Podcasts about Cannes

Thinking about attending the European Film Market (EFM) in Berlin? In this episode, I break down how EFM compares to Cannes and AFM, why it's considered the most professional film market, and why filmmakers with finished projects and real credits get the most value from it. If you want smarter film distribution and market strategy, this one's for you.

Last year, Iranian director Jafar Panahi won the Palme d'Or at Cannes for his extraordinary film It Was Just an Accident, which he shot secretly in Tehran under great risk of serious harm. Jafar has been in prison twice on charges of “anti-government propaganda” and for protesting the imprisonment of other filmmakers. At the Toronto International Film Festival back in September, he joined Tom Power to tell us how It Was Just an Accident was shaped by his two experiences in Tehran's Evin Prison.

In this episode of Let's Get Dressed, I'm joined by stylist Karla Welch, one of Hollywood's most beloved celebrity stylists, whose clients have included Justin Bieber, Olivia Wilde, Sarah Paulson, and Tracee Ellis Ross.We talk through what really goes into an award season press tour, from Cannes to the Oscars, how red carpet moments come together, and how Karla approaches custom looks, designer relationships, and individuality over trends. We also touch on the realities of award season, career-defining fashion moments, and the work Karla is doing beyond fashion with the Period Company.Follow Karla on Instagram https://www.instagram.com/karlawelchstylistLearn more about the Period Company here https://period.coGet 20% an annual membership of our newsletter, Let's Get Dressed, here https://letsgetdressed.substack.com/lgdLove the show? Follow us and leave a review on Apple Podcasts and Spotify. To watch this episode, head to YouTube.com/@LivvPerezFor more behind-the-scenes, follow Liv on Instagram, @LivvPerez, on TikTok @Livv.Perez, and shop her closet here https://shopmy.us/livvperez Hosted on Acast. See acast.com/privacy for more information.

Elle Fanning (A Complete Unknown, The Neon Demon) is an A-list actor who calls herself a "nepo sibling.” When she was just two years old, she played a younger version of her sister Dakota Fanning's character in I Am Sam. But for someone who's been famous for nearly her entire life, there's a bit of mystery surrounding Elle — and that's intentional. During the Toronto International Film Festival last September, she sat down with Tom Power to talk about her latest film, Sentimental Value, which broke applause records when it premiered in Cannes earlier this year.

durée : 00:28:14 - Les Nuits de France Culture - par : Albane Penaranda - L'émission "A Voix nue " propose en 2004 cinq entretiens avec le cinéaste égyptien Youssef Chahine. Dans ce dernier volet, le cinéaste évoque le Festival de Cannes mais aussi la situation politique en Egypte et sa vision du conflit israélo-palestinien. - réalisation : Virginie Mourthé - invités : Youssef Chahine Cinéaste égyptien (1926-2008)

Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. We update that last week's main movie, "Holding Liat," is now playing in 20 locations throughout North America. Then we hear a "Jangle" about unabashed Zionist Michael Rapaport, who was just in the news for his participation in "The Traitors." The first "Schmoovie" of the week is "It Was Just an Accident" by Iranian filmmaker Jafar Panahi. Nominated for two Academy Awards, it is playing internationally at major arthouse theaters. The premise is roughly based on Panahi's stints in Iranian prisons for his films exposing the oppressive regime. It includes a ragtag group trying to assess if a kidnapped man is indeed their interrogator/torturer. Though the set-up sounds grim, there is plenty of Panahi's trademark wit to keep you thinking -- and chuckling. The second film discussed is 2015's "Taxi," which was produced during a period in which Panahi was barred from creating films. Smuggled out and screened at the Cannes film festival, the movie takes place in a borrowed taxi and includes an uncredited cast of everyday Iranians -- or are they? Check out the two "not bad" films (our highest mark) in this week's The Reel Schmooze. The Reel Schmooze is produced by Ari Schlacht and can be found wherever you get your podcasts. IMAGE: Director Jafar Panahi poses for a portrait photograph for the film 'It Was Just an Accident' at the 78th international film festival, Cannes, southern France, May 21, 2025. (Scott A Garfitt/Invision/AP)See omnystudio.com/listener for privacy information.

This week we have...Benjamin Flaherty. @stoptheshuffleBen is an Austin-based filmmaker with a diverse collection of work - from documentary and art films with Lou Reed & Julian Schnabel to commercial spots for major brands. His short form PSA's have been awarded at Cannes, D&AD, One Show and the Clios. His documentary feature debut, Shuffle, won the Grand Jury Prize for Best Feature at the 2025 SXSW Film and Television Festival.We had a great talk with Ben and you don't want to miss this one!Instagram @stoptheshuffleWebsite www.stoptheshuffle.comVisit us Podcast  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.sobernotmature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Store  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.sobernotmatureshop.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hobo ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.themoderndayhobo.com

La mezcladora de sonido oscense ha sido nominada al Oscar por su trabajo en Sirat, junto a Laia Casanovas y Amanda Villavieja, en el primer equipo íntegramente femenino que compite en esta categoría. La película, que también opta a Mejor Película Internacional, culmina un recorrido brillante tras su paso por Cannes, los Premios del Cine Europeo y los Goya. Parte del rodaje se realizó en Teruel y los premios se entregan el 16 de marzo.

The Iranian film It Was Just an Accident enters Oscars season with the wind at its back. It won the top prize at Cannes, a raft of other awards and has landed on a lot of top ten lists. The movie bears out those accolades. Directed by Jafar Panahi, it's a tense, volatile, often darkly funny movie about what happens when a former political prisoner runs into a man he's almost convinced is the one who tortured him and other prisoners. Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopcultureLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

For our first International Feature of 2026, we dive into Anatomy of a Fall, the 2023 French courtroom drama, directed by Justine Triet. It became a major awards-season standout, winning the Palme d'Or at Cannes and sparking wide conversation for its unconventional approach to truth, perspective, and performance. Rather than leaning on flashy courtroom theatrics, the film builds tension through ambiguity, character study, and meticulous visual choices.In this episode, we break down what made Anatomy of a Fall resonate so strongly with audiences and critics alike, including what worked for us and why the film continues to linger long after the credits roll.The across-the-board performances, from the lead actors all the way down to the dogHow the film's open-ended storytelling challenges the audience to sit with uncertaintyDirect, intentional cinematography choices that quietly shape how we interpret eventsA courtroom drama focused on truth and perception, without over-the-top legal theatricsWhy restraint and realism make the emotional beats hit harderWhether you loved the ambiguity or found it frustrating, this was a film that gave us plenty to unpack.Letterbox'd Synopsis: A woman is suspected of her husband's murder, and their blind son faces a moral dilemma as the sole witness.

