Podcasts about Dinah Washington

Jazz classics tonight. We'll hear from Benny Carter, Ella Fitzgerald & Eddie Heywood and His Orchestra, Helen Forrest, Chet Baker, Dinah Washington, Oscar Peterson & Ben Webster, The Ray Bryant Trio, Paul Gonsalves & Ray Nance, Paul Gonsalves with Earl Hines, Paul Desmond, Shirley Horn, and Jim Hall.

Coming up tonight: Dinah Washington, Lennie Tristano Sextet, Charlie Singleton, The Jimmy Giuffre 3, Jerome Richardson, Etta Jones, Wes Montgomery, Hank Mobley, Gerry Mulligan, Ella Fitzgerald, The L.A. Four, and Etta Jones with Houston Person.

Today's show features music performed by Dinah Washington, Chuck Berry, and Albert King

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Dinah Washington was a popular Black singer and pianist on the 1950's.

Documentary producer & record collector Jeanne Elfant Festa has made films about The Beatles, Foo Fighters, Pavarotti, Bee Gees and more. Today she discusses her latest movie on Billy Preston — revealing rare archive footage, Olivia Harrison's key role, and Eric Clapton's emotional on-camera tribute and a lot more. Check outtrailer and documentary screenings here Topics Include: Jeanne lost her entire vinyl collection in the Palisades fire. Her family and animals all escaped the fire safely. A custom-built, mathematically designed sound room housed the collection. Rebuilding takes time — the turntable alone hasn't been replaced yet. Music passion began with her Brooklyn-raised parents' rich jazz collection. Her dad snuck into the Apollo Theater via the fire escape. He carried a saxophone, jamming with musicians at the loading dock. The family soundtrack: Billie Holiday, Dinah Washington, Miles Davis, Charlie Parker. Jeanne and her dad bonded over Bruce Springsteen's sax player. Her father did house calls exclusively for one patient — Miles Davis. Storytelling instincts came from parents who loved plays, movies, and performance. Her own record collection ranged from Rage Against the Machine to Supertramp. Vinyl's tactile magic: liner notes, textures, and each album's unique smell. Albums are movies — side one plays straight through, no skipping. Documentary filmmaking is passion-driven, not a path to big money. The Foo Fighters doc came from being in the right place. Business partner Nigel Sinclair's credits include Bob Dylan and George Harrison docs. Billy Preston first entered her life through her parents' living room stereo. Filming subjects who've passed requires diaries, archives, and extraordinary research teams. A granddaughter's undeveloped home movies transformed the Beach Boys documentary entirely. A stranger's undeveloped Beatles footage, found under a childhood bed, changed everything. Olivia Harrison unlocked archive footage and connected the team to Ringo and Clapton. Eric Clapton opened up in a way rarely seen on camera. Documentary ethics: three sources minimum, no gossip, no stunt casting ever. The Billy Preston film explores forgiveness, contradiction, and the full human condition. Extended and High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Occasional Duets There's a feast of talent in this program as big stars join together to produce great songs. Paul McCartney and Stevie Wonder combine with their plea for racial equality with Ebony And Ivory. Fifties stars Bing Crosby and Grace Kelly combine with their million seller True Love and in the same era Jazz great Dinah Washington teams up with Brook Benton with the jaunty You've Got What It Takes. Legends Barbra Streisand and Donna Summer rev it up with (No More Tears) Enough Is Enough. And in a memorable performance another legend David Bowie joins Freddy Mercury and Queen with Under Pressure. The Aussie selection is our own rock star Johnny O'Keefe performing with Margaret McClaren for their version of Mockingbird.   Playlist Up  Where We Belong – Joe Cocker & Jennifer Warnes Stumblin' In – Suzi Quatro & Chris Norman True Love – Bing Crosby & Grace Kelly Under Pressure – David Bowie & Queen Crying – K D Lang & Roy Orbison On My Own – Patti Labelle & Michael McDonald (No More tears) Enough Is Enough – Barbra Streisand & Donna Summer Islands In The Stream – Dolly Parton & Kenny Rogers You've Got What It Takes – Brook Benton & Dinah Washington Ebony & Ivory – Paul McCartney & Stevie Wonder Mockingbird – Johnny O'Keefe & Margaret McLaren Baby Come To Me – Patti Austen & James Ingram To re-live previous episodes, visit joy.org.au/yesterdayoncemore ENJOY! Don’t forget to tune into JOY 94.9 next Sunday at 5pm for another most enjoyable episode of Yesterday Once More. JOY 94.9 – Out.Loud.Proud – Your Voice – Your Radio Station Support JOY, support this podcast, donate, become a valued member:  https://www.joy.org.au/support joy For Support visit: joy.org.au/Support Your opinion is highly valued.  Please feel free to share your thoughts and suggestions.  Your feedback helps us to improve your listening experience.  Thank you in advance for your time and contribution The post Occasional Duets appeared first on Yesterday Once More.

Podcast Jazztime 713 – 24.03.26 Diese Sendung hat Jörg Müller-Jahns zusammengestellt. Das LIVE Anspiel dismal ist: “Just one of those Things“ – 1935 von Cole Porter für das Musical „Jubilee“ komponiert. Folgende Titel sind zu hören : 1. Yeh! yeh! – Jon Hendricks 2:06 2. They didn't believe me – Dinah Washington 2:45 3. In my Dreams – Bill Frisell 5:13 4. I will be right there – Ida Sand 4:28 5. Just one of those Tings – Bryan Ferry 2:46 6. Framework – Hanno Busch 4:43 7. It ain't necessarily so – Aretha Franklin 2:53 8. Traummusik – Ulrich Tukur & Die Rhythmus Boys 4:56 9. Walkin‘ – Quincy Jones 10:30 Für Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

Send us Fan MailGenealogist Nicka Sewell-Smith joins me to discuss her connections to Chicago and "The Women Who Built Chicago" bus tour, launched for Women's History Month in partnership with Ancestry, which highlights overlooked women's contributions.Tickets for the bus tour:https://www.eventbrite.com/e/dilla-and-ancestry-present-the-women-who-built-chicago-bus-tour-tickets-1983596857598Want to help support the show? Buy me a coffee! Buy more than one and get a personalized video thank you.https://www.buymeacoffee.com/chicagohistoryLeave me a voice message - just click on the microphone in the lower right corner here: https://www.chicagohistorypod.comUp your cocktail or Sodastream game with Portland craft syrups!https://portlandsyrups.com/collections/all?sca_ref=1270971.MO4APpJH1kAnything purchased through the links below may generate a small commission for this podcast at no cost to you and help offset production costs.Women Building Chicago 1790-1990: A Biographical Dictionary by Rima Lunin Schultzhttps://amzn.to/479TaABQueen: The Life and Music of Dinah Washington by Nadine Cohodashttps://amzn.to/4bNKzGhGet access to millions of books  with Kindle Unlimited. Not an Unlimited subscriber? Get a free 30-day trial here:  https://amzn.to/2WsP1GHWant better sleep? Try the most delicious alternative to melatonin and sleeping pills that helps you fall asleep, stay asleep, and wake up feeling refreshed. MoonBrew. Use the code below for 15% off.https://moonbrew.co/TOMMYHENRYNeed music for YOUR projects? Audiio has got you covered. Try a free trial here:https://audiio.com/pricing?oid=1&affid=481Send me an email - Chicago History Podcast (chicagohistorypod AT gmail.com)Chicago History Podcast Art by John K. Schneider (angeleyesartjks AT gmail.com)Support the show

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TABLE READ: My Lady's SongWritten by Dan LauriaNew York. Late-night Eighth Avenue. Strip clubs, limos, politicians, porn stars, and ghosts of the old neighborhood.My Lady's Song drops you straight into the smoky, blood-soaked underbelly of a city that doesn't forgive and never forgets.Sal “The Barber” Marino is an aging ex-soldier of the streets — a limo driver who once did twelve years without talking. Now he drives high-end clients and keeps his head down. But when a powerful senator, a pair of porn stars, and a blackmail tape collide during sensitive union negotiations, Sal is pulled back into a world he thought he left behind.This is not a nostalgia piece.This is loyalty versus survival.Old code versus new money.Family versus leverage.Set against a soundtrack style of Billie Holiday, Etta James, Dinah Washington, and Bessie Smith, My Lady's Song moves like Goodfellas at midnight and feels like The Sopranos when the jokes stop being funny.What starts as a simple drive to Los Angeles turns into a reckoning — with betrayal, with memory, and with the cost of keeping your mouth shut.Nobody in podcasting is bringing this level of writing, performance, and cinematic scope.This is prestige drama.Performed. Not narrated.Hollywood caliber. Start to finish.___________________________________

[REBROADCAST FROM Oct. 29, 2025] R&B, jazz and soul singer Ledisi started 2025 with the spring release of The Crown, an album of original music. She ended the year with a new album in tribute to the Queen of the Blues, Dinah Washington, titled For Dinah. She plays some excerpts and talk about the new record, which is nominated for Outstanding Jazz Album at this year's NAACP Image Awards.

#235 Broadcast 235 - Episode 235 - The Crooners - 20260221 - 3 in 1 = Dinah Washington by Jim Reeves

We're setting the time machine back 20 years to a snowy Saturday night in Charleston.The Flood was on stage at the West Virginia Cultural Center for a FOOTMAD (“Friends of Old-Time Music and Dance”) concert, sharing the bill with another great band, Stewed Mulligan.As reported here earlier, it had been a fun evening of jug band songs and general silliness, blues and fiddle tunes and old-time string band music, so when Michelle Hoge started a classic 1940s jazz standard, a hush fell over the audience.In seconds, people were softly humming along, then they smiled so much during Doug Chaffin's sweet mandolin solo that he had to take a second chorus. Finally, by the time Michelle got to the end of the number, people were on the feet to cheer her. What a sweet memory.About the SongA celebrated ballad that successfully bridged the gap between 1940s R&B and 1960s pop, “Since I Fell for You” evolved from a modest hit into a timeless standard.Pianist/bandleader Buddy Johnson in late 1945 wrote the song that his publisher categorized as a “jump blues.”Johnson famously had a passion for classical music but played to the tastes of his Southern audiences andc composed the song for his sister, Ella Johnson, to sing. While their original recording had some impact, it was Annie Laurie's 1947 version — recorded with Paul Gayten — that attracted serious attention, reaching No. 3 on the Billboard “Race Records” chart.The song found its definitive voice, though, in 1963 thanks to singer Lenny Welch, who was familiar with the song through a 1954 doo-wop cover by The Harptones and suggested it to Archie Bleyer, the president of Cadence Records.When Bleyer bought the original sheet music, Welch was surprised to find a distinct piano introduction that had been omitted from the versions he had heard previously. This recovered intro became a highlight of Welch's recording. Recorded on Aug. 13, 1963, Welch's version broke out in California markets before sweeping across the U.S. It peaked at No. 4 on the Billboard Hot 100 and No. 3 on the Easy Listening chart, selling over a million copies.Welch's smooth, middle-of-the-road vocals cemented the song's status as a pop classic. Since then, the song has attracted covers across the genres, including jazz greats like Dinah Washington, country stars like Charlie Rich and Ronnie Milsap and contemporary icons like Bonnie Raitt.Further Floodifying the SongWhile the Feb. 11, 2006, show featured in the audio at the start of this report was The Flood's first public performance of the song, “Since I Fell for You” stayed in the band's repertoire for years. However, its title didn't always come readily to mind. Click the button below for a funny exchange at a rehearsal a few years later:Meanwhile, a dozen years after the song's Flood debut at FOOTMAD, the band was back in Charleston, this time at Taylor Books, where Pamela Bowen shot this video:Framing Michelle's vocals were solos by Floodster Emeritus Paul Martin and guest artist Jim Rumbaugh. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Sintonía: (instrumental) - Freddy King"Margarita" - Chuck Rio; "Pretty-Eyed Baby" - Margaret Whitling; "Soulville" - Dinah Washington; "Don´t Wait Too Long" - Erma Franklin; "San-To-Zay" - Freddy King; "Zindy Lou" - The Mariners; "Turkish Coffee" - Laguestra & His Orchestra; "Lookoum" - Kemal Rachid; "Morocco" - Navel Maneuver; "Ole Mambo" - Edmundo Ross & His Orchestra; "The Jay Hawk" - Johnny and The Debonaires; Dick Dale aned The Del-Tones; "Don´t Let It Happen" - Jimmy Breedlove; "Limbo Drum" (part 1) - Young William and The Jamaicans; "Little Annie" - Anna Belle Caesar; "Don´t Freeze On Me" - Jessie Mae; "Yabba" - Hully Gully Boys; "Hi Fi Baby" - Teddy (Mr.Bear) McRae; "Lovey Dovey Lovely One" - Junior Wells; "I´m Movin´" - Matt Lucas; "Living Too Fast" - Ray Anderson; "Stop Jivin´ Start Drivin´ " - Burt Keyes with Teddy McRae; "Shake Shake Sonora" - Lord FleaEscuchar audio

Celebrate the Thanksgiving holiday by looking back at Thanksgiving night concerts and dances held on Indiana Avenue. For some Avenue residents, Thanksgiving didn't end at the dinner table. Holiday gatherings often continued late into the night at neighborhood ballrooms and clubs, where music was as important as turkey and pumpkin pie.  From the 1940s, to the 1960s, the Avenue's Thanksgiving stages drew some of the biggest names in American music — including Dinah Washington, Lionel Hampton, Roy Hamilton, and Earl Bostic — along with local favorites, including The Presidents. Join us on this episode, as we revisit those Thanksgiving nights when music, dancing and community were as important as the holiday feast.

From her living room in Romulus, 94-year-old Ardena Vaughn takes us from Black Bottom to the “tracks” in Romulus, weaving a lifetime of memories that tell the story of Legacy Black Detroit's past and its unfinished future. Born at Herman Kiefer and raised on Cameron Street, Ardena remembers marching in the alley when “Joe Louis would win” with tin tubs and cans, feeling the whole block erupt when the Brown Bomber put Detroit on the map. She recalls walking past the Chesterfield Lounge, hearing Dinah Washington and the hum of Black nightlife she was “too young to understand, but old enough to feel.” In this conversation she breaks down what it meant to move from the heart of the city to Romulus in the 1940s, where “the tracks” literally divided Black and white neighborhoods. Ardena shares how she became the first Black supervisor at a micro-measurements plant supplying airplanes and automobiles—“I don't even know how I got that job.” She talks about Saturdays riding back into the city for piano lessons, eating hot waffles with ice cream Kresge, and then coming home to build a life rooted in AME church, choir, and family. Still, her wisdom for future generations is simple: “Love everybody… try to be a good example… stay busy.” She still drives her 20-year-old Grand Am, still hosts the holidays, and still plays weekly Scrabble. Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com

En esta entrega os voy a contar la historia de Dinah Washington, una de las reinas del jazz y blues, cuya estela se ha ido desvaneciendo con el tiempo pero que bien merece avivar la llama de su recuerdo. Playlist: * What a Diff'rence a Day Makes, Ike Quebec; * Precious Lord, Take My Hand, Mavis Staples; * Evil Gal Blues, Dinah Washington; * Baby Get Lost, Dinah Washington; * Am I Asking Too Much, Dinah Washington; * Long John Blues, Dinah Washington; * Teach Me Tonight, Dinah Washington; * You Go To My Head (feat. Clifford Brown), Dinah Washington; * Cold Cold Heart (feat. Nook Shrier Orchestra), Dinah Washington; * What a Diff'rence a Day Makes, Dinah Washington; * Baby, You've Got What It Takes, Dinah Washington and Brook Benton; * September in the Rain, Dinah Washington; * This Bitter Earth, Dinah Washington; * Mad About the Boy, Dinah Washington; * This Bitter Earth / On The Nature Of Daylight, Dinah Washington and Max Richter.

Dos holandeses, la cantante Femke Smit y el pianista Mike del Ferro, con 'Casaco marrom', 'Folhetim' de Chico Buarque, ''Olha Maria' de Jobim, Vinicius y Chico y 'É doce morrer no mar' de Dorival Caymmi, ensu disco 'Sintonía. songs from Brazil'. La cantante estadounidense Ledisi rinde homenaje a Dinah Washington en el disco 'For Dinah' con grabaciones de 'What a difference a day made', 'You go to my head', 'You don´t know what love is' o 'This bitter earth'. El guitarrista brasileño Daniel Santiago aborda composiciones de otro guitarrista, Kurt Rosenwinkel, en 'Love in the modern world' con 'Dream of the old', 'Spirit kiss', 'The cross' o 'Summer song'. Cierre con el sexteto del pianista Amedeo Tommasi ('Brasilia') adelanto del disco 'Nicola Conte presents Viagio'. Escuchar audio

Ledisi, de Nueva Orleans, rinde homenaje a la cantante Dinah Washington en el disco 'For Dinah' con grabaciones de 'What a difference a day made', 'Let´s do it', 'You don´t know what love is' o 'You go to my head'. Del nuevo disco del guitarrista brasileño Daniel Santiago, que se publica mañana, la pieza que le da título 'Love in the modern world' y 'Dream of the old'. La cantante rusa residente en Estados Unidos, Masha Campagne, con 'Bahia com H', 'Samba carioca', 'Estrada do sol' y 'Alegre menina'. Y el disco rescatado de la cantante brasileña Luísa con 'Lenha na fogueira' y 'Romântico'. El acordeonista francés Vincent Peirani abre ('Le cabinet des énigmes') y cierra ('Physical attraction'). Escuchar audio

R&B, jazz and soul singer Ledisi started the year off with the spring release of The Crown, an album of original music. She's wrapping the year up with a new album in tribute to the Queen of the Blues, Dinah Washington, titled For Dinah. She plays some excerpts and talk about the new record for a Listening Party.

This is the final episode in our three-part series celebrating the work of the bass player Leonard Wilson Swain Jr., better known as “Heavy” Swain, an unsung hero of the Avenue music scene. During his career, Swain performed with many legendary jazz and R&B musicians, including Dinah Washington, Cootie Williams and more.  On this edition, we'll focus on Swain's work with Tiny Bradshaw, Willis Jackson, T.N.T Tribble, and Frank Motley.  Swain was born in Nashville, Tennessee in 1916. By the 1930s, he was living in Indianapolis. The 1940 census listed his address as 2039 North Capitol. Swain began working professionally in music as a teenager, performing at Avenue venues like the Cotton Club, and Mitchellyne. In 1942, Heavy left Naptown, with the bandleader Tiny Bradshaw. Swain died in Washington D.C., in August of 1964. His body was brought back to his hometown of Indianapolis, and he was buried at Crown Hill Cemetery.

This is the second episode in our three-part series celebrating the work of the bass player Leonard Wilson Swain Jr., better known as “Heavy” Swain, an unsung hero of the Avenue music scene. During his career, Swain performed with many legendary jazz and R&B musicians, including Dinah Washington, Cootie Williams, Willis Jackson, Tiny Bradshaw and more. On this week's show, we'll focus on his recordings with “Champion” Jack Dupree and Eddie “Cleanhead” Vinson. On this edition, we'll focus on Swain's work with the legendary jazz trumpeter and bandleader Cootie Williams. Swain was a member of Williams' orchestra from 1947 to 1949. Swain was born in Nashville, Tennessee in 1916. By the 1930s, he was living in Indianapolis. The 1940 census listed his address as 2039 North Capitol. Swain began working professionally in music as a teenager, performing at Avenue venues like the Cotton Club, and Mitchellyne. During his time in Naptown, Swain worked with the city's best musicians, including Jerry Daniels of the Ink Spots, Step Wharton, Bessie Moore, Baggie Hardiman, Eldridge Morrison, Fred Wisdom, Cleve Bottoms and many others.

For the next three weeks, we'll celebrate the work of the bass player Leonard Wilson Swain Jr., better known as “Heavy” Swain, an unsung hero of the Avenue music scene. During his career, Swain performed with many legendary jazz and R&B musicians, including Dinah Washington, Cootie Williams, Willis Jackson, Tiny Bradshaw and more. On this week's show, we'll focus on his recordings with “Champion” Jack Dupree and Eddie “Cleanhead” Vinson. Swain was born in Nashville, Tennessee in 1916. By the 1930s, he was living in Indianapolis. The 1940 census listed his address as 2039 North Capitol. Swain began working professionally in music as a teenager, performing at Avenue venues like the Cotton Club, and Mitchellyne. During his time in Naptown, Swain worked with the city's best musicians, including Jerry Daniels of the Ink Spots, Step Wharton, Bessie Moore, Baggie Hardiman, Eldridge Morrison, Fred Wisdom, Cleve Bottoms and many others.  Swain first gained notoriety on the six-string guitar. A 1936 article in the Indianapolis Recorder called him the “best six-string player in town.” By 1940, Swain had switched to the upright bass. He made his first recordings that set year, cutting a series of sessions with “Champion” Jack Dupree in Chicago.

Songs include: Tico Tico by Ethel Smith, Jitterbug Waltz by Fats Waller, St Louis Blues by Bessie Smith, Twilight Time by The Three Suns, TV Is the Thing by Dinah Washington and Fuzzy Wuzzy by the Milt Hearth Trio. 

Listen to the final episode in our three-part series exploring the music of Reunald Jones, a legendary Indiana trumpet player with deep connections to the Avenue scene. Hear music featuring Jones' work with Duke Ellington, Sonny Rollins, Dinah Washington, Quincy Jones, Nat King Cole and more.

Listen to the final episode in our three-part series exploring the music of Reunald Jones, a legendary Indiana trumpet player with deep connections to the Avenue scene. During his remarkable career, Jones performed with the biggest stars in American music. Hear music featuring Jones' work with Duke Ellington, Sonny Rollins, Dinah Washington, Quincy Jones, Nat King Cole and more.

Listen to the second episode in our three-part series exploring the music of Reunald Jones, a legendary Indiana trumpet player with deep connections to the Avenue scene.  During his remarkable career, Jones performed with the biggest stars in American music, including Duke Ellington, Ella Fitzgerald, Sonny Rollins, Dinah Washington, Quincy Jones, and Nat King Cole. But he's best known for his work with Count Basie. Jones was a member of the Count Basie band from 1952, to 1957. During that time, he led the band's trumpet section, and he became known for playing the trumpet with one hand.  Jones was a member of Basie's orchestra during a high point with the band. During the years Jones played with Basie, the band played their first dates in Europe and recorded classic albums like “Live at Newport”, “April in Paris”, and “Basie in London”. Listen to this program for music featuring Reunald Jones' recordings with Count Basie.

Listen to the first episode in our three-part series exploring the music of Reunald Jones, an important jazz trumpet player with deep connections to the Avenue neighborhood. During his legendary career, Jones performed with the biggest stars in American music, including Duke Ellington, Count Basie, Ella Fitzgerald, Sonny Rollins, Dinah Washington, Quincy Jones, Nat King Cole and many others.  Jones was born in Indianapolis in 1922. Music was part of his family legacy, his father John Wesley Jones was a musician, and his cousin Roy Eldridge, was a famous jazz trumpet star. Jones' family had strong ties to the Avenue neighborhood. During the early 1900s, his father was a choral director for the Bethe A.M.E. church and a bandleader, for the Senate Avenue YMCA. In the 1930s, his sister, Louise Fields, was an editor for the Indianapolis Recorder.  After spending the first decade of his life in Indianapolis, Jones moved with his family to Muncie, Indiana. By age 15, Jones was playing trumpet in a local Muncie band that included Doc Wheeler on trombone. Wheeler became a star on the Avenue scene during the 1930s. In the early 1940s, Jones and Wheeler reunited for a series of recordings with Bluebird Records.  By age 20, Jones left Muncie to pursue a life in music. He performed with a variety of regional territory bands, including Speed Webb's Hoosier Melody Lads, where he had the chance to play with his cousin Roy Eldridge. By the mid 1930s, Jones was in New York, where he began his recording career.  Join us this week to hear Jones' early recordings with Mezz Mezzrow, Lil Hardin, Don Redman, Jimmie Lunceford and more.

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Today's show features music performed by Dinah Washington, Chuck Berry, and Albert Kingv

Celebrating Classic Soul, Hip-Hop,New R&B and Southern Soul music on A Bowl of Soul and finally Spring showing up in New York City.  On this broadcast we are celebrating a little bit of Jazz, in the work of Dinah Washington and TS Monk Jr. the son of Thelonius Monk. But we definitely have to sprinkle some Classic Soul and New R&B in between. April is Jazz Appreciation Month. An accomplished Pop artist has gone on to be with ancestors, Mr. Lenny Welch, singer of the million selling pop hit written by Jazz musician, Buddy Johnson called "Since I Fell For You".  On A Bowl of Soul we  celebrate the accomplishments of African-American Singers, Songwriters, Producers and Arrangers from the past and present as well as the accomplishments of African-Americans in the diaspora and through out the world.   #dinahwashington, #marywells #marvingaye #kimweston #tammiterrell #ledgends #luthervandross #quincyjones #pattiaustin #tsmonkjr #brandy #brandnubian #maryjblige #fabulous #jordanayanna #jenniferwatts #lennywelch Get up to 2 months free podcasting service with our Libsyn code=ABOS. Sign up & bring your  podcast to life! Get on Apple & Spotify, get critical stats & all the support you need to sound your best and grow your show!! Sign up here: https://signup.libsyn.com/?promo_code=ABOS You can listen to the A Bowl of Soul Radio Network on Live365.com giving you 24/7/365 days of Soul Music. Stop on by and listen:  A Bowl of Soul Radio Network on Live365 You can support A Bowl of Soul and Buy Me A Coffee. Just click: Buy A Bowl of Soul A Cup of Coffee Purchase your A Bowl of Soul T-Shirt and other merchandise. Just click: Get Your A Bowl of Soul Merch Follow me: @proftlove on Threads                   @proftlove on Instagram                   @abowlofsoul.bsky.social - Bluesky                                  @A Bowl of Soul A Mixed Stew of Soul Music on Facebook Promote your product or service on the podcast and the radio network. You can sponsor A Bowl of Soul by getting your product or service in front of listeners. Email us at: abowlofsoul@gmail.com  Thank you for your Support!!! Promote your product or service on the podcast and the radio network. You can sponsor A Bowl of Soul by getting your product or service in front of listeners. Email us at: abowlofsoul@gmail.com  Thank you for your Support!!!  

On tonight's show: Benny Goodman, Let's Dance Chick Webb, I Ain't Got Nobody John Coltrane w Dinah Washington, Fast Movin' Mama Ahmad Jamal, Poinciana Stuff Smith, Dizzy Gillespie & Oscar Peterson, It Don't Mean a Thing (If It Ain't Got That Swing) Johnny Hodges, Early Morning Rock Clark Terry, C-Jam Blues Cal Tjader,  Descarga Cubana Ben Webster & Teddy Wilson, Stardust Ella Fitzgerald, Fine and Mellow Johnny Hodges & Gerry Mulligan, Back Beat Abbey Lincoln, Throw It Away Clark Terry and Bobby Brookmeyer, Bye Bye Blackbird

Een uitbundige Dinah Washington en een ingetogen Stacey Kent vormen het 'hart' van deze uitzending van All That Jazzz @1Twente Enschede.

Een All That Jazzz met veel aandacht voor de menselijke stem.... Nat King Cole, Dinah Washington, Nolly Cole, Melody Gardot en natuurlijk Stacey Kent, de wereldster die binnenkort naar Nederland (èn Enschede) komt...

Songs include: You Don't Know What Love Is by Dinah Washington, You Don't Have To Know the Language by Bing Crosby and the Andrews Sisters, It's Too Soon To Know by the Orioles, Ask Anyone Who Knows by the Ink Spots and I'll Know by Georgia Gibbs. 

Show #1086 More Good Music 01. Dennis Spencer - Cheap Entertainment (4:00) (Bluesman From Jupiter, self-release, 2024) 02. Piney Woods - You Got Me Where You Want Me (2:34) (The Piney Woods Record, self-release, 2024) 03. Heavydrunk & Watermelon Slim - Little Bighorn (3:26) (Bluesland Theme Park, Heavydrunk Records, 2025) 04. Jennifer Porter - Stop Your Talkin' (4:12) (Sun Come And Shine Redux, Overton Music, 2025) 05. Steve Howell & the Mighty Men - One Mint Julep (2:38) (Yeah Man, Out Of The Past Music, 2025) 06. Sunny Bleau & the Moons - S-H-E-E-E W-O-M-A-N (5:21) (Passion & Regrets, Endless Blues Records, 2025) 07. Mark Muleman Massey - She's Married To The Streets (3:28) (Been A Long Long Time, MuleTone Records, 2025) 08. Giles Robson & John Primer - Let Me Explain (2:43) (Ten Chicago Blues Classics, self-release, 2024) 09. Ed Alstrom - Fruitcake (4:00) (Flee Though None Pursue, Haywire Records, 2025) 10. Ollee Owens - Solid Ground (2:47) (Nowhere To Hide, Ollee Owens Music, 2024) 11. Hitman Blues Band - Back To The Blues (3:22) (Calling Long Distance, Nerus Records, 2024) 12. Robbert Duijf - First Train Out (3:30) (Silver Spoon, Naked Productions, 2025) 13. Reckoners - Woman's Woman (3:34) (Reckoners, Vintage League Music/Uptown Sound, 2024) 14. Greg Nagy - Never Mine (2:48) (The Real You, self-release, 2024) 15. Carly Harvey - Worth Waiting For (2:55) (Kamama, self-release, 2024) 16. The Band - Chest Fever (5:15) (Music From Big Pink, Capitol Records, 1968) 17. Dinah Washington (with Eddie Chamblee Orchestra) - Trouble In Mind (2:26) (45 RPM Single, Mercury Records, 1952) 18. Thelma La Vizzo - Trouble In Mind (3:01) (78 RPM Shellac, Paramount Records, 1924) 19. Bertha "Chippie" Hill - Trouble In Mind (2:51) (78 RPM Shellac, Okeh Records, 1926) 20. Georgia White - Trouble In Mind (2:35) (78 RPM Shellac, Decca Records, 1936) 21. Richard M. Jones - Trouble In Mind (2:40) (78 RPM Shellac, Bluebird Records, 1936) 22. Nina Simone - Trouble in Mind (2:45) (Pastel Blues, Philips Records, 1965) 23. Big Bill Broonzy - Trouble In Mind [1957] (2:36) (Black Brown And White, Mercury Records, 1991) 24. Two Men From Earth - Trouble In Mind (3:30) (Walkin' To New Orleans, self-release, 2009) 25. Misses Satchmo - Trouble In Mind (2:35) (The Sun Will Shine, Disques Bros Records, 2011) 26. Mose Allison - Trouble In Mind (3:15) (Local Color, Prestige Records, 1958) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Explore the life and music of saxophonist Eddie Chamblee, best known for his work in jazz and R&B music. Chamblee worked with many legendary performers, including Lionel Hampton, T-Bone Walker, Memphis Slim, and Dinah Washington. In fact, Chamblee was married to Dinah Washington in 1957. Eddie Chamblee was born, in Atlanta, Georgia in 1920. By 1928, he was living in Indianapolis. His father, Robert Chamblee, was president of the Citizens Life Insurance Company. Their offices were located at 229 Indiana Avenue. After spending several years in Indianapolis, Chamblee's family moved to Chicago. But Chamblee would eventually return to Indianapolis.  From 1953, to 1955, Chamblee held down a series of steady gigs at the Indiana Avenue club George's Bar, where he became famous for playing his sax while swinging from the club's rafters. During the 1950s, Chamblee performed at many Indiana Avenue venues, including Sunset Terrace, the Walker Theatre, and Ferguson Hotel.

Explore the life and music of saxophonist Eddie Chamblee, best known for his work in jazz and R&B music. Chamblee worked with many legendary performers, including Lionel Hampton, T-Bone Walker, Memphis Slim, and Dinah Washington.

#hiphop #rap #bluesguitar #snoopdogg #pimp While cruising and performing on the Legendary Rhythm and Blues Cruise, Mark sits down with Fillmore Slim the legendary bluesman, and grandfather of HIP HOP. He has toured the greatest blues, soul, R&B, and jazz artists including Sly and the Family Stone, BB.King, Dinah Washington, Ike and Tina Turner, T-Bone Walker, Holly Maxwell, Sista Monica, Guitar Shorty, Etta James, Frankie Lee, J.J. Malone, Johnny Guitar Watson, Joe Louis Walker, Rick Estrin, Bonnie Rait, the Allman Brothers Band, and Chris Cain. Rappers such as Snoop Dogg, Too Short, Ice Cube, Ice-T, and Frank Stickemz pay homage to him in the lyrics their songs. He has influenced an entire generation of young artists with his music & lyrics, and trend setting fashionable style. In 2017 he was crowned the Godfather of Hip Hop at the West Coast Hip Hop Awards, Oakland, CA. and inducted into the Black Music Hall of Fame as a music icon.

Fans of classic Vegas lounge comics rejoice, one of your idols awaits this week and we guarantee a "slap-happy" time. We refer, of course, to Slappy White -- a legendary standup who opened for (among others) Dean Martin and Dinah Washington as well as headlining the big rooms himself. A veteran of the "chitlin' circuit" Slappy also became a frequent guest star in 1970s movies and tv shows with a particularly juicy role as Melvin White (Slappy's real name) on Sanford and Sons (courtesy of Redd Foxx, another chitlin' circuit graduate). Later in his career, Slappy teamed up with Steve Rossi when Marty Allen bowed out of that team, but he eventually returned to solo standup as well as frequent appearances on Friar's Club and Dean Martin Celebrity Roasts. As always, find extra clips below and thanks for sharing our shows! Want more Slappy? Here's Slappy with a fun bit from Redd Foxx's variety show -- dig the hair!https://youtu.be/e0NSxAhgMqk?si=Q3sZ3CyyROU2qfEy Slappy became friends with Redd Foxx when they both toured as comics with the Billy Eckstine band and that friendship was repaid with a key role in Sanford and Son, with Slappy playing Melvin White (his real name), a pal of Fred's. https://youtu.be/SjFcpNsC3hQ?si=4c8V_S4KX4OtBgCQ Like the Love Boat, the Dean Martin Celebrity Roasts became a "must do" show for celebs on their way up and (mostly) on their way down. The "roasting" bits could be lame in the hands of regular actors, but in the hands of a pro like Slappy they came to life. Here's a time capsule for you -- Slappy's bit starts at 25 minutes in. https://youtu.be/BJrOzV5UrTQ?si=UpA9HusPYkRIm2un

Musicians include: Perry Como, Lightnin Hopkins, Lydia Mendoza, Peggy Lee, Bo Diddley, Slim Whitman, Charley Parker, Dinah Washington and Horace Silver.  Music includes: Mal Hombre, Solo Flight, Bandera Waltz, Hank's Tune, Bloomdido, Riders In the Sky and You don't Know What Love Is. 

Clyde Otis nació el 11 de septiembre de 1924. Con motivo de su cien cumpleaños dedicamos nuestro tiempo de radio a picotear en el inabarcable legado de uno de los grandes compositores del siglo XX. Más de 800 canciones registradas a su nombre que han sido interpretadas por muchas de las grandes voces del jazz, el soul o el R&B. Esto es tan solo una pequeña porción de la punta del iceberg de la obra que nos dejó.Playlist;(sintonía) CLYDE OTIS and HIS ORCHESTRA “Jungle drums” (1961)NAT “KING” COLE and THE FOUR KNIGHTS “That’s all there is to that” (1956)ELVIS PRESLEY “Dontcha think it’s time” (1958)THE DIAMONDS “The stroll” (1957)JACK SCOTT “Patsy” (1960)EDDIE RIFF “Ain’t that lovin’ you baby” (1956)THE DEL VIKINS “Flat tire” (1958)THE ELLIS BROTHERS “Sneaky alligator” (1958)LAVERN BAKER “Substitute” (1958)IVORY JOE HUNTER “I just want to love you” (1959)BROOK BENTON “Kiddio” (1960)BROOK BENTON and DINAH WASHINGTON “Baby (You've got what it takes)” (1960)PRISCILLA BOWMAN feat THE SPANIELS “A rockin' good way (to mess around and fall in love)” (1958)ROOSEVELT GRIER “Lover set me free” (1963)SARAH VAUGHAN “Smooth operator” (1959)TIMI YURO “What’s a matter baby (Is it hurtin’ you)” (1962)ARETHA FRANKLIN “A change” (1968)TOM JONES “Endlessly” (1965)CONWAY TWITTY “Looking back” (1963)Escuchar audio

We continue our Classic Films and Movie Icons series and feature archival interviews with Dennis Hopper and Isabella Rossellini. They co-starred in the movie Blue Velvet, and after it became a hit, both of their careers were redefined. Later, on the centennial of singer Dinah Washington's birth, jazz historian Kevin Whitehead has appreciation.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Redd Foxx was one funny motherfucker. And, hell on wheels. Apparently, he was the scourge of taxi drivers in Las Vegas, where he lived, worked, and is buried - because he would either throw up in the backseat of their cabs, or refuse to pay his fare, or both. As the “King of the Party Records”, Redd made 50 dirty albums (I have a few on 8 track) - before hitting national gold on Sanford and Son, that show about a junkman and his boy that ran for six seasons, starting in 1972. I just found out that Foxx's birth name actually WAS Sanford - a factoid that makes me smile. If fact everything about him made me smile. I loved it each time he'd clutch his chest feigning a heart attack, and groaning “Elizabeth, I'm comin' to join you, honey!” And, now, hearing Quincy Jone's theme song again, I'm sporting a broad grin again in remembrance.Q was a master of innumerable musical genres, coming up as he did as Dinah Washington's arranger, Sinatra's band leader, Film scorer par excellence, and Michael Jackson's record producer, etc, etc. Here he's channelling Herbie Hancock's “Watermelon Man” - and the funky clavinet makes me want to bob my head along with the syncopation.Although the character of Fred Sanford was supposed to be in his sixties, Redd was only in his 40s when he made Sanford and Son, and he was only 68 when he died in 1991, having exhausted himself through a jam-packed roller-coaster existence. Rumor has it he died broke because the IRS has seized his assets two years earlier, so Eddie Murphy footed the bill to pay for his funeral.  As Arthur Miller once wrote: “Attention must be paid!”

This Sunday's episode takes place in Trinidad & Tobago-and my guest, Troy Hadeed, was struggling. A yoga practitioner, he went to the beach to practice with the sunset and there, in a lifeguard hut, had an experience that changed him forever! Troy was so moved by the experience he quite literally had it tattooed on his body-to remind him forever that it had really happened. And I think we've all had these moments in our lives, of inescapable beauty. Things that stun us, catch us up short and gobsmack us with the irrefutable truth of the gorgeousness in the world. And Troy carries his experience with him and when he has hard times, goes back to it time and again to heal his heart. Troy is a magical human and besides for being a yoga practitioner has a book out that is transcendent: "My Name is Love, We're Not All That Different." To buy it click here. Troy shares how he views the world in this episode and really, much of it is colored by his colorful life. Here is his website for more about this delightful human being! And yes, your moment of beauty! It's right here!  This song by Dinah Washington is simply stunning and whenever I need to downshift or take some time to heal my heart I put it on repeat! I hope you enjoy! Thanks to everyone who listens and remember, share and subscribe to the pod!! See you all so very soon for the very next episode!

This Sunday's episode takes place in Trinidad & Tobago-and my guest, Troy Hadeed, was struggling. A yoga practitioner, he went to the beach to practice with the sunset and there, in a lifeguard hut, had an experience that changed him forever! Troy was so moved by the experience he quite literally had it tattooed on his body-to remind him forever that it had really happened. And I think we've all had these moments in our lives, of inescapable beauty. Things that stun us, catch us up short and gobsmack us with the irrefutable truth of the gorgeousness in the world. And Troy carries his experience with him and when he has hard times, goes back to it time and again to heal his heart. Troy is a magical human and besides for being a yoga practitioner has a book out that is transcendent: "My Name is Love, We're Not All That Different." To buy it click here. Troy shares how he views the world in this episode and really, much of it is colored by his colorful life. Here is his website for more about this delightful human being! And yes, your moment of beauty! It's right here!  This song by Dinah Washington is simply stunning and whenever I need to downshift or take some time to heal my heart I put it on repeat! I hope you enjoy! Thanks to everyone who listens and remember, share and subscribe to the pod!! See you all so very soon for the very next episode!

Celebrating performers born 100 years ago, this year, including, Dinah Washington, Bud Powell, Earl Scruggs, Roger Williams, Ella Mae Morse, Chet Atkins, Sarah Vaughn,Slim Whitman, Max Roach and Henry Mancini. Songs include: Cow Cow Boogie, Autumn Leaves, April In Paris, Baby, Get Back, Foggy Mountain Breakdown and Black Coffee.