Podcast appearances and mentions of ashley farmer

Reparations NOW!, with Bro. Jumoke Ifetayo 7-21-24 guest Associate Professor in the Departments of History and African and African Diaspora Studies at the University of Texas at Austin, Dr. Ashley Farmer. Her book, Remaking Black Power: How Black Women Transformed an Era (UNC Press) and Queen Mother Audley Moore: Mother of Black Nationalism, was the topic of conversation.

Lisa Cookston, Executive Director at the Museum of the Mississippi Delta, and Ashley Farmer, Executive Director of the Greenwood Convention and Visitors Bureau, join me today on In A MS Minute.

In the third episode of The Official Rustin Podcast, host Tre'vell Anderson speaks with Dr. Ashley Farmer, historian of Black women's history, intellectual history and radical politics, about the women of the Civil Rights movement. The ways they were overlooked, their true contributions, and what our celebrated civil rights leaders could have done to raise the platform of women at the time. The Official Rustin Podcast is a production of Netflix, Pineapple Street Studios and Slayzhon Host: Tre'vell Anderson Producer: Corey Antonio Rose Managing Producer: Erin Kelly Mix engineer: Hannis Brown Fact checking: Dina Kleiner Special thanks to Josh Gwynn Executive Producer, Pineapple Street: Gabrielle Lewis Executive Producer, Slayzhon: Tre'vell Anderson Executive Producer, Netflix: David Markowitz

In 1965, Malcolm X walked out onto the stage of a Harlem ballroom, and was shot dead. In the fifth episode of our series delving into the US Civil Rights movement, Rhiannon Davies speaks to Dr Clarence Lang and Dr Ashley Farmer to find out more about Malcolm X's life and untimely death, as well as his pivotal role in inspiring the Black Power movement.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

From journalist Ida B. Wells to poet Maya Angelou to Aretha Franklin, the queen of soul music, Black women have made important contributions to the United States in a variety of areas, including politics, science, the arts, and social justice. Celebrating and recognizing Black women during Women's History Month is an important way to honor their legacy and inspire future generations.  In this episode we talk about how Black women have played a crucial role in advancing human rights and freedoms, contributing to our knowledge base, and improving our world with Dr. Ashley Farmer an associate professor in the Departments of History and African and African Diaspora Studies at the University of Texas at Austin.  Read more - https://clarivate.com/podcasts/ideas-to-innovation-season-two/  

What role have black women played in the civil rights era and black empowerment in addressing issues of white supremacy? We explore the importance of black women intellectuals, the way in which they have framed the scholarship, the analysis, and policies. Hosted by Doug Becker. [ dur: 33mins. ] – Recorded March 2022. Ashley Farmer … Continue reading Scholars' Circle – Black Women intellectuals contribution to civil rights struggle; History of Cooperatives in Black Communities – Feb. 12, 2023 →

In the PBS series, MAKING BLACK AMERICA: THROUGH THE GRAPEVINE, famed documentarian, Dr. Henry Louis Gates, Jr., sits down with noted scholars, politicians, cultural leaders and old friends to explore what it means to be a Black American in a country where racial discrimination and white supremacy still exist. Join us as Host Eddie Robinson facilitates a recent panel discussion about the film that was recorded live in front of a virtual audience. The panel of guests include the film's award-winning producer and director, Stacey Holman; acclaimed historian who's featured in the project and University of Texas at Austin professor, Dr. Ashley Farmer; and Senior Pastor of the historic Good Hope Missionary Baptist Church in Houston and KTSU radio host, Pastor Dr. D.Z. Cofield. Our I SEE U panelists will chat candidly about the real impacts of racial integration on the Black community, the current state of Black institutions following the Civil Rights Movement and a possible incentive for any family to start their own quest of building personal archives that preserve the rich histories and stories of their ancestors.

