Podcasts about palme d'or

Quelques heures seulement après avoir reçu la Palme d'or du Festival de Cannes 2021 pour son film choc Titane, Julia Ducournau s'est assise avec Thibault pour partager son récit, ses émotions et son insatiable soif de cinéma. 

Nick and Sophia celebrate the Cannes Film Festival this episode before discussing the two unanimous winners of the Palme d'Or that went on to also win Best Picture at the Oscars: ”Marty” (1955) and “Parasite” (2019). Find out some history of the prestigious fête including its original name, what a Palme d'Or is, and all about the 74th Festival this year. Plus, Sophia recaps her whirlwind experience going to Cannes this year, sharing her favorite films, answering questions about what it's like to be at the Festival, and if any of the films that she saw have Oscar potential (1:45).Then, they question how “Marty,” the first ever Palme d'Or winner and shortest ever Best Picture winner won both of these awards (32:56). And lastly, they finally get to share their love for the Korean masterpiece “Parasite” by visualizing some of their favorite moments (43:38).Follow us on Twitter and Instagram @oscarwildpodMusic: “The Greatest Adventure” by Jonathan AdamichParasite's Perfect Montage: https://youtu.be/ma1rD2OP85c

She's the second woman to win the top prize at Cannes, and the first since Jane Campion shared the award in 1993. "Titane" is Julia Ducournau's second feature and its graphic and stylised scenes of violence saw some viewers leave the screening rooms in Cannes. Film critic Lisa Nesselson and Olivia Salazar-Winspear take us through the prizewinners for this year's edition of the festival and discuss the movies that charmed them during this world-famous celebration of cinema. 

Notre critique du film "Les Intranquilles" réalisé par Joachim Lafosse avec Leïla Bekhti et Damien Bonnard. Un film présenté en compétition au Festival de Cannes 2021. Abonnez-vous au podcast CINECAST sur la plateforme de votre choix : https://smartlink.ausha.co/cinecast   ---   Titre : Les Intranquilles Sortie : Octobre 2021  De : Joachim Lafosse Avec : Leïla Bekhti et Damien Bonnard.  Synopsis : Leila et Damien s'aiment profondément. Malgré sa bipolarité, il tente de poursuivre sa vie avec elle sachant qu'il ne pourra peut-être jamais lui offrir ce qu'elle désire. Bande-annonce : https://www.youtube.com/watch?v=6Z2zlVfYZTw  #LesIntranquilles #CINECAST 

- Rencontre avec la réalisatrice et actrice américaine Jodie Foster, invitée du Festival de Cannes où elle vient de recevoir une Palme d'Or d'honneur. Ses confidences au micro de Stéphane Boudsocq. - Suite de l'actualité cannoise avec Stéphane Boudsocq et la star du jour : Virginie Efira. L'actrice entre en compétition avec "Benedetta", le film très attendu et très sulfureux de Paul Verhoeven. - Direction le Finistère où le plus gros festival de musique a ouvert ses portes hier soir. Le chanteur Vianney a donné le coup d'envoi des Vieilles Charrues. Steven Bellery l'a rencontré sur place. Ecoutez Laissez-vous tenter avec Stéphane Carpentier du 09 juillet 2021

Cannes’ La Palme d'Or restaurant is hugely popular with celebrities during the town’s legendary film festival. The film jury traditionally gathers here for a glamorous dinner.

Cannes' La Palme d'Or restaurant is hugely popular with celebrities during the town's legendary film festival. The film jury traditionally gathers here for a glamorous dinner.

For episode forty two, I was once again joined by regulars Myles Hughes and Steven Prusakowski, along with Ryan McQuade. This show features As is always the case for us here, I do hope you all enjoy the latest episode of the Awards Radar Podcast, our forty second one to date. Of course, feel free to revisit the previous installments by clicking the Podcast tab (here) on the top of the page. Plus, listen to us on Apple Podcasts (iTunes), Spotify, and other platforms. More to come each and every single week, so from the bottom of my heart, thank you for listening!

durée : 00:03:34 - Capture d'écrans - par : Dorothée Barba - La comédienne et réalisatrice américaine sera l'invitée d'honneur du festival de Cannes cette année. Son aura et son parcours singulier à Hollywood sont au cœur d'un excellent documentaire, qui sera diffusé au cours d'une soirée Jodie Foster.

"Haut et Fort" de Nabil Ayouch va tenter de décrocher la Palme d'or. Une première pour le réalisateur qui avait foulé les marches de la Croisette avec "Les chevaux de Dieu" et à la Quinzaine des réalisateurs avec "Much Loved". Le film peut-il l'emporter ? Dans quel état d'esprit le réalisateur se trouve à un mois de la compétition ? Quel est son regard sur la crise Covid dans le monde du cinéma ? Landry Benoit reçoit Nabil Ayouch dans Le Scan, le podcast d'actualité de TelQuel.

