POPULARITY
Categories
38 episodes with archiving
22 episodes with archiving
21 episodes with archiving
5 episodes with archiving
13 episodes with archiving
5 episodes with archiving
8 episodes with archiving
5 episodes with archiving
3 episodes with archiving
3 episodes with archiving
3 episodes with archiving
4 episodes with archiving
10 episodes with archiving
2 episodes with archiving
3 episodes with archiving
6 episodes with archiving
2 episodes with archiving
3 episodes with archiving
Archiving is serious business - and often falls to women. Anney and Samantha chat about the complexities and questions of archiving.See omnystudio.com/listener for privacy information.
Deep in the archives of the late 90s and early 00s Dutch underground, Piepotelli threads together some sublime progressive house and deep techno. @piepotelli Q. What sounds / feelings did you draw upon when gathering inspiration for this mix? A. I wanted to be in sync with MDC but also compile something personal. The sounds that emerge have inspired me a lot lately. They relate to a variety of styles, but also to emotions and energy. I truly feel related to the sometimes abstract form of expression music can be. I tried to be expressive in the progression, as only then the mix would make sense to me. The cohesion is noticeable through deepness all over, fused with wavy coatings, mysterious tints, and progressive elements, highlighted by synth, groove, and syndicate electronic magic. Somewhere late afternoon landing into the night would be the ideal time for a whirl, as it takes time to build but would be too much for my morning peace – I prefer worldy stuff to wake up the mind (s/o John Gomez on NTS!). I guess before going out for a dance suits well, since it's quite club-ready towards the end. Q. Are there any records in the mix that you were especially excited to share? what is it about these songs that resonate with you? Very much so! One that has been in my head for ages is The Hug Club – Round I Go (Morning Mix). Honestly, the whole EP kicks ass, but the B2 is on another level. I like several things about it. One, it's subtle. It smoothly builds and gently brings some beautiful chord/synth layers to take the lead and make it flow. Two, it's sensual, but not demanding. That elegance is exactly what sets this alleviating mood. Three, it's a B2. The track that doesn't scream for a listen. It's there for the curious. Four, have you seen this cover? We were talking artistic expression right? That's it right there. Take these 4 points together, and you see why it's such a standout. Q. Tell us about the evolution of your YT channel, where you've been uncovering hidden gems from the 90s / early 00s, largely from obscure NL house, techno and tribal / progressive producers and labels. Had you always suspected there might be a trove of deeper cuts hidden amongst the more popular Dutch hardstyle, trance and techno records of the time? It's funny that you mention that, because some of the quality deeper cuts originate from producers that came a long way from Trance, Hardcore and Gabber. If we take a step back, late 80s house music flew over by local DJs that felt inspired by what was going on in the US. That was for both the parties and the sound. The paradigm changed in Amsterdam as well. It had to withstand serious commotion by the crowd, but the driving forces around Club Roxy and Club iT eventually obtained their recognition. The local embracement paved the way for the evolution of many subgenres that followed. Of course music evolves globally, but it is the combination with local appreciation, local hubs, and local initiatives that gave it cultural body. It really deepened and refined what artists were able to produce. Such history gives so much color to when you are going through archives like record bins. To relate it to the YT channel, essentially what it does is making finds from the past available for listening. I think on there, you have a unique combination of archiving and curation. Archiving in the sense that it's not as polluted as other platforms, it is straight to the point and less ego-centric. Curation in the sense that you can post something unique and commit something that was not there yet, and bring it together on a channel. Now from history we can tell that the mid-late 90s and early 00s you mention were indeed fruitful in the region. That's how it doesn't surprise I come along the quality cuts you're referring to. There is still a lot to discover. Also a lot of garbage, but dig deep enough and you'll run into hidden treasures. Along the way you learn a lot about your musical taste. That's the fun part.
This week, Templeton Elliott, Patrick Kigongo, and Mike Munzenrider are talking about skaters returning to sponsors and archiving skate history. Listen here and subscribe on iTunes, Spotify, or YouTube.
What is going on everyone and welcome back to TT! This week, it is my privilege to welcome back Phaulner to the show!Who is Phaulner? Well, he kinda knows everything happening in the Scottsdale car scene. What does he do? A lot! But he actually does a ton of social media content covering everything here in the Valley. And he is a good friend to the pod. We chat about his Car week escapades of chasing Ed Bolian who was flying in a 911 R, surviving hurricanes in a Raptor, the ideal cannonball car, what is the key to having a great car purchase and so much more.It is indeed a treat to have recorded this with Phaulner. Please find him on socials @phaulner and check out his YT channel. Enthusiasts never die!
In a week where:King Charles III visits the US.The US Supreme Court limits the Voting Rights Act, a Civil Rights-era law intended to protect minority voting power.Nigel Farage was given undisclosed £5m by crypto billionaire in 2024.A report UK stole 25m years of life and labour through slavery in Barbados alone.Elections throughout the UK will go down tomorrow.In Politics: (11:22) Palestine Action in Germany are getting similar treatment they got in the UK, setting the stage for a landmark trial that'll set a precedent for free speech in Germany. (Article By Hanno Hauenstein)In Environment: (25:41) The Indigenous peoples continue to live in the outskirts. But the Climate Crisis doesn't discriminate and it's punishing the Indigenous hard with little to no monetary support. (Article By Anita Hofschneider)In Music: (37:52) Gatekeeping in the arts is a perpetual battle that will go on forever. But with the control that DSPs and labels have, gatekeeping has changed significantly and deserves a fresh eye on the argument. (Article By Jon Tanners)Lastly, in Life: (54:03) Archiving is typically seen as a past-tense concept, which is correct of course, but it should also be seen as a Futurist concept. (Article By Amahra Spence)Thank you for listening! If you want to contribute to the show, whether it be sending me questions or voicing your opinion in any way, peep the contact links below and I'll respond accordingly. Let me know "What's Good?"Rate & ReviewE-Mail: the5thelelmentpub@gmail.comTwitter & IG: @The5thElementUKWebsite: https://the5thelement.co.ukPhotography: https://www.crt.photographyIntro Music - "Too Much" By VanillaInterlude - "Charismatic" By NappyHighChillHop MusicOther Podcasts Under The 5EPN:Diggin' In The Digits5EPN RadioBlack Women Watch...In Search of SauceThe Beauty Of Independence
In this episode, Collin and Ashley take a moment to pause the regular schedule and check in. Between navigating personal health journeys and managing a growing business, the duo realizes they've been sitting on a treasure trove of history. While the podcast continues to spotlight new dental startups across the country, Ash and Col are officially opening "The Vault" to finally tell the story of Smile & Co. Roseville.This isn't a new series—it's a long-overdue documentation of the "Making Of" Ashley's own second location, tucked into the feed as they sift through years of footage, "come to Jesus" meetings, and the reality of scaling a brand.Inside This Episode:1. The "Wired and Tired" Reality [00:07:18] Ashley shares how a "go big or go home" mentality impacted her health and how she's using data from her Garmin, Oura ring, and "AI doctors" to find a sustainable baseline.2. The 3,800 Sq. Ft. Vision [00:24:52] Ashley reflects on moving from the "claustrophobic" Folsom office to the expansive Roseville flagship, prioritizing ceilings, flow, and a boutique hotel brand.3. The Birthday Offer [00:28:32] Smile & Co. 2 started with a "pocket listing" and a gut feeling. Ashley recounts her 2021 birthday offer on a building everyone said she wasn't ready for.4. Philosophy Over Data [00:38:33] Why Ashley skipped the demographics report despite four competitors in the same lot, choosing a "blue ocean" approach for the Roseville luxury market.5. Archiving the Chaos [00:43:14] The duo plans to sprinkle in raw footage from the build-out, covering construction, financial fears, and lessons learned while scaling a brand.Featured Quotes:"I could envision what the office was going to look like... something legitimately called to me.""Your space creates so much of the brand."Thank You to Our PartnersNet 32: The dental marketplace that helps practice owners stop overpaying for supplies. Compare and save at net32.com/themakingof.Studio 8E8 — Dentistry's story-driven growth agency for startups. s8e8.com/vslKasper Opportunity Finder: Fill those empty chairs and reclaim lost revenue with one click. Get it free at meetkasper.com/register.Support the showFind Out MoreThank you for listening to The Making Of podcast. If you enjoyed it, please share with anyone you think will gain value from the show by clicking on one of the sharing tabs above.SUBSCRIBE to our NEWSLETTER HEREAlso, please consider leaving an honest review on iTunes. It helps other listeners find the show, and I would be forever grateful.Questions or comments? Feel free to contact us at - themakingofadental@gmail.comFollow us on Instagram or Facebook and improve your dental practice every day!Have you subscribed? Don't miss a single episode!