Michael talks with Ashley Farmer about getting into the arts and writing, previous books in fiction and poetry, her essay collection DEAR DAMAGE, a life changing act in the family involving a gun after a severe accident, the inclusion of found forms and conversational transcripts in the collection, compassion, restrained vs. lyrical prose, feedback from family on writing that's about them, factual vs. felt truth, and more.Ashley Farmer is the author of the essay collection Dear Damage  (Sarabande Books, 2022), the story collection Beside Myself (reissued by Apocalypse Party Press, 2022), and the poetry collection The Women (CCM, 2016). Her work has been published in places like Gay Magazine, TriQuarterly, The Progressive, Santa Monica Review, Buzzfeed, Flaunt, Nerve, Potomac Review, Gigantic, Salt Hill Journal, DIAGRAM, and elsewhere.Podcast theme: DJ Garlik & Bertholet's "Special Sause" used with permission from Bertholet.

Bloomington's Public Safety and Community Relations Board is getting ready to bridge the generation gap, bringing on its first teen member.

The Blackivists, a collective of professionally trained Black archivists in Chicago, partner with institutions and community groups to help preserve the city's Black cultural heritage as well as model reparative approaches to archives and archiving. Daniel talks with Ashley Farmer, who teamed up with the Blackivists to produce the AHR History Lab piece “Toward an Archival Reckoning” for the June 2022 issue. One of the collective—Stacie Williams—joins Ashley to talk about the group's work. And Adom Getachew checks in to set this project in the context of a larger arc of upcoming Lab entries on the theme of “engaged history.”

In our last episode of season 2, co-hosts Dr. CBS and Dr. Layla Brown, start by shooting the shit with producer, Too Black, about bloopers from season 2. In her "Planting Thoughts" segment, Layla breaks down Alocasia Wentii (New Guinea Shield) also known as the hearty elephant ear - does well in bright indirect light, extensively grown in SE Asia. Next, the two co-hosts and Too Black, reflect on their favorite episode and segment from season 2 as well as offer some self criticism. For Part 2 of highlighting Radical Black Women, we introduce our Top 5 Dead or Alive: Radical African/Black Women Edition segment. Co-hosts Dr. CBS and Dr. Layla Brown are joined by two special guests from the Groundings podcast, Devyn Springer and Darian Alexander Williams, to discuss their top 5 radical Black/African women . In Risse's Rants, Dr. CBS employs more people to watch and appreciate season 2. Tap in to this episode of LDI--and be sure to subscribe to the channel and consider becoming a Patreon! Ashley Farmer's pieces: https://www.aaihs.org/the-power-of-dr... https://www.aaihs.org/heed-the-call-b... Patreon: https://www.patreon.com/LDIpodcast Twitter: @ldipodcast Instagram: @ldipodcast

Ashley walks us through her 10 year career working with animals ranging from the Pittsburg Zoo to her current career as traveling vet tech. Listening to her gut has been the biggest deciding factor in staying, leaving, or pivoting in her career. We navigate why trusting your gut is so vital, but also why people tend to avoid it. Leaving a comfortable situation can be scary, but also worth the risk - this applies to careers AND relationships. Ashley expresses her contempt for insects, and I explain my fear of possums. All in all, listen to your gut and TAKE THE LEAP. Hope yall enjoy! Follow Ashley on Instagram! @ashleyvettech --- Support this podcast: https://podcasters.spotify.com/pod/show/rantnotover/support

Black women don't often get their roses in the history books, relegated instead into background roles. But for us to achieve liberation as a people, we must understand the need for collective action to achieve liberation. Dr. Ashley Farmer can attest to this need. An accomplished historian and author of the pioneering book “Remaking Black Power: How Black Women Transformed an Era,” Dr. Ashley Farmer spearheads this powerful conversation about Black women's role in the Black Power movement, and the invaluable role Black women played and play in paving the way to Black liberation. BHY is produced by PushBlack, the nation's largest non-profit Black media company - hit us up at BlackHistoryYear.com and share this with your people! PushBlack exists because we saw we had to take this into our own hands. You make PushBlack happen with your contributions at https://BlackHistoryYear.com​. Most people do 5 or 10 bucks a month, but everything makes a difference. Thanks for supporting the work. The Black History Year production team includes: Tareq Alani, Patrick Sanders, Leslie Taylor-Grover, William Anderson, Jareyah Bradley, Brooke Brown, Shiavon Chapman, Tabitha Jacobs, Abeni Jones, Briona Lamback, Courtney Morgan, Zain Murdock, Akua Tay, Tasha Taylor, and Darren Wallace. Producing the podcast we have Cydney Smith, who performs our narrative pieces, and Sasha Kai Parker, who also edits the show. Black History Year's executive producer is Julian Walker. Learn more about your ad choices. Visit podcastchoices.com/adchoices

What does “Archiving While Black” feel like? Dr. Ashley Farmer, assistant professor in the Departments of History and African and African Diaspora Studies at the University of Texas at Austin, follows up with us on her Chronicle of Higher Education article and her talk at the 2019 SAA Annual Meeting. She also discusses the role … Continue reading Season 4, Episode 3: Ashley Farmer

Today's episode is one of my proudest moments as a podcaster. I had the pleasure of sitting down with Dr. Ashley Farmer, an author and educator of African American History and Black Radicalism. I took her course in African American History at The University of Texas at Austin in the fall of 2019, and it was one of the most eye-opening experiences of my college career. In this episode, we talk about Black History, how to be an active ally, grammatical and linguistic distinctions, police brutality, Black Lives Matter, and so much more. I really hope you enjoy this episode and be sure to share with your friends, family, social media, etc. Keep educating yourselves! Organizational Spotlight: Survived & Punished Website: https://survivedandpunished.org Other Resources: Book about Ella Baker: Ella Baker & the Black Freedom Movement by Barbara Ransby Whose Streets Documentary (we watched this in her class): https://www.whosestreetsfilm.com Resources from Black Lives Matter: https://blacklivesmatter.com/resources/ Resources from AIGA: https://eyeondesign.aiga.org/a-growing-black-lives-matter-resource-list-for-designers-and-humans/ Where to find Dr. Ashley Farmer: Website: https://www.ashleydfarmer.com Twitter: @drashleyfarmer Where to find me: Personal Instagram: @kelseylynnjones Podcast Instagram: @whatsstoppingyoupodcast FB Page: https://www.facebook.com/whatsstoppingyoupodcast/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this podcast we discuss Black Power and the Black Panther Party with historian, Dr Ashley Farmer. Dr Farmer is the author of the fantastic book "Remaking Black Power: How Black Women Transformed an Era". What are the central principles of Black Power? Did Black Power start with Stokely Carmichael in 1966? We see that Black Power has a long history, going back to Marcus Garvey and Robert F Williams. Who were the Deacons for Defense? Black Power coalesced into a movement in the 1960's and 1970's. The term itself can actually be traced back to author Richard Wright. Dr Farmer shows how Black Power was more of an ideology, but that this way of thinking found expression in the Black Power Movement. Why is the Civil Rights Movement associated with non-violence, but Black Power with the use of force? How did this false dichotomy come about? Why do people still think Rosa Parks was either tired or old when she refused to give up her bus seat to a white man? The Civil Rights Movement and Black Power were more like streams that weaved into each other. It wasn't necessarily two separate movements. Dr Farmer refers to these efforts for the liberation of African Americans as the Black Freedom Movement. But it is a fact that strategies and approaches differed depending on what black people's lives looked like. Why is Malcolm X considered the patron saint of Black Power? Why are women "left out" of the conventional Black Power narrative? Dr Farmer shows how the Moynihan Report of 1965 contributed to the silencing of women's voices. Who were some of important women in the Black Power movement? Ella Baker is quoted as saying "strong people don't need strong leaders". To do Black Women's history is to do grassroots history. Find out why this is the case. What is the origin story of the Black Panthers? Where did the ideas and icons for the Black Panthers come from? We learn that there was way more to the Black Panthers than the much publicized "police the police". We also talk about the roles of Angela Davis and Kathleen Cleaver. We conclude by discussing the link between Black Power and Black Lives Matter. This was truly a very insightful discussion about a topic that definitely needs re-investigation. Find Dr Ashley Farmer on twitter @drashleyfarmer. Please give us some feedback @WilliamHPalk or @C_duPlessis. Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=Q8KGSAT37YCPA&source=url)

The Posse Comitatus Act was passed in 1878 as the Reconstruction drew to a close and troops were pulled out of the southeastern United States. The idea was to prevent the military from enforcing laws. After all, that’s what law enforcement is for — state and local police forces are the ones deputized to do that work. But what does it mean when the police use military gear and tactics to enforce that law? Ashley Farmer, Assistant Professor of Criminal Justice Sciences at Illinois State University breaks it down.

People fighting for more democracy in the United States often have to struggle against sexism and racism. In fact, those two struggles are often inseparable—certainly from the perspective of black women and some other women of color. Reported and produced by host John Biewen, with Season 3 co-host Celeste Headlee and Season 4 collaborator Chenjerai Kumanyika. Interviews with Glenda Gilmore, Ashley Farmer, Sandra Arrington, and Danielle McGuire. Music by Alex Weston, Evgueni and Sacha Galperine, and Eric Neveux. Music consulting and production help from Joe Augustine of Narrative Music.

For histories to be written, historians must engage archival material. What happens, though, when particular groups of historians do not feel like they have full access to archival material(s), simply because of their race? Before the 1960s and 1970s, when Black historians were accepted into the historical profession, African American scholars did not have equal access to the archives. The stain of this history has yet to go away. In a special discussion on her groundbreaking 2018 Black Perspectives piece, “Archiving While Black,” Dr. Ashley D. Farmer, Assistant Professor of African and African Diaspora Studies and History, is interviewed by New Books in African American Studies co-host, Adam McNeil, about the origin story of Farmer’s important piece, and about her own experiences archiving while Black. Farmer discusses not only her personal experiences in the archive, but also how those experiences now inform her classroom teaching while training new historians. Adam McNeil is a 2nd year History PhD student at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices

For histories to be written, historians must engage archival material. What happens, though, when particular groups of historians do not feel like they have full access to archival material(s), simply because of their race? Before the 1960s and 1970s, when Black historians were accepted into the historical profession, African American scholars did not have equal access to the archives. The stain of this history has yet to go away. In a special discussion on her groundbreaking 2018 Black Perspectives piece, “Archiving While Black,” Dr. Ashley D. Farmer, Assistant Professor of African and African Diaspora Studies and History, is interviewed by New Books in African American Studies co-host, Adam McNeil, about the origin story of Farmer's important piece, and about her own experiences archiving while Black. Farmer discusses not only her personal experiences in the archive, but also how those experiences now inform her classroom teaching while training new historians. Adam McNeil is a 2nd year History PhD student at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

For histories to be written, historians must engage archival material. What happens, though, when particular groups of historians do not feel like they have full access to archival material(s), simply because of their race? Before the 1960s and 1970s, when Black historians were accepted into the historical profession, African American scholars did not have equal access to the archives. The stain of this history has yet to go away. In a special discussion on her groundbreaking 2018 Black Perspectives piece, “Archiving While Black,” Dr. Ashley D. Farmer, Assistant Professor of African and African Diaspora Studies and History, is interviewed by New Books in African American Studies co-host, Adam McNeil, about the origin story of Farmer’s important piece, and about her own experiences archiving while Black. Farmer discusses not only her personal experiences in the archive, but also how those experiences now inform her classroom teaching while training new historians. Adam McNeil is a 2nd year History PhD student at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices

For histories to be written, historians must engage archival material. What happens, though, when particular groups of historians do not feel like they have full access to archival material(s), simply because of their race? Before the 1960s and 1970s, when Black historians were accepted into the historical profession, African American scholars did not have equal access to the archives. The stain of this history has yet to go away. In a special discussion on her groundbreaking 2018 Black Perspectives piece, “Archiving While Black,” Dr. Ashley D. Farmer, Assistant Professor of African and African Diaspora Studies and History, is interviewed by New Books in African American Studies co-host, Adam McNeil, about the origin story of Farmer’s important piece, and about her own experiences archiving while Black. Farmer discusses not only her personal experiences in the archive, but also how those experiences now inform her classroom teaching while training new historians. Adam McNeil is a 2nd year History PhD student at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices

When a young black woman named Joan Little ran from her jail cell, leaving her white male guard dead on the floor—without his pants—the country couldn’t decide who, exactly, Joan Little was. The prosecution said she was a vicious seductress who’d lured the guard in specifically to kill him. The defense said she was an innocent angel who hadn’t even known he was dead. Who in the world was Joan Little, really? Want more Criminal Broads? Come to Caveat NYC on October 30 at 70 pm to see me the host of DIE-ALOGUE talk about female cult leaders!!! Get your tickets here! *** SUPPORT THE PODCAST! Become a Patreon supporter and get a cool postcard. Get 10% off your first month of Betterhelp at betterhelp.com/criminalbroads. Snag a free month of weird and entertaining courses at The Great Courses Plus at thegreatcoursesplus.com/broads by entering code FREEMO. And check out Harlequin Suspense’s new line of creepy fall books at bit.ly/mustreadsuspense.*** Sources: New York Times coverage of the Joan Little case, 1975-1989The Innocent of Joan Little: A Southern Mystery, by James RestonJoan Little ephemera (including her poem, “I Am Somebody”), from usprisonculture.com“Free Joan Little: Anti-Rape Activism, Black Power, and the Black Freedom Movement,” by Ashley Farmer, from Black Perspectives by AAIHS Music: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer “Shake It and Break It” by Lanin's Southern Serenaders, licensed under a Public Domain / Sound Recording Common Law Protection License“Gospel House Mix 1” by DJ Renay, via archive.org. Public domain.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Ashley Farmer is a historian of black women's history, intellectual history, and radical politics. She is currently an Assistant Professor in the Departments of History and African and African Diaspora Studies at the University of Texas- Austin. Her book, Remaking Black Power: How Black Women Transformed an Era, is the first comprehensive study of black women's intellectual production and activism in the Black Power era. She is also the co-editor of New Perspectives on the Black Intellectual Tradition. Dr. Farmer's scholarship has appeared in numerous venues including The Black Scholar and The Journal of African American History. Her research has also been featured in several popular outlets including Vibe, NPR, and The Chronicle Review. Farmer earned her BA from Spelman College, an MA in History and a PhD in African American Studies from Harvard University.

The field of African American intellectual history is enjoying a kind of renaissance at the moment. The resurgence is due to the work of the African American Intellectual History Society (AAIHS) and its terrific blog Black Perspectives. The fruits of the AAIHS's labors can be seen in the book we're discussing today: New Perspectives of the Black Intellectual Tradition(Northwestern University Press, 2018). Its editors--Keisha N. Blain, Christopher Cameron, and Ashley D. Farmer--have collected insightful essays ranging across the entire African Diaspora from the leading scholars of Black intellectual history. Listen in as we talk to one of them, Ashley Farmer. Adam McNeil is a PhD Student in the Department of History at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices

The field of African American intellectual history is enjoying a kind of renaissance at the moment. The resurgence is due to the work of the African American Intellectual History Society (AAIHS) and its terrific blog Black Perspectives. The fruits of the AAIHS's labors can be seen in the book we're discussing today: New Perspectives of the Black Intellectual Tradition(Northwestern University Press, 2018). Its editors--Keisha N. Blain, Christopher Cameron, and Ashley D. Farmer--have collected insightful essays ranging across the entire African Diaspora from the leading scholars of Black intellectual history. Listen in as we talk to one of them, Ashley Farmer. Adam McNeil is a PhD Student in the Department of History at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The field of African American intellectual history is enjoying a kind of renaissance at the moment. The resurgence is due to the work of the African American Intellectual History Society (AAIHS) and its terrific blog Black Perspectives. The fruits of the AAIHS's labors can be seen in the book we're discussing today: New Perspectives of the Black Intellectual Tradition(Northwestern University Press, 2018). Its editors--Keisha N. Blain, Christopher Cameron, and Ashley D. Farmer--have collected insightful essays ranging across the entire African Diaspora from the leading scholars of Black intellectual history. Listen in as we talk to one of them, Ashley Farmer. Adam McNeil is a PhD Student in the Department of History at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices

The field of African American intellectual history is enjoying a kind of renaissance at the moment. The resurgence is due to the work of the African American Intellectual History Society (AAIHS) and its terrific blog Black Perspectives. The fruits of the AAIHS's labors can be seen in the book we're discussing today: New Perspectives of the Black Intellectual Tradition(Northwestern University Press, 2018). Its editors--Keisha N. Blain, Christopher Cameron, and Ashley D. Farmer--have collected insightful essays ranging across the entire African Diaspora from the leading scholars of Black intellectual history. Listen in as we talk to one of them, Ashley Farmer. Adam McNeil is a PhD Student in the Department of History at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices

The field of African American intellectual history is enjoying a kind of renaissance at the moment. The resurgence is due to the work of the African American Intellectual History Society (AAIHS) and its terrific blog Black Perspectives. The fruits of the AAIHS's labors can be seen in the book we're discussing today: New Perspectives of the Black Intellectual Tradition(Northwestern University Press, 2018). Its editors--Keisha N. Blain, Christopher Cameron, and Ashley D. Farmer--have collected insightful essays ranging across the entire African Diaspora from the leading scholars of Black intellectual history. Listen in as we talk to one of them, Ashley Farmer. Adam McNeil is a PhD Student in the Department of History at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Natalia, Neil, Niki, and guest historian Leah Wright Rigueur discuss black women and electoral politics, the closing of Sears, and corporate art patronage. Support Past Present on Patreon: https://www.patreon.com/pastpresentpodcast Here are some links and references mentioned during this week’s show:  Black women voters are a crucial electoral contingent, especially in the upcoming midterm elections. We spoke with Dr. Leah Wright Rigueur, author of The Loneliness of the Black Republican: Pragmatic Politics and the Pursuit of Power, about black women’s voting power today and in the past. Niki referenced Rachel Devlin’s book A Girl Stands at the Door, and Leah recommended Brittney Cooper’s Eloquent Rage, Ashley Farmer’s Remaking Black Power, Danielle McGuire’s At the Dark End of the Street, and Keisha Blain’s Set the World on Fire, as all good books for better understanding the long history of black women’s political activism. Sears is closing its doors for good. Natalia mentioned historian Louis Hyman’s viral Twitter thread on how the Sears catalog created opportunities for African Americans to shop during Jim Crow. She also recommended historian Lizabeth Cohen’s book A Consumer’s Republic and historian David K. Johnson’s forthcoming book Buying Gay: How Physique Entrepreneurs Sparked A Movement. We discussed how although art patronage is nothing new, 2018’s unapologetically corporate branding of art feels unprecedented.    In our regular closing feature, What’s Making History: Natalia recommended Jessica Wilkerson’s Longreads article, “Living With Dolly Parton.” Neil shared the news that Judy Blume’s book Are You There God? It’s Me, Margaret. is being turned into a movie. Niki discussed W. David Marx’s Vox article, “An American campaign tee is trendy in Asia. Its popularity has nothing to do with the US.”

The struggles against sexism and racism come together in the bodies, and the lives, of black women. Co-hosts Celeste Headlee and John Biewen look at the intersections between male dominance and white supremacy in the United States, and the movements to overcome them, from the 1800s through the 2016 presidential election. Guests include scholars Glenda Gilmore, Ashley Farmer, and Danielle McGuire. Music by Alex Weston, and by Evgueni and Sacha Galperine. Music and production help from Joe Augustine at Narrative Music. 

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce's 2016 Super Bowl halftime performance, the Black Power movement's memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer's Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences' knowledge of black women's centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer's work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women's intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement's expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women's history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce's 2016 Super Bowl halftime performance, the Black Power movement's memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer's Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences' knowledge of black women's centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer's work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women's intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement's expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women's history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015.

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce’s 2016 Super Bowl halftime performance, the Black Power movement’s memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer’s Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences’ knowledge of black women’s centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer’s work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women’s intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement’s expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women’s history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce’s 2016 Super Bowl halftime performance, the Black Power movement’s memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer’s Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences’ knowledge of black women’s centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer’s work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women’s intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement’s expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women’s history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce’s 2016 Super Bowl halftime performance, the Black Power movement’s memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer’s Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences’ knowledge of black women’s centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer’s work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women’s intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement’s expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women’s history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce's 2016 Super Bowl halftime performance, the Black Power movement's memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer's Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences' knowledge of black women's centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer's work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women's intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement's expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women's history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Black Power was one of the most iconic movements of the twentieth century. Recent documentary treatments like The Black Power Mixtape 1967-1975 in 2011 and The Black Panthers: Vanguards of the Revolution in 2015 brought the Panthers into the households of a new generation. When combined with Beyonce’s 2016 Super Bowl halftime performance, the Black Power movement’s memory hit a high note upon its fiftieth anniversary. Ashley D. Farmer’s Remaking Black Power: How Black Women Transformed an Era (University of North Carolina Press Press, 2017) increases scholarly and mainstream audiences’ knowledge of black women’s centrality in theorizing and organizing Black Power and black nationalist circles throughout the majority of the twentieth century. Not only does Farmer’s work push our grasp of the black women who influenced the Black Power Movement from within, but Remaking Black Power is also the first comprehensive study of black women’s intellectual production throughout the Black Power era. What makes Remaking Black Power such a compelling history is that it uses similar source material as prior scholars, but Farmer uses them much differently. Accessing untapped sources of cartoons, political manifestos, and political essays, Farmer asserts that they were important sites which redefined black womanhood and ultimately black thought in general. As the Black Power movement grew throughout the world, black women were central to the movement’s expansive visions of black freedom and political organizing. Ultimately, Remaking Black Power deepens our understanding of what black intellectual history is, and what groups are considered “intellectuals.” Ashley D. Farmer is a historian of black women’s history, intellectual history, and radical politics. She is currently an Assistant Professor in the Department of History and the African American Studies Program at Boston University. Farmer also is a leader of the African American Intellectual History Society (AAIHS) and a regular blogger for Black Perspectives. Click here to read the introduction to Remaking Black Power. Ashley Farmer can be reached through Twitter at @drashleyfarmer Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

In honor of Black History Month, our second episode features the SOHP’s ongoing project on Back Ways. As you’ll hear, Back Ways, or black roads, were paths African Americans used during the Jim Crow era to avoid potentially violent interaction with whites. In this episode, you’ll hear a conversation between two American Studies scholars, Seth Kotch and Kimber Thomas, discuss the project; you’ll hear from Darius Scott and Betsy Olson, two Geography scholars at UNC, talk about how oral history helps geographers map the rural South; and you’ll hear advice from historian Ashley Farmer on how to find back ways out of difficult moments during interviews.