Podcast appearances and mentions of adam mcneil

New mascots munch on invasives species Chocolate and Chip. Those are the names of the goats relocated to the Haldane campus on Sept. 14 by the Habitat Revival Club to clear invasive species from a half-acre plot behind the high school. The eco-friendly animals will consume unwanted plants such as mugwort, wineberry, callery pear and poison ivy, said Sofia Kelly, a junior who founded the student club and serves as president. The goats will allow for the expansion next spring of the high school's pollinator garden. Kelly said the club plans to replace the invasives with coneflowers, bee balm, hyssop, pussy willow, goldenrod, butterfly weed, joe pye weed, yarrow and other native plants. The project, which cost $4,500, was funded by the Haldane School Foundation and the two boer/nubian goats and a containment fence were provided by Green Goats of Rhinebeck. The firm has worked with nearby colleges like Vassar, Marist and Bard but Haldane is its first high school, said owner Ann Cihanek. The goats should have the parcel cleared in about two weeks, Cihanek said. They will probably return in the spring to eat stubborn plants that regrow. "Invasive species and invasive plants are a relevant and underrepresented issue," said Kelly, noting that the club's mission is to "steward nature." It has 45 members, including middle schoolers. Goats are pesticide-free and efficient: They digest the entire plant and don't poop out seeds, as birds do, Cihanek said. They also don't mind poison ivy. Members of the Habitat Revival Club are keeping the goats supplied with fresh water and visited the elementary school to read Beatrice's Goat, by Page McBrier, which tells the story of how a goat helped a family in Uganda. Once the goats were in place, elementary school teachers began leading their classes to the pen. The animals are friendly, but students are not allowed to pet them because their fur usually has oil from poison ivy. The pen has no gate to ensure the animals aren't accidentally released. The project has been a year in the making. After hearing of Kelly's interest in clearing invasive species, Adam McNeil, the director of facilities, suggested goats because his previous employer, the Croton-Harmon district, had briefly considered the idea. Kelly sent her proposal to the Haldane School Foundation in October. Green Goats, which has about 100 animals, provides plant removal around the Northeast, including at many New York City parks, the Vanderbilt Mansion and Poets' Walk Park in Hyde Park and for private clients, including three homeowners in Philipstown. Cihanek started renting the animals to clear land in 2005. Tragedy struck in 2016 when a barn fire killed all 110 goats. Volunteers rebuilt the structure and helped replace the herd. In the spirit of giving back, Cihanek said she discounted the cost for Haldane by about 40 percent. Once the project is complete, Kelly hopes to turn her attention to other areas on campus overrun by invasive species, such as a retention pond adjacent to the athletic field.

By the 1980s, critics and the public alike considered James Baldwin irrelevant. Yet Baldwin remained an important, prolific writer until his death in 1987. Indeed, his work throughout the decade pushed him into new areas, in particular an expanded interest in the social and psychological consequences of popular culture and mass media. In his new book James Baldwin and the 1980s: Witnessing the Reagan Era (University of Illinois Press, 2018), Joseph Vogel offers the first in-depth look at Baldwin's dynamic final decade of work. Delving into the writer's creative endeavors, crucial essays and articles, and the impassioned polemic The Evidence of Things Not Seen, Vogel finds Baldwin as prescient and fearless as ever. Baldwin's sustained grappling with "the great transforming energy" of mass culture revealed his gifts for media and cultural criticism. It also brought him into the fray on issues ranging from the Reagan-era culture wars to the New South, from the deterioration of inner cities to the disproportionate incarceration of black youth, and from pop culture gender-bending to the evolving women's and gay rights movements. Astute and compelling, revives and redeems the final act of a great American writer. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

By the 1980s, critics and the public alike considered James Baldwin irrelevant. Yet Baldwin remained an important, prolific writer until his death in 1987. Indeed, his work throughout the decade pushed him into new areas, in particular an expanded interest in the social and psychological consequences of popular culture and mass media. In his new book James Baldwin and the 1980s: Witnessing the Reagan Era (University of Illinois Press, 2018), Joseph Vogel offers the first in-depth look at Baldwin's dynamic final decade of work. Delving into the writer's creative endeavors, crucial essays and articles, and the impassioned polemic The Evidence of Things Not Seen, Vogel finds Baldwin as prescient and fearless as ever. Baldwin's sustained grappling with "the great transforming energy" of mass culture revealed his gifts for media and cultural criticism. It also brought him into the fray on issues ranging from the Reagan-era culture wars to the New South, from the deterioration of inner cities to the disproportionate incarceration of black youth, and from pop culture gender-bending to the evolving women's and gay rights movements. Astute and compelling, revives and redeems the final act of a great American writer. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

By the 1980s, critics and the public alike considered James Baldwin irrelevant. Yet Baldwin remained an important, prolific writer until his death in 1987. Indeed, his work throughout the decade pushed him into new areas, in particular an expanded interest in the social and psychological consequences of popular culture and mass media. In his new book James Baldwin and the 1980s: Witnessing the Reagan Era (University of Illinois Press, 2018), Joseph Vogel offers the first in-depth look at Baldwin's dynamic final decade of work. Delving into the writer's creative endeavors, crucial essays and articles, and the impassioned polemic The Evidence of Things Not Seen, Vogel finds Baldwin as prescient and fearless as ever. Baldwin's sustained grappling with "the great transforming energy" of mass culture revealed his gifts for media and cultural criticism. It also brought him into the fray on issues ranging from the Reagan-era culture wars to the New South, from the deterioration of inner cities to the disproportionate incarceration of black youth, and from pop culture gender-bending to the evolving women's and gay rights movements. Astute and compelling, revives and redeems the final act of a great American writer. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

By the 1980s, critics and the public alike considered James Baldwin irrelevant. Yet Baldwin remained an important, prolific writer until his death in 1987. Indeed, his work throughout the decade pushed him into new areas, in particular an expanded interest in the social and psychological consequences of popular culture and mass media. In his new book James Baldwin and the 1980s: Witnessing the Reagan Era (University of Illinois Press, 2018), Joseph Vogel offers the first in-depth look at Baldwin's dynamic final decade of work. Delving into the writer's creative endeavors, crucial essays and articles, and the impassioned polemic The Evidence of Things Not Seen, Vogel finds Baldwin as prescient and fearless as ever. Baldwin's sustained grappling with "the great transforming energy" of mass culture revealed his gifts for media and cultural criticism. It also brought him into the fray on issues ranging from the Reagan-era culture wars to the New South, from the deterioration of inner cities to the disproportionate incarceration of black youth, and from pop culture gender-bending to the evolving women's and gay rights movements. Astute and compelling, revives and redeems the final act of a great American writer. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

By the 1980s, critics and the public alike considered James Baldwin irrelevant. Yet Baldwin remained an important, prolific writer until his death in 1987. Indeed, his work throughout the decade pushed him into new areas, in particular an expanded interest in the social and psychological consequences of popular culture and mass media. In his new book James Baldwin and the 1980s: Witnessing the Reagan Era (University of Illinois Press, 2018), Joseph Vogel offers the first in-depth look at Baldwin's dynamic final decade of work. Delving into the writer's creative endeavors, crucial essays and articles, and the impassioned polemic The Evidence of Things Not Seen, Vogel finds Baldwin as prescient and fearless as ever. Baldwin's sustained grappling with "the great transforming energy" of mass culture revealed his gifts for media and cultural criticism. It also brought him into the fray on issues ranging from the Reagan-era culture wars to the New South, from the deterioration of inner cities to the disproportionate incarceration of black youth, and from pop culture gender-bending to the evolving women's and gay rights movements. Astute and compelling, revives and redeems the final act of a great American writer. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Phenomenology of Black Spirit (Edinburgh UP, 2023), Ryan Johnson and Biko Mandela Gray study the relationship between Hegel's Phenomenology of Spirit and Black Thought from Frederick Douglass to Angela Davis. This staging of an elongated dialectical parallelism between Hegel's classic text and major 19th-20th-century Black thinkers explodes the western canon of philosophy. Johnson and Mandela Gray show that Hegel's abstract dialectic is transformed and critiqued when put into conversation with the lived dialectics of Black Thought: from Frederick Douglass and Harriet Jacobs through to Malcolm X and Angela Davis. While Hegel articulates the dynamic logics that we see in these Black thinkers, when they are placed in parallel and considered together, the whiteness, both explicit and implicit, of Hegelianism itself is revealed. Forcing Hegelianism into the embodied history of Black Thought reveals a phenomenology of America whose spirit is Black. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Phenomenology of Black Spirit (Edinburgh UP, 2023), Ryan Johnson and Biko Mandela Gray study the relationship between Hegel's Phenomenology of Spirit and Black Thought from Frederick Douglass to Angela Davis. This staging of an elongated dialectical parallelism between Hegel's classic text and major 19th-20th-century Black thinkers explodes the western canon of philosophy. Johnson and Mandela Gray show that Hegel's abstract dialectic is transformed and critiqued when put into conversation with the lived dialectics of Black Thought: from Frederick Douglass and Harriet Jacobs through to Malcolm X and Angela Davis. While Hegel articulates the dynamic logics that we see in these Black thinkers, when they are placed in parallel and considered together, the whiteness, both explicit and implicit, of Hegelianism itself is revealed. Forcing Hegelianism into the embodied history of Black Thought reveals a phenomenology of America whose spirit is Black. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Phenomenology of Black Spirit (Edinburgh UP, 2023), Ryan Johnson and Biko Mandela Gray study the relationship between Hegel's Phenomenology of Spirit and Black Thought from Frederick Douglass to Angela Davis. This staging of an elongated dialectical parallelism between Hegel's classic text and major 19th-20th-century Black thinkers explodes the western canon of philosophy. Johnson and Mandela Gray show that Hegel's abstract dialectic is transformed and critiqued when put into conversation with the lived dialectics of Black Thought: from Frederick Douglass and Harriet Jacobs through to Malcolm X and Angela Davis. While Hegel articulates the dynamic logics that we see in these Black thinkers, when they are placed in parallel and considered together, the whiteness, both explicit and implicit, of Hegelianism itself is revealed. Forcing Hegelianism into the embodied history of Black Thought reveals a phenomenology of America whose spirit is Black. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Phenomenology of Black Spirit (Edinburgh UP, 2023), Ryan Johnson and Biko Mandela Gray study the relationship between Hegel's Phenomenology of Spirit and Black Thought from Frederick Douglass to Angela Davis. This staging of an elongated dialectical parallelism between Hegel's classic text and major 19th-20th-century Black thinkers explodes the western canon of philosophy. Johnson and Mandela Gray show that Hegel's abstract dialectic is transformed and critiqued when put into conversation with the lived dialectics of Black Thought: from Frederick Douglass and Harriet Jacobs through to Malcolm X and Angela Davis. While Hegel articulates the dynamic logics that we see in these Black thinkers, when they are placed in parallel and considered together, the whiteness, both explicit and implicit, of Hegelianism itself is revealed. Forcing Hegelianism into the embodied history of Black Thought reveals a phenomenology of America whose spirit is Black. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In Phenomenology of Black Spirit (Edinburgh UP, 2023), Ryan Johnson and Biko Mandela Gray study the relationship between Hegel's Phenomenology of Spirit and Black Thought from Frederick Douglass to Angela Davis. This staging of an elongated dialectical parallelism between Hegel's classic text and major 19th-20th-century Black thinkers explodes the western canon of philosophy. Johnson and Mandela Gray show that Hegel's abstract dialectic is transformed and critiqued when put into conversation with the lived dialectics of Black Thought: from Frederick Douglass and Harriet Jacobs through to Malcolm X and Angela Davis. While Hegel articulates the dynamic logics that we see in these Black thinkers, when they are placed in parallel and considered together, the whiteness, both explicit and implicit, of Hegelianism itself is revealed. Forcing Hegelianism into the embodied history of Black Thought reveals a phenomenology of America whose spirit is Black. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Since its founding in 1801, African Americans have played an integral, if too often overlooked, role in the history of the University of South Carolina. Robert Greene and Tyler D. Parry's edited volume Invisible No More: The African American Experience at the University of South Carolina (U South Carolina Press, 2021) seeks to recover that historical legacy and reveal the many ways that African Americans have shaped the development of the university. The essays in this volume span the full sweep of the university's history, from the era of slavery to Reconstruction, Civil Rights to Black Power and Black Lives Matter. This collection represents the most comprehensive examination of the long history and complex relationship between African Americans and the university. Like the broader history of South Carolina, the history of African Americans at the University of South Carolina is about more than their mere existence at the institution. It is about how they molded the university into something greater than the sum of its parts. Throughout the university's history, Black students, faculty, and staff have pressured for greater equity and inclusion. At various times they did so with the support of white allies, other times in the face of massive resistance; oftentimes, there were both. Between 1868 and 1877, the brief but extraordinary period of Reconstruction, the University of South Carolina became the only state-supported university in the former Confederacy to open its doors to students of all races. This "first desegregation," which offered a glimpse of what was possible, was dismantled and followed by nearly a century during which African American students were once again excluded from the campus. In 1963, the "second desegregation" ended that long era of exclusion but was just the beginning of a new period of activism, one that continues today. Though African Americans have become increasingly visible on campus, the goal of equity and inclusion—a greater acceptance of African American students and a true appreciation of their experiences and contributions—remains incomplete. Invisible No More represents another contribution to this long struggle. A foreword is provided by Valinda W. Littlefield, associate professor of history and African American studies at the University of South Carolina. Henrie Monteith Treadwell, research professor of community health and preventative medicine at Morehouse School of Medicine and one of the three African American students who desegregated the university in 1963, provides an afterword. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Since its founding in 1801, African Americans have played an integral, if too often overlooked, role in the history of the University of South Carolina. Robert Greene and Tyler D. Parry's edited volume Invisible No More: The African American Experience at the University of South Carolina (U South Carolina Press, 2021) seeks to recover that historical legacy and reveal the many ways that African Americans have shaped the development of the university. The essays in this volume span the full sweep of the university's history, from the era of slavery to Reconstruction, Civil Rights to Black Power and Black Lives Matter. This collection represents the most comprehensive examination of the long history and complex relationship between African Americans and the university. Like the broader history of South Carolina, the history of African Americans at the University of South Carolina is about more than their mere existence at the institution. It is about how they molded the university into something greater than the sum of its parts. Throughout the university's history, Black students, faculty, and staff have pressured for greater equity and inclusion. At various times they did so with the support of white allies, other times in the face of massive resistance; oftentimes, there were both. Between 1868 and 1877, the brief but extraordinary period of Reconstruction, the University of South Carolina became the only state-supported university in the former Confederacy to open its doors to students of all races. This "first desegregation," which offered a glimpse of what was possible, was dismantled and followed by nearly a century during which African American students were once again excluded from the campus. In 1963, the "second desegregation" ended that long era of exclusion but was just the beginning of a new period of activism, one that continues today. Though African Americans have become increasingly visible on campus, the goal of equity and inclusion—a greater acceptance of African American students and a true appreciation of their experiences and contributions—remains incomplete. Invisible No More represents another contribution to this long struggle. A foreword is provided by Valinda W. Littlefield, associate professor of history and African American studies at the University of South Carolina. Henrie Monteith Treadwell, research professor of community health and preventative medicine at Morehouse School of Medicine and one of the three African American students who desegregated the university in 1963, provides an afterword. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since its founding in 1801, African Americans have played an integral, if too often overlooked, role in the history of the University of South Carolina. Robert Greene and Tyler D. Parry's edited volume Invisible No More: The African American Experience at the University of South Carolina (U South Carolina Press, 2021) seeks to recover that historical legacy and reveal the many ways that African Americans have shaped the development of the university. The essays in this volume span the full sweep of the university's history, from the era of slavery to Reconstruction, Civil Rights to Black Power and Black Lives Matter. This collection represents the most comprehensive examination of the long history and complex relationship between African Americans and the university. Like the broader history of South Carolina, the history of African Americans at the University of South Carolina is about more than their mere existence at the institution. It is about how they molded the university into something greater than the sum of its parts. Throughout the university's history, Black students, faculty, and staff have pressured for greater equity and inclusion. At various times they did so with the support of white allies, other times in the face of massive resistance; oftentimes, there were both. Between 1868 and 1877, the brief but extraordinary period of Reconstruction, the University of South Carolina became the only state-supported university in the former Confederacy to open its doors to students of all races. This "first desegregation," which offered a glimpse of what was possible, was dismantled and followed by nearly a century during which African American students were once again excluded from the campus. In 1963, the "second desegregation" ended that long era of exclusion but was just the beginning of a new period of activism, one that continues today. Though African Americans have become increasingly visible on campus, the goal of equity and inclusion—a greater acceptance of African American students and a true appreciation of their experiences and contributions—remains incomplete. Invisible No More represents another contribution to this long struggle. A foreword is provided by Valinda W. Littlefield, associate professor of history and African American studies at the University of South Carolina. Henrie Monteith Treadwell, research professor of community health and preventative medicine at Morehouse School of Medicine and one of the three African American students who desegregated the university in 1963, provides an afterword. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Since its founding in 1801, African Americans have played an integral, if too often overlooked, role in the history of the University of South Carolina. Robert Greene and Tyler D. Parry's edited volume Invisible No More: The African American Experience at the University of South Carolina (U South Carolina Press, 2021) seeks to recover that historical legacy and reveal the many ways that African Americans have shaped the development of the university. The essays in this volume span the full sweep of the university's history, from the era of slavery to Reconstruction, Civil Rights to Black Power and Black Lives Matter. This collection represents the most comprehensive examination of the long history and complex relationship between African Americans and the university. Like the broader history of South Carolina, the history of African Americans at the University of South Carolina is about more than their mere existence at the institution. It is about how they molded the university into something greater than the sum of its parts. Throughout the university's history, Black students, faculty, and staff have pressured for greater equity and inclusion. At various times they did so with the support of white allies, other times in the face of massive resistance; oftentimes, there were both. Between 1868 and 1877, the brief but extraordinary period of Reconstruction, the University of South Carolina became the only state-supported university in the former Confederacy to open its doors to students of all races. This "first desegregation," which offered a glimpse of what was possible, was dismantled and followed by nearly a century during which African American students were once again excluded from the campus. In 1963, the "second desegregation" ended that long era of exclusion but was just the beginning of a new period of activism, one that continues today. Though African Americans have become increasingly visible on campus, the goal of equity and inclusion—a greater acceptance of African American students and a true appreciation of their experiences and contributions—remains incomplete. Invisible No More represents another contribution to this long struggle. A foreword is provided by Valinda W. Littlefield, associate professor of history and African American studies at the University of South Carolina. Henrie Monteith Treadwell, research professor of community health and preventative medicine at Morehouse School of Medicine and one of the three African American students who desegregated the university in 1963, provides an afterword. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Since its founding in 1801, African Americans have played an integral, if too often overlooked, role in the history of the University of South Carolina. Robert Greene and Tyler D. Parry's edited volume Invisible No More: The African American Experience at the University of South Carolina (U South Carolina Press, 2021) seeks to recover that historical legacy and reveal the many ways that African Americans have shaped the development of the university. The essays in this volume span the full sweep of the university's history, from the era of slavery to Reconstruction, Civil Rights to Black Power and Black Lives Matter. This collection represents the most comprehensive examination of the long history and complex relationship between African Americans and the university. Like the broader history of South Carolina, the history of African Americans at the University of South Carolina is about more than their mere existence at the institution. It is about how they molded the university into something greater than the sum of its parts. Throughout the university's history, Black students, faculty, and staff have pressured for greater equity and inclusion. At various times they did so with the support of white allies, other times in the face of massive resistance; oftentimes, there were both. Between 1868 and 1877, the brief but extraordinary period of Reconstruction, the University of South Carolina became the only state-supported university in the former Confederacy to open its doors to students of all races. This "first desegregation," which offered a glimpse of what was possible, was dismantled and followed by nearly a century during which African American students were once again excluded from the campus. In 1963, the "second desegregation" ended that long era of exclusion but was just the beginning of a new period of activism, one that continues today. Though African Americans have become increasingly visible on campus, the goal of equity and inclusion—a greater acceptance of African American students and a true appreciation of their experiences and contributions—remains incomplete. Invisible No More represents another contribution to this long struggle. A foreword is provided by Valinda W. Littlefield, associate professor of history and African American studies at the University of South Carolina. Henrie Monteith Treadwell, research professor of community health and preventative medicine at Morehouse School of Medicine and one of the three African American students who desegregated the university in 1963, provides an afterword. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