He'd kill us if he got the chance. Listen in on Aaron and Christina's conversation about The Conversation. One of the first Francis Ford Coppola films for Christina will the 1974 aged like a fine wine you can buy from Mr Coppola or will it taste like swill to her? Lets find out! The List: https://letterboxd.com/heald/list/the-featured-presentation-2021-challenge/ Follow Aaron; https://twitter.com/AaronJayBrooks Follow Christina; https://twitter.com/Christina_Vee19 Follow Featured Presentation: https://www.youtube.com/c/FeaturedPresentationProductions Intro: "Indie Rock" by Scott Holmes of the Road Trip Indie Rock album

durée : 00:02:27 - Petits secrets de Champagne-Ardenne - Grégory Duchatel vous raconte les petits secrets de grandes personnalités de la Marne ou des Ardennes

Whether you're in the mood for a quiet family drama or a silly over-the-top comedy, Seeing & Believing has you covered for the Independence Day weekend. First up is The Truth, Hirokazu Kore-eda's follow-up to his Palme d'Or-winning Shoplifters and his first non-Japanese-language project. With a star-studded cast that includes Juliette Binoche, Ethan Hawke, and cinema legend Catherine Deneuve, Kore-eda continues to examine the familial bonds that people forge or are born into. On the sillier side of things is the Will Ferrell comedy Eurovision Song Contest: The Story of Fire Saga, about a hapless Icelandic duo that dreams of representing their country at Europe's most famous (and most flamboyant) song-and-dance event. Music interlude by Pacific Beach Vinyl, "Tambalan." Used under Creative Commons license 3.0.

Cette semaine du 17 juin 2020 voit le très proche retour des films en salle, nous profitons de cette actualité pour en parler et voir comment les exploitants préparent ces événements. Nous vous conseillons une série "Defending Jacob" sur Apple TV+ qui traite de très belle manière les sentiments de culpabilité et deux films, la comédie française culte "Drôle de drame" de Marcel Carné ainsi que le drame "Dancing in the dark" de Lars Von Trier, Palme d'Or à Cannes en 2000. Très bonne semaine à tous !

durée : 00:55:00 - Les Nuits de France Culture - par : Philippe Garbit, Christine Goémé, Albane Penaranda - En 1987, dans "Microfilms", Serge Daney recevait Wim Wenders pour son film "Les Ailes du désir" qui avait obtenu le Prix de la mise en scène à Cannes, trois ans après la Palme d'Or de "Paris, Texas". - réalisation : Virginie Mourthé - invités : Wim Wenders Réalisateur, producteur, scénariste de cinéma et photographe allemand

I'm very excited to bring this episode to the IFH Tribe. Today on the show we have filmmaker, Filmtrepreneur, and self-distribution expert Steven Lewis Simpson. Steven has been able to generate hundreds of thousands in revenue for his film Neither Wolf Nor Dog without ever releasing it online. He made all his money self-distributing theatrically. Not only in the US but worldwide.In conversation we discuss how we, as filmmakers, can create our own creative reality, even in an industry as inaccessible as the film business. No-one has ever attempted the pan-European distribution he doing or released the way I have in the US. That amazes me as it seems so obvious. The key thing is that, people don't want to try what has never been done.Neither Wolf Nor Dog is one of the most culturally important American films in years and stars a 95-year-old Lakota elder who takes the audience into a contemporary landscape and reveals the echoes of the massive American Genocide that they still feel today. Not exactly a blockbuster-style film.At eighteen, Steven Lewis Simpson was Britain’s youngest stockbroker and trader. Four years later he moved to Hollywood to work at legendary Hollywood producer, Roger Corman’s studio. At twenty-three, he directed his award-winning first feature film, Ties.He recently theatrically self-distributed his sixth feature film, Neither Wolf Nor Dog, as he saw the few independent films that actually found distributors in the US were being poorly released. As a result of his re-imagining the theatrical distribution model, his film became the most successful self-distributed film in some time.The film achieved the longest theatrical run of any 2017 release in the USA – a wider release than the last two Palme d'Or winners and often out-grossing blockbusters when head to head, even though he had no distribution experience. He even has a new masterclass that can help you on your path.This episode might just change the way you look at making money with your film. Steven is a true Filmtrepreneur. Please enjoy my eye-opening conversation with Steven Lewis Simpson.

durée : 00:57:55 - De cause à effets, le magazine de l'environnement - par : Aurélie Luneau - Le cinéma sera-t-il un acteur principal de la lutte pour sauver la terre et ses habitants ? Réponses, regards et analyses de nos deux invités, l’acteur et réalisateur Jean-Marc Barr, et Cyril Dion, auteur-acteur et réalisateur notamment du documentaire "Demain". - réalisation : Alexandra Malka - invités : Cyril Dion écrivain, réalisateur et militant écologiste; Jean-Marc Barr acteur, réalisateur; Perrine Mouterde Journaliste environnement au journal Le Monde

par Benoit Basirico Cinezik Radio sur Cinezik.fr Voici notre sélection de 20 musiques de films qui ont gagné la Palme d'Or au Festival de Cannes, dont la 73e édition est annulée à cause du Coronavirus. Programme : LE TROISIÈME HOMME (1949) - Anton Karas LA DOLCE VITA (1960) - Nino Rota LE GUÉPARD (1963) - Nino Rota LES PARAPLUIES DE CHERBOURG (1964) - Michel Legrand LE MESSAGER (71) - Michel Legrand LE KNACK... ET COMMENT L'AVOIR (1965) - John Barry UN HOMME ET UNE FEMME (1966) - Francis Lai La classe ouvrière va au paradis (1970) - Ennio Morricone Blow-Up (1967) - Herbie Hancock CONVERSATION SECRÈTE (1974) - David Shire TAXI DRIVER (1976) - Bernard Herrmann PARIS TEXAS (1984) - Ry Cooder MISSION (1986) - Ennio Morricone SAILOR ET LULA (1990) - Angelo Badalamenti BARTON FINK (1991) - Carter Burwell LA LEÇON DE PIANO (1993) - Michael Nyman UNDERGROUND (1995) - Goran Bregovic L'ETERNITE ET UN JOUR (1998) - Eleni Karaindrou DANCER IN THE DARK (2000) - Bjork LA CHAMBRE DU FILS (2001) - Nicola Piovani PARASITE (2019) - Jeong Jae-il

Invitée : Isabelle Laurent.  Au programme de cette année 2012 :   2012, une année "Cannes" Amour : huit ans après, que reste t-il de la Palme d'or ? Leos Carax / Xavier Dolan : portraits croisés Quentin Tarantino / Paul Thomas Anderson, ou un certain cinéma d'auteur US L'impact The Master : petite histoire du format 70mm. Y a t-il une bonne et une mauvaise façon de voir des films ? Augustine d'Alice Winocour, et la nouvelle vague des réalisatrices françaises Tour du monde : Oslo, 31 août (Joachim Trier), Jack Reacher (Christopher McQuarrie).

Vous avez vu parasite ? Avec Patrice de Binouze USA, un autre copain de chez podcut, on s'est dit qu'on allait en discuter autour d'une petite bière. Virtuelle. De part et d'autre de l'Atlantique. Cheers ! Geonbae !  Les liens de l'épisode :  L'équipe de Binouze avait déjà discuté de Parasite avec l'excellent Julien Loisy (EdFAQ, Le Roi Stephen, Sky is the limit) entre autres choses dans son épisode 104 et c'est par ici !  Pour manger le délicieux ramdon (jjapaguri viandard) du film, voici la recette de l'enthousiaste Maangchi (par pitié allez voir toutes les autres recettes et régalez-vous) ~ L'épisode de CLAAC qui parle de "A taxi driver" avec Song Kang-Ho  Et voilà, c'est tout pour le moment, n'hésitez pas à aller écouter les autres podcasts du label Podcut, et si vous avez envie vous pouvez nous soutenir sur patreon ♪  (En plus c'est trop chouette ça donne accès à des articles écrits avec amour, les épisodes de Schlouss en exclu' et tout)  Excellente journée à tous ♥ 

durée : 00:54:57 - Affaires sensibles - par : Fabrice Drouelle - Aujourd'hui dans Affaires Sensibles consécration du cinéma au festival de Cannes : le 20 mai 1987 Maurice Pialat reçoit la Palme d'Or pour son film Sous le soleil de Satan. Invité Sylvie Pialat et Eva Bettan

Joined by the illustrious Omar Letson, Jack and Chandler talk about the Palme D'or-winning vaguely erotic cult classic WILD AT HEART . Yes, the much belated fourth episode of the best far-out film podcast has arrived and it's a first in many regards. Our first discussion about the work of David Lynch, our first guest episode and our first time talking about creative endeavors outside of the show. Tune in, folks! This is gonna be a wild one and be warned! Things will get a little NSFW.

The Nest is the new Sunday night drama on BBC1 that raises questions around the ethics of surrogacy as a wealthy couple invite a young woman whose past is not known to them into their lives. The Truth is a French/Japanese production directed by Hirokazu Kore-eda who won the Palme d'Or at Cannes in 2018 for his film Shoplifters. It stars Catherine Deneuve and Juliette Binoche in the story of an ageing actress who publishes her memoirs and is confronted by her daughter. Evie Wyld was named as one of Granta's Best of Young British Novelists in 2013. Her new novel, The Bass Rock, tells the story of three generations of women whose fates are linked. Two exhibitions at Compton Verney that have sadly had to close because of coronavirus are kept alive by our critics: Cranach: Artist and Innovator and Fabric: Touch and Identity. And we suggest some culture that might already be on your shelves or on a screen near you to enjoy if you're stuck indoors. Tom Sutcliffe's guests this week are Charlotte Mullins, Bob and Roberta Smith and Laurence Scott. Podcast Extra recommendations Bob: Paul Klee, On Modern Art Certain Blacks, album by The Art Ensemble of Chicago The Letters of Van Gogh Charlotte: The Gallery of Lost Art - as she explains, what's left of it can be found at galleryoflostart.com and via Tate website The West Wing Laurence: Star Trek: the Next Generation, all 7 seasons Tom: Contagion and, as always, Call My Agent Presenter: Tom Sutcliffe Producer: Sarah Johnson Image: Emily (SOPHIE RUNDLE) in The Nest Credit: Mark Mainz / Studio Lambert / BBC

France, 1770. Marianne, a painter, is commissioned to do the wedding portrait of Héloïse, a young woman who has just left the convent. Héloïse is a reluctant bride to be and Marianne must paint her without her knowing. She observes her by day, to paint her secretly. Portrait of a Lady on Fire (French: Portrait de la jeune fille en feu) is a 2019 French historical drama film written and directed by Céline Sciamma, starring Noémie Merlant and Adèle Haenel. Set in France in the late 18th century, the film tells the story of a forbidden affair between an aristocrat and a painter commissioned to paint her portrait. Portrait of a Lady on Fire was selected to compete for the Palme d'Or at the 2019 Cannes Film Festival The film won the Queer Palm at Cannes, becoming the first film directed by a woman to win the award. Sciamma also won the award for Best Screenplay at Cannes. The film was theatrically released in France on 18 September 2019. It was nominated for Independent Spirit Awards, Critics' Choice Awards and Golden Globe Awards for Best Foreign Language Film and was chosen by the National Board of Review as Top Five Foreign Language Films of 2019. --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

durée : 00:02:58 - Petits secrets de Champagne Ardenne

Bong Joon-ho's Parasite had won the Palme d'Or at the Cannes Film Festival in May of 2019 and became the first film not in the English language to receive the Academy Award for Best Picture. In this episode, Jaime Rebanal is joined by Jonathan Kirkwood where we talk about everything that signifies its Best Picture win is one that it has earned all the way through. SPOILER WARNING: This episode talks extensively about many major plot elements that spoil the film. If you have not seen Parasite, we highly recommend you change that before listening to this.

Little Joe is a 2019 internationally co-produced drama film directed by Jessica Hausner. It was selected to compete for the Palme d'Or at the 2019 Cannes Film Festival. At Cannes, Emily Beecham won the award for Best Actress. Beecham stars as Alice Woodard, a plant breeder and single mother who creates "Little Joe", a plant that gives its caretakers joy. Emily Beecham as Alice Woodard Ben Whishaw as Chris Kerry Fox as Bella Kit Connor as Joe Woodard David Wilmot as Karl Phénix Brossard as Ric Jason Cloud as Student Sebastian Hülk as Ivan Leanne Best as Brittany Lindsay Duncan as Psychotherapist Goran Kostic --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

When "Parasite" won best picture at the Academy Awards on Sunday night, it cemented the film's position in history - as well as South Korea's growing cultural influence in the United States.The South Korean film from director Bong Joon Ho has smashed box office records and won awards internationally. Now the movie -- a genre-warping mix of drama, horror and dark comedy -- has become the first foreign language film to win the coveted best picture at the Oscars.The movie also won Oscars for best director, best screenplay and best international feature.The victory was met with euphoria on social media from South Koreans as well as Asian Americans, who celebrated the win as uplifting the entire wider Asian community on an international stage."South Korea did it," tweeted Chinese American filmmaker Jon Chu. "History made."Wonsuk Chin, a South Korean film director and friend of Bong's, said the win felt "surreal.""(Hollywood) never embraced a movie in a language not in English made outside Hollywood like this," he told CNN. "Does this mean Hollywood is ready for a change? ... If Parasite's big win makes some curious moviegoers venture out and check out some more Korean or other international movies, I think the change is coming.""They say, when it rains, it pours," he added, pointing out "Parasite's" wins in multiple categories. "In this case, when it rains, it's a deluge."Even South Korean President Moon Jae-in spoke about the Oscars win, saying in a statement that he was "proud of director Bong Joon Ho, the actors and crew.""Taking home four Oscars, after winning the Palme d'Or at the Cannes Film Festival last year, can be attributed to the accumulated efforts of every Korean filmmaker over the past 100 years," said Moon. "I am very pleased to see a Korean film stand shoulder to shoulder with those of other countries and mark the beginning of another 100 years of Korean filmmaking."South Korea's soft power in the West"Parasite" is just the latest piece of South Korean culture that has gained traction and prominence in the West.Just a few years ago, the 2016 South Korean zombie apocalypse film "Train to Busan" debuted at the prestigious Cannes Film Festival. Like "Parasite," it also swept award shows, broke into international markets, and was praised for its social commentary on class inequality.For many abroad, it was the first time they had ever encountered South Korean horror; the film arguably introduced the genre into the American consciousness, and helped pave the way for future films.It's not just movies -- South Korean music, makeup, and fashion have been making their presence known abroad over the past decade.Korean pop, or K-pop, had long been viewed by Western audiences as a niche, slightly bizarre genre. But in recent years, it has emerged as a heavyweight in the American music scene, with K-pop groups breaking YouTube records and performing on mainstream platforms like "The Tonight Show" and "Good Morning America."The group BTS, possibly the biggest boy band in the world right now, even won a Billboard Music Award in 2017, beating out American favorites like Selena Gomez, Ariana Grande and Shawn Mendes.South Korea is also regarded as one of the world's leaders in the beauty and makeup industry, with consumers across the West buying coveted South Korean products. Top English-language fashion magazines like Vogue and Elle now regularly feature South Korean beauty products.The South Korean government has recognized the sheer force and potential of cultural exports like its music and film, and has backed this cultural expansion, seeing it is a vehicle for soft power and a way to boost the nation's reputation.Changing the face of media representationTo many, Bong Joon Ho and the entire cast and crew of "Parasite" represent a long-awaited demographic change at the Oscars -- as well as a point of immense pride for South Koreans watching from home."This is a remarkable chapter in Korean culture," s...

Parasite is a 2019 South Korean black comedy thriller film directed by Bong Joon-ho, who also co-wrote the screenplay with Han Jin-won. It stars Song Kang-ho, Lee Sun-kyun, Cho Yeo-jeong, Choi Woo-shik, and Park So-dam, and follows the members of a poor household who scheme to become employed by a wealthy family by infiltrating the household and posing as unrelated, highly qualified individuals. The film premiered at the 2019 Cannes Film Festival on 21 May 2019, where it became the first Korean film to win the Palme d'Or and the first to win with a unanimous vote since 2013's Blue Is the Warmest Colour. It was then released in South Korea by CJ Entertainment on 30 May 2019. It was praised as one of the greatest South Korean films ever made and one of the best films of the 2010s. It has grossed $167.6 million worldwide so far, becoming Bong's highest-grossing release and the third highest-grossing film in South Korea. Parasite received numerous accolades, with six nominations at the 92nd Academy Awards, including Best Picture, Best Director and Best International Feature Film, making it the first South Korean film to receive Academy Award recognition. At the 77th Golden Globe Awards, it won the award for Best Foreign Language Film. It received four nominations at the 73rd British Academy Film Awards, winning Best Film Not in the English Language and Best Original Screenplay. It also became the first non-English film to win the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture. --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

We review the newly released dark comedy by Bong Joon-ho, which picked up the Palme d'Or at Cannes last year. Film critics Simran Hans and Tim Robey join Robert Bound in the studio.

The Oscars are here, already.After the shortest awards season in decades, the 92nd annual Academy Awards will get underway Sunday evening at the Dolby Theatre in Los Angeles. The red carpet is being rolled out two to three weeks earlier than usual in a bid to freshen up a ceremony and potentially boost ratings.The truncated time table has put the normally bloated Oscars season on a diet (Sunday's show will also, for the second straight year, be hostless) and sent film academy members scrambling to finish their movie-watching — no small task in a year featuring a few three-hour epics like "The Irishman" and "Once Upon a Time ... in Hollywood."Fittingly for a fast race, a movie about a mad dash has risen to the top of the heap. After winning nearly every major precursor award, Sam Mendes' "1917," about a pair of British soldiers sent with an urgent message to deliver through recently-held enemy territory, is the favourite for best picture. Thanks to its technical dazzle, the seemingly one-continuous-shot "1917" is also likely to come away with the most awards Sunday, even without any acting nominations.Although Joaquin Phoenix, Renée Zellweger, Brad Pitt and Laura Dern all appear to be all-but-certain locks in the acting categories, there's still the potential for a history-making upset. Momentum has swung behind Bong Joon Ho's South Korean thriller "Parasite," and some believe it has a chance to become the first non-English language film to win best picture.Such a win would be a watershed moment for the Academy Awards, which has long been content to relegate international films to their own category. But in an effort to diversify its largely white and male membership, the Academy of Motion Pictures Arts and Sciences has inducted more overseas members in recent years. And just about no one has a bad word to say about the widely praised class satire "Parasite,"  the Palme d'Or winner at last year's Cannes Film Festival and the first foreign language film to win  top honours from the Screen Actors Guild Awards.The official pre-show will begin at 6:30 p.m. EST on ABC. Among the presenters the academy will lean on in the absence of a host are Tom Hanks, Maya Rudolph, Spike Lee, Julia Louis-Dreyfus, Chris Rock, Timothée Chalamet, Will Ferrell, Diane Keaton and Kelly Marie Tran.The ceremony will come just days after the death of Kirk Douglas, one of the last surviving stars of Hollywood's golden age. Kobe Bryant, a 2018 Oscar winner for the short "Dear Basketball," is expected to be included in the ceremony's In Memoriam segment.ABC and the academy will be hoping a widely watched field of nominees — including the $1 billion-grossing "Joker," up for a leading 11 awards — will help viewership. Last year's show garnered 29.6 million viewers, a 12% uptick.This year's Oscars comes amid a streaming overhaul throughout Hollywood. Hurrying to catch up to Netflix and Amazon, most of the major studios are prepping or have already launched their own streaming services, as have new entrants like Apple. Netflix comes into the Oscars with a leading 24 nominations thanks to "The Irishman," "Marriage Story," "The Two Popes" and the likely best documentary winner, "American Factory."But despite spending heavily through awards season, Netflix may go home with only a few awards. The streamer is still seeking its first best picture win after Alfonso Cuaron's "Roma" came up just shy last year.Instead, this year's Oscar favourites are largely movies released widely in theatres. They also predominantly feature male characters and come from male directors.After a year in which women made significant gains behind the camera, no female directors were nominated for best director. The acting categories are also the least diverse since the fallout of #OscarsSoWhite pushed the academy to remake its membership. Cynthia Erivo ("Harriet") is the only actor of colour nominated. Those results, which have been a topic  in speeches through awards seas...

HISTOIRES DE CINEMA, mardi et jeudi à 9h et 12h30. Jean-Philippe Gunet nous parle des coulisses du cinéma et de ses grandes figures. Cette semaine, Jean-Philippe nous parle du film "Adieu ma Concubine" de Chen Kaige, Palme d'Or à Cannes en 1993, avec Gong Li et Leslie Cheung.

Sam Clements is joined by cinema programmers Carol McKay and Codie Entwistle to discuss the results of the BAFTAs and Bong Joon-Ho's new film, Parasite. In cinemas now. A glorious success and box-office hit for Korean auteur Bong Joon-ho (Snowpiercer, Okja) and already the most successful Palme d'Or winner ever, Parasite is a politically charged cinematic wonder. Described by Bong himself as "a comedy without clowns and a tragedy without villains", the film moves quickly from one tone to another, mixing pathos and satire with thrills and drama. A vertical story of class struggle – punctuated by staircase scenes going from mouldy basements to top floors, from darkness to breezy spaces designed by star architects – Parasite observes and dissects with surgical precision the life of two families of different social backgrounds. Ki-taek (Song Kang-ho) is a good-for-nothing, unemployed family man, patriarch of a family of grifters – his wife Chung-sook (Chang Hyae-jin), his clever twenty-something daughter Ki-jung (Park So-dam), and his son Ki-woo (Choi Woo-shik) – who live in an overcrowded, sordid basement. The Parks, on the other hand, live in a fabulous house with their teenage daughter Da-hye and terribly spoiled son Da-song, who has suffered a childhood trauma that occasionally causes him seizures and strange behaviour. When, due to an unexpected stroke of luck, Ki-woo is hired by the Parks to be the private English tutor of Da-hye, the destinies of the two families cross. Their explosive meeting exposes the merciless evils of class inequalities, culminating in a powerful and utterly original outcome.

February maybe the shortest month of the year yet it contains a compelling wealth of cinematic joy, and a little bit of despair too. Mark Cosgrove, Watershed Cinema Curator, and Thea Berry, Watershed Cinema Producer share their recommendations and highlights for the month ahead.First up they discuss why the long anticipated, sensational, Palme d'Or winning comedy thriller Parasite, is just so good. Also much anticipated is Portrait of a Lady on Fire in which they say something really special happens in they way it tells female stories.Then they shine a light on Japan with highlights from the Japan Foundation season of films which search for happiness in Japanese society and prolific filmmakerTakashi Miike's brutal, bloody, and brilliantly over the top First Love.On to the fast fashion world of Greed starring Steve Coogan which Mark suggests could be called Carry on Capitalism – a laugh packed critique of capitalism, which still manages to pointedly highlight its inherent inequalities.They also recommend Mr Jones a story of journalism, truth and lies set in Stalin's Russia – a true story which influenced George Orwell to write Animal Farm.And finally there's Little Joe in which Thea and Mark find an unsettling, fascinating and though-provoking vision of a near future in which a new plant can lifts people's moods.

In this episode, the Director's Club hunts for the Riff Raff whose Hidden Agenda was to get the Angel's Share while the Wind Shakes the Barley as we look at the films of British director Ken Loach. Joined by "Fresh Perspective" host and founder of Cinema Femme Magazine, Rebecca Martin, we examine how he emerged from the tradition of the British "kitchen sink" drama, and then applied his emphatic technique and concerns of social issues to a variety of films, including several winners of the Palme D'or at the Cannes Film Festival. [8:41] "Cathy Come Home" ("Kiss Me I'm Starving", The Heart Throbs) [20:53] "Poor Cow" ("Poor Cow", Elton Newton-John) [30:52] "Kes" ("Extra Ordinary", Ultra Vivid Scene) [44:21] "Hidden Agenda" ("We Come Undone", OSI) [58:21] "Riff Raff" ("Riff Raff", AC/DC) [1:17:09] "My Name Is Joe" ("This Is the Day", The The) [1:36:00] "Sweet Sixteen" ("Take Over Baby", Big Chief) [1:51:38] "The Wind That Shakes the Barley", ("The Wind That Shakes the Barley", traditional performed by Dead Can Dance/Lisa Gerrard) [2:08:26] "The Angel's Share" ("Raise Your Glass", P!nk) [2:20:57] "I, Daniel Blake" ("Help the Aged", Pulp) [2:45:00] "Sorry For Missing You" ("Keep the Line Moving", The Soundtrack of Our Lives)

Today, we’re sharing a conversation with Parasite director-writer Bong Joon Ho and actor Song Kang Ho, who joined us for a special Q&A following a screening of their Palme d'Or and Golden Globe winner, which continues playing daily at Film at Lincoln Center. They discussed the worldwide acclaim for the film, the twists beyond the first act, and the future of their long-running collaboration. Starting this week at Film at Lincoln Center and underway through January 14, join us for The Bong Show, a complete Bong Joon Ho retrospective featuring his brilliant debut Barking Dogs Never Bite, his hugely entertaining monster movie The Host, his genre-defying drama Mother, his star-studded English-language debut Snowpiercer, rarely-screened shorts, and more. The series also includes Bong's hand-picked influences with films by John Carpenter, Kiyoshi Kurosawa, Kim Ki-young, and more. See more films during the retrospective and save with a 3+ film package! See showtimes and get tickets at filmlinc.org/thebongshow This podcast is brought to you by Film at Lincoln Center.

David Lynch pitches ideas to the SyFy Channel, we watch a truly abominable film called 'Ice Sharks' and speak to King Henry the 8th about his papal issues. SHOW NOTES David Keith Lynch (born January 20, 1946) is an American filmmaker, painter, musician, actor, and photographer. He is best known for films such as Eraserhead (1977), Blue Velvet (1986) and Mulholland Drive (2001), often regarded by critics as among the best films of their respective decades,[1][2] and for his successful 1990–91 television series Twin Peaks, which led to him being labeled "the first popular Surrealist" by noted film critic Pauline Kael.[3] A recipient of an Academy Honorary Award in 2019, he has received three Academy Award nominations[4] for Best Director, and has won France's César Award for Best Foreign Film twice, as well as the Palme d'Or at the Cannes Film Festival[5] and a Golden Lion award for lifetime achievement at the Venice Film Festival. He has been described by The Guardian as "the most important director of this era",[6] while AllMovie called him "the Renaissance man of modern American filmmaking" Henry VIII (28 June 1491 – 28 January 1547) was King of England from 1509 until his death in 1547. He was the second Tudor monarch, succeeding his father Henry VII. Henry is best known for his six marriages, in particular his efforts to have his first marriage (to Catherine of Aragon) annulled. Ice Sharks is a punishingly shit film from 2016. Don't watch it ever.

durée : 00:55:00 - Les Nuits de France Culture - par : Philippe Garbit, Christine Goémé, Albane Penaranda - En 1987, dans "Microfilms", Serge Daney recevait Wim Wenders pour son film "Les Ailes du désir" qui avait obtenu le Prix de la mise en scène à Cannes, trois ans après la Palme d'Or de "Paris, Texas". - réalisation : Virginie Mourthé - invités : Wim Wenders Réalisateur, producteur, scénariste de cinéma et photographe allemand

OR WHATEVER MOVIES is an entertainment podcast hosted by real-life brother and sister duo, Wesley and Iris Ichishita. Each episode is a quick, no-holds-barred discussion of a movie, television show, or video. On today's episode, the siblings talk Palme d'Or-winner Parasite, including what would happen if hustlers applied themselves, the South Korean job market, and slapstick comedy in thrillers. Contains spoilers. Thank you for listening!  If you enjoy our show, please support us on Patreon, or whatever.  We'd love to hear from you about whatever: Email: orwhatevermovies@gmail.com Voicemail: (818) 835-0473 Twitter and Instagram: @orwhatevermovies

MDC ep.52 สัปดาห์นี้รีวิว . Shoplifters: ภาพยนตร์ของผู้กำกับ 'ฮิโรคาสุ โคเรเอดะ' ชนะรางวัล Palme d'Or (รางวัลปาล์มทองคำ) ปีล่าสุด เล่าเรื่องราวของครอบครัวยากจน สะท้อนผ่านการลักเล็กขโมยน้อย ที่สุดแสนสะเทือนใจ . App War แอปชนแอป: ภาพยนตร์ไทยว่าด้วยแง่มุมสาระแวดวงธุรกิจ Startups ของเหล่าคนหนุ่มคนสาว แน่นอนว่ามีเรื่องราวความรักและความน่ารักของเหล่านักแสดง . Mission: Impossible - Fallout: แฟรนไชส์แอคชั่นที่ดีที่สุด และขอยกให้เป็นภาพยนตร์แอคชั่นที่ดีที่สุดของปีนี้ . ขอให้มีความสุขกับการรับชมภาพยนตร์ครับ :)

David and Michelle have an in-depth discussion of Bong Joon-ho's latest, Parasite. This film has been highly praised by critics. At the time of this podcast is has a 99% on Rotten Tomatoes and it was the winner Palme d'Or at the 2019 Cannes Film Festival. But is it deserving of all the praise? Just hit play to hear our spoiler-filled thoughts.

I never go into a movie with anything but the best intentions. We (humans) are constantly being let down. Unreasonable expectations are among our greatest scourges. When a movie with a four-dot ellipsis in the title immediately features an onscreen intertitle utilizing the three-dot variety, you'll want to die on the spot. This is one of the basic facts of life. Let's rewind.... When you briefly catch wind that the Palme d'Or winner at Cannes 1969 is celebrating its 50th anniversary and said movie features one of your favorite actors (Malcom McDowell) and you (somehow?) have never even heard of it before and that it's also streaming for free on Kanopy, well, you're gonna watch this movie and everything else that happens afterwards is up to fate.... 'If....' is not good. It's not bad in any offensive way, although the decision to present some scenes in black and white and others in color, seemingly at random, is aesthetically maddening. No, this film's main offense is that it is a snooze, a total bore. What charisma McDowell has, and he has buckets of it, is dried out by a lackluster supporting cast and non-starter script which, via the sands of time, has had any and all semblance of subversiveness wrung from of it. --- Support this podcast: https://anchor.fm/myspace/support

Jessica, only child, Illinois, Chicago. We are here this week to talk about future Best Picture Nominee (hopefully), Parasite! We adored Bong Joon-ho's Palme d'Or winning feature and know you will too, so go check it out before our spoiler-filled episode!

The Palme d'Or winner in 1949, Carol Reed's masterpiece drew on covert sources and unexpected styles and techniques to deliver a melancholic mystery. The post 387. The Third Man appeared first on Steven Benedict.

On the one hundred and forty-eighth episode of THE THIRD ACT PODCAST the crew has taken up the task of driving rich people around. For the return from hiatus we do a South Korean double bill. Our new release review is for the recent Palme d'Or winner, PARASITE. We pair that with another Song Kang-ho vehicle (wink wink), A TAXI DRIVER. We also discuss Amazon Alexa, bong rips, and Kanye West. Keep in touch with us on Facebook: www.facebook.com/TheThirdActPodcast and Twitter: @TheThirdActPod and email us anytime at: TheThirdActPodcast@gmail.com

The best reviewed movie of the year is here! Holding strong at 99% on Rotten Tomatoes, we headed off to the Arclight Hollywood to see this critical darling. South Korean film director and screenwriter Bong Joon-ho received the prestigious Palme d'Or at the Cannes Film Festival for this movie. Safe to say there ain't nothing remotely like Parasite coming out from American filmmakers. A mixture of genres is blended into this bizarre tale of a poor family infiltrating the lives of a rich family in modern day South Korea. We'll let you know how we felt and how the Arclight audience reacted.

Parasite Ending Explained Breakdown #parasitemovie #parasite #nerdround Parasite (Korean: 기생충; Hanja: 寄生蟲; RR: Gisaengchung) is a 2019 South Korean dark comedy thriller film directed by Bong Joon-ho, who also wrote the film's story and co-wrote the screenplay with Han Jin-won. The film stars Song Kang-ho, Lee Sun-kyun, Cho Yeo-jeong, Choi Woo-shik and Park So-dam, and follows a young man from a poor family who begins to tutor a rich family's daughter, and slowly starts to infiltrate their personal lives. Parasite had its world premiere at the 2019 Cannes Film Festival on 21 May 2019, where it won the Palme d'Or, becoming the first Korean film to receive the award as well as the first film to do so with a unanimous vote since 2013's Blue is the Warmest Colour. It was selected as the South Korean entry for Best International Feature Film at the 92nd Academy Awards. The film was released globally by Neon in late 2019. It earned critical acclaim and earned over US$100 million worldwide, becoming Bong's highest-grossing releas Make Sure To Subscribe To My Channel And Follow Me On Social Media Twitter- @nerdround --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/nerdround/support

What took a darker turn... the third act of the Palme D'Or winning examination of class struggle in South Korea, Parasite or John Travolta's psychotic career which somehow hit a new level in The Fanatic? Intro: 0:00 - 11:01 The Fanatic: 11:02 - 57:46 Parasite: 58:05 - 1:31:02 https://www.patreon.com/cinemavertigogo https://www.facebook.com/cinemavertigogo/ https://www.facebook.com/groups/cinemavertigogosocialclub/ https://twitter.com/cinemavertigogo https://www.instagram.com/cinemavertigogo/ https://open.spotify.com/show/0sKQN6gZac3s74kL4hx1bj https://itunes.apple.com/us/podcast/cinema-vertigogo/id1262932321 https://www.stitcher.com/podcast/cinema-vertigogo https://player.fm/series/cinema-vertigogo-2364142 https://radiopublic.com/cinema-vertigogo-GEB451

Sorry We Missed You is a 2019 British drama film directed by Ken Loach, written by Paul Laverty and produced by Rebecca O'Brien. Principal photography began in September 2018 in the Newcastle area in north-east England. It was selected to compete for the Palme d'Or at the 2019 Cannes Film Festival. Despite having a broken arm in a sling, Loach appeared to promote the film at Cannes, where he said that it would be his final film to compete at the festival. It received the audience award for best European film at the 2019 San Sebastián International Film Festival The film is scheduled to be released in the United Kingdom on November 1, 2019, and in the United States on March 6, 2020. Ricky (Kris Hitchen) and his family have been fighting an uphill struggle against debt since the 2008 financial crash. An opportunity to wrestle back some independence appears with a shiny new van and the chance to run a franchise as a self employed delivery driver. It's hard work, and his wife's job as a carer is no easier. The family unit is strong but when both are pulled in different directions everything comes to breaking point. -------------------- FOLLOW US -------------------- NADIA SAWALHA & FAMILY https://www.instagram.com/nadiasawalhaandfamily.com http://www.twitter.com/nadiasawalha For more movie news follow: POPCORN JUNKIES: https://www.instagram.com/thepopcornjunkies elle@doghouse-media.co.uk --- Send in a voice message: https://anchor.fm/popcorn-junkies/message