Sonny Bunch joins to discuss “It Was Just an Accident” a film from dissident Iranian director Jafar Panahi. It raises profound questions about guilt, judgment, and revenge. Also, amazing that it was made at all.Get 15% off OneSkin with the code MONACHAREN at https://www.oneskin.co/MONACHAREN#oneskinpod #adFilms & References Mentioned:It Was Just an Accident (dir. Jafar Panahi)The film discussed throughout the episode — a clandestinely made Iranian dissident film that won the Palme d'Or at Cannes.https://www.imdb.com/title/tt30841958/The Seed of the Sacred Fig (dir. Mohammad Rasoulof)Recommended by Sonny as further viewing; set during post–Mahsa Amini unrest in Iran.https://www.imdb.com/title/tt29362290/The Lives of Others (dir. Florian Henckel von Donnersmarck)Cited as a thematic comparison for life under a surveillance state.https://www.imdb.com/title/tt0405094/A Hero (dir. Asghar Farhadi)Mentioned as another standout contemporary Iranian film about truth, lies, and social pressure.https://www.imdb.com/title/tt11777738/

On episode 327 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, AwardsWatch Associate Editor Sophia Ciminello, and AwardsWatch contributor Josh Parham to discuss their final Oscar nomination predictions for the 98th Academy Awards coming this week on January 22. It's been a long run of this phase of awards season, which truly starts all the way back at the Sundance Film Festival last January, where potential contenders debut, to summer blockbuster, big Christmas releases, and the critics awards, guild awards, Golden Globes and our gut instincts guide us to where we land today. From One Battle After Another to Sinners to Hamnet, and the abundance of international contenders from Cannes and Venice like Sentimental Value, It Was Just an Accident, The Secret Agent, No Other Choice and more, we find some categories eerily settled on (like Supporting Actor) but more with so many possibilities and variables who knows who's going to get it right. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen to it on our AwardsWatch YouTube page. This podcast runs 3h10m. We will be back next week to give our reactions to the 2026 Oscar nominations. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

In unison, director Óliver Laxe & composer Kandang Ray have created one of the most intense and heart racing cinematic experiences in recent years with their Cannes award winning film Sirāt (winning the Jury Prize). Playing out like a modern version of Wages of Fear with a missing daughter and a rave in the desert supplanting that films explosive cargo, Sirāt is as intense as experience as any other that follows Luis (Sergi López) and his son Esteban (Bruno Núñez Arjona) as they ask a swathe of desert ravers where their family member is. Óliver throws viewers into the fray from the first frame, utilising Kandang Ray's thumping electronic music to provide a sonic backbone to the anxiety provoking experience. That's a tone that never lets up throughout the films 114 minute runtime, ensuring that by the time credits role you'll be pushing down an oncoming panic attack.For some, that sensory experience of tension driven filmmaking isn't exactly fitting with the idea of a 'good time at the movies', but Sirāt isn't a film that intends to make you feel good. Instead, Laxe is looking to expand upon the current state of the world, leaving just enough space for the viewer to draw their own meaning from the metaphor that Laxe and Kandang Ray are spinning.In the following interviews, Nadine Whitney talks to director Óliver Laxe about the landscape and use of music in the film, while in the second interview, Andrew F Peirce talks to composer Kandang Ray about building that sonic profile for the film. Both interviews were recorded ahead of the film receiving two nominations at the 83rd Golden Globe Awards, picking up noms for Best Foreign Language Film and Best Original Score.Sirāt arrives at Perth Festival's Lotterywest Films from 19 January to 25 January 2026. It will receive a wider release thanks to Madman Entertainment from 26 February 2026.the Curb is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit thecurb.com.au/subscribe, where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more. Sign up this week to be in the running to win a double pass to see The Secret Agent. Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

The CPG Guys are joined in this episode by Liz Roche, VP for Media and Measurement at Albertson's Media Collective, the retail media division of the Albertsons Companies.This episode was recorded in Las Vegas Nevada at CES 2026.Find Liz Roche on Linkedin at : https://www.linkedin.com/in/eroche1/Find AMC on Linkedin at : https://www.linkedin.com/company/albertsons-media-collective/Find AMC online at : https://albertsonsmediacollective.com/Here's what we asked her:Liz, you've just crossed the one-year mark leading measurement and media at Albertsons Media Collective. Looking back, what surprised you most about the role—and what are you most proud of accomplishing in year one?In-store retail media has become one of the most talked-about topics in the industry. Why was it so important for Albertsons Media Collective to lean in here—and what problem were you trying to solve first?You first announced your in-store efforts at Cannes, and now at CES you're sharing pilot results. What did those pilots validate—and what did they challenge in your original assumptions?You've highlighted a Mondelez and Sargento case study—what made those partners a strong fit for in-store activation, and what outcomes should brands be paying attention to?From a retailer perspective, what does it actually take to scale in-store retail media without compromising the shopper experience or store operations?You've been very vocal about transparent measurement. Why is that such a critical foundation for retail media relationships, especially as in-store and offsite continue to grow?Albertsons Media Collective has done some creative things—like the BOGO Blitz with enterprise media match and the Alby Awards with guaranteed ROAS. What was the thinking behind rewarding performance in these ways?As we look toward 2026, how do you see measurement evolving—especially across in-store, onsite, and offsite—and what should brands and retailers be preparing for now?You're showcasing future-state demos here at CES. Without giving too much away, what should the industry be excited about when it comes to where in-store and retail media are headed?For brands and retailers listening who want to be ready for what's next in retail media, what's the one mindset shift—or capability—they need to start building today?CPG Guys Website: http://CPGguys.comFMCG Guys Website: http://FMCGguys.comSheCOMMERCE Website: https://shecommercepodcast.com/Rhea Raj's Website: http://rhearaj.comLara Raj in Katseye: https://www.katseye.world/DISCLAIMER: The content in this podcast episode is provided for general informational purposes only. By listening to our episode, you understand that no information contained in this episode should be construed as advice from CPGGUYS, LLC or the individual author, hosts, or guests, nor is it intended to be a substitute for research on any subject matter. Reference to any specific product or entity does not constitute an endorsement or recommendation by CPGGUYS, LLC. The views expressed by guests are their own and their appearance on the program does not imply an endorsement of them or any entity they represent.CPGGUYS LLC expressly disclaims any and all liability or responsibility for any direct, indirect, incidental, special, consequential or other damages arising out of any individual's use of, reference to, or inability to use this podcast or the information we presented in this podcast.

After making a splash at Cannes, THE CHRONOLOGY OF WATER is finally getting released to theaters around the US. It's a faithful film adaptation of the memoir by Lidia Yuknavitch, and we're joined by both a memoirist and a filmmaker to discuss it all — Roxane Gay (HUNGER, BAD FEMINIST, and much more) and Alain Martin (The Forgotten Occupation). Then we'll name some of our favorite memoir adaptations, and some memoirs we'd like to see adapted to film  What's Good?Alonso - The Hunger: Film Writing 2012-2024 by Melissa AndersonDrea - TasteBuds NYC videosRoxane - Heated Rivalry book seriesAlain - LA trip (for local premiere of The Forgotten Occupation!)Kevin - Buzz Ballz for DreaITIDICGolden Globes 2026 HappenedAlamo Drafthouse Shifting from Pen-and-Paper to Mobile Menu OrderingStaff PicksAlonso - The SwimmerDrea - Sound of FallingAlain - Nouvelle VagueRoxane - HeddaKevin - Cedar Rapids Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

Franco Malki är hjärnan bakom en av Sveriges största bedrägerihärvor. Nu talar han ut. Lyssna på alla avsnitt i Sveriges Radios app. På franska Rivieran glider det runt en man som är känd under många olika identiteter. Somliga känner honom som den bulgariska affärsmannen Stayko Donchev. Han äter på de finaste restaurangerna, får lyxbehandling på casinot i Monaco, bor i en flådig villa i Cannes och kör runt i en blå Ferrari.Men hans riktiga namn är Franco Malki. En kille från Rinkeby, med ett digert brottsregister och som har kommit att bli hjärnan bakom den enorma bedrägerihärvan Operation Casino.En av Sveriges största bedrägerihärvorAllt nystas upp då en man grips på Landvetter med en halv miljon kronor innanför jackan. Det blir startskottet på polisens jakt efter huvudmannen. Spåren leder dem ner till den franska Riveran och mystiska transaktioner på exklusiva casinon. Medverkande:Franco Malki.Richard Hugosson, polis.Jim Rugsten, tulltjänsteman.Emelie Carlström, polis.Maja Kullinger, åklagare.Jale Poljarevius, polis.Thomas Bälter, åklagare.En dokumentär av: Viktor Papini.Producent: Paloma Vangpreecha.Dokumentären är producerad 2026.

El joven autor chileno debuta en el largometraje con una película que mezcla wéstern, melodrama queer y hasta comedia en una historia ambientada en los años 80 en el desierto. Un relato sobre familias elegidas, sobre una comunidad trans bajo la sospecha de contagiar la peste que es también una obra para reflexionar sobre el trauma del sida y la supervivencia de las minorías. 'La misteriosa mirada del flamenco' ganó el premio a mejor película en la sección Un certain regard de Cannes y confirma a Diego Céspedes como uno de los directores a seguir.

He didn't build a luxury brand by doing everything. He built it by doing one thing exceptionally well — consistently. In this episode of The Root of All Success, Jason Duncan sits down with Larry Walshe, founder of This Is Beyond, one of the world's most respected luxury event and design houses. Larry's journey began with £700 and a dining room table, and today his work spans Royal households, global luxury brands, and A-list clients. This conversation goes beyond aesthetics and into the real foundations of sustainable success. Larry shares: • Why focus is the true advantage in luxury and business • How consistency beats talent over the long term • The systems behind scaling a creative business without burnout • Why staying in your lane creates both freedom and profitability • What entrepreneurs misunderstand about “doing more” If you're a founder, creative, or entrepreneur trying to scale without losing your edge — this episode will change how you think about growth, discipline, and freedom.

Bu bölümde Spoiler Serbest'te Aslı Tunç ile Altın Küre sonrası öne çıkan filmleri ve dizileri konuştuk. Cannes'da büyük ilgi gören Sentimental Value (Manevi Değer) neden bu kadar tartışılıyor? Oscar'a yürüyen Marty gerçekten abartılıyor mu? Netflix dizisi The Beast in Me'yi beğendik mi? Bölümün ikinci yarısında ise Cem Yılmaz'ın Netflix'te yayınlanan yeni stand-up gösterisi üzerinden mizahın politikliği, “punch up – punch down” tartışması ve ofansif mizahın sınırlarını ele alıyoruz. Kim gülüyor, kim rahatsız oluyor, mizah nerede konumlanıyor? Sizce Cem Yılmaz bitti mi? İzlediklerimizi, beğendiklerimizi ve itirazlarımızı açık açık konuşuyoruz. Siz de beğendiklerinizi bize yazın. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:48:04 - Affaires sensibles - par : Fabrice Drouelle - Aujourd'hui dans Affaires sensibles, l'assassinat de l'un des hommes politiques les plus brillants et intègres de la 3ème République. L'inoubliable et pourtant oublié ministre de l'Éducation Nationale du Front Populaire à qui l'on doit tant : l'ENA, le festival de Cannes, le CNRS... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The world's most famous Brazilian actor reflects on why he once thought a screen career would be impossible for him, how the 'Elite Squad' films led to him playing Pablo Escobar on 'Narcos,' and how Brazil's Bolsonaro era impacted his career and inspired the film for which he was awarded Cannes' best actor prize and could land an Oscar nom. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's been five years since Donald Trump's failed coup at the U.S. Capitol, the assault on Venezuela might be just the beginning of the president's territorial aggression, and Stephen Colbert's audience size was three times bigger than Trump's when hosting The Kennedy Center Honors. Oscar-winner Jodie Foster recalls covering for her “Taxi Driver” costar when Robert De Niro was too nervous to face the press while promoting the film at Cannes. “A Private Life” opens in theaters on January 16th.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Actor, writer, translator, and founder of Bronx World Film Walter Krochmal joins me to talk about his incredible journey, from studying theater on a scholarship in New England, to performing, translating, and building one of New York's most quietly essential film organizations. We discuss how Bronx World Film was born in the basement of Cannes' Short Film Corner, the post World War II European idea of cinema as a tool for social reconstruction, and why Walter believes true festivals must serve both filmmakers and neighborhood audiences, not the cash grab mentality that's overtaken so many indie fests. In the final segment we dive into two unforgettable film moments: Fellini's LA STRADA, which he calls a paragon of empathy and craft, and the timeless comedy of THE NAKED GUN, where Leslie Nielsen's deadpan genius turns “Nice beaver” into a masterclass in visual timing. Films discussed: LA STRADA (1954) and THE NAKED GUN: FROM THE FILES OF POLICE SQUAD! (1988) Guest links: bronxworldfilm.org and Instagram @bronxworldfilm

The filmmaker Eugene Jarecki (“Why We Fight”, “The Trials of Henry Kissinger”) returns to the podcast with his latest, perhaps most controversial film. Too much of a hot button to get distribution? We’ll have to wait and see. Julian Assange. WikiLeaks. Truth on trial… Eugene Jarecki's groundbreaking Cannes film “The Six Billion Dollar Man” confronts the cost of truth in a world where those in power attempt to control the flow of information itself. WikiLeaks founder Julian Assange battled extradition to the U.S., where he could've faced a lengthy sentence for publishing classified documents. His case, centered on press freedom, took unexpected twists as it unfolded. Coming soon to theaters in the US and Canada. https://www.youtube.com/watch?v=FnNz66Hc-P0

durée : 00:07:08 - Le Masque et la Plume - par : Jérôme Garcin - Le quatrième film de Kleber Mendonça Filho, récompensé par deux prix à Cannes (mise en scène et interprétation masculine pour Wagner Moura), fait débat. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Elle a brillé cette année au festival de Cannes, repartant avec des récompenses pour son travail d'actrice mais aussi de réalisatrice, pour son dernier film «La petite dernière». Dans «La Story», le podcast d'actualité des «Echos», Margaux Boulte reçoit l'actrice et réalisatrice Hafsia Herzi pour parler de sa carrière, et de son cinéma.« La Story » est un podcast des « Echos » présenté par Margaux Boulte. Cet épisode a été enregistré en décembre 2025. Rédaction en chef : Clémence Lemaistre. Invités : Hafsia Herzi (actrice et réalisatrice) et Adrien Gombeaud (journaliste spécialiste du cinéma aux Echos) . Réalisation : Willy Ganne. Chargée de production et d'édition : Clara Grouzis. Musique : Théo Boulenger. Identité graphique : Upian. Photo : Edmond Sadaka/SIPA. Sons : extraits de « La Petite dernière » et de « La graine et le mulet ».Retrouvez l'essentiel de l'actualité économique grâce à notre offre d'abonnement Access : abonnement.lesechos.fr/lastory Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Welcome to Critical Darlings, a new podcast miniseries from Blank Check: A conversation about the awards season conversation, one contender at a time.  On Critical Darlings, critics and Blank Check alumni Richard Lawson and Alison Willmore guide you through the state of the Oscars race, from the precursors, to the campaigns, to the nominees themselves. To get things started, we begin with a discussion of the festival circuit and the curious state of this year's race; where many promising films have floundered upon their public release. Sidebars include the host's Oscar history, watching festival features on no sleep, Brazilian film Twitter, The Oscars on Youtube, Leonardo DiCaprio at Cannes, and Allison's shocking Il Postino experiment.  Critical Darlings is crashing the Blank Check feed every Thursday through the end of Oscar season. Starting next week we'll have video clips to share produced by our friends at Vulture, stay tuned.   Subscribe to Richard's newsletter, Premiere Party, and read Alison's work at Vulture. Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Follow @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or DiscordFor anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy New Year! We're bringing back one of our favorite episodes from the recent past, this conversation with June Squibb, which originally aired in June of 2024. Since then, in 2025, June had the title role in Eleanor the Great, Scarlett Johansson's directorial debut, which premiered at Cannes.June Squibb was born an actor, and had a rich career on stage for years before becoming an on-screen performer in her sixties. It's not your typical trajectory, sure, but then neither is being 94 and carrying your first feature film – which, by the way, is an action comedy. With her new movie THELMA new in theaters this weekend, the singular June Squibb joins us to talk about how the role of Kate in Andrew Payne's NEBRASKA – for which she won an Oscar – reflected her life and shaped her career.Then, Jordan has one quick thing about the 2020s updates to her Vulture ‘Best Queer Horror Movies' List.***With Jordan Crucchiola and June Squibb Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Cette célèbre photo noir et blanc de l'humoriste avec ce slogan "On compte sur vous" qu'on voit refleurir chaque année depuis 35 ans... Cela veut malheureusement dire que des Françaises et des Français continuent à ne pas manger à leur faim. Mais quelle est son histoire ? Nous sommes au Festival de Cannes en mai 1995. Le photographe Gaston Bergeret suit Coluche à la trace pour le photographier... Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête. Un podcast RTL Originals.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Do film festival laurels actually help sell a movie? In this episode, filmmaker and distributor Tom Malloy breaks down how official selections impact audiences versus sales agents, why major festivals like Sundance, Cannes, and Toronto still matter, and when lesser-known festival laurels carry little industry weight. A practical, real-world look at festival strategy for independent filmmakers.

In this episode of Mission Matters, ⁠Adam Torres⁠ interviews ⁠Ian Stevenson⁠, Director & Producer at Bondi Beach Productions, about how to navigate AFM with intention—prepping early, targeting the right buyers, and using networking to advance finished films and projects in development. This interview is part of our AFM 2025 Series. Big thank you to ⁠⁠⁠⁠⁠⁠⁠American Film Market⁠⁠⁠⁠⁠⁠⁠ ! About ⁠Ian Stevenson⁠ With a rugged beginning as an Australian ‘jackaroo' (cowboy), Ian has 20 years of award-winning international experience in scripted and non-scripted television and film, on productions with budgets ranging from $500k-$10M. He has filmed in 20 countries including the deserts of Cairo, the canals of Venice, on top of 18,000 feet Bolivian mountains and deep inside rebel occupied jungles of Belize.  Establishing his own production company, Ian's first program, “Purple Haze”, won awards and sold internationally. He then headed to Cannes to sell films. Since then, Ian has directed, produced and created several prime time, number-one rating TV shows.  His Director skills draw the performance from hosts, actors, reality talent and celebrities (RuPaul, Ashton Kutcher, Kevin Hart, Kristin Chenoweth, Tori Spelling, Tommy Lee, Ludacris, Linda Perry, Mel Gibson). Whether it's shooting a TV Show or Documentary or 35 mm Commercial, Ian, through his creativity, working in a collaborative style, along with his passion for the TV and Film business always delivers a high-quality result of stunning pictures and, engaging and entertaining stories. About ⁠Bondi Beach Productions⁠ Conceived on the shores of Sydney, Australia's historic Aboriginal-named Bondi Beach (“water tumbling over rocks”); Bondi Beach Productions is a multi-award-winning Film and TV production company with offices also in Los Angeles and New York. This interview is part of our AFM 2025 Series. Big thank you to ⁠⁠⁠⁠⁠⁠⁠American Film Market⁠⁠⁠⁠⁠⁠⁠ ! Follow Adam on Instagram at ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/askadamtorres/⁠⁠⁠⁠⁠⁠⁠ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: ⁠⁠⁠⁠⁠⁠⁠https://missionmatters.lpages.co/podcastguest/⁠⁠⁠⁠⁠⁠⁠ Visit our website: ⁠⁠⁠⁠⁠⁠⁠https://missionmatters.com/⁠⁠⁠⁠⁠⁠⁠ More FREE content from Mission Matters here: ⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/missionmattersmedia⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of Mission Matters, Adam Torres interviews Ian Stevenson, Director & Producer at Bondi Beach Productions, about how to navigate AFM with intention—prepping early, targeting the right buyers, and using networking to advance finished films and projects in development. This interview is part of our AFM 2025 Series. Big thank you to ⁠⁠⁠⁠⁠⁠American Film Market⁠⁠⁠⁠⁠⁠ ! About Ian Stevenson With a rugged beginning as an Australian ‘jackaroo' (cowboy), Ian has 20 years of award-winning international experience in scripted and non-scripted television and film, on productions with budgets ranging from $500k-$10M. He has filmed in 20 countries including the deserts of Cairo, the canals of Venice, on top of 18,000 feet Bolivian mountains and deep inside rebel occupied jungles of Belize.  Establishing his own production company, Ian's first program, “Purple Haze”, won awards and sold internationally. He then headed to Cannes to sell films. Since then, Ian has directed, produced and created several prime time, number-one rating TV shows.  His Director skills draw the performance from hosts, actors, reality talent and celebrities (RuPaul, Ashton Kutcher, Kevin Hart, Kristin Chenoweth, Tori Spelling, Tommy Lee, Ludacris, Linda Perry, Mel Gibson). Whether it's shooting a TV Show or Documentary or 35 mm Commercial, Ian, through his creativity, working in a collaborative style, along with his passion for the TV and Film business always delivers a high-quality result of stunning pictures and, engaging and entertaining stories. About Bondi Beach Productions Conceived on the shores of Sydney, Australia's historic Aboriginal-named Bondi Beach (“water tumbling over rocks”); Bondi Beach Productions is a multi-award-winning Film and TV production company with offices also in Los Angeles and New York. This interview is part of our AFM 2025 Series. Big thank you to ⁠⁠⁠⁠⁠⁠American Film Market⁠⁠⁠⁠⁠⁠ ! Follow Adam on Instagram at ⁠⁠⁠⁠⁠⁠https://www.instagram.com/askadamtorres/⁠⁠⁠⁠⁠⁠ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: ⁠⁠⁠⁠⁠⁠https://missionmatters.lpages.co/podcastguest/⁠⁠⁠⁠⁠⁠ Visit our website: ⁠⁠⁠⁠⁠⁠https://missionmatters.com/⁠⁠⁠⁠⁠⁠ More FREE content from Mission Matters here: ⁠⁠⁠⁠⁠⁠https://linktr.ee/missionmattersmedia Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 00:09:55 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - A l'occasion du Festival de Cannes 1980, Michel Piccoli décrit le personnage qu'il joue dans le film de Marco Bellocchio "Le Saut dans le vide". Il réfléchit également sur son métier d'acteur et évoque sa collaboration avec Jean-Luc Godard. - réalisation : Virginie Mourthé - invités : Michel Piccoli Acteur et réalisateur (1925-2020)

We recap the biggest design events of the year with Grace Charlton and Nic Monisse and unpack 2025's travel trends Plus: We meet the CEO of Global Hotel Alliance, Chris Hartley, at ILTM in Cannes.See omnystudio.com/listener for privacy information.

Host GG Hawkins sits down with filmmaker Charlie Polinger to unpack the making of his debut feature, The Plague. Polinger discusses his transition from theater to film, the personal childhood memories that shaped the story, and how embracing chaos—rather than controlling it—became central to his directing process. From casting an electrifying ensemble of young actors to shaping dread through sound design and editing, the conversation explores how specificity, vulnerability, and trust can turn a coming-of-age story into psychological horror. In this episode, No Film School's GG Hawkins and guest discuss… Transitioning from theater directing to feature filmmaking Drawing from childhood memory to create visceral, psychological horror Why a boys' water polo camp became the perfect contained setting Casting and directing a large ensemble of young actors Letting location do the storytelling heavy lifting Embracing chaos on set instead of fighting it Building anxiety through sound design and post-production rhythm Hands-on collaboration in the edit and score development Advice for emerging filmmakers on making work consistently Memorable Quotes: “I just wanted to create a really kind of visceral, subjective, psychological experience of being a 12-year-old boy.” “There's strategy built into the cruelty and the violence and getting away with it—and that felt really ripe cinematically. “The space is sort of like a character in this film.” “The more I put out into the world, the more that the world gave back.” Guest: Charlie Polinger Resources: The Plague EP by Lexi Tannenholtz on Cannes first-timers: A First-Timer's Guide to the Cannes Film Festival Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

Illana Raia's journey to entrepreneurship stemmed from her love of law and her personal experiences with mentorship. Despite loving her career as a mergers and acquisitions lawyer, she took a break to raise her children and later rejoined her firm. Realizing the impact of showing her daughter accomplished women at work, Illana envisioned scaling this experience to benefit other girls. She left her law practice, driven by the idea of creating a platform where girls could meet female leaders, leading to the founding of Etre.  Illana is the founder and CEO of Etre, a membership platform for girls believing that mentors matter as early as middle school. Illana brings girls directly into companies they choose to meet female leaders face to face.  Raia's National Research on the current state of girls confidence in 2022 and 2024 has been featured by Forbes, CBS News, Yahoo Finance, and Nasdaq, and the most recent 2025 research was conducted in partnership with Hello Sunshine and launched at Cannes. Illana is Chair of the International Space Station, US National Lab Education and Workforce Subcommittee.  She serves on the National Girls Collaborative Project Champions Board, and was recently appointed to the Hackensack Meridian School of Medicine Board of Governors. Illana contributes to Forbes Business Council and has authored over 60 articles for Huffington Post, Ms. Matt. Magazine and Thrive Global. Illana was named one of the first 250 entrepreneurs on the Forbes Next 1000 list. An Inc 500 female founder and recognized twice by Fast company's world changing ideas, her award-winning book, Etre Girls Who Do You Want to Be? was released on the day of the Girl, 2019. Her second bestselling book, the Epic Mentor Guide, arrived during Women's History Month 2022. Prior to launching Etre in 2016, Illana was a corporate attorney at Skadden Arps in New York City, and a guest lecturer at Columbia University.  She graduated from Smith College and the University of Chicago Law School.   What You Will Hear in This Episode 02:13 Illana''s Journey: From Law to Entrepreneurship 03:59 Curiosity and Connection: Illana's Driving Forces and Career Shift 06:15 The Birth of Etre: Empowering Girls Through Mentorship 09:20 Scaling Etre: From Local to Global Impact 14:24 Navigating Challenges: Social Media and Confidence 17:37 Etre's Mentorship Program: How It Works 18:58 TED-Ed Club: Empowering Young Girls to Speak 20:02 Connecting Through Social Media and Our Website 24:06 Building a Network of Incredible Mentors 33:04 The Role of Age and Diversity in Our Programs   Quotes " The things you most enjoy, the things that bring you the greatest amount of, of reward and joy are things you cannot do with a phone in your hand, whether that is swimming or surfing or skating or painting.  Playing your sport, writing your next short story, the thing you love to do is probably better done without a phone in your hand. " " I believe in the power of the cold email or the cold DM with all my heart,  I'm stunned every day by the women who say yes to a conversation or answering a question by email because it's for the next generation. " Never underestimate the, impact that 10 minutes of your time is gonna have on that next future engineer, future leader, future founder."   Mentioned etregrils.com   eConnect with Bonnie Substack Newsletter: Own Your Ambition Gendered Ageism Survey Results Forbes article 5 Tips to own the superpower of your age IAMMusicGroup   Purchase my book Not Done Yet on Amazon:    If you enjoyed this episode of Badass Women Podcast, then make sure to subscribe to the podcast and drop us a five-star review  

As the curtain closes on 2025, the marketing and advertising landscape looks fundamentally different from what it did 12 months ago. It was a year where “impossible” comebacks became reality — led by the butter-soaked resurgence of Red Lobster — and where the “creative agency of record” model was tested by bold new partnerships such as JCPenney and Mischief.In this special year-end wrap-up, the Campaign US editorial team dives deep into the stories that moved the needle. From the legal battles over AI in Hollywood to the investigative ripples caused by the Cannes awards fallout, we examine the moments that sparked debate in the C-suite and the Slack channels alike. We also take a hard look at the evolving creator economy, the shifting value of industry awards and the resilience of the workforce amidst a year of significant layoffs. The sound bite"2026 is going to be a busy year."The articlesThe Social Skinny: Disney, Universal become first Hollywood giants to file AIFrom a popular CEO to viral seafood boils: The story behind Red Lobster's biz comebackIn the post-bankruptcy chapter of its story, JCPenney names Mischief as its new creative agencyHavas and World Vision's Lessons of Shame under scrutiny after Cannes Lions winOmnicom completes acquisition of IPG, creating world's largest ad holding company‘Tracking Bad Bunny' team hopes Grand Prix win inspires people to find Puerto RicoREVEALED: The most-awarded brands, campaigns and agencies across the worldZulu Alpha Kilo's new promo, even hardened criminals draw the line at fake case studiesAnomaly's parody-style ‘Greatest Hits' ad to woo intern applicants is a bangerInside the creator economy's late payment crisisIn new Sweethearts campaign, till death do us part no longer holds weightCampaign US unveils new editorial team under leadership of Luz CoronaThe takeawaysAI's impact on the entertainment industry is significant.Red Lobster's comeback highlights the power of marketing on the bottom line.JCPenney's partnership with Mischief signifies a new direction in bold partnerships.Controversies surrounding awards are reshaping industry standards.Creators are increasingly taking control of their narratives.The importance of ethical practices in advertising is growing.Self-deprecating humor in ads resonates with audiences.2026 promises to be another transformative year for the industry. campaignlive.com Music - Take you Out by Lucid Tides, courtesy of Triple Scoop. What we know about advertising, you should know about advertising. Start your 1-month FREE trial to Campaign US. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Mel Mah was born and raised in Toronto, and she moved to Los Angeles in 2011 to pursue a professional dance career. During her time as a performer, she had the privilege of working with top artists such as Janet Jackson, Britney Spears, Justin Bieber, and Kanye West. In 2017, Mel has now transitioned into filmmaking and she's pursuing her passion as a writer, director and producer. She's created 6 short films which has screened at festivals such as Cannes, the LA Asian Pacific Film Festival and the Cleveland International Film Festival, and she was anassociate producer on Sony's BIG GEORGE FOREMAN (2023).Mel is also a passionate yoga and meditation teacher, and she's been teaching since 2012. She has her 200 hour certification in Vinyasa Yoga from CorePower Yoga, her 200 hour certification in Hot Power Fusion from CorePower Yoga, and an additional 500 hour certification in Tantric Hatha Yoga from The Practice Bali. Mel currently teaches for the mindfulness app Calm where she produces, writes, and hosts a show called the Daily Move. Her mindfulness videos have garnered over 1 million views and she was also featured on THE TODAY SHOW for her work onCalm (watch video here). In addition, she's the founder and director of an empowerment company called ANVITA (https://anvitacommunity.com). Anvita's mission is to help others cultivate their authentic voices and uncover their purpose through mindfulness. With Anvita, she facilitates online coaching programs, retreats, mentorships, and community events for individuals all around the world.Support the show

Our LIVE reactions to the YouTube Oscars Move comes in the final moments of this episode. Otherwise, we enjoy a full film study and Oscars Profile Review of Jafar Panahi's It Was Just An Accident, winner of the Palme D'or at Cannes, 3 Gotham awards and 4 Golden Globe nominations. NON-SPOILER REVIEW OF IT WAS JUST AN ACCIDENT: Reception & Awards Profile - 3:25 Jafar Panahi's History of Heroism - 9:54 General Composition Thoughts - 14:48 Review of the Performances & Political Risk To All Involved - 20:49 Review of the Production Values - 27:49 Oscar Lens - 31:39 Spoiler Warning - 33:50 SPOILER FILLED REVIEW That Ending - 34:49 Themes - 40:19 Plot Highs & Lows - 42:52 Final Grades & Final Thoughts - 52:44 The Oscars move to YouTube: we react LIVE! during our recording - 56:54 OUTRO: If you're enjoying our show, please like & subscribe, rate & review, and tell people about our show. As always, thank you all for listening and for this support. Stay tuned for upcoming episodes of our News & Awards Season analysis show - Oscar Race Checkpoint - available on the same feed, and we otherwise look forward to several year end specials featuring some returning guests. https://linktr.ee/mikemikeandoscar

Episode 193 - Testimony Series: Second Chances and God's Timing - with Julie Korogodon This episode is part of our December testimony series. Julie Korogodon shares about a disappointing experience pitching to Hollywood agents. After God provided an opportunity to pitch to one of the same agents, she was surprised at an enthusiastic response. Julie emphasizes her faith and how God worked through her disappointment to bring about this new opportunity. She reflects on the importance of trusting in God's timing, even in the face of potential rejections.Bio:Julie Korogodon started her artistic journey acting in theatre, eventually founding Way Theatre Artists, a dramaturg-driven company producing critically acclaimed shows with a focus on increasing community engagement. She completed a Graduate Certificate in Writing for TV at UCLA's School for Theatre, Film & Television - Professional Programs Division. Prior to UCLA, she earned a Graduate Certificate from Dallas Theological Seminary and has been active in various ministries including teaching children and volunteering in urban outreach. As a member of Story Summit Julie develops her feature screenwriting projects. Her writing aims to magnify the complexities of humanity, drawing people closer to one other, leading to positive change, both personal and societal. It has placed as semifinalist and finalist in Slamdance, World Film Festival in Cannes and other competitions. Julie lives with her husband and son in northern NJ and works in healthcare analytics and strategy.www.juliekorogodon.comhttps://www.instagram.com/juliekorogodonFAFF Association Online Meetups: https://faffassociation.com/#faff-meetingsVIP Producers Mentorship Program https://www.faffassociation.com/vip-producers-mentorship Jaclyn's Book - In the Beginning, Middle and End: A Screenwriter's Observations of LIfe, Character, and God: https://www.amazon.com/dp/B0D9R7XS9VThe Faith & Family Filmmakers podcast helps filmmakers who share a Christian worldview stay in touch, informed, and inspired. Releasing new episodes every week, we interview experts from varying fields of filmmaking; from screenwriters, actors, directors, and producers, to film scorers, talent agents, and distributors. It is produced and hosted by Geoffrey Whitt and Jaclyn Whitt , and is brought to you by the Faith & Family Filmmakers Association Support Faith & Family Filmmakers Our mission is to help filmmakers who share a Christian Worldview stay in touch, informed, and inspired. If you would like to assist with the costs of producing this podcast, you can help by leaving a tip.Get Email Notifications Enter the Faith & Family Screenwriting Awards festival Faith and Family Screenwriting Academy: https://www.faffassociation.com/Script Notes and Coaching:

durée : 00:03:20 - Le Regard culturel - par : Lucile Commeaux - Le film multi-primé à Cannes du réalisateur Kleber Mendonça Filho est une merveille : romanesque et clivé, bourré de cinéma, il suit un homme normal et profondément aimable évoluer dans une situation violente et anormale.

Legendary director Mira Nair and Cannes-winner Ritesh Batra made two very different hit films about very different sides of India's fabled food delivery system. Batra tells Rico about the romance of dabbawallas, while Nair remembers the mean streets of Mumbai's chaiwallas (and what she serves her son Zohran Mamdani at home).Just in time for holiday eat-a-thons, the award-winning MUBI Podcast is back and celebrating its tenth season with a four-course serving of stories about food on film. Titled "A Feast For The Eyes," the season digs into the ways filmmakers use food to provoke hunger, thought, nausea, political action...and sometimes all the above.Joining host Rico Gagliano is a sampler platter of luminaries from the film and culinary world, including directors Brad Bird (RATATOUILLE), Mira Nair (MONSOON WEDDING), and David Gelb (JIRO DREAMS OF SUSHI), former New York Times food writer Alison Roman, and more. Gluttons for great cinema stories can start chowing down on episodes weekly, starting Thanksgiving Day.Let's Eat! Food and Film collection is now streaming on MUBI globally.THE LUNCHBOX is now streaming on MUBI in the UK, Ireland, Australia, Latin America and Netherlands. To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

Diane Kruger is a German actress known for her verticality in roles and languages, from Hollywood blockbusters like "Troy" and "National Treasure," to Tarantino's "Inglourious Basterds" and international gems like "In the Fade," for which she won Best Actress at Cannes. Currently she stars in two television series, "The Seduction," a French-language period drama for HBO MAX, in which she plays Madame de Rosemonde, and "Little Disasters," a psychological thriller for Paramount+ where she plays a complex, fiercely devoted new mother whose world collapses around her. On this episode, she gives us a peek inside her acting process and the ingredients in the "sauce" that help her do her work, like why she's not fond of rehearsal, the importance of trust and collaboration, how a detailed backstory helps her, why she wouldn't want to play the same character for dozens of episodes, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

This month on Unpacked, we're diving into Afar's just-released ⁠Where to Go list⁠—but this year's picks are different. In 2026, we want to lessen the burden on overtouristed destinations and expand visitation to other parts of the world. Our editors carefully selected 24 emerging regions and overlooked locales that will inspire your next great adventure. For Menton, that means looking beyond Cannes and Nice to discover a quieter corner of the French Riviera—one with candy-colored buildings, a three-Michelin-starred restaurant, and lemons so sweet you can eat them like apples. In this episode, host Aislyn Greene talks with Jenn Rice, a food and travel writer who fell hard for Menton after a birthday dinner at Mirazur. Jenn shares why this town of 30,000—perched where France meets Italy—deserves a spot on your list. From a subtropical microclimate that produces IGP-protected citrus to affordable hotels with sea views and a culinary scene shaped by one very busy chef, Menton offers all the glamour of the Riviera without the flash. Plan Your Menton Getaway (First, explore our France travel guide.) Stay —Book a room at Hotel Napoléon, right across from the sea and walking distance to old town—rooms with terrace patios and views of the candy-colored buildings start around $200/night even in summer —Check out the newly renovated Villa Genesis, an older villa refurbished by Hotel Napoléon —Try Hotel Gabriel, a newly renovated boutique option with a more modern, hip vibe Eat and Drink —Splurge on dinner at Le Mirazur, the three-Michelin-starred restaurant from chef Mauro Colagreco—it starts with a tour of his garden overlooking the sea and mountains, and yes, you'll eat a lemon like an apple —Pick up sandwiches, lemon cake, and the famous lemon panettone (in season) at Mitron Bakery in old town, which uses the same artisanal ancient grains as Mirazur —Try the lemon pizza at La Pecoranegra, Colagreco's pizzeria focused on quality ingredients —For something unexpected, visit Colagreco's Argentinian steakhouse, Casa Fuego, down the street See and Do —Wander the old town, where candy-colored buildings tumble toward the sea in a scene reminiscent of the Italian Cinque Terre —Stroll the brand-new promenade along the waterfront —Hop on the train to Nice, Cannes, or other Riviera destinations—Menton makes a great, affordable home base Resources • Follow Jenn's work on Instagram • Visit Jenn's website • Explore all 24 destinations on Afar's Where to Go in 2026 list • Follow us on Instagram: @afarmedia Listen to All the Episodes in our Where to Go 2026 Series E1: T⁠⁠⁠⁠his Island in the Bahamas Promises Pink Sand, Historic Hideaways, and Perfect Solitude ⁠⁠⁠⁠ E2: ⁠⁠⁠⁠Why Peru's Second City Might Be Its Best-Kept Secret⁠⁠⁠ E3: ⁠⁠⁠The New 170-Mile Hiking Network Connecting Stockholm's Dreamy Archipelago⁠⁠⁠ E4: ⁠Route 66 Turns 100—and Albuquerque Is Ready to Celebrate ⁠ E5: Why Morocco's Chill Capital Deserves Your Attention E6: Three Hours From Nashville, the South's Next Great Food Capital Is Waiting E7: The French Riviera's Last Stop Before Italy—and Its Best-Kept Secret (this one!) Stay Connected Sign up for our podcast newsletter, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Behind the Mic⁠⁠⁠⁠⁠, where we share upcoming news and behind-the-scenes details of each episode.  Explore our other podcasts, ⁠⁠View From Afar⁠⁠, about the people and companies shaping the future of travel, and⁠⁠ ⁠Travel Tales⁠⁠⁠⁠⁠, which celebrates first-person narratives about the way travel changes us. Unpacked by Afar is part of⁠⁠ ⁠⁠⁠Airwave Media⁠⁠⁠⁠⁠'s podcast network. Please contact ⁠⁠⁠advertising@airwavemedia.com⁠⁠⁠ if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Aliia Roza is a former secret agent turned women's empowerment coach, public speaker, and influencer with over 1 million followers on Instagram who specialized in seduction and psychological manipulation to dismantle human and drug trafficking networks for the Russian government. Born in Karaganda, Kazakh SSR, in the former USSR to a distinguished Kazakh-Tatar military family, father Colonel Timerbulat Roza of the KGB 1st Chief Directorate (retired FSB general-lieutenant), mother Gulnara Roza daughter of Red Army Colonel Khasan Timerbulatov (Order of the Red Banner, Berlin 1945); she was rigorously trained under a state program for officers' children in martial arts and psychological conditioning, later graduating from Russia's Military Academy of Internal Affairs and earning a master's in fashion from London's Istituto Marangoni plus certification in human sexuality from Kinsey University. Selected for elite KGB-style training, Roza infiltrated criminal rings to rescue underage girls from sex trafficking; during one mission she was abducted and beaten by gang members but rescued by a target who had fallen in love with her, prompting her final operation, witness-protection status, defection from Russia, identity change, and relocation to Europe. Since 2018 an ambassador for London's Best Beginnings Charity (endorsed by the British Royal Family and personally introduced to Queen Elizabeth II and King Charles III), Roza founded the Roza Club, organizing 30+ humanitarian events backed by Cartier, Rolls Royce, Damiani, Roberto Cavalli, and House of Garrard to aid underprivileged women and children in London and Paris. A 2017 Miss Asia International Beauty crowned by Sushmita Sen, she earned Forbes Woman Empowerment recognition at Cannes and Venice Film Festivals (2019, 2022) and speaks at the United Nations and World Changers Summit in Vatican City. She co-hosts the podcast To Die For with Neil Strauss, has signed with Topic Studios for a life documentary, and is writing a book exposing KGB spy techniques to help readers spot manipulation in relationships and daily life; her column “How to Dress Like a Spy” translates espionage confidence into practical fashion and self-empowerment advice for women. Shawn Ryan Show Sponsors: Get $10 Off @BRUNT with code SRS at https://bruntworkwear.com/SRS #BRUNTpod Head to https://lumen.me/SRS for 15% off your purchase. Ready to upgrade your eyewear? Check them out at https://roka.com and use code SRS for 20% off sitewide. Go to https://helixsleep.com/srs for 20% Off Sitewide Aliia Roza Links: Book Preorder - https://www.rozaclub.com/spybook IG - https://www.instagram.com/aliiaroza YT - https://www.youtube.com/channel/UCOlgX-RrnrBsbWpNhkGtd9w LI - https://www.linkedin.com/in/aliia-roza-17710a39 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Anthony Ashley-Cooper, 66 ans, comte de Shaftesbury, membre de la chambre des Lords. A l'automne 2004, il disparaît à Cannes. L'enquête va se rapprocher du monde des escort girls et des bars à hôtesses. Le richissime aristocrate venait y noyer sa solitude. Des femmes, dont une particulièrement, vont attirer l'attention. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Anthony Ashley-Cooper, 66 ans, comte de Shaftesbury, membre de la chambre des Lords. A l'automne 2004, il disparaît à Cannes. L'enquête va se rapprocher du monde des escort girls et des bars à hôtesses. Le richissime aristocrate venait y noyer sa solitude. Des femmes, dont une particulièrement, vont attirer l'attention. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Ex-NYTimes columnist and bestselling cookbook writer Alison Roman (SOMETHING FROM NOTHING) talks with Rico about the tropes of fictional film chefs, and how the dreamy Cannes-winner THE TASTE OF THINGS quietly roasts them over a spit.Just in time for holiday eat-a-thons, the award-winning MUBI Podcast is back and celebrating its tenth season with a four-course serving of stories about food on film. Titled "A Feast For The Eyes," the season digs into the ways filmmakers use food to provoke hunger, thought, nausea, political action...and sometimes all the above.Joining host Rico Gagliano is a sampler platter of luminaries from the film and culinary world, including directors Brad Bird (RATATOUILLE), Mira Nair (MONSOON WEDDING), and David Gelb (JIRO DREAMS OF SUSHI), former New York Times food writer Alison Roman, and more. Gluttons for great cinema stories can start chowing down on episodes weekly, starting Thanksgiving Day.Let's Eat! Food and Film collection is now streaming on MUBI globally.PHANTOM THREAD is now streaming on MUBI in the UK, Ireland, Germany, Italy, France, Netherlands, Latin America, India and Turkey. THE TASTE OF THINGS is now streaming on MUBI in AustraliaTo stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

En este episodio, con Adolfo Margulis, director de cine, me contó cómo fue su proceso de rehabilitación ante una adicción a las drogas, ¿las adicciones se convierten en una estrategia para no sentir?, el momento exacto en el que tocó fondo, cómo fue todo el proceso de recuperación, las recaídas: qué significan realmente y cómo navegar la culpa, las señales tempranas que casi tod@s ignoramos antes de caer en un patrón adictivo, la historia detrás de “Spiritum” el cortometraje que lo llevó a los Cannes y la importancia de hablar sin tabú del consumo, la salud mental y el dolor humano. ¡Cuéntame en los comentarios qué te pareció el episodio! Hosted on Acast. See acast.com/privacy for more information.