Michael chats with Erik Johnson, Vice President of Marketing at Harmony Healthcare IT. Together, they discuss the company's recent priorities and milestones, how health systems are mitigating risk in data archiving while still driving innovation, and the ways legacy systems and data sprawl are quietly holding healthcare back. The conversation also explores how M&A activity and ERP migrations are reshaping long-term data management strategies, why Epic Gallery adoption is increasingly taking an Epic-first path, and what all this signals about where the data archiving landscape is headed—and more. Learn more about Harmony Healthcare IT at www.HarmonyHIT.com.
What happens when we assume women's presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women's Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press. The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women's work in and around the archive has been diminished, interrupted, erased, or ignored. In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women's archival labor, however fleeting, contingent, or speculative they may be. She reflects on how gendered ideas and norms have defined—and limited—our sense of what counts as film-historical labor. And she ruminates on what it means for feminist scholars, in and beyond film and media studies, to collect and recollect the past—for the sake of the feminist present and its still-possible futures. Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
What happens when we assume women's presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women's Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press. The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women's work in and around the archive has been diminished, interrupted, erased, or ignored. In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women's archival labor, however fleeting, contingent, or speculative they may be. She reflects on how gendered ideas and norms have defined—and limited—our sense of what counts as film-historical labor. And she ruminates on what it means for feminist scholars, in and beyond film and media studies, to collect and recollect the past—for the sake of the feminist present and its still-possible futures. Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
What happens when we assume women's presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women's Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press. The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women's work in and around the archive has been diminished, interrupted, erased, or ignored. In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women's archival labor, however fleeting, contingent, or speculative they may be. She reflects on how gendered ideas and norms have defined—and limited—our sense of what counts as film-historical labor. And she ruminates on what it means for feminist scholars, in and beyond film and media studies, to collect and recollect the past—for the sake of the feminist present and its still-possible futures. Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices
What happens when we assume women's presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women's Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press. The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women's work in and around the archive has been diminished, interrupted, erased, or ignored. In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women's archival labor, however fleeting, contingent, or speculative they may be. She reflects on how gendered ideas and norms have defined—and limited—our sense of what counts as film-historical labor. And she ruminates on what it means for feminist scholars, in and beyond film and media studies, to collect and recollect the past—for the sake of the feminist present and its still-possible futures. Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
What happens when we assume women's presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women's Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press. The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women's work in and around the archive has been diminished, interrupted, erased, or ignored. In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women's archival labor, however fleeting, contingent, or speculative they may be. She reflects on how gendered ideas and norms have defined—and limited—our sense of what counts as film-historical labor. And she ruminates on what it means for feminist scholars, in and beyond film and media studies, to collect and recollect the past—for the sake of the feminist present and its still-possible futures. Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
This show has been flagged as Clean by the host. This series is dedicated to exploring little-known—and occasionally useful—trinkets lurking in the dusty corners of UNIX-like operating systems. When you think about creating and managing archives on a UNIX system, tar is probably the utility that comes to mind. But this was not the first archiving program; ar was in First Edition UNIX 1 and cpio also pre-dates it, sort of 2 . According to the NetBSD manual page, cpio was developed within AT&T before tar , but did not get widely released until System III UNIX after tar was already well known from the earlier release of Seventh Edition UNIX (a.k.a. Version 7). You might think that ar and cpio are old and irrelevant these days, but these formats do live on. Each Debian package file 3 is an ar archive which in turn contains two tar files. On Red Hat, Fedora, SUSE, and some other distributions, each .rpm package file 4 contains a cpio payload. So these may very well still be in use on your modern Linux system. But let's get back to the subject of what you might want to use to create archives today. The tar utility has persisted in its popularity over the decades, and you most probably have a version installed on your UNIX-like systems. One of the problems with tar , however, is that it has not kept a consistent file format. Also, different implementations have used differing syntax at times. There are excellent reasons for the file format changing 5 . The names people give files have gotten longer over time, and the original Seventh Edition tar format could only handle a total pathname length of 100 bytes for each archive member. In addition, filenames were in ASCII format, and modern filesystems now accommodate richer encodings with characters that aren't in ASCII. The size of each archive member was limited to 8 gigabytes—unthinkably large back then, but not so big these days. User and group ownership could only be specified by numeric ID, which can vary from one system to another. Many other types of files and information simply couldn't be stored: block and character device nodes, FIFOs, sockets, extended attributes, access control lists, and SELinux contexts. As a result, the tar format had to evolve over the years. One important version was the ustar format, created for the 1988 POSIX standard. The POSIX committee wanted to try standardizing both the file format and syntax for the tar command. While the ustar format addressed some shortcomings, progress marched on. Filesystems started allowing filenames in different character sets and more types of information to be attached to files, so for the 2001 revision of POSIX they gave up on standardizing the tar utility and came up with a new format and utility, which is our actual UNIX Curio for this episode: pax 6 . Since the pax program didn't have historical baggage, they could specify its options, behavior, and file format and be sure everyone's implementation would match. Developers of different tar implementations had been reluctant to change away from their historical option syntax to the standard. The pax utility was also an attempt to avoid taking sides between those who advocated for tar and fans of cpio . The pax file format was an extension of ustar with the ability to add arbitrary new attributes tied to each archive member as UTF-8 Unicode. Some of these attribute names were standardized, but implementers could also define their own, making the format more future-proof. Older versions of tar that could handle the ustar format should still be able to process pax archives, but might not know what to do with the extra attributes. GNU tar developed its current archive format 7 alongside the standardization of the ustar format. The GNU format was based on an early draft which later underwent incompatible changes, so the two unfortunately are not interchangable. Unlike ustar , the GNU format has no limits on the size of files or the length of their names. In addition to its own format, GNU tar is able to detect and correctly process both ustar and pax archives. In situations where its native format can't store necessary information about a file (such as POSIX access control lists or extended attributes), GNU tar will automatically output the pax format instead (called "posix" in documentation). However, it still uses the GNU format by default, though the documentation has been threatening to move to the POSIX format for at least 20 years 8 . The good news is that the ustar , pax , GNU tar , and Seventh Edition tar formats are well documented and utilities across many UNIX-like systems 2,7,9,10,11 are able to handle these, depending on which formats existed when the utility was developed. While your system may not have pax itself installed, there are other archiving utilities that can read the file format, including GNU tar . (Somewhat amusingly, Debian and some other Free Software operating systems package a pax utility developed by MirBSD 12 which largely follows the POSIX-specified interface, but doesn't support reading or writing archives in pax format!) Look at the manual page for the tar , cpio , or pax utilities on your system to see if they can handle pax archives. Perhaps one aspect that has worked in favor of tar and other UNIX archive formats is that they only concern themselves with storing files and make no attempt at compression. Instead, it is common for a complete archive file to be compressed after creation; many utilities can be told to do this step for you, but it is not typically the default behavior. Therefore, if a better compression method comes along, the archive format doesn't need to change. If you do use compression, be careful to choose a method that is available on the destination system. Compressing files is a big enough subject to deserve its own episode, so we won't talk more about it here. So which format should you use when creating an archive? Unfortunately, there is no single answer that applies in all circumstances. The pax format is supported among modern UNIX-like systems and can represent all types of files and metadata. While other systems, their filesystems, and archive utilities might not be able to properly make use of all the metadata, they should at least be able to extract the data contained in files and, if Unicode is supported, give them appropriate filenames. If you intend to unpack the archive on an older system, more research might be needed to figure out what formats it is able to handle. The Seventh Edition tar format (often called "v7") is widely supported, including by older systems, but has limitations in what it can contain as described earlier. Moving beyond the UNIX world, things get even more complicated. Apple's macOS, with its FreeBSD underpinnings, easily handles tar files. However, when it comes to MS-DOS and Windows, it's a bit different. There, a multitude of archiving programs and formats arose, usually combining archiving with compression. PKZIP was probably the most popular of these and its .zip format became common in many places, helped by the fact that PKWARE openly published the specification. While there is only a single .zip format, it has many options, some proprietary, and different implementations have diverged in the way some aspects are handled (or not handled). An ISO/IEC standard for .zip 13 was published in 2015 giving a baseline profile, and sticking to it produces files that can be widely extracted successfully. Other file formats like OpenDocument use the .zip format and typically hew to the standardized profile. Windows' File Explorer, starting with Windows XP, can natively extract .zip files 14 . The Info-ZIP program 15 is a Free Software implementation for a wide variety of systems (even rather obscure ones); while it might not be installed on yours, if you're copying the archive file over, you can probably copy over its unzip utility at the same time to unpack it. So .zip probably has the broadest support, although it might not already be present on every system. However, as Klaatu points out in Hacker Public Radio episode 4557 16 , .zip files and applications handling them aren't always great at maintaining metadata about files. The .zip format doesn't seem to have any way to represent UNIX file permissions, and user/group ownership can only be included as numeric IDs. Other types of metadata on UNIX-like systems are not saved at all. This is probably not a problem in some cases, such as with a collection of photos, but for others it might be a concern. While pax as a utility does not seem to have gained much popularity or support, except on commercial UNIX systems where including it was required to conform to the POSIX standard, its file format has persisted. Free Software systems have generally avoided the pax interface, preferring to stick with the tar utility on the command line, but usually have good support for archive files in the pax format. Outside of UNIX-like systems, .zip seems to have become the most common file format, and support for it is also good in the UNIX world, though it might not be built in. References: Archive (library) file format https://man.cat-v.org/unix-1st/5/archive NetBSD 10.0 cpio manual page https://man.netbsd.org/NetBSD-10.0/cpio.1 Debian binary package format https://manpages.debian.org/trixie/dpkg-dev/deb.5.en.html RPM V6 Package format https://rpm.org/docs/6.0.x/manual/format_v6.html NetBSD 10.0 libarchive-formats manual page https://man.netbsd.org/NetBSD-10.0/libarchive-formats.5 Pax specification https://pubs.opengroup.org/onlinepubs/009695399/utilities/pax.html GNU tar manual https://www.gnu.org/software/tar/manual/tar.html GNU tar manual for version 1.15.90 https://web.cvs.savannah.gnu.org/viewvc/*checkout*/tar/tar/manual/tar.html?revision=1.3 FreeBSD 15.0 libarchive-formats manual page https://man.freebsd.org/cgi/man.cgi?query=libarchive-formats&sektion=5&apropos=0&manpath=FreeBSD+15.0-RELEASE+and+Ports OpenBSD 7.8 tar manual page https://man.openbsd.org/OpenBSD-7.8/tar HP-UX Reference (11i v3 07/02) - 1 User Commands N-Z (vol 2) https://support.hpe.com/hpesc/public/docDisplay?docId=c01922474&docLocale=en_US MirBSD pax(1) manual page http://www.mirbsd.org/htman/i386/man1/pax.htm#Sh.STANDARDS ISO/IEC 21320-1:2015 Information technology - Document Container File Part 1: Core https://www.iso.org/standard/60101.html Mastering File Compression on Windows https://windowsforum.com/threads/mastering-file-compression-on-windows-how-to-zip-and-unzip-files-effortlessly.369235/ About Info-ZIP https://infozip.sourceforge.net/ HPR4557::Why I prefer tar to zip https://hackerpublicradio.org/eps/hpr4557/index.html Provide feedback on this episode.
Greetings Glocal Citizens! I'm sure many of you remember the groundbreaking web series An African City. We've even hosted a panel featuring creator of the series Nicole Amarteifio in our writing as activism series. My guest this week launched her creative career as a cast member on the series and she hasn't looked back since. Maame Adjei is a Ghanaian storyteller, producer, director, entrepreneur and cultural archivist. As the founder of Sweet Roots Media, she leads a women-driven media hub dedicated to amplifying cultural narratives and preserving history through high-quality storytelling. Their work spans documentary scripted, brand storytelling, and immersive experiences, all crafted to resonate on a global scale. Beyond media, she is the founder of Duruyeh, a bold jewelry brand celebrating heritage, beauty, and self-expression. Every piece tells a story, designed not just as an accessory but as a keepsake to be passed down. Maame is also deeply invested in archival work and co-founded Korabea which focuses on preserving, protecting, and uplifting the stories of Ghanaian women, both past and present, through exhibitions, educational projects, and a forthcoming podcast. #NewPodcastAlert! Where to find Maame? On LinkedIn On Instagram On Facebook On YouTube What's Maame listening to? Devi Brown's Deeply Well Podcast On Purpose with Jay Shetty The Myleik Teele Podcast The Emotions Other topics of interest: NAFTI is now UniMAC-IFT Who is GloRilla? The Whites of Our Eyes Trailer On Kenneth B. Clark's Doll Study The Sunday Mirror today Nana Konadu Agyeman RawlingsSpecial Guest: Maame Adjei.
Here's the Supporter-only Q&A from April 9th, 2026. All comments and questions are fielded through the supporter service Q&A page.Please consider supporting this channel via monthly support services, tips, or even just by using our affiliate links to purchase things you were already going to buy anyway, at no extra cost to you: https://www.retrorgb.com/support.htmlT-Shirts: https://retrorgb.link/tshirtsAmazon Recommended List: http://retrorgb.link/amazon TIMESTAMPS (please assume all links are affiliate / paid links that pay RetroRGB a commission on each sale. Even if links are currently not affiliate, I may update them with one, should a partner list that item for sale in the future):00:00 Welcome!00:07 HD Retrovision Alternatives, Composite Downscaler for TV: https://retrorgb.link/rgcps2 / https://youtu.be/sgSwTWamCpw 02:00 Cable Testing, Cheap Switch: https://retrorgb.com/3-port-component-video-ypbpr-switch.html06:59 MiSTer “Profiles”?10:38 Archiving and playing 480i content: https://www.youtube.com/playlist?list=PLNG-S9dRk8vI4t0WHHBqff8w73Cg-H2ak 17:47 CRT/LCD Mask Emulation on videos23:03 True RGB LCD?: https://youtu.be/BVcTeXdZjV4 / https://youtu.be/dmAQVkKnnd0 27:53 DC Component Cables: https://youtu.be/5T6HHhJM5Qw / https://retrorgb.link/rgcdcypbpr / https://amzn.to/3K6Utb1 30:09 Thank You: https://www.retrorgb.com/support.html
Brett Terpstra previews his Macstock Conference and Expo session focused on Markdown, explaining how it simplifies writing, publishing, and archiving content. He highlights its portability, ease of use, and growing relevance with AI tools. His presentation will covers Markdown editor, practical workflows from idea to publication, and new utilities that enhance productivity while reducing reliance on complex word processors. Today's MacVoices is supported by TV+ Talk, our MacVoices series with Charlotte Henry focused on Apple TV+. From shows and other content to the business side there's always something to learn about apple's streaming service. Find it at the Categories listings on the web site or go directly to macvoices.com/category/tv-talk. Show Notes: Chapters: 0:00 Introduction to MacStock series and guest1:38 Brett's session topic: Markdown overview2:46 What Markdown is and why it matters4:18 Tools and editors for writing Markdown5:41 Brett's apps and Markdown utilities7:24 Archiving and portability benefits9:57 Why Markdown is for everyone11:21 Markdown's connection to AI workflows15:09 What attendees will learn in the workshop17:46 WordPress and cleaner publishing workflows18:46 MacStock registration and discount codes20:07 Where to find Brett and his projects Links: Macstock Conference and Expo - Brett's discount code is “ttscoff" The MacVoices discount code is “macvoices" Guests: Brett works as a technical content writer and software developer for the Developer Relations team at Oracle. In his free time, he also a coder, podcaster, author, and web developer.He develops and maintains a Markdown previewer for Mac called Marked 2 and an automation tool called Bunch. I also have over 100 open source projects, ranging from one-off utilities to full fledged command line apps. You can see everything I've worked on/am working on on the projects page. His current podcast is my more eccentric (and often sacreligious) conversations with Christina Warren and Jeff Severns Guntzel on Overtired.I can be found as “ttscoff” just about everywhere, including Twitter, Mastodon, and Github. Support: Become a MacVoices Patron on Patreon http://patreon.com/macvoices Enjoy this episode? Make a one-time donation with PayPal Connect: Web: http://macvoices.com Twitter: http://www.twitter.com/chuckjoiner http://www.twitter.com/macvoices Mastodon: https://mastodon.cloud/@chuckjoiner Facebook: http://www.facebook.com/chuck.joiner MacVoices Page on Facebook: http://www.facebook.com/macvoices/ MacVoices Group on Facebook: http://www.facebook.com/groups/macvoice LinkedIn: https://www.linkedin.com/in/chuckjoiner/ Instagram: https://www.instagram.com/chuckjoiner/ Subscribe: Audio in iTunes Video in iTunes Subscribe manually via iTunes or any podcatcher: Audio: http://www.macvoices.com/rss/macvoicesrss Video: http://www.macvoices.com/rss/macvoicesvideorss
Brett Terpstra previews his Macstock Conference and Expo session focused on Markdown, explaining how it simplifies writing, publishing, and archiving content. He highlights its portability, ease of use, and growing relevance with AI tools. His presentation will covers Markdown editor, practical workflows from idea to publication, and new utilities that enhance productivity while reducing reliance on complex word processors. Today's MacVoices is supported by TV+ Talk, our MacVoices series with Charlotte Henry focused on Apple TV+. From shows and other content to the business side there's always something to learn about apple's streaming service. Find it at the Categories listings on the web site or go directly to macvoices.com/category/tv-talk. Show Notes: Chapters: 0:00 Introduction to MacStock series and guest 1:38 Brett's session topic: Markdown overview 2:46 What Markdown is and why it matters 4:18 Tools and editors for writing Markdown 5:41 Brett's apps and Markdown utilities 7:24 Archiving and portability benefits 9:57 Why Markdown is for everyone 11:21 Markdown's connection to AI workflows 15:09 What attendees will learn in the workshop 17:46 WordPress and cleaner publishing workflows 18:46 MacStock registration and discount codes 20:07 Where to find Brett and his projects Links: Macstock Conference and Expo - Brett's discount code is "ttscoff" The MacVoices discount code is "macvoices" Guests: Brett works as a technical content writer and software developer for the Developer Relations team at Oracle. In his free time, he also a coder, podcaster, author, and web developer. He develops and maintains a Markdown previewer for Mac called Marked 2 and an automation tool called Bunch. I also have over 100 open source projects, ranging from one-off utilities to full fledged command line apps. You can see everything I've worked on/am working on on the projects page. His current podcast is my more eccentric (and often sacreligious) conversations with Christina Warren and Jeff Severns Guntzel on Overtired. I can be found as "ttscoff" just about everywhere, including Twitter, Mastodon, and Github. Support: Become a MacVoices Patron on Patreon http://patreon.com/macvoices Enjoy this episode? Make a one-time donation with PayPal Connect: Web: http://macvoices.com Twitter: http://www.twitter.com/chuckjoiner http://www.twitter.com/macvoices Mastodon: https://mastodon.cloud/@chuckjoiner Facebook: http://www.facebook.com/chuck.joiner MacVoices Page on Facebook: http://www.facebook.com/macvoices/ MacVoices Group on Facebook: http://www.facebook.com/groups/macvoice LinkedIn: https://www.linkedin.com/in/chuckjoiner/ Instagram: https://www.instagram.com/chuckjoiner/ Subscribe: Audio in iTunes Video in iTunes Subscribe manually via iTunes or any podcatcher: Audio: http://www.macvoices.com/rss/macvoicesrss Video: http://www.macvoices.com/rss/macvoicesvideorss
Wilson takes a trip to Peng Chau to visit Ariel and Pearl of Kani Releasing, a North American film distribution company specializing in Asian cinema, to chat about their work, the films in their catalog and the changing film landscape for theatrical/physical media distribution. Wilson takes a trip to Peng Chau to visit Ariel and Pearl of Kani Releasing, a North American film distribution company specializing in Asian cinema, to chat about their work, the films in their catalog and the changing film landscape for theatrical/physical media distribution. The chat about select titles in the Kani library, including Deep Cut favorite Marilou Diaz Abaya's Moral (Ep 71) and Karnal, Patrick Tam's My Heart is That Eternal Rose, and Nao Yoshigai's Shari. Links:Kani ReleasingCrabwalk over to our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00:00 Intro00:01:42 Introducing Kani Releasing00:10:37 Path to Kani Releasing00:20:01 Karnal / Moral (dir. Marilou Diaz-Abaya)00:30:06 Archiving in the Philippines 00:33:19 Bona (dir. Lino Brocka)00:38:17 Kisapmata (dir. Mike de Leon)00:44:13 Changing Filipino film culture00:50:07 Kani's geography00:53:07 Shari (dir. Nao Yoshigai)01:02:21 My Heart is That Eternal Rose (dir. Patrick Tam)01:11:47 Bye Bye Love (dir. Isao Fujisawa)01:14:16 Looking for an Angel (dir. Akihiro Suzuki)01:15:46 Amiko / Desert of Namibia (dir. Yoko Yamanaka)01:21:00 Batang West Side (dir. Lav Diaz)01:22:48 What's next for Kani Releasing
Julia O'Malley, granddaughter of Fred and Lidia Selkregg, speaks with archivist Becky Butler Gallegos about her family's papers. Lidia Selkregg was a land use planner, University of Alaska Anchorage faculty member, earthquake researcher, and Anchorage Assemblywoman (among many other things!). Fred was an insurance adjustor, Postmaster of Anchorage, code enforcement officer (again, among many other things!). In fact, we learn Fred was a mystic in this episode! View the description of the Fred and Lidia Selkregg papers here: https://archives.consortiumlibrary.org/collections/specialcollections/hmc-0631/ Cover photo is the Selkreggs with their children and grandchildren. It was taken circa 1977-1983 for one of Lidia Selkregg's Assembly campaigns.
We're so pleased to welcome Dr. Amelia Acker, author of Archiving Machines: From Punch Cards to Platforms (MIT Press, 2025) to the New Books Network! This book describes the struggle between the computing technologies that archive data and the cultures of information that have led to platforms that assert control over its use. Acker examines the origins of data archives and the computing processes of storage, exchange, and transmission. Each chapter introduces data archiving processes that relate to the evolution of data sovereignty we experience today: from magnetic tape and timesharing computer models from the 1950s, to the establishment of data banks and the rise of database processing and managed data silos in the 1970s, to file structures and virtual containers in cloud-based information services over the past 40 years. Your host is Dr. Adam Kriesberg, Associate Professor at the Simmons University School of Library and Information Science. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
We're so pleased to welcome Dr. Amelia Acker, author of Archiving Machines: From Punch Cards to Platforms (MIT Press, 2025) to the New Books Network! This book describes the struggle between the computing technologies that archive data and the cultures of information that have led to platforms that assert control over its use. Acker examines the origins of data archives and the computing processes of storage, exchange, and transmission. Each chapter introduces data archiving processes that relate to the evolution of data sovereignty we experience today: from magnetic tape and timesharing computer models from the 1950s, to the establishment of data banks and the rise of database processing and managed data silos in the 1970s, to file structures and virtual containers in cloud-based information services over the past 40 years. Your host is Dr. Adam Kriesberg, Associate Professor at the Simmons University School of Library and Information Science. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
We're so pleased to welcome Dr. Amelia Acker, author of Archiving Machines: From Punch Cards to Platforms (MIT Press, 2025) to the New Books Network! This book describes the struggle between the computing technologies that archive data and the cultures of information that have led to platforms that assert control over its use. Acker examines the origins of data archives and the computing processes of storage, exchange, and transmission. Each chapter introduces data archiving processes that relate to the evolution of data sovereignty we experience today: from magnetic tape and timesharing computer models from the 1950s, to the establishment of data banks and the rise of database processing and managed data silos in the 1970s, to file structures and virtual containers in cloud-based information services over the past 40 years. Your host is Dr. Adam Kriesberg, Associate Professor at the Simmons University School of Library and Information Science. Learn more about your ad choices. Visit megaphone.fm/adchoices
We're so pleased to welcome Dr. Amelia Acker, author of Archiving Machines: From Punch Cards to Platforms (MIT Press, 2025) to the New Books Network! This book describes the struggle between the computing technologies that archive data and the cultures of information that have led to platforms that assert control over its use. Acker examines the origins of data archives and the computing processes of storage, exchange, and transmission. Each chapter introduces data archiving processes that relate to the evolution of data sovereignty we experience today: from magnetic tape and timesharing computer models from the 1950s, to the establishment of data banks and the rise of database processing and managed data silos in the 1970s, to file structures and virtual containers in cloud-based information services over the past 40 years. Your host is Dr. Adam Kriesberg, Associate Professor at the Simmons University School of Library and Information Science. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
We're so pleased to welcome Dr. Amelia Acker, author of Archiving Machines: From Punch Cards to Platforms (MIT Press, 2025) to the New Books Network! This book describes the struggle between the computing technologies that archive data and the cultures of information that have led to platforms that assert control over its use. Acker examines the origins of data archives and the computing processes of storage, exchange, and transmission. Each chapter introduces data archiving processes that relate to the evolution of data sovereignty we experience today: from magnetic tape and timesharing computer models from the 1950s, to the establishment of data banks and the rise of database processing and managed data silos in the 1970s, to file structures and virtual containers in cloud-based information services over the past 40 years. Your host is Dr. Adam Kriesberg, Associate Professor at the Simmons University School of Library and Information Science. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology
Think saving webpages is just about hitting Print? Before you waste time on clunky printouts, learn how Safari's built-in options can actually preserve entire sites! • Export as PDF versus Print dialog • Saving web pages as images, HTML, or Safari web archive files • When to use PDF, HTML, PNG, or Web Archive for web page storage • File size differences and optimal formats for offline web saving • The best ways to keep web content on macOS Host: Mikah Sargent Download or subscribe to Hands-On Apple at https://twit.tv/shows/hands-on-apple Want access to the ad-free audio and video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord. Sponsor: Melissa.com/twit
Think saving webpages is just about hitting Print? Before you waste time on clunky printouts, learn how Safari's built-in options can actually preserve entire sites! Export as PDF versus Print dialog Saving web pages as images, HTML, or Safari web archive files When to use PDF, HTML, PNG, or Web Archive for web page storage File size differences and optimal formats for offline web saving The best ways to keep web content on macOS Host: Mikah Sargent Download or subscribe to Hands-On Apple at https://twit.tv/shows/hands-on-apple Want access to the ad-free audio and video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord. Sponsor: Melissa.com/twit
Think saving webpages is just about hitting Print? Before you waste time on clunky printouts, learn how Safari's built-in options can actually preserve entire sites! Export as PDF versus Print dialog Saving web pages as images, HTML, or Safari web archive files When to use PDF, HTML, PNG, or Web Archive for web page storage File size differences and optimal formats for offline web saving The best ways to keep web content on macOS Host: Mikah Sargent Download or subscribe to Hands-On Apple at https://twit.tv/shows/hands-on-apple Want access to the ad-free audio and video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord. Sponsor: Melissa.com/twit
Think saving webpages is just about hitting Print? Before you waste time on clunky printouts, learn how Safari's built-in options can actually preserve entire sites! Export as PDF versus Print dialog Saving web pages as images, HTML, or Safari web archive files When to use PDF, HTML, PNG, or Web Archive for web page storage File size differences and optimal formats for offline web saving The best ways to keep web content on macOS Host: Mikah Sargent Download or subscribe to Hands-On Apple at https://twit.tv/shows/hands-on-apple Want access to the ad-free audio and video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord. Sponsor: Melissa.com/twit
Think saving webpages is just about hitting Print? Before you waste time on clunky printouts, learn how Safari's built-in options can actually preserve entire sites! Export as PDF versus Print dialog Saving web pages as images, HTML, or Safari web archive files When to use PDF, HTML, PNG, or Web Archive for web page storage File size differences and optimal formats for offline web saving The best ways to keep web content on macOS Host: Mikah Sargent Download or subscribe to Hands-On Apple at https://twit.tv/shows/hands-on-apple Want access to the ad-free audio and video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord. Sponsor: Melissa.com/twit
On the practice of sitting, walking, becoming, and living as yourself, precisely where you are. (0:00) – Introduction and Guest Welcome (2:21) – Gru's Journey to Zen Practice (5:53) – Elena's Personal Reflections (12:18) – The Concept of "Becoming Yourself" (19:34) – The Role of Precepts and Ethical Practice (32:29) – The Importance of Confidence and Effort (37:46) – Conclusion and Gratitude This long-awaited new book from Shunryu Suzuki: Becoming Yourself: Teachings on the Zen Way of Life, edited by Jiryu Rutschman-Byler and Sojun Mel Weitsman, is one of my favorite books of 2025. Jiryu Rutschman-Byler is a Soto Zen Buddhist priest and teacher in the lineage of Shunryu Suzuki Roshi, with dharma transmission from Sojun Mel Weitsman. Jiryu has trained residentially in Zen temples since 1996, and currently serves as a co-Abbot of San Francisco Zen Center through his role as Abiding Abbot of Green Gulch Farm Zen Center. Shunryu Suzuki was one of the most influential spiritual teachers of the Twentieth Century and a founding father of Zen in America. Suzuki's Zen Mind, Beginner's Mind, first published in the U.S. in 1970, is considered one of the most important Buddhist books in modern history, and has been translated into more than thirty-five languages. A Japanese priest of the Sōtō lineage, Suzuki taught Buddhism in the United States from 1959 until his death in 1971. He was the founder of the San Francisco Zen Center and the Tassajara Zen Mountain Center. While contemporary Buddhist figures such as His Holiness The Dalai Lama, Thích Nhất Hạnh, and Pema Chödrön are more familiar to American audiences, Shunryu Suzuki was among the first Buddhist teachers with cultural influence in the West and was the first to establish a lasting practice community in the U.S. Importantly, the warmth, humor, and simplicity of Suzuki's teachings made Buddhism accessible. For decades, the San Francisco Zen Center has preserved an archive of Suzuki's original audio teachings, most of which have never been edited or published. Becoming Yourself: Teachings on the Zen Way of Life offers newly available teachings by Suzuki, exploring a practice he describes as fundamentally about "becoming yourself." Rather than offering a philosophy or even a set of techniques, Suzuki points to a way of being, and calls readers to the simple practice of zazen, or "just to sit," as the expression of a fulfilling life and grounded ethical orientation. Becoming Yourself is a result of the painstaking efforts of the Zen community over many years. Archiving, transcribing and interpreting Suzuki's intention clearly and accurately proved to be very challenging work. The final editor and compiler of the book is Jiryu Rutschman-Byler, a senior teacher and co-Abbot of the San Francisco Zen Center. As we learn in these pages, "becoming yourself" is not meant to be understood as an idea but rather tried out as a way of being. It is a practice of deeply connecting with how it feels to be alive in your surroundings, whether on a meditation cushion or not, and stepping forward from that connection. It is opening to your life, wherever you are, and finding right there a deep well of innate wisdom, compassion, and care.
I'm restarting this year after a small break, go podcast() turned 4 years which is crazy, although I'd have hope to have had a better consistency publishing episodes, it is what it is ;). I'm looking at bringing co-hosts from multiple background to add some diversity to the episodes, if you're intrigued please reach out.I've also decided to un-archived and restart working on StaticBackend, my Go open source backend-as-a-service project I started in 2019. I'm missing the pace of working on a problem, thinking about it for some time and implementing a solution while adding tests etc. I've recorded this episode twice because the first time I kind of sliped into a more dark / negative mood, and that's not what I want for the pod and not how I'm feeling about bringing StaticBackend back.Go's v1 "it will build" compatibility is underrated.Links:StaticBackend (GitHub)StaticBackend (website)Act run GitHub action locallyPlease if you can talk about the podcast it would help greatly. You can always purchase my Go courses, which are 50% off for listeners: Build SaaS apps in Go | Build a Google Analytics in Go | Zero to Gopher
This week, the Shakopee Mdewakanton Sioux Community's campaign to boost Native youth wellness is expanding its reach across Minnesota, and an archival project is preserving Indigenous music for future generations.-----Producers: Dan Ninham, Deanna StandingCloud & Travis Zimmerman Editing: CJ Younger, Deanna StandingCloudAnchor: Marie RockEditorial support: Emily KrumbergerMixing & mastering: Chris HarwoodImage Credit: Watecha RecordsMusic Credit (in story 2): Buddy Red Bow, "Indian Love Song" from BRB, (First American records, 1980)-----For the latest episode drops and updates, follow us on social media. instagram.com/ampersradio/instagram.com/mnnativenews/ Never miss a beat. Sign up for our email list to receive news, updates and content releases from AMPERS. ampers.org/about-ampers/staytuned/ This show is made possible by community support. Due to cuts in federal funding, the community radio you love is at risk. Your support is needed now more than ever. Donate now to power the community programs you love: ampers.org/fund
Technology, just as everything else moves forward, and sometimes that means that a project gets superseeded by something else that is better, more performant and a more promising options long term. When your project reaches this phase, it still matters what process you choose to follow when you archive it, since abandoning it silently from one day to the other is harmful to everyone else who is still relying on it and is under the impression that the project is still maintained by the community.In this segment of the My Open Source Experience podcast Tom Sadler talks about te TAL (TV Application Layer) project, which they have been using on TV devices. While the project is still used within the BBC in some corner cases, it is largely replaced by web technologies by now. When it comes to the open source project, maintainers of the project chose to mark it clearly archived on GitHub and even left an email address for people to reach out in case they have a question or comment about the project. Surprisingly, this provided an opportunity to the ecosystem to still connect about the overall technology and problem space, which turend into a tech meetup series.Learn about the stpes of archiving a project, such as:- Marking it 'Archived' on its hosting platform- Updating the README- Closing issues and bug reports- Closing Pull Requests or Reviews- Leave contact information, if there's still someone who can follow up on questions and commentsAlso keep in mind the CRA, as there are some requirements coming about how to properly archive a project! Hosted on Acast. See acast.com/privacy for more information.
In today's episode, we sit down with Dylan Patel, the creative force behind the Vintage Archive Moncler project. After completing his Master's in Science at Imperial College London, Dylan pursued a growing passion for exploring vintage outdoor wear particularly pieces rich in history, craftsmanship, and storytelling.What began as a personal challenge soon evolved into an extraordinary journey. Each archive piece Dylan discovered carried its own narrative, inspiring him to travel through the legacy and evolution of technical outerwear. His deep knowledge, dedication, and carefully curated collection caught the attention of the CEO of Moncler, who was immediately impressed by Dylan's vision and archive.That pivotal moment led to a rare opportunity Dylan was invited to create Moncler Vintage Archive, turning his passion into an officially recognized brand project. This episode explores Dylan's path from academic success to creative innovation, and how curiosity, storytelling, and persistence can transform a dream into reality.
A UC Santa Cruz program dedicated to preserving community history is ending just three years after its debut.
Nik and Michael discuss a listener question about archiving a database. Here are some links to things they mentioned: Listener request to talk about archiving https://www.youtube.com/watch?v=KFRK8PiIvTg&lc=UgyiFrO37gEgUaVhRgN4AaABAg Our episode on “Is pg_dump a backup tool?” https://postgres.fm/episodes/is-pg_dump-a-backup-tool ~~~What did you like or not like? What should we discuss next time? Let us know via a YouTube comment, on social media, or by commenting on our Google doc!~~~Postgres FM is produced by:Michael Christofides, founder of pgMustardNikolay Samokhvalov, founder of Postgres.aiWith credit to:Jessie Draws for the elephant artwork
Ed Kashi on Archiving, Personal Projects & the Future of Photojournalism Insights from the “10 Frames Per Second” Podcast with photojournalist Ed Kashi, co‑founder of Talking Eyes Media, and his newest book A Period of Time (Briscoe Center, UT Austin). Ed's career spans 40 years of visual storytelling—from early analog darkrooms to iPhone coverage of Hurricane Sandy, from Iraq's Kurdish frontlines to a decades‑long “Aging in America” project. His journey offers timeless lessons for anyone who creates, curates, or consumes visual media. 10 Frames Per Second – a weekly photojournalism podcast from Loyola Radio (WLOY) – brings together veteran photojournalists to discuss the craft, the business, and the stories that shape our world. In episode 168 (released 12/02/25), hosts Molly Roberts, and guest host Stephen Crowley (a guest on Episode 91) sit down with Ed Kashi, a 40‑year visual storyteller who has worked for National Geographic, The New Yorker, Time, MSNBC and more. “We love to start with an origin story. So, Ed, how did you first fall in love with photography?” – Molly The interview uncovers the hidden gems behind Kashi's career, his new retrospective book, and the lessons he's learned while navigating a changing media landscape. If you're a photojournalist, documentary filmmaker, or simply love visual storytelling, you've just landed on a summary of Ed Kashi's recent interview on the 10 Frames Per Second podcast. We break down: Ed Kashi's origin story and why photography hooked him 50 years ago. The making of his new book A Period of Time (Briscoe Center, UT Austin). Why archiving is essential for a sustainable career. The power of personal projects—especially his “Aging in America” series. Mentorship tips for emerging photographers. Ethical challenges in the age of AI. Grab a coffee, skim the headings, and dive into the actionable takeaways! How Ed Kashi Fell in Love With Photography Freshman at Syracuse University (1976) – originally wanted to be a novelist, but a poetry professor told him he was “a really bad writer.” Discovered the Newhouse School of Public Communications, one of the world's top photojournalism programs. Took a basic black‑and‑white darkroom course, learned about legendary photographer Imogen Cunningham (who was still shooting in her 90s). Realized photography could synthesize politics, art, and storytelling—the perfect medium for his activist spirit. “Even at age 10 I was stuffing envelopes for Hubert Humphrey against Nixon. Photography just seemed the vehicle to combine that political impulse with art.” Takeaway for Readers If you're just starting out, look for a mentor or a historic figure who inspires you. That spark can sustain a 50‑year career. A Period of Time: A 40‑Year Retrospective Why a Retrospective Now? Archive donation – Ed Kashi gave 127 banker‑boxes of negatives, slides, prints, and ephemera to the Briscoe Center for American History (UT Austin). Unexpected invitation – Briscoe's director, Don Carlton, asked Ed Kashi, “How does one get collected?” and then offered to collect him. Creative freedom – The Center gave him full editorial control: “This is your story. Do whatever you want.” The Book's Core Idea Linear, issue‑oriented storytelling – Each chapter is a deep dive into a major project (e.g., Northern Ireland, Kurds, Aging in America). Scholarly rigor meets journalistic depth – The book reads like a photo‑anthropology textbook with stunning visuals. “Opening the book felt like holding a newborn—overwhelming but beautiful.” The Power of a Well‑Organized Archive “My archive is like a garden; I can harvest what I need because everything is sorted.” – Ed