Podcasts about Cannes

The May box office is thriving ahead of a summer filled with exciting blockbusters, having surpassed $1 billion for the first time since 2019. Sophia and Nick will definitely be reviewing those upcoming films in the following months, but on this episode, they're taking it back to all of the new films they haven't yet discussed this year. Blame a long Oscar season or a rich Cannes festival, but they're back with an OW favorite, Nom or Bomb, to recap 30 films that have captured audiences so far in 2026. Which movies will they continue to talk about later this year and into 2027? Listen to find out! Follow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27Become a patron and listen to more content at patreon.com/OscarWild Find updated predictions and merch @ oscarwild.squarespace.comMusic: “The Greatest Adventure” by Jonathan Adamich

With Amy reporting from Cannes, Paul welcomes Jorma Taccone for a Dealer's Choice episode on Die Hard 2, the explosive sequel that takes John McClane to a snowbound airport under siege. Together they make the case for one of action cinema's most underrated follow-ups, celebrating Bruce Willis's swagger, Renny Harlin's direction, and the sequel's knack for escalating the stakes without losing sight of character. They also dive into the film's practical effects, memorable villains, and why Die Hard 2 remains a textbook example of how to go bigger without breaking what made the original work. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dans la matrice de sa pop culture empoisonnée Bienvenue dans le monde merveilleux de Winshluss ! Il était une fois un petit agité de Charente qui foutait le feu à ses jouets. L'école n'intéresse guère cet anarchiste en puissance, lecteur de Pif Gadget et du magazine Métal Hurlant ; il la quitte à dix-sept ans sans se douter des étranges aventures que lui fera vivre son talent monstrueux pour le dessin. Dès Super Negra, sa première BD publiée en 1999 aux Requins Marteaux, cet autodidacte énervé explosait les héros niais de Disney à la bombe nucléaire. Mais comment ce tatoué plutôt taiseux, « traumatisé » par David Lynch et obsédé par les ombres diaboliques du film La nuit du chasseur (Charles Laughton, 1955), a-t-il réussi à contaminer la société avec sa pop culture empoisonnée ? Au point d'exposer aujourd'hui son « goût de la matière noire » dans de très chics galeries d'art ? Quel double effet décisif eut sur lui le chef-d'œuvre d'Art Spiegelman, Maus ? Peut-on décider de « mal dessiner » pour bousculer les conventions ? C'est la toile de fond de ce premier épisode consacré à ce peintre rigolard de nos malheurs absurdes. Lumière, oui, sur les us et coutumes de Winshluss ! L'auteur du mois : Winshluss Né en 1970 à La Rochelle, Winshluss est auteur de BD, cinéaste, musicien et plasticien. Narrateur goguenard de nos grandes et petites apocalypses, il a notamment signé, depuis la fin des années 90, une douzaine de bandes dessinées grotesques et désespérées, bourrées de losers malchanceux, de militaires serviles et d'hommes d'affaires crapuleux, dont une relecture anticapitaliste et contemporaine de Pinocchio (Les Requins Marteaux, 2008), récompensée du fauve d'or du meilleur album au festival international d'Angoulême. Sous le nom de Vincent Paronnaud, il est aussi le coréalisateur avec Marjane Satrapi du film Persepolis, distingué de deux César et d'un prix spécial du jury au festival de Cannes en 2007. Il vit et travaille à Bordeaux. Cette conversation a été enregistrée en février 2026. Mais une semaine avant de la mettre en ligne, nous avons appris le décès de l'autrice et cinéaste Marjane Satrapi, souvent évoquée dans ce numéro de Bookmakers. Nous adressons donc toutes nos condoléances à ses proches, en particulier à son ami Winshluss. Remerciements : Adèle Tocquet, Studio Gong, ainsi que Pauline, Daniel, Victor, Chloé et Bastien pour les lectures. Enregistrements février 2026 Entretien Richard Gaitet Montage Mathilde Guermonprez et Esteban Capron Réalisation et mixage Charlie Marcelet Musiques originales Samuel Hirsch Chant, toy-piano, synthétiseur, kalima, percussions Michael Liot Illustration Sylvain Cabot Production ARTE Radio

Défaire les contes de fée : méthode Aux auteurs et autrices qui débutent, Winshluss conseille de « faire un max de trucs, même si ce n'est pas abouti. Pour avancer, il faut produire. Quand tu es publié, toutes les conneries que tu as pu faire te sautent au visage. C'est la meilleure façon de progresser ». Dans les années 2000, ce punk à lunettes sort sept albums de BD, à la fois foutraques et rigoureux, riches en gags potaches parfois d'abord écrits et dessinés pour Picsou Magazine ou le journal Ferraille illustré. Dans ses histoires infernales qui finissent toujours mal, Winshluss alterne un noir et blanc brutal avec un usage naïf de la gouache, pastiche les comics des années 30, se moque de dieu dans un livre aux allures de missel ou fait de la « Tête-à-Toto » un alter-ego flegmatique dans l'observation de nos cruautés quotidiennes. Sale gosse du 9e art, il nargue la mort dans Welcome to the death club (Cornélius, 2001), ricane des galères d'un chimpanzé du paléolithique dans Smart monkey (Cornélius, 2004), régale les mômes avec son compère Cizo via les idioties de Wizz & Buzz (Delcourt, 2006-2007), avant de décrocher la timbale grâce à Pinocchio (Les Requins Marteaux, 2008), sacré meilleur album à Angoulême et vendu à 65 000 exemplaires. Comment a-t-il construit cette version robot du mythique pantin de Collodi, ici balloté de catastrophe en catastrophe avec, en guise de conscience, un insecte écrivain alcoolo nommé Jiminy Cafard ? Comment expliquer la douceur féérique et si marrante de son album pour enfants, Dans la forêt sombre et mystérieuse (Gallimard, 2016), lauréat de la « pépite d'or » au salon de littérature jeunesse de Montreuil, qu'il adapta fort joliment sur grand écran en 2024 avec Alexis Ducord ? Les livres de Winshluss contiennent souvent un minimum de mots. Comment écrire le muet, se demandera-t-on dans le deuxième épisode de ce sérieux bavardage autour de sa mécanique, vissée « d'errances et de certitudes ». L'auteur du mois : Winshluss Né en 1970 à La Rochelle, Winshluss est auteur de BD, cinéaste, musicien et plasticien. Narrateur goguenard de nos grandes et petites apocalypses, il a notamment signé, depuis la fin des années 90, une douzaine de bandes dessinées grotesques et désespérées, bourrées de losers malchanceux, de militaires serviles et d'hommes d'affaires crapuleux, dont une relecture anticapitaliste et contemporaine de Pinocchio (Les Requins Marteaux, 2008), récompensée du fauve d'or du meilleur album au festival international d'Angoulême. Sous le nom de Vincent Paronnaud, il est aussi le coréalisateur avec Marjane Satrapi du film Persepolis, distingué de deux César et d'un prix spécial du jury au festival de Cannes en 2007. Il vit et travaille à Bordeaux. Cette conversation a été enregistrée en février 2026. Mais une semaine avant de la mettre en ligne, nous avons appris le décès de l'autrice et cinéaste Marjane Satrapi, souvent évoquée dans ce numéro de Bookmakers. Nous adressons donc toutes nos condoléances à ses proches, en particulier à son ami Winshluss. Remerciements : Adèle Tocquet, Studio Gong, ainsi que Pauline, Daniel, Victor, Chloé et Bastien pour les lectures. Enregistrements février 2026 Entretien Richard Gaitet Montage Mathilde Guermonprez et Esteban Capron Réalisation et mixage Charlie Marcelet Musiques originales Samuel Hirsch Chant, toy-piano, synthétiseur, kalima, percussions Michael Liot Illustration Sylvain Cabot Production ARTE Radio

Dans les coulisses du film « Persepolis » Pour créer, Winshluss a besoin d'une « joie primitive »… qu'il ne trouve pas uniquement sur sa planche à dessins. Depuis 2003, l'homme signe aussi des films. Huit courts et cinq longs-métrages, passant de l'animation aux prises de vues réelles, parfois adaptés de ses bandes dessinées et souvent signés de son vrai nom, Vincent Paronnaud. Il y a de quoi rire devant la leçon d'humour noir d'Il était une fois l'huile (2010), être charmé face à La mort père et fils (réalisé avec Denis Walgenwitz, 2017) ou très ému devant Persepolis, d'après la BD de la regrettée Marjane Satrapi sur sa jeunesse en Iran, qu'il transposa avec elle à l'écran. Sélectionné à Cannes en 2007, ce drame expressionniste y récolte le prix du jury, puis deux César ainsi qu'une nomination aux Oscars, et attire en salles trois millions de personnes dans le monde. Comment Winshluss a-t-il attrapé du cinéma le virus, jusqu'à y croire mordicus ? Prépare-t-il, non pas un, mais deux films, en plus d'une nouvelle BD ? C'est le sujet principal de ce troisième et dernier épisode, évoquant aussi les menaces qui pèsent sur trois de ses maisons d'édition historiques : Les Requins Marteaux, Cornélius et L'Association. L'auteur du mois : Winshluss Né en 1970 à La Rochelle, Winshluss est auteur de BD, cinéaste, musicien et plasticien. Narrateur goguenard de nos grandes et petites apocalypses, il a notamment signé, depuis la fin des années 90, une douzaine de bandes dessinées grotesques et désespérées, bourrées de losers malchanceux, de militaires serviles et d'hommes d'affaires crapuleux, dont une relecture anticapitaliste et contemporaine de Pinocchio (Les Requins Marteaux, 2008), récompensée du fauve d'or du meilleur album au festival international d'Angoulême. Sous le nom de Vincent Paronnaud, il est aussi le coréalisateur avec Marjane Satrapi du film Persepolis, distingué de deux César et d'un prix spécial du jury au festival de Cannes en 2007. Il vit et travaille à Bordeaux. Cette conversation a été enregistrée en février 2026. Mais une semaine avant de la mettre en ligne, nous avons appris le décès de l'autrice et cinéaste Marjane Satrapi, souvent évoquée dans ce numéro de Bookmakers. Nous adressons donc toutes nos condoléances à ses proches, en particulier à son ami Winshluss. Remerciements : Adèle Tocquet, Studio Gong, ainsi que Pauline, Daniel, Victor, Chloé et Bastien pour les lectures. Enregistrements février 2026 Entretien Richard Gaitet Montage Mathilde Guermonprez et Esteban Capron Réalisation et mixage Charlie Marcelet Musiques originales Samuel Hirsch Chant, toy-piano, synthétiseur, kalima, percussions Michael Liot Illustration Sylvain Cabot Production ARTE Radio

...

Wywiad z twórcami filmu Into the Jaws of the Ogre, prezentowanego podczas 79 edycji Festiwalu Filmowego w Cannes.

Host: Paul McIntyre, Editor-At-Large For the shopping public, Coles’ ‘Down Down’ has stuck like super glue for more than a decade – while loathed by adland’s elite. They’ll be mostly thrilled on what Horton – Down Down’s creator – figures is likely now in a rare and wide-ranging interview and podcast. Think rest and hibernation, not a Down Down burial. Horton ran four winning election campaigns for former Prime Minister John Howard and is characteristically frank on the effect the Down Down campaign had on him and his Big Red agency – it spawned a new shop BRX with co-founders Bridget Cleary and Marty Hungerford - to snap the straightjacket it created for him and Big Red. BRX is now being circled by potential suitors. Horton is the last old adman standing – at 74 he’s seen-off John Singleton and Mojo’s Mo and Jo. And while very uncool today, he remains adamant good jingles etch into consumer memory encoding faster than fancy, award- winning creative. It’s why he still warns on the warping dangers of advertising awards in the lead-up to the international Cannes gongfest in two weeks, proffering an ego-busting encounter with his then boss, Mojo’s Alan “Mo” Morris on why. "While you and all your mates are sitting around in a circle telling each other how good you are, your mum and dad are sitting at home singing my ads,” Horton’s recounts with a dense injection of Mo expletives. He’s never been the same since. But Horton casts wider than jingles and Down Down, to the “pseudo science” of attention metrics, “insecure” creatives and a pause-for-thought observation that the uncool craft of catalogue copywriting in the 80s and 90s has striking parallels to what works in social media today. It’s those craft skills, which BRX has captured, templated and automated, that is now partly why global holding companies and others are said to be circling. Here’s the thoughts - and confessions - of adland’s oldest creative.See omnystudio.com/listener for privacy information.

Május 12. és 23. között rendezték a 79. cannes-i filmfesztivált, a világ egyik legjelentősebb filmes eseményét. Idén Cristian Mungiu csatlakozott a két Arany Pálmás rendezők klubjához: a zsűri a Fjord című filmnek adta a fődíjat. A filmhu podcast 127. adásában összegezzük az idei cannes-i élményeket, a személyes toplisták mellett általánosságban is értékeljük a mezőny színvonalát, és megpróbáljuk kitalálni, melyik filmekről fogunk még sokat hallani a következő hónapokban.

On the latest episode Nobody's Ever Asked Me That, Nick Dawson sits down with Charles Lane, the writer-director-actor behind the landmark indie film classic Sidewalk Stories. In a lively and frequently surprising conversation, Lane talks about such disparate subjects as how to make high-school love work (with some creative scheduling), being chased by street gangs and dinosaurs, how he copes with regret, his time as a pre-teen pyromaniac, the places one's brain goes during a 12-minute (!) standing ovation at Cannes, becoming a Jehovah's Witness as an act of teenage rebellion, and much more. Nobody's Ever Asked Me That now has a Substack, so head there to check out all of our past episodes, plus subscribe to get access to exclusive audio and video content!

Interview de Jonathan Rodriguez pour nous parler de son studio RodrigameZ, réalisée lors du Festival International des Jeux de Cannes 2026

Episode Description: In this episode, Christopher Schnese and Stephen David Miller bring you a review of Obsession. Directed by Curry Barker. With Michael Johnston, Inde Navarrette, and Cooper Tomlinson. After breaking the mysterious "One Wish Willow" to win his crush's heart, a hopeless romantic finds himself getting exactly what he asked for but soon discovers that some desires come at a dark, sinister price. Show Notes Hosts: • Christopher Schnese and Stephen David Miller Featured Review: • Obsession The Verdict: • Stephen: Must See • Christopher: Must See Music for this Episode: • Obsession by Ariel Shalom Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey For more in-depth coverage from the festival, checkout Stephen's Cannes 2026 Dispatches over at David Chen's Substack: Decoding Everything: • Cannes 2026 Dispatch #1: Catching Up With New Films By Jane Schoenbrun, Ryusuke Hamaguchi, Paweł Pawlikowski, and Hirokazu Koreeda • Cannes 2026 Dispatch #2: No, An AI-Generated Feature Film Did Not Premiere At Cannes (And Reviews Of Things That Did) • Cannes 2026 Dispatch #3: The Palme d'Or-Winning 'Fjord' And Other Festival Highlights

In 2025, Cannes Lions was dampened by controversy after three awards were withdrawn over fabrication of case studies and concerns around their legitimacy.DM9's “Efficient way to pay” was retracted after the DDB agency was caught using AI to fabricate news coverage and misleading the jury. Two others Lions were also removed from the agency. In response, Cannes Lions updated the entry process and introduced a set of "integrity standards" to ban agencies for up to three years that submit "wilfully false" campaigns.Campaign's UK editor Maisie McCabe recently spoke to Cannes Lions on the new awards process and "necessary" reset to the standards. In this episode, Campaign's editorial team discuss how the awards will be different this year, both for those that have entered and the juries that are judging them, and what the industry makes of the changes. Plus, the team reveal how the Cannes Lions is making efforts to reduce bias in the judging rooms. Hosted by tech and multimedia editor Lucy Shelley, this episode includes McCabe, creativity and culture editor Gurjit Degun and reporter Eszter Gurbicz. It was edited by Haymarket's producer Inga Marsden.Further reading:Cannes Lions retires Creative Company of the Year AwardDecade-old Sainsbury's ad used in Gut's 2024 Media Grand Prix-winning case studyCannes Lions entries rise 'reflecting strong global participation'Icaro Doria steps down as co-president and CCO of DM9 following Cannes controversyAdland's ‘New Year's' resolution should be to revive its integrity at Cannes LionsMaybe Cannes Lions isn't capable of picking all of the best work Hosted on Acast. See acast.com/privacy for more information.

Episode Description: In this episode, Christopher Schnese and Stephen David Miller bring you a review of Obsession. Directed by Curry Barker. With Michael Johnston, Inde Navarrette, and Cooper Tomlinson. After breaking the mysterious "One Wish Willow" to win his crush's heart, a hopeless romantic finds himself getting exactly what he asked for but soon discovers that some desires come at a dark, sinister price. Show Notes Hosts: • Christopher Schnese and Stephen David Miller Featured Review: • Obsession The Verdict: • Stephen: Must See • Christopher: Must See Music for this Episode: • Obsession by Ariel Shalom Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey For more in-depth coverage from the festival, checkout Stephen's Cannes 2026 Dispatches over at David Chen's Substack: Decoding Everything: • Cannes 2026 Dispatch #1: Catching Up With New Films By Jane Schoenbrun, Ryusuke Hamaguchi, Paweł Pawlikowski, and Hirokazu Koreeda • Cannes 2026 Dispatch #2: No, An AI-Generated Feature Film Did Not Premiere At Cannes (And Reviews Of Things That Did) • Cannes 2026 Dispatch #3: The Palme d'Or-Winning 'Fjord' And Other Festival Highlights

"Je suis de l'école de l'écriture instinctive, j'ai besoin d'écrire beaucoup, et puis de tailler dans la matière." Formé en montage à l'Insas et en écriture à Elicit, Micha Wald se fait remarquer en 2007 avec son premier long métrage, "Voleurs de chevaux", western sur le front de l'Est, sélectionné à la Semaine de la Critique de Cannes. Il enchaine en 2009 en changeant radicalement de genre avec "Les Folles Aventures de Simon Konianski," comédie acerbe aux accents biographiques. Après avoir écrit le scénario de "Cavale" de Virginie Gourmel, récit initiatique adolescent, il revenait ce printemps avec "L'Ile de la demoiselle," film historique d'aventure et de survie au féminin, aux accents résolument modernes. Avec Micha Wald, on a parlé d'aventure, évidemment, de passer des scénarios de jeux de rôles aux scénario de film, d'écrire tous les jours, pour garder la forme, de travailler à l'aube, de trouver les bonnes personnes pour lire ses textes, et du danger de trop nombreux retors, et peut-être, surtout, de vivre d'autres vies que la sienne. Le temps d'un coup de fil à l'ancienne, sans video, sans caméra, il revient pour Les Rituels, un podcast créé pour We Love Cinema, sur la place que l'écriture prend dans sa vie et dans son quotidien.

Episode Description: In this episode, Christopher Schnese and Stephen David Miller bring you a review of I Love Boosters. Directed by Boots Riley. With Keke Palmer, Taylour Paige, and Naomi Ackie. A group of shoplifters take aim at a cutthroat fashion maven by stealing her clothes and reselling them at a lower price, what they call "fashion-forward philanthropy." Show Notes Hosts: • Christopher Schnese and Stephen David Miller Featured Review: • I Love Boosters The Verdict: • Stephen: Recommend with Caveat • Christopher: Recommend with Caveat Music for this Episode: • 24/7 by SZNS Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey For more in-depth coverage from the festival, checkout Stephen's Cannes 2026 Dispatches over at David Chen's Substack: Decoding Everything: • Cannes 2026 Dispatch #1: Catching Up With New Films By Jane Schoenbrun, Ryusuke Hamaguchi, Paweł Pawlikowski, and Hirokazu Koreeda • Cannes 2026 Dispatch #2: No, An AI-Generated Feature Film Did Not Premiere At Cannes (And Reviews Of Things That Did) • Cannes 2026 Dispatch #3: The Palme d'Or-Winning 'Fjord' And Other Festival Highlights

Episode Description: In this episode, Christopher Schnese and Stephen David Miller bring you a review of I Love Boosters. Directed by Boots Riley. With Keke Palmer, Taylour Paige, and Naomi Ackie. A group of shoplifters take aim at a cutthroat fashion maven by stealing her clothes and reselling them at a lower price, what they call "fashion-forward philanthropy." Show Notes Hosts: • Christopher Schnese and Stephen David Miller Featured Review: • I Love Boosters The Verdict: • Stephen: Recommend with Caveat • Christopher: Recommend with Caveat Music for this Episode: • 24/7 by SZNS Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey For more in-depth coverage from the festival, checkout Stephen's Cannes 2026 Dispatches over at David Chen's Substack: Decoding Everything: • Cannes 2026 Dispatch #1: Catching Up With New Films By Jane Schoenbrun, Ryusuke Hamaguchi, Paweł Pawlikowski, and Hirokazu Koreeda • Cannes 2026 Dispatch #2: No, An AI-Generated Feature Film Did Not Premiere At Cannes (And Reviews Of Things That Did) • Cannes 2026 Dispatch #3: The Palme d'Or-Winning 'Fjord' And Other Festival Highlights

This week we're excited to present a conversation with The Little Sister lead actress Nadia Melliti, moderated by FLC programmer Madeline Whittle. A 2026 Rendez-vous with French Cinema selection, The Little Sister is currently playing at Film at Lincoln Center, courtesy of Strand Releasing. Get tickets at filmlinc.org/sister Devout Muslim teenager Fatima (Nadia Melliti) lives with her loving Algerian immigrant family in Paris, but fears the inevitable fallout if her tradition-minded kin discover her identity as a lesbian. Initially wary of her own sexuality and eager to downplay it, Fatima blossoms when she meets Ji-na (Return to Seoul star Park Ji-Min), but challenges await the nascent couple. In her fourth directorial effort, Hafsia Herzi (also acclaimed for her captivating performances in The Rapture and The Secret of the Grain) rejects the clichés of queer coming-of-age stories, which so often center around tragedy and trauma. Instead, Herzi centers one young girl's relatively drama-free journey of self-discovery and coming out, one telling incident at a time. A true discovery in her first on-screen role, Melliti won Best Actress awards at Cannes and Lumières, as well as the César Award for Best Female Newcomer, while the film took home the prestigious Louis-Delluc Prize in 2025. A Rendez-Vous with French Cinema 2026 selection. A Strand Releasing release.

Backrooms (2026) Directed by: Kane Parsons Written by: Will Sudick Starring: Chiwetel Ejiofor, Renate Reinsve, Mark Duplass, Finn Bennett, Lukita Maxwell IMDB: Backrooms (2026) Episode Summary In this episode of Mindframes, Michael and Dave discuss Backrooms (2026), an A24 horror film directed by 20-year-old YouTube filmmaker and wunderkind Kane Parsons — believed to be the youngest person to ever direct a widely released feature film. The discussion covers the film's expansion of the internet liminal space phenomenon into a feature-length narrative, its Tarkovsky-esque atmosphere, and the remarkable work of cinematographer Jeremy Cox and production designer Danny Vermette in bringing 30,000 square feet of meticulously constructed sets to life. The conversation digs deep into why liminal spaces resonate so powerfully with contemporary audiences — and with Gen Z in particular — framing the backrooms not just as a horror setting but as a cultural symptom of a society in uneasy transition. Both hosts award the film five stars, with Michael calling it the best film he's seen this year.

On this episode, Shadan is joined by Ben Miller to discuss the current state of the Oscars in a post-Cannes world! Now that we've seen the prestigious Cannes Film Festival play out, we can speculate with more insight on how things may shake out when it's all said and done. Obviously, there is a ton to see yet, but we wanted to talk further about where we stand now after the festival.  Visit https://insessionfilm.com/store for merch and more! Thanks for listening and be sure to subscribe! Become an ISF VIP today to get exclusive bonus content! Follow us on X/Twitter! @InSessionFilm | @ShadanLarki

Bon jour, and welcome to the show. It's another annual tradition on Time Sensitive where we take you to the French coast of the Mediterranean Sea and recap the world's most prominent and lavish film festival. In fact, this is our eighth Cannes recap on Time Sensitive.The 79th edition of the Cannes Film Festival, which ran from May 12 - 23, 2026, just closed with a controversial Palme d'Or winner, divided critical reception, and an industry increasingly grappling with AI's future.Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media  

Content de te revoir or Welcome back to an extended discussion of the 79th Cannes Film Festival! Nick and Sophia continue chatting about their experiences abroad including awarding many fun listener-submitted superlatives to films they both liked and loathed. They still mention In Competition films like they did on last week's recap, but they also shout out other unique selections from Un Certain Regard, Critics' Week, Directors' Fortnight, and Out of Competition Midnight films. Enjoy as they bid adieu to Cannes…for now! Follow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Nick @sauerkraut27Follow Sophia @sophia_cimBecome a patron and listen to more content at patreon.com/OscarWild Find merch @ oscarwild.squarespace.comMusic: “The Greatest Adventure” by Jonathan Adamich

Irgendwo auf dieser Welt ist eine Insel, auf der seit 60 Jahren kein Mensch war. Eine andere, auf der 300 Menschen mit Pfeil und Bogen schießen, wenn du dich näherst. Und eine dritte, auf der pro Quadratmeter eine giftige Schlange wartet.Jochen hat eine Liste mitgebracht.Aber zuerst kommt er entspannt rein. War bei der Thai Massage. Michi kommt aus dem Pilates. Der Geruch eines Thai Massagesalons reicht schon. Sofort ist man weg.Dann geht es um Rick Rubin, den Mann hinter Johnny Cash, den Red Hot Chili Peppers, HipHop und Slayer. Und um ein Buch über Kreativität, das Jochen nicht nacheinander liest, sondern immer wieder aufschlägt. Warum Erfolg Glückssache ist, wie man zu sich selbst findet in der Kunst - und warum das eigentlich eine gute Nachricht ist.Zudem: Georgien allein als Frau, ein Kurztrip nach Südfrankreich und die Weekender-Card. Schönes Wochenende!—

This week on the Lin. Woods Gospel Entertainment Podcast, Lin. sits down with award-winning filmmaker Tia A. Smith, a visionary storyteller whose remarkable career journey has taken her from radio broadcasting to producing content for BET, TV One, VH1, and now the big screen.Tia opens up about the path that led her to become a respected filmmaker, the challenges she's faced as a woman navigating the entertainment industry, and the determination that has fueled her success. She also discusses her latest film, The Heir, which recently earned international recognition with an award at the prestigious Cannes Film Festival in France.In this inspiring conversation, Tia shares valuable lessons learned throughout her career, the importance of perseverance, and practical advice for aspiring filmmakers looking to break into the industry. Whether you're a film lover, creative entrepreneur, or someone pursuing a dream, this episode is packed with wisdom, encouragement, and behind-the-scenes insights from one of today's rising filmmaking talents.Connect with Lin. Woods on Social Media:Instagram & Tik Tok: @Lin Woods.Facebook & LinkedIn: @Lin. WoodsX/Twitter: @linwoods#LinWoodsGospelEntertainmentPodcast #Podcasts #blackfilmmakers #WomenInFilm #faith #inspiration 

Son Petzold filmi Aynalar No. 3, Backrooms ve Obsession'ın gişedeki performansları üzerinden YouTube çıkışlı yönetmenlerin sinemadaki başarısı, 29. Uçan Süpürge Film Festivali ve Cannes'daki ödüller üzerine konuşuyoruz.

Skriv til os!Alexander er gæst hos William igen i denne uge, og han er kommet forberedt!Til starte med kommer d'herrer med hver deres Top-3 over imødesete film fra dette års Cannes Film Festival, inden de kaster sig ud i hvad er der blevet set det sidste stykke tid.Alexander kommer med input til den meget omtalte (og kritiserede) sæson 3 af Euphoria, ligesom der også er skuffelse at mærke over sæson 5 af The Boys, mens der omvendt er bedre oplevelser at finde i sæson 2 af TV2-serien De Bedste År, Richard Gadds opfølger til Baby Reindeer; Half-Man og mere endnu. For William har den sidste tid stået på fede 90'er needle drops i Netflix-serien Legends og en grum virkelighed i den tysk-sprogede film, Aftenvagten.I Listen har William set et stjernespækket drama i form af filmen Doubt, med Meryl Streep, Philip Seymour Hoffman, Amy Adams og Viola Davis, mens Alexander har set den tidligere Cannes-vinder, bodyhorror filmen Titane.Rigtig god lyttelyst!(0:00:00) Intro om Alexanders eget podcast eventyr(0:16:24) Top-3 film vi glæder os til fra Cannes Film Festivalen(0:36:32) Hvad har vi set med Euphoria sæson 3, The Boys sæson 5, Legends, Aftenvagten, I'm Still Here, Rooster sæson 1, Half-Man og De Bedste År sæson 2.(1:19:25) Listen med Doubt og Titane(1:46:10) Outro og hvad kommer der næste ugeIntromusik produceret af Timur.Find Række 8 på Facebook og Instagram.Følg William på Twitter og LetterboxdFølg Jens på Twitter og Letterboxd

157. epizóda Vertiga bude opäť bohatá na predstavenie noviniek z kín a online priestoru. Kiná lákajú na šiestu časť Scary Movie, rovnako aj na snaživý surreálny horor Backrooms, čaká vás aj výnimočný britský film so slovenským distribučným názvom Prisahám, že za to nemôžem, či španielska artovka Romería z festivalu v Cannes. Zo streamov sme vybrali pozoruhodné seriály Spider-Noir a Hviezdne mestečko, ale aj dark fantasy komédiu štúdia A24 – Smrť jednorožca. Zoznam filmov a seriálov z epizódy: 00:00 Úvod 00:54 Scary Movie 12:25 Backrooms: Za stenou / Backrooms 19:35 Prisahám, že za to nemôžem / I Swear 25:59 Romería 31:13 Spider-Noir (Prime Video) 36:30 Hviezdne mestečko / Star City (Apple TV+) 42:06 Smrť jednorožca / Death of a Unicorn (SkyShowtime) 48:24 Záver _ Ak nám chcete napísať, ozvite sa na vertigo@sme.sk _ Ďakujeme, že počúvate podcast Vertigo a zaujímate sa o filmový svetSee omnystudio.com/listener for privacy information.

While Amy is off at Cannes, Paul welcomes Joanna Robinson for an Unspooled Critics' Choice episode on Josie and the Pussycats, the 2001 musical comedy that was lightyears ahead of its time. They revisit Harry Elfont and Deborah Kaplan's razor-sharp satire of pop music, consumer culture, and corporate branding and unpack how a movie stuffed with logos became one of Hollywood's smartest critiques of marketing. Along the way, they celebrate the infectious soundtrack, the pitch-perfect performances, and explore how a box-office disappointment can transform into a beloved cult classic. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

For this week's episode, we have two guests: Andrew Klaus-Vineyard and Daniel Talbott are the directors of a new documentary short called Welcome to Tool Shed, which opens to the door to an iconic leather bar in Palm Springs. They're just back from showing the film at Cannes, and it'll be popping up at film festivals around the world in the coming months. Daniel and Andrew are longtime collaborators, first with daring theater projects, then with queer horror, and now with a documentary about how a generation that never expected to be senior citizens, and what they have to teach us about not just enduring difficult times, but thriving.

durée : 02:29:49 - Les Matins de France Culture - par : Guillaume Erner - Ce matin, à 7h40 et à 8h20, Guillaume Erner reçoit le réalisateur Emmanuel Marre, qui a remporté le prix du scénario à Cannes pour son film "Notre Salut", et l'historienne de l'Occupation Bénédicte Vergez-Chaignon. A 7h17, Tristan Leperlier analyse le dernier livre de Boualem Sansal, "La Légende". - réalisation : Félicie Faugère, Marie-Lys de Saint Salvy, Mathilde Thon-Fourcade, Emma Lichtenstein, Juliette Devaux, Jean Leymarie, François Saltiel, Alexandra Delbot, Lucile Commeaux, Gilles Gressani, Yoann Duval, Alice Deschamps Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Why were Laetitia Casta and Aishwarya Rai criticized for their appearance at the 2026 Cannes Film Festival?What starts as celebrity gossip quickly becomes a much bigger conversation about beauty standards, aging, body image, and social media. Because the more I looked at the comments coming out of Cannes, the more one question kept nagging at me:Did the tabloids disappear—or did we become them?Are. You. Ready?****************Sources & References:Andrejevic, Mark. iSpy: Surveillance and Power in the Interactive Era. University Press of Kansas, 2007.Andrejevic, Mark. Reality TV: The Work of Being Watched. Rowman & Littlefield, 2004.Berger, John. Ways of Seeing. Penguin Books, 1972.Bordo, Susan. Unbearable Weight: Feminism, Western Culture, and the Body. University of California Press, 1993.Dyer, Richard. Stars. British Film Institute, 1979.Festinger, Leon. “A Theory of Social Comparison Processes.” Human Relations, vol. 7, no. 2, 1954, pp. 117–140.Foucault, Michel. Discipline and Punish: The Birth of the Prison. Translated by Alan Sheridan. Vintage Books, 1977.Gamson, Joshua. Claims to Fame: Celebrity in Contemporary America. University of California Press, 1994.Marwick, Alice E. Status Update: Celebrity, Publicity, and Branding in the Social Media Age. Yale University Press, 2013.Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Screen, vol. 16, no. 3, 1975, pp. 6–18.Senft, Theresa M. Camgirls: Celebrity and Community in the Age of Social Networks. Peter Lang, 2008.Wolf, Naomi. The Beauty Myth: How Images of Beauty Are Used Against Women. William Morrow, 1991.Articles & Reporting:Arieux, Chloe B. “Laetitia Casta : insultes, grossophobie… ce qui s'est passé à Cannes choque.” Public, 29 May 2026.Reporting and commentary covering public reactions to Laetitia Casta and Aishwarya Rai Bachchan during the 2026 Cannes Film Festival, including discussions of ageism, body shaming, beauty standards, and social media scrutiny.****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on TikTok & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************Intro/Outro Music:“Fame Inc” by Savvier — https://icons8.com/music

C'est une tribune qui a beaucoup fait parler d'elle tout au long du dernier Festival de Cannes, qui s'est tenu du 12 au 23 mai. Dans ce texte paru dans la presse le jour de l'ouverture, 600 professionnels du septième art s'inquiètent de la mainmise grandissante du milliardaire Vincent Bolloré sur le cinéma français… Vincent Bolloré, premier actionnaire du plus gros financeur privé de films, le groupe Canal+, est en passe d'acquérir le groupe UGC, l'un des principaux réseaux de salles de cinéma en France. Les signataires de la tribune « Zapper Bolloré » y voient une menace pour la liberté de créer.On retrace cette séquence avec les deux journalistes qui ont couvert le Festival de Cannes, Catherine Balle et Renaud Baronian. Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Judith Perret - Production : Clara Garnier-Amouroux et Thibault Lambert - Réalisation et mixage : Julien Montcouquiol - Photo : LP/Fred Dugit - Musiques : François Clos, Audio Network - Archive : Le Figaro, France TV. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Episode Description Cannes 2026 just wrapped, and Zef is joined by producer Cole Howard to break down the films, winners, distributors, and festival buzz coming out of the world's most prestigious film festival. They discuss this year's Palme d'Or winner FJORD, Christian Mungiu's new family drama starring Sebastian Stan and Renate Reinsve, along with some of the biggest films on their watchlists, including James Gray's PAPER TIGER, Na Hong-jin's HOPE, Ryusuke Hamaguchi's ALL OF A SUDDEN, Nicolas Winding Refn's HER PRIVATE HELL, and A24's buzzy CLUB KID. Zef also shares stories from attending Cannes in 2014 and 2019, including seeing WINTER SLEEP before it won the Palme d'Or and attending the Cannes premiere of THE GANGSTER, THE COP, THE DEVIL. The conversation also touches on NEON's incredible run as a distributor, Cannes standing ovations, Korean cinema, long movies that earn their running time, recent Palme d'Or winners, director commentaries as film school, and why Cannes still matters as the ultimate launchpad for world cinema. Films discussed include: FJORD, PAPER TIGER, HOPE, ALL OF A SUDDEN, HER PRIVATE HELL, CLUB KID, WINTER SLEEP, THE GANGSTER, THE COP, THE DEVIL, KILLERS OF THE FLOWER MOON, TITANE, ANORA, PARASITE, ANATOMY OF A FALL, TRIANGLE OF SADNESS, SHOPLIFTERS, MY COUSIN VINNY, TWO LOVERS, WE OWN THE NIGHT, AD ASTRA, THE WAILING, MEMORIES OF MURDER, CITY OF GOD, and more.   Hosted by Zef Cota & Cole Howard

Send us Fan MailSupport the showActing with Asha – Episode FooterEnjoyed this episode?Discover more insights on acting, entrepreneurship, and building a sustainable creative career with Jade Asha's book, Actorpreneur.

Episode Description: In this episode, Christopher Schnese and Stephen David Miller bring you a review of Star Wars: The Mandalorian and Grogu. Directed by Jon Favreau. With Pedro Pascal, Brendan Wayne, and Lateef Crowder. Once a lone bounty hunter, Mandalorian Din Djarin and his apprentice Grogu embark on an exciting new Star Wars adventure. Show Notes Hosts: • Christopher Schnese and Stephen David Miller Featured Review: • Star Wars: The Mandalorian and Grogu The Verdict: • Stephen: Must Avoid • Christopher: Pass with Caveat Music for this Episode: • Skywarriors by Tilman Sillescu Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey For more in-depth coverage from the festival, checkout Stephen's Cannes 2026 Dispatches over at David Chen's Substack: Decoding Everything: • Cannes 2026 Dispatch #1: Catching Up With New Films By Jane Schoenbrun, Ryusuke Hamaguchi, Paweł Pawlikowski, and Hirokazu Koreeda • Cannes 2026 Dispatch #2: No, An AI-Generated Feature Film Did Not Premiere At Cannes (And Reviews Of Things That Did) • Cannes 2026 Dispatch #3: The Palme d'Or-Winning 'Fjord' And Other Festival Highlights

durée : 00:12:13 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - À l'occasion du 280e anniversaire de la naissance du Chevalier de Saint-George, ce projet célèbre la rencontre entre deux héritages que tout semble opposer mais que l'histoire réunit : celui du Siècle des Lumières et celui de la société créole antillaise. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:12:13 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - À l'occasion du 280e anniversaire de la naissance du Chevalier de Saint-George, ce projet célèbre la rencontre entre deux héritages que tout semble opposer mais que l'histoire réunit : celui du Siècle des Lumières et celui de la société créole antillaise. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

On this PRmoment podcast today we're chatting about the Nils Leonardgate.Is comparing earned media creativity and paid media creativity pointless?I normally have this debate internally in my own head when I watch the annual PR/ad creative bun fight at Cannes but it's come a bit early this year following Uncommon founder Nils Leonard's latest activation of his "let's start a fight' strategy where he says: "The PR industry should be scared, not just of Uncommon but in general."We'll also discuss to what extent paid media creative and earned media creatives are similar, and to what extent are they different. Can they ever be compared with much validity? To talk about all this stuff welcome Hope & Glory co-founder James Gordon Macintosh.Before we start the final entry deadline to The Creative Moment Awards is on Friday 19th June 2026.Key Themes1. Ad Land's Cyclical "Discovery"Gordon-Macintosh believes that this is not a paradigm shift, but rather a predictable, cyclical reaction to macroeconomic pressures. Whenever paid media budgets shrink due to client belt-tightening or shifting algorithms, advertising shops look to colonise PR space to protect their revenue lines. Every decade, advertising "discovers" a discipline PR has been practicing for years—whether it's social media, creator marketing, or culture marketing—and rebrands it as something entirely new.2. Bought vs. Earned Creative ArchitectureThe structural divergence between advertising creativity and PR creativity forms a central pillar of the debate. Advertising is hardwired for absolute control—agencies write a script, buy the slot, and force eyeballs onto the screen. PR, conversely, requires navigating a chaotic, reactive ecosystem of third-party validation, shifting editorial gatekeepers, and genuine cultural conversations where control is surrendered in exchange for authenticity.3. The "Infinite Monkey Cage" of Ad-Led PRWhile acknowledging Uncommon's brilliant output (such as Rat Boot and PAIN), Gordon-Macintosh draws a line between flashy stunts and sustainable communication strategy.Quotes from James Gordon Macintosh:"Every decade, I'd say advertising discovers something PR has frankly been doing for years, and they try to give it a new name.""Advertising is about buying your way into the media space—you buy the eyeballs. PR genuinely has to engage with what people are actually talking about.""If you take an infinite number of monkeys and give them an infinite number of typewriters... mathematically one will eventually write Hamlet. In ad agencies, an earned idea is all too often luck, not skill."

Filmmakers! Welcome back to a very special Business of Film edition of The Filmmakers Podcast. Today, we are cutting through the absolute nonsense and delivering a survival guide for how to fund, produce, and sell an independent film in the current market. Host Giles Alderson is joined by an expert powerhouse panel: film industry data analyst Stephen Follows, director-producer and AI tech expert Hilary Shakespeare, independent director-producer Dom Lenoir, and VP of Distribution at Quantify Sales, Dimo Alexandrov. Together, they break down the exact numbers of what sold, why horror and elevated genre remain king, the catastrophic mistakes indie producers are making on the Croisette, and the real impact of AI on the future of cinema. Whether you are prepping a project for production or trying to close a distribution deal, this episode is a mandatory masterclass on how to navigate the international market right now. Come Fully Prepared: Before approaching any sales agent or distributor, you must know your exact budget top-sheet, your realistic cast options, your shoot locations, and your tax credit strategy. Do not pitch an abstract idea; pitch a business plan. The Sweet Spot Budget: The current market "sweet spot" for independent genre films is £1.2M–£1.5M. Going higher requires highly recognizable names; going lower works best in horror where a strong, high-concept hook can carry the film. Horror and Rom-Coms are Leading: Horror and elevated genre films remain the most bulletproof, reliable bets globally. However, romantic comedies are making a significant comeback—particularly book adaptations and projects with established cast members. The Market Moves Early: The traditional Cannes calendar has shifted. A massive portion of business and deal-making was finalized the weekend before the official market doors opened. Start your outreach and schedule your virtual meetings much earlier next year. Personalize or Perish: Sales agents are swamped with generic copy-and-paste pitch emails that don't even mention their company slate. Take the time to research exactly who you are contacting and explain why your project specifically fits their portfolio. Badges Matter Less Than Presence: The most lucrative business deals and connections didn't happen inside the secure zones; they happened in bars, beach parties, and informal networking spots. Even without an official market badge, it is still worth being on the ground. AI is a Tool, Not a Writer: The panel consensus is clear—leverage AI for workflow efficiencies like scheduling, budgeting, localized dubbing, and storyboarding. However, original human voice and lived experiences are the only things that truly make a film connect with an audience. Understand Gen Z: Gen Z is now the largest cinema-going demographic, but their tastes, media consumption, and viewing habits differ drastically from previous generations. You must understand how to market directly to them. Work the Other 360 Days: Cannes is a momentary flashpoint, not a long-term strategy. The filmmakers finding genuine traction are building relationships, sending screeners, and doing Zoom calls all year round. The Follow-Up Strategy: Don't let your market contacts go cold. Connect on LinkedIn or Instagram (read the room on which platform fits best), screenshot their contact info so you don't lose it, and follow up within a few days with a personalized, contextual message.

On episode 346 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and AwardsWatch contributors Dan Bayer, Mark Johnson, and Josh Parham to go back 15 years and take a look at the 84th Academy Awards, covering the films of 2011. On this week's retrospective, the AW team returns from Cannes to take a look back at the 84th Oscars, one that was known for having a great selection of films to choose from that the Academy decided to mostly ignore for more middle of the road, safer choices. This lead to a winner that is not remembered as much for a film that defined the year, both from a critical and commercial aspect, and also lead to one of the worst wins in the Best Actress category. So given the nature of the show and the game played by the AW team, change is a coming for 2011, as the following films were mentioned over the courses of lengthy discussions over every category; Weekend, Contagion, Shame, Melancholia, Crazy Stupid Love, Take Shelter, Killer Joe, The Skin I Live In, 50/50, as well as films that were already nominees getting more love like Moneyball, The Girl with the Dragon Tattoo, Warrior, The Tree of Life, Drive, Bridesmaids, and more. In their in-depth discussion, the AW team talked about the film year of 2011, briefly discuss talk about The Artist as a Best Picture winner, and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to four films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h52m. We will be back in next week for a review round-up episode discussing some of the newest releases in theaters like Obsession, Backrooms, Masters of the Universe, Power Ballad, Blue Film, Blue Heron, and more. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Két remek beszélgetést hallhattok a Friss Hús filmfesztiválról jelentkező podcastsorozat harmadik részében.Fárizs Mihály rendezte a Végem című, nehezen besorolható kisfilmet, amelynek középpontjában a jelenleg 84 éves színésznő, Meszléry Judit áll. Több mint hatvanéves pályafutása során olyan filmekben szerepelt, mint az Így jöttem (1964), a BÚÉK (1978), a Képvadászok (1986), a Sorstalanság (2005) vagy a Jupiter holdja (2017) – de ami még fontosabb, egészen elképesztő figura. Beszélgettünk arról is, vajon boldogtalanabbak-e a színészek, mint bárki más.Aztán Dér Zsoltot kinevezem a Friss Hús Léa Seydoux-jának: ahogy Léa idén Cannes-ban, úgy Zsolt is két filmmel szerepel a fesztivál versenyprogramjában. Most az egyikről, a Felesleges életekről beszélgetünk, és megpróbálunk rájönni, hogyan sikerült ennyire elképesztően életszerűre az a szexjelenet, amelyben Hermányi Mariann a partnere.02:13 - Fárizs Mihály (Végem)26:08 - Dér Zsolt (Felesleges életek)Készítette: Varga FerencZene: Hegyi OlivérJó szórakozást az adáshoz, és ha tetszik, kérlek⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠támogasd a Filmklub podcastot a Patreonon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, egy dollár is nagy segítség! Ha a Patreon túl macerás, támogathatod a podcastot a PayPalon (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferencv1976⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) vagy a Revoluton (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferenc7drh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) keresztül is. Nagyon köszönöm!

Interview de Ludema et Nico pour le média Punchboard, réalisée lors du Festival International des Jeux de Cannes 2026

Send us Fan Mail I'm taking you inside the Summer House Season 10 reunion Part 1 with a gossip dump you won't get anywhere else — and what I'm seeing on that couch is not what it looks like. Kyle Cooke's reaction to everything coming out about Amanda Batula and West Wilson is raising serious red flags for me, and I play you audio of West on his own podcast that I think gives away exactly what he's really after. Amanda flat-out lied to Ciara Miller — not once, not twice, but in writing, repeatedly, doubling and tripling down — and we hear those DMs read aloud on the reunion couch. West meanwhile is wearing that horsehair tie on national television and I play you the moment he's asked to explain it, because what Amanda admits she knew when he was wearing it will make your jaw drop. I also play you Margaret Josephs' Page Six interview defending Jen Fessler publicly — and then I share the insider tea on this. That's just the beginning, because the full Patreon episode goes so much deeper: I do a deep dive into Amanda Stavely — Diana Jenkins' arch enemy — her secret relationship with Prince Andrew, her role in the Barclay Bank scandal that nearly destroyed Diana's husband Roger Jenkins, and why she turned down a marriage proposal from a royal only to end up broke. Then we get into the explosive update on Prince Andrew's expanding Epstein investigation, a Florida woman, Royal Lodge Windsor, and the name Brad Edwards that you need to know. And finally I read Hayden Panettiere's book — specifically the chapter she named after Diana Jenkins' provocative photography project — and the mysterious "Stella" character on that superyacht in Cannes with an Oscar-winning director who does something... the devil is in the detail on who these people are... and I need your help figuring it out. Full episode on Patreon

This week on PREVIOUSLY ON… Jason and Rosie cover the latest trailers from Disclosure Day, House of The Dragon season 3, and X-Men ‘97. Then they talk about ‘Obession’ breaking box office records, Steam Deck price hikes and then a recap of Cannes’ Film Festival, is it in its flop era? THEN! be sure to stick around for the end of NEWS to hear a wonderful interview with Terrance Zdunich and Darren Lynn Bousman, Creator and Director of REPO! The Genetic Opera, for its 17th anniversary 4k remaster. Follow Jason: IG & Bluesky Follow Rosie: IG & Letterboxd Follow X-Ray Vision on Instagram Join the X-Ray Vision DiscordSee omnystudio.com/listener for privacy information.

Ep. 405: Justin Chang on Cannes 2026: All of a Sudden, The Samurai and the Prisoner, Coward, Fjord Redux Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. At the 2026 Cannes Film Festival I sat down with Justin Chang of The New Yorker for a chat about a few films we had missed to talk about. Among the titles discussed are All of a Sudden (directed by Ryusuke Hamaguchi), The Samurai and the Prisoner (Kiyoshi Kurosawa), Coward (Lukas Dhont), and Fjord (Cristian Mungiu), which at the time of recording had not yet won the Palme d'Or. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Ep. 406: Manohla Dargis on Cannes 2026 Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. As the 2026 Cannes Film Festival drew to a close, I was fortunate again to sit down with Manohla Dargis, chief film critic of The New York Times, for our annual Cannes finale. The films discussed included titles that hadn't been addressed yet on the podcast, as well as some that had. Throughout, Dargis shares her thoughts on this year's edition of the festival in a historical context. Please note that the episode was recorded before the awards ceremony. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Pop Culture Thursday: Jared reads the latest celebrity headlines from Page Six and gives his unfiltered takes!Ciara Miller, West Wilson, and Amanda Batula: Summer House reunion dramaNepo baby debate reignites with Francesca ScorseseTaylor Swift spotted with Travis Kelce at NBA gameJacob Elordi pulled into injury clickbait confusionBarbra Streisand linked to fake Cannes injury storyJaclyn Smith at 80 reveals beauty secretAurora Culpo welcomes baby girl with fiancé ZachJared is on tour!

A long time ago in a galaxy far, far away … we used to have good ‘Star Wars' movies. Before diving into ‘The Mandalorian and Grogu', Sean and Amanda give a final recap of their trip to the Cannes Film Festival, and cover a handful of movie news headlines they missed while they were overseas (2:28). Then, they are joined by ‘Star Wars' superfan Van Lathan to discuss who the movie was actually made for, why it doesn't feel special for one of cinema's biggest movie franchises, and how this film marks an end of an era for ‘Star Wars' at large (32:02). Finally, Sean is joined by Daniel Roher to discuss why he felt his new film ‘Tuner' was an exercise to prove to himself that he could broaden his horizons outside of the documentary genre (1:28:33). Hosts: Sean Fennessey and Amanda Dobbins Guests: Daniel Roher and Van Lathan Producer: Jack Sanders Production Support: Lucas Cavanagh Learn more about your ad choices. Visit podcastchoices.com/adchoices

On today's Views Podcast, David and Natalie record from Oslo, Norway to talk about David's near makeout at the club,  Natalie leaving the company for Mr. Beast and how David caught Natalie in a lie. Also, David runs into an Oscar Winner at Cannes, the power of Michael Jackson, and heading to the strip club with the brand. And a little bit later,  David registers for the draft, Ferrari releases andelectric car and David gets his shot on Euphoria. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jim Hill and Drew Taylor unpack a packed week in animation and themed entertainment news, from Warner Bros. officially developing a standalone Rick & Morty movie to Disney's growing Bluey presence in both Anaheim and Orlando. Along the way, the duo discuss Universal Fan Fest's future, the surprising Memorial Day box office performance of The Mandalorian & Grogu, and why Disney is already planning big for Mickey's centennial celebration in 2028. They also pay tribute to legendary voice actor Tom Kane and share updates on Adventure Time, Hello Kitty, and the ever-expanding world of animated features headed to theaters over the next few years. HIGHLIGHTS • Warner Bros. officially begins development on a standalone Rick & Morty movie directed by series veteran Jacob Hair • Disney introduces Bluey's Best Day Ever at Disneyland while Walt Disney World prepares to launch Bluey's Wild World with a virtual queue system • Universal may bring Fan Fest to Islands of Adventure as Hollywood's version wraps up its 2026 run • The Mandalorian & Grogu overperforms at the Memorial Day box office with projections climbing past $100 million • Netflix lands Cannes animated feature In Waves while Sony Pictures Classics acquires Iron Boy • Adventure Time: Side Quests heads to Hulu with Pendleton Ward's universe continuing to expand • Disney and licensing insiders preview Frozen 3, Incredibles 3, Gatto, and Star Wars: Starfighter at Licensing Expo in Las Vegas • Why Warner Bros. believes a Rick & Morty feature film can work as a true theatrical event rather than an extended TV episode • Drew shares details from Disneyland's new animation and Bluey-themed experiences, including updates on Animation Courtyard at Disney's Hollywood Studios • A look at Universal's rumored Zelda-themed plans and how Fan Fest could evolve on the East Coast • Remembering beloved voice actor Tom Kane, from Star Wars and Powerpuff Girls to the voice of the Walt Disney World Monorail HOSTS • Jim Hill - X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | Website: jimhillmedia.com • Drew Taylor - X/Twitter: @DrewTailored | Instagram: @drewtailored | Website: drewtaylor.work FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia • Patreon: https://www.patreon.com/jimhillmedia/ SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR UnlockedMagic.com - Save on Disney and Universal theme park tickets with expert planning help and exclusive offers: https://unlockedmagic.com/?utm_source=partner&utm_campaign=finetooning Learn more about your ad choices. Visit megaphone.fm/adchoices