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Watch this episode HEREWith Scream 7 coming out this Friday, we're ranking all 6 Scream movies
Ahead of the hotly anticipated Scream 7, we thought we would discuss the last time Kevin Williamson wrote a Scream film. Scream 4 sees Wes Craven's final directorial duties, as Sydney Prescott returns to Woodsboro just in time for another slaughter. Arriving after a slew of torture porn, paranormal films and a bunch of gritty reimagining of classic horror remakes, Scream 4 centres around the idea of remakes and the state of horror in the early 2000s. But how does Scream 4 stack up when compared to the rest of the franchise? Why does it look so weird? Is it a worthwhile instalment or is this one that makes Scream feel dated? Remember to hit that subscribe button and leave us a lovely review. There's new episodes every week, and we cover horror movies from new releases with spoiler filled and spoiler free reviews, to old classics and B movie gems. You can find us on twitter and instagram @cmthpodcast or check out our website at https://castmetohell.podbean.com Theme by Dan Motti
This week on Forgotten Cinema: Lead Up, the Mikes tackle "Scream" (2022), or as it should be called, "Scream 5".As the first entry in the franchise not directed by Wes Craven, this chapter is in the hands of Radio Silence, and both Mike Butler and Mike Field think they do a strong job carrying the torch. The film delivers solid kills, balances legacy characters with a new generation effectively, and even manages to handle the death of a major returning character with respect and emotional weight.The connection to the original film is well woven into the story, grounding the new cast in the mythology without feeling entirely forced. That said, the Mikes do have a few issues; the Billy Loomis twist is a bit hard to swallow, and some of the logic behind Ghostface's kills does not quite hold up under scrutiny.Even with those criticisms, "Scream 5" stands as a confident and entertaining revival of the franchise, proving that the series can survive beyond its original creator. As the penultimate episode in the Scream Lead Up series, it sets the stage nicely for one final stop before "Scream 7".So join the Mikes as the go through each film in the "Scream" saga leading up to the release of "Scream 7".What are your thoughts on these Radio Silence Screams? Let us know in the comments!
#crimechatwithnatandkat bring you this week's Episode 159: Movie vs Reality -- SCREAM! Kat kicks off by dropping some deets about the "scream queen" phenomenon. Then, Nat breaks down the original 1996 movie, "Scream," which inspired a real murder! While house-sitting in what should have been a safe, quiet home, 16-year-old Cassie Jo Stoddard became the target of a real-life horror script written by classmates Brian Lee Draper and Torey Michael Adamcik. Obsessed with notoriety and the cinematic violence of Wes Craven's masterpiece, the duo set out to turn fiction into a disturbing reality. Find out more about this true crime story on Saturday, February 21, 2026! You can find the CrimeChat anywhere you get your favorite #truecrimepodcasts! #amazonpodcasts #applepodcasts #youtubepodcasts #spotifypodcasts #patreon #rss #rumble #TrueCrime #CassieJoStoddard #Scream #Podcast #IdahoHistory
After a break from the genre, The Three Men and a Retrospective Podcast has finally returned to horror! With a new Scream film hitting theaters this month, the co-hosts embark on reviewing the entire groundbreaking film series. Every franchise has to begin somewhere, and some believe that the 1996 original is the best of the entire series. But is it? Join Garrett, Matt, and Adam as they begin their quest of answering that question. Listen to Adam and Garrett discuss how they initially saw the film that redefined the horror genre. They also talk about how Wes Craven essentially took the job that would help him change horror with Ghost Face in the 90s the same way Freddy did the same in the 80s. Finally, how do they all feel about the film today? Start screaming podcast listeners, and prepare for your ears to take in the Scream Retrospective series!
Este fue un podcast doloroso pero feliz. Doloroso porque es una despedida al gran narrador que fue Rob Reiner, que nos dejó de manera trágica y repentina. Y feliz porque hablamos de una de las rachas más impresionantes de la historia de Hollywood: This is Spinal Tap (1984), Stand by Me (1986), The Princess Bride (1987), When Harry Met Sally (1989), Misery (1990) y A Few Good Men (1992). Para ello Hermes initó a la antropóloga y académica María Paz Peirano (tal vez la recuerde de podcasts como el KruegerCast de Wes Craven's New Nightmare) y nos dedicamos a celebrar todas estas películas que tienen al menos dos cosas en común. Uno, son todas de Rob Reiner y dos, son todas más buenas que el pan. Y recuerde que en www.patreon.com/hermeselsabio puede escuchar podcasts exclusivos, pre-estrenos, taller de cine y más.
Ghostface is back… but this time it's personal.In Part 2 of our Scream (2022) review, Chris and JJ dive into the emotional fallout, franchise tributes, and the most debated moment in the entire film — Dewey Riley's fate.We unpack:
This week it's the Wes Craven movie The People Under The Stairs (1991)! Jamie and Nikisha talk dinner and a movie, Oscars, 'Diabolic', 'The Mortuary Assistant', tonal shifts, late-stage capitalism, gentrification, empathy, Robin Hood ethics, multiple feelings and, of course, that leather outfit! Watch us on YouTube! Follow us on Instagram | Twitter | TikTok: @TalkHorrorPod Check out Jamie (aka EmoSupportJamie) on Twitch!