Since its founding in 1801, African Americans have played an integral, if too often overlooked, role in the history of the University of South Carolina. Robert Greene and Tyler D. Parry's edited volume Invisible No More: The African American Experience at the University of South Carolina (U South Carolina Press, 2021) seeks to recover that historical legacy and reveal the many ways that African Americans have shaped the development of the university. The essays in this volume span the full sweep of the university's history, from the era of slavery to Reconstruction, Civil Rights to Black Power and Black Lives Matter. This collection represents the most comprehensive examination of the long history and complex relationship between African Americans and the university. Like the broader history of South Carolina, the history of African Americans at the University of South Carolina is about more than their mere existence at the institution. It is about how they molded the university into something greater than the sum of its parts. Throughout the university's history, Black students, faculty, and staff have pressured for greater equity and inclusion. At various times they did so with the support of white allies, other times in the face of massive resistance; oftentimes, there were both. Between 1868 and 1877, the brief but extraordinary period of Reconstruction, the University of South Carolina became the only state-supported university in the former Confederacy to open its doors to students of all races. This "first desegregation," which offered a glimpse of what was possible, was dismantled and followed by nearly a century during which African American students were once again excluded from the campus. In 1963, the "second desegregation" ended that long era of exclusion but was just the beginning of a new period of activism, one that continues today. Though African Americans have become increasingly visible on campus, the goal of equity and inclusion—a greater acceptance of African American students and a true appreciation of their experiences and contributions—remains incomplete. Invisible No More represents another contribution to this long struggle. A foreword is provided by Valinda W. Littlefield, associate professor of history and African American studies at the University of South Carolina. Henrie Monteith Treadwell, research professor of community health and preventative medicine at Morehouse School of Medicine and one of the three African American students who desegregated the university in 1963, provides an afterword. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since its founding in 1801, African Americans have played an integral, if too often overlooked, role in the history of the University of South Carolina. Robert Greene and Tyler D. Parry's edited volume Invisible No More: The African American Experience at the University of South Carolina (U South Carolina Press, 2021) seeks to recover that historical legacy and reveal the many ways that African Americans have shaped the development of the university. The essays in this volume span the full sweep of the university's history, from the era of slavery to Reconstruction, Civil Rights to Black Power and Black Lives Matter. This collection represents the most comprehensive examination of the long history and complex relationship between African Americans and the university. Like the broader history of South Carolina, the history of African Americans at the University of South Carolina is about more than their mere existence at the institution. It is about how they molded the university into something greater than the sum of its parts. Throughout the university's history, Black students, faculty, and staff have pressured for greater equity and inclusion. At various times they did so with the support of white allies, other times in the face of massive resistance; oftentimes, there were both. Between 1868 and 1877, the brief but extraordinary period of Reconstruction, the University of South Carolina became the only state-supported university in the former Confederacy to open its doors to students of all races. This "first desegregation," which offered a glimpse of what was possible, was dismantled and followed by nearly a century during which African American students were once again excluded from the campus. In 1963, the "second desegregation" ended that long era of exclusion but was just the beginning of a new period of activism, one that continues today. Though African Americans have become increasingly visible on campus, the goal of equity and inclusion—a greater acceptance of African American students and a true appreciation of their experiences and contributions—remains incomplete. Invisible No More represents another contribution to this long struggle. A foreword is provided by Valinda W. Littlefield, associate professor of history and African American studies at the University of South Carolina. Henrie Monteith Treadwell, research professor of community health and preventative medicine at Morehouse School of Medicine and one of the three African American students who desegregated the university in 1963, provides an afterword. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

