. They discuss the potential impact of the levy and whether some of the revenue should be ringfenced for arts and culture.There's a new Rembrandt in town. Art historian Bendor Grosvenor on the newly attributed painting that's about to go on show at the Rijksmuseum in Amsterdam.Beneath the Sheets: Anatomy, Art and Power is a new exhibition at the Thackray Museum of Medicine in Leeds. Curator Jack Gann discusses how attempts to understand the human body fused art and science.Presenter: Nick Ahad Producer: Ekene Akalawu

A Dutch museum has confirmed a newly rediscovered Rembrandt, thanks to a microscopic study that uncovered the artist’s signature touch a single, tiny brushstroke hidden like a “needle in a haystack.” The 17th‑century portrait had been misattributed for years, but experts now say it is unquestionably the work of the Dutch master. New research suggests popular GLP‑1 drugs like Ozempic and Wegovy may slightly increase the risk of osteoporosis and gout, according to an analysis of more than 146,000 adults with obesity and Type 2 diabetes. About 4% of GLP‑1 users developed osteoporosis vs. just over 3% of non‑users a 30% higher risk and gout rates were also modestly higher. Researchers say rapid weight loss and reduced nutrient intake may play a role, though the findings are not yet peer‑reviewed. Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

"Ich dachte, der Rembrandt malt aktuell gar nicht mehr." Von Henning Bornemann.

A Dutch museum has confirmed a newly rediscovered Rembrandt, thanks to a microscopic study that uncovered the artist’s signature touch a single, tiny brushstroke hidden like a “needle in a haystack.” The 17th‑century portrait had been misattributed for years, but experts now say it is unquestionably the work of the Dutch master. New research suggests popular GLP‑1 drugs like Ozempic and Wegovy may slightly increase the risk of osteoporosis and gout, according to an analysis of more than 146,000 adults with obesity and Type 2 diabetes. About 4% of GLP‑1 users developed osteoporosis vs. just over 3% of non‑users a 30% higher risk and gout rates were also modestly higher. Researchers say rapid weight loss and reduced nutrient intake may play a role, though the findings are not yet peer‑reviewed. Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

L'émission 28 minutes du 03/03/2026 À la Maison des femmes, elles accueillent et réparent les victimes de violences En 2016, la gynécologue-obstétricienne Ghada Hatem crée la première Maison des femmes. Cette institution propose dans un même lieu un accompagnement médical, psychologique, social et juridique aux femmes victimes de violences sexuelles et/ou conjugales. Aujourd'hui, il en existe une trentaine. La réalisatrice Mélisa Godet raconte la genèse de ces lieux dans son premier long métrage, “La Maison des femmes”, en salles mercredi 4 mars. Les deux femmes sont nos invitées ce soir. Guerre entre l'Iran, les États-Unis et Israël : vers un embrasement général ? Un nouveau front s'est ouvert au Moyen-Orient avec des tirs de missiles et de drones du Hezbollah vers Israël, conséquence de la guerre entre les États-Unis, Israël et l'Iran. Cette offensive, en réaction à la mort du guide suprême iranien Ali Khamenei, a été suivie de représailles avec de puissantes frappes aériennes israéliennes sur le Liban. Le régime iranien, chiite, a également mené plusieurs attaques contre ses voisins sunnites, des puissances pétrolières à la force de frappe limitée (à l'exception de l'Arabie Saoudite), dont la sécurité dépend de leur alliance avec les États-Unis. Une base navale française à été touchée par une attaque de drones à Abou Dhabi, sans faire de blessés. Ces monarchies du Golfe n'ont pas pour seuls alliés les États-Unis, mais aussi la France comme l'a rappelé Jean-Noël Barrot, ministre des Affaires étrangères. On en débat avec Yasmina Asrarguis, chercheuse associée à l'université de Princeton, spécialiste du Moyen-Orient, Bertrand Badie, professeur émérite de relations internationales à Sciences Po Paris, et Guillaume Lagane, enseignant à Sciences Po, spécialiste des questions de défense. Enfin, Xavier Mauduit nous raconte la vie du peintre Rembrandt alors qu'un nouveau tableau a été découvert au Rijksmuseum d'Amsterdam. Marie Bonnisseau revient sur la décision de la Corée du Sud de partager ses données géographiques avec Google Maps. 28 minutes est le magazine d'actualité d'ARTE, présenté par Élisabeth Quin du lundi au jeudi à 20h05. Renaud Dély est aux commandes de l'émission le vendredi et le samedi. Ce podcast est coproduit par KM et ARTE Radio. Enregistrement 3 mars 2026 Présentation Élisabeth Quin Production KM, ARTE Radio

Arrancamos con las noticias culturales más destacadas. El Rijksmuseum de Amsterdam atribuye a Rembrandt el cuadro 'La visión de Zacarías en el templo', Michel Houellebecq regresa a la música y Europa concede un millón de euros al Círculo de Bellas Artes y otras entidades europeas. Cristina Moreno nos recibe desde El Círculo de Bellas Artes, donde nos habla de la exposición 'Fernando Botero: rotundo e íntimo, 1973-2023', que nos invita a entrar en los espacios donde nace la obra del artista colombiano.  Continuamos con arte en las habitaciones de un hotel. Es lo que se podrá visitar en el 'Hybrid Art Fair', un evento en Madrid que reúne 16 experiencias de arte efímero en torno a Arco. Charlamos con sus directoras, Aída F. Chaves y Ana Sanfrutos, y con Sasha Falcke, que presenta una performance. Y acabamos con la Barra Libre de Aloma, que nos trae un libro de la escritora Fernanda Trías. Se llama 'Miembro Ventral', y contiene diez piezas sobre la dictadura y la venganza.Escuchar audio

El Rijksmuseum de Ámsterdam atribuye a Rembrandt el cuadro 'La visión de Zacarías en el templo. Además, Michel Houellebecq regresa a la música, y Europa concede un millón de euros al Círculo de Bellas Artes y otras entidades europeas. Cristina Moreno repasa estas y más noticias en la sección de hoy.Escuchar audio

Au programme du 5/5 :Tariq Ramadan absent à son procès pour violsAffaire Pilarski : le maître du chien Curtis jugéRetour à la normale après les crues historiquesLe coût des intempéries revu à la hausseCésar 2026 : Jim Carrey au coeur d'une folle rumeurUn tableau inédit de Rembrandt authentifié Coup de sang d'un bonobo au zoo de MemphisTous les soirs du lundi au jeudi vers 19h40 sur France 5, Lorrain Sénéchal vous informe sur l'actualité du jour dans son “5 sur 5”.

AP correspondent Julie Walker reports experts in the Netherlands confirm a painting by Rembrandt years after it was dismissed.

President Macron maakt bekend dat Frankrijk het aantal kernkoppen gaat vergroten en Europese bondgenoten uitnodigt te trainen onder de Franse nucleaire paraplu. Nederland mag aansluiten, maar neemt volgens oud-minister Ruben Brekelmans voorlopig een afwachtende houding aan. De besluitvorming over inzet blijft bij Frankrijk, terwijl EU-lidstaten zoals Duitsland, Polen en België een ondersteunende rol krijgen. In het Midden-Oosten loopt de spanning verder op na nieuwe Israëlische bombardementen op Teheran en tegenaanvallen vanuit Iran en Hezbollah. Volgens correspondent Ralph Dekkers zijn er zeker tientallen gewonden in Beër Sjeva en opent Israël nu een tweede front tegen Hezbollah in Libanon. Europese landen bereiden een gezamenlijk mechanisme voor om hun burgers te kunnen repatriëren zodra de veiligheidssituatie dat toelaat. Het Rijksmuseum presenteert een schilderij dat na jaren van onderzoek tóch een echte Rembrandt blijkt. Met geavanceerde technieken als X-ray fluorescent scanning werd aangetoond dat zowel de pigmenten als de schilderstijl overeenkomen met Rembrandts werk uit dezelfde periode. Conservator Jonathan Bikker noemt de vondst ‘heel indrukwekkend’ en spreekt van een bijzondere aanwinst voor het museum. Deze omschrijving is met AI gemaakt en gecontroleerd door een BNR-redacteur. Over deze podcast BNR Nieuws Vandaag is de podcast met daarin BNR Ochtendnieuws en BNR Avondnieuws. Je krijgt ’s ochtends vroeg en aan het einde van de werkdag in 20 minuten het belangrijkste nieuws van de dag. Abonneer je via bnr.nl/podcast/bnrnieuwsvandaag, de BNR-app, Spotify en Apple Podcasts. Of luister elke dag live via bnr.nl/live.See omnystudio.com/listener for privacy information.

