Podcasts about Marvel Universe

Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSMarvel Knights returns with Jimmy Palmiotti headlining new 'Daredevil/Punisher' seriesMarvel reveals epic Inhyuk Lee “Street-Verse Variant Covers”Marvel sheds new light on '1776' #1 celebrating AmericaMarvel Unveils Toy Story Homage Covers to Celebrate 30 Years of Pixar's Iconic FilmMarvel could have Gwenpool erase one of Spider-ManDC Black Label launches ‘Batman/Green Arrow/The Question: Arcadia' for November 2025Hayden Sherman talks ‘Absolute Wonder Woman', Batman, and DC's Absolute Universe at FAN EXPO Boston 2025Skybound and Act 4 launch Kickstarter for J. Scott Campbell's 'Danger Girl Artist's Edition'Die is coming back, with new series Die: Loaded from ImageMaleficent returns in a dark new comic series from Dynamite for October 2025Top Comics July 2025Our Top Books of the WeekDave:Cruel Universe 2 #1 (Various)Monkey Meat: The Summer Batch #5 (Juni Ba)Alex:​​Poison Ivy #35 (G. Willow Wilson, Marcio Takara)One World Under Doom #6 (Ryan North, R. B. Silva)Standout KAPOW moment of the week:Alex: Uncanny X-Men #19 (Simone, Marquez)Dave: Ultimate Wolverine #8 (Chris Condon, Alessandro Cappuccio)TOP BOOKS FOR NEXT WEEKAlex: The UnChosen #2 (David Marquez)Dave: Superman: The Kryptonite Spectrum #1 (W. Maxwell Prince, Martin Morazzo)JUDGING BY THE COVER JR.Dave: Eddie Brock: Carnage #7 (Ivan Shavrin Variant Cover)Alex: Superman: The Kryptonite Spectrum #1 (Alex Eckman-Lawn & Juan Ferreyra)Interview: Ben Percy - Talking Predator, Punisher, and more!1. In Predator Kills the Marvel Universe, you've teased a meditative tone as much as a brutal one. Can you talk about how you approached giving emotional weight to what could easily be a pure spectacle series?2. We know Frank Castle is at a low point in Punisher: Red Band, but you've also said it's a story about who Frank becomes when he has nothing left. What's the most surprising aspect of Frank you think readers will discover in this series?3. We here at AIPT have covered the use of the Punisher symbol via 3rd party swag outside of Disney, we even saw its use in the recent Daredevil show, what's your take on the Punisher logo and its use?4. With both Red Band and Predator Kills launching this year, you're leaning into stories with serious ultraviolence. As a writer, how do you decide when violence is meaningful versus when it's gratuitous?5. You mentioned in the Predator Kills the Marvel Universe press release that some heroes are more “killable” than others. Without giving anything away, was there a particular Marvel character that was the hardest to write a death for—either logistically or emotionally?6. You've done a lot of work balancing character legacy with reinvention—especially with Hellverine and now Red Hulk. How do you decide what to preserve and what to explode when you're writing these kinds of legacy figures?7. Spider-Man and Predator is a wild matchup. Can you tease what their conflict reveals about Peter Parker that we haven't seen before?8. Both Red Hulk and Hellverine feel like "dark mirror" characters—but wildly different in tone and execution. Do you see thematic overlap between them? How do you avoid them becoming just monstrous versions of other heroes?9. You're clearly building (or helping shape) a kind of hyper-violent sublabel within Marvel between Red Band, Predator crossovers, and these monstrous anti-heroes. Would you want to keep expanding this “Percy-verse”? And if so, who would you tap next?10. (Fun one): If Predator could take on one Marvel team in a cooking competition, who would it be—and what's Predator's signature dish?Short novel as a newspaper - subscribe - start November - post-apocalyptic  “The End Times” Station 11 meets our townbadhandbooks.com

SUMMER CROSSOVER SPECTACULAR CONTINUES! Comic book annuals are a remnant of the newsstand distribution era, when Marvel and DC tried to get some extra-sized product on the rack for the summer. With the advent of the direct market, annuals lost a bit of their luster, so Marvel began using them as a vehicle for linewide crossovers. “Atlantis Attacks” from 1989 sprawled across 14 annuals, contriving a way for the Silver Surfer, the Punisher, and three non-consecutive Spider-Man annuals to somehow participate in the same story as the Avengers and Fantastic Four. While Atlantis does indeed attack the surface world (eventually), the main focus of this story is actually the Deviant villain Ghaur, seeking to bring Set the Elder God to Earth. We also take a snapshot of the Marvel Universe circa 1989, learn the history of the Serpent Crown (it involves, canonically and inextricably, Conan the Barbarian) and celebrate Namor the Sub-Mariner's 50th anniversary (largely by sidelining him from the story).Discussed in this episode: Silver Surfer Annual #2, Iron Man Annual #10, X-Men Annual #13, Amazing Spider-Man Annual #23, Punisher Annual #2, Spectacular Spider-Man Annual #9, Daredevil Annual #4 (...or is it #5?), Avengers Annual #18, New Mutants Annual #5, X-Factor Annual #4, Web of Spider-Man Annual #5, Avengers West Coast Annual #4, Thor Annual #14, Fantastic Four Annual #22, plus New Mutants #76 and selected material from Marvel Comics Presents #26 and Avengers West Coast #56.Support the show at patreon.com/ironageofcomics

With the 1990 Teenage Mutant Ninja Turtles movie being re-released in cinemas to celebrate its 35th Anniversary, MVM takes a step outside the Marvel Universe to look at a landmark moment in the history of comic books, and a landmark moment in the history of superhero cinema! We bring you the CRAZY story of getting this movie made, and how it became the most successful independent film of all time! We explore the history of the Ninja Turtles comic books, their deep connections to the Marvel Universe, the “Black And White” comic book boom of the 1980s, how TMNT went from a throwaway gag into a billion dollar empire, how their creators changed the industry forever, and how Marvel Comics tried to buy the Ninja Turtles! Plus, we'll pull the entire movie apart scene-by-scene and bring you TONS of comic book history and trivia about Leonardo, Donatello, Raphael, Michelangelo, the noble Splinter, the evil Shredder, the awesome April O'Neil, and the badass Casey Jones! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

With the 1990 Teenage Mutant Ninja Turtles movie being re-released in cinemas to celebrate its 35th Anniversary, MVM takes a step outside the Marvel Universe to look at a landmark moment in the history of comic books, and a landmark moment in the history of superhero cinema! We bring you the CRAZY story of getting this movie made, and how it became the most successful independent film of all time! We explore the history of the Ninja Turtles comic books, their deep connections to the Marvel Universe, the “Black And White” comic book boom of the 1980s, how TMNT went from a throwaway gag into a billion dollar empire, how their creators changed the industry forever, and how Marvel Comics tried to buy the Ninja Turtles! Plus, we'll pull the entire movie apart scene-by-scene and bring you TONS of comic book history and trivia about Leonardo, Donatello, Raphael, Michelangelo, the noble Splinter, the evil Shredder, the awesome April O'Neil, and the badass Casey Jones! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

Willie catches up with "Captain America" himself, Anthony Mackie for a discussion about growing up as a theater kid in New Orleans and his rise from "8 Mile" through the Marvel Universe, and the latest season of "Twisted Metal".

This was a fantabulous Friday crossword that will have you saying 49D, "Look what I did!", TADA, if you are able to solve it. On the way to that illustrious goal, you might have a hunch as to an answer, in which case your 22D, Intuitive ability in the Marvel Universe, SPIDERSENSE, might start tingling. And if you were both able to solve the puzzle and let your friends know about it, they might give you a hearty 12D, "Well done!", BRAVO.Besides our analysis of the crossword, we have a Fun Fact Friday™️ segment about the city that boasts the last remaining Blockbuster in the world. To find out that city's name, and why we liked this crossword so much, we strongly urge you to download, listen, and (we hope!) enjoy today's episode.Show note imagery: A TREAD, just one of the many, many parts of a staircase.We love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

The first family of the Marvel Universe is here. The fourth live action Fantastic Four is back with a big cast and a big budget. Find me on on Bluesky and Youtube: https://bsky.app/profile/tvmoviemistresspod.bsky.social https://www.youtube.com/@tvmoviemistresspodcast Join the private Facebook group: www.facebook.com/groups/tvmoviemistress/ Patreon for exclusive content: Tv Movie Mistress 

SPECIAL EPISODE: Heroes Con 2025 Live Unboxing Spectacular!Join us for an unforgettable special episode recorded live from the floor of Heroes Con 2025! I am joined by the one and only Dr. Kirk for our very first unboxing video – and we're going big right out of the gate.Fresh from the convention floor, we're tearing into not one, but TWO boxes of 2023 Fleer Ultra Marvel Midnight Sons trading cards. Will we pull any of those elusive chase cards? Can Dr. Kirk contain his excitement when we hit our first parallel? And just how many Ghost Rider variants can one set possibly contain?Experience all the anticipation, the pack-ripping tension, and the pure joy of discovery as we dive deep into one of Marvel's most beloved supernatural team lineups. From Blade to Doctor Strange, from Magik to the Spirit of Vengeance himself, these cards celebrate the darker corners of the Marvel Universe in stunning detail.This is Fave Five From Fans like you've never experienced it before. Whether you're a longtime listener or new to the show, this Heroes Con special is the perfect jumping-on point for premium card-breaking action.Warning: May contain excessive excitement, spontaneous comic book trivia, and at least three different pronunciations of "Morbius."inks are on our profile page and at www.linktr.ee/hulkboy. Visit & interact on Instagram (www.instagram.com/favefivefromfans), Twitter/X (www.twitter.com/Fave5FromFans), Facebook (www.facebook.com/FaveFiveFromFans), & our website (www.FaveFiveFromFans.com). Also, check out Plastic Microphone Studios Twitter for more fun! #FaveFiveFromFans #FFFF #podcast #podcasts #podcasting #Marvel #Magik #Fleer #FleerUltra #MidnightSons #DoctorStrange #GhostRider #unboxing #Heroescon #Blade

    In an age of superhero gluttony, do we need another Superman? Yes! In fact, Superman has exactly what the Marvel Universe has been lacking lately: fun. And James...

David, Richard, and Rebecca share their thoughts on The Fantastic Four: First Steps, and if the movie is a success as a Marvel reset. Plus, they imagine a world where Marvel never existed and what that would have meant for some of the franchise stars' careers. Then, they wrap up with a festival-related listener question.Our next Little Gold Men book club read is Hamnet by Maggie O'Farrell. We'll be discussing the novel and its upcoming film adaptation on our August 7 episode. We've also added one more book for this summer, the third most-popular in our listener survey: The Ballad of a Small Player by Rowan Joffé. We'll be discussing that one on our August 28 episode. Read along with us and send your questions to littlegoldmen@vf.com.  Learn about your ad choices: dovetail.prx.org/ad-choices

We're back from the movies and here's our review Fantastic Four: First Steps, react to leaked footage from Marvel's Punisher Special, and dive into all the wild Marvel and DC announcements from SDCC. Here's a breakdown of what we cover.Marvel's going off the rails — Kevin Smith is writing Jay & Silent Bob F** the Marvel Universe*, Ultimate Spider-Man's ending, Ultimate Endgame is coming, and Hickman's cooking up a “New Cosmic Order” with Nova and Planet She-Hulk. Oh yeah, Captain America fights a Xenomorph. That's not a joke.Over at DC, we got the Peacemaker and Aztec Batman trailers, Absolute Wonder Woman is now an Eisner winner, and the Absolute Universe expands with Catwoman, Green Arrow, and ABSOLUTE EVIL by Al Ewing (yes, Joker and Ra's team-up energy incoming).PLUS — Gen V Season 2 drops a new trailer, TMNT vs Godzilla is officially real, Predator: Killer of Killers ends with Schwarzenegger and Glover, and the Jason Universe is officially unleashed with Sweet Revenge, a prequel series, new game, and more.It's chaos. It's nerdvana. It's That Comic Podcast.Don't forget to like, comment, and subscribe for more nerdy goodness, and be sure to follow That Comic Podcast wherever you get your shows!Head on over to Magicmind.com/comicpod50 and use CODE:COMICPOD50 for 50% off.Become a supporter of this podcast: https://www.spreaker.com/podcast/that-comic-podcast--5896499/support.

The First Family of the Marvel Universe are taking center stage this week as it's all about the Fantastic Four!  First we've got the original 3 issue arc from the classic FF #48-50 featuring "The Coming of Galactus" by Stan Lee & Jack Kirby!  Then blast off with our movie review of Fantastic Four: First Steps starring Pedro Pascal and Vanessa Kirby! Host: Andy Larson  Co Hosts: Chad Smith, JA Scott, and Nicole Larson

October Solicits (DC, Image, Others) Weekly Comic Reviews: DC DC Go Magical Mysteries of Shazam My Little Warlord Taste of Justice Warriors and the Wee Wonder Jon Kent: This Internship is My Kryptonite Aquaman: Yo-Ho-Hold on to Your Hook Marvel Bring on the Bad Guys: Abomination 1 by Phillip Kennedy Johnson, Sergio Davila, Aure Jimenez, Arif Prianto Giant-Size House of M 1 by Jackson Lanzing, Collin Kelly, Francesco Manna, Edgar Delgado; Saladin Ahmed, Martin Coccolo, Matt Wilson Godzilla Destroys the Marvel Universe 1 by Gerry Duggan, Javier Garron, Andrew Dalhouse, Jesus Aburtov X-Men: Age of Revelation 0 by Jed MacKay, Humberto Ramos, Victor Olazaba, Edgar Delgado Marvel Unlimited HERBIE 7 by Nathan Stockman IDW Star Trek: Red Shirts 1 by Christopher Cantwell, Megan Levens, Charlie Kirchoff Image Dread the Hall H 1 by Chris Ryall, Nelson Daniel; Jordan Hart, Jimmy Kucaj, Vladimir Popov; Chris Ryall, Piotr Kowalski; Jordan Hart, Chris Anderson Ghost Pepper 1 by Ludo Lullabi, Adriano Lucas This Ends Tonight 1 by Gerry Duggan, Robert Windom, Kelvin Mao, Jae Lee, June Chung Oni Catacomb of Torment 1 by John Arcudi, Patrick Piazzalunga, Alessandro Santoro; Marguerite Bennett, Dan McDaid, Michelle Madsen; Matt Kindt, David Lapham, Nick Filardi Titan Rebel Moon Nemesis 1 by Gail Simone, Federico Bertoni Vault Big Rig 1 by Post Malone, Adrian Wassel, Austin Post, Nathan Gooden, Der-shing Helmer OGN Countdown: New Adventures of Moana 2 Vol 1: Born to Voyage by Sloane Leong, Andrea Greppi, Maria Claudia Di Genova Groucho the Grouchy Groundhog by Lydia Lukidis, Tara Hannon Theory of K.O. by Mathieu Reynes Class Pet Ghost Detective: What Happened to the Naked Mole Rat by Akeem S. Roberts Sparks Vol 2: Royalty by Revel Guts Jazzy the Witch: Broom Doom by Jessixa Bagley 10,000 Ink Stains by Jeff Lemire Confessional by Paige Hender Bandette Vol 5 by Paul Tobin, Colleen Coover Additional Reviews: Universal Monsters: Frankenstein Never Flinch I Know What You Did Last Summer Enfield Haunting Documentary News: Omninews, Legend of Zelda casting, Murder Drones from Glitch getting comic series, new DC Go webcomics, Malkovich cut from FF: First Steps, David Dastmalchian graphic novel, Ultimate Universe ending teased, Image sues Diamond, Gaslight District going to series, Helluva Boss coming to Prime, Supernatural by Pak, Gene Luen Yang to replace Jason Aaron on TMNT Trailers: Stranger Things s5, Hoppers, Tron Ares, Mortal Kombat 2, Predator Badlands, Pokemon Concierge s2 Comics Countdown (16 Jul 2025): Absolute Batman 10 by Scott Snyder, Nick Dragotta, Frank Martin Absoluter Flash 5 by Jeff Lemire, A.L. Kaplan, Adriano Lucas Wonder Woman 23 by Tom King, Daniel Sampere, Tomeu Morey Redcoat 13 Geoff Johns, Bryan Hitch, Andrew Currie, Brad Anderson Superman Unlimited 3 by Dan Slott, Rafael Albuquerque, Marcelo Maiolo New Gods 8 by Ram V, Evan Cagle, Pablo Collar, Stipan Morian, Francesco Segala Phantom Road 14 by Jeff Lemire, Gabriel Hernandez Walta, Jordie Bellaire Teenage Mutant Ninja Turtles 10 by Jason Aaron, Juan Ferreyra Blood Brothers Mother 4 by Brian Azzarello, Eduardo Risso Robin and Batman: Jason Todd 2 by Jeff Lemire, Dustin Nguyen  

On Culture Friday, Katie McCoy on when judgment goes digital; Collin Garbarino reviews the latest Marvel Universe film The Fantastic Four: First Steps; and Listener Feedback for July. Plus, the Friday morning newsSupport The World and Everything in It today at wng.org/donateAdditional support comes from Dordt University. Offering fast-track Ag degrees to help graduates make an impact in agriculture sooner. Dordt.eduFrom The Joshua Program at St. Dunstan's Academy in Virginia ... a gap year shaping young men ... through trades, farming, prayer ... stdunstansacademy.orgAnd from Cedarville University—equipping students for professional excellence and Gospel impact. cedarville.edu/world

Paul hears the latest from the Marvel Universe and the upcoming Liam Neeson & Pamela Anderson reboot of Naked Gun from Crossy Hosted on Acast. See acast.com/privacy for more information.

This week, the League dives into Season 1 of Ironheart! We're breaking down Riri Williams' journey from genius teen to rising hero, talking standout moments, tech upgrades, and how the series fits into the broader MCU. Did Ironheart stick the landing? What worked, what didn't, and what does this mean for the future of young heroes in the Marvel Universe? Welcome to the League   Facebook Group: https://www.facebook.com/groups/1628612284256101/   Instagram: https://www.instagram.com/leagueofmelanatedgentlemanpod/   YouTube: https://www.youtube.com/@TheLMGPodcast   Hosts: Brandon Willis, Jordan Mitchell, Spenser Jones

With Fantastic Four First Steps in cinemas, we head back to 1994 to take a deep-dive into the ORIGINAL Fantastic Four movie that has never been released! It's the movie Marvel didn't want ANYONE to ever see! In the Nineties a low-budget Fantastic Four movie was filmed, mostly finished, and then never released to the general public! Marvel Comics DESTROYED the film and tried to deny the movie existed, until bootleg copies began circulating the fandom and appearing online! What happened? Why was it ever made? Why did Marvel hate it? And why was it such a failure? This week Rob and Will take you on an incredible journey to an unexplored corner of the Marvel Universe! We'll take you behind-the-scenes on this wild movie-making story, and then we'll deep-dive the movie itself scene-by-scene! Plus, we explore the SHOCKING comic book history of the Fantastic Four in the 90s! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

With Fantastic Four First Steps in cinemas, we head back to 1994 to take a deep-dive into the ORIGINAL Fantastic Four movie that has never been released! It's the movie Marvel didn't want ANYONE to ever see! In the Nineties a low-budget Fantastic Four movie was filmed, mostly finished, and then never released to the general public! Marvel Comics DESTROYED the film and tried to deny the movie existed, until bootleg copies began circulating the fandom and appearing online! What happened? Why was it ever made? Why did Marvel hate it? And why was it such a failure? This week Rob and Will take you on an incredible journey to an unexplored corner of the Marvel Universe! We'll take you behind-the-scenes on this wild movie-making story, and then we'll deep-dive the movie itself scene-by-scene! Plus, we explore the SHOCKING comic book history of the Fantastic Four in the 90s! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

It's iFanboy 20/25 — 20 years of podcasting and 25 years of iFanboy! For the first time in forever the Two Jamokes™ yapped on for so long that they had to skip the listener mail. Credits page placement and Robert Wuhl are two of the major culprits. Note: Time codes are estimates due to dynamic ad insertion by the distributor. Running Time: 01:07:10 Pick of the Week:00:01:45 – Batman & Robin: Year One #9 Comics:00:12:28 – Godzilla Destroys the Marvel Universe #100:18:46 – Teenage Mutant Ninja Turtles #1000:24:00 – Marvel Knights: The World to Come #200:31:02 – Imperial #200:35:24 – Predator vs. Spider-Man #400:39:04 – Batman/Superman: World's Finest #4100:41:55 – Redcoat #13 Patron Pick:00:46:08 – Star Trek: Red Shirts #1 Patron Thanks:00:55:29 – Robert W. Brought To You By: Shopify – This episode is sponsored by Shopify. Sign up for a one-dollar-per-month trial period and take your business to the next level. iFanboy Patrons – Become one today for as little as $3/month! Or join for a full year and get a discount! You can also make a one time donation of any amount! iFanboy T-Shirts and Merch – Show your iFanboy pride with a t-shirt or other great merchandise on Threadless! We've got TWENTY TWO designs! Music:“Lay Down Your Weapons”Scissors For Lefty Watch The iFanboy After Show for Pick of the Week #986! Listen to Conor, Josh, and Ron discuss Blade (1998) on Cradle to the Grave. Listen to Josh discuss Fargo on Movie of the Year: 1996. Watch Ron talk about pinball technology on the Daily Tech News Show. Listen to Conor, Josh, and Ron discuss The Crow (1994) on Cradle to the Grave. Listen to Josh discuss Jaws 4: The Revenge (1987) on Cradle to the Grave. Listen to Josh discuss Indiana Jones and the Temple of Doom (1984) on Cradle to the Grave. Watch Josh and Conor talk about how to start a podcast on OpenWater. Listen to Conor discuss Swingers on Movie of the Year: 1996. Listen to Conor discuss Ghostbusters on Movie of the Year: 1984. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join TJ Zwarych and Damon Gray of Agents of Fandom as they discuss everything you need to know before watching Fantastic Four: First Steps, in theaters on July 25th. We discuss the origins of the Fantastic Four in comics, the disappointing history of previous movies, and how the film will connect to the greater MCU.(00:00:00) Intro(00:02:00) When Did You Discover The Fantastic Four?(00:08:00) Fantastic Four's Role in Jonathan Hickman's Secret Wars(00:11:00) Who are the Fantastic Four?(00:13:00) Is Reed Richards the Smartest Person in the Marvel Universe?(00:17:00) What Does Fantastic Four: First Steps Need to be Successful?(00:23:00) Will the MCU Nerf Franklin Richards?(00:24:00) Will Franklin Richards Reboot the MCU After Secret Wars?(00:28:00) Galactus in the MCU(00:31:00) Who is Shalla-Bal? Silver Surfer in Fantastic Four: First Steps(00:37:00) John Malkovich's Red Ghost Cut From Fantastic Four(00:39:00) Will Robert Downey Jr's Doctor Doom be in Fantastic Four: First Steps?#FantasticFour #MCU #Marvel #AgentsofFandom

Today, the club discusses their reactions to the Superman movie from Soup(er) to nuts! The cast, the plot, the reveals - we'll talk about it all. That means spoilers folks! Be aware that we'll meander into spoiler territory a little bit at a time, so if you haven't seen the movie, you might want to avoid this one. YOU'VE BEEN WARNED! In addition, you know we gotta cover first issues (its our core premise afterall). We'll talk about Ghost Pepper, and manga inspired double sized indie debut on image comics from Ludo Lullabi, then we get a double dose of Duggan with his indie offering also on image with "This Ends Tonight". He's joined by Kelvin Mao, Robert Windom, Jae Lee, and June Chung in this action fantasy. His big two entry was Marvels "Godzilla Destroys the Marvel Universe". 

Chris and Erik are back at it with another random episode...MCU Catch-Up: "Thunderbolts", "Captain America: Brave New World", and "Daredevil: Born Again"Ultimate Spider-man (2024)X-Men: The Krakoa EraPitch Ideas - Event Books: "Kingpin Takes the Marvel Universe" (Erik) and "Acts of Vengeance 2" (Chris)Mount Rushmore: Spider-man VillainsEssential Reads: Captain America(Episode edited by Chris Carroll)Check out our blog at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ComicZombie.net⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for more! Follow us on Social Media:Instagram: @ComicZombiePodcastBlueSky: @ComicZombieNetwork InfoThis podcast is a production of the We Can Make This Work (Probably) Network. Follow us below to keep up with this show and discover our many other podcasts – including: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Epik Fails of History⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠2 Young 4 This Trek⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Podcasters Assemble⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠| ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠| ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @probablywork⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.probablywork.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: ProbablyWorkPod@gmail.com

In Part 2 Loeb discussed his return to Marvel Comics, explaining that he was approached by CB Cebulski  Marvel's editor-in-chief, to write a new X-Men story. Loeb shared his histto run Marvel Television. He expressed interest in writing a story that would affect the main X-Men continuity, rather than creating a separate dream sequence.Loeb and Tom Brevoort,Marvel editor, discussed how to integrate the story of the Age of Apocalypse characters into the main Marvel Universe. The new story will feature characters from different X-Men timelines meeting in the present day.

Going to chapel and going to mischief.  Ross and Kirby have gotten FF's 43-45 and Annual 3. We say good by to Vinnie Colleta's inks and Joe Sinnott arrives. Joe is here to stay for a long time. Yay! The issues have the Inhumans, the Frightful Four, Doctor Doom, and most of the Marvel Universe 1965, Wedding Bells for Reed and Sue! #FantasticFour #FF #MisterFantastic #InvisibleWoman #HumanTorch #TheThing #FrightfulFour #Medusa #Wizard #Trapster #Sandman #DoctorDoom #Inhumans #Crystal #Lockjaw #Karnac #Gorgon #StanLee #JackKirby #JoeSinnott #VinnieColletta

Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSMarvel reveals the new Age of Apocalypse, and 1 mutant is now in chargeMarvel unleashes the ‘Violent Era' of Ghost Rider this October in Spirits of ViolenceHulk returns to Sakaar this October in a special anniversary one-shotMarvel unleashes 'Black, White & Blood and Guts' Halloween 2025Marvel unveils final 'Imperial War' one-shot starring cosmic dream teamJack Kirby honored with “Jack Kirby Way” on NYC's Lower East SideDC takes over San Diego Comic-Con 2025 with panels, retro vibes, and first-ever collabsSkybound reveals SDCC 2025 panels and moreTed Raimi joins ‘Creepshow Vol. 4' #2 comic for Halloween, and it's creepy AFYour devotion will be tested again: 'Cult of the Lamb' comic returns in October 2025G.I. Joe's loudest adventure yet rocks comic shops this October 2025June sales figures are in!Our Top Books of the WeekDave:Superman Treasury 2025: Hero for All #1 (Dan Jurgens, Bruno Redondo)Beneath the Trees Where Nobody Sees: Rite of Spring #1 (Patrick Horvath)Alex:​​Predator: Black, White, & Blood #1 (Joe Kelly, Alvaro Lopez, etc)The UnChosen #1 (David Marquez)Standout KAPOW moment of the week:Alex: Uncanny X-Men #17Dave: The Unchosen #1 (David Marquez)TOP BOOKS FOR NEXT WEEKAlex: Absolute Flash #5 (Lemire, AL Kaplan), Marvel Knights: The World To Come #2 (Christopher Priest, Joe Quesada)Dave: Godzilla Destroys the Marvel Universe #1 (Gerry Duggan, Javier Garron)JUDGING BY THE COVER JR.Dave: Detective Comics #1099 (Jae Lee)Alex: Ultimate X-Men #17 (Nic Klein variant)Interview: Christian Ward (Event Horizon: Dark Descent #1 out August 20 - Artist: Tristan Jones):What drew you to Event Horizon as a storyteller? Was there a particular theme or visual that made you say, “Yes, I need to write this”?How closely did you work with the original film's team or studio? Were there any specific mandates or was the universe yours to expand freely?You've described this as taking “big gory swings.” What kind of boundaries were you hoping to push with this prequel that the film only hinted at?Tristan Jones' art and Pip Martin's colors amplify the discomfort and dread on every page. How did your collaboration with them shape the tone and feel of the book?The crew in Dark Descent each seems to be running from something. How did you approach building characters whose inner demons might mirror the horrors they'll face externally?Paimon, the eyeless King of Hell, is a new addition. How did you land on this particular figure as the face of evil? What does he bring thematically to the world of Event Horizon?The first issue builds such thick atmosphere and creeping dread. What's the key to sustaining that across a miniseries without letting the horror peak too early?[Fun/silly question] Let's say you're stuck aboard the Event Horizon with one other comic book character of your choosing. Who would it be and why?FOC July 14

Get ready for an epic deep dive into the Marvel Universe! In this video, we're breaking down the **Top 10 Marvel Characters** that absolutely deserve a spot in *Marvel Rivals*, the ultimate superhero showdown game! From iconic heavy-hitters to fan-favorite underdogs, we'll explore why these heroes and villains would bring unique powers, dynamic playstyles, and thrilling lore to the battlefield.

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

This week, Ethan S. Parker and Griffin Sheridan (Kill Your Darlings) return to the show once again as we discuss looking back on past works, entering the Marvel Universe with Bring on the Bad Guys: Green Goblin, their new BOOM! Studios series Blink and You'll Miss It, and more!IDB is an all-new weekly podcast presented by Ashcan Press and featuring Matthew Rosenberg, Ethan S. Parker, sometimes Griffin Sheridan, and wonderful guests from the world of comic books!Our theme song is “Where's the Poison” by Summer People.Enjoy! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit ashcanpress.substack.com

In this episode, we discuss all of the historical figures that have appeared in the Marvel Universe. We hope you will stop reading your comics to join us!Send us a message by clicking here. We may read or respond to it in a future episode!Support the show

In this episode, Sharmanique dives into the world of superheroes, focusing on Riri Williams, also known as Ironheart. At just 15, Riri built her own Iron Man suit, showcasing her brilliance and determination. The conversation explores her origin story, her connection to Tony Stark, and the cultural significance of her character as a young black female genius in the Marvel universe. The episode also discusses Riri's future in the MCU and highlights key storylines from the comics, along with a review of recent movies.

Before the Avengers, Marvel's original superhero team, the Fantastic Fou, set the stage for the Marvel Universe as we know it. In this episode, we break down the team's wild origin story, iconic powers, and their evolution from comic book legends to upcoming MCU headliners. With Pedro Pascal, Vanessa Kirby, Joseph Quinn, and Ebon Moss-Bachrach set to play the team, we discuss what this reboot means for Marvel's future, why past versions flopped, and how Doctor Doom might still loom large even if he's not in the movie. Plus, speculation on timelines, Kang's exit, and where the Fantastic Four fit into the larger multiverse saga. 'Fantastic Four: First Steps' hits theaters on 7/25/25. Learn more about your ad choices. Visit megaphone.fm/adchoices

Riri Williams is ready to show the world what she can do as the self-made hero of tomorrow.  Her technology just might change the world forever - if she survives that long!  But is she ready for all the problems that come with stepping into Iron Man's jet boots?  Problems like her first big villain and the laundry list of criminals looking to destroy Tony Stark's legacy.  Oh, and all the super-teams out to recruit her!  It's time for Riri to claim an alter ego of her own - welcome to the Marvel Universe, Ironheart! News 2:10 Invincible Iron Man: Ironheart - Riri Williams 17:20 Back Matter Matters 52:00 The Pull-List 59:20 Linktr.ee/tradewaiters Follow Us!

Ebon Moss-Bachrach has won two Emmys for his portrayal of Cousin Richie, the abrasive and ornery cook/maître d' on the FX series The Bear. The show is known for kitchen chaos, but he says the set is calm. He spoke with Fresh Air contributor Ann Marie Baldonado about the show, his character on GIRLS, and his venture into the Marvel Universe. TV critic David Bianculli reviews the documentary, My Mom Jayne, produced and edited by Law & Order actor Mariska Hargitay. It's about her mom, the actress Jayne Mansfield, who died young in a car accident.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week, Ethan S. Parker and Griffin Sheridan (Kill Your Darlings) return to the show as we discuss looking back on past works, entering the Marvel Universe with Bring on the Bad Guys: Green Goblin, their new BOOM! Studios series Blink and You'll Miss It, and more!IDB is an all-new weekly podcast presented by Ashcan Press and featuring Matthew Rosenberg, Ethan S. Parker, sometimes Griffin Sheridan, and wonderful guests from the world of comic books!Our theme song is “Where's the Poison” by Summer People.Enjoy! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit ashcanpress.substack.com

MUSICRIP: Mick Ralphs, the guitarist and co-founding member of Bad Company, died yesterday following complications from cancer and a stroke suffered days after the band completed a UK tour in October 2016. He was 81. Jaden Smith was spotted sitting on a park bench in Paris at 3:00 a.m., with a bong. Smith was seen wearing a white t-shirt under a bright yellow coat with baggy light blue jeans for the outing. The musician was also seen carrying a black bag as he left the park bench with his friend, who was clad in a black hat, black shirt and black pants. TVFans will get to say goodbye to Anne Burrell through one of her most successful ventures. Karate Kid actor and Cobra Kai star Martin Kove was asked to leave a fan convention over the weekend after biting his co-star Alicia Hannah-Kim during a VIP meet-and-greet. MOVING ON INTO MOVIE NEWS:Mahershala Ali would still like to be the next Blade in the Marvel Universe. During a recent interview, Ali said, "Call Marvel. I'm ready. Let them know I'm ready." Tom Cruise is showing support for Brad Pitt at the premiere of his new movie F1! The two A-list stars walked the red carpet together at the premiere event on Monday in London. Brad Pitt needed to make some changes after his divorce from Angelina Jolie, so he went to Alcoholics Anonymous. On Dax Shepard's "Armchair Expert" podcast, he said, quote, "I was pretty much on my knees, and I was really open. I was trying anything and everyone. · After scaring up $60 million at the box office during its June 20th opening weekend, 'Movie Web' says Danny Boyles' zombie horror flick '28 Years Later' should come to streaming just before Halloween. By now you've probably heard that we're getting a fourth "Meet the Parents". So far, Ben Stiller, Robert De Niro, and Owen Wilson are returning, along with the addition of Ariana Grande. For some reason, people are trying to make news out of the fact that Scarlett Johansson kissed her openly gay "Jurassic World" co-star on the lips in front of her husband Colin Jost.· AND FINALLYUltimateClassicRock.com ranked the best summer-themed rock songs.AND THAT IS YOUR CRAP ON CELEBRITIES! Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows ⁠http://www.1057thepoint.com/RizzSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We are not slowing down as my Pride Month Feature rolls along with returning show guest Eisner, GLAAD, and Ringo nominated comics writer Steve Orlando hanging out with me to talk about two of his projects dropping with the big two. Last time he was on we were talking about the ongoing Scarlet Witch series which is being continued in a new five issue mini-series The Vision and The Scarlet Witch, recognizing their 50th wedding anniversary which will see the return of White Vision. It's hard to believe their wedding was 50 years ago in Giant Sized Avengers #4. Steve is promising a Lovecraftian slat to the series which I'm personally rather excited about. Recently it was announced that he will also be working on the Magical Mysteries of Shazam on DC Go!, Venom: Original Sin jumps from Marvel Unlimited Online to print, the exciting conclusion of Ripperland who he's co-writing with John Harris Dunning just wrapped up and will be dropping as a trade soon with Dark Horse Comics, and the trade of Avengers Assemble: The Serpent Scenario just hit too. So, Steve is quite the busy guy at the moment. If you want to catch up with him, you can find him on BlueSky or on Instagram. Shark rescue Byron talked about on the show The Vision and The Scarlet Witch From the publisher The next chapter in one of comics' greatest love stories arrives this May! Celebrating the 50th anniversary of their iconic wedding in GIANT-SIZE AVENGERS (1974) #4, Scarlet Witch and Vision are back together in THE VISION & THE SCARLET WITCH, a five-issue limited series by current SCARLET WITCH scribe Steve Orlandoand returning series artists Lorenzo Tammetta and Jacopo Camagni. THE VISION & THE SCARLET WITCH serves as the latest evolution of Orlando's ongoing SCARLET WITCH run, which has successfully redefined the adventures of Wanda Maximoff. Carving out her own path in the Marvel Universe as a solo hero, Scarlet Witch's magic has never been more powerful. But when it comes to helping Vision, she'll need more than strength alone! Befitting their decades-spanning romance, Scarlet Witch and Vision team up for a dramatic saga that will test their souls and break their hearts! The Magical Mysteries of Shazam! From the publisher In The Magical Mysteries of Shazam!  by writer Steve Orlando (Supergirl, Martian Manhunter) and artist Giopota, Billy Batson has had to grow up fast. Life with Tawny, a talking tiger and also Billy's adoptive uncle, is humble. It's not always easy! Billy lives with Tawny's other foster children, Darla, Pedro, and Freddy. Despite all he's been through, Billy is willfully hopeful. In addition to all the struggles a blended foster family faces, Fawcett City isn't exactly the safest place to live. It might be a fantastic, whimsical city full of both humans and talking animals, but it's also got a monster problem—in fact, a Monster Society! Soon Billy is granted the ability to say a magic word and transform into a mighty hero! Fawcett City cheers its new champion—and little do they know, he's one of their own. Or do they? Because Billy's siblings are pretty sure they saw him turn into a full-grown superhero. PATREON We have a new Patreon, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CryptidCreatorCornerpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. If you like what we do, please consider supporting us. We got two simple tiers, $1 and $3. Want to know more, you know what to do. THE ORDER OF THE NUN-YA STARBURST: VIOLA Make sure to check out our friend's new crowdfunding campaign ⁠⁠The Order of the Nun-Ya Starburst: Viola⁠⁠ that I mentioned in the episode. ⁠⁠(LINK)⁠⁠ ARKENFORGE Play TTRPG games? Make sure to check out our partner ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Arkenforge⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Use the discount code YETI5 to get $5 off your order. Learn more about your ad choices. Visit megaphone.fm/adchoices

SUMMER CROSSOVER SPECTACULAR BEGINS! Love 'em or hate 'em, big event comics were a defining feature of the Iron Age, cramming a whole universe of superheroes into a single miniseries and/or spreading a single story out over multiple titles. We begin three months of surveying the crossover phenomenon with one of the first major examples: Marvel's Secret Wars II, written and architected by friend-of-the-podcast* Jim Shooter. Whereas the original Secret Wars was designed to take place relatively unobtrusively between issues of the regular monthly books, the sequel sprawled across the Marvel Universe for nine months. The cosmic being known as the Beyonder has come to Earth seeking the meaning of existence, and his limitless power—coupled with childlike curiosity and naivete—makes him a potential threat to the entire multiverse. But, in contrast with its action-packed predecessor, the frequently bizarre Secret Wars II spends much of its time on fish-out-of-water hijinks, thinly veiled attacks on former Marvel creators, mild satire of '80s consumer culture, and some uncomfortable fixations regarding women and relationships. Discussed in this episode: Secret Wars II #1-9, plus various tie-ins._________* (Not really.)Support us at patreon.com/ironageofcomics

In this episode, we cover a little bit of everything—from Marvel heroes to marriage dynamics. Kait shares why she's obsessed with The Punisher, Mav talks about his favorite parts of the Marvel universe, and we both reflect on the deeper values these characters represent. We also dive into marriage: what it takes to stay connected, communicate clearly, and avoid the trap of taking each other for granted. Whether you're a superhero fan or just working on building a stronger relationship, there's something in here for you.We talk about:-why Kait loves Punisher-diving into the the Marvel Universe-humility as a character trait-ways to keep your marriage strong-taking your partner for granter-men leading in a relationship Time Stamps: 0:00 Introduction2:00 why Kait loves Punisher10:25 why Mav loves Marvel15:35 values of favorite MCU heroes20:17 watching “normal” shows23:38 writing to your partner34:45 communicating your needs37:55 “roommate problems”39:36 having similar visions for lifeCONNECT WITH KAIT:IG: https://www.instagram.com/kaitannmichelle/Email: https://go.maverickonlinecoaching.net/mailing-listFree FB Community: : https://www.facebook.com/share/g/18fyYCSZgn/?mibextid=K35XfPCONNECT WITH MAVERICK:IG: https://www.instagram.com/maverickonlinecoaching/SLAE: https://www.instagram.com/slaehormonesolutions/Website for SLAE Hormone Solution: https://slaehormonesolutions.com/Website for Maverick Online Coaching: https://maverickonlinecoaching.net/coachingAsk anonymous questions: https://ngl.link/maverickonlinecoaching1 Hosted on Acast. See acast.com/privacy for more information.

In this episode, we cover a little bit of everything—from Marvel heroes to marriage dynamics. Kait shares why she's obsessed with The Punisher, Mav talks about his favorite parts of the Marvel universe, and we both reflect on the deeper values these characters represent. We also dive into marriage: what it takes to stay connected, communicate clearly, and avoid the trap of taking each other for granted. Whether you're a superhero fan or just working on building a stronger relationship, there's something in here for you.We talk about:-why Kait loves Punisher-diving into the the Marvel Universe-humility as a character trait-ways to keep your marriage strong-taking your partner for granter-men leading in a relationship Time Stamps: 0:00 Introduction2:00 why Kait loves Punisher10:25 why Mav loves Marvel15:35 values of favorite MCU heroes20:17 watching “normal” shows23:38 writing to your partner34:45 communicating your needs37:55 “roommate problems”39:36 having similar visions for lifeCONNECT WITH KAIT:IG: https://www.instagram.com/kaitannmichelle/Email: https://go.maverickonlinecoaching.net/mailing-listFree FB Community: : https://www.facebook.com/share/g/18fyYCSZgn/?mibextid=K35XfPCONNECT WITH MAVERICK:IG: https://www.instagram.com/maverickonlinecoaching/SLAE: https://www.instagram.com/slaehormonesolutions/Website for SLAE Hormone Solution: https://slaehormonesolutions.com/Website for Maverick Online Coaching: https://maverickonlinecoaching.net/coachingAsk anonymous questions: https://ngl.link/maverickonlinecoaching1

Kicking off my Pride Month Feature for year three on the show, today's guest is quickly amassing one of the largest bodies of queer superhero character continuum in the Marvel Comics Universe. He's a two-time GLAAD Award winning author, a three-time National Magazine Award winner, and a winner of the 2024 Dayne Ogilvie Prize for LGBTQ2S+ Emerging Writers. That would be comics writer Anthony Oliveira. Anthony's run on Avengers Academy has been stellar and one of my favorites on Marvel Unlimited. It's soon to be partially collected for the first time in print this June as a trade paperback and also hitting shelves will be a return for him to Marvel's Pride Month project, Marvel United: A Pride Special, which will feature Captain America and Arnie Roth. We get into both of those projects, a little bit about his cinema loves with Dumpster Raccoon, why creating new characters is important, why it's hard to let them go, and I sneak in another Hell Comes To Frogtown pitch. Anthony Oliveira's website Byron's Shout Out: Wolf Alice Anthony's Shout Out: JJJJJerome Ellis Marvel United: A Pride Special From the publisher MARVEL HEROES UNITE AGAINST FEAR AND HATEMONGERING! Visionary Marvel creators and bright rising stars deliver an action-packed anthology to take a real look at the world outside your window! From Al Ewing, Captain America of the Railways Aaron Fischer confronts the inimical and despicable Hate-Monger; Anthony Oliveira pens a story about the past that will reshape the future; and more! You won't want to miss this special of righteous rage, longing love, captivating catharsis and, most of all, solidarity! Avengers Academy : Assemble From the publisher Since launching last year, Marvel Unlimited's hit AVENGERS ACADEMY Infinity Comic series by rising star Anthony Oliveira and visionary artists Carola Borelli and Bailie Rosenlund has become an online phenomenon, gaining a devoted fanbase who tune in each week to experience the adventures of Marvel's most promising young heroes!This June, the acclaimed series comes to your local comic shop in AVENGERS ACADEMY: ASSEMBLE #1, a new one-shot collecting the first six issues in print for the first time! From the X-Men to the symbiote hivemind, this eclectic group assembles fan-favorite characters from every corner of the Marvel Universe, including new sensations like Kid Juggernaut. Discover their journey to become tomorrow's Mightiest Heroes in this masterful blend of teen drama and super hero adventure! PATREON We have a new Patreon, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CryptidCreatorCornerpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. If you like what we do, please consider supporting us. We got two simple tiers, $1 and $3. Want to know more, you know what to do. ARKENFORGE Play TTRPG games? Make sure to check out our partner ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Arkenforge⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Use the discount code YETI5 to get $5 off your order. THE LANTERN CATALOG Created on the premise of creating light in the dark, this is the the go to resource to keep you up to date on the indy projects and the creators you love. You can find them at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.thelanterncatalog.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jonathan Hickman's next big swing IMPERIAL is here! What is it and how does it impact the Marvel Universe? Plus reactions to Ultimate Wolverine, Absolute Superman, Ultimate Incursion and much more!(00:00) The Rundown(02:16) Rant: What Is Marvel Doing With Their Releases?!(07:10) Imperial #1 Review(15:23) Ultimate Spider-Man: Incursion #1 Review(20:53) Ultimate Wolverine #6 Review(29:12) Absolute Superman #8 Review(33:38) Justice League Unlimited #7 Review(38:58) Superman #26 Review(46:01) Be Not Afraid #1 Review(50:52) Next Week's Pulls

I have sadly sworn off the MCU for some time now. None of the offerings in recent years have appealed to me but when Captain America: Brave New World showed up on Disney Plus I decided to give it a try. Featuring the debut of Harrison Ford's Red Hulk character, could this be the movie that brings me back into the Marvel Universe? Not so fast. Join me while I try to find a ray of hope inside this flawed super hero movie.

There goes my hero; watch him as he goes / There goes my hero, He's ordinary. Foo FightersHeros? Who needs them? Well, apparently everyone. The Marvel Universe movies alone have made $31 billion in movies alone - that doesn't include revenue from comic books, novels, and merchandise. And let's admit it: as long as there is a villain, a bully, or evil empire, we'll always need a hero. What is a hero? Someone who represents courage, selflessness, sets aside personal safety, and the drive to overcome obstacles to achieve a goal or protect others. They are soldiers and moms, first responders and dads, community change agents and children. They can be anyone. They simply arise when the time requires. It is probably YOU ... or soon will be. But we need archtypes. We need examples to show us how its done and what they did and why. In this series, Pastor Nate talks about important Biblical figures that - for no other reason being the right person at the right time - became heroes. Watch Nate's message and then come back here!▶️ Nate's Message on YouTube: https://tinyurl.com/ytp4e3df

It's iFanboy 20/25 — 20 years of podcasting and 25 years of iFanboy! It's a 5th week and Josh Flanagan is off exploring a career pivot into the world of lighthouse keeping, so Conor Kilpatrick soldiers on as the sole Jamoke™ but with the assistance of third-chair seat warmer Dr. Ryan Haupt, and they're both ready to discuss the week in comics! Note: Time codes are estimates due to dynamic ad insertion by the distributor. Running Time: 01:07:24 Pick of the Week:00:01:19 – Red Hulk #3 Comics:00:09:28 – Void Rivals #1800:14:57 – Detective Comics 2025 Annual #100:19:52 – Batman/Superman: World's Finest 2025 Annual #100:27:04 – Wolverine and Kitty Pryde #100:30:37 – Fantastic Four #724 (31) Kaiju Corner:00:38:22 – Godzilla vs. Spider-Man #100:42:35 – Godzilla vs. Los Angeles #1 Patron Pick:00:45:58 – The Savage Sword of Conan #8 Patron Thanks:00:54:36 – Kevin Miller Listener Mail:00:58:52 – Dan C. from Madison, New Jersey wants to know how the rolling timeline of the Marvel Universe extends to updating pop culture crossovers between comic book characters and real life pop icons. Brought To You By: iFanboy Patrons – Become one today for as little as $3/month! Or join for a full year and get a discount! You can also make a one time donation of any amount! iFanboy T-Shirts and Merch – Show your iFanboy pride with a t-shirt or other great merchandise on Threadless! We've got TWENTY TWO designs! Music:“The General”Dispatch Learn more about your ad choices. Visit megaphone.fm/adchoices