This episode's title is "Demonstrated = Persuaded", inspired by a quote from Aristotle's Rhetoric, written 2300 years ago, and as relevant today as it was then, quote, "We are most persuaded when we consider a thing demonstrated". Using this quote as a lens we've assembled a Powerhouse Panel from across the Podcast Polyverse to analyze 4 of the top spenders in podcast from over the summer. The panel of four includes Amelia Coomber, Head of Marketing at Podscribe and host of Make Better, Adam McNeil, Amelia's fellow host of Make Better and VP Marketing at Adopter Media, Arielle Nissenblatt, Head of Community and Content at Squadcast.fm, and Paul Riismandel, Chief Insights Officer and partner at Signal Hill Insights.

The story of Reconstruction is often told from the perspective of the politicians, generals, and journalists whose accounts claim an outsized place in collective memory. But this pivotal era looked very different to African Americans in the South transitioning from bondage to freedom after 1865. They were besieged by a campaign of white supremacist violence that persisted through the 1880s and beyond. For too long, their lived experiences have been sidelined, impoverishing our understanding of the obstacles post-Civil War Black families faced, their inspiring determination to survive, and the physical and emotional scars they bore because of it.  In I Saw Death Coming: A History of Terror and Survival in the War Against Reconstruction (Bloomsbury, 2023), Kidada E. Williams offers a breakthrough account of the much-debated Reconstruction period, transporting readers into the daily existence of formerly enslaved people building hope-filled new lives. Drawing on overlooked sources and bold new readings of the archives, Williams offers a revelatory and, in some cases, minute-by-minute record of nighttime raids and Ku Klux Klan strikes. And she deploys cutting-edge scholarship on trauma to consider how the effects of these attacks would linger for decades-indeed, generations-to come. For readers of Carol Anderson, Tiya Miles, and Clint Smith, I Saw Death Coming is an indelible and essential book that speaks to some of the most pressing questions of our times. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The story of Reconstruction is often told from the perspective of the politicians, generals, and journalists whose accounts claim an outsized place in collective memory. But this pivotal era looked very different to African Americans in the South transitioning from bondage to freedom after 1865. They were besieged by a campaign of white supremacist violence that persisted through the 1880s and beyond. For too long, their lived experiences have been sidelined, impoverishing our understanding of the obstacles post-Civil War Black families faced, their inspiring determination to survive, and the physical and emotional scars they bore because of it.  In I Saw Death Coming: A History of Terror and Survival in the War Against Reconstruction (Bloomsbury, 2023), Kidada E. Williams offers a breakthrough account of the much-debated Reconstruction period, transporting readers into the daily existence of formerly enslaved people building hope-filled new lives. Drawing on overlooked sources and bold new readings of the archives, Williams offers a revelatory and, in some cases, minute-by-minute record of nighttime raids and Ku Klux Klan strikes. And she deploys cutting-edge scholarship on trauma to consider how the effects of these attacks would linger for decades-indeed, generations-to come. For readers of Carol Anderson, Tiya Miles, and Clint Smith, I Saw Death Coming is an indelible and essential book that speaks to some of the most pressing questions of our times. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The story of Reconstruction is often told from the perspective of the politicians, generals, and journalists whose accounts claim an outsized place in collective memory. But this pivotal era looked very different to African Americans in the South transitioning from bondage to freedom after 1865. They were besieged by a campaign of white supremacist violence that persisted through the 1880s and beyond. For too long, their lived experiences have been sidelined, impoverishing our understanding of the obstacles post-Civil War Black families faced, their inspiring determination to survive, and the physical and emotional scars they bore because of it.  In I Saw Death Coming: A History of Terror and Survival in the War Against Reconstruction (Bloomsbury, 2023), Kidada E. Williams offers a breakthrough account of the much-debated Reconstruction period, transporting readers into the daily existence of formerly enslaved people building hope-filled new lives. Drawing on overlooked sources and bold new readings of the archives, Williams offers a revelatory and, in some cases, minute-by-minute record of nighttime raids and Ku Klux Klan strikes. And she deploys cutting-edge scholarship on trauma to consider how the effects of these attacks would linger for decades-indeed, generations-to come. For readers of Carol Anderson, Tiya Miles, and Clint Smith, I Saw Death Coming is an indelible and essential book that speaks to some of the most pressing questions of our times. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The story of Reconstruction is often told from the perspective of the politicians, generals, and journalists whose accounts claim an outsized place in collective memory. But this pivotal era looked very different to African Americans in the South transitioning from bondage to freedom after 1865. They were besieged by a campaign of white supremacist violence that persisted through the 1880s and beyond. For too long, their lived experiences have been sidelined, impoverishing our understanding of the obstacles post-Civil War Black families faced, their inspiring determination to survive, and the physical and emotional scars they bore because of it.  In I Saw Death Coming: A History of Terror and Survival in the War Against Reconstruction (Bloomsbury, 2023), Kidada E. Williams offers a breakthrough account of the much-debated Reconstruction period, transporting readers into the daily existence of formerly enslaved people building hope-filled new lives. Drawing on overlooked sources and bold new readings of the archives, Williams offers a revelatory and, in some cases, minute-by-minute record of nighttime raids and Ku Klux Klan strikes. And she deploys cutting-edge scholarship on trauma to consider how the effects of these attacks would linger for decades-indeed, generations-to come. For readers of Carol Anderson, Tiya Miles, and Clint Smith, I Saw Death Coming is an indelible and essential book that speaks to some of the most pressing questions of our times. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The story of Reconstruction is often told from the perspective of the politicians, generals, and journalists whose accounts claim an outsized place in collective memory. But this pivotal era looked very different to African Americans in the South transitioning from bondage to freedom after 1865. They were besieged by a campaign of white supremacist violence that persisted through the 1880s and beyond. For too long, their lived experiences have been sidelined, impoverishing our understanding of the obstacles post-Civil War Black families faced, their inspiring determination to survive, and the physical and emotional scars they bore because of it.  In I Saw Death Coming: A History of Terror and Survival in the War Against Reconstruction (Bloomsbury, 2023), Kidada E. Williams offers a breakthrough account of the much-debated Reconstruction period, transporting readers into the daily existence of formerly enslaved people building hope-filled new lives. Drawing on overlooked sources and bold new readings of the archives, Williams offers a revelatory and, in some cases, minute-by-minute record of nighttime raids and Ku Klux Klan strikes. And she deploys cutting-edge scholarship on trauma to consider how the effects of these attacks would linger for decades-indeed, generations-to come. For readers of Carol Anderson, Tiya Miles, and Clint Smith, I Saw Death Coming is an indelible and essential book that speaks to some of the most pressing questions of our times. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

On today's podcast, we are changing things up a bit. Instead of interviewing the author of a recent book, I am interviewing another podcaster about their recent narrative podcast season. So, today, I'm interviewing Joel Anderson, staff writer at Slate, co-host of Hang Up and Listen, and the host of Seasons 3, 6, and, most recently, 8 of Slow Burn. On this episode, I chop it up with Joel about Season 8 of Slow Burn, titled, Becoming Justice Thomas.  Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

On today's podcast, we are changing things up a bit. Instead of interviewing the author of a recent book, I am interviewing another podcaster about their recent narrative podcast season. So, today, I'm interviewing Joel Anderson, staff writer at Slate, co-host of Hang Up and Listen, and the host of Seasons 3, 6, and, most recently, 8 of Slow Burn. On this episode, I chop it up with Joel about Season 8 of Slow Burn, titled, Becoming Justice Thomas.  Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On today's podcast, we are changing things up a bit. Instead of interviewing the author of a recent book, I am interviewing another podcaster about their recent narrative podcast season. So, today, I'm interviewing Joel Anderson, staff writer at Slate, co-host of Hang Up and Listen, and the host of Seasons 3, 6, and, most recently, 8 of Slow Burn. On this episode, I chop it up with Joel about Season 8 of Slow Burn, titled, Becoming Justice Thomas.  Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

On today's podcast, we are changing things up a bit. Instead of interviewing the author of a recent book, I am interviewing another podcaster about their recent narrative podcast season. So, today, I'm interviewing Joel Anderson, staff writer at Slate, co-host of Hang Up and Listen, and the host of Seasons 3, 6, and, most recently, 8 of Slow Burn. On this episode, I chop it up with Joel about Season 8 of Slow Burn, titled, Becoming Justice Thomas.  Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

On today's podcast, we are changing things up a bit. Instead of interviewing the author of a recent book, I am interviewing another podcaster about their recent narrative podcast season. So, today, I'm interviewing Joel Anderson, staff writer at Slate, co-host of Hang Up and Listen, and the host of Seasons 3, 6, and, most recently, 8 of Slow Burn. On this episode, I chop it up with Joel about Season 8 of Slow Burn, titled, Becoming Justice Thomas.  Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Your mentor for this week is Adam McNeil, the VP of Marketing at Adopter Media. We talk about his organic personal and professional growth in the podcasting space, how his instagram lives over the course of the pandemic evolved into the #1 kendama podcast, the skill sets he developed along the process, and how coffee enhances conversations.From influencers to the power of community, Adam gets candid in this conversation about someone who stands in the middle of both the business and creative sides of podcasting. Follow Adam McNeil here: Instagram - @cafe.kendamaLinkedIn - https://www.linkedin.com/in/adamjamesmcneil/Follow Marla and OSSA Collective here:Instagram - @ossaforpodcastersLinkedIn - https://www.linkedin.com/company/ossa-collective/Or visit our website https://ossacollective.com/Mind of a Mentor is an Ossa original show hosted by Marla Isackson, Founder and CEO of Ossa Collective women's podcast network. For more information about Ossa: https://ossacollective.com/

In Dark Agoras: Insurgent Black Social Life and the Politics of Place (NYU Press, 2023), author J. T. Roane shows how working-class Black communities cultivated two interdependent modes of insurgent assembly--dark agoras--in twentieth century Philadelphia. He investigates the ways they transposed rural imaginaries about and practices of place as part of their spatial resistances and efforts to contour industrial neighborhoods. In acts that ranged from the mundane acts of refashioning intimate spaces to expressly confrontational and liberatory efforts to transform the city's social and ecological arrangement, these communities challenged the imposition of Progressive and post-Progressive visions for urban order seeking to enclose or displace them. Under the rubric of dark agoras Roane brings together two formulations of collectivity and belonging associated with working-class Black life. While on their surface diametrically opposed, the city's underground--its illicit markets, taverns, pool halls, unlicensed bars, as well as spaces housing illicit sex and informal sites like corners associated with the economically and socially disreputable--constituted a spatial and experiential continuum with the city's set apart--its house meetings, storefronts, temples, and masjid, as well as the extensive spiritually appropriated architectures of the interwar mass movements that included rural land experiments as well as urban housing, hotels, and recreational facilities. Together these sites incubated Black queer urbanism, or dissident visions for urban life challenging dominant urban reform efforts and their modes of producing race, gender, and ultimately the city itself. Roane shows how Black communities built a significant if underappreciated terrain of geographic struggle shaping Philadelphia between the Great Migration and Black Power. This fascinating book will help readers appreciate the importance of Black spatial imaginaries and worldmaking in shaping matters of urban place and politics. This interview was conducted during an event at Charis Books.  Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Dark Agoras: Insurgent Black Social Life and the Politics of Place (NYU Press, 2023), author J. T. Roane shows how working-class Black communities cultivated two interdependent modes of insurgent assembly--dark agoras--in twentieth century Philadelphia. He investigates the ways they transposed rural imaginaries about and practices of place as part of their spatial resistances and efforts to contour industrial neighborhoods. In acts that ranged from the mundane acts of refashioning intimate spaces to expressly confrontational and liberatory efforts to transform the city's social and ecological arrangement, these communities challenged the imposition of Progressive and post-Progressive visions for urban order seeking to enclose or displace them. Under the rubric of dark agoras Roane brings together two formulations of collectivity and belonging associated with working-class Black life. While on their surface diametrically opposed, the city's underground--its illicit markets, taverns, pool halls, unlicensed bars, as well as spaces housing illicit sex and informal sites like corners associated with the economically and socially disreputable--constituted a spatial and experiential continuum with the city's set apart--its house meetings, storefronts, temples, and masjid, as well as the extensive spiritually appropriated architectures of the interwar mass movements that included rural land experiments as well as urban housing, hotels, and recreational facilities. Together these sites incubated Black queer urbanism, or dissident visions for urban life challenging dominant urban reform efforts and their modes of producing race, gender, and ultimately the city itself. Roane shows how Black communities built a significant if underappreciated terrain of geographic struggle shaping Philadelphia between the Great Migration and Black Power. This fascinating book will help readers appreciate the importance of Black spatial imaginaries and worldmaking in shaping matters of urban place and politics. This interview was conducted during an event at Charis Books.  Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Dark Agoras: Insurgent Black Social Life and the Politics of Place (NYU Press, 2023), author J. T. Roane shows how working-class Black communities cultivated two interdependent modes of insurgent assembly--dark agoras--in twentieth century Philadelphia. He investigates the ways they transposed rural imaginaries about and practices of place as part of their spatial resistances and efforts to contour industrial neighborhoods. In acts that ranged from the mundane acts of refashioning intimate spaces to expressly confrontational and liberatory efforts to transform the city's social and ecological arrangement, these communities challenged the imposition of Progressive and post-Progressive visions for urban order seeking to enclose or displace them. Under the rubric of dark agoras Roane brings together two formulations of collectivity and belonging associated with working-class Black life. While on their surface diametrically opposed, the city's underground--its illicit markets, taverns, pool halls, unlicensed bars, as well as spaces housing illicit sex and informal sites like corners associated with the economically and socially disreputable--constituted a spatial and experiential continuum with the city's set apart--its house meetings, storefronts, temples, and masjid, as well as the extensive spiritually appropriated architectures of the interwar mass movements that included rural land experiments as well as urban housing, hotels, and recreational facilities. Together these sites incubated Black queer urbanism, or dissident visions for urban life challenging dominant urban reform efforts and their modes of producing race, gender, and ultimately the city itself. Roane shows how Black communities built a significant if underappreciated terrain of geographic struggle shaping Philadelphia between the Great Migration and Black Power. This fascinating book will help readers appreciate the importance of Black spatial imaginaries and worldmaking in shaping matters of urban place and politics. This interview was conducted during an event at Charis Books.  Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

In Dark Agoras: Insurgent Black Social Life and the Politics of Place (NYU Press, 2023), author J. T. Roane shows how working-class Black communities cultivated two interdependent modes of insurgent assembly--dark agoras--in twentieth century Philadelphia. He investigates the ways they transposed rural imaginaries about and practices of place as part of their spatial resistances and efforts to contour industrial neighborhoods. In acts that ranged from the mundane acts of refashioning intimate spaces to expressly confrontational and liberatory efforts to transform the city's social and ecological arrangement, these communities challenged the imposition of Progressive and post-Progressive visions for urban order seeking to enclose or displace them. Under the rubric of dark agoras Roane brings together two formulations of collectivity and belonging associated with working-class Black life. While on their surface diametrically opposed, the city's underground--its illicit markets, taverns, pool halls, unlicensed bars, as well as spaces housing illicit sex and informal sites like corners associated with the economically and socially disreputable--constituted a spatial and experiential continuum with the city's set apart--its house meetings, storefronts, temples, and masjid, as well as the extensive spiritually appropriated architectures of the interwar mass movements that included rural land experiments as well as urban housing, hotels, and recreational facilities. Together these sites incubated Black queer urbanism, or dissident visions for urban life challenging dominant urban reform efforts and their modes of producing race, gender, and ultimately the city itself. Roane shows how Black communities built a significant if underappreciated terrain of geographic struggle shaping Philadelphia between the Great Migration and Black Power. This fascinating book will help readers appreciate the importance of Black spatial imaginaries and worldmaking in shaping matters of urban place and politics. This interview was conducted during an event at Charis Books.  Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this episode of Podcasting Success Secrets, Adam McNeil shares valuable insights on monetizing content for indie podcasters. He emphasizes the importance of building authentic brand partnerships through scorecards and affiliate deals, and provides tips on securing sponsorship and creating case studies for brands. McNeil highlights the benefits of affiliate deals for measuring performance and responsive feedback. He encourages podcasters to find their own successful strategies in podcast advertising and focus on delivering value to brands to increase earnings. Additionally, he suggests reaching out to brands that align with the audience and content, and using organic mentions as a pitching strategy.In This Episode, You'll Learn:00:00:00 Connecting Brands and Podcasters: Meet Adam, the Podcasting Expert00:01:33 Unexpected Journey: From Zero to VP of Marketing in Podcasting00:06:41 Monetizing Podcasts: The Power of Organic Audience Demand00:09:59 Coffee Lovers Unite: Seeking Discount Codes from Favorite Brands00:13:34 Indie Podcasters' Must-Haves for Monetization and Collaboration00:14:52 Choosing the Right Podcast for Sponsorship: Insights from an Ad Buyer00:19:05 Authentic Brand Partnerships: Scorecards and Affiliate Deals00:21:08 Measuring Performance with Affiliate Deals: The Benefits00:26:58 Finding Your Path: What Works Best in Podcast Advertising00:29:30 Consistency Matters: Quality over Quantity in Sponsorship00:34:35 Taking Control: Understanding Your Role in Brand Partnerships00:39:15 Securing Sponsorship and Building Compelling Case Studies00:42:36 Unlocking Opportunities: Leveraging Free Products for Sponsorship00:46:53 Biohacking and Niche Brands: Exploring Podcast Advertising PossibilitiesLinks And Resources:Podcast AMAAdam McNeil on LinkedInHector Santiesteban LinkedInHector Santiesteban TwitterThanks so much for joining us this week. Want to subscribe to Marketing Your Podcast? Have some feedback you'd like to share? Connect with us on iTunes and leave us a review!

After the War of 1812, more than five thousand American sailors were marooned in Dartmoor Prison on a barren English plain; the conflict was over but they had been left to rot by their government. Although they shared a common nationality, the men were divided by race: nearly a thousand were Black, and at the behest of the white prisoners, Dartmoor became the first racially segregated prison in US history. The Hated Cage: An American Tragedy in Britain's Most Terrifying Prison (Basic Books, 2022) documents the extraordinary but separate communities these men built within the prison--and the terrible massacre of nine Americans by prison guards that destroyed these worlds. As white people in the United States debated whether they could live alongside African Americans in freedom, could Dartmoor's Black and white Americans band together in captivity? Drawing on extensive new material, The Hated Cage is a gripping account of this forgotten history. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

After the War of 1812, more than five thousand American sailors were marooned in Dartmoor Prison on a barren English plain; the conflict was over but they had been left to rot by their government. Although they shared a common nationality, the men were divided by race: nearly a thousand were Black, and at the behest of the white prisoners, Dartmoor became the first racially segregated prison in US history. The Hated Cage: An American Tragedy in Britain's Most Terrifying Prison (Basic Books, 2022) documents the extraordinary but separate communities these men built within the prison--and the terrible massacre of nine Americans by prison guards that destroyed these worlds. As white people in the United States debated whether they could live alongside African Americans in freedom, could Dartmoor's Black and white Americans band together in captivity? Drawing on extensive new material, The Hated Cage is a gripping account of this forgotten history. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

After the War of 1812, more than five thousand American sailors were marooned in Dartmoor Prison on a barren English plain; the conflict was over but they had been left to rot by their government. Although they shared a common nationality, the men were divided by race: nearly a thousand were Black, and at the behest of the white prisoners, Dartmoor became the first racially segregated prison in US history. The Hated Cage: An American Tragedy in Britain's Most Terrifying Prison (Basic Books, 2022) documents the extraordinary but separate communities these men built within the prison--and the terrible massacre of nine Americans by prison guards that destroyed these worlds. As white people in the United States debated whether they could live alongside African Americans in freedom, could Dartmoor's Black and white Americans band together in captivity? Drawing on extensive new material, The Hated Cage is a gripping account of this forgotten history. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

After the War of 1812, more than five thousand American sailors were marooned in Dartmoor Prison on a barren English plain; the conflict was over but they had been left to rot by their government. Although they shared a common nationality, the men were divided by race: nearly a thousand were Black, and at the behest of the white prisoners, Dartmoor became the first racially segregated prison in US history. The Hated Cage: An American Tragedy in Britain's Most Terrifying Prison (Basic Books, 2022) documents the extraordinary but separate communities these men built within the prison--and the terrible massacre of nine Americans by prison guards that destroyed these worlds. As white people in the United States debated whether they could live alongside African Americans in freedom, could Dartmoor's Black and white Americans band together in captivity? Drawing on extensive new material, The Hated Cage is a gripping account of this forgotten history. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

In My Soul Is a Witness: The Traumatic Afterlife of Lynching (Yale UP, 2023), Mari N. Crabtree traces the long afterlife of lynching in the South through the traumatic memories it left in its wake. She unearths how African American victims and survivors found ways to live through and beyond the horrors of lynching, offering a theory of African American collective trauma and memory rooted in the ironic spirit of the blues sensibility--a spirit of misdirection and cunning that blends joy and pain.  Black southerners often shielded their loved ones from the most painful memories of local lynchings with strategic silences but also told lynching stories about vengeful ghosts or a wrathful God or the deathbed confessions of a lyncher tormented by his past. They protested lynching and its legacies through art and activism, and they mourned those lost to a mob's fury. They infused a blues element into their lynching narratives to confront traumatic memories and keep the blues at bay, even if just for a spell. Telling their stories troubles the simplistic binary of resistance or submission that has tended to dominate narratives of Black life and reminds us that amid the utter devastation of lynching were glimmers of hope and an affirmation of life. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In My Soul Is a Witness: The Traumatic Afterlife of Lynching (Yale UP, 2023), Mari N. Crabtree traces the long afterlife of lynching in the South through the traumatic memories it left in its wake. She unearths how African American victims and survivors found ways to live through and beyond the horrors of lynching, offering a theory of African American collective trauma and memory rooted in the ironic spirit of the blues sensibility--a spirit of misdirection and cunning that blends joy and pain.  Black southerners often shielded their loved ones from the most painful memories of local lynchings with strategic silences but also told lynching stories about vengeful ghosts or a wrathful God or the deathbed confessions of a lyncher tormented by his past. They protested lynching and its legacies through art and activism, and they mourned those lost to a mob's fury. They infused a blues element into their lynching narratives to confront traumatic memories and keep the blues at bay, even if just for a spell. Telling their stories troubles the simplistic binary of resistance or submission that has tended to dominate narratives of Black life and reminds us that amid the utter devastation of lynching were glimmers of hope and an affirmation of life. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In My Soul Is a Witness: The Traumatic Afterlife of Lynching (Yale UP, 2023), Mari N. Crabtree traces the long afterlife of lynching in the South through the traumatic memories it left in its wake. She unearths how African American victims and survivors found ways to live through and beyond the horrors of lynching, offering a theory of African American collective trauma and memory rooted in the ironic spirit of the blues sensibility--a spirit of misdirection and cunning that blends joy and pain.  Black southerners often shielded their loved ones from the most painful memories of local lynchings with strategic silences but also told lynching stories about vengeful ghosts or a wrathful God or the deathbed confessions of a lyncher tormented by his past. They protested lynching and its legacies through art and activism, and they mourned those lost to a mob's fury. They infused a blues element into their lynching narratives to confront traumatic memories and keep the blues at bay, even if just for a spell. Telling their stories troubles the simplistic binary of resistance or submission that has tended to dominate narratives of Black life and reminds us that amid the utter devastation of lynching were glimmers of hope and an affirmation of life. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Beginning in the late seventeenth century and concluding with the abolition of the Atlantic slave trade, Almost Dead: Slavery and Social Rebirth in the Black Urban Atlantic, 1680-1807 (U Georgia Press, 2022) reveals how the thousands of captives who lived, bled, and resisted in the Black Urban Atlantic survived to form dynamic communities. Michael Lawrence Dickinson uses cities with close commercial ties to shed light on similarities, variations, and linkages between urban Atlantic slave communities in mainland America and the Caribbean.  The study adopts the perspectives of those enslaved to reveal that, in the eyes of the enslaved, the distinctions were often in degree rather than in kind as cities throughout the Black Urban Atlantic remained spaces for Black oppression and resilience. The tenets of subjugation remained all too similar, as did captives' need to stave off social death and hold on to their humanity. Almost Dead argues that urban environments provided unique barriers to and avenues for social rebirth: the process by which African-descended peoples reconstructed their lives individually and collectively after forced exportation from West Africa. This was an active process of cultural remembrance, continued resistance, and communal survival. Indeed it was in these urban slave communities-within the connections between neighbors and kinfolk-that the enslaved found the physical and psychological resources necessary to endure the seemingly unendurable. Whether sites of first arrival, commodification, sale, short-term captivity, or lifetime enslavement, the urban Atlantic shaped and was shaped by Black lives. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Beginning in the late seventeenth century and concluding with the abolition of the Atlantic slave trade, Almost Dead: Slavery and Social Rebirth in the Black Urban Atlantic, 1680-1807 (U Georgia Press, 2022) reveals how the thousands of captives who lived, bled, and resisted in the Black Urban Atlantic survived to form dynamic communities. Michael Lawrence Dickinson uses cities with close commercial ties to shed light on similarities, variations, and linkages between urban Atlantic slave communities in mainland America and the Caribbean.  The study adopts the perspectives of those enslaved to reveal that, in the eyes of the enslaved, the distinctions were often in degree rather than in kind as cities throughout the Black Urban Atlantic remained spaces for Black oppression and resilience. The tenets of subjugation remained all too similar, as did captives' need to stave off social death and hold on to their humanity. Almost Dead argues that urban environments provided unique barriers to and avenues for social rebirth: the process by which African-descended peoples reconstructed their lives individually and collectively after forced exportation from West Africa. This was an active process of cultural remembrance, continued resistance, and communal survival. Indeed it was in these urban slave communities-within the connections between neighbors and kinfolk-that the enslaved found the physical and psychological resources necessary to endure the seemingly unendurable. Whether sites of first arrival, commodification, sale, short-term captivity, or lifetime enslavement, the urban Atlantic shaped and was shaped by Black lives. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Beginning in the late seventeenth century and concluding with the abolition of the Atlantic slave trade, Almost Dead: Slavery and Social Rebirth in the Black Urban Atlantic, 1680-1807 (U Georgia Press, 2022) reveals how the thousands of captives who lived, bled, and resisted in the Black Urban Atlantic survived to form dynamic communities. Michael Lawrence Dickinson uses cities with close commercial ties to shed light on similarities, variations, and linkages between urban Atlantic slave communities in mainland America and the Caribbean.  The study adopts the perspectives of those enslaved to reveal that, in the eyes of the enslaved, the distinctions were often in degree rather than in kind as cities throughout the Black Urban Atlantic remained spaces for Black oppression and resilience. The tenets of subjugation remained all too similar, as did captives' need to stave off social death and hold on to their humanity. Almost Dead argues that urban environments provided unique barriers to and avenues for social rebirth: the process by which African-descended peoples reconstructed their lives individually and collectively after forced exportation from West Africa. This was an active process of cultural remembrance, continued resistance, and communal survival. Indeed it was in these urban slave communities-within the connections between neighbors and kinfolk-that the enslaved found the physical and psychological resources necessary to endure the seemingly unendurable. Whether sites of first arrival, commodification, sale, short-term captivity, or lifetime enslavement, the urban Atlantic shaped and was shaped by Black lives. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The massive and foreboding Great Dismal Swamp sprawls over 2,000 square miles and spills over parts of Virginia and North Carolina. From the early seventeenth century, the nearly impassable Dismal frustrated settlement. However, what may have been an impediment to the expansion of slave society became an essential sanctuary for many of those who sought to escape it. In the depths of the Dismal, thousands of maroons--people who had emancipated themselves from enslavement and settled beyond the reach of enslavers--established new lives of freedom in a landscape deemed worthless and inaccessible by whites.  Dismal Freedom: A History of the Maroons of the Great Dismal Swamp (UNC Press, 2022) is the first book to fully examine the lives of these maroons and their struggles for liberation. Drawing from newly discovered primary sources and archeological evidence that suggests far more extensive maroon settlement than historians have previously imagined, award-winning author J. Brent Morris uncovers one of the most exciting yet neglected stories of American history. This is the story of resilient, proud, and determined people of color who made the Great Dismal Swamp their free home and sanctuary and who played an outsized role in undermining slavery through the Civil War. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The massive and foreboding Great Dismal Swamp sprawls over 2,000 square miles and spills over parts of Virginia and North Carolina. From the early seventeenth century, the nearly impassable Dismal frustrated settlement. However, what may have been an impediment to the expansion of slave society became an essential sanctuary for many of those who sought to escape it. In the depths of the Dismal, thousands of maroons--people who had emancipated themselves from enslavement and settled beyond the reach of enslavers--established new lives of freedom in a landscape deemed worthless and inaccessible by whites.  Dismal Freedom: A History of the Maroons of the Great Dismal Swamp (UNC Press, 2022) is the first book to fully examine the lives of these maroons and their struggles for liberation. Drawing from newly discovered primary sources and archeological evidence that suggests far more extensive maroon settlement than historians have previously imagined, award-winning author J. Brent Morris uncovers one of the most exciting yet neglected stories of American history. This is the story of resilient, proud, and determined people of color who made the Great Dismal Swamp their free home and sanctuary and who played an outsized role in undermining slavery through the Civil War. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The massive and foreboding Great Dismal Swamp sprawls over 2,000 square miles and spills over parts of Virginia and North Carolina. From the early seventeenth century, the nearly impassable Dismal frustrated settlement. However, what may have been an impediment to the expansion of slave society became an essential sanctuary for many of those who sought to escape it. In the depths of the Dismal, thousands of maroons--people who had emancipated themselves from enslavement and settled beyond the reach of enslavers--established new lives of freedom in a landscape deemed worthless and inaccessible by whites.  Dismal Freedom: A History of the Maroons of the Great Dismal Swamp (UNC Press, 2022) is the first book to fully examine the lives of these maroons and their struggles for liberation. Drawing from newly discovered primary sources and archeological evidence that suggests far more extensive maroon settlement than historians have previously imagined, award-winning author J. Brent Morris uncovers one of the most exciting yet neglected stories of American history. This is the story of resilient, proud, and determined people of color who made the Great Dismal Swamp their free home and sanctuary and who played an outsized role in undermining slavery through the Civil War. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

If you've ever considered starting a podcast, now is the time. It can help you build a stronger community and bring in thousands more dollars per year. This week's guest, Adam McNeil, was just a normal guy who had a unique game that he really liked playing. He also loved coffee. He could talk about it for hours. So he did. He started his show and did about 50k downloads in his first year of podcasting. During that time he was able to bring in over $25,000 in revenue from his show. And if you're wondering what that approach was like.. You're probably wondering what kind of advantage he had to make this happen in such a short period of time.. He didn't have a huge social media following. He didn't have a bunch of fancy equipment. All he had was a passion for a unique topic that he presented in a unique way. Adam — who is now the VP of Marketing for ADOPTER Media (they spend over $20 million in annual podcast ad spend) — spilled all of his secrets in this week's episode of “Soulcial Scoop”. Episode 64 Show Notes can be found here.