Dossier 137 reçoit le César des lycéens Bad Ragaz aura bientôt son musée d'art public Un nouveau Rembrandt a été identifié à Amsterdam

#446> The Book of Esther In The Age Of Rembrandt (with Abigail Rapoport)> To purchase the book: https://amzn.to/3NbssR4> This episode is sponsored by Cancer in Halacha by Dr. Moshe Ornstein. > Purchase the book and use code CIHSC20 for an additional 15% off: https://israelbookshoppublications.com/products/cancer-in-halachah-pre-order> To join the SeforimChatter WhatsApp community: https://chat.whatsapp.com/DZ3C2CjUeD9AGJvXeEODtK> To join the SeforimChatter WhatsApp status: https://wa.me/message/TI343XQHHMHPN1>  To support the podcast or to sponsor an episode follow this link: https://seforimchatter.com/support-seforimchatter/or email seforimchatter@gmail.com (Zelle/QP this email address)Support the show

To the world, Myles Connor was a Mensa genius and a charming rock star in the Massachusetts music scene. But behind the guitar lay a master criminal who robbed over 30 museums. Security expert and author of The Rembrandt Heist, Anthony Amore, describes the audacious 1975 theft of a priceless Rembrandt and how the thief used masterpieces as the ultimate bargaining chips to stay out of jail. Follow Emily on Instagram: @realemilycompagnoIf you have a story or topic we should feature on the FOX True Crime Podcast, send us an email at: truecrimepodcast@fox.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rembrandt'ın “Young Lion Resting” çizimi 18 milyon dolara satıldı. ABD Başkanı Donald Trump, İran'la ticaret yapmaya devam eden ülkelere ek gümrük vergileri getiren başkanlık kararnamesini imzaladı.Bu bölüm Kale Grubu hakkında reklam içermektedir. Daha iyisi mümkün diyen etki odaklı girişimlere 500.000 TL'ye varan nakit ödül ve mentorluk desteği sunan İbrahim Bodur Sosyal Girişimcilik Programı başvuruları devam ediyor. Ayrıntılı bilgiye buradan erişebilirsiniz.

Britain's Prime Minister Sir Keir Starmer has apologised to the victims of the sex offender Jeffrey Epstein, saying he is 'sorry for having believed' his former US ambassador Peter Mandelson. Emails released in the US suggest Mandelson forwarded market-sensitive information to Epstein. The prime minister accused Mandelson of lying during the vetting process, saying he gave the impression he 'barely knew' the disgraced financier.Also in the programme: The second day of peace talks over the Russia-Ukraine war conclude with no sign of agreement; and a sketch of a lion by the Dutch grand master Rembrandt has sold at auction for $18 million. (Picture: Prime Minister Sir Keir Starmer speaking during a visit to East Sussex. Credit: Peter Nicholls/PA Wire)

CADENA 100 con Javi y Mar: Borrasca Leonardo causa estragos. Avisos naranja en Extremadura y Galicia, inundaciones graves en Andalucía con más de 3000 desalojados y una mujer desaparecida en Málaga. Clases suspendidas en provincias andaluzas. Elisa Mouliaá retira denuncia contra Íñigo Errejón por agresión sexual; él mantiene querella por calumnias. Huelga ferroviaria continúa con paros la próxima semana por seguridad y mejoras. Dibujo de Rembrandt, "Joven León descansando", vendido por 18 millones de dólares. Curiosidades: esquimales usan frigoríficos para proteger comida del frío, imposibilidad de estornudar con ojos abiertos, nueces rancias pierden propiedades. Advertencia sobre grandes cantidades de orégano y semillas de amapola. Oyentes relatan fallos de la IA en tareas cotidianas. Gato viral imita a gallo con el que convive.

We talk with Eric Lux, President of Rembrandt Charms, about why charms convert so well online, how vertical integration keeps shelves stocked, and what smart marketing does for repeat sales. Learn more about Rembrandt Charms: rembrandtcharms.comSend us a text Send feedback or learn more about the podcast: punchmark.com/loupe Learn about Punchmark's website platform: punchmark.com Inquire about sponsoring In the Loupe and showcase your business on our next episode: podcast@punchmark.com

Pastor Ty Neal Jesus, save the lost and guide the saved. Big Idea: God is on the throne Revelation 4:1 There is no panic in Heaven! God has no problems, only plans. Corrie ten Boom Revelation 4:2 Big Idea: God is on the throne There is no panic in Heaven! God has no problems, only plans. Corrie ten Boom Revelation 4:3Revelation 4:4Philippians 1:6Revelation 4:5Revelation 4:6aMark 4:37-41 Christ in the Storm on the Sea of Galilee by Rembrandt (1633) Big Idea:

====================================================SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1==================================================== DEVOCIÓN MATUTINA PARA MENORES 2026“HEROES Y VILLANOS”Narrado por: Tatania DanielaDesde: Juliaca, PerúUna cortesía de DR'Ministries y Canaan Seventh-Day Adventist Church26 DE ENEROEL HÉROE QUE NO VENDIÓ SU MEJOR PINTURA«Ustedes mismos son la única carta de recomendación que necesitamos: una carta escrita en nuestro corazón, la cual todos conocen y pueden leer» (2 Corintios 3: 2).La gran ventaja de un mundo como el nuestro es que podemos aprender lo que sea gracias al apoyo de las tecnologías de la información.Prácticamente, no hay conocimiento que no podamos adquirir o destreza que no podamos cultivar de manera autodidacta si nos dedicamos a ello.Alguien en un video que vi recomendó que la mejor forma de apren-der fotografía es ir a los clásicos de las artes visuales, a los grandes pintores del mundo. Con el tiempo, desarrollé una atracción hacia los pintores holandeses, particularmente aquellos del período del Siglo de Oro como Rembrandt van Rijn y Johannes Vermeer. Compré varios libros sobre Vermeer y descubrí cosas muy interesantes.El cuadro de Vermeer que me conquistó fue El arte de la pintura o La alegoría de la pintura. La obra presenta a una mujer, quien personifica la pintura, sosteniendo un compás y mirando hacia un caballero, quien simboliza la historia. Aunque no hay total claridad al respecto, se cree que Vermeer la creó como una declaración de su compromiso con el arte de la pintura. La pintura también ha sido interpretada como una re¬presentación de la importancia del arte y de la creatividad, así como una declaración sobre la relación entre la realidad y la representación artística.Esta pintura es considerada por algunos como su obra más comple-ja y es famosa por nunca haber sido vendida durante la vida del artista. La obra no habría sido creada para la venta, sino para exhibición. Se cree que Vermeer la mantuvo en su colección personal como una demostración de su habilidad artística y para usarla como pieza de exhibición para posibles clientes. Es decir, la obra tenía el propósito de mostrar a los clientes quién era el artista y no una forma de ganar dinero.Nuestras destrezas y conocimientos nos pueden generar dinero, especialmente en el campo profesional. Sin duda, soñamos con una profesión que nos sustente y nos dé una buena calidad de vida, lo cual es aceptable. Pero un héroe va más allá del interés material por el dinero y reserva lo mejor que tiene para darse a conocer: sus valores y rasgos de carácter. Un héroe no vende sus principios; se los queda. Pablo dice que somos cartas abiertas, conocidas y leídas por todos. Hagamos de nuestro carácter el día de hoy nuestra carta de presentación para que, por nuestras virtudes, todos sepan que somos legítimamente cristianos. 

In this episode, we continue our discussion of scientism. We talk about 6 problems with scientism that have been raised by Susan Haack, if we should feel bad about having some sympathy for scientism, and whether the contributions of all scientifici disciplines deserved the label of 'knowledge'. Enjoy.    References:   Haack, S. (2012). Six Signs of Scientism. Logos & Episteme, 3(1), 75–95. https://doi.org/10.5840/logos-episteme20123151 Brown, N. J. L., Sokal, A. D., & Friedman, H. L. (2013). The complex dynamics of wishful thinking: The critical positivity ratio. American Psychologist, 68(9), 801–813. https://doi.org/10.1037/a0032850 Peels, R. (2023). Scientism and scientific fundamentalism: What science can learn from mainstream religion. Interdisciplinary Science Reviews, 48(2), 395–410. https://doi.org/10.1080/03080188.2022.2152246 de Ridder, Jeroen. “Science and Scientism in Popular Science Writing.” Social Epistemology Review and Reply Collective 3, no. 12 (2014): 23-39. https://social-epistemology.com/2014/11/03/science-and-scientism-in-popular-science-writing-jeroen-de-ridder/  Meehl, P. E. (2004). Cliometric metatheory III: Peircean consensus, verisimilitude and asymptotic method. The British Journal for the Philosophy of Science, 55(4), 615–643. Mizrahi, M. (2017). What's so bad about scientism? Social Epistemology, 31(4), 351–367. https://doi.org/10.1080/02691728.2017.1297505 Hayek, F. A. (1952). The Counter-Revolution of Science: Studies on the Abuse of Reason. Glencoe, Illinois: The Free Press.  Rulkens, C. C. S., Peels, R., Stols-Witlox, M., Meloni, S., Lechner, I. M., & Bouter, L. (2025). The attribution of two portraits of Rembrandt revisited: A replication study in art history. Humanities and Social Sciences Communications, 12(1), 1347. https://doi.org/10.1057/s41599-025-05523-2  

illustrator aart / epic games / fortnite / deodorant / xi jinping productie: meer van ditmuziek: keez groentemanwil je adverteren in deze podcast? stuur een mailtje naar: adverteerders (direct): adverteren@meervandit.nl(media)bureaus: adverteren@bienmedia.nl Hosted on Acast. See acast.com/privacy for more information.

Ceslaw Bojarski, bricoleur méticuleux, inventeur de génie, père de famille affectueux et faux monnayeur, le plus talentueux de tous les temps. Il va falloir presque quinze ans pour interpeller celui que les policiers vont baptiser le Cézanne ou le Rembrandt de la fausse monnaie. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Ceslaw Bojarski, bricoleur méticuleux, inventeur de génie, père de famille affectueux et faux monnayeur, le plus talentueux de tous les temps. Il va falloir presque quinze ans pour interpeller celui que les policiers vont baptiser le Cézanne ou le Rembrandt de la fausse monnaie. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

P.S. Rhys kept his word...Morgan's suspicions of Rhys grow deeper as the case of the missing Rembrandt artwork continues; Roman's missing backpack causes problems for all involved.

Venezuela's supreme court has named another socialist figure as the country's interim leader. At the same time, Venezuelan refugees are celebrating an end to autocratic rule. That's in light of the fall of socialist leader Nicolás Maduro.A human rights group has said that Iranian forces have killed 17 protesters during recent demonstrations. This comes after President Donald Trump said the United States would intervene if Iran kills peaceful protesters.As for the global impact of the strikes in Venezuela and what signal this sends, our panel breaks it down.And in a rare treat for art lovers, 17th century masterpieces by Rembrandt—and the people he inspired—are on display at an exhibition in the Sunshine State. Find out how many artists are featured in the exhibition.

Ein kleines Stück Rembrandt – Ein Kunstsammler will virtuelle Anteile an einigen seiner Bilder verkaufen. Dadurch könnten auch Menschen, die keine Millionen auf dem Konto haben, ein kleines Stück von einem Rembrandt besitzen.

In this two-part episode, we delve into the topic of scientism. Is science the best way to generate knowledge? Or are we giving too much deference to science if we believe this? In this first part, we discuss what scientism is, what - if anything - is wrong with scientism, and whether it is bad to be a scien-ti-sim-ist?   References:   Haack, S. (2012). Six Signs of Scientism. Logos & Episteme, 3(1), 75–95. https://doi.org/10.5840/logos-episteme20123151 Brown, N. J. L., Sokal, A. D., & Friedman, H. L. (2013). The complex dynamics of wishful thinking: The critical positivity ratio. American Psychologist, 68(9), 801–813. https://doi.org/10.1037/a0032850 Peels, R. (2023). Scientism and scientific fundamentalism: What science can learn from mainstream religion. Interdisciplinary Science Reviews, 48(2), 395–410. https://doi.org/10.1080/03080188.2022.2152246 de Ridder, Jeroen. “Science and Scientism in Popular Science Writing.” Social Epistemology Review and Reply Collective 3, no. 12 (2014): 23-39. https://social-epistemology.com/2014/11/03/science-and-scientism-in-popular-science-writing-jeroen-de-ridder/  Meehl, P. E. (2004). Cliometric metatheory III: Peircean consensus, verisimilitude and asymptotic method. The British Journal for the Philosophy of Science, 55(4), 615–643. Mizrahi, M. (2017). What's so bad about scientism? Social Epistemology, 31(4), 351–367. https://doi.org/10.1080/02691728.2017.1297505 Hayek, F. A. (1952). The Counter-Revolution of Science: Studies on the Abuse of Reason. Glencoe, Illinois: The Free Press.  Rulkens, C. C. S., Peels, R., Stols-Witlox, M., Meloni, S., Lechner, I. M., & Bouter, L. (2025). The attribution of two portraits of Rembrandt revisited: A replication study in art history. Humanities and Social Sciences Communications, 12(1), 1347. https://doi.org/10.1057/s41599-025-05523-2  

In the Gospel of Matthew, an angel of the Lord appeared to Joseph in a dream and instructed him to take Mary and the infant Jesus to Egypt to escape the wrath of King Herod. The story is beautifully depicted in a painting by Rembrandt called “Joseph's Dream.” Ron takes us to this beautiful work of art and to this story as he moves ahead in his teaching series, “The Art of Christmas.”  

"The Rembrandt Heist: The Story of a Criminal Genius, a Stolen Masterpiece, and an Enigmatic Friendship" tells the story of Myles Connor and his career as an art thief. Author Anthony Amore joins WBUR's Morning Edition to tell us more about the book and how he hopes it get the city closer to solving the Gardner heist.

Hubo un tiempo en el que los quirofanos fueron circo y teatro. Una funcion, con publico, en la que participaron Rembrandt, Clive Owen o el senor Burns.

The painting hung on the wall of a home for years, unnoticed and forgotten, until one day it fell. When it was taken to an art restorer for repairs, he discovered it was a long-lost Rembrandt masterpiece titled The Adoration of the Magi. It had been thought that only copies of the work remained, but here was the original. Suddenly the painting’s value skyrocketed to hundreds of millions of dollars. The Bible paints another picture of underestimated value and forgotten worth. Isaiah the prophet, inspired by the Holy Spirit, told God’s people that even though they would be taken away to a foreign land where they would suffer and be devalued, He would still be with them: “Do not fear, for I have redeemed you; I have summoned you by name; you are mine,” He assured them (Isaiah 43:1). Though they would “pass through the waters” and “walk through the fire” ( v. 2), His faithfulness to them would not change. With words that point to His coming kingdom in Christ, God promised that He would one day restore “everyone who is called by my name,” (v. 7) and bring them home to Him. God will one day gather all who are His because they “are precious and honored in [His] sight” (v. 4), each one an original! Our Creator values us because of His infinite kindness and mercy. The world may overlook us, but He never will.

Art passages making your MCAT CARS practice feel extra confusing? In this Jack Westin CARS Reading Skills Workshop, Molly and Jack break down a Rembrandt passage sentence by sentence and show you how to separate tone from main idea without getting lost in the details.Using this Daily CARS Passage, they walk through:How to spot tone words vs argument/content wordsWhy “always,” “never,” and other extreme phrases matter so much on CARSHow religion, nature, and spirituality are used to build the author's main ideaWhen to ignore overly dense sentences and focus on clear, direct claimsHow to track support (like pupil conversations and biblical references) without memorizing detailsBy the end, you'll see how to read CARS passages like arguments, not puzzles, and how to turn vague “CARS anxiety” into specific, fixable skills.Read the passage first: https://jackwestin.com/daily/mcat-practice-passages/cars-practice-passages/rembrandtWant to learn more? Shoot us a text at 415-855-4435 or email us at podcast@jackwestin.com!

Howie is joined by Anthony M. Amore the author of "The Rembrandt Heist : The Story of Criminal Genius, a Stolen Masterpiece..." and reviews it. Howie also talks about some of his favorite takeaways from the book.  Visit the Howie Carr Radio Network website to access columns, podcasts, and other exclusive content.

Art theft expert, security expert and author of “The Rembrandt Heist: The Story of a Criminal Genius, a Stolen Masterpiece, and an Enigmatic Friendship,” Anthony Amore introduces us to Boston native, Miles Connor Jr., a combination rock star, samurai sword collector, and brilliant art thief. Connor's fascinating motives for stealing art were tied up with his policeman father's passion for collecting, and also for avenging what he felt was a grave insult to his father by a local museum, the Forbes House. His first theft was to break into that museum as a teenager and steal dozens of artifacts. One of his remarkable heists was stealing from the famed Woolworth collection housed in Maine. In one of his more brazen acts, Miles also stole and then helped in repatriating a Rembrandt in order to lessen his sentence for that art theft. Amore's book explores Connors most audacious theft and of the most unusual art crimes in history -- the 1975 theft of Rembrandt's Portrait of Elsbeth van Rijn from the Boston Museum. His reason for stealing the painting was even bolder and more surprising. Today in his eighties, Connor lives on a sprawling property with about a dozen horses in Blackstone, Massachusetts.Heroes Behind HeadlinesExecutive Producer Ralph PezzulloProduced & Engineered by Mike DawsonMusic provided by ExtremeMusic.com