Podcasts about Cannes

“That which unites us is far greater than what divides us.” The first four words of this sentence are subtitle, and subtext, for “Path of Liberty,” an immersive outdoor photo and media experience on view through fall 2025 at Freedom Plaza on Manhattan's east side. The creative groundwork for this project was a mammoth effort involving an extensive crew both on the road and behind the scenes. In today's podcast, we catch up with two principals of this project's creative team—creative director Daniella Vale and director of photography, Scott Beardslee—to learn more about their daily lives during two months spent traversing the country by van to interview a broad group of everyday Americans. From the founding idea of capturing the diversity of people across America to the curiosity and resilience of the crew when working on the road to the complexities of orchestrating the many sensory elements for an immersive experience in exhibition, our discussion is rich with creative insight. As Daniella shares during our chat, “I always tend to make three films. There's the film I write, the film I shoot, and then, usually, I rearrange everything and make a totally different film in the edit. So, I've gotten pretty accustomed to non-attachment and rolling with things. That's where the magic happens too.” Guests: Daniella Vale & Scott Beardslee   Episode Timeline: 3:28: The inspiration behind Path of Liberty and Daniella's role as creative lead. 6:59: Daniella and Scott's respective backgrounds in photography and film, plus being curious and distinctions between finding the moment vs creating the moment. 12:02: Daniella and Scott's first introduction in the New York film world. 15:14: Building the crew for Path of Liberty and the challenges of traveling and conducting interviews on the road. 21:35: Daniella describes the three films she makes in the process of writing, shooting, and editing, plus the importance of learning to adapt on the fly. 26:54: Memorable stories from the Path of Liberty road trip. 30:56: Episode Break 31:30: We all want to be happy, but there's a difference between freedom and taking advantage of freedom 34:42: Daniella discusses her time in Japan, and the cultural contrast between American individualism and societies that put the group over the individual self. 41:00: The gear Daniella and Scott traveled with and how it affected the project. 47:59: The interview process with portrait subjects, plus making natural portraits in the moment. 58:32: The Path of Liberty installation in midtown Manhattan, the pride of subjects gathered from across the America, plus the complexities of the post-production process 1:05:39: The immersive aspects of the installation—from the sound design of the audio to the visual continuity between the photographs and the on-site terrain. 1:14:19: Scott and Daniella offer career advice for developing as a creative—leave room for being curious.   Guest Bios: Daniella Vale is a New York City-based photographer, film director, and producer. Her creative passions began early, influenced by her uncles in Pittsburgh's avant-garde film movement. While attending university in Tokyo, Daniella worked on photography and documentary projects. She later moved to Bollywood, where she collaborated with Shah Rukh Khan's Red Chillies Entertainment and Cannes-winning director Manish Jha. In New York, Daniella has worked for brands such as VICE, MTV, Google, and Prada, and with talent such as Alicia Keys, Deepak Chopra, and Lucy Liu. Her portfolio includes work in fashion, branded content, docu-series, and narrative films across various global locations. Career highlights include participating in the 2018 Cannes Film Festival Short Film Corner and being featured in Allure magazine for her directing work. And of course, most recently, Daniella headed up the creative team for the immersive outdoor installation, Path of Liberty: That Which Unites Us, which we're here to talk about today. Scott Beardslee began his career in photography, working as a 1st and 2nd assistant. Yet his passion for narrative filmmaking soon inspired him to take a different career route, focusing on shooting films, commercials, and music videos. Upon graduation from San Francisco State University with a film theory and production degree, he pursued cinematography and later attended graduate school at The American Film Institute in Hollywood. Before he became serious about filmmaking himself, Scott worked as a gaffer for many established A.S.C. cinematographers. Currently, Scott is a Director of Photography in the Union Local 600, working on commercials, music videos, and television.   Stay Connected: Path of Liberty Website Instagram Daniella Vale Website Instagram Youtube Vimeo   Scott Beardslee Website Instagram Vimeo Tiktok   Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens

Welcome to Cyrus Says!Before Monica O My Darling hit Netflix, before Mard Ko Dard Nahi Hota became a TIFF cult film, and before Vicky Kaushal became VICKY KAUSHAL — there was Vasan Bala, shooting indie films on the streets of Mumbai with zero budget and maximum madness. In this episode of Cyrus Says, filmmaker Vasan Bala dives deep into his chaotic journey — from assisting Anurag Kashyap on Dev.D and Gangs of Wasseypur, to directing Peddlers (which made it to Cannes!), discovering Vicky Kaushal in a short film, and sneaking easter eggs into every single project. Highlights:Vicky Kaushal’s early gigsThe vodka incident that almost ruined his careerThe chaos of Peddlers and casting strangersHis undying love for pulp and genre cinemaActing cameos, CBFC cuts, and future dreamsSee omnystudio.com/listener for privacy information.

In todays episode of Negroni's With Nord, James is back from France. We talk about influencer brands finding their markets and investors, Gen Z's growing spotlight on the importance of influencers as they come into more spending power, and how to sneak (or not sneak) into popular advertising festivals.

In this episode of the Data Center Frontier Show, Editor-in-Chief Matt Vincent speaks with LiquidStack CEO Joe Capes about the company's breakthrough GigaModular platform — the industry's first scalable, modular Coolant Distribution Unit (CDU) purpose-built for direct-to-chip liquid cooling. With rack densities accelerating beyond 120 kW and headed toward 600 kW, LiquidStack is targeting the real-world requirements of AI data centers while streamlining complexity and future-proofing thermal design. “AI will keep pushing thermal output to new extremes,” Capes tells DCF. “Data centers need cooling systems that can be easily deployed, managed, and scaled to match heat rejection demands as they rise.” LiquidStack's new GigaModular CDU, unveiled at the 2025 Datacloud Global Congress in Cannes, delivers up to 10 MW of scalable cooling capacity. It's designed to support single-phase direct-to-chip liquid cooling — a shift from the company's earlier two-phase immersion roots — via a skidded modular design with a pay-as-you-grow approach. The platform's flexibility enables deployments at N, N+1, or N+2 resiliency. “We designed it to be the only CDU our customers will ever need,” Capes says. Tune in to listen to the whole discussion, which goes on to explore why edge infrastructure and EV adoption will drive the next wave of sector innovation. 

Send us a textIt's the penultimate episode of the Inside Data Centre Podcast from Datacloud Global Congress 2025,Cannes!Hosts Andy Davis and Rory Flashman are joined by Lizzy McDowell, Marketing Director at Kao Data, and Libby Milne, Project Manager at Buro Four, to discuss their latest partnership in launching the ‘Critical Careers' campaign, highlighting stories, experiences and contributions from women across the digital infrastructure sector.It's all about the community and diversity of women. This episode is all about sharing knowledge, creating equal opportunities, and creating more role models for the women in the industry to express their passion and support for enhancing the data centre market, and to be proud of being amongst others who can inspire and help you thrive.One key takeaway from the episode: mentoring, career pathways, and collaboration are all needed to encourage more women to join the community!Support the showThe Inside Data Centre Podcast is recorded in partnership with DataX Connect, a specialist data centre recruitment company based in the UK. They operate on a global scale to place passionate individuals at the heart of leading data centre companies. To learn more about Andy Davis and the rest of the DataX team, click here: DataX Connect

Interview de Alexia Munoz et Olivier Merly réalisée lors du Festival International des Jeux de Cannes 2025

Dans cet épisode du "Portrait sonore de l'invité", plongez dans l'univers de Luc Besson, réalisateur culte du Grand Bleu et du Cinquième Élément. Il revient sur son rêve d'enfance de devenir delphinologue, ses débuts comme stagiaire sur Moonraker (James Bond), et ses plus grands succès au cinéma.Anecdotes inédites, fidélité de son équipe, coulisses du Grand Bleu, critiques à Cannes et reconnaissance du public… Besson partage les moments clés de sa carrière, jusqu'à une belle révélation familiale autour de Rosanna Arquette et sa fille Zoé.Un épisode intime et inspirant sur un géant du cinéma français, passionné par la mer, les dauphins et l'art de raconter des histoires.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Não, não é um duche de goiaba o que vemos na imagem, é sim um frame da primeira longa-metragem de ficção do tio do Recife mais falado no festival de Cannes este ano, Kléber Mendonça Filho. Conversamos sobre os sons e imagens de um bairro recentemente "protegido" por segurança privada, no âmbito do ciclo PASMACEIRA, em que escolhemos filmes de slice of life. A família, o lar, as classes sociais e o mar mesmo ali ao final da rua são outros tópicos do filme e do nosso paleio, frequentemente interrompido pelo miar de gatos. Porque também os gatos são slice of life.

Dans cet épisode du "Portrait sonore de l'invité", plongez dans l'univers de Luc Besson, réalisateur culte du Grand Bleu et du Cinquième Élément. Il revient sur son rêve d'enfance de devenir delphinologue, ses débuts comme stagiaire sur Moonraker (James Bond), et ses plus grands succès au cinéma.Anecdotes inédites, fidélité de son équipe, coulisses du Grand Bleu, critiques à Cannes et reconnaissance du public… Besson partage les moments clés de sa carrière, jusqu'à une belle révélation familiale autour de Rosanna Arquette et sa fille Zoé.Un épisode intime et inspirant sur un géant du cinéma français, passionné par la mer, les dauphins et l'art de raconter des histoires.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Découvrez Ciné-Off, l'association qui amène le cinéma dans les zones rurales depuis plus de 40 ans. La directrice Solène Berger nous parle de sa mission de rendre la culture accessible à tous.Plongez dans l'été du cinéma en plein air avec plus de 70 projections dans la région Centre-Val-de-Loire. La programmation est éclectique, avec un coup de projecteur sur le réalisateur Tim Burton.L'invité spécial de l'épisode, Luc Besson, partage son expérience avec sa fondation, qui a permis à des milliers de personnes en banlieue d'assister à des projections de films de Cannes.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:08:30 - Le Masque et la Plume - par : Jérôme Garcin - Le dernier film de Sophie Le Tourneur, présenté au festival de Cannes est un road trip en Italie transformé en autofiction où le réel se confronte au chaos du quotidien. Un film qui a divisé les critiques du Masque. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This episode was shot LIVE at the Cannes Lions festival of creativity at Cannes, France. **A reminder - LIVE episodes are taken from conference floors, there may be background noise or interference**The CPGGUYS are joined by @Jody Hallman, VP of integrated marketing at Perdue farms & SVP of account management at Colle McVoy - Kate Frank.This episode is another masterclass given by a brand marketer and a partner agency.Find Jody Hallman on Linkedin :https://www.linkedin.com/in/jodyhallman/Find Perdue Farms on Linkedin : https://www.linkedin.com/company/perdue-farms/Find Kate Frank on Linkedin : https://www.linkedin.com/in/katehfrank/Find Colle McVoy on Linkedin : https://www.linkedin.com/company/collemcvoy/Here's what we asked them :Jody -  Perdue is a legacy brand with a strong reputation for quality and trust. How are you evolving that brand story for today's consumers?"Both - How do you ensure alignment when it comes to short-term performance goals vs. long-term brand building? Kate - specifically from the agency side, how do you ensure that creative excellence lives within a results-driven, omnichannel world?Kate - What does great storytelling look like in a category like fresh meat and poultry, where shopper decisions are often quick and price-sensitive?Jody - How do you craft campaigns that stay true to Perdue's values while still driving conversion at shelf or online? Both - How are you both navigating the growing influence of retail media networks on creative, messaging and measurement? How is Perdue operating beyond owned channels for co-creation with consumers? (this is space to directly speak to “Winging It” effort.)How has leaning into improv informed greater ways of working between Perdue and Colle McVoy as it relates to where to take risks, show up differently with consumers and have some brand spontaneity? Kate - What have you learned about integrating upper-funnel storytelling with lower-funnel activation across platforms like Instacart, Walmart Connect, etc.?What brought you here? How has this conference been? What are some themes that intrigued you? Both - What trends are you watching closely as you plan for the next 12–18 months in CPG marketing?"CPG Guys Website: http://CPGguys.comFMCG Guys Website: http://FMCGguys.comCPG Scoop Website: http://CPGscoop.comRhea Raj's Website: http://rhearaj.comLara Raj in Katseye: https://www.katseye.world/Subscribe to Chain Drug Review here: https://chaindrugreview.com/#/portal/signupSubscribe to Mass Market Retailers here:https://massmarketretailers.com/#/portal/signupDISCLAIMER: The content in this podcast episode is provided for general informational purposes only. By listening to our episode, you understand that no information contained in this episode should be construed as advice from CPGGUYS, LLC or the individual author, hosts, or guests, nor is it intended to be a substitute for research on any subject matter. Reference to any specific product or entity does not constitute an endorsement or recommendation by CPGGUYS, LLC. The views expressed by guests are their own and their appearance on the program does not imply an endorsement of them or any entity they represent. CPGGUYS LLC expressly disclaims any and all liability or responsibility for any direct, indirect, incidental, special, consequential or other damages arising out of any individual's use of, reference to, or inability to use this podcast or the information we presented in this podcast.

On episode 299 of the AwardsWatch Podcast, it's an all editors show as Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello look at the wealth of fall festival lineup announcements that came in this week from Venice and Toronto. In the pod, the trio start with Venice, which will be the kickoff of no less than three Netflix titles: Guillermo del Toro's Frankenstein, Noah Baumbach's Jay Kelly and the return of Kathryn Bigelow with A House of Dynamite. With a few other Netflix titles rolling around, we talk about the impact of these three titles starting off here and where else we'll see them this season. Yorgos Lanthimos' newest collab with Emma Stone, Bugonia, will also bow at Venice, leaving Focus Features' other top title Hamnet, rip for Telluride. Mona Fastvold, fresh off The Brutalist last year (with her partner Brady Corbet), has The Testament of Ann Lee with Amanda Seyfried, something has all of us buzzing. Then there's The Smashing Machine from Benny Safdie and starring Dwayne Johnson and Emily Blunt. We also dig into the Out of Competition titles, specifically Luca Guadagnino's After the Hunt, which has some internet folks thinking it means something more than it does. Onto TIFF, always the most helpful as specific designations are listed for each film, we talk about Rental Family starring Brendan Fraser, Sydney Sweeney in Christy and where the big Cannes winners from NEON and MUBI, like Sentimental Value, It Was Just an Accident, The Secret Agent, Sirāt and Sound of Falling landed. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 1h14m. We'll be back next week with an Oscar retrospective of the 63rd Academy Awards, covering the films of 1990. Till then, let's get into it.

Nackig im Garten, Urlaub mit den Schwiegereltern und die Filmfestspiele in Cannes - darum geht's diesmal mit Janina Uhse. Gemeinsam mit Barbara Schöneberger wird nicht nur übers Kochen, Grillen und Backen gesprochen. Janina Uhse erzählt vom aufwachsen in einer Schausteller-Familie, die Reisen nach Japan, in welchen Momenten sie zur Spießerin wird und wie die Zusammenarbeit mit Florian David Fitz hinter der Kamera läuft. Wie hat Janina Uhses Karriere bei "Gute Zeiten, schlechte Zeiten" angefangen? Und wieso hat sie auf der Couch bei den No Angels übernachtet? Das hört ihr in dieser Podcastfolge.

Interview de Jérémie Grack & Cyril Moulard de la Cultimathèque réalisée lors du Festival International des Jeux de Cannes 2025

Dans cette édition :Le Premier ministre François Bayrou tente de ressouder les différentes sensibilités politiques au sein du gouvernement.La droite s'organise en vue de la prochaine élection présidentielle, avec le maire LR de Cannes, David Lisnard, qui propose un projet commun pour unir l'ensemble des formations de droite.Le président Emmanuel Macron annonce la reconnaissance de l'État palestinien, suscitant de vives réactions de la part d'Israël et des États-Unis.13 nouveaux détenus, dont Mohamed Amra, sont transférés sous haute sécurité dans la prison de Vendin-le-Vieil, un an après l'évasion qui a coûté la vie à deux agents.Une nouvelle procédure simplifiée est mise en place pour permettre aux propriétaires de récupérer plus rapidement les loyers impayés.Des chefs de cuisine lancent un appel pour protéger la gastronomie française, menacée par l'augmentation des coûts des matières premières et les normes trop contraignantes.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invités : - Victor Eyraud, Journaliste politique à Valeurs Actuelles - Jules Torres, journaliste politique au JDD Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

En el último programa de la temporada revisitamos todo un clásico de su tiempo y de la iconografía popular como es “Ghost” que bien sea por su historia, sus actores, sus escenas o su canción ha trascendido más allá de la propia película como se acredita cuando se cumplen 35 años de su estreno. Nos interesamos por la obra de Maurice Pialat ante el hecho de que hayan llegado a las salas españolas algunas de sus películas más representativas, director a contracorriente de la Nouvelle Vague y hacedor de una de las Palmas de Oro más controvertidas del Festival de Cannes al que nos acerca Mary Carmen Rodríguez (también editora del podcast). En La Música Clásica De Nuestro Tiempo Iker González Urresti hace balance de lo que llevamos de años en el terreno de las bandas sonoras y en Leer cine, la biblioteca sonora de Carlos López-Tapia, “Todos los colores de la oscuridad” de Chris Whitaker. Además las apuestas de Colgados de la plataforma y la crítica de las favoritas “Un 'like' de Bob Trevino”, “Tres amigas”, “La acusación”, “Black dog” y “Breve historia de una familia”. ¡Muchas gracias por escucharnos!

Invité : -David Lisnard, maire de Cannes et président de Nouvelle Énergie Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invité : -David Lisnard, maire de Cannes et président de Nouvelle Énergie Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dans cette édition :Le Premier ministre François Bayrou tente de ressouder les différentes sensibilités politiques au sein du gouvernement.La droite s'organise en vue de la prochaine élection présidentielle, avec le maire LR de Cannes, David Lisnard, qui propose un projet commun pour unir l'ensemble des formations de droite.Le président Emmanuel Macron annonce la reconnaissance de l'État palestinien, suscitant de vives réactions de la part d'Israël et des États-Unis.13 nouveaux détenus, dont Mohamed Amra, sont transférés sous haute sécurité dans la prison de Vendin-le-Vieil, un an après l'évasion qui a coûté la vie à deux agents.Une nouvelle procédure simplifiée est mise en place pour permettre aux propriétaires de récupérer plus rapidement les loyers impayés.Des chefs de cuisine lancent un appel pour protéger la gastronomie française, menacée par l'augmentation des coûts des matières premières et les normes trop contraignantes.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Next in Media spoke with WPP Media's Jessica Brown and Spark Foundry Worldwide's Kelly Metz, focusing on YouTube's growing role in the TV marketplace, the shift towards holistic video measurement, the increasing importance of AI and streamlined approaches in media buying, and the evolving challenges and opportunities in creator partnerships and cross-platform attribution.

Human After All. Jack and Corey are joined by the hilarious writer/director/musician/comedian/podcaster Jefferson Dutton (The Sloppy Boys, Dutts, The Birthday Boys) to talk Daft Punk's robot-buddy art film ELECTROMA (2006)! The three talk EDM music, telling people you're a fan, Cannes walk outs, clogging toilets, hair cut music, band movies, Dirk Diggler's Dick, Suncoast Video, steel books, curvy deserts, good shroom songs, Late Night Tales, flaming stunt men, and Robot Movies.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

durée : 00:09:49 - L'invité de 7h50 - par : Simon Le Baron - La réalisatrice Prïncia Car était l'invitée de France Inter ce jeudi. Son premier long métrage, “Les filles désir”, est actuellement en salles. Il a été sélectionné à la Quinzaine des réalisateurs de Cannes. - invités : Prïncia Car - Prïncia Car : Réalisatrice française Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:09:49 - L'invité de 7h50 - par : Simon Le Baron - La réalisatrice Prïncia Car était l'invitée de France Inter ce jeudi. Son premier long métrage, “Les filles désir”, est actuellement en salles. Il a été sélectionné à la Quinzaine des réalisateurs de Cannes. - invités : Prïncia Car - Prïncia Car : Réalisatrice française Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Pedro Pascal a enflammé la Croisette lors du dernier Festival de Cannes. Connu pour ses rôles dans les séries Game of Thrones et The Last of Us, l'acteur chilien est un phénomène sur les réseaux sociaux. Mais comment est-il passé d'acteur à icône? Décryptage du Point J avec Norine Agassis, rédactrice chez Tataki (RTS) et spécialiste des réseaux sociaux. Episode initialement publié le 17 juin 2025. Journaliste: Camille Degott Réalisation: Yannis Bordas >> Pour aller plus loin: -"Pedro Pascal, l'acteur que tout le monde kiffe (sauf Trump)", sur la page Instagram de Tataki RTS @ta_ta_ki, 27.05.2025 -"Pedro Pascal is the model of masculinity America needs", MSNBC, 20.05.2025 Nous écrire ou nous proposer des questions : +41 79 134 34 70 ou pointj@rts.ch

David Cronenberg is one of those great directors that started with B-Movie horror only to become a highly regarded, award winning director. Now at 82, his latest film, THE SHROUDS, was nominated for the Palme d'Or at Cannes. After playing one other festival, it was released at theaters in April 2025. Now it is available on VOD and streaming for all to see.From IMDB: “Karsh, an innovative businessman and grieving widower, builds a device to connect with the dead inside a burial shroud.”THE SHROUDS was written and directed by David Cronenberg and has a fabulous international cast including lead Vincent Cassell, Diane Kruger, and Guy Pierce. Receiving good reviews in what critics are calling his most intimate and biographical film, your co-hosts take a look at Cronenberg's latest.

Hello everyone! It's hard to fathom how quickly time has passed and now how long it's been since my last episode. This quick little episode talks about what's been going on in my life and the industry in the time since. I hope you all do the homework I assign to you! Sending much love to all of you out there.   --- If you want to support the work that I do or you want to be a part of my little community, you can meet me over on our Patreon page. I have a free membership tier too so it doesn't have to cost any money at all.  When I get back to releasing episodes (will be asap!) — I release episodes there two days before the main podcast feed and some of these episodes will be longer with more even more stories than the public version. I also host a monthly movie watching party on my Patreon and share fun costume trivia and behind the scenes facts for each film.  --- Whitney Anne Adams is a Costume Designer who has worked on several internationally acclaimed films, many of which have been featured at the Sundance, Cannes, Tribeca, and Toronto International Film Festivals. Her credits include The Supremes at Earl's All-You-Can-Eat, Story Ave, Freaky, We Have A Ghost, Happy Death Day 2U, as well as the upcoming film Five Nights at Freddy's 2. Whitney is an active union member of two I.A.T.S.E locals: the Costume Designers Guild, Local 892 and United Scenic Artists, Local 829. She is passionate about advocating for the essential art of costume design. --- TFACD Links: Patreon: Tales From A Costume Designer Instagram: @talesfromacostumedesigner Twitter: @talesfromaCD TikTok: @talesfromaCD --- Whitney Anne Adams Links: Website: whitneyadams.com IMDb: Whitney Anne Adams Instagram: @WAACostumeDesign Twitter: @WhitneyAAdams TikTok: @waacostumedesign --- Union Links: Costume Designers Guild IG: @cdglocal892 CDG at Comic-Con United Scenic Artists Local 829 IG: @unitedscenicartists IATSE IG: @iatse

Le 26 mai 2022 Diam's fait son retour, après 13 ans d'absence médiatique, avec un documentaire : Salam, diffusé au Festival de Cannes.  Salam est centré sur “[sa] dépression, [ses] souffrances, [sa] quête, [sa] renaissance”. Diam's n'est pas resté dans les mémoires simplement parce qu'elle était une femme dans un milieu masculin. Sté, Princesse Aniès, Lady Laistee, où même Casey pour parler d'une autre légende… si elles sont certes moins nombreuses que leurs homologues masculins, des femmes ont bien pris le micro à chaque époque du rap français. Mais alors pourquoi sa musique a-t-elle autant marqué notre époque ? Comment Diam's a-t-elle réussi à s'imposer dans un milieu masculin ? Pourquoi-a-elle tout arrêté ? Écoutez la suite de cet épisode de "Maintenant Vous Savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Jonathan Aupart. À écouter aussi : ⁠Qui se cache derrière la lofi-girl de Youtube?⁠ ⁠Quel est le lien étonnant entre Walt Disney et la Normandie ?⁠ ⁠Que sont devenus les gagnants de la Star Academy ?⁠ Retrouvez tous les épisodes de ⁠"Maintenant vous savez - Culture"⁠. Suivez Bababam sur ⁠Instagram⁠. Date de première diffusion : 26 mai 2022 Learn more about your ad choices. Visit megaphone.fm/adchoices

Go to https://cozyearth.com and use code HUMANHR for 40% off their best-selling sheets, pajamas, towels, and more. And if you get a post-purchase survey? Let them know you heard about Cozy Earth right here.In this episode, Traci Chernoff interviews Topaz Adizes, an Emmy award-winning writer and experience design architect. Their conversation explores the challenges of navigating discomfort in relationships and the need to create safe spaces for it to cultivate growth and deeper connections. Moreover, they talk about the implications of AI on human interactions in the workplace and highlight the value of humanity in an increasingly AI-driven world as well as the importance of asking quality questions to shape a better future. Traci Chernoff and Topaz discuss the challenges of authenticity in content creation and the overwhelming presence of synthetic content. Their dialogue reiterates the need for reframing social media engagement, the existential implications of AI companionship, and the necessity of bringing humanity back into work environments.Chapters00:00 Introduction to Topaz Adizes02:25 The Power of Questions and Listening07:04 Creating Safe Spaces for Discomfort12:36 Navigating Discomfort in Relationships18:50 The Role of Humanity in an AI-Driven World27:54 Rethinking Questions in the Workplace29:36 The Role of Authenticity in Content Creation32:56 Navigating the Sea of Synthetic Content35:22 Reframing Social Media Engagement39:32 AI's Impact on Creativity and Human Connection43:34 The Existential Crisis of AI Companionship47:45 Bringing Humanity Back to WorkWe hope you enjoyed this episode with Topaz Adizes. If you found our discussion insightful, we'd like you to take a moment to rate our podcast. Your feedback helps us grow and reach more listeners who are passionate about these topics. You can also leave a review and tell us what you loved or what you'd like to hear more of - we're all ears!Don't forget to rate, review, and subscribe! Plus, leave a comment if you're catching this episode on Spotify or YouTube.About Our Guest: Topaz is an Emmy award-winning writer, director, and experience design architect. He is an Edmund Hillary fellow and Sundance/Skoll stories of change fellow. His works have been selected to Cannes, Sundance, IDFA, and SXSW; featured in New Yorker magazine, Vanity Fair, and the New York Times; and have garnered an Emmy for new approaches to documentary and Two World Press photo awards for immersive storytelling and interactive documentary. He is currently the founder and executive director of the experience design studio The Skin Deep. Topaz studied philosophy at UC Berkeley and Oxford University. He speaks four languages, and currently lives in Mexico with his wife and two children.Connect with Topaz Adizes here:LinkedIn: https://www.linkedin.com/in/topazadizes/ Website: http://www.topazadizes.com/ Connect with Traci here: ⁠https://linktr.ee/HRTraci⁠Disclaimer: Thoughts, opinions, and statements made on this podcast are not a reflection of the thoughts, opinions, and statements of the Company by whom Traci Chernoff is actively employed.Please note that this episode may contain paid endorsements and advertisements for products or services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode.

BraveMaker Podcast -- How To Direct Female-Centric Feature Films with special guest Traci Hays.Traci Hays is best known for bringing female-centric stories to the forefront, and her fourth feature, ON THE RUN, is no exception—landing on Tubi's Most Liked List as her third installment for FOX. Her international dark comedy MY BLOODY GALENTINE is also streaming on Tubi, and her psychological thriller BLOOD, SWEAT, AND CHEER, starring Tammin Sursok (Pretty Little Liars), was named one of Tubi's Top 10 Originals by Vulture and Screen Rant.Before stepping behind the camera, Traci built a decade-long career in production design on features like A Little White Lie (starring Michael Shannon and Kate Hudson) and Amazon's Emmy-nominated DARK/WEB. As a director, her award-winning short FREDERICK won 20 awards after premiering at Dances With Films, while 40ISH gained recognition at Cannes' Short Film Corner.Don't miss this conversation about storytelling, women in film, and navigating the evolving entertainment industry.Watch the weekly LIVE stream on ⁠⁠BraveMaker ⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow BraveMaker on social media:⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠#BraveMaker #BraveMakerPodcast #LIVEstream #WomenInFilm #IndependentFilm #TraciHays #FemaleFilmmaker #TubiOriginals #FilmmakingJourney

Send us a textIn this latest episode of the Inside Data Centre Podcast, our hosts Andy Davis and Rory Flashman are joined by Gary Watson, Country Manager & Company Director (Ireland) at Keppel Data Centres, and Susan Anderson, Managing Director of The Brand Marquee, to discuss the growth of the data centre market in various regions, including Ireland, and how we can communicate with the industry to bring more excitement and education to the landscape.Gary and Susan speak more on how bringing in new talents helps to change the narrative of the large public perception, unknowing of what critical infrastructure means. Demonstrating this narrative through creative thinking and telling the right stories at the right time. But one of the big focuses of this episode is how extraordinary initiatives our industry is putting together, like a charity bike ride to raise awareness of autism, are supporting those in the community!“It's quite exciting to be part of something [the market] that seems to always be emerging” - Susan AndersonSupport the showThe Inside Data Centre Podcast is recorded in partnership with DataX Connect, a specialist data centre recruitment company based in the UK. They operate on a global scale to place passionate individuals at the heart of leading data centre companies. To learn more about Andy Davis and the rest of the DataX team, click here: DataX Connect

Welcome back Dan and Jasper from Tracksuit to dive into some of the most impactful stories and trends in the marketing industry.Our discussion kicks off with a recap of the Cannes Lions International Festival of Creativity. We highlight some standout campaigns, starting with Dove's 'Real Beauty' campaign developed by Ogilvy New York with Pinterest. This campaign won the Grand Prix in Media for its bold stance against AI-generated beauty ideals and its reaffirmation of Dove's long-term commitment to showcasing real, untouched women. We dive deep into how this campaign has driven trust and relatability among consumers, backed by Tracksuit's data.We then shift our focus to Telstra, Australia's leading telecommunications company, and its 'Better on a Better Network' campaign. This campaign, which won the Film Craft Grand Prix at Cannes, features unique Australian storytelling through 26 stop-motion films. Despite challenges around service quality and pricing, Telstra's strong brand funnel metrics showcase its resilience and category leadership.Next, we discuss the controversy surrounding the Brazilian campaign by Consul, which won the Creative Data Lions Grand Prix but later faced scrutiny for using AI to falsify results. We explore the implications of this incident and discuss Cannes' response with new Global Integrity Standards set to ensure accountability in future submissions.Moving to the US market, we analyze the competitive landscape of online food delivery services, focusing on Uber Eats and DoorDash. We examine how Uber Eats is striving to close the gap with DoorDash by building emotional connections and trust with consumers through creative campaigns like 'Football is for Food.'Lastly, we dive into the role of AI in marketing, including AI-driven influencer strategies. We explore how AI is transforming influencer marketing from predictive analytics to performance optimization, while also stressing the importance of maintaining authenticity and human connection.Whether you're a marketing professional or a brand enthusiast, this episode offers valuable insights backed by data to help you stay ahead of the curve. Don't forget to check out Tracksuit at gotracksuit.com and see how you can transform your brand tracking efforts. If you enjoyed this episode, please rate, review, and share it to help us reach more marketing professionals like you.01:32 Episode Overview: Cannes, Delivery Market, and AI03:30 Cannes Highlights: Dove's Real Beauty Campaign09:52 Telstra's Award-Winning Campaign14:46 Cannes Controversy: The Console Campaign19:56 Uber Eats and DoorDash in the US Market20:58 Uber Eats' Market Challenges21:58 Building Emotional Connections24:36 Successful Campaigns and Trust27:31 AI in Marketing and Influencers32:38 The Future of AI and Consumer Trust38:02 Conclusion and Final ThoughtsDon't forget to visit gotracksuit.com to check out their amazing always on brand tracking dashboard. Jasper: https://www.linkedin.com/in/jasperskinner/Dan:https://www.linkedin.com/in/dan-fleming-a15854118/Conor: https://www.linkedin.com/in/conorbyrne/ Hosted on Acast. See acast.com/privacy for more information.

Interview de Fanélia, illustratrice, par Elodie et Caducée, réalisée lors du Festival International des Jeux de Cannes 2025.

Original Release Date: Monday 21 July 2025      Description:   It's been a while since Phil brought out the ol' Chillpak soapbox, but on this week's show, it comes in handy as Dean and Phil delve into the huge show biz news in “The Explanation of the Week” involving late night shows, corporate mergers, bribery, evangelical Christianity, and Stephen Colbert. In “What We're Reading” the teachings of Taoist philosophy go into the spotlight. The first two episodes of “Star Trek: Strange New Worlds” season 3 get reviewed and Phil defends the series from some recent criticisms about the show “not being about anything”. Then TV mysteries “The Residence” and “Poker Face” get discussed before the 1965 big-screen Agatha Christie-adapted mystery Ten Little Indians and 2024 Cannes winner for Best Director, Grand Tour, get reviewed.

For this special episode, I sat down with Mykolai Sierga, the founder of Cultural Forces, a Ukrainian organization using art and culture to address wartime challenges. We explore how Mikolai rapidly pivoted from artist to soldier to cultural ambassador after Russia's invasion. He shares insights on masculinity in crisis, the power of storytelling in war, and using music to bridge divides. We discuss Cultural Forces' innovative approach to maintaining support for Ukraine internationally, including performances at NATO and Cannes. Mykolai offers a unique perspective on the transformative impact of war and the vital role of culture in shaping societal values and political landscapes.

The CPG Guys are joined in this episode by Kheri Holland Tillman, Chief Marketing Officer of Primo Brands & David DeMuth, CEO of Doner Partners Network.This episode was recorded at the 2025 Cannes Lions International Festival of Creativity.Follow Kheri on LinkedIn at: https://www.linkedin.com/in/kheri-holland-tillman-1601563/Follow Primo Brands on LinkedIn at: https://www.linkedin.com/company/primobrands/Follow David DeMuth on LinkedIn at: https://www.linkedin.com/in/david-demuth-a7110b6/Follow Doner Partners Network on LinkedIn at: https://www.linkedin.com/company/doner-partners-network/Kheri & David answer these questions:How do you each define creativity today — especially in a world driven by data, retail media, and performance metrics?From your brand and agency perspectives, how can creativity and commerce actually work in harmony, not in conflict?What does a modern, high-functioning brand–agency relationship look like in 2025?What do you both wish more agencies/brands understood about each other when it comes to delivering real business outcomes?How do you align around both short-term wins and long-term brand equity?Retail media is reshaping the CPG marketing funnel — how is it influencing creative strategy? Are agencies ready for the retail media revolution? And are brands equipped to lead it creatively?What happens when the same campaign has to live on TikTok, an RMN banner, and a store display? How do you protect the idea across platforms?How does Primo balance bold brand-building with the need to drive measurable business results?How do you measure the impact of emotional resonance — and justify investment in brand storytelling in a ROAS-heavy world?What does  sustainability mean to you? How are guys practicing it out What's one emerging trend — in consumer behavior, media, or creative — that excites you most right now?CPG Guys Website: http://CPGguys.comFMCG Guys Website: http://FMCGguys.comCPG Scoop Website: http://CPGscoop.comRhea Raj's Website: http://rhearaj.comLara Raj in Katseye: https://www.katseye.world/Subscribe to Chain Drug Review here: https://chaindrugreview.com/#/portal/signupSubscribe to Mass Market Retailers here:https://massmarketretailers.com/#/portal/signupDISCLAIMER: The content in this podcast episode is provided for general informational purposes only. By listening to our episode, you understand that no information contained in this episode should be construed as advice from CPGGUYS, LLC or the individual author, hosts, or guests, nor is it intended to be a substitute for research on any subject matter. Reference to any specific product or entity does not constitute an endorsement or recommendation by CPGGUYS, LLC. The views expressed by guests are their own and their appearance on the program does not imply an endorsement of them or any entity they represent. CPGGUYS LLC expressly disclaims any and all liability or responsibility for any direct, indirect, incidental, special, consequential or other damages arising out of any individual's use of, reference to, or inability to use this podcast or the information we presented in this podcast.

No Braincast de hoje, três temas que expõem tensões entre inovação, ética e reputação. O Cannes Lions viveu sua maior crise em anos — com campanhas manipuladas, prêmios revogados e novas regras pra tentar salvar a credibilidade da criatividade. No mercado de trabalho, mulheres seguem mais hesitantes em adotar IA. Não é medo da tecnologia, mas das consequências: julgamento, invisibilidade e sistemas que não foram feitos pra elas. E no futebol, a pergunta que não quer calar: o novo Mundial de Clubes pegou? Com grana pesada, times brasileiros no mata-mata e estádios vazios, será que a FIFA conseguiu emplacar seu novo produto global? 07:41 - Pauta01:06:28 - QEAB _ NEXGARD SPECTRA®: É OUTRO NÍVEL DE PROTEÇÃO. https://www.cobasi.com.br/pesquisa?hotsite=nexgard-spectra-podcast&utm_source=parceiro_comercial&utm_medium=podcast&utm_campaign=boehringer_podcast_20nexgard&utm_source=globo&utm_medium=cpm&utm_content=AH_ALAMEA_BRASIL_25_aon_glo_glocom_awa_cpm_tutc_A25mais_60s_NA_braincast_boeh00995ne25&utm_campaign=AH_ALAMEA_BRASIL_NEX_25_AON_GLO_GLOCOM_AWA_CPM Cupom: 20nexgardVigência: Até 31/12Regras: 1 uso por CPF, não acumulativo com compra programada -- Quer mudar sua vida HOJE? Acesse o site da EBAC: https://ebac.me/a697f7 Com mais de 150 opções de cursos você pode começar uma nova carreira do zero com a Escola Britânica de Artes Criativas & Tecnologia Use o cupom braincast200 e garanta mais R$ 200 de desconto, além dos descontos de até 60% do site -- ✳️ TORNE-SE MEMBRO DO B9 E GANHE BENEFÍCIOS:Braincast secreto; grupo de assinantes no Telegram; e episódios sem anúncios!https://www.youtube.com/channel/UCGNdGepMFVqPNgaCkNBdiLw/join --

I spoke with Eloise Singer & Lesley Paterson about Trailblazer with Daisy Ridley as a part of my remote coverage of Cannes Immersive 2025. See more context in the rough transcript below. Cannes Immersive Competition Lacuna -- #1577: Architecting a Multi-Threaded Narrative of Recovered Traumatic Memories in “Lacuna” – Voices of VR Podcast In the Current of Being -- #1531: In the Current of Being Uses Immersive Haptics to Tell the Story of Electroshock Conversation Therapy – Voices of VR Podcast From Dust -- #1494: Innovative VR Opera “From Dust” Combines GenAI Prompts, Digital Serenading, & Personality Branching – Voices of VR Podcast The Dollhouse -- #1578: Poetic Exploration of the Transmission of Class Power Dynamics in “The Dollhouse” – Voices of VR Podcast Beyond the Vivid Unknown -- #1333: AI Remix of 1982 Documentary “Koyaanisqatsi” with “The Vivid Unknown” Interactive Video Installation – Voices of VR Podcast LILI Taxi The Exploding Girl VR Windmills: A Rapa Out of Competition Trailblazer -- #1576: How Singer Studios Uses VR to Kickstart New Film, TV, Podcast, & Graphic Novel IP with “Trailblazer with Daisy Ridley” + Cannes Immersive 2025 Coverage – Voices of VR Podcast Trailblazer -- #1128: Combining Puzzle Mechanics with Environmental Storytelling in “Mrs. Benz” At my house Cannes Immersive Selection -- Focus Battlefield -- #1426: “Champ De Bataille” Uses Cinematic VR to Explore the Horrors and Emotion of World War I – Voices of VR Podcast This Is My Heart -- #1425: Immersive Art Installation “Ceci Est Mon Cœur” Uses the Poetry of Light to Explore Childhood Trauma – Voices of VR Podcast Floating with spirits -- #1290: “Floating with Spirits” Explores the Day of the Dead, Indigenous Transmissions, & Elemental Animism – Voices of VR Podcast Oto's Planet -- #1555: Award-Winning Tabletop Animation “Oto's Planet” Uses Unique Interactive Mechanic to Chose Perspective – Voices of VR Podcast Ito Meikyu This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

O Podcast Canaltech de hoje recebe Mau Faccio, gerente sênior do Jovem Nerd, para uma conversa cheia de histórias dos bastidores, criatividade e cultura geek. Ele revela como foi a construção da campanha de Caverna do Dragão que levou o Leão de Ouro em Cannes, detalha a operação por trás da marca, fala sobre o impacto cultural do Jovem Nerd e comenta os desafios da produção de conteúdo em um mundo cada vez mais automatizado. De prêmios internacionais ao novo filme de terror da marca, Mau compartilha os aprendizados de mais de uma década à frente de uma das maiores comunidades nerds do Brasil. Você também vai conferir: Elon Musk quer pagar milhões por uma waifu de IA, agora IA do Google liga por você, até pra marcar tosa do seu pet, iPhone 17 Pro pode aposentar a película com novo vidro antirreflexo e resistente, WhatsApp vai ganhar caixinha de perguntas nos Status, igual ao Instagram e Brastemp lança fogão e micro-ondas com air fryer. Este Podcast foi roteirizado e apresentado por Fernanda Santos e contou com reportagens de Emanuele Almeida, Marcelo Fischer, Vinicius Moschen, André Lourenti e Bruno Bertonzin. A trilha sonora é de Guilherme Zomer, a edição de Jully Cruz e a arte da capa é de Erick Teixeira.See omnystudio.com/listener for privacy information.

Send us a textWhat does it take to start a business in the digital infrastructure sector? Joining hosts Andy Davis and Rory Flashman for a new episode of the Inside Data Centre podcast are two pioneering founders; David Mitchell, CEO and Founder of XYZ Reality, and Alexander Goodall, CEO and Founder of Xela Energy.From navigating the challenges in rapid scaling to meet the needs of the industry, Alexander and David share their experience in building trust with customers to buy into the solutions and taking the risk to gain a greater reward. The episode looks into how startups are keeping up with the market, but also staying ahead of the competition in its execution.‘Its all about execution across the board, everyone here is thinking how do we deliver all this pipeline' – David MitchellWhether you're in the midst of startup life, or want to know more about how innovation is reshaping the industry, this episode brings insight, and a few bold truths about turning big ideas into real impact.Support the showThe Inside Data Centre Podcast is recorded in partnership with DataX Connect, a specialist data centre recruitment company based in the UK. They operate on a global scale to place passionate individuals at the heart of leading data centre companies. To learn more about Andy Davis and the rest of the DataX team, click here: DataX Connect

In this episode of Next in Media, Mike Shields interviews Dani Mariano, CEO of Razorfish, about their research into Gen Alpha, highlighting this generation's unique media consumption habits, brand maturity, and influence on household purchasing decisions, as well as Razorfish's "creator collab" program designed to meet the evolving demands of creator-centric marketing.

In this post-pod, Marc Binkley and Vassilis Douros reflect on their conversation with David and their collective experiences at Cannes. They discuss the evolving landscape of marketing, the tension between data-driven strategies and the fast-paced media environment, and the importance of long-term campaigns. They explore the role of AI in marketing and the significance of creative strategies, while also highlighting the evolution of the Cannes festival into a global marketing ecosystem.We hope you enjoy this show!Follow our updates here: ⁠⁠https://www.linkedin.com/company/sleeping-barber/⁠⁠https://www.sleepingbarber.caGet in touch with our hosts:Marc Binkley: ⁠⁠https://www.linkedin.com/in/marcbinkley/Vassilis Douros: ⁠⁠https://www.linkedin.com/in/vassilisdouros/⁠Chapters00:00 - Post-Cannes Reflections01:38 - The Tension Between Data and Media04:52 - Long-Term Campaign Strategies09:12 - Redefining Campaigns10:33 - The Hum and the Beats of Marketing12:21 - The Power of AI in Marketing14:55 - The Evolution of Cannes Festival

B2B marketing has long been stuck with a somewhat boring reputation: rational, buttoned-up and forgettable. Tim Hoppin is on a mission to change that. As chief brand and creative officer at SAP, he's helping one of the world's largest software companies embrace big creative swings — and prove that business buyers are humans too. Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio. Damian Fowler (00:00):I'm Damian Fowler.Ilyse Liffreing (00:02):And I'm Ilyse Liffreing. And welcome to this edition of The Big Impression.(00:09):You might be wondering, wait, what? Isn't this The Current Podcast? I'm here to listen to brand marketers talk about the highs and lows of their brand campaign. I know I am. Well, rest assured, we've just had a little bit of a brand refresh. We're now the big impression, andDamian Fowler (00:27):That's official shout out to our creative team for the new name, which I really love actually.Ilyse Liffreing (00:32):So without further ado, let's kick off this new season with a great guest.Damian Fowler (00:39):And today we are delighted to be joined by Tim Hoppin, the chief brand and creative officer at SAP.Ilyse Liffreing (00:45):Now, SAP makes software that helps big companies run everything from payroll to supply chains, all in one integrated system. It was recently hailed by brand Z as a 23rd most valuable brand on the planet.Damian Fowler (01:00):And no doubt, some of that's thanks to Tim. He's a brand builder who spearheaded the tech company's recent B2B campaign, unstoppable, which was shortlisted at this year's Cannes Lion, and that's where we sat down with him. So we're going to start out with this sort of philosophical frame. Ryan, you have said that a brand must influence everything a company makes, says and does. Could you explain that philosophy a little bit?Tim Hoppin (01:29):Yeah, sure. I think a lot of people even just kind of reduce it down to branding, like the colors and things like that and maybe the expression a little bit. But the way I think about a brand transmits meaning to people, and it does that through lots of different formats. So when I say what a brand is, what you make, you're actually affecting the service or the product that you're actually delivering to the world. So my classic example is Harley Davidson. Those motorcycles don't use plastic and they do that very specifically because they want the brand to be expressed a certain way in products. And then when I say a brand is what a company says, that's your marketing, your communication, and then what you do is your activations, your choices on what kind of companies you're going to invest in and so on and so forth. But it's all three.Ilyse Liffreing (02:25):Yeah. Can you walk us through your recent SAP campaign, which I believe is called Unstoppable?Tim Hoppin (02:31):The campaign was built to communicate a new way we're going to market with our products, which is bringing together all the different parts of the software that we make. We tie together, we call it the SAP Business suite, and we're dramatizing it with sort of metaphors that bring it to life. For instance, sometimes if you're in business and you're in charge of something, like being head of it could feel like you're literally underwater. So we recreated what literally happens when the entire office goes underwater. So we filmed the entire office submerged underwater, and people are trying to go about their business. And of course at the end we introduced our product, which kind of drains it and gets things back to normal. And another example, sometimes when you're trying to innovate, it's like an uphill battle. So you start off and the entire building tilts on its side and we kind of go in this metaphor world where the COO is trying to march up a hill and things are coming at her and she's trying to dodge it. So they're all metaphors that we can kind of associate, but they're also very real stories. Every one of 'em is based on an actual customer story.Ilyse Liffreing (03:47):Very fun. What would you say are the key consumer business insights behind this campaign?Tim Hoppin (03:54):Yes, because purely B2B, our research is a little bit, you have to be more precise in getting those insights. So a lot of it has to do with doing interviews because there's not like a survey you're going to send out to a bunch of CFOs or CEOs and they're going to respond. They're pretty busy people. But we can do other things like get some individual interviews. We do quant studies as well as well, but it's easier to get real insights when you actually talk to real people. So more like anthropology research, I'd say, than sort of traditional marketing broad surveys.Ilyse Liffreing (04:35):Some people might say that emotional storytelling and B2B business campaigns are almost like a oxymoron of sorts. Is that at a conundrum would you say,Tim Hoppin (04:51):How many times have you seen a piece of content that's using just stock imagery talking about functional stuff and you just ignore it? And so there's this perception that that's what everybody wants and does. We are seeing a renaissance in B2B where emotional, strong, insight-driven work is what works. And so I think you're going to see more and more of that as people realize that it actually is more effective.Damian Fowler (05:22):It's interesting to me that the B2B is being put out on what you might consider consuming channels. I'm just curious to hear your take on why that was important and basically how did you activate this campaign and where did you want to put it?Tim Hoppin (05:38):Yeah, so our media team and working with their agency took the brief that we're trying to do two things. We're trying to both lead people that are maybe in market ready to buy, lead them into our ecosystem and get in touch with our salespeople. But we also recognize that SAP as a 50 plus year old company has some perceptions out there and we need to constantly reeducate the marketplace about who we are, what we stand for, and then also present ourselves to the next generation. 71% of all B2B buyers are either millennials or Gen Z, 71%.Damian Fowler (06:20):Wow, that's a amount.Tim Hoppin (06:22):Yeah, it's a lot. So to become and stay relevant, even as the world's largest enterprise software company, you can't rest on your laurels. So some of those media tactics, like being in airports or some television buys in very targeted ways is designed to get broad enough reach so that we can get people familiar with us and start to understand what we stand for so that when they're ready to buy, they're not just hearing about us for the first time. And then of course we're looking at the real data, what's happening out there? Happy to say that all of our creative work has got five stars, or hybrid is the highest you can get the system one, we're beating every industry benchmark. And then in market, the performance that we're seeing in the market is also way above all of our benchmarks. So we're excited because as we like to say, if creative doesn't work, it's not working.Ilyse Liffreing (07:14):Was there an insight that you say you took away?Tim Hoppin (07:18):I had a strong hypothesis that there would be some disruption just from visually the way the campaign is presented, especially the films. I think the thing that's really surprised me as we did our research, what a chord. It's striking with people. There's one comment that came through just from the qual study that we did where people were saying, you finally get me. Not only is the content visually arresting, but emotionally resonant, people really feel seen. And to your comment earlier about like, Hey, B2B is seen as traditional and there's such a, I'd say a traditional and sort of safe approach to just use business people doing businessy things and boats and cars moving fast and satellites flying by the camera and putting a logo at theIlyse Liffreing (08:14):End. I've seen that one. Yeah.Tim Hoppin (08:15):Yeah, I've made that one unfortunately. But to really take this risk and tell interesting stories that are based on real human insights and have emotion and are disruptive and have the very people that we're trying to reach go, thank you, thank you for seeing us, telling us a story that's different. I have this saying, if you want to be disruptive, you actually have to disrupt. And so there's also sort of a hungered SAP, we have to reinvent ourselves. We are in our product and our go-to market. And so the brand platform that we created over the last three years, now this is the next level, is taking the campaign higher. So I think we're on this momentum of transformation, and so it just felt natural to do it. And the way we're investing the does part's also coming true, frankly, the way we're investing in AI and kind of transforming what's possible from a 50 plus year old company. It's exciting.Ilyse Liffreing (09:12):Let's talk a little bit about ai.Tim Hoppin (09:14):Yeah, sure.Ilyse Liffreing (09:15):On that note, how are you guys investing in AI and what do you foresee(09:16): Damian Fowler (09:23):Creation play? Yeah, as a creative person, do you feel threatened by it orTim Hoppin (09:26):Not at all.Damian Fowler (09:29):Jump on your question. That is the question.Tim Hoppin (09:31):Yeah, it's the question of the week. Big question. It's come up so much. Actually, I was talking about this the other day.Ilyse Liffreing (09:35):You're probably tired of people talking about it.Tim Hoppin (09:38):No, I actually think what's been really refreshing is two things, always the first part of your question, which is as a company, we are basically transforming into a data and AI company. I think pretty much anybody who's going to survive has to do that. So we've made software for 50 years, but what all the companies that run on our platforms, it's the data that's the most valuable part, of course. And so the AI that we've developed is allowing people to run their businesses completely different ways. So we're investing in that as a creative person.(10:14):We're also starting to experiment with ai, for instance, trying to understand how people might react to our messages. I don't think that AI is going to replace creatives, but I think creatives are going to have to change. So you're going to have to act more like a director than a executor. I remember when I started in the business a few years ago, 25 ish, I remember the people who were still laying down typography by hand and everything. Every piece of printed material was proofed. The proofs would come into the agency and people were looking at it. And so all those people's jobs changed. And that's all this is. Human creativity will not and cannot be replicated, but it will require us to get better at being creative and know how to use these new tools.Ilyse Liffreing (11:10):Yeah, that's a great answer. We've transformed so much in 25 years. It's kind of bafflingDamian Fowler (11:18):Completely. Yeah.Ilyse Liffreing (11:19):So you're an agency guy. It does seem that B2B is getting better. Is it because of all these agency folks moving in? How?Tim Hoppin (11:30):Yeah, I think so. We're seeing, look, the agency world has changed and is contracting in some ways and it's really tough, but also it's creating opportunities for those same creative talents to move. And so it becomes a, I'd say rebalancing. I remember early in my career if you worked in a in-house agency, it was sort of looked down on like you're just not good enough for a real creative job, which was totally mean and not nice. But that was the perception. And now it's completely not that Some of the best work that's being produced is coming from in-house agencies. So you're seeing a migration from, and frankly, it's caused by clients. So clients are reducing what they're willing to pay agencies, which puts economic pressure on the agencies and they have to downsize. And then those great talented people need to pay their mortgage and put their kids through college and they're coming in house. And so my team is almost exclusively on my creative group, our exag agency people. And that's what I am too. And so that actually makes us better clients so we can work with our agencies and we know how to work with them and who they are, and sometimes we even know them from past lives. So it just makes the work better all around.Ilyse Liffreing (12:52):Is there anything in the creative realm that you're looking at or data about creativity that you think brands should co-op for B2B campaigns?Tim Hoppin (13:05):Yeah, I absolutely, interestingly, as we've seen this sort of spike in the AI chatter and everybody talking about it and sort of wringing their hands about what it's going to do for our jobs, there's been sort of a pushback in a really healthy way where people are saying, actually no humanity and really putting AI in its place, which is, it's just another tool. Yes, it's going to disrupt jobs. That is a true statement 100%, but it's not going to replace human creativity. And so as I said before, that reality is getting people back to what's important, which is storytelling, human storytelling, creativity, finding those interesting combinations that only humans can do. And that's where you're starting to see that come to life in B2B marketing is that, I said it earlier, I think it's a bit of a renaissance and a not cheesy way.Ilyse Liffreing (14:05):We have some last minute Rapid, rapid and fire, fire.Tim Hoppin (14:08):And this is your homeDamian Fowler (14:08):Stretch. Oh yeah, stretch. Stretch. Is there anything, Tim, that you're obsessed with figuring out right now?Tim Hoppin (14:17):Yeah, how to keep getting better. It's like I love seeing what people can do and I want to use new tools and new solutions. And so I'm trying to figure out where's all this AI stuff going to go and where's it going to be helpful? And how do you avoid the pit of generic communications that is a real threat from ai?Ilyse Liffreing (14:44):Did you have a favorite Cannes moment that made you stop and say, wow?Tim Hoppin (14:49):Yeah, I was in line for a session and there was a group of young lions, and this one kid, he had to be maybe 18, maybe 19, he still has his braces on, and he was so excited, so excited to be there and to go in. And I've been really worried that our industry doesn't have the next generation coming up. And I saw this kid and I was just so relieved that this kid was as excited about the start of his career as I was when I started. I mean, I would fall asleep with award animals to learn how to do this stuff better and that you could feel the energy from this kid. It was awesome.Damian Fowler (15:39):I'm so happy that a lot of students come to Cannes.Ilyse Liffreing (15:43):It is great. It fills your heart. Yeah, it does. It does.Damian Fowler (15:48):Last one.Ilyse Liffreing (15:49):So who beyond SAP, who else is doing B2B brand work very well in your view?Tim Hoppin (15:56):Well, GoDaddy won the Grand Prix for, I thought, a really fun piece of work, and it's targeted to small business, so I think you can be a little bit more courageous than sometimes we get to, but I just loved it for its wackiness and just audacious. And then also the way that they really just kind of carried across different mediums. The thing that was the best about it was they're trying to make the case for starting a small business, and they literally did that with a celebrity. It was brilliant.Ilyse Liffreing (16:41):And that's it for this edition of The Big Impression.Damian Fowler (16:44):This show is produced by Molten Hart. Our theme is by Love and caliber, and our associate producer is Sydney Cairns.Tim Hoppin (16:50):And remember, 71% of all B2B buyers are either millennials or Gen Z.Damian Fowler (16:57):I'm Damian. And I'm Ilyse,Tim Hoppin (16:59):And we'll see you next time.

The fourth episode of our season on the awesome movie year of 2014 features the Cannes Film Festival Palme d'Or winner, Nuri Bilge Ceylan's Winter Sleep. Directed and co-written by Nuri Bilge Ceylan and starring Haluk Bilginer, Melisa Sözen, Demet Akbağ and Ayberk Pekcan, Winter Sleep was Ceylan's fourth film to win a major award at Cannes.The contemporary reviews quoted in this episode come from Ann Hornaday in The Washington Post (https://www.washingtonpost.com/goingoutguide/movies/ann-hornaday-reviews-winter-sleep-all-together-now-for-better-or-worse/2015/01/28/788d5094-a58e-11e4-a7c2-03d37af98440_story.html), Justin Chang in Variety (https://variety.com/2014/film/reviews/cannes-film-review-winter-sleep-1201184094/), and Manohla Dargis in The New York Times (https://www.nytimes.com/2014/12/19/movies/winter-sleep-a-turkish-film-directed-by-nuri-bilge-ceylan.html).Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at

In front of an audience at the Karlovy Vary International Film Festival, the veteran Swedish actor reflects working with everyone from Ingmar Bergman to David Fincher, moving between art house projects (e.g. his five collaborations with Lars von Trier) and studio fare ('Dune,' 'Mamma Mia!,' 'Pirates of the Caribbean' and five MCU installments), and why he's particularly proud of his latest film, Joachim Trier's Cannes' Grand Prize winner in which he plays an aging filmmaker who has a complicated relationship with his two daughters. Learn more about your ad choices. Visit megaphone.fm/adchoices

Recorded live from Cannes Lions, this episode dives into the future of commerce, creativity, and connection with special guest Eric. We unpack why brands are losing their voice, how AI is transforming everything from influencer marketing to grocery shopping, and why human experience still matters. It's a fast-paced, thought-provoking conversation about what's hot at Cannes—and what's coming next.

The Fantasia International Film Festival returns for its 29th edition, running from July 17 to August 8, 2025, and promises another electrifying celebration of genre cinema from around the world. With its full slate now unveiled across three waves of programming, Fantasia 2025 continues its tradition of championing daring filmmakers and boundary-pushing storytelling.Among the major highlights this year is Yuji Shimomura's highly anticipated Crazy Musashi, penned by cult favorite Sion Sono. Also debuting is the world premiere of The Beast Within by genre auteur Gabriel Carrer, while Bertrand Mandico's surreal She Is Conan the Barbarian will receive its North American premiere following acclaim in Cannes. Other festival standouts include Kiah Roache-Turner's creature feature Beast of War, and Macoto Tezuka's live-action adaptation Barbara II, based on the manga by Osamu Tezuka.Fantasia 2025 will also spotlight a robust Quebecois lineup, particularly through the Fantastiques Week-ends du cinéma québécois, which includes 77 short and feature films from emerging and established local talent. This year's program emphasizes bold, original visions, including the premiere of David B. Ricard's mockumentary Alien Tribute, and Alexandre Prieur-Grenier's nightmarish Enfer en eau trouble.The festival continues its legacy of nurturing new voices with its Camera Lucida and Axis sections, while also welcoming back returning favorites such as Larry Fessenden (Blackout), Takashi Shimizu (Immersion), and Calvin Lee Reeder (Yummy Fur).With over 130 feature films, dozens of special events, and a strong presence of Asian, North American, and international genre cinema, Fantasia 2025 affirms itself as one of the world's premier showcases for fantastical film.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.