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Become a sustaining member today. For $5 a month, we'll send you an Outside/In baseball cap. The first 250 people to donate during our fall fund drive will also receive a "ginkgo love" sticker. Support Outside/In today!Earlier this year, our host Nate Hegyi picked a fight with Ryan Zinke. Zinke is the former Interior Secretary under Trump – the guy who rode into office on horseback. In the midst of an awful few days in June, when Canadian wildfire smoke blanketed the entire east coast, Zinke took to Twitter and argued that the solution was “active forest management.” Nate assumed that was a political code word for more logging, something Republicans have been pushing for years. But instead of firing back, he decided to fact-check his assumptions and study up. Why are Canadian wildfires getting so intense? Is it possible to stop the smoke by logging the boreal forest? And what would Teddy Roosevelt have to say about this?!Featuring Phil Higuera, John Vaillant, Ryan Zinke, and Courtney Shultz. SUPPORTOutside/In is made possible with listener support. Click here to become a sustaining member of Outside/In. Subscribe to our newsletter (it's free!).Follow Outside/In on Instagram or join our private discussion group on Facebook.Submit a question to the “Outside/Inbox.” We answer queries about the natural world, climate change, sustainability, and human evolution. You can send a voice memo to outsidein@nhpr.org or leave a message on our hotline, 1-844-GO-OTTER (844-466-8837). LINKSCheck out our episode about prescribed burns (10X10: Pine Barrens).The NPS has a good overview of how indigenous fire practices shaped North America.“As Canada reels from wildfire, First Nations hope for larger role” (Al Jazeera) CREDITSHosted, reported and produced by Nate HegyiEdited by Taylor Quimby and Rebecca LavoieOur team also includes Justine Paradis, Jeongyoon Han, and Felix Poon. Rebecca Lavoie is our Executive ProducerMusic by Blue Dot SessionsOutside/In is a production of New Hampshire Public Radio
Disaster Management Centres I Victorian ALP Government Declares War on Public Housing Tenants I NDIS - Home Affairs: What Did You Expect? I What Will the Loss of the Voice Referendum Mean For Australia's First Nations? I The United States Screenwriters and Actors Strike: If Only Australian Workers Had The RIght to Strike I All the Way With the USA: the Super HIghway to Disaster I Privatisation Boy Quits!! I Peter Norman Day 9th October
What is the purpose of a federal government that not only fails to protect our border but actively subverts it? We're joined today by Todd Bensman of the Center for Immigration Studies, who warns that the number of people bum-rushing our border is unlimited. There are millions of Venezuelans living as a diaspora throughout Latin America, and they have all been invited by the Biden administration. He also explains how Border Patrol is actively helping the invaders subvert Texas' security measures. This is why we absolutely need a budget fight this week. I preview the details of the latest budget bills and how Senate Republicans are actively harming our ability to focus on the border or any other important issue. Also, at some point we cannot allow federal control over immigration to become a suicide pact to deny states the right to self-defense. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sto:lo First Nation finds nearly 160 child deaths at BC facilities Indigenous chef cooks up classic cuisine at Denver community kitchen
This is a critical moment for forests in British Columbia. Three years have passed since the B.C. government promised to work with First Nations to implement a paradigm-shift in forest stewardship, as laid out in the Old Growth Strategic Review. Yet the B.C. government has made little progress on their promises. On September 28, communities across the province are coming together in a day of action to protect the last remaining old growth in BC. I talk with Jens Wieting, Senior Forest and Climate Campaigner with Sierra Club BC.
Clayoquot Sound near Tofino is known for the War in the Woods, a fight over old growth logging. Reporter Emily Vance takes us there to learn about the ways First Nations are re-asserting leadership when it comes to conservation on their traditional territories. Meet Melina Laboucan-Massimo, What On Earth's new Indigenous-led climate solutions columnist. And – marking a year since Hurricane Fiona made landfall on Canada's east coast, Paul Landry in New Brunswick explains why community support is key to surviving the next storm.
Cosa vedere sui canali televisivi SBS? Ecco i nostri consigli per la settimana dal 22 al 28 settembre. In Australia, potete poi vedere il vostro programma preferito o recuperare quello che avete perso su SBS On Demand.
Today, we're looking at Alberta NDP Leader Rachel Notley following Justin Trudeau's lead, struggling to promote anything other than federal ideas in an attempt to attack Danielle Smith. Plus, there's more claims of alleged unmarked graves from two more First Nations in British Columbia. And finally, with an election drawing near in Manitoba, both the province's top parties vying to form government are pledging not to reimpose lockdowns.
I'm really happy to have had the chance to chat with Swasthik, she is such a beautiful presence in the tattoo world. Known as gunga_ma, for Swasthik tattooing runs deep in her blood. Her grandma, called Paccai Kutta Ma (tattoo mama), has been sticking and poking tattoos for over 40 years. Together with the spiritual practice she inherited growing up, she has been exposed from a young age to sacred symbols and rituals that reflects into her own art. I admire her work not only for the craftsmanship, creativity and dedication behind it but also and especially for the spirit with which she infuses it. A strong work ethic where the personal relationship with customers is a priority and gratitude is foundation on which her work stands. In the last years she has been progressively reconnecting more with her roots, especially the warrior women of the First Nation. In her words: “The women who bless me, guide me, show me strength. In our tradition, Women are Devi, women carry life, carry pain, carry compassion and carry wisdom.” Follow Swasthik on Instagram Stay up to date with new releases Instagram You can check out the other projects and classes at stefbastian.com
Chelsea and Catherine get a followup from a world-traveler, discuss the delights of a fat baby, and help a First Nation artist find the love of his life (hopefully). Then: A new diet comes between two besties and their indulgent dinners out. A 30-something's boyfriend can't commit. And a lovebird isn't concerned about her boyfriend's alternative look… but her mom has other ideas. * Slide into Patrick's DMs at @patrickhunter_art! * Need some advice from Chelsea? Email us at DearChelseaPodcast@gmail.com * Trigger warning: This episode contains discussions of disordered eating. Thanks to Betterhelp for sponsoring our new segment, Calling In Backup, and to Courtney Cope, Licensed Marriage Family Therapist and Principal Clinical Operations Manager at BetterHelp. * Executive Producer Catherine Law Edited & Engineered by Brad Dickert * * * * * The views and opinions expressed are solely those of the Podcast author, or individuals participating in the Podcast, and do not represent the opinions of iHeartMedia or its employees. This Podcast should not be used as medical advice, mental health advice, mental health counseling or therapy, or as imparting any health care recommendations at all. Individuals are advised to seek independent medical, counseling advice and/or therapy from a competent health care professional with respect to any medical condition, mental health issues, health inquiry or matter, including matters discussed on this Podcast. Guests and listeners should not rely on matters discussed in the Podcast and shall not act or shall refrain from acting based on information contained in the Podcast without first seeking independent medical advice.See omnystudio.com/listener for privacy information.
Chelsea and Catherine get a followup from a world-traveler, discuss the delights of a fat baby, and help a First Nation artist find the love of his life (hopefully). Then: A new diet comes between two besties and their indulgent dinners out. A 30-something's boyfriend can't commit. And a lovebird isn't concerned about her boyfriend's alternative look… but her mom has other ideas. * Slide into Patrick's DMs at @patrickhunter_art! * Need some advice from Chelsea? Email us at DearChelseaPodcast@gmail.com * Trigger warning: This episode contains discussions of disordered eating. Thanks to Betterhelp for sponsoring our new segment, Calling In Backup, and to Courtney Cope, Licensed Marriage Family Therapist and Principal Clinical Operations Manager at BetterHelp. * Executive Producer Catherine Law Edited & Engineered by Brad Dickert * * * * * The views and opinions expressed are solely those of the Podcast author, or individuals participating in the Podcast, and do not represent the opinions of iHeartMedia or its employees. This Podcast should not be used as medical advice, mental health advice, mental health counseling or therapy, or as imparting any health care recommendations at all. Individuals are advised to seek independent medical, counseling advice and/or therapy from a competent health care professional with respect to any medical condition, mental health issues, health inquiry or matter, including matters discussed on this Podcast. Guests and listeners should not rely on matters discussed in the Podcast and shall not act or shall refrain from acting based on information contained in the Podcast without first seeking independent medical advice.See omnystudio.com/listener for privacy information.
Indigenous voters in Guatemala protest attempts to block Arévalo St Regis Mohawk tribe hosts NY's First Nations deputy secretary U.S. Senate holds tribal water quality hearing on Capitol Hill
The campaigning around the Voice to Parliament has been heated, but this week figures in the “No” camp threatened to turn that negativity on each other. Leading “No” campaigner Warren Mundine claimed that defeating the referendum would make treaties between governments and First Nations people more likely. Fellow campaigner Jacinta Nampijinpa Price declared “you can't have a treaty with your own citizens”. And there's division over Opposition Leader Peter Dutton's proposal to hold a second referendum. Today, columnist for The Saturday Paper Paul Bongiorno on the tensions in the “No” camp and whether they will make a difference on polling day. Socials: Stay in touch with us on Twitter and Instagram Guest: Columnist for The Saturday Paper, Paul Bongiorno.
What you'll learn in this episode: How Arnoldsche collaborates with authors to create an effective design for each book What young artists should know before trying to publish a book How Dirk keeps tabs on trends and new developments in jewelry and decorative arts How Arnoldsche selects the right markets and languages for its books Why the art book market has changed dramatically over the last 10 years, and how Arnoldsche has adapted About Dirk Allgaier: Since April 2015, Dirk Allgaier has headed Arnoldsche Art Publishers, an internationally active publisher of art books that offers a unique list of titles in the fields of fine art, applied art and design. With great expertise, sheer hard work and a passion for his profession, he and his team ensure that books from Arnoldsche become what they are: high-quality, individually designed publications and book objects that transport the broad range of creative endeavor in all its diversity across the globe. Additional Resources: Arnoldsche Art Publishing's Website Arnoldsche Art Publisher's Instgram Arnoldsche Art Publisher's X/Twitter Photos Available on TheJewelryJourney.com Transcript: No other publishing house in the world has published as many books on jewelry, ceramics and other applied arts as Arnoldsche Art Publishing. Led by Dirk Allgaier, Arnoldsche is the go-to source for anyone who wants to learn more about the decorative and applied arts, the people who create them, and the museums that exhibit them. Dirk joined the Jewelry Journey Podcast to talk about how he selects the 10 to 15 books Arnoldsche publishes each year; how he works with artists to create a beautiful and informative book; and why a language barrier doesn't always prevent someone from reading an art book. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com. My guest is Dirk Allgaier of Arnoldsche Publishing. They're art publishers, and if you have any kind of design library—and that includes jewelry, ceramics, monographs on artists, furniture and more—you no doubt have books that have been published by Arnoldsche. Welcome back. Do you have people come that you haven't heard of, but they have great expertise? Maybe they're a professor or somebody else that has a lot of expertise in their area? Dirk: I know our field quite well; it's a small field, but it happens that people approach me and send me a suggestion for a new book project and I don't know the artist. There's always something new to discover. I say every book we are doing, not only in jewelry but also in ceramics or in wooden art, in metalware, in furniture, in textile, in glass, it opens a new window. It gives me a new prospectus to see new things which I did not know before. This is a reason why I like my job. I love my job very much. It happened last year at the Art Jewelry Forum. Susan Cummins suggested to me to publish a book about Keith Lewis, the American jewelry artist. I really did not know his work. I read the manuscript in the evening when I was home. I was reading; I looked at the images. I was thinking, “That's fantastic, what he did. It was the 1980s. He was so progressive. He was so political in that time, so important. Today what is he doing?” That was totally new, and now we are publishing his book. It's designed. We are now doing the images. In about four weeks, we go to press for that book. So, it happens on the jewelry scene that artists are suggested to me, are recommended, which I do not know. But most artists, of course, I know more or less their work. Sharon: Susan Cummins had brought you several books before this Keith Lewis one. Does that reflect? Did you take that into account when you were deciding? Dirk: We met each other and decided to cooperate, to collaborate, because she has fantastic topics in jewelry. It's very political, the book about Laurie Hall. It's about Northwest American jewelry. We say in Germany it's narrative jewelry. This kind of jewelry was not so well-known in Europe. We have a very strong distribution. We sell our books worldwide, so we bring this topic through the book to an international audience, to the international market. It's important for this American artist to be represented through the book internationally, so it's a win/win situation. Susan has wonderful topics for publications. We produce the books and distribute them internationally. It's a very good joint venture. Sharon: You distribute them. I haven't seen them in the States, I don't think, except the Art Jewelry Forum books. I'm seeing those, but that's it. Dirk: We have a distributor in the United States. It's ACC Art Books. Every book is stored in the United States in a warehouse, and we have representatives in the United States. You can go to a bookshop and order our books, but the books are such special books that they are only in special bookstores, mainly in museum bookstores, like the Metropolitan Museum or the Museum of Modern Art in New York. The bigger bookstores and art bookstores have our books, but everything changed in the last 10, 15, 20 years. There are not so many bookshops left, so mainly art books are available online. This is an online trade. If you did a book about Sam Kramer, if you Google Kramer, you find immediately that you have to buy our book either on Amazon or on Book DE or on Instagram. You can order the book online. It's really a change to selling books. 60% to 70% of books we are selling now online, not through bookstores. Sharon: Does somebody come to the website and see a book they want? Dirk: We have a web shop. You can order the book from our web shop. That's also possible. Wherever you are living, you can order it. For example, when you are living in the United States, you can order it from the web shop, and our American partner or American distributor will send you the book within a short timeframe. Within three or four days, you will have the book. Sharon: Now, some of your books are only in German. Dirk: Yes. Sharon: Since I don't speak a word of German, what do you do? Do you have some in English and some in German and some half and half? Dirk: It depends on the topic. We publish in many languages, but the main language is English. That's definitive. English is very important, but there's also German if it doesn't have a major audience. Then it's also a question of money or financing. There are translation codes, which are very extensive. You have to make an extra typesetting. You need more pages. You need more printing. Then we say, “O.K., we leave it only in German. We know we would not sell many copies in the English-speaking market, so we leave it in German.” But mainly the books are in English. A few are only in German, but if the artist comes from another country, we also publish books, for example, in the French language, in Italian, in the Norwegian language, also in Estonian, in Catalan. We have two books in the Hebrew language, in Arabic and even in the Japanese language. It depends where the artist is living and in which country the topic is, and then we publish in different languages. Sharon: Wow! The jewelry you mentioned, and in looking at your books, it's so contemporary. Is that what you look for? It's really unusual. Dirk: Yeah, because for us, jewelry is art. There is no difference. It's studio jewelry. It's art jewelry. It's like an art book. We have to publish jewelry books like an art book, and that's very important. The style of the jewelry, its artistic value, is represented in the book, so the quality must be very high. You must see the high value of jewelry. You must see it in the book. That's why it's important for us. Sharon: That's interesting. So, you wouldn't publish a book on “normal” jewelry. Dirk: We do books about higher-range costume jewelry because they're fantastic topics. In the 1920s in Germany, in the Art Deco period, there were companies who did articles of fantastic jewelry. Next year, we are planning a book about the New York jewelry designer Marcus & Co. So, we have books about art and costume jewelry, but not about the regular jewelry you can buy in a regular shop. This is not our interest. Sharon: Have you ever started a book and then said, “Forget it. This is too complicated,” or “There's not a market”? Dirk: No, normally we don't. If I start something, I bring it to an end. That's very important for me, even if it's very, very difficult. Usually, once we start on a book, we finish it. That's very important. I remember a book we did 20 years ago. It was about an Italian topic, and everybody told me at the time, “You would never publish that book. You would never finalize it,” but we did it. That made me very proud; that we did this book finally. Every book we've started, we finished the book. For me, it's important to publish a book together with an artist or with a partner—the person is a partner for me—with a lot of mutual respect and to achieve a result which satisfies everybody: the publishing house, the artist, the museum. If we work together for three, four, five months, it's like a partnership. You work very intensively together with an artist, and the results just have to be right. That's very important. You put the book together; you celebrate; you're happy. That's how it should be, and that's how it is, usually. Sharon: Do you go to book trade shows where they have new books? I don't know if they still have them. They used to have book trade shows. Dirk: They had it some years ago, but there's no big importance anymore. There are book fairs in Frankfurt, so we go to Frankfurt. 20 years ago, we went to the Chicago Book Fair, to the American Book Fair, to London, but we don't do that so much. We have our books at the Schmuck in Munich, of course. You can buy them at the Schmuck Fair, or if there are special ceramic fairs, special jewelry events. We also have bookshops that go there. They have their stands there, and there are books at these events. Sharon: I was looking online at your books. I noticed there were books about Babetto and I was surprised. None of it looked at the jewelry; they looked at the furniture and the drawings and things like that. What made you decide to do a second book on Babetto? Dirk: The first book—I think it was the year 2009, 2010. Pinakothek der Moderne is a big museum, and every year during Schmuck, they have a big exhibition on the roof of the rotunda. Every year they show a different artist. They showed Thomas Gentille, for example, Anton Frühauf, Hermann Jünger, Peter Skubic. 15 years ago, they showed Giampaolo Babetto. We did a small but very special book on Giampaolo Babetto on the occasion of the exhibition. That was 2008, 2009. Last year, Giampaolo asked, “Can you come to Italy? Can we meet? I'm planning a new book.” He planned a complete oeuvre catalogue of all his work in jewelry, in metalware, in architectural design, in religious pieces. So, we did an oeuvre catalogue. All his work from the beginning until 2022 is published in the book. Those are two different approaches. One was very personal for the exhibition, and this last was the catalogue about his work. It's a total Babetto. Sharon: That's interesting. There didn't seem to be that much jewelry in the Babetto books. It was more his other designs, his other things. Dirk: One half of the book is jewelry. The other half is his metalworks, his furniture designs and the other things. Sharon: For those who don't know what Schmuck is, do you want to describe it? Dirk: It's an annual event in Munich on the occasion of the International Art and Crafts Fair. It's an international trade fair for crafts and design. In 1959, it was founded by Herbert Hoffmann. It was a competition where contemporary jewelry was presented in a small part of the fair. That was the beginning over 60 years ago. It was a very small event, but every year it became bigger. Now it's still the Herbert Hoffmann Award, the Herbert Hoffmann Exhibition, but throughout the whole city, there are about 50, 60 galleries showing jewelry in contemporary galleries. They rent a space, they show jewelry, and they come from all over the world. It's a huge event which lasts five days. You can see a lot of jewelry. You have gallery exhibitions. You have some museums that show jewelry. The Mesa is a big exhibition. The whole world of contemporary art jewelry, of studio jewelry, is in Munich. Sharon: I've only been a couple of times, but I didn't know Herbert Hoffmann was so integral in it. I know they have a prize. Dirk: Yeah, the award. You can go online. You can look up the Herbert Hoffmann Award and see the prize winners from 1959. You read these names, and it's really the top of the top of international jewelry artists. It's very interesting to read the award winners of the Herbert Hoffmann Prize. Sharon: Wow! I didn't know it was so old, either. These people, the authors who want to write a book or a museum, do they have the person in mind who's going to put the book together? Do they have the illustrator? Do they have the photographer in mind, or do they let you decide? Dirk: It's important if you write a book to have photographs available. Every artist has an archive of photographs, and every artist's archive is different. Some have a very accurate archive with good photographs, and they know exactly what goes into the books. Some other artists have only images or older slides. Here we can be of help. We can make sense of old photographs. Usually, an artist has photographs for the book and they know which pieces should go into the book, but often I sit together with artists and we go through the materials, through the pieces. For an artist, it's often difficult to make a decision, to take this piece or that piece. Then we sit together and say, “It's that piece and not that.” Photography is very important. An artist can have a designer, or we have the designer and we do image editing for the images. We do printing, and then we include the book in our book program, into our publishing list. Then we send the book worldwide on our list. This is the way. Sharon: What country are most of your sales in? I don't know if it's Germany or Switzerland or Austria. Dirk: We are selling one-third of our books in German-speaking countries, in Germany, Switzerland and Austria. They still have a strong market for art books and for jewelry books. Two-thirds we sell outside the German-speaking countries. England is a very important market. Scandinavia buys our books, and, of course, the American market is important for us. We sell books in China. We have one representative and he's Chinese. There are big distributors in China, so we are sending books to the distributors, and they are selling the books to the individual bookstores and individual customers in the country. Japan is very difficult to sell books. South Korea is an important market for us. We sell some books in Australia as well, but I can say Germany, England, America and China. These are very important markets for us. Sharon: If somebody doesn't speak the language—I'm thinking of myself—do you just look at the pictures? What do you do? Dirk: There's a society of booksellers here in Germany. They made a test with people. They asked a thousand people, “What are you doing when you buy a book with images such as an art book? What are you doing with the book? Do you read it? Do you look at images?” They found out that only 10% of the book buyers are reading a book. 90% are looking at the images and reading here and there a little bit, but almost nobody is reading a book from the beginning to the end. Sharon: I don't feel so bad because I look at the pictures. What languages have you thought about? Have you thought about French? Are there other languages you've thought about putting your books in? Dirk: I think English and German are the most important. In France, it's difficult to sell books because the market is very small. When we have a French artist, of course we publish the book in French, but if the artist is not French, we don't publish a book in the French language. It's a small market. The book trade market is quite difficult, so the artist should be French-speaking, and then you publish it in French. I would like to publish a book in the Chinese language, in Mandarin, because we didn't do this yet. We have a book about New Zealand artists coming in two years, and it would be wonderful to have at least one essay in Māori, in the native language of New Zealand. That would really be a task for me to do, but it would appreciate the First Nations people of the country. Sharon: Any other plans besides other languages? What are your plans besides the books in production? What else would you like to do? Dirk: Generally, for me it's important that every half-year we have a catalogue. All our new books are featured in a catalogue which we send out every half-year. So, for me, the most important challenge is to have a good program to find newer catalogues which I present to people every half-year. This is the most important. And to find a place for our special books, because it's not easy to find places. It's a niche program to find readers, to find people who buy the books and to find new people who did not know anything about artistic jewelry or studio jewelry. So, to find new people to bring a fascination for art into the world and to find new friends, new people who really love our work. That's the most important thing for me. Sharon: I hope that you do. Thank you so much for being with us today. I really appreciate it. Dirk: Thank you very much, Sharon. Thank you. Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out. Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.
How we value forests is changing, and our management strategy is often playing catch up. As a result, forest management in British Columbia is undergoing a paradigm shift. It is a values shift. A more holistic approach to managing forests that accounts for more than just the sustainability of trees. Old Growth was the lighting rod, ecosystem health is the goal. Garry Merkel came on to give us the run down how things area changing and why. ResourcesA New Future For Old Forests: https://www2.gov.bc.ca/assets/gov/farming-natural-resources-and-industry/forestry/stewardship/old-growth-forests/strategic-review-20200430.pdf Declaration on the Rights of Indigenous Peoples Act (DRIPA): https://www2.gov.bc.ca/gov/content/governments/indigenous-people/new-relationship/united-nations-declaration-on-the-rights-of-indigenous-peoplesSponsorsWest FraserGreenLink Forestry Inc.Quotes08.32 - 08.55: “The forest is not the ecosystem; the forest is the product of the ecosystem. The ecosystem is the whole environment - all the species together, the relationships between those, the different water cycles, carbon cycles, sun, etc… that all result in conditions that can foster certain kinds of forests.” TakeawaysA change is needed (04.48)Garry shares that people are unhappy with the way forests are managed unsustainably and with values compromised. Trees are not commodities (08.24)Garry explains that a forest that is burnt or blows over comes back as the same forest in an intact ecosystem. Co Governance (11.45)Garry and Al recommended that the BC Government build a strategy collaboratively with the Indigenous community to prioritise ecosystem health with consistent policies in a 3 zone framework. Preserving old growth (15.39)Garry suggests changing silviculture practices from clear cut to more natural disturbance type to maintain ecosystems and increase the targets for old growth. A big societal shift (20.50)Garry believes the shift to protecting old growth requires three big shifts - shifting to joint governance with Indigenous communities, shifting to inclusive, multi-sectoral regional based planning and decision making and shifting our entire mental framework from focusing on individual resources to focusing on ecosystems. Sustainability is the journey (26.20)Garry thinks this shift will be more sustainable even as it changes our economic relationships with the land. “Life is what happens when you are planning what to do” (39.57)Garry speaks about the challenges of implementing changes with COVID and the varied 200+ First Nations in BC. He is working on implementing the Forest Landscape Plan in BC. Preserving forest values (45.15)Garry laments that there are processes currently taking place that haven't received consent from First Nations and that not all percentages of old growth protection have been met. “Moving at the speed of understanding and trust” (1.00.46)Garry observes that many industries are realizing the importance of a holistic approach to land management. Science and wisdom (1.10.12)Garry suggests each individual begin their own learning journey, communicate their vision with their local representatives and learn from Indigenous wisdom about land management.The paradigm shift (1.15.47)Garry explains, “A paradigm shift is simply a significant change in thought”, and action follows a paradigm shift. Living in harmony with nature (1.21.48)Garry shares how different countries have adopted different land management practices and how they are transforming their approaches.
During London Fashion Week, Australia's High Commission has been transformed into an international runway showcasing Indigenous designers. It's the first time a show dedicated exclusively to Aboriginal and Torres Strait Islander designers has been held at Australia House.
Prime Minister Anthony Albanese is motivated by love and hope, lessons he learnt from his single mum Maryanne growing up in a council house in Sydney. It was from Maryanne that he also learned the values of social justice and fairness, always fighting for what he believes. In this episode Jess and the PM dig deep on how he came to terms with the end of his marriage before finding happiness again with his partner Jodie, why almost losing his life in a car accident left him more damaged than he let on and changed the way he does politics, and the surprising reason why being a Prime Minister isn't as stressful for him as you might think. ‘Albo' also opens up about being an emotional guy, and how it feels when he's personally attacked for doing his job, including his passion for The Voice referendum and why a YES vote is so important. As he explains on October 14 you are not going to be asked to vote for a political party or for a person, you're being asked to vote for an idea. To say YES to an invitation that comes directly from Aboriginal and Torres Strait Islander people themselves. If you still have questions, and you're undecided, you can visit https://voice.gov.au/ and https://www.yes23.com.au/ for plenty more information The Jess Rowe Big Talk Show acknowledges the Gadigal people, Traditional Custodians of the land on which we recorded this podcast, and pay our respects to their Elders past, present and extend that respect to all Aboriginal and Torres Strait Islanders peoples here today. Show Credits:Host: Jessica RoweExecutive Producer: Nic McClureAudio Producer: Nat Marshall Digital Content Producer: Amy Code See omnystudio.com/listener for privacy information.
Join me this week for a Permaculture Writer's special in conversation with amazing permaculture educator and doer, author and grower Kirsten Bradley from Milkwood Permaculture. As this podcast is going live, Kirsten has just released her new book -> 'The Milkwood Permaculture Living Handbook: Habits for Hope in a Changing World'. You can find it in your local library, bookstore, online and maybe even in your street library!It was so great to catch up with Kirsten, chatting about everything from her writing process and the importance of books to how to find a belonging to place when you're renting and practice 'active hope'.I hope you enjoy this episode as much as I enjoyed making it!For those who were interested in Kirsten's reference to the book 'It's Not That Radical:Climate Action to Transform Our World' by Mikaela Loach, here it is! And for those looking for Jonathan Lear's book around First Nations' stewardship, it's called 'Radical Hope: Ethics in the Face of Cultural Devastation'.Support the showThis podcast is an initiative of the Permaculture Education Institute.Our way of sharing our love for this planet and for life, is by teaching permaculture teachers who are locally adapting this around the world - finding ways to apply the planet care ethics of earth care, people care and fair share. We host global conversations and learning communities on 6 continents. We teach permaculture teachers, host permaculture courses, host Our Permaculture Life YouTube, and offer free monthly film club and masterclass. We broadcast from a solar powered studio in the midst of a permaculture ecovillage food forest on beautiful Gubbi Gubbi country. I acknowledge this is and always will be Aboriginal land, pay my respects to elders past and present, and extend my respect to indigenous cultures and knowledge systems across the planet. You can also watch Sense-Making in a Changing World on youtube.SUBSCRIBE for notification of each new episode. Please leave us a 5 star REVIEW - it really it does help the bots find and myceliate this show.
The Voice is sparking more dangerous and divisive ideas including a First Nations jury & an LGBTQI+ advisory body, 'Yes' protestors hurl abuse at attendees of a 'No' event. Plus, a US comedian caught out embellishing racism for laughs.See omnystudio.com/listener for privacy information.
Australia is closing in on the referendum that could change the constitution and establish an Aboriginal and Torres Strait Islander Voice to Parliament. The referendum is going to be held on Saturday October 14th, where Australians will be given the opportunity to vote on enshrining recognition of First Nations people in our constitution. But while the idea of a First Nations body speaking directly to government might be a first for Australia, it's far from a first for the world. There are a number of other countries who have representative bodies and mechanisms built into their governments, some for a really long time, including in Aotearoa New Zealand. So, how do those systems work? And what lessons can we learn from them? Today, we're going to take a deep dive into how some countries have built First Nations recognition into their parliaments – and how effective they've been. Subscribe to Mamamia GET IN TOUCH Feedback? We're listening! Call the pod phone on 02 8999 9386 or email us at podcast@mamamia.com.au CONTACT US Got a topic you'd like us to cover? Send us an email at thequicky@mamamia.com.au CREDITS Host: Elfy Scott With thanks to: Professor Dominic O'Sullivan Producer: Elfy Scott Executive Producer: Kally Borg Audio Producer: Thom LionBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.
The Federal Minister for Indigenous Australians Linda Burney says many First Nations people are distressed and disgusted by her political opponent's comments on the arrival of British settlers. But No Campaign leader and Opposition Minister Jacinta Nampijinpa Price has been praised by the Opposition Leader as "brave" after she asserted there were no negative impacts from colonisation.
In this captivating podcast episode, we delve into the profound and enlightening memoir journal penned by Annette Alix Roussin. Starting as a child in a remote First Nations community, Annette's life path took her from humble beginnings to the halls of academia at the University of Manitoba, where she pursued a Master of Social Work degree. This higher education expanded her knowledge and became a crucial vehicle for her to explore the profound impacts of colonization on Indigenous communities and her own personal journey.Annette's memoir journal is a poignant narrative that reverberates with the generational effects of colonization on the mental health and well-being of Indigenous Peoples. It is a work grounded not only in her own experiences but also fortified by the insights of other Indigenous authors. Listeners will be moved by the candid accounts of how colonization deeply affected Annette's self-esteem and personal development.Through her storytelling, Annette shares her own transformative journey of reconnecting with her culture and finding healing in the face of the painful legacy of colonialism. What makes this podcast episode truly unique is its invitation for readers to immerse themselves in this sacred space and reflect on their own relationship with colonization, self-identity as an Indigenous person, and their role as Canadian citizens. Journal prompts scattered throughout the book provide opportunities for introspection and engagement, making this memoir journal a powerful tool for personal growth and societal reflection.Whether you are an Indigenous person navigating your own path to self-discovery or a non-Indigenous individual seeking to understand and empathize with the lasting effects of colonialism, this podcast episode offers valuable insights into Annette's remarkable journey and the broader implications of colonization. Join us as we unravel the pages of this compelling memoir journal, exploring the profound questions it raises about identity, healing, and the collective responsibility we all share in shaping a more inclusive and understanding future.To learn more about Annette Alix Roussin's work and acquire her book, visit her website HERE and find "I Am My Culture: My Memoir of Self Determination, on Amazon, HERE in Canada and HERE on Amazon.com.
Joshua Creamer went from apprentice butcher to one of a handful of First Nations lawyers in the country, working on some of the country's biggest human rights class action cases. After his life was turned upside down by tragedy, he decided to trek to Everest base camp to find solace in the Himalayas (CW: discusses domestic violence and suicide)
Welcome to Episode #100 of the Wild Yoga Tribe Podcast! My conversation with Kate Herrera Jenkins, a native yoga teacher who is from the Cochiti Pueblo, was gorgeous and glorious as we took a deep dive into the spiritual understanding of yoga as ceremony. We all want to have a place where we feel that we belong and where we empower each other through spirit— that's something the whole world could benefit from, a tribe, tribal energy, the tribal mindset and SOUL set. If you're looking to tune into a podcast episode that is all about yoga on native lands then this is the conversation for you. Support the podcast: https://www.patreon.com/wildyogatribe For the skimmers - What's in the Yoga on Native Lands episode? Yoga as ceremony Yoga and ministry Yogic and Indigenous traditions The tribal mindset and soulset The meaning and usage of the word tribe Tell me more about Kate Herrera Jenkins Kate Herrera Jenkins, a native yoga teacher who is from the Cochiti Pueblo, discovered her spiritual connection to yoga in 2007, as it was reminiscent of her experiences in the traditional Kiva on her reservation. Healing both physical injuries from running and emotional wounds from her past, she found renewal and confidence through hot yoga, completing various training programs. Former owner of Kiva Hot Yoga and Iron Tribe Fitness, she founded Native Strength Revolution, a community of Native American and First Nations yoga teachers and wellness leaders. What to expect in the Yoga on Native Lands episode of the Wild Yoga Tribe Podcast Let's celebrate the 100th episode of the Wild Yoga Tribe podcast with Kate Herrera Jenkins, a Native American yoga teacher. The podcast episode is a heartfelt exploration of the intersections between yoga and native traditions. Kate reveals how the magic truly happens when diverse individuals come together, bringing their own stories, songs, and prayers to the practice. These personal narratives breathe life into yoga's ancient wisdom, creating a unique and beautiful learning experience. The conversation is also deep dive into the concept of community, culture, and the universal need for a "tribe." Kate and Lily discuss the significance of creating spaces where people from diverse backgrounds can come together, share, and learn. Kate speaks about her native heritage and the importance of welcoming others into her culture through feasts, where food and hospitality take center stage. Through Kate's words, she truly conveys the power of yoga to foster connection, resilience, and healing in individuals and communities alike. The 100th episode concludes with an invitation to support Native Strength Revolution, Kate's non-profit organization that offers free yoga classes, an app, and various events. By participating in their offerings, you not only deepen your own practice but also contribute to building a community that celebrates diversity and cultural exchange. The 100th podcast episode is a warm and inviting journey into the heart of yoga and native traditions. It seeks to remind us of the power of community, the importance of honoring our roots, and the transformative potential of yoga in our lives. Connect with Kate Herrera Jenkins to learn more about Yoga on Native Lands nativestrengthrevolution.org https://synergy.yoga/nsrtulum Want more? Head on over to my website https://wildyogatribe.com/thepodcast/ Questions? Comments? Let's get social! https://www.instagram.com/wildyogatribe/ https://www.tiktok.com/@wildyogatribe https://www.facebook.com/wildyogatribe https://twitter.com/wildyogatribe Everything you need is just one click away! Check out all the resources here: https://linktr.ee/wildyogatribe #nativestrengthrevolution #nativeyoga #nativeamericanyoga #indigenousyoga #firstnationyoga #firstnationsyoga #yogaaroundtheworld #globalyoga #internationalyoga #wildyogatribe #yogateacher #yogateacherstory --- Send in a voice message: https://podcasters.spotify.com/pod/show/wildyogatribe/message
Smoke sweeps through the treetops as a fire consumes the dense undergrowth of the Australian winter bush. To the uninitiated, this fire might appear to be dangerous, but it is actually a controlled, ‘cultural fire', preparing the vegetation ahead of a looming bushfire season. The burn is part of a project in northern New South Wales showing how to use fire techniques that have been passed down by First Nations people over generations to manage land, plants and animals.
In episode 305, Kestrel welcomes Lisa Diegel, the Global Sustainability Director at Faherty, to the show. A family business, Faherty is focused on making high quality clothing. “They knew they wanted to do things differently and not follow that conventional way of take > make > waste in the fashion industry. They wanted to build a feel-good brand. And I think to do that, you need to be accountable and you need to take responsibility for the products you put out into the world.” -Lisa As we've explored on past episodes, the fashion industry has a deep history of appropriating and stealing ideas and designs. Our guest Manpreet Kaur Kalra, back on episode 203, said it so potently – “Fashion has been built on appropriation — it has been built on basically, stealing designs and concepts from communities that have been historically marginalized, and basically, reframing them to be quote unquote minimalist or really ethnic or boho chic.” This week's guest (who is of First Nations heritage) works with a company that used to be one of those so-called appropriating offenders. And this is something they acknowledge blatantly on their website, stating – “For years, the fashion industry has exploited and appropriated Native prints — and for years, so did Faherty. Now that we know better, we must do better.” This is not something you typically see a fashion brand acknowledge in such an upfront way to their shoppers. It feels like an important and meaningful step forward in healing some of the extensive damage that comes from these extractive histories. You may be asking – what does *doing better* mean in practice to Faherty? To start, it means modeling a mutually beneficial relationship with Native and Indigenous artists, it means respecting ancestry, land, community and stories. And it means doing a lot of listening and a lot of learning. With the role of Global Sustainability Director, this week's guest has a lot on her plate – but she's also very tuned into the importance of slowing down in order to be able to continue doing this work. Quotes & links from the conversation: “So, for me, the appeal really was working for a smaller family-run business. You know, I had been working for large corporations and parent companies for about 15 years. And I felt like in this role, I could build a strategy using the knowledge and the skills that I had acquired over the years, but also be able to be really involved. It's really nice to be able to Slack or text the cofounders and get an answer immediately without having to go through these corporate tiers of hierarchy and weeks or months of time to get approval on things. And then the cherry on top, as a Native person, as a person with this heritage, I was just so impressed by the Native initiatives and the storytelling that Faherty was doing around these initiates.” -Lisa (12:58) “In practice, it really starts from the very beginning — from the concept meeting — where the team sits down with some of our partners and really talks to them about what do these designs mean to them, what does it mean to their people, what are the stories behind them? And then, they really support how these artists want to be represented in our modern culture without sort of that stereotypical image that maybe a lot of people might think of when they see or hear of Native American culture. I think that is very special and unique.” -Lisa (15:50) “How To Work In Sustainability At A Fashion Brand", article in Fashionista that Kestrel mentions Climate Optimism, book by Zahra Biabani that Kestrel mentions Faherty's Native Initiatives Second Wave, Faherty's new resale platform Faherty Website Follow Faherty on Instagram >
In a special episode of the podcast, we take a look at how to navigate the 'Voice to Parliament' Referendum in your boardroom. For our non-Australian listeners, this won't mean much unless you keep up to date with First Nations affairs globally. In this webinar (converted to podcast), Paul was joined by author, Uluru Statement from the Heart signatory and Yes23 Spokesperson, Thomas Mayo, and CEO of the Australian Indigenous Governance Insitute, Jessica Bulger. They explored this crucial topic, delving into the significance of acknowledging First Nations communities and how (and why) boards can play a role. Thomas explores the historical struggle for regocognition, whilst Jessica provides an important context and perspective on the principles of effective Indigenous governance. You'll finally hear a panel discussion featuring Paul, Jessica, Thomas and Future Directors' Head of Programs Aisling Blackmore, talking about how boards can engage, listen, and respond to society and social issues. More from Thomas: Website: https://www.thomasmayo.com.au/ LinkedIn: https://www.linkedin.com/in/thomas-mayo-70774378/ More from Jessica: AIGI Website: https://aigi.org.au/ LinkedIn: https://www.linkedin.com/in/jessica-bulger-3993925b/ More from Paul: Website: https://futuredirectors.com LinkedIn: https://www.linkedin.com/in/futurepaulsmith/ More from Aisling: LinkedIn: https://www.linkedin.com/in/acblackmore/
wah gwan friends?! We're so happy to see you again this week and continue our series called, Sacred Smokes! Today, we are discussing Sweetgrass. It is native to North American and used by First Nations/indigenous peoples of North America AND by many Black populations such as the Gullah Geechee. This plant has sooo much to teach us and I hope you are as eager as we are to take on some of those lessons! Grab ya sweet tea and join us for the ride! As always, we want to thank you for all of your support, in all the ways! we're trying to build up this patreon, so that we can sustainably fund the work we already do with the podcast. so if you're not yet a patreon, join today @ patreon.com/pettyherbalist. Sources and what's In the episode: (herb) Sweetgrass (Hierochloe odorata) (yoga posture) legs up the wall (herb) passiflora caerulea tincture (book) Braiding Sweetgrass by Robin Wall Kimmerer (website) Where to buy Sweetgrass, ethically (article) Sacred Teachings of Sweetgrass (journal) Coumarin Compound Summary ________________________ Follow us on social: @pettyherbalist @bonesbugsandbotany Join the Patreon Community to fund this amazing POD: https://www.patreon.com/pettyherbalist Join the bonesbugsandbotany Patreon Community to fund support all of Asia's work: https://www.patreon.com/bonesbugsandbotany Rate us to show your support! Thank You! #StayReady #BePetty ***if you read this far, send me a dm @pettyherbalist for a shoutout!*** --- Send in a voice message: https://podcasters.spotify.com/pod/show/pettyherbalist/message Support this podcast: https://podcasters.spotify.com/pod/show/pettyherbalist/support
In just under five weeks' time we will be asked to vote yes or no in a referendum on an Indigenous Voice to Parliament. As it draws nearer, how are First Nations communities in some of the most remote parts of the country feeling about the proposed constitutional change? Today, Voice Correspondent Dan Bourchier on his Four Corners' investigation. Featured: Dan Bourchier, ABC Voice Correspondent
On Episode 421 of Impact Boom, Elaine Alec of Naqsmist discusses why her team uses transformative storytelling to inspire organisational healing and how her work supports reconciliation, decolonisation and systems change. If you are a changemaker wanting to learn actionable steps to grow your organisations or level up your impact, don't miss out on this episode! If you enjoyed this episode, then check out Episode 287 with Brett Leavy on reconnecting with First Nations culture and history through virtual reality technology -> https://bit.ly/3PoOC0A The team who made this episode happen were: Host: Sarah Ripper Guest: Elaine Alec Producer: Indio Myles We invite you to join our community on Facebook, Twitter, LinkedIn or Instagram to stay up to date on the latest social innovation news and resources to help you turn ideas into impact. You'll also find us on all the major podcast streaming platforms, where you can also leave a review and provide feedback.
Step into the fascinating world of "The Myths and Legends of Australia," an episode that takes you on an enchanting journey through the rich tapestry of stories that have shaped the land Down Under. Join us as we delve into the heart of Australia's unique mythology, exploring the captivating tales of its Indigenous peoples and the colonial legends that have become ingrained in its history. In this episode, we'll unravel the mysteries of the Dreamtime, where ancient Aboriginal stories come to life. You'll hear about the creation of Uluru, and many other legendary locations throughout Australia. Discover how these stories reflect the deep connection between Australia's First Nations and the natural world. But our exploration doesn't stop there. We'll also delve into the intriguing myths and legends of Australia's colonial past. From the infamous Ned Kelly to the enigmatic bunyip that lurks in the billabongs, we'll unearth the tales that have become ingrained in Australian culture and folklore. Join our hosts Will Martinez and Jay Galoci as they share their insights and perspectives on these captivating legends. Along the way, you'll gain a deeper appreciation for the cultural heritage that makes Australia truly unique. Whether you're a history buff, a folklore enthusiast, or simply curious about the legends that have shaped the Land of Oz, "The Myths and Legends of Australia" is your passport to an enchanting world of storytelling, mystique, and wonder. Contact Us for Guest Requests and Advertising: Thedarkfringe@gmail.com Our Website: https://darkfringeradio.com/ Our Merchandise Store: https://dark-fringe-radio.printify.me/products YouTube: https://youtu.be/ti9xI6507Ek
A number of Native-led live productions are taking the stage. They include an all-Indigenous production about Canadian residential schools written by a First Nations playwright - and the Rolling World Premiere of "Where the Summit Meets the Stars" by Frank Henry Kaash Katasse (Tlingit) at the Autry Museum of the American West's Wells Fargo Theater in Los Angeles. We'll get a look at upcoming theater productions, Friday on Native America Calling. GUESTS Dr. Spy Dénommé-Welch (Algonquin-Anishinaabe), librettist and co-composer for “Canoe” Frank Henry Kaash Katasse (Tlingit), playwriter, educator, and actor Kim Gleason (Diné), artistic director of Two Worlds Native Theater
This week saw a national celebration of First Nations language and culture on Indigenous Literacy Day. It's been marked with a special performance of song, dance and storytelling on Gadigal land in Sydney.
Martin Turenne of FPX Nickel joined Paul for a corporate editorial conversation following the company's publication of their PFS for the Baptiste Project in British Columbia. The technical report shows a project with an After-tax NPV8% of $2.01 Billion and IRR of 18.6% at $8.75 /lb Ni. The two discuss the phased development approach to the project along with some of the news regarding the company's relationship with the First Nations.
Today, you'll learn about how researchers are using stem cells to cure infertility in mice, the health benefits of honey made by ants, and the potential emotional toll of using AI at work. Ovarian Failure Cure “Stem Cell Therapy Restores Fertility in Mouse Model.” by Katie Brighton. 2023. https://www.technologynetworks.com/tn/news/stem-cell-therapy-restores-fertility-in-mouse-model-376618“Fertility restoration in mice with chemotherapy induced ovarian failure using differentiated iPSCs.” by Kevin M. Elias, et al. 2023. https://www.thelancet.com/journals/ebiom/article/PIIS2352-3964(23)00280-3/fulltext“Pathogenesis and Causes of Premature ovarian Failure: An Update.” by Mahbod Ebrahimi, M.D. & Firoozeh Akbari Asbagh, M.D. 2011. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4059950/“Mechanisms of epigenetic memory.” by Agustina D'Urso & Jason H. Brickner. 2014. https://www.sciencedirect.com/science/article/abs/pii/S0168952514000584Honeypot Ants “Western science catches up with First Nations' medicinal use of ant honey.” The University of Sydney. 2023. https://www.scimex.org/newsfeed/western-science-catches-up-with-first-nations-medicinal-use-of-ant-honey“Honeypot Ant Facts.” Fact Animal. N.d. https://factanimal.com/honeypot-ant/“Honeypot Ant: Good At Sharing.” San Diego Zoo Wildlife Explorers. 2023. https://sdzwildlifeexplorers.org/animals/honeypot-antAI Insomnia“Loneliness, insomnia linked to work with AI systems.” American Psychological Association. 2023. https://www.sciencedaily.com/releases/2023/06/230612114659.htm“Loneliness, insomnia linked to work with AI systems.” American Psychological Association. 2023. https://www.apa.org/news/press/releases/2023/06/loneliness-insomnia-ai-systems Hosted on Acast. See acast.com/privacy for more information.
Un gruppo di organizzazioni che offrono servizi nell'ambito della salute mentale hanno chiesto ai leader politici di firmare un impegno per una campagna referendaria più rispettosa.
FPX Nickel (TSX-V: FPX, OTCQB: FPOCF) just released its preliminary feasibility study results for its 100%-owned Baptiste Nickel Project in central British Columbia, with an after-tax NPV8% of US$2.01 Billion and IRR of 18.6% at $8.75 /lb Ni. The PFS demonstrates the potential to develop a high-margin, long-life, large-scale, and low-carbon mine with unparalleled flexibility to produce either a high-grade concentrate (60% nickel) for direct feed into the stainless steel industry or further refining into battery-grade nickel sulphate, cobalt precipitate, and copper concentrate products for the battery material supply chain. CEO Martin Turenne stated: “The PFS firmly establishes Baptiste as a key strategic asset in the development of Canada's critical minerals supply chain. Despite the inflationary pressures observed in the mining industry in recent years, the study has yielded after-tax NPV and IRR superior to those observed in the 2020 preliminary economic assessment, reflecting greater engineering maturity and incorporating the several optimizations identified by our class-leading project team in regards to resource modelling, mine planning, process recovery, and site design. The Baptiste project represents a significant opportunity for First Nations, the governments of British Columbia and Canada, and FPX to work together to develop a project that creates substantial and sustainable benefits while protecting the environment for future generations. We look forward to continued collaboration with local Indigenous groups, and the provincial and federal governments to support the development of Canada's critical minerals ecosystem and to leverage health, economic and social benefits for local communities.” 0:00 Introduction 0:38 PFS overview and comparison to peers 10:14 FPX Nickel's relationship with First Nations 13:04 Exploration partnership with JOGMEC 15:06 Q4 upcoming catalysts with apprx C$30M treasury Company website: https://fpxnickel.com/ Press release found here: https://fpxnickel.com/2023/09/fpx-nickel-delivers-pfs-for-baptiste-nickel-project-with-after-tax-npv-of-us2-01-billion-and-18-6-irr/#more-115169 FPX Nickel PFS Presentation: https://fpxnickel.com/wp-content/uploads/2023/09/Baptiste-PFS-Results-FINAL.pdf Sign up for our free newsletter and receive interview transcripts, stock profiles and investment ideas: http://eepurl.com/cHxJ39 FPX Nickel is an MSE sponsor. The content found on MiningStockEducation.com is for informational purposes only and is not to be considered personal legal or investment advice or a recommendation to buy or sell securities or any other product. It is based on opinions, SEC filings, current events, press releases and interviews but is not infallible. It may contain errors and MiningStockEducation.com offers no inferred or explicit warranty as to the accuracy of the information presented. If personal advice is needed, consult a qualified legal, tax or investment professional. Do not base any investment decision on the information contained on MiningStockEducation.com or our videos. We may hold equity positions in some of the companies featured on this site and therefore are biased and hold an obvious conflict of interest. MiningStockEducation.com may provide website addresses or links to websites and we disclaim any responsibility for the content of any such other websites. The information you find on MiningStockEducation.com is to be used at your own risk. By reading MiningStockEducation.com, you agree to hold MiningStockEducation.com, its owner, associates, sponsors, affiliates, and partners harmless and to completely release them from any and all liabilities due to any and all losses, damages, or injuries (financial or otherwise) that may be incurred.
Aboriginal Australian activist and academic Marcia Langton has made a rallying call of support for an Indigenous Voice to Parliament at the National Press Club. This comes as First Nations mental health advocates call for politicians to pledge to engage in a more respectful referendum debate.
Although many of us are lucky enough to eat well, we live in a food system that is broken. Ultra-processed products abound, food workers are exploited, hunger coexists with massive food waste, and farming methods have toxic consequences. Hear from a panel of inspiring advocates as they consider solutions to these problems and the path towards a better food future. Featuring champion of First Nations food practices and Warndu co-founders Damien Coulthard and Rebecca Sullivan, chef and writer Matthew Evans and food rescue activist Ronni Kahn in conversation with Margot Saville. This episode was recorded live at the 2023 Sydney Writers' Festival. If you enjoyed this episode, please rate and follow our channel. Sydney Writers' Festival podcasts are available on all major podcast platforms. After more? Follow Sydney Writers' Festival on social media:Instagram: @sydwritersfestFacebook: @SydWritersFestTwitter: @SydWritersFestTikTok: @sydwritersfestSee omnystudio.com/listener for privacy information.
This week Gavin & Daniel discuss an an article recently published by Breach Media, about Canada's First Nations becoming climate refugees. Why we're still debating the validity of climate on the planet? And how Alberta's identity with fossil fuels was marketed.The article from Breach MediaYou can get the second part of our conversation on Patreon: Part 2 here!Remember to follow us on Instagram
Today we explore aboriginal voices in education research in Australia. Australians will soon vote in a referendum about whether to change their Constitution to allow for the creation of an advisory body made up of First Nations peoples. This body would provide advice to the Parliament and the government on matters that impact indigenous communities. This is called The Voice. Nikki Moodie is an Associate Professor and Program Director of the Atlantic Fellows for Social Equity at the University of Melbourne. Together with Kevin Lowe, Roselyn Dixon, and Karen Trimmer, she has recently co-edited the volume Assessing the Evidence in Indigenous Education Research: Implications for Policy and Practice. freshedpodcast.com/moodie -- Get in touch! Twitter: @FreshEdpodcast Facebook: FreshEd Email: info@freshedpodcast.com Support FreshEd: www.freshedpodcast.com/donate
This show was originally going to cover primarily myths and legends of a survey of the First Nations. But when one of the most thoughtful voices on spirituality is on a roll, you ride shotgun. Rev. Jim Willis returns to the Garden and we discuss the difference between religion and spirituality, and where the two can diverge. We focus on American spiritualism and this does get to several First Nations beliefs and tales. This serves as an excellent epilogue to the American Cults episode while being a taste of things to come as we plan a forthcoming series focusing on First Nations myths, legends and lore divided by geographical or other means TBD.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4863095/advertisement
Welcome back to another episode of ReikiCafe Radio! Shamanic Reiki is one of our educational pillars here at ReikiCafe University, and one of the questions we get most often is, "Isn't Shamanic Reiki cultural appropriation?"It is important to know where the line in between appropriating a culture that we do not have a right to imitate versus honoring the sacred traditions of healing and nature that set the stage for our journey inward to our true selves. In this episode join ReikiCafe University President Christine Renee and Apprentice Shantel Ornelas as they discuss:What is culture, what is cultural appropriation?What is cultural appreciation?How past lives and ancestry influence our work this lifeWhat shamanic practices would need First Nation approval How some shamanic practices are older than culture and connect to nature herself How all humans can connect to nature through shamanismCurious about Shamanic Reiki Practitioner Training? Early Bird Price ends September 5th! Learn more here: https://www.reikicafeuni.com/ReikiCafe University Links:Website- ReikiCafe UniversityFacebook Page: ReikiCafe University | FacebookFacebook Group: ReikiCafe Community | FacebookInstagram: Christine Renee (@reikicafeuniversity) • Instagram photos and videosYoutube: ReikiCafe University - YouTubeBook a session with Isabel: https://calendly.com/into-the-deep/scheduleBook a FREE 15 minute connect call with Izzy: https://calendly.com/reikicafe/connect Book a session with Christine: https://calendly.com/christinerenee/90-minutes-intensiveBook a FREE 10 minute connect call with Christine: https://calendly.com/christinerenee/10-minutes-power-call
#Canada: The continuing unproven allegation of unmarked First Nation graves in Komloop, British Columbia. Conrad Black, National Post https://nationalpost.com/opinion/the-often-ignored-truth Photo: 1900 Ottowa No known restrictions on publication. @Batchelorshow
On Wednesday we saw the Prime Minister Anthony Albanese officially announce the date Aussies will head to the polls to vote on The Voice To Parliament. The Voice discussion has left many Australians confused. What does it do? What can it potentially become? Will it make a difference? Why do so many First Nations people oppose it? In this episode of The Quicky we speak to the Prime Minister himself to see if we can finally get clarification on the questions we've been wanting to know about The Voice To Parliament. Subscribe to Mamamia GET IN TOUCH Feedback? We're listening! Call the pod phone on 02 8999 9386 or email us at podcast@mamamia.com.au CONTACT US Got a topic you'd like us to cover? Send us an email at thequicky@mamamia.com.au CREDITS Host: Claire Murphy With thanks to: Prime Minister Anthony Albanese Producer: Claire Murphy Executive Producer: Kally Borg Audio Producer: Thom Lion & Tegan SadlerBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.
On Episode 419 of Impact Boom, Brian Wyborn of First Australians Capital discusses building inclusive capital frameworks to support Indigenous entrepreneurs and lessons learned from his career spanning healthcare, policy and investment portfolio management. If you are a changemaker wanting to learn actionable steps to grow your organisations or level up your impact, don't miss out on this episode! If you enjoyed this episode, then check out Episode 236 with Adrian Appo OAM on key learnings from Aboriginal people in business & creating social outcomes -> https://bit.ly/3ORwGKI The team who made this episode happen were: Host: Tom Allen Guest: Brian Wyborn Producer: Indio Myles We invite you to join our community on Facebook, Twitter, LinkedIn or Instagram to stay up to date on the latest social innovation news and resources to help you turn ideas into impact. You'll also find us on all the major podcast streaming platforms, where you can also leave a review and provide feedback.
Officials are still sorting out the human and financial toll of the unprecedented fire on Maui. Many Native Hawaiians remain missing, hundreds more sustained serious damage to their homes and businesses. Meanwhile, Canada is dealing with a record-setting wildfire season with evacuations affecting many First Nations reserves. As the hottest summer on record winds down, we'll get an assessment of what Native emergency management officials view as the path ahead. GUESTS Jake Heflin (Osage/Cherokee), president and CEO of the Tribal Emergency Management Association (iTEMA) Leela Gilday (Dene Nation), award-winning singer-songwriter April Sells (member of the Poarch Band of Creek Indians), Poarch Band of Creek Indians Tribal Emergency Management Administrator (EMA) Director Kuʻuwehi Hiraishi (Native Hawaiian), reporter for Hawaii Public Radio Adam Weintraub, communication director for Hawaii Emergency Management Agency
Australia is home to some of the hottest towns in the world. In the Northern Territory, remote communities with large Indigenous populations know how to live in extreme heat. But even they say they're seeing the climate change before their eyes, making their homes less and less liveable. So what lessons can First Nations peoples impart about surviving the heat? And can their knowledge offer a way to adapt rather than relying on energy-intensive airconditioning? Today, contributor to The Saturday Paper Dechlan Brennan on how Indigenous resilience and cultural knowledge can help us cope in a climate crisis. Socials: Stay in touch with us on Twitter and Instagram Guest: Contributor to The Saturday Paper, Dechlan Brennan.
Learn how world travel impacts your brain, boosts creativity, improves problem solving, and opens pathways to empathy. _____________________________ Subscribe to The Maverick Show's “Monday Minute” Newsletter where I personally send you an email with 3 short items of value to start each week that you can consume in under 60 seconds: www.TheMaverickShow.com/Newsletter _____________________________ EPISODE DESCRIPTION Robin Who joins Matt for an aperitivo. She starts off sharing her experience growing up in multiple places around Italy before moving to Germany at age 12. She talks about developing her passion for language learning and foreign cultures that would eventually lead her to a life of travel. Robin reflects on her experiences in Ireland, India, and gives tips on how to have more immersive experiences in foreign countries where you don't speak the language. She then explains the psychological impact that travel and language learning have on our brain, and how it can boost creativity, improve problem-solving, expand our world view, and open up pathways to both empathy and self-discovery. Next, Robin talks about founding “Our Connected World” to support people learning languages and learning more about our planet and themselves through travel. Matt and Robin then reflect on the struggles of marginalized groups they have encountered around the world from First Nations in Canada to immigrants in South Africa. And, finally, Robin reflects on how travel has impacted her and what travel means to her today. FULL SHOW NOTES AVAILABLE AT: www.TheMaverickShow.com ____________________________________ See My “Top 10 Apps For Digital Nomads” www.TheMaverickShow.com/Apps See My “Top 10 Books For Digital Nomads” www.TheMaverickShow.com/Books See My “7 Keys For Building A Location-Independent Business” (Even In A Space That Is Not Traditionally Virtual) www.TheMaverickShow.com/Keys Watch My Video Training On “Stylish Minimalist Packing” and Learn How to Travel the World with Carry On Luggage: http://www.TheMaverickShow.com/Packing See The Travel Gear I Use And Recommend: https://ww.TheMaverickShow.com/Gear Learn How You Can Buy Turnkey Rental Properties In The Best U.S. Real Estate Markets From Anywhere: http://www.TheMaverickShow.com/RealEstate See How I Produce The Maverick Show Podcast (The Equipment, Services And Vendors I Use): https://www.TheMaverickShow.com/Production FOLLOW THE MAVERICK SHOW ON SOCIAL MEDIA: Instagram: https://www.Instagram.com/MaverickShowPod/ Twitter: https://www.Twitter.com/MaverickShowPod Tiktok: https://www.TikTok.com/@MaverickShowPod Facebook: https://www.Facebook.com/MaverickShowPodcast LinkedIn: https://www.linkedin.com/company/MaverickShowPod/ YouTube: https://www.youtube.com/@themaverickshow874 BUY ME A COFFEE: Enjoying the show? Espressos help me produce significantly better podcast episodes! Now you can support The Maverick Show by buying me a coffee: https://www.buymeacoffee.com/TheMaverickShow
This week, Jason Arrow wraps up his three episode series. In his first two episodes, Jason told us about his life story thus far: he was born in South Africa, moved to Western Australia when he was about five years old, and first did theater as a teenager. His Hamilton story starts in 2019, and it's been so fun to hear about Jason's adventures with the show. He talked about the energy from the audience, especially during a time when the Australian production of Hamilton was the only one in the world happening. We laughed about the fun moments he's been able to find on stage and he reflected on what it was like for Lin-Manuel Miranda to see the Australian company for the very first time in 2023. As we wrap up our conversation, we talk about Rage Against the Machine, the importance of First Nations actors on stage (and particularly in Hamilton), why Jason chose psychology books over a history lesson, and we compare Mario Kart preferences. But first, this episode starts with Jason talking more about his personal take on Alexander including how and why it changes and evolves. Jason Arrow's Linktree Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps