Podcasts about REC

Make the most of your NFL betting experience this season with expert analysis from Joe Pisapia and Andrew Erickson on the best prop bets for Week 3. Get the lowdown on player performances for some of the league's best athletes. With our predictions, we've got everything you need to make the most informed bets! Timestamps: Introduction - 0:00:00 Jaylen Warren over 2.5 receptions - 0:02:46 Zay Flowers 4.5 REC OVER +130 BET365 - 0:04:24 Zay Flowers over 48.5 receiving yards (-115 DK) - 0:05:38 Keenan Allen OVER 6.5 REC /71.5 REC YDS - 0:07:17 BP NFL Contest - 0:09:17 Lamar Jackson over 7.5 rushing attempts - 0:10:17 Javonte Williams 12.5 Rush Att - 0:11:27 Ezekiel Elliott under 7.5 receiving yards - 0:12:52 Breece Hall 45.5 RUSH YDS - 0:15:54 Terry McLaurin under 4.5 receptions - 0:17:49 Patrick Mahomes OVER 17.5 RUSH YDS - 0:19:19 Anytime TD Call: Tyler Higbee - 0:21:11 TJ Hockenson +170 Anytime TD & Jordan Addison +230 - 0:23:32 Donald Parham Jr. +425 Anytime TD & +3000 1st Touchdown - 0:24:38 Helpful Links: BettingPros App - Make winning bets with advice and picks from top sports betting experts. The BettingPros app puts consensus and expert-driven sports betting advice at your fingertips to help you pinpoint the best odds and make winning bets. Download it today on the App Store or Google Play. Prop Bet Cheat Sheet - Winning your prop bets just got easier with BettingPros' Prop Bet Cheat Sheet at bettingpros.com/props. We've pooled together various projection sources to create consensus projections, then stacked them against the odds from major sportsbooks.

Happy Hispanic Heritage month! This week it's the Spanish found footage horror film REC (2007)! Jamie and Nikisha talk choosing a horror movie, 'The Walking Dead' watch update, 'Contagion', 'Sorority Row', 'The Village', subtitle reading, changing your flight/fight, the attraction of danger, rationalizing situations, grounding tools, the best Found Footage horror, and, of course, shanking zombies. Watch us on YouTube! Follow us on Instagram | Twitter | TikTok: @TalkHorrorPod Check out Jamie (aka Amiibojamie) on Twitch! Find Bryan and Jamie on Letterboxd

Michael Robinson, our emigration plans, Roy's dad, a spider car, petrol money, and Charlie Carter gets injured again. (Rec: 22/12/22) Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine Hosted on Acast. See acast.com/privacy for more information.

Stories we're covering this week:• City council to receive another pay raise in the new year• Flix Brewhouse set to open next week• Parks and Rec puts out an A-P-B on rogue beaver• In Sports, we will check both the win and loss columns for Week 4 of high school footballIn the Features Section:• Angel Biasatti talks about how to avoid dehydration in Methodist Mansfield News to Know• Realtor Beth Steinke shares details on lender-required repairs in the Mansfield Real Estate Market Update• Brian Certain serves up one last taste of summer in the Cocktail of the WeekAnd in the talk segment, Steve chats with the Mansfield Mission Center's new Executive Director Brian McFadden. Plus, your chance to win a $25 gift card to a Mansfield restaurant of your choice with our Mansfield Trivia Question, courtesy of Joe Jenkins Insurance. We are Mansfield's only source for news, sports and conversation. This is About Mansfield.

Forced accountant listening, Slade origin info, a voice legend, holiday observing, James Bantz, butcher bird, and evolution. (Rec: 21/12/22) Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine Hosted on Acast. See acast.com/privacy for more information.

Our guest today is First World War gas mask aficionado Susan R. Grayzel. Sue is Professor of History at Utah State University. Before joining the faculty at USU, Sue was Professor of History at the University of Mississippi, where she also served as the Director of the Sarah Isom Center for Women and Gender Studies. Sue received her BA in History and Literature from Harvard University and earned an MA and PhD in History at the University of California at Berkeley. She has spent time Across the Pond as the UK Fulbright Distinguished Chair at the University of Leeds, the Ireland Fulbright Inter-Country Lecturer at Maynooth University, and a Visiting Fellow at All Souls College, University of Oxford. Sue's first book, Women's Identities At War: Gender, Motherhood, and Politics in Britain and France during the First World War (Unversity of North Carolina Press), won the British Council Prize from the North American Conference on British Studies. Sue is also the author of Women and the First World War (Longman), The First World War: A Brief History with Documents (Bedford St. Martin's), and At Home and Under Fire: Air Raids and Culture in Britain from the Great War to the Blitz (Cambridge). She has co-edited two volumes: Gender, Labour, War and Empire: Essays on Modern Britain, with Philippa Levine (Palgrave), and Gender and the Great War, with Tammy Proctor (Oxford). Sue's most recent monograph is The Age of the Gas Mask: How British Civilians Faced the Terrors of Total War (Cambridge). In addition to her monographs and edited volumes, Sue's articles have appeared in the Journal of British Studies, the Journal of Modern History, and the Journal of Women's History, to name a few, and she has written or co-written more than 20 book chapters. Sue's research has been funded by the American Historical Association, the Arts and Humanities Research Council, and the American Council of Learned Societies, and she is a Fellow of the Royal Historical Society. She is equally active in service, serving as General Editor for Women, War, and Society: The Women's Work Collection of the Imperial War Museum and as an Advisory Editor for The Encyclopedia of War. She is a former member of the Editorial Board for the Netherlands Institute for War, Holocaust and Genocide Studies and Amsterdam University Press's NIOD Series. Sue is truly a force in our profession and is one of the most generous and approachable scholars you'll ever meet. Join us for a fascinating chat about attending Harvard at age 17, Joni Mitchell's Blue album, gas masks, a prize-winning first book, "Hotty Totty," and other seemingly random subjects! Check it out! Rec.: 08/08/2023

On this week's episode of Enneagram IRL, Steph is breaking down the relationship dealbreakers of each Enneagram type. In the spirit of Parks and Rec's Tom Haverford's “Oh No No” list, join us as Steph shares responses collected from hundreds of individuals on Instagram! Do you have an “Oh No No” that we didn't mention? Send us a DM on IG and let us know!Subscribe to catch this episode on YouTube: https://www.youtube.com/@stephbarronhall

Album titles, Andrew's influence, The Beatles of the Rings, musical alchemy, and a skiing PR trip with John Pigface. (Rec: 20/12/22) Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine Hosted on Acast. See acast.com/privacy for more information.

Rob + Josh are back for another JUICER Here's what's in store for you when you take a listen... ------ DETH PEDDLING: Our news is sourced directly from @macabredaily for this portion. So please, go to macabredaily.com every day for your horror fix! They are the dark side of pop culture. With that being said, here's the news : • "Mike Flanagan's 'THE FALL OF THE HOUSE OF USHER' Brings Bloody Retribution To The Table" • "WWE Superstars Shotzi and Scarlett Bordeaux Launching Ghost-Hunting Series "CHAMBER OF HORRORS"' • "SAW & SAW II Heading Back To Theaters Before SAW X!" • '"BEETLEJUICE 2' Is 99% Filmed Says Tim Burton" ------- THE WAR: In this episode we're putting [•REC] (2007) against Quarantine (2008) in an all out war to see who comes out on top! ------ HORROR KLUB: For this episode we're covering "Evil Dead Rise" (2023) and we'll let you know if you should give it a pass, rent, or buy after we rant and review it book club style! ------ LIST OF DOOM: "Top 5 Apartment Horror Films" ------ THE HORRORS OF GAMING: “Silent Hill 4: The Room, Looking Back At The Game That Began The Slow Death Of Rob's Favorite Horror Franchise Into A Downward Spiral Of Nothingness” That title should really tell you exactly how this segment is going to go. Giant heads be damned, this game is

Bailey Fergison NWMSU Dance Coach is the former special events and marketing manager for Maryville Parks and Rec.  We talked about her transition to the University, her full ownership of Bearcat Boogie Dance Studio and her plans for the future of the NWMSU dance squad.

To kick off Season 4, we welcome to The Pod Paul Huddie of University College, Dublin. Paul is a European Research Council Project Manager at University College, Dublin, for European Research Council initiatives, including the Age of Civil Wars project. He is also a member of the UCD Centre for War Studies. He previously served as Research Programmes Administrator at UCD and was a lecturer at the University of West London. Paul received his BA and MA degrees at University College Dublin and his PhD at Queen's University, Belfast.  Paul is the author of The Crimean War and Irish Society (Liverpool) and the forthcoming Military Charities in Victorian and Edwardian Britain & Ireland: A New Directory (Pen & Sword). He has published articles in British Journal for Military History, Mariner's Mirror, Women's History Review, and Irish Economic and Social History. Paul is at the forefront of military welfare history, and in 2023 he co-edited a special edition of War & Society on the subject with Amy Carney. He is working on an edited volume with Amy Rutenberg and Anndal Narayanan, titled Military Welfare History: The Third Field of Warfare History. Paul's work has been supported by the Dublin City Council, the Royal Historical Society, and the British Association for Victorian Studies. In 2013, he was awarded the Crimean War Research Society's President's Trophy. A former Irish Defense Forces Reservist, Paul is an Executive Member of the Irish Association of Professional Historians and the coordinator of the International Network for Crimean War Studies and the new Military Welfare History Network.  Join us for a rainy-day-in-Dublin chat with Paul Huddie - we'll talk attending a rugby school in Dublin, being a bookie runner as a kid, the field of military welfare history studies, Fun Lovin' Criminals, Dermott Kennedy, among other pertinent issues! Rec.: 07/26/2023

Troy Cross and Bitcoin Bassload Treble + Bass = Energy Grid Harmony   In this electrifying episode of BitBuyBit, Max and Jon speak with energy market expert and Pleb Miner Mafia Capo, Bitcoin Bassload as well as Philosopher and Bitcoin enthusiast Troy Cross from the Bitcoin Policy Institute.   The relationship between Bitcoin mining and the American energy industry is complex, nuanced, wrought with acronyms, oversight, and regulation. The purpose of this conversation is to find where we agree and disagree on the relationship between Bitcoin mining and the energy industry and what we as Pleb Miners can do when our energy is focused and pointed in the same direction. Troy and Bassload come from different perspectives when looking at the relationship between Bitcoin mining and energy, but their hearts and minds are focused on making sure that Bitcoin wins.   In this discussion Bassload defines terms like the Federal Energy Regulatory Commission (FERC), Regional Transmission Organizations (RTO), and Independent Systems Operators (ISO) and explains how regulation and government policy steer energy markets. He discusses the Physical Grid versus Policy Grid, balancing authorities, generation fleet mix, and Meredith Angwin's fatal trifecta for the grid: over reliance on renewables, backing up the renewables with just in time resources, and overdependence on neighbors. Bassload offers advice on creating relationships with energy providers: 1. Print the load 2. Pay an invoice. Bitcoin Bassload's Energy Market Inflows can be found on his Substack in which he puts out frequent updates.    Troy discusses the unique characteristics of Bitcoin mining and its relationship with energy, particularly in the context of environmentalism and regulatory arbitrage. He highlights that Bitcoin's decentralized nature and algorithmically fixed production makes it resistant to local regulations and taxes. His point in conveying this, is that Bitcoin mining can take advantage of excess energy in regions with corrupt governments, it can bypass restrictions, and potentially disrupt the energy market. The discussion emphasizes that Bitcoin's fundamental value is tied to the cost of energy rather than fiat currency. Over the long term, government regulations and subsidies may not significantly impact Bitcoin mining, or its adoption. Troy expands on this theory in this recent article.   Treble and Bass = Grid Harmony   Terms and Definitions   FERC- FERC was originally called the Federal Power Commission to then become the Federal Regulatory Commission created on October 1 1977. The FPA was originally designed to coordinate federal hydropower development (in 1920) then in 1935 it was given the independent regulatory status to then regulate both hydropower and electricity.  Then in 1938 the natural gas act gave FPA jurisdiction over interstate NG pipelines and wholesale sales.  FERC was created due to a response to the oil crisis of 1973 and thus passing the Department of Energy Organization act of 1977 in an effort to consolidate agencies into a ‘department of energy'. DOE was born.  Congress insisted that the independent regulatory body be retained. FERC originally was to determine whether wholesale electricity prices were unjust and unreasonable  If so regulate the pricing and give some refunds to ratepayers FERC an independent organization that its commissioners are appointed by the president and confirmed by the senate Order 888 was issued in 1996 which created the RTO's (regional transmission organizations) in response to the Energy Policy Act in 1992.       RTO's- Organized by FERC to have what were the former power pools to ‘rebrand' themselves as independent transmission operators that would be able to compete in a wholesale electric market administered by RTO's.  PJM, NYISO and ISONE were first in line. Like an ISO they operate transmission systems and develop innovative procedures to manage transmission equitably.    ISO's- Independent System Operators were designed to consolidate and manage the operation of transmission facilities to provide nondiscriminatory open transmission service for all generators and transmission customers.   Traditional wholesale markets were in the SE, SW and NW and most were vertically integrated where they own generation, transmission and distribution systems to serve electricity consumers.  They also many include federal systems: Bonneville Power System Tennessee Valley Authority Western Area Power Administration   At the wholesale level, the RTO's and the ISO's is managing economic dispatch of generators and its auctions to the clearing price.  Less expensive power gets dispatched first.  RTO controls the bids, they know the cost of fuel, and they know the marginal cost of the next kwh your generator plant makes.  One can add a risk premium to the bids but the RTO's are checking. (Meredith Angwin)    TYPES of RTO's and ISO's CAISO- California Independent System Operator ERCOT- Electric Reliability Council of Texas SPP- SouthWest Power Pool MISO- Midcontinent Independent System Operator (15 states and canadian province of Manitoba)  SouthEast Power Pool PJM- Pennsylvania New Jersey and Maryland NYISO New York Independent System Operator ISONE Independent System operator of New England    Vertically integrated- this is where the same entity owns all of the generation, transmission and distribution to service electricity consumers in the given region that they are in.   PUC's- Public Utility Commission were designed to do a couple of things: Balance the needs of consumers AND utilities  Ensure safe and reliable utility service at reasonable rates Protect public interest Educate consumers to make independent and informed utility choices Typically the PUC's were designed for the consumer, but they are also heavily “in bed' with the utilities Regulate electric, gas, telecommunications, water and wastewater facilities Typically appointed by the governor serving 4-6 year terms. Typically regulate all investor owned utilities in their state Municipalities and cooperative utilities are often exempt from PUC regulations    PUCs often use non-adjudicatory processes to address new and evolving issues. This would include traditional rulemakings, in addition to informal stakeholder collaborative processes. Over the past decade, the stakeholder process has become one of the mainstays of issue resolution. In these proceedings, professional facilitators are often used and the parties work toward a narrowing of issues or their complete resolution through a negotiated or shared agreement. Typical participants include utilities, ratepayer advocates, environmental advocates, and industry advocates.    Load Shape- the amount of energy consumption one uses, measured in watts or kilowatts over a period of time.  When looking at the curve of how that energy is consumed, the shape of that curve is what is monitored.  If flat, good.  If not and seeing spikes means that the shape is inconsistent with the amount of watts consumed over time   BTU- A British Thermal Unit, the base unit of measure for measuring energy in the US.  a btu is the amount of energy required to heat one pound of water    Joule- joule, unit of work or energy in the International System of Units (SI); it is equal to the work done by a force of one newton acting through one metre. Named in honour of the English physicist James Prescott Joule, it equals 107 ergs, or approximately 0.7377 foot-pounds.   Watt- the SI unit of power, equivalent to one joule per second, corresponding to the power in an electric circuit in which the potential difference is one volt and the current one ampere. 1 watt = 1J/s   Baseload- Baseload electricity generation creates 24/7 power to the grid to meet the base energy needs of the U.S. While peaking generation must follow the varying hourly electricity needs as demand rises and falls, base load generation operates constantly to support the increment of demand that is always there no matter the time of day or day of the week. https://energytransition.nema.org/wp-content/uploads/2023/01/NEMA-QuickFacts-Baseloadgeneration.pdf   Balancing Authority- The BA makes sure that the supply of power on the grid is exactly matched with the requirement for power always.  The BA must keep voltage within a narrow range and balance demand on the grid.  The BA must also make sure that the VARs (Volts Amps Reactive) are in balance. Refer to page 28-30 of shorting the grid.  “A well run grid is like a good bicyclist on a smooth road, while a more difficult grid (more sudden ups and downs in power or energy requirements) requires more of a balancing-type energy (Meredith Angwin).  60Hz or 60 cycles per second in the US 50HZ or 50 cycles per second everywhere else The responsible entity that integrates resource plans ahead of time, maintains load-interchange-generation balance within a balancing authority area, and supports interconnection frequency in real time.   Energy Auction House- mentioned above and see pages of Mereidth Angwins book shorting the grid pages 91-93   Generation Fleet Mix Nuclear  Coal Natural Gas Oil Hydro Solar Wind Geothermal   Renewable energy- Renewable energy is energy produced from sources like the sun and wind that are naturally replenished and do not run out. Renewable energy can be used for electricity generation, space and water heating and cooling, and transportation. Non-renewable energy, in contrast, comes from finite sources that could get used up, such as fossil fuels like coal and oil. (DOE definition) energy from a source that is not depleted when used, such as wind or solar power. "the environmental benefits of renewable energy" (Oxford Dictionary)   Net Zero- net zero means cutting greenhouse gas emissions to as close to zero as possible, with any remaining emissions re-absorbed from the atmosphere, by oceans and forests for instance. To ‘go net zero' is to reduce greenhouse gas emissions and/or to ensure that any ongoing emissions are balanced by removals. (university of oxford) REC- Renewable Energy Credits A renewable energy certificate, or REC (pronounced: rěk, like wreck), is a market-based instrument that represents the property rights to the environmental, social, and other non-power attributes of renewable electricity generation. RECs are issued when one megawatt-hour (MWh) of electricity is generated and delivered to the electricity grid from a renewable energy resource. RECs include several data attributes, including:* Certificate data Certificate type Tracking system ID Renewable fuel type Renewable facility location Nameplate capacity of project Project name Project vintage (build date) Certificate (generation) vintage Certificate unique identification number Utility to which project is interconnected Eligibility for certification or renewable portfolio standard (RPS) Emissions rate of the renewable resource *Note: This list is not exhaustive and, depending on the market in which the REC is generated, other attributes may be associated with the certificate   Three buckets  o   financial- everything to do with pricing, hedging, derivative markets for energy, from wholesale to retail  o   physical- infrastructure related, engineering and design of the implementation and installation of large equipment o   regulatory- politics, rules and regulation from governing bodies aka FERC, DOE, PUC, ISO, RTO and alike.   We hope this to be the first of many discussions on Bitcoin's relationship with energy markets and energy providers. If you enjoyed the discussion in this episode, let us know by boosting on Fountain.    Ungovernable Misfits Socials https://www.ungovernablemisfits.com   Twitter  https://twitter.com/ungovernablemf   Ungovernable Misfits Socials https://www.ungovernablemisfits.com   Twitter  https://twitter.com/ungovernablemf     Show Sponsor - Foundation Devices   Foundation builds Bitcoin-centric tools that empower you to reclaim your digital sovereignty. As a sovereign computing company, Foundation is the antithesis of today's tech conglomerates. Returning to cypherpunk principles, they build open source technology that “can't be evil,”    Thank you Foundation Devices for sponsoring the show.  Use code BITBUYBIT at check out for $10 off your purchase.   https://foundationdevices.com   Show Sponsor: sx6.store   SECURE YOUR BITCOIN IN MARINE GRADE, 316L STAINLESS STEEL!  

This week, Leigh gets spooky with demonically possessed zombies through 2007's found footage horror film [REC], while Lori investigates the history and haunts of the infamous Winchester Mystery House.CHECK OUT THE OBLONG BOX SHOP, FRIENDS.USE CODE UBMCPOD FOR 10% OFF YOUR ENTIRE ORDERLIMIT ONE PER CUSTOMERTO VIEW A COMPLETE LIST OF OUR RESOURCES, PLEASE VISIT OUR WEBSITE.UNCLE BOB'S MAGIC CABINET PODCASTPO BOX 12738PITTSBURGH, PA 15241Support the show

100+ trees removed at a popular SL county park and neighbors are showing concern. According to the Salt Lake Co. website they're planting new trees in that area just outside earthen dam embankment & along Cottonwood Creek.  Dave and Debbie speak with Liz Sollis, Associate Director of Community engagement for SLCO Parks and Rec and Kade Moncur, division director of Salt Lake County Flood Control to get an understanding of what is going on here. See omnystudio.com/listener for privacy information.

Tim, Chris, and Harley explore nature and the internet to find the craziest historical and news worthy stories from the animal kingdom. Also, autumnal women, raining snakes, rants against curriculums, potatoes and much more!  Time Stamps 0:00 - “Tim's Favs” 2:40 - Rec & Rev 15:45 - Don't Get Me Started 25:00 - Wild True Animal History and News! 1:03:00 - Fan Questions! 1:17:20- Final Thoughts SHOW NOTES ““Wojtek the Bear” Jennifer Murtoff https://www.britannica.com/animal/Wojtek-the-Bear “Texas woman's arm healing after hawk-snake attack, but the nightmares linger” Doc Louallen. USA TODAY https://www.usatoday.com/story/news/nation/2023/08/15/peggy-jones-arm-recovering-after-texas-hawk-snake-attack/70599340007/ ⁠⁠⁠⁠ LEAVE A VOICEMAIL QUESTION AT ‪(254) 218-4042‬. FOLLOW US ON SOCIAL MEDIA AND GET MORE INFO AT - ⁠⁠⁠HERE⁠⁠⁠ SUPPORT AND DONATE TO THE PODCAST - ⁠⁠⁠HERE⁠⁠⁠ CHECK OUT OUR SPOTIFY EPISODE SOUNDTRACKS - ⁠⁠⁠HERE --- Support this podcast: https://podcasters.spotify.com/pod/show/alwaysmorepod/support

These 7 tips have helped me change my mindset from being a broke waitress at 22 to millionaire by 30. Seriously. These 7 tips was how I built wealth & achieved success. It was a journey, an adventure, and a challenge that was fraught with twists and turns, all of which who made me who I am today. I hope these 7 tips can apply to your life wherever you are in your journey!

As we prepare to kick off Season 4, by popular demand and return of the favor today Brian interviews Bill! Bill Allison is Professor of History and former chair of the Department of History at Georgia Southern University. He started his academic career as an assistant professor at the University of St. Francis (Indiana) and then spent several years at Weber State University. Bill earned a BA and MA in History at East Texas State University and took his PhD at Bowling Green State University, where he started as a diplomatic historian before embracing military history. He has done several stints in professional military education, first as a Visiting Professor in the Department of Strategy and International Security at the USAF Air War Colle,ge followed by a Distinguished Professorship in Military History at the USAF School for Advanced Air and Space Studies. From 2012-2014, he was General Harold K. Johnson Visiting Chair in Military History at the US Army War College. Bill is the author of several books, including My Lai: An American Atrocity in the Vietnam War (Johns Hopkins), Military Justice in Vietnam: The Rule of Law in an American War (University Press of Kansas), and The Gulf War, 1990-1991 (Palgrave). His first book, American Diplomats in Russia: Case Studies in Orphan Diplomacy, 1916-1919 (Praeger) was published in 1997. He is co-author with Janet Valentine and the late Jeffrey Grey of American Military History: A Survey from Colonial Times to the Present (Routledge), which is now in its third edition. Bill's professional service is a sign of his dedication to our profession. He is a former Trustee and Vice-President of the Society for Military History and was awarded the Society's Edwin Simmons Award for Distinguished Service in 2019. He has served on the editorial board of the Journal of Military History and is series editor for Routledge's Critical Moments in American History Series and Modern War Studies at the University Press of Kansas. In 2014, he was awarded the Department of the Army's Meritorious Public Service Medal. In June 2023, Bill served as the Program Director at the Society for Military History Summer Seminar in Military History, held at the National WWII Museum in New Orleans, and he is a current member of the Department of the Army's Historical Advisory Subcommittee. Join us for a fun and interesting chat with one of the co-hosts of Military Historians are People, Too! We'll talk growing up in East Texas, Vietnam, music, guitars, blocked algebra memories, reinventing yourself, and Rudy's BBQ in Texas! Rec.: 08/18/2023

On this weeks episode NORA (our art director/poster maker and guest from Polite Society and TMNT: Mutant Mayhem) joins Uncle Willy to have a Conversation, it'll make sense about Ahsoka, Special features, Nicknames and The Challenge USA, no one likes those CBS people! Oh, and also the NSA is listening, they wanted to hear the thoughts on- ENEMY OF THE STATE (1998) (available on Hulu) Directed by: Tony Scott. Starring: Will Smith, Gene Hackman, Jon Voight, Lisa Bonet, Regina King, Jack Black, Seth Green, Jason Lee, Barry Pepper, Jason Robards, Jamie Kennedy, SCott Caan, Jake Busey, Loren Dean, Ian Hart, Gabriel Byrne, James Le Gros, Dan Butler, Anna Gunn, Tom Sizemore and Many Other Talented People! 00:00:20- Welcome NORA! 00:02:30- First Thoughts 00:07:20- What Would Ian Say 00:12:00- Whatcha Been Watchin'? (Nora- The Challenge: USA, Rebels, Parks & Rec, The Stand (reading), Sister Wives, Painkiller. Ahsoka. Will- The Meg 2, Dune (1984), Heart of Stone, Ahsoka) 00:19:30- Talkin Ahsoka 00:25:50- Talkin The Conversation 00:34:00- Special Features were Great... 00:37:00- ENEMY OF THE STATE (1998) 00:39:15- Nora Nickname 01:07:30- Totals 01:09:00- Next Week. Thank You Nora! Another Guest Host!?!!? Tune in To Find out! Patreon: patreon.com/THELastActionCritics Instagram: @TheLastActionCritics Nora: @remarkaron Twitter:     @THE_Lastcritics email:   Thelastactioncritics@gmail.com Next Week: The Equalizer 3

On this special episode, I'm joined by my big brother, Rob, as we talk about the S3 fan-favorite episiode, "Flu Season! (12:35)" Rob is partially responsible for getting me into Parks and Rec (1:44) (so you can send all hate mail his way,) and has a great memory and attention to detail for the show. Also, some b.s. about fantasy football and baseball (5:14) *Recorded September 1st, 2023 (Not August, as stated in the episode) FILLER: Transformers: Rise of the Beasts (6:39) CONTACT: citizensofpawnee@gmail.com and Instagram @citizensofpawneepodcast and @parksrecmemes New episodes every Tuesday GO T.B.A.

Over time, your KPIs are going to change and vary as your business grows, but when you first start out, volume is your best friend! Hear how I got started in the industry to build my client book from scratch. These are the KPIs my manager expected me to hit. I took their word as gospel and went all the way to the top of the billing leagues with the targets I was given and THEN some. If you have any questions, hit me up at dz@dandanzhu.com

This week Mark and Allen break down the Episode where we are first introduced to Andy's last (and perhaps best) alter ego, Johnny Karate! When a chard vendor named Nolan uses sexually suggestive tactics to sell his wares at the Farmers Market, Leslie thinks it's unethical and wants it shut down. As new City Manager, though, Ben has to put aside his personal opinions, and isn't quite sure the vendor is violating any codes. When the issue starts getting discussed outside work hours, Ben suggests a "firewall system" that prevents work-related talk at home, and vice versa. The next day Leslie presents Ben with a list of reasons why the chard vendor should be kicked out, but Ben thinks Leslie might just be targeting the chard vendor. Ben is also irritated that Leslie revoked Nolan's license without consulting him. He ends up undoing the premature revoke as he still needs more time to sift through city codes ... angering Leslie. Meanwhile, Ann is in constant agony with pregnancy aches and pains, and she begins to get frustrated with Chris Traeger's constant efforts to cheer her up and solve her problems. She stumbles across a wine & cheese club (spelled W-H-I-N-E) hosted in Ron's office that consists of Ron, Tom, Donna, and Jerry. Tom explains they gather in Ron's office once a month to vent (or "whine") about what annoys them at work, while enjoying fine wine and cheese. Ann sees this as the perfect place to vent about her problems, but as she does so, everyone sees the balance start to tip, as the club becomes less about them, and more about her. Finally, when Craig overhears Andy playing his guitar at work, he invites him and the rest of Mouse Rat to play at his nephew's 6th birthday party. At first Andy talks his band mates into the gig, but after they learn it's for a children's party, they angrily walk out of rehearsal. Although he's not sure what songs to play (as most of Mouse Rat's songs are sexual in nature), Andy decides to play the party by himself, with April by his side. As always, we tackle the tough questions, such as ... Will Leslie adhere to the firewall system? Can Chris find a way to be there for Ann without making her angry? What songs will Andy decide to play at the party? Can Ben figure out a compromise between Leslie and Nolan? Will Ann find solace in the Whine and Cheese club? Can Andy come up with a performing name for just himself? Does anyone REALLY like chard shots? How many times can someone say the word "nipple" in a conversation? Will the party be a success, or will Craig end up losing it? Loyal podcast viewers, we are now over halfway through the penultimate season of Parks and Rec. Tune in to see if they can maintain the quality we have all come to expect! Many thanks to our wonderful sponsor, "Apple".

今回は、映像コレクターでビデオ考古学者の「コンバットREC」さんと、宇多丸さん２人で、月曜日から金曜日までの情報を振り返りつつおさらいし、来週8月28日から9月1日までの番組の予定を一気にお知らせいたします。(20:03～20:43頃)

Bleak Britain, the worst man of the 80s and 90s, beetroot, coarse blankets, and a glorious free gift. (Rec: 24/11/22) Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine Hosted on Acast. See acast.com/privacy for more information.

Join us on a fascinating journey through time as we explore Bruce Miller's 44-year career in entertainment reporting, filled with on-set experiences from some of the most iconic TV shows and movies. This includes all of the various spinoffs of "Star Trek," the penultimate episode of "M*A*S*H" and beloved sitcoms such as "Cheers," "Frasier," "The Big Bang Theory" and "The Office." We also dive into the realm of TV set design, with stories from the sets of popular shows like "Grey's Anatomy," "The West Wing" and "Parks and Recreation." We also share a few stories about the 1982 film "Annie," which was shot on the campus of Monmouth University, which co-host Terry Lipshetz attended in the 1990s, and the 1978 film "Ice Castles," which included Bruce as one of the many extras. Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: Welcome everyone to another episode of Streamed & Screened, an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, senior producer at Lee and your co-host of a program with Bruce Miller, who we've pulled out of a time capsule this week from reporting. He's been doing entertainment reporting forever with the Sioux City Journal. But he's been everywhere. And we wanted to do a special episode. We are coming up on 44 years, 44 years. Can you believe that? But you know what? I thought it would be fun to talk about something that people always ask me about, which is do you get to actually go to the sets of these things? Do you get to talk to the movie stars? Oh, you're just making all that up, aren't you? Now, after this many years, you can't make it up because it's just too difficult to think about. Wait a minute. Didn't I use that line before? I can't use that line again. You need to have that one on one contact. And that's the thing I think has been the biggest joy of covering entertainment, is actually getting to meet people that you maybe admired at some point or you like their work or you think that they're different than their public persona. So yeah, that's been a really cool thing. And early on in 1980 was the first trip I took to the West Coast for pilot season, whatever you might want to call the new shows. And one of the things that's very common is they'll take you to the sets of various shows so you get a chance to watch them film things. You get a chance to walk around the set and look at all of that kind of fun stuff. You get to interview the actors. It is a really kind of head turning situation the first time you do it. I have been on the set of every Star Trek series except the first one, and I have sat in every captain's chair, which is interesting because all aren't comfortable. I've gotten to see, you know, some big back in the day they were mini series. They weren't limited series, but I've been on the sets of those. I was on the set of The Thorn Birds, which was like a it looked like a working sheep ranch in Australia, but it was actually in California and we had dinner on the porch of the of De Gaeta, which was the name of the the ranch and with the stars. And one of the stars, Rachel Ward, was really upset because one of the producers said that she was in she was a nine in looks and at three and acting up and she got all upset and started walking away from the set of this. And all you could think about is they're not done filming this thing and she's bailing because she doesn't like what the producer said. And they immediately ran after her and tried to smooth over this problem. And it was all happening before our eyes. Well, we were there to have dinner and watch him. She or sheep. So interesting kind of factor there. We went to Charleston for the filming of North and South, if you remember, that was the miniseries. John Jakes had a series of books and it was about the Civil War times and Patrick Swayze was one of the stars. Kirstie Alley was another star, and that we were there for several days and they had dinner with them every night. And they were very, very fun because they would tell you things that you you know, you didn't really it never came out any other way. But they said they had given everybody on the on the miniseries a whole name. So they were different kinds of POWs in this show. Okay. So Patrick Swayze, he because he was a dancer, was called Ho Down, and they went through the whole cast and told us all their different names. And they didn't like Lesley-Ann down who was one of the stars of it. And I said, well, what's what's her whole name? And they said, You got to go over and ask her herself, and she'll tell you what her whole name is. So we went over to Lesley-Ann down and I said, Well, now they said, Everybody has a whole name. What's your whole name? And she says, I'm a whole show. That's a kind of that's a stuff you don't get when you're just normally doing an interview over Zoom, or if you're calling somebody on the phone. But it's very fun to be in that environment and you see them shooting scenes and they'll do it over and over and you think, Wow, they're not never going to finish this thing because it's it's taking so long. And I was fortunate that I was at the last day of MASH. MASH did a big movie for their final episode, but that was not the final episode they shot. They did the episode before that on on the 20th lot. And it was about buried in a time capsule. And they were there and they they did it once and they said, Yeah, we got to do it again. We got to do it again. And so they did it again and the the guy said after that, that was good. That's it. That's the end of MASH. Thank you. And the actors all kind of fell into each other's arms and were crying. And I mean, it was a real emotional moving time and they had huge media coverage. I remember standing near Maria Shriver, who was covering it for NBC, and they said to us, You can take anything you want from the set when you leave. And I happened to be standing in the in the shower. And so I have a bar of soap from MASH. That's my memento from that. But it was it's it's that was such a momentous kind of thing. And even now, when you see it in reruns, it's like, wow, I can't believe I was there when they ended MASH. I sent you a bit of a list of shows that I was kind of interested in, and MASH is on my list because for me as a child, it was one of the first big shows I remember watching now. It started when the show started. I wasn't even born yet, but as it progressed, a great but as it progressed, I grew up watching it either in real time, but also we would see the reruns. My parents would just have the show on. So I remember watching mostly the later episodes, but what a big deal it was on TV to watch that final episode, that movie episode. It was. It was huge. It's up until recently was one of the the most still one of the most watched all time shows ever. You know, often I'll just happen to mention that I was on the set of MASH and you can't believe how this smokes out. People who are just hardcore MASH viewers. Yeah, that show early on when they started putting out DVDs of full seasons of of TV shows, it's one of the first shows that I bought on DVD because it was Watch it all. Yeah, I've I've watched every episode of MASH. Yeah, I love that show. See And for me, it's it's very hard to go back and watch them again. I don't think I'd ever buy a box set. I have box sets, but I, I don't watch them. Yeah, but it's also a little different for you too, because you're watching so much. Well, you're always looking at the next thing you've got to see, just to see, you know, what's happening, what's new, what's next. But yeah, and there there are fun little things. I was on the set of Gray's Anatomy and they had a party there. And in the operating room, they had this body on, you know, on an operating table. And it looked bloody. But what it was, was it was salsa inside the stomach and you could use, you know, there were chips all around it. So that was how they were serving the chips. It's just goofy things like that that happened. If you remember, E.R., E.R. had it looked like a really bad hospital. It looked like the last place you'd want to go because it looked so kind of worn down and everything. And they actually had a an el station outside the thing where they would use it for exteriors. But it basically was George Clooney's basketball court. And you could see where they would play basketball out there when they weren't shooting or weren't doing anything. But inside the the actual operating slash exam room, slash whatever hospital, you could see really great equipment. And what happened was after the show became a success, a lot of these providers would just send them the equipment so that then it was accurate, but it was like state of the art stuff. So that I'm sure that if you went to your own local hospital, you say, Well, now don't you have the XR 732, which they used in E.R. and the Thecable? No, we can't afford that. That's like 5 hours. I think it would be one of those things where people would ask for it or whatever. But it had really great equipment in there. And they said everything was as accurate as they could possibly be. They had a lot of advisors who are medical people who would tell them exactly how to hold things, how to do certain procedures. So they got really pretty good at it. And a lot of times when you have people who are playing doctors on TV, they are expected. A lot of times if somebody collapses on an airplane or whatever, well, come on, you know what to do. And they said it's very intimidating because people expect you to be that doctor, but you're not. But they do. They do learn a few things that might be helpful if they ever need it. So, yeah. And hospital shows are really it's a they're cheap because you can put everybody in scrubs. Oh yeah. And you have a lot of rooms that can be remade to look like another room because aren't all patient rooms the same? They're also. Yeah. And so, but they did have hallways and stuff in terms of something that was real big, like that. West Wing really did have those hallways where they did the walk and talks and they had the Oval Office. The Oval Office was cool to see. There were a lot of fun things. And then if you look closely, one of the the coolest places that I had where we could check out things, Parks and Rec. And I did see a little Sebastian, by the way, I met little Sebastian, the the miniature donkey hockey so thrilled. It was like, you have to see it. There is no star bigger than this. And he was cute. And I somehow I got my picture taken with him, so I was cute. Cool. But if you go inside that city hall, they have pictures and the pictures of past like councilmen, whatever, are people from their staff. So it was fun working on a show. You can easily get a relative's picture on the wall. And theirs was also one of those kind of sets where you walk around it and you felt like you were actually in a building. That's crazy. It's interesting you mentioned with the West Wing because it is a show where there's I mean, it's a Aaron Sorkin, right? So it's a lot of conversation. It's a lot of dialog. So I could only imagine the set being huge for a sense of just you have to do one continuous shot, even if you're just like spiraling through hallways, back and forth and weaving. They make sure that the walls are removable. So if they have to have a camera come in, they can or they shoot them through things. I mean, it's it's very fascinating to watch those kind of shows being put together because it's a different procedure than maybe if you saw a three camera show where you're sitting in the audience, you're just watching things happen. If you watch a show long enough, especially a show that's been on for a very long time, you'll see changes to the set. And I'm not necessarily talking about, you know, they just updated here and there or swap furniture. But sometimes when a show starts working on a shoestring budget, they don't know if it's going to get picked up beyond the pilot. They don't know if it's going to get picked up after season one. And then all of a sudden it's around for eight years and they really start changing up the set. Have you ever gone back to a set that you hit maybe early on during a season one and then you go back a few years later and you're like, Whoa, what has happened here? This is totally different. Sometimes they will shoot on that on an existing set. There have been a lot of shows that because they weren't they didn't want to save money. They didn't want to, you know, so they'll full house. They believe they use that set for a number of different things. So there are ones that they will go back and then when they start their own run they may upgraded or change things. But there is this kind of fear that if you have success and then you change the look, you could be inviting, you know, disaster or Mary Tyler Moore had that because remember how she had that apartment that was supposedly, you know, this whatever, Minneapolis apartment. And then they decided to move her to another place downtown that looked a little more cosmopolitan and whatnot. And they were freaked that if they did move it from one place to another, the show would would suddenly lose its charm. So they made sure to make a big point of her taking her big AM from the old place and putting it in a place of honor, in the new place. But yeah, they don't want to toy with that. But if you do have success, they will upgrade. You know, a lot of times look closely at countertops and kitchens. Yep. Because it's a faux painting that they do that looks like granite. And in granite it's painting. But if they have success, they may get real granite the next time they come around. So if they upgrade this head so it has to be reinforced a little bit. Not too long ago before they ended, I was on the set of This is US, and they had that old house, you know, that the house that they used for the things when the characters were kids. Yeah. Oh my God. It was like walking back into my childhood because they had all of these things that I remembered, the TV sets that were old and yeah, even the kitchen counter where I think wasn't a crockpot that caused a problem and yep, yeah, it was all they had. No crockpot, no crockpot. We don't have that, that kind of, you know. And the Goldbergs, I was on the set of that and it's filled with toys and crap that are, are unique to that era that they do watch it because if you're there visiting they don't want you swiping something because you like a Rubik's cube that you happen to see on a TV show and they will have things marked off or taped off. So you can't walk there if you try or a guard will be standing there. The Big Bang Theory has a comic book, right? And that had real comic books that were expensive. And they did have you could not touch anything. And there you could have your picture taken in there, but you couldn't look at the comic books or, you know, touch any of the statues that they had and all the crap that was in their their apartment. That was real stuff. And but you could I did sit in Sheldon's seat, you know, don't sit in my seat. Oh, and it was cool. It was big. But to see that they had, you know, if you lifted the cushions up, I didn't do this so don't. But they, I think they used it. There was an episode where they actually did put stuff down below and so everything isn't as it seems. There are ways to kind of cheat it so that then if they need to do something like if somebody was to emerge from the bottom of the couch, they would have a hole built and they could pop up from that. So there are things like the Frazier, the the chair that the dad sat in was it looked horrible on TV and you thought, Oh, my God. And it wasn't it wasn't when you saw it in person, they just added duct tape to the outside of it. And the cushions were really comfortable. John Mahoney, who played the dad, said it was like he loved just sitting there because he didn't have to do anything in the chair. But then Frazier also had this artwork that was original. It was not a duplicate or a facsimile of anything. It was real art, and they did not bring it out until the night of shooting, so that when they had an audience there, somebody would hand carry that Kahului bowl or vase or whatever it might be and put it on the set. And then as soon as they were done shooting, they would remove it and put it somewhere else. But they did not leave them out there just in case, because how would you replace it? You couldn't. That's fascinating, because I've always watched, you know, like I watch Frazier and I watch Big Bang Theory in those types of shows I would watch is like, wow, these are really good sets, especially with Big Bang Theory, because they're geeks and they've got all the toys and the other comic book type things, and I don't collect comic books. I never really got into them. But I know what a comic book looks like in when they hold them up on the show. I'm thinking like, Wow, that's that's a really good reproduction, but it's not a real thing. It's there. And I'm sure a lot of the people who work on the show are hardcore geeks like that, and they figure when the show ends, somebody's going to have to get that. I don't know, you know, unless they're just on loan. But I don't think they would be. I think they actually go and buy those. Yeah, but yeah. And so you usually ask the people, now when the show ends, what are you going to take, What do you want? And it's not necessarily the stuff you think Kaley Cuoco from that show had. There was a picture that she said she always stared at and she wanted that because she remembers that's what she'd look at whenever she was sitting in a seat. She was talking to somebody. It was and it was a big nothing picture. It was not something. You go, Oh my God, it's Spider-Man 1952 now. It wasn't anything like that. So there are things that mean something to them but don't necessarily mean anything to the show. I know that there were things on Friends that, you know, were iconic and certain people did get those, but boy, they still talk about it. Now, you say yeah, that she that Jennifer she got that and I'm still mad about it and you know, do they even put it in their house somewhere? Probably not. Yeah. I think somebody took the door or from the set of Seinfeld because it was it was so iconic, you know, like, like Kramer flying through the door. And I don't know who it was. It might it maybe it was Jerry. But I thought one of the big actors walked away with that. Did you ever make it to the set of Everybody Loves Raymond? But any chance I did. I did. They did. But it was like a just a regular house. Did you get to at least sit on the the couch that was covered in or zip zipped up in plastic? Yeah, well, but, you know, I was on Roseanne's couch, too, in case. Oh, yeah, Yeah. Usually they'll let you sit there so that then you can feel like you were at the show or you were part of this show or whatever. And you meander around the sets and you look at things and you see things that you don't see when you're watching, you know, And there and I'm not naming names because but there are actors who don't memorize their lines. And so they'll stash them and they'll have things like there might be magazines on the table, and if you open up the magazine, you might find a script in there that's crazy. So they would you know, they would act like they were reading a magazine when they were actually reading the scripts. Now, in recent years, some of these shows were done not not any big show that you know, but some of these cable ish shows, if you will, they would shoot three episodes in a week. And it was impossible for for the actors to memorize those scripts. So they had huge, big screen TVs like like they were teleprompters that would be behind the characters so they could just read the lines off them. And that's fun to see because you go, Oh, I thought they had to memorize all this stuff. Maybe I could be an actor. I, you know, I would worry about that. But yeah, so it it varies from where you go on the Disney campus, if you will. A lot of those Disney Afternoon shows that you'd watch on the Disney Channel or wherever were nearby each other. And it all got to be real good friends with each other. You know, they all knew Miley Cyrus. They all knew the Jonas Brothers. They all and they hang out together. They were actually friends and did things together. And it's it's amazing to see now, you know, when some of them moved on to other roles and other things, how what part that played for some it was for worse and for some it was better. I was with the Zack and Cody kids, the Sprouse kids deal and I'm blanking, but they took me back to their their dressing room and they show me where they actually studied with a tutor. You know, they have to have so many hours a day with a tutor if you're using a kid and they can only work so many hours a day. Though one of the boys said, you know, truthfully were able to, I think as actors were about a four. We're not that good, but we're trying to make money to get our college people. And so, you know, we buy into this. We see what this is all about. We know and they are far more sophisticated than you think on these kids shows. These are not kids who are, you know, just throwing it out there and wanting to be stars. Some are. They're just because it's a job. Yeah, I the money and both the Sprouse boys did go to college. Now one ended up on Riverdale and they're both working in the business now but it was never the goal that that was that's kind of a byproduct that they still get to work. And I always remember Demi Lovato telling me about kids today. I said, you know what don't they realize about being a young actor on a TV show? And she said they think it's all about the purse. I said, What? And she said, They think that you can have a really expensive purse and they don't realize what you're giving up or what you have to do. And it's not all about the purse. And I thought, well, that that was a very kind of fascinating way to kind of size it all up, because I think fans look at these things and they think it's much more glamorous than it is. It's not sets. Are you doing these huge warehouses, kind of barn facilities where mice can easily be running around? There's not a hesitation there. There's a huge craft services table, but you don't know whose touch that food or where that food's been, you know? So, I mean, there are a lot of things that don't make it seem like, Oh my God, here comes Greta Garbo and Clark Gable walking down the street. Not at all like that. It really is a factory. Yeah, Factory of entertainment. Yeah. And a lot of those Disney ish Nickelodeon, Nick Junior kind of shows to that. Not I'm not saying that the sets don't look good, but you see a lot more artificial grass on the shows, which clearly isn't crass. The production value isn't necessarily is as high as you would expect either. And they would talk about how there's a Disney style at all. But you know, where they have to do kind of those broad gestures and everything. And some of the kids really thought that that was wrong, that they didn't want to do that. And you can see where now they've shifted with some of these shows that they aren't as kind of obvious. Maybe that's a term for, but they are a little more adult and they talk about themes that are more contemporary than they did back in the day. Any shows you've been on because you mentioned Star Trek, some of those shows, especially the SCI fi shows, where there might be a lot of green screens and and other things. Any any one in particular that we watch on TV that looks like, Wow, that is impressive. You know, there's the deck of the enterprise, but you're on the set and you're like, what is this? What is this? This is the most unimpressive thing I've ever seen. Oh, well, Star Trek, The Next Generation. I mean, they had like an area that was basically every planet they visited. So it had parks and things and they just redressed it and put up a different. Yeah. So that that was what you're talking about. The Orville. Do you ever remember the Orville was on Fox for a while? No, I don't. I think it's still going to be honest with me. It was Boeing, but I'm I'm not going to vouch for that. But they had an actual ship that you walked on. You walked through the whole hallways. It seemed like it was the real deal. And that's because Seth Macfarlane, who was producing it, was able to, you know, say, I want the real thing. Okay. And you saw the costumes that were just bizarre. I got to shoot the guns that they they had. And it was like you were actually if it was a an amusement park, that's what it would be like. It was cool. But first of all, a lot of those ones, boy, they cheat a lot of stuff. You know, Star Trek was a real key one. And if you looked at the Paramount that you would say, Well, I think I've seen this place before. What I watch sometimes you'll see buildings that they love to do schools, and it's just the outside of the of the paramount lot. Yeah. Executives place and you go well that's there's no school like that but they'll dress it up and make it seem like it is another one that was like shot at a place. Scrubs okay. Scrubs was in a used to be a hospital and they just took it over and, you know, and there was a bet that they had going on that if anybody would spend time in the in the morgue, they would pay them extra. If they would go do that. But because it had been a hospital, they constantly had people coming in and acting like, I need help, I'm bleeding, can you help me? And they'd have to turn them away and say, no, this is this is not a real hospital. It's a movie set of these. Yeah, yeah, yeah. One's like that. The office was shot in a warehouse kind of situation with offices. It was real offices. So when you see them all sitting around like that, that's how it was. And you could walk around all of their desks, look at everything, and they said that their computers did work and they would do like one did Christmas cards. Mm hmm. Well, they were because they had to be on the set. You couldn't leave. You had to be there. Well, other scenes were shot because you're Mr. Right. Right. You're an actor, but you are also background. So they would do stuff like that or they'd chat to each other on their their screens and act like they were working. Sir, there was the warehouse that was attached to it, and this was out in some industrial area, you know, outside of Los Angeles. It wasn't, you know, there was a fence up and all of that. But the the, the storage area or the loading dock was actually filled with paper. Wow. Yeah. Cool to see. Very cool. You know, And yes, I do have a name, plaque that says I'm assistant to the assistant regional manager or whatever. But yeah, very fun because that I think those kinds of shows make it feel like you actually are. There is a lot of the ones where you're sitting in seats and they will do that If you happen to go to California and you want to see a show shot, there will be tickets available to the public. Now, usually if you go to Universal Studios, they have a ticket box or a counter or whatever that they will let you know which ones are available. Things like game shows have a lot of availability, so you could probably go to prices, right, and sit in the audience. You won't necessarily get picked, but you could go watch something like that. A sitcom could be a little more difficult because they have different nights that they shoot and they will suck up X number of tickets just to hand out. Or if they're really bad, they will hire people to sit in the seats and laugh. Yeah, well, and they say that they used to have prisoners that would come and sit at the. Oh, jeez. 0i1 thing I did meet was paid laughs. Or did you know that they have people who are paid to laugh? Well, I knew there was laugh tracks, but I didn't know there was paid laughs. And these were some of those series that do not have an audience. But the kids need to know when to hold for a laugh. And we had like five or six people honest to God, this was the strangest thing I've ever seen sitting at a table, and they would get her. Her? Oh, well, oh, different kinds of laughs. And then the directors say, Okay, tone it down a little bit here. We don't need that much. And it would it would help the actors learn how to react to this crazy this thing. But yeah, and they would like read they be reading the newspaper. Well, they're laughing or knitting or doing something else. But it was a job and I had paid laughter. I want that. I want to be somebody who's paid to laugh. Can you get me the gig? I'm there with my luck, though I'd be on the the absolute least funny show you can think of. Like, okay, we need you to laugh right now. Oh, my God. And that's the way it is. Yeah. Yeah. It's interesting to see how success changes people, because the first year of friends, nobody knew who they were. And they were very they were more nervous than I was to interview them. And we had, they had given us mugs that said friends on it, you know, those big latte mugs or whatever. Right. Right. And they were so thrilled that the name of the show that they were on was on a mug that they started grabbing up as many as they could. So they at least had a set of them. So here you see these big stars who, you know, went on to make what, millions of dollars serve this series, swiping mugs that were supposed to be swag that was given away to the media. And then when they had the last episode of Friends, we went to this set and they would not let us get down on the set. Isn't that all? They don't have taken anything or didn't want us touching anything. We could not talk one on one with the actors and the boys. It wasn't like it was covered or anything. It was just that's how the world had changed. These were big stars that did not. Unless it was cleared, you were not able to talk to them. And. Yeah, sorry, I don't have time for Bruce Miller. No, I'm not doing some low class person like Iowa. I'm speaking as the one from Iowa. Yes, I believe we have somebody who's serving coffee over here who's from Iowa to talk to him now. One of those kind of. Yeah, but it's for me, it's a fascinating thing to look at the sets and just see stuff close up, how they dress that and how they add all those things has really changed. In the old days, it was very kind of minimal. You wouldn't see much on the counters and stuff and now, boy, they pack this and to make sure that it matches, you know, the others, they'll shoot pictures and everything and make sure that every box is where it needs. And I went to how I met your mother or father, Both mother and father, but father. And it was such a mess on that set. It was like last year, this last year. And I thought, how would you keep track of all that stuff? Because it's just it's like litter, basically. But they, you know, they keep an eye on it. I was on the set of How I Met Your Mother just before it ended, and we were in the bar and I'm not sure what the bar. Claire MacLaren's Yeah, what it is, okay. Gloria Bar set. And we were sitting at the table where the, the group usually sits and Neil Patrick Harris had carved his initials on the table and then he and it had plus D be his husband's name, David Burtka, and drew a heart around it. And I thought that was really cool and the picture of that. But, you know, a little a little thing that you probably didn't know when you were watching it on on TV. Yeah. Because you would never see that. No, it wouldn't show. What's interesting to me too, is because all these shows generally have like real life exterior shots. Right? And I remember taking a trip to Boston and taking a walk to the Bull and Finch Tavern, which is where they shot the exterior shots for Cheers. And the bar inside was kind of used loosely to inspire the look of the real bar. And I remember how cool it was like, Whoa, you know, here's the sign. And at this point, too, they had put up a sign that said Cheers, you know, downstairs because they wanted you to to recognize it. And and they had the seafood restaurant was there, too, that you can walk into. But I remember walking down the steps to cheers and then opening the door. And then how unimpressed I was, because this is just this tiny little, you know, like eight seater of a bar. It's not anything impressive at all. And the real thing was huge. Really huge. Yeah. And it did work. So if you were there visiting, they could make you a drink. Do you know, was there alcohol in them or was it. Well, if there were if they're shooting, you couldn't have alcohol. But when you're there there's out there with alcohol. And I remember sitting in one of the booths that were on the side with the actors, you know, it was funny about Cheers. They sure didn't have faith in that when it started. Right? They did room. They did a room interview where you'd go in the room with the actors and they had just had five actors in the room with one reporter. And you're thinking, well, normally you'd kind of wouldn't you try to maximize size your exposure? Right? And I think we're just trying to blow it off. And then we went to a party on the set of it and we got to sit on Norm's stool and, you know, walk around and look at everything. And it had changed. It had really changed. Once success hit again, you never know what's happened there, but Cheers is fun. But yeah, if you go to the bar, the Cheers bar in Boston, it's not the same. No, no, definitely not any. Any other stories? I have one to share. Once we're ready to wrap, let's come on out. All right. I'm just going on. You got to shut me up. Okay, So I was sort of on the set of the movie. Annie. Do you remember Annie from 1982? Annie. Annie. Dust until come now. Tomorrow. Were you one of the authors? I know. So I went to college at Monmouth University in West Long Branch, New Jersey, and in the University. It's on it's kind of in this old neighborhood in West Long Branch, in the centerpiece of the campus is, I believe now they call it Shadow Lawn Mansion. They used to call it Wilson Hall. They use the mansion as Daddy Warbucks mansion in the movie. So they shot almost the entire movie on location at my college. And I remember taking, you know, before I before I decided on where I was going to go. And you take those campus visits and they bring you on tours and the big selling point at Monmouth at the time and probably still is, was this is where we filmed Danny in the hall, which is Wilson Hall when I was there. It's where the president's office is. It's where the registrar is. There's some classrooms in there, too, is always very cool. You would get a class because they didn't have a ton of classrooms in that building because a lot of them it's a lot of very small rooms. But you would you would go in there and occasionally have a class and it was very cool to have a class there. They would have receptions for, you know, honors students there. I worked in my freshman year. I was tutoring foreign language students who were they were struggling in English and I was helping tutor them. And the tutoring center was in the basement of Wilson Hall. And you would walk on the floor and you could sense there was something hollow beneath it. And it was because the big pool, if you remember the scene, was the pool in Annie. That's where the pool, the pools in the basement of Wilson Hall. But they had covered it over and converted into two classroom space. So yeah, so it was, it was very, very neat. And there is a scene, I think it's early in the movie when they're first bringing Annie to the mansion and you see the car turn down into the gates. But it's one of those scenes where if you look very closely, you could see the dorms across the street, but you wouldn't know it If you're watching the movie. You just see some building in the background. But it's like, oh, there is. There's the dorms, which is crazy. They ask anything, Well, where did you start seeing Hard Knock Life at some point? I did not know, but I did watch. I did actually watch the movie after I went to school there because I it wasn't high on my list of movies to see as a as a child, it didn't quite appeal to me. But once I got there, I watched it. It was it was fun to watch and then see the different locations and think, Oh, LA, you know, I've been there. I had to I had to register for my sophomore year there and I had to go pay a late book fee or something there. And yeah, that was crazy. So that's where we kind of relate to these things, is that we can find the real place that was used and go, What was that for? I know. And if you ever go on the Universal Tour or the Warner Brothers tour, anything, recycle these things all the time. So I, you know, like you, when I was in college, I was in a movie. They needed extras and they said, if you come, you know, maybe you'll get on camera, maybe you won't. It was Ice Castles, Ice Castles with Lin, Holly Johnson and Robby Benson, and it was about a figure skater who lost her sight. And we were supposed to be in the audience watching her. When you realize, Oh my God, she's blind. She can't see where she's skating. And then. Right. And Robby Benson comes out to greet her and everything. Well, I happened to have a camera with me because it you know, if you're not with the camera, are you anybody you need a camera. All, all situations. And these were not cell phone days. This was back in the days of a camera. And so they were they were thrilled that I had my camera there. And if you watch for a millisecond, you will see that I am in the movie Ice Castles because I happen to have a camera and it's me holding my camera. It captured that moment when they discover that she's blind. Wow. Is that not real? But there's my movie. Yeah, well, I don't think we can top anything else now that we know. Now we've done it. It's done it. Okay, well, we're going to do another episode like this sometime because this is fun. I enjoy story time with Bruce. Well, if anybody has shows that they're interested in or want to know about, if they want to drop us a line, we'll be glad to put them on a list and then we'll talk about them. Because like I say, 47 years I've been just about everywhere that you could go unless there was some ban put on people. And no, you can't talk to those people. And maybe I'll tell you my Zendaya story some oh, I want to hear that one. So you can you can reach out those podcasts at least dot net. I check the email regularly and I will screen those emails and we will get back you and talk about it in a later episode. That sounds great. All right, everyone. Well, thanks again for listening to this episode of Streamed & Screened.See omnystudio.com/listener for privacy information.

Short-form animation fun, giving kids booze, Wombles business deals, jazz dog ownership, and a kitten asserts his authority. (Rec: 23/11/22) Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine Hosted on Acast. See acast.com/privacy for more information.

James Ignatowich joins the pod from a Sonic parking lot in Kansas City. He breaks down his match-of-the-year contender from TOC and explains why he wasn't a candidate in the Riley Newman partner sweepstakes.  Zane and Thomas cover Zane's injury and recap their head-to-head results from last week.  To support Stop Alzheimers Now and submit your question for the pod visit: https://www.stopalzheimersnow.org/donate.html Use code DINK20 to save 20% of pickleball apparel at https://dillylife.com/ and receive free shipping on orders over $75. Rep the latest in dink branded merch at https://repthedink.com/ ------------------ Like the ep? Do us a favor: subscribe to our channel and leave a review on Apple or Spotify -Subscribe to our 'all things pickleball' *free e-newsletter* at https://www.thedinkpickleball.com/signup/ -Follow us on IG *@thedinkpickleball* -Continue the convo in our private FB Group: https://www.facebook.com/groups/thedi... -For everything else we do, visit https://linktr.ee/dinkfam -Read more about Zane and subscribe to his newsletter at https://zanenavratilpickleball.com/ -Follow Zane on IG @zanenavratilpickleball ------------------ Show Notes: 0:00 Podcasting is hard 6:20 Rec matches with Maurice the Grease 10:20 Is your goose cooked in singles? 17:01 If James can make it anyone can 20:20 An eye for talent - evaluating Dallas Pickleball Club 25:14 The best teammate in pickleball 33:20 Snubbed in the Riley Newman partner search 39:10 The latest from ProXR 46:00 James' first round loss at TOC 55:20 Pat Smith's resurgence + Zane's injury 1:04:50 Ranchers new ownership group and Teqball 1:06:10 Stop Alzheimer's Now questions 1:11:58 Collin vs Matt on the right side Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Mark and Allen break down the Episode where Ben has his first day as Pawnee City Manager! As Leslie returns to her position as Deputy Director of Parks and Rec on a full-time basis, she expects everything to be the same as it was when she left. However, she instead sees many differences: April is handling Animal Control with ease, and Tom's firing on all cylinders in his new role of Business Liaison. Tom mentions his project to enlist a juice company to run a lemonade stand in one of Pawnee's parks to replace a retiring hot stew chef, and states he will be pitching the idea to the Pawnee Small Business Coalition. While somewhat impressed with Tom's initiative, Leslie is NOT impressed with Tom's decision to do things HIS way, instead of following her presentation guidelines that have been a Parks Department staple for 10 years. Worried Tom will fail in his presentation, Leslie decides to convince the hot stew chef to NOT go into retirement, deciding to represent him, and ultimately planning to go head-to-head with Tom in front of the Small Business Coalition. Meanwhile, Ben has an open house on his first day as Pawnee City Manager. He attempts to show everyone (particularly April, Andy, and Donna) that he is very cool, calm, and laid back. However, he ALSO implements a number of new rules to assert his position as a no-nonsense boss. Sensing Ben is wound very tight, the trio decide to prank him with a false arrest to "lighten him up". Two Pawnee police officers end up escorting a terrified Ben down to the station, trumping up ridiculous charges the whole way, until Ben thinks he'll never see the light of day again ... until April, Andy, and Donna come to the police station and reveal the prank. Even though the trio thinks it's hilarious, Ben is NOT amused. Finally, in the middle of taking pictures around City Hall to show their unborn baby where they met, Chris and Ann consider their situation and their plans for the future, and spontaneously decide they should get married. They head to a jewelry store in Pawnee, where they begin shopping for an engagement ring. Listening to another engaged couple also shopping there, they realize how much forethought is typically put into something like this, and start to question not only whether or not they want to buy the ring, but whether or not they want to get married. As always, we tackle the tough questions, such as ... Can Tom get his lemonade stand idea going? Did Ben pee his pants at the police station? Will Ann and Chris decide to get married? What will happen to the hot stew stand? Will Ben try to do anything in retaliation? What will Ann and Chris buy at the jewelry store? Will Leslie be able to get back into the rhythm of things? Did Andy like the illegal french cheese? Will Jerry die of cracker-dust inhalation? Loyal viewers, Mark and Allen are really on their game during this episode - tune in and enjoy! (EDIT BY CONSTANTINE: Subtle, guys.) Many thanks to our incredible sponsor, "Strackwell Hardware".

Tim, Chris, and Harley explore some little known historical archives and discuss some crazy stories of mankind's past. Also, killer clowns, converse, and Fleetwood Mac.  Time Stamps 0:00 - “Well look who decided to wake up” 2:15 - “I ate ramen, right?” 4:40 - Rec & Rev 15:30 - Tim's “Well, Actually…” 21:30 - The 1904 Modern Olympic Marathon! 37:30 - The Dancing Plague of 1518! 44:45 - The War of the Bucket! 59:00 - Neanderthal  1:06:50 - Fan Questions! 1:30:00- Final Thoughts SHOW NOTES “War of the Bucket: How a Bucket Killed 2000 People” https://www.toptravelsights.com/war-of-bucket/ “What Was the Dancing Plague of 1518?” https://www.history.com/news/what-was-the-dancing-plague-of-1518 “The 1904 Olympic Marathon May Have Been the Strangest Ever” https://www.smithsonianmag.com/history/the-1904-olympic-marathon-may-have-been-the-strangest-ever-14910747/ ⁠⁠ LEAVE A VOICEMAIL QUESTION AT ‪(254) 218-4042‬. FOLLOW US ON SOCIAL MEDIA AND GET MORE INFO AT - ⁠⁠HERE⁠⁠ SUPPORT AND DONATE TO THE PODCAST - ⁠⁠HERE⁠⁠ CHECK OUT OUR SPOTIFY EPISODE SOUNDTRACKS - ⁠⁠HERE --- Support this podcast: https://podcasters.spotify.com/pod/show/alwaysmorepod/support

To close out Season 3 (and our 75th overall episode!), our guest today is retired US Army colonel Charles R. Bowery, Jr. Charles, the Executive Director of the US Army Center of Military History and Chief of Military History at Ft. McNair in Washington, DC. He oversees all historical matters in the Department of the Army and the twenty-nine Army museums, including the National Museum of the United States Army. He also advises the Secretary and Chief of Staff of the Army and other Army Senior Leaders on historical background relevant to events and projected actions affecting the Army. This included advising the recent Naming Commission. Charles earned a BA in History at the College of William and Mary and his MA in History at North Carolina State University. He is currently finishing his PhD in History at George Washington University, with a dissertation titled “Black Officers in Army Green: African American Officers in the All-Volunteer Army, 1973-2020.” Charles is the author of The Richmond-Petersburg Campaign, 1864-1865 (Praeger) and Lee and Grant: Profiles in Leadership From the Battlefields of Virginia (American Management Association). He is also the co-editor with Ethan S. Rafuse of The Army War College Guide to the Richmond-Petersburg Campaign (University Press of Kansas). Charles has conducted staff rides at American Revolution, Civil War, and American World War I & II battlefields. He has been awarded the Meritorious Civilian Service Award, the Legion of Merit, the General Douglas MacArthur Leadership Award, and the General George C. Marshall Award. Charles is also a retired colonel in the United States Army, where he taught history at West Point but spent much of his career as a Master Army Aviator (helicopters!) and Parachutist. His deployments included Korea, Iraq, and Afghanistan. He has earned numerous commendations, including three Bronze Star medals. This is a very interesting and informative episode. Join us as we chat with Charles about growing up in rural Virginia near the Seven Days battlefields, making career choices, flying helicopters, the Tom Glavine, INXS, and the myriad challenges facing Army historians today. 75 episodes! Thanks, everyone, for the support and for listening! Rec.: 07/28/2023

Episode Notes In this episode, Rami and Shannon break down some deep moral philosophy inspired by Michael Schur's book "How to Be Perfect," the creative mind behind "The Office" and "Parks and Rec." They get into old-school concepts like deontology (sticking to rules), utilitarianism (doing the most good), existentialism (embracing freedom), and Ubuntu (that universal bond thing). They share thoughts on making good life choices, showing empathy, and even throw in the shopping cart test for some real-world wisdom.

The best ever trophy, global sausage acquisition, dissing Nelson Mandela, and contactless technology. (Rec: 22/11/22) Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine Hosted on Acast. See acast.com/privacy for more information.

We're talking found footage horror movies baybeee! From The Blair Witch Project to Cloverfield and Paranormal Activity to [REC], found footage movies are a staple of the horror genre so join us as we talk about its origins, what makes it work, and a list of recommendations to get you ready for the spooky season to come!   Email: crimeculturepod@gmail.com Website: crimeculturepodcast.tumblr.com Instagram: @crimeculturepodcast Twitter: @CrimeCulturePod Facebook: @crimeculturepodcast And join our Patreon! (All other links can be found on our website and linktree in our social media bios!) Hosts: Hayley Langan and Kaitlin Mahar Theme Song Composer: Michael Quick Mix Engineer: Elliot Leach We'll see you next Tuesday! xx

コマーシャルソング華やかなりし70年代から80年代の楽曲を聴きながら、思い出の中にある爽やかな夏を味わいつくす、コンバットRECさん渾身の名企画をお届け！（20:03～20:43頃)

Chris Wilson, having a window peep, a sex cab, pointless petitions, and Roy motivates Rob. (Rec: 24/11/22) Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine Hosted on Acast. See acast.com/privacy for more information.

Bailey Ferguson is leaving Maryville Parks and Rec.  The Breakfast Club talks with Bailey on the day before she leaves for greener pastures.

1974's Christmas spike craze, fat pens, solvent connoisseurs, Morrissey, life upgrades, and the double slit. (Rec: 16/11/22) Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine Hosted on Acast. See acast.com/privacy for more information.

In the next 5-10 years, here are 5 trends I predict will seriously impact recruiters' lives in the agency side of the business. These are based on observations that I've noticed that has changed the way the market works, the way I work, and what is important headed into the next decade to set yourself and your business up for success. If you're serious about this industry, then you have to compete at a whole another level - it's a different ballgame at the top if you want to monopolize entire recruitment market sectors which is feasible, you jsut have to know how to do it and spend lots of time to achieve it. Business is brutal but if you do it right, you'll sleep easy and money will come your way bc you'll be top dog in the space! If you have any questions, hit me up dz@dandanzhu.com and make sure to join the next webinar training and sign up at dandanzhu.com

Our guest today is charming international relations-cum-military historian Huw Bennett! Huw is a Reader in International Relations in the School of Law and Politics at Cardiff University in Wales. He was previously a Reader and then Lecturer in International Politics and Intelligence Studies at Aberystwyth University and a Lecturer in Defence Studies at King's College London at the Joint Services Command and Staff College. He was educated at the University of Wales, Aberystwyth, earning a degree in International Politics and Strategic Studies, a Master's in Strategic Studies, and a PhD in International Politics. Huw has written two books. The first, Fighting the Mau Mau: the British Army and Counter-Insurgency in the Kenya Emergency, was published by Cambridge in 2012, and his most recent book, Uncivil War: The British Army and the Troubles, 1966-1975, will be released by Cambridge in October 2023. Huw also co-edited The Kenya Papers of General Sir George Erskine, June 1953 to May 1955, with David French (The History Press for the Army Records Society, 2013). Huw's articles have been published in War in History, the Journal of Strategic Studies, the Journal of Imperial and Commonwealth History, and Defense and Security Analysis, to name a few. His work has been supported by the British Academy, The Leverhulme Trust, the Irish Research Council, and the Economic and Social Research Council. Huw's involvement in the profession is considerable. He is an editorial board member at The British Journal for Military History, Studies in Contemporary Warfare, and War and the British Empire. He is also the Co-Editor in Chief of Critical Military Studies. He is a Fellow of the Royal Historical Society and The Higher Education Academy and has appeared on BBC World News, Good Evening Wales, Radio France International, and many others. Join us for a fun but, at times, deep chat with Huw Bennett. We'll talk growing up half-Welsh in Surrey, living in Wales, the emotional toll of writing about atrocity, reading War and Peace, the delights of Spaghetti Ice, Barbi, Nirvana, and more! Shoutout to Joe's Ice Cream and Coco Gellato in Cardiff! Rec.: 07/20/2023

On this episode, I talk about the season 2 finale "Freddy Spaghetti (21:38)." We say goodbye to a main character and set up new storylines for season 3. Also, new teeth for everyone (1:24)! And Barks and Rec (5:31)! FILLER: Superstore (Season **2 SPOILERS**(11:02)) and my very early thoughts on MAX's hit series Succession (13:24) CONTACT: citizensofpawnee@gmail.com and Instagram @citizensofpawneepodcast and @parksrecmemes New episodes every Tuesday GO MOUSE RAT

This should have gone out a month or so ago but episode 9 went out instead - not sure anyone noticed. Withnail, ice cream, kid film persuasion, the FX-2000, and Sam's first car purchase. (Rec: 18/10/22) Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine Hosted on Acast. See acast.com/privacy for more information.

My daughter Harper is here as we talk about Summer Camp at the Rec.  

A country music remix, a lunch club update, a showbiz centre visit, resin bonded driveways, air frying, gut health, and nonsense pottery. (Rec: 27/10/22) Become a member at https://plus.acast.com/s/athleticomince. Hosted on Acast. See acast.com/privacy for more information.

"Ven conmigo a un lugar tranquilo,solos tú y yo. Te hablaré al corazón,te enseñaré mi ternura" Deja que Jesús te cuide, te sane. Cómo serán tus ojos? Tú solo adorable, contempla su rostro radiante. Recíbelo, tócalo... Lo sabes todo de mí ..sabes que te quiero #10minutosconJesús ** Ponte en presencia de Dios. Trata de hablar con Él. ** 10 minutos son 10 minutos aunque te puedas distraer. Llega hasta el final. ** Sé constante. El Espíritu Santo actúa “a fuego lento” y requiere constancia. Audios de 10 minutos que te ayudan a rezar. Un pasaje del Evangelio, una idea, una anécdota y un sacerdote que te habla y habla al Señor invitándote a compartir tu intimidad con Dios. Busca tu momento, piensa que estás con Él y dale al play. Toda la info en nuestra web: www.10minutosconjesus.org diezminutosconjesus@gmail.com Para recibir cada día tu meditación por Whatsapp pulsa aquí: http://dozz.es/nu36t

Christmas, darts, the World Cup, Friends, the greatest album of all time, and Prince. (Rec: 20/11/22) Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine Hosted on Acast. See acast.com/privacy for more information.

Football lamparding, the Melchester treatment room/sauna, and some Christmas health advice. (Rec: 17/11/22) Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine Hosted on Acast. See acast.com/privacy for more information.

Flood coverage, Triffid fear, pot hacking, and Robin Hood turns up. (Rec: 9/11/22) Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine Hosted on Acast. See acast.com/privacy for more information.