Podcasts about curatorial

Filmmaker and director Oren Rudavsky discusses “Elie Wiesel: Soul on Fire,” which screens this week as part of the Atlanta Jewish Film Festival. We hear how Atlanta Smart Academy is celebrating Black History Month with a student concert, Dr. Scott Stewart joins us for our series, “Music in Media,” and we learn about “Science Jazz Hands,” a semi-regular comedy night in the Atlanta area where local scientists, engineers, and medical professionals perform standup sets. Plus, Curatorial coordinator Rebecca Melsheimer details the interactive exhibition “Fury: The Power of Nature,” which is on view at the Tellus Science Museum in Cartersville through January 2026, and we hear about this year’s TEDx Atlanta Conference, which features two members of Atlanta’s artistic community, GFB3 and Chantelle Rytter.See omnystudio.com/listener for privacy information.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode, Emily features Daisy Nam, the director and chief curator at the Wattis Institute of Contemporary Arts. Daisy discusses her journey from growing up in Los Angeles to her roles at prestigious institutions like NYU, Columbia, Harvard, and Marfa Ballroom. She shares insights on the significance of art spaces in cities, her love for art books, and memorable exhibitions, particularly the current 'Steady' sculpture show involving artists Esther Partegas and Michelle Lopez. Daisy highlights the unique aspects and challenges of working in the contemporary art world, emphasizing the importance of maintaining art spaces and building partnerships within the art community. Daisy also shares her personal experiences and perspectives on art and nature in Northern California.About Curator Daisy Nam:Daisy Nam is the director and curator of CCA Wattis Institute of Contemporary Art in San Francisco, which opens their new galleries on the expanded campus in Fall of 2024. Previously, she was at Ballroom Marfa, a contemporary art space dedicated to supporting artists through residencies, commissions, and exhibitions, first as the curator in 2020 and then the director and curator in 2022. From 2015–19, she was the assistant director at the Carpenter Center for the Visual Arts, Harvard University, managing the administration  and organizing programs, exhibitions, and publications. From 2008–2015, she produced seven seasons of talks, screenings, performances, and workshops as the assistant director of public programs at the School of the Arts, Columbia University.Curatorial residencies and fellowships include: Marcia Tucker Senior Research Fellow at the New Museum, New York (2020); Bellas Artes, Bataan, Philippines (2020); Surf Point in York, Maine (2019); Gwangju Biennale Foundation, Korea (2018). She holds a master's degree in Curatorial and Critical Studies from Columbia University and a bachelor's degree in Art History and Cinema Studies from New York University. She has taught at RISD, and lectured at Lesley University, Northeastern, SMFA/Tufts, SVA as a visiting critic. She co-edited a publication, Best! Letters from Asian Americans in the arts withPaper Monument in 2021.CLICK HERE to learn more about Daisy. CLICK HERE to connect to The Wattis InstituteCLICK HERE to get more info about the Wattis exhibition 'STEADY' --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Curatorial director at PACE Gallery in New York, writer, and fulltime Leo, Kimberly Drew is a curator of beauty and pleasure. Kimberly has published two books – Black Futures and This Is What I Know About Art. She is also known for her work in arts institutions ranging from the Met to New York Fashion Week. Kimberly's careful curation of everything in her life, especially her style, screams fire sign, but her earth and water placements reveal a more private side. She and Isa Nakazawa discuss how she has learned to unguard with those closest to her.

Blog: www.taminglightning.net Instagram @taminglightning Support on Patreon.com/taminglightning  

Music Curator Amadeus Julian Regucera hosts a roundtable discussion with Associate Time-based Visual Arts Curator Katherine Adams and Dance & Theater Curator-in-Residence Tara Willis to preview the Spring 2025 season as well as talk about curatorial approaches and styles. Projects include the Ephemeral Organ festival featuring Lesie Cuyjet and others, Ontopoiesis with Rama Gottfried & Yarn/Wire, Ghost Images with Korakrit Arunanondchai, and MY TOWN with Jack Ferver.

Each woman shares their expansive practice, leading with curiosity and utilizing inquiry to activate potentiality. As scholars, archivists, writers, curators, and collaborators - their open-ended investigations resist a singular way of seeing. They build evolutionary and community-driven paradigms based on research, and center the importance of the past to envision a more equitable future. In this conversation, Aldeide and Candicediscuss, among other things:Amplifying visual stories of marginalized communitiesRewriting photographic history from a feminist perspective Curatorial activism Rhizomatic thinking Trial, error and playPlace as processThe audience as the protagonist New vocabulary and new definitions - ie. Memorist Photography as a medium and a whole-body experienceEstablishing terms of visibility Prismatic perceptionReferenced in the episode:Doreen Masseybell hooksWT Mitchell - what if race were a medium?The Photography NetworkRegarding MuslimsStuart Hall 1990 essay

Fluent Fiction - Hungarian: Curatorial Breakthrough Behind Historic Walls Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hu/episode/2024-11-12-23-34-02-hu Story Transcript:Hu: Az őszi szél halkan suttogott az ódon Buda Várnegyed kőfalai között.En: The autumn wind whispered softly through the stone walls of the ancient Buda Várnegyed.Hu: Arany és vörös levelek borították a macskaköves udvart, ahol István, a pontos és kissé alábecsült múzeumi kurátor, egy új kiállítás megszervezésével küzdött.En: Golden and red leaves covered the cobblestone courtyard where István, the precise and somewhat underestimated museum curator, was struggling to organize a new exhibition.Hu: Ez a kiállítás lehetett számára az áttörés, amit régóta megérdemelt.En: This exhibition could be the breakthrough he had long deserved.Hu: Belül, a múzeum hatalmas termeiben, Katalin szenvedélyes vitába bonyolódott.En: Inside, in the museum's grand halls, Katalin engaged in a passionate debate.Hu: "Az egész ékszerkollekciót át kellene helyezni," mondta, türelmetlenül gesztikulálva.En: "The entire jewelry collection should be relocated," she said, gesticulating impatiently.Hu: Mindeközben Balázs, az ifjú technikus, próbálta követni a két idősebb kolléga szándékát, vagy legalábbis nem elrontani több mindent.En: Meanwhile, Balázs, the young technician, tried to follow the intentions of his two older colleagues, or at least not make more mistakes.Hu: István és Katalin között egyre nőtt a feszültség.En: Tension was growing between István and Katalin.Hu: István szigorúan ragaszkodott ahhoz, hogy minden tárgy épp ott legyen, ahol már megálmodta. Katalin viszont új megvilágítást akart adni a műtárgyaknak, amitől azokat jobban észrevennék az emberek.En: István insisted strictly that every item should be precisely where he had envisioned it, while Katalin wanted to give the artifacts a new perspective so that people would notice them more.Hu: Balázs bátortalanul közvetített közöttük, de tapasztalatlansága miatt gyakran hibázott.En: Balázs timidly mediated between them, but his inexperience often led to mistakes.Hu: A legnagyobb vita középpontjában egy antik, metszett kristályváza állt.En: At the center of the biggest disagreement was an antique, cut crystal vase.Hu: István úgy érezte, ennek kell a kiállítás középpontjában lennie.En: István felt it should be the centerpiece of the exhibition.Hu: Katalin viszont úgy vélte, a vázának más műtárgyakkal együtt kellene tündökölnie.En: However, Katalin believed the vase should shine alongside other artifacts.Hu: Amikor mindhárman a múzeum közepén álltak, hogy eldöntsék a sorsát, egy véletlen mozdulat miatt a váza kicsúszott Balázs kezéből, és darabokra tört.En: As the three of them stood in the middle of the museum, trying to decide its fate, a careless movement caused the vase to slip from Balázs's hands, shattering into pieces.Hu: A teremben döbbent csönd ült.En: A stunned silence settled in the room.Hu: István szíve összeszorult, de hirtelen másként látta a dolgokat.En: István's heart sank, but suddenly he saw things differently.Hu: "Talán nem is baj," mondta lassan, lenyelve a kezdeti pánikot.En: "Perhaps it's not such a bad thing," he said slowly, swallowing his initial panic.Hu: "Együtt helyrehozhatjuk."En: "We can fix this together."Hu: Katalin bólintott.En: Katalin nodded.Hu: "Igen. És talán újra átgondoljuk a kiállítást, úgy, ahogy mindhárman szeretnénk."En: "Yes. And maybe we can rethink the exhibition the way all three of us want."Hu: Balázs érezte magában az új erőt.En: Balázs felt a newfound strength within him.Hu: "Meg tudom javítani a vázát," mondta bizakodva.En: "I can fix the vase," he said confidently.Hu: Nekiláttak a közös munkának.En: They set to work together.Hu: A sérült váza darabjait összerakták, és új életet leheltek bele.En: They assembled the broken pieces of the vase, breathing new life into it.Hu: Végül a kiállítás minden részletét közösen alakították ki, figyelembe véve egymás ötleteit.En: Ultimately, they developed every detail of the exhibition collaboratively, taking into account each other's ideas.Hu: A nyitónap ragyogó sikerrel zárult.En: The opening day ended with dazzling success.Hu: István megértette, hogy a közös munka ereje sokkal több, mint az egyéni küzdelem.En: István understood that the power of teamwork was far greater than individual struggle.Hu: Katalin megtanulta, hogy a szerénység is erény lehet.En: Katalin learned that humility could also be a virtue.Hu: Balázs pedig meglelte önbizalmát és helyét a csapatban.En: And Balázs found his confidence and his place in the team.Hu: Az őszi napfény áttört a múzeum ablakain, megvilágítva a kiállítást, és a Buda Várnegyed újra élettel telt meg.En: The autumn sunlight broke through the museum windows, illuminating the exhibition, and the Buda Várnegyed was filled with life once again. Vocabulary Words:whispered: suttogottancient: ódoncobblestone: macskakövescurator: kurátorunderestimated: alábecsültexhibition: kiállításbreakthrough: áttörésengaged: bonyolódottgesticulating: gesztikulálvaintentions: szándékáttension: feszültséginsisted: ragaszkodottenvisioned: megálmodtaartifacts: műtárgyakmediated: közvetítettinexperience: tapasztalatlanságaantique: antikcut crystal: metszett kristálycenterpiece: középpontjábanshine: tündökölniecareless: véletleninitial: kezdetipanic: pánikotstunned: döbbentfix: helyrehozhatjukswallowing: lenyelveassembled: összeraktákbreathing new life: új életet leheltekdazzling: ragyogóhumility: szerénység

In this episode, Denise Joseph, Director of Curatorial at NINE dot ARTS, shares how art can transform hospitality spaces, create local connections, and boost the bottom line for hotels and resorts.Listeners will learn:The role of a curator in selecting and implementing art for hospitality spaces [02:26]How art drives both social and financial impact in the hospitality industry [10:50]The importance of integrating art early in the hotel design process [12:59]Advice for hospitality businesses looking to bring art into their properties [17:37]The future of art in the hospitality industry in the next 5-10 years [22:57]Mentions:ArtCloud (place for artists to upload their work) [05:49]Samantha Hardcastle's episode: Story-Driven Hospitality [09:45]The State of Art Report [11:46]Union Pacific Depot in Salt Lake City [15:10]The Clayton Club in Denver [19:38]United Airlines Club project at the Denver airport [23:59]Redline Contemporary Arts Center in Denver [26:23]The Maven Hotel in Denver [27:47]Artist Andrew Tirado [28:18]NINE dot ARTS website [29:59]The Dot Dot Dot Podcast from NINE dot ARTS (Apple Podcasts, Spotify) [30:09] A few more resources: If you're new to Hospitality Daily, start here. You can send me a message here with questions, comments, or guest suggestions If you want to get my summary and actionable insights from each episode delivered to your inbox each day, subscribe here for free. Follow Hospitality Daily and join the conversation on YouTube, LinkedIn, and Instagram. If you want to advertise on Hospitality Daily, here are the ways we can work together. If you found this episode interesting or helpful, send it to someone on your team so you can turn the ideas into action and benefit your business and the people you serve! Music for this show is produced by Clay Bassford of Bespoke Sound: Music Identity Design for Hospitality Brands

Die Kurator*innen, Madeleine de Colnet und Morad Montazami, sprechen mit SCHIRN-Kuratorin Esther Schlicht und der Filmemacherin Mujah Maraini-Melehi über die Hintergründe der Ausstellung CASABLANCA ART SCHOOL. Auf Englisch Foto: v.l.: Esther Schlicht, Mujah Maraini-Melehi, Morad Mantazami und Madeleine de Colnet, Foto: Dirk Ostermeier Musik: "Enigmatic Journey" von SJL Music The curators, Madeleine de Colnet and Morad Montazami, talk to SCHIRN curator Esther Schlicht and filmmaker Mujah Maraini-Melehi about the background to the CASABLANCA ART SCHOOL exhibition. In English Photo: from left: Esther Schlicht, Mujah Maraini-Melehi, Morad Mantazami and Madeleine de Colnet, Photo: Dirk Ostermeier Music: "Enigmatic Journey" by SJL Music

Music Curator Amadeus Julian Regucera hosts a roundtable discussion with Associate Time-based Visual Arts Curator Katherine Adams and Dance & Theater Curator-in-Residence Tara Willis to preview the Fall 2024 season as well as talk about curatorial approaches and styles.

This week we were absolutely thrilled to speak with one of our favourite people: Tilly Boleyn. Tilly (she/her) is the Head of Curatorial, Science Gallery Melbourne, University of Melbourne. Basically, she's a massive nerd, curious about the world and everything in it. She is a collaborative creature at heart and heads the team with a mixture of organisation, chaos, humour and sassy backtalk. She loves connecting people, making space for thought, and challenging people to back up their opinions in an imagined recreation of Mad Max Thunderdome. Her background is in museums, galleries, education, events, festivals, broadcasting and research. Originally a microbiologist, Tilly ran from the lab to the ABC, where she discovered a talent for science gossip – talking about other people's science rather than doing her own. She then morphed into a curator and has created exhibitions on health, medicine, experimentation, the voice, engineering, sustainability, mental health, dark matter, identity and genders. Tilly is delighted by blurring the boundaries between science, art, design, technology, maths, engineering and large-scale-batteries-powered-by-human-urine. Currently she plots with scientists and artists to deliver a rolling series of innovative and thought-provoking shows to engage audiences with the bleeding edge of human knowledge. You can follow Tilly and learn more about her work here: https://www.linkedin.com/in/tilly-boleyn-a5397535/ https://x.com/tillsify https://www.instagram.com/tillyboleyn/ https://www.abc.net.au/listen/programs/ockhamsrazor/art-science-gallery-giant-urine-battery/102998322 (Tilly's Ockham's Razor talk)  https://collection.powerhouse.com.au/object/166791 https://collection.powerhouse.com.au/object/560724 https://www.dailytelegraph.com.au/newslocal/inner-west/powerhouse-museum-curator-tilly-boleyn-feeds-leeches-who-are-part-of-an-exhibit/news-story/222bdadf317c15bb01c952e630d01631

Ceri interviews Gemma Rolls-Bentley, a curator and art advisor focused on LGBTQIA+ art and artists. From life in Sheffield to curating global exhibitions and authoring a groundbreaking book on queer art, Gemma shares invaluable insights on navigating the art world, building a portfolio career, and championing diversity in the creative industry. This episode is a must listen for artists, curators, and art enthusiasts seeking inspiration and practical advice on making their mark in the contemporary art scene. KEY TAKEAWAYS Building a portfolio career in the arts requires adaptability, diverse skills, and a willingness to take on various roles from curation to consulting and teaching. Social media, particularly Instagram, has become a crucial tool for artists to connect with curators and collectors, serving as a digital portfolio. When commissioning independent curators, it's essential to be clear about project goals, provide fair compensation, and consider all aspects of the curator's involvement. Gemma stresses the importance of having clear criteria for accepting projects, balancing factors like brand impact, financial reward, personal passion, and learning opportunities. The art world needs urgent attention to funding issues, with a call for unlocking new sources of support and making art more relevant to potential donors and businesses. Tokenistic representation of marginalised groups in the art world remains a problem, with a need for more meaningful, year-round inclusion and fair compensation for diverse voices. Gemma's book "Queer Art: From Canvas to Club and the Spaces Between" fills a gap in art literature, offering a comprehensive global survey of LGBTQIA+ art over the past 50 years. BEST MOMENTS "I wanted people within the queer community who don't know about art or aren't in the art world to be able to pick up this book and see that there is art about us that speaks to our experience." "I think social media is a great tool that we didn't have 10 years ago. So I think leaning into that as annoying as it can seem, you know, I definitely have a love hate relationship with social media, mostly hate." "I think part of it is having the confidence and like knowing that you should just try and apply for stuff and whether you sort of tick all the boxes or not, I think that's definitely a gendered thing as well." "I love to hear you speak and talk about wanting and knowing that you're capable of doing something. It's so brilliant to hear women say that." "Pay them properly and be really clear and honest with yourself about what your goals are for the project before you write the brief." "I think it's for a curator as well to know that those are the things to ask and, and outline and be really, really clear on." "I think at the moment something I'm just thinking about a lot is funding, you know, I think with our new government in the UK, you know, potentially is going to look a bit better in terms of public funding." EPISODE RESOURCES "Queer Art: From Canvas to Club and the Spaces Between" by Gemma Rolls-Bentley Instagram @gemmarollsbentley www.gemmaRollsBentley.com PODCAST HOST BIO With over 30 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Subscribe before September 29 for just £5 per month for the first year! Flexible membership with monthly payments and no pressure to stay. Ready to transform your art career? Subscribe now! **** Build Relationships The Easy WayOur self-study video course, Unlock Your Artworld Network, offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. **** Book a Discovery Call Today To schedule a personalised 1-2-1 session with Ceri or explore our group coaching options, email us at hello@cerihand.com. **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

John Born is an artist working in sculpture and drawing based in New York City. In his recent show at Curatorial and Co. in Sydney he showed a series of his signature composite forms made from stacked ceramic shapes. In our interview we talk about his start in ceramics, the role improvisation plays in his sculpture, and the series of portals he made for his recent exhibition. www.humblematter.com   Today's episode is brought to you by the following sponsors: The Rosenfield Collection of Functional Ceramic Art www.Rosenfieldcollection.com 28th Annual Bray Benefit Auction July 19th-26th www.archiebray.org  

Lifting stress and learning those slick tricks - it's time to put the art in a room! Episode 4 - We're building some momentum now, it's about time we started thinking about how the art is going to look in the room! This episode we talk to Ann Bukantas, former Head of Fine Art at National Museums Liverpool, former Curator of Ferens Art Gallery in Hull and Curator of many modern and contemporary art exhibitions at the Walker Art Gallery in Liverpool including exhibitions by Ben Johnson, Wolfgang Tillmans, John Kirby, Robyn Woolston, David Hockney, Catherine Opie, Lubaina Himid and Sean Scully. Curation, what's it all about? Listen on! Tune in every Friday for the next step in our guide, tips and tricks to bring your creative idea to life and to learn about the industry from some of the best!

May 16, 2024 - Today, South Korea is a cultural superpower—a global trendsetter producing award-winning films like Parasite, riveting dramas like Squid Game, and chart-topping music by K-pop groups such as BTS and BLACKPINK. But behind the country's meteoric rise to the world stage, a phenomenon known as the Korean Wave, or hallyu, is the story of remarkable resilience and innovation. Just a century ago, Korea was in search of a new national identity, following its occupation by Japan and the Korean War. Harnessing cutting-edge technology, the country has rapidly transformed its economy and international reputation. At the same time, its creative outputs are deeply rooted in its past, with many contemporary artists, filmmakers, musicians, and fashion designers paying tribute to traditional values and art forms dating back to Korea's dynastic kingdom days. Hallyu! The Korean Wave features approximately 250 objects—costumes, props, photographs, videos, pop culture ephemera, and contemporary works—providing an immersive and multisensory journey through a fascinating history, and a celebration of a vibrant creative force that bridges cultural, societal, and linguistic divides and continues to reach new heights today.  First presented at Victoria and Albert Museum, London, the exhibition is currently at Museum of Fine Arts, Boston, and will travel to Asian Art Museum, San Francisco. Three curators—Rosalie Kim, Victoria and Albert Museum; Christina Yu Yu, Museum of Fine Arts, Boston; and Yoon-Jee Choi, Asian Art Museum, San Francisco—discuss this captivating exhibition and South Korea's rise as a cultural superpower. For more information, please visit the link below: https://www.koreasociety.org/arts-culture/item/1826-hallyu-the-korean-wave-the-exhibition

On Season 5, Episode 3 of The Art Career, Emily sits down with head of curatorial at Artsy, Jordan Huelskamp, at the Artsy headquarters in downtown NYC. Jordan Huelskamp spearheads curation efforts at Artsy across the organization's app and marketing channels. As Curatorial Lead, she reaches an audience of 5M+ users and followers, the largest online audience in commercial art. Her work illuminates data to tell compelling stories about the art market, with an aim to foreground overlooked artists. Huelskamp is also the Founder of Salon, a member-managed art fund. Her interests in merging art, human connection and technology draw from her prior experience as a culture writer and on the communications team at Apple. Huelskamp also sits on the board of the nonprofit WORTHLESSSTUDIOS in New York, which provides space, materials, and technical assistance for artists of all backgrounds to realize large-scale public art projects. Huelskamp was educated at Stanford University (B.A. in American Studies) and Columbia University (M.S. in Journalism). @jordanhuelskamp https://www.artsy.net/ https://www.jordanhuelskamp.com/ @theartcareer

Texto curatorial by Bienal de São Paulo

In this episode of Art & Cocktails, host Ekaterina Popova sits down with the incredible Jennifer Rizzo, a Brooklyn-based curator, writer, and partner at Hashimoto Contemporary. Jennifer shares her journey to becoming a curator, offering insights into how galleries discover and support emerging talent. They discuss the behind-the-scenes of curating issue number #43 of Create Magazine, discovering new artists, and navigating the art world. Jennifer also gives valuable tips for artists and creative entrepreneurs looking to grow their careers. Plus, they delve into Hashimoto Contemporary's upcoming 10-year anniversary exhibition and Jennifer's personal projects.   www.createmagazine.com/subscribe CODE: NEWREADER     The Early Journey: Jennifer shares her background, revealing her early passion for art and eventual transition from aspiring artist to curator. She discusses her decision to pursue curatorial studies at FIT in New York City and the challenges she faced in finding her first gallery assistant role. Navigating the Art World: Jennifer offers insights into the dynamics of the art world, emphasizing the importance of building relationships and persistence. She highlights the significance of internships and networking in establishing a career in the arts, encouraging aspiring curators to pursue diverse opportunities. Gallery Behind The Scenes: Ekaterina and Jennifer chat about the process of curating art exhibitions, discussing the criteria for selecting artists and maintaining a cohesive vision. Jennifer shares stories about discovering new talent and fostering relationships with artists, emphasizing the role of social media in contemporary art promotion. Tips for Artists: Jennifer provides valuable advice for emerging artists submitting their work to galleries and publications, emphasizing the importance of clear communication and professionalism. She encourages artists to focus on developing a strong online presence and providing comprehensive submission materials, including artist statements and high-quality images. Hashimoto Contemporary's Milestones: Jennifer announces Hashimoto Contemporary's upcoming 10-year anniversary exhibition, celebrating a decade of supporting emerging artists. She discusses the gallery's participation in Future Fair and other upcoming projects, showcasing their commitment to promoting contemporary art. Connect with Jennifer Rizzo: Instagram: @JenniferSRizzo Hashimoto Contemporary: @hashimotocontemporary https://www.hashimotocontemporary.com   Connect with Kat and Art & Cocktails: Website: createmagazine.com Instagram: @createmagazine @katerinaspopova   Sponsor Message: This episode of Art & Cocktails is sponsored by Superfine Art Fair. Elevate your art career with Superfine, the most widespread art fair for independent artists in the United States. Sign up for a call with co-founder James Mel at superfine.world/sell-your-art and mention Create Magazine for a 10% discount on any booth size. Make art, sell art, Superfine will do the rest. https://www.superfine.world

Our first guest is Marvella Muro, Self Help Graphic & Arts Director of Artistic, Curatorial, and Education Programs and is currently curating SHG's Getty PST: Art x Science exhibition, Sinks: Places We Call Home. Marvella works tirelessly in Los Angeles arts communities to build a bridge between artists and community engagement. Edited by Alvaro Parra at De La Parra Productions Jingle by: space primo

Today, the show LIVE from the Belfast Room at the Ulster Museum in Belfast, with thanks to Tourism NI.Hannah Crowdy, Head of Curatorial at National Museums NI joined Sean to chat through the various stopping points through the museum, including the Troubles and Beyond Gallery...

Our yearly take on the controversy-filled legacies of former presidents brings us to the infamous ‘Old Hickory', Andrew Jackson. Curatorial research associate Dylan Rawles visits Zoe and Easton to unravel an often overlooked aspect of Jackson's legacy; Populism, along with its rise in the United States. Jackson prided himself as the “People's president”, which made him the “voice of the people” who stood against the “untrustworthy higher-ups.” This mentality would grow and expand far beyond his death, taking on many elaborate shapes and identities. Populism's role in U.S. politics both past and present, factors that enable such movements to take shape, the voices left out of the conversation, and the nearly impossible task of nailing down just who “the people” are and what they want- we explore it all today. As always, thank you for stopping by! 36 Questions for Civic Love: https://www.nphm.org/civiclove   Our sources: UC Santa Barbara. “Veto Message [of the Reauthorization of the Bank of the United States].” The American Presidency Project. https://www.presidency.ucsb.edu/documents/veto-message-the-re-authorization-bank-the-united-states.    Remini, Robert V. Andrew Jackson and the Course of American Freedom, 1822-1832. New York: Harper & Row, 1981.   Watson, Harry L. “Andrew Jackson's Populism.” Tennessee Historical Quarterly, Vol. 76, No. 3 (FALL 2017). https://www.jstor.org/stable/10.2307/2654029    Wilentz, Sean. The Rise of American Democracy: Jefferson to Lincoln. New York: W.W. Norton & Company, 2005.   Further Reading/Viewing:   Image of one of the “coffin hand bills” and a description from the Library of congress https://www.loc.gov/item/2008661734/

Hana Pera Aoake has recently been awarded the 2024 curatorial residency with Delfina Foundation and Metroland Cultures in London Hana will spend 12 weeks in London, starting in April, as the New Zealand curator-in-residence in Delfina Foundation's Spring 2024 Residency season. During the residency Hana will be spending time working alongside Metroland Cultures in Brent as well as pursuing their own research. Frances caught up with Hana for Various Artists this week to hear about the residency.

Episode #108 - Content Year Review The Cultivator and Developer of Content Magazine review a year of publications. Daniel Garcia founded Content Magazine in 2012 and has cultivated the longest-running South Bay Arts magazine ever. David Valdespino Jr. Joined the Content team full-time in January 2023 as a production manager and writer. In this conversation, we discuss highlights from the year, some magazine design and layout details, hidden aspects of the production process, and contributions from some writers, editors, and photographers that make Content possible. Episode #108 is the first time our team has offered a behind-the-scenes look at producing Content Magazine.  THANK YOU to the writers, photographers, editors, partners, and creatives that make Content Magazine possible.  Issue 15.2 Featuring: Tattoo Artist - Danny Fernandez | M.A.N.O.S., Jimmy Castañeda | Visual Artist - Trinh Mai | Painter - Angela Johal | Photographer - John Todd | San Jos Photo Walk - Julie Chon, Diana Mae, 35mmallie, Yvonne Yeh, Sheldon Chang | Stylist - Kelly Peters | Gathering Artisans Collective - James, Clarice, & Jafar Green | K-Cafe - Kayla Dinh | Mama Kin - Andrew Saman | Silicon Valley Gay Men's Chorus | Flautist/Teacher - Azeem Ward | Raue - Paige Kalenian & Jax Huckle | Album Picks - Needle to the Groove Issue 15.3 Featuring: Dancer - Alyssa 'Ms. Mambo' Aguilar | Chancellor of the West Valley-Mission Community College District - Bradley Davis | Designer - Carlos Pérez | Photographer educator - Dan Fenstermacher | Actor and rapper - Davied Morales, AKA Activepoet | Singer/Rapper - Ervin Wilson | Scholar and dance ethnologist - Farima Berenji | Hip Hop Record Label - F.R.V.R. Records, Aldin Metovic, Brevin Rowand, Vanessa Vindell | Aspiring Photographer - Iris Zimmerman | Writer/Poet - Keana Aguila Labra | Painter - Leslie Lewis Sigler | Musician - Mike Huguenor | Artist Educator - Mitra Fabian | Artist Rubén Darío Villa - Mr. Fuchila | Album Picks - Needle To The Groove | San Jose Earthquake - Niko Tsakiris | Emerging Fashion Designer - Nyr Acuavera | Graduating Architecture/Landscape Architecture - Onna Keller | Painter - Renée Hamilton-McNealy | Tattoo Artist - Sefa Samatua | ShaKa Brewing Issue 15.4 Featuring: Tattoo Artist - Abraham Ortega | San Jose Storyboard - Bertrand Patron Paule | Nonprofit organization - B.L.A.C.K. Outreach San Jose | Poet - Elodia Esperanza Benitez | Painter - James Mertke | Filmmaker - May Yam | Developer - Michael Messinger | Multidisciplinary Artist - Pantea Karimi | Muralist - Paul J. Gonzalez | San Jose Museum of Art Curators - Senior Curator: Lauren Schell Dickens, Assistant Curator: Juan Omar Rodriguez, Curatorial and Programs associate: Nidhi Gandhi | Artist & Illustrator - Suhita Shirodkar | Together We Create | Elba Raquel, Mesngr, Wisper, Roberto Romo | Meraki by Yaya Fashion Design - Yaya Bautista | Data Artist & Professor -Yoon Chung Han | Poet & Storyteller - Yosimar Reyes | D.J. - Weezmatic, Aaron Aquino Issue 16.1 Featuring: EPA Center, Nadine Rambeau | Tai Zhan Bakery, Wendy Chan | Gallerist, Pamela Walsh | Artist, Ignacio “Nacho” Moya | Musician and Painter, Ben Henderson | Artist, Miguel Machuca | Arts Los Altos, Maddy McBirney & Karen Zucker | Clothing Brand: Exhilo, Curtis Ying | Ensamble Folclórico Colibrí, Arturo Magaña | DJs, Soulmat3s | Musician, Will Sprott --- Support this podcast: https://podcasters.spotify.com/pod/show/content-magazine/support

Have a seat with BreakDown hosts Tim and Paz and their guest Peggy, Deputy Director of the Curatorial and Planning Center at Skills for U. Discover what Skills for U does, what the Taiwan Technical and Vocational Education and Training Conference features, why technical and vocational training and jobs are important, and what role English plays. Then learn about these terms: a jack of all trades and a master of none, MOOCs, and empower. —Vocabulary bilingual 雙語的 (adj.) A highly skilled workforce with many bilingual vocational and technical workers will contribute to raising Taiwan's international competitiveness. corporate 公司的；團體的 (adj.) One challenge in vocational education that corporate ESG and CSR initiatives could address is providing resources for programs that lack up-to-date knowledge and equipment. Note: ESG - environmental, social, and corporate governance; CSR - corporate social responsibility sector 部門 (n.) The conference aims to break down silos in Taiwan's vocational and technical education ecosystem by encouraging communication between the government, nonprofit, industry, and education sectors within it. incorporate包含；加上 (v.) Vocational and technical schools are incorporating English into their programs, helping to make the language alive and relevant for students, teachers, and Taiwan's society. vocational 職業的 (adj.) In a society that values education and professional careers, many parents discourage their children from pursuing a vocational job, not realizing that these jobs can be highly satisfying and that they also contribute to a healthy economy. https://bit.ly/3GtvKZ4 -- Hosting provided by SoundOn

In this episode, Matt Valler and Matt Baker speak with Dan Siedell about the 'Curatorial Theology' he is currently developing as a graduate student at Drew University. Daniel A. Siedell is an art historian, art critic, and curator who has spent nearly twenty years writing and lecturing on modern art and theology. From 1996-2007 he was Chief Curator of the Sheldon Museum of Art, where he organized numerous exhibitions of modern & contemporary art. From 2007-2011 he was Professor of Modern & Contemporary Art History & Theory at the University of Nebraska-Omaha. Who's Afraid of Modern Art: https://www.amazon.com/Whos-Afraid-Modern-Art-Conversation/dp/1625644426/ref=sr_1_1?crid=14QP7H50L1R10&keywords=daniel+siedell+book&qid=1699904777&sprefix=daniel+siegel+book%2Caps%2C123&sr=8-1 Labyrinth: https://labyrinth.city/ Intro sample from the Netflix series Blue-eyed Samurai, episode 7. Music for this episode: Chaos Theory, Ava Low Love Always, Nu Alkemi Those Moments, Hampus Naeselius Nomad's Theme, Matt Baker

In this episode of The Art Biz I talk with Nanci Hersh about an exhibition she organized with 25 artists from multiple states and countries. The show used the central theme of tears to explore empathy, compassion, and understanding within a sacred space—a metaphorical chapel. She says, as artists “we are so fortunate that we can use our art to make sense of life experiences.” Nanci and I discuss: The ripple effect of art when it impacts the artist first. The training she received to facilitate uncomfortable conversations. The benefits of taking on such a big project and why it's important that it aligned with her values. How the exhibition was paid for and ideas she has for improving funding options in the future. How she stayed organized. The importance of clear lines of communication, accepting help, and practicing gratitude.   ⭐️ ABOUT NANCI HERSH Nanci Hersh is a contemporary artist whose work is informed by the experiences, relationships, and places in her life. Her two-dimensional work, as well as her sculptures and installations, are at the intersection of personal narrative, art-making, and community engagement—exploring the grace, beauty and fragility of our lives. Nanci is also a curator, illustrator, educator, arts advocate, and former Executive Director of the Delaware Institute for the Arts in Education. She has one foot in Pennsylvania and the other in Delaware.

Guess Who's back? David Heighway; joined alongside Curatorial's very own Curator of Native American History and Life, Sara Schumacher. Chief Straw is an entity that has been on our minds for close to a year now- and we're going to talk about him- beyond Strawtown's namesake story. The Native American nations and their histories have long been misunderstood in the United States. It's hard to piece the truth together, but “hard” doesn't mean “impossible.” If you've ever wanted to know what the info-gathering process is like for Historians in the museum field, you'll love this in-depth look into the process. Join us as we break down the story, analyze the documents, and place the spotlight on the “actors” that make up the messy web surrounding Chief Straw.    Our sources:   David Heighway. “A Mysterious Murder along the Frontier.” The Indiana History Blog (2016). https://blog.history.in.gov/a-pioneer-murder-mystery/   Eiler, Kayla J. The Lenape on the Wapahani River. Muncie, IN. Ball State University, 2014. http://www.lenapeonthewapahani.org/   Erderame, Jyoti A. (2021) “Strawtown.” Encyclopedia of Indianapolis (2021). https://indyencyclopedia.org/strawtown/   Ryan, Jordan. “White River History: Strawtown.” Discover White River (2021). https://www.discoverwhiteriver.com/2021/11/03/white-river-history-strawtown/   “Strawtown Koteewi Park History.” Hamilton County, IN. https://hamiltoncounty.in.gov/411/Strawtown-Koteewi-Park-History    The Hoosier History Live! team. “Lenape (Delaware) Indian heritage in Indiana.” Hoosier History Live! (2014) https://www.hoosierhistorylive.org/mail/2014-08-16.html        

Mid year holiday episode! Sophie Vander is the Director and Founder of Curatorial + Co. Curatorial + Co have built a solid reputation placing contemporary artwork within residential and commercial architecture and the public domain. They also have a thriving Art Consultancy business, working with a strong network of interior designers and architects. Willy and Sophie talk about: her enduring love for art and the realisation she was never going to be an artist artist websites and what you need to have on them the most recent artist to join the gallery the role art fairs such as The Other Art Fair have in an emerging artists career and much more ___________________________ One-on-one mentoring, tailored to your artistic practice opens up again in January 2024, for further information head to www.wilaminarusso.com and sign up the monthly newsletter helping artists take the right next step - The Next Step Interview With An Artist is hosted by Willy (Wilamina) Russo and produced by Cameron Furlong. 

Presenter Dr Shane is joined by Dr Ray and Dr Linden for the latest science news; Assistant Professor Clarice D. Aiello from the Quantum Biology Tech Lab at UCLA explains how nature may be following quantum mechanics for its biological processes; Jonathan How, Senior Meteorologist at the Bureau of Meteorology discusses El Niño and how bushfire outlooks are assessed; Monica Bello, Head of Arts at CERN and Tilly Boleyn, Head of Curatorial at Science Gallery Melbourne talk about the Dark Matters exhibition at Science Gallery Melbourne and the dialogues and crossovers between science and art. These collaborations open the door between scientists in the lab and artists, allowing complex scientific ideas to be communicated in an accessible way to the public.Remember, “Science is everywhere”, including:Program page: Einstein-A-Go-Go Facebook page: Einstein-A-Go-Go Twitter: Einstein-A-Go-Go

This week, our summer series continues with a fascinating conversation about the history of the Bible (specifically, how ancient texts have been passed down and what makes the Bible different from other documents). It's interesting and informative, and you'll surely learn something new!Jeffrey Kloha, the Chief Curatorial Officer for the Museum of the Bible, manages the Museum of the Bible Education, Scholars Initiative, Exhibits, and Curatorial and Collections departments.Support the show******To support Make It Simple, head to mpm.simple donation.comCheck out What Matters Most, daily teachings from Matt Popovits, available wherever you get your podcasts.For more information on MPM, head to mattpopovits.com Support the show

Jeffrey Kloha joined Museum of the Bible in summer 2017. He manages the Museum of the Bible Education, Scholars Initiative, Exhibits, Curatorial, and Collections departments and is responsible for executing those departments' strategic plans, along with managing other professionals.Jeff previously served 18 years as professor of New Testament at Concordia Seminary in St. Louis, and also served Concordia as provost/chief academic officer. During that time, he oversaw two accreditation processes, transitioned the institution from quarters to semesters, steered the development of new curricula and managed strategic planning for the institution. He earned the PhD from the University of Leeds.His areas of teaching and research include the textual and canonical history of the early Christian writings, hermeneutics, and the Pauline Epistles. Jeff is co-editor of Texts and Traditions: Essays in Honour of J. K. Elliott (Brill, 2014) and The Press of the Text: Biblical Studies in Honor of James W. Voelz (Pickwick, 2017). He has published peer-reviewed essays in the areas of New Testament textual criticism and the use of New Testament texts in early Christianity. He is a frequent conference presenter, radio guest, and television documentary commentator.Support the showVisit uniteleadership.org

Disability Pride Month started as a celebration of the Americans with Disabilities Act--signed into law in July 1990. It marked a significant milestone for the civil rights of Americans with all kinds of disabilities. For people and advocates in the disabled community, Disability Pride month also means celebrating the full breadth of experience of those with disabilities. Make Studio in Baltimore City is hosting Disability Pride Arts Fest on July 15. Jill Scheibler, cofounder of Make Studio, joins the show. Also joining are two of the artists featured in the Disability Pride Arts Fest, Tyrone Weedon and Louis Middleton. Later in the show, we take a look at a new art exhibit featuring the work of Judith Scott. She is a celebrated artist whose work has been shown at the National Gallery of Art in Washington D.C., the Brooklyn Museum in New York City, and other prestigious museums. Scott started honing her craft only in her mid-40s. Scott was born with Down syndrome in 1943, then rendered deaf by an attack of Scarlet Fever in her infancy. But her deafness went undiagnosed for years, and was interpreted as low IQ. She was considered ineducable and spent the next 36 years institutionalized. Now the American Visionary Art Museum is featuring Scott's work in a new solo exhibition, open through June 2024. The exhibit, “The Secret Within: the Art of Judith Scott,” includes the artist's intricate sculptures, as well as personal perspectives on Scott's life from some people close to her. Gage Branda, a Curatorial and Development Coordinator at AVAM, joins us to describe the exhibit he helped assemble.See omnystudio.com/listener for privacy information.

Natalie Grueninger speaks with Alison Palmer, Kate McCaffrey and Dr Owen Emmerson about the recent discovery of Thomas Cromwell's book of hours. Excitingly, Katherine of Aragon and Anne Boleyn also owned a copy of the same prayer book. Visit Hever Castle's website https://www.hevercastle.co.uk/ Find out more about your host at https://www.nataliegrueninger.com Buy Talking Tudors merchandise at https://talkingtudors.threadless.com/ Support Talking Tudors on Patreon! Join 365 Days with the Tudor Queens!  

Kekena Corvalán, @kekenacorvalan, docente, escritora y curadora feminista. Es profesora de la Universidad del Museo Social Argentino Ha realizado numerosas narrativas curatoriales, en espacios y museos de la ciudad de Buenos Aires, La Plata, Bahía Blanca, Coronel Suárez, Rosario, Córdoba, Santiago del Estero, Neuquén, Río Gallegos, Resistencia, Caracas, Lima y Montevideo. Gestionó y curó las dos ediciones (2019-2020) de la exposición colectiva, transfeminista y federal #paratodestode. Realizó la exposición Sala Propia (2018), en el Museo Nacional de Bellas Artes de Neuquén, donde concretó una lectura comprensiva de todas las obras de artistas mujeres y disidencias presentes en el patrimonio de un museo. Ha ideado y curado las cuatro ediciones del Campamento Artístico Curatorial en Río Gallegos (Santa Cruz) Coronel Suárez (Prov. Buenos Aires), Resistencia (Chaco) y Costa Riojana (La Rioja). Realizadora de las Cuarencharlas, espacio virtual diario de encuentro de artistes, educadorxs, gestorxs, curadorxs durante la plandemia. Forma parte de la colectiva curatorial Curadoras en Trance, desde la cual produce exposiciones en conjunto con el Museo Pettoruti de La Plata. Publicó Artistas Latinoamericanas, un recorrido de diálogos conceptuales (Wifredo Lam, Cuba), Historias de Cabeza Partida (Ediciones del Bien), Curaduría Afectiva (Cariño Ediciones), Curadurías del Fin del Mundo (Autoras en Tienda), participando de diversas compilaciones de textos nacionales e internacionales.

Panel discussion presented at Cannes Docs 2023 at the Marché du Film, Festival de Cannes on May 20, 2023 and curated in partnership with the DAE - Documentary Association of Europe Parts of the independent film industry are currently engaged in a crucial discussion about the need for more equitable and accountable curation in film programming and selection processes. More and more filmmakers and industry stakeholders alike are openly questioning the traditional power structures that have historically influenced art and cultural institutions intending to achieve diversity, inclusion, and representation at all levels.This panel discussion explores the latest curatorial trends, sustainable career paths, and effective audience engagement strategies from the filmmaker's perspective. Panelists from diverse geographies and artistic backgrounds share their experiences with ethical representation, storytelling, and questions of their sovereignty that they have faced making and disseminating their documentary films. Together, they also delve into how filmmakers navigate the challenges posed by the persistence of selection processes lacking awareness and accountability mechanisms and how they can influence the freedom of the filmmaker's artistic vision of the maker.MODERATED by Rico Johnson-Sinclair - Race Equality Lead at BFI - BRITISH FILM INSTITUTEPANELIST - Yolanda Maria Barroso - Creative and executive producer, Malin Hüber - HER Film, Nada Riyadh - Director/Producer Felucca Films, and Paul Sng - DirectorFor show notes visit docsinorbit.com and be sure to follow us on social media @docsinorbit for updates.

In which Theo & Brian discuss Theo's curatorial debut, plus a terrible experience Brian had at the dentist. Holding Space is on view now until June 25th 2023 at Assemblage Art Space in the Seaport at 70a Sleeper St. Boston, MA.

Host Jeremy C. Park talks with Dr. Zoe Kahr, Executive Director of the Memphis Brooks Museum of Art, who highlights how the museum is dedicated to enriching the lives of visitors through their expanding collection, varied exhibitions, and dynamic programs. The Memphis Brooks Museum of Art is one of the largest art museums in the American South, located in the heart of Memphis in historic Overton Park. The complex comprises 29 galleries, two art classrooms, a print study room, a research library, and a professional auditorium.During the interview, Zoe shares some of her background and what attracted her to the position in Memphis after most recently serving as Deputy Director for Curatorial and Planning at the Los Angeles County Museum of Art. She talks about how The Brooks Museum remains OPEN in Overton Park and how they are now experimenting with different experiences and exhibits as they prepare for a move and new building downtown. Zoe then talks about how the new building downtown will literally and symbolically "level the playing field" and open up new, exciting opportunities for the future ahead. She also highlights the important power of Art, along with how the community can support their efforts through visiting the museum, memberships, their new cafe and gift shop that spotlights Memphis Makers.Visit www.brooksmuseum.org to learn more.

This week on the podcast we talk with Michelle Dusserre Farrell, she's a 1984 Olympic Silver Medalist for the US in team gymnastics and current Athlete, Curatorial, and USOPM Programs at the U.S. Olympic & Paralympic Museum. The conversation delves into Farrell's Olympic journey in the 1980s, including the "Mary Lou Retton effect" on USA Gymnastics and her role in the 1986 Mitch Gaylord gymnastics movie classic "American Anthem." Listeners will also gain insight into Farrell's current role at the U.S. Olympic & Paralympic Museum, and the importance of preserving and celebrating the history of the Olympic and Paralympic movements. Overall, the episode offers a fascinating look into the world of elite sports and the efforts to commemorate its achievements. And as always, thank you for your support.   Michelle Dusserre Farrell Instagram - @babygym84 Twitter - @babygym84   U.S. Olympic & Paralympic Museum www.usopm.org Instagram - @USOPMuseum  Facebook –  @USOPMuseum  Twitter - @USOPMuseum    Tim Loves the Olympics Instagram: @tltopodcast Twitter: @tltopodcast Facebook: @tltopodcast    

This week is the penultimate episode in our six-part mini-series and today we are in for a treat! Curatorial placement student Cara Gathern takes us into one of the most exciting but hidden spaces at Hampton Court Palace, Henry VIII's bedroom. It may not look like a royal Tudor bedroom today, but Cara will reveal how this space has transported her to the past, and particularly to the medicinal practices of the health-obsessed Tudor king.  To find out more about this subject go to: https://www.hrp.org.uk/blog/henry-viii-medicines To find out more about opportunities and further education at Historic Royal Palaces go to:  https://www.hrp.org.uk/about-us/research/ma-in-heritage-management   https://www.hrp.org.uk/about-us/work-for-us/apprenticeships  

This is a special anniversary Episode, our 70th release and the first one in 2023 - therefore it is with a special person. Patrizia Dander recently took on the post of head of the curatorial department at the acclaimed Kunstsammlung NRW K20K21 in Düsseldorf. Her path into the arts was an individual and unusual one. Always being interested in the humanities, she first started studying psychology and more and more discovered how art not only fulfilled a personal inclination, but also gave her new insights and instilled a deep curiosity, that didn't leave her until today. Patrizia talks her early life, her fathers interest in art, how she left her studies for an internship at the Kunstverein in Düsseldorf, how the support of people and the collaboration with them shaped and paved her way into the arts and how she was learning by doing. Patricia covers her career stations from the beginnings and talks in depth about each space and institution. She openly gives insights about the possibilities and challenges she faced at the respective institutions and what her attitude is in dealing with new spaces and situations. Portrait photo by Andreas Endermann. 46 min., recorded December 22, 2022, language english. Shownotes: https://www.kunstsammlung.de/de/ https://www.museum-brandhorst.de/ https://www.hausderkunst.de/ https://van-horn.net/

Adrian Bebbington-Wong speaks with Tilly Boleyn, Head of Curatorial at Science Gallery Melbourne. In the second episode of the series "For the love of me". We explore Tilly's career shift that brings her passion for science and art together, the rationale of the art exhibition of "Mental - Colours of Wellbeing" which is live in Singapore, as well as her self-care practice. Connect with us: Adrian's LinkedIn: https://www.linkedin.com/in/adrian-bw/ Neurum's Instagram: https://www.instagram.com/neurum.health/ Neurum's website: https://www.linkedin.com/company/neurum-health/ Details of Mental - Colours of Wellbeing: https://www.marinabaysands.com/museum/exhibitions/mental.html This podcast is powered by @Neurum Health. It's named after the local way we ask each other “how are you?”. We will be covering all things #mentalhealth and #wellness with you in credible, conversational, and real talks. ✅ Love our podcast? Support our work by giving us a ⭐️ 5-star rating and review!

Putting Artists First in Curatorial Projects with Melissa Messina Today's conversation on The Art Biz is packed with tips and insider info. In my conversation with independent curator Melissa Messina, we discuss what an independent curator does, how Melissa finds and works with artists, and what happens during a studio visit to an artist she is (or might be) working with. You won't want to miss the insights she shares about common mistakes she sees artists making, as well as how to correct them. Above all, Melissa shares the empowering reminder that the artist is at the center of all a curator, a museum, or a gallery does. First posted: https://artbizsuccess.com/curator-messina-podcast Highlights “I think that curator gene has always been in me.” (1:55) Melissa's work as an independent curator. (5:32) How does a curator find their artists? (9:00) The importance of your network. (14:37) Insights from the details of Melissa's standard project. (18:46) Scheduling projects and finding funding with fellowships. (23:55) Curating an artist's estate is the joy of Melissa's life. (26:53) What piquesMelissa's interest in the artists she encounters? (32:01) The cities, websites, publications, and galleries where Melissa looks for artists. (35:00) Working with galleries as an independent curator. (38:04) The role that studio visits play in a curator-artist relationship. (40:54) What curators are looking for from a studio visit. (48:51) Correcting the mistakes that too many artists make. (50:54) This Week's Assignment Research my guest Melissa Messina and start following her on social media. Then start researching independent curators in your area and start following them. Consider inviting them into your studio for a low-stress visit—and don't forget to offer them a drink. Mentioned ArtBizAccelerator.com Brooklyn Museum Art Papers Hyperallergic Valerie Cassel Oliver Tyson Scholars of American Art Program at Crystal Bridges Museum of American Art Melissa Messina Melissa Messina on Instagram Resources Show notes, images, and listener comments How to Price Your Art free report Art Biz Connection artist membership Quotes “I'm constantly making calculations to see where an exhibition or project might percolate out of my experiences and relationships.” — Melissa Messina “Your network is everything.” — Melissa Messina “There are some really good artists with bad attitudes, and I would much rather give the opportunity to someone who is a joy to work with.” — Melissa Messina “I think artists would do better to let go of their expectations in a studio visit.” — Melissa Messina “Without the artist and their work, there wouldn't be anything for us to do.” — Melissa Messina About My Guest Melissa Messina is a nationally recognized arts professional who has developed thought-provoking exhibitions, dynamic site-responsive projects and engaging educational public programming both independently and in leadership positions at museums and non-profit arts organizations. For 20 years, her work with regional, national, and international artists has been presented in the U.S. in Atlanta, Kansas City, Miami, New York, New Orleans, Richmond, Savannah, and Washington, D.C., as well as in Bermuda, France, and Hong Kong. She has lectured extensively and published widely, and her research has been funded by Creative Time and The Andy Warhol Foundation, as well as by fellowships at Emory University's Stuart A. Rose Library, Atlanta, GA, and the Crystal Bridges Museum of American Art, Bentonville, AR. In addition to serving select public and private clients, she is the curator of the Mildred Thompson Estate. She has also recently served as guest curator at the Virginia Museum of Contemporary Art, Spelman College Museum of Fine Art, the Visual Arts Center of Richmond, and the New Orleans Museum of Art, and was the co-curator of the 2018 and 2020 Bermuda Biennials. In 2017, she co-created Magnetic Fields: Expanding American Abstraction, 1960s to Today, an intergenerational exhibition highlighting 21 Black female abstract practitioners that traveled from Kemper Museum of Contemporary Art in Kansas City to The National Museum of Women in the Arts, Washington, D.C.

In this episode, Wes and Todd sit down with Curatorial Director, Lindsey Bell of Bell Projects. Lindsey discusses the two-year anniversary of Bell Projects, the catalyst for starting a gallery during the pandemic, risk taking, the mission & vision of Bell Projects, the move from RINO to the City Park area, what art does for her, art exposure and experiences, the importance of being connected to the art community, what she's learned owning a gallery, value of her previous art occupations, Artist talks, programming, curating, studio visits, being named best new gallery by Westword, her business model, supporting local Artists, the Mona Lisa, Van Gogh, performance art, climate change protestors, her art education, highlights from the past two years, her “Parallels” exhibition, balance and the advice that she would give to her younger self.Join us for an informative and joyous conversation with Lindsey Bell.Check out the Bell Projects website at www.bell-projects.comCatch the opening of the exhibition “Parallels” and celebrate Bell Projects 2 Year Anniversary, December 2nd from 6pm-10pm.Parallels: Women of Abstract Expressionism // 2022 Residency Exhibition is on display from December 2nd – 18th, 2022.Bell Projects is located at 2822 E. 17th Avenue, Denver, CO 80206Follow Bell Projects on social media:On Instagram at www.instagram.com/bell_projects/@bell_projectsOn Facebook at www.facebook.com/bellprojects 

It's hard to define what makes a good landscape painting but, if you investigate the backstory, you might find the artist has a close connection with that place. In Belinda Street's October show at Straitjacket Artspace, 'Keep your feet on the ground and your thoughts at lofty heights', her bond with the alpine landscape was obvious, particularly with Mt Kosciuszko in NSW. Her repeated exploration of that mountain has led to exciting reimaginings in paint. A winner of one of Australia's most significant landscape painting prizes, the Paddington Art Prize, Belinda evokes a reverence for this natural environment through expressive mark making and dramatic use of colour. It was this body of work which we talked about in front of an audience as part of the Newcastle Art Gallery Society art program and which I'm bringing to you in this podcast episode. We also touched on Belinda's early career, the representational and the abstract in her work, juggling motherhood and an art practice, as well as many aspects of her process including colour preferences, how she sees work with fresh eyes and ways of achieving a flow state in the studio. The conversation was recorded at Newcastle City Hall on 5 October 2022.  Click 'play' beneath the above photo to hear the interview. You can also see my YouTube video here of Belinda at Straitjacket Artspace which we filmed the day before our talk. Upcoming shows Group show 'Darlings' at Curatorial & Co, Sydney, 30 November - 10 December 2022 Links Belinda Street's website Belinda Street on Instagram Exhibition at Straitjacket Artspace Toby Cedar https://youtu.be/5Lh5gM2GsSM 'Yellow Box Gully', 2019, oil on canvas, 100 x 150cm Winner 2019 Paddington Art Prize 'Organ Pipes 2', oil on board, 51 x 61cm 'Along the Organ Pipes Track 3', oil on canvas, 100 x 150cm 'Walking Kunanyi 2', oil on canvas, 40 x 40cm 'Renewal', acrylic on board, 40.6 x 30.5cm 'Parrots of Central Australia' (12 panels in total) this panel: Major Mitchells Cockatoo, acrylic on canvas 'Mr Toby Cedar', oil on canvas, 180 x 150cm

This week we speak with Ally Sheppard, a Scouted Studio artist, about her career path and how she has grown her business over the years. We know you will love this conversation on growth, her curatorial background, and so much more! Learn more about Ally below!Ally Sheppard's Instagram, website, page on The Scouted Studio. The AnyQuestion App: Stop searching.... start asking.Ask a question, and get video answers from Experts in Health & Wellness, Sports, and more! Venture Europepersonal conversations with the entrepreneurs and investors reshaping our futureListen on: Apple Podcasts SpotifySupport the showThank you for listening. You can support the show by joining The Art Coaching Club's Patreon page for $10 a month. You can also follow along on The Art Coaching Blog and Instagram page.

ICA San Diego director Andrew Utt talks about: Moving back to San Diego, where he grew up, after years away in the Bay Area and South America, and why he did; why San Diego's art community/culture isn't known as an art destination, and how he tries to address that deficiency; his route to becoming a curator, starting with his undergrad years at California College of the Arts, when he went to grad students' studios and had the conversations that would inform his prolific studio visits over the years; the importance of bringing in outside artists, sometimes to be shown alongside local artists, but at the same time, the ‘brain drain' of artists emerging from SD-based art schools and leaving for L.A. (or elsewhere) for more opportunities, the exodus of which becomes a generational loss over time; teaching artists, and the challenge of their retention; the ICA's 5-foot and 10-foot rules for interacting with new visitors outside the museum; and where art engagement is headed, in terms of infiltrating cities, and through the growth of VR, AI and other interactive platforms.

Chief Curatorial Officer of the Museum of the Bible in Washington D.C., Dr. Jeff Kloha, gives us a glimpse into the wonderful world of the museum, his opinions on YouVersion Bible App, and why he is optimistic about people's Bible reading habits. To learn more about the podcast or access the show notes, visit www.redletterpodcast.com. As an author, podcaster, blogger, communicator, or content creator, do you ever feel like you put in the same amount of effort as others, but don't see the same results? Carey Nieuwhof and The Art of Leadership Academy have a free mastermind that will help you amplify your reach and impact online by: Identifying your dream audienceLearning how to get them to notice you and connect with you; and Figuring out which platforms are worth your time and effort and which aren't To register for free, visit influencekickstarter.com. Building online influence doesn't have to be intimidating or complicated. And it also doesn't have to be gimmicky or ruin your integrity. Resources mentioned in the episode: The Bible Museum YouVersion Bible AppThe Samaritans: A Biblical People ExhibitKey insights from the episode: When people hear the word ‘museum,' most of them think “boring, dusty, old.” When people hear the word ‘Bible,' what do they think? “Boring, dusty, old”….so what could possibly be more boring than The Museum of the Bible? It's like “boring squared.” The goal was to create a space to showcase the Bible in an engaging way. - Jeff KlohaSome positives that we should be focusing on with Bible reading statistics are that people who don't read the Bible are open to reading it; they just don't know how to get started. - Jeff Kloha YouVersion's findings indicate that more people are engaging during the week: Monday through Saturday than they were pre-COVID. - Jeff KlohaLet's be creative in how we are bringing God's Word to people. - Jeff KlohaThe key to all this, and it's always been this way, it's up to us as individual people to come alongside, to find out where people are at, and to help them find their way into the Bible. - Jeff KlohaIt has always been the people of God bringing the Word of God to others. - Jeff KlohaWhat really was the draw [to the job of chief curatorial officer] was to try to do something different. - Jeff KlohaBeginner readers of the Bible need to go to the Psalms. - Jeff KlohaThe phrase “kingdom of God” occurs 105 times in the gospels. - Jeff KlohaA non-negotiable is to love your neighbor. - Jeff KlohaDr. Jeff Kloha's Challenge: Pick up the Bible and read for seven days in a row. Dr. Kloha has given his life to help people understand God through the Bible. Did you know that studying Scripture is one of the 5 Keystone habits of Jesus? That's right. If you want to go deeper into leading yourself (and your church) to building the habits of Jesus, we'd love to introduce you to the 40-Day Being Challenge.Many Christians today aren't great at maintaining the habits of Jesus. Even the most “mature” Christians struggle with opening up in community, prioritizing prayer, and seeking regular solitude. But that doesn't have to be your story. The Being Challenge guides you through 40 days of practical, simple-to-understand challenges to help you learn, develop, and grow in the five keystone habits of Jesus.You can learn more about the challenge here!Some not-so-key insights: What could possibly be more boring than The Museum of the Bible? It's like “boring squared.”Being a chief curatorial officer does not mean Dr. Kloha goes around with a cowboy hat and bullwhip and collects artifacts.Professor Kloha's favorite classes to teach were the ones Zach and Chris were NOT in! (Just kidding!)One of Dr. Jeff Kloha's goals is to be less snarky than he was when he was a professor. As soon as he sees Zach and Chris, it all kicks back in. Dr. Jeff Kloha threatened to give Zach and Chris a Greek quiz after the interview!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode, hosts Peter Ravella and Tyler Buckingham step aboard USS New Jersey (BB-62) to learn about her amazing service history and why battleships like the New Jersey were the flagships of the United States Navy through World War II. Joining the show are Ryan Szimanski, Director of Curatorial and Educational Affairs, and Libby Jones, Director of Education and Digital Media at Battleship New Jersey. Battleship New Jersey is the most decorated battleship in Navy history, earning distinction in World War II, the Korean War, the Vietnam War, the Cold War, and conflicts in the Middle East. The New Jersey's history spanned over half the 20th century, from her design in 1938 until 1991. She was launched on the first anniversary of Pearl Harbor, and went on to steam more miles, fight in more battles, and fire more shells than any other battleship in history. In World War II, the New Jersey led the Pacific Fleet under Admirals Spruance and Halsey and fought in the two largest naval battles in history. She was reactivated to fight in the Korean War, and again to fight in the Vietnam War, when she was the world's only operating battleship. She was reactivated for a third time in the Cold War to assist in Desert Storm. Now, as a museum and memorial, the ship has found a new life, thanks in large part to the YouTube channel that the curators up on 6 days a week. We talk about the ship, her history and service, and how digital medial has revolutionized how the public can access the Battleship from they own living rooms. Check it out, only on ASPN!

Rosa Lowinger is a writer and art conservator most well-known for Tropicana Nights: the Life and Times of the Legendary Cuban Nightclub, the definitive book on Havana's pre-Castro nightclub era. Born in Cuba and raised in Miami, Rosa has an M.A. in art history and conservation from NYU's Institute of Fine Arts, and she is a fellow of every major international conservation organization. She lives in Los Angeles, where she is chief conservator at RLA Conservation, LLC, a firm she founded that specializes in sculpture, contemporary art, and integral architectural finishes.  She was the 2009 Rome Prize Fellow in conservation at the American Academy in Rome, where she researched a project called “A Comprehensive History of Vandalism.” Curatorial credits include Concrete Paradise: Miami Marine Stadium at the Coral Gables Museum (2013), and Promising Paradise: Cuban Allure, American Seduction at the Wolfsonian in Miami Beach (2016). Her memoir Dwell Time: Reflections on Art, Restoration, and Exile will be published in 2023 by RowHouse Publishing.In the conversation today, Rosa explains why reading well-written and compelling work helps her strive to do better. We hear about her “double” immigration story, reflections and insights from her life, wandering to belong, and about her business in art restoration and how this has influenced her life.-----Shout Out: BrigidAlliance.org  |  @brigidalliance Rosa on Instagram: @rlaconservation  Rosa's Website: RosaLowinger.com RLAConservation of Art & Architecture: https://rlaconservation.com/  Row House Publishing on Instagram: @rowhousepubPodcast Transcriptions Available: www.rowhousepublishing.com/podcast ​​Learn more about Row House Publishing and our mission to Raise the Volume on Voices That Matter™: http://rowhousepublishing.com Original Book Stoop theme: anonymousCover art: Danielle Pioli (https://www.daniellepioli.com)

Actor Anne Marie Duff talks to Emma Barnett playing a working class matriarch in a new play that spans five decades of the lives, and deaths, of the Webster family. Last September 19, 2021, Sophia Huang Xueqin, the Chinese journalist who kick-started China's #MeToo movement, disappeared. We find out what has happened to her from BBC Eye journalist Jessie Lau who's been investigating her disappearance,. Plus writer and journalist Lijia Zhang explains what it's like to be a feminist in China. Plus Anna Eavis the Curatorial director at English Heritage tells us the the story of Henrietta Howard, Countess of Suffolk, and mistress of King George II, as Marble Hill, a Palladian villa built in the 1720s for her, prepares to open to the public following its restoration Presenter Emma Barnett Producer Beverley Purcell Photo credit; Helen Murray