Podcasts about Mary Shelley

Did Guillermo del Toro honor Mary Shelley's legacy? Or lift his leg on it? SUPPORT THE SHOW: PATREONSHOP THE SHOW: TEE PUBLICFOLLOW THE SHOW: INSTAGRAM // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com    

On Episode 141 of The Film ‘89 Podcast, Steve and Skye are joined by returning guest-host, John Arminio to give you their in-depth and spoiler-filled review and analysis of director Guillermo del Toro's latest film, his adaptation of Mary Shelley's 1818 novel, Frankenstein, a book and character that's arguably seen more big screen adaptations than any other. Starring Oscar Isaac, Jacob Elordi and Mia Goth, the Netflix produced film, which saw a very limited theatrical run before its release on the streaming platform a few days ago, has a budget of $120 million and aims to be the definitive adaptation of Shelley's novel. Guillermo del Toro is one of Steve and John's favourite filmmakers and they've been eagerly awaiting the opportunity to celebrate his filmography. The guys also discuss previous adaptations of Shelley's book, from the James Whale/Boris Karloff films of the 1930's to the Hammer Films version starring Christopher Lee. 

Modern medicine has made it possible to raise the dead. As long as the person who has died, did so very recently. So far, no one that has been dead for days has been raised from the dead. There have been attempts through history to accomplish this feat though. Man has tried to use electricity to bring dead nerves back to life. Authors like Mary Shelley have written classic tomes about man's pursuit of this endeavor and ultimate success. But that was fiction. As they say, with God, all things are possible and one of those things is the raising of the dead. There are stories throughout the Bible of people being raised from the dead, even after they have been dead for several days. For humanity, the ultimate story of resurrection represents the foundation of salvation. Main theme: Crazy For Thrills by Muse Music with Groove Studios

¡Bienvenidos a un episodio más de Permanencia Involuntaria! En este episodio platicamos sobre la nueva cinta Frankenstein de Guillermo Del Toro, basada en la novela de Mary Shelley.Frankelda: Cinta de animación mexicana, la primera en nuestro país bajo la técnica de Stopmotion.It: Bienvenidos a Derry: Un spin-off basado en la novela Eso (It) de Stephen King. El terrorífico Pennywise ataca a un grupo de niños que viven en el pueblo de Derry.Documental de Gloria Trevi: Un proyecto de Vix que narra los entuertos de Gloria Trevi bajo su propia mirada.Conduce; Fausto Ponce. Colaboradores: Carlos Andrés Mendiola y Daniel Villamil Creado y conducido por Fausto Ponce.Conviértete en un seguidor de este podcast: https://www.spreaker.com/podcast/permanencia-involuntaria--2789464/support.Permanencia Involuntaria es creado y conducido por Fausto Ponce. Permanencia Involuntaria está disponible en Spreaker, Youtube, iVoox, Amazon Music, Spotify, Apple podcasts y más.  Permanencia Involuntaria es un proyecto que forma parte de la revista digital Alta Fidelidad Magazine. 

🎬 Welcome to the Moviewallas Podcast! This week, your hosts Joe, Rashmi, and Yazdi return with a rich, wide-ranging triple bill featuring a gothic reimagining, a music legend, and a chamber piece from a master filmmaker. 🍿🎧 In this episode: 🧟‍♂️ FRANKENSTEIN Guillermo del Toro takes on Mary Shelley's iconic tale with a new vision […]

Desperate for a new series to binge-watch or heading to the cinema for date-night? Gayle Edmunds shares her top picks of things to watch on the big and small screen with CapeTalk’s Sara-Jayne Makwala King on Weekend Breakfast. This week we’re watching: Frankenstein on Netflix. Cast:  Stars Oscar Isaac as Victor Frankenstein and Jacob Elordi as the Creature. The cast also includes Mia Goth, who plays both Elizabeth and Victor's mother, Christoph Waltz, Charles Dance, and Felix Kammerer. Plot: Oscar winner Guillermo del Toro reimagines Mary Shelley's classic tale of a brilliant scientist and the creature his monstrous ambition brings to life. - netflix.com  Listen live on Primedia+ Saturdays and Sundays between 07:00 and 10:00am (SA Time) to Weekend Breakfast with Sara-Jayne Makwala-King broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/AgPbZi9 or find all the catch-up podcasts here https://buff.ly/j1EhEkZ Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

pWotD Episode 3112: Frankenstein (2025 film) Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 362,761 views on Saturday, 8 November 2025 our article of the day is Frankenstein (2025 film).Frankenstein is a 2025 American gothic drama horror film produced, written and directed by Guillermo del Toro, based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The film stars Oscar Isaac as Victor Frankenstein, Jacob Elordi as the Creature, and Mia Goth as Elizabeth, with Felix Kammerer, David Bradley, Lars Mikkelsen, Christian Convery, Charles Dance, and Christoph Waltz in the supporting roles. The story follows the life of Victor Frankenstein, an egotistical scientist whose experiment in creating new life results in dangerous consequences.Frankenstein had its world premiere in the main competition of the 82nd Venice International Film Festival on August 30, 2025. It began a limited theatrical release on October 17, 2025, with a global digital release by Netflix on November 7. The film received generally positive reviews from critics, with Elordi's performance receiving acclaim.This recording reflects the Wikipedia text as of 02:41 UTC on Sunday, 9 November 2025.For the full current version of the article, see Frankenstein (2025 film) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Stephen.

Frankenstein is a 2025 American Gothic science fiction film[4][5] produced, written and directed by Guillermo del Toro, based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The film stars Oscar Isaac as Victor Frankenstein, Jacob Elordi as Frankenstein's monster, and Mia Goth as Elizabeth, with Felix Kammerer, David Bradley, Lars Mikkelsen, Christian Convery, Charles Dance, and Christoph Waltz in the supporting roles. The story follows the life of Victor Frankenstein, an egotistical scientist whose experiment in creating new life results in dangerous consequences.Hosted by Ausha. See ausha.co/privacy-policy for more information.

GUILLERMO DEL TORO'S ULTIMATE PASSION PROJECT!! Frankenstein Full Movie Reaction Watch Along:   / thereelrejects   Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Pan's Labyrinth (2006) Movie Reaction:    • PAN'S LABYRINTH (2006) MOVIE REACTION!! Gu...   With GDT's latest opus making its Netflix debut after a limited theatrical run to close out the Halloween season, Coy & Aaron REUNITE to give their Frankenstein Reaction, Recap, Commentary, Analysis, Ending Explained & Spoiler Review! Coy Jandreau & Aaron Alexander react to Frankenstein (2025) — director Guillermo del Toro's epic adaptation of Frankenstein; or, The Modern Prometheus by Mary Shelley. This Gothic-science-fiction spectacle stars Oscar Isaac as the obsessed scientist Victor Frankenstein, and Jacob Elordi as the haunting and tragic Creature. Supporting performances include Mia Goth as Elizabeth Harlander, and Christoph Waltz as the sinister patron Henrich Harlander. In this tale set in 1857 Europe, Frankenstein's experiment to fuse life from death spirals into a tragedy of ambition, identity and the monstrous consequences of creation. From the chilling lab resurrection scene, to the Creature's learning to speak, to the freezing Arctic ship finale, the film delivers moments of awe, dread and deep emotion. Stand-out and highly searched moments include the storm-lit reanimation sequence, the Creature's discovery of language and reading, the lab fire and betrayal of William Frankenstein, and the dramatic ice-bound ship confrontation. With del Toro's signature visual flair, a sweeping score by Alexandre Desplat, and a bold retelling of one of literature's longest-told myths, Frankenstein (2025) offers both monster spectacle and emotional depth. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

In which the Mister and Kid 1 join me in reviewing FRANKENSTEIN (2025), from a story by Mary Shelley, the film is directed and has screenplay credits to Guillermo del Toro.  The film follows the driven and egotistical scientist Victor Frankenstein (Oscar Isaac), who, to conquer death after a childhood tragedy, assembles and brings to life a monstrous Creature (Jacob Elordi).  Victor immediately recoils in horror and abandons his creation, forcing the intelligent, but emotionally childlike Creature to wander the world and suffer humanity's cruelty.  The film then chronicles the Creature's poignant and desperate quest for love, companionship, and understanding, leading him back to his creator to demand accountability for his lonely existence.  The film clocks in at 2 h 29 m, is rated R and is currently available on Netflix but also playing in selected cities/theaters.  Please note there are SPOILERS in this review.#Frankenstein #MaryShelley #GuillermoDelToro #OscarIsaac #Victor #JacobElordi #TheCreature #MiaGoth #Claire #Elizabeth #ChristophWaltz #Harlander #FelixKammerer #William #CharlesDance #Leopold #DavidBradley #BlindMan #LarsMikkelsen #CaptainAnderson #ChristianCovery #YoungVictor #BodyHorror #DarkFantasy #MonsterHorror #PsychologicalHorror #PsychologicalDrama #Tragedy #Drama #Fantasy #Steampunk #Horror  ⁠@Netflix  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

This week, Hanna chats to director Lynne Ramsay about DIE MY LOVE (08:57), her claustrophobic new portrait of a woman on a downward spiral, while we review the film alongside PREDATOR: BADLANDS (52:12), the first in the franchise where the Predator is the hero. Plus, in our HOT TAKE (01:12:36), is Guillermo del Toro's Frankenstein the best adaptation of Mary Shelley's classic? We weigh in. If you would like to donate directly towards humanitarian aid in Gaza please visit: MAPPre-Order Clarisse's Wes Anderson book ⁠here⁠Tweet us @FadetoBlackPod on Twitter or DM @FadeToBlackPodcast on Instagram, Blue Sky and Reddit: https://www.reddit.com/r/fadetoblackpodcast/Don't forget to subscribe, rate and review the podcast - it makes a difference! AMON: ⁠@Amonwarmann ⁠CLARISSE:  ⁠@clarisseloughrey⁠HANNA: ⁠@hannainesflint⁠Music by ⁠The Last Skeptik⁠

This Netflix original film was written, produced and directed by Guillermo Del Toro, is based Mary Shelley's original 1818 novel of the same name & one of several major motion pictures based on the same story. The film stars Oscar Isaacs as the titular character and Jacob Elordi as “The Monster”. Mia Goth & Christoph Waltz also star in the film. In this film, a young scientist obsessed with death, conducts a series of experiments to reanimate a dead body that has been stitched together from different parts but things take a dark turn as “the creature” comes to life and confronts its creator. The film debuted at the Venice International Film Festival on August 25, 2025, had a limited theatrical release on October 17th before landing on Netflix on November 7th.

Guillermo del Toro's adaptation of Mary Shelley's “Frankenstein” has host Jacob Shymanski thinking about book adaptations.He chats with Red Széll from the “My Life in Books” podcast about the characteristics that allow for a good adaptation of a book into another medium.  They also debate whether a book always trumps its adapted film or TV show.  Audiobook Café is broadcast on AMI-audio in Canada and publishes two new podcast episodes a week on Saturdays and Sundays.Follow Audiobook Café on Instagram @AMIAudiobookCafe We want your feedback!Be that comments, suggestions, hot-takes, audiobook recommendations or reviews of your own… hit us up! Our email address is: AudiobookCafe@ami.ca About AMIAMI is a media company that entertains, informs and empowers Canadians with disabilities through three broadcast services — AMI-tv and AMI-audio in English and AMI-télé in French — and streaming platform AMI+. Our vision is to establish AMI as a leader in the offering of accessible content, providing a voice for Canadians with disabilities through authentic storytelling, representation and positive portrayal. To learn more visit AMI.ca and AMItele.ca.Find more great AMI Original Content on AMI+Learn more at AMI.caConnect with Accessible Media Inc. online:X /Twitter @AccessibleMediaInstagram @AccessibleMediaInc / @AMI-audioFacebook at @AccessibleMediaIncTikTok @AccessibleMediaInc Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Cinematography Podcast Episode 332: Dan Laustsen For nearly 30 years, cinematographer Dan Laustsen, ASC, DFF and director Guillermo del Toro have produced one of cinema's most visually distinctive collaborations. Sharing a deep affinity for rich colors and dark themes, their partnership has yielded five films characterized by an unmistakable aesthetic. Del Toro's idea for Frankenstein had been discussed since their work on Crimson Peak in 2015. Finally, del Toro let Dan know he was ready to get to work on Frankenstein. Dan re-read Mary Shelley's original work before reading the screenplay. While the script proved a very faithful adaptation, certain scenes were adjusted to better serve the cinematic format. “Because I think Guillermo is a genius director, when he asked me to do Frankenstein, of course I wanted to do that,” says Dan. “His approach to everything is so fantastic. And to me it's a story of love and forgiveness, it's father and son, it's not a horror at all. For me it's much more beautiful, for me it's really about father-son relationships and forgiveness.” As with every Guillermo del Toro movie, the color palette for Frankenstein was extremely important. Red, steel blue, cyan and amber dominate the film, but the beginning features creamy white and warm, romantic colors to represent the creature's innocence and the initial bond between Frankenstein and his creation. Crucially, these colors were not altered in post-production. Dan explains, “When we are coming into the D.I. (digital intermediate) of course, we are cleaning it up, but the color palette is exactly the same.” Changing the colors post-shoot would ruin the integrity of the design. “The whole color palette of the movie, the lights, the costumes, the hair and makeup, and the set design is so specific, that if we change anything in post, in the D.I., the whole color palette will change. So we never do that.” Del Toro also enjoys using timeless filmmaking techniques, preferring to use practical effects and capture as much as possible in-camera. Nearly all the sets were meticulously built in Toronto, minimizing the need for bluescreen. Exterior scenes were shot on location in Scotland, and the iced-in ship in the Arctic was a massive set mounted on a gimbal to allow for authentic motion. Dan and a specialized crew even shot all the castle exteriors in miniature, featuring practical explosions done on the small set. The Frankenstein sets were designed so that all lighting could be built in, either with practical fixtures or with external lights placed specifically through set windows. For the castle dungeon, Dan and his gaffer had to design a special rig to effectively simulate skylights shining from above. Dan kept the camera movement fluid and floating, shooting the entire film on very wide-angle lenses. “Our idea was to shoot a period movie, but shoot it very modern. The camera is a part of the storytelling,” he notes. The camera becomes the third dimension to the storytelling, lending it the ability to be part of the action rather than a stationary, distant observer. Every shot was specifically designed and executed with a crane, a hothead, or a Steadicam, using just one camera. The wide lenses captured the entire set, which was critical to Dan. “Because the set is so beautiful, and the costumes are amazing. Everything is very organic, and we really like to see that as much as we could. And to move the camera again is storytelling in a dramatic way.” Through his enduring partnership with del Toro, Dan has framed Frankenstein and his Creature's story not in shadow, but in the unforgettable light of forgiveness. “Love and forgiveness are very strong things in the movie and the world,” he says. “For me, it's not a horror movie at all, it's a love story.” See Frankenstein now streaming on Netflix. Find Dan Laustsen: Instagram @dan.laustsen Hear our previous interviews with Dan Laustsen: https://www.camnoir.com/ep152/

On this episode of The Movie Podcast, Daniel and Shahbaz are joined by Mia Goth to discuss her latest work in Guillermo del Toro's FRANKENSTEIN. Oscar-winning director Guillermo del Toro adapts Mary Shelley's classic tale of Victor Frankenstein, a brilliant but egotistical scientist who brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation. Alongside Mia, the film also stars Oscar Isaac, Jacob Elordi, Felix Kammerer, David Bradley, Lars Mikkelsen, Christian Convery, with Charles Dance, and Christoph Waltz. Frankenstein is in select theatres October 17, and on Netflix November 7, 2025. Watch and listen to The Movie Podcast now on all podcast platforms, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheMoviePodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Contact: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@themoviepodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Daniel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shahbaz on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Anthony on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Movie Podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rotten Tomatoes⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of 'What's Your Skincare Routine with LeAura Luciano,' we discuss Guillermo del Toro's highly anticipated adaptation of Mary Shelley's 'Frankenstein.' Over 25 years in the making, this film intertwines themes of empathy, family, and the human experience. Del Toro's vision is brought to life through exceptional artistry, with actor Jacob Elordi transforming into the creature through extensive prosthetics and emotional preparation. The episode highlights the meticulous details in costume and set design, and the symbolic use of color that del Toro employs to convey deeper truths. With its focus on forgiveness and emotional depth, this adaptation transcends the horror genre, offering a profound meditation on what it means to be human.00:00 Introduction to the Skincare Journey00:18 Guillermo del Toro's Frankenstein: A Dream Realized00:53 Emotional Depth and Personal Reflections02:15 Jacob Elordi's Transformation into the Creature04:02 Artistry in Set and Costume Design06:39 The Power of Color in Storytelling10:50 Final Thoughts and Reflections

Oscar-winning filmmaker Guillermo del Toro's dream project "Frankenstein" is now on Netflix. There is much to be admired in this visually stunning adaptation, including strong performances from Oscar Isaac as the egotistical creator and especially from Jacob Elordi as his misbegotten creation. While it's certainly worth a watch, this version adds some curious elements that resemble superhero movies more than Mary Shelley. "Frankenstein" is more to be respected for its ambition than for the end result. "Predator: Badlands" is the ninth installment in the popular sci-fi franchise. A runt exiled Predator ventures to a dangerous planet where he reluctantly teams up with a droid, played by Elle Fanning, to hunt an un-killable creature. This smart, action-packed thriller really delivers, and Fanning gives a sharp performance in dual roles. “Predator: Badlands” proves that old properties can seem fresh when infused with enough imagination. Jennifer Lawrence gives an intense, impressive performance in "Die My Love," an otherwise confusing slog of a movie that's supposed to be about post-partum depression but is actually about unbridled psychosis. Robert Pattinson plays her ineffectual husband. “Die My Love” is the kind of artsy mess that only appeals to critics and it's a chore to watch. “Sarah's Oil” is an appealing drama inspired by the remarkable true story of America's first Black female millionaire, Sarah Rector, who lived out most of her life in Kansas City. The drama involves how this spunky eleven-year-old girl managed to hang on to the oil rights on her land in early 1900s Oklahoma Territory despite efforts greedy speculators to steal them. “Sarah's Oil is a family friendly crowd-pleaser.

REVIEW van Guillermo Del Toro's droomproject FRANKENSTEIN. Deze adaptatie van het klassieke verhaal van Mary Shelley ging in premiere op Venice en is sindsdien een van de kanshebbers in het ondersegment voor awards later dit jaar. We bespreken het acteerwerk en duiken in de technische aspecten, het verhaal en de diepere lagen van de film. Daarnaast delen we onze eigen inzichten en kijken we naar de kansen van deze film tijdens het komende awardseizoen. Enjoy!149 minuten79 metascore3.8 letterboxdTrailerIMDbRedactie: Don Zwaaneveld Bedankt voor het luisteren! Volg @dononfilm op Instagram & Letterboxd en op de Award Expert app voor de meest actuele Oscar voorspellingen.

Guillermo del Toro's Frankenstein is finally on Netflix—here's why this Creature-first, practical-effects gothic works (and where it stumbles).We break down Oscar Isaac's Victor, Jacob Elordi's heartbreaking Creature, Mia Goth's dual role, and the film's lush, tactile world.We caught an early festival screening and a limited theatrical run before release, so this episode digs into the performances, the production design (including those glorious built sets), and why this isn't a shot-for-shot adaptation but a bold interpretation that honors Mary Shelley's spirit. We also trace Frankenstein's cultural afterlife and tease where the Bride may rise next. Subscribe on your favorite platform!SpotifyApple PodcastAmazon MusiciHeart RadioPodchaserYoutubeDon't forget to follow us on socials too!InstagramThreadsTikTokBlueSkyFacebook Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Frankenstein Bite-Sized Review:Welcome to Out from the Horrorbox! I'm your gothic host Dom Higuera!In this episode, we take a look at the 2025 Gothic science fiction film co-produced, written and directed by Guillermo del Toro, Frankenstein! Oscar-winning director Guillermo del Toro adapts Mary Shelley's classic tale of Victor Frankenstein, a brilliant but egotistical scientist who brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation.Frankenstein had its world premiere in the main competition of the 82nd Venice International Film Festival on August 30, 2025. It began a limited theatrical release on October 17, 2025, with global digital release by Netflix set for November 7.The film received generally positive reviews from critics, with Elordi's performance receiving universal acclaim.Now, lets make something out of Frankenstein!https://linktr.ee/outfromthehorrorboxpodcast Did you like the episode? If so, please subscribe on Apple Podcasts, Spotify, or anywhere you listen to podcasts.You can follow the podcast on Instagram, Threads, TikTok, Discord, and YouTube all at @horrorboxpodcast. Or follow your host on X (Twitter) @dom_higuera.You can email recommendations for reviews, personal or fictional stories, or anything else at horrorboxpodcast@gmail.com.If you like the podcast and want to show support, you can buy me a coffee at https://ko-fi.com/horrorboxpodcast, it really helps out!

Distract your mind tonight with the extended encore of Mary Shelley's Frankenstein. Support the podcast and enjoy ad-free and bonus episodes. Try FREE for 7 days on Apple Podcasts. For other podcast platforms go to https://justsleeppodcast.com/supportOr, you can support with a one time donation at buymeacoffee.com/justsleeppodOrder your copy of the Just Sleep book! https://www.justsleeppodcast.com/book/If you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off Hosted on Acast. See acast.com/privacy for more information.

Send us a textA monster is born, a father is made, and a legend gets a new pulse. We brought filmmaker Justin Robert Vinall into the studio to dive headfirst into Guillermo Del Toro's Frankenstein, pulling apart what this adaptation embraces from Mary Shelley and what it boldly rewires. We start with the immediate gut checks—why the production design is breathtaking, how the exteriors can feel oddly digital, and where the Arctic bookends unlock fidelity to the novel while straining the final act's momentum.From there, we go deep on performances. Jacob Elordi's creature emerges as the film's soul: empathetic, physically mythic, and quietly devastating as he learns language, kindness, and cruelty. Oscar Isaac's Victor is a lightning rod—baroque and volatile, thrilling for some and cartoonish for others. Mia Goth brings poise and spark but isn't given enough runway to leave a mark beyond one standout confrontation. We parse the lecture hall resurrection, the companion request, and the rushed father-son reconciliation, asking whether the story earns its closing warmth or retreats from the abyss Shelley dared to face.This conversation keeps one eye on awards season—production design, hair and makeup, and a potential best picture play—while tracking where the film sits in Del Toro's body of work. Is this a companion to Crimson Peak and Nightmare Alley, or a mid-tier entry lifted by an all-timer creature performance? Along the way we explore the themes that make Frankenstein evergreen in 2025: consent, responsibility, otherness, and the cost of creating life without love. Hit play, then tell us—did the ending land, and where does this monster rank in your GDT canon?If you enjoy the show, follow the pod, share with a friend, and leave a quick review. Your support helps more listeners find conversations where movies still matter.Support the showMax's Letterboxd Alex's Letterboxd ETI Instagram

Director Guillermo Del Toro is a master at bringing gothic horror to the big screen in glorious fashion, which he does for this episode's movie “Frankenstein”, but only in a small number of theaters. Most people will have to see this on the small screen because Del Toro decided to make his long-awaited “Frankenstein” movie for Netflix, the king of small screen. Nevertheless, it's fantastic to see a classic movie monster on the screen, with an excellent cast no less. Oscar Isaac plays Dr. Victor Frankenstein, Mia Goth is Elizabeth, Christoph Waltz as Harlander and Charles Dance as Leopold Frankenstein. This version of the classic tale introduces us to Victor Frankenstein as a young boy to begin to explain his mad ambitions, then onto his creation of The Creature  and then the aftermath. We even get to see The Creature's story from his perspective. Does this all add up to an entertaining movie? Check out this episode to find out! “Frankenstein” also stars Felix Kammerer, David Bradley, Lars Mikkelsen, Christian Convery, Nikolaj Lie Kaas, Kyle Gatehouse, Lauren Collins, Sofia Galasso, Ralph Ineson and Burn Gorman. Support the showFeel free to reach out to me via:@MoviesMerica on Twitter @moviesmerica on InstagramMovies Merica on Facebook

In this episode of Queer Cinema Catchup, Allison and Joe take a critical look at Guillermo del Toro's 2025 film adaptation of 'Frankenstein' starring Jacob Elordi, Oscar Isaac, Mia Goth, and Christopher Waltz. They discuss the film's unique take on Mary Shelley's classic novel; the thematic elements of desire, death, and disappointment; and the historical context of the Romantic and Enlightenment periods.01:06 Personal Connections to Frankenstein06:33 Discussing the Film Adaptation08:28 Critique of the Film's Ending11:09 Comparing the Film to the Book33:24 Reflecting on the Creature's Appearance34:00 Casting Choices and Their Impact36:14 Exploring the Romantic Movement38:20 The Enlightenment vs. Romanticism53:00 Mary Shelley's Life and Influences01:04:22 Guillermo del Toro's Frankenstein01:11:21 Final Thoughts and Recommendations Hosted on Acast. See acast.com/privacy for more information.

Daniel, Shahbaz, and Anthony review Guillermo del Toro's FRANKENSTEIN starring Oscar Isaac, Jacob Elordi, Mia Goth, Felix Kammerer, Lars Mikkelsen, David Bradley, Charles Dance, and Christoph Waltz. Oscar-winning director Guillermo del Toro adapts Mary Shelley's classic tale of Victor Frankenstein, a brilliant but egotistical scientist who brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation. Frankenstein will be released in select theatres on October 17, 2025 before releasing on Netflix on November 7, 2025. Watch and listen to The Movie Podcast now on all podcast platforms, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheMoviePodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Contact: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@themoviepodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Daniel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shahbaz on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Anthony on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Movie Podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:14:03 - Les Midis de Culture - par : Marie Labory - En compétition à la Mostra de Venise 2025, "Frankenstein" signe le retour de Guillermo del Toro au mythe fondateur de Mary Shelley. Porté par Oscar Isaac et Jacob Elordi, ce drame gothique et humaniste explore la frontière entre création et monstruosité. - réalisation : Laurence Malonda - invités : Murielle Joudet Critique de cinéma au Monde; Olivier Lamm Journaliste et critique à Libération

"Frankenstein" had its world premiere at the 2024 Venice International Film Festival and later screened at the Telluride and Toronto International Film Festivals. It received positive reviews for its direction and adaptation by Guillermo del Toro of Mary Shelley's beloved, iconic novel, as well as incredible craftsmanship from all areas of production, and performances from Oscar Isaac, Jacob Elordi, and Mia Goth. Members of the cast and crew were kind enough to spend some time speaking with members of Next Best Picture over the past few weeks, which you can listen to below. First, we have Nadia Dalimonte speaking with del Toro, Isaac, and Elordi. Then, we have Daniel Howat's interview with cinematographer Dan Laustsen, followed by Ema Sasic's interview with Costume Designer Kate Hawley. Then we have Will Mavity's interview with the film's Prosthetics Designer, Mike Hill, followed by Howat's interview with composer Alexandre Desplat, and Sasic's interview with production designer Tamara Deverell. Then we return to Nadiaas she speaks with Mia Goth to close things out. Please be sure to check out the film, now playing in theaters and available to stream on the Netflix platform starting November 7th. The film is up for your consideration for this year's Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

The Thinklings Podcast — Episode 267 Frankenstein, Part 3 Welcome to Episode 267 of The Thinklings Podcast! In this episode, the Thinklings continue their exploration of Mary Shelley's Frankenstein, delving deeper into the creature's story and the moral complexity that unfolds as creator and creation confront one another. Themes of justice, empathy, and alienation intertwine as the Thinklings reflect on how Shelley's narrative raises timeless questions about what it means to be human. Thanks for joining us for this week's thoughtful discussion!

Roma İmparatorluğu'nun Gerileyiş ve Çöküş Tarihi'den (Gibbon) esinlenen genç bir yazar, daha önce kimsenin cesaret edemediği kadar büyük ölçekte bir hikaye hayal etti. Onbinlerce yıla ve milyonlarca gezegene yayılan bir imparatorluğun çöküşünü ve ardından gelecek karanlık çağları önceden görebilseydiniz, ne yapardınız? Bilimkurgu tarihinin en önemli eserlerinden biri hakkında, o bahaneyle de bilimkurgu tarihi ve felsefesi hakkında atıp tutacağımız bir mini-seri. Konular: (00:00) Romayı düşünüyorum, gözlerim kapalı (03:30) Arrival ve bilimkurgunun derinliği (04:19) HG Wells ve Mary Shelley (07:20) Pulp Dönemi (09:46) Asimov'un Robot Yasaları (12:16) Vakıf fikrinin doğuşu (13:36) Psikotarih (16:56) Spengler ve Batının Çöküşü (18:46) Son Soru ve Nightfall (21:17) Ansiklopediciler (22:12) Gelecek bölüm ve Patreon Kaynaklar: Foundation / Vakıf (1951) War of the Worlds (1898) Frankenstein (1818) Roma İmparatorluğu'nun Gerileyiş ve Çöküş Tarihi (1776) Arrival (2016) Nightfall (1941) ve roman versiyonu (1990) Who Goes There (1938) ve The Thing (1982) Batı'nın Çöküşü (1918) --- Bu bölüm reklam içermektedir

Frankenstein and his monster are household names - even if one is often confused for the other. But what of their creator?In this episode we are meeting Mary Shelley. Did she really lose her virginity on her mother's grave? Did she keep her husband's heart after his death? And where did the gothic novel 'Frankenstein' come from?Kate is joined by poet Fiona Sampson to explore Mary and her life. Fiona's biography of Mary Shelley is entitled ‘In Search of Mary Shelley: The Girl Who Wrote Frankenstein'.This episode was edited by Tim Arstall and produced by Sophie Gee. The senior producer was Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  You can take part in our listener survey here.All music from Epidemic Sounds.Betwixt the Sheets: History of Sex, Scandal & Society is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

Guillermo del Toro lleva prácticamente toda su vida deseando hacer una película del clásico de Mary Shelley. ¿Qué tal le quedó la adaptación? De eso hablamos en esta edición de Desmenuzando.

Daniel Parra reviews the new interpretation of Mary Shelley's classic book, "Frankenstein" directed by Guillermo Del Toro starring Oscar Isaac, Jacob Elordi, Mia Goth, and Christoph Waltz. He breaks down and explains the themes of the film, the meaning behind the monster, and if the new interpretation adds anything new to the classic story. If you're looking for a review that explains the movie's themes, breaks down the characters, and more, look no further! The real question is, did you love it, did you hate it, or are you Somewhere Between!?

Happy Halloween Fiends! Join us for a deep dive into the world of Victor Frankenstein, his monstrous creations, and all the tortured poets and mad scientists who inspired OG goth girl Mary Shelley to write this torrid tale.   Click to learn more (sources) https://www.mcgill.ca/oss/article/history-quirky-science-science-science-everywhere/professor-aldinis-strange-antics https://www.grahamhenderson.ca/percy-bysshe-shelley-blog/shelleys-mighty-heart https://www.britannica.com/biography/Luigi-Galvani https://www.britannica.com/biography/Alessandro-Volta https://www.nationalgeographic.com/travel/article/things-to-do-gernsheim-frankenstein-castle     WWBD Merch Buy your WWBD swag here!  Join the Conversation        

The Truth Shall Make Ye Fret is a podcast in which your hosts, Joanna Hagan and Francine Carrel, have emerged from Discworld and are now exploring the worlds of speculative fiction. This week, we go classic with our Hallowe'en Special: Frankenstein.Creation! Conniptions! Metaphorical albatrosses! Find us on the internet:BlueSky: @makeyefretpod.bsky.socialInstagram: @TheTruthShallMakeYeFretFacebook: @TheTruthShallMakeYeFretEmail: thetruthshallmakeyefretpod@gmail.comPatreon: www.patreon.com/thetruthshallmakeyefretDiscord: https://discord.gg/29wMyuDHGP Want to follow your hosts and their internet doings? Follow Joanna on BlueSky @2hatsjo and follow Francine @francibambi Things we blathered on about:The Roottrees are Dead Rethinking Inspirations for Mary Shelley's Frankenstein by Paweł Kaptur Frankenstein complex - Wikipedia  Frankenstein (Universal film series) - Wikipedia The Hammer Story: Revised and Expanded Edition - Titan Books Childe Harold's Pilgrimage, by Lord Byron Music: Chris Collins, indiemusicbox.com 

Oscar Isaac and Jacob Elordi bring Guillermo del Toro's lifelong dream to life in Frankenstein, a gothic and emotionally charged masterpiece decades in the making.On this episode of The Moviegoers Society, Sean Tajipour, the Mayor of Nerdtropolis, and Drew Munhausen break down del Toro's breathtaking vision — from its haunting performances and practical craftsmanship to Alexandre Desplat's moving score and the film's bold, spiritual take on Mary Shelley's classic.Is Frankenstein the most beautiful monster movie ever made?

Tornem a llegir "Frankenstein", de Mary Shelley, en la nova i excel

This month (October) the Cinetopia team — Amanda, Robert, Rosie and Emma — dive into the 2025 BFI London Film Festival from both sides of the border, unpacking the highlights, surprises and cinematic trends that defined this year's programme.Episode breakdown:[00:00] Introduction & Festival OverviewHow this year's LFF felt from both London and Scotland, what's new, and how regional audiences are engaging with the festival.[15:00] Frankenstein — dir. Guillermo del ToroA bold and emotional reinterpretation of Mary Shelley's classic, part-filmed in Scotland, blending gothic spectacle with del Toro's empathy for the monster within.[28:05] I Was Just an Accident — dir. Jafar PanahiA road-movie-style reflection on guilt and redemption, rich with Panahi's quiet humour and humanism, blurring the line between fiction and reality.[37:00] Die My Love — dir. Lynne RamsayRamsay returns with a visceral, intimate portrait of motherhood and rage, shot through with her trademark precision in image and sound.[46:45] Hamnet — dir. Chloé ZhaoAn emotional, gorgeous film that reimagines Shakespeare's family life through the loss of his son, capturing the texture of grief and creative legacy.[01:01:00] Mastermind — dir. Kelly ReichardtAutumnal in tone and quietly comic, Reichardt's latest turns the art-heist genre inside out, reflecting on the absurdities of creative ambition and failure.[01:10:15] Interview: Jali Collective — Tomiwa Folorunso and Carmen ThompsonAmanda speaks with the co-founders of Jali Collective, a grassroots Edinburgh-based collective widening access to African cinema and celebrating Black, African and diaspora stories through film and culture.Join us for festival reflections, film chat, and a little cross-border cinephile gossip — from London to Edinburgh and beyond.

Director Guillermo del Toro's new movie adapts Mary Shelley's horror classic, Frankenstein. It comes as the world is grappling with a new unpredictable creation: artificial intelligence.

Happy Halloween! This is the final week of Josh and Drusilla's deep dive of Universal Horror and they saved the best for last. Frankenstein (1931) and Bride of Frankenstein (1935). From wiki: “Frankenstein is a 1931 American pre-Code science fiction gothic horror film directed by James Whale, produced by Carl Laemmle Jr., and adapted from the 1927 play Frankenstein: An Adventure in the Macabre by Peggy Webling, which in turn was based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The Webling play was adapted by John L. Balderston, while the screenplay was written by Garrett Fort and Francis Edward Faragoh, with uncredited contributions from Robert Florey and John Russell.”Bride of Frankenstein is a 1935 American Gothic science fiction horror film, and the first sequel to Universal Pictures' 1931 film Frankenstein. As with the first film, Bride of Frankenstein was directed by James Whale starring Boris Karloff as the Monster and Colin Clive as Dr. Frankenstein.[3] The sequel features Elsa Lanchester in the dual role of Mary Shelley and the bride. Also discussed: The Chair Company, Bugonia, Yorgos Lanthimos, Death and the Maiden, Jessie Plemons, Halloween Kills, Slayyyter, and more.  NEXT WEEK: Presence (2024)  Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

Welcome to season 4 of Storytime for Grownups! We are reading Frankenstein by Mary Shelley, a few chapters at a time, with a few notes along the way. It's like an audio book with built in notes. So brew a pot of tea, find a cozy chair, and settle in. It's storytime!To pre-order Faith's novel, Christmas Karol, click hereTo read Faith's review of the new Frankenstein movie, click hereTo submit a question or comment about this episode, click hereTo visit the merch store, click hereTo become a Storytime for Grownups member and gain access to our online community and monthly voice chats, click hereTo visit the Storytime for Grownups webpage, click hereTo learn more about your host, Faith Moore, click hereTo join Faith's mailing list, click hereFollow Faith on X hereTo support the show financially, click hereSupport the show

In the 90s, Director Kenneth Branagh made a wild heavy metal adaptation of the seminal SciFi novel starring himself, Robert De Niro, and Helena Bonham Carter. Join Luke & James in this former Patreon-exclusive Halloween episode as they debate the value of such an over-the-top take on a literary classic. Pickup any of the novels they've covered at the Ink to Film Bookshop: https://bookshop.org/shop/inktofilm Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects: https://www.patreon.com/inktofilm Ink to Film's Twitter, Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Luke Elliott Website: www.lukeelliottauthor.com Social Media: https://www.lukeelliottauthor.com/social Writing: https://www.lukeelliottauthor.com/publications James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/  

We watch a new comedy thriller series about an unlikely workplace conspiracy, evaluate a mobile phone accessory to make your next flight a bit more tolerable, and play a vintage Atari game inspired by Mary Shelley's horror icon. (May contain some explicit language.) Patreon » patreon.com/genxgrownupDiscord » GenXGrownUp.com/discordFacebook » fb.me/GenXGrownUpTwitter » GenXGrownUp.com/twitterWebsite » GenXGrownUp.comPodcast » GenXGrownUp.com/podMerchandise » GenXGrownUp.com/merchTheme: “Grown Up” by Beefy » beefyness.com Apple » itunes.apple.com/us/podcast/genxgrownup-podcast/id1268365641CastBox » castbox.fm/channel/GenXGrownUp-Podcast-id2943471?country=usPocket Casts » pca.st/8iuLAudible » amz.run/6yhRTuneIn » tunein.com/radio/GenXGrownUp-Podcast-p1020342/Spotify » spoti.fi/2TB4LR7iHeart » www.iheart.com/podcast…Amazon Music » amzn.to/33IKfEK Show Notes Rip Van X's Phil Collins Sing-Along Hour » www.youtube.com/watch?v=H-lRhiFZyQ8 The Chair Company » youtu.be/b0lDMHAGDnU?si=McYTxJPARpGTwoz8 Humane » youtu.be/V4b-OMLNWE0?si=eBagxA0IeOBaCJE9 The Perfect Neighbor » www.netflix.com/watch/82018736?source=35 Ugreen Airplane Phone Holder » www.amazon.com/dp/B0D7BWRHCY?tag=genxgrownup-20 (affiliate) PowerTRC 6″ 3-D Mirascope » amzn.to/4o9xElH (affiliate) Keys of Fury » store.steampowered.com/app/1546690/Keys_of_Fury/ Dispatch » store.steampowered.com/app/2592160/Dispatch/ Frankenstein's Monster » store.steampowered.com/app/4099970/Frankensteins_Monster/ Frankenstein's Monster Friday Plays » youtu.be/noGE9kPgJwc Mortal Kombat Legacy Kollection » store.steampowered.com/app/3454980/Mortal_Kombat_Legacy_Kollection/ Predator: Badlands » youtu.be/cDL3Zjdz514?si=lH7Yg2XEbFL5Xqba Chainsaw Man The Movie » youtu.be/VfoZp7CmOkE?si=4Mi2PuG3xvH9_viP Email the show » podcast@genxgrownup.com Visit us on YouTube » GenXGrownUp.com/yt Learn more about your ad choices. Visit megaphone.fm/adchoices

There are few monsters more iconic or enduring than Frankenstein’s. From Mary Shelley’s 1818 novel to the 1931 Universal monster movie to Guillermo del Toro’s current adaptation to next year’s Bride of Frankenstein remake, Frankenstein continues to resonate with fans around the world. This hour, a look at what exactly it is that makes Frankenstein such a lasting, terrifying work of fiction. Plus: a look at the so-called “re-animator of Bridgeport.” GUESTS: Michael Bielawa: A historian and poet and the author of several books, including Wicked New Haven and Wicked Bridgeport Sidney Perkowitz: Co-editor of Frankenstein: How a Monster Became an Icon — The Science and Enduring Allure of Mary Shelley’s Creation Eddy Von Mueller: Co-editor of Frankenstein: How a Monster Became an Icon — The Science and Enduring Allure of Mary Shelley’s Creation The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe, Greg Hill, Jonathan McNicol, and Chion Wolf contributed to this show, which originally aired October 31, 2017.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

It is The Stacks Book Club day, and author Angela Flournoy is back to discuss Mary Shelley's Frankenstein. First published in 1818 and revised in 1831, this Gothic classic tells the tale of Victor Frankenstein, a young scientist who brings a monstrous creature to life, triggering a series of disastrous consequences. In our conversation, we explore our perceptions of Frankenstein's monster, the significance of the nesting doll story structure, the book's ghost-story origins, and the novel's evolution from 1818 to 1831.There are spoilers in this episode.Listen to the end of today's episode to find out what our November Book Club pick will be!You can find everything we discuss on today's show on The Stacks' website: https://www.thestackspodcast.com/2025/10/29/ep-396-frankensteinConnect with Angela: Instagram | WebsiteConnect with The Stacks: Instagram | Threads | Shop | Patreon | Goodreads | Substack | Youtube | SubscribeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mary Shelley famously wrote Frankenstein while on a summer-long sleepover party with her husband, sister, and her husband's friend, Lord Byron. To close out Mary Shelley Month, it's time for a deep dive on Lord Byron. Joining us is podcast legend Emily Edwards (from F***bois of Literature and Ticklish Business fame). Learn more about Emily's work at msemilyedwards.com — ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Preorder info for Ann's upcoming book, Rebel of the Regency!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Get 15% off all the gorgeous jewellery and accessories at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠common.era.com/vulgar⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠commonera.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code VULGAR at checkout — Get Vulgar History merch at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vulgarhistory.com/store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (best for US shipping) and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vulgarhistory.redbubble.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (better for international shipping) — ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support Vulgar History on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Vulgar History is an affiliate of Bookshop.org, which means that a small percentage of any books you click through and purchase will come back to Vulgar History as a commission. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Use this link to shop there and support Vulgar History.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Au Cœur de l'Histoire est un podcast Europe 1. - Présentation : Virginie Girod  - Auteure du récit : Sandrine Brugot - Production : Caroline Garnier - Réalisation : Nicolas Gaspard - Direction artistique : Julien Tharaud - Composition de la musique originale : Julien Tharaud et Sébastien Guidis - Visuel : Sidonie Mangin   Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Following the success of 1992's Bram Stoker's Dracula Kenneth Branagh directed and starred in Mary Shelley's Frankenstein which introduced elements of The Bride of Frankenstein into the mainstream story of Victor and The Creature. This week on Geek History Lesson, Ashley is joined by returning guest Patrick McMillan to decide if this remake stands up to the original.Follow Patrick on Threads ► https://www.threads.com/@pemcmill#SpookySeason2025 Merch ► https://www.teepublic.com/stores/jawiinFor exclusive bonus podcasts like our Justice League Review show our Teen Titans Podcast, GHL Extra & Livestreams with the hosts, join the Geek History Lesson Patreon ► https://www.patreon.com/JawiinGHL RECOMMENDED READING from this episode► https://www.geekhistorylesson.com/recommendedreadingFOLLOW GHL►Instagram: https://www.instagram.com/geekhistorylessonThreads: https://www.threads.net/@geekhistorylessonTik Tok: https://www.tiktok.com/@geekhistorylessonFacebook: http://www.facebook.com/geekhistorylessonGet Your GHL Pin: https://geekhistorylesson.etsy.comYou can follow Ashley at https://www.threads.net/@ashleyvrobinson or https://www.ashleyvictoriarobinson.com/Follow Jason at https://www.threads.net/@jawiin or https://bsky.app/profile/jasoninman.bsky.socialThanks for showing up to class today. Class is dismissed!

In this exclusive, the Oscar-winning director talks about his latest film, his reimagining of Mary Shelley's "Frankenstein," and about his lifelong love of the mythic horror tale. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The year is 1816, and 18-year-old Mary Shelley has fled London with her lover, Percy Shelley, and her sister, Claire. They're on their way to visit Lord Byron's villa in Lake Geneva, Switzerland - and to change the course of literary history. In this episode, Jacke talks to Caroline Lea about her novel Love, Sex, and Frankenstein, which tells the haunting, evocative story of the summer that should have broken Mary Shelley, but instead inspired her to write her Gothic masterpiece. PLUS we hear from a listener who's been reading with her children and has a recommendation for Jacke, we cover #10 on our list of Greatest Books of All Time, and Geoffrey Turnovsky (Reading Typographically: Immersed in Print in Early Modern France) stops by to discuss his choice for the last book he will ever read. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠. Or visit the ⁠⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠⁠ at ⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠. Help support the show at ⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠or ⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Oscar-winning filmmaker Guillermo del Toro was a kid growing up in Guadalajara, Mexico, he would draw monsters all day. His deeply Catholic grandmother even had him exorcised because of it. But when del Toro saw the 1931 film Frankenstein, his life changed. "I realized I understood my faith or my dogmas better through Frankenstein than through Sunday mass." His new adaptation of Mary Shelley's classic book drops on Netflix Nov. 7. He spoke with Terry Gross about getting over his fear of death, the design of Frankenstein's creature, and his opinion on generative AI. Also, Justin Chang reviews the Palme d'Or-winning film It Was Just An Accident. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy