Podcasts about First Nations

Confusing messages are the only guarantee after the Cowichan ruling and the Musqueam deal. The August court case confirmed a First Nation band has “title” over B.C. land that belongs to private property owners, while the federal government's deal confirms Musqueam rights and title over Vancouver. Dwight Newman, a law professor specializing in Indigenous rights, tells Brian that assurances to private property owners that they won't lose their land only go so far. What might not be targeted today could be tomorrow, he says. They discuss how the court case and government deal, along with the growing power of UNDRIP in Canadian law, only give more power and leverage to First Nations. And not just in B.C., but across Canada. (Recorded March 5, 2026) Learn more about your ad choices. Visit megaphone.fm/adchoices

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - Po spędzeniu krótkiego czasu w Australii, można zauważyć , jak swobodny jest tutaj styl ubierania się. Można widzieć wszędzie odzież sportową, marki surfingowe i tzw. ubrania na codzień. Ale istnieje też inna strona australijskiej mody, o której wielu ludzi nie zauważa. Projektanci Pierwszych Narodów tworzą ubrania i dodatki od lat— i ta tradycja jest dziś nadal żywa. Można ją zobaczyć na wybiegach, w globalnych kampaniach mody, a także w codziennych stylizacjach. W tym odcinku dowiemy się, co wyróżnia modę Pierwszych Narodów, jak łączy się ona ze środowiskiem i jak możemy wspierać ich projektantów.

How has English dominance marginalised First Nations knowledges?We hear from Gudanji/Wakaja author and academic Dr Debra Dank about how Aboriginal people's expressive practices and deep relationships to Country are being erased.How can we learn to listen to Country, to the ‘non-human utterances' of birds, the wind, the rain?And how do we listen to Country with our whole bodies, not just our ears?Can we discover our own embodied wisdom, and how does this relate to our sense of belonging on this continent?GuestsCarmine Gentile is an Associate Professor (Faculty) within the School of Biomedical Engineering (Faculty of Engineering and IT) at the UTS. He leads the Cardiovascular Regeneration Group, working on 3D bioprinting and stem cell technologies both at the Heart Research Institute and UTS.Debra Dank is a Gudanji/Wakaja and Kalkadoon woman from the Barkly Tablelands in the Northern Territory. Dr Debra Dank is an Enterprise Fellow with the University of South Australia.For 40 years Deb has worked in various roles in primary, secondary, and tertiary education in Queensland, New South Wales, Victoria, South Australia and the Northern Territory in urban and remote contexts.She worked to establish the Indigenous Literacy Foundation which included extensive work with remote communities to develop a robust but flexible service delivery model that supported place-based, community-identified responses to literary needs in early childhood education, provision of appropriate literature for remote communities, and the production of reading material for English as a Second language contexts.Reference: Terrraglossia is published by Echo Publishing.Leah Subijano (she/her) is a Filipino-Australian, multidimensional soul, and a fierce advocate for racial justice and gender equality. She loves to deep dive into all things social justice, spirituality, and dismantling systems to birth a new Earth. Leah believes that drumming and dance are decolonising and embodiment tools that help people reconnect with themselves, their ancestral wisdom, community, and the natural world.Odette Subijano is Leah's mother.CreditsThis series was produced on the Lands of the Gadigal People, the Cammeraygal People, the Darug People, and the Guringai People.Host: Elaine LafortezaProducer: Masako FukuiWith the support of Jane Curtis and Sarah Gilbert of UTS Impact StudiosTile artwork by Alexandra MorrisThis podcast was created by the UTS Multicultural Women's Network and is part of the broader UTS Acknowledgment of Country in Our Languages project.

Interview with Victor Cantore, President and CEO, Amex ExplorationOur previous interview: https://www.cruxinvestor.com/posts/amex-exploration-tsxvamx-dual-track-growth-near-term-gold-output-big-exploration-8677Recording date: 4th of March 2026Amex Exploration is executing a strategic transition from exploration to commercial gold production at its extensive land package in Quebec's Abitibi Greenstone belt. President and CEO Victor Cantore outlined an accelerated development timeline centered on an imminent bulk sample permit expected in March 2026, which will trigger immediate construction activities and position the company for first gold production in the third quarter of 2027.The company has structured its advancement through three distinct development phases designed to mitigate both financial and technical risk. This phased approach leverages the project's high-grade mineralization of approximately 10 grams per ton on a fully diluted basis, combined with its strategic location within established mining infrastructure. The bulk sample phase will yield an estimated 20,000 to 23,000 ounces before transitioning seamlessly into phase one commercial production targeting over 100,000 ounces annually by 2028.Amex maintains a strong financial position with approximately $30 million in treasury following a $37.4 million financing. The bulk sample carries an estimated cost of $40 million, though $20 to $25 million represents infrastructure directly applicable to phase one production. Cantore emphasized that pre-production revenue of $68 million combined with bulk sample proceeds will substantially cover the phase one capital requirement of $146 million, creating a capital-efficient development pathway.The preliminary assessment demonstrates compelling economics with all-in sustaining costs projected at $1,165 per ounce against current gold prices exceeding $5,000 per ounce. Processing optionality through multiple mill operators strengthens the company's negotiating position while high grades ensure favorable transportation economics.Beyond production development, Amex secured an exploration agreement with First Nations on the Ontario side of its land package in early March 2026, unlocking additional prospective terrain. Mining engineers have identified what Cantore described as a "mirror image" of the Quebec mineralization, suggesting significant expansion potential. Management maintains a dual-track strategy advancing both production and exploration while remaining positioned for strategic alternatives that maximize shareholder value in an active merger and acquisition environment.Learn more: https://www.cruxinvestor.com/companies/amex-explorationSign up for Crux Investor: https://cruxinvestor.com

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - Якщо ви коли-небудь бували в Австралії, то, мабуть, помітили, наскільки невимушений тут стиль одягу. Скрізь можна побачити спортивний одяг, одяг для серфінґу та повсякденний одяг. Але в австралійській моді є й інша сторона. Дизайнери з числа Абориґенів та мешканців островів Торресової протоки створюють одяг та аксесуари вже тисячі років — і ця традиція дуже жива й сьогодні. Ви побачите її на подіумах, у світових модних кампаніях та в повсякденному одязі. Дізнайтеся, чим відрізняється мода перших народів, як вона пов'язана з навколишнім середовищем і що потрібно знати, якщо ви хочете такий одяг носити...

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - Хэрэв та Австралид хэсэг хугацааг өнгөрөөсөн бол хүмүүсийн хувцаслах хэв маяг хэр чөлөөтэй байдгийг анзаарсан байх. Та хаа сайгүй спорт хувцас, серфийн брэндүүд болон энгийн хувцаслалт харах болно. Гэхдээ Австралийн загварын өөр нэг тал бий. Абориген болон Торресийн хоолойн арлын дизайнерууд мянга мянган жилийн турш хувцас, гоёл чимэглэл бүтээж ирсэн бөгөөд энэ бүтээлч уламжлал өнөөдөр ч амьд хэвээр байна. Та үүнийг загварын тайзан дээр, дэлхийн загварын кампанит ажлуудад, мөн өдөр тутмын хувцаслалтанд харж болно. Анхны Үндэстний загвар юугаараа онцлог, байгаль орчинтой хэрхэн холбогддог, мөн үүнийг өмсөхийг хүсвэл юуг анхаарах хэрэгтэйг энэ дугаараас олж мэдээрэй.

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - Уколико сте провели неко време у Аустралији, вероватно сте запазили колико је овдашњи стил опуштен - свуда можете приметити спортску и лежерну одећу, али постоји и друга страна аустралијске моде за коју многи не сазнају када тек дођу овде. Абориџини и становници острва Торесовог мореуза већ хиљадама година праве своју специфичну одећу и накит, а њихови радови и данас су актуелни и можете их видети на модним пистама, у глобалним модним кампањама, као и у свакодневном животу. У серијалу Упознајмо Аустралију (Australia Eđxplained) сзнајте шта моду Првих народа чини другачијом и како је она повезана са окружењем.

Green Left and Socialist Alliance held this forum on Resisting genocide and police repression — Why is Labor criminalising freedom of speech? at the Resistance Centre in Gadigal Country/Sydney on February 26. Speakers included Palestinian activist from Gaza Shamikh Badra; Tim Roberts from the NSW Council of Civil Liberties; Grace Street, president of the University of Sydney Student Represenative Council; Yehuda Aharon from Jews Against the Occupation '48; and Pip Hinman from Socialist Alliance. It was chaired by Isaac Nellist from Socialist Alliance. They discussed the attacks of civil rights by the Chris Minns Labor government in NSW, particularly in the context of the police violence against people protesting Israeli President Isaac Herzog at Sydney Town Hall on February 9. They also discussed the current anti-protest laws and how to build the campaign to resist repression and defeat these undemocratic measures. We acknowledge that this video was produced on stolen Aboriginal land. We express solidarity with ongoing struggles for justice for First Nations people and pay our respects to Elders past and present. If you like our work, become a supporter: https://www.greenleft.org.au/support Support Green Left on Patreon: https://www.patreon.com/greenleft Green Left online: https://www.greenleft.org.au/ Twitter: https://twitter.com/greenleftonline YouTube: https://www.youtube.com/greenleftonline TikTok: https://www.tiktok.com/@greenleftonline Instagram: https://www.instagram.com/greenleftonline/ Podbean: https://greenleftonline.podbean.com/ Telegram: https://t.me/greenleftonline Facebook: https://www.facebook.com/greenleftaction 0:00 Shamikh Badra 13:23 Tim Roberts 21:54 Grace Street 30:51 Yehuda Aharon 43:39 Pip Hinman 55:23 Mark Gillespie 57:14 Shamikh Badra 1:00:56 Grace Street 1:05:46 Tim Roberts 1:14:49 Pip Hinman 1:20:35 Yehuda Aharon 1:26:34 Rachel Evans 1:28:19 Tim Roberts 1:30:35 Pip Hinman 1:33:00 Yehuda Aharon 1:35:45 Grace Street 1:38:21 Shamikh Badra

Episode 315 of UnSpun with Jody Vance and George Affleck goes from a Vancouver City Hall apology tour to the end of daylight saving time to an actual war breaking out in the Middle East.Here's what's inside:

Marx del Rosario visited Cuba in January 2026 with the Southern Cross Brigade organised by the Australia-Cuba Friendship Society. He spoke to Green Left's Peter Boyle on February 28. We acknowledge that this video was produced on stolen Aboriginal land. We express solidarity with ongoing struggles for justice for First Nations people and pay our respects to Elders past and present. If you like our work, become a supporter: https://www.greenleft.org.au/support Support Green Left on Patreon: https://www.patreon.com/greenleft Green Left online: https://www.greenleft.org.au/ Twitter: https://twitter.com/greenleftonline YouTube: https://www.youtube.com/greenleftonline TikTok: https://www.tiktok.com/@greenleftonline Instagram: https://www.instagram.com/greenleftonline/ Podbean: https://greenleftonline.podbean.com/ Telegram: https://t.me/greenleftonline Facebook: https://www.facebook.com/greenleftaction

Interview with Steve Letwin, Chairman of Cassiar GoldOur previous interview: https://www.cruxinvestor.com/posts/cassiar-gold-tsxvgldc-updated-23m-oz-project-fast-tracked-by-existing-infrastructure-8018Recording date: 2nd March 2026Cassiar Gold (TSXV:GLDC) is a pre-production junior gold company with a materially different risk profile to most of its peers at an equivalent stage of development. The project, located in northeastern British Columbia, benefits from over $100 million in pre-existing infrastructure including an operating mill, a camp, a core shack, an active tailings pond, and 170 kilometres of road acquired by the company for approximately $1 million worth of Cassiar shares. That infrastructure advantage has allowed the company to direct capital toward resource development, producing a current mineral resource of approximately 2.5 million ounces across two distinct geological zones.The project's chairman is Steve Letwin, who served as president and CEO of IAMGOLD from 2010 to 2020 and oversaw the development of the Côté Gold mine in Ontario, including securing a $450 million strategic investment from Japan's Sumitomo Corporation. Letwin holds over 7 million shares and has not sold a single one, representing meaningful alignment with retail and institutional investors. He is now applying the same development logic to Cassiar that he used at Côté: build the case, demonstrate the path to cash flow, and bring in a strategic partner with the balance sheet to accelerate development.The near-term strategy centres on Cassiar South, a high-grade narrow-vein system that historically produced at grades of 15–20 g/t. The existing mill is currently being refurbished by an engaged specialist firm, with metallurgical work running in parallel and completion expected within the current quarter. The mill is being optimised for Cassiar South feed at approximately 200 tonnes per day which is a scale Letwin argues generates compelling economics at current gold prices near $5,300 per ounce, with the refurbishment cost characterised as a rounding error relative to projected revenue.A Preliminary Economic Assessment targeting August 2025 will formalise the economics across three project components: Cassiar South high-grade mining, tailings reprocessing, and the longer-dated Cassiar North bulk tonnage open-pit scenario approximately one kilometre from the mill. Together, these represent a staged, self-funding development model in which early cash flow from Cassiar South finances further vein drilling and eventually supports the capital case for Cassiar North reducing ongoing dilution for shareholders.Key de-risking factors already in place include a live operating permit, direct highway access, settled First Nations agreements including a 0.8% NSR impact benefit agreement, a friendly BC jurisdiction, and a 59,000-hectare permitted land package with comprehensive road coverage. These are the same boxes Letwin ticked at Côté before Sumitomo committed capital, and they are the attributes he is now presenting to prospective strategic partners at Cassiar.The principal risks are execution-related: mill refurbishment timeline, metallurgical outcomes, PEA results, and the terms and timing of any strategic deal. Investors should treat the August 2026 PEA as the next material de-risking milestone and monitor the strategic partnership process as the potential step-change catalyst for the company's valuation.View Cassiar Gold's company profile: https://www.cruxinvestor.com/companies/cassiar-goldSign up for Crux Investor: https://cruxinvestor.com

We catch up with friend of the show, Dr Carly Luke!Early identification of Australian First Nations infants at high risk of neurodevelopmental disability or neurodiverse outcomes by 12 months of age.A continuing series from Oceania Conference 2026 - live from Hobart, Tasmania, Australia!

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - പാശ്ചാത്യ ഫാഷൻ സങ്കൽപ്പങ്ങളോട് കിടപിടിക്കുന്ന ഡിസൈനുകളാണ് ഓസ്ട്രേലിയൻ ആദിമവർഗ്ഗ വിഭാഗത്തിനുള്ളത്. ആഗോള ഫാഷൻ കാമ്പെയ്‌നുകളിൽ തുടങ്ങി ദൈനം ദിന വസ്ത്രങ്ങളിൽ പോലും ഫസ്റ്റ് നേഷൻ ഡിസൈനുകൾ സജീവമാണ്. ഫസ്റ്റ് നേഷൻസ് ഫാഷൻ വ്യത്യസ്തമാകുന്നത് എന്തുകൊണ്ടാണെന്നും ഓസ്ട്രേലിയൻ സംസ്കാരവുമായി അതിനുള്ള ബന്ധമെന്താണെന്നും അറിയാം ഓസ്ട്രേലിയൻ വഴികാട്ടിയുടെ ഈ എപ്പിസോഡിലൂടെ...

We went to Quw'utsun Secondary in North Cowichan to talk to three First Nations students about storytelling. They shared traditional stories from their communities (plus a new one about a raven who mountain bikes!) and talked about why it's so important to them to share stories and the lessons that can be learned from them. This was part of a bigger CBC Victoria project looking at the role of storytelling in community. Listen to a live recording of our afternoon radio show, All Points West, from the Cowichan library here.

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - Si has pasado algún tiempo en Australia, probablemente te hayas dado cuenta de lo relajado que es el estilo de vestir. Es posible que veas ropa deportiva, marcas de surf y ropa casual en todas partes. Pero la moda australiana tiene otra cara. Los diseñadores aborígenes e isleños del Estrecho de Torres han estado creando ropa y accesorios durante miles de años, y ese trabajo sigue muy vivo en la actualidad. Lo verás en las pasarelas, en las campañas de moda mundiales y en la ropa de uso diario. Descubre qué hace que la moda de las Primeras Naciones sea diferente, cómo se conecta con el medio ambiente y qué debes tener en cuenta si quieres ponértela.

As the war between Iran and Israel & the US rages on, pulling in neighbouring countries, Aussie back home are beginning to see knock on effects. We’re joined by Dr. Jessica Genauer to unpack whether there's end in sight, and what it means for us all back home. Plus, the Victorian Government is moving to make work-from-home arrangements a legal right for two days a week, but not everyone is happy about it. We speak with Premier Jacinta Allan about why small businesses won't be exempt. And in headlines today, 200 Australians have returned home on one of the first commercial flights to leave the Middle East since the start of the US/Israeli led war in Iran; NATO air and missile defence systems stationed in the eastern Mediterranean have destroyed a ballistic missile fired from Iran as it ‌headed into Turkish airspace; A US ‌submarine has sunk an Iranian warship off the southern coast of Sri LankaThe son of the Ayatollah Ali Khamenei, who was killed in US Israeli strikes, has survived and may take over leadership; First Nations people are set to be heard in a parliamentary inquiry aimed at ending racism, hate and violence; Australia’s oldest Winter Paralympian, Skier Michael Milton says he’s ready to race, despite recently breaking his leg in training THE END BITS Support independent women's media Check out The Quicky Instagram here GET IN TOUCHShare your story, feedback, or dilemma! Send us a voice note or email us at thequicky@mamamia.com.au CREDITS Hosts: Taylah Strano & Claire Murphy Guests:Dr Jessica Genauer, Associate Professor Flinders University Jacinta Allan, Victorian Premier Skye Cappuccio, CEO Council of Small Business Organisations Australia Audio Producer: Lu Hill Group Executive Producer: Georgie PageBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - Trang phục thường thấy của người Úc có thể sẽ là thoải mái, năng động. Nhưng bên cạnh đó còn có một dòng chảy thời trang lâu đời và giàu bản sắc: thời trang Bản địa. Từ những thiết kế gắn liền với 'Country' cho đến các bộ sưu tập xuất hiện trên sàn diễn quốc tế, các nhà thiết kế người Thổ dân và cư dân eo biển Torres đang kể câu chuyện văn hóa của mình qua từng đường kim mũi chỉ.

A First Nations advocate and activist for incarcerated women says the social contract between the Australian government and the community is broken. Tahlia Isaac, who founded 'Project:herSelf', says authorities are more interested in punishment than providing the conditions to keep people safe. She says the system needs to change and the government needs to start listening to women who have real insight into the cycle of incarceration.

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - Ако сте поминале барем малку време во Австралија, веројатно сте забележале колку е опуштен стилот. Можеби ќе забележите спортска облека, брендови за сурфање и лежерна облека насекаде. Но, постои и друга страна на австралиската мода. Абориџинските дизајнери и дизајнерите од островите Торес Стрејт создаваат облека и додатоци повеќе илјади години - и таа работа постои и денес. Ќе ја видите на пистите, во глобалните модни кампањи и во секојдневната облека. Дознајте што ја прави модата на Првите Нации различна, како се поврзува со животната средина и што треба да знаете ако сакате да ја носите.

What does great history teaching look like in practice?How do teachers handle the challenges with teaching history today?Hear practical ideas, fresh inspiration and thoughtful conversation about how history is taught in primary and secondary school classrooms in Australia.Hey History Teacher! is for teachers, teacher-educators and pre-service teachers.You'll hear conversations and advice about over 8 episodes, including:teaching difficult historiescreative history teachingapproaching First Nations histories with care and confidencecomplexity in history teachinghow early-career teachers can find their their feet in the history classroomgreat history teaching, andteaching the Australian Wars.It's grounded in current research and features fifteen classroom educators and academics from around Australia.Each episode comes with a free downloadable Tip Sheet to support your teaching practice.CreditsHey History Teacher! is supported by the History Teachers Association of NSW.Executive Producer is Professor Anna Clark.Producer is Jane Curtis at UTS Impact Studios.Sound engineering by John Jacobs.Made on Gadigal Country in Sydney Australia.

On The Streets is a new podcast by Green Left giving you bite-sized updates about the protest movements and grassroots campaigns across the country. This episode we discuss protests against the United States and Israel's war on Iran, Pride in Protest being barred from the Mardi Gras parade and rallies in solidarity with Cuba and Venezuela. Find more upcoming events here: https://www.greenleft.org.au/events Music and editing by Sean Valenzuela/@LittleArcherBeats We acknowledge that this video was produced on stolen Aboriginal land. We express solidarity with ongoing struggles for justice for First Nations people and pay our respects to Elders past and present. If you like our work, become a supporter: https://www.greenleft.org.au/support Support Green Left on Patreon: https://www.patreon.com/greenleft Green Left online: https://www.greenleft.org.au/ Twitter: https://twitter.com/greenleftonline YouTube: https://www.youtube.com/greenleftonline TikTok: https://www.tiktok.com/@greenleftonline Instagram: https://www.instagram.com/greenleftonline/ Podbean: https://greenleftonline.podbean.com/ Telegram: https://t.me/greenleftonline Facebook: https://www.facebook.com/greenleftaction

On the phone-in: We discuss the topic of affordable housing in the Maritimes. Our guest is Michael Kabalen who's the executive director of the Affordable Housing Association of NS. And off the top of the show, we speak with Chief Terry Paul from Membertou First Nation about the RCMP raids yesterday of cannabis businesses in Indigenous communities.

On this episode of Face to Face: Scott McLeod The opposition was loud when the Canadian government announced Bill C-5 and Ontario announced Bill 5. Both legislations were sold as a way to reduce red tape and streamline processes to get shovels in the ground for major resource extraction and infrastructure projects. However, many First Nations leaders feel the legislation weakens environmental protections, infringes on First Nations' rights and gives unprecedented decision-making powers to politicians. Scott McLeod, the Lake Huron regional chief for the Anishinabek Nation, has been a vocal critic of the legislation from the onset. • • • APTN National News, our stories told our way. Visit our website for more: https://aptnnews.ca Hear more APTN News podcasts: https://www.aptnnews.ca/podcasts/

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - Ako ste proveli neko vrijeme u Australiji, vjerovatno ste primijetili koliko je stil opušten. Svuda možete vidjeti sportsku odjeću, surf brendove i ležernu garderobu. Ali postoji i druga strana australske mode. Dizajneri Aboridžina i otočana Torresovog moreuza stvaraju odjeću i modne dodatke hiljadama godina — i ta tradicija je i danas itekako živa. Možete je vidjeti na modnim pistama, u globalnim modnim kampanjama i u svakodnevnoj odjeći. Saznajte šta modu Prvih naroda čini posebnom, kako je povezana s okolišem i na šta trebate obratiti pažnju ako je želite nositi.

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - Если вы провели в Австралии хотя бы немного времени, вы, вероятно, заметили, насколько здесь расслабленный стиль. Вы можете увидеть повсюду спортивную одежду, повседневную одежду, одежду для серфинга. Но у австралийской моды есть и другая сторона. Дизайнеры Коренных народов и жителей островов Торресова пролива создают одежду и аксессуары уже тысячи лет, и эта традиция по-прежнему жива сегодня. Эти работы можно увидеть на подиумах, в международных модных проектах и в повседневной одежде. Узнайте, чем отличается мода Коренных народов, как она связана с окружающей средой и о чем следует помнить, если вы хотите ее носить.

What do the Canadian Shield, a fourth-generation family business, and a trade show floor in Germany have in common? Wild rice — and one of the most remarkable food origin stories you've never heard. In this episode of This Commerce Life, Phil Chang and Kenny Vannucci sit down with Matt Ratuski, fourth-generation owner of Floating Leaf Fine Foods, whose family has been harvesting Canadian wild rice since 1935. From his great-grandfather trading fish with First Nations communities in Keewatin, Ontario, to building one of Canada's first wild rice processing facilities, Matt's story is equal parts frontier history and modern food entrepreneurship. We dig into how Canadian wild rice is still harvested the old-fashioned way — in remote rivers, streams, and bogs across northern Manitoba, Saskatchewan, and Ontario — and why that makes it fundamentally different from the cultivated rice grown in the U.S. We also cover the deep, multi-generational relationships with First Nations harvesters, the wild crop's two-to-three-week harvest window, and why Europe discovered this superfood long before Canadians did. Plus: why innovation in food always requires education, what it takes to build a Canadian food brand with global reach, and why Phil is about to start cooking wild rice on camera.   check out Floating Leaf here: https://eatwildrice.ca/  

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - ប្រសិនបើអ្នកធ្លាប់បានចំណាយពេលនៅប្រទេសអូស្ត្រាលី អ្នកប្រហែលជាបានកត់សម្គាល់ឃើញថា ម៉ូដសម្លៀកបំពាក់នៅទីនេះមានភាពសាមញ្ញប៉ុណ្ណា។ អ្នកប្រហែលជាបានកត់សម្គាល់ឃើញសម្លៀកបំពាក់កីឡា ម៉ាកយីហោសម្លៀកបំពាក់សម្រាប់ជិះស្គីលើទឹក និងសម្លៀកបំពាក់សាមញ្ញធម្មតាៗគ្រប់ទីកន្លែង។ ប៉ុន្តែនៅមានមួយផ្នែកទៀតនៃម៉ូដសម្លៀកបំពាក់អូស្ត្រាលី ដែលមនុស្សជាច្រើនមិនបានឮអំពីវាឡើយ នៅពេលដែលពួកគេទើបតែមកដល់។ អ្នករចនាម៉ូដជនជាតិដើមភាគតិច Aboriginal និងអ្នកកោះ Torres Strait បានបង្កើតសម្លៀកបំពាក់ និងគ្រឿងលម្អ អស់រយៈពេលរាប់ពាន់ឆ្នាំមកហើយ ហើយស្នាដៃនោះនៅតែរស់រវើករហូតមកដល់សព្វថ្ងៃនេះ។ អ្នកនឹងឃើញវានៅលើផ្លូវដើរបង្ហាញម៉ូដ ក្នុងយុទ្ធនាការដើរម៉ូដសកល និងសម្លៀកបំពាក់ប្រចាំថ្ងៃផងដែរ។ នៅក្នុងរបាយការណ៍វគ្គនេះ អ្នកនឹងរៀនពីអ្វីដែលធ្វើឱ្យម៉ូដសម្លៀកបំពាក់របស់ជនជាតិដើមដំបូងខុសប្លែកពីគ្នា របៀបដែលវាផ្សារភ្ជាប់ទៅនឹងបរិយាកាស និងរបៀបដែលអ្នកអាចគាំទ្រអ្នករចនាម៉ូដជនជាតិដើមដំបូង First Nations ។

This week on The Sisterhood of Sweat, we're joined by Jordan Nolan — three-time Stanley Cup Champion turned actor — to talk about his transition from professional hockey to starring in the hit series Shoresy, now premiering Season 5 in the U.S. Jordan shares insights from his NHL career, what it was like winning three championships, and how he stepped into the world of television — all while staying connected to his roots and giving back to First Nation communities.

In this episode, we delve into the remarkable experiences of Tom Sewid, a First Nations man from Northern Vancouver Island who now lives in Forks, Washington on the Olympic Peninsula. Growing up immersed in Indigenous traditions where Sasquatch is understood as part of the land and culture, Thomas shares a lifetime of encounters that began in his youth and continued through decades spent guiding, fishing, and living deep in the bush.From coastal shellfish beaches of Vancouver Island to remote river systems and logging country near Forks, Thomas recounts close-range sightings, thermal captures, gifting interactions, and moments that brought him face to face with these beings at startling distances. He also discusses the development of his upcoming Sasquatch museum, rare cast acquisitions, and the cultural regalia connected to his tribe's highest-ranking crest.Throughout the conversation, Thomas offers insight into territorial patterns, population estimates tied to salmon rivers, and the importance of respect when entering these environments. His perspective bridges lived wilderness experience with Indigenous knowledge passed down through generations.Join us as we explore Thomas's powerful journey across Vancouver Island and the Pacific Northwest, where Sasquatch is not a legend of the past, but an ongoing presence woven into the land itself.Resources MentionedSasquatch, The Legend (Forks, WA Bigfoot store & museum project)https://sasquatchthelegend.comSasquatch Island (Facebook Group)https://www.facebook.com/groups/753712284709607Chinook Jargon / Chinook Trade Language (reference discussed)https://www.chinookjargon.com

Indigenous Cultural Heritage Protection: Investor Risk, Responsibility & First Nations-Led Governance | The Greener WayThis week on The Greener Way, host Michelle Baltazar speaks with Kado Muir, chair of the National Native Title Council ahead of the RIAA Conference in May where Muir is one of the panelists on a session titled, “Indigenous Cultural Heritage Protection: Investor Risk and Responsibility”.Muir argues that tools already exist to protect indigenous heritage, but incentives and governance are lacking, including too few First Nations people in decision-making roles and boards.He urges investors and governments to screen risks, work with First Nations governance institutions, and make cultural heritage protection a non-negotiable in boardroom discussions.02:20 Responsible investment steps03:46 Scorecards and governance gaps06:46 Real world liability examples11:45 Native title and investor risk15:53 Building a virtuous cycle17:50 Standardising with First Nations19:05 Board representation is a blind spot22:21 Five years after Juukan Gorge23:40 Progress and podcast wrap02:20 Responsible investment steps03:46 Scorecards and governance gaps06:46 Real world liability examples11:45 Native title and investor risk15:53 Building a virtuous cycle19:05 Board representation blind spot22:21 Five years after Juukan23:40 Positive note and wrapLinks:https://www.kadomuir.com.au/Podcast: My culture story with Kado MuirThis podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - Ako ste proveli neko vrijeme u Australiji, vjerojatno ste primijetili opušten stil odijevanja. Posvuda ćete primijetiti ljude koji nose sportsku i ležernu odjeću. Ali postoji i druga strana australske mode o kojoj mnogi ljudi nemaju priliku čuti kada po prvi puta stignu u zemlju. Aboridžinski i modni dizajneri s otočja Torresovog tjesnaca stvaraju odjeću i modne dodatke tisućama godina, pa tako i dan danas. Njihovo aktivno djelovanje je vidljivo na modnim pistama, u globalnim modnim kampanjama, ali i u svakodnevici. U ovoj epizodi Vodiča za useljenike saznat ćete što modu pripadnika zajednice Prvih naroda čini drukčijom, kako se ona povezuje s okolišem, te na koji način možete podržati dizajnere unutar zajednice Prvih naroda.

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - オーストラリアで暮らしていると、日々さまざまなファッションを目にします。アクティブウェアやサーフブランド、カジュアルな装いなど、思い思いのスタイルが楽しまれています。 そして、忘れてはならないのが、アボリジナルおよびトレス海峡諸島民の人びとが、何千年にもわたって衣服やアクセサリーを生み出してきたということです。その伝統と創造性は今も力強く息づいており、デザインはランウェイや世界的なファッションキャンペーンだけでなく、日常の装いの中にも広がっています。 ファースト・ネーションズ・ファッションの魅力とは？　自然環境とどのように結びついているのでしょうか。そして、身に着けるときに心に留めておきたいこととは――。

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - Waxaa Australia ka jira nooc ama moodo kale oo dhar ah oo Australia lagaga lebisto, laakiin aanay dadka Australia soo degaa horey u ogaannin. Waana kuwa dadka dhulka loogu yimid ee Aboriginal-ka iyo Torres Strait Islander-ka oo la isku yiraahdo First Nations. Qaybtan Australia Explained, waxay ku baraysaa sida uu dharka dadka First Nations uga duwan yahay dharka kale, xidhiidhka ka dhexeeya cimilo-deegaanka iyo sida aad u taageeri karto hal-abuurayaasha dharke ee dadka First Nations.

John talks with Simon Moya-Smith who's an Oglala Lakota and Chicano journalist. He's a contributing writer at NBC News and TheNation.com. He's the author of the forthcoming book, ‘Your Spirit Animal is a Jackass,' and he is an Adjunct Professor of Indigenous Studies at the University of Colorado Denver. John also talks with Julie Francella who's a mental health professional experienced in handling complex trauma with Indigenous youth and families. She's also an enrolled member of the Ojibway of Batchewana First Nation Reserve, and teaches Indigenous Studies at Durham College, focusing on the impacts of colonization on First Nations people. They discuss TIME magazine featuring Jordan Harmon and Mackenzie Roberts, two citizens of the Muscogee (Creek) Nation, on the cover of its issue titled “The People vs. AI,” highlighting a growing grassroots pushback against the unchecked expansion of artificial intelligence infrastructure across the United States. They also talk about the state of New Mexico finally investigating the forced sterilization of native women and in Sant Fe there's a big fight over a monument honoring calvary soldiers which native protesters toppled in 2020. Sant Fe residents are claiming the monument represented generations of genocide against Native Americans.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - 曾到訪澳洲的你可能會留意到這裡的穿著非常休閒，隨處可見運動服、衝浪品牌甚至赤腳走路。但澳洲時裝還有另一面：澳洲原住民及托勒斯海峽島民設計師，數千年以來一直創作服裝與配飾。而這股創意至今仍茁壯成長。了解原住民時裝的獨特之處、與環境的連結，以及想穿著時應注意的事。

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - অস্ট্রেলিয়া এক্সপ্লেইন্ডের এই পর্বে আমরা জানতে পারব ফার্স্ট নেশনস ফ্যাশন কীভাবে আলাদা, কীভাবে এটি পরিবেশের সঙ্গে যুক্ত, এবং কীভাবে আমরা ফার্স্ট নেশনস ডিজাইনারদের সমর্থন করতে পারি।

This next guest has built a distinguished career since the early 2000s in both film and television bringing depth, strength and cultural reasonance to every role he takes on. He has beencelebrated for his powerful and authentic portrayals of First Nations stories on screen. However our audience might recognize him on his latest appearances on HBO's Welcome To Derry! Let's Welcome Wayne Charles Baker!Wayne Charles BakerIG: https://www.instagram.com/bakerwaynecharles/Crazy Train RadioFacebook:  facebook.com/realctradioInstagram: @crazytrainradioX/Twitter: @realctradioBlueSky:  @crazytrainradio.bsky.socialWebsite:  crazytrainradio.usYouTube: youtube.com/crazytrainradio

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - 如果你在澳大利亚待过一段时间，你可能已经注意到那里的着装风格非常轻松随意。运动服、冲浪品牌和休闲服饰随处可见。 但澳大利亚时尚还有另一面，许多初来乍到的人对此并不了解。 原住民和托雷斯海峡岛民设计师们数千年来一直在创作服装和配饰，他们的技艺至今依然传承。 你会在T台上、全球时尚广告中，以及日常穿着中看到他们的身影。 在本期节目中，你将了解到原住民时尚的独特之处、它与环境的联系，以及你可以如何支持原住民设计师。 （点击音频收听详细内容）

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - Yog tias koj tau sib ib lub caij twg tuaj xyuas teb chaws Australia lawm, ces tej zaum koj kuj yuav pom tias tej neeg hnav tej tsoos uas zoo li lawv tsis nco txhawj dab tsi li. Thiab tej zaum koj kuj pom tej khaub ncaws hnav ua exercise los yog tej khaub ncaws thiab tej twj tej neeg siv da dej ntawm tej ntug hiav txwv thiab hnav khaub ncaws yooj yooj yim rau txhua txhia qhov chaw. Tab sis kuj tseem muaj Australia lwm cov tsoos fashion thiab. Neeg txum tim Aboriginal and Torres Strait Islander tej neeg tsim khaub ncaws (designers) yeej tau tsim tej tsoos thiab ntau yam los tau ntau txheeb xyoo — thiab yeej tseem tsim tej khoom no niaj hnub niam no. Tej zaum koj yeej pom tej tsoos no raug coj mus hnav rau ntawm tej fashion runways, ntiaj teb tej tsoos fashion thiab tej tsoos hnav ua lub neej txhua hnub. Txheeb tau ntxiv seb neeg txum tim tej tsoos fashion ho txawv li cas, thiab ho sib cuag li cas nrog tej ib puag ncig thiab muaj dab tsi uas tsim nyog koj paub txog yog tias koj xav hnav.

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - ਜੇਕਰ ਤੁਸੀਂ ਆਸਟ੍ਰੇਲੀਆ ਵਿੱਚ ਕੋਈ ਸਮਾਂ ਬਿਤਾਇਆ ਹੈ, ਤਾਂ ਤੁਸੀਂ ਸ਼ਾਇਦ ਦੇਖਿਆ ਹੋਵੇਗਾ ਕਿ ਇੱਥੇ ਸਟਾਈਲ ਕਿੰਨਾ ਆਰਾਮਦਾਇਕ ਹੈ। ਤੁਹਾਨੂੰ ਹਰ ਜਗ੍ਹਾ ਐਕਟਿਵਵੀਅਰ, ਸਰਫਿੰਗ ਬ੍ਰਾਂਡ ਅਤੇ ਕੈਜ਼ੂਅਲ ਕੱਪੜੇ ਨਜ਼ਰ ਆ ਸਕਦੇ ਹਨ ਪਰ ਆਸਟ੍ਰੇਲੀਆਈ ਫੈਸ਼ਨ ਦਾ ਇੱਕ ਹੋਰ ਪਹਿਲੂ ਵੀ ਹੈ ਜਿਸ ਬਾਰੇ ਕਈ ਲੋਕ ਨਹੀਂ ਜਾਣ ਪਾਉਂਦੇ। ਆਦਿਵਾਸੀ ਅਤੇ ਟੋਰੇਸ ਸਟ੍ਰੇਟ ਆਈਲੈਂਡਰ ਡਿਜ਼ਾਈਨਰ ਹਜ਼ਾਰਾਂ ਸਾਲਾਂ ਤੋਂ ਕੱਪੜੇ ਅਤੇ ਗਹਿਣੇ ਬਣਾਉਂਦੇ ਆ ਰਹੇ ਹਨ - ਅਤੇ ਇਹ ਕਲਾ ਅੱਜ ਵੀ ਜੀਵੰਤ ਹੈ। ਤੁਸੀਂ ਇਸ ਨੂੰ ਫੈਸ਼ਨ ਰਨਵੇਅ 'ਤੇ, ਗਲੋਬਲ ਫੈਸ਼ਨ ਮੁਹਿੰਮਾਂ ਵਿੱਚ ਅਤੇ ਰੋਜ਼ਾਨਾ ਦੇ ਕੱਪੜਿਆਂ ਵਿੱਚ ਵੀ ਦੇਖ ਸਕਦੇ ਹੋ। ਇਸ ਐਪੀਸੋਡ ਵਿੱਚ, ਤੁਸੀਂ ਜਾਣੋਗੇ ਕਿ ਆਦਿਵਾਸੀ ਫੈਸ਼ਨ ਨੂੰ ਕੀ ਖਾਸ ਬਣਾਉਂਦਾ ਹੈ, ਇਹ ਵਾਤਾਵਰਨ ਨਾਲ ਕਿਸ ਤਰ੍ਹਾਂ ਜੁੜਿਆ ਹੈ ਅਤੇ ਤੁਸੀਂ ਆਦਿਵਾਸੀ ਡਿਜ਼ਾਈਨਰਾਂ ਦਾ ਸਮਰਥਨ ਕਿਸ ਤਰ੍ਹਾਂ ਕਰ ਸਕਦੇ ਹੋ?

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - اگر مدتی را در استرالیا گذرانده باشید، احتمالا متوجه شده‌اید که سبک لباس پوشیدن در آن چقدر راحت است. ممکن است در همه جا متوجه لباس‌های ورزشی، برندهای موج‌سواری و لباس‌های غیررسمی می‌شوید. اما مد استرالیایی جنبه‌ی دیگری هم دارد. طراحان بومی و جزیره‌نشینان تنگه‌ی تورس هزاران سال است که لباس و لوازم جانبی خلق می‌کنند و این کار امروزه بسیار زنده است.

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - 호주에서 지낸 적이 있다면, 호주 특유의 편안한 스타일을 느껴보셨을 겁니다. 운동복, 서핑 브랜드, 캐주얼 의류를 어디에서나 쉽게 찾아볼 수 있죠. 하지만 호주 패션에는 또 다른 면모가 있습니다. 호주 원주민과 토레스 해협 군도민 출신 디자이너들은 수천 년 동안 의복과 액세서리를 만들어 왔으며, 그들의 전통은 오늘날에도 여전히 살아 숨 쉬고 있습니다. 런웨이, 세계적인 패션 캠페인, 그리고 일상복에서도 그들의 작품이 스며들어 있습니다. 호주 원주민 패션의 차별점은 무엇이며, 환경과 어떤 연관성을 가지고 있는지, 그리고 이러한 패션을 접할 때 알아두면 좋은 점은 무엇인지 알아봅니다.

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - إذا أمضيت وقتاً في أستراليا لفترة، فربما لاحظت الطابع العملي والمريح للأزياء اليومية الملابس الرياضية، علامات ركوب الأمواج، والأسلوب غير الرسمي الذي يطغى على الشارع. لكن خلف هذا المشهد المعتاد، هناك قصة أعمق في عالم الموضة الأسترالية.

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - Jika Anda pernah menghabiskan waktu di Australia, Anda mungkin memperhatikan betapa santainya gaya itu. Anda mungkin memperhatikan pakaian aktif, merek selancar, dan pakaian kasual di mana-mana. Tapi ada sisi lain dari mode Australia. Desainer Aborigin dan Torres Strait Islander telah menciptakan pakaian dan aksesori selama ribuan tahun - dan karya itu sangat hidup saat ini. Anda akan melihatnya di landasan pacu, dalam kampanye mode global, dan pakaian sehari-hari. Cari tahu apa yang membuat mode First Nations berbeda, bagaimana itu terhubung dengan lingkungan dan apa yang harus Anda ketahui jika Anda ingin memakainya.

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - Se teve a oportunidade de passar algum tempo na Austrália, é possível que tenha reparado que aqui o estilo tende a ser descontraído. É comum ver roupa desportiva, marcas de surf e peças informais um pouco por todo o lado. Mas há uma outra dimensão da moda australiana. Há milhares de anos que designers Aborígenes e das Ilhas do Estreito de Torres criam peças de vestuário, bem como acessórios, e este é um trabalho que se mantém vivo ainda hoje. É possível testemunhá-lo nas passerelles e em campanhas de moda internacionais, mas também em peças de vestuário do dia-a-dia. Neste episódio, damos-lhe a conhecer a moda das Primeiras Nações Australianas. Falamos-lhe sobre o que a distingue, sobre qual a sua ligação ao ambiente e, ainda, sobre de que forma pode apoiar designers das Primeiras Nações Australianas.

What do you wish I asked this guest? What was your "quotable moment" from this episode? We welcome Leah, a witch and singer from Quebec, to explore identity as a choice, the ethics of modern craft, and how voice can be a healing tool. We share stories of burnout, boundaries, warning dreams, and the power of community to amplify magic and keep us whole.• land acknowledgment for Jojage and First Nations stewardship• choosing witch as identity and living gender fluidity• intuition as data in divination and daily life• fluid practice without pressure for rigid routines• energy access alone versus in group ritual• burnout lessons and putting the mask on first• ethical magic and avoiding white sage and Palo Santo• cultural context, respect, and non-appropriation• early spells to present work and channeling energy• teachers who shaped voice work and energy practice• dream warnings around death and how to hold them• Release ritual show using song, breath, and bodyFollow Leah here! Support the showSupport the show and get tons of bonus content, videos, monthly spell boxes, and more at CrepuscularConjuration.com!Or become a paying subscriber on Buzzsprout: https://www.buzzsprout.com/1777532/supportWant to see if you're a good fit for the show? (Hint: if you're a witch, you probably are!) email me at youraveragewitchpodcast at gmail.comFollow YAW at:instagram.com/youraveragewitchpodcastfacebook.com/youraveragewitchpodcastReview the show on Apple podcastspodcasts.apple.com/us/podcast/your-average-witch-podcast/id1567845483

In this episode of The Clink, Brent Simpson sits down with proud First Nations man and renowned Indigenous artist Brad Turner. Brent and Brad first met over 20 years ago playing rugby league on the Gold Coast. Back then, footy was life — community, culture and mateship. But when a devastating workplace injury left Brad with permanent nerve damage and the loss of movement in his hand, everything changed. The phone stopped ringing. The identity he had built around sport began to unravel. What followed was a dark and dangerous battle with depression, self-harm and the overwhelming weight of feeling lost. In this episode, Brad opens up about the lowest points of his life — the moments where he couldn’t see a way forward — and the turning points that slowly brought him back. From the unwavering strength of his wife, to rediscovering purpose through photography, fitness and ultimately art, Brad shares how he rebuilt himself one day at a time.See omnystudio.com/listener for privacy information.

