Podcast appearances and mentions of Jane Seymour

Step into the inspiring world of music and resilience with host Lynn Hoffman on this episode of “Music Saved Me.” Lynn sits down with powerhouse vocalist and songwriter Kelsie Watts, whose journey began in a musical family in Texas and took her from church choirs and school plays to viral stardom on NBC’s “The Voice” and a breakout role as Jane Seymour in Broadway’s SIX The Musical. Kelsie shares how music became her anchor through life’s challenges, including the loss of her brother, and how songwriting helped her transform grief into hope with deeply personal tracks like “I Can’t Say Goodbye”. From her early days studying opera at Belmont University to collaborating with music legends and releasing empowerment anthems, Kelsie opens up about finding her voice, embracing vulnerability, and using her art to connect with others and heal. Join Lynn Hoffman for an intimate conversation that explores Kelsie’s creative process, her viral moments, and the ways music continues to save and shape her life. A Note to our Community Your support means everything to us! As we continue to grow, we’d love to hear what guests you might find interesting and what conversations you’d like us to explore nest. Have a friend who might enjoy our conversations? Please share our podcast with them! Your word of mouth recommendations help us reach new listeners that could benefit from our content. Thank you for being part of our community. We’re excited for what’s ahead! Check out our newest podcast called “Comedy Saved Me” wherever you get your podcasts. Warmly Buzz Knight Founder Buzz Knight Media ProductionsSupport the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Step into the inspiring world of music and resilience with host Lynn Hoffman on this episode of “Music Saved Me.” Lynn sits down with powerhouse vocalist and songwriter Kelsie Watts, whose journey began in a musical family in Texas and took her from church choirs and school plays to viral stardom on NBC’s “The Voice” and a breakout role as Jane Seymour in Broadway’s SIX The Musical. Kelsie shares how music became her anchor through life’s challenges, including the loss of her brother, and how songwriting helped her transform grief into hope with deeply personal tracks like “I Can’t Say Goodbye”. From her early days studying opera at Belmont University to collaborating with music legends and releasing empowerment anthems, Kelsie opens up about finding her voice, embracing vulnerability, and using her art to connect with others and heal. Join Lynn Hoffman for an intimate conversation that explores Kelsie’s creative process, her viral moments, and the ways music continues to save and shape her life. A Note to our Community Your support means everything to us! As we continue to grow, we’d love to hear what guests you might find interesting and what conversations you’d like us to explore nest. Have a friend who might enjoy our conversations? Please share our podcast with them! Your word of mouth recommendations help us reach new listeners that could benefit from our content. Thank you for being part of our community. We’re excited for what’s ahead! Check out our newest podcast called “Comedy Saved Me” wherever you get your podcasts. Warmly Buzz Knight Founder Buzz Knight Media ProductionsSee omnystudio.com/listener for privacy information.

In this episode, we caught up with the dt's — David Cacciatore and Tom Losito — as they gear up for their sold-out North to Shore Festival performance at Wonder Bar on June 22 with Penelope Road and the Mike Montrey Band. The North to Shore Festival is a unique celebration of New Jersey's arts and culture, giving local artists like The DTs the opportunity to share the stage and gain exposure alongside nationally recognized acts. It's an exciting platform for emerging talent across the state.We explored the band's journey since forming in 2020, their signature blend of genres, and how they maintain a dynamic live show with a rotating cast of musicians. We also discussed the vibrant diversity of New Jersey's music scene and the importance of balancing individuality with regional influences.the dt's shared behind-the-scenes stories — from past gigs (including a funny run-in with Jane Seymour) to their evolving plans for live recordings and acoustic sessions. Along the way, the conversation touched on everything from North to Shore Festival planning to family traditions, guitar repair, and the joy of performing live. With plenty of humor and heart, the dt's gave us a glimpse into their creative process, stage chemistry, and the community that continues to support them as they grow. Asbury Park Vibes Podcast Available on Spotify, Apple, Google, iHeart, Audible, and PandoraHosted by Diane DiMemmo & Doug DresherCopyright 2020-2025 Asbury Park Vibes. All rights reserved.

Welcome to the Queens summer break! In this spooky Patreon episode of Queens Podcast, Nathan and Katy delve into the ghostly encounters at Hampton Court Palace. From the tragic tale of Katherine Howard's haunting presence to Jane Seymour's spectral appearances, they explore the rich, eerie history of these Tudor queens. Time stamps: 00:00 Welcome to the Queen's Summer Break 01:04 Getting Spooky with Ghost Stories 03:46 Exploring Hampton Court's Haunted History 08:36 Katherine Howard's Tragic Tale 17:59 Jane Seymour: The Beloved Queen 19:23 Henry VIII's Queenly Shutdowns 19:38 Jane Seymour's Final Days 27:15 The Skeletor Ghost Mystery 30:24 The Gray Lady of Hampton Court 36:35 Concluding Thoughts and Future Stories Queens podcast is part of Airwave Media podcast network. Please get in touch with advertising@airwavemedia.com if you would like to advertise on our podcast. Want more Queens? Head to our ⁠⁠⁠Patreon⁠⁠⁠, check out our⁠⁠⁠ merch store⁠⁠⁠, and follow us on ⁠⁠⁠Instagram⁠⁠⁠! Learn more about your ad choices. Visit megaphone.fm/adchoices

While Mickey-Jo was in New York, he stopped by the Samuel J Friedman Theatre to meet Jasmine Forsberg, one of Broadway's most exciting rising stars.Jasmine, who caught international attention with her showstopping rendition of 'Heart of Stone' as Jane Seymour in Six, was previously seen in Here Lies Love and is now part of the stellar company of Stephen Sondheim's Old Friends.Check out what Jasmine and Mickey-Jo discussed ahead of his visit to the show...•get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

Issue 61 of the monthly magazine for the discerning film nerd continues with Classics and Hidden Gems. We're on a time travel theme this month in honour of the impending 40th anniversary of Back to the Future. For our Classic James finally gets round to watching the 1980 film Somewhere in Time, in which Christopher Reeve is understandably prepared to go decades into the past to meet Jane Seymour. For our Hidden Gem we recommend an underseen low budget sci fi thriller, Time Trap.   Next week brings the Remakes Tribunal where we put bad filmmaking on trial. The first part of the issue, Double Reel Monthly is already available to download.

More TV and Movie talk including our hopes for the Superman Movie and More 

Youtube Amazon Baileygreymusic.comBioBailey Grey Emerges “Out From Under” with Jazzy, Honest, and Joyously Complex Debut“Out From Under,” the debut single from Love It All  Bailey Grey's first full-length album showcases the arrival of a fearless new voice in pop music. Fusing jazz, blues, and danceable pop with lyrical honesty and emotional intelligence, the track is a vibrant introduction to Bailey's musical world. With her warm, expressive vocals and genre-bending musicality, Grey creates a sound that's both refreshingly personal and artistically rich.What makes the song even more striking is the story behind it. Bailey wrote “Out From Under” while working nights as a host in an underground London bar disguised as a sex shop. “‘It said ‘Girls! Girls! Girls!' on the front,” she laughs, “but it was just a dive bar and restaurant. I was getting home at 3 or 4 in the morning, waking up late, and going back to work a few hours later. I felt low, burnt out, and stuck  but still trying to make time to create music and figure out my life.” The result: a song born of exhaustion, longing, and hope, shaped into a beautifully produced, timeless groove.Built on a rhythmic ticking motif that mirrors the pressure of time, “Out From Under” cleverly underscores its themes without being overbearing. Bailey's rim-click percussion ticks steadily beneath shifting tempos  racing forward one moment, slowing down the next  as she sings lines like:“Can I make the time go slow? / And get out from under?”That emotional layering  blending storytelling with sound design  is a hallmark of Love It All, a collection that dances across genres while remaining deeply introspective. Bailey draws inspiration from iconic female artists like Amy Winehouse, Sara Bareilles, Fiona Apple, Joni Mitchell, and Dodie, while forging a voice unmistakably her own.“I get bored when I make the same kind of music,” Bailey explains. “So I zhuzh it up I blend genres, follow new sounds. I want the album to reflect all the spaces I've been creatively. Every song is a new lens.”A Journey From Stage to StudioOriginally from northern New Jersey, Bailey's artistic roots run deep. She began her career as a child actor in New York's musical theater scene, starring in the Broadway National Tour of Mary Poppins at age 10. Her credits include Stephen Schwartz's opera Séance on a Wet Afternoon and A Christmas Rose at Carnegie Hall alongside Jane Seymour.After high school, she studied musical theatre at the Royal Conservatoire of Scotland and earned a master's degree from the Royal Central School of Speech and Drama in London. It was during the pandemic that Bailey began writing her own music in earnest. “Theater will always be a part of me,” she says, “but I needed to start telling my own stories.”Her songs aren't just lyrical  they're sensory. Bailey writes from the rhythms and sounds of her surroundings. “I live in a soundscape,” she says. “There's a rhythm in everything a bus passing by, birds outside the window, cars rushing past  and I try to build those moments into the music.”On Love It All, that soundscape comes to life:“When I Fall” features a bass ukulele and soprano uke.“Easy,” the closing track, was recorded near an open London window you can hear the distant hum of buses and passing voices.The title track, “Love It All,” is a meditation on finding wonder amid struggle: “I fall in love with every song that I hear / Polyrhythmic harmonies reflect my atmosphere.”She adores that lyric for two reasons: “I've never heard anyone use ‘polyrhythm' in a lyric,” she notes. “And it's not just clever  it's how I actually experience the world.”Independent, Unfiltered, and AuthenticAfter returning to the U.S., Bailey made the bold decision to part ways with her label and release Love It Alll independently. “I was a child actor, and for years I had to fit into a box  play characters in other people's stories. Now, I finally get to share mine.”With “Out From Under,” Bailey Grey arrives not just as a singer-songwriter, but as a fully realized artist  one who transforms the ache of burnout and the hum of everyday life into vibrant, resonant music.This is music that grooves, heals, and surprises  a debut that marks the beginning of an exciting, genre-defying journey.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

In 1980, Stephen Simon produced the film Somewhere in Time with Christopher Reeve, Jane Seymour, and Christopher Plummer. In 1998, he produced What Dreams May Come with Robin Williams, Annabella Sciorra, and Cuba Gooding, Jr. On January 3, 2018, my wife and forever love Lauren suddenly passed away in her sleep. She was only 54. Six weeks later, Lauren began to communicate with Stephen…and in October 2018, they started writing the book "What Dreams Have Come: Loving Through The Veil". Wives, husbands, mothers, fathers, sons, daughters, grandparents, and many others have experienced communication with loved ones who preceded them beyond the veil that separates life and what comes after life.Stephen Simon graduated from UCLA and Loyola Law School, entered the movie business in 1976, ran the film companies of legendary producers Ray Stark and Dino de Laurentiis, produced such films as Somewhere in Time and What Dreams May Come, co-founded The Spiritual Cinema Circle in 2004, and wrote the books The Force is With You and Bringing Back the Old Hollywood.Please enjoy my conversation with Stephen Simon.Become a supporter of this podcast: https://www.spreaker.com/podcast/next-level-soul-podcast-with-alex-ferrari--4858435/support.

In this week's episode, I take a look at the movies and streaming shows I watched in Winter and Spring 2025. This week's coupon code will get you 25% off the ebook versions of my anthologies at my Payhip store: JUNE25 The coupon code is valid through June 17, 2025. So if you need a new ebook this summer, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates   Hello, everyone. Welcome to Episode 252 of The Pulp Writer Show. My name is Jonathan Moeller. Today is May 23rd, 2025, and today we are looking at the movies and streaming shows I watched in Winter and Spring 2025. We missed doing an episode last week for the simple reason that the day before I wanted to record, we had a bad thunderstorm that knocked down large portions of my fence, so my recording time was instead spent on emergency fence repair. However, the situation is under control, so hopefully we'll be back to weekly episodes for the immediate future. And now before we get to our main topics, let's have Coupon of the Week and then a progress update on my current writing projects.   So first up, Coupon of the Week. This week's coupon code will get you 25% off the ebook version of all my short story anthologies at my Payhip store and that is JUNE25. As always, the coupon code and links will be available in the show notes. This coupon code is valid through June the 17th, 2025, so if you need a new ebook for this summer, we have got you covered.   And now an update on my current writing projects. Ghost in the Corruption is finished. It is publishing right now. In fact, I paused the publishing process to record this and so by the time this episode goes live, hopefully Ghost in the Corruption should be available at all ebook stores. My next main project now that Ghost in the Corruption is done will be Shield of Power and as of this recording I am 15,000 words into it. My secondary projects will be Stealth and Spells Online: Final Quest and I'm 97,000 words into that, so hopefully that will come out very shortly after Shield of Power and I'll also be starting Ghost in the Siege, the final book in the Ghost Armor series as another secondary project and I'm currently zero words into that. So that is where I'm at with my current writing projects.   In audiobook news, Ghost in the Assembly (as excellently narrated by Hollis McCarthy) is now out and should be available at all the usual audiobook stores so you can listen to that if you are traveling for the summer. Recording of Shield of Battle (as excellently narrated by Brad Wills) is underway soon. I believe he's starting it this week, so hopefully we will have another audiobook in the Shield War series for you before too much longer. So that's where I'm at with my current writing projects.   00:02:17 Main Topic: Winter/Spring 2025 Movie Roundup   And now let's move on, without any further ado, to our main topic. Summer is almost upon us, which means it's time for my Winter/Spring 2025 Movie Roundup. As usual, the movies and streaming shows are listed in order for my least favorite to my most favorite. The grades are based upon my own thoughts and opinions and are therefore wholly subjective. With all of that said, let's get to the movies and our first entry is MacGruber, which came out in 2010 and in all honesty, this might be objectively the worst movie I have ever seen. The Saturday Night Live MacGruber sketches are a parody of the old MacGyver action show from the ‘80s. And so the movie is essentially the sketch stretched out to make a parody of an ‘80s action movie. It is aggressively dumb and crude. Its only redeeming feature is that the movie knows it's quite stupid and so leans into the stupidity hard. I'll say this in its favor, MacGruber has no pretensions that is a good movie and does not take itself seriously and then runs away hard with that fact. For that he gets a plus, but nothing else. Overall grade: F+   Next up is Down Periscope, which came out in 1996. Now the fundamental question of any movie is the one Russell Crowe shouted at the audience in Gladiator: “Are you not entertained?” Sadly, I was not entertained with Down Periscope. This wanted to be a parody of Cold War era submarine thrillers like The Hunt for Red October, I say wanted because it didn't really succeed. Kelsey Grammer plays Lieutenant Commander Thomas Dodge, an unorthodox US Navy officer who wants command of his own nuclear sub, but he's alienated a few admirals, which is not traditionally a path to career advancement in the military. Dodge gets his chance in a Navy wargame where he has to command a diesel sub against nuclear subs. Sometimes parodies are so good that they become an example of the thing they are parodying (Hot Fuzz and Star Trek: Lower Decks are excellent examples of this phenomenon). The trouble is that the movie takes itself too seriously and just isn't all that funny. A few funny bits, true, but not enough of them. In the end, this was dumb funny but didn't resonate with me the way other dumb funny movies like Dodgeball and Tropic Thunder did. Overall grade: D   Next up is Deadpool and Wolverine, which came out in 2024. Unlike Down Periscope, I was entertained with this movie, though both movies reside on the dumb funny spectrum. Deadpool and Wolverine is basically one long meta in-joke/love letter for the last 30 years of superhero movies. If you've seen enough of those movies, you'll find those movies funny, if occasionally rather tasteless. If you haven't seen enough of those movies, Deadpool and Wolverine will just be incomprehensible. The plot is that Wade Wilson AKA Deadpool gets pulled into some Marvel style multiverse nonsense. To save his universe from destruction, he needs to recruit a Wolverine since in his universe, Wolverine died heroically.   In the process, Deadpool stumbles across the worst Wolverine in the multiverse. Together they have to overcome their mutual dislike and attempt to save Deadpool's universe from destruction at the hands of a rogue branch of the Time Variance Authority. This means the movie can bring in a lot of cameos from past Marvel films. Hugh Jackman's performance really carries the movie on its back. Like I said, this movie is essentially one very long Marvel in-joke. I thought it was funny. I definitely think it can't stand on its own without having seen a sufficient number of the other Marvel movies. Overall grade: C   Our next movie is the Ministry of Ungentlemanly Warfare, which came out in 2024. This is very loosely (with an emphasis on “very”) based on Operation Postmaster during World War II, when British Special Forces seized some Italian ships that had been supplying parts for German U-boats. It was entertaining to watch but it couldn't quite make up its mind tonally if it was a war thriller or a heist movie about Western desperados recruited into a crew. It kind of tried to do both at the same time, which killed the momentum. Like, the first parts of the movie where the protagonists take out a Nazi patrol boat and then free a prisoner from a base were good thriller stuff, but then the plot fused with the heist stuff and really slowed down through the middle forty percent or so. It was also oddly stylized with a lot of spaghetti western-style music that seemed out of place and some stuff just didn't make sense, like at the end after pulling off the mission, the protagonists were all arrested. That just seems bizarre since if anything, Winston Churchill and a lot of the British wartime leadership were enthusiastic about special operations and probably had too much confidence in the effectiveness of covert operations. So I did enjoy watching this, but I can see why it didn't make a lot of money at the box office. Overall Grade: C   Next up is The Gorge, which came out in 2025. This was a peculiar mix of science fiction, romance, and horror. For the romance part, perhaps shooting zombies together is a good idea for a first date. Before I dig into the movie, a brief rant. In one scene, a character is using a chainsaw with no protective gear whatsoever and she's not fighting zombies or anything in a situation where she has to pick up a chainsaw without preparing first. She's trimming branches to pass time. If you're using a chainsaw, at a minimum you want protective eyewear and headphones. Ideally you'd want chainsaw pants as well to reduce the chance of serious injury if you slip and swing the saw into your leg. Since I became a homeowner, I've used a chainsaw a number of times and believe me, you definitely want good eye and ear protection. This has been your public safety announcement for this movie review.   Anyway, loner former sniper Levi is approached by a high ranking intelligence officer giving him a mysterious job. He needs to guard a tower overlooking a mysterious mist-filled gorge for one year. On the other side of the gorge is another tower, guarded by an elite Lithuanian sniper named Drasa. Like Levi, Drasa has a fair bit of emotional damage and they're officially forbidden to communicate. However, they're both lonely and they soon start communicating over the gorge using telescopes and whiteboard messages. Eventually Levi gets emotionally close enough to Drasa to rig a zipline to cross the gorge and speak with her in person.   Unfortunately, it turns out the gorge is full of twisted creatures that storm out and attack and the job of the two snipers is to keep them contained. If Levi and Drasa want to save their lives, they'll need to unravel the dark secret within the gorge. This movie was interesting and I enjoyed watching it, but it falls apart if you think about it too much (or at all). Like the chainsaw thing I ranted about above. The entire movie runs on that sort of logic. That said, I appreciate how the filmmakers were trying something new instead of something like Deadpool and Wolverine. Additionally, this was an Apple+ movie and it's interesting how Apple's approach to streaming is to just make a whole bunch of random stuff that's totally distinct, from Ted Lasso to Mythic Quest to Severance to The Gorge. It's like, “we have more money than most countries, so we're going to make Ted Lasso because we feel like it.” Then again, Apple+ is apparently losing a billion dollars every year, so maybe they'll eventually change their minds about that approach. Overall Grade: B-   Next up is Click, which came out in 2006. Cross It's a Wonderful Life with A Christmas Carol and the comedic style of Adam Sandler and you end up with Click. Basically Sandler plays Michael Newman, a workaholic architect with a demanding boss and increasingly strained relationship with his wife and children due to his workload. In a fit of exasperation with his situation, he goes to Bed Bath and Beyond, where he encounters an eccentric employee named Morty (played entertainingly by Christopher Walken). Morty gives him a remote control that lets him fast forward through time, which Michael then uses to skip the boring and tedious parts of his life, but he overuses the remote and goes too far into the future and sees the disastrous results of his current life choices. Definitely a story used in A Christmas Carol and It's a Wonderful Life but effectively told and I was entertained (rather on the crude side, though). Overall Grade: B- Next up is Mr. Deeds, which came out in 2002. This was actually one of Adam Sandler's better movies, in my opinion. It was a remake of the ‘30s movie Mr. Deeds Goes To Town. In this new version, Sandler plays Longfellow Deeds, a popular pizzeria owner in a small New Hampshire town. Unbeknownst to Deeds, his uncle is the owner of a major media mega corporation and when he dies, Deeds is his legal heir. When the company's CEO and chief lawyer arrive at the pizzeria to inform him of this fact, Deeds goes to New York and soon finds himself involved in the CEO's sinister machinations. Yet he happens to rescue an attractive woman from a mugger, but there is more to her than meets the eye. The movie was funny and not as crude, well, not quite as crude as some of Sandler's other stuff. It had good story structure and several great lines, my favorite of which was “he was weak and cowardly and wore far too much cologne.”   Sandler's movies, in a strange way, are often very medieval. Like various medieval fables had a savvy peasant outwitting pompous lords, greedy merchants, and corrupt clergymen. The best Adam Sandler protagonist tends to be a good natured everyman who defeats the modern equivalent of medieval authority figures- evil CEOs, arrogant star athletes, sinister bureaucrats and so forth. Overall Grade: B     Next up is House of David, which came out in 2025 and this is basically the story of King David from the Bible told in the format of an epic fantasy TV series. Like if someone wanted to do an epic fantasy series about Conan the Barbarian, it could follow the same stylistic format as this show. And of course Conan and David followed a similar path from adventurer to king. Anyway, if one were to pick a part of the Bible from which to make a movie or TV series, the story of David would be an excellent choice because David's life was so dramatic that it would hardly require any embellishments in the adaptation. The story is in the Books of First and Second Samuel. King Saul is ruling over the Israelites around 1000 BC or so, but has grown arrogant. Consequently, God instructs the prophet Samuel to inform Saul that the kingdom will be taken away from him and given to another. God then dispatches Samuel to anoint David as the new king of Israel. David is a humble shepherd but then enters Saul's service and undertakes feats of daring, starting with defeating the giant Goliath and leading Saul's troops to victory and battle against Israel's numerous enemies. (The Iron Age Middle East was even less peaceful than it is now.) Eventually, Saul's paranoia and madness gets the best of him and he turns on David, who flees into exile. After Saul and his sons are killed in battle with the Philistines. David returns and becomes the acknowledged king after a short civil war with Saul's surviving sons and followers.   If Saul's fatal flaw was his arrogance of pride, David's seems to have been women. While the story of David and Bathsheba is well known, David nonetheless had eight wives (most of them at the same time) and an unknown but undoubtedly large number of concubines. Naturally David's children from his various wives and concubines did not get along and David was almost deposed due to the conflicts between his children. Unlike Saul and later David's son Solomon, David was willing to repent when a prophet of God informed him of wrongdoing and to be fair to David, monogamy was generally not practiced among Early Iron Age Middle Eastern monarchies and dynastic struggles between brothers from different mothers to seize their father's kingdoms were quite common, but enough historical digression.   Back to the show, which covered David's life up to the death of Goliath. I thought it was quite well done. Good performances, good cinematography, excellent battles, good set design and costuming, and a strong soundtrack. All the actors were good, but I really think the standout performances were Stephen Lang as Samuel, Ali Sulaman is King Saul, Ayelet Zurer as Saul's wife Queen Ahinoam, and Davood Ghadami as David's jerkish (but exasperated and well-intentioned) eldest brother Eliab. Martyn Ford just looks extremely formidable as Goliath. You definitely believe no one in their right mind want to fight this guy.   Making fiction of any kind based on sacred religious texts is often tricky because no matter what you do, someone's going to get mad at you. The show has an extensive disclaimer at the beginning of each episode saying that it is fiction inspired by the Bible. That said, House of David doesn't really alter or deviate from the Biblical account, though it expands upon some things for the sake of storytelling. Queen Ahinoam is only mentioned once in the Bible as the wife of Saul, but she has an expanded role in the show and is shown as the one who essentially introduces Saul to the Witch of Endor. Goliath also gets backstory as one of the “Anakim,” a race of giants that lived in Canaan in ancient times, which is something that is only mentioned in passing in the Old Testament. Overall, I enjoyed the show and I hope it gets a second season.   What's interesting, from a larger perspective, is to see how the wheel of history keeps turning. In the 1950s and the 1960s, Biblical epics were a major film genre. The 10 Commandments and Ben Hur with Charlton Heston are probably the ones best remembered today. Eventually, the genre just sort of ran out of gas, much the way superhero movies were in vogue for about 20 years and began running out of steam around 2023 or so. Like, I enjoyed Thunderbolts (which we're going to talk about in a little bit), but it's not going to make a billion dollars the way Marvel stuff often did in the 2010s. The wheel just keeps turning and perhaps has come back around to the popularity of Biblical epics once more. Overall Grade: A   Next up is Chef, which came out in 2014. I actually saw this back in 2021, but I watched it again recently to refresh my memory and here are my thoughts. I quite liked it. It's about a chef named Carl Casper, who's increasingly unhappy with his work after he gets fired over a Twitter war with a writer who criticized his cooking. Carl is out of options and so he starts a food truck and has to both rediscover his love of cooking and reconnect with his ex-wife and 10-year-old son. In Storytelling: How to Write a Novel (my book about writing), I talked about different kinds of conflict. Carl's conflict is an excellent example of an entirely internal conflict. The critic is an external enemy, but he's basically the inciting incident.   Carl's real enemy is his own internal conflict about art versus commerce and a strained relationship with his son. I recommend the movie. It was rated R for bad language, but there's no nudity or explicit sexual content and honestly, if you've ever worked in a restaurant kitchen or a warehouse, you've heard much worse in terms of language. The movie also has an extremely valuable lesson: stay off social media when you're angry. Overall Grade: A     Next up is Thunderbolts, which came out in 2025 and I thought this was pretty good, both very dark and yet with quite a lot of humor to balance the darkness. Former assassin Yelena Belova has been working as a mercenary for the sinister director of the CIA, Valentina de Fontaine (now there's a villain name if there ever was one). Yelena has grown disillusioned with her life and career and is suffering from increasing depression since she never really dealt with the death of her sister. Valentina promises her one last job, only for Yelena to realize that Valentina decided to dispose of all her freelance contractors at once, which includes US Agent and Ghost (previously seen in The Falcon and the Winter Soldier and Antman and the Wasp). In the process of escaping Valentina's trap, Yelena stumbles across a mysterious man who identifies himself as Bob, who has no memory of how he got there, but shows increasingly unusual abilities. Yelena wants to deal with Valentina's betrayal, but it turns out one of Valentina's science projects has gotten out of control and is threatening the world. The movie was well constructed enough that it didn't rely too heavily on previous Marvel continuity. It was there, but you probably wouldn't be lost without it. It almost feels like Marvel looked at the stuff they did the last couple of years and said, okay, a lot of this didn't work, but makes great raw material for new things. It helped that the central conflict was in the end, very human and about the characters, not stopping a generic villain from getting a generic doomsday device. Overall Grade: A   Next up is The Hound of the Baskervilles, which came out in 1988. This is a movie length episode of The Return of Sherlock Holmes television series, which had Jeremy Brett as Sherlock Holmes and Edward Hardwicke as Dr. Watson. The plot deals with Sir Henry Baskerville, the American heir to an English manor set in the Windswept moors of Dartmoor. Apparently there's an ancestral curse laid over the Baskerville estate that manifests in the form of a spectral hound. Local rumors hold that the previous holder of the manor, Sir Charles Baskerville, was killed by the ghostly hound and many of the local people fear it. The local physician, Dr. Mortimer, is so worried about the hound that he comes to Sherlock Holmes for help. Holmes, of course, is skeptical of any supernatural explanation and soon becomes worried that an extremely subtle and sinister murderer is stalking Sir Henry.   Jeremy Brett's version of Holmes is, in my opinion, the best portrayal of the character and Edward Hardwicke's version of Watson is a calm, reliable man of action who sensibly takes a very large revolver with him when going into danger. Definitely worth watching, Overall grade: A   Next up is Sonic the Hedgehog 3, which came out in 2024. The 2020s have been a downer of a decade in many ways, but on the plus side, between Super Mario Brothers and Sonic the Hedgehog, people have finally figured out how to make good video game movies, so we've got that going for us. Sonic 3 was an excellent kids movie, as were the first two in the trilogy. In this one Sonic is living with Knuckles and Tails under the care of their human friends Tom and Maddy, but then a dark secret emerges. The government has been keeping a Superpowered hedgehog named Shadow in stasis and Shadow has broken out. It's up to Sonic, Knuckles, and Tails to save the day.   Meanwhile, Dr. Robotnik is in a funk after his defeat at Sonic's hands in the last movie, but then his long lost grandfather, Gerald Robotnik returns seeking the younger Dr. Robotnik's help in his own sinister plans. Keanu Reeves was great as Shadow (think John Wick if he was a superpowered space hedgehog in a kid's movie). Jim Carrey famously said he would retire from acting unless a golden script came along and apparently that golden script was playing Dr. Ivo Robotnik and his evil grandfather Gerald. To be fair, both the Robotniks were hilarious.   It is amusing that Sonic only exists because in the 1990s, Sega wanted a flagship video game character that won't get them sued by either Nintendo or Disney. It is also amusing that the overall message of the Sonic movies seems to be not to trust the government. Overall Grade: A   Next up is Paddington in Peru, which came out in 2024. This is also an excellent kids' movie. In this installment, Paddington has settled into London with the Brown family and officially become a UK citizen. However, he receives a letter from Peru that his Aunt Lucy has mysteriously disappeared into the jungle. Distraught, Paddington and the Browns set off for Peru at once. Adventures ensue involving mysterious lost treasure, a crazy boat captain, and an order of singing nuns who might not quite be what they appear. Anyway, it's a good kids' movie. I think Paddington 2 was only slightly better because Hugh Grant as the chief villain, crazy actor Phoenix Buchanan, was one of those lightning in the bottle things like Heath Ledger as the Joker in the Dark Knight. Overall Grade: A   Now for the two best things I saw in Winter/Spring 2025. The first of them is Andor Season Two, which came out in 2025. Star Wars kind of has an age range the way Marvel stuff does now. What do I mean by that? In the Marvel comics and some of the TV series like Jessica Jones, they get into some really dark and heavy stuff, very mature themes. The MCU movies can have some darkness to them, but not as much because they're aiming at sort of escapist adventures for the general audience. Then there are kid shows like Spidey and Friends that a relative of mine just loved when he was three. You wouldn't at all feel comfortable showing a 3-year-old Dr. Strange in the Multiverse of Madness, but Spidey and Friends is just fine.   Star Wars now kind of has that age range to its stuff and there's nothing wrong with that. Sometimes you want to see a dark meditation upon human nature. Sometimes you need something kid friendly to occupy the kids you're babysitting and sometimes you just want to relax and watch Mando and Baby Yoda mow down some space pirates or something. All that said, Andor Season Two is some of the darkest and the best stuff that Star Wars has ever done. It successfully shifts genres from Escapist Pulp Space Fantasy to a gritty Political/Espionage Thriller. We in the audience know that the emperor is a Sith Lord who can use Evil Space Magic and wants to make himself immortal, but that fact is totally irrelevant to the characters. Even though some of the characters are high ranking in their respective organizations, this is essentially a “ground's eye” view of the Rebellion and life under the Empire.   In some ways, this is like Star Wars' version of Wolf Hall (which we're going to talk about shortly), in that we know how it ends already, but the dramatic tension comes from the harrowing emotional journey the characters undertake on the way to their inevitable destinations. Cassian Andor is now working for the nascent Rebellion under the direction of ruthless spymaster Luthen Rael. Mon Mothma is in the Imperial Senate, covertly funneling money to the Rebellion and realizing just how much the Rebellion will require of her before the end. Syril Karn, the ineffective corporate cop from Season One, has fallen in love with the ruthless secret police supervisor Dedra Meero, but he's unaware that Director Krennic has ordered Meero to manufacture a false flag incident on the planet Gorman so the planet can be strip-mined for resources to build the Death Star and Dedra has decided to use Syril to help accomplish it. All the actors do amazing jobs with their roles. Seriously, this series as actors really should get at least one Emmy. Speaking of Director Krennic, Ben Mendelson returns as Orson Krennic, who is one of my favorite least favorite characters, if you get my drift. Krennic is the oily, treacherous middle manager we've all had to deal with or work for at some point in our lives, and Mendelson plays him excellently. He's a great villain, the sort who is ruthless to his underlings and thinks he can manipulate his superiors right up until Darth Vader starts telekinetically choking him. By contrast, the villain Major Partagaz (played by Anton Lesser) is the middle manager we wish we all had - stern but entirely fair, reasonable, and prizes efficiency and good work while despising office drama. Unfortunately, he works for the Empire's secret police, so all those good qualities are in the service of evil and therefore come to naught. Finally, Episode Eight is one of the most astonishing episodes of TV I've ever seen. It successfully captures the horror of an episode of mass violence and simultaneously has several character arcs reach their tumultuous climax and manages to be shockingly graphic without showing in a lot of actual blood. Andor was originally supposed to be five seasons, but then Peak Streaming collapsed, and so the remaining four seasons were compressed down to one. I think that was actually to the show's benefit because it generates some amazing tension and there's not a wasted moment. Overall Grade: A+   Now for the second of my two favorite things I saw, and that would be Wolf Hall: The Mirror and the Light, which came out in 2024, but I actually saw it in 2025. This is a dramatization of Hilary Mantel's Wolf Hall novels about the rise and fall of Thomas Cromwell, who is King Henry VIII's chief lieutenant during the key years of the English Reformation. The first series came out in 2015, but the nine year gap between this and between the second series and the first series actually works quite well since Thomas Cromwell looks like he ages nine years in a single year (which may be what actually happened given how stressful working for someone like Henry VIII must have been). Anyway, in The Mirror and the Light, Cromwell has successfully arranged the downfall and execution of Anne Boleyn, Henry's previous queen. Though Cromwell is haunted by his actions, Henry still needs a queen to give him a male heir, so he marries Jane Seymour. Cromwell must navigate the deadly politics of the Tudor Court while trying to push his Protestant views of religion, serve his capricious master Henry, fend off rivals for the King's favor, and keep his own head attached to his shoulders in the process. Since Cromwell's mental state is deteriorating due to guilt over Anne's death and the downfall of his former master Cardinal Wolsey and Henry's a fickle and dangerous master at the best of times, this is an enterprise that is doomed to fail. Of course, if you're at all familiar with the history of Henry's reign and the English reformation, you know that Cromwell's story does not have a happy ending. Rather, Wolf Hall is a tragedy about a talented man who didn't walk away from his power until it was too late and he was trapped. Anyway, in my opinion, Wolf Hall: The Mirror and the Light was just excellent. All the performances were superb. Mark Rylance is great as Cromwell and has some excellent “WTF/I'm SO screwed” expressions as Cromwell's situation grows worse and worse. Bernard Hill played the Duke of Norfolk in the first series, but sadly died before Series Two, so Timothy Spall steps in and he does an excellent job of channeling Hill's portrayal of the Duke as an ambitious, crude-humored thug.   Damien Lewis is amazing as Henry VIII and his performance captures Henry's mixture of charisma, extreme vindictiveness, and astonishing self-absorption. The real Henry was known for being extremely charming even to the end of his life, but the charm was mixed with a volcanic temper that worsened as Henry aged and may have been exacerbated by a severe head injury. Lewis's performance can shift from that charm to the deadly fury in a heartbeat. The show rather cleverly portrays Henry's growing obesity and deteriorating health by having Lewis wear a lot of big puffy coats and limp with an impressively regal walking stick.   Overall, I would say this and Andor were the best thing I saw in Winter/Spring 2025. I wouldn't say that Wolf Hall: The Mirror and the Light is an accurate historical reputation. In real life, Cromwell was rather more thuggish and grasping (though far more competent than his rivals and his master) and of necessity the plot simplifies historical events, but it's just a superb historical drama. Overall Grade: A+ As a final note, I should say that of all the 2024 and 2025 movies mentioned here, the only one that actually saw in the theater was Thunderbolts, and I hadn't actually planned to see it in theaters, but a family member unexpectedly bought tickets for it, so I went along. Which I suppose is the movie industry's biggest problem right now. The home viewing experience is often vastly superior to going to the theater. The theater has the big screen and snacks, but at home you can have a pretty nice setup and you can pause whatever you want, go to the bathroom, and you can get snacks for much more cheaply. That's just much more comfortable than the movie theater.   Additionally, going to the theater has the same serious problem as booking a flight in that you're an enclosed space with complete strangers for several hours, which means you're potentially in a trust fall with idiots. All it takes is one person behaving badly or trying to bring their fake service dog to ruin or even cancel a flight, and the theater experience has much of the same problem, especially since the standards for acceptable public behavior have dropped so much from a combination of widespread smartphone adoption and COVID. The difference between the movie industry and the airline industry is that if you absolutely have to get from New York to Los Angeles in a single day, you have no choice but to book a flight and hope for the best. But if you want to see a movie and are willing to exercise some patience, you just have to wait a few months for it to turn up on streaming. I'm not sure how the movie industry can battle that, but sadly, it is much easier to identify problems than to solve them.   So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe, stay healthy, and see you all next week.

Pro hot tub jets, anti New York Jets. An NBA MVP gets emotional thanking his wife. Jane Seymour, a former Bond girl, says the secret to staying a size 4… cool. Rumors are swirling about Blake and Taylor's friendship. The bottom line is not to mess with Taylor Swift. Memorial Day Tip: Put your sunscreen on before you start drinking! Are you dating an idiot?

MJ biopic update, Jane Seymour's health hack, COPCK!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jane Seymour reveals the secret to maintain her figure.

After the death of Jane Seymour in 1537, Henry VIII was once again single and looking to mingle. But he was a man with a bit of reputation by then, and perhaps the daughters of England weren't in a hurry to roll those particular dice. Artist Hans Holbein was dispatched to Europe to paint the portraits of eligible royals and nobles for Henry's consideration. In the Duchy of Cleves (part of modern Germany), Henry found both his next bride and a Protestant ally against increasing pressure from a French-Spanish Catholic alliance. But it's Henry VIII, so you know the relationship didn't go as was expected. Though Anne of Cleves came to England and was wed to the king, she committed a faux pas in their first bizarre meeting, which hurt Henry's feelings. Henry never recovered, the marriage was annulled after six months, but for whatever reason, the famously vengeful king gave his would-be wife an extremely generous settlement. Anne of Cleves, notably among Henry's wives, was able to live her best single life well into the reign of Queen Mary I. Listen ad-free at patreon.com/trashyroyalspodcast. To advertise on this podcast, reach out to info@amplitudemediapartners.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you hear the name Jane Seymour, you might think of Dr. Quinn, Medicine Woman or her unforgettable Bond girl role in Live and Let Die. But behind the Hollywood glamour is a story of quiet courage, resilience, and reinvention. In this episode, Jane opens up about a chapter of her life few know about—when, at the peak of her career, she faced financial devastation and personal betrayal. After her ex-husband lost their money, Jane was on the brink of losing her home and forced to start over. With incredible warmth and candor, she shares how she navigated that darkness, and how choosing to say yes—to new opportunities, to healing, to love—helped her build an entirely new life in her 50s, 60s, and beyond. Be sure to subscribe, leave us a rating, and share with your friends if you liked this episode! She Pivots was created by host Emily Tisch Sussman to highlight women, their stories, and how their pivot became their success. To learn more about Jane, follow us on Instagram @ShePivotsThePodcast or visit shepivotsthepodcast.com. Support the show: https://www.shepivotsthepodcast.com/See omnystudio.com/listener for privacy information.

In the early hours of 19th May 1536, Archbishop Thomas Cranmer was woken with chilling news—his friend Alexander Alesius had dreamt of Anne Boleyn's severed neck. He had no idea that Anne was due to be executed that very morning… In this moving video, we trace Anne Boleyn's final hours: from her quiet early morning Mass and her careful choice of crimson and ermine attire, to her composed speech on the scaffold and the swift stroke of the Calais executioner's sword. We explore eyewitness accounts, the reactions of those present, and the shocking speed with which Henry VIII moved on—issuing a marriage dispensation for Jane Seymour on the very day Anne was buried. Anne Boleyn's fall was fast and brutal, yet her legacy lived on in her daughter, Elizabeth I—England's Gloriana. Watch now to witness the last moments of one of history's most compelling queens. #AnneBoleyn #TudorHistory #OnThisDay #HenryVIII #ElizabethI #TudorQueens #AnneBoleynExecution #TudorDynasty #BritishHistory #RoyalHistory  

Breast cancer surgeon Dr. Elisa Port details a checklist focusing on women and longevity. Also, Rob Lowe joins to discuss his support for a cause that's near and dear to him. Plus, Jane Seymour stops by to catch up and talk about season 4 of her murder mystery show ‘Harry Wild.' And, Jim Gaffigan talks his recent projects and the release of his new comedy album The Skinny.

Connor and Dylan are joined by Bella Coppola (Smash, Six the Musical). We know we've kept you waiting, we know we've made you mad, but this time that we've spent recording the pod is the best time we've ever had. Ding! At long last, we're featuring one of the stars of Smash on BROADWAY. This is a moment we've dreamed of since we first watched the television series over a decade ago. Bella stars as Chloe, the associate director/choreographer, and she's here to tell us all about it. Listen up for a spoiler-free discussion about the stage show, all of our favorite moments/songs/lines, her journey to becoming part of the musical, and Bella's magical opening night experience. Oh… and may we say “Stro”? Bella is a DRAMA. listener, y'all! It's a true kiki as we discuss Bravo shows, biking on the crazy city streets, Real Women Have Curves and John Proctor is the Villain, and MORE. Bella also starred in Six, so keep listening for the Jane Seymour tea. We rave about Brooks Ashmanskas, Shaiman/Whitman scores, and lots and lots of drama. Let us be your stars, y'all.Follow Bella on Instagram & TiktokFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway!Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

Watch hol+ by Dr. Taz MD on YouTube: https://www.youtube.com/@DrTazMD/podcastsWhat's Jane Seymour's secret to staying vibrant, energized, and stunning at 74? In this episode of Hol+, Dr. Taz MD sits down with the legendary actress, artist, and philanthropist to uncover the truth about aging well, from beauty and brain health to mindset and modern wellness. You'll learn Jane's holistic routine for longevity, energy, and beauty from the inside out, including her views on intermittent fasting, core workouts, clean eating, stress management, and powerful supplements. She shares how she balances a thriving acting career, a passion for giving back, and the joy of being a grandmother, all while breaking Hollywood's age stereotypes.Jane opens up about:Her daily rituals for healthy aging and emotional vitalityHow she's avoided Botox and facelifts while aging gracefullyHer philosophy of “now is it” and how it keeps her groundedThe one simple wellness habit she never skipsWhy she believes passion, purpose, and open-hearted living are the ultimate youth elixirsIf you're tired, burned out, or wondering how to feel better and look better as you age, this episode is a must-watch.Topics Covered:Anti-aging routines that workMind-body-spirit connection in wellnessHow to protect your skin and energy from the inside outBreaking the stigma of aging, especially for womenHow to choose the right supplements without overwhelmThe power of core strength, consistency, and self-awarenessConnect further to Hol+ at https://holplus.co/- Don't forget to like, subscribe, and hit the notification bell to stay updated on future episodes of hol+.About Jane Seymour:A multiple Emmy and Golden Globe winner, recipient of the Officer of the British Empire (OBE) bestowed upon her by Queen Elizabeth II, Jane Seymour has proven her talents in virtually all media, the Broadway stage, motion pictures and television.  As iconic star of the beloved TV series “Dr. Quinn: Medicine Woman,” she became a role model to young women and girls throughout the world with her inspiring rendition of a woman who can courageously dare, achieve, and improve anything a man can do, investing it with that “woman's touch” of caring humanity.   Seymour currently stars in the leading role in Harry Wild for Acorn TV and BBC America as a retired college professor who cannot quite manage to stay quietly retired to the dismay of her police inspector son.  Beyond her acting career, Seymour has made significant contributions as a producer and philanthropist. She has been involved in numerous charitable initiatives, including the creation of the Open Hearts Foundation, which supports nonprofit organizations aligned with her mother's philosophy of selfless giving. Seymour's artistic endeavors extend to her work as a sculptor and painter, with notable exhibitions and collaborations, including designing limited-edition champagne bottles and receiving accolades for her contributions to the fine arts. Today, she continues to inspire others through her art, philanthropic efforts, and motivational speaking, all while balancing her roles as a mother and grandmother.Stay ConnectedSubscribe to the audio podcast: https://holplus.transistor.fm/subscribeSubscribe to the video podcast: https://www.youtube.com/@DrTazMD/podcastsFollow Dr. Taz on Instagram: https://www.instagram.com/drtazmd/https://www.instagram.com/liveholplus/Join the conversation on X: https://x.com/@drtazmdTikTok: https://www.tiktok.com/@drtazmdFacebook: https://www.facebook.com/drtazmd/Follow Jane Seymour:www.JaneSeymour.comhttps://www.instagram.com/janeseymourHost & Production TeamHost: Dr. Taz; Produced by Rainbow Creative (Executive Producer: Matthew Jones; Lead Producer: Lauren Feighan; Editors: Jeremiah Schultz and Patrick Edwards)00:00 Introduction 02:15 Jane Seymour on Aging and Energy05:17 Challenges and Triumphs in Jane's Career10:20 Her Daily Routine and Health Practices19:58 Challenges of Maintaining a Healthy Diet21:52 The Role of Supplements in Modern Life23:23 Healthy Aging and Energy28:29 Balancing Natural and Modern Beauty32:04 The Gift of Health and Final Thoughts

Kelly and Mark rave about the 3-minute short Dr. Quinn, Morphine Woman, a hilarious parody we both adore and wish had more like it! Release Date: December 3, 2014 (United States), available on platforms like Prime Video. Director: Lauren Palmigiano (credited as LP). Writers: Lindsay Kearns (written by) Beth Sullivan (credited for characters created, as she was the creator of the original Dr. Quinn, Medicine Woman). Producers: Dan Bernstein and Eleanor Winkler. Cinematographer: Jonathan Nicholas. Cast: Jane Seymour as Dr. Michaela Quinn Joe Lando as Byron Sully Jonelle Allen as Grace Orson Bean as Loren Bray Geoffrey Lower as Rev. Timothy Johnson Henry G. Sanders as Robert E. Charles Baker (known for Breaking Bad's Skinny Pete) in a cameo. Runtime: 3 minutes Production Company: Funny or Die, a comedy content platform known for satirical skits. The short humorously subverts the family-friendly tone of Dr. Quinn, Medicine Woman (1993–1998), which starred Jane Seymour as a compassionate doctor in the Old West. In Dr. Quinn, Morphine Woman, Dr. Quinn has turned to prescribing morphine, cocaine, and whiskey, addicting the entire town. The parody mimics Breaking Bad's visual and narrative style, with Quinn adopting a Walter White-esque persona, complete with dramatic close-ups and a drug-lord attitude. Key gags include Quinn forcing morphine on a patient with a minor injury and a Breaking Bad-style title card. The original cast's return adds nostalgic appeal, while the exaggerated premise pokes fun at gritty TV reboots. Critics and fans found it a clever, if brief, send-up of both shows. The film has a 7.2/10 rating on IMDb and is lauded for its sharp satire and the cast's commitment to the absurd premise. It's a niche but entertaining piece for fans of the original series or Breaking Bad. Dr. Quinn, Morphine Woman originally aired on March 12, 1994 Now there’s a place to buy Dr QuinnCast Merchandise! https://www.etsy.com/shop/ForYourLittleHouse Maybe you want something a little more handmade? Kelly has her own Etsy store where you can find tons of amazing handcrafted items with a focus on Dr. Quinn, Medicine Woman and more! – please take a look! https://www.etsy.com/shop/HandCraftLittleHouse The post Dr. Quinn, Morphine Woman first appeared on Dr.QuinnCast Podcast.

Send us a textIn this episode, Andrea and Eric dive into Aurora Teagarden Mysteries: Reap What You Sew—but does this cozy caper stitch together a satisfying story or unravel before the final scene? Spoiler alert: one of your hosts may have literally slept through the climax (twice).They discuss the absence of key characters like Martin and Lynn, how the film struggles to find emotional depth, and whether Candace Cameron Bure carried the lead well. The real MVP? Sally, played by Lexa Doig, whose sharp wit and expressive nonverbal cues stole every scene.✨ Also in this episode:

Jardins de Bagatelle by Guerlain (1983) + Jane Seymour's Guide to Romantic Living by Jane Seymour (1986) + Jeannot Szwarc's Somewhere in Time (1980) with Blake and Sara 4/7/25 S7E24 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

In this special episode, we revisit the conversations we had with Jarnéia Richard-Noel, Natalie Paris, Alexia McIntosh and Maiya Quansah-Breed, the original queens of Six.Six The Musical LIVE is being screened in UK cinemas from 7th April. The film was made in 2022 when the original West End cast reunited for some performances at Hampton Court Palace prior to filming the show in the West End at the Vaudeville Theatre.Jarnéia Richard-Noel, Natalie Paris, Alexia McIntosh and Maiya Quansah-Breed originated the roles of Catherine of Aragon, Jane Seymour, Anna Of Cleves and Catherine Parr in Six. Over the past few years they've all recorded episodes of In The Frame - in this special episode we revisit each queen discussing their journey with Six. To listen to the full episodes, click the links below:Jarnéia Richard-Noel (S7 Ep11, Aug '22): https://westendframe.co.uk/2022/08/29/interview-jarneia-richard-noel-star-of-millennials-original-catherine-of-aragon-in-six/Natalie Paris (S9 Ep21, May '24): https://westendframe.co.uk/2024/05/24/interview-natalie-paris-kit-de-luca-in-pretty-woman/Alexia McIntosh (S8 Ep19, Apr '23): https://westendframe.co.uk/2023/04/25/interview-alexia-mcintosh-star-of-big-aunty-original-anna-of-cleves-in-six/Maiya Quansah-Breed (S8 Ep2, Feb '23): https://westendframe.co.uk/2023/02/03/interview-maiya-quansah-breed-philoclea-in-head-over-heels-original-catherine-parr-in-six/You can see Six The Musical LIVE in UK cinemas from Sunday 7th April. Visit www.universalpictures.co.uk/micro/six-the-musical-live for info and tickets.This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

see more and get book here: https://karenswain.com/stephen-simon-... In 1980 Stephen Simon produced the film; Somewhere in Time, with Christopher Reeve, Jane Seymour, and Christopher Plummer. In 1998, he produced a movie called; What Dreams May Come, with Robin Williams. And on January 3, 2018, Stephen's wife and love of his life, Lauren Simon suddenly passed away in her sleep, she was 54. Six weeks later, Lauren began to communicate with Stephen, through the vortex of his heart energy, and in October of 2018 together they started writing his self published book; What Dreams Have Come; Loving Through The Veil .. Host: KAren Swain https://karenswain.com See our links https://linktr.ee/KArenSwain More shows here: https://karenswain.com/listen/ Appreciate KAren's work Awakening Consciousness? THANK YOU for your Support for the content. Share your appreciation on this link https://www.paypal.me/KArenASwain Join our Awakening Empowerment Network Facebook Group / awakeningempowermentnetwork THANK YOU for your suppor

MGM Pictures Chief, Michael Nathanson: Wild Tales from James Bond, The Deep, Awakenings, War Games and more!Michael shares incredible experiences and legendary encounters through his life in entertainment, . He recounts a harrowing rafting trip with Pierce Brosnan after he was released as James Bond and reflects on his family's rich legacy — his father produced 13 Super Bowls and the original Tonight Show. Michael worked NFL games as a boy in various lines of work and shares memorable funny story with baseball great Maury Wills. He discusses filming Sinbad and the Eye of the Tiger and his adventures with Ray Harryhausen, as well as working alongside Jane Seymour. He then goes on to talk about working on The Deep with Jacqueline Bisset, Robert Shaw, and Nick Nolte . Despite struggling with dyslexia, Michael tells the remarkable story of how he gained acceptance to Ithaca College and later rose to oversee over $1 billion producing films as a movie studio executive. Michael tells funny and untold stories about working on Awakenings with Penny Marshall, Robert DeNiro, and Robin Williams. He also reveals how it was a miracle that WarGames with Matthew Broderick was ever completed and his involvement in finishing the movie. Thank you Michael, I had a blast!That's Classic! Merchandise: http://tee.pub/lic/2R57OwHl2tESubscribe for free to That's Classic YouTube Channel: https://www.youtube.com/channel/UCBtpVKzLW389x6_nIVHpQcA?sub_confirmation=1Facebook: facebook.com/thatsclassictvHosted by John Cato, actor, voiceover artist, and moderator for over 20 years for the television and movie industry. John's background brings a unique insight and passion to the podcast..

Private jets aren't just for luxury. They're a powerful business tool for networking, deal-making, and elite masterminds.On this episode of the Garlic Marketing Show, Lea Woodford, CEO of SmartFem Media Group, reveals how she leverages private jets to land high-profile clients, host exclusive events, and create unforgettable experiences that build long-term relationships.What You'll Learn:Why private jets are the ultimate business tool for high-end mastermindsHow Lea landed interviews with Jane Seymour, Guy Fieri, Dan Sullivan, and Robert KiyosakiTurning print magazines into a 92 percent speaker acceptance rateHow Lea used private jets to land six-figure dealsThe hidden tax benefits of owning a private jetWhy private jet memberships are a bad investmentHow to book a private jet experience for business growthConnect with Lea Woodford:Website - http://wwwsmartfem.com/Linkedin - https://www.linkedin.com/in/leawoodford/Portfolio - http://www.luxurymarketbranding.com/Resources:Connect with IanDownload a Tackle Box!Supercharge your marketing and grow your business with video case stories today!Book a Discovery Call Today with Our ExpertsSubscribe to the YouTube Channel Hosted on Acast. See acast.com/privacy for more information.

Happy belated St. Paddy's Day to those of you who celebrate! Russ and Jared wish you a very merry week of shenanigans and hunting for pots of gold. They're also here to talk about Irish Wish (2024), starring Lindsay Lohan, Ed Speleers, Alexander Vlahos, Ayesha Curry, Elizabeth Tan, Jacinta Mulcahy, Jane Seymour, Dawn Bradfield, and Matty McCabe. Stay tuned for an all-new Trailer Trash next week!

Did you wish for more ITMT? You don't need to find a fairy bridge or wishing chair, you'll always have new episodes every week! Russ and Jared are back with Irish Wish (2024), starring best-friend-of-the-pod, Lindsay Lohan, as well as Ed Speleers, Alexander Vlahos, Ayesha Curry, Elizabeth Tan, Jacinta Mulcahy, Jane Seymour, Dawn Bradfield, and Matty McCabe. Stay tuned for the full episode next week!

This is a free preview of a paid episode. To hear more, visit weekendwater.substack.comCome have a good craic with Janie & Paul with this next bonus watch-along STAY F. HOMEKINS episode, dropping a little early for St. Paddy's Day! We are out of pocket for recording this week's damp trash Southern Charm bonus pod, so hopefully this will provide a little fun, TO BE SURE! We will continue to furnish all the bonus goodies for those of you who subscribe to the full range of offerings! But please know our Southern Charm recap will be a few days late! Then we will be right back to the regular scheduling.Things are really challenging right now, and providing these diversions have been helpful to us. We hope you feel the same way. In this watch-along, we decided to keep with the St. Paddy's theme and FINALLY watch the 2024 Netflix film starring Lindsay Lohan, known as IRISH WISH! By St. Brigid, there are some SURPRISING elements! One of which is that Jane Seymour never appears in a scene opposite any of the main cast. So, stream IRISH WISH with us, just sync up the audio with your viewing experience, we talk you right through it. And pray to the saints we can offer ye some good entertainment!G'wan!

In todays episode I am delighted to be welcoming back Dr Elizabeth Norton for a discussion all about Jane Seymour, with our conversation based around Elizabeth's book, Jane Seymour, Henry VIII's True Love. We discuss Jane's early life, what roles she played at court, how she behaved as queen and ask the questions, just what would have happened to Jane had she lived longer, or more crucially, if she had failed to deliver a son, so sit back and enjoy as I discuss, by Elizabeth Norton's own admission, the wife of King Henry VIII who is perhaps the least popular, but had a monumental impact on his reign nonetheless.

From viral high notes to Broadway debuts, Kelsie Watts is making waves in the theatre world! You might remember her powerhouse vocals from The Voice, where she wowed audiences (and Kelly Clarkson) with her soaring range, but now she's taking center stage in a whole new way—as Jane Seymour in Six on Broadway. In this episode, Kelsie shares how she built a career as an independent artist, the unexpected moment that led her to Six, and the challenges of stepping into musical theatre after years away. She opens up about the realities of being an unsigned artist, balancing music and business, and how her opera training shaped her signature sound. Plus, she dives deep into her passion for mental health advocacy, the importance of authenticity in the industry, and how a single piece of feedback changed the course of her career. And yes, she even gives us a preview of her upcoming single—you don't want to miss it! Kelsie Watts is a vocalist, songwriter, and independent recording artist who first gained national recognition as a contestant on The Voice Season 19, where she landed on Team Kelly Clarkson. Known for blending pop and theatrical influences, she has built a strong following through social media and original music. In 2025, she made her Broadway debut as Jane Seymour in Six. A strong advocate for mental health awareness, she uses her platform to encourage self-care and resilience in the entertainment industry. This episode is powered by Welcome to Times Square, the billboard experience that lets YOU be a star for a day. Learn more: https://welcometotimessquare.com/ Connect with Kelsie:

On today’s episode, Matt Tamanini is in conversation with one of the new stars of “SIX” on Broadway, Kelsie Watts. Believe it or not, having just taken over as Jane Seymour at the Lena Horne Theater, “SIX” is the first professional musical that Kelsie has ever been in. Prior to read more The post Special Episode: Kelsie Watts on Joining the Queendom of ‘SIX’ appeared first on BroadwayRadio.

Degens Andy S and Brandon Bombay map out a wedding season itinerary to discuss 'Wedding Crashers.' They open the episode by sharing stories of crashing weddings, and one tale ends with a beating after accidentally crashing the wedding of a made man. Then the boys talk about a movie that laid the groundwork for frat-bro dialogue in the 2000s. A flick with countless quotable lines that is spearheaded by a comedy-prime Vince Vaughn, and anchored with a killer cast. Among that cast is the effervescent Jane Seymour, who definitely earned the right to have been motorboated (a term that wasn't widespread before this film's release). The fellas debate whether it's easier to meet someone at a wedding, or a bar. Afterwards they go into mourning as the second half of the film comes to a screeching halt and devolves into a rom-com that nobody cares about. Fortunately, Will Ferrell and his grief-humping character pops up to salvage the poorly-paced third act. Ask your mom to throw together some meatloaf and "lock it up" while you put on this episode. 

Agents Scott and Cam, along with guest operative Mark A. Altman, co-author of Nobody Does It Better: The Complete Uncensored, Unauthorized Oral History of James Bond, leap over snapping crocodiles while tackling 1973's debut Roger Moore 007 adventure, Live and Let Die. Directed by Guy Hamilton. Starring Roger Moore, Yaphet Kotto, Jane Seymour, Clifton James, Julius Harris, Geoffrey Holder, David Hedison, Gloria Hendry, Bernard Lee and Lois Maxwell. You can purchase Nobody Does it Better, as well as Mark's John Wick, Battlestar Galactica and Star Trek books, on Amazon. The Inglorious Treksperts podcast is available everywhere, and make sure to follow Mark on Bluesky.  Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Purchase the latest exclusive SpyHards merch at Redbubble. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes. Theme music by Doug Astley.

Le règne d'Henri VIII d'Angleterre fut une véritable tragédie pour ses reines : Six épouses, deux têtes tranchées. Catherine d'Aragon, répudiée ; Anne Boleyn, exécutée pour trahison ; Jane Seymour, morte en couches ; Anne de Clèves, reléguée ; Catherine Howard, décapitée ; seule Catherine Parr survit à ce roi qui inspira la légende de Barbe Bleue. Derrière ces unions se cachent la soif de pouvoir et l'obsession d'un héritier mâle. Henri VIII bouleversa l'Angleterre en fondant l'Église anglicane pour s'affranchir du pape, mais son nom reste à jamais associé aux femmes qu'il a aimées... et sacrifiées. Crédits : Lorànt Deutsch, Emma Locatelli Du lundi au vendredi de 15h à 15h30, Lorànt Deutsch vous révèle les secrets des personnages historiques les plus captivants !

National gum drop day. Entertainment from 2003. USS Maine exploded in Cuba, Flag Day in Canada, You Tube launched, Teddy Bears went on sale. Todays birthdays - Galileo, Harvey Korman, Jane Seymour, Melissa Manchester, Matt Groening, Ali Campbell, Chris Farley, Jane Child, Renee O'Connor. Nat King Cole died.Intro - Pour some sugar on me - Def Leppard   https://defleppard.com/ Gum Drop - The Crew CutsAll I have - Jennifer Lopez LLCoolJNineteen something - Mark WillsBirthdays - In da club - 50 Cent     http://50cent.com/You should hear how she talks about you - Melissa ManchesterThe Simpsons TV themeRed Red Wine - UB40I don't wanna fall in love - Jane ChildUnforgettable - Nat King ColeExit - Its not love - Dokken     http://dokken.net/

Cooper and Nolan are bringing back Bond this week when they cover Roger Moore's first turn as 007 in LIVE AND LET DIE! Seeing as this movie - ahem - borrows heavily from the Blaxploitation film genre, it feels appropriate that the guys are talking about it during Black History Month. From the stereotypical occupation of main villain Dr. Kananga, to the flamboyant 70s style of Baron Samedi, to the less than flattering portrayal of certain southern characters, let's just say there's a lot that doesn't look great with the benefit of hindsight. Still, some things (like a kick-ass theme song or Jane Seymour's beauty) are timeless, so maybe it's better to live and let live. Either way, this episode (featuring a beer from the Silversmith Brewing Co.) proves one thing - nobody does it like Bond!

Today we are continuing our dive into Tudor history and are going to be discussing the wife that came after, or maybe even during, King Henry VIII's marriage to Anne Boleyn, Jane Seymour. Thank you for listening to Medieval Murder! If you have any listener questions, comments, or topic suggestions please feel free to reach our via our instagram account @MedievalMurder or via email at info.medievalmurder@gmail.com. Also, check out our merch available on our website medievalmurder.org.

Melinda Mock of RetroBlasting takes us back to 1912 to celebrate the 45th anniversary of Somewhere in Time (1980), the time travel romance starring Superman-era Christopher Reeve and radiant beauty Jane Seymour, directed by the late Jeannot Szwarc based on a novel by Richard Matheson. Should these star-crossed lovers be re-united in the afterlife of their box office obscurity, or should they be doomed never to wander the shores of Mackinac Island? Follow us on Tiktok, Facebook, Instagram and Bluesky. Support us on Patreon to nominate future films, vote on whether films should be released or thrown back, and access exclusive bonus content!

Jane Seymour opens up about resilience, giving back, surviving Hollywood's ageism, and the life lessons that shaped her journey on and off the screen in this GB Classic.

She was the woman who replaced Anne Boleyn, the queen who finally gave Henry VIII a son, and the wife he never tired of. But was Jane Seymour truly the perfect Tudor queen—or just the perfect pawn?   - Was she a meek, obedient consort? - Did she play the game and win? - Or was she simply used by those around her?   Henry VIII's courtship of Jane began while Anne Boleyn was still queen. But when did it really start? And how much did Jane truly know about the downfall of her predecessor?   Her story is one of quiet ambition, political manoeuvring, and, ultimately, tragic sacrifice.   What do you think—was Jane Seymour a pawn, a player, or Henry's perfect queen? Listen now for the full story!    #TudorHistory #JaneSeymour #HenryVIII #AnneBoleyn #TudorQueens #HistoryUncovered #OnThisDay

Henry VIII was married to his first wife for 23 years. It took him only 15 years to blow through the next five wives. I covered the first two wives in episode 14.5. In this episode, I cover: Wife #3: Jane Seymour, who died of childbirth after providing Henry with his heir Wife #4: Anne of Cleves, who Henry called "loathsome" and was richly rewarded for going quietly Wife #5: Catherine Howard, who in modern times would be called a victim of abuse, but in Tudor times was called adulterous Wife #6: Catherine Parr, who had a head on her shoulders and managed to survive. Visit the website (herhalfofhistory.com) for sources, transcripts, and pictures. Support the show on my Patreon page for bonus episodes, polls, and a general feeling of self-satisfaction. Or make a one-time donation on Buy Me a Coffee. Join Into History for a community of ad-free history podcasts plus bonus content. Visit Evergreen Podcasts to listen to more great shows. Follow me on Threads or Instagram asHer Half of History. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brigitte Barnard is a Tudor fictional author and fully qualified midwife who joins me today for a fascinating discussion all about Tudor midwifery. We cover the stories of Tudor women from the very top of society right down to the poorest. From the rules around confinement to bizarre birthing rituals, to the things that remain as prominent in giving birth today as they did for those in the 16th century. We also explore some of the stories told about the ramifications of Henry VIII's wives pregnancies, from what ultimately killed Jane Seymour to a theory around Henry's blood type being the root cause for much of his wives pregnancy misfortunes!

New threats arise as the Los Angeles fires continue to burn. Plus, the decision to rebuild or relocate and the challenges still ahead. And, Hollywood's production plans, from The Grammys, to LA based TV shows…what's next? Then, Jane Seymour takes in a former co-star as the stars continue to step up. Plus, the relief efforts you can support, no matter where you live. And, “The Today Show” new line up after Hoda's exit. Then, on set with Mark Wahlberg and Kit Harrington on the streets of London. Plus, Marvel's newest superheroes. Julia Garner on transforming into the Silver Surfer. And, Hugh Jackman's now public romance. Inside his relationship with Broadway co-star Sutton Foster.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this second special Christmas edition, Professor Suzannah Lipscomb offers another chance to hear the fascinating series from earlier this year in which she took an in-depth look into the six wives of Henry VIII, revealing the rich stories and incredible lives of these women who changed the monarchy - and England - forever. This time, Suzannah turns her attention to the sad, short queenships of wife number three Jane Seymour and number four Anne of Cleves - two women about which there's a lot more to be said than their brief marriages to Henry VIII.Presented by Professor Suzannah Lipscomb. The researcher is Alice Smith and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.Music from Motion Array, Epidemic Sound, All3Media and PixabayNot Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://uk.surveymonkey.com/r/6FFT7MK

Kelly and Mark dive deep into this modern Christmas classic starring none other than, Jane Seymour and Joe Lando! Come along as we discuss everything about this modern Mike and Sully romance! “Molly is a recently widowed woman who reluctantly takes on the job of directing a Christmas pageant. She soon finds herself falling for Hank, the leading man and the town’s most eligible bachelor.” A Christmas Spark originally aired on November 27, 2022 Now there’s a place to buy Dr QuinnCast Merchandise! https://www.etsy.com/shop/ForYourLittleHouse Maybe you want something a little more handmade? Kelly has her own Etsy store where you can find tons of amazing handcrafted items with a focus on Dr. Quinn, Medicine Woman and more! – please take a look! https://www.etsy.com/shop/HandCraftLittleHouse The post A Christmas Spark first appeared on Dr.QuinnCast Podcast.

Meek and mild, or smart and scheming? Have we all been underestimating the third wife of Henry VIII?Was Jane Seymour the meek and mild lady she's often portrayed as, or was she more smart and scheming than we give her credit for?Although her time as queen didn't last long, Seymour's legacy was huge. Not only did she give Henry his first son, she was also the only one of his wives not to lose her title, her head, or her husband.Who was the real woman behind the reputation? How did she cleverly win Henry's favour? And how did her life meet a sudden and tragic end?In the third episode of our limited series, Secret Wives of the Six Wives, Kate is joined once again by Tudor export Nicola Tallis, to help us find out more about the woman who finally gave Henry what he craved: a male heir.This episode was edited by Tom Delargy. The producer was Stuart Beckwith. The senior producer was Charlotte Long.All music from Epidemic Sounds/All3 Media.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  You can take part in our listener survey here.Betwixt the Sheets: History of Sex, Scandal & Society is a History Hit podcast.

In Part One, Anne climbed the ranks and became Henry's second wife. Now she has to make up where the last queen failed and give Henry a male heir. But when that proves easier said than done, Henry's eyes start to wander…right over to Anne's new lady-in-waiting, Jane Seymour. Anne wants to stop history from repeating itself. But she has no idea how low her enemies will go to get her out of the way.Listen to Even The Rich on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App or on Apple Podcasts. Start your free trial today by visiting wondery.com/links/even-the-rich/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.