Kashi How Ed Kashi Keeps His Archive Manageable Early adoption of digital workflow – Transitioned from analog boxes to searchable digital files. Meticulous cataloguing – Every image tagged by date, location, project, and theme. Professional support – Collaborated with studio managers (e.g., Frish Brandt) and curators (e.g., Alison Nordstrom). Benefits for Photojournalists Monetization – Ability to license old images for new publications. Storytelling efficiency – Quickly locate relevant photos for pitches or books. Legacy preservation – Ensures future generations can study and exhibit the work. Quick Tips to Organize Your Own Archive Create a consistent naming convention (YYMMDD_Location_Project_Sequence). Use metadata tags for keywords, people, and locations. Back up on at least two external drives and a cloud service. Review annually – purge duplicates and update tags. Personal Projects: The “Aging in America” Series Why Aging? Not “sexy” but universally human – Kashi wanted a topic that would outlive trends. Long‑term commitment – 8 years, 25 states, $300k in grant funding (Robert Wood Johnson, George Soros). Humanizing statistics – The project shows “the vitality of life, love, and hope” beyond the typical “dying” narrative. Key Outcomes Iconic image – Death scene of Maxine Peters (West Virginia) that resonates across cultures. Global collaboration – “Climate Elders” exhibition at COP 30, involving 150 photographers from 40 countries. Lessons for Emerging Photographers Research first; then shoot – Deep immersion builds trust and authentic moments. Secure funding early – Grants give creative freedom and resources. Be patient – Long‑term projects earn credibility and impact. Mentorship & Teaching: Ed Kashi's Advice for New Photographers Area Kashi's Insight Actionable Tip Tenacity “Failure is not an option; keep going.” Set mini‑milestones; celebrate small wins. Ethics No manipulation, no staging; honor subjects as collaborators. Draft a personal ethics checklist before each shoot. Access Build relationships; be respectful of vulnerable communities. Attend local events, volunteer, network before pitching. AI & Credibility Trust reputable media; AI threatens misinformation. Verify sources; use AI for organization, not image creation. Joy of Photography Keep the joy alive—look at others' work for inspiration. Schedule weekly “inspiration sessions” with peers. Ethics & AI: The New Frontier Ed Kashi worries about political actors using AI to fake images, not about entertainment misuse. He believes trusted news outlets (NYT, BBC, National Geographic) will gain more value as AI blurs reality. Over‑post‑production can create a gloomy aesthetic that misrepresents the world. Practical Guidance Never alter factual content in post‑production. Label AI‑generated edits clearly if they're artistic. Teach media literacy: help audiences distinguish authentic journalism from AI‑fueled “deepfakes.” Closing Thoughts, Ed Kashi Call‑to‑Action Ed Kashi's journey—from a panic‑driven freshman at Syracuse to a globally respected visual storyteller—offers an actionable roadmap for anyone chasing a sustainable photojournalism career. Archive like a gardener. Invest in personal, issue‑driven projects. Mentor, learn, and stay ethically grounded. Embrace technology wisely, especially AI. Want More? Listen to the full episode on 10 Frames Per Second (new episodes drop every Tuesday). Explore “A Period of Time” at the Briscoe Center or order the book online. Join the conversation: Share your favorite archival tip or personal project story in the comments below! Optimized for: photojournalism, Ed Kashi interview, archiving photos, personal documentary projects, aging in America, mentorship for photographers, AI ethics in photography. photojournalism, documentary storytelling, archival organization, personal projects, political theater, Washington D.C., New York Times, National Geographic, Hurricane Sandy coverage, iPhone journalism, Kurdish flip‑book, award recognitions, book publishing, Briscoe Center for American History, archive donation, analog negatives, digital workflow, aging in America, hospice care, climate elders, grant funding, long‑term projects, mentorship, ethics in photography, AI manipulation concerns, media literacy, visual tropes, storytelling methodology, access and tenacity, cultural preservation, collaborative authorship.The post Episode 168: Ed Kashi (Archiving Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.
We visit Basel Dalloul at the Dalloul Artist Collective to discuss the genesis of the Dalloul Art Foundation and the mission of the new artist collective. A technologist and lawyer by training, Basel shares his family's journey into collecting art and the vision his father had for a Pan-Arab art collection in Beirut. They discuss how Arabism failed politically, but that culturally, the art from the region shows a great deal of sync and kinship, with artists empathizing with their Arab brethren. Central to the discussion is the role of art as an archive of history. Basel highlights the importance of Arab art as a reference site and how connecting artists from Morocco to Iraq reveals common themes that some may find inconvenient to tell. The conversation then shifts to the need to decolonize the art world, critiquing the tendency to celebrate Western art and seek validation from Western curators. Basel challenges the routine belief that Arab artists or art professionals are "not competent or good enough". He also addresses the broken global gallery system, which often dictates terms to artists and unfairly takes up to 50% of an artist's take. The mission of the Dalloul Artist Collective is to shift focus from the art to the artist, acting as an artist management agency to empower and educate the artist community. 0:00 Introduction2:12 The Vision for the Dalloul Art Foundation: Pan-Arab Art3:36 Relationship to Art Growing Up5:55 Shifting from Western to Arab Art Collecting8:45 Failure Is Not An Option10:47 Authenticating Art and The Lack of a Reference Site for Arab Art12:53 Organizing the Single Largest Private Collection of Modern Contemporary Arab Art15:05 The Kinship of Arab Culture17:57 Artists as Archivists of History19:46 Beirut: A De Facto Cultural Hub With No Taboos22:54 Critiquing the Celebration of Western Art Over Arab Art25:57 Dalloul Artist Collective: Focusing on The Artist27:18 The Broken Global Gallery System32:11 The State of Art Collecting in The Arab World35:56 Artists Basel Dalloul Adores38:02 The Need to Educate the Arab Youth on Arab Artists38:48 The Story Behind Ayman Baalbaki's Moulatham41:26 Empowering Artists with Transparency and Business Savvy Basel Dalloul Founded the Dalloul Art Foundation in 2017 to manage and promote his father's (Dr. Ramzi Dalloul) vast collection of modern and contemporary Arab art. At around 4000 pieces it is the largest collection of its kind in private hands. The collection includes but is not limited to paintings, photography, sculpture, video and mixed media art. Basel has had a passion for art since he was very young, inspired by both his mother and father, whom are also passionate about art in all its forms. Basel also founded NOOR Group in 2000 in response to the Egyptian government's announced goal of becoming the hub of the information technology (IT) industry in the Middle East. As Chairman and CEO, he has set the overall direction of NOOR, bringing the first region-wide, full-service IT development program to the area. He holds a Bachelor of Science in finance from American University and a Juris Doctor and MBA from Georgetown University, both in Washington, DC. Basel also studied electrical engineering and computer science at Rice University in Houston, TX, and undertook comparative studies of American and British common law and procedural law at Oxford University in England. He co-taught a course in entertainment law and the Internet at Georgetown University Law Center and is a frequent speaker and seminar leader at IT conferences worldwide. Connect with Bassel Dalloul
Answering the call to fill the archives, several heroes take matters into their own hands to address the shortcomings of larger institutions. Interviewees include Frencia Stephenson (We Are Everywhere), Antonio Santos (Gage Park Latinx Council), Patric McCoi, Rainn Thomas, Caryn Robinson, and Parker Haines. Through grassroots archiving initiatives and partnerships, community history projects engage with stories and people that have been ignored, and celebrate the multifaceted, intersectional LGBTQ+ history of our community.Produced by: Akaelah Flotho, Edited by Mara Lazer
In this episode of FMEP's Occupied Thoughts podcast, FMEP President Lara Friedman speaks with Zo Brown (an alias), the founder of Databases for Palestine about the project, and about why actively working to preserve evidence and memory of Israel's genocide of Gaza -- and actively working to fight the erasure of both -- is central to the achievement of accountability and justice. You can follow the work of Databases for Palestine on X (https://x.com/databases4pal) and at https://databasesforpalestine.org/, and you can support it via Patreon (https://www.patreon.com/databases4pal).
If you've been to a national park in the U.S. recently, you might have noticed some odd new signs about “beauty” and “grandeur.” Or, some signs you were used to seeing might now be missing completely. An executive order issued earlier this year put the history and educational aspects of the parks system under threat–but a group of librarians stepped in to save it. This week we have a conversation between Sam and two of the leaders of the independent volunteer archiving project Save Our Signs, an effort to archive national park signs and monument placards. It's a community collaboration project co-founded by a group of librarians, public historians, and data experts in partnership with the Data Rescue Project and Safeguarding Research & Culture. Lynda Kellam leads the Research Data and Digital Scholarship team at the University of Pennsylvania Libraries and is a founding organizer of the Data Rescue Project. Jenny McBurney is the Government Publications Librarian and Regional Depository Coordinator at the University of Minnesota Libraries. In this episode, they discuss turning “frustration, dismay and disbelief” at parks history under threat into action: compiling more than 10,000 images from over 300 national parks into a database to be preserved for the people. YouTube Version: https://youtu.be/xrCElwgY5Co ‘Save Our Signs' Archive and Submission Site 'Save Our Signs' Wants to Save the Real History of National Parks Before Trump Erases It ‘Save Our Signs' Preservation Project Launches Archive of 10,000 National Park Signs Archivists Work to Identify and Save the Thousands of Datasets Disappearing From Data.gov Subscribe at 404media.co for bonus content. Learn more about your ad choices. Visit megaphone.fm/adchoices
"Data loss" is a phrase that strikes fear into the heart of every Salesforce professional. But what if you could face a data incident with calm and confidence?Jack speaks with Aga Peryie, Senior Product Manager at Gearset, about building a solid data management strategy. They discuss the vital role of understanding customer needs, the challenges of data backup, and why so many teams are vulnerable to simple user errors.This conversation is a masterclass in shifting from anxiety to control.Tune in to learn:- Why most teams are unprepared for the most common cause of data loss: user error.- The key to reducing anxiety: regularly testing your recovery process before you need it.- Practical strategies for archiving data to manage Salesforce storage limits effectively.- How to build a backup solution truly tailored to the complexities of Salesforce.- Why a "set it and forget it" backup plan is a recipe for disaster.About DevOps Diaries: Salesforce DevOps Advocate Jack McCurdy chats to members of the Salesforce community about their experience in the Salesforce ecosystem. Expect to hear and learn from inspirational stories of personal growth and business success, whilst discovering all the trials, tribulations, and joy that comes with delivering Salesforce for companies of all shapes and sizes. New episodes bi-weekly on YouTube as well as on your preferred podcast platform.Podcast produced and sponsored by Gearset. Learn more about Gearset: https://grst.co/4iCnas2Subscribe to Gearset's YouTube channel: https://grst.co/4cTAAxmLinkedIn: https://www.linkedin.com/company/gearsetX/Twitter: https://x.com/GearsetHQFacebook: https://www.facebook.com/gearsethqAbout Gearset: Gearset is the leading Salesforce DevOps platform, with powerful solutions for metadata and CPQ deployments, CI/CD, automated testing, sandbox seeding and backups. It helps Salesforce teams apply DevOps best practices to their development and release process, so they can rapidly and securely deliver higher-quality projects. Get full access to all of Gearset's features for free with a 30-day trial: https://grst.co/4iKysKWChapters:00:00 Introduction to Product Management at Gearset02:52 The Importance of Customer-Centric Product Management05:15 Understanding Customer Needs and Asking 'Why'08:00 Data Backup Solutions: Common Practices and Misconceptions10:54 Assessing the Importance of Data and Trust13:35 Identifying Data Loss and Recovery Strategies16:16 Best Practices for Data Restoration19:09 Archiving Strategies for Salesforce Data21:47 The Role of Data in AI and Customer Experience24:39 The Benefits of Backup and Archiving Solutions27:28 Creating a Culture of Data Awareness29:58 Final Thoughts on Data Backup and Recovery
In this Poducer: Chicago Series episode, we sit down with Aria Pedraza, community archivist and founder of the Midwest Rave Culture Archive (MWRCA) — a living digital collection preserving the Midwest's underground electronic music history. From growing up surrounded by DJs and renegade parties to scanning and cataloging decades of flyers, zines, cassette tapes, and VHS footage, Aria shares how the project began and why documenting rave culture matters now more than ever. She opens up about the process of digitizing fragile materials, the ethics of archiving a misunderstood subculture, and how Chicago's DIY spirit continues to shape the city's dance music identity. Together, we explore the evolution of the Midwest rave scene — from illegal warehouse parties with 24-hour info lines to the influence of modern technology — and discuss how community-driven preservation keeps these stories alive for future generations. Aria also reflects on her vision for exhibitions, collaborations with museums, and the future of the archive as both a cultural and academic resource. For anyone passionate about house, techno, and the roots of Midwest dance music, this episode captures the heart of a movement determined not to be forgotten.
Today, this is what's important: TII anniversary, drumming, Billy Bob Thornton, Nebraska, fashion, hoarding, best of’s, awards, the hunt, testosterone, & more. Come see us LIVE on November 20th in Las Vegas! Tickets on sale now! Click here for more information about the This Is Important Cruise Feb 22nd-26th!See omnystudio.com/listener for privacy information.
How do you move from showing your art in group exhibitions to building a loyal circle of collectors who not only buy your work but champion it? In this conversation, we dive deep into the lived experience of an artist who has done exactly that. From humble beginnings in group shows to being invited into exhibitions in New York, Japan, and Europe, our guest shares how community, consistency, and serendipity shaped a career sustained not by social media clicks but by human connection. We explore: Building Collectors: How early supporters became long-term champions who now buy new work before it's public. Real-Life vs. Social Media: Why genuine conversations and showing up in person often outperform online likes. Printing Philosophy: Why Moab Luster paper brings photography to life like a “window into reality.” Archiving & Editing: A practical system in Lightroom to organize decades of work while leaving space for rediscovery. Film Revival: How DSLR scanning revolutionized archiving film—fast, precise, and surprisingly affordable. Creative Tools: From smart collections to Google Earth, the surprising ways digital tools fuel analog creativity. Chapters 00:00 Introduction: The Accidental Photographer 05:10 From Marine Biology to a High School Darkroom 07:29 Finding a Focus in Skate Photography 14:59 The Evolution of a Creative Eye 17:10 Photography as a Way to Preserve the Present 21:37 A Deep Dive into Landscape and Nature 27:28 The Process: Planning, Gear, and Google Earth 33:41 The Creative Dance of Fatherhood 39:28 Building a Collector Base for Your Art 43:33 The Art of the Archive: Lightroom, Keywords, and DSLR Scanning 52:39 Final Thoughts on a Winding Journey Connect with Darnell: Follow Darnell on Instagram:https://darnell-scott.com/ Darnell's Website: https://www.instagram.com/_darnellscott_/?hl=en Support the Show Website: http://www.martineseverin.comFollow on Instagram: @martine.severin | @thisishowwecreate_ Subscribe to the Newsletter: http://www.martineseverin.substack.com This is How We Create is produced by Martine Severin. This episode was edited by Daniel Espinosa. Subscribe wherever you get your podcasts Leave a review Follow us on social media Share with fellow creatives
Episode 353 where we talk Archiving vs Preservation, Hollow Knight: Silksong (of course), a very non-answer answer, and more! Join the conversation with us LIVE every Monday on twitch.tv/2nerdsinapod at 9pm CST. Viewer questions/business inquiries can be sent to 2nerdsinapodcast@gmail.com Follow us on twitter @2NerdsInAPod for gaming news! Intro/Outro music by Sleepingwithspiders (soundcloud.com/sleepingwithspiders)Background music is […]
This week, Bryan is joined by theologian, activist, and ballroom historian Michael Roberson to discuss his new book, Ballroom: A History, A Movement, A Celebration. Roberson traces the rich legacy of the ballroom scene—from its origins in resistance and survival, to its role in shaping public health responses during the height of the AIDS crisis and beyond, to its ongoing significance as a spiritual and communal refuge for Black and Latinx queer and trans people. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Bryan is joined by theologian, activist, and ballroom historian Michael Roberson to discuss his new book, Ballroom: A History, A Movement, A Celebration. Roberson traces the rich legacy of the ballroom scene—from its origins in resistance and survival, to its role in shaping public health responses during the height of the AIDS crisis and beyond, to its ongoing significance as a spiritual and communal refuge for Black and Latinx queer and trans people. Hosted on Acast. See acast.com/privacy for more information.
This week, Bryan is joined by theologian, activist, and ballroom historian Michael Roberson to discuss his new book, Ballroom: A History, A Movement, A Celebration. Roberson traces the rich legacy of the ballroom scene—from its origins in resistance and survival, to its role in shaping public health responses during the height of the AIDS crisis and beyond, to its ongoing significance as a spiritual and communal refuge for Black and Latinx queer and trans people. Learn more about your ad choices. Visit megaphone.fm/adchoices
It's lightning topic time! AI Assisted Coding, Archiving a Library, .NET MAUI XAML in .NET 10, 1 Month of Switch 2, CarPlay Live Activities, and new .NET MAUI 10 features. Follow Us Frank: Twitter, Blog, GitHub James: Twitter, Blog, GitHub Merge Conflict: Twitter, Facebook, Website, Chat on Discord Music : Amethyst Seer - Citrine by Adventureface ⭐⭐ Review Us (https://itunes.apple.com/us/podcast/merge-conflict/id1133064277?mt=2&ls=1) ⭐⭐ Machine transcription available on http://mergeconflict.fm
© 2020-2026 Ivy Podcast Discovery LLC