Fred from the Subarctic Alaska Sasquatch YouTube Channel is back! Be sure to click the link in the show notes below and check out Fred's amazing channel.Fred, a tribal council member from Dillingham, Alaska, returns to share chilling accounts of encounters with what he calls the “hairy man.” In his First Nations culture, these experiences are not sensationalized—they're part of oral history and everyday life in remote Alaska.In the first story, two relatives—“Penelope” and “Jasmine”—were camping on a gravel bar near the confluence of the Nuuk and Ishak rivers while heading to Harris Creek to prospect for gold. During the night, they heard strange noises and saw multiple sets of eyeshine—white and amber/red—watching from the darkness. Penelope witnessed a massive, dark, man-like figure with long arms moving along the riverbank.What followed escalated quickly: a blood-curdling scream, pebbles tossed into the water, and even a broken birch tree thrown into the channel. A towering figure—estimated around 12 feet tall—paced, swayed, squatted, showed its teeth, and vocalized while more eyeshine appeared in the distance, suggesting multiple beings.After a warning shot was fired, the activity briefly stopped—but later something crossed the channel, circled their tent while huffing like a bear, screamed from just 15 feet away, and even rocked a large tree stump near camp. Shots were fired from inside the tent before the pair fled in their boat, leaving their camp behind. Reports of screams, thrown objects, tracks, and even UFO sightings are common in the remote regions he represents.He then shares a second account from about 20 years ago. Two friends, “Benson” and “Terry,” set out on a 10-day fly-fishing trip that ended early after repeated frightening events. They experienced unnatural silence, large tracks, and the constant feeling of being watched. Terry saw a large man-like figure in the tundra and later encountered something 8 to 8.5 feet tall standing in a creek, unfazed by shouting. On the sixth day, Benson followed a strange melodic whistle and appeared briefly trance-like before Terry stopped him.That night, Benson finally saw the creature clearly—squatted about 20 feet from camp with glowing red eyeshine, a wrinkled face, massive hands, and large block-like teeth framed by thick fur. When Terry aimed his rifle, it screamed. Shots were fired, and they believed it may have been hit.The creature returned repeatedly that night and eventually grabbed and threw their tent before running off after more gunfire.By day seven, they hiked out and were picked up early. Benson later remembered a warning from a Native friend: “Do not mess with the hairy man.”Email BrianGet Our FREE NewsletterGet Brian's Books Leave Us A VoicemailVisit Our WebsiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-odyssey--4839697/support.

Travis Willier Moostoos is a multidisciplinary artist and self-described monster hunter whose work blends imagination, folklore, and raw creative expression. Known for vivid illustrations and storytelling that draw from myth, wilderness legends, and personal symbolism, Travis creates art that feels both ancient and modern at the same time. His pieces often explore themes of identity, shadow work, and the unseen world, resonating with audiences who are fascinated by cryptids, supernatural lore, and the mysteries that live just beyond everyday perception. Whether working on canvas, digital media, or mixed materials, his style carries a bold, unmistakable energy that reflects a lifelong passion for the strange and extraordinary.Beyond the studio, Travis embraces the persona of “monster hunter,” using it as both a creative brand and a metaphor for confronting fears, inner demons, and the unknown corners of the human psyche. Through art showcases, social media content, and collaborative projects within paranormal and creative communities, he invites others to explore imagination without limits. Travis Willier Moostoos continues to build a growing following among fans of fantasy art, cryptid culture, and independent creators, inspiring viewers to see monsters not just as creatures of legend, but as powerful symbols of courage, curiosity, and transformation.Spaced Out Radio is your nightly source for alternative information, starting at 9pm Pacific, 12am Eastern.  We broadcast LIVE every night. -------------------------------------------------------You can now join the Space Traveler's Club;Join us at  https://www.patreon.com/sor_space_travelers_club  --------------------------------------------------------Grab Our Latest Spaced Out Radio Gear At:http://spacedoutradio.com/shop  It's a great way to support our show!--------------------------------------------------------OUR LINKS:TWITTER: https://www.twitter.com/spacedoutradio   FACEBOOK:https://www.facebook.com/spacedoutradioshow  SPACED OUT RADIO - INSTAGRAM:https://www.instagram.com/spacedoutradioshow  DAVE SCOTT - INSTAGRAM:https://www.instagram.com/davescottsor   TWITCH: https://www.twitch.com/spacedoutradioshow  WEBSITE: http://www.spacedoutradio.comGUEST IDEAS OR QUESTIONS FOR SOR?Contact Klaus at bookings@spacedoutradio.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/spaced-out-radio--1657874/support.

Sheriff Brian Patterson steps away from the badge and into the microphone full time as Sasquatch Odyssey explodes beyond anything he ever imagined. Part Five picks up with the podcast in full swing, and the witnesses are lining up from every corner of the South and beyond to finally tell the stories they have been carrying in silence for decades.It starts in the mountains of northeast Georgia with a seventy-three-year-old retired logger named Earl Hutchins, a man who kept his mouth shut for forty-five years about what stepped out of the timber near Clayton in the fall of nineteen seventy-eight. His story breaks something open.The emails start flooding in from across the region, and Patterson finds himself recording encounter after encounter from witnesses who never had anyone willing to listen. A retired schoolteacher from Ellijay describes the thing that came screaming out of the Chattahoochee National Forest and changed the way she felt about the woods forever. A fishing guide from Everglades City recounts the night a pair of glowing eyes tracked him across the water in the Ten Thousand Islands. A teenage girl in Oconee County, South Carolina watched something unfold from a rhododendron thicket while her daddy's bluetick hound shook itself half to death against her leg.The stories stretch across state lines and keep coming. Arkansas. Tennessee. Virginia. A coon hunter and his cousin tree something in the Ouachitas that no lantern light should ever have revealed. A family of four flees a Cherokee National Forest campsite at three in the morning. A state trooper on Skyline Drive watches something cross a two-lane highway in three strides and never tells a soul.Then the podcast goes national and the picture gets bigger. A Lummi Nation elder speaks of the Ts'emekwes his people have known for thousands of years. A woman in the Hocking Hills of Ohio locks eyes with something standing between the trees in broad daylight and never hikes again. From Louisiana to Alaska to Hawaii, the encounters pile up, and Patterson starts to understand that this is not a regional phenomenon. It is everywhere. When the show crosses international borders, the scope becomes staggering. A First Nations man from British Columbia reminds the world that his people gave us the word Sasquatch in the first place. A Russian researcher describes a shape moving through snow in the Pamir Mountains. An Australian prospector watches something vanish from a waterhole in the outback. Sherpas in Nepal, scientists in China, guides in the Amazon — every culture, every continent, every corner of the wild world has a name for what lives in the places humans do not go. But it is the deep encounters that change everything. A hospice nurse in rural Kentucky describes the night something appeared at her dying husband's window and hummed him into his final moment of peace. A lost hiker in the Gila Wilderness receives images in her mind that lead her back to safety. A former Army Ranger wakes paralyzed in the Big Thicket while something rifles through his thoughts like pages in a book. These are the stories that keep Patterson up at night and force him to ask whether these creatures are something far stranger and far more profound than anyone has been willing to consider. By the end of Part Five, Patterson is two years into full-time podcasting with over three hundred interviews behind him and patterns emerging from the noise. The creatures follow corridors. They move with the seasons.They choose when to be seen. And a small but undeniable percentage of encounters suggest something beyond biology, beyond what any scientific framework can currently explain. The podcast has crossed a million downloads. The community is growing. The world is slowly waking up. And somewhere out in the deep woods, something is watching back.Email BrianGet Our FREE NewsletterGet Brian's Books Leave Us A VoicemailVisit Our WebsiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-odyssey--4839697/support.