Podcasts about Cannes

CADENA 100 informa que el debate sobre la OTAN sigue activo 40 años después del referéndum, con críticas de Trump a España por el gasto en defensa. 65.000 firmas solicitan adelantar mamografías preventivas a los 40 años y unificar criterios en España. Barbra Streisand recibe la Palma de Oro honorífica en el Festival de Cannes por su EGOT. Un estudio revela que masticar despacio ayuda a sentirse saciado. Se recuerda que Salvador Dalí diseñó el logo de Chupa Chups. Los premios Ig Nobel se mudan a Zúrich debido a recortes en EE. UU., destacando estudios curiosos sobre moscas en vacas y el uso de alcohol para aprender idiomas. La ley del docente avanza para rebajar ratios en infantil y secundaria, mientras gobierno y CNMC vigilan los precios de gasolineras y energía. Amancio Ortega regresa al top 10 de la lista Forbes, y la Mercedes Benz Fashion Week convierte a Madrid en capital de la moda. Oyentes comparten anécdotas sobre el carné de conducir. Una pareja en Kenia, de 90 y 95 años, se ...

'¡Buenos días, Javi y Mar!' en CADENA 100 repasa la actualidad: se cumplen 40 años del referéndum de la OTAN en España, debate vigente con comentarios de Donald Trump sobre el compromiso. Entrega de 65.000 firmas a Sanidad para adelantar mamografías a los 40 años y unificar criterios nacionales. Barbra Streisand recibe la Palma de Oro Honorífica en Cannes por su EGOT y trayectoria. El programa ofrece "Jeroglíficos auditivos" y comenta la Semana de la Moda de París. Suenan Rosalía, Bruno Mars, David Otero y Taburete, Fito y Fitipaldis, y Natalie Imbruglia. Se aborda el "walking football", fútbol sin correr para mayores, destacando sus beneficios. Una oyente debate sobre vender regalos no deseados. La audiencia comparte mensajes de audio divertidos.

Hírmagyarázó magazinműsor. Benne:00:00:15 – Villámvélemény: A menyasszony00:03:10 – A Warner-Paramount-Netflix-saga legutóbbi fejezete00:10:50 – Kisszínes: Max Landis visszatérése00:12:40 – A hét témája: Miért zabáljuk újabban ennyire a magyar filmeket?00:27:15 – A hét legváratlanabb híre: film készült Magyar Péterről00:39:35 – A hét magyar híre: új Gyertyák csonkig égnek 10 milliárdból?00:45:25 – A hét kérdése: Néznéd az Egyik csata a másik után 2-t?00:51:10 – Hírek, amelyeknek örültünk a héten + Cannes-i teaser00:59:20 – Vetítésajánló

Interview de Jean-Manuel Mascort & Cathy Suignard de Ludografik réalisée lors du Festival International des Jeux de Cannes 2026

Het is maandag en dan blikken we in De 7 altijd vooruit naar de week die komt, met een gast.Vandaag is dat investeerder Jürgen Ingels, van Smartfin Capital.Hoe evolueert de oorlog tussen Iran en de VS, daarin gesteund door Israël? En welke rol speelt de technologie in zo'n conflict?En zien we die technologie ook opduiken op de eerste defensiebeurs in ons land? Voor het eerst vindt hier zo'n beurs plaats.De resultaten van Oracle en Adobe deze week zijn de gelegenheid om bij onze gast te polsen naar zijn verwachtingen over de markt voor artificiële intelligentie.Verder in deze aflevering van De 7: de nieuwe Bel20, de staat van onze Europese economie, sociale onrust en de vastgoedbeurs in Cannes. Host: Bert RymenProductie: Joris Vanderpoorten See omnystudio.com/listener for privacy information.

Émission spécial FIJ (Festival international des jeux de Cannes) – Invitée : Hélène Delforge (Repos prod), elle revient sur la victoire de Toy Battle en tant que jeu de l’année. Toutes les chroniqueuses de C’ludik Anne-Gaëlle, Morgane et Béa débriefent leur festival avec les jeux qu’elles ont préféré !

durée : 00:47:49 - Affaires sensibles - par : Fabrice Drouelle, Franck COGNARD - Aujourd'hui dans Affaires sensibles, l'histoire du film "Underground" d'Emir Kusturica, Palme d'Or au festival de Cannes 1995. - réalisé par : François AUDOIN Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Tess Uriza Holthe, author of "The Five-Forty-Five to Cannes," talks about how one of the characters in the book of short stories re-married several times without divorcing his previous wife.  The full interview from a 2007 episode of "Conversations On The Coast with Jim Foster" can be heard now wherever you get your podcasts.

The CPG Guys are joined in this episode by Particia Corsi, Chief Growth Officer & Craig Slavtcheff, Chief R&D Officer at Kimberly-Clark, manufacturer of trusted brands that are an indispensable part of life for people in more than 175 countries and territories. The portfolio of brands, including Huggies, Kleenex, Scott, Kotex, Cottonelle, Poise, Depend, Andrex, Pull-Ups, Goodnites, Intimus, Plenitud, Sweety, Softex, Viva and WypAll, hold No. 1 or No. 2 share positions in approximately 70 countries. Our company's purpose is to deliver Better Care for a Better World. Follow Patricia on LinkedIn at: https://www.linkedin.com/in/patriciacorsi/Follow Craig on LinkedIn at: https://www.linkedin.com/in/craig-stephen-slavtcheff-7115455/Follow Kimberly-Clark online at: https://www.kimberly-clark.com/en-us/They answer these questions;Under the 'Powering Care' strategy, you talk about the need to 'out-innovate, out-market, and out-activate' together. Practically speaking, how have you re-wired your teams to work in lockstep? Does R&D sit in on the creative briefings now?How do you engineer that kind of premium performance into a value-tier product without breaking the margin structure? That seems like an R&D magic trick.Can you give us an example of a product that worked in one market that you rapidly adapted and deployed to another? How are you customizing for local needs without losing the efficiency of a global chassis?How do you balance the functional 'science' that Craig's team builds with the 'brand love' you need to build? Can you talk about the creative strategy behind your recent Cannes wins and how that translates to actual market share gains?How is Kimberly-Clark 'breaking through the noise' right now? Is it about being more provocative with the creative, or is it about being more precise with the targeting?You've just wrapped year two of the 'Powering Care' transformation—the largest in the company's 154-year history. And now, you have the Kenvue deal on the horizon later this year. When you look at the combined potential of these portfolios, how does your mission to 'raise the standard of care' evolve? What does the next 12 months look like for your respective organizations?Craig, talk to us about one favorite innovation you've launched in the last year & one consumer trend that is keeping you up at night?What is the one thing you want the retail partners listening to this to know about Kimberly-Clark's plans for 2026?CPG Guys Website: http://CPGguys.comFMCG Guys Website: http://FMCGguys.comSheCOMMERCE Website: https://shecommercepodcast.com/Rhea Raj's Website: http://rhearaj.comLara Raj in Katseye: https://www.katseye.world/DISCLAIMER: The content in this podcast episode is provided for general informational purposes only. By listening to our episode, you understand that no information contained in this episode should be construed as advice from CPGGUYS, LLC or the individual author, hosts, or guests, nor is it intended to be a substitute for research on any subject matter. Reference to any specific product or entity does not constitute an endorsement or recommendation by CPGGUYS, LLC. The views expressed by guests are their ownCPGGUYS LLC expressly disclaims any and all liability or responsibility for any direct, indirect, incidental, special, consequential or other damages arising out of any individual's use of, reference to, or inability to use this podcast or the information we presented in this podcast.

Chaque jour, en quelques minutes, un résumé de l'actualité culturelle. Rapide, facile, accessible.Notre compte InstagramDES LIENS POUR EN SAVOIR PLUSMichel-Ange : Le Figaro, Franceinfo, Ouest France, 20 Minutes, LibérationCNews / Europe 1 : Libération, Le Monde, Le HuffPostJeu vidéo “Clair Obscur: Expedition 33 : 20 Minutes, Le Monde, FranceinfoPeter Jackson Palme d'or d'honneur : Festival de Cannes, Franceinfo, Le HuffPostNetflix Alexandre le grand / Aristote : Konbini, Ecran Large, AllocinéNetflix IA : Netflix, The Guardian, VarietyÉcriture : Eden AyachIncarnation : Mathys Debril / Blanche Vathonne Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Es uno de los únicos cuatro directores de la historia en ganar en los tres principales festivales de cine del mundo (Cannes, Venecia y Berlín). Ha sido encarcelado dos veces en su propio país, Irán. Aprendió de su compatriota y maestro Abbas Kiarostami. Y ahora puede ganar su primer Óscar por su última película, 'Un simple accidente'. ¿Qué hace especial el cine de Jafar Panahi? ¿Qué ha aprendido en prisión? ¿Y qué importancia tiene el sonido, en concreto, en 'Un simple accidente'? Lo debatimos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Además, apadrinamos la nueva novela de Sergio del Molino, 'La hija', que abunda en la misteriosa figura de la pintora 'goyesca' Rosario Weiss.

Es uno de los únicos cuatro directores de la historia en ganar en los tres principales festivales de cine del mundo (Cannes, Venecia y Berlín). Ha sido encarcelado dos veces en su propio país, Irán. Aprendió de su compatriota y maestro Abbas Kiarostami. Y ahora puede ganar su primer Óscar por su última película, 'Un simple accidente'. ¿Qué hace especial el cine de Jafar Panahi? ¿Qué ha aprendido en prisión? ¿Y qué importancia tiene el sonido, en concreto, en 'Un simple accidente'? Lo debatimos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Además, apadrinamos la nueva novela de Sergio del Molino, 'La hija', que abunda en la misteriosa figura de la pintora 'goyesca' Rosario Weiss.

Visuals: https://getbehindthebillboard.com/episode-105-yohan-daver This Friday sees the last in our New York specials and we're finishing with a cracker, Yohan Daver, ECD at at BBH, USA Yohan started his career in India, at BBDO and then BBH, before continuing his journey with the black sheep to LA and now BBH New York. Yohan's work has been recognised at every major awards show, winning big at Cannes, D&AD, The One Show, and the Clios. We discussed some of his very best campaigns, starting with Netflix's Squid Game: The Challenge, a genuinely intriguing, funny and superbly on-brand campaign that questioned the morals of New Yorkers and what they would do for money. Next we covered the ‘Black-owned Friday Every Day' initiative for Google in partnership with the U.S. Black Chambers, Inc. to reframe the busiest shopping day of the year as a celebration of Black-owned businesses. We did a quick bit of Heineken, before finishing on Dunkin' at Home which we've loved ever since we saw it last year. It is the epitome of great OOH, fantastic idea, brilliantly executed. Yohan gave us the story behind the idea which is not to be missed. Then we chatted about the beautifully crafted execution. It deservedly won our International Poster of the year and we imagine it will clean up in the awards shows later this year. Thanks again Yohan for coming on. A great end to a fun week. Huge thanks once again to Joe at Rockefeller Center's Newsstand Studios for making us sound (semi)professional. Thanks also to our all our guests both in the studio and at AdFest, you were all amazing. Kudos as ever to Jon for the edits. Gas for the music. And the good people of New York who made us feel so welcome. V much hoping to return. BTB ❤️ NYC And as ever, huge thanks to all our sponsors, who make the show possible: Bauer Media Outdoor View2Fill Super Optimal GAS Music

I denne episoden av Filmfrelst presenterer vi den siste utgaven av prosjektet Regirommet – en serie samtaler der to norske regissører i dialog fordyper seg i regifaget med en ny norsk film i fokus. Foreningen Norske Filmregissører (NFR) har siden 2022 hatt Filmfrelst som podkasthjem for Regirommet, og i 14 ulike episoder har vi tatt del i møter mellom ulike norske regissører – som blant annet Emilie Blichfeldt/Patrik Syversen, Yngvild Sve Flikke/Johanna Pyykkö og Hisham Zaman/Eskil Vogt. I denne samtalen – som blir siste utgave av Regirommet her på Montages – står Affeksjonsverdi av Joachim Trier i fokus, og regissøren møter kollega Arild Andresen til dialog om sitt arbeid. Affeksjonsverdi er den mest internasjonalt bejublede norske filmen noensinne – først vant den juryens Grand Prix i Cannes, deretter ble den en kinosuksess i en rekke land (den er snart sett av 300.000 på norske kinoer) og i januar mottok filmen som kjent hele ni Oscar-nominasjoner. Regirommet-samtalen mellom Joachim Trier og Arild Andresen  ble gjennomført etter en visning på Affeksjonsverdi på Vega Scene i Oslo, torsdag 16. oktober 2025. Episoden introduseres av Montages-redaktør Karsten Meinich og NFRs nestleder Ingrid Liavaag. God lytting!

Alors que s'ouvre ce lundi à Cannes, le MIPIM, le marché international des professionnels l'immobilier, en présence de promoteurs, investisseurs, retailers, le sujet de l'extension et du renforcement du droit de préemption commercial devrait intéresser les professionnels du secteur mais aussi les maires. C'est l'idée de la proposition de loi transpartisane adoptée le 16 février 2026 en première lecture à l'Assemblée nationale pour empêcher les « contournements » de la loi par des « montages juridiques » et préserver le commerce de proximité et surtout d'enrayer le déclin des centres-villes de plus en plus marqué depuis la crise sanitaire en 2020. C'est un nouvel outil s'inspirant de ce qui avait été entrepris par la foncière Centres-villes vivants de la Métropole du Grand Paris (MGP) présidée par Patrick Ollier pour permettre aux élus de mieux préserver la diversité de leurs commerces. Un chiffre à retenir : la part des communes dépourvues de commerces est passée de 25 % à 62 % en 40 ans ! C'est pourquoi avec d'autres députés Stéphane Peu (Gauche Démocrate et Républicaine), Nicolas Ray (Divers droite), Romain Daubié (Les Démocrates), David Taupiac (Liot), Stéphane Delautrette (PS), Catherine Hervieu (Écologiste et social) et Jean-Michel Brard (Horizons Loire Atlantique), ils ont donc décidé de remédier à de nombreux abus constatés par exemple en région francilienne par plusieurs élus et donc d'étendre le droit de préemption commercial à la cession de parts sociales ou actions changeant le contrôle de la société. Le texte est désormais dans les mains des sénateurs depuis le 16 février. Écoutons Pierre Cazeneuve, député Ensemble pour la République de la 7ème circonscription des Hauts-de-Seine, rapporteur du texte visant à l'extension et au renforcement du droit de préemption commercial.

Momenteel draait een geruchtmakende Spaanse film in de Nederlandse bioscopen genaamd Sirat. Hij werd al gelauwerd in Cannes en Palm Springs, en zou zomaar de OScar voor Buitenlandse Film kunnen winnen volgende week in LA. Waarom wij er bij de Machine ook op aanslaan: de film drijft op techno. Het verhaal: een man is samen met zijn zoon op zoek naar zijn verloren dochter, die vijf maanden eerder van de radar verdween. Hij hoopt haar te vinden in de woestijn in Marokko. op een illegale rave. En verder: op zoek naar het perfecte goede doel.

Winner of 4 César awards, after Cannes and Rome Film Festival, Nouvelle Vague finally lands Italian cinemas. The post “Nouvelle Vague”, interview with director Richard Linklater appeared first on Fred Film Radio.

En el Brasil de los años 70, un profesor universitario cambia de ciudad para reunirse con su hijo, mientras es vigilado de cerca por corruptos agentes del régimen militar. Kleber Mendonça Filho escribe y dirige este filme, estrenado con una ovación en Cannes y que ha entusiasmado a la crítica y al público. Cuenta con cuatro nominaciones a los premios Oscar, incluyendo mejor película internacional, mejor película y mejor actor principal por el trabajo de Wagner Moura, quien ya ha ganado en esta categoría en Cannes y los Globos de Oro. Ya disponible en salas de cine.

What do sales agents really do at film markets like Cannes, AFM, and EFM? In this episode, I explain how sales agents meet buyers, pitch films, and secure distribution deals. You'll also learn why most deals don't happen during the market itself, but in the weeks after buyers review screeners.

This episode explores the fascinating origins of Sherlock Holmes, his real-life inspirations, and the detective's impact on literature and detective work. Discover how Conan Doyle's experiences and character traits shaped the legendary detective.Most of us underestimate the brilliance behind Sherlock Holmes — and how much of it was based on real deduction. Sir Arthur Conan Doyle's character was inspired by no less than Dr. Joseph Bell, whose extraordinary powers of observation Sherlock himself would have envied. Yet, in a surprising twist, Bell once told Conan Doyle that Holmes was, in fact, a reflection of Doyle himself. Holmes's legendary deductions, clever tricks, and even his methods in solving real murders stem from the authentic genius of his creator. This episode unravels how Doyle's life, and Holmes's character, are intertwined with true detective work that saved lives, revealing secrets behind iconic stories and the real-world skill that turned fiction into legend.Prepare for a deep dive into high-society gambling, clever deception, and murder plots set against the glamorous backdrop of early 1900s France. When Holmes and Watson visit a casino near Cannes, a seemingly straightforward night spirals into a web of intrigue involving a fake death, bloodstains that aren't what they seem, and a plot so cunning it will challenge everything Holmes believed about murder and illusion. You'll discover how seemingly innocent tricks—like planting money on a corpse—can uncover the hidden motives of killers or the plays of master manipulators. This story is a masterclass in deduction, deception, and the dangerous allure of gambling, with Holmes pulling the strings to solve crimes that could have easily gone noir.Key insights include how Holmes detects a murder disguised as a suicide through blood and banknotes, the importance of understanding human superstition at the gambling tables, and the subtle clues that reveal both the killer's motive and the intricate plans behind apparent accidents. Patterns in blood spatter, the significance of roulette wheel details, and the dangerous game of emotional manipulation all emerge from Holmes's extraordinary perception. You'll also learn a clever Parisian trick: planting false evidence to mislead investigators, a tactic that reveals the dark art of deception used by criminals and detectives alike. This episode isn't just a Holmes adventure; it's a lesson in critical thinking and reading between the lines amidst high-stakes chaos.Why does all of this matter? Because understanding the mind behind Holmes's deductions prepares you to spot deception, anticipate motives, and think like one of the greatest detectives in history. Whether you're a mystery enthusiast, a professional investigator, or simply curious about how the tiniest detail can change the course of justice, this episode offers invaluable insights. It's about sharpening your mind against the illusions that often hide the truth — a necessary skill in today's complex world.Perfectly suited for crime buffs, detective fans, or anyone eager to decode the tricks used by both con artists and experts. If you want to elevate your understanding of deduction, deception, and the art of reading between the lines, this episode is your essential guide. Let Holmes's mastery inspire your own mental agility and turn everyday observations into powerful insights.Sherlock Holmes, Arthur Conan Doyle, detective stories, deductive reasoning, literary history

Nanouk Leopold is regisseur en kunstenaar. Ze maakt sinds 2008 onder de naam LeopoldEmmen video-installaties met beeldend kunstenaar Daan Emmen. Tot nu toe heeft ze zes films geregisseerd die stuk voor stuk prijzen wonnen of op internationale filmfestivals zijn vertoond. Haar tweede film, Guernsey, die in 2005 twee gouden kalveren won, werd vertoond op het filmfestival van Cannes. Haar laatste film ‘Cobain' had in 2018 zijn wereldpremière op het Berlijnse Filmfestival Berlinale. Sinds 2017 regisseert ze ook voor toneel en opera. Haar nieuwe film ‘Whitetail' gaat over Jen, een boswachter in Zuid-Ierland. Wanneer haar jeugdliefde terugkeert in haar leven, herbeleeft ze een traumatische gebeurtenis van vroeger. Femke van der Laan gaat met Nanouk Leopold in gesprek.

FIJ 2026, c'est dimanche et c'est le dernier jour ! Découvrez les derniers jeux essayés par la Proxi-Team.

durée : 00:02:39 - Debout la Terre - par : Camille Crosnier - Le festival international des jeux s'est clôturé hier à Cannes et Raphaël Gerson nous a ramené un célèbre jeu qui devient plus vert. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This episode of "Seeing Them Live" features Eric Vollweiler, a seasoned producer, marketing consultant, and strategist in the film, festival, and entertainment industry with nearly two decades of experience. Charles explores Eric's journey from his early concert experiences to his current work helping festivals and creators connect with audiences, sponsors, and industry partners, including major festivals like Sundance, Cannes, and Toronto. Eric's passion for live entertainment was shaped early—his mother took him to his first concert at age 14, seeing Aerosmith with Black Crows at the Saratoga Performing Arts Center. He also attended a massive Grateful Dead and Crosby, Stills & Nash show that drew 70,000 people. After high school, Eric moved to New York City in 1996, working at legendary nightclubs like the China Club and the Tunnel under mentor Michael James. During this time, he even worked alongside a young Mark Sinclair—now known as Vin Diesel—at an elite catering company. His nightclub experience ended when he broke his wrist breakdancing at the Tunnel, prompting him to move back upstate for college. Eric's festival career began in 2001 when he volunteered at Sundance, eventually co-producing seven events there. A memorable highlight was sneaking into a Beastie Boys performance at the 2006 Sundance Film Festival. He recently launched the Vollweiler Agency, which provides comprehensive services to festivals including sponsorship acquisition, advertising, and social media strategy. Currently, he's working on the 11th annual Hip Hop Film Festival in New York City, which focuses on hip-hop culture through the lens of filmmaking. At the heart of his work is a commitment to filmmakers and providing opportunities for the next generation, guided by his philosophy: "Never ask the CEO for a job, but ask him to learn" and "the humbler you are, the better you'll be in life." BANDS: Aerosmith, Beastie Boys, Betty Buckley, Black Crows, Crosby Stills and Nash, Grateful Dead, Jerry Garcia, Melba Moore, U2, Ziggy Marley VENUES:  Buffalo Highmark Stadium, China Club, Egyptian Theater, Knickerbocker Arena, Life, Saratoga Performing Arts Center, Saratoga Race Course, Sundance Film Festival, The Tunnel PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

FIJ 2026, c'est parti pour le samedi, avant-dernier jour pour l'équipe de Proxi-jeux qui tente de déambuler dans la foule !

FIJ 2026, vendredi, écoutez le ressenti à chaud de la délégation de Proxi-Jeux présente au Festival International des Jeux de Cannes 2026.

Shine up those rhinestones, everybody: it's the BEHIND THE CANDELABRA episode. We're talking Soderbergh's sort-of-final film before his sort-of-retirement, a 2013 Liberace biopic starring Michael Douglas and Matt Damon - and we're joined by writer and Liberace expert Eva Anderson! We talk Vegas, camp, Douglas's infamous throat cancer disclosure, plastic surgery, palimony, the closet, Eva's absolutely insane experiences touring Liberace's home and other associated places, and lots more. You know what they say... too much of a good thing is wonderful (also unfamiliar to listeners of this show). Further Reading: Behind the Candelabra: My Life with Liberace by Scott Thorson and Alex Thorleifson Liberace: An American Boy by Darden Asbury Pyron The Celluloid Closet: Homosexuality in the Movies by Vito Russo "Michael Douglas on Liberace, Cannes, cancer and cunnilingus" by Xan Brooks "The Boy Toy's Story" by David Segal Further Viewing: DRACULA (various) SUNSET BOULEVARD (Wilder, 1950) THE INFORMANT! (Soderbergh, 2009) THE QUEEN OF VERSAILLES (Greenfield, 2012) SCOTTY AND THE SECRET HISTORY OF HOLLYWOOD (Tyrnauer, 2017) Follow Eva Anderson: https://www.instagram.com/evafay/ https://bsky.app/profile/evafay.bsky.social Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

durée : 00:05:17 - Ciné-thérapie - Deux films autour des jeux d'argent et des jeux de séduction à l'occasion du déplacement de Grand bien vous fasse à Cannes au Festival international des jeux. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:55:36 - Grand bien vous fasse ! - par : Ali Rebeihi - En direct de Cannes au Festival international des jeux. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

FIJ 2026, jeudi, écoutez le ressenti à chaud de la délégation de Proxi-Jeux présente au Festival International des Jeux de Cannes 2026.

STUART IS BACK!! Patrick Stratford continues to bring the big guns to the podcast as the mighty Doug Rao makes his debut. In the first of a two-part cracker, Doug looks back on his time as Sun Hill sleuth DS Stuart Turner and forward at his exciting filmmaking career, including his debut feature film "Dirty Boy" which has played at Cannes and was nominated for multiple awards at the 2025 Raindance Film Festival. Star Trek The Next Generation legend Marina Sirtis (Counsellor Deanna Troi) and Paul McGann — the Eighth Doctor himself — headline this year's Gosport Comic Con on March 28th at the Bay House School Sports & Arts Centre, Gosport. Meet a screen legend, grab autographs, and be part of an unforgettable day celebrating fandom, film, and creativity - Tickets are available now at: www.GosportComicCon.com The Bill Podcast is brought to you in proud association with georgefairbrother.com shop.saturdaymorningpress.co.uk vanguardcomics.co.uk gibconsultancy.co.uk mcr-seo.com and donspillane.com

La 38e édition du Festival international des jeux se tient du vendredi 27 février au dimanche 1er mars à Cannes. Présentation avec Cynthia Reberac, sa commissaire générale. Ecoutez Le bon plan du week-end avec Vincent Parizot du 27 février 2026.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Ep. 383: Oliver Laxe on Sirat Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. In Sirat, director Oliver Laxe tells the story of a father searching for his daughter with his young son's help. But the milieu isn't what one might expect: a desert rave scene in an unidentified country in a world plunged into disarray and war. Premiered in Cannes last year and still in U.S. cinemas, Sirat's visceral, spiritual journey joins together the father (Sergi Lopez) with a motley crew of ravers rumbling into the desert and running into a tragedy that tends to catch audiences off guard. I spoke with Laxe recently about the film, which is nominated for the Academy Award for Best International Feature alongside It Was Just an Accident (directed by Jafar Panahi), The Secret Agent (Kleber Mendonca Filho), Sentimental Value (Joachim Trier), and The Voice of Hind Rajab (Kaouther Ben Hania). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

FIJ 2026, mercredi, écoutez le ressenti à chaud de la délégation de Proxi-Jeux présente au Festival International des Jeux de Cannes 2026.

Drobná nehoda, vítězný film festivalu v Cannes se dvěma nominacemi na Oscary, je ode dneška v českých kinech. Íránské drama s prvky černé komedie natočil perzekvovaný režisér Džafar Panahí. Sleduje v něm bývalého vězně íránského režimu, který náhodou narazí na muže, o němž je přesvědčený, že byl jeho mučitelem. „Politikou, pomstou a úvahou o odpuštění nabitý film, který je zároveň takovou revenge road movie,“ charakterizuje snímek filmový kritik Pavel Sladký.

Australia month crashes to a delirious halt with 1997's Welcome to Woop Woop, Directed by Stephan Elliott and adapted from Douglas Kennedy's The Dead Heart by screenwriter Michael Thomas, the film strands American grifter Teddy (Johnathon Schaech) in a surreal outback shantytown ruled by Daddy-O (Rod Taylor) and fueled by show tunes, superstition, and mob justice. Susie Porter co-stars as Angie, who drags Teddy into the warped social rituals of Woop Woop—Dog Day, asbestos mines, pineapple Christmas, and a kangaroo called Big Red.Ben Buckingham and Rahne Alexander join Mike to dissect the film's Cannes infamy, its grotesque fairy-tale politics, and Elliott's post-Priscilla swing for the fences. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Australia month crashes to a delirious halt with 1997's Welcome to Woop Woop, Directed by Stephan Elliott and adapted from Douglas Kennedy's The Dead Heart by screenwriter Michael Thomas, the film strands American grifter Teddy (Johnathon Schaech) in a surreal outback shantytown ruled by Daddy-O (Rod Taylor) and fueled by show tunes, superstition, and mob justice. Susie Porter co-stars as Angie, who drags Teddy into the warped social rituals of Woop Woop—Dog Day, asbestos mines, pineapple Christmas, and a kangaroo called Big Red.Ben Buckingham and Rahne Alexander join Mike to dissect the film's Cannes infamy, its grotesque fairy-tale politics, and Elliott's post-Priscilla swing for the fences. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Nineteen Seventy-Six. America's bicentennial was a great year for cinema, with films like A Star is Born, King Kong, All the President's Men, Carrie, and The Omen heating up the box office, and instant classics Rocky and Network earning the most accolades. After a six-decade career in the director's chair, Alfred Hitchcock released his last film, Family Plot, around the same time that an up-and-coming young director by the name of Martin Scorsese released his breakout hit, the fifth film of his budding career. Centered on a disillusioned New York cabbie played by Robert De Niro, this rain-and-neon-soaked meditation on summer in the city proved to be a defining outing by both actor and director. With a cast including Cybill Shephard, Albert Brooks, Peter Boyle, Harvey Keitel, and a very young Jodie Foster, the film racked up awards, including the Palme d'Or at Cannes and four nominations at the Academy Awards, including Best Picture, Best Actor for De Niro, and Best Supporting Actress for Foster. Despite controversies over its content, the film was hailed as a hit. Now, fifty years later, we're catching a ride with Taxi Driver and talking to you about it!   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

In this edition of our film show, critic Emma Jones talks to Eve Jackson about the latest film releases, including "The History of Sound" from director Oliver Hermanus. It stars Paul Mescal and Josh O'Connor as two men who fall in love in the shadow of World War I. The film premiered in competition at Cannes to lukewarm reviews, but Emma argues its quiet, repressed portrayal of a gay relationship shaped by its era is exactly what gives it emotional force.

Award-winning cinematographer Michael Fitzer joins Jared to talk about his work in the film industry and how it compares to writing about their own experience in the US military. Michael shares what it's like to build a creative career in Louisville, Kentucky's growing film scene. He also reflects on how the magic of the Spalding Low-Residency MFA transformed his writing path, offering guidance and validation he hadn't previously found. Plus, Michael discusses his mission to help other artists recognize that a life in creative work is not only possible, but within reach.Michael is a recent graduate of Spalding University's low-residency MFA in Writing program after spending more than 25 years in the film industry. He's an Emmy Award-winning DP, Director, Producer, and Editor whose work has been seen on networks like Discovery, History, A&E, The Documentary Channel, iTunes, and Netflix, and represented at major film markets like Cannes, Berlin, and Toronto. Most recently, he assisted in the development of the Netflix hit show WRESTLERS, where he served as production supervisor. He is also a decorated combat veteran of the United States Army. MFA Writers is hosted by Jared McCormack and produced by Jared McCormack, Hanamori Skoblow, and Brié Goumaz. New episodes are released every two weeks. You can find more MFA Writers at ⁠MFAwriters.com⁠.BE PART OF THE SHOW— Donate to the show at⁠ Buy Me a Coffee⁠.— Leave a rating and review on ⁠Apple Podcasts⁠.— Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience.— Apply to be a guest on the show by filling out ⁠our application⁠.STAY CONNECTEDTwitter: ⁠@MFAwriterspod⁠Instagram: ⁠@MFAwriterspodcast⁠Facebook: ⁠MFA Writers⁠Email: ⁠mfawriterspodcast@gmail.com

How can the visual arts be used to promote peace? Professor Mitchell investigates how the visual arts can not only incite violence, but also bear witness, reveal dangerous memories, transform violence, contribute to healing trauma and imagine more hopeful futures. Examples are taken from both current conflicts (Russia-Ukraine, Israel-Palestine) and past wars (Paul Nash and Otto Dix in the First World War, local artists in the Iran-Iraq War and the 1984 Rwandan genocide). Professor Mitchell analyses the ambivalent role of the visual arts in building peace.This lecture was recorded by professor Jolyon Mitchell on 11th February 2026 at Bernard's Inn Hall, LondonProfessor Jolyon Mitchell is Principal of St John's College, Durham and a Professor at Durham University who specialises in Religion, Violence and Peacebuilding, with reference to the arts and media. Educated at the Universities of Cambridge, Durham and Edinburgh, Professor Mitchell worked as a Producer and Journalist with BBC World service and Radio 4 before moving to the University of Edinburgh where he served as Director of CTPI (the Centre for Theology and Public Issues at the University of Edinburgh) and Academic Director for IASH (Institute for Advanced Studies in Humanities). He is a former President of TRS-UK (2012-2018 - the national association for Theology and Religious Studies in the UK). He is author or editor of over a dozen books, as well as many chapters and articles, including Promoting Peace and Inciting Violence: The Role of Religion and Media (Routledge, 2012); Martyrdom: A Very Short Introduction (OUP, 2012); Religion and War: A Very Short Introduction (OUP, 2021), Religion and Peace (Wiley Blackwell, 2022), Picturing Peace: Photography, Conflict Transformation and Peacebuilding (Bloomsbury, 2025) and Media Violence and Christian Ethics (CUP, 2007). He is currently finishing a book on A Passion for Performance: The mysterious resurgence of religious drama (OUP, 2027). He is a Fellow of the Royal Society of Arts (FRSA), an honorary fellow at the University of Edinburgh, and a life member of Clare Hall, at the University of Cambridge. Professor Mitchell has also served on international film juries at the Cannes, Berlin and Venice film festivals. He directs several projects on Peacebuilding, including one which led to a widely used co-edited volume on Peacebuilding and the Arts (Palgrave MacMillan, 2020). He has also worked with Jewish, Christian and Muslim religious leaders, as well as Palestinian and Israeli journalists, on a peace building project in Jerusalem and beyond. A keen cricketer and former marathon runner, he has lectured all over the world. The transcript and downloadable versions of the lecture are available from the Gresham College website: https://www.gresham.ac.uk/watch-now/peacebuilding-artsGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/Website:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport the show

On this episode of She's All Over the Place, host Katie Chonacas sits down with acclaimed filmmaker Cate Shortland, director and pioneering voice for women behind the camera, to discuss her landmark debut feature Somersault. Originally nominated for Un Certain Regard and the Camera d'Or at the Cannes Film Festival, Somersault follows teenage Heidi, who escapes home after a traumatic encounter and attempts to rebuild her identity in a frozen ski town. Through isolation, longing, and fragile connection, the film explores adolescence, intimacy, and the human need for belonging. We go far beyond filmmaking technique. This conversation becomes an honest exploration of creative courage, emotional exposure, and artistic voice, especially for female storytellers navigating an industry that often discourages vulnerability. Cate shares: • How Somersault was conceived and made • Working with early-career actors Abbie Cornish and Sam Worthington • Why vulnerability is a strength in storytelling • Emotional truth vs. performance in film • The responsibility of female filmmakers to tell authentic stories • Finding confidence as a woman director • Creative intuition, sensitivity, and psychological depth in cinema We also discuss the film's new 4K restoration and its continued cultural relevance, over 20 years after its Cannes premiere. More than a film discussion, this episode is a masterclass on owning your voice, telling your story, and making art that feels emotionally truthful. About the Film – Somersault Following a reckless encounter with her mother's boyfriend, teenage Heidi flees home and takes refuge in a motel in the winter town of Jindabyne. She finds work at a petrol station, befriends a coworker, and begins a complicated relationship with Joe, a young man dealing with his own emotional wounds. Together they confront isolation, desire, addiction, and the search for connection. Written & Directed by: Cate Shortland Cast: Abbie Cornish, Sam Worthington, Lynette Curran Genre: Drama Runtime: 106 minutes Restored in 4K from the original 35mm negative by Piccolo Films

Most people never question conventional medicine — Jennifer Payeur rejected chemotherapy with a 23% survival rate and healed stage four cancer using ancient plant stem cell remedies instead. In this episode of The Root of All Success, Jason Duncan sits down with Jennifer Payeur, founder of Nature Provides and Divine Health Alliance, a former financial services executive, and the woman who spent 29 years building high-performance teams at JP Morgan before a stage four cancer diagnosis changed everything. This conversation dives into: Why she rejected chemotherapy despite a 23% survival rate and chose plants instead What gemotherapy is and how plant stem cells from tree buds regenerate the body Her transformation from toxic and haggard to vibrant and youthful in 9 years How JP Morgan's customer service philosophy translated into wellness entrepreneurship Why she studied with 13 Indigenous Grandmothers at the Center for Sacred Studies How plants communicate with her and "speak" about what bodies need The biggest misconception about healing: one-size-fits-all protocols don't work Running a successful company with her husband Lou as CEO without killing each other Her role as Chairman of the Board for the Metabolic Terrain Institute of Health Why she wrote Ancient Plant Wisdom and produced an award-winning documentary How plants are 10 years ahead of human consciousness and adapt to what's coming The difference between pharmaceutical drugs (block pathways) vs. plants (bring balance) If you're facing a serious health crisis, questioning conventional medicine, or searching for natural healing alternatives that actually work — this episode will challenge everything you thought you knew about cancer treatment and holistic health.

Our Lynne Ramsay series comes to a close with last year's Die My Love, which brings us to the realization - damn, have we really never talked about Jennifer Lawrence before? Join us and Vulture's Alison Willmore as we do a full career deep-dive on J.Law, and grapple with this film and Mubi's decision to purchase it out of Cannes for a buttload of money. Read the NY Mag profile of Darren Aronofsky from 2017 Read Alison's work at Vulture Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Podcast Like It's the 2000s, Phil and Emily wrap up their Valentine's Day Wong Kar-wai miniseries with a deep dive into My Blueberry Nights (2007), joined by David Sims (Blank Check). They discuss Norah Jones' debut performance, Jude Law's rom-com era, the film's Cannes premiere, its American road movie structure, and why this English-language detour feels so different from In the Mood for Love and 2046.Is it a misunderstood romantic trifle or Wong Kar-wai's strangest experiment?Follow the show & guests:Podcast Like It'sInstagram: https://www.instagram.com/podcastlikeitsPhil IscoveInstagram: https://www.instagram.com/pmiscoveEmily St. JamesInstagram: https://www.instagram.com/emilystjamsDavid SimsInstagram: https://www.instagram.com/davidlsims Hosted on Acast. See acast.com/privacy for more information.

It took three years for Anurag Kashyap's Kennedy to secure a release after its Cannes premiere, and that, too, on the D-list tier streaming service ZEE5.We discuss the film's baffling narrative, vague rumination about corruption and power, and long stretches of inaction that don't feel authentic to Kashyap.We also spend way too much time discussing the ill-fitting costumes of Rahul Bhat and the underused Sunny Leone, and end with unverified rumours about the movie's long-delayed release. Hint: It had something to do with a certain ‘Bade Papa'.—Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, YouTube Music, and wherever you get your podcasts.Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.

Natalia Ball, global chief growth officer at Mars Pet Nutrition joins The Big Impression podcast to talk about how Pedigree transformed a local Brazilian insight into a global business story. She also shares why she is now focused on the next frontier of growth: Connected commerce and making sure brands show up when AI agents, not just people, are making purchasing decisions.  Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio. Damian Fowler (00:00):I'm Damian Fowler.Ilyse Liffreing (00:01):And I'm Ilyse Liffreing.Damian Fowler (00:02):And welcome to The Big Impression.Ilyse Liffreing (00:09):This week we're joined by Natalia Ball Global Chief Growth Officer at Mars Pet Nutrition home to brands like Pedigree and Sheba.Damian Fowler (00:18):Last March, pedigree launched a bold, purpose-driven campaign in Brazil celebrating mixed breed dogs, especially the iconic Vela Caramelo.Ilyse Liffreing (00:27):It wasn't just a campaign, it became a movement boosting adoption and challenging long held bias.Damian Fowler (00:35):The work went on to win top honors at the 2025 cans. Lions including the titanium lionIlyse Liffreing (00:41):And its impact is still rippling across markets and media channels worldwide.Damian Fowler (00:45):So today we're unpacking what made it work with the person who helped drive it. Natalia, tell us about the Carello campaign and how you landed on the idea.Natalia Ball (00:57):Carmelos are mixed dogs that are beloved in Brazil. They are found on the streets everywhere. They are the subject of meme, street culture, and people just identify Carmelo as the Brazilian dog. However, the inside that we discover was that this dog is 90% less likely to get adopted than breed dogs. So it is the most popular dog in Brazil, but the most overlooked. And when we learned about that, we decided that we wanted to make a difference and that we wanted this dog to get the position it deserve and pedigree decided to champion the underdog and become the official brand of caramel's in Brazil.Damian Fowler (01:41):You talked about the caramel. Could you just describe a little bit more for people who don't really know the caramelo and that term Vita, where does that come from?Natalia Ball (01:52):Yes, so caramels are basically mixed breed dogs that you can find on the streets of Brazil everywhere they are called caramel because they are caramel color and that's what it is in Spanish and they tend to be that caramel color, short hair. But there are different ways that these dogs look and feel because they are mixed breeds. But like I said, they are beloved dogs in Brazil, but when it comes to getting a pet, getting a dog, they are not the ones that people are going for. They see them as street dogs, not a dog that you have in your house. And the whole campaign was about, like I said, championing these caramels, driving adoption of mixed breed dogs, not only breed dogs. And we did that by saying that if caramels were considered non breeded, pedigree was going to give them a breed and who better to give them a breath than pedigree.Ilyse Liffreing (02:48):Great. And then at what point did you connect that insight to the campaign itself?Natalia Ball (02:54):What you need to know about pedigree? Pedigree is one of the largest dog brands in the world. Pedigree feeds more dogs than any other brand, and it has been there for many years and for the past 20 years or more, pedigree has been driving adoption, encouraging people to adopt pets everywhere. We have had a lot of iconic campaigns so much which maybe you would've heard, like for example, docs on Zoom during COVID or the child replacement program, which was a very interesting one. And we were talking about adoption in Brazil, but other local brands were talking about adoption too. So we were not cutting through and it was only when this insight came to us, which was a very deeply local insight that we made the connection, if we want to drive adoption in Brazil, this is going to be the way in and we're going to make this as big as it can possibly be.(03:51):Because we, from the very beginning saw we understood this idea of the vi Lata. You mentioned it before by the way, the vi lata is how you call mixed breed dogs in Brazil. And so when we had these conversations about this insight, the injustice of this beautiful dog not getting adopted, but also the cultural impact that it would have on resilience themselves, who could see themselves related in the fact that they were being championed, we decided to go really big on this campaign and not only do just an activation, but actually we are doing this campaign. We did it all of last year and we continue activating through this year. And some of the ways in which we championed this was actually by creating a caramel kennel club by creating the first ever caramel DNA testing. And it's the largest ever DNA test done in mos in all of history, kept creating a Carmelo dog show and not only that, putting caramels for the very first time ever on our packs. So it was really a way to give them the rightful place.Ilyse Liffreing (05:01):I love how you guys just took it a step further than even just it being a campaign and you actually adopted it into your packaging and the whole bit. At what point did you realize that the campaign wasn't only just a marketing ploy and it began actually affecting culture?Natalia Ball (05:23):Yeah, I mean this campaign has really changed culture in Brazil, but it was a campaign that was deeply rooted in culture itself because Carmelos were part of Brazilian culture. But when we realized the campaign became bigger than ourselves, absolutely. When it started driving difference in adoption of Carmelos, we saw more than 200% lift of caramelo adoption just in the first month. And we saw a 65% increase in likelihood to adopt a Carmelo in the future with this campaign. And then when we started seeing other brands and other businesses even outside of the pet care category start using the Carmelo in their campaigns in their advertising, that's when we knew this had really hit culture big. An example of that was Chevrolet that actually launched a partnership with Netflix that launched a documentary about caramel, and several launched a caramel or a caramel colored car in a promotion.(06:29):Other brands like Honda or Whirlpool also feature caramels in their advertising. So we started seeing that this became much bigger than ourselves, but maybe the biggest achievement that we had with this campaign other than driving adoption itself, which was the cost at the end of the day, was the fact that we were betting on the mixed pre-doc actually not being accepted in dog shows because only breed dogs are accepted usually in dog shows. But at the end of the day, the movement became so big that after only two weeks of this campaign, the federation that actually controls the dog shows called us and said, we now want to move to accept mixed breed dogs in all of our shows. So that was a huge achievement that we never knew it would be possible.Damian Fowler (07:18):What's really interesting to me about this campaign is the way you focused on one region, one country, one market, but obviously you're a global brand. So how does that connection to the local end up escalating? So it became this global campaign.Natalia Ball (07:35):Like I said, adoption is a huge cost for us, and we have been very consistently on pedigree, driving adoption for a long time. So we have an evergreen brief that goes out to all of our agencies on adoption, and in my case in particular, I am a strong believer in creative excellence as a driver for growth. And so I put a creative excellence program in place that included building capabilities on creative excellence, but also creating a creative council where the best ideas could come faster to the marketing leadership of Mars Pet Nutrition so that we could move at speed, but also we could fund the better ideas. And in this creative council DL map team, Al Map VO, who are the agency that came up with this idea presented Carmelo. And from the very beginning, me and the whole leadership team fell in love with it, and so we decided to fund it.(08:31):We decided to go big and to give it our full support. We knew it had the potential to drive the business and change culture, and I think in this case, the important thing about the campaign, obviously it did a lot of good. So it's a purposeful campaign and pedigree is a purposeful brand, but it was not only about the purpose, it was also about driving business results. Through the campaign in the first couple of months, we were able to grow 15% and through all of last year, we moved to grow volume and value by double digits. So the campaign really did the job about turning around the pedigree brand and delivering results not only on the cost but also on the business.Ilyse Liffreing (09:11):That's great. And you're doing something right when all the other brands out there are copying you guys suddenly in pop culture and everything like that. I'm very curious about as the campaign evolved, obviously it started out from a social aspect, but as it evolved, how did you decide what other channels to bring it into? What other channels did you try out in this process?Natalia Ball (09:42):Yes. Actually this campaign started as social first and we then boosted with media. The way it started is we partner with local influencer called Tata Vernick. She loves caramels and she herself has adopted caramels. And we asked her to register her caramel in a dog show because we knew that her caramel was going to get rejected, which it did. And so she posted on her Instagram that had 60 million followers that she was outraged that her beautiful and smart caramelo could not be accepted in a dog show. This went viral immediately in Brazil and everybody was outraged. This went on the evening news, the morning shows everywhere, and we waited for it to gain enough fire for us to step in. So actually we were planning that this was going to take a couple of days, but at the end we had to act after only 10 hours because this became so big so quickly.(10:41):And we step in and we said, you know what, Tata, don't worry. Pedigrees got you. We're going to give all caramels a breed. And we launched the campaign with our beautiful campaign video that talks about our program of giving them a DNA test, giving them a show, giving them a kennel club and giving them everything that breed dogs have. And then after that, we use that video and we boost the message. The video went viral as well, but we boost the message, for example, with connected TV as well as Prime and Disney, et cetera. So in order to make sure that everybody had listened to it, but it was truly an omni-channel approach because we use a lot of offline tools like for example, the dog show itself that we created or the adoption drive that we had later on where we were invited people to adopt caramels and then online tools like Instagram or Connected TV or Disney, et cetera.Damian Fowler (11:38):You suggested that the kind of timeline got really sped up really fast. So this thing you had to act very quickly. At what point did you realize you had a hit on your hands in a way, and how quickly did it escape the local context and became this bigger campaign that everyone looked at?Natalia Ball (12:01):Yeah, this exceeded all of our expectations. So we knew that it was going to get picked up, but like I said, we were not expecting for this to become so big so fast. And the fact that it appeared in all of the big shows, evening news, morning shows, et cetera, it appeared as well on national media, on print Everywhere meant that we needed to step in faster, but we were fully prepared for that. So that didn't represent the challenge. It was more of an opportunity. And then the other thing that really surprised us was that the largest dog association reached out to us after only 24 hours to partner to see how mixed beat dogs could then be allowed to compete. We were not expecting this. We were expecting actually that to be attention point that we were going to leverage in our campaign, and this became so big that they just couldn't ignore it. So it was a big win just from the very beginning.Damian Fowler (12:57):Wow.Natalia Ball (12:57):Now one of the things that we're seeing is even though this was very, very local, as we have started sharing this work across many other places in the world, we have realized that the insight actually exists in many other markets. For example, in Chile they have a dog called the Quilter, which is the equivalent of the caramel. We have them in Philippines, we have them all over the world. So this insight can travel. The way to activate might be different because you need to localize to the nuance, but we are very excited about the potential of drive more inclusion of these dogs with these campaigns, but also for pedigree to stand stronger in culture.Ilyse Liffreing (13:36):I love that. As a dog owner, myself and owner of a mutt, I'm glad they're getting their time in the spotlight a little bit more around the world. Generally, I feel like post COVID in the marketing world today, some brands have actually moved away from purpose-driven marketing a little bit, but this is a really good example of it done right. What would you say this campaign proved or maybe disproved about purpose-led marketing?Natalia Ball (14:04):I am a strong believer of purposeful brands actually growing stronger, but it only works when it's aligned truly and authentically to the reason for the brand to exist. Pedigree itself, the purpose of the brand is we believe that dogs bring out the best in us, and pedigree wants to bring out the best in dogs. So the purpose of pedigree is pedigree brings out the good dogs bring to the world to do that. We obviously do that with our great nutrition, but we do that by putting dogs in houses so that they can bring out the best in people. That's what we do because we strongly believe that dogs make us better. So that's why we have been driving adoption for more than 20 years. And when you really make this part of your core DNA and it's authentically linked to the brand, that's when it really works.Damian Fowler (14:56):And one of the proof points of that is the awards that you scooped up last year. Can you tell us a little bit more about how that happened? And that must have happened quickly because the campaign rolled out in March, 2025 by June, you're already in the spotlight.Natalia Ball (15:13):Yes. So this campaign was picked up for a lot of awards at Cannes last year. We won the Rainbow, silver, gold and Titanium. The titanium we are very excited about because it's Mars Inc. First ever titanium. So we are really proud of that, and it's also an award that rewards transformation in the creative industry, and we believe this idea was transformational. We're also proud of, I mean, we've got the many other awards, but the other one that we're really proud of is that we got the Grand Phy in the latam phy and in the Brazil phy, which shows that this was not only a creative idea that was very strong, but also a very effective idea in driving the business. So you can achieve both. You can do good in the world, you can drive the business and you can be creative actually. So it's three.Damian Fowler (16:03):Yeah, that's great. I love that trifecta. What happens to the titanium award?Natalia Ball (16:09):Well, I have it right hereIlyse Liffreing (16:10):With me.Damian Fowler (16:12):NoIlyse Liffreing (16:12):Way. Very nice. Beautiful here. It's beautiful.Damian Fowler (16:16):Beautiful. Well, congrats again. So from that, obviously momentum has come on. We've talked a little bit about how it influenced other brands, but in terms of the campaign continuing, what's next? How are you thinking about expanding this?Natalia Ball (16:33):In Brazil itself? We want to stay committed to this idea. We don't want to do one and go, and we are working, we continue activating the campaign through all of our channels. We continue doing adoption drives. For example, very recently we released the results from the DNA research that we did. So we find ways to keep this relevant. But now I think the next stage is to move on from not only caramels but all mixed breed dogs. Because with this campaign, the sentiment has been extremely positive. We got 99% positive sentiment. The only 1% negative comments was what about the other mixed breed dogs? They also deserve to be adopted. They also deserve recognition. So I think that's probably where we're taking it next in Brazil and then outside of Brazil, we are working on, like I said, these inside travels very well, but we're working on how to localize it in a world that feels authentic for the specific markets. I can't share anymore. Stay tuned, because some interesting things are coming soon.Ilyse Liffreing (17:44):And it sounds like that theme is going to keep going with this idea of all putting mutts in the spotlights from now on too.Natalia Ball (17:54):Exactly, yes. This is about inclusion. At the end of the day, our hope is that mutts are shown everywhere. We also love breed dogs. They're great. All dogs deserve to be feature everywhere. So our hope is that this campaign will drive inclusion, inclusion in advertising, inclusion in homes, inclusion everywhere.Damian Fowler (18:16):Another thought I had actually is when you were filming this campaign, did you have any standout caramelo stars?Natalia Ball (18:22):Actually, actually, I think our biggest star was Patas Caramel, which we then did a lot of things with her, I think. I mean, I don't record very well, but I think it was Mia, her name, but we did a lot with her in our activation. She was present when we did the dog show, et cetera. So I think that was our biggest star.Ilyse Liffreing (18:43):Oh, that's great. It can't always be that easy to shoot with dogs though, even if they're very well-trained, I imagine it's still a different world than human actors. So Natalia, what problem are you most obsessed with solving right now?Natalia Ball (18:59):I am right now obsessed with agentic commerce and agentic search and winning the race to thatIlyse Liffreing (19:08):BecauseNatalia Ball (19:09):I'm really concerned that in only a couple of years, if we are not winning, we will completely disappear the way all decisions are going to be made. So together with my team, we're trying to figure out how do we stay ahead of that race and how do we crack it pretty soon, so we're ready future.Ilyse Liffreing (19:26):Wow. And just to press you a little bit more on that, so you're talking about probably using agents on your website directly.Natalia Ball (19:35):It's about we are very good about marketing to people. We have cracked the code on how do we talk to people. We have the best insights in pet care, so we know how to create compelling stories that humans will listen to, but we need to crack how to market to agents, how to market to the machine because they are going to be making a lot of decisions for us in the future, in the very near future. And that's what we're working on.Damian Fowler (20:05):You're talking about media buying specifically on the creative side of itNatalia Ball (20:12):Or the LLM. This is about how do you make your brands show up in searches that are being done on ai? This is how do you make your brands be the ones that get recommended to be bought? So for example, when you're on Cha G PT and you're asking Cha G pt, I got a new puppy, what brands should I buy for my puppy? We want our brands to be the first ones to be recommended if you are going to buy a gift, anything like that, we want our brands to show up and we want our brands to show up in good light. And so that's what we're trying to figure out and to win. There is a combination of how do you have the right content in the right places? How do you get the right third parties to talk about you in the right way? What are the media channels where you need to show up? How do you optimize your search? So it is a very complex way. We need to crack the algorithm basically.Damian Fowler (21:12):On that point, how do you ensure your marketing teams have the right capabilities for success?Natalia Ball (21:19):Well, that's a big priority for me as CGO is one of my main jobs is to make sure that we're building capabilities for today and for the future. So in my team, we have a strong capabilities program where each and every one of the people on my team owns a capability and owns making sure that we get best in class content training and as well as the tools, because it's not only the knowledge, it's also the tools in order to do that. But the reality is that none of this works unless you are creating a culture of curiosity. And I really want to instill that in myself and in my teams because the industry is changing so fast. The minute you think you have cracked something, there is a new challenge. And the only way to stay fresh, the only way to stay in line with what's happening is to be curious. Whenever you don't know anything, go and ask someone who knows, go and ask questions like really try to learn instead of fearing the change, be curious about the change, and that's the way that we will build future proof capabilities.Ilyse Liffreing (22:22):Beyond ai, how do you see the role of connected commerce in the pet industry? Are there any other channels, for instance, that you're testing out? I'm thinking of are you testing shopping ads on CTV or any of that?Natalia Ball (22:40):Connected commerce is extremely important for us in pet care. The reason for that is because this category is one of the highest engagement categories that there are out there. People are making decisions for living beings, and they need to do deep research in order to make those decisions because they have real consequences. And so people are very engaged in reading through rating and reviews, and connected commerce gives us an opportunity to connect better with pet parents in those moments that matter most. We also, when it comes to pet care, a lot of our products come in huge bags that are hard to carry. So actually the fact that the convenience of those bags getting delivered at home make so that digital commerce becomes really important in our category. And so what we're trying to is to really help consumers navigate the pet parent journey and moving from content to commerce in a seamless way so that they can make the best decisions for their pets and that we are helping them along the journey to make those decisions.Damian Fowler (23:46):Okay, here's another, what's one marketing rule? This campaign, the Caramelo campaign happily ignored.Natalia Ball (23:52):The one rule that we happily ignore is about keeping your distinctive memory structures consistent because pedigree has always had a golden retriever on its pack. But with the Caramel campaign, we thought that it would be hypocritical of us to feature a breed dog while we were championing a mixed breed dog. So for the first time ever in history, we changed our pack and we feature a caramel, and this made the news again. And this was a huge bold move that we made and that made the campaign even more authentic and more powerful.Ilyse Liffreing (24:28):Now we have a fun one for you. Personal one really. Are dogs better than cats when it comes to brand lift?Natalia Ball (24:36):Oh, when it comes to brand lift, well, actually both are great for brand Lift. We actually have studies that show that when you feature cats or dogs in advertising, attention significantly increases emotional connection, significantly increases. This is why you see a lot of brands that are not in the pet care space featuring cats and dogs. They are both fantastic. Cats are more powerful in meme culture, as you probably know. They are huge in meme culture. And then dogs are some of the biggest stars in social media today. Some of the biggest accounts on social media are dogs accounts. So we are lucky that we get to work in this beautiful category because people want to see dogs and cats. I myself have a dog. My dog's name is Bella. She's been with us for three years and she's great. But the more I work in this category, the more I'm falling in love with cats as well because they are so particular and so unique. So yeah, both are fantastic.Damian Fowler (25:45):And that's it for this edition of The Big Impression.Ilyse Liffreing (25:47):This show is produced by Molten Hart. Our theme is by love and caliber, and our associate producer is Sydney Cairns.Damian Fowler (25:54):And remember,Natalia Ball (25:55):You can do good in the world, you can drive the business, and you can be creative.Damian Fowler (26:00):I'm Damian.Ilyse Liffreing (26:01):and I'm IlyseDamian Fowler (26:01):And we'll see you next time.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Fabien Gabel is Music Director of the Tonkünstler-Orchester Niederösterreich, leading concerts across the orchestra's three venues in Vienna. He has established an international career with Orchestre de Paris, Chicago Symphony Orchestra, London Philharmonic, The Cleveland Orchestra, NDR Elbphilharmonie Orchester, Royal Stockholm Philharmonic Orchestra, Orchestre symphonique de Montréal, Seoul Philharmonic and Melbourne Symphony Orchestra. The 2025/2026 season is marked by important collaborations: Fabien made his debut at the Metropolitan Opera with Carmen; he lead a five-city tour of Spain with Yuja Wang and Mahler Chamber Orchestra; and he conducted premiere performances of Samy Moussa's Concerto for Flute and Orchestra (with Emmanuel Pahud) with French National Orchestra and the Detroit Symphony, as well as Donghoon Shin's viola concerto Threadsuns with Minnesota Orchestra and Tonkünstler-Orchester. Fabien works regularly with all major Parisian orchestras, having made his debut at the Opéra national de Paris during the 2022/2023 season. He recently led the recording of a new score for Abel Gance's 1927 epic film Napoléon with the Orchestre National de France and Orchestre Philharmonique de Radio France. The first part of the film was presented at the 2024 Festival de Cannes and shown in theaters, on French television, and Netflix. Born in Paris to a family of accomplished musicians, Fabien Gabel began playinghe trumpet at the age of six and honed his skills at the Conservatoire National Supérieur de Musique de Paris, and at the Hochschule für Musik Karlsruhe with Reinhold Friedrich.        Fabien Gabel was named ‘Chevalier des Arts et des Lettres' by the French government in January 2020.

Carl and Eitan make their annual predictions across the world of media & entertainment. They also review their performance from 2025! Discussion includes broadcast TV, Neon's Cannes strategy, Netflix's theatrical strategy, strike threats and Disney (of course!).

This week I am joined by musician, actor, and writer turned firefighter and comedian, Walter Vincent. Walter talks about the elephant in the room- going from feature length films to fire fighting, he tells us how he found and got into stand up comedy, the travel with being in bands and film making, and so much more!GREAT EX Drinking Buddy Stories this week: Walt talks about his partying band days, his partying acting days, going to France for Cannes (and being hammered most of the trip), barely escaping the DR crashing a friends vacay, near death in Florida, and so very much more.Follow Walter on INSTAGRAM and check out his WEBSITEFind everything for me through the LINKTREE