Podcasts about The Village Voice

Joe Flaherty was a dock worker and high school dropout on the wrong side of 30 when he found an unexpected writer's life beginning as a columnist for the Village Voice. A couple years later, he was running the 51st State campaign of Norman Mailer and Jimmy Breslin as two of the city's most famous writers made their bid to run it on a 51st State platform built around the idea of giving New Yorkers more control of their own neighborhoods and slogans including “No More Bullshit” and “The Other Guys Are The Joke.” Joe's son Liam joins Lit NYC to talk about the very different Park Slope he grew up in, what his father accomplished in his short life before succumbing to prostate cancer at just 47 years old, what his dad would make of Mamdani's new era, and much more.

Highbrow, Brilliant: The Adam Moss Approval Matrix — Adam Moss is probably painting today. He's not ready to share it. He may never be ready to share it. You see, this ASME Hall of Famer unabashedly labels himself as “tenth rate” with the brush. And he's okay with that. As Moss explains, it's not about the painting. After decades of creating some of the world's great magazines, he is throttling down. He's working with canvas, paint, and brush — and reveling in the thrill of making something, finally, for an audience of one.  It hasn't always been this way for Moss. Like most accomplished editors — like most serious creatives — Moss spent the better part of his career obsessed. Obsession is essential, he says, to the making of something great. Growing up on Long Island, Moss became obsessed with Esquire and New York magazines. “My parents were subscribers,” he says. “I was in the suburbs. I'd open them and it was my invitation to New York City. And to cosmopolitan life. And to sophistication.” And knowing that it was all happening just a short subway ride away made it irresistible. Moss's publishing portfolio is rotten with blue-blood brands: Rolling Stone, Esquire, The New York Times, and New York magazine. He's collaborated with editorial legends. In 1987 Moss decided to create something of his own. Invited to pitch an idea for a new magazine to the owners of The Village Voice, Moss did his song and dance. The folks in the boardroom were … unmoved. Afterwards, Moss retreated to the men's room to ponder his humiliation. Minutes later, Leonard Stern, the Voice's owner, took a spot at the next urinal, where he turned to Moss and said, “Okay, we'll do your magazine.” What Moss pitched was a city magazine called 7 Days. It only lasted two years. But two weeks after ceasing publication, 7 Days was presented the National Magazine Award for general excellence. The splash it created propelled Moss to The New York Times, where, in a few short years, he transformed the paper's Sunday supplement into an editorial magnet for creative talent, the Esquire or New York magazine of the 1990s. In 2004 Moss joined another venerable brand, New York magazine, where he not only completely reimagined the print magazine, he bear-hugged the encroaching internet menace, creating more than 20 new digital-only brands, five of which — Vulture, The Cut, Intelligencer, The Strategist, and Grub Street — remain heavyweights of modern online editorial. In 2019, Adam Moss ended his 15-year run at New York, saying, “I want to see what else I can do.” So … painting. — This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

This episode of Across The Margin : The Podcast features an interview with Jonathan Bernstein, a senior research editor and writer at Rolling Stone, who before that was a freelancer for Oxford American, The Guardian, GQ, Vulture, Pitchfork, The Village Voice, Spin, Entertainment Weekly, and American Songwriter. His book, What Do You Do When You're Lonesome : The Authorized Biography of Justin Townes Earle, is the focus of this episode. In What To Do When You're Lonely, Jonathan Bernstein, with the full cooperation of the Justin Townes Earle estate, unravels a short but incredibly creative life, and reveals the backstories behind Justin's greatest songs and what happened when it all fell apart while also capturing a shadow world of the neglected children of Nashville legends who wrestle with the legacies of their hard-living, road-weary, often absent parents. Hosted on Acast. See acast.com/privacy for more information.

Ocean Vuong, poet, essayist, novelist, educator, and photographer, joins PhotoWork with Sasha Wolf for an in-depth conversation about his solo photography exhibition Sõng and the accompanying photobook, presented at CPW. In this episode, Vuong reflects on storytelling across mediums, creative practice, and the discipline behind writing and photography. Drawing from his life experience, he speaks candidly about process, vulnerability, and the courage required to share work publicly. This episode offers grounded insight for artists who question their creative voice or the value of presenting their work. https://www.oceanvuong.com/ https://cpw.org/exhibition/song/ Writer, professor, and photographer Ocean Vuong is the author of On Earth We're Briefly Gorgeous, winner of the American Book Award, The Mark Twain Award, and The New England Book Award. The novel debuted for six weeks on The New York Times bestseller list and has since sold more than a million copies in 41 languages. A nominee for the National Book Award and a recipient of a MacArthur "Genius" Grant, he is also the author of the poetry collections, Time is a Mother, a finalist for the Griffin prize, and Night Sky with Exit Wounds, a New York Times Top 10 Book, winner of the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award.  Selected by Time magazine as one of its 100 Rising Cultural Influencers, Vuong's writings have been featured in The Atlantic, Granta, Harpers, The Nation, New Republic, The New Yorker, The New York Times, Paris Review, The Village Voice, and American Poetry Review, which awarded him the Stanley Kunitz Prize for Younger Poets.  Born in Saigon, Vietnam and raised in Hartford, Connecticut in a working class family of nail salon and factory laborers, he was educated at nearby Manchester Community College before transferring to Pace University to study International Marketing. Without completing his first term, he dropped out and enrolled at Brooklyn College, where he graduated with a BA in Nineteenth Century American Literature. He subsequently received his MFA in Poetry from NYU.  He currently splits his time between Western Massachusetts and New York City, where he serves as a Professor in Modern Poetry and Poetics in the MFA Program at NYU.

Episode 514 / Michael BrennanMichael Brennan (b. 1965, Pine Island, FL; lives Brooklyn, NY) has exhibited his paintings and works on paper nationally and internationally for the past three decades, including in the United States, Mexico, Belgium, France, Germany, Italy, China, Australia, and New Zealand.  Here at the gallery, he previously mounted four very well-received solo exhibitions – Floating Weeds (2023), Late Spring (2018), Grey Razor Paintings (2014), and Knife Paintings (2006) – and has participated in numerous group exhibitions including our major survey exhibition MINUS SPACE at MoMA PS1 in 2008-2009 and Twenty (2023).Brennan's work have been reviewed in publications including The New York Times, Art in America, ARTnews, Art New England, The Brooklyn Rail, ArtNet Magazine, NY Arts, and Philadelphia Inquirer. He is also an accomplished arts writer, and his reviews and essays have been published in The Brooklyn Rail, ArtNet Magazine, Two Coats of Paint, The Village Voice, The Architect's Newspaper, American Abstract Artists, and Archives of American Art/Smithsonian Institution, as well as in numerous exhibition catalogues.Brennan's work is included in collections such as the Baltimore Museum of Art, National Gallery of Art, San Francisco Museum of Modern Art, San Jose Museum of Art, American Express, General Dynamics, Daimler AG, and Sony Corporation. He holds an MFA in Painting and an MS in Art History from Pratt Institute and a BA in Classics from the University of Florida. He has taught at Pratt Institute since 1998 and is currently Adjunct Professor in the Fine Arts Department. He has also previously taught at the School of Visual Arts, Hunter College, and Cooper Union (all NYC).  

On this episode of America at Night with McGraw Milhaven, McGraw is joined by Tricia Romano, author of “The Freaks Came Out to Write: The Definitive History of The Village Voice, The Radical Paper That Changed American Culture.” Romano reflects on the legacy of The Village Voice, its impact on journalism, politics, and pop culture, and how alternative media helped shape modern American discourse. Next, Blois (Bloyce) Olson, Chief Political Commentator at WCCO, joins the program to discuss the latest developments surrounding a reported fatal ICE-related shooting in Minneapolis. Olson examines the political and public reaction, the growing tensions surrounding immigration enforcement, and what the situation means for local leaders and law enforcement. The discussion sparks strong listener engagement, with McGraw opening the text line and asking whether ICE should continue operating in Minneapolis, leading to an active and spirited audience response on public safety, federal authority, and community trust. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Daria Grace revives century-old pop In the early 2000s, many Brooklyn bands explored offbeat styles. A Village Voice cover story in 2008 chronicled the borough's talented country scene and mentioned Kings County Queens, one of many music projects juggled by Daria Grace, who by 2013 had become a fixture in the Beacon music scene. Another of Grace's bands, Daria Grace & The Pre-War Ponies, performed obscure pop tunes from the 1920s through the 1940s culled from her sheet-music collection. The group last appeared in Beacon a decade ago at Quinn's, but the drought ends Friday (Jan. 30) at Lucky Dog, a new venue located at Beacon Music Factory. Grace doesn't read notes or play the piano, but arrangements from the period often included ukulele chords as Americans became enamored with Hawaiian sounds, so she learned to strum the four-stringed instrument and recorded the album Introducing The Pre-War Ponies in 2007. The band still plays in Brooklyn once a month. Grace mines old ditties that are easy on the ears but never made it into The Great American Songbook. The Ponies retrieve lesser-known gems from hitmakers Irving Berlin, Jerome Kern and Cole Porter, along with tunes by unsung writers who cranked them out on Tin Pan Alley. During the years between the world wars, lyricists often disguised risque blues references, but the title of "Pettin' in the Park," which appeared in the film Gold Diggers of 1933, states the obvious. On the surface, "The Gentleman Just Wouldn't Say Goodnight" seems similar to the now-controversial song "Baby, It's Cold Outside," about a guy cajoling a woman to stick around and pitch some woo. In the gentleman tune, however, written by Don Reid and Dave Terry, a couple wakes up at the crack of dawn and, it turns out, "the lady didn't want to say goodnight" either. The band's recording of the song on their more elaborate second disc, Get Out Under the Moon (2015), features a languid trombone solo by Grace's chief collaborator, J. Walter Hawkes, who also sings and plays soprano ukulele. The touch of brass enhances the vibe, since these songs date to the horn-dominated Big Band era. Also appearing at Lucky Dog will be Willie Martinez on drums and Andrew Hall on standup bass. Grace, whose bread-and-butter instrument is the electric bass, has toured and recorded with many bands as a gun for hire. In the Ponies, "I'm the singer, so it is my baby, although Walter has been along for the ride from the beginning and is integral to the sound." Delivering live shows with professional polish, she sings with pitch-perfect flow and phrasing. Because smaller ukuleles can't achieve much heft, Grace plays a baritone version, which resembles a guitar and adds depth to the sound. In 2008, she and then-husband Jack Grace left Brooklyn for Woodstock and ended up in Beacon five years later when they moved into the backyard cottage of George Mansfield, then co-owner of Dogwood (now Cooper's). As a member of The Wynotte Sisters, Grace's taste is impeccable: One favorite is the hipster pearl, "Give Me the Moon Over Brooklyn," written by Terry Shand and Jason Matthews. Guy Lombardo released a recording in 1946. "While touring, I was always on the lookout for old sheet music in junk shops," she says. "But someone from Texas gave that to me." Lucky Dog is located at 333 Fishkill Ave. in Beacon; the performance begins at 7:30 p.m. Admission is $20. See dub.sh/BMF–tickets

The fifteenth episode of our season on the awesome movie year of 1971 features our future cult classic pick, Tom Laughlin's Billy Jack. Directed and co-written by Tom Laughlin and starring Laughlin, Delores Taylor, David Roya, Clark Howat and Julie Webb, Billy Jack was at one point the highest-grossing independent film of all time.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/billy-jack-1971), Howard Thompson in The New York Times (https://www.nytimes.com/1971/07/29/archives/a-misguided-billy-jack.html), and Stuart Byron in The Village Voice.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at

Jonathan Bernstein is a senior research editor and writer at Rolling Stone. He has written for Oxford American, The Guardian, GQ, and the Village Voice. His book What Do You Do When You're Lonesome - The Authorized Biography of Justin Townes Earle is available now wherever you purchase books. Y'all, this conversation is at the intersection of so many of my interests- music, music journalism, books, mental health- just all the things.  This book is for anyone who is a fan of Justin's music or just real, human stories about complicated people. Everyone, it is my honor to bring you, my conversation with Jonathan Bernstein.  

This is our NEW RELEASE review podcast, ONE HOT TAKE.On paper, it's a familiar midlife recalibration story: work, marriage, identity, creativity. On screen, it plays like a series of almost moments that never quite click into rhythm.Synopsis:As their marriage unravels, Alex faces middle age and divorce, seeking new purpose in the New York comedy scene. Meanwhile, his wife Tess confronts sacrifices made for their family, forcing them to navigate co-parenting and identities.Sean BurnsSean Burns is a film critic for WBUR's Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. Currently a member of the Online Film Critics Society and the Critics Choice Association, he's also “the most annoyingest person ever,” according to his niece.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsOne Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

To kick off 2026 with a bang, we welcomed back music writer Amy Linden of Immaletyoufinish Podcast to share with all you lovely people her tale of seeing and interviewing Amy Winehouse right as she broke in the US. While Frank had been a sensation overseas, it was her new album Back To Black which would take her to dizzying heights of stardom and create an image of a hard-partying girl from North London. Amy Linden not only saw Amy Winehouse's first US performance at Joe's Pub in NYC but also interviewed her later that year and saw her subsequent NYC shows. Amy has been in the business for decades and came on First Concert Memories last year to talk about seeing The Sex Pistols in their final show in San Francisco when she was new to the industry. As an industry insider, she relates the story of pitching the Village Voice to let her cover Amy's US debut. Linden sticks up for Winehouse as a troubled woman who just needed a hug despite her tough exterior. Hear about Winehouse singing with The Dap-Kings and her back up singers/dancers created an amazing show. But you'll also hear how she saw signs in her interview that Amy was troubled and the shows she gave later in 2007 didn't live up to the promise of the early 2007 show at Joe's Pub. Amy Winehouse had the talent to be an enduring superstar but her lifestyle and health problems ensured that she would be known as a shooting star. Great insights from Amy Linden - hear her on ⁠Immaletyoufinish Podcast⁠ Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

To kick off 2026 with a bang, we welcomed back music writer Amy Linden of Immaletyoufinish Podcast to share with all you lovely people her tale of seeing and interviewing Amy Winehouse right as she broke in the US. While Frank had been a sensation overseas, it was her new album Back To Black which would take her to dizzying heights of stardom and create an image of a hard-partying girl from North London. Amy Linden not only saw Amy Winehouse's first US performance at Joe's Pub in NYC but also interviewed her later that year and saw her subsequent NYC shows. Amy has been in the business for decades and came on First Concert Memories last year to talk about seeing The Sex Pistols in their final show in San Francisco when she was new to the industry. As an industry insider, she relates the story of pitching the Village Voice to let her cover Amy's US debut. Linden sticks up for Winehouse as a troubled woman who just needed a hug despite her tough exterior. Hear about Winehouse singing with The Dap-Kings and her back up singers/dancers created an amazing show. But you'll also hear how she saw signs in her interview that Amy was troubled and the shows she gave later in 2007 didn't live up to the promise of the early 2007 show at Joe's Pub. Amy Winehouse had the talent to be an enduring superstar but her lifestyle and health problems ensured that she would be known as a shooting star. Great insights from Amy Linden - hear her on Immaletyoufinish Podcast Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

The Decade Project is an ongoing One Heat Minute Productions Patreon exclusive podcast looking back at the films released ten years ago to reflect on what continues to resonate and what's ripe for rediscovery. The third year being released on the main podcast feed is the films of 2015. To hear a fantastic chorus of guests and I unpack the films of 2016 in 2026, subscribe to our Patreon here for as little as $1 a month. In the latest episode, I catch up with a kindred spirit, Scout Tafoya (author of The Black Book: An Anthony Mann Reader), about a profoundly unloved picture, KNIGHT OF CUPS. Scout Tafoya - Buy THE BLACK BOOK hereScout Tafoya is a film critic, video essayist, filmmaker, and author of Cinemaphagy: On The Psychedelic Classical Form of Tobe Hooper, the first book-length critical study of the director of "The Texas Chain Saw Massacre." Originally from Doylestown, PA, he is the creator of RogerEbert.com's The Unloved, the longest-running video essay series on the web, about movies in need of a second look. His writing has appeared in the Village Voice, Film Comment, Nylon Magazine, the Los Angeles Review of Books, and The Film Stage, among others. He is the director of over 25 feature films, including "Eyam," "House of Little Deaths," and "Beata Virgo Viscera," which debuted on RogerEbert.com. His features and his extensive video essay work can be found at Patreon.com/honorszombie.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Decade Project is an ongoing One Heat Minute Productions Patreon exclusive podcast looking back at the films released ten years ago to reflect on what continues to resonate and what's ripe for rediscovery. The third year being released on the main podcast feed is the films of 2015. To hear a fantastic chorus of guests and I unpack the films of 2016 in 2026, subscribe to our Patreon here for as little as $1 a month. In the latest episode, I catch up with my favourite Bostonian film critic, Sean Burns, to discuss a Spielberg and Coen brothers collab - BRIDGE OF SPIES.Sean BurnsSean Burns is a film critic for WBUR's Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. Currently a member of the Online Film Critics Society and the Critics Choice Association, he's also “the most annoyingest person ever,” according to his niece.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsOne Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

My conversation with Anya starts at 38 mins and Jason and I being at 1:05 in to today's show after headlines and clips Subscribe and Watch Interviews LIVE : On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 760 awesome, curious, kind, funny, brilliant, generous soul Anya Kamenetz speaks, writes, and thinks about generational justice; about thriving, and raising thriving kids, on a changing planet. Her newsletter on these topics is The Golden Hour. She covered education for many years including for NPR, where she co-created the podcast Life Kit: Parenting. Her newest book is The Stolen Year: How Covid Changed Children's Lives, And Where We Go Now. Kamenetz is currently an advisor to the Aspen Institute and the Climate Mental Health Network, working on new initiatives at the intersection of children and climate change. Anya Kamenetz speaks, writes, and thinks about generational justice; about thriving, and raising thriving kids, on a changing planet. Her newsletter on these topics is The Golden Hour. She covered education as a journalist for many years including for NPR, where she also co-created the podcast Life Kit:Parenting in partnership with Sesame Workshop. Kamenetz is currently an advisor to the Aspen Institute and the Climate Mental Health Network on new initiatives at the intersection of children and climate change. She's the author of several acclaimed nonfiction books: Generation Debt (Riverhead, 2006); DIY U: Edupunks, Edupreneurs, and the Coming Transformation of Higher Education (Chelsea Green, 2010) ; The Test: Why Our Schools Are Obsessed With Standardized Testing, But You Don't Have To Be (Public Affairs, 2016); The Art of Screen Time: How Your Family Can Balance Digital Media and Real Life (Public Affairs, 2018), and The Stolen Year: How Covid Changed Children's Lives, And Where We Go Now (Public Affairs, 2022). Kamenetz was named a 2010 Game Changer in Education by the Huffington Post, received 2009, 2010, and 2015 National Awards for Education Reporting from the Education Writers Association, won an Edward R. Murrow Award for innovation in 2017 along with the rest of the NPR Ed team, and the 2022 AERA Excellence in Media Reporting on Education Research Award. She's been a New America fellow, a staff writer for Fast Company Magazine and a columnist for the Village Voice. She's contributed to The New York Times, The Washington Post, New York Magazine and Slate, and been featured in documentaries shown on PBS, CNN, HBO and Vice. She frequently speaks on topics related to children, parenting, learning, technology, and climate to audiences including at Google, Apple, and Sesame, Aspen Ideas, SXSW, TEDx, Yale, MIT and Stanford. Kamenetz grew up in Baton Rouge and New Orleans, Louisiana, in a family of writers and mystics, and graduated from Yale University. She lives in Brooklyn with her husband and two daughters. ______________________________________ Check out and subscribe to Dr Jason Johnson new youtube channel Dr. Jason Johnson is an associate professor of politics and journalism in the School of Global Journalism & Communication at Morgan State University and author of the book Political Consultants and Campaigns: One Day to Sell. He focuses on campaign politics, political communication, strategy and popular culture. He hosts a podcast on Slate called "A Word" He is a political analyst for MSNBC, SIRIUS XM Satellite Radio and The Grio. He has previously appeared on CNN, Fox News, Al Jazeera, Current TV and CBS. His work has been featured on The Daily Show with Trevor Noah, The Late Show with Stephen Colbert and on ESPN. He has been quoted by The Guardian, The Washington Post, The Washington Times, The Wallstreet Journal, Buzzfeed, The Hill newspaper, the Cleveland Plain Dealer and the Atlanta Journal Constitution. Dr. Johnson is a University of Virginia alumnus and earned his PhD in Political Science from the University of North Carolina at Chapel Hill. On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page   Gift a Subscription https://www.patreon.com/PeteDominick/gift Send Pete $ Directly on Venmo

The eleventh episode of our season on the awesome movie year of 1971 features Jason's personal pick, Hal Ashby's Harold and Maude. Directed by Hal Ashby from a screenplay by Colin Higgins and starring Bud Cort, Ruth Gordon, Vivian Pickles and Charles Tyner, Harold and Maude was a critical and commercial failure that has since become an enduring classic.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/harold-and-maude-1972), Vincent Canby in The New York Times (https://www.nytimes.com/1971/12/21/archives/screen-harold-and-maude-and-lifehal-ashbys-comedy-opens-at-coronet.html), and Richard McGuinness in The Village Voice.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen....

Tom Sleigh is a multiple award winning poet, dramatist and essayist. He's written eleven books of poetry. His most recent is “The King's Touch”, which won the Paterson Poetry Prize. His other works include “Army Cats”, winner of the John Updike Award, “Space Walk”, winner of the Kingsley Tufts Award, and “Far Side Of The Earth”, which won an Academy Award from the American Academy of Arts and Letters. His poems and prose have appeared in The New Yorker, American Poetry Review, Yale Review and The Village Voice. He is a Professor (Emeritus) at Hunter College. And he has also worked as a journalist in Syria, Lebanon, Somalia, Kenya, Iraq, and Libya. In the PoetryFest portion of this episode Tom will read his poem "A Man Plays Debussy for a Blind, Eighty-Four-Year-Old Elephant" from “The King's Touch”.My featured song is my version of Thelonious Monk's “Well, You Needn't” from my debut 1994 album Miles Behind. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH TOM:www.tomsleigh.com—----------------------------------------ROBERT'S LATEST SINGLE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

This is our NEW RELEASE review podcast, ONE HOT TAKE.Synopsis:Grown men's recreational baseball game stretches to extra innings on their beloved field's final day before demolition. Humor and nostalgia intertwine as daylight fades, signaling an era's end.Sean BurnsSean Burns is a film critic for WBUR's Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. Currently a member of the Online Film Critics Society and the Critics Choice Association, he's also “the most annoyingest person ever,” according to his niece.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsIsaac FeldbergIsaac Feldberg is an entertainment journalist currently based in Chicago, who's been writing professionally for nine years and hopes to stay at it for a few more. On a typical evening, he sits down to surf the Criterion Channel and ends up, inevitably, on Shudder. You can find him on Twitter at @isaacfeldberg.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

I've maybe never interviewed anyone in my entire time as a historian and podcaster who has had a career as broad and varied as Susan Lyne. Yes, I obviously wanted to talk to Susan about her role helping startup Gilt Group, and her current role as the managing partner of the VC firm BBG Ventures. But, holy how. Susan also launched and oversaw the golden era of Premiere Magazine. She was the CEO of Martha Stewart Living Omnimedia when Martha had to step away to, you know, go to prison. And she was the President of ABC Entertainment. She oversaw the development of shows like Grey's Anatomy and Lost. So, like, yeah. We needed to do two episodes. So this is part one, with the great, Susan Lyne. Chapters 00:00 From Boston to Berkeley: A Transformative Journey 08:00 The Rise of Alternative Media: Village Voice Era 16:06 Hollywood Calling: The IPC Films Experience 23:12 Launching Premier Magazine: Inside Hollywood 36:14 Navigating the ABC Landscape: A New Era 40:28 Developing Grey's Anatomy And Lost Takeaways Susan's upbringing in Boston shaped her perspective on expectations and identity. Her time at UC Berkeley was transformative, exposing her to diverse ideas. Freelancing in journalism helped her develop a passion for storytelling. Working at City Magazine under Francis Ford Coppola was a unique experience. The Village Voice was a golden era for alternative media in New York. Susan's transition to Hollywood was driven by her love for storytelling. Premier Magazine aimed to provide in-depth insights into the film industry. At ABC, she focused on creating shows that appealed to women. Susan learned the importance of having a supportive partner in leadership. Her experience at ABC taught her valuable lessons about resilience and change. Learn more about your ad choices. Visit megaphone.fm/adchoices

The eighth episode of our season on the awesome movie year of 1971 features Josh's personal pick, John D. Hancock's Let's Scare Jessica to Death. Directed by John D. Hancock and starring Zohra Lampert, Barton Heyman, Kevin O'Connor, Gretchen Corbett and Mariclare Costello, Let's Scare Jessica to Death was Hancock's debut feature following a career in theater.The contemporary reviews quoted in this episode come from Roger Greenspun in The New York Times (https://www.nytimes.com/1971/08/28/archives/screen-hippie-vampire-lets-scare-jessica-to-death-arrives.html), Stanley Eichelbaum in The San Francisco Examiner, and Michael Kerbel in The Village Voice.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at

This is our NEW RELEASE review podcast, ONE HOT TAKE.Synopsis:When Ashley asks for a divorce, the good-natured Carey runs to his friends, Julie and Paul, for support. Their secret to happiness is an open marriage; that is, until Carey crosses the line and throws all of their relationships into chaos.Sean BurnsSean Burns is a film critic for WBUR's Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. Currently a member of the Online Film Critics Society and the Critics Choice Association, he's also “the most annoyingest person ever,” according to his niece.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsOne Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Puerto Rico is the oldest colony in the world, something that must change, says Ed Morales. Today Ed drops in to talk about the history of Puerto Rico, the Puerto Rican diaspora, and how colonialism has hurt the island over the last 500 years.About our guest:Ed Morales is an author and journalist who has written for The Nation, The New York Times, The Washington Post, Rolling Stone, and the Guardian. He was staff writer at The Village Voice and columnist at Newsday. He is the author of Fantasy Island: Colonialism, Exploitation, and the Betrayal of Puerto Rico (Bold Type Books), Latinx: The New Force in Politics and Culture (Verso Books 2018), The Latin Beat (Da Capo Press 2003) and Living in Spanglish (St. Martins 2002). In 2019 Latinx was shortlisted for the Nayef Al-Rodhan Prize for Global Cultural Understanding by the British Academy in London. In 2009, while a Columbia University Revson Fellow, Morales wrote and directed Whose Barrio? (2009) an award-winning documentary about the gentrification of East Harlem. The film was inspired by “Spanish Harlem on His Mind,” an essay published in The Best of the City Section of the New York Times (NYU Press 2005). Morales is also a 2022-23 Mellon Bridging the Divides Fellow at the Center for Puerto Rican Studies in New York.

Rye Coalition came out of Jersey City in the early nineties and quickly built a reputation as one of the most fearless and inventive bands in the post-hardcore world. They toured with heavyweights like Queens of the Stone Age, Foo Fighters, and The (International) Noise Conspiracy, earned praise from outlets including Spin, Pitchfork, and The Village Voice, and worked with legendary producers Steve Albini and Dave Grohl. Their documentary "Rye Coalition: The Story of the Hard Luck 5" became a cult favorite, cementing their status as one of the most underrated but widely respected bands of their era. Loud, chaotic, swagger-filled, and always a little dangerous, they were the group other musicians whispered about as a secret influence. If you know, you know. I got Ralph on the Zoom and this is what we chatted about: John Hiltz Gern Blandsten Records What bands inspired their live show Did their music stand for anything? Recording with Steve Albini recording with Dave Grohl What did signing to Dreamworks do for the band And a ton more Be on the lookout for some old music of theirs to release in 2026 and follow their instagram. Click here for Herbs GofundMe    

This week, we tune our ears back 50 years to 1975 and flip through some of the albums released in that year. Each episode will examine those records from a different angle. In the second part of the series, we run down some of the critical choices for best album of 1975, including lists from Paste, Rolling Stone and the Village Voice's Pazz and Jop.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Send us a text(REPRISE) Today, my guest is journalist and author Katherine Stewart. I had a compelling conversation with this highly sought-after writer, and we went deep. Known for The Power Worshippers, she's back with Money, Lies, and God, exposing the dangerous alliance of Christian Nationalism and political power.We dive into her journey from the Child Evangelism Fellowship to attending rallies and conferences of the religious right. Katherine reveals how dark money, misinformation, and groups like Project 2025, the Federalist Society, and the Claremont Institute are reshaping America.We discuss Trump's 2024 win, his first 100 days, and how Christian Nationalism impacts public education, gender issues, race, and democracy itself.Most importantly, Katherine shares how we can resist and respond.This is a conversation that matters — for faith, democracy, and our future.Stewart began her journalism career working for investigative reporter Wayne Barrett at The Village Voice. Since 2011, she has contributed op-eds to The New York Times and written for various publications, including The Guardian, The American Prospect, The Nation, and The Atlantic. Her book was the basis of the documentary film by Rob Reiner, God and Country.Originally aired May 15, 2025SHOW NOTESSupport the showBecome a Patron - Click on the link to learn how you can become a Patron of the show. Thank you! Ken's Substack Page The Podcast Official Site: TheBeachedWhiteMale.com

Town Hall Seattle, Juneau Street Resilience Pod, and the City of Seattle's Office of Sustainability and Environment hosts an evening with climate justice leaders who are reimagining our climate future in Seattle and beyond; discussing how community leaders, local government and academia can use joy and storytelling to build relationships and actualize climate resilience strategies, and sharing more about the upcoming One Seattle Climate Action Plan Update, including how you can get involved! Moderator Nancy Huizar (they/them/theirs) is an environmental justice activist, facilitator, and consultant. They believe that everything we are doing to further environmental justice needs to address and connect to how people — particularly people of color — are impacted. Because the environmental movement has historically shut out communities of color, their work focuses on tending to, understanding, and centering the needs and health of communities of color. Panelists Lylianna Allala is Interim Deputy Director for the City of Seattle's Office of Sustainability and Environment. Previously she served as the Climate Justice Director in the Office of Sustainability & Environment. In her current role, she provides strategic leadership and direction on policies and programs that address the root causes and impacts of climate change including citywide implementation of Seattle's Equity & Environment Initiative and Seattle's Green New Deal. Prior to joining the City of Seattle, Lylianna led climate & environmental policy & outreach for U.S Congresswoman Pramila Jayapal. She began her career in habitat restoration and ecology focusing on upland and urban forests, and wetlands. She is a co-creator of the Growing Old podcast, a 2019 Henry M. Jackson Foundation Leadership Fellow, and an alumna of the 2024 Obama Foundation Leaders USA program. She currently serves as a co-facilitator for the Obama Leaders Climate Community of Practice. Debolina Banerjee (she/hers) is a Senior Climate Policy Manager at Puget Sound Sage. Her work includes research-based analysis of climate policies, campaign support on climate justice issues, and building power within Sage's local and statewide climate coalitions. Debolina has research experience in transit-oriented development, the environmental impacts of unorganized industries and project management for real estate development. In addition, she has extensive experience working with grassroots activists and marginalized communities in India, organizing for social justice around food, sustainable agriculture, clean environment, community development, and women's empowerment. Aya de León is the Poet Laureate of the City of Berkeley, and she teaches creative writing at UC Berkeley. Kensington Books publishes her novels for adults, including the "Justice Hustlers" series and several standalone novels. Candlewick Books publishes Aya's "Factory" series for younger readers. Aya has appeared in the New York Times' "By the Book" and has received acclaim in the Washington Post, the Village Voice, and SF Chronicle. Her words have also appeared in Harper's Bazaar, The Guardian UK, and on Def Poetry. A graduate of Harvard College, with an MFA in fiction from Antioch University Los Angeles, Aya has been an artist in residence at Stanford University, a Cave Canem poetry fellow, and a slam poetry champion. In spring 2022, she organized an online conference entitled Black Literature vs. the Climate Emergency (available on YouTube). She's also on Instagram. In 2025, she kicked off her new project, Formation, an intergenerational community organizing project through the arts. She organizes with the Black Hive, the climate and environmental justice formation of the Movement for Black Lives. She is also involved with the Working Families Party and writes and choreographs social justice line dances to bring joy to political movements. Dr. Esther Min received her PhD in Environmental and Occupational Hygiene from the University of Washington and her Master of Public Health with emphasis in community health from Touro University, California. Her focus is to build research processes and projects that uplift the voices of Black, Indigenous and people of color, and frontline communities and organizations are elevated, and their priorities and goals of environmental justice are supported by academic researchers and practitioners. Esther is the Director of Community Innovation, Evaluation, and Learning at Front and Centered, a coalition of frontline community organizations working on environmental and climate justice policies in the state of WA. She is also a Clinical Associate Professor at the University of Washington's School of Public Health where she teaches an environmental justice course for undergrad and graduate students, and conducts research-to-action type projects. Presented by Town Hall Seattle, Juneau Street Resilience Pod, and the City of Seattle's Office of Sustainability and Environment.  

Happy Halloween! To celebrate spooky season, Corbin and Matt are joined by NATHAN LEE, a film academic and critic whose work has appeared in The New York Times, Film Comment, The Village Voice, and NPR, among others, to discuss THE SHROUDS, David Cronenberg's movie about the SPOOKIEST topics of all... Grieving and Technology and Anxiety and Conspiracy. SpoooOOOoooOOOoooOOOky! Read Nathan's fabulous essay on The Shrouds here. Corbin's rec is in theaters right now. Matt's rec. Nathan's rec. Our next episode is about METALLICA: SOME KIND OF MONSTER, and it should come out earlier next week to make up for the gap last week (Sorry, busy). But NEXT WEEK IN THE NORMAL SLOT we are watching "Cobra Verde" which you can watch here. 

Presidential power has expanded far beyond what the framers of the Constitution envisioned. From Lincoln and Roosevelt to Nixon and Trump, presidents have pushed the limits of executive authority — often during moments of crisis. Understanding this history is key to understanding what comes next for American democracyIn this episode, host Simone Leeper speaks with American historians Douglas Brinkley and Rick Perlstein, CLC Executive Director Adav Noti and Juan Proaño, CEO of LULAC. In conversation, they trace how the presidency has gathered sweeping power over time; what happens when oversight of this executive power breaks down; and what legal, legislative and civic reforms could restore accountability, prevent presidential overreach and safeguard the constitutional separation of powers that defines the United States.Timestamps:(00:05) — Why were federal troops deployed in Los Angeles?(05:11) — Can the president legally invoke emergency powers?(07:31) — How did the Founders limit presidential authority?(09:14) — When did executive orders begin to expand presidential power?(10:25) — How did FDR and later presidents redefine the presidency?(13:04) — What did Nixon's “If the president does it, it's not illegal” comment really mean?(15:22) — What are the origins of the so-called unitary executive theory?(18:21) — How are checks and balances failing?(19:42) — Is America sliding toward authoritarianism?(27:57) — How is Campaign Legal Center fighting unlawful presidential overreach through litigation?(30:00) — Why does birthright citizenship matter for American democracy?(33:13) — What can be done to stop abuses of presidential authority?Host and Guests:Simone Leeper litigates a wide range of redistricting-related cases at Campaign Legal Center, challenging gerrymanders and advocating for election systems that guarantee all voters an equal opportunity to influence our democracy. Prior to arriving at CLC, Simone was a law clerk in the office of Senator Ed Markey and at the Library of Congress, Office of General Counsel. She received her J.D. cum laude from Georgetown University Law Center in 2019 and a bachelor's degree in political science from Columbia University in 2016.Juan Proaño is an entrepreneur, technologist and business leader who is active in civic affairs, social impact, and politics He has served as the League of United Latin American Citizens (LULAC) Chief Executive Officer (CEO) since November 2023. As LULAC's CEO, Juan oversees the day-to-day operations at LULAC; identifies strategic growth areas; and works to amplify the organization's advocacy initiatives and action-oriented programs.Rick Perlstein is an American historian, writer and journalist who has garnered recognition for his chronicles of the post-1960s American conservative movement. He is the author of five bestselling books. Perlstein received the 2001 Los Angeles Times Book Award for History for his first book, Before the Storm: Barry Goldwater and the Unmaking of the American Consensus, and appeared on the best books of the year lists of The New York Times, The Washington Post and the Chicago Tribune. His essays and book reviews have been published in The New Yorker, The New York Times, The Washington Post, The Nation, The Village Voice and Slate, among others. A contributing editor and board member of In These Times magazine, he lives in Chicago.Douglas Brinkley is the Katherine Tsanoff Brown Chair in Humanities and Professor of History at Rice University, CNN Presidential Historian and a contributing editor at Vanity Fair. He works in many capacities in the world of public history, including on boards, museums, colleges and historical societies. The Chicago Tribune dubbed him “America's New Past Master.” The New York Historical has chosen Brinkley as their official U.S. Presidential Historian. His recent book Cronkite won the Sperber Prize, while The Great Deluge: Hurricane Katrina, New Orleans and the Mississippi Gulf Coast received the Robert F. Kennedy Book Award. He has received a Grammy Award for Presidential Suite and seven honorary doctorates in American Studies. His two-volume annotated The Nixon Tapes recently won the Arthur S. Link – Warren F. Kuehl Prize. He is a member of the Century Association, Council of Foreign Relations and the James Madison Council of the Library of Congress. He lives in Austin, Texas, with his wife and three children.Adav Noti coordinates all of Campaign Legal Center's operations and programmatic activities, overseeing CLC's efforts to protect elections, advance voter freedom, fix the campaign finance system, ensure fair redistricting and promote government ethics. Adav has conducted dozens of constitutional cases in trial and appellate courts and the United States Supreme Court. He also advises members of Congress and other policymakers on advancing democracy through legislation. Prior to joining CLC, Adav served for more than 10 years in nonpartisan leadership capacities within the Office of General Counsel of the Federal Election Commission, and he served as a Special Assistant United States Attorney for the District of Columbia. Adav regularly provides expert analysis for television, radio and print journalism.Links: Voting Is an American Freedom. The President Can't Change That – CLC  What Are Executive Orders and How Do They Work? – CLC  The Significance of Firing Inspectors General: Explained – CLC  CLC's Kedric Payne on Trump's Brazen Removal of Nation's Top Ethics Official – CLC  The Justice Department Is In Danger Of Losing Its Way Under Trump – CLC  It's almost Inauguration Day. Will there be any checks on Trump's power? – Trevor Potter op-d in The Hill Amidst the Noise and Confusion – Trevor Potter's newsletter Understanding Corruption and Conflicts of Interest in Government | Campaign Legal Center – CLC  CLC Sues to Stop Elon Musk and DOGE's Lawless, Unconstitutional Power Grab | Campaign Legal Center – CLC  Trump's Executive Orders 2025 – Federal Register  Preserving and Protecting the Integrity of American Elections (Trump's EO on voting) – The White House  Defending the Freedom to Vote from the Trump Administration's Unconstitutional Presidential Overreach (LULAC, et al. v. Executive Office of the President) – CLC  CLC Sues to Block Trump Administration's Illegal Election Overreach – CLC  Victory! Anti-Voter Executive Order Halted in Court – CLC  Understanding the election tech implications in the Trump Administration's executive order – Verified Voting  Independent Agencies Must Remain Independent – CLC  Can President Trump Do That? – CLC  Why Birthright Citizenship Is an Essential Part of Our Democracy – CLC  Authoritarianism, explained – Protect Democracy The Authoritarian Playbook – Protect Democracy U.S. Supreme Court Significantly Limits Restraints on Unconstitutional Presidential Actions – CLC  Reconciliation Bill Passes the Senate Without Two Dangerous Provisions: Campaign Legal Center Reacts – CLC  The “Self-Evident” Case for Opposing Tyranny – Trevor Potter's Newsletter White House Eyes Rarely Used Power to Override Congress on Spending – NY TimesAbout CLC:Democracy Decoded is a production of Campaign Legal Center, a nonpartisan nonprofit organization dedicated to solving the wide range of challenges facing American democracy. Campaign Legal Center fights for every American's freedom to vote and participate meaningfully in the democratic process. Learn more about us.Democracy Decoded is part of The Democracy Group, a network of podcasts that examines what's broken in our democracy and how we can work together to fix it. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

** Importantly, this broadcast aired live on October 21st. George Stinney was born on October 21, 1929. He was convicted of killing two South Carolina White girls and executed at the age of 14. He could not fit in the electric chair. The Context of White Supremacy welcomes Admitted Racist Blanche Boyd. A White Woman born in South Carolina, Boyd did a 1982 interview with legendary journalist Tony Brown where she Admitted to being a Racist. Over the past 4 decades, Boyd has continued to write about what it means to be classified as White and the many ways people like she continue to terrorize non-white people. Gus found Ms. Boyd's work while the Katherine Massey Book Club investigated South Carolina Race Soldier and convicted killer Susan Smith. Boyd was paid to cover the court proceedings in Union, SC and wrote her observations in the Village Voice and other outlets. We'll discuss why she felt the need to cape for a Racist, lying, child-killing White Woman. Importantly, Boyd claimed to be ignorant about Smith drowning her two White children along with wedding gown and wedding photo album. This bit of evidence strongly suggests that Smith plotted to kill her children while erasing her entire life connected to her husband, David. If Boyd traveled to South Carolina to cover this 1995 case, it is a colossal indictment of her incompetence and slipshod journalism if she missed this detail. Omitting this importance evidence is mandatory to fabricate the idea sympathy that Susan Smith was a "victim" and didn't deserve the death penalty. #EndStageWhiteSupremacy INVEST in The COWS - http://paypal.me/TheCOWS Cash App: http://cash.app/$TheCOWS Call: 720.716.7300 Code: 564943#

ONE HOT FEST – ADELAIDE FILM FESTIVAL is a special mini-series from One Heat Minute Productions, diving into Australia's most charismatic celebration of cinema. Host Blake Howard takes you inside the Adelaide Film Festival — from filmmaker interviews and festival dispatches to reviews and discussions with guests and critics — relaying the energy, stories, and spirit that make it one of Australia's most electric film events.Synopsis:A behind-the-scenes documentary about the making of Francis Ford Coppola's Megalopolis (2024).Sean BurnsSean Burns is a film critic for WBUR's Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. Currently a member of the Online Film Critics Society and the Critics Choice Association, he's also “the most annoyingest person ever,” according to his niece.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsOne Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ted is joined by Rob Harvilla, the host of the podcast 60 Songs That Explain the '90s and a senior staff writer at The Ringer. A professional rock critic for 20-plus years, Rob has had stops at the Village Voice, SPIN, Deadspin, and various other alt-weeklies.His podcast, which has now moved beyond the 1990s to consider the music of the 2000s, was the basis for his 2023 book 60 Songs That Explain the '90s. And as a regular listener of the show, Ted knows that in making it, Rob pens scripts that see him produce the same number of words as a novel roughly every eight to 10 episodes. It's a writing feat that is equal parts distinctive and impressive—which of course meant Ted wanted to talk with him about it.Together, they discuss the premise and evolution of the podcast, how Rob approaches picking songs and artists to feature, and his surprise at how pieces of his personal life have found their way into his scripts. Using Miranda Lambert's “The House That Built Me” as an example, he also gives us a look inside the shaping of an episode.He and Ted then dive into the relationship between lyrics and the vague legal requirements Rob has to meet to include clips of songs on the show as well as the challenge of not repeating himself across such a large body of written work. But they save perhaps the most important question for last:What does the term “classic rock” actually mean in 2025?Episode Links:Rob's WebsiteRob's PodcastWorking Drafts episodes and info for requesting transcripts as well as more details about Ted and his books are available on his website, thetedfox.com.

For this Park Bench Chat edition of Bar Crawl Radio podcast we talked about the changing nature of the New York City theatre review and how Tik Tok might be dumbing down the craft of the NYC theatre critic. Joining us on a park bench in the "You've Got Mail" Riverside Park Promenade are two NYC Theatre Critics -- David Cote and Zoe Kaplan. David Cote is a playwright, librettist, song writer, actor and director -- and the longest serving drama critic of Time Out New York. His reviews have appeared in Opera News, The Village Voice, The Guardian and The New York Times – and elsewhere. And with us is Zoe Kaplan whose day job is as a Content Marketing Manager.Earlier, Zoe demystified the world of work for Gen Zers and before that she managed reproductive and hormone health content for OOVA. Zoe writes a theater Substack called -- Not to Be Dramatic. Hosted on Acast. See acast.com/privacy for more information.

#1 New York Times bestselling author, Lev Grossman, spoke to me about his tenure at Time magazine, how The Magicians poked holes in Narnia and Potter, and reimagining a legend with THE BRIGHT SWORD: A Novel of King Arthur. Lev Grossman is the author of the #1 New York Times bestselling Magicians trilogy—The Magicians, The Magician King, and The Magician's Land—which has been published in 30 countries and adapted as a TV show that ran for five seasons on SYFY. His latest novel is THE BRIGHT SWORD: A Novel of King Arthur, named a Best Summer Read by The New York Times, Los Angeles Times, Time, Vulture, Esquire, Boston Globe, Elle, Town & Country, Seattle Times, New York Post, Lit Hub, and many others. George R. R. Martin, #1 New York Times bestselling author of A Game of Thrones said of the book, “If you love King Arthur as much as I do, you'll love Lev Grossman's The Bright Sword, a fresh and engrossing take on the Matter of Britain featuring a colorful cast of Round Table knights who don't often get as much story time as they deserve. The creator of The Magicians has woven another spell.” Lev has written two critically acclaimed novels for children, and the screenplay for the movie The Map of Tiny Perfect Things, a finalist for the Critic's Choice awards (based on his short story). He also worked as a staff writer at Time magazine, and has written essays and articles for Vanity Fair, the Believer, the Village Voice, the Wall Street Journal, the New York Times, Salon, Slate, Wired, Entertainment Weekly, Buzzfeed, NPR, and many others.  [Discover ⁠The Writer Files Extra⁠: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at ⁠writerfiles.fm⁠] [If you're a fan of The Writer Files, please ⁠click FOLLOW to automatically see new interviews⁠. And drop us a rating or a review wherever you listen] In this file Lev Grossman and I discussed:  How he talked his way into writing for Time magazine The evolution of his career from journalist to novelist Breaking through with middle-grade fantasy and The Magicians How he “got into the weeds” with his latest Arthurian tome World-building for streaming vs. collaborating on the graphic novel And a lot more! Show Notes: ⁠levgrossman.com⁠ ⁠The Bright Sword: A Novel of King Arthur⁠ by Lev Grossman (Amazon) ⁠Lev Grossman Amazon Author Page⁠ ⁠Lev Grossman on Facebook⁠ ⁠Lev Grossman on Instagram⁠ ⁠Lev Grossman on Twitter⁠ ⁠Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Today is a really special episode for Matt in that we dive into two of his great loves: food and fiction. In this episode, he catches up with two authors and journalists he has deep respect for: Ed Park and Jason Diamond. Ed is the author of the terrific new short story collection An Oral History of Atlantis and a finalist for the Pulitzer Prize. We talk about the 1990s and Ed's past life working at the Village Voice. Food is at the center of Ed's life (it's why we love Ed so much), and we talk about his Korean American household in Buffalo and the modern Korean restaurant scene.  On to Jason Diamond. The guy wrote a terrific debut novel, Kaplan's Plot. It's a story set in Chicago in both modern times and the 1920s, and yes, there are gangers—but also some amazing food scenes. We get into what drives Jason to write deeply researched scenes that celebrate Chicago's Jewish diaspora. Yes, liverwurst and the classic Chicago hot dog get some ink. Subscribe to This Is TASTE: ⁠⁠Apple Podcasts⁠⁠, ⁠⁠Spotify⁠⁠, ⁠⁠YouTube⁠⁠  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of PhotoWork with Sasha Wolf, Sasha is joined by legendary photo critic, curator, and collector Vince Aletti. Vince reflects on his early days as a music critic for Rolling Stone before joining the Village Voice as an arts editor, where he also began writing about photography. Later, as the photography critic at The New Yorker, Vince became a deeply admired voice in the field. Photographers hoped he would write about their work because his reviews were always perceptive, beautifully written, and profoundly generous of spirit. Sasha and Vince also revisit a personal milestone: Vince was the first critic to review an exhibition at Sasha's gallery, featuring photographs by the late Paul McDonough—a review that helped launch both Paul's career and Sasha's as a gallerist. In addition, they explore Vince's unparalleled collection of photo ephemera, a lifelong passion that has not only preserved vital archives of lesser-known work but has also inspired acclaimed photobooks and exhibitions. https://www.newyorker.com/contributors/vince-aletti https://en.wikipedia.org/wiki/Vince_Aletti Vince Aletti is a writer and curator based in New York City. His writings on music and photography have been published widely. Between 1973 and 1978 Aletti wrote a highly prescient weekly column on the emerging disco scene for Record World magazine, and between 1987 and 2005 he was the art editor and photography critic for The Village Voice. His writings have also appeared in The New Yorker, Artforum, and Vogue Italia, among many other publications. His book Issues: A History of Photography in Fashion Magazines was published by Phaidon in 2019. The Drawer was published by Self Publish, Be Happy in September 2022 and went on to win the 2023 Aperture/Paris Photo Photobook of the Year award.  An exhibition at White Columns inspired by The Drawer in 2024 was Aletti's fifth collaboration with the gallery, following on from his 2008 exhibition Male: Work from the Collection of Vince Aletti; the 2014 exhibition of Robert Kitchen's work, and the 2019 exhibition of Ed Baynard's work (both curated by Aletti); and the 2008 White Columns publication of Aletti's collected writings on disco, Disco File, which was subsequently republished in an expanded edition by DJ History/D.A.P. Born 1945, Philadelphia  Rolling Stone contributor (1970–1989); first mainstream writer on disco (1973)  Record World weekly disco columnist (1974–1979) Senior Editor,  Photo Critic & Art Editor, The Village Voice (~1987–2005) Contributor, The New Yorker (2005–2016): weekly exhibition reviews in Goings on About Town Various publications: Artforum, Aperture, Photograph, Vogue Italia, FOAM, System

Howard Bloom has been called “next in a lineage of seminal thinkers that includes Newton, Darwin, Einstein, Freud, and Buckminster Fuller” by Britain's Channel4 TV and “the next Stephen Hawking” by Gear Magazine. Bloom is the author of seven books, including The Lucifer Principle: A Scientific Expedition Into the Forces of History and the new Einstein, Michael Jackson & Me: A Search for Soul in the Power Pits of Rock and Roll. The Office of the Secretary of Defense threw a symposium on Bloom's second book, Global Brain: The Evolution of Mass Mind from the Big Bang to the 21st Century, and brought in representatives from the State Department, the Energy Department, DARPA, IBM, and MIT. The eleventh president of India, Dr. A.P.J. Kalam called Bloom's third book, The Genius of the Beast: A Radical Re-Vision of Capitalism, “a visionary creation.” And the Sheikh who runs Dubai named a racehorse—the Beast–after that same book. Bloom has published or lectured scholarly conferences in twelve different fields, from quantum physics and cosmology to neuroscience, evolutionary biology, psychology, information science, governance, and aerospace. His work has appeared in the Washington Post, the Wall Street Journal, Wired, Knight Financial News Service, Cosmopolitan, The Village Voice, and the blog sites of Psychology Today and The Scientific American. In a full-page article in Business Insider, SpaceX's Elon Musk praised one of Bloom space projects, the Two Billion Dollar Moon Prize. The Two Billion Dollar Moon Prize was also covered in Time, Newsweek, CBS, NBC, Fox News, and Politico. And Jeff Bezos tweeted a Bloom blog from the Scientific American calling for the establishment of a permanent transport infrastructure in space.Low Value Mail is a live call-in show with some of the most interesting guests the internet has to offer.Every Monday night at 7pm ETSupport The Show:

How fun it was to have Tejal Rao in the studio. Tejal is the co–chief restaurant critic at the New York Times, a role where she shares the mic with Ligaya Mishan. Newly elevated to this important job, we talk about how she views her role as a critic and go over many of her memorable stories. We also look back on her days working at the Village Voice and discuss how that era of internet reporting (or, dare we call it, blogging) informed her well-respected journalism career. Tejal is one of our favorite voices in food.And, at the top of the show, it's the return of Three Things, where Aliza and Matt talk about what is exciting them in the world of restaurants, cookbooks, and the food world as a whole. On this episode: Zimi's knows their way around aioli, Melissa King's Cook Like a King is a true standout in a busy cookbook season, Samin Nostrat's knows how people want to eat with her new book, Good Things. Also: Ed Park's new short story collection, An Oral History of Atlantis, is such a trip to the ‘90s. And speaking of trip, we made one to Edmond Hong restaurant pop-up, Stones, and it was impressive. Lastly, Steakhouse, by Eric Wareheim and Gabe Ulla, is documentary cookbook writing at its finest.Listen: Meet Your New New York Times Restaurant Critic, Ligaya MishanRead: Omakase Isn't Always Worth the Hype. Our Critic Says This One Is.Read: The Hard-Shell Taco Deserves Your RespectSubscribe to This Is TASTE: Apple Podcasts, Spotify, YouTube See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, Dr. Kate Marvel, author of Human Nature: Nine Ways to Feel About Our Changing Planet, is on the show to discuss the complex ways she processes varying emotions while studying climate change and thinking about this planetary crisis. Marvel talks about her journey from a high school student disinterested in science to studying cosmology to eventually becoming a leading climate scientist. She explains why she's inspired by this work and the people that do it. We talk about the creative and fun aspects of working with climate models, some of the certainities and uncertainites that come with any scientific exploration, and what scares her most about climate change. Marvel shares some of the deep emotions that are evoked by everyday climate science and the importance of the narratives we tell living through this crisis. We also explore what it's like for climate science and scientists to be attacked, ignored, and/or belittled, and why it's critical to appreciate the amazing contributions we've received from years of hardworking scientists studying this issue.  Dr. Kate Marvel is one of the world's best-known climate scientists working today. She received a PhD in theoretical physics from Cambridge University, led the “Climate Trends” chapter in the U.S. Fifth National Climate Assessment, and has both given a TED Talk and testified before the U.S. Congress! She has written for Scientific American, Nautilus magazine, and the On Being Project.  Read Human Nature: Nine Ways to Feel About Our Changing Planet Please consider becoming a paid subscriber to our newsletter/podcast, The Climate Weekly, to help support this show. Your contributions will make the continuation of this show possible.  Our music is "Gotta Get Up" by The Passion Hifi, check out his music at thepassionhifi.com. Rate, review and subscribe to this podcast on iTunes, Spotify, and more! Subscribe to our YouTube channel. Other stuff referenced in this episode: The 50 Worst Songs of the '00s from the Village Voice  

On this episode, Marc talks to J. Hoberman, author of "Everything is Now: The 1960s New York Avant-Garde--Primal Happenings, Underground Movies, Radical Pop," released in May of 2025. It's a fascinating, real-time history of the art coursing through New York City in the 1960s, with vivid descriptions of plays, concerts, events, political movements, and all other types of creative moments. Hoberman, the legendary former film critic at the Village Voice, tells his tales in an excited rush of detail-drenched scenes, conjuring the adrenaline of a time when the past was broken and the future was unclear.As he writes, "[New York] was the site of demonstrations, insurrections, strikes, trials, sit-ins, be-ins, bombings, and, as a music, all manner of public theater – one giant happening on an epic urban stage...Although too young to have participated in most of the events I evoke, I am old enough to have experienced what might be termed the normalization of cultural craziness that characterized the 1960s."You can buy "Everything is Now" here.We hope you enjoy Marc's conversation with J. Hoberman!

Ed Park is the author of the novels Same Bed Different Dreams (2023), a Pulitzer Prize finalist and winner of the Los Angeles Times Book Prize, and Personal Days (2008), a finalist for the PEN/Hemingway Award. His fiction, essays, and reviews have appeared in The New Yorker, The New York Review of Books, Harper's, The Atlantic, Bookforum, McSweeney's, and elsewhere. He is a founding editor of The Believer and the former literary editor of The Village Voice, and has worked in newspapers and book publishing. An Oral History of Atlantis is his debut story collection. These 16 stories are utterly original and very funny. Some were written over a period of years, others in an hour. He joins Marrie Stone to talk about the collection and all the dozens of decisions that went into creating these stories. He also talks about his writing career, the things that made the biggest difference in his training, and his advice to writers. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can find hundreds of past interviews on our website. You can help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. It's perfect for writing. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners! (Recorded on July 2, 2025) Host: Barbara DeMarco-Barrett Host: Marrie Stone Music: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

On today's episode, I talk to writer and showrunner Selwyn Seyfu Hinds. Originally from Georgetown, Guyana, Selwyn and his family moved to Brooklyn in the 1980s, when he was 14-years-old. After graduating from Princeton, he began writing for The Village Voice. Then in the late 1990s, he became a hip-hop critic and then editor-in-chief at The Source magazine. As a TV writer, Selwyn wrote for Jordan Peele's Twilight Zone reboot and most recently created and showran the new Hulu show Washington Black, based on Esi Edugyan's novel of the same name, and all episodes drop next Wednesday! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here! Theme song by the fantastic Savoir Adore! Second theme by the brilliant Mike Pace! Closing theme by the delightful Gregory Brothers! Podcast art by the inimitable Beano Gee!  

Send us a textRoslyn Bernstein is the author of four books: Boardwalk Stories, a collection of 14 fictional tales set from 1950 to 1970; the co-author with the architect Shael Shapiro of Illegal Living: 80 Wooster Street and the Evolution of SoHo; Engaging Art: Essays and Interviews from Around the Globe, a collection of 60 of her online avant-garde art pieces; and most recently, a novel, The Girl Who Counted Numbers.Since the 1980s, she has been reporting from around the globe for such print publications as the New York Times, Newsday, the Village Voice, New York Magazine, Parents, and the Columbia Journalism Review. She has also reported for various online publications including Medium, Tablet, Huffington Post, and Guernica, focusing primarily on cultural reporting and contemporary art, with in-depth interviews with artists, curators, and gallerists.Currently, Professor Emerita in the Department of  Journalism and the Writing Professions at Baruch College of the City University of New York (CUNY), she taught journalism and creative writing classes from 1974-2016. A devoted teacher, she served as an advisor to Ticker, the college newspaper and established Dollars and $ense, the Baruch College business magazine. During her time at Baruch, she served as the director of the Journalism Program and was the Founding Director of the Sidney Harman Writer-in-Residence Program, a residency that has brought over 30 distinguished poets, playwrights, critics, and journalists to campus to teach intensive classes for gifted students. Prof. Bernstein is a recipient of the College's Distinguished Awards for Teaching and Service.Before coming to Baruch, she worked at Esquire and attended graduate school. She holds a Bachelors Degree from Brandeis University and aMasters and Ph.D in English Literature from New York University Graduate School of Arts and Sciences. https://www.roslynbernstein.com/Creator/Host: Tammy TakaishiAudio Engineer: Alex Repetti Visit the Self-Care Institute at https://www.selfcareinstitute.com/ Support the showVisit www.creativepeacemeal.com to leave a review, fan voicemail, and more!Insta @creative_peacemeal_podcastFB @creativepeacemealpodRedbubble CPPodcast.redbubble.comCreative Peacemeal READING list here Donate to AhHa!Broadway here! Donate to New Normal Rep here! Interested in the Self-Care Institute with Dr. Ami Kunimura? Click here Interested in Corrie Legge's content planner? Click here to order!

J Edward Keyes is a journalist with bylines in Pitchfork, Rolling Stone, SPIN, Entertainment Weekly, Village Voice, and who is now the Editorial Director at bandcamp. As an online record store, and music magazine (bandcamp daily), bandcamp is a central hub to the independent music industry (they pay out 82% of their revenue, versus less than 70% at Spotify, et al). We talk with J Edward about sustain, advocating, and growing a vibrant independent music industry and the unique lane bandcamp has carved, "record store" trends, the role of journalism and music advocates, we as the question - do artist's even need a publicist?? And a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:BandcampBandcamp DailyBerlin R&B SceneExperimental Italian Pop SceneWord Bookstore (Brooklyn)WXPN“The Song Machine - Inside the Hit Factory”Ace of BaseClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

On June 5, 1975, on the seedy stage of CBGB on the Lower East Side of Manhattan, a band named Talking Heads took the stage for the first time. Unlike the Ramones, for whom they were opening, they weren't sporting black leather jackets or edgy haircuts. David Byrne and Chris Frantz had met at art school a few years before, and the bassist, Tina Weymouth, had only learned to play her instrument six months prior. But within a few weeks, Talking Heads would be plastered on the cover of the Village Voice, well on their way to utterly transforming the downtown New York music scene. After Jerry Harrison joined Talking Heads in 1977, the band would go on to radically alter rock music's relationship to avant-garde art and performance. In his new book, Burning Down the House, Jonathan Gould tells the story of how Talking Heads experimented their way to a singular musical style over the course of eight studio albums and one incredible concert film, Stop Making Sense, and he discusses their enduring influence despite having disbanded more than 30 years ago.Go beyond the episode:Jonathan Gould's Burning Down the House: Talking Heads and the New York Scene That Transformed RockRead about the origin of Stop Making Sense—and then watch it, of courseCheck out the new “Psycho Killer” music video starring Saoirse Ronan, made in honor of the 40th anniversary of the first Talking Heads performanceTune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.Subscribe: iTunes/Apple • Amazon • Google • Acast • Pandora • RSS FeedHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.

Tony Ortega : Church of ScientologyTony Ortega is a journalist who was formerly the editor of The Village Voice. He's written about Scientology since 1995, and in May 2015 released a book about Scientology's harassment of Paulette Cooper titled 'The Unbreakable Miss Lovely.' He continues to monitor breaking developments in Scientology and other controversial subjects from an undisclosed location in an underground bunker he shares with four cats and one of them wrinkly Shar Pei dogs. Despite his super-secret security protections, you can still reach him pretty easily by sending him a message at tonyo94 AT gmail.com (Drop him a line if you'd like to get an e-mail whenever a new story is posted.)Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Forget the midterms next year, at least for now. The fight against Trump runs through the elections this November—starting with Virginia and New Jersey. The Nation's national affairs correspondent John Nichols explains.Also: J. Hoberman, the long-time film critic for The Village Voice, talks about the happenings, the underground movies, and the radical art and music— from Bob Dylan to Andy Warhol to Yoko Ono. His new book is Everything is Now: The 1960s New York Avant-Garde.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Products often tell you exactly how they're intended to be used. But why leave it at that? As a culture, we have long had a knack for finding ingenious, off-label uses for things. In this episode, we take a close look at a few examples of products that are ostensibly meant for one thing, but are better known for something else entirely. We explore Q-tips, which we are explicitly told not to put into our ears; the Hitachi Magic Wand, the iconic sex toy marketed as a body massager; the musical washboard; and the children's electrolyte solution Pedialyte that many adults swear by as a hangover cure. You'll hear from Hallie Lieberman, author of Buzz: A Stimulating History of the Sex Toy; Jacqui Barnett of the Columbus Washboard Company; Christopher Wilson, curator and chair of the Division of Home and Community Life at the Smithsonian; musician and educator Súle Greg Wilson; zydeco musicians C.J. Chenier and Steve Nash; Shaughnessy Bishop-Stall, author of Hungover: The Morning After and One Man's Quest for the Cure; as well as writers Roberto Ferdman, Dan Brooks, and Kaitlyn Tiffany. Decoder Ring is produced by Willa Paskin, Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. We had additional production from Sofie Kodner. Merritt Jacob is Senior Technical Director. Special thanks to Kate Sloan, Dr. Carol Queen, Bryony Cole, Amber Singer, Molly Born, Laura Selikson, and Nell McShane Wulfhart. If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Sources for This Episode Bishop-Stall, Shaughnessy. Hungover: The Morning After and One Man's Quest for the Cure, Penguin, 2018. Brooks, Dan. “Letter of Recommendation: Pedialyte,” New York Times Magazine, Jan. 26, 2017. Comella, Lynn. Vibrator Nation: How Feminist Sex-Toy Stores Changed the Business of Pleasure, Duke University Press, 2017. Dodson, Betty. “Having Sex with Machines: The Return of the Electric Vibrator,” Dodson and Ross, June 9, 2010. Feran, Tim. “Pedialyte Is Not Just For Kids,” Columbus Dispatch, July 19, 2015. Ferdman, Roberto A. “The strange life of Q-tips, the most bizarre thing people buy,” Washington Post, Jan. 20, 2016. Kushner, David. “Inside Orgasmatron,” Village Voice, March 26, 1999. Lieberman, Hallie. Buzz: A Stimulating History of the Sex Toy, Pegasus Books, 2017. Lieberman, Hallie. “Selling Sex Toys: Marketing and the Meaning of Vibrators in Early Twentieth-Century America,” Enterprise & Society, June 2016. Russel, Ruth. “Hangover Remedies? I'll Drink to That!,” Idaho Statesman, Jan. 1, 1978. Sloan, Kate. Making Magic, 2024. Tiffany, Kaitlyn. “How Pedialyte got Pedialit,” Vox, Sep. 10, 2018. Williams, Dell. “The Roots of the Garden,” Journal of Sex Research, August 1990. Wulfhart, Nell McShane. “The Best Hangover Cure,” Slate, Aug. 29, 2013. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Products often tell you exactly how they're intended to be used. But why leave it at that? As a culture, we have long had a knack for finding ingenious, off-label uses for things. In this episode, we take a close look at a few examples of products that are ostensibly meant for one thing, but are better known for something else entirely. We explore Q-tips, which we are explicitly told not to put into our ears; the Hitachi Magic Wand, the iconic sex toy marketed as a body massager; the musical washboard; and the children's electrolyte solution Pedialyte that many adults swear by as a hangover cure. You'll hear from Hallie Lieberman, author of Buzz: A Stimulating History of the Sex Toy; Jacqui Barnett of the Columbus Washboard Company; Christopher Wilson, curator and chair of the Division of Home and Community Life at the Smithsonian; musician and educator Súle Greg Wilson; zydeco musicians C.J. Chenier and Steve Nash; Shaughnessy Bishop-Stall, author of Hungover: The Morning After and One Man's Quest for the Cure; as well as writers Roberto Ferdman, Dan Brooks, and Kaitlyn Tiffany. Decoder Ring is produced by Willa Paskin, Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. We had additional production from Sofie Kodner. Merritt Jacob is Senior Technical Director. Special thanks to Kate Sloan, Dr. Carol Queen, Bryony Cole, Amber Singer, Molly Born, Laura Selikson, and Nell McShane Wulfhart. If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Sources for This Episode Bishop-Stall, Shaughnessy. Hungover: The Morning After and One Man's Quest for the Cure, Penguin, 2018. Brooks, Dan. “Letter of Recommendation: Pedialyte,” New York Times Magazine, Jan. 26, 2017. Comella, Lynn. Vibrator Nation: How Feminist Sex-Toy Stores Changed the Business of Pleasure, Duke University Press, 2017. Dodson, Betty. “Having Sex with Machines: The Return of the Electric Vibrator,” Dodson and Ross, June 9, 2010. Feran, Tim. “Pedialyte Is Not Just For Kids,” Columbus Dispatch, July 19, 2015. Ferdman, Roberto A. “The strange life of Q-tips, the most bizarre thing people buy,” Washington Post, Jan. 20, 2016. Kushner, David. “Inside Orgasmatron,” Village Voice, March 26, 1999. Lieberman, Hallie. Buzz: A Stimulating History of the Sex Toy, Pegasus Books, 2017. Lieberman, Hallie. “Selling Sex Toys: Marketing and the Meaning of Vibrators in Early Twentieth-Century America,” Enterprise & Society, June 2016. Russel, Ruth. “Hangover Remedies? I'll Drink to That!,” Idaho Statesman, Jan. 1, 1978. Sloan, Kate. Making Magic, 2024. Tiffany, Kaitlyn. “How Pedialyte got Pedialit,” Vox, Sep. 10, 2018. Williams, Dell. “The Roots of the Garden,” Journal of Sex Research, August 1990. Wulfhart, Nell McShane. “The Best Hangover Cure,” Slate, Aug. 29, 2013. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Products often tell you exactly how they're intended to be used. But why leave it at that? As a culture, we have long had a knack for finding ingenious, off-label uses for things. In this episode, we take a close look at a few examples of products that are ostensibly meant for one thing, but are better known for something else entirely. We explore Q-tips, which we are explicitly told not to put into our ears; the Hitachi Magic Wand, the iconic sex toy marketed as a body massager; the musical washboard; and the children's electrolyte solution Pedialyte that many adults swear by as a hangover cure. You'll hear from Hallie Lieberman, author of Buzz: A Stimulating History of the Sex Toy; Jacqui Barnett of the Columbus Washboard Company; Christopher Wilson, curator and chair of the Division of Home and Community Life at the Smithsonian; musician and educator Súle Greg Wilson; zydeco musicians C.J. Chenier and Steve Nash; Shaughnessy Bishop-Stall, author of Hungover: The Morning After and One Man's Quest for the Cure; as well as writers Roberto Ferdman, Dan Brooks, and Kaitlyn Tiffany. Decoder Ring is produced by Willa Paskin, Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. We had additional production from Sofie Kodner. Merritt Jacob is Senior Technical Director. Special thanks to Kate Sloan, Dr. Carol Queen, Bryony Cole, Amber Singer, Molly Born, Laura Selikson, and Nell McShane Wulfhart. If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Sources for This Episode Bishop-Stall, Shaughnessy. Hungover: The Morning After and One Man's Quest for the Cure, Penguin, 2018. Brooks, Dan. “Letter of Recommendation: Pedialyte,” New York Times Magazine, Jan. 26, 2017. Comella, Lynn. Vibrator Nation: How Feminist Sex-Toy Stores Changed the Business of Pleasure, Duke University Press, 2017. Dodson, Betty. “Having Sex with Machines: The Return of the Electric Vibrator,” Dodson and Ross, June 9, 2010. Feran, Tim. “Pedialyte Is Not Just For Kids,” Columbus Dispatch, July 19, 2015. Ferdman, Roberto A. “The strange life of Q-tips, the most bizarre thing people buy,” Washington Post, Jan. 20, 2016. Kushner, David. “Inside Orgasmatron,” Village Voice, March 26, 1999. Lieberman, Hallie. Buzz: A Stimulating History of the Sex Toy, Pegasus Books, 2017. Lieberman, Hallie. “Selling Sex Toys: Marketing and the Meaning of Vibrators in Early Twentieth-Century America,” Enterprise & Society, June 2016. Russel, Ruth. “Hangover Remedies? I'll Drink to That!,” Idaho Statesman, Jan. 1, 1978. Sloan, Kate. Making Magic, 2024. Tiffany, Kaitlyn. “How Pedialyte got Pedialit,” Vox, Sep. 10, 2018. Williams, Dell. “The Roots of the Garden,” Journal of Sex Research, August 1990. Wulfhart, Nell McShane. “The Best Hangover Cure,” Slate, Aug. 29, 2013. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Products often tell you exactly how they're intended to be used. But why leave it at that? As a culture, we have long had a knack for finding ingenious, off-label uses for things. In this episode, we take a close look at a few examples of products that are ostensibly meant for one thing, but are better known for something else entirely. We explore Q-tips, which we are explicitly told not to put into our ears; the Hitachi Magic Wand, the iconic sex toy marketed as a body massager; the musical washboard; and the children's electrolyte solution Pedialyte that many adults swear by as a hangover cure. You'll hear from Hallie Lieberman, author of Buzz: A Stimulating History of the Sex Toy; Jacqui Barnett of the Columbus Washboard Company; Christopher Wilson, curator and chair of the Division of Home and Community Life at the Smithsonian; musician and educator Súle Greg Wilson; zydeco musicians C.J. Chenier and Steve Nash; Shaughnessy Bishop-Stall, author of Hungover: The Morning After and One Man's Quest for the Cure; as well as writers Roberto Ferdman, Dan Brooks, and Kaitlyn Tiffany. Decoder Ring is produced by Willa Paskin, Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. We had additional production from Sofie Kodner. Merritt Jacob is Senior Technical Director. Special thanks to Kate Sloan, Dr. Carol Queen, Bryony Cole, Amber Singer, Molly Born, Laura Selikson, and Nell McShane Wulfhart. If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Sources for This Episode Bishop-Stall, Shaughnessy. Hungover: The Morning After and One Man's Quest for the Cure, Penguin, 2018. Brooks, Dan. “Letter of Recommendation: Pedialyte,” New York Times Magazine, Jan. 26, 2017. Comella, Lynn. Vibrator Nation: How Feminist Sex-Toy Stores Changed the Business of Pleasure, Duke University Press, 2017. Dodson, Betty. “Having Sex with Machines: The Return of the Electric Vibrator,” Dodson and Ross, June 9, 2010. Feran, Tim. “Pedialyte Is Not Just For Kids,” Columbus Dispatch, July 19, 2015. Ferdman, Roberto A. “The strange life of Q-tips, the most bizarre thing people buy,” Washington Post, Jan. 20, 2016. Kushner, David. “Inside Orgasmatron,” Village Voice, March 26, 1999. Lieberman, Hallie. Buzz: A Stimulating History of the Sex Toy, Pegasus Books, 2017. Lieberman, Hallie. “Selling Sex Toys: Marketing and the Meaning of Vibrators in Early Twentieth-Century America,” Enterprise & Society, June 2016. Russel, Ruth. “Hangover Remedies? I'll Drink to That!,” Idaho Statesman, Jan. 1, 1978. Sloan, Kate. Making Magic, 2024. Tiffany, Kaitlyn. “How Pedialyte got Pedialit,” Vox, Sep. 10, 2018. Williams, Dell. “The Roots of the Garden,” Journal of Sex Research, August 1990. Wulfhart, Nell McShane. “The Best Hangover Cure,” Slate, Aug. 29, 2013. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices