Podcasts about tudors

Was Henry Tudor a tyrant obsessed with control, or a visionary who created peace and prosperity? How did a penniless exile with a tenuous claim to the crown found a dynasty that reshaped the nation? How did he fight off pretenders to the throne?Professor Suzannah Lipscomb is joined by Dr. Sean Cunningham to explore how Henry VII, from unlikely beginnings, stabilized a kingdom torn apart by decades of civil war and laid the foundations of the Tudor age.MORE:The Last Plantagenets in Tudor EnglandListen on AppleListen on SpotifyPrinces in the TowerListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

Has history been unfair to Queen Anne, the last Stuart monarch? Was she weak and easily led, or one of Britain's most determined and underestimated monarchs?In this episode of our Restoration series, Professor Suzannah Lipscomb and Queen Anne's biographer Lady Anne Somerset examine a queen whose reputation has long been shaped by caricature.MORE:Sister Queens: Mary II and AnneListen on AppleListen on SpotifyHow to Run a Stuart HouseholdListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintler, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

We think of the Tudor period as velvet and poetry and dramatic executions. We do not think of it as siege warfare. That's a mistake. In this episode I'm looking at three Tudor sieges that completely wrecked my assumptions about this era: - Henry VIII personally showing up to besiege a French city (and having to be hoisted onto his horse to get there), - a Protestant reformer who ended up as a galley slave after one of the most dramatic castle standoffs in Scottish history, - and a massacre on an Irish headland that the Elizabethan golden age narrative tends to skip past. Gunpowder was changing everything in this period. The Tudors were living in a world of constant violence and instability that the pretty portraits don't show us. And some of the most consequential moments of the 16th century happened not in a court or a council chamber, but outside a set of walls. Learn more about your ad choices. Visit megaphone.fm/adchoices

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In the mist‑shrouded Highlands, a quiet minister dared to trespass into forbidden realms. Convinced that fairies were not mere fables but a hidden nation with laws and lives of their own, Robert Kirk set out to reveal their secrets, and paid a terrible price. When Kirk died suddenly in 1692, locals whispered he had not died at all, but been taken alive into the Fairy Commonwealth for his betrayal.Professor Suzannah Lipscomb and historian Rachel Morris journey into Kirk's haunted world, an age when science and sorcery, angels and spirits, coexisted in a twilight of wonder and fear.MORE:Elizabeth I's Conjuror: John DeeListen on AppleListen on SpotifyJohn Dee's AngelsListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Tim Arstall and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

One of the most fascinating but perpetually overlooked figures from the world of the Tudors is Margaret Douglas, Countess of Lennox. As the sole daughter of Margaret Tudor, Queen of Scotland, Margaret Douglas was a niece of King Henry VIII and first cousin to his three children. Her life was spent in the shadows of the Tudor world, and she found herself getting on the wrong side of her relatives on several occasions, resulting in several stints as a prisoner in the tower of London, so, what was her story? Well to discuss Margaret and her fascinating life, I am pleased to welcome back historian and author Beverley Adams onto the podcast for a discussion inspired by her book, The Forgotten Tudor Royal, Margaret Douglas, Grandmother to King James VI and I

It was a conflict that raged on for years, shifting alliances, remaking warfare, and changing the political and economic landscape of Europe forever. Michael Livingston deep into the history of what we call "The Hundred Years War," revealing conflicts and battles that raged for two centuries that laid the foundation of the modern world.https://www.michaellivingston.com/ Show Notes:Michael Livingstonhttps://www.michaellivingston.com/ https://www.michaellivingston.com/the-blog/ https://bsky.app/profile/medievalguy.bsky.social https://www.facebook.com/michael.d.livingston https://x.com/medievalguy https://www.instagram.com/livingstonphd/Bloody Crowns: A New History of the Hundred Years WarAgincourt: Battle of the Scarred KingCrécy: Battle of Five KingsCarol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloyd The Tudors by NumbersCourting the Virgin QueenSupport the showHistory reveals what's possible.

Anne Boleyn may be one of the best-known figures in British history. But how much do you know about her connections to Alnwick Castle and the Percy family?In this episode of the Alnwick Castle Podcast, we explore the Boleyn-Percy connection in depth with two amazing experts: Natalie Grueninger, from the Talking Tudors podcast, and Owen Emmerson, from Hever Castle. Natalie and Owen explain the origins of the story that Anne Boleyn was engaged to the future 6th Earl of Northumberland, and the effect this would have on both their lives.They also spend time discussing the Ecclesiasties, an amazing prayer book that survives in the Alnwick Castle archives and that once belonged to Anne Boleyn. Everything about this book, from the bindings to the images and ideas inside, is remarkable, and you will hear all about it.You can see the Ecclesiastes in person this year at Hever Castle, where it has been loaned for the new exhibition about Anne, called Capturing A Queen. Visit their website for more details.For more Tudors on the Alnwick Castle Podcast, please explore our back catalogue - there are several episodes to choose from! And look out for next month's episode where we will be joined once again by the brilliant Tracy Borman to discuss her latest book, The House Of Boleyn.

Let's dive deep into the beginnings of the Civil War of the 17th century.With us today is Jonathan Healey, whose book The Blood in Winter: England on the Brink of the Civil War 1642 has just come out in paperback.It is published by Bloomsbury in the UK and Penguin Random House in the USA.Welcome, Jonathan!Get Blood in the Snow:https://www.bloomsbury.com/uk/blood-in-winter-9781526672346/ (UK)https://www.penguinrandomhouse.com/books/762711/the-blood-in-winter-by-jonathan-healey/ (USA)Get The Blazing World: A New History of Revolutionary England:https://www.bloomsbury.com/uk/blazing-world-9781526621658/ (UK)https://www.penguinrandomhouse.com/books/659745/the-blazing-world-by-jonathan-healey/ (USA)Find Jonathan:https://www.history.ox.ac.uk/people/dr-jonathan-healeyhttps://www.worldturnedupsidedown.co.uk/team/jonathan-healey/https://x.com/SocialHistoryOxhttps://thesocialhistorian.wordpress.com/about/https://www.instagram.com/jonathanhealey1647/https://bsky.app/profile/jonathanhealey.bsky.socialhttps://www.penguinrandomhouse.com/authors/2230076/jonathan-healey/Find Baroque:https://www.ifitaintbaroquepodcast.art/https://www.reignoflondon.com/https://substack.com/@ifitaintbaroquepodcastSupport Baroque:https://www.patreon.com/c/Ifitaintbaroquepodcast/https://buymeacoffee.com/ifitaintbaroqueIf you would like to join Natalie on her walking tours in London with Reign of London:Saxons to Stuarts:https://www.getyourguide.com/london-l57/london-the-royal-british-kings-and-queens-walking-tour-t426011/Tudors & Stuarts:https://www.getyourguide.com/london-l57/royal-london-tudors-stuarts-walking-tour-t481355/The Georgians:https://www.getyourguide.com/london-l57/royal-london-the-georgians-walking-tour-t481358/Naughty London:https://www.getyourguide.com/london-l57/london-unsavory-history-guided-walking-tour-t428452/For more history fodder please visit https://www.ifitaintbaroquepodcast.art/ and https://www.reignoflondon.com/ Hosted on Acast. See acast.com/privacy for more information.

What does it take to rule as an equal in a man's world? How did a quiet, devout queen help reshape Britain's monarchy forever?All this month, Professor Suzannah Lipscomb is exploring the Restoration monarchs. In this episode, she focuses on Queen Mary II, England's first and only joint sovereign, who ruled alongside her husband William of Orange. Far from being a passive partner, Mary was politically astute, deeply devout, and a formidable cultural influence, playing a pivotal role in forging Britain's constitutional monarchy. Dr Holly Marsden joins Suzannah to examine Mary II's reign and why her story still resonates in the histories of Britain, gender, and political revolution.MORE:William III & the Persecution of SodomitesListen on AppleListen on SpotifyThe Massacre of GlencoeListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

Ian Burchnall er med for å ta oss gjennom helgas PL-runde og snakkiser. Hva skjer med Villas hjemmeform? Bør Rio spille mer for Liverpool? Kan Tottenham rykke ned? Hvor tøft er det egentlig å vinne en kamp i Premier League? Og vinner matten til slutt? Mye å prate om etter en innholdsrik PL-weekend.Programleder: Jonas Bergh-Johnsen Episoden kan inneholde målrettet reklame, basert på din IP-adresse, enhet og posisjon. Se smartpod.no/personvern for informasjon og dine valg om deling av data.

Today we're talking to Helen Strudwick, the curator at the Fitzwilliam Museum at Cambridge. She has helped hone their latest exhibition Made in Ancient Egypt.Let's find out more... Find Fitzwilliam Museum:https://fitzmuseum.cam.ac.uk/Get to the Exhibition:https://fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/made-in-ancient-egyptMeet Helen:https://fitzmuseum.cam.ac.uk/about-us/our-staff/profile/helen-strudwickVisit Cambridge:https://www.visitcambridge.org/place/the-fitzwilliam-museum/Find Baroque:https://www.ifitaintbaroquepodcast.art/https://www.reignoflondon.com/https://www.instagram.com/ifitaintbaroquepodcast/Support Baroque:https://www.patreon.com/c/Ifitaintbaroquepodcast/https://buymeacoffee.com/ifitaintbaroqueIf you would like to join Natalie on her walking tours with Reign of London:Saxons to Stuarts:https://www.getyourguide.com/london-l57/london-the-royal-british-kings-and-queens-walking-tour-t426011/Tudors & Stuarts:https://www.getyourguide.com/london-l57/royal-london-tudors-stuarts-walking-tour-t481355/The Georgians:https://www.getyourguide.com/london-l57/royal-london-the-georgians-walking-tour-t481358/Naughty London:https://www.getyourguide.com/london-l57/london-unsavory-history-guided-walking-tour-t428452/For more history fodder please visit https://www.ifitaintbaroquepodcast.art/ and https://www.reignoflondon.com/For more history fodder please visit https://www.ifitaintbaroquepodcast.art/ and https://www.reignoflondon.com/ Hosted on Acast. See acast.com/privacy for more information.

New Spain was a major seat of Spanish power and the source of its wealth in the early 1600s. This wealth made Spain the dominant power in Europe. Spain's silver mining and crown mints on the American continent created high quality coins known as the silver peso or Spanish dollar that became the currency of Spanish America and a widely used global currency. Check out the YouTube versions of this episode at: https://youtu.be/a5PEtkcndzU https://youtu.be/_01dLU4_K_4 Not Just the Tudors podcast available at https://amzn.to/3OelJnj Suzannah Lipscomb books available at https://amzn.to/44M1dQ6 The Man Who Invented Fiction: How Cervantes Ushered in the Modern World by William Egginton available at https://amzn.to/3pSrvkY What Would Cervantes Do? by William Egginton available at https://amzn.to/3NKWtDG William Egginton books available at https://amzn.to/3OelFUB Aztec books available at https://amzn.to/3Mui42r Mexico History books available at https://amzn.to/43dBlfv New Spain books available at https://amzn.to/42PeBmc ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/HistoricalJesu Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM Audio credits: Creator of Don Quixote: Cervantes by Not Just the Tudors podcast with Suzannah Lipscomb & guest William Egginton (History Hit). Audio excerpts reproduced under the Fair Use (Fair Dealings) Legal Doctrine for purposes such as criticism, comment, teaching, education, scholarship, research and news reporting.See omnystudio.com/listener for privacy information.

Please welcome to the podcast Dr Brooke Newman, and today we're talking about her latest ground-breaking book The Crown's Silence: The Hidden History of Slavery and the British Monarch, published by Mariner Books (USA) and Mudlark (UK).Welcome, Brooke!Get Crown's Silence:https://www.barnesandnoble.com/w/the-crowns-silence-brooke-n-newman/1147885987 (USA)https://www.waterstones.com/book/9780008670955 (UK)Find Dr Brooke:https://www.brookennewman.com/https://womenalsoknowhistory.com/individual-scholar-page/?pdb=150Get A Dark Inheritance:https://yalebooks.co.uk/book/9780300240979/a-dark-inheritance/Find Baroque:https://www.ifitaintbaroquepodcast.art/https://www.reignoflondon.com/https://substack.com/@ifitaintbaroquepodcastSupport Baroque:https://www.patreon.com/c/Ifitaintbaroquepodcast/https://buymeacoffee.com/ifitaintbaroqueIf you would like to join Natalie on her walking tours with Reign of London:Saxons to Stuarts:https://www.getyourguide.com/london-l57/london-the-royal-british-kings-and-queens-walking-tour-t426011/Tudors & Stuarts:https://www.getyourguide.com/london-l57/royal-london-tudors-stuarts-walking-tour-t481355/The Georgians:https://www.getyourguide.com/london-l57/royal-london-the-georgians-walking-tour-t481358/Naughty London:https://www.getyourguide.com/london-l57/london-unsavory-history-guided-walking-tour-t428452/For more history fodder please visit https://www.ifitaintbaroquepodcast.art/ and https://www.reignoflondon.com/ Hosted on Acast. See acast.com/privacy for more information.

This episode contains discussions of sexual assault, violence and child abuse. Listener discretion is advised. How did the mob lynching of a notorious astrologer and occultist in June 1628 act as a grim prelude to the demise of King Charles I? Why did John Lambe - accused of witchcraft, sorcery, and moral corruption - become the target for popular anger at a monarchy seen as distant, corrupt, and unaccountable?Professor Suzannah Lipscomb is joined by Professor Alastair Bellany to uncover how witchcraft accusations became political weapons, and how the killing of one man revealed a terrifying truth: royal authority in England was beginning to fail.MORE:Tudor True Crime: Murder in the Stuart CourtListen on AppleListen on SpotifyGiordano Bruno: Mystic, Heretic, SpyListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

We talk a lot about living through uncertain times, especially now. New technology nobody fully understands. Institutions that keep changing the rules. A world that feels like it's shifting faster than anyone can keep up with.The Tudors would have recognized that feeling immediately.Between 1485 and 1603, England went through changes that were, by any measure, total: the printing press, the Reformation, the dissolution of the monasteries, the literal discovery of unknown continents. And unlike us, they didn't get to look back at it from a safe distance. They were living inside it, without knowing the outcome.This video looks at how ordinary people actually experienced that upheaval — and what it might tell us about our own. Learn more about your ad choices. Visit megaphone.fm/adchoices

On the 18th February in the year of our Lord 1516, a girl was born at Greenwich Palace to the happy parents Henry VIII and Katharine of Aragon.This girl would grow up to be the future Mary I of England, elder sister to both Edward VI and Elizabeth I, as well as wife to Philip II of Spain.In her short 42 year life, she achieved many first, not least of all to be the first Crowned Queen of England in her own right.Posthumously, she was undeservedly given the moniker of 'Bloody Mary', as well as getting confused with Mary Queen of Scots.Today we talk to Dr Johanna Strong, who will set the record straight once and for all. Who was Mary, what did she achieve and how we should remember her.Welcome, Jo! Find Dr Johanna:https://drjohannastrong.ca/https://www.instagram.com/_johanna.strong_/?hl=enhttps://www.linkedin.com/in/johanna-strong/https://x.com/jo_strong_https://winchester.academia.edu/JohannaStronghttps://www.researchgate.net/profile/Johanna-StrongRead Dr Johanna:https://drjohannastrong.ca/recent-publications/Find Baroque:https://www.ifitaintbaroquepodcast.art/https://www.reignoflondon.com/https://substack.com/@ifitaintbaroquepodcastSupport Baroque:https://www.patreon.com/c/Ifitaintbaroquepodcast/https://buymeacoffee.com/ifitaintbaroqueIf you would like to join Natalie on her walking tours in London with Reign of London:Saxons to Stuarts:https://www.getyourguide.com/london-l57/london-the-royal-british-kings-and-queens-walking-tour-t426011/Tudors & Stuarts:https://www.getyourguide.com/london-l57/royal-london-tudors-stuarts-walking-tour-t481355/The Georgians:https://www.getyourguide.com/london-l57/royal-london-the-georgians-walking-tour-t481358/Naughty London:https://www.getyourguide.com/london-l57/london-unsavory-history-guided-walking-tour-t428452/For more history fodder please visit https://www.ifitaintbaroquepodcast.art/ and https://www.reignoflondon.com/ Hosted on Acast. See acast.com/privacy for more information.

A king with unyielding faith. A nation on the brink. A crown lost to revolution.King James II is often dismissed as the unfortunate monarch swept aside by William and Mary. But behind the Glorious Revolution lies a story of ambition, devotion, and downfall more dramatic than legend would suggest.Professor Suzannah Lipscomb joins Dr. Breeze Barrington to uncover the man behind the myth. Was James a tyrant blinded by belief, or a visionary undone by his own time?MORE:The Restoration Queen: Maria of ModenaListen on AppleListen on SpotifyDiary of Samuel PepysListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle. Edited and produced by Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe Hosted on Acast. See acast.com/privacy for more information.

Philippa Gregory has been called the ‘Queen of Historical Fiction'. The English royal court has inspired many of her best-selling titles, and she's written sixteen novels about the Plantagenets and Tudors. One of them – The Other Boleyn Girl – became a BBC TV drama and a Hollywood movie starring Scarlett Johansson and Natalie Portman. This success probably surprised her A level teachers: she says she found history ‘insanely boring' at school, but her passion was fired at university. She's also written non-fiction, notably seeking the stories of what she calls ‘normal women' over 900 years. More recently she's returned to the Tudors, with a novel called Boleyn Traitor, focussing on the intrigue surrounding Anne's sister-in-law, Jane.Her music choices include Mozart, Philip Glass, Scott Joplin and the Mazurka from Coppelia by Leo Delibes.Producer: Katy Hickman

Did the Tudors celebrate Valentine's Day? And if so, what did it actually look like before chocolates, roses, and greeting cards? In this episode, we step into mid-February in Tudor England, that quiet stretch between Candlemas and the start of Lent, and explore how people marked St. Valentine's Day. From candlelit church processions and weather lore to love poems written in the Tower of London, we look at the real traditions behind the holiday. You'll hear about the medieval belief that birds chose their mates in mid-February, the Duke of Orléans writing a valentine from captivity, and Margery Brews' heartfelt love letter to John Paston. We'll also look at how Tudor households actually celebrated, from drawing valentines by lot to exchanging gloves, ribbons, and small gifts. It's a gentler, quieter kind of Valentine's Day, set in a world of church calendars, cold February mornings, and handwritten letters carried across the countryside. A small holiday, but one that brought a little warmth to the middle of winter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Was Henry VIII's fifth wife a promiscuous teenager and then heartless adulteress and schemer? Celebrated, scrutinised, and endlessly talked about at court, Katherine Howard's reign was dazzlingly brief; within two years of marrying the king, she was accused of adultery and treason and executed.Professor Suzannah Lipscomb is joined by Gareth Russell and Dr Nicola Clark to get to know the real young woman who was plucked from obscurity, whose life was cut short by the unforgiving power politics of Tudor England.MORE:Anne Boleyn's Final YearListen on AppleListen on SpotifyAnne Boleyn & Katherine Howard's Uncle, Thomas HowardListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. Edited and produced by Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

What did a typical morning look like in Tudor England? There were no alarm clocks, no hot showers, and no coffee waiting in the kitchen. Instead, people woke in cold rooms, often sharing beds, with the fire nearly out and the day's work already ahead of them. In this episode, we walk through a full Tudor morning routine, from first light to the start of work. You'll hear about rush-covered floors, chamber pots, quick basin washes, layered clothing, bread and small beer for breakfast, morning prayers, and the all-important task of bringing the fire back to life. It's a practical, physical start to the day that depended on the household, the season, and the light of the sun. Learn more about your ad choices. Visit megaphone.fm/adchoices

Margaret Beaufort was a leading figure in the tumultuous Wars of the Roses and would go on to become the matriarch of the Tudor Dynasty.  Mother to Henry VII and a key player in bringing the Tudors to the throne, was Margaret a manipulative schemer as she has sometimes been portrayed, or instead a resilient survivor of trauma and decades of civil conflict?   To better understand Margaret in the context of her time, Curator Charles Farris is joined by historians Dr Joanna Laynesmith and Lauren Johnson, as they explore the power and perception of this 15th century matriarch.

Throughout history, women have used their own ways to establish credibility and exercise influence. In the sixteenth century, two women took this to high art: Catherine de Medici and Bess of Hardwick. In different countries and using different techniques, these two women demonstrate how the public performance of marriage and motherhood could change history.Carol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloyd The Tudors by NumbersCourting the Virgin QueenSupport the showHistory shows us what's possible.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In Shakespeare's Julius Caesar, Cassius argues that "Men at some time are masters of their fates: The fault, dear Brutus, is not in our stars, But in ourselves, that we are underlings." In this week's episode, we are exploring early modern ideas of fate and the stars and the practices and beliefs of astrology in Shakespeare's time.  We'll discuss the difference between the early modern concepts of natural and judicial astrology, the popularity and influence of astrology and astrologers in Early Modern England, and how it found its way into plays like Shakespeare's. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander.   For updates: Join our email list Follow us on Instagram at @shakespeareanyonepod Visit our website at shakespeareanyone.com Support the podcast: Become a patron at patreon.com/shakespeareanyone  Buy us a coffee Bookshop.org: Since 2020, Bookshop.org has raised more than $38 million for independent bookstores. Shop our Shakespeare Anyone? storefront to find books featured on the podcast, books by our guests, and other Shakespeare-related books and gifts. Every purchase on the site financially supports independent bookstores. Libro.fm: Libro.fm makes it possible to purchase audiobooks through your local bookshop of choice. Use our link for 2 free audiobooks when you sign up for a new Libro.fm membership using our link. Find additional links mentioned in the episode in our Linktree. Works referenced: Bragg, Melvin, host. "Renaissance Astrology." In Our Time: Science, BBC Radio, 14 Jun 2007. https://www.bbc.co.uk/programmes/b007nmym Cash, Cassidy, host, and Barbara Traister, guest. "Episode #13: Interview with Barbara Traister exploring astrology, doctors, herbs, and witches in Shakespeare's England." That Shakespeare Life, episode 13, Cassidy Cash, 16 July 2018. https://cassidycash.libsyn.com/episode-13-interview-with-barbara-traister-exploring-astrology-doctors-herbs-and-witches-in-shakespeares-england Kassell, Lauren, host. "Simon Forman: astrology, Medicine and Quackery in Elizabethan England." University of Oxford Podcasts, University of Oxford, 26 Oct 2011. https://podcasts.ox.ac.uk/simon-forman-astrology-medicine-and-quackery-elizabethan-england Lipscomb, Suzannah, host, and Benjamin Woolley, guest. "Elizabeth I's Conjuror: John Dee." Not Just the Tudors, episode 364, History Hit, 9 Oct 2024. https://podcasts.apple.com/us/podcast/elizabeth-is-conjuror-john-dee/id1564113869?i=1000670531385 Oxford English Dicitionary. "Astrology, N. Meanings, Etymology and More | Oxford English Dictionary." Oxford English Dictionary, 2026, www.oed.com/dictionary/astrology_n. Oxford English Dicitionary. "Astronomy, N. Meanings, Etymology and More | Oxford English Dictionary." Oxford English Dictionary, 2026, www.oed.com/dictionary/astronomy_n. Schifini, Julia and Amanda McLoughlin, hosts, and Kelly Downes, guest. "Episode 361: Astrology and Shakespeare (with Kelly Downes)." Spirits Podcast, episode 361, Multitude Productions, 8 Nov 2023. https://spiritspodcast.com/episodes/shakespeare-and-astrology  Shakespeare, William. Twelfth Night, or What You Will , edited by Keir Elam, ARDEN SHAKESPEARE, LONDON, UK, 2008, pp. 180n1.3.132-5. Third. Walker, Katherine. "Almanacs as Underdogs: Folger Shakespeare Library." Folger Shakespeare Library Almanacs as Underdogs Comments, Folger Shakespeare Library, 19 Mar. 2019, www.folger.edu/blogs/collation/almanacs-as-underdogs/.  Smith, William Bruce, "Shakespeare and astrology" (1989). Chapter 2. Master's Theses. Paper 1083

From clinging to a tree while evading capture, his face blackened with soot, to triumphantly sailing home to reclaim his crown — the story of Charles II is one of survival, spectacle, and transformation. Professor Suzannah Lipscomb guides us through the Restoration, tracing life in England from the shadow of civil war to the glittering courts of Restoration London, and discovers how intrigue, scandal, plague, and fire gave rise to an age of theatre, science, and unfettered pleasure. MORE:Nell Gwyn: Actress and Royal MistressListen on AppleListen on SpotifyIsaac Newton: The Man at the Centre of GravityListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. Edited and produced by Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

Today we're talking to Mark Goldthorp, who played Henry VIII in the recent production of Anne Boleyn: The Musical at Hever Castle, produced by Historalia.Let's find out what it was like to step into the shoes of this infamous monarch and why this musical is so unique...Welcome, Mark! Find Mark:https://mamma-mia.com/uk-and-international-tour/cast/mark-goldthrophttps://www.instagram.com/markgoldthorp/Find the Musical:https://www.instagram.com/anneboleynthemusical/Find Rebecca Night:https://www.instagram.com/rebeccanighthp/Find Baroque:https://www.ifitaintbaroquepodcast.art/https://www.reignoflondon.com/https://substack.com/@ifitaintbaroquepodcastSupport Baroque:https://www.patreon.com/c/Ifitaintbaroquepodcast/https://buymeacoffee.com/ifitaintbaroqueIf you would like to join Natalie on her walking tours in London with Reign of London:Saxons to Stuarts:https://www.getyourguide.com/london-l57/london-the-royal-british-kings-and-queens-walking-tour-t426011/Tudors & Stuarts:https://www.getyourguide.com/london-l57/royal-london-tudors-stuarts-walking-tour-t481355/The Georgians:https://www.getyourguide.com/london-l57/royal-london-the-georgians-walking-tour-t481358/Naughty London:https://www.getyourguide.com/london-l57/london-unsavory-history-guided-walking-tour-t428452/For more history fodder please visit https://www.ifitaintbaroquepodcast.art/ and https://www.reignoflondon.com/ Hosted on Acast. See acast.com/privacy for more information.

Elizabeth Baird Hardy, Deputy Headmistress of Hogwarts Professor, the genius behind AppalachianInkling.com, Hunger Games expert, and author of Milton, Spenser and the Chronicles of Narnia: Literary Sources for the C.S. Lewis Novels, joined Nick and John to discuss the Charm Bracelet that J. K. Rowling posted on her Twixter home page as a Christmas gift to her readers. She said that that the thirteen charms on nine links were a set of clues about the next Strike novel, the ninth in a ten book series.In the first Part of Elizabeth, Nick, and John's conversation, they discussed Rowling's charm bracelet history, speculated about why she posted this picture when she did, decided to look at each charm on the bracelet for its stand-alone meaning and its place in the nine link set, and to read the whole series as if it were a ring composition, one reflecting a nine Part structure in Strike 9. They then made deep dives into the details of each charm: the heart shaped box containing a ‘You and Me' engagement ring, a golden diamond-laden egg, a foul anchor, two angels, and a Trojan horse.In this second Part of that conversation, the trio of Serious Strikers continue with the remaining charms on the bracelet, namely, a Jack-in-the-box, an Hourglass, a White Rose and Crocodile, a Corvid head, and a Psalter paired on the last link with the Head of Persephone. They share their thoughts, too, about the bracelet as a symbolic integer and its ring meaning.The notes below are in support of references they make mid-flight and to other resources of interest to Magic Charm Decoders! Enjoy.Thank you to all our subscribers with special gratitude and appreciations for our paid subscribers; you are the wind in our sails, the heat from our vents… Serious Strikers are reading Browning's The Ring and the Book, charting Hallmarked Man Part Six, and reviewing the Myth of Cupid and Psyche to look for parallels in the Strike-Ellacott series. See you soon!Jack-in-the-Box Charm* Rowling claims this as her favorite charm (Nick and John in the conversation mistakenly attribute this preference to the Psalter charm):* Badly Wired Lamp ID'd it* Is it a devil — or a Racoon?* The jack in the box toy, the 'Jack' being a devil, was invented in Germany in the 16th century as a mockery of the Roman Catholic doctrine of the Real Presence of Christ in the Eucharist. * The shape of this charm, the golden circular center in the inside of the open box top, represents the transcendent spiritual realm and the square bottom with its four directions, the fallen world. The ‘jack' devil lives in the latter but is from the former.* The charm is the third latched object in the chain, the heart box and Trojan horse preceding it and the psalter at chain's end following it — which means the ring latch and center are latched objects with surprises inside. The two interior objects at center have deadly surprises and the beginning and end eternal life interiors. The symbolism here is of the human being and its capacity via choice for either spiritual perfection in sacrificial love (anteros) or consumption by individual desires (eros). The thing hidden inside, man's spiritual capacity or heart, is either light or darkness, the inside bigger than the outside. (John)* What is the Strike 9 connection, the analogue to the demonic Jack in the box? Is it RFM? Uncle Ted? Ilsa's husband Nick? Polworth?* The Jack's position is at the center of the bracelet and between the hourglass and the Trojan horse. So it's placed between cleverness and craftiness and things that we can control and bad surprises, but also time, because we can't control time. (Elizabeth)Hourglass Charm* tempus fugit ‘like sand in an hourglass'* memento mori* infinite symbol* The Strike series may be a collection of mystery-story genres, each one illustrating a unique type of story, different from all the others while keeping the same core of characters and overarching narrative (cf., Rowling's note in The Running Grave acknowledgements that that book was her “cult” book). The hourglass, then, may be Rowling's pointer to Strike9 being a suspense drama in which the good guys not only have a challenging mission (find and rescue the missing Robin, Strike, Lucy, Pat, whomever) but have to do it before a literal deadline arrives. The Ticking Clock plot device.* If the Jack at link five is the center of the bracelet ring of nine links, how does the hourglass mirror the Trojan horse? It's two parts? The deadline aspect? “Reveal the crazies inside before the hourglass empties”?White Rose Charm* White Rose of Yorkshire* The interior of the flower charm is a literal Turtleback or ring composition diagram.* White Rose of Dante: Paradiso Cantos XXXI and XXXIIThe true home of all the blessed is with God in the Empyrean, a heaven of pure light beyond time and space. Dante sees the blessed systematically arranged in an immense white rose: like a hologram, a three-dimensional image, the rose is formed from a ray of light reflected off the outer surface of the Primum Mobile (30.106-17). The queen of this white rose is the Virgin Mary, traditionally represented as a rose herself (see Par. 23.73-4). This celestial rose recalls large rose windows of Gothic cathedrals, many of which are dedicated to Mary. The image of the rose, often red, is also used to represent Christ or, in other contexts, earthly love. The white rose is symmetrically structured according to various criteria, including belief, age, and gender. One half of the rose, already full, holds those who, according to Christian tradition, believed in Christ to come (the blessed of the Hebrew Bible); the other half, with only a few seats still unoccupied, contains those who believed in Christ already come (saved Christians). Two gendered rows mark this division of the rose in two halves. In the row below Mary appear women of the Hebrew Bible (Eve, Rachel, Sarah, Rebecca, Judith, Ruth, and unnamed others); Beatrice is seated next to Rachel, on the third row from the top. Opposite Mary, John the Baptist heads a row of men containing Francis, Benedict, Augustine, and other Christian fathers. Mary is flanked by Adam (first man) and Moses on one side, and Peter (first pope) and John the Evangelist on the other. John the Baptist is flanked by Lucy on one side and Anna, the mother of Mary, on the other. While only adults are seated in the upper section of the rose, below a certain line the rose contains souls of blessed children, their precise location based not on their own merits (since they lacked the power of free will) but on predestination. As physical laws do not apply in the Empyrean, Dante's ability to see these figures is not diminished by distance (30.118-23; 31.76-8).* White Rose of Mockingjay (Hunger Games finale)The prevailing symbol of Catching Fire and the most meaningful token the Christ figure of the series gives Katniss is a pearl, the solid-light symbolism of which we've discussed before. I think Commander Paylor's name may be our last Madge-Pearl-Mags name reference in being a “pale orb.” That gold and pearls have a similar translucency and metaphysical correspondence with the ‘Light of the World' make the twin possibilities that much more rich — and Commander Paylor's ascending to Panem's Presidency that much more meaningful and appropriate.Katniss steps into the Garden with the Pearl's blessing (“on my authority”) and discovers roses of every possible color. There are red, of course, and “lush pink, sunset orange, and even pale blue.” She knows what she wants, though; the rose colored like light, the white rose, Dante's symbolic prelude to the beatific vision and transcendence. Just as she cuts the “magnificent white bud just about to open” “from the top of a slender bush” (ibid, p. 355), the manacled, “pale, sickly green” President Snow, our snake in the Garden, speaks.“The colors, are lovely, of course, but nothing says perfection like white.”Our story Satan, you recall, left her a white rose in District 12 in chapter 1 and dropped roses with the bunker buster bombs in Part 1 to terrify Katniss. Now we know why. He was taunting her with her end, that as a seeker's soul he knew her goal was perfection in Christ and taunted her with it, especially when he held Peeta-Christ and understood the cartharsis and chrysalis she would have to pass through to claim it herself. Now that she is in the inner sanctuary, the High Place, he tells her the truth she could not hear anywhere else, the final, ugly truth about the cause for which Katniss had sacrificed everything. Snow reveals, just as Peeta had told her at the story's start, that she was deceived by those she trusted. President Coin killed Primrose with a weapon designed by Gale.Having been to the Absolute center, the world navel, and taken away the beatific vision as a white rose, Katniss is no longer a seeker but the resolution of contraries, an androgyn of justice and mercy. She is above right and wrong now as the phoenix-mockingjay and hears the voice of the “murderer” on the Hanging Tree at last. She deceives President Coin at the Victors Meeting as something of an avenging angel; she becomes a murderer herself by assassinating President Coin. Peeta-Christ comes down from the tree as her savior once again and prevents her suicide via Nightlock by his out-of-nowhere intervention.* Why does the White Rose share the seventh bracelet link with a crocodile? Faerie Queene!Crocodile Charm* The Crocodile in Shed, crocodile skin handbags (Hallmarked Man) “Maybe the4 crocodile or whatever they're keeping in the shed's chewed its way out,” said Strike. “ (Chapter 22, p 176; center chapter of Part 2)* Crocodile entry, Cirlot's Dictionary of SymbolismCrocodile Two basically different aspects of the crocodile are blended in its symbolic meaning, representing the influence upon the animal of two of the four Elements. In the first place, because of it viciousness and destructive power, the crocodile came to signify fury and evil in Egyptian hieroglyphics (19); in the second place, since it inhabits a realm intermediate between earth and water, and is associated with mud and vegetation, it came to be thought of as an emblem of fecundity and power (50). In the opinion of Mertens Stienon there is a third aspct, deriving from its resemblance to the dragon and the serpent, as a symbol of knowledge. In Egypt, the dead used to be portrayed transformed into crocodiles of knowledge, an idea which is linked with that of the zodiacal sign of Capricorn. Blavatsky compares the crocodile with the Kumara of India (40). Then, finally, come the symbols of Inversion proper and of rebirth. (67)* Lyndy Abraham's Dictionary of Alchemical Imagery entry for ‘Crocodile:'Crocodile The mercurial *serpent or transforming arcanum in its initial chthonic aspect during the dark, destructive opening of the opus alchymicum. Like the *bee, the crocodile was classified as a serpent in te bestiaries of the sixteenth and seventeenth centuries. The amphibious nature of the crocodile made it an apt symbol for the dual-natured *Mercurius. When Lepidus in Shakespeare's Antony and Cleopatra says, ‘Your serpent of Egypt is bred of your mud by the operation of your sun; so is your crocodile' (2.7.26-7), he is referring to the generation of gold in the earth, and the generation of the mercurial serpent through the heat of the secret *fire or ‘sun'. With the phrase ‘operation of your sun' Lepidus also alludes to the final law of the alchemical Emerald Table: ‘That which I had to say about the operation of the Sun is completed' (48)* Sandy Hope on Crocodile symbolismIsis Church crocodile in Faerie Queene: Book 5, Canto VIIBook V Canto vii. The speaker praises the virtue of justice and cites Osyris as an example of the just man. His wife, Isis, represented equity and to the Temple of Isis Britomart and Talus come to spend the night. Talus, however, is not allowed into the temple. Britomart enters and sees a statue of Isis with her foot on a crocodile. The temple is also full of the priests of Isis who are not allowed to drink wine as it leads to rebellion. Britomart sleeps under the statue of Isis and dreams that the crocodile comes alive and threatens the Goddess. The Goddess subdues the crocodile and it becomes meek and then impregnates the Goddess. She gives birth to a lion which conquers all other beats. Britomart awakes and tells her troubling dream to a priest. He tells her that the crocodile represents Arthegall, Isis represents Britomart, and the lion their son whom they will conceive. Grateful for the interpretation, Britomart leaves and comes to Radigund's castle. Radigund and Britomart battle, Britomart is wounded in the shoulder, and finally Britomart beheads Radigund. Talus enters the castle and wreaks carnage on the Amazon women inside. Britomart finds Arthegall dressed, like other, in women's clothing. she is shamed by the sight, and it is not quite clear whether her suspicions that Arthegall has been unfaithful are confirmed or refuted. She finds Arthegall some armour, arms him, and the rest in the castle. during this time Britomart rules as a princess and reforms the Amazon society so that women are restored to proper subjection to men. Finally, Arthegall leaves to complete his quest against Grantorto. Britomart lets him leave because she knows that his success in this quest is important to restore his ego. After residing further at the Amazon castle she finally leaves to help keep her mind off the absent Arthegall.* The Spenser Encyclopedia entry for ‘Church of Isis:' (408) Clifford DavidsonWhen Britomart spends the night in the temple, she sees a ‘wondrous vision' in which she participates first as a votary of Isis and then as the goddess herself. Her devotion to the statue causes her to become Isis in her dream: she is serving at the altar when she sees herself transformed into Isis but wearing the royal robe. The crocodile awakens, devours the flames which threaten to destroy the temple, and threatens to eat Isis/Britomart until it is driven back by her rod. Then it seeks her ‘grace and love,' she yields, it impregnates her, and from their union she gives birth to a lion. As the Priest explains, the crocodile is Osiris (the Egyptian god of Justice) who sleeps under the feet of Isis ‘To shew that clemence oft in things amis,/ Restraines those sterne behests, and cruell doomes of his' (22), and who shows thereby the proper relation of justice and judgment to equity. The Priest also explains to Britomart that the crocodile is Artegall, ‘The righteous Knight,' who will settle the storms and ‘raging flames, that many foes shall reare' and restore to her the heritage of her throne, and who will give her a ‘Lion like' son (23), the new British monarchy of the Tudors.The crocodile is a symbol both of guile and of a regeneration that will affect future history. As guile, its relation to Isis is reminiscent of Vice figures under the feet of triumphing Virtues in medieval art. An iconographic association between the crocodile in its demonic aspect and medieval saints' legends derives ultimately – significantly for Spenser – from the classical figure of Britomartis (Miskimin 1978). In Plutarch's Isis and Osiris 50, it is linked to Typhon, the enemy of justice and order, while in Renaissance iconographic tradition it is often symbolic of the need for prudence (for one must be prudent to avoid the wily crocodile). Cesare Ripa's Iconologia (sv Lussuria) shows the nude Luxury (or Lechery) seated upon a crocodile, an interesting analogy to its phallic sexuality in Britomart's dream. Yet along with these primarily negative associations, there are also positive ones in the crocodile's identification with Osiris/Artegall/Justice and in the implication that Isis/Britomart/Equity is incomplete without her partner. The image contains its own contradiction, unresolved by the Priest.* Troubled Blood and Faerie Queene: Where Britobart and Artegall are used as stand-ins for Robin and Cormoran:Troubled Blood features several embedded texts, the most important of which is never mentioned in the book: Edmund Spenser's Faerie Queen. Serious Strikers enjoyed the luxury of not one but two scholars of Edmund Spenser who checked in on the relevance and meaning of Rowling's choice of the greatest English epic poem for her epigraphs, not to mention the host of correspondences between Strike 5 and Queen. Elizabeth Baird-Hardy did a part by part exegesis of the Troubled Blood-Faerie Queen conjunctions and Beatrice Groves shared her first thoughts on the connections as well. Just as Lethal White's meaning and artistry is relatively unappreciated without a close reading of Ibsen's Rosmersholm, so with Strike 5 and Faerie Queen.Elizabeth Baird-Hardy* Day One, Part One: The Spenserian Epigraphs of the Pre-Released Troubled Blood Chapters* Day Two, Part Two: The Spenserian Epigraphs of Troubled Blood Chapters Eight to Fourteen* Day Three, Part Three: The Spenserian Epigraphs of Troubled Blood Chapters Fifteen to Thirty* Day Four, Part Four: The Spenserian Epigraphs of Troubled Blood Chapters Thirty One to Forty Eight* Day Five, Part Five: The Spenserian Epigraphs of Troubled Blood Chapters Forty Nine to Fifty Nine* Part Six: The Spenserian Epigraphs of Troubled Blood Chapters Sixty to Seventy One* Spenser and Strike Part Seven: Changes for the BetterBeatrice Groves* Trouble in Faerie Land (Part 1): Spenserian Clues in Troubled Blood Epigraphs* Trouble in Faerie Land (Part 2): Shipping Robin and Strike in the Epigraphs of Troubled Blood* Trouble in Faerie Land (Part 3): Searching for Duessa in Troubled BloodJohn Granger:* How Spenser Uses Cupid in Faerie Queen and Its Relevance for Understanding Troubled Blood* Reading Troubled Blood as a Medieval Morality PlayCorvid Charm* Rowling Twixter headers: 12 January 2016, 9 April 2017 (Nick)* Fantastic Beasts reference? The Lestrange Family Motto features a crow and the ‘Lost Child' of that series is named ‘Corvus'* Crow Symbolism per Cirlot, Dictionary of Symbols:Crow Because of its black colour, the crow is associated with the idea of beginning (as expressed in such symbols as the maternal night, primigenial darkness, the fertilizing earth). Because it is also associated with the atmosphere, it is a symbol for creative, demiurgic power and for spiritual strength. Because of its flight, it is considered a messenger. And, in sum, the crow has been invested by many primitive peoples with far-reaching cosmic significance. Indeed, for the Red Indians of North America it is the great civilizer and the creator of the visible world. It has a similar meaning for the Celts and the Germanic tribes, as well as in Siberia (35). In the classical cultures it no longer possesses such wide implications, but it does still retain certain mystic powers and in particular the ability to foresee the future; hence its claw played a special part in rites of divination (8). In Christian symbolism it is an allegory of solitude. Amongst the alchemists it recovers some of the original characteristics ascribed to it by the primitives, standing in particular for nigredo, or the initial state which is both the inherent characteristic of prime matter and the condition produced by separating out the Elements (putrefactio) … In Beaumont's view, the crow in itself signifies the isolation of him who lives on a superior plane (5), this being the symbolism in general of all solitary birds. (71-72)* Lyndy Abraham's Dictionary of Alchemical Imagery entry for ‘Crow:' (49)Crow, crow's head, crow's bill A symbol of the *putrefaction and *black nigredo which is the first stge of the opus alchymicum. The old body of the metal or matter for the Stone is dissolved and putrefied into the first matter of *creation, the *prima materia, so that it may be regenerated and cast into a new form. The Hermetis Trismegisti Tractatus Aureus said of this initial stage of death and dissolution in the work: ‘The First is the Corvus, the Crow or Raven, which from its blackness is said to be the beginning of the Art' (bk. 2, 235). In his Aurora, Paracelsus wrote that when the matter has been placed in the gentle heat of the secret fire it passes through corruption and grows black: ‘This operation they call putrefaction, and the blackness they name the head of the Crow' (55). Thomas Charnock likewise wrote of the putrefaction: ‘The Crowes head began to appere as black as Jett' (TCB, 296). In Zoroaster's Cave the matter produced during this stage is identified with the name of the process: ‘When the matter has stood for the space of forty dayes in a moderate heat, there will begin to appear above, a blacknesse like to pitch, which is the Caput Corvi of the Philosophers, and the wise men's Mercury' (80). According to Ripley the terms ‘crows head' and ‘crows bill' are synonymous: ‘The hede of the Crow that tokeyn call we,/And sum men call hyt the Crows byll' (TCB, 134) (see ashes). In A Fig for Momus Thomas Lodge listed the crow's head amongst other alchemical enigmas: ‘Then of the crowes-head, tell they weighty things' (Works, 3:69). When Face in Jonson's The Alchemist says that the matter of the Stone has become ‘ground black', Mammon enquires of him, ‘That's your crowes-head? And Subtle replies, ‘No, ‘tis not perfect, would it were the crow' (2.3.67-8).Psalter Charm* In ‘Charms, Psalms & Golden Clues: A brace(let) of clues for Strike 9,' Prof Groves discusses the psalm as charm:Charm first meant the incantation itself, and then the amulet that carried that incantation to protect the wearer and then – from the 19th century – the small ornamental trinkets, fastened to girdles, watch-chains and bracelets, that resembled those original, talismanic charms. This means that Rowling's clue-charm of a Psalm book (which can actually carry a sacred text) circles back beautifully to the original meaning of the word – in which a charm was an amulet carrying a holy text. These charms do not always hold texts but Rowling has confirmed that this one does: ‘The book is a psalm book and holds real, miniature psalms' I think this protective hinterland of charms make it likely that the specific psalm that such a psalm-book charm would carry would be the most comforting and talismanic of psalms – Psalm 23. This psalm famously describes the Lord's love as protective, even unto the valley of the shadow of death* John argues that, in addition to the 23rd Psalm, Psalm 90 (91 in Masoretic or KJV reckoning), the so-called ‘Soldier's Psalm' is at least as likely as an insert for this charm, which is to say, as a talisman a soldier might give a woman about to enter Hades to beg a gift from Persephone…The Head of Persephone Charm* Rowling's clarifying picture* Psyche's Last Task from Venus:One final task is then given to Psyche, one in which Psyche is commanded to bring back a bit of Persephone's beauty from the Underworld. In Greek mythology no living soul is meant to be able to enter the Underworld, let alone leave it, and so Aphrodite felt that she would be rid of Psyche once and for all. Indeed, it seemed that Aphrodite would be proved right, for Psyche's only idea about entering the Underworld was to kill herself. Before Psyche can commit suicide a voice whispers to her instructions about how to complete the task. Thus Psyche finds an entrance to the Underworld and is soon crossing the Acheron upon the skiff of Charon, and the princess even manages to gain an audience with Persephone. Persephone on the surface appears to be sympathetic to the quest of Psyche, but Psyche has been warned about accepting food or a seat in the palace of Hades, for both would bind her to the Underworld for all time. But eventually, Persephone gives Psyche a golden box, said to contain some of the goddess' beauty.* The Head of Persephone charm is paired with the Psalter on the ninth and last link; again, if the Psalm is 22 (23) or 90 (91), then the connection is an invocational prayer for help traveling through the “valley of death,” for protection from the “asp and basilisk,” the “lion and dragon.”* As above, note that the beginning, middle, and end of the bracelet feature clasped objects, with the Psalter being a codex that opens and Psyche's journey to Persephone is in pursuit of a “golden box” containing the means to otherworldly beauty. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

Today we're talking to Fawn Brokaw Doyle, author of a historical fiction novel Salt People of the Cloud Houses, which traces her eight times great grandmother Sarah Rapalje, who was the first European child born in the area we now call New York...Welcome, Fawn!Get Salt People of the Cloud Houses:https://books.fawnbrokawdoyle.com/Get Prequel:https://www.fawnbrokawdoyle.com/free-prequelFind Fawn:https://www.instagram.com/fawnbrokawdoyle_author/https://jonathancrain.substack.com/p/from-family-tree-to-historical-fictionhttps://www.fawnbrokawdoyle.com/Find Baroque:https://www.ifitaintbaroquepodcast.art/https://www.reignoflondon.com/https://substack.com/@ifitaintbaroquepodcastSupport Baroque:https://www.patreon.com/c/Ifitaintbaroquepodcast/https://buymeacoffee.com/ifitaintbaroqueIf you would like to join Natalie on her walking tours in London with Reign of London:Saxons to Stuarts:https://www.getyourguide.com/london-l57/london-the-royal-british-kings-and-queens-walking-tour-t426011/Tudors & Stuarts:https://www.getyourguide.com/london-l57/royal-london-tudors-stuarts-walking-tour-t481355/The Georgians:https://www.getyourguide.com/london-l57/royal-london-the-georgians-walking-tour-t481358/Naughty London:https://www.getyourguide.com/london-l57/london-unsavory-history-guided-walking-tour-t428452/For more history fodder please visit https://www.ifitaintbaroquepodcast.art/ and https://www.reignoflondon.com/ Hosted on Acast. See acast.com/privacy for more information.

After the execution of King Charles I, England became a Republic for the only time in its history. Yet why was this revolutionary moment so short-lived? Why did Oliver Cromwell's Commonwealth collapse?Professor Suzannah Lipscomb explores its rise and demise with a panel of expert historians: Professor Ronald Hutton, Dr. Jonathan Healey and Dr. Miranda Malins. Together they discuss what the Republic's failure reveals about authority, popular consent, and the enduring pull of monarchy in 17th-century Britain.MORE:The English Civil WarListen on AppleListen on SpotifyOliver Cromwell v. Charles IListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producers are Fiona Turnock and Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe  Hosted on Acast. See acast.com/privacy for more information.

If you've ever visited a Tudor palace in winter and wondered why it feels so cold inside, the answer is simple: it always was. In this episode, I explore how people in Tudor England actually stayed warm indoors. Not central heating, not roaring fires in every room, but a daily system built around one hearth, heavy clothing, hot food, shared warmth, and carefully managed routines. We'll look at fireplaces and fuel, why most rooms were never heated at all, how beds were warmed instead of bedrooms, and how people wrote, read, and worked with numb fingers in firelit rooms. From foot warmers taken to church to warming pans slipped between the sheets, heat in the Tudor world was local, temporary, and precious. Understanding how the Tudors dealt with cold changes how we think about daily life, privacy, sleep, work, and even learning in the sixteenth century. Warmth wasn't ambient. It was something you had to make, protect, and share. This is the everyday reality of living in cold stone houses, with one fire, long winters, and no escape from the chill. Learn more about your ad choices. Visit megaphone.fm/adchoices

Please welcome historian Carol Chillington Rutter to the show, and today we're talking about the life and times of Henry Wotton, a Tudor and Jacobean Italian ambassador who helped prevent a pan-European war. Who was he? Let's find out more...Welcome, Carol!Carol's books are published with Manchester University Press.A great thank you to Carol for joining us today, and if you would like to see Carol at this year's Oxford Literary Festival, the bookings are open, please see link in the description below for Carol's chat with Clare Jackson on Henry Wotton and James VI & I.Get Lying Abroad:https://manchesteruniversitypress.co.uk/9781526172068/Get Shakespeare in Performance: Antony and Cleopatra:https://manchesteruniversitypress.co.uk/9781526194701/Get Shakespeare in Performance: The Henry VI Plays:https://manchesteruniversitypress.co.uk/9780719080937/See Carol at Oxford Literary Festival 2026:https://oxfordliteraryfestival.org/literature-events/2026/march-24/history-makers-james-vi-and-i-and-henry-wottonFind Susan:https://warwick.ac.uk/fac/arts/english/people/rutterprofcarol/https://thevineyagency.com/carol-chillington-rutter/https://theorg.com/org/shakespeare-birthplace-trust/org-chart/carol-chillington-rutterFind Baroque:https://www.ifitaintbaroquepodcast.art/https://www.reignoflondon.com/https://substack.com/@ifitaintbaroquepodcastSupport Baroque:https://www.patreon.com/c/Ifitaintbaroquepodcast/https://buymeacoffee.com/ifitaintbaroqueIf you would like to join Natalie on her walking tours in London with Reign of London:Saxons to Stuarts:https://www.getyourguide.com/london-l57/london-the-royal-british-kings-and-queens-walking-tour-t426011/Tudors & Stuarts:https://www.getyourguide.com/london-l57/royal-london-tudors-stuarts-walking-tour-t481355/The Georgians:https://www.getyourguide.com/london-l57/royal-london-the-georgians-walking-tour-t481358/Naughty London:https://www.getyourguide.com/london-l57/london-unsavory-history-guided-walking-tour-t428452/For more history fodder please visit https://www.ifitaintbaroquepodcast.art/ and https://www.reignoflondon.com/ Hosted on Acast. See acast.com/privacy for more information.

Was Mary Tudor truly “Bloody Mary”? Has England's first reigning queen been misunderstood for centuries? Determined to restore Roman Catholicism, her reign became forever associated with the burning of Protestants. But was she really a religious tyrant, or a trailblazer trapped by Europe's violent politics?Professor Suzannah Lipscomb is joined by Professor Anna Whitelock to put the record straight on the remarkable reign of Mary I, five turbulent years which shaped the future of England in profound, and often misrepresented, ways.MORE:Mary I: What if She'd Lived?Listen on AppleListen on SpotifyThe Spanish King of EnglandListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe. Audio for Uploader:https://drive.google.com/drive/u/1/folders/1nNXk3BvoUew_hdGsSvuzaC6que5vao67 Hosted on Acast. See acast.com/privacy for more information.

What impact did the Tudors have on Ireland, not just in the councils of kings and earls, but in the rhythms of ordinary life? What were the consequences for ordinary citizens when English power was asserted through martial law, low-level coercion and the constant threat of punishment?Professor Suzannah Lipscomb is joined by Dr David Edwards to discuss how communities were reshaped from the ground up.MORE:Ireland's Witchcraft TrialsListen on AppleListen on SpotifyTudor Conquest of IrelandListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

Coucou everyone!In this episode we dive into the previously unknown histories of Black people living in Tudor England. Members of court, musicians, sex workers, adventurers, seamstresses, and even a deep-sea diver - their stories play a deeply important part of English history! Then we chat about a London icon - the black cab. Apologies in advance for going off the rails this episode - we are just so happy to be back!Main topic sources: Black Tudors: the Unknown Story Tudor, English and black – and not a slave in sight | Black History Month | The GuardianThe Black Presence in Tudor England - The Metropolitan Museum of ArtThe Ladies of SpayneWe have always been: a black Tudor story

Why was a Portuguese-born Jewish doctor, who rose to become Elizabeth I's chief physician, brutally executed for treason in a scandal that shocked England? Was Dr. Rodrigo Lopes truly guilty, or simply caught in the crossfire of anti-Semitism, court rivalries, and empire?Professor Suzannah Lipscomb is joined by Dr. Samia Errazouki to reexamine Lopes's fall, tracing a web of diplomacy, espionage, and identity that stretched from London to Lisbon to Marrakesh.MOREElizabeth I & the Sultan of MoroccoListen on AppleListen on SpotifyElizabeth I's Conjuror: John DeeListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

As a major winter storm is hitting much of the United States, it's hard not to think about how dependent we are on forecasts, alerts, and advance warnings. We know when snow will start, how bad it might get, and when it should be over. The Tudors had none of that. In this episode, we explore how people in Tudor England understood the weather, what “forecasting” meant in a world without instruments or data, and how households prepared for winter when storms arrived without warning. We'll look at seasonal preparation, food storage, fuel shortages, and what happened when cold lasted longer than anyone expected. We'll also examine real historical examples of severe winters from the Tudor period and just beyond it, including prolonged frosts that froze rivers, stalled trade, and tested the limits of everyday life. This isn't a story about cozy snowfalls. It's about uncertainty, preparation, and what winter meant in a world where no one could say how long the storm would last. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why are we still obsessed with the Tudors? In this lively episode of History Rage, host Paul Bavill is joined by the brilliant comedian and World War II historian Al Murray to tackle the relentless fixation on the Tudor dynasty. With a blend of humour and historical insight, Al argues that it's high time we move beyond the soap opera of Henry VIII and his six wives to explore the far more transformative events of the 17th century — namely, the English Civil War.Join us as we delve into:- Tudor Fatigue: Al's candid thoughts on why the Tudors have overstayed their welcome in popular history.- The English Civil War: Discover why Al believes this tumultuous period is far more relevant and interesting than the Tudor saga.- Revolutionary Ideas: How the Civil War set the stage for modern British governance and the ongoing struggle between power and the people.- Historical Narratives: The importance of perspective in history and how personal biases shape our understanding of the past.- Fresh Approaches: Al shares insights from his writing, including how to approach historical events without the burden of hindsight.With Al's unique blend of comedy and historical analysis, this episode is a call to arms for history enthusiasts to broaden their horizons and explore the rich tapestry of our past beyond the Tudors. Get ready for a passionate discussion that challenges the status quo of historical storytelling!

Could one of art's greatest mysteries at last be solved? Who was the luminous girl with a pearl earring in Vermeer's iconic painting? Professor Suzannah Lipscomb is joined by Andrew Graham-Dixon who believes he's finally identified her.MORE:Shakespeare's Male Muse: A Mystery Solved?Listen on AppleListen on SpotifyA Tudor Mystery: The Girl Who Could Be QueenListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. Edited and produced by Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

Nest up in our REWIND series, where we look back at some of our most popular and memorable episodes, it's film star Jonathan Rhys Meyers! He's the iconic star of video store favourites BEND IT LIKE BECKHAM, VELVET GOLDMINE, MATCH POINT, MISSION: IMPOSSIBLE III, I'LL SLEEP WHEN I'M DEAD, THE TUDORS and might be the most passionate and exploratory film lover we've had through our doors. And I must admit, I was completely starstruck by him… a rare occurrence (this is Alexei writing this). One of my favourite episodes with some of the best films ever discussed on the show and a recommendation that is sure to excite you (this was still Alexei writing this whole thing). Pick up tickets to Alexei's comedy festival tour of his new show VHS in 2026 (https://comedy.com.au/tour/alexei-toliopoulos/) Follow ALEXEI TOLIOPOULOS on Letterboxd (https://letterboxd.com/thisisalexei/) for all the rental combo lists. Come see ALL ABOUT MY MOTHER at the Sydney Opera House Saturday Film Club January 24th (https://www.sydneyoperahouse.com/cinema/saturday-film-club-all-about-my-mother-todo-sobre-mi-madre) Hit up the Last Video Store on instagram (https://www.instagram.com/lastvideostorebetoota/) for all of our guests picks.

The Pilgrimage of Grace sounds calm, but was in reality a major uprising in the north of England against Henry VIII's religious and political reforms, including the dissolution of monasteries.Professor Suzannah Lipscomb is joined by Professor Andy Wood to retell the legend of when tens of thousands of rebels risked their lives to try to restore Catholic practices and influence government policy, rocking the very seat of the King.MOREDissolution of the MonasteriesListen on AppleListen on SpotifyThe Rebellions of 1549Listen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

How much do we really know about William Shakespeare, his wife Anne Hathaway, and the family tragedies that may have shaped the bard's greatest work? This is the premise of Maggie O'Farrell's luminous novel Hamnet, now adapted into a major film starring Paul Mescal and Jessie Buckley.Professor Suzannah Lipscomb talks to Maggie O'Farrell about transforming Shakespearean history into unforgettable fiction, and reviews the film with Dr Will Tosh from Shakespeare's Globe.MORE:Shakespeare's Family: New DiscoveriesListen on AppleListen on SpotifyShakespeare's Daughter, JudithListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

Breakfast feels ancient. It isn't. In Tudor England, breakfast was optional, lightly eaten, and sometimes frowned upon. No bacon, no eggs, no fixed hour. Just bread, ale, leftovers, and a lot of flexibility depending on class and work.This video explores when breakfast actually became “breakfast,” and why the Tudors didn't believe in it the way we do. Hosted on Acast. See acast.com/privacy for more information.

The Tudors are perhaps our most famous royal dynasty, everyone knows that Henry VIII had six wives and that he had two of them made a head shorter, we all know Lizzie the first loved fashion and spent loads, or did she, was it in fact another queen for whom the term shopaholic would apply? Today, I am pleased to welcome back historian Elizabeth Goff onto the podcast for a discussion based around her very first book, coming out next month, Bloody Brilliant Tudors, 100 tales of gowns, gossip and gory ends. Sadly we can't cover 100 stories, and so I hand picked 20 to discuss, from the surprising role the groom of the stool performed to two of Jane Seymour's ladies in waiting turning up for work in completely the wrong clothes to Elizabeth I stuffing her cheeks with silk, all will be discussed, so settle in for a thoroughly fun jaunt through some of the more random or overlooked parts of our favourite and often bonkers royal dynasty!

Speak at Tudorcon 2026: https://tudorcon.englandcast.com/speak-at-tudorcon/The Tudors did not see history as distant or neutral. They believed they were living after a great age, measuring themselves constantly against Rome, ancient kings, and earlier empires that had already risen and fallen. History, for them, was a warning.In this episode, we explore how the Tudors studied the past, the classical historians they read, and why history shaped their understanding of power, legitimacy, and decline. From Roman emperors to English chronicles, this is a look at how the Tudors read history. Hosted on Acast. See acast.com/privacy for more information.

This episode contains discussions of incest and sexual assault.Professor Suzannah Lipscomb is joined by historical novelist Elizabeth Fremantle to explore the harrowing story of Beatrice Cenci, a young woman executed in Rome in 1599. They discuss how Beatrice survived an abusive upbringing and her eventual participation in the murder of her father, highlighting the brutal realities faced by women of the 16th century.MORE Who Murdered Lord Darnley?Listen on AppleListen on SpotifySame-Sex Marriages in Renaissance RomeListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

What happens when a Queen refuses to name her heir? How does she hold her kingdom together when every courtier is secretly preparing for her death? What really unfolded in Elizabeth I's glittering court as her long reign drew to an end?Professor Suzannah Lipscomb explores the unspoken crisis at the heart of Elizabeth I's rule with Dr. Tracy Borman. Together they discuss how the hidden struggle for succession became one of the most precarious moments in English history.MORE:From Tudor to Stuart: Regime ChangeListen on AppleListen on SpotifyElizabeth I's Censored Annals: A Major DiscoveryListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

Was Christopher Marlowe a rebel, a genius, or a heretic ahead of his time? From his plays that shocked Elizabethan England to his brutal murder, Marlowe's short, dazzling life was defined by rivalry, scandals and secrets.Professor Suzannah Lipscomb and Professor Stephen Greenblatt delve into Marlowe's provocative ideas, his rumoured queerness, and the dangerous brilliance that left an indelible mark on English literature.MOREMarlowe & Shakespeare: Rivals or Collaborators?Listen on AppleListen on SpotifyTudor True Crime: Murder of Christopher MarloweListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle. Edited and produced by Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

In the early modern period, belief in fairies was quite commonplace. But put all thoughts of Tinkerbell aside! Professor Suzannah Lipscomb is joined by Professor Diane Purkiss to find out how these fairies were altogether more dangerous beings - troublemakers, child-snatchers, seducers and changelings.MORETransgender Fairies in Early Modern LiteratureListen on AppleListen on SpotifyPractical Magic: Spells, Prayers & Cunning FolkListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

Why are diamonds black, and how does a triangle show power in Tudor portraits? From Henry VII's shrewd statecraft to the glittering reign of Elizabeth I, the Tudors projected their power not just through politics, but through visual propaganda, art and objects.Professor Suzannah Lipscomb is joined by Dr Christina Faraday, who ventures beyond the Tudor rose and the famous faces painted by Holbein to take us deeper, uncovering how art and objects shaped the ambitions and identities of people at every level of Tudor society.MOREFig Leaves & A Grumpy Jesus: Renaissance to Baroque ArtListen on AppleListen on SpotifyThe Women Who Painted the TudorsListen on AppleLIsten on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.