Kim and Ket Stay Alive... Maybe: A Horror Movie Comedy Podcast
Kim finishes telling Ket about the second half of this riveting masterpiece. When you put Freddy in the mix with other misogynist dorks… Jason doesn't seem so bad, honestly. Grab your jello and let's finish this! It is finished, right? There isn't one more to tell in exactly one month is there? Most importantly we'll learn if Ket will live or die in Freddy vs. Jason.Dir. Ronny YuWriters Damian Shannon and Mark SwiftBased on characters created by Wes Craven and Victor MillerSupport the girls on PATREON for some sweet BONE CON (bonus content) at: www.patreon.com/kimandketstayalivemaybeCheck out Ket & Producer Arik's new show MAJOR SLAYAGE: KET & ARIK REWATCH BUFFY THE VAMPIRE SLAYER on YouTube! https://www.youtube.com/@majorslayagepod and follow on instagram: instagram.com/majorslayagepod KKSAM Facebook Discussion Group!!"Sammies Stay Alive... Maybe"www.facebook.com/groups/kksampodcastGet acquainted with all things KIM & KET at www.kimandketstayalive.com Chat with the girls at kksampodcast@gmail.comPeep the girls on Instagram: @kksampodcastRock with the girls on Tik Tok: @kksampodcastBook the face of the girls on Facebook: @kksampodcastWear the shirts of the girls from the MERCH Store: kimandketstayalivemaybe.threadless.comOk we'll see ourselves out.Thanks for listening!xo and #StayAlive,K&KKIM AND KET'S SURVIVE THE CELLAR: link.chtbl.com/kkstcProud members of the Dread Podcast NetworkSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
On today's show, we continue our loose-connections series of films by discussing the little-discussed 1991 Wes Craven film, THE PEOPLE UNDER THE STAIRS! Join us as we discuss the interesting acting choices of the cast, the way the film explores Classism, the sinister revelation of who the people under the stairs are (and the even more disturbing reason why they're there), the See/Hear/Speak No Evil monkeys, and so much more! We also talk about The Muppets Show (2026 Disney+ Special), Ghosts of Mississippi (1996), our feelings about legal dramas in general, and the various Alamo Drafthouse closings in Texas! ———————————————————— To see images of the stuff discussed, look at your device's screen while listening! Go here to get some LTAS Merch: http://tee.pub/lic/huI4z_dwRsI Email: LetsTalkAboutStuffPodcast AT gmail DOT com Follow LTAS on Instagram: https://www.instagram.com/ltaspod/?hl=en Subscribe to Steven's YouTube channel: https://youtube.com/@alittlelessprofoundfilms?si=exv2x7LZS2O1B65h Follow Steven on Letterboxd: https://letterboxd.com/stevenfisher22/ Brent is not on social media. A 5-Star rating on your podcast app is appreciated! And if you like our show, share it with your friends! IT'S STICKY, BUT LIKE A *FUN* STICKY.
Today, on Crime & Entertainment we have horror Scream Queen, Susan Lanier. Susan shares what is what like working with horror legend Wes Craven on the Hills Have Eyes. We dive into the challenges on set, tense scenes and we cover the rest of her career in show business including shows like Welcome Back Kotter & #s Company.Follow Susan Herehttps://www.instagram.com/susanlanier_actor/Links to Crime & EntertainmentLike us on Facebook - / crimeandentertainment Follow us on IG - / crimenentertainment Listen on Spotify - https://open.spotify.com/show/4T67Bs5...Listen on Apple Music - https://podcasts.apple.com/us/podcast...Listen on Stitcher - https://www.stitcher.com/show/crime-e...Listen on Google Podcast - https://podcasts.google.com/feed/aHR0...Listen on Amazon Music - https://music.amazon.com/podcasts/9cd...
This week on Forgotten Cinema: Lead Up, the Mikes continue their road to "Scream 7" with "Scream 4", Wes Craven's return to Woodsboro more than a decade after the original trilogy.Both Mike Butler and Mike Field still enjoy this entry, especially for its strong kills and surprisingly ahead-of-its-time themes about streaming culture, internet fame, and the performance of violence for an audience. The film feels eerily prescient in how it tackles social media obsession before it completely took over the world.That said, there is a lot of unmined potential here. Butler feels the third act drops the ball slightly with a convenient ending and not doing quite enough with the Ghostface killers in the final stretch. Both Mikes also agree that Hayden Panettiere's Kirby could have been positioned as the new Final Girl. With her horror movie expertise and charisma, she could have served as a fascinating long-term foil to Ghostface.The Mikes also dig into the long-standing rumor that "Scream 4" was intended to launch a new trilogy centered on a killer who gets away with it, only to be hunted by new Ghostfaces in future installments. It is an intriguing idea that makes the existing ending feel like a missed opportunity.Still sharp, still brutal, and more relevant than ever, "Scream 4" stands as a bold attempt to reinvent the franchise, even if it stops just short of fully committing to its most interesting ideas.So join the Mikes as the go through each film in the "Scream" saga leading up to the release of "Scream 7".What are your thoughts on this current end of the "Sydney" saga and how it compares to your opinions of 5 and 6? Let us know in the comments!
Welcome to our ongoing coverage of the Scream franchise! As it turns out, Scream 4 is one that Ashley likes too much, and Sara too little, and throughout the episode, we attempt to come to some sort of consensus on this oddball installment. This episode also features not one, but TWO cozy horror-themed games to spice up your listening experience. All we know for sure is that we will always be obsessed with Wes Craven, need to plan a Stabathon immediately, and love all you #hauntedhomebodies out there. Hope you all have a fantastic Friday the 13th and a very haunted Valentine's Day weekend!Join the Homebodies:Subscribe to Our Substack!Follow us on Instagram and TikTok!Watch Full Video Episodes on YouTube!Credits:Podcast Art: Lunch City StudioMusic: Goosebumps by Veace D Get full access to Haunted Homebodies Podcast at hauntedhomebodies.substack.com/subscribe
Kim and Ket Stay Alive... Maybe: A Horror Movie Comedy Podcast
Kim tells Ket about the millionth installment of their Friday the 13th series with special guest, Fred D. Krueger. What are these two crazy kids gonna get up to? Couldn't possibly be scarier than the amount of sweat that Ket produces. Stay tuned for part 2 to find out which dudes are toxic AF, even post mortem.Dir. Ronny YuWriters Damian Shannon and Mark SwiftBased on characters created by Wes Craven and Victor Miller**NOTE: Apologies for the slight audio crackle in this one. It wasn't apparent during recording, and was only noticed during post-production. We're going to troubleshoot before our next recording to fix this. Thanks for your patience -- Producer Arik**Support the girls on PATREON for some sweet BONE CON (bonus content) at: www.patreon.com/kimandketstayalivemaybeCheck out Ket & Producer Arik's new show MAJOR SLAYAGE: KET & ARIK REWATCH BUFFY THE VAMPIRE SLAYER on YouTube! https://www.youtube.com/@majorslayagepod and follow on instagram: instagram.com/majorslayagepod KKSAM Facebook Discussion Group!!"Sammies Stay Alive... Maybe"www.facebook.com/groups/kksampodcastGet acquainted with all things KIM & KET at www.kimandketstayalive.com Chat with the girls at kksampodcast@gmail.comPeep the girls on Instagram: @kksampodcastRock with the girls on Tik Tok: @kksampodcastBook the face of the girls on Facebook: @kksampodcastWear the shirts of the girls from the MERCH Store: kimandketstayalivemaybe.threadless.comOk we'll see ourselves out.Thanks for listening!xo and #StayAlive,K&KKIM AND KET'S SURVIVE THE CELLAR: link.chtbl.com/kkstcProud members of the Dread Podcast NetworkSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Cillian Murphy returned to horror at the end of the latest 28 Years Later, Rachel McAdams teamed up with another horror director in a movie about a plane, and we are getting a 6th sequel to Wes Craven's Scream. It seems like now is a good time to revisit Wes Craven's Red Eye which is exactly what me a Prison Mike Did!https://youtu.be/0SIDCA7HJLkhttps://rumble.com/v75jlu4-red-eye-is-wes-cravens-most-underrated-thriller-hack-the-movies.html
Wes Craven's now seminal meta slasher hit the big screen 30 years ago this year, and we're set to review all of the films in the series leading up to new one. First up, the one that started it all! Come back next episode for Scream 2!
We're going full spoiler mode.
This week on DtW, we're throwing back to the OG meta-horror flick, 1996's Scream! Dan joins Raul's rewatch of the series leading up to a new 2026, Neve-centered sequel to discuss the first film of the franchise. Veteran horror director Wes Craven helms one of the first films to dissect it's genre within the plot and dialogue with seemingly endless nods to, cameos from and easter eggs related to classic horror from all generations. The film is dripping with 90s personality and stands as one of the prototypical films discussing film within it's story, but is it held up entirely by nostalgia or has it remained relevant 30 years later? Listen in as our hosts take a stab at it!
In honor of the upcoming release of the 7th film in the series, we are coving Wes Craven and Kevin Williamson's classic, Scream (1996). Headed up by Neve Campbell, this ground breaking meta teen slasher opens with the most memorable scene with Drew Barrymore. Rae wakes up in a coffin having to watch Laid to Rest for this weeks Tubi or Not TubiWhat we're watchingThe Mighty NeinBenny Loves YouUp Next: Scream 2Where to Find us:InstagramThreadsFacebookYoutubeTikTokLetterboxdboozeboobsandbloodpodcast@gmail.comb3horrorpodcast.combluesky: @b3podcast.bsky.social Hosted on Acast. See acast.com/privacy for more information.
Welcome back listeners! It's taken far too long, but The Fear Response is finally taking on the Wes Craven classic, Scream! Much like The Craft, Scream was a sleepover classic of our generation. Scream is a smart, fun and self-aware horror film that turned the whole genre on its head in 1996. Featuring an amazing ensemble cast including Neve Campbell, Courtney Cox, Skeet Ulrich, David Arquette, Matthew Lillard (screw you Tarantino), and freaking Drew Barrymore, this film was a 90s powerhouse from a master director. Join John and Jenna as they gush over this classic! Sensitive Content Warning: this podcast discusses themes of mental health and horror cinema. Topics addressed could be upsetting to some.
The countdown to SCREAM 7 continues this week with our re-cap of Scream 4. Was this movie ahead of its time? We talk about everything from the "extended/alternate" version to the infamous filter, and lots of little tidbits and opinions along the way. And as always, we've picked out the most loathsome characters from the film, so join us at the end of the episode in voting for which one was the most deserving to die. If you would like to join our livestream recordings for The Cherry Picker, we would be thrilled to have you with us. Check out Zack's Patreon (Link below) to take part.● ● ●▶️ Watch the Video Podcast☑️ Vote in the Cherry Picker● ● ●
New decade. New rules.
This week King Prince,Killah Keel,Bonnie Stone,and Wes Craven debate/discuss who had the best verse on some of the most classic Hip Hop songs.They also discuss new music (Roc Marciano,J Cole),the Hit Boy and Mike Will Made It verzuz,and of course everything current in the culture.Tune in for unfiltered Hip Hop discussion.
Adrian and his brother Al revisit Wes Craven's Vampire in Brooklyn (1995), the horror-comedy where the only thing more mysterious than the creatures of the night is a film confused about what it wants to be. Adrian and Al consider whether the film's tone and high points of character comedy and horror set pieces have aged well, or if instead the film should be buried with a stake through its heart. Chapters: 0:00:12 - Welcome to After-School SpeciAL 0:02:04 - Remembering Vampire in Brooklyn 0:06:59 - The Rewatch 0:36:52 - Rewind or Fast Forward? 0:38:25 - Outro Connect with Adrian & Al: Letterboxd ~ CultFilmSchool Instagram ~ @cultfilmschool Threads ~ @cultfilmschool X ~ @cultfilmschool Facebook ~ Follow Us! Send an Email ~ cultfilmschoolpodcast@gmail.com Don't forget to leave a rating and review!
Hosts STEPHEN SCARLATA (producer, Jodorowsky's Dune) and JOSH MILLER (writer, Sonic The Hedgehog, Violent Night) journey into dreamland to breakdown Wes Craven and Bruce Wagner's original draft of NIGHTMARE ON ELM ST 3, before Chuck Russell and Frank Darabont reworked the script. They are joined by fellow Dream Warrior LOWELL GREENBLATT, author of NIGHTMARE AUTOPSIS: A RETURN TO ELM STREET. Theme music by Brian J Casey
The Mikes are starting their "Scream" Lead Up series with the original film. Mike Field loves this film and the Scream series as a whole; there's not much if anything he can find wrong with Wes Craven's original film. Mike Butler didn't quite "get it" when he was younger. It was a bit too meta for him and he wasn't as knowledgeable at the time about horror films. Now that he get's it, he still has the same big issue...Billy Loomis. They discuss facts about it's production, how it plays with horror tropes, why Ghostface is a great killer, and what makes "Scream" one of the seminal horror films of all time. So join the Mikes as the go through each film in the "Scream" saga leading up to the release of "Scream 7".Which "Scream" are you looking forward to us discussing the most? Let us know in the comments!
This is an episode my guest and I have discussed doing for a couple of years, and with the release of a new film with the subject of the episode, it made sense. The topic is Academy Award nominee Rachel McAdams, who has shown herself to be a versatile performer in a variety of films over the years. My guest is fellow critic and podcaster Morgan Roberts, the host of Female Gaze: The Film Club. We focus on the early part of McAdams's career in film with Nick Cassavetes's "The Notebook", Mark Waters's "Mean Girls", Wes Craven's "Red Eye" and Thomas Bezucha's "The Family Stone". I hope you enjoy!
Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we celebrate Canadian greatness. We celebrate Rachel McAdams! Our B-Sides include The Lucky Ones, The Time Traveller's Wife, Passion, and Every Thing Will Be Fine. We also spend some time on The Hot Chick, and do a couple of Rachel McAdams-inspired quizzes at the top of the episode. It's fun! We talk about her new Sam Raimi movie Send Help. We reflect on McAdams' stratospheric rise to stardom within the first few years (and films) of her career, that time she dated Ryan Gosling, and her many accents over the years. We also shout-out the sheer amount of great filmmakers she's worked with over the years: Wes Craven, Ira Sachs, Woody Allen, Terrence Malick, Brian De Palma, Cameron Crowe, Antoine Fuqua, Tom McCarthy, Wim Wenders, Mark Osborne (animated), Sam Raimi, and Kelly Fremon Craig. That's incredible! There's the limited amount of press she has done over the years (though this podcast episode is lovely, about her and her dear friend) and the fact that the hit movies she's starred in throughout her career are mostly not made for movie theaters anymore. We speak to her comedy chops and her constant alignment with the directors she works with. She's a pro! And finally, we show some appropriate respect to the Michael Sucsy-directed romance The Vow. The woman loves a movie wherein time is manipulated!
Camping out with the family can be murder. Our good friend Amanda Waltz joins us for the conclusion of BANG-UARY with the 1977 Wes Craven classic THE HILLS HAVE EYES. A family becomes stranded in a desolate stretch of desert after a sudden breakdown. As they search for help, they discover a violent clan of cannibals stalking them from the surrounding hills. Also this week: "Crunch Hole" cereal, Amanda's exclusive Discord channel for just girls, and just how far can you shoot cow's milk out of an udder? All this--and a whole lot more--on this week's episode of NEON BRAINIACS!! "Baby's fat. You fat... fat and juicy." ----- Check out our Patreon for tons of bonus content, exclusive goodies, and access to our Discord server! ----- The Hills Have Eyes (1977) Directed by Wes Craven Written by Wes Craven Starring John Steadman, Dee Wallace, Robert Houston, Martin Speer, Janus Blythe, and Michael Berryman ----- 00:00 - Intro & Opening Banter 48:47 - "The Shpiel" 01:11:56 - Film Breakdown 02:11:03 - Stump The Brainiacs & Outro
This week we reach PEAK 80s with two killer robot teen movies from 1986! Michael Blyth joins Mike to discuss Wes Craven's Deadly Friend and Jim Wynorski's Chopping Mall! Hosted, Produced and Edited by Mike Muncer Music by Jack Whitney. Artwork by Mike Lee-Graham Get ad free episodes and weekly bonus content on our Patreon! www.patreon.com/evolutionofhorror Big thank you to Mary Wild for this week's 'Wild About Horror' segment! Sign up to Mary's Patreon! Mike Muncer is a producer, podcaster and film journalist and can be found on BLUE SKY and INSTAGRAM Visit our website www.evolutionofhorror.com Buy tickets for our UPCOMING SCREENINGS & EVENTS Buy yourself some brand new EOH MERCH! Email us! Follow EOH on INSTAGRAM Like EOH on FACEBOOK Join the EOH DISCUSSION GROUP Join the EOH DISCORD Follow EOH on LETTERBOXD
Lights, camera, Ghostface! Hit up the craft services table and then join us as we discuss the troubled production of both the fictional Stab 3 and Wes Craven's very real SCREAM 3. As always, this episode is 100% cotton!
The countdown to SCREAM 7 continues this week with our re-cap of Scream 3. Join us as we unpack this often misunderstood trilogy capper, which has received somewhat of a renaissance in the last few years. And as always, we've picked out the most loathsome characters from the film, so join us at the end of the episode in voting for which one was the most deserving to die. If you would like to join our livestream recordings for The Cherry Picker, we would be thrilled to have you with us. Check out Zack's Patreon (Link below) to take part.● ● ●▶️ Watch the Video Podcast☑️ Vote in the Cherry Picker● ● ●
Join Killah Keel,Wes Craven,& King Prince (along with special guests,Sandra,Jenny,and White Folks) as they watch Jackass 1 and 2.Grab your snacks,drinks,etc and press play for a hilarious time!
This week King Prince,Killah Keel,& Wes Craven determine/debate the best Hip Hop album of 1999.They also discuss new music (Max B & French Montana,Hit Boy,Asap Rocky,La the Darkman),and of course everything current in the culture.Tune in for unfiltered Hip Hop discussion.
The cult film podcast with Mat Colegate (aka Lord Nuneaton Savage) & Dan White (aka The Beast Must Die).The Savage Beast, Season 2, no.4: Thou Shalt Worship Craven Idols In this latest episode we take a look at a that most nebulous Master of Horror, Wes Craven.Films discussed includeWes Craven's New Nightmare (1994)The Serpent and The Rainbow (1988)Deadly Friend (1986) Hosted on Acast. See acast.com/privacy for more information.
Time for series 6 of Darkplace Dreamers! Dean & Darkplace Robert review Wes Craven's Nightmare Café starring Robert Englund. FINAL EPISODE!Check out booksboys.com for links to our social media, merchandise, music, etc, as well as patreon.com/booksboys for the latest episodes of Playboys Extra, Darkplace Dreamers, Film Fellows, Animation Adventurers and more! DOWNLOAD, or stream: Hosted on Acast. See acast.com/privacy for more information.
NEW DECADE, NEW RULES!!! Scream 4 Full Movie Reaction Watch Along: / thereelrejects Start your online business with a $1 per-month trial when you visit https://www.shopify.com/rejects! SCREAM (1996) Movie Reaction • SCREAM (1996) MOVIE REACTION! WHAT A KILLE... SCREAM 2 (1997) Movie Reaction: • SCREAM 2 (1997) MOVIE REACTION! A BRUTAL S... SCREAM 3 (2000) Movie Reaction: • SCREAM 3 (2000) MOVIE REACTION!! First Tim... Gift Someone (Or Yourself) An RR Tee! https://shorturl.at/hekk2 With Scream 7 just around the corner, our Scream Queens RETURN to give their Scream 4 Reaction, Recap, Analysis, Breakdown, Commentary, & Spoiler Review!! Scream 4 (2011) Full Movie Reaction, Breakdown, Commentary & Spoiler Review! — with hosts Roxy Striar & Tara Erickson diving into Wes Craven's razor-smart return to Woodsboro, a sequel that reboots, reinvents, and viciously satirizes a new generation obsessed with horror, fame, and social media. Directed by Wes Craven (A Nightmare on Elm Street) and written by Kevin Williamson, Scream 4 brings back franchise icons Sidney Prescott (Neve Campbell — The Craft, Wild Things), Gale Weathers (Courteney Cox — Friends), and Dewey Riley (David Arquette — Eight Legged Freaks) as Ghostface launches a brutal new killing spree in a world shaped by viral videos, internet notoriety, and remake culture. Roxy & Tara break down the film's most memorable moments: the multi-layered fake-out opening kills, the brutal escalation of Ghostface's attacks, the hospital ambush, the “rules of remakes” speech delivered by Randy's legacy, and the shocking final act reveal that reframes obsession, jealousy, and the hunger for relevance in the digital age. They also explore standout performances from Emma Roberts (American Horror Story) as Jill Roberts, Hayden Panettiere (Heroes) as horror-obsessed Kirby Reed, and Rory Culkin (Lords of Chaos) as the unsettling Charlie Walker. Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter: https://twitter.com/roxystriar Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram: https://www.instagram.com/taraerickson/ Twitter: https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
In this two-part event, Ryan investigates the most talked about aspect of SCREAM 7: Sidney Prescott as a mother, given the history and themes of the Wes Craven films. Ryan is joined by Brittany to predict and muse about Sidney's storyline, Sidney as a mother, and her relationship with her daughter, Tatum. In addition, Ryan briefly outlines the new impending SCREAM 7 marketing that began this week with new footage in a TV spot. Also, Ryan invites Ashley to discuss Taylor Swift's "would've could've should've," the song that best represents Sidney's Scream (1996) and Scream 3 character arc. Join us on Friday for Part II and instant reactions to new marketing materials for SCREAM 7. Follow us @ScreamWithRCS at Instagram, X, and Facebook! Subscribe on Patreon.com/screamwithrcs Taylor Swift Song of the Day: "would've could've should've" (midnights)
The countdown to SCREAM 7 continues this week with our re-cap of Scream 2. Join us as we unpack this hard-hitting sequel, which happens to be our favorite. And as always, we've picked out the most loathsome characters from the film, so join us at the end of the episode in voting for which one was the most deserving to die. If you would like to join our livestream recordings for The Cherry Picker, we would be thrilled to have you with us. Check out Zack's Patreon (Link below) to take part.● ● ●▶️ Watch the Video Podcast☑️ Vote in the Cherry Picker● ● ●
Episode 223 of Another Goddamn Horror Podcast is an absolute banger. We sit down with comedian, TikTok star, horror fanatic, and all-around force of nature Kirsten Michelle Cills for one of our most heartfelt, funny, and horror-obsessed episodes yet. This one truly feels like it was meant to happen.Kirsten opens up about growing up with a terminal illness and how living with mortality shaped her worldview, her comedy, and her deep love of movies, especially horror. We talk about her journey into stand-up comedy, what it is like being a working comedian with a terminal illness.We also dive deep into her wildly popular TikTok channel Kir Kills, breaking down how she creates such smart, funny, and insightful horror content.Of course, we go hard on the Scream franchise, from Wes Craven's original meta-horror classic to the sequels, reboots, and requels. We talk Ghostface killers, final girls, kill scenes, legacy characters, and why Scream remains one of the most important and influential horror franchises of all time. Kirsten is genuinely one of the funniest guests we have ever had on the show and a true authority on horror films.This episode blends comedy, horror, film analysis, disability, mortality, and fandom without ever losing its sense of humor.This is not an episode to be missed.SEO Keywords:horror podcast, Scream franchise, Ghostface, Wes Craven, horror movie podcast, TikTok horror, Kir Kills, Kirsten Michelle Cills, comedian interview, terminal illness and comedy, stand-up comedy podcast, women in horror, slasher movies, horror fandom, horror film analysis, Another Goddamn Horror Podcast, horror TikTok creator, movie podcast, horror influencer
Time for series 6 of Darkplace Dreamers! Dean & Darkplace Robert review Wes Craven's Nightmare Café starring Robert Englund. Check out booksboys.com for links to our social media, merchandise, music, etc, as well as patreon.com/booksboys for the latest episodes of Playboys Extra, Darkplace Dreamers, Film Fellows, Animation Adventurers and more! Hosted on Acast. See acast.com/privacy for more information.
GHOSTFACE GOES TO HOLLYWOOD!! Scream 3 Full Movie Reaction Watch Along: / thereelrejects SCREAM (1996) Movie Reaction • SCREAM (1996) MOVIE REACTION! WHAT A KILLE... SCREAM 2 (1997) Movie Reaction: • SCREAM 2 (1997) MOVIE REACTION! A BRUTAL S... Gift Someone (Or Yourself) An RR Tee! https://shorturl.at/hekk2 Continuing the road to Scream 7 as Scream Queens Tara Erickson & Roxy Striar give their Scream 3 Reaction, Recap, Analysis, Breakdown, Commentary, & Spoiler Review!! Roxy Striar & Tara Erickson react to Scream 3 (2000), the meta-slasher sequel directed by Wes Craven that brings the original trilogy to its Hollywood-set conclusion. Leaning even harder into self-referential humor and franchise commentary, this chapter shifts the action to the set of Stab 3 while confronting the legacy of Sidney Prescott's past. The film centers once again on Sidney Prescott (Neve Campbell – Wild Things, Skyscraper), who has retreated into isolation after years of trauma—until Ghostface resurfaces with a new motive tied to Hollywood secrets. Courteney Cox (Cougar Town, Ace Ventura) returns as relentless reporter Gale Weathers, now navigating career ambition and personal growth, while David Arquette (Never Been Kissed, Eight Legged Freaks) reprises Dewey Riley, whose loyalty and optimism are tested like never before. The supporting cast expands the franchise's scope, including Parker Posey (Best in Show, Lost in Space) as Gale's hilariously unhinged on-screen counterpart Jennifer Jolie, Patrick Dempsey (Grey's Anatomy, Enchanted) as detective Mark Kincaid, and Scott Foley (Felicity, True Blood) as the film's shocking mastermind. Fan Favorite moments include the Ghostface voice-changer twist, Sidney's haunting dream sequences, the mansion-set finale, and the reveal of the trilogy's true overarching villain—reframing everything that came before. While lighter in tone than its predecessors, Scream 3 closes the original saga with satire, callbacks, and a final confrontation that cements Sidney's resilience. Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter: https://twitter.com/roxystriar Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram: https://www.instagram.com/taraerickson/ Twitter: https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
Ryan performs an audio commentary of Wes Craven's masterpiece, "Scream 2" (1997). Feel free to listen along like a normal podcast episode, or sync up this audio while watching the film to get the full experience. NOTE: This is a public preview; subscribe at Patreon.com/screamwithrcs to listen to the full audio commentary of "Scream," and other audio commentaries.
Welcome back to the Video Store! We're kicking off the New Year with a look at some of the films that inspired the hit television series Stranger Things. Get your Eggos, Reese's Pieces, and settle in for some classic films that helped to give Stranger Things its strange, yet familiar aesthetic and themes. For this episode, we're only focusing on season one, so don't worry if you've not gotten to watch the final season just yet! However, if you've not watched Stranger Things season one, be advised that there are spoilers ahead for that season!E. T. the Extra-Terrestrial (1982)One of the biggest films of the 1980s and an inspiration for Stranger Things is Steven Spielberg and Melissa Mathison's iconic film, E. T. the Extra-Terrestrial. Capturing wonder, fear, and warmth so well, this is a film whose influence was felt well into the 90s. Stranger Things draws aesthetic inspiration from E. T. while also pulling from its fish-out-of-water story. Scanners (1981)David Cronenberg's cult sci-fi horror film, Scanners, is another point of inspiration for The Duffer Brothers. This film about psychics, scientific intrigue, and political power serves as an inspirational palette of ideas for Stranger Things that the Duffers have inverted, mashed up, and made their own. This is a film that also has a great influence on the later seasons of Stranger Things, but we'll cover those when we get there. Halloween (1978)This is the film that really caused the slasher genre to take off, but John Carpenter's first massive success also gives Stranger Things a good bit of its aesthetics. From monster-in-shadow cinematography to several meta uses of John Carpenter's work, Halloween has its fingerprints on Stranger Things. A Nightmare on Elm Street (1984)Perhaps the greatest influence on Stranger Things' aesthetic and storytelling is Wes Craven's A Nightmare on Elm Street. With two Nancys, two jocks with a baseball bat, and more things that won't even show up until later seasons of the series, A Nightmare on Elm Street has invaded the minds of the Duffer Brothers. Honorable MentionsStranger Things draws inspiration from so many films that we love here at the Video Store that we've already covered them on previous episodes! Check out my coverage of both versions of It in my Summer of Stephen King and Not Quite Retro episodes. Flack talked about John Carpenter's The Thing in his Halloween Spirit episode. I discussed Stand By Me in my Film Friendships show, Alien in my Wonder Women episode, and Jaws in my Summer Spookies show. Thanks for joining us here at the Video Store Podcast for these strange, but familiar films. We hope you enjoy our selections this week. Oh, and that flashing lightbulb? Must just be a short. We'll change it out later. Thanks for reading Video Store Podcast! This post is public so feel free to share it. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com
Happy New Year! We are kicking off 2026 by welcoming our new Co-Host, Tim MacKay, as well as gearing up for the release of SCREAM 7 on February 27th! To celebrate the occasion, we are revisiting the entire Scream franchise, starting with the 1996 original. Come meet Tim and get his insights into horror movies and the Scream franchise. And as always, we've picked out the most loathsome characters from the film, so join us at the end of the episode in voting for which one was the most deserving to die. If you would like to join our livestream recordings for The Cherry Picker, we would be thrilled to have you with us. Check out Zack's Patreon (Link below) to take part.● ● ●▶️ Watch the Video Podcast☑️ Vote in the Cherry Picker● ● ●
Best known for his terrifying performance as Pluto in “The Hills Have Eyes” (1977) and its sequel, Michael Berryman has worked with acclaimed filmmakers such as Wes Craven, John Hughes, and Rob Zombie throughout his long-running career. Tune in to hear all about how Michael was first discovered, stories from filming so many of his genre favorites, and a preview of his upcoming horror films.Check out Michael Berryman's book, “It's all good! A Michael Berryman memoir… in my own words,” at https://www.amazon.com/Its-all-good-Michael-Berryman-ebook/dp/B0BSQZHK32
In this Monday release, Ryan is joined by Carrie to discuss continuity errors and goofs in the Wes Craven era of films. (See Patreon to follow along with the slideshow.) Ryan and Carrie summarize whether the continuity errors are a genuine filmmaking issue. Then, Ryan is joined by Mark and Sarah for Scream 7 trailer thoughts and to review "The End of an Era" documentary about Taylor Swift. Scream (1996) Continuity Errors Scream 2 Continuity Errors Scream 3 Continuity Errors Scream 4 Continuity Errors Scream 7 Trailer Vibes The Life of a Showgirl Review - The End of an Era Follow us @ScreamWithRCS at Instagram, Facebook, and X.
https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]
Time for series 6 of Darkplace Dreamers! Dean & Darkplace Robert review Wes Craven's Nightmare Café starring Robert Englund. Check out booksboys.com for links to our social media, merchandise, music, etc, as well as patreon.com/booksboys for the latest episodes of Playboys Extra, Darkplace Dreamers, Film Fellows, Animation Adventurers and more! Hosted on Acast. See acast.com/privacy for more information.
DownloadWelcome to LOTC episode 459. This week is the decades finale episode. All year we have been looking year to year of the horror movies from the 1990's decade. During this show you will hear the crew with special guest Nicloe Trawick counting down their top 10 horror movies from the entire decade. This was lots of fun compiling our lists as well as hearing from each other. We are also going to hear from You the listener, what was your lists? Listen now and see what movies made the cut and which ones were left off. We also want to wish each and every one out in podcast world a Merry Christmas , Happy Holidays and Happy New Year. We will be back once again in 2026, bigger and better. Thank You so much for all your love and support through out the year. Grab those favorite snacks and beverages as you journey with us through the Land Of The Creeps.HELP KEEP HORROR ALIVE!!TOP 10 LIST'SDAVE1. 1996 SCREAM2. 1999 SLEEPY HOLLOW3. 1990 TREMORS4. 1992 CANDYMAN5. 1994 CEMETERY MAN6. 1997 FUNNY GAMES7. 1996 FROM DUSK TIL DAWN8. 1990 EXORCIST 39. 1995 SEVEN10. 1998 THE FACULTYNICOLE1. 1991 SILENCE OF THE LAMBS2. 1996 FROM DUSK TIL DAWN3. 1996 SCREAM4. 1994 IN THE MOUTH OF MADNESS5. 1996 BAD MOON6. 1990 STEPHEN KING'S IT7. 1998 HALLOWEEN H208. 1998 RINGU9. 1997 EVENT HORRIZON10. 1999 RAVENOUSBILL1. 1990 MISERY2. 1997 CUBE3. 1997 FUNNY GAMES4. 1996 SCREAM5. 1990 JACOBS LADDER6. 1993 NEEDFUL THINGS7. 1998 THE FACULTY8. 1992 DEAD ALIVE AKA BRAINDEAD9. 1996 THINNER10. 1993 THE VANISHINGPEARL1. 1996 BAD MOON2. 1999 STORM OF THE CENTURY / 1991 CAPE FEAR3. 1993 NEEDFUL THINGS4. 1990 TALES FROM THE DARKSIDE5. 1994 THE CROW6. 1994 WES CRAVENS' NEW NIGHTMARE7. 1996 THINNER8. 1997 THE DEVIL'S ADVOCATE9. 1998 STRANGELAND10. 1999 HOUSE ON HAUNTED HILL / 1999 SIXTH SENSEGREG1. 1999 AUDITION 2. 1998 HALLOWEEN H203. 1996 SCREAM4. 1994 WES CRAVENS' NEW NIGHTMARE5. 1993 BODY BAGS6. 1993 THE UNTOLD STORY7. 1994 CEMETERY MAN8. 1997 NIGHT FLIER9. 1999 RAVENOUS10. 1990 MISERYLOTC Links :Land Of The Creeps InstagramGregaMortisFacebookTwitterLand Of The Creeps Group PageLand Of The Creeps Fan PageJay Of The Dead's New Horror Movie PodcastYoutubeInstagramEmailLetterboxdDr. ShockDVD Infatuation TwitterDVD Infatuation WebsiteFacebookHorror Movie PodcastJay Of The Dead's New Horror Movies PodcastYouTube ChannelLetterboxdDVD Infatuation PodcastThe Illustrated Fan PodcastBill Van Veghel LinkFacebookLetterboxdMusic,Movies,Sports & Stuff PodcastFacebook Music Movies Sports & StuffTwisted Temptress LinkLetterboxdLOTC Hotline Number1-804-569-56821-804-569-LOTCLOTC Intro is provided by Andy Ussery, Below are links to his social mediaEmail:FacebookTwitterOutro music provided by Greg Whitaker Below is Greg's Twitter accountTwitterFacebook