Podcasts about unsw galleries

The National Art School, UNSW Galleries and Sydney WorldPride present Eulogy for the Dyke Bar, an installation by American artist Macon Reed with accompanying programs and events.LOTL speaks to American artist Macon Reed and Catherine Woolley the Curatorial & Public Engagement Officer at UNSW GalleriesEulogy for the Dyke Bar16 February – 5 March 2023NAS Café, 156 Forbes St, Darlinghurst, SydneyMonday to Saturday11 am – 5 pm, plus evening public events Free admissionRead more at https://www.lotl.com/culture/history/...Watch the interview on Youtube: https://youtu.be/e-E7d7RlUQoQueer Conversations features Playlists for: MUSIC, BOOKS, THEATRE, CONVERSATIONS and more... Follow us to stay in touch on all social media  @LOTLMedia  or our website to find daily content at www.lotl.comSupport the showCheck out more content on www.lotl.com

We saw the colourful, angry, and deeply funny survey of Gordon's work at UNSW Galleries (on until 2nd of October). We chat the violent power of language, Hookey's sense of humour, linguistic rupture, re-imagined histories, the nature of truthyness, and have a poke at mainstream art media for being too shy to name the fun parts of this show.

Conversation with artist Elizabeth Pulie, whose retrospective '#117 (Survey)' is at the UNSW Galleries from 15 Jan - 10 April, 2022. Back in the 80s and 90s, Elizabeth Pulie was involved in a conceptual painting project interrogating the definition of art and its commodity status. What is art? has been the question behind all of her work, including the Relational Art project where she edited and published magazine ‘Lives of the Artists' and ran ‘The Front Room Gallery', from the front room and the kitchen of her house. She is currently - since about 2012 - engaged in The End of Art project and her practice has expanded to embrace not only painting, but also sculptural textile works, and video art. I am indebted to Elizabeth Pulie's curator James Gatt for many of the questions that have informed this conversation. His exhibition tour, alongside 'The Reader', was an invaluable resource in learning about Pulie's practice and gaining inspiration for structuring this interview. Aired on Eastside Radio on 31 January 2022, as part of 'Arts Monday: Sympoiesis'. About the exhibition: https://artdesign.unsw.edu.au/unsw-galleries/elizabeth-pulie-survey Elizabeth Pulie's website: https://www.elizabethpulie.com/ Elizabeth Pulie's Instagram: https://www.instagram.com/elizabethpulie/ Sympoiesis radio show is produced on the Gadigal land of the Eora nation, traditional custodians of this land. We pay our respect and gratitude to the elders past, present, and yet to come. Facebook: www.facebook.com/sympoiesisradioshow Instagram: www.instagram.com/sympoiesis_radio_show

On Episode #79 of the podcast I have a deadly yarn with Megan Cope. Megan is a Quandamooka (North Stradbroke Island in South East Queensland) artist. Her site-specific sculptural installations, video work and paintings investigate issues relating to identity, the environment and mapping practices.Megan's work often resists prescribed notions of Aboriginality, and examines psychogeographies that challenge the grand narrative of ‘Australia' and our sense of time and ownership in a settler colonial state. These explorations result in various material outcomes. Megan's work has been exhibited in Australia and internationally including at the Queensland Art Gallery/Gallery of Modern Art; Art Gallery of New South Wales; Para Site Contemporary Art Space, Hong Kong; Careof Art Space, Milan; the Australian Embassy, just to name a few.In 2020, Cope presented newly-commissioned work at the 2020 Adelaide Biennial of Australian Art: Monster Theatres. She has also featured work in the NGV Triennial 2020, the 2021 TarraWarra Museum of Art Biennial: Slow Moving Waters and in the 2021 exhibition, OCCURRENT AFFAIR: ProppaNOW at the University of Queensland Art Museum. Recent solo exhibitions include Fractures and Frequencies presented at UNSW Galleries as part of Sydney Festival 2020/21, and Unbroken Connections at Canberra Glassworks, following an artist residency. Join our yarn as we dive deep into Megan's story. It's fascinating! We learn all about her journey as an artist, travelling the world and some of the exciting projects she currently has in the works. Don't miss this one!Recommendations throughout this episode: https://www.megancope.com.au/aboutWebsite: www.blackmagicwoman.com.auFollow us on Instagram - @blackmagicwomanpodcastThe Black Magic Woman Podcast is hosted by Mundanara Bayles and is an uplifting conversational style program featuring mainly Aboriginal guests and explores issues of importance to Aboriginal people and communities. Mundanara is guided by Aboriginal Terms of Reference and focusses more on who people are rather than on what they do.If you enjoyed this episode, please ‘Subscribe' on Apple Podcasts or ‘Follow' on your Spotify app and tell your friends and family about us! If you'd like to contact us, please email, info@blackmagicwoman.com.auSupport this show http://supporter.acast.com/black-magic-woman. See acast.com/privacy for privacy and opt-out information.

"I was thinking a lot about what an art museum of Indigenous moving image work from this region, the Great Ocean and all its shores would look like and how it would feel. And to use the words that we have in English, how do you archive living knowledge of bodies? How do you go beyond shame? How do you bring all these things together?" - Dr Léuli Eshrāghi Dr Léuli Eshrāghi is an artist, curator, writer, and researcher from the Samoan archipelago and Persian ancestries. Léuli's creative practice is based around performance, installation and curatorial projects primarily working with the body, language, ceremony and positive futures for First Nations peoples and cultures, in addition to regularly featuring in publications and contributing to the Aboriginal Curatorial Collective (Canada) on the board. In this episode of NAVA: In Conversation, Georgia and Léuli chat about global First Peoples collaboration, language, display culture and improving our First Nations leadership in institutions in Australia. Wansolwara: One Salt Water is showing at UNSW Galleries until 18 April 2020

On today's episode of Canvas Sabella D'Souza discusses Eugene Yiu Nam Cheung's Running Dog article The Canonisation of Quilty. Then we sit down with Sydney based painter Gemma Smith to talk about her milestone exhibition Rhythm Sequence at UNSW Galleries, along with the importance of art schools, and the passing of practical knowledge. Then we sit down with Curator Isobel Parker Phillip, and artist Izabela Pluta to chat about their work for The National, and their personal histories with photography.      Guest Music Curator: Jan Terri

Artist Abdul-Rahman Abdullah in conversation with Esther Anatolitis about his most recent work in 'Enough خلاص Khalas' exhibition at UNSW Galleries, and the development of his practice as a professional artist in Australia.

On this episode we explored our relationship with public art. Prominent philanthropist and Director of Kaldor Public Art Projects, John Kaldor, discussed his long history with presenting work in public spaces and his 33rd Project: Anri Sala 'The Last Resort'. We were joined by Director of UNSW Galleries and author of 'Running The City', Felicity Fenner, alongside architect, artist and researcher, Campbell Drake, and Lisa Corsi, the co-founder of SafARI and current Public Art Special Projects Project Manager with the City of Sydney. Music by Laura Hunt.

In this episode we talk to the author of New York Times bestseller ‘A Universe from Nothing’, theoretical physicist Lawrence Krauss. Artists Emma Ramsey and Geoffrey Gartner join us to chat about their practice and Liquid Architecture's event 'negative volumes: danger magic' at Firstdraft. Brenda Croft discusses her work at Defying Empire at National Gallery of Australia, Canberra and Still in my mind: Gurindji location, experience and visuality at UNSW Galleries. Tracks by Big Ego Books.

This episode of The Hanging features 'Exit' an exhibition at UNSW Galleries from 7 Jan - 25 March.

Sherman Contemporary Art Foundation (SCAF) presents two Shaun Gladwell projects: a major new commission at SCAF, The Lacrima Chair (SCAF Project 24), and Collection+: Shaun Gladwell (SCAF Project 25) at UNSW Galleries. In this film, Gene Sherman, Executive Director of SCAF; Barbara Polla, co-curator of Collection+: Shaun Gladwell; and Shaun Gladwell discuss the projects. Shaun Gladwell: The Lacrima Chair, SCAF Project 24, was presented at SCAF and Collection+: Shaun Gladwell, SCAF Project 25, was presented at UNSW Galleries, from 6 March – 25 April 2015.