Podcast appearances and mentions of Werner Herzog

WHO SHOT HANK : A Death By DVD New Year Murder MysteryOn December 31st at 11:59 PM The host of Death By DVD was murdered live on the airHEAR NOW THE INVESTIGATION THAT ROCKED THE NATION! WHO SHOT HANK!? An all original Death By DVD murder mystery, starring DEATH BY DVD! Haven't heard the murder? No worries. Just click here HEAR A Death By DVD New Years Mystery NOW : CLICK HERE Cast :Gary Oldman as Harry Scott SullivanHelen Mirren as Merrie SparrowSeth MacFarlane as Lt Magelli Oprah Winfrey as Mysterious CallerBrandon The Announcer as The Announcer The Death By DVD SENTINEL remix theme by LINUS FITNESS-CENTRE

Am 29. Dezember war Rainer Klausmann zu Gast im Filmpodium im Rahmen der Werner Herzog Filmreihe. Michel Bodmer führte ein angeregtes Interview mit dem Kameramann, der unter anderem Kamera führte bei zahlreichen Filmen von Werner Herzog, Markus Imboden, Doris Dörrie und Fatih Akın.

A late night talk show takes place in the stomach of an obnoxious nine-year-old. Ted and Michael share their favorite holiday traditions. A new product provides support for…some people's most intimate of areas. Werner Herzog is back! And he's very sleepy. ~*~ Credits: "Late Night in Billly's Stomach" Announcer/V.O.: Aneesa Folds Spearmint: Michael Smith Waxy: Ted O'Gorman Bubbilicious: James Monroe Igleheart Powdered Donut Hole: April Sickler "Ted and Michael Holidays" Ted O'Gorman Michael Smith Gillian Pensavalle "Sag Bag" V.O.: Michael Smith Guy 1: Ted O'Gorman Woman: Gillian Pensavalle Guy 2: Eddy Lee Guy 3: Andrew Bancroft Guy 4: James Monroe Igleheart "Werner's Fever Dreams" Werner: Ted O'Gorman Zahn: Michael Smith Nazi Ned: Patrick McCartney ~*~ This show was produced by Jenson Neal, Gillian Pensavalle, Michael Smith, and Mischief Media. It was edited and sound engineered by Audio Muses. Follow us on Twitter for the latest updates and outtakes, and don't forget to check out our merch on MischiefMerch.com! Ted and Michael Read Sketches Into Microphones is a member of the Mischief Media network. 

Many of you are familiar with Werner Herzog's acclaimed documentary 'Grizzly Man', which tells the story of the late Timothy Treadwell. Treadwell was a bear enthusiast, environmentalist and documentary filmmaker who lost his life while living among and documenting coastal brown bears. But what happened to the film that Treadwell was making? That footage is now being released as 'Diary of The Grizzly Man', a three-hour mini-series produced by my Geekscape guests Erik Nelson and Jewel Palovak, the producers of Werner Herzog's acclaimed documentary. This new three-hour mini-series comes out on January 11th and is crafted from Treadwell's 13 years of material. It takes us deep inside the unfolding dramas and life and death struggles of the Alaskan animals he devoted his life to protecting and understanding. We also eulogize the late greats Sidney Poitier, Bob Saget and Peter Bogdanovich. Subscribe to Geekscape on Apple Podcasts! Follow Jonathan on Twitter and Instagram!Join the Geekscape Forever Facebook Group!Visit Geekscape.net for more Geekscape goodness! This podcast is powered by Pinecast.

Unlocking the third of Rob and Andrew's ongoing movie series because the fourth installment (on the 1997 and 2007 editions of Funny Games) is going to be the next bonus episode. If you like this you can subscribe to our Patreon to hear more. More movie content coming v soon... Andrew and I watched Werner Herzog's 1979 movie Nosferatu the Vampyre to learn how to become insane German men. Follow Andrew on Twitter he talks about sports and movies: https://twitter.com/red_whiteandrew The Renfield character we were talking about is played by Roland Topor: https://en.wikipedia.org/wiki/Roland_Topor Herzog on speaking French: https://www.youtube.com/watch?v=6pY-0JfEdLY Herzog on the jungle: https://www.youtube.com/watch?v=3xQyQnXrLb0 Music is from the movie's soundtrack: https://www.youtube.com/watch?v=OLiBkEhs2QE HOW TO SUPPORT US: https://www.patreon.com/cornerspaeti HOW TO REACH US: Corner Späti https://twitter.com/cornerspaeti Julia https://twitter.com/KMarxiana Rob https://twitter.com/leninkraft Nick https://twitter.com/sternburgpapi Ciarán https://twitter.com/CiaranDold

On the last episode of Death By DVD the beloved host of the show, Hank The Worlds Greatest was murdered while doing a LIVE New Years Eve Countdown. THE MYSTERY BEGINS! WHO SHOT HANK!? Listen now to this trailer that explores the murder mystery that will be coming soon to Death By DVD, WINTER 2022 HEAR A Death By DVD New Years Mystery NOW : CLICK HERE The Death By DVD SENTINEL remix theme by LINUS FITNESS-CENTRE

Sean Illing talks with historian Jill Lepore about her new podcast: The Evening Rocket explores Elon Musk and the new form of extravagant, extreme capitalism — which Lepore dubs "Muskism" — that he has ushered in. They discuss the formative role played by science fiction stories, why the super-wealthy are drawn to space travel, and why, according to Lepore, Elon Musk is not much of a futurist after all. Host: Sean Illing (@seanilling), Interviews Writer, Vox Guest: Jill Lepore, podcast host; professor, Harvard University References:  • Elon Musk: The Evening Rocket by Jill Lepore (Pushkin/BBC; Nov. 2021) • Lo and Behold, Reveries of the Connected World, dir. Werner Herzog (2016) • The Mars Trilogy (Red Mars, Green Mars, Blue Mars) by Kim Stanley Robinson (Del Ray; 1992, 1993, 1996; re-issue 2021) • Technocracy Digest issues on the Internet Archive • "Science Fiction and Mrs. Brown" by Ursula K. Le Guin (1976) • Elon Musk on The Late Show with Stephen Colbert (Sept. 10, 2015) • Elon Musk's Neuralink demonstration (Aug. 28, 2020) • "Newt Gingrich trying to sell Trump on a cheap moon plan" by Bryan Bender (Politico; Aug. 19, 2019) Enjoyed this episode? Rate Vox Conversations  and leave a review on Apple Podcasts. Subscribe for free. Be the first to hear the next episode of Vox Conversations by subscribing in your favorite podcast app. Support Vox Conversations by making a financial contribution to Vox! bit.ly/givepodcasts This episode was made by:  • Producer: Erikk Geannikis • Editor: Amy Drozdowska • Engineer: Paul Robert Mounsey • Deputy Editorial Director, Vox Talk: Amber Hall • Vox Audio Fellow: Victoria Dominguez Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

HAPPY NEW YEAR! Count down the new year with your favorite film podcast, Death By DVD! Recorded LIVE in front of a DEAD studio audience, this new years special will BLOW YOUR MIND! Get the champagne ready and make sure your confetti is in hand, because the end of this episode will be just like when the ball drops in New York City! The Death By DVD SENTINEL remix theme by LINUS FITNESS-CENTRE

durée : 00:53:44 - Affaires sensibles - par : Fabrice Drouelle, Christophe Barreyre - Le réalisateur allemand et son acteur fétiche Klaus Kinski, deux hommes à la forte personnalité ombrageuse et passionnée. Une relation houleuse, à coup de « je t'aime moins non plus », qui participe largement à la légende de ces tournages - réalisé par : Stéphane COSME, Flora BERNARD, Marion Le Lay

Lets hear those sleigh bells jingling ring-ting-tingaling...something..something..Ahem, enough of that! It's time for the DEATH BY DVD CHRISTMAS SPECIAL! We all know the classic "Twas the night before Christmas" which is actually titled "A Visit From St. Nicholas", possibly, maybe written by Clement Clarke Moore BUT do you know the Death By DVD version? Of course not, BUT YOU KNOW YOU WANT TO! Listen now and get into that holly jolly spirit, filled with FRIGHT! Perfect for Christmas Eve! The Death By DVD SENTINEL remix theme by LINUS FITNESS-CENTRE

In this Christmas episode, Jay Hunter proclaims his devotion to the legendary film director and the Santa Claus of cinema, WERNER HERZOG. Jay recollects his life-changing run-ins with the Master and we passionately analyze Aguirre,The Wrath of God (1972), My Best Fiend (1999) and Little Dieter Needs to Fly (1997). Episode Links: Joe's Patreon Mr. Owl's Website

A Heavy Metaphor: Werner Herzog's Fitzcarraldo On this week's episode, Ibrahim & I look at a controversial and divisive film, Werner Herzog's Fitzcarraldo ( 1982). Herzog has proven himself a true artist and poet of Cinema. The notorious and infamous actions of his filmmaking history are well known. Irresponsible filmmaking or the Dogged Determination of an artist unwilling to compromise? The question is an important one to ask. In no other film that I have watched have I felt the overwhelming sense of danger and awe that must have been palpable on the set of Herzog's 1982. From losing two major actors, through cast and crew rebellion, violence directed at the production and crew, and - finally - the often violently contentious relationship between Herzog and his (six time) leading man, Klaus Kinski, the debate on responsible filmmaking is unmatched in the modern-era of filmmaking. With a demanding eye rivaling Fritz Lang and Erich von Stroheim, with Fitzcarraldo, Herzog certainly made a name for himself in the history of cinematic visionaries. Take a listen as we debate the merits of Herzog, Kinski, and the production. We think you'll find it interesting. Many Thanks.  Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. 

Your favorite part of Death By DVD is now an entire show! This episode highlights the wild wacky and down right weird commercials that accompany each Death By DVD episode, 2021 edition The Death By DVD SENTINEL remix theme by LINUS FITNESS-CENTRE

Katie Chonacas talks energetically about acting, performing, directing, producing, podcasting, and working in music and voiceover in Los Angeles and elsewhere around the United States. We get into the intensity of life as a prolific guest star in drama series such as Cold Case and CSI, and comedies like It's Always Sunny in Philadelphia, as well as playing supporting roles in films including Bad Lieutenant: Port of Call New Orleans and working with director Werner Herzog and actor Nicolas Cage. We also talk about Katie's podcast She's All Over the Place and her relationships with collaborators and support teams. There is a lot to learn from Katie's experience and enthusiasm which bursts through the audio. Please subscribe and give this show a good rating wherever you're accessing it, and recommend it to a friend! Recorded on 4 November 2021 with Zoom. Edited by Paula Blair with Audacity. Music: commonGround by airtone (c) copyright 2018 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/airtone/58703 https://www.chonacas.com https://podcast.chonacas.com Katie and Paula connected via https://www.matchmaker.fm/

Original Air Date: Monday 6 December, 9 pm EasternDescription:Your friends in podcasting (AND broadcasting!) have quite the week to discuss! As the holidays approach, and Covid-19 dashes Dean's travel plans, Awards Season in Hollywood gets underway. The National Board of Review and the New York Film Critics Circle announced their winners of the best in cinema for 2021, and a consensus has begun to form through critics Top Ten lists about the best of the year in television. Dean and Phil discuss it all. They also try to make sense of the latest in the accidental shooting on the set of "Rust". A whole lot of classic films get discussed, including which films may have best depicted what life in America was really like in the mid-1980's. A new documentary series about The Beatles from Peter Jackson gets reviewed and four actors and a musician get remembered in our penultimate installment of "Celebrity Deaths" for 2021. If nothing else, you will learn that the movie Beau Geste is NOT the movie Gunga Din and director Wim Wenders is NOT director Werner Herzog

Sean Illing talks with historian Jill Lepore about her new podcast: The Evening Rocket explores Elon Musk and the new form of extravagant, extreme capitalism — which Lepore dubs "Muskism" — that he has ushered in. They discuss the formative role played by science fiction stories, why the super-wealthy are drawn to space travel, and why, according to Lepore, Elon Musk is not much of a futurist after all. Host: Sean Illing (@seanilling), Interviews Writer, Vox Guest: Jill Lepore, podcast host; professor, Harvard University References:  Elon Musk: The Evening Rocket by Jill Lepore (Pushkin/BBC; Nov. 2021) Lo and Behold, Reveries of the Connected World, dir. Werner Herzog (2016) The Mars Trilogy (Red Mars, Green Mars, Blue Mars) by Kim Stanley Robinson (Del Ray; 1992, 1993, 1996; re-issue 2021) Technocracy Digest issues on the Internet Archive "Science Fiction and Mrs. Brown" by Ursula K. Le Guin (1976) Elon Musk on The Late Show with Stephen Colbert (Sept. 10, 2015) Elon Musk's Neuralink demonstration (Aug. 28, 2020) "Newt Gingrich trying to sell Trump on a cheap moon plan" by Bryan Bender (Politico; Aug. 19, 2019) Enjoyed this episode? Rate Vox Conversations ⭐⭐⭐⭐⭐ and leave a review on Apple Podcasts. Subscribe for free. Be the first to hear the next episode of Vox Conversations by subscribing in your favorite podcast app. Support Vox Conversations by making a financial contribution to Vox! bit.ly/givepodcasts This episode was made by:  Producer: Erikk Geannikis Editor: Amy Drozdowska Engineer: Paul Robert Mounsey Deputy Editorial Director, Vox Talk: Amber Hall Vox Audio Fellow: Victoria Dominguez Learn more about your ad choices. Visit podcastchoices.com/adchoices

Der Film "Cobra Verde" ist die fünfte und letzte Zusammenarbeit des Regisseurs Werner Herzog mit dem Schauspieler Klaus Kinski. "Ein schmutziges Stück Männerphantasie geritten auf der Mähre Kinski", meinte Hellmuth Karasek im "Spiegel". Doch eigentlich ging es immer weniger um den Film, sondern um Herzog und Kinski.

Are you ready for it? This week Heather and Ramsey face down the Snakes on a Plane soundtrack that could only be called Snakes on a Plane: The Album! C'mon, bring it! Discover bonus eps, merch and more on our Patreon! This week: We make a new Brooklyn friend! Ramsey remembers a lot of details about this movie! And an appearance from Werner Herzog! All this and so much MORE! Wanna get a shout-out on a future episode? Give us a rating on iTunes! It helps us, and it helps you feel good about yourself!

Si tienes alrededor de los 50 te invito a pasarlo bien con un ejercicio de nostalgia. Te propongo pasar un rato de vuelta en los 70 tardíos y los 80 de la mano de "Typical spanish" y compartir un par de reflexiones juntos. Las voces que nos transportan al pasado son: - Patricia Alvarado. Corresponsal mexicana en España. - William Chislett. Investigador del instituto Elcano. - Werner Herzog. Corresponsal suizo. - Justo Maffeo. Corresponsal italiano. - Masako Ishibashi. Maestra de Ikebana. - Michael Robinson. Exfutbolista. Este audio es parte de un programa publicado originalmente en @youtube al contener imágenes del episodio "Typical spanish" de RTVE. #elvorticeradio #vortice #historia Si te gusta nuestra información SUSCRíBETE a nuestros canales y dale al «me gusta», es la única forma de ganar visibilidad. 🎙 Únete al canal de telegram. https://t.me/elVortice 🌪 Página web. https://www.elvortice radio.com 💊 El podcast Ivoox. podcast de El Vórtice 📘 Facebook. https://m.facebook.com/elvorticeradio/ * Patrocina El Vórtice a través de: [https://paypal.me/ElVorticeRadio] * Gracias a Librefm por su ayuda. Escucha Librefm en [http://librefm.es/] * Gracias a tod@s los que de una forma u otra hacéis posible El Vórtice. * El video intro gracias a Rubén Peri en: [rubenperi@hotmail.com] «»Moriremos como siempre, por ignorancia. Lo que más jode es que moriremos a miles no por nuestra ignorancia de la naturaleza, sino por la ignorancia hacia la maldad de la naturaleza de unos pocos que se llaman representantes de la sociedad«» – Oyente del Vórtice.

Journey down the amazon river with the brunch boys, as we get political while discussing Werner Herzog's masterpiece Aguirre.

“If it was necessary to climb down into hell and wrestle a film out of the claws of the devil,” Werner Herzog once said, “I would do so.” If it was necessary. In FITZCARRALDO, a man whose dream to host opera in the jungle leads him to risk and lose indigenous lives on a harebrained scheme to drag a boat over a mountain – all so he can steal natural resources to fund his manic vision. Its production, including the real-life towing of a real-life boat over a real-life mountain in Peru, was similarly plagued by injury, death, and exploitation. Herzog's biggest movie makes you feel like you're falling into a trap. Can the value of a dream realized outweigh the cost of realizing it? No. The answer's no. That's why FITZCARRALDO can be hard to swallow: It's a monumental Movie-movie about the persistence of the human spirit that is itself an example of how the products of pointless dreams – fame, riches, opera in the jungle, a movie about fame and riches and opera in the jungle – crumble in comparison to the sacrifices made to realize them. In this episode, we discuss how we feel FITZCARRALDO's hubris, imperialist undercurrents, and literal loss of life (both on-screen and behind the camera) all but rob the movie of its essential point and reason for being. Resources “Making Films, Taking Lives: How the Present Looms Large in Herzog's Fitzcarraldo” by Chris Polley for Perisphere, the Trylon blog: https://www.perisphere.org/2021/11/16/making-films-taking-lives-how-the-present-looms-large-in-herzogs-fitzcarraldo/ Werner Herzog promoting FITZCARRALDO on Late Night with David Letterman, October 11, 1982: https://www.youtube.com/watch?v=ruY1FrVW9KE Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: “Bella Figlia Dell'Amore” from Verdi's “Rigoletto” sung by Enrico Caruso (tenor), Bessie Abott (soprano), Louise Homer (contralto) and Antonio Scotti (baritone), 1907. 0:00 - Episode 146: FITZCARRALDO (1982) 1:38 - The Patented Aaron Grossman Summary (patent pending) 4:13 - Jason's thoughts 8:31 - Cody's thoughts 13:06 - Harry's thoughts 20:41 - A dream as disgusting as the tools used to realize it 25:39 - Contrasts in FITZCARRALDO 37:30 - Satire? 39:55 - Why self-aware readings of FITZCARRALDO fall flat 43:21 - Final thoughts 53:51 - Cody's Noteys: Fitzca-runtime (runtime-based trivia)

What is an NFT? How can blockchain help producers get content funded and distributed? And what's it like producing a show with Werner Herzog?On this week's show Cameron Chell, founder of blockchain businesses Currency Works and Vuele outlines the opportunities for content companies in NFTs. Plus veteran factual producer Richard Melman discusses his new wine channel, his latest productions and offers his perspective on the current state of factual TV. Hosted by Boom! PR's Justin Crosby.Cameron's story of the weekRichard's story of the week 67 Pall Mall TVVueleTellyCast websiteTellyCast instaTellyCast Twitter TellyCast YouTubeTellyCast is edited by Ian Chambers. Recorded in London.Music by David Turner, lunatrax. Recorded in lockdown March 2020 by David Turner, Will Clark and Justin Crosby. Voiceover by Megan Clark.

Thirty years ago today, Klaus Kinski died. He is just as famous for his outbursts of anger as he is for his films. He went down in cinema history primarily for his collaboration with director Werner Herzog. His reputation reached as far as Australia. The ABC radio film critic CJ Johnson, a big fan of Klaus Kinski, did the stage show "Kinski and I" about Kinski's life and career. - Heute vor dreissig Jahren starb Klaus Kinski. Für seine Wutausbrüche ist er genauso berühmt wie für seine Filme. In die Kinogeschichte ging er vor allem ein für seine Zusammenarbeit mit dem Regisseur Werner Herzog. Sein Ruf reichte bis nach Australien. Der ABC Radio Filmkritiker CJ Johnson und grosser Fan von Klaus Kinski inszenierte 2014 in Sydney das selbstverfasste Bühnenstück "Kinski and I".

On this week's episode of Bizarre Buffet, the gang is taking on a real wild journey...literally. This episode goes into the story of  Juliane Koepcke, a German Peruvian woman who was the sole survivor of Peruvian flight LANSA Flight 508 following its mid-air disintegration after a lightning strike in 1971.   Referenced in this episode is Wings of Hope (German: Julianes Sturz in den Dschungel, literally "Juliane's Freefall into the Jungle") is a 1998[1] made-for-TV documentary directed by Werner Herzog. Find the fascinating documentary with the link below! Wings of Hope by Werner Herzog on YouTube As always, thank you for listening! You can help us out in a tremendous way by leaving a positive rating / review of Bizarre Buffet on Apple / iTunes! Share the show with your friends! Bizarre Buffet Online Support Bizarre Buffet on Patreon ! Follow Bizarre Buffet on Instagram Like Bizarre Buffet on Facebook Watch / Subscribe to Bizarre Buffet on YouTube   Support the show!: https://patreon.com/bizarrebuffet See omnystudio.com/listener for privacy information.

Javier Ocaña es crítico de cine en El País y colaborador en el programa 'Hoy por Hoy' de la Cadena Ser. Acaba de publicar su libro "De Blancanieves a Kurosawa: La aventura de ver cine con los hijos" (Ed. Península). Hoy viene al Hotel para tomarse una copa conmigo y charlar de lo que aprendimos viendo cine de niños, de las distintas capas del humor, de Blancanieves, Kurosawa, Matilda, los Hermanos Marx, Bob Esponja, Spielberg o Big, de eso que ahora llaman "cine con valores", del a veces tan denostado cine familiar, de pequeños traumas infantiles, de recuerdos, escenas y mucho, mucho más. Como siempre, donde siempre. Películas Mencionadas: - Jumanji, Joe Johnston, 1995 - Rescate, Ron Howard, 1996 - El infierno del odio, Akira Kurosawa, 1996 - Matar a un ruiseñor, Robert Mulligan, 1964 - Aterriza como puedas, 1980 - El olvido que seremos, Fernando Trueba, 2019 - Scarface, Brian de Palma, 1983 - El guardaespaldas, Mick Jackson, 1992 - Revuelta en Haití, Jean Negulesco, 1952 - Evasión o victoria, John Huston, 1981 - Sopa de Ganso, Leo McCarey, 1933 - Bob Esponja: La Película, 2004 - Big, Penny Marshall, 1988 - Mi Chica, Howard Zieff, 1991 - Descubriendo a Forrester, Gus Van Sant, 2000 - Coco, Adrián Molina y Lee Unkrich, 2017 - El Gran Dictador, Charles Chaplin, 1940 - Rocky, John G. Avildsen, 1976 - Lawrence de Arabia, David Lean, 1962 - Call me by your name, Luca Guadagnino, 2017 - Charada, Stanley Donen, 1963 - La Soga, Alfred Hitchcock, 1948 - Parque Jurásico, Steven Spielberg, 1993 - Tiburón, Steven Spielberg, 1975 - Sonrisas y Lágrimas, Robert Wise, 1965 - Algo para recordar, Nora Ephron, 1993 - Tienes un email, Nora Ephron, 1998 - Tú y yo, Leo McCarey, 1957 - El Padrino 3, Francis Ford Coppola, 1990 - Aguirre, la cólera de Dios, Werner Herzog, 1975 - Dune, Dennis Villeneuve, 2021 - Arrival, Dennis Villeneuve, 2016 - Prisioneros, Dennis Villeneuve, 2013 - Enemy, Dennis Villeneuve, 2013 - Blade Runner 2049, Dennis Villeneuve, 2017 - Isla de Perros, Wes Anderson, 2018 - Matilda, Danny DeVito, 1996 - La maldicion de las Brujas, Nicolas Roeg, 1990 - Academia Rushmore, Wes Anderson, 1998 - Los Santos Inocentes, Mario Camus, 1984

Alexandre e Fred trazem de volta o colaborador Willian de Andrade, músico e instagramer do perfil Oitavo Dia, para debater três excelentes filmes do alemão Werner Herzog, um dos expoentes do chamado Novo Cinema Alemão. O cineasta foi um dos melhores de sua geração, a ponto de François Truffaut colocá-lo como o melhor diretor em atividade na época de seus filmes mais influentes. Começamos a conversa com "Aguirre, A Cólera dos Deuses" (Aguirre, der Zorn Gottes, 1972), seguimos com "Nosferatu: O Vampiro da Noite" (Nosferatu: Phantom der Nacht, 1979) e concluímos este episódio com a incrível façanha de "Fitzcarraldo"(Fitzcarraldo, 1982), três clássicos que foram protagonizados por Klaus Kinsi, cuja carreira se confunde com a do próprio Herzog. ---------------------- Acesse nosso site: http://www.filmesclassicos.com.br Acesse nossa página no Facebook : https://www.facebook.com/podcastfilmesclassicos/ Nos procure no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

Greetings ghouls & goblins! This week, we welcome on special guest Adam Collins (Movie Trivia Schmoedown, Why Are We Like This?) to discuss Werner Herzog's 1979 vampire film, Nosferatu the Vampyre! Check the film out for FREE on Peacock and Tubi and come discuss with us LIVE! Follow Adam Collins! https://twitter.com/Aizanthor https://letterboxd.com/aizanthor/ Credit to Karl Casey @ White Bat Audio for the music! Subscribe to “Who Are They? Reel Entertainment” and watch our next broadcast live! You can find us at: Facebook: WhoAreTheyMovies YouTube: https://www.youtube.com/WhoAreTheyReelEntertainment Twitch: wat_reelpodcasts
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https://discord.gg/9H7AXXDm Help support WAT on Streamlabs! https://streamlabs.com/whoaretheypodcasts/tip Follow Reely Scared on Instagram! @reelyscared Follow Spin From The Reel on Twitter! twitter.com/spinfromthereel For all of your WAT merchandise, be sure to visit: https://teespring.com/stores/wat-reel-entertainment Don't miss a second of our live gaming streams by following us on Twitch! http://twitch.tv/wat_reelpodcasts

With Disney+ Day right around the corner, we're debating the Star Wars series that kicked off the streaming service with a Baby Yoda-sized bang.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

 In a world, where the midnight train podcast is at the top of the podcast game, one thing has the power to destroy everything they have worked for. This week their world will come crumbling down as everything they've achieved will be tested and possibly destroyed due to the madness that is (dun dun duuuuuuuunnnnn) cursed Movies!!! Tonight on the midnight train we are combining two of our favorite things…. This podcast and lots and lots of beer…YEAH! Oh wait, we do that every week… Oh, that's right, it's this podcast and….moooovies!! But… In true midnight train fashion, we can't just talk about movies…. We're gonna talk about cursed movies!!! That's right we are going to look at movies that for one reason or another have led to tragedy during and after the movies were made! Everything is on the table from health issues like cancer, accidental deaths while filming, people going crazy after filming, and just about everything else you can think of. Should be a fun and creepy ride discussing all these movies with you passengers and, in case you're wondering, yes we're still going to have a movies list at the end.    Ok so let's get into this and see what we have as far as cursed movies!   We're gonna start it with a big one since we just covered the subject matter of the film! The first cursed movie on our list is the exorcist. The filming of THE EXORCIST was done over nine months. The main set, a reproduction of the Georgetown home, was built in a warehouse in New York. During the filming, several curious incidents and accidents took place on the set and plagued those involved with the production. In addition, the budget of the film rose from $5 million to more than twice that amount. Obviously, any film production that lasts for more than a month or so will see its share of accidents and mishaps, but THE EXORCIST seems to have been particularly affected by unforeseeable calamities. Coincidence? Perhaps, but it left the cast and crew rightfully shaken.    The first incident occurred around 2:30 a.m. one Sunday morning when a fire broke out on the set. There was only one security guard at the Ceco 54th Street Studios when the McNeil house set caught fire and burned. The fire was the result of a bad electrical circuit, but it shut down filming for six weeks while the set was reconstructed from scratch. Ironically, as soon as the new set was ready, the sprinkler system broke down, causing an additional two-week delay.    Few of the actors in the film escaped personal troubles during the shoot. Just as Max Von Sydow (who played Father Merrin) touched down in New York to film his first scenes, he received a phone call saying that his brother died unexpectedly in Sweden. Von Sydow himself later became very ill during the filming. Irish actor Jack MacGowran (who played Burke Dennings) died only one week after his character was killed by the demon in the movie. Jason Miller (who played Father Karras) was stunned when his young son, Jordan, was struck down on an empty beach by a motorcyclist who appeared out of nowhere. The boy ALMOST died. THAT'S GOOD NEWS! Ellen Burstyn (who played Chris McNeill) wrenched her back badly during one scene when she was slapped by the possessed girl. The stunt went badly awry and she was laid up in bed for several weeks afterward, causing more delays in the filming. They had a rig attached to her where a guy offscreen would pull a rope that was tied to her to get that “smacked hard as shit and launched across the room” look the director wanted. Apparently, the director didn't like the first take or two and told the guy with the rope to yoke the living piss out of her. He got his shot. She screwed up her back.    In New York, one of the carpenters accidentally cut off his thumb on the set and one of the lighting technicians lost a toe. This was all over the news at the time due to the mixup at the hospital where they put the wrong appendages on the wrong patients. Yep, they switched the toe for the thumb. And if you believed that, well… I'm not sorry even a little bit. Anyway, The exorcist's location trip to Iraq was delayed from the spring, which is relatively cool, to July, the hottest part of the summer, when the temperature rose to 130 degrees and higher. Out of the eighteen-man crew that was sent there, Friedkin lost the services of nine of them, at one time or another, due to dysentery (which is super shitty) or sunstroke. To make matters worse, the bronze statue of the neo-Assyrian winged demon Pazazu, which was packed in a ten-foot crate, got lost in an air shipment from Los Angeles and ended up in Hong Kong, which caused another two-week delay.    "I don't know if it was a jinx, really," actress Ellen Burstyn later said. "But there were some really strange goings-on during the making of the film. We were dealing with some really heavy material and you don't fool around with that kind of material without it manifesting in some way. There were many deaths in the film. Linda's grandfather died, the assistant cameraman's wife had a baby that died, the man who refrigerated the set died, the janitor who took care of the building was shot and killed … I think overall there were nine deaths during the course of the film, which is an incredible amount… it was scary." Unholy shit, batman!   Things got so bad that William Friedkin took some drastic measures. Father Thomas Bermingham, S.J., from the Jesuit community at Fordham University, had been hired as a technical advisor for the film, along with Father John Nicola, who, while not a Jesuit, had been taught by Jesuit theologians at St. Mary of the Lake Seminary in Mundelein, Illinois. Friedkin came to Bermingham and asked him to exorcise the set. The priest was unable to perform an actual exorcism, but he did give a solemn blessing in a ceremony that was attended by everyone then on the set, from Max Von Sydow to the technicians and grips. "Nothing else happened on the set after the blessing,” Bermingham stated, "but around that time, there was a fire in the Jesuit residence set in Georgetown." And while nothing else tragic occurred on the set, strange events and odd coincidences were reported during the post-production work on the film. "There were strange images and visions that showed up on film that were never planned," Friedkin later claimed. "There are double exposures in the little girl's face at the end of one reel that are unbelievable."   As we talked about in previous episodes, The film opened on December 26, 1973, to massive crowds. Within weeks of the first public screenings of the film, stories started to make the rounds that audience members were fainting and vomiting in the theaters. There were also reports of disturbing nightmares and reportedly, several theater ushers had to be placed under a doctor's care, or quit their jobs, after experiencing successive showings of the movie. In numerous cities that were checked after THE EXORCIST had run for several weeks, reporters found that every major hospital had been forced to deal with patients who reported, after seeing the film, severe cases of vomiting and hallucinations. There were also reports of people being carried out of theaters in stretchers. What do you think, passengers? Mere publicity stunts, or was this the real thing?    The info for this cursed movie came from a great article on americanhauntingsink.com check them out!   Next up we're gonna dive into a sweet little movie about a tree, a child's toy, and REAL SKELETONS IN THE SWIMMING POOL! Yep, you guessed it, poltergeist! The curse of Poltergeist spawned many theories about why the movie and its sequels were cursed with so much tragedy, with one suggesting the use of real-life human bones in the original film caused the hauntings.   Actress JoBeth Williams - who played the mother, Diane Freeling - is seen dropping into a pool of skeletons in one spooky scene and she later reveals the bones were real. She told TVLand: "In my innocence and naiveté, I assumed that these were not real skeletons.   "I assumed that they were prop skeletons made out of plastic or rubber . . . I found out, as did the crew, that they were using real skeletons, because it's far too expensive to make fake skeletons out of rubber."   Just four months after the film's release, tragedy struck with actress Dominique Dunne, who played the family's eldest daughter Dana, who became the victim of a grisly murder. On the day before Halloween in 1982, the actress, 22, was strangled by her ex-boyfriend John Thomas Sweeney outside their home in West Hollywood. She survived the attack but was left in a coma. She never regained consciousness and died five days later. Sweeney was later convicted of voluntary manslaughter and spent three and half years of a six-year sentence behind bars for the killing. He changed his name to John Maura so if you want to let him know what a twat he is, I mean… we can't stop you.   In the years after the film's release movie bosses plowed ahead with plans for a sequel and Poltergeist II: The Other Side hit cinemas in 1986. Among the cast was Will Sampson, best known for playing Chief Bromden in One Flew Over the Cuckoo's Nest opposite Jack Nicholson. The actor - cast as shaman Taylor in the movie - was concerned about the use of real skeletons in the first film and offered to perform a real-life exorcism. He's believed to have conducted the ceremony alone and in the middle of the night, but the cast reportedly felt relieved afterward. However, less than a year after the film's release - the curse had claimed another victim. Sampson had long-term health problems as he suffered from a degenerative condition called scleroderma, which affected his heart and lungs. He underwent a heart and lung transplant in the summer of 1987 but died of post-operative kidney failure on June 3.    Ok, this one is sad and you've probably heard of it. The most famous victim of the Poltergeist curse was Heather O'Rourke. She appeared as Carol Anne in the first two films as well as the third installment, Poltergeist III, which hit cinemas in 1988. She died just four months before the movie's release at only 12 years of age. In January 1988, Heather fell ill with what appeared to be flu-like symptoms. She collapsed at home the following day and was rushed to the hospital. She suffered a cardiac arrest but doctors were able to revive her and they diagnosed her with intestinal stenosis - a partial obstruction of the intestine. She underwent surgery, but went into cardiac arrest again in recovery and doctors were unable to save her. She passed away in February 1988, just weeks after her 12th birthday, and it was later reported she died from congenital stenosis and septic shock. Absolutely heartbreaking.   Character actor Lou Perryman became the second cast member to fall victim to murder. He played Pugsley in the original movie and suffered a brutal end in 1992 when he was hacked to death with an ax aged 67. A convict recently released from prison, Seth Christopher Tatum, confessed he had killed Perryman at his home after coming off his medication and going on a drinking binge. Tatum pleaded guilty to his murder in 2011 and was sentenced to life in prison.   Actor Richard Lawson played one of the parapsychologists, Ryan, in the original film (not the guy who ate the chicken with the maggots… you're welcome) and he came close to becoming another victim of the curse in 1992. He was involved in a terrifying plane crash in 1992 when the USAir Flight 405 crashed into New York City's Flushing Bay on route to guess where? Cleveland friggin Ohio. The crash claimed the lives of 27 of the 51 passengers, but Lawson was among the survivors. He put his lucky escape down to a last-minute seat change that saved his life. Lawson went on to be part of showbiz royalty when he married Beyonce's mother, Tina Knowles in 2015.   Info for this movie was taken from mirror.co.uk.    Next up how about… Hmm…. Oh, I know… The omen! The 2976 version of course. Obviously, Moody is a time traveler and saw the upcoming remake, 955 friggin years in the future! No! It was 1976! Of all the world's cursed film productions, The Omen is considered to have one of the worst movie curses of all time. The 1976 film tells the story of a man who accidentally adopts Damien the Antichrist as his son and the movie remains one of horror's most successful franchises. But what was so odious about the set that led producers to believe the devil was punishing them for making the movie? Is The Omen really cursed? The Omen film set haunting includes death, injury, and lots of lightning bolts: after all, the creator himself warned the cast and crew that Satan wasn't going to like what they were doing. Here's what happened behind the scenes of The Omen movie and why, despite its several sequels and a 2006 remake, it remains one of history's movies that indeed may have angered Satan himself!   In June 1975, Gregory Peck's son, Jonathan Peck, killed himself with a bullet to the head, two months before filming was to start. Several strange events then surrounded the production.   For protection on the set of "The Omen," Bernhard wore a Coptic cross. In an interview, Bernhard spoke about the production's eerie events, which included the death of an animal trainer.   Precisely one day after they shot the sequence involving the baboons at the animal center, Bernhard said that a tiger seized the animal trainer by the head, causing his death immediately. Whhhaat the fuuuuuck?   One of the most haunting stories surrounding The Omen didn't happen during the shoot, but during the production of the World War II epic A Bridge Too Far. John Richardson, who did special effects on The Omen, was involved in a head-on collision that beheaded his girlfriend, eerily mirroring the decapitation scene with David Warner. Supposedly, after the crash, Richardson saw a street sign that said, "Ommen, 66.6 km." This accident occurred after The Omen had wrapped production, but many of course linked it to the evil aura of the film.   Several planes were also set ablaze, including the plane carrying Peck and screenwriter David Seltzer. Meanwhile, Bernhard said they had to land in Nova Scotia after flying back from England. He added:   "We had the film on board... Dick [Donner] and I were very, very nervous." IRA bombs ripped through a hotel, in which executive producer Mace Neufeld and his wife stayed, and another in which prominent executives and stars, including Peck, were to have dinner.   Once word got back to Fox about all the terrible incidents that plagued production, the studio saw it as a great way to drum up a ton of publicity and add to the film's ominous aura. They also put a great tagline into the film's ad campaign:                        You have been warned. If something frightening happens to you today, think about it. It may be The Omen.   As Donner recalled in The Omen: Curse or Coincidence, "If we had been making a comedy, you would have recalled all the funny, great, ridiculous, silly moments that happened in that film. if you were doing a love story, you'd remember all the times somebody left their wife, fell in love... You're doing The Omen, anything that happens on that film, you don't tell about the jokes, you don't talk about the love stories, you don't even think about them. You think about things that coincidentally could have been something to do with The Omen. We had lots of them."   Creepy stuff right there my friends.   Next up we have one of my personal all-time favorites, the crow! The Crow began filming in Wilmington, North Carolina, in 1993. Cursed Films revealed that before production got underway, a mysterious caller left a voicemail message warning the crew not to shoot the movie because bad things would happen. Eerily, two on-set electricians were involved in an accident in which their truck hit a live wire. One of the men experienced second and third-degree burns and lost both ears.   Disaster also struck the entire production when a hurricane destroyed the movie set. That is when the “curse of The Crow” rumors began circulating in Hollywood. The star of The Crow, Brandon Lee, was the son of martial arts legend, Bruce Lee. The elder Lee died during the production of his final film. Some fans speculated that the Chinese mafia had placed a hit on the actor for betraying martial arts secrets. Others suspected that he had been struck by an insidious death blow at an earlier time.   The most popular theory about The Dragon's death is that he was a victim of the Lee Family Curse. His older brother had died, and Lee's parents believed there was a demon targeting the males in the Lee family.   Like his father, Brandon Lee died before he finished filming The Crow. In a fluke accident, the performer was shot while completing an action sequence, as described in Cursed Films. The crew used what are called ‘dummy rounds,' for the scene, but there was something in the barrel of the gun that acted as a lethal projectile, killing Lee.    To complete the final photography for The Crow, the man who had been working as Lee's stunt double wore a mask in his image.   Crazy stuff!   How about some of our patented quick hitters!    The Conqueror" is a whitewashed 1956 film with John Wayne as Genghis Khan. The film was shot at a location downwind from a nuclear testing site, causing dozens of crew members to eventually die of cancer. so maybe not so much a curse as a poor choice of locations.   Apocalypse Now"   The horror! Francis Ford Coppola was tempting fate when he decided to film "Apocalypse Now" during monsoon season. Big mistake. The monsoon destroyed multiple sets, Martin Sheen suffered a heart attack during filming, and Coppola was so stressed that he suffered a seizure, according to The Independent. "Apocalypse Now" (1979) turned out to be a masterpiece anyway, but the documentary "Hearts of Darkness: A Filmmaker's Apocalypse" about its making is just as engrossing.    "Fitzcarraldo"    Dysentery. Injuries. Fights among the crew. Nothing seemed to go right during the filming of 1982's "Fitzcarraldo." The story concerns hauling a boat over a hill, which the crew literally accomplished, but not without the same nightmarish difficulty as is depicted in the film. And in the end, director Werner Herzog looked as mad and overly driven as its hero. Check out the documentary "Burden of Dreams" for more.   The Superman Curse    Comic book movie fans may know about the "Superman Curse," which is said to afflict multiple actors involved in Superman films. Christopher Reeve was paralyzed following a horse accident. And Margot Kidder, who played Lois opposite Reeve, suffered from bipolar disorder, according to TCM. Also, the original Superman, George Reeves, supposedly committed suicide. His death at age 45 from a gunshot remains a controversial subject; the official finding was suicide, but some believe that he was murdered or the victim of an accidental shooting.   "The Lord of the Rings: The Two Towers"    Bad luck ran amok in Middle Earth during the filming of 2002's "The Lord of the Rings: The Two Towers." DVD interviews revealed that multiple actors and stuntmen suffered injuries while shooting the film's elaborate fight sequences. The worst was Viggo Mortensen, who broke his toe and chipped his tooth while filming.   The Exorcism of Emily rose   Dexter star Jennifer Carpenter reported that during the making of The Exorcism of Emily Rose — in which she played a big-screen version of German woman Anneliese Michel, whose poor health and subsequent death was blamed on a failed exorcism — her radio would mysteriously turn on and off. From an interview with Dread Central:   Q: A common question when making a film like this; did anything weird happen during filming?   JC: I thought about that when it happened, and two or three times when I was going to sleep my radio came on by itself. The only time it scared me was once because it was really loud and it was Pearl Jam's “Alive” (laughs). Laura's TV came on a couple of times.   Q: At 3:00 a.m.?   JC: Mine wasn't 3:00 a.m. I was born at 3:00 a.m. but it hasn't happened to me. I did check.   We'll totally do an episode on Analiese one of these days   Psycho Myra Jones (aka Myra Davis) was the uncredited body double/stand-in for Psycho star Janet Leigh during the making of Hitchcock's 1960 film. A handyman named Kenneth Dean Hunt, who was supposedly a Hitchcock “obsessive,” murdered her.   The Conjuring   Real-life ghost hunters Ed and Lorraine Warren, who aided the real-life Amityville Horror case, investigated the haunting of the Perron family home — a farmhouse plagued by generations of death, disaster, and a possessed doll. The case inspired James Wan's supernatural film, which left some audiences in the Philippines with such a fright there were priests available at screenings to bless viewers and provide counseling. On and off-set paranormal incidents — including strange claw marks on star Vera Farmiga's computer, Wan's tormented dog growling at invisible intruders, a strange wind (that apparently put Carolyn Perron in the hospital), and fire — were reported.   The Innkeepers   Filmed at the reportedly haunted hotel the Yankee Pedlar Inn in Torrington, Connecticut, The Innkeepers director Ti West was skeptical about the strange occurrences during the making of his movie. Still, creepy stories from the set became the focus in the press. From an interview with West:   I'm a skeptic so I don't really buy it. But I've definitely seen doors close by themselves; I've seen a TV turn off and on by itself; lights would always burn out in my room. Everyone on the crew has very vivid dreams every night, which is really strange.   The one story that is the most intriguing to me — In the film, the most haunted room is the Honeymoon Suite. That's where the ghost stuff started in the hotel. The only reason I picked the room that I picked to shoot in, was because it was big enough to do a dolly shot. No more thought went into it other than pure technical reasons. So when we're finishing the movie, I find out that the most haunted room in real life is the room I picked to be the haunted room in the movie. It could be a coincidence. It's weird that it happened that way. . . . [Star] Sara Paxton would wake up in the middle of the night thinking someone was in the room with her. Everyone has stories, but I was too busy saying, “Let's shoot this! We have 17 days!   Atuk"    "Atuk" is a movie so cursed that it never got made. The project, based on a 1963 Mordecai Richler novel about an Eskimo in New York, had four different men attached to play the lead while in development hell through the 1970s and '80s: John Belushi, Sam Kinison, John Candy, and Chris Farley. All four died shortly after entering negotiations to be in the film. Holy shit!    Ok how about twilight zone the movie. The 1983 film 'Twilight Zone: The Movie' directed by John Landis and Steven Spielberg gained publicity pre-release because of the deaths of lead actor Vic Morrow and two child extras during the filming of the helicopter crash scene. The children were illegally hired to play the role in this scene, as Landis would go on to reveal in the subsequent trial. It was also prohibited to make children work after a certain hour in the evening. However, Landis insisted that the scene would have to entail a late-night setting to seem more authentic. This was the last scene in the film. It also included explosions as a helicopter flew over the village while Morrow would run across the street to save the Vietnamese children from the explosion. Testing for the scene sparked concerns when the helicopter seemed to vigorously rock at the explosion but despite this, Landis' need to capture the explosion took priority. He reportedly said, "You think that was big? You ain't seen nothing yet." At the controls of this helicopter was a Vietnam War veteran named Dorcey Wingo, who had just joined the movie business. When the cameras began filming, the pyrotechnic fireball that had been fired as part of the explosion hit the helicopter, engulfing it in flames. The helicopter then crashed into the river where the actors were standing — Morrow, 6-year-old Renee Chen, and 7-year-old Myca Dinh Le. Almost a hundred people were present when the tragedy occurred. The helicopter skidded right onto Renee, crushing her to death and when it toppled over, the main blade sliced through Morrow and Myca.   Rosemary's baby is next up on the list. Over the years, the myth surrounding Roman Polanski's 1968 film Rosemary's Baby has only grown in stature. The film is based on the 1967 novel of the same name by American novelist Ira Levin. He came up with the idea for the book in 1965, drawing inspiration from his wife who was pregnant at the time, his New York apartment, and the anxiety of being a parent.   The struggling writer imagined a world where there was no God and the devil was allowed to reign freely. This is evident in the iconic ending where Rosemary finds out that her husband sold her womb to Satan and that her child is the Antichrist. Levin was catapulted into the highest echelons of the literary world due to the success of his novel and a year later, a European auteur who was looking for his own Hollywood break decided to direct the film adaptation of his novel.   However, not everyone was pleased with Levin's attacks on religion. He faced severe backlash from the Catholic Church for his “blasphemy” and his wife left him the year the film was released. He was never the same man again, growing increasingly paranoid over the years. Levin repeatedly had to make public statements denouncing Satanism and told Dick Cavett that he had become “terrified” as he grew older. 30 years after the release of the film, Levin came up with a sequel titled Son of Rosemary but it tanked.   William Castle was the man who first recognized the potential of Levin's work and secured the rights to make a film adaptation. Best known for his work on B-grade horror films, Castle wanted to direct it initially but Paramount Pictures executive Robert Evans agreed to go ahead with the project only if Castle worked as a producer. In April of 1969, Castle was hospitalized because of severe kidney stones. He was already under a lot of stress due to the sheer volume of hate mail he received, a terrible consequence of being attached to Rosemary's Baby. In his autobiography, he claimed that he began to hallucinate scenes from the film during his surgery and even shouted, “Rosemary, for God's sake drop that knife!” Although Castle recovered, he never reached that level of success again.   Producer Robert Evans was not exempt from this alleged curse either. He had risen to the top with major hits like Rosemary's Baby and The Godfather. However, he was convicted of cocaine trafficking in 1980 and got a suspended prison sentence. As a part of his plea bargain, Evans had to make an anti-drug commercial. Three years later, the producer would get caught up in the high-profile murder of Roy Radin which has come to be known as the “Cotton Club murder”. Despite two witnesses testifying that Evans was involved in the case, he was later cleared of the charges. In 1993, he told The New York Times, “I had 10 years of a horrific life, Kafkaesque. There were nights I cried myself to sleep.”   This is arguably the most renowned story that is related to Rosemary's Baby. In autumn of 1968, composer Krzysztof Komeda, who worked on the film, fell off a rocky escarpment while partying and went into a four-month coma. Coincidentally, this affliction is exactly what the witches in Levin's book subject Rosemary's suspicious friend to. Komeda never came out of the coma and died in Poland the following year.   John Lennon was assassinated outside The Dakota in 1980, the famous building where they filmed Rosemary's Baby. Producer Robert Evans claimed that the whole time he was on set at the apartment building he felt a “distinctly eerie feeling”. Lennon was gunned down by alleged “fan” Mark David Chapman who was influenced by Salinger's novel The Catcher in the Rye and the loneliness of protagonist Holden Caulfield. However, the fleeting association with the film has led fans of the film to link Lennon's assassination with the “curse” of the film. It can be said that the primary reason why the myth of the curse came about was the brutal murder of Polanski's wife, actress Sharon Tate. Polanski even wanted to cast Tate as Rosemary but Evans was adamant about Mia Farrow's involvement. A year after the film's release, Tate and her friends were stabbed to death by followers of cult leader Charles Manson. Tate was eight-and-a-half months pregnant at the time of her demise. The members of the Manson Family delivered around 100 stab wounds to the four victims and wrote “Helter Skelter” on the wall in blood.   After his wife and unborn son were killed, Polanski indulged in substance abuse to cope with things but he ended up exemplifying human depravity. While guest editing the French edition of Vogue in 1977, the director preyed upon a 13-year old girl and persuaded her to participate in multiple photoshoots. During the second shoot at Jack Nicholson's house, he incapacitated the minor with champagne and half a Quaalude before sexually violating her multiple times.   Although he was arrested for the felony and spent 42 days in jail, Polanski became a fugitive and fled to France to avoid facing charges. Since then, he has lived the life of a criminal and has avoided traveling to countries where he can be extradited back to the US.   Ok, let's round things out with the wizard of oz. Despite its commercial success, The Wizard of Oz is seen by some as cursed. There were so many serious accidents onset that those Oscar-nominated special effects almost cost cast members their lives, from the two actors playing winged monkeys crashing to the ground when the wires that hoisted them up in the air broke, to the Wicked Witch of the West's stunt double Betty Danko injuring her left leg when the broomstick exploded.   Buddy Ebsen was originally cast in the role of the Tin Woodman, a.k.a. the Tin Man, but he was essentially poisoned by the makeup, which was made of pure aluminum dust. Nine days after filming started he was hospitalized, sitting under an oxygen tent. When he was not getting better fast enough, the filmmakers hired Jack Haley to be the Tin Man instead. This time, instead of applying the aluminum powder, the makeup artists mixed it into a paste and painted it on him. He did develop an infection in his right eye that needed medical attention, but it ended up being treatable.   Margaret Hamilton — who played the Wicked Witch of the West and was the one tipped who Harmetz off to the turmoil on set more than three decades later for her 1977 book — got burns, and the makeup artists had to rush to remove her copper makeup so that it wouldn't seep through her wounds and become toxic. Unlike Ebsen, she didn't get fired because they could live without her on the set for several more weeks.   An actor playing one of the Wicked Witch of the West's soldiers accidentally jumped on top of Dorothy's Toto, Carl Spitz, the dog trainer on set, told Harmetz. The dog (a female Cairn terrier named Terry) sprained its foot, and Spitz had to get a canine double. Terry did recover and returned to the set a few weeks later.   In a memoir by Judy Garland's third husband, Sid Luft, published posthumously in 2017, he writes that, after bar-hopping in Culver City, the actors who played the munchkins “would make Judy's life miserable by putting their hands under her dress.” Harmetz says it's true that the actors would go drinking near the Culver City hotel where they stayed, but she says their interactions with Garland did not rise to the level of what Luft described. “Nobody on the movie ever saw her or heard of a munchkin assaulting her,” said one worker on the film. Garland did say the drinking was annoying in an interview with talk-show host Jack Paar, but experts on Garland's life say that her rant about being scarred by the rowdy behavior on set may have been a deflection from the real damage she suffered during that time, at the hands of the studio. Garland was only 16 when she made The Wizard of Oz, and her struggles with depression and disordered eating started at an early age and continued for the rest of her life. She claimed that the studio executives gave her uppers and sleeping pills so she could keep up with the demanding pace of show business. She struggled with drug addiction and attempted suicide several times before she died of an accidental overdose on June 22, 1969, at just 47 years old.   The film went through four different producers by the time it was through.   Richard Thorpe, the first director, insisted that Judy Garland wear a blonde wig and thick makeup to depict Dorothy. When Buddy Epsen got sick from his Tin Man makeup and filming shut down for two weeks, the studio fired Thorpe and replaced him with George Cukor of My Fair Lady fame. Cukor encouraged Garland to wear natural makeup and play Dorothy less cartoonish and more natural. Cukor later left the film to work on Gone with the Wind instead and Viktor Fleming took his place. However, Cukor came back a few weeks later after getting fired from Gone With the Wind by Clark Gable (supposedly he was fired when Gable found out he was homosexual).   Director King Vidor was responsible for most of the sepia sequences and also helped Mervyn LeRoy with editing in post-production.   Not only did the public think former kindergarten teacher Margaret Hamilton was really evil following the first airing of The Wizard of Oz — she also suffered physically for the role. Hamilton received second and third-degree burns all over her body when the green copper makeup she was wearing got too hot during the fire scene. Her stunt double spent months in the hospital after a prop broom exploded — they were using a double because Hamilton got injured on an earlier take.   Stage makeup and prosthetics in 1939 were nowhere near what they are today. Ray Bolger's Scarecrow makeup left deeply embedded marks in his skin that didn't disappear for more than a year after the movie wrapped up filming. Luckily, this would never happen today.   How bout that hanging munchkin… Well, sorry folks. That seems to be fake. In a scene where Dorothy, the Scarecrow (Ray Bolger), and the Tin Man (Jack Haley) are skipping down the Yellow Brick Road, singing “we're off to see the wizard, the wonderful Wizard of Oz,” some think the dark, moving figure hanging from a tree in the background is an actor who hanged himself on set. More likely, it's one of the exotic birds that the filmmakers borrowed from the Los Angeles Zoo to create a wilderness setting. The rumor has been circulating since around 1989, the time of the 50th anniversary of the film's release. Alright, there you have it… Cursed movies!!!  Obscure 90s horror movies you need to see   https://www.ranker.com/list/obscure-1990s-horror-movies/christopher-myers

The “Cinephile Cuties” are ready to build an opera house! That's because they're chatting about Werner Herzog's ‘Fitzcarraldo.' Patrick talks about his recent medical issues. Plus, they put this film through their proprietary Fartsy Test. And Patrick recommends a drink pairing. If you like this show, join our Patreon!Follow Farthouse on Twitter and InstagramFollow Patrick and Casey and on TwitterAnd follow Patrick and Casey on Letterboxd

This week Lee is joined by friend and fellow podcaster, Vaughn Kuhlmeier, to cover one of the more notorious, yet somewhat forgotten, late-period Euro-horror sleaze flicks "Vampire in Venice" (1988), AKA: "Nosferatu in Venice". Originally envisioned to be an unofficial sequel to Werner Herzog's remake of "Nosferatu", the only connection is its star Klaus Kinski, who returns to his iconic role, but here he's not reigned-in, and all hell broke loose on this already troubled production. Is anything about this film worth watching? Does any of it make any damn sense? Can we separate the art from the artist when we can clearly see Kinski sexually assaulting his female co-stars on screen? Tune-in to hear the hosts thoughts, as well what they've been watching as of late. "Vampire in Venice" IMDB Check out Vaughn's great podcast Motion Picture Massacre Featured Music: Excerpts from "Movement 3" by Vangelis.

۱۹- خلسه‌ی حقیقت در سینمای ورنر هرتزوگ اینستاگرام پرسه پوستر: دانیال کشانی موسیقی‌های این اپیزود: لحظاتی از موسیقی متن فیلم‌های Into the Abyss ، Cave of Forgotten Dreams و The White Diamond منابع (بعد از فیلم‌های ورنر هرتزوگ): Werner Herzog: A Guide for the Perplexed by Paul Cronin Conquest of the Useless: Reflections from the Making of Fitzcarraldo by Werner Herzog Of Walking in Ice by Werner Herzog

Simonetta Salvestroni"Cristo nei romandi di Dostoevskij"Edizioni QiqajonComunità di Bosehttps://www.monasterodibose.it/edizioni-qiqajon"Ciò che mi preoccupa continuamente è la questione di … chi sia Cristo … Cristo non è più oggettodella religione, ma qualcosa di totalmente diverso, veramente il Signore del mondo. Ma che significa questo?"Dietrich Bonhoeffer“I romanzi di Dostoevskij continuano a riproporre la domanda di cosa sarebbe possibile se noi vedessimo il mondo in un'altra luce, la luce offertaci dalla fede” (Rowan Williams). Tale domanda emerge con forza dal vissuto dei personaggi delle opere del grande autore russo. Il percorso delineato in questo libro ci conduce nel loro mondo interiore e nelle sofferenze che li travagliano, aiutandoci a scorgere la potenza che le parole e le azioni di Cristo esercitano su di essi. Da ciò possiamo anche noi essere provocati a riconoscere Cristo nelle nostre esperienze esistenziali, soprattutto nei momenti più oscuri e nelle situazioni che paiono senza via di uscita.Simonetta Salvestroni ha insegnato lingua e letteratura russa e critica del cinema presso l'Università di Cagliari. È autrice di saggi su Fedor Dostoevskij e sulla poesia russa del Novecento, e in ambito cinematografico di vari articoli e libri su Werner Herzog e Carl Theodor Dreyer. Presso le nostre edizioni ha pubblicato Dostoevskij e la Bibbia (2000) e Il cinema di Tarkovskij e la tradizione russa (2006).IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

A strikingly stylized reimagining of the classic creature figure, NOSFERATU THE VAMPYRE indicts the driven for the death of passion. Following the broad strokes of F.W. Murnau's 1922 expressionist horror film, Werner Herzog's late-70s take on the myth paints the titular non-human as a pathetic figure marked more by his maudlin, passionless philosophies than his bloodlust. “Give me some of your love,” Dracula commands Isabelle Adjani's Lucy Harker. “I won't even give that love to God,” she replies, laying clear the philosophical divide at the heart of the movie. It's a cold, focused, problematic, weird, subtly sexy movie, and we had a blast picking it apart. Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Music: “Morning Sun Rays" by Popol Vuh from the NOSFERATU THE VAMPYRE soundtrack. 0:00 - Episode 143: NOSFERATU THE VAMPYRE (1979) 2:34 - The episode actually starts 4:05 - The Patented Aaron Grossman Summary (under exclusive license from AG Enterprises, LLC) 6:12 - Jason's thoughts 12:31 - Cody's thoughts 18:48 - Harry's thoughts 24:20 - What makes Jonathan such a perfect victim 33:06 - Jonathan and the #workaholic #grindset 37:11 - There's no dressing up the devil 42:45 - Freedom and captivity 50:21 - The sympathetic, loathsome Dracula 55:28 - Lucy as messiah 59:40 - The German and English versions of the film 1:01:54 - Final thoughts 1:03:39 - Cody's Noteys: The Werner Herzog Guessing Game

This week, the hilarious Riley Mccarthy (the second funniest person in Portland) joins Avalon around the digital campfire for the third and penultimate episode of the BooHaHalloween Spooktacustravaganza! They discuss sleepaway camps, drowning tubs, and the fundamental uninteresting-ness of dreams. Also there's like five minutes of a Werner Herzog monologue in there… Tune in next week for our Halloween finale! Find out more at http://boohahapod.com

Yaya Erin Rivera Merriman shares about embodying your archetypes and creating the freedom to express and explore who you truly are. You'll also hear about: Visions of a community, inspired by a dream On relating and healthy intimacy Reconnecting with your intuitive self On finding healthy male role models ♥♥♥ Join The Earth Speak Collective Membership! Join like-hearted folks in a sacred container and community where you'll: Connect deeply to yourself, others, nature & spirit Learn to trust your intuition Activate your Earth magic Expand your healing & divination skills Put your intuition into practice in everyday life Stop feeling lonely on your spiritual path Embody & express your creative power & truths Experience safe space without agenda or judgment When you join the Collective, you get access to all of our past workshops, any live workshops happening while you're a member, live weekly energetic reset calls, monthly community rituals, all the secret episodes, member-run meetups to explore magical topics, and a lively members-only forum (that's not on FB!). ▶▶▶ Learn more and sign up for the Collective membership here: https://www.earthspeak.love/collective ***** Yaya Erin Rivera Merriman is a Taino-Irish-American folk medicine practitioner specializing in sacred plant medicines for communication and relationship. Raised on a 100 acre Christmas tree farm in rural Connecticut shared with 4 generations of family, she was taught from a young age the importance of community stewardship and living in harmony with the natural world.  Erin holds a BFA from Pratt Institute and has taught art to Brooklyn teens, volunteered as an Interfaith Chaplain in maximum security NYC prison, facilitated women's initiatory journeys and organized retreats with indigenous and emerging wisdom keepers since 2007. She currently resides at Rio Cosmico, a homestead, seasonal ceremonial micro village, and Library of Earth Magic located in Kumeyaay territory in Southern California where she provides multidimensional support to others on the green road to a responsible, creative, liberated embodiment. In this episode, we talk about: A dream that Yaya Erin had which inspired her to reconnect with Earth Speak Dreamwork and what can be revealed about ourselves How Yaya Erin was moved to join the Village On creating new structures of connection, outside mainstream social media  On creating empowered solutions Reconnecting with your intuitive self On the role of the dreamer Finding healthy male role models On embodying the masculine and being a goddess worshiper Embodying your archetypes On exploring and expressing the spectrum of who you are On healthy intimacy Love as karmic super-glue On autism and learning to fake being ‘normal' Uncoupling from a 10-year marriage On knowing when it's your time to talk and your time to listen Recognizing your triggers, traumas, and unhealthy patterns Creating connection in a disconnected and fragmented time On co-creating a safe container with your Spirit team The fractal nature of reality And so much more! Secret Episodes! Get access to past secret episodes at https://www.earthspeak.love/secret. Links: Join the Earth Speak Collective Membership at https://www.earthspeak.love/collective Learn more about Yaya Erin's offerings at www.activeculturefamily.com Connect with Yaya Erin on Instagram @Activeculturefamily // https://www.instagram.com/Activeculturefamily/ Connect with Yaya Erin on Patreon @activeculturefamily Explore Yaya Erin's other offerings at www.riocosmico.org Join the Earth Speak Village at https://www.earthspeak.love/village   Get the secret episodes at https://www.earthspeak.love/secret    References: Kristen Houser || episode 60 https://www.earthspeak.love/shows-1/kristen-houser-60 Blendily https://www.blendily.com   Native Land https://native-land.ca   Yaya Erin on Dream Freedom Beauty || episode 72 https://tinyurl.com/fp7sw3ed Genetic Haplogroup https://en.wikipedia.org/wiki/Haplogroup Rio Cosmico www.riocosmico.org The Taino people https://en.wikipedia.org/wiki/Ta%C3%ADno Greek key motif https://en.wikipedia.org/wiki/Meander_(art) Sex Education (TV series) https://en.wikipedia.org/wiki/Sex_Education_(TV_series) Werner Herzog https://en.wikipedia.org/wiki/Werner_Herzog Elon Musk https://en.wikipedia.org/wiki/Elon_Musk Archetype https://en.wikipedia.org/wiki/Archetype Lady of the Lake https://en.wikipedia.org/wiki/Lady_of_the_Lake The red road https://en.wikipedia.org/wiki/The_red_road  Tantra https://en.wikipedia.org/wiki/Tantra Saraswati https://en.wikipedia.org/wiki/Saraswati  Kali https://en.wikipedia.org/wiki/Kali Clairsentience  https://en.wiktionary.org/wiki/clairsentience  https://en.wikipedia.org/wiki/Shiva Shakti https://en.wikipedia.org/wiki/Shakti Pigment || Shop https://www.shoppigment.com/ Peyote https://en.wikipedia.org/wiki/Peyote  Gaslighting https://en.wikipedia.org/wiki/Gaslighting Clairvoyant https://en.wikipedia.org/wiki/Clairvoyance Dreaming With the Ancestors || Workshop  https://www.riocosmico.org/courses/dreaming-with-the-ancestors     ► Leave us a written review on iTunes, and get shouted out on the show! Theme music is “It's Easier” by Scarlet Crow http://www.scarletcrow.org/ and “Meeting Again” by Emily Sprague  https://mlesprg.info/ ► Join the Earth Speak Collective Membership at https://www.earthspeak.love/collective Follow Earth Speak on Instagram and tag us when you share @earthspeak https://www.instagram.com/earthspeak

Night Phantom: Werner Herzog's Nosferatu the Vampyre On this week's episode, Ibrahim & I close out The Halloween Season with a look at an exceptional re-imagining of a Horror Classic, Werner Herzog's 1979 masterpiece Nosferatu the Vampyre. Featuring great performances from Bruno Ganz, Isabelle Adjani, and a masterful Klaus Kinski, this is easily one of the great Dracula re-tellings. It's a thrill for Ibrahim & I to sit down, look back, and discuss this great work of cinema. There's a whole lot going on in this episode. Take a listen as we celebrate Halloween.  Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Our Continued Thanks. 

It's been a while since the last podcast and there are a ton of games we should probably be discussing, so of course we spend the equivalent of a feature-length film talking about, well... feature-length films and TV shows we've watched. Why Nico was so disappointed by The Many Saints of Newark (as well as Hamish's first full foray into The Sopranos), Spider-Men both Raimi and Recent, Jackass 3D because of course we have to talk about Jackass some more, why Pig is amazing and Nicolas Cage is a fantastic actor, 12 Angry Men's send up of people who don't like sports, Al Pacino going mental in Glengarry Glen Ross, the fraught relationship between Werner Herzog and Klaus Kinski, and Norm Macdonald's comedic legacy. Oh, I guess we also talk about Deathloop's mediocrity, why Planescape Torment might be Nico's new favourite game, dismantling a car as you're taking The Long Drive in it, the Dread X Collection, and a lengthy reflection on being confronted by the people who made a thing you've criticised. Don't worry, the soundboard is still here too! --- Support this podcast: https://anchor.fm/writingongamescast/support

"Read, read, read, read, read. Those who read own the world; those who immerse themselves in the Internet or watch too much television lose it. If you don't read, you will never be a filmmaker. Our civilization is suffering profound wounds because of the wholesale abandonment of reading by contemporary society." - Werner HerzogLINKS:Buy Werner Herzog's Conquest of the Useless here (ON SALE!): https://www.harpercollins.com/products/conquest-of-the-useless-werner-herzog?variant=32207602352162Head to my shop and use your Coupon Code "FALL PARTY"!: https://www.robynoneil.com/shopMy Website: https://www.robynoneil.comMe on Instagram: https://www.instagram.com/robyn_oneil/?hl=enHandwritten Notes: https://www.instagram.com/handwrittennotesontv/Me on Twitter: https://twitter.com/Robyn_ONeil

I'm so excited this week because my friend and editor from F This Movie! Patrick Bromley is on the show to discuss Werner Herzog's Aguirre, the Wrath of God. Patrick is the first in a while to share his definition of a cult movie before getting deep into the Amazon with Klaus Kinski. Head to ColumbusvHughes.com for extensive show notes and links to where you can find Patrick.

Zach is off this week, but we're delighted to welcome a long time friend of the show for some mayhem at NBI HQ: we're lucky to have author extraordinaire Zoe Tokushige in the Bad Ideas Hot Seat!  Things get heated with Gabriel's first idea about a photographer who has a terrible time at a friend's wedding, which we turn into a Fellini movie from hell, with a weird ending that even European arthouses would be proud of. Then Sarah brings us a story of high-stakes, deeply weird negotiations between the Russian space authority and a Kazakh businessman, which we turn into the lowest-stakes treasure hunt we possibly can. Then we talk to Zoe about her writing process, finding characters on the page, and the different between writing and other forms of creativity.  Plus: Ships passing in the night, one star Yelp reviews, real-time descents, brief shining moments of potential, and Werner Herzog watching Cats.  Today's Bad Ideas™:  Idea #1 Idea #2 If you'd like to check out more of Zoe's work and get information on her upcoming novel, The Prankmaster General: New School Skirmish, you can find more on her website and follow her on Twitter.  Support the show: http://patreon.com/NoBadIdeas See omnystudio.com/listener for privacy information.

On episode 202 of The Quarantine Tapes, Paul Holdengräber is joined by Nato Thompson. Nato's most recent project is The Alternative Art School, an online arts program launched in 2020. Paul and Nato talk in depth about Nato's history in the art world and this thrilling new endeavor.Nato explains what excites him about the possibilities this online-only school creates and discusses their mission to approach art as a life project. They discuss some of the artists Nato has worked with, from Trevor Paglen and Tracy K. Smith to Werner Herzog. Paul and Nato dig into the issues with existing structures in the art world, from museums to non-profits, and go back and forth about the problems and potential of virtual space. Nato Thompson is an author, curator, and what he describes as “cultural infrastructure builder”. He has worked as Artistic Director at Philadelphia Contemporary, and Creative Time as Artistic Director and as Curator at MASS MoCA. He is currently the founder of an online global art school titled The Alternative Art School which began after the summer of 2020.Thompson organized major Creative Time projects including The Creative Time Summit (2009–2015), Pedro Reyes' Doomocracy (2016), Kara Walker's A Subtlety (2014), Living as Form (2011), Trevor Paglen's The Last Pictures (2012), Paul Ramírez Jonas's Key to the City (2010), Jeremy Deller's It is What it is (2009, with New Museum curators Laura Hoptman and Amy Mackie), Democracy in America: The National Campaign (2008), and Paul Chan's Waiting for Godot in New Orleans (2007), among others.He has written two books of cultural criticism, Seeing Power: Art and Activism in the 21st Century (2015) and Culture as Weapon: The Art of Influence in Everyday Life (2017).

This week, join Chaos and Carnage for a trip into the beautiful Carpathian mountains to an old, dusty castle where an old, dusty man wants to talk real estate. If you can escape back to Germany with them (preferably not on the Count's boat), try to survive a deadly plague and an even deadlier monster by nighttime... it's Werner Herzog's take on the Dracula tale in Nosferatu the Vampyre, streaming as of this recording free on Peacock! https;//theymostlypodcastatnight.com - resources/credits/socials/merch https://morbidlybeautiful.com/podcasts/ - The Morbidly Beautiful Podcast Network

THIS WEEK ON THE 4:30 MOVIE, while you're anxiously awaiting Season Five, it's a special bonus episode as our man in Telluride, STEVEN MELCHING, reports back on all the cinematic goodness he checked out while in Colorado. Also, where to get the best steaks and pizza in Telluride and where int eh world is Werner Herzog? It's a week of great movies and lively conversation as your favorite 4:30 MOVIE hosts return on a new day and time. And starting Halloween Week, the Treksperts will be back with all new theme weeks for Season Five.  As always, your favorite co-hosts are back including MARK A. ALTMAN (author, THE SECRETS OF THE FORCE, THE FIFTY-YEAR MISSION), STEVEN MELCHING (writer, THE CLONE WARS, REBELS), ASHLEY E. MILLER (writer; DOTA: DRAGON'S BLOOD, THOR, X-MEN: FIRST CLASS) and DAREN R. DOCHTERMAN (concept designer; WESTWORLD, MASTER & COMMANDER).   You can follow THE 4:30 MOVIE on social media at: Twitter: @430moviepodcast Instagram: @the430movie Facebook: Facebook.com/430movie & Facebook.com/ElectricSurge **Now, you can watch THE 4:30 MOVIE and all your favorite Electric Surge podcasts on the free Electric Now! video streaming app available for download at your favorite app store including INGLORIOUS TREKSPERTS, THE BEST MOVIES NEVER MADE and CARTOON BARROOM. Plus: don't miss the all-new LEVERAGE: REDEMPTION AFTER SHOW exclusively on the Electric Now app. ***Mark A. Altman & Edward Gross's bestselling oral history of James Bond, NOBODY DOES IT BETTER, is now available in paperback from Tor/Forge as well as hardcover, digital and audio. And don't miss SECRETS OF THIS FORCE, the uncensored oral history of Star Wars, now out from St. Martin's Press in hardcover, digital and audio. Available now wherever you buy your books.   The 4:30 MOVIE Will Return This October, Now On Thursdays... Don't Miss It!   NOTE TO LISTENERS: Due to the pandemic, we are recording remotely via Zoom and not in the studio so the audio may not be up to our usual high standards. We trust you will nursemaid us through these difficulties. Stay safe, stay healthy, get vaccinated... and support cinemas everywhere!      

Nosferatu the Vampyre Review This week, we take a look back at Nosferatu – no, not that one! Werner Herzog's 1979 stab at the Dracula mythos, Nosferatu the Vampyre, complete with the great and terrible Klaus Kinski as the titular ghoul, is the one we're taking a look at this time, inspired by recent news that Robert Eggers will be making a run at the same material for his next feature. Discussed: mass rat murder, the weirdnesses of the German/English dual release, and the eternal appeal of this character. Listen on LinkTree | Amazon | Spotify | iTunes | Podbean | YouTube | Listen Note | iHeartRadio | Pandora Follow Sordid Cinema on Twitter Follow Sordid Cinema on Facebook

Despite our best efforts, this week things return to the topic of superheroes and the horrible things they do as we attempt to make sense of the Spin Doctors and their album Pocket Full of Kryptonite, released August 20, 1991. In this episode we discuss waterbeds, photography, incels, Beckys, kryptonite, Thai fishing pants, baths, horses, Werner Herzog, orphans and so much more! Hatepod.com | TW: @AlbumHatePod | IG: @hatePod | hatePodMail@gmail.com Episode Outline: 1. Top of the show "Do you hate it?" 2. Personal History 3. History of the Band 4. General Thoughts 5. Song by Song - What do they mean!?! 6. How Did it Do 7. Reviews 8. Post Episode "Do you hate it?"

The world-class filmmaker with the distinctive voice is our esteemed guest today. He's not intimidating—quite the opposite—as he describes his early life, what drew him to filmmaking, and how he teaches students by throwing them in the deep end of the pool, so to speak. His passion is undiminished after more than fifty years of memorable, provocative films, most recently a series of fascinating documentaries like Grizzly Man and Cave of Forgotten Dreams. Leonard and Jessie were more than happy to sit at the great man's feet and listen to him discuss his extraordinary life as a moviemaker. This episode first aired in 2018.

Time for another Intro to Art History class with Lauren! Today learn all about the Lascaux Cave, its wild “discovery,” and some of the theories about the incredible art that’s inside. Later, take a quiz about everyone’s favorite nihilist director. . . . [Music: 1) Don Edwards, “Coyotes,” 1998; 2) Frau Holle, “Ascending Souls,” 2017. Courtesy of Frau Holle, CC BY-NC 3.0 license.]

Put on your space suits, maniacs, because this week we're talking 1985's Alien knock off Creature with guest co-host Lance Parkin!  Join us as we discuss this totally original film and topics such as Hardee's Thickburgers turning you into a zombie, gently used chewing gum in space, plus heartwarming tales of Klaus Kinski and Werner Herzog trying to kill each other.