Podcasts about david lynch's twin peaks

This is a good one folks! The good people at Bijou Banter (Molly Bagnall, Eli Boonin-Vail, and Sam McCrory) with guest Mac Chuchra do their best Werner Herzog impression as they talk about his 2005 film Grizzly Man. Then, things get HEATED when we talk about David Lynch's Twin Peaks film prequel Twin Peaks: Fire Walk With Me. 

I've got good news. That show you like is going to come back in style. David Lynch's Twin Peaks makes its promised return decades after the murder of Laura Palmer launched the greatest cult TV show of all time. As fully deputized members of the Bookhouse Boys Blue Rose Task Force, we're investigating the original series, the movie Fire Walk with Me and Showtime's Twin Peaks: The Return. We leave no rock untossed, no bottle unbroken, and in the end we will answer every question raised by Twin Peaks. With more questions. Weirder questions. And we don't care what David Bowie says — we ARE gonna talk about Judy. So pour yourself a damn fine cup of coffee, savor a slice of cherry pie and get ready to vomit creamed corn all over your car. This is your shiny gold shovel. And make sure to stick around after the music to hear more random Twin Peaks tangents. Hosted by: FBI Deputy Director Tim Agne (@timagne), who has criss-crossed this great land of ours countless times. He holds the map of it here, in his heart, next to the joyful memories of the carefree days he spent as a young boy, here in your beautiful town of Twin Peaks. Featuring: 'The Arm' Adam Hess (@ahess49), Special Agent Darrell Johnson (@zazzumplop, #RelationshipGoals) and 'Audrey Horne' Florence (@flaux). Music by: Angelo Badalamenti and Glitbiter

Jenny Slate (Landline, Obvious Child, Parks & Rec,) exposes her sweet tooth on this edition of YLM! The super-delightful actor & comedian goes full-cherry with her last meal which includes a slice of cherry pie and a Shirley Temple. What comes to mind when you think of cherry pie? If you're like Rachel, two things: that famous Warrant song, and Twin Peaks. So we've got both! Rachel talks to Warrant's guitar player Joey Allen about the history behind their iconic song and why he can no longer eat cherry pie. Also, we're live from Twede's Cafe in North Bend, WA, better known as the Double R Diner in David Lynch's "Twin Peaks," for Rachel's first ever slice of cherry pie and she talks to owner Kyle Twede about what goes into their famous dessert.

Christopher and Amelia, siblings who are almost on the level of the Mitchum brothers, are back with a breakdown and discussion of the fabulous Part 11 of Twin Peaks: The Return. Then, as a special treat, Amelia leads a discussion on David Lynch's Twin Peaks prequel film, Fire Walk With Me. This podcast is powered by Pinecast.

Before Geoff heads out for Cannes, he and Rob sit down with Owen Gleiberman, Chief Film Critic at Variety, to talk about how this year's slate of films is pushing the boundaries of what people expect from the highly influential, but famously traditional festival. The three discuss the impact of bringing Jane Campion's TOP OF THE LAKE and David Lynch's TWIN PEAKS to the festival (3:30), the significance of increasing the number of female filmmakers represented in the lineup (11:25), and why this is such an important festival for Netflix (17:20). They also wonder why there are no major Hollywood studio films in competition this year (23:05), question if worlds of artistic film and popular film are further apart than ever (27:05), and make their extremely premature predictions for this year's Palme d'Or (31:05)

The first of two episodes covering David Lynch's Twin Peaks prequel, Twin Peaks: Fire Walk with Me. We go deep on the film that transforms Laura Palmer from a corpse wrapped in plastic to a living, breathing young women. Lil dances in code, The Fat Trout trailer park is crossed with wires, and Agent Jeffries tries to get through.  Subscribe, rate and review on itunes apple.co/2qDwBOy We are creating additional content for Patreon. Become a patron today www.patreon.com/dianepodcast  

"It was like, 'What is going on in my little body right now?!'" Chrysta Bell remembers thinking the first time she heard the theme music to David Lynch's Twin Peaks. Little did she know back in the '80s that she would eventually become a major collaborator of Lynch's, both musically (he co-wrote and produced her latest EP Somewhere in the Nowhere) and, as fate would have it, as a cast member in his Twin Peaks reboot for Showtime, due to hit the small screen in 2017. See acast.com/privacy for privacy and opt-out information.

Rosie, Mark and Adam discuss the sixteenth episode of Mark Frost and David Lynch's Twin Peaks, Arbitrary Law. Ben is confronted by his slimy ratbastard past, Donna and James wonder if their relationship is cursed, and the beast bit twice before Cooper could catch him.  Subscribe, rate and review on itunes apple.co/2qDwBOy We are creating additional content for Patreon. Become a patron today www.patreon.com/dianepodcast

Today's Guests: David Bushman and Arthur Smith, co-authors, "Twin Peaks FAQ," curators, Paley Center for MediaDAVID BUSHMAN podcast excerpt: “Netflix has exposed a whole new generation of viewers to 'Twin Peaks.' I have a daughter who us 23; she knows 'Twin Peaks”'; her friends know Twin Peaks. One of the great things about Twin Peaks, what is so rare in television, is it raised a lot of questions without spelling out the answers for you."Order "Twin Peaks FAQ": http://amzn.to/28PsHrGKey interview moments:• 4:20 David Bushman explains the enduring appeal of "Twin Peaks,' a show that has been off the air for decades and is making a comeback;• 16:30 Why write an FAQ about "Twin Peaks"? For Bushman, part of the allure is his respect for director David Lynch;• 27:40 Arthur Smith compares the appeal of an FAQ book to an encyclopedia such as "The Official Handbook of the Marvel Universe."Subscribe to Mr. Media for FREE on YouTube: http://www.youtube.com/subscription_center?add_user=MrMediaRadioFor more interviews like this one: http://www.MrMedia.com What is Mr. Media® Interviews? The calm of Charlie Rose, the curiosity of Terry Gross and the unpredictability of Howard Stern! Since February 2007, more than 1,000 exclusive Hollywood, celebrity, pop culture video and audio comedy podcast interviews by Mr. Media®, a.k.a., Bob Andelman, with newsmakers in TV, radio, movies, music, magazines, newspapers, books, websites, social media, politics, sports, graphic novels, and comics! Twitter: http://www.twitter.com/andelmanFacebook: http://www.facebook.com/MrMediaRadio

Jon and Robert change gears this week and talk about Showtime's revival of David Lynch's "Twin Peaks". More specifically, they tackle the enormous cast list released to media this week. Lots of new faces, lots of returning favorites and a few suspicious absences in this list. We hope you enjoy this brief break from Star Wars and be assured we will return to a galaxy far, far away next week. Enjoy. talkingbirdcast@gmail.com www.twitter.com/talkingbirdcast Want to help Talking Bird? The best thing you can do is click the link below before you make your next purchase on Amazon.com . A portion of your purchase goes to help support hosting costs for the show. It doesn't cost you anything and we would greatly appreciate it. Thank you.  talkingbirdcast.com/amazon  

With the Year of Cheese squarely behind them, Dave and Ian embark on their biggest project to date: David Lynch's Twin Peaks. In the pilot, the town of Twin Peaks is struck by tragedy when popular local girl Laura Palmer is found murdered, and Twin Peaks Sheriff Harry S. Truman finds himself out of his depth. When a second victim is found alive having crossed state lines, Harry is relieved to find FBI Special Agent Dale Cooper assigned to the case. In episode one, Cooper begins his investigation in earnest, Donna and James grow closer, and a fish contaminates Pete Martell's coffee. They also discuss a potential battle of the Facebook groups, bemoan the fact that the DVD really wants you to play one of the special features, and Ian expresses his love of the Log Lady.

With the Year of Cheese squarely behind them, Dave and Ian embark on their biggest project to date: David Lynch's Twin Peaks. In the pilot, the town of Twin Peaks is struck by tragedy when popular local girl Laura Palmer is found murdered, and Twin Peaks Sheriff Harry S. Truman finds himself out of his depth. When a second victim is found alive having crossed state lines, Harry is relieved to find FBI Special Agent Dale Cooper assigned to the case. In episode one, Cooper begins his investigation in earnest, Donna and James grow closer, and a fish contaminates Pete Martell's coffee. They also discuss a potential battle of the Facebook groups, bemoan the fact that the DVD really wants you to play one of the special features, and Ian expresses his love of the Log Lady.

With the Year of Cheese squarely behind them, Dave and Ian embark on their biggest project to date: David Lynch's Twin Peaks. In the pilot, the town of Twin Peaks is struck by tragedy when popular local girl Laura Palmer is found murdered, and Twin Peaks Sheriff Harry S. Truman finds himself out of his depth. When a second victim is found alive having crossed state lines, Harry is relieved to find FBI Special Agent Dale Cooper assigned to the case. In episode one, Cooper begins his investigation in earnest, Donna and James grow closer, and a fish contaminates Pete Martell's coffee. They also discuss a potential battle of the Facebook groups, bemoan the fact that the DVD really wants you to play one of the special features, and Ian expresses his love of the Log Lady.

With the Year of Cheese squarely behind them, Dave and Ian embark on their biggest project to date: David Lynch's Twin Peaks. In the pilot, the town of Twin Peaks is struck by tragedy when popular local girl Laura Palmer is found murdered, and Twin Peaks Sheriff Harry S. Truman finds himself out of his depth. When a second victim is found alive having crossed state lines, Harry is relieved to find FBI Special Agent Dale Cooper assigned to the case. In episode one, Cooper begins his investigation in earnest, Donna and James grow closer, and a fish contaminates Pete Martell's coffee. They also discuss a potential battle of the Facebook groups, bemoan the fact that the DVD really wants you to play one of the special features, and Ian expresses his love of the Log Lady.

In this episode of the Cult Film Club hosts Jaime, Paxton and Shawn dip their toes back into the horror genre to cover the batshit crazy 1991 Wes Craven ghetto adventure classic The People Under the Stairs.  We talk about the insane plot, how horror in the 90s invaded the ghetto, the actors and their ties to David Lynch's Twin Peaks, the lack of a substantial soundtrack and how adorable a tounge-less, mumbling creep living in the walls of a crazy house can be.

 EVENING IN PARADISEThe life of Jimmy Scott is not one of meteoric stardom but a journey that has taken nearly seventy years to find its much deserved success.James Victor Scott, one of ten children, was born in Cleveland, Ohio on July 17, 1925. He's known for his high haunting soprano voice & poignant balladeering. His up & down recording career, started in the early 1950's, saw a resurgence in the 1990's when he was signed to Sire Records and received a Grammy nomination after a long period of commercial inactivity. Soon after coming out of retirement, he was seen on stages around the world, performing magical & heart breaking interpretations of old torch songs, Broadway standards and even a smattering of choice modern rock tunes done with generally sparse jazz arrangements.Almost strangled by the umbilical cord at birth, then orphaned as a boy in depression era Cleveland, the odds against Jimmy Scott ever suceeding were further stacked by an abnormal genetic pituitary hormonal defect known as "Kallman's Syndrome" which accounts for his somewhat effeminate looks & unnaturally high singing voice.Finding solace onstage, he sang in combos of the post war R&B era, notably as a featured singer with band leader Lionel Hampton, with whom he made his recorded debut in 1950(although his name did not appear on the label). He was finally signed to a steady record deal when he was almost 30, when Herman Lubinsky of Newark's Savoy Records offered Cleveland's finest balladeer a shot circa 1954. Lubinsky, whose label was a great repository of jazz & blues recordings, was also a notorious shyster. In David Ritz's 2002 bio of Jimmy Scott "Faith In Time", Seymour Stein of Sire Records recalls past colleagues at the time calling Savoy Record's Newark HQ the "Slave Barracks". Savoy recorded some well received Little Jimmy Scott sides, but due to Lubinsky's malfeasance, Scott went mostly uncompensated. As time wore on, he grew discontent, started retreating into booze and left the label's fold by the beginning of the 1960's.Over the years the Lubinsky/Savoy contract would stifle Scott in numerous ways, particularly when he tried to break free and record for Ray Charles' Tangerine label in the early 1960's and another time with Atlantic in the late 1960's. Lubinsky would battle to have the records withdrawn, keeping Scott's music from ever hitting the streets en masse.1969's attempt at a comeback LP "The Source" was produced by Joel Dorn for Atlantic, featuring backing from a hot group of players including David Fathead Newman on tenor sax, Eric Gale on guitar and Ron Carter on bass...The record was withdrawn due to lawsuit after the first pressing, for a longtme making it a rare and often bootleged masterpiece.Jimmy's numerous shots at stardom were so hampered by the fiscal mismanagement & bad business dealings, it lead him to frustration, failed relationships, drinking and drugging, and a career ending downward spiral that took him away from the limelight.His talent was never in doubt, but his successes were measured at best.A favorite of performers ranging from Billie Holiday & Dinah Washington, to Frankie Valli, Stevie Wonder, and John Lennon, all whom knew of and expressed respect of his work. Said Quincy Jones once,'Jimmy would tear my heart out every night with his soul-penetrating style"...Even Madonna has said "Jimmy Scott is the only singer who makes me cry,"Strangely enough, it appears death that actually the catalyst that brought Scott's career back to life...By the late 70's and early 80's some of his only gigs were occasional charity appearances at senior citizen homes. Scott's day jobs at Bob's Big Boy and in a Cleveland Sheraton hotel gave him a mindset that was set far from keeping abreast of the changing tastes of a fickle record buying public at the tail end of the 20th century.In 1985, at age 60, he returned to the eastern seaboard, and for the first time in over a decade started working small clubs in New York and Harlem, perhaps getting occasional nostalgic write ups in the NY Times or Village Voice. Scott's subsequent shift back into the public eye ironically began to truly gather momentum at The Riverside Funeral Home on St.Patrick's Day 1991. The sad/happy occasion was legendary rock n roll songwriter and old friend Doc Pomus' funeral.Jimmy had met Pomus back in the 40's, and they had stayed in touch. In fact, in 1987 Doc even wrote a letter to trade publication Billboard extolling Scott's virtues, decrying the hard times he was going through, and warning the record industry not to sleep on a chance to catch the long overdue second coming of Little Jimmy Scott.Now a few years later, Scott sat Shiva and was asked by Doc's family to perform "Someone To Watch Over Me" at the funeral, along with backing from fellow old timers Dr. John on piano and Fathead Newman on sax. Scott arrived early and sat unasumedly with hands folded in the back with his 4th wife Earlene. After the colorful eulogies, Jimmy's haunting voice over the tinkling keys stunned the room, with many so far back they could barely see his tiny head over the crowd. The room was filled with dozens of music biz luminaries, like Ahmet Ertegun, Jerry Wexler, and the aforementioned Seymour Stein of Sire who felt it was almost his spiritual duty to Doc to simply offer Scott a dignified deal.Jimmy later told a reporter in 2000 of the bittersweet good fortune coming from his friend's death, " The next day, this cat from Warners comes over with a contract. It was like Doc's hand reaching out from the grave."He went on to many new career highights ranging from appearing in David Lynch's Twin Peaks & having sold out shows across the US & Europe to performing onstage at Bill Clinton's inaugural ball gala in DC.Still Scott copes with the fact that his type of fame is fleeting, and has duly noted this phenomena when he sang onstage in the 1990's with the Grateful Dead to a crowd of thousands in his hometown of Cleveland, where the local daily paper referred to him as an "unknown female singer".Since the quirky career kickstart given to Scott from Pomus' funeral, he has continued touring, recorded some 8 or so albums on half dozn labels, and added a 5th wife to his bio as well. Now with his aged infirmities creeping in, Scott is restricted to moving around onstage via wheelchair...Music continues to be his life into his eighties, once telling ajournalist “I love performing. You live with reality every day. You can’t miss it. We can try to avoid a lot of trials in life, but it’s better to overcome than avoid. That’s what music has been for me. It’s been my opportunity to overcome.”"All I can do is give what I really feel." "It'll work out in the end. You gotta believe" Jimmy ScottTo Visit JIMMY SCOTT'S website CLICK HERE