Podcast appearances and mentions of Ashley D Farmer

This podcast explores the work of Black Panther Women in the 1970s and 80s. To showcase how they organised to liberate the Black community from social, economic and political state oppression. Whilst placing women gendered related issues on the Black Power agenda. The episode analyses the distorted public image of these revolutionary women. Revealing how they managed to produce new models of black womanhood during the Black Power era, using art and methods of resistance. Special thanks to: Dr. Mary Phillips: Assistant Professor of African American Studies, Lehman College, City University of New York. With interests in Black Power Studies, Black Feminism. For her contribution, breadth of knowledge and enthusiasm. Dr. Ashley D. Farmer, Assistant Professor in the Departments of History and African Diaspora Studies at the University of Texas at Austin. Historian of black women's history. For her participation, invaluable experience and beautiful modern insight. Dr Illan Wall, Associate Professor at the School of Law, Warwick University: For his extensive support, resources and attention throughout the construction of this podcast.

Reparations. How much does the general public know about this topic?  On this episode, Allison talks with Dr. Ashley D. Farmer, an Associate Professor in the Departments of History and African and Africa Diaspora at the University of Texas at Austin. She is also the author of Remaking Black Power: How Black Women Transformed an Era. Dr. Farmer educates Allison and listeners about the history of reparations from the original promise of 40 acres & a mule to current conversations. She focuses especially on the importance of Callie House and Audley "Queenmother" Moore in furthering the fight for reparations. Dr. Farmer also discusses the impact reparations would have on lives of Black women. The Who's that Lady (from History)? is Alice Allison Dunnigan, the first African-American White House Correspondent. Resources: https://www.ashleydfarmer.com Remaking Black Power: How Black Women Transformed an Era Palimpsest: A Journal on Women, Gender, and the Black International The Black Woman Who Launched the Modern Fight for Reparations

For histories to be written, historians must engage archival material. What happens, though, when particular groups of historians do not feel like they have full access to archival material(s), simply because of their race? Before the 1960s and 1970s, when Black historians were accepted into the historical profession, African American scholars did not have equal access to the archives. The stain of this history has yet to go away. In a special discussion on her groundbreaking 2018 Black Perspectives piece, “Archiving While Black,” Dr. Ashley D. Farmer, Assistant Professor of African and African Diaspora Studies and History, is interviewed by New Books in African American Studies co-host, Adam McNeil, about the origin story of Farmer’s important piece, and about her own experiences archiving while Black. Farmer discusses not only her personal experiences in the archive, but also how those experiences now inform her classroom teaching while training new historians. Adam McNeil is a 2nd year History PhD student at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices

For histories to be written, historians must engage archival material. What happens, though, when particular groups of historians do not feel like they have full access to archival material(s), simply because of their race? Before the 1960s and 1970s, when Black historians were accepted into the historical profession, African American scholars did not have equal access to the archives. The stain of this history has yet to go away. In a special discussion on her groundbreaking 2018 Black Perspectives piece, “Archiving While Black,” Dr. Ashley D. Farmer, Assistant Professor of African and African Diaspora Studies and History, is interviewed by New Books in African American Studies co-host, Adam McNeil, about the origin story of Farmer’s important piece, and about her own experiences archiving while Black. Farmer discusses not only her personal experiences in the archive, but also how those experiences now inform her classroom teaching while training new historians. Adam McNeil is a 2nd year History PhD student at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices

For histories to be written, historians must engage archival material. What happens, though, when particular groups of historians do not feel like they have full access to archival material(s), simply because of their race? Before the 1960s and 1970s, when Black historians were accepted into the historical profession, African American scholars did not have equal access to the archives. The stain of this history has yet to go away. In a special discussion on her groundbreaking 2018 Black Perspectives piece, “Archiving While Black,” Dr. Ashley D. Farmer, Assistant Professor of African and African Diaspora Studies and History, is interviewed by New Books in African American Studies co-host, Adam McNeil, about the origin story of Farmer’s important piece, and about her own experiences archiving while Black. Farmer discusses not only her personal experiences in the archive, but also how those experiences now inform her classroom teaching while training new historians. Adam McNeil is a 2nd year History PhD student at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices

For histories to be written, historians must engage archival material. What happens, though, when particular groups of historians do not feel like they have full access to archival material(s), simply because of their race? Before the 1960s and 1970s, when Black historians were accepted into the historical profession, African American scholars did not have equal access to the archives. The stain of this history has yet to go away. In a special discussion on her groundbreaking 2018 Black Perspectives piece, “Archiving While Black,” Dr. Ashley D. Farmer, Assistant Professor of African and African Diaspora Studies and History, is interviewed by New Books in African American Studies co-host, Adam McNeil, about the origin story of Farmer's important piece, and about her own experiences archiving while Black. Farmer discusses not only her personal experiences in the archive, but also how those experiences now inform her classroom teaching while training new historians. Adam McNeil is a 2nd year History PhD student at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Recent interviews on visions of feminism. Writer Jessa Crispin rejects today's mainstreamed, neoliberal feminism [13:22] / Laura Carlsen reports on the “First International Gathering of Politics, Art, Sport, and Culture for Women in Struggle” in Zapatista territory [57:29] / Historian Ashley D. Farmer examines the radical work of women in the Black Power movement [1:19:44] / Organizer Bree Busk explores the rise of a multisectoral, transversal feminist movement in Chile. [1:51:05] / Theorist Sophie Lewis explores the radical horizon of gestational politics [2:34:42] / Writer Zillah Eisenstein explains why the mounting crises we face cannot be reformed individually, but fought collectively. [3:14:55]

The field of African American intellectual history is enjoying a kind of renaissance at the moment. The resurgence is due to the work of the African American Intellectual History Society (AAIHS) and its terrific blog Black Perspectives. The fruits of the AAIHS's labors can be seen in the book we're discussing today: New Perspectives of the Black Intellectual Tradition(Northwestern University Press, 2018). Its editors--Keisha N. Blain, Christopher Cameron, and Ashley D. Farmer--have collected insightful essays ranging across the entire African Diaspora from the leading scholars of Black intellectual history. Listen in as we talk to one of them, Ashley Farmer. Adam McNeil is a PhD Student in the Department of History at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices

The field of African American intellectual history is enjoying a kind of renaissance at the moment. The resurgence is due to the work of the African American Intellectual History Society (AAIHS) and its terrific blog Black Perspectives. The fruits of the AAIHS's labors can be seen in the book we're discussing today: New Perspectives of the Black Intellectual Tradition(Northwestern University Press, 2018). Its editors--Keisha N. Blain, Christopher Cameron, and Ashley D. Farmer--have collected insightful essays ranging across the entire African Diaspora from the leading scholars of Black intellectual history. Listen in as we talk to one of them, Ashley Farmer. Adam McNeil is a PhD Student in the Department of History at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices

The field of African American intellectual history is enjoying a kind of renaissance at the moment. The resurgence is due to the work of the African American Intellectual History Society (AAIHS) and its terrific blog Black Perspectives. The fruits of the AAIHS's labors can be seen in the book we're discussing today: New Perspectives of the Black Intellectual Tradition(Northwestern University Press, 2018). Its editors--Keisha N. Blain, Christopher Cameron, and Ashley D. Farmer--have collected insightful essays ranging across the entire African Diaspora from the leading scholars of Black intellectual history. Listen in as we talk to one of them, Ashley Farmer. Adam McNeil is a PhD Student in the Department of History at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices

The field of African American intellectual history is enjoying a kind of renaissance at the moment. The resurgence is due to the work of the African American Intellectual History Society (AAIHS) and its terrific blog Black Perspectives. The fruits of the AAIHS's labors can be seen in the book we're discussing today: New Perspectives of the Black Intellectual Tradition(Northwestern University Press, 2018). Its editors--Keisha N. Blain, Christopher Cameron, and Ashley D. Farmer--have collected insightful essays ranging across the entire African Diaspora from the leading scholars of Black intellectual history. Listen in as we talk to one of them, Ashley Farmer. Adam McNeil is a PhD Student in the Department of History at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The field of African American intellectual history is enjoying a kind of renaissance at the moment. The resurgence is due to the work of the African American Intellectual History Society (AAIHS) and its terrific blog Black Perspectives. The fruits of the AAIHS's labors can be seen in the book we're discussing today: New Perspectives of the Black Intellectual Tradition(Northwestern University Press, 2018). Its editors--Keisha N. Blain, Christopher Cameron, and Ashley D. Farmer--have collected insightful essays ranging across the entire African Diaspora from the leading scholars of Black intellectual history. Listen in as we talk to one of them, Ashley Farmer. Adam McNeil is a PhD Student in the Department of History at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce's 2016 Super Bowl halftime performance, the Black Power movement's memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer's Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences' knowledge of black women's centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer's work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women's intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement's expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women's history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce's 2016 Super Bowl halftime performance, the Black Power movement's memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer's Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences' knowledge of black women's centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer's work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women's intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement's expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women's history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015.

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce’s 2016 Super Bowl halftime performance, the Black Power movement’s memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer’s Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences’ knowledge of black women’s centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer’s work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women’s intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement’s expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women’s history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce’s 2016 Super... Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce's 2016 Super Bowl halftime performance, the Black Power movement's memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer's Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences' knowledge of black women's centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer's work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women's intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement's expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women's history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce’s 2016 Super Bowl halftime performance, the Black Power movement’s memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer’s Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences’ knowledge of black women’s centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer’s work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women’s intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement’s expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women’s history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce’s 2016 Super Bowl halftime performance, the Black Power movement’s memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer’s Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences’ knowledge of black women’s centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer’s work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women’s intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement’s expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women’s history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce’s 2016 Super Bowl halftime performance, the Black Power movement’s memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer’s Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences’ knowledge of black women’s centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer’s work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women’s intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement’s expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women’s history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices