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2 episodes with Eyck
2 episodes with Eyck
2 episodes with Eyck
6 episodes with Eyck
2 episodes with Eyck
Welcome to It's A Wonderful Podcast!A celebration of the best of French film all May long on the main show as Morgan and Jeannine explore a variety of some of the most revered and respected French movies of all time!A grand, suspenseful thriller with incredible influence, gloriously grimy cinematography and a visceral, desperate attitude that exudes off the screen on this week's main show as Morgan and Jeannine talk Henri-Georges Clouzot's THE WAGES OF FEAR starring Yves Montand, Charles Vanel, Peter van Eyck, Vera Clouzot & Folco Lulli!Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & Morehttps://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vowThe It's A Wonderful Podcast Theme by David B. Music.Donate:https://www.buymeacoffee.com/ItsAWonderful1Join our Patreon:https://www.patreon.com/ItsAWonderful1IT'S A WONDERFUL PODCAST STORE:https://www.teepublic.com/user/g9designSub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:https://twitter.com/ItsAWonderful1Morgan:https://twitter.com/Th3PurpleDonJeannine:https://twitter.com/JeannineDaBean_Keep being wonderful!!
In deze aflevering van The Dutch Historian Geschiedenis Podcast duiken we in twee fascinerende onderwerpen. Axel bespreekt zijn favoriete schilder, Jan van Eyck, en onthult de bizarre details en verborgen symboliek in het wereldberoemde Arnolfini-portret. Ondertussen neemt Lars je mee naar de Zaanstreek, waar hij het volksverhaal Stiers Wreedheid vertelt—een tragisch verhaal over een stier die een familie uit elkaar drijft. Dit eeuwenoude verhaal heeft door de jaren heen vele kunstenaars en schrijvers geïnspireerd.
Josh and I research how the unique instrument, called a theremin, could be used in paranormal investigating. If you are an electronics guru and would like to collaborate with us to create a brand new idea into the paranormal field, feel free to reach out to us at storiesinthecemetery@gmail.comArticle/Blog post for this episode: https://storiesinthecemetery.com/what-the-hell-is-a-theremin-and-how-can-we-use-it-for-paranormal-investigating/Music "Renegade" provided by Beatnik.References used to create this episode.Burton, T. (Director). (1993). The Nightmare Before Christmas [Film]. https://www.imdb.com/title/tt0107688/?ref_=fn_all_ttl_1Cendrowski, M. (Director). (2011, January 6). The Bus Pants Utilization (Season 4, Episode 12) [TV series episode]. In The Big Bang Theory. https://www.imdb.com/title/tt1632227/?ref_=ttep_ep_12Cendrowski, M. (Director). (2013). Sheldon's Theremin [Film]. https://www.youtube.com/watch?v=_YYABE0R3uA (Original work published 2011)Eyck, C. (Director). (2021). Sally's Song [Film]. YouTube. https://www.youtube.com/watch?v=IhtZh9nR6ZgLed Zeppelin (Director). (1973). Led Zeppelin: The Song Remains the Same – “Whole Lotta Love” Clip [Film]. https://www.youtube.com/watch?v=KPhXm-UPfEULeon Theremin | Lemelson. (n.d.). Lemelson-MIT. Retrieved February 27, 2025, from https://lemelson.mit.edu/resources/leon-thereminMalewar, A. (2016, October 31). Theremin: The Musical Instrument That You Never Touch To Play. Tech Explorist. Retrieved February 27, 2025, from https://www.techexplorist.com/theremin-musical-instrument-never-touch-play/4027/Sussman, E. (Director). (1999). The Theremin: How it Works [Film]. https://www.youtube.com/watch?v=QxagF-SczIE
En este episodio exploramos la vida y obra de Jan van Eyck, el maestro flamenco cuya invención y perfeccionamiento de la técnica de la pintura al óleo transformó para siempre el mundo del arte. Conocido por sus impresionantes detalles y colores vibrantes, Van Eyck es considerado uno de los pioneros de este medio, lo que permitió una mayor precisión y profundidad en las obras de arte. Acompáñanos mientras desentrañamos su legado, su estilo único, y el impacto que tuvo en el desarrollo de la pintura renacentista. Analizaremos sus obras más famosas, como el "Retablo de Gante" y "El Retrato de Arnolfini", y cómo su innovación dejó una huella indeleble en la historia del arte.
Uncover the shocking secrets of classic works of art by da Vinci, Holbein, van Eyck, and others! Hidden symbols and surprises are revealed in famous artworks that will amaze you.
El Políptico de Gante, también conocido como "La Adoración del Cordero Místico", es una obra maestra del siglo XV creada por los hermanos Hubert y Jan van Eyck. Sin embargo, lo que llama la atención de este retablo es que ha sido objeto de múltiples robos y saqueos a lo largo de la historia. Desde su creación en 1432, ha sobrevivido a incendios, guerras y desmembramientos. Una obra que, además, ha sido codiciada por figuras como Napoleón y Hitler, quienes la consideraban un tesoro invaluable. Y descubre más historias curiosas en el canal National Geographic y en Disney +. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Joku & Rosa discuss 'A Complete Unknown' a 2024 American biographical musical drama film directed by James Mangold, who co-wrote the screenplay with Jay Cocks, about American singer-songwriter Bob Dylan. Based on the 2015 book Dylan Goes Electric! by Elijah Wald, the film portrays Dylan through his earliest folk music success until the momentous controversy over his use of electric instruments at the 1965 Newport Folk Festival. We also discuss 'Memoir of a Snail' a 2024 Australian adult stop-motion animated tragicomedy film written, produced and directed by Adam Elliot. It stars the voices of Sarah Snook, Kodi Smit-McPhee, Eric Bana, Magda Szubanski, Dominique Pinon, Tony Armstrong, Paul Capsis, Nick Cave, and Jacki Weaver. Lastly, we review 'The Wages of Fear' a 1953 thriller film directed and co-written by Henri-Georges Clouzot, and starring Yves Montand, Charles Vanel, Peter van Eyck and Véra Clouzot. The film centres on a group of four down-on-their-luck European men who are hired by an American oil company to drive two trucks over mountain dirt roads, loaded with nitroglycerin needed to extinguish an oil well fire. Support us on Patreon: https://www.patreon.com/CumpostingPodcastOur Podcast Artist is the incredibly talented Vero (she/they) of Praxisstvdio who you should check out here: https://linktr.ee/praxisstvdioTwitch: http://www.twitch.tv/cmpostingThe Cumposting Power Ranking: https://letterboxd.com/cumposting/list/cumposting-all-movies-watched-ranked/Donate: https://throne.com/cumpostingSend Us a Voice Message: https://www.speakpipe.com/cumpostingReddit (Cringe): https://www.reddit.com/r/cumpostingpod/Follow Rosa: https://www.youtube.com/@ReddestRosaFollow Joku: https://www.youtube.com/channel/UC6MqDAGSrKEVBzHtgBBbT0wIrish Shorts Editor Rosaburgs: https://x.com/marxlsmusFeaturing music from @newjazzunderground Outro guitar solo performed by @djangoklumppguitarImage of the Week: https://imgur.com/a/fMyZYO5#ACompleteUnknown #BobDylan #MemoirofaSnail #WagesofFearChapters:0:00 Intro9:44 'A Complete Unknown' (2024) Review & Analysis23:03 Scoring & Ranking 'A Complete Unknown'24:02 'Memoir of a Snail' (2024) Review & Analysis38:40 Scoring & Ranking 'Memoir of a Snail'39:32 'The Wages of Fear' (1953) Review & Analysis56:45 Scoring & Ranking 'The Wages of Fear'57:59 Q&ATags:movie podcast, movie review podcast, leftist podcast, marxist podcast, communist podcast, socialist podcast, progressive podcast, film podcast, film review podcast, lesbian podcast, trans podcast, lesbian film critics, transgender movie review, lesbian movie review, left communism, leftcom, leftist film review, leftist movie review, communist film review, communist movie review, socialist movie review, socialist film review, woke movies, woke film, queer film review, queer movie review, best podcast, a complete unknown, monica barbaro, suze rotolo, a complete unknown movie, bob dylan, a complete unknown bob dylan, a complete unknown teaser trailer, a complete unknown full movie, a complete unknown trailer bob dylan, edward norton, a complete unknown full movie in english, folk singers, a complete unknown bob dylan movie, a complete unknown trailer, a complete unknown timothée chalamet as bob dylan, a complete unknown teaser, a complete unknown timothee chalamet, a complete unknown making of, a complete unknown searchlight pictures, a complete unknown official trailer, james mangold, timothée chalamet, timothee chalamet, bob neuwirth, a complete unknown blowin in the wind scene, a complete unknown full movie explain in english, a complete unknown review, a complete unknown soundtrack, a complete unknown behind the scenes, joan baez, dylan biography, newport folk festival, a complete unknown movie in english, a complete...
In deze aflevering gaat Mark Timo in gesprek met interieurontwerper Sander van Eyck. In december was hij de winnaar van De Interieur Club Awards voor de award interieurprofessional van 2024 en oprichter van Cocoon House. Wat is zijn weg geweest en hoe kijkt hij terug op de lancering van Cocoon House in Hilversum. Wat zijn de lessen die hij gedurende zijn carrière heeft geleerd? In deze aflevering leer je Sander beter kennen. Laat je inspireren door Sanders visie en ondernemersreis. De Interieur Club is hét inspiratieplatform voor interieurprofessionals en interieurondernemers. Bij De Interieur Club hebben wij de wekelijkse interieurpodcast, De Interieur Business Club, De Interieur Club Academie met cursussen, netwerkborrels en interieurnieuws zodat jij jezelf kan ontwikkelen. Iedere week een inspirerend en informatief gesprek voor de interieurprofessional. Kijk voor meer informatie en de agenda onze website: www.deinterieurclub.com Music from #Uppbeat: https://uppbeat.io/t/hartzmann/clear-sky
Sara Wheeler explains why every week for several decades - despite knowing nothing about art - she has called in to London's National Gallery to look at the same two paintings. 'This habit of mine,' writes Sara, 'started by accident when I moved to London forty years ago' when she first set eyes on Botticelli's 'Portrait of a Young Man' and van Eyck's 'Portrait of a Man.' 'I have come to realise,' says Sara, the extraordinary power of 'familiarity, close contact and regular attention'. Producer: Adele Armstrong Sound: Peter Bosher Production coordinator: Gemma Ashman Editor: Richard Fenton-Smith
Emma Josten is actrice en rondde in 2019 haar opleiding af aan de Academie voor Kleinkunst in Amsterdam. Al vóór haar afstuderen verscheen Emma in diverse toneelproducties van Het Nationale Theater en International Theatre Amsterdam. Ook speelde ze in series als Het Geheim van Eyck en Killing Eve. Deze maand verschijnt de nieuwe speelfilm Tegendraads, waarin Emma de hoofdrol speelt. Presentatie: Max Terpstra
La fiecare ediție Leaders vrem să aflăm ce putem face mai mult și mai bine pentru societatea în care trăim. Aceeași provocare am lansat-o și invitatei acestei ediții, Ioana Ciocan, Managing partner Art Safari, doctor în artă și lector universitar. I se mai spune ”doamna mergem înainte”. Are una dintre cele mai mari contribuții la cultura din România și ne place să spunem că este cea care a ”inventat” coada la artă - lumea chiar stă la rând pentru a intra la muzeu. Urmează aproape două ore de interviu din care puteți afla de ce să investești în artă, ce înseamnă munca din spatele unei ediții Art Safari, cât de ușor sau de greu este să aduci lucrări de colecție pentru public, cât de dispuși la colaborări sunt azi directorii de muzee, care este cea mai valoroasă pictură din România. Vizionare plăcută! Fiecare apreciere și comentariu ne ajută să ajungem la un public mai numeros. Vă mulțumim. Pe 19 noiembrie suntem la Timișoara cu Întâlnirile Vorbitorincii. În cadrul Festivalului Musica Ricercata, Radu Paraschivescu și Cătălin Striblea vor vorbi cu publicul timișorean despre „Întuneric și lumină în muzica pop-rock”, evidențiind rolul pe care l-a jucat acest gen de muzică de la momentul apariției sale și cum a evoluat în timp. 02:12 Cea mai mare coadă la muzeu 03:34 Istoria unei lucrări Jan van Eyck 9:40 România pe harta muzeelor lumii 13:08 Mari lucrări internaționale în România 17:00 Condiții de expunere 23:27 Pictorii români în atenția publicului 28:33 Valoare în bani a unei lucrări 34:00 E scump un tablou de Nicolae Tonitza? 38:26 Florile lui Ștefan Luchian 40:40 ”Ochii” lui Tonitza 46:08 Povestea tablourilor ”Car cu boi” 47:50 Nudurile lui Theodor Pallady 51:02 Sâni la Art Safari 1:00:25 Cursuri de artă pentru adulți la Art Safari (21 și 22 noiembrie) 1:03:05 Controversatele lucrări ale artistului Paul Baraka 1:14:50 Cel mai valoros artist tânăr român 1:19:43 ”Sculpturi din întâmplare”, editura Humanitas 1:23:48 Soclul lui Lenin din fosta Piață a Scânteii - povestea 1:30:43 Brățările dacice, călătorie în muzeele lumii 1:33:16 Corneliu Baba, un idol în China 1:36:41 Tușele lui Theodor Aman
¡Vótame en los Premios iVoox 2024! Flandes, esa tierra de brumas y canales donde campos y ciudades se funden con el mar en un horizonte infinito, fue la cuna de una escuela pictórica que deslumbró al mundo hace más de cinco siglos, un ramillete de pintores magistrales que exhibían un detallado realismo y una profunda introspección. Los maestros flamencos, alquimistas de la luz y el color, no solo retrataron la realidad con una precisión asombrosa, sino que también se adentraron en los misterios del alma humana revelando las pasiones, los anhelos, las miserias y las grandezas de una de las sociedades más opulentas de su época. En los albores del Renacimiento, cuando Italia recuperaba los cánones clásicos, Flandes florecía como un centro de comercio y cultura. Brujas, Gante, Amberes, ciudades vibrantes y cosmopolitas, se convirtieron en el escenario donde se forjó esta escuela singular a la sombra de los duques de Borgoña. Los artistas flamencos, herederos de la tradición medieval, pero abiertos a las nuevas corrientes artísticas, desarrollaron un estilo propio caracterizado por la minuciosidad del detalle, la riqueza cromática y la maestría en el manejo de la luz. El óleo, esa sustancia mágica que permite capturar la luminosidad y la transparencia, se convirtió en la herramienta predilecta de estos pintores flamencos. Jan van Eyck, el genio visionario, creo obras de una belleza y un realismo incomparables. Pero la Escuela Flamenca no se limitó a la representación fiel de la realidad. Sus artistas, imbuidos de un profundo sentido religioso y moral, dotaron a sus obras de un simbolismo complejo. Roger van der Weyden, maestro del dramatismo y la emoción, nos conmueve con sus escenas de piedad y sufrimiento. Hans Memling, con su pincel delicado y elegante, nos transporta a un mundo de serenidad y armonía. Sus vírgenes, de rostro dulce y mirada melancólica encarnan la pureza y la bondad. En sus retratos, la nobleza y la burguesía flamenca se muestran en todo su esplendor. Y luego está Hieronymus Bosch, más conocido en los países de habla hispana como El Bosco, que fue un pionero creador de mundos fantásticos poblados de criaturas extrañas y escenas oníricas. "El Jardín de las Delicias", esa obra maestra enigmática y perturbadora, nos sumerge en un universo de pecado y redención, donde la lujuria, la gula y la vanidad se mezclan con la inocencia y la esperanza. Pieter Brueghel el Viejo, por su parte, nos acerca a la vida cotidiana de los campesinos, con sus alegrías y sus penas, sus fiestas y sus trabajos. Sus paisajes, nos muestran la belleza de aquella tierra, pero también la dureza de la vida en el campo. La Escuela Flamenca, con su realismo y su simbolismo profundo, dejó una huella imborrable en la historia del arte. Sus maestros, con su dominio de la luz y el color, nos legaron un tesoro de valor incalculable. Su legado sigue vivo, inspirando a artistas y conmoviendo a aficionados de todas las épocas. Eso mismo es lo que vamos a tratar hoy en La ContraHistoria de la mano de Alberto Garín. Nos sumergiremos en la escuela flamenca que tuvo su continuación en los siglos XVI y XVII con artistas de la talla de Rubens, van Dyck o Jordaens. En el siglo XIX la pintura flamenca renació prefigurando los estilos contemporáneos de la mano de James Ensor. Cinco siglos de de arte con mayúsculas atado siempre a unas circunstancias históricas muy concretas e irrepetibles. Bibliografia: “Los primitivos flamencos” de Erwin Panofsky - https://amzn.to/3NtKjPS “El affaire Arnolfini” de Jean-Philippe Postel - https://amzn.to/4h4PuTX “Rubens” de Gilles Neret - https://amzn.to/48ccZWX “Historia de la pintura” de Paz García Ponce de León - https://amzn.to/3BJCTFn “Leer la pintura” de Nadeije Laneyre-Dagen - https://amzn.to/40658YY · Canal de Telegram: https://t.me/lacontracronica · “Contra la Revolución Francesa”… https://amzn.to/4aF0LpZ · “Hispanos. Breve historia de los pueblos de habla hispana”… https://amzn.to/428js1G · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #pintura #flandes Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
Recomendados de la semana en iVoox.com Semana del 5 al 11 de julio del 2021
Flandes, esa tierra de brumas y canales donde campos y ciudades se funden con el mar en un horizonte infinito, fue la cuna de una escuela pictórica que deslumbró al mundo hace más de cinco siglos, un ramillete de pintores magistrales que exhibían un detallado realismo y una profunda introspección. Los maestros flamencos, alquimistas de la luz y el color, no solo retrataron la realidad con una precisión asombrosa, sino que también se adentraron en los misterios del alma humana revelando las pasiones, los anhelos, las miserias y las grandezas de una de las sociedades más opulentas de su época. En los albores del Renacimiento, cuando Italia recuperaba los cánones clásicos, Flandes florecía como un centro de comercio y cultura. Brujas, Gante, Amberes, ciudades vibrantes y cosmopolitas, se convirtieron en el escenario donde se forjó esta escuela singular a la sombra de los duques de Borgoña. Los artistas flamencos, herederos de la tradición medieval, pero abiertos a las nuevas corrientes artísticas, desarrollaron un estilo propio caracterizado por la minuciosidad del detalle, la riqueza cromática y la maestría en el manejo de la luz. El óleo, esa sustancia mágica que permite capturar la luminosidad y la transparencia, se convirtió en la herramienta predilecta de estos pintores flamencos. Jan van Eyck, el genio visionario, creo obras de una belleza y un realismo incomparables. Pero la Escuela Flamenca no se limitó a la representación fiel de la realidad. Sus artistas, imbuidos de un profundo sentido religioso y moral, dotaron a sus obras de un simbolismo complejo. Roger van der Weyden, maestro del dramatismo y la emoción, nos conmueve con sus escenas de piedad y sufrimiento. Hans Memling, con su pincel delicado y elegante, nos transporta a un mundo de serenidad y armonía. Sus vírgenes, de rostro dulce y mirada melancólica encarnan la pureza y la bondad. En sus retratos, la nobleza y la burguesía flamenca se muestran en todo su esplendor. Y luego está Hieronymus Bosch, más conocido en los países de habla hispana como El Bosco, que fue un pionero creador de mundos fantásticos poblados de criaturas extrañas y escenas oníricas. "El Jardín de las Delicias", esa obra maestra enigmática y perturbadora, nos sumerge en un universo de pecado y redención, donde la lujuria, la gula y la vanidad se mezclan con la inocencia y la esperanza. Pieter Brueghel el Viejo, por su parte, nos acerca a la vida cotidiana de los campesinos, con sus alegrías y sus penas, sus fiestas y sus trabajos. Sus paisajes, nos muestran la belleza de aquella tierra, pero también la dureza de la vida en el campo. La Escuela Flamenca, con su realismo y su simbolismo profundo, dejó una huella imborrable en la historia del arte. Sus maestros, con su dominio de la luz y el color, nos legaron un tesoro de valor incalculable. Su legado sigue vivo, inspirando a artistas y conmoviendo a aficionados de todas las épocas. Eso mismo es lo que vamos a tratar hoy en La ContraHistoria de la mano de Alberto Garín. Nos sumergiremos en la escuela flamenca que tuvo su continuación en los siglos XVI y XVII con artistas de la talla de Rubens, van Dyck o Jordaens. En el siglo XIX la pintura flamenca renació prefigurando los estilos contemporáneos de la mano de James Ensor. Cinco siglos de de arte con mayúsculas atado siempre a unas circunstancias históricas muy concretas e irrepetibles. Bibliografia: “Los primitivos flamencos” de Erwin Panofsky - https://amzn.to/3NtKjPS “El affaire Arnolfini” de Jean-Philippe Postel - https://amzn.to/4h4PuTX “Rubens” de Gilles Neret - https://amzn.to/48ccZWX “Historia de la pintura” de Paz García Ponce de León - https://amzn.to/3BJCTFn “Leer la pintura” de Nadeije Laneyre-Dagen - https://amzn.to/40658YY · Canal de Telegram: https://t.me/lacontracronica · “Contra la Revolución Francesa”… https://amzn.to/4aF0LpZ · “Hispanos. Breve historia de los pueblos de habla hispana”… https://amzn.to/428js1G · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #pintura #flandes
Hedy is opgewonden over een fantastisch betoog van oud-politieman Dik van Oers die zelfdodingsmiddel X legaal wil verspreiden. Na Baas in eigen Buik is het volgens Hedy de hoogste tijd voor Baas over eigen Lijf. Vrolijk werd ze deze week van een tentoonstelling die ze bezocht in het Nieuwe Instituut in Rotterdam over architectenechtpaar Aldo van Eyck en Hannie van Roijen. Hadassah zag heel veel prachtige voorstellingen op het Theaterfestival, en had het gevoel zelf in een toneelstuk te zijn beland toen ze een varkensslachterij bezocht. In vroeger en nu blikt Hedy terug op haar samenwerking en vriendschap met politica Ien Dales. Verder bespreken we het humeur van de politieke partijen. Extreem rechts gaat over onvrede en angst. Het is nu de taak van de politiek om daar vrolijkheid, hoop en een visie op de toekomst tegenover te stellen. Tot slot besteden we aandacht aan de verspillingsvrije week. Er wordt namelijk heel veel eten weggegooid, maar bij Hedy gooit het eten zichzelf soms weg. Hosted on Acast. See acast.com/privacy for more information.
Hannah French presents the second of two programmes of highlights from the 2023 London International Festival of Early Music, today focusing on their support of young, up-and-coming artists. The OAE Experience Ensemble offers students the chance to play alongside seasoned professionals, and you can hear them playing music by Haydn and Mozart, as well as students from Chethams School of Music in Manchester, and London's Guildhall School of Music & Drama and the Junior Royal Academy, performing music by Telemann, Purcell and van Eyck.
China's One Belt One Road policy, or OBOR, represents the largest infrastructure program in history. Yet little is known about it with any certainty. How can something so large be so bewildering? In One Belt One Road: Chinese Power Meets the World (Harvard East Asian Monographs, 2020), Eyck Freymann, a DPhil Candidate in China Studies at the University of Oxford, explores the nature, function, and purposes of OBOR. Drawing on primary documents in five languages, interviews with senior officials, and on-the-ground case studies in Sri Lanka, Tanzania, and Greece, Freymann sifts through the purposeful ambiguity of the Chinese Communist Party and unravels a series of popular myths about OBOR. He finds that OBOR is not controlled by a monolithic state apparatus; that recipient nations do not consider OBOR a debt trap; and that appeal of OBOR is growing, not shrinking. Ultimately, Freymann argues that the infrastructure projects are a sideshow to something else: Xi Jinping's project to restore China's greatness in world affairs and to solidify his place at the helm of the new Chinese empire. John Sakellariadis is a 2020-2021 Fulbright US Student Research Grantee. He holds a Master's degree in public policy from the School of International and Public Affairs at Columbia and a Bachelor's degree in History & Literature from Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
China's One Belt One Road policy, or OBOR, represents the largest infrastructure program in history. Yet little is known about it with any certainty. How can something so large be so bewildering? In One Belt One Road: Chinese Power Meets the World (Harvard East Asian Monographs, 2020), Eyck Freymann, a DPhil Candidate in China Studies at the University of Oxford, explores the nature, function, and purposes of OBOR. Drawing on primary documents in five languages, interviews with senior officials, and on-the-ground case studies in Sri Lanka, Tanzania, and Greece, Freymann sifts through the purposeful ambiguity of the Chinese Communist Party and unravels a series of popular myths about OBOR. He finds that OBOR is not controlled by a monolithic state apparatus; that recipient nations do not consider OBOR a debt trap; and that appeal of OBOR is growing, not shrinking. Ultimately, Freymann argues that the infrastructure projects are a sideshow to something else: Xi Jinping's project to restore China's greatness in world affairs and to solidify his place at the helm of the new Chinese empire. John Sakellariadis is a 2020-2021 Fulbright US Student Research Grantee. He holds a Master's degree in public policy from the School of International and Public Affairs at Columbia and a Bachelor's degree in History & Literature from Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
China's One Belt One Road policy, or OBOR, represents the largest infrastructure program in history. Yet little is known about it with any certainty. How can something so large be so bewildering? In One Belt One Road: Chinese Power Meets the World (Harvard East Asian Monographs, 2020), Eyck Freymann, a DPhil Candidate in China Studies at the University of Oxford, explores the nature, function, and purposes of OBOR. Drawing on primary documents in five languages, interviews with senior officials, and on-the-ground case studies in Sri Lanka, Tanzania, and Greece, Freymann sifts through the purposeful ambiguity of the Chinese Communist Party and unravels a series of popular myths about OBOR. He finds that OBOR is not controlled by a monolithic state apparatus; that recipient nations do not consider OBOR a debt trap; and that appeal of OBOR is growing, not shrinking. Ultimately, Freymann argues that the infrastructure projects are a sideshow to something else: Xi Jinping's project to restore China's greatness in world affairs and to solidify his place at the helm of the new Chinese empire. John Sakellariadis is a 2020-2021 Fulbright US Student Research Grantee. He holds a Master's degree in public policy from the School of International and Public Affairs at Columbia and a Bachelor's degree in History & Literature from Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
China's One Belt One Road policy, or OBOR, represents the largest infrastructure program in history. Yet little is known about it with any certainty. How can something so large be so bewildering? In One Belt One Road: Chinese Power Meets the World (Harvard East Asian Monographs, 2020), Eyck Freymann, a DPhil Candidate in China Studies at the University of Oxford, explores the nature, function, and purposes of OBOR. Drawing on primary documents in five languages, interviews with senior officials, and on-the-ground case studies in Sri Lanka, Tanzania, and Greece, Freymann sifts through the purposeful ambiguity of the Chinese Communist Party and unravels a series of popular myths about OBOR. He finds that OBOR is not controlled by a monolithic state apparatus; that recipient nations do not consider OBOR a debt trap; and that appeal of OBOR is growing, not shrinking. Ultimately, Freymann argues that the infrastructure projects are a sideshow to something else: Xi Jinping's project to restore China's greatness in world affairs and to solidify his place at the helm of the new Chinese empire. John Sakellariadis is a 2020-2021 Fulbright US Student Research Grantee. He holds a Master's degree in public policy from the School of International and Public Affairs at Columbia and a Bachelor's degree in History & Literature from Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
China's One Belt One Road policy, or OBOR, represents the largest infrastructure program in history. Yet little is known about it with any certainty. How can something so large be so bewildering? In One Belt One Road: Chinese Power Meets the World (Harvard East Asian Monographs, 2020), Eyck Freymann, a DPhil Candidate in China Studies at the University of Oxford, explores the nature, function, and purposes of OBOR. Drawing on primary documents in five languages, interviews with senior officials, and on-the-ground case studies in Sri Lanka, Tanzania, and Greece, Freymann sifts through the purposeful ambiguity of the Chinese Communist Party and unravels a series of popular myths about OBOR. He finds that OBOR is not controlled by a monolithic state apparatus; that recipient nations do not consider OBOR a debt trap; and that appeal of OBOR is growing, not shrinking. Ultimately, Freymann argues that the infrastructure projects are a sideshow to something else: Xi Jinping's project to restore China's greatness in world affairs and to solidify his place at the helm of the new Chinese empire. John Sakellariadis is a 2020-2021 Fulbright US Student Research Grantee. He holds a Master's degree in public policy from the School of International and Public Affairs at Columbia and a Bachelor's degree in History & Literature from Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
China's One Belt One Road policy, or OBOR, represents the largest infrastructure program in history. Yet little is known about it with any certainty. How can something so large be so bewildering? In One Belt One Road: Chinese Power Meets the World (Harvard East Asian Monographs, 2020), Eyck Freymann, a DPhil Candidate in China Studies at the University of Oxford, explores the nature, function, and purposes of OBOR. Drawing on primary documents in five languages, interviews with senior officials, and on-the-ground case studies in Sri Lanka, Tanzania, and Greece, Freymann sifts through the purposeful ambiguity of the Chinese Communist Party and unravels a series of popular myths about OBOR. He finds that OBOR is not controlled by a monolithic state apparatus; that recipient nations do not consider OBOR a debt trap; and that appeal of OBOR is growing, not shrinking. Ultimately, Freymann argues that the infrastructure projects are a sideshow to something else: Xi Jinping's project to restore China's greatness in world affairs and to solidify his place at the helm of the new Chinese empire. John Sakellariadis is a 2020-2021 Fulbright US Student Research Grantee. He holds a Master's degree in public policy from the School of International and Public Affairs at Columbia and a Bachelor's degree in History & Literature from Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics
China's One Belt One Road policy, or OBOR, represents the largest infrastructure program in history. Yet little is known about it with any certainty. How can something so large be so bewildering? In One Belt One Road: Chinese Power Meets the World (Harvard East Asian Monographs, 2020), Eyck Freymann, a DPhil Candidate in China Studies at the University of Oxford, explores the nature, function, and purposes of OBOR. Drawing on primary documents in five languages, interviews with senior officials, and on-the-ground case studies in Sri Lanka, Tanzania, and Greece, Freymann sifts through the purposeful ambiguity of the Chinese Communist Party and unravels a series of popular myths about OBOR. He finds that OBOR is not controlled by a monolithic state apparatus; that recipient nations do not consider OBOR a debt trap; and that appeal of OBOR is growing, not shrinking. Ultimately, Freymann argues that the infrastructure projects are a sideshow to something else: Xi Jinping's project to restore China's greatness in world affairs and to solidify his place at the helm of the new Chinese empire. John Sakellariadis is a 2020-2021 Fulbright US Student Research Grantee. He holds a Master's degree in public policy from the School of International and Public Affairs at Columbia and a Bachelor's degree in History & Literature from Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoices
After the last episode produced some stinkers, Carlin and Rebecca turn their attention to a sour beer from New Jersey and a hoppy offering from Maryland. One of the two impresses.
I detta avsnitt tar vi oss an den mytomspunna målningen ”Makarna Arnolfinis trolovning” av Johannes van Eyck från 1434, som nuförtiden finns på National Gallery i London. Vi pratar om allt från den ytterst snåriga proveniensen till de många avbildade vardagsföremålen och deras möjliga dolda betydelser.Inte minst resonerar vi om det avbildade paret och om det verkligen är en trolovning vi ser i målningen. Kan det verkligen vara den i Brygge verksamme handelsmannen Giovanni Arnolfini och hans fru Giovanna Cenamis giftermål som är avbildat? Bröllopet ägde rum 1447, men konstnären Jan van Eyck dog redan 1441. Eller är ”Makarna Arnolfinis trolovning” i själva verket ett minnesporträtt föreställandes Giovanni di Nicolao Arnolfinis och hans döda maka Constanza Trenta? Och är Hernaoul le Fin och Arnoult Fin som man läser om i de historiska källorna samma person som Arnolfini?Vi följer arkivspåren hur målningen kom från Brygge via Spanien till National Gallery i London? Köpte den skotske översten James Hay - som sålde tavlan till National Gallery 1842 efter det engelska kungahuset avböjde att köpa den - verkligen tavlan när han kurerade sig i Bryssel efter slaget vid Waterloo? Eller är tavlan snarare ett byte efter plundringen av den spanska kungliga samlingen vid slaget av Vitoria 1813, som han medverkade i?Allt detta och mycket mer får ni höra mer om i vårt nya avsnitt!Support till showen http://supporter.acast.com/konsthistoriepodden. Hosted on Acast. See acast.com/privacy for more information.
durée : 01:28:44 - Musique matin été du lundi 22 juillet 2024 - par : Clément Rochefort - La joueuse de flûte à bec Lucie Horsch est à l'affiche du Festival de Menton, aux côtés de Bertrand Cuiller et de l'ensemble Le Caravansérail. Un voyage à Venise, le temps d'une soirée, en compagnie de Vivaldi, Castello, Mancini, van Eyck, Buonamente et Merula... - réalisé par : Margot Page
In Psalm 85, we hear of the the graciousness of God toward Israel, and then a confession for a continual need for that grace and kindness from God. How does this reveal our need for Christ and his work? Where does salvations start? Does it start with me or does it start with the foundation laid by Christ's suffering, death, and resurrection?Image: Adoration of the Lamb from the Ghent Altarpiece, Hubert van Eyck, Public domain, via Wikimedia Commons.
Hay instrumentos que fueron importantísimos en otras épocas y que han quedado relegados a un segundo plano con el transcurso del tiempo. No es fácil escucharlos en directo aunque siempre hay oportunidad de hacerlo en alguna ocasión. En Hoy Toca queremos reivindicarlos y hoy es el turno de una amiga bastante ligera llamada la flauta de pico, aunque, como podremos comprobar, ¡las hay de dos metros de longitud! La intérprete y profesora del Real Conservatorio Superior de Música de Madrid Lobke Sprenkeling ha visitado nuestro estudio para contarnos muchísimas cosas sobre su adorado instrumento mientras disfrutamos de música de los siglos XVI, XVII y XVIII, la época dorada de la flauta de pico; son obras de Anthony Holborne, Jacob van Eyck o el venerado Johann Sebastian Bach y que forman parte de la mejor música del mundo, la que suena siempre en Hoy Toca, el programa de Clásica FM que te quiere sorprender.
Paris's landmark museum is gearing up for the Olympics, with a special exhibition that takes visitors through the history of the Games. We hear more about a project for those who want to combine exercise and culture, as the Louvre launches a fitness circuit that puts participants among the artwork. Plus, a new show shines a light on the work of mysterious Dutch painter Jan van Eyck, and French land artist Saype gets his first solo show in Paris, after painting his immense frescoes on landscapes around the world.
On this third and final installment of what has to be one of the most epic nights ever for this podcast, we finally get the chance to sit one on one with the amazing Toy Ten Eyck (TroyBoy) of the Hellgramites! Every single member of their band has now been on the show! They obvs love us as much as we love them XOXOTroy and I get chatty about the upcoming Hellgrammites album and tour, live monitoring setups, AI, film scores, bass amps, neodymium magnets, other odd instruments and Eric's pedal making company Petey Pedals. It's one HELL of a night cap on a fantastic evening.https://www.hellgrammitesmusic.com/https://flipside-music.com/collections/petey-pedals
On this very special crossover episode Nate sticks around while Troy settles in and the group discusses parenting, EQ, Jaco Pastorius, the “Sickest Riff” Grammy nomination, touring Europe and the UK, digital amps and mixers, house parties, VHS and the Roland Space Echo. It's one crazy episode with two amazing artists!
Celebramos las dos décadas de carrera musical de Camilo Lara, el Instituto Mexicano del Sonido, con el disco recopilatorio que acaba de lanzar, Algo–Ritmo. Analizamos con Antonio Delgado la restauración que ha hecho el Museo Louvre de París de ‘Virgen del canciller Rolin’, de Jan van Eyck. Y con Martín Llade escuchamos el Réquiem de Mozart y descubrimos todas las historias a su alrededor. Escuchar audio
Diego Velazques was one of the most significant painters of Spain's Golden Age in the 17th century. He was a master of both portraiture and genre painting, Las Meninas is a sort of mix of both. We see people who seem rather formally dressed by today's standards, but the subject is also, it was a peak behind the curtain of royal life. Withing the work, the first focal point would be the little girl, the infanta margarita, daughter of the king and queen of spain. She is dramatically lit from the side by light streaming in from the window. The top half of the composition is essentially in shadow, and we see her looking out at us, the viewers. Diego Velazquez included himself in the scene as he stands before his giant canvas. Within this oil on canvas painting, we see a representation of a painter working on canvas. Velazquez also seems to break the fourth as he looks out at the viewer. There is a figure standing in the doorway in the back of the composition. The strong light in the doorway pulls our focus there as a secondary focal point, and that figure seems to be caught in motion and again, he looks out at us, the viewers. In this episode, I referenced Jan van Eyck's Arnolfini Portrait. To learn more about that, check out my previous episode: Jan van Eyck | The Arnolfini Portrait Arts Madness 2024 links: The Brackets Spotify Playlist Prediction Form Check out my other podcasts Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Jan van Eyck was a remarkable painter. He worked in oils during the Renaissance, and created stunning photorealistic portraits centuries before photography was developmed. In the Arnolfini portrait, he captures not only the subjects standing before him, but also a reflection of the room in a convex mirror showing the full scene and accurately rendering the distortions caused by the curved glass. Check out my other podcasts Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices
The Life and Times of Walter Reuther: An Unfinished Liberal Legacy by James Ten EyckThe Life and Times of Walter Reuther recounts the events and social movements that have shaped modern America and the role Walter Reuther played in many of them. For over thirty years Reuther and his United Automobile Workers Union were in the vanguard of voices advancing economic and social policies that raised the standard of living for many Americans. Reuther serves as a lens through which a period of labor advances, civil rights struggle, and hot and cold war are viewed. The book traces the formative years of the Reuther brothers in Wheeling and follows Walter and Victor Reuther's European adventure to their ancestral homeland during the rise of Hitler and into the Gorky Autoworks factory in Soviet Russia. The pair returned home to help lead the labor battles in Flint and Dearborn that established a UAW presence in the factories and ultimately brought Walter Reuther to the bargaining table to negotiate historic labor agreements. Reuther's story includes assassination attempts, confrontations with Senator Goldwater and Nikita Khrushchev, and a presence on the national and world stage for a quarter of a century. The book also discusses attitudes toward immigration and race throughout the twentieth century that echo in our discourse today.James Ten Eyck received a B.S. ion Mathematics from Lafayette College in 1963. After graduation he worked at IBM, Endicott for five years before leaving to obtain a Ph.D. In Physics. He began an academic career that included adding an M.S. in Computer Science from WPI and retiring after a twenty-five year tenure at Marist College in Poughkeepsie, NY. While at Syracuse he met and married his wife Veronica and welcomed the couple's only child, David.https://www.amazon.com/Life-Times-Walter-Reuther-Unfinished/dp/1960946161https://jamesteneyck.com/http://www.Crown888Press.com http://www.bluefunkbroadcasting.com/root/twia/11124jtecr.mp3
Transcriptie: https://www.eenbeetjenederlands.nl/podcast/jan-van-eyck Steun de podcast! https://petjeaf.com/eenbeetjenederlands Aflevering 64: Jan van Eyck Aan het einde van de middeleeuwen leefde er in de Lage Landen een schilder die zijn tijdgenoten ver voorbij was. Deze schilder was een echte pionier: hij heeft technieken uitgevonden waarmee hij op een manier kon schilderen die totaal nieuw was. Jan van Eyck, de man waar het vandaag over gaat, was zelf mysterieus, en ook rond zijn schilderijen zijn er nog veel raadsels. In deze aflevering: het levensverhaal van Jan van Eyck, zijn belangrijkste kunstwerken en een spectaculaire diefstal… Een Beetje Nederlands De podcast voor iedereen die beter Nederlands wil leren luisteren! Voor mensen op niveau B1/B2. Afleveringen over allerlei onderwerpen in duidelijk en helder gesproken Nederlands. Iedere aflevering heeft een transcriptie om mee te lezen. Leer met deze podcast Een Beetje Nederlands! Learn Dutch with this podcast for intermediate learners (level B1/B2). This podcast lets you listen to a range of different subjects in clear and slowly spoken Dutch. Every episode comes with a free transcript on the website. Learn a little Dutch with Een Beetje Nederlands!
In dieser 10. Folge des Adventskalenders von Radio Schrebergarten gibt es das härteste Gartenquiz der Welt für unsere Hörer. Schreibt uns gerne Eure Antworten bis 31.12.2023, 23:59 Uhr per e-Mail: Radio-Schrebergarten@gmx.de Zu gewinnen gibt es einen Bienenstein von Daniela von @almahatzeit (dieser wurde uns für das Quiz zur Verfügung gestellt) und Futter-Gugelhupfe. Hier noch einmal die Fragen: 1) Welchen Schärfegrad haben Kirschpaprika? Gib die Spanne "Von... Bis..." in Scoville an! 2) Nenne drei (3) in Deutschland vorkommende Heckenbrüter Vögel! 3) Wie lautet die spezielle Bestäubungsmethode von Hummeln (bei der diese den Pollen durch Rütteln und Schütteln der Blüte löst) ? (englicher oder deutscher Begriff! 4) Georg van Eyck war einer der Begründer welches Unternehmens, das als Markenzeichen die Erdbeere trägt ? Viel Spaß beim Raten und beim Hören! Wir freuen uns! Bewertet und Folgt uns gerne auf Apple Podcast und Spotify oder bei Amazon Music :) Folgt uns auf Instagram und Facebook oder schickt uns Euer Feedback via Mail. -Instagram: melanie_home_: https://www.instagram.com/melanie_home_/ -radioschrebergarten: https://www.instagram.com/radioschrebergarten/ - facebook Gruppe: Radio Schrebergarten -E-Mail: radio-schrebergarten@gmx.de --- Send in a voice message: https://podcasters.spotify.com/pod/show/oliver-heim/message
If you've been listening for a while, you know my love for any and all buildings designed by architect A. Ten Eyck Brown. Brown was prolific in Atlanta, and there are many things he designed - so this week, we're going to talk about his life, how he got to Atlanta, what he designed here, and what is still left today. Archive Atlanta 5 Year Anniversary Party! Want to support this podcast? Visit here Email: thevictorialemos@gmail.com Facebook | Instagram | Twitter
Diego Velazques was one of the most significant painters of Spain's Golden Age in the 17th century. He was a master of both portraiture and genre painting, Las Meninas is a sort of mix of both. We see people who seem rather formally dressed by today's standards, but the subject is also, it was a peak behind the curtain of royal life. Withing the work, the first focal point would be the little girl, the infanta margarita, daughter of the king and queen of spain. She is dramatically lit from the side by light streaming in from the window. The top half of the composition is essentially in shadow, and we see her looking out at us, the viewers. Diego Velazquez included himself in the scene as he stands before his giant canvas. Within this oil on canvas painting, we see a representation of a painter working on canvas. Velazquez also seems to break the fourth as he looks out at the viewer. There is a figure standing in the doorway in the back of the composition. The strong light in the doorway pulls our focus there as a secondary focal point, and that figure seems to be caught in motion and again, he looks out at us, the viewers. In this episode, I referenced Jan van Eyck's Arnolfini Portrait. To learn more about that, check out my previous episode: Jan van Eyck | The Arnolfini Portrait Check out my other podcast Art Smart | Rainbow Putty Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices
‘Klokken over Utrecht' ‘God nam 't hem in het oog. Maar gaf 't hem in 't oor.' – aldus het grafschrift uit 1657 van Jacob van Eyck, beiaardier in Utrecht uit de 17e eeuw. Deze blinde musicus was verantwoordelijk voor de klokken in de Dom te Utrecht en daarnaast speelde hij blokfluit op het Hof rond de Janskerk. Jacob van Eyck Fantasie en Echo Arie Abbenes, carillon Dom Utrecht Saskia Coolen, blokfluit (album: Van Eyck: A Wonder for all the ages in his flute and bell-playing) Jacob van Eyck Blydschap van mijn vliedt François Lazarevitch, fluit (album: Van Eyck: Der fluyten lust-hof) Anoniem Bow Bells (uit: Musick Hand Maid 1668, John Playford) Arie Abbenes, carillon Dom Utrecht (album: Inspired by the Bells)
In this episode, we are joined by Ashleigh Moolman-Pasio and Xylon van Eyck, founders of the Rocacorba Collective, a cycling community aimed at revolutionising the indoor e-cycling experience by creating an inspiring, uplifting and safe space for women to come together to cycle, whatever their level or experience. Ashley, a three-time Olympian (five-time South African Champion and the 1st UCI Cycling Esports World Champion), and Xylon, a passionate storyteller and global connector of athletes and cyclists, delve into the world of cycling and sports, uncovering inspiring stories of resilience, competition, and excellence. The episode begins by exploring Xylon's transition from a media personality to the world of sports and cycling and his battle against cancer at 26. Initially shocked by the diagnosis, Xylon shares his journey of resilience and the emotional challenges he faced. Ashleigh also recounts her teenage ordeal with a head injury that almost damaged her brain and a later illness that shortened her aspirations of conquering the Tour de France. The discussion highlights the profound impact of sickness on the human psyche and the endurance required to overcome such challenges.Xylon and Ashleigh discuss the origins of the Rocacorba Collective and its significance in their personal journeys. Xylon, hailing from a disadvantaged South African community, recounts his passion for cycling and his determination to provide opportunities for others who aspire to reach the highest levels of the sport. Ashley shares her inspiring experiences in Eritrea and her realisation of the potential to support African women in pursuing cycling excellence in Europe.The conversation takes an intriguing turn as Ashleigh describes her discovery of the virtual world and indoor cycling during the COVID-19 pandemic. Recognising women's enhanced confidence and engagement in the virtual space, she saw an opportunity to foster community and empower women through indoor training platforms like Zwift. This realisation sparked the birth of the Rocacorba Collective, which extends beyond physical cycling tourism to a global virtual community.The collective's core objectives include providing training plans, coaching sessions, and building connections with riders in South Africa and beyond. Through strategic collaborations with organisations like Culture Cycles, the collective aims to break barriers and create a blueprint for eCenters in underprivileged African communities. These centres will serve as indoor training and learning facilities, paving the way for more women and individuals to excel in cycling and overcome their challenges in pursuing their dreams.Tune in to this episode to be inspired by the Rocacorba Collective's transformative vision and the commitment of Ashleigh and Xylon van Eyck to revolutionise cycling in Africa while empowering women to achieve their fullest potential.Links and Resources:•Find Ashleigh and Xylon on LinkedIn•Read more about the Rocacorba CollectiveThis podcast is produced by Nexa MediaDo you have a question for our hosts, email us at hello@changeafricapodcast.com Hosted on Acast. See acast.com/privacy for more information.
durée : 00:59:06 - Les Cours du Collège de France - par : Merryl Moneghetti - Quelle est la longue histoire transfrontalière du Retable de l'Agneau mystique des frères van Eyck à Gand? Que fait le désir avec les objets d'art? demande l'historienne, Bénédicte Savoy. Pourquoi ou comment restituer une oeuvre loyalement acquise? Van Eyck est-il Allemand ou Flamand?
The Ghent Altarpiece is an extensive and highly detailed polyptych or multi-paneled altarpiece, that was created by the Flemish artist Jan van Eyck and his brother Hubert van Eyck in the early 15th century. The altarpiece is considered to be one of the most important works of art from the Northern Renaissance. In the late nineteenth century, the Berlin Museum, which then owned part of the paintings belonging to the Ghent Altarpiece, separated the painted fronts of these panels from their backs, which were also painted, by sawing them apart. This harsh measure was intended to facilitate the exhibition of the panels and their inspection by an art-loving public. But it also served to obscure the fact that the panels were created as ecclesiastical objects for display in a church, and to stress their character simply as art.
In this episode, we discuss the Ghent Altarpiece that was created in 1432 by two brothers ,Jan van Eyck and Hubert van Eyck. This episode takes you on a journey on how the art piece was lost, stolen, and sought after by many because of its rich history and meaning that gave it value. But after being in so many hands throughout history, someone was bound to mistreat it. Berlin museum sawed it in half to and put it on display for the world. Here we will be discussing whether or not this controversial splitting is a mistreatment of a religious piece or if it was a necessary evil to portray the significance of the altarpiece.
The adoration of the mystic lamb, also known as Ghent Altarpiece, was begun in the mid-1420 and completed before 1432 by Jan van Eyck and his brother Hubert. Jan van Eyck was a Flemish painter who was one of the founders of Early Netherlandish painting, the medium that Jan van used was oil and oak wood to make this painting. There is no convincing information to determine artistic attribution. The Ghent Altarpiece is a large and complex 15th-century polyptych altarpiece in Saint Bavo's Cathedral chapel in Belgium, but it was moved for security reasons to the main cathedral chapel, where it is today. The altarpiece is considered a masterpiece of European art and one of the world's treasures. The Altarpiece has been the victim of 13 crimes since its installation, and seven thefts. Nearly 600 years old, the panels have been threatened by theft, war damage, peace settlements, outbreaks of iconoclasm , and have suffered fire damage. The idealization of traditional medieval art gives way to realistic representations of nature and humanity.
Jan van Eyck was a remarkable painter. He worked in oils during the Renaissance, and created stunning photorealistic portraits centuries before photography was developmed. In the Arnolfini portrait, he captures not only the subjects standing before him, but also a reflection of the room in a convex mirror showing the full scene and accurately rendering the distortions caused by the curved glass. Arts Madness Tournament links: Check out the Brackets Tell me which artist you think will win this year's tournament Give a shoutout to your favorite teacher (the teacher who gets the most shoutouts on this form by Feb 27 will get a $50 Amazon gift card) Who ARTed is an Airwave Media Podcast. Connect with me: Website | Twitter | Instagram | Tiktok Support the show: Merch from TeePublic | Make a Donation As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show. Learn more about your ad choices. Visit megaphone.fm/adchoices
Denis McNamara and Christopher Carstens, co-authors of the new book Solemnities: Celebrating a Tapestry of Divine Beauty, join the podcast to talk about the upcoming solemnities of Christmas; Mary, Mother of God; and Epiphany. The book (co-authored with Alexis Kutarna) covers the Church's 17 solemnities. For each, there is a discussion of its theological and spiritual significance, a reproduction and analysis of a great artwork related to the solemnity, and tips on how to observe the solemnity more deeply, from spiritual practices to festive traditions. Links Solemnities: Celebrating a Tapestry of Divine Beauty https://ascensionpress.com/products/solemnities-celebrating-a-tapestry-of-divine-beauty Artworks discussed in this episode: The Mystic Nativity by Sandro Botticelli https://artsandculture.google.com/asset/mystic-nativity/ggGzbkPRgnpQCA?hl=en&avm=2 Madonna in the Church by Jan van Eyck https://artsandculture.google.com/asset/the-madonna-in-the-church-jan-van-eyck/OgFrmfnJd3r8zw?hl=en Adoration of the Magi by Domenico Ghirlandaio https://upload.wikimedia.org/wikipedia/commons/4/46/Adoration_of_the_Magi_Spedale_degli_Innocenti.jpg Follow McNamara's ongoing video series discussing sacred art here: https://www.youtube.com/watch?v=NfoPO00IYAk&list=PLX5nsucORH80kKvq579X_PWTtduPNiqE4
Who is the greatest artist of all time? Join Tom and Dominic as Belgian historian Bart van Loo puts forward the case for the hyper-realistic and highly influential art of early Northern Renaissance painter Jan van Eyck.Join The Rest Is History Club (www.restishistorypod.com) for ad-free listening to the full archive, weekly bonus episodes, live streamed shows and access to an exclusive chatroom community.Twitter: @TheRestHistory @holland_tom @dcsandbrook Email: restishistorypod@gmail.com Hosted on Acast. See acast.com/privacy for more information.
The fourth episode of our season on the awesome movie year of 1953 features the Cannes Film Festival Palme d'Or winner, Henri-Georges Clouzot's The Wages of Fear. Directed and co-written by Henri-Georges Clouzot, based on the novel by Georges Arnaud, and starring Yves Montand, Charles Vanel, Folco Lulli and Peter van Eyck, The Wages of Fear won the top prizes at both Cannes and the Berlin Film Festival in 1953.The contemporary reviews quoted in this episode come from Bosley Crowther in The New York Times (https://www.nytimes.com/1955/02/17/archives/wages-of-fear-has-premiere-at-paris.html), Richard L. Coe in The Washington Post, and Philip K. Scheuer in the Los Angeles Times.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1953 installment, featuring our documentary pick, Disney's The Living Desert.
Meg Ten Eyck, CEO of LGBTQ lifestyle site “Everyqueer”, is an award-winning Queer travel content creator. Since starting in the LGBT travel industry, Meg has visited 60+ countries, spoken at LGBTQ conferences on five continents, published her first book, and had her content read by more than ten million people. Her work involves creating content, marketing campaigns, and conducting professional development training for brands working with the LGBTQ community. Meg has been cited as a leading expert in two consecutive UNWTO Reports on LGBTQ Tourism and in the ETC's Report on LGBTQ Tourism. She is regularly a featured speaker and subject matter expert at travel conferences worldwide. In 2019, Meg was selected as the International Woman of the Year for Facebook's initiative with Girl Gone International for her work in LGBTQ inclusive travel. She is also the international brand ambassador for Contiki, Macy's, and Out Adventures. Meg serves on the Board of Directors of the International LGBT Travel association and on the LGBT advisory board of Belmond Hotels and Resorts. Connect w/Meg & Support Everyqueer: https://www.instagram.com/everyqueer/ https://everyqueer.com/ LGBTQ+ organizations doing great work: https://www.aliforneycenter.org/ https://www.thetrevorproject.org/ https://www.glaad.org/ Connect With Me: Kelsey's Website: http://www.kelseyformost.com Kelsey's Youtube: https://www.youtube.com/user/keformost Kelsey's Instagram: https://www.instagram.com/kelsey.writes Kelsey's Courses: https://kelseyformost.com/courses Original Themesong composed by Jules Grant https://www.instagram.com/j.u.l.e.s.g.r.a.n.t/ Produced by Hayleigh Hayhurst https://www.espressopodcastproduction.com/
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