Podcasts about The Village Voice

Meg discovers the violent birth of Canal Street as a Mecca for counterfeit luxury goods. Jessica dredges up more dirt on slumlord Trump and why NYC still says “we told you so”.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

On today's episode, I talk to political cartoonist Dwayne Booth AKA Mr. Fish. For over 20 years, Dwayne has been creating political cartoons for publications like Harper's Magazine, Truthdig.com, the Los Angeles Times, the Village Voice, Vanity Fair, Mother Jones, The Advocate, and many, many others. In addition, he was an animated character designer for Bento Box Entertainment and is the subject of a 2017 award-winning documentary by Pablo Bryant called Mr. Fish: Cartooning from the Deep End. HIs books and collections include Go Fish: How to Win Contempt and Influence People, WARNING! Graphic Content, And Then the World Blew Up, Long Story Short: Turning Famous Books into Cartoons, and his most recent Nobody Left, which was published by Fantagraphics. This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here! Theme song by the fantastic Savoir Adore! Second theme by the brilliant Mike Pace! Closing theme by the delightful Gregory Brothers! Podcast art by the inimitable Beano Gee!  

Send us a textToday, my guest is journalist and author Katherine Stewart. I had a compelling conversation with this highly sought-after writer, and we went deep. Known for The Power Worshippers, she's back with Money, Lies, and God, exposing the dangerous alliance of Christian Nationalism and political power.We dive into her journey from the Child Evangelism Fellowship to attending rallies and conferences of the religious right. Katherine reveals how dark money, misinformation, and groups like Project 2025, the Federalist Society, and the Claremont Institute are reshaping America.We discuss Trump's 2024 win, his first 100 days, and how Christian Nationalism impacts public education, gender issues, race, and democracy itself.Most importantly, Katherine shares how we can resist and respond.This is a conversation that matters — for faith, democracy, and our future.Stewart began her journalism career working for investigative reporter Wayne Barrett at The Village Voice. Since 2011, she has contributed op-eds to The New York Times and written for various publications, including The Guardian, The American Prospect, The Nation, and The Atlantic. Her book was the basis of the documentary film by Rob Reiner, God and Country.SHOW NOTESSupport the showBecome a Patron - Click on the link to learn how you can become a Patron of the show. Thank you! Ken's Substack Page The Podcast Official Site: TheBeachedWhiteMale.com

Hang onto your slipcases because Blake Howard (One Heat Minute Productions) and special guest Sean Burns (film critic) will discuss the greatness of the departed Gene Hackman in the special CRITERION COLLECTION 4K release of NIGHT MOVES.Night MovesArthur Penn's haunting neonoir reimagines the hard-boiled detective film for the disillusioned, paranoid 1970s. In one of his greatest performances, Gene Hackman oozes world-weary cynicism as a private investigator whose search for an actress's missing daughter (Melanie Griffith) leads him from the Hollywood Hills to the Florida Keys, where he is pulled into a sordid family drama and a sinister conspiracy he can hardly grasp. Bolstered by Alan Sharp's genre-scrambling script and Dede Allen's elliptical editing, the daringly labyrinthine Night Moves is a defining work of post-Watergate cinema—a silent scream of existential dread and moral decay whose legend has only grown with time.4K UHD + BLU-RAY SPECIAL EDITION FEATURESNew 4K digital restoration, with uncompressed monaural soundtrackOne 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special featuresNew audio commentary by Matthew Asprey Gear, author of Moseby ConfidentialNew audio interview with actor Jennifer WarrenInterview with director Arthur Penn from a 1975 episode of Cinema ShowcaseInterview with Penn from the 1995 documentary Arthur Penn: A Love Affair with FilmThe Day of the Director, a behind-the-scenes featuretteTrailerEnglish subtitles for the deaf and hard of hearingPLUS: An essay by critic Mark HarrisNew cover by Greg ManchessSean BurnsSean Burns is a film critic for WBUR's Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. Currently a member of the Online Film Critics Society and the Critics Choice Association, he's also “the most annoyingest person ever,” according to his niece.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsSupport: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Part 1:We talk with Cameron Joseph, who is s a senior Washington reporter for The Christian Science Monitor.  Prior to that, he was a freelance reporter with work in publications including The Guardian, The Columbia Journalism Review, the Los Angeles Times, The New York Times, Rolling Stone, and Politico Magazine. He previously was a staff reporter for VICE News, Talking Points Memo, the New York Daily News, The Hill, and National Journal. He's covered Washington since 2009, with most of his career focused on elections, Capitol Hill, and the White House. He is a recipient of the 2023National Press Foundation Dirksen Award for distinguished reporting on Congress and the 2020National Press Club award for excellence in political journalism.We discuss the increasing more authoritarian aspect of the current administration. Trump ignores the rule of law, and has essentially taken control of the media, which do not correct his statements. Congress is completely dysfunctional.Part 2:We talk with Robert Hennelly, who is an award-winning print and broadcast journalist focusing on labor, public health, national security, the economy, public finance and the environment. He is the New York City Hall reporter for Work-Bites and his weekly Monday morning radio program on WBAI closely tracks the latest local, regional and national labor movement news. Hennelly is also a regular contributor to InsiderNJ,  Salon, the Village Voice, Raw Story and City & State. For over a decade, he was a reporter for WNYC covering New Jersey, New York and national politics. For several years, he was also the City Hall reporter for the Chief Leader newspaper, and a regular contributor to WBGO, the NPR jazz affiliate in Newark, NJ. His work has appeared in the New York Times, the Christian Science Monitor, the Miami Herald, the Detroit Free Press, CBS Money Watch, and dozens of other publications both in the United States and overseas.His book Stucknation: Can the US Change the Course of Its History of Choosing Profits Over People was published in 2022 by Democracy@Work.We discuss the arrest of Mayor Baraka of Newark, NJ. The Gestapo tactics used during an occasion when the mayor was performing his official duty are disturbing.  

Products often tell you exactly how they're intended to be used. But why leave it at that? As a culture, we have long had a knack for finding ingenious, off-label uses for things. In this episode, we take a close look at a few examples of products that are ostensibly meant for one thing, but are better known for something else entirely. We explore Q-tips, which we are explicitly told not to put into our ears; the Hitachi Magic Wand, the iconic sex toy marketed as a body massager; the musical washboard; and the children's electrolyte solution Pedialyte that many adults swear by as a hangover cure. You'll hear from Hallie Lieberman, author of Buzz: A Stimulating History of the Sex Toy; Jacqui Barnett of the Columbus Washboard Company; Christopher Wilson, curator and chair of the Division of Home and Community Life at the Smithsonian; musician and educator Súle Greg Wilson; zydeco musicians C.J. Chenier and Steve Nash; Shaughnessy Bishop-Stall, author of Hungover: The Morning After and One Man's Quest for the Cure; as well as writers Roberto Ferdman, Dan Brooks, and Kaitlyn Tiffany. Decoder Ring is produced by Willa Paskin, Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. We had additional production from Sofie Kodner. Merritt Jacob is Senior Technical Director. Special thanks to Kate Sloan, Dr. Carol Queen, Bryony Cole, Amber Singer, Molly Born, Laura Selikson, and Nell McShane Wulfhart. If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Sources for This Episode Bishop-Stall, Shaughnessy. Hungover: The Morning After and One Man's Quest for the Cure, Penguin, 2018. Brooks, Dan. “Letter of Recommendation: Pedialyte,” New York Times Magazine, Jan. 26, 2017. Comella, Lynn. Vibrator Nation: How Feminist Sex-Toy Stores Changed the Business of Pleasure, Duke University Press, 2017. Dodson, Betty. “Having Sex with Machines: The Return of the Electric Vibrator,” Dodson and Ross, June 9, 2010. Feran, Tim. “Pedialyte Is Not Just For Kids,” Columbus Dispatch, July 19, 2015. Ferdman, Roberto A. “The strange life of Q-tips, the most bizarre thing people buy,” Washington Post, Jan. 20, 2016. Kushner, David. “Inside Orgasmatron,” Village Voice, March 26, 1999. Lieberman, Hallie. Buzz: A Stimulating History of the Sex Toy, Pegasus Books, 2017. Lieberman, Hallie. “Selling Sex Toys: Marketing and the Meaning of Vibrators in Early Twentieth-Century America,” Enterprise & Society, June 2016. Russel, Ruth. “Hangover Remedies? I'll Drink to That!,” Idaho Statesman, Jan. 1, 1978. Sloan, Kate. Making Magic, 2024. Tiffany, Kaitlyn. “How Pedialyte got Pedialit,” Vox, Sep. 10, 2018. Williams, Dell. “The Roots of the Garden,” Journal of Sex Research, August 1990. Wulfhart, Nell McShane. “The Best Hangover Cure,” Slate, Aug. 29, 2013. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Products often tell you exactly how they're intended to be used. But why leave it at that? As a culture, we have long had a knack for finding ingenious, off-label uses for things. In this episode, we take a close look at a few examples of products that are ostensibly meant for one thing, but are better known for something else entirely. We explore Q-tips, which we are explicitly told not to put into our ears; the Hitachi Magic Wand, the iconic sex toy marketed as a body massager; the musical washboard; and the children's electrolyte solution Pedialyte that many adults swear by as a hangover cure. You'll hear from Hallie Lieberman, author of Buzz: A Stimulating History of the Sex Toy; Jacqui Barnett of the Columbus Washboard Company; Christopher Wilson, curator and chair of the Division of Home and Community Life at the Smithsonian; musician and educator Súle Greg Wilson; zydeco musicians C.J. Chenier and Steve Nash; Shaughnessy Bishop-Stall, author of Hungover: The Morning After and One Man's Quest for the Cure; as well as writers Roberto Ferdman, Dan Brooks, and Kaitlyn Tiffany. Decoder Ring is produced by Willa Paskin, Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. We had additional production from Sofie Kodner. Merritt Jacob is Senior Technical Director. Special thanks to Kate Sloan, Dr. Carol Queen, Bryony Cole, Amber Singer, Molly Born, Laura Selikson, and Nell McShane Wulfhart. If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Sources for This Episode Bishop-Stall, Shaughnessy. Hungover: The Morning After and One Man's Quest for the Cure, Penguin, 2018. Brooks, Dan. “Letter of Recommendation: Pedialyte,” New York Times Magazine, Jan. 26, 2017. Comella, Lynn. Vibrator Nation: How Feminist Sex-Toy Stores Changed the Business of Pleasure, Duke University Press, 2017. Dodson, Betty. “Having Sex with Machines: The Return of the Electric Vibrator,” Dodson and Ross, June 9, 2010. Feran, Tim. “Pedialyte Is Not Just For Kids,” Columbus Dispatch, July 19, 2015. Ferdman, Roberto A. “The strange life of Q-tips, the most bizarre thing people buy,” Washington Post, Jan. 20, 2016. Kushner, David. “Inside Orgasmatron,” Village Voice, March 26, 1999. Lieberman, Hallie. Buzz: A Stimulating History of the Sex Toy, Pegasus Books, 2017. Lieberman, Hallie. “Selling Sex Toys: Marketing and the Meaning of Vibrators in Early Twentieth-Century America,” Enterprise & Society, June 2016. Russel, Ruth. “Hangover Remedies? I'll Drink to That!,” Idaho Statesman, Jan. 1, 1978. Sloan, Kate. Making Magic, 2024. Tiffany, Kaitlyn. “How Pedialyte got Pedialit,” Vox, Sep. 10, 2018. Williams, Dell. “The Roots of the Garden,” Journal of Sex Research, August 1990. Wulfhart, Nell McShane. “The Best Hangover Cure,” Slate, Aug. 29, 2013. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Products often tell you exactly how they're intended to be used. But why leave it at that? As a culture, we have long had a knack for finding ingenious, off-label uses for things. In this episode, we take a close look at a few examples of products that are ostensibly meant for one thing, but are better known for something else entirely. We explore Q-tips, which we are explicitly told not to put into our ears; the Hitachi Magic Wand, the iconic sex toy marketed as a body massager; the musical washboard; and the children's electrolyte solution Pedialyte that many adults swear by as a hangover cure. You'll hear from Hallie Lieberman, author of Buzz: A Stimulating History of the Sex Toy; Jacqui Barnett of the Columbus Washboard Company; Christopher Wilson, curator and chair of the Division of Home and Community Life at the Smithsonian; musician and educator Súle Greg Wilson; zydeco musicians C.J. Chenier and Steve Nash; Shaughnessy Bishop-Stall, author of Hungover: The Morning After and One Man's Quest for the Cure; as well as writers Roberto Ferdman, Dan Brooks, and Kaitlyn Tiffany. Decoder Ring is produced by Willa Paskin, Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. We had additional production from Sofie Kodner. Merritt Jacob is Senior Technical Director. Special thanks to Kate Sloan, Dr. Carol Queen, Bryony Cole, Amber Singer, Molly Born, Laura Selikson, and Nell McShane Wulfhart. If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Sources for This Episode Bishop-Stall, Shaughnessy. Hungover: The Morning After and One Man's Quest for the Cure, Penguin, 2018. Brooks, Dan. “Letter of Recommendation: Pedialyte,” New York Times Magazine, Jan. 26, 2017. Comella, Lynn. Vibrator Nation: How Feminist Sex-Toy Stores Changed the Business of Pleasure, Duke University Press, 2017. Dodson, Betty. “Having Sex with Machines: The Return of the Electric Vibrator,” Dodson and Ross, June 9, 2010. Feran, Tim. “Pedialyte Is Not Just For Kids,” Columbus Dispatch, July 19, 2015. Ferdman, Roberto A. “The strange life of Q-tips, the most bizarre thing people buy,” Washington Post, Jan. 20, 2016. Kushner, David. “Inside Orgasmatron,” Village Voice, March 26, 1999. Lieberman, Hallie. Buzz: A Stimulating History of the Sex Toy, Pegasus Books, 2017. Lieberman, Hallie. “Selling Sex Toys: Marketing and the Meaning of Vibrators in Early Twentieth-Century America,” Enterprise & Society, June 2016. Russel, Ruth. “Hangover Remedies? I'll Drink to That!,” Idaho Statesman, Jan. 1, 1978. Sloan, Kate. Making Magic, 2024. Tiffany, Kaitlyn. “How Pedialyte got Pedialit,” Vox, Sep. 10, 2018. Williams, Dell. “The Roots of the Garden,” Journal of Sex Research, August 1990. Wulfhart, Nell McShane. “The Best Hangover Cure,” Slate, Aug. 29, 2013. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Products often tell you exactly how they're intended to be used. But why leave it at that? As a culture, we have long had a knack for finding ingenious, off-label uses for things. In this episode, we take a close look at a few examples of products that are ostensibly meant for one thing, but are better known for something else entirely. We explore Q-tips, which we are explicitly told not to put into our ears; the Hitachi Magic Wand, the iconic sex toy marketed as a body massager; the musical washboard; and the children's electrolyte solution Pedialyte that many adults swear by as a hangover cure. You'll hear from Hallie Lieberman, author of Buzz: A Stimulating History of the Sex Toy; Jacqui Barnett of the Columbus Washboard Company; Christopher Wilson, curator and chair of the Division of Home and Community Life at the Smithsonian; musician and educator Súle Greg Wilson; zydeco musicians C.J. Chenier and Steve Nash; Shaughnessy Bishop-Stall, author of Hungover: The Morning After and One Man's Quest for the Cure; as well as writers Roberto Ferdman, Dan Brooks, and Kaitlyn Tiffany. Decoder Ring is produced by Willa Paskin, Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. We had additional production from Sofie Kodner. Merritt Jacob is Senior Technical Director. Special thanks to Kate Sloan, Dr. Carol Queen, Bryony Cole, Amber Singer, Molly Born, Laura Selikson, and Nell McShane Wulfhart. If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Sources for This Episode Bishop-Stall, Shaughnessy. Hungover: The Morning After and One Man's Quest for the Cure, Penguin, 2018. Brooks, Dan. “Letter of Recommendation: Pedialyte,” New York Times Magazine, Jan. 26, 2017. Comella, Lynn. Vibrator Nation: How Feminist Sex-Toy Stores Changed the Business of Pleasure, Duke University Press, 2017. Dodson, Betty. “Having Sex with Machines: The Return of the Electric Vibrator,” Dodson and Ross, June 9, 2010. Feran, Tim. “Pedialyte Is Not Just For Kids,” Columbus Dispatch, July 19, 2015. Ferdman, Roberto A. “The strange life of Q-tips, the most bizarre thing people buy,” Washington Post, Jan. 20, 2016. Kushner, David. “Inside Orgasmatron,” Village Voice, March 26, 1999. Lieberman, Hallie. Buzz: A Stimulating History of the Sex Toy, Pegasus Books, 2017. Lieberman, Hallie. “Selling Sex Toys: Marketing and the Meaning of Vibrators in Early Twentieth-Century America,” Enterprise & Society, June 2016. Russel, Ruth. “Hangover Remedies? I'll Drink to That!,” Idaho Statesman, Jan. 1, 1978. Sloan, Kate. Making Magic, 2024. Tiffany, Kaitlyn. “How Pedialyte got Pedialit,” Vox, Sep. 10, 2018. Williams, Dell. “The Roots of the Garden,” Journal of Sex Research, August 1990. Wulfhart, Nell McShane. “The Best Hangover Cure,” Slate, Aug. 29, 2013. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Much has been made of the hallucinatory qualities of OpenAI's ChatGPT product. But as the Wall Street Journal's resident authority on OpenAI, Keach Hagey notes, perhaps the most hallucinatory feature the $300 billion start-up co-founded by the deadly duo of Sam Altman and Elon Musk is its attempt to be simultaneously a for-profit and non-profit company. As Hagey notes, the double life of this double company reached a surreal climax this week when Altman announced that OpenAI was abandoning its promised for-profit conversion. So what, I asked Hagey, are the implications of this corporate volte-face for investors who have poured billions of real dollars into the non-profit in order to make a profit? Will they be Waiting For Godot to get their returns?As Hagey - whose excellent biography of Altman, The Optimist, is out in a couple of weeks - explains, this might be the story of the hubristic 2020's. She speaks of Altman's astonishingly (even for Silicon Valley) hubris in believing that he can get away with the alchemic conceit of inventing a multi trillion dollar for-profit non-profit company. Yes, you can be half-pregnant, Sam is promising us. But, as she warns, at some point this will be exposed as fantasy. The consequences might not exactly be another Enron or FTX, but it will have ramifications way beyond beyond Silicon Valley. What will happen, for example, if future investors aren't convinced by Altman's fantasy and OpenAI runs out of cash? Hagey suggests that the OpenAI story may ultimately become a political drama in which a MAGA President will be forced to bail out America's leading AI company. It's TikTok in reverse (imagine if Chinese investors try to acquire OpenAI). Rather than the conveniently devilish Elon Musk, my sense is that Sam Altman is auditioning to become the real Jay Gatsby of our roaring twenties. Last month, Keach Hagey told me that Altman's superpower is as a salesman. He can sell anything to anyone, she says. But selling a non-profit to for-profit venture capitalists might even be a bridge too far for Silicon Valley's most hallucinatory optimist. Five Key Takeaways * OpenAI has abandoned plans to convert from a nonprofit to a for-profit structure, with pressure coming from multiple sources including attorneys general of California and Delaware, and possibly influenced by Elon Musk's opposition.* This decision will likely make it more difficult for OpenAI to raise money, as investors typically want control over their investments. Despite this, Sam Altman claims SoftBank will still provide the second $30 billion chunk of funding that was previously contingent on the for-profit conversion.* The nonprofit structure creates inherent tensions within OpenAI's business model. As Hagey notes, "those contradictions are still there" after nearly destroying the company once before during Altman's brief firing.* OpenAI's leadership is trying to position this as a positive change, with plans to capitalize the nonprofit and launch new programs and initiatives. However, Hagey notes this is similar to what Altman did at Y Combinator, which eventually led to tensions there.* The decision is beneficial for competitors like XAI, Anthropic, and others with normal for-profit structures. Hagey suggests the most optimistic outcome would be OpenAI finding a way to IPO before "completely imploding," though how a nonprofit-controlled entity would do this remains unclear.Keach Hagey is a reporter at The Wall Street Journal's Media and Marketing Bureau in New York, where she focuses on the intersection of media and technology. Her stories often explore the relationships between tech platforms like Facebook and Google and the media. She was part of the team that broke the Facebook Files, a series that won a George Polk Award for Business Reporting, a Gerald Loeb Award for Beat Reporting and a Deadline Award for public service. Her investigation into the inner workings of Google's advertising-technology business won recognition from the Society for Advancing Business Editing and Writing (Sabew). Previously, she covered the television industry for the Journal, reporting on large media companies such as 21st Century Fox, Time Warner and Viacom. She led a team that won a Sabew award for coverage of the power struggle inside Viacom. She is the author of “The King of Content: Sumner Redstone's Battle for Viacom, CBS and Everlasting Control of His Media Empire,” published by HarperCollins. Before joining the Journal, Keach covered media for Politico, the National in Abu Dhabi, CBS News and the Village Voice. She has a bachelor's and a master's in English literature from Stanford University. She lives in Irvington, N.Y., with her husband, three daughters and dog.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Full TranscriptAndrew Keen: Hello, everybody. It is May the 6th, a Tuesday, 2025. And the tech media is dominated today by OpenAI's plan to convert its for-profit business to a non-profit side. That's how the Financial Times is reporting it. New York Times says that OpenAI, and I'm quoting them, backtracks on plans to drop nonprofit control and the Wall Street Journal, always very authoritative on the tech front, leads with Open AI abandons planned for profit conversion. The Wall Street Journal piece is written by Keach Hagey, who is perhaps America's leading authority on OpenAI. She was on the show a couple of months ago talking about Sam Altman's superpower which is as a salesman. Keach is also the author of an upcoming book. It's out in a couple weeks, "The Optimist: Sam Altman, OpenAI and the Race to Invent the Future." And I'm thrilled that Keach has been remarkably busy today, as you can imagine, found a few minutes to come onto the show. So, Keach, what is Sam selling here? You say he's a salesman. He's always selling something or other. What's the sell here?Keach Hagey: Well, the sell here is that this is not a big deal, right? The sell is that, this thing they've been trying to do for about a year, which is to make their company less weird, it's not gonna work. And as he was talking to the press yesterday, he was trying to suggest that they're still gonna be able to fundraise, that these folks that they promised that if you give us money, we're gonna convert to a for-profit and it's gonna be much more normal investment for you, but they're gonna get that money, which is you know, a pretty tough thing. So that's really, that's what he's selling is that this is not disruptive to the future of OpenAI.Andrew Keen: For people who are just listening, I'm looking at Keach's face, and I'm sensing that she's doing everything she can not to burst out laughing. Is that fair, Keach?Keach Hagey: Well, it'll remain to be seen, but I do think it will make it a lot harder for them to raise money. I mean, even Sam himself said as much during the talk yesterday that, you know, investors would like to be able to have some say over what happens to their money. And if you're controlled by a nonprofit organization, that's really tough. And what they were trying to do was convert to a new world where investors would have a seat at the table, because as we all remember, when Sam got briefly fired almost two years ago. The investors just helplessly sat on the sidelines and didn't have any say in the matter. Microsoft had absolutely no role to play other than kind of cajoling and offering him a job on the sidelines. So if you're gonna try to raise money, you really need to be able to promise some kind of control and that's become a lot harder.Andrew Keen: And the ramifications more broadly on this announcement will extend to Microsoft and Microsoft stock. I think their stock is down today. We'll come to that in a few minutes. Keach, there was an interesting piece in the week, this week on AI hallucinations are getting worse. Of course, OpenAI is the dominant AI company with their ChatGPT. But is this also kind of hallucination? What exactly is going on here? I have to admit, and I always thought, you know, I certainly know more about tech than I do about other subjects, which isn't always saying very much. But I mean, either you're a nonprofit or you're a for-profit, is there some sort of hallucinogenic process going on where Sam is trying to sell us on the idea that OpenAI is simultaneously a for profit and a nonprofit company?Keach Hagey: Well, that's kind of what it is right now. That's what it had sort of been since 2019 or when it spun up this strange structure where it had a for-profit underneath a nonprofit. And what we saw in the firing is that that doesn't hold. There's gonna come a moment when those two worlds are going to collide and it nearly destroyed the company. To be challenging going forward is that that basic destabilization that like unstable structure remains even though now everything is so much bigger there's so much more money coursing through and it's so important for the economy. It's a dangerous position.Andrew Keen: It's not so dangerous, you seem still faintly amused. I have to admit, I'm more than faintly amused, it's not too bothersome for us because we don't have any money in OpenAI. But for SoftBank and the other participants in the recent $40 billion round of investment in OpenAI, this must be, to say the least, rather disconcerting.Keach Hagey: That was one of the biggest surprises from the press conference yesterday. Sam Altman was asked point blank, is SoftBank still going to give you this sort of second chunk, this $30 billion second chunk that was contingent upon being able to convert to a for-profit, and he said, quite simply, yes. Who knows what goes on in behind the scenes? I think we're gonna find out probably a lot more about that. There are many unanswered questions, but it's not great, right? It's definitely not great for investors.Andrew Keen: Well, you have to guess at the very minimum, SoftBank would be demanding better terms. They're not just going to do the same thing. I mean, it suddenly it suddenly gives them an additional ace in their hand in terms of negotiation. I mean this is not some sort of little startup. This is 30 or 40 billion dollars. I mean it's astonishing number. And presumably the non-public conversations are very interesting. I'm sure, Keach, you would like to know what's being said.Keach Hagey: Don't know yet, but I think your analysis is pretty smart on this matter.Andrew Keen: So if you had to guess, Sam is the consummate salesman. What did he tell SoftBank before April to close the round? And what is he telling them now? I mean, how has the message changed?Keach Hagey: One of the things that we see a little bit about this from the messaging that he gave to the world yesterday, which is this is going to be a simpler structure. It is going to be slightly more normal structure. They are changing the structure a little bit. So although the non-profit is going to remain in charge, the thing underneath it, the for-profit, is going change its structure a little bit and become kind of a little more normal. It's not going to have this capped profit thing where, you know, the investors are capped at 100 times what they put in. So parts of it are gonna become more normal. For employees, it's probably gonna be easier for them to get equity and things like that. So I'm sure that that's part of what he's selling, that this new structure is gonna be a little bit better, but it's not gonna be as good as what they were trying to do.Andrew Keen: Can Sam? I mean, clearly he has sold it. I mean as we joked earlier when we talked, Sam could sell ice to the Laplanders or sand to the Saudis. But these people know Sam. It's no secret that he's a remarkable salesman. That means that sometimes you have to think carefully about what he's saying. What's the impact on him? To what extent is this decision one more chip on the Altman brand?Keach Hagey: It's a setback for sure, and it's kind of a win for Elon Musk, his rival.Andrew Keen: Right.Keach Hagey: Elon has been suing him, Elon has been trying to block this very conversion. And in the end, it seems like it was actually the attorneys general of California and Delaware that really put the nail in the coffin here. So there's still a lot to find out about exactly how it all shook out. There were actually huge campaigns as well, like in the streets, billboards, posters. Polls saying, trying to put pressure on the attorney general to block this thing. So it was a broad coalition, I think, that opposed the conversion, and you can even see that a little bit in their speech. But you got to admit that Elon probably looked at this and was happy.Andrew Keen: And I'm sure Elon used his own X platform to promote his own agenda. Is this an example, Keach, in a weird kind of way of the plebiscitary politics now of Silicon Valley is that titans like Altman and Musk are fighting out complex corporate economic battles in the naked public of social media.Keach Hagey: Yes, in the naked public of social media, but what we're also seeing here is that it's sort of, it's become through the apparatus of government. So we're seeing, you know, Elon is in the Doge office and this conversion is really happening in the state AG's houses. So that's what's sort interesting to me is these like private fights have now expanded to fill both state and federal government.Andrew Keen: Last time we talked, I couldn't find the photo, but there was a wonderful photo of, I think it was Larry Ellison and Sam Altman in the Oval Office with Trump. And Ellison looked very excited. He looked extremely old as well. And Altman looked very awkward. And it's surprising to see Altman look awkward because generally he doesn't. Has Trump played a role in this or is he keeping out of it?Keach Hagey: As far as my current reporting right now, we have no reporting that Trump himself was directly involved. I can't go further than that right now.Andrew Keen: Meaning that you know something that you're not willing to ignore.Keach Hagey: Just I hope you keep your subscription to the Wall Street Journal on what role the White House played, I would say. But as far as that awkwardness, I don't know if you noticed that there was a box that day for Masa Yoshison to see.Andrew Keen: Oh yeah, and Son was in the office too, right, that was the third person.Keach Hagey: So it was a box in the podium, which I think contributed to the awkwardness of the day, because he's not a tall man.Andrew Keen: Right. To put it politely. The way that OpenAI spun it, in classic Sam Altman terms, is new funding to build towards AGI. So it's their Altman-esque use of the public to vindicate this new investment, is this just more quote unquote, and this is my word. You don't have to agree with it. Just sales pitch or might even be dishonesty here. I mean, the reality is, is new funding to build towards AGI, which is, artificial general intelligence. It's not new funding, to build toward AGI. It's new funding to build towards OpenAI, there's no public benefit of any of this, is there?Keach Hagey: Well, what they're saying is that the nonprofit will be capitalized and will sort of be hiring up and doing a bunch more things that it wasn't really doing. We'll have programs and initiatives and all of that. Which really, as someone who studied Sam's life, this sounds really a lot like what he did at Y Combinator. When he was head of Y Combinator, he also spun up a nonprofit arm, which is actually what OpenAI grew out of. So I think in Sam's mind, a nonprofit there's a place to go. Sort of hash out your ideas, it's a place to kind of have pet projects grow. That's where he did things like his UBI study. So I can sort of see that once the AGs are like, this is not gonna happen, he's like, great, we'll just make a big nonprofit and I'll get to do all these projects I've always wanted to do.Andrew Keen: Didn't he get thrown out of Y Combinator by Paul Graham for that?Keach Hagey: Yes, a little bit. You know, I would say there's a general mutiny for too much of that kind of stuff. Yeah, it's true. People didn't love it, and they thought that he took his eye off the ball. A little bit because one of those projects became OpenAI, and he became kind of obsessed with it and stopped paying attention. So look, maybe OpenAI will spawn the next thing, right? And he'll get distracted by that and move on.Andrew Keen: No coincidence, of course, that Sam went on to become a CEO of OpenAI. What does it mean for the broader AI ecosystem? I noted earlier you brought up Microsoft. I mean, I think you've already written on this and lots of other people have written about the fact that the relationship between OpenAI and Microsoft has cooled dramatically. As well as between Nadella and Altman. What does this mean for Microsoft? Is it a big deal?Keach Hagey: They have been hashing this out for months. So it is a big deal in that it will change the structure of their most important partner. But even before this, Microsoft and OpenAI were sort of locked in negotiations over how large and how Microsoft's stake in this new OpenAI will be valued. And that still has to be determined, regardless of whether it's a non-profit or a for-profit in charge. And their interests are diverging. So those negotiations are not as warm as they maybe would have been a few years ago.Andrew Keen: It's a form of polyamory, isn't it? Like we have in Silicon Valley, everyone has sex with everybody else, to put it politely.Keach Hagey: Well, OpenAI does have a new partner in Oracle. And I would expect them to have many more in terms of cloud computing partners going forward. It's just too much risk for any one company to build these huge and expensive data centers, not knowing that OpenAI is going to exist in a certain number of years. So they have to diversify.Andrew Keen: Keach, you know, this is amusing and entertaining and Altman is a remarkable individual, able to sell anything to anyone. But at what point are we really on the Titanic here? And there is such a thing as an iceberg, a real thing, whatever Donald Trump or other manufacturers of ontologies might suggest. At some point, this thing is going to end in a massive disaster.Keach Hagey: Are you talking about the Existence Force?Andrew Keen: I'm not talking about the Titanic, I'm talking about OpenAI. I mean, Parmi Olson, who's the other great authority on OpenAI, who won the FT Book of the Year last year, she's been on the show a couple of times, she wrote in Bloomberg that OpenAI can't have its money both ways, and that's what Sam is trying to do. My point is that we can all point out, excuse me, the contradictions and the hypocrisy and all the rest of it. But there are laws of gravity when it comes to economics. And at a certain point, this thing is going to crash, isn't it? I mean, what's the metaphor? Is it Enron? Is it Sam Bankman-Fried? What kind of examples in history do we need to look at to try and figure out what really is going on here?Keach Hagey: That's certainly one possibility, and there are a good number of people who believe that.Andrew Keen: Believe what, Enron or Sam Bankman-Fried?Keach Hagey: Oh, well, the internal tensions cannot hold, right? I don't know if fraud is even necessary so much as just, we've seen it, we've already seen it happen once, right, the company almost completely collapsed one time and those contradictions are still there.Andrew Keen: And when you say it happened, is that when Sam got pushed out or was that another or something else?Keach Hagey: No, no, that's it, because Sam almost got pushed out and then all of the funders would go away. So Sam needs to be there for them to continue raising money in the way that they have been raising money. And that's really going to be the question. How long can that go on? He's a young man, could go on a very long time. But yeah, I think that really will determine whether it's a disaster or not.Andrew Keen: But how long can it go on? I mean, how long could Sam have it both ways? Well, there's a dream. I mean maybe he can close this last round. I mean he's going to need to raise more than $40 billion. This is such a competitive space. Tens of billions of dollars are being invested almost on a monthly basis. So this is not the end of the road, this $40-billion investment.Keach Hagey: Oh, no. And you know, there's talk of IPO at some point, maybe not even that far away. I don't even let me wrap my mind around what it would be for like a nonprofit to have a controlling share at a public company.Andrew Keen: More hallucinations economically, Keach.Keach Hagey: But I mean, IPO is the exit for investors, right? That's the model, that is the Silicon Valley model. So it's going to have to come to that one way or another.Andrew Keen: But how does it work internally? I mean, for the guys, the sales guys, the people who are actually doing the business at OpenAI, they've been pretty successful this year. The numbers are astonishing. But how is this gonna impact if it's a nonprofit? How does this impact the process of selling, of building product, of all the other internal mechanics of this high-priced startup?Keach Hagey: I don't think it will affect it enormously in the short term. It's really just a question of can they continue to raise money for the enormous amount of compute that they need. So so far, he's been able to do that, right? And if that slows up in any way, they're going to be in trouble. Because as Sam has said many times, AI has to be cheap to be actually useful. So in order to, you know, for it to be widespread, for to flow like water, all of those things, it's got to be cheap and that's going to require massive investment in data centers.Andrew Keen: But how, I mean, ultimately people are putting money in so that they get the money back. This is not a nonprofit endeavor to put 40 billion from SoftBank. SoftBank is not in the nonprofit business. So they're gonna need their money back and the only way they generally, in my understanding, getting money back is by going public, especially with these numbers. How can a nonprofit go public?Keach Hagey: It's a great question. That's what I'm just phrasing. I mean, this is, you know, you talk to folks, this is what's like off in the misty distance for them. It's an, it's a fascinating question and one that we're gonna try to answer this week.Andrew Keen: But you look amused. I'm no financial genius. Everyone must be asking the same question.Keach Hagey: Well, the way that they've said it is that the for-profit will be, will have a, the non-profit will control the for profit and be the largest shareholder in it, but the rest of the shares could be held by public markets theoretically. That's a great question though.Andrew Keen: And lawyers all over the world must be wrapping their hands. I mean, in the very best case, it's gonna be lawsuits on this, people suing them up the wazoo.Keach Hagey: It's absolutely true. You should see my inbox right now. It's just like layers, layers, layer.Andrew Keen: Yeah, my wife. My wife is the head of litigation. I don't know if I should be saying this publicly anyway, I am. She's the head of Litigation at Google. And she lost some of her senior people and they all went over to AI. I'm big, I'm betting that they regret going over there can't be much fun being a lawyer at OpenAI.Keach Hagey: I don't know, I think it'd be great fun. I think you'd have like enormous challenges and have lots of billable hours.Andrew Keen: Unless, of course, they're personally being sued.Keach Hagey: Hopefully not. I mean, look, it is a strange and unprecedented situation.Andrew Keen: To what extent is this, if not Shakespearean, could have been written by some Greek dramatist? To what extend is this symbolic of all the hype and salesmanship and dishonesty of Silicon Valley? And in a sense, maybe this is a final scene or a penultimate scene in the Silicon Valley story of doing good for the world. And yet, of course, reaping obscene profit.Keach Hagey: I think it's a little bit about trying to have your cake and eat it too, right? Trying to have the aura of altruism, but also make something and make a lot of money. And what it seems like today is that if you started as a nonprofit, it's like a black hole. You can never get out. There's no way to get out, and that idea was just like maybe one step too clever when they set it up in the beginning, right. It seemed like too good to be true because it was. And it might end up really limiting the growth of the company.Andrew Keen: Is Sam completely in charge here? I mean, a number of the founders have left. Musk, of course, when you and I talked a couple of months ago, OpenAI came out of conversations between Musk and Sam. Is he doing this on his own? Does he have lieutenants, people who he can rely on?Keach Hagey: Yeah, I mean, he does. He has a number of folks that have been there, you know, a long time.Andrew Keen: Who are they? I mean, do we know their names?Keach Hagey: Oh, sure. Yeah. I mean, like Brad Lightcap and Jason Kwon and, you know, just they're they're Greg Brockman, of course, still there. So there are a core group of executives that have that have been there pretty much from the beginning, close to it, that he does trust. But if you're asking, like, is Sam really in control of this whole thing? I believe the answer is yes. Right. He is on the board of this nonprofit, and that nonprofit will choose the board of the for-profit. So as long as that's the case, he's in charge.Andrew Keen: How divided is OpenAI? I mean, one of the things that came out of the big crisis, what was it, 18 months ago when they tried to push him out, was it was clearly a profoundly divided company between those who believed in the nonprofit mission versus the for-profit mission. Are those divisions still as acute within the company itself? It must be growing. I don't know how many thousands of people work.Keach Hagey: It has grown very fast. It is not as acute in my experience. There was a time when it was really sort of a warring of tribes. And after the blip, as they call it, a lot of those more safety focused people, people that subscribe to effective altruism, left or were kind of pushed out. So Sam took over and kind of cleaned house.Andrew Keen: But then aren't those people also very concerned that it appears as if Sam's having his cake and eating it, having it both ways, talking about the company being a non-profit but behaving as if it is a for-profit?Keach Hagey: Oh, yeah, they're very concerned. In fact, a number of them have signed on to this open letter to the attorneys general that dropped, I don't know, a week and a half ago, something like that. You can see a number of former OpenAI employees, whistleblowers and others, saying this very thing, you know, that the AG should block this because it was supposed to be a charitable mission from the beginning. And no amount of fancy footwork is gonna make it okay to toss that overboard.Andrew Keen: And I mean, in the best possible case, can Sam, the one thing I think you and I talked about last time is Sam clearly does, he's not driven by money. There's something else. There's some other demonic force here. Could he theoretically reinvent the company so that it becomes a kind of AI overlord, a nonprofit AI overlord for our 21st century AI age?Keach Hagey: Wow, well I think he sometimes thinks of it as like an AI layer and you know, is this my overlord? Might be, you know.Andrew Keen: As long as it's not made in China, I hope it's made in India or maybe in Detroit or something.Keach Hagey: It's a very old one, so it's OK. But it's really my attention overlord, right? Yeah, so I don't know about the AI overlord part. Although it's interesting, Sam from the very beginning has wanted there to be a democratic process to control what decision, what kind of AI gets built and what are the guardrails for AGI. As long as he's there.Andrew Keen: As long as he's the one determining it, right?Keach Hagey: We talked about it a lot in the very beginning of the company when things were smaller and not so crazy. And what really strikes me is he doesn't really talk about that much anymore. But what we did just see is some advocacy organizations that kind of function in that exact way. They have voters all over the world and they all voted on, hey, we want you guys to go and try to that ended up having this like democratic structure for deciding the future of AI and used it to kind of block what he was trying to do.Andrew Keen: What are the implications for OpenAI's competitors? There's obviously Anthropic. Microsoft, we talked about a little bit, although it's a partner and a competitor simultaneously. And then of course there's Google. I assume this is all good news for the competition. And of course XAI.Keach Hagey: It is good news, especially for a company like XAI. I was just speaking to an XAI investor today who was crowing. Yeah, because those companies don't have this weird structure. Only OpenAI has this strange nonprofit structure. So if you are an investor who wants to have some exposure to AI, it might just not be worth the headache to deal with the uncertainty around the nonprofit, even though OpenAI is like the clear leader. It might be a better bet to invest in Anthropic or XAI or something else that has just a normal for-profit structure.Andrew Keen: Yeah. And it's hard to actually quote unquote out-Trump, Elon Musk on economic subterfuge. But Altman seems to have done that. I mean, Musk, what he folded X into XAI. It was a little bit of controversy, but he seems to got away with it. So there is a deep hostility between these two men, which I'm assuming is being compounded by this process.Keach Hagey: Absolutely. Again, this is a win for Elon. All these legal cases and Elon trying to buy OpenAI. I remember that bid a few months ago where he actually put a number on it. All that was about trying to block the for-profit conversion because he's trying to stop OpenAI and its tracks. He also claims they've abandoned their mission, but it's always important to note that it's coming from a competitor.Andrew Keen: Could that be a way out of this seeming box? Keach, a company like XAI or Microsoft or Google, or that probably wouldn't happen on the antitrust front, would buy OpenAI as maybe a nonprofit and then transform it into a for-profit company?Keach Hagey: Maybe you and Sam should get together and hash that out. That's the kind ofAndrew Keen: Well Sam, I'm available to be hired if you're watching. I'll probably charge less than your current consigliere. What's his name? Who's the consiglieri who's working with him on this?Keach Hagey: You mean Chris Lehane?Andrew Keen: Yes, Chris Lehane, the ego.Keach Hagey: Um,Andrew Keen: How's Lehane holding up in this? Do you think he's getting any sleep?Keach Hagey: Well, he's like a policy guy. I'm sure this has been challenging for everybody. But look, you are pointing to something that I think is real, which is there will probably be consolidation at some point down the line in AI.Andrew Keen: I mean, I know you're not an expert on the maybe sort of corporate legal stuff, but is it in theory possible to buy a nonprofit? I don't even know how you buy a non-profit and then turn it into a for-profit. I mean is that one way out of this, this cul-de-sac?Keach Hagey: I really don't know the answer to that question, to be honest with you. I can't think of another example of it happening. So I'm gonna go with no, but I don't now.Andrew Keen: There are no equivalents, sorry to interrupt, go on.Keach Hagey: No, so I was actually asking a little bit, are there precedents for this? And someone mentioned Blue Cross Blue Shield had gone from being a nonprofit to a for-profit successfully in the past.Andrew Keen: And we seem a little amused by that. I mean, anyone who uses US health care as a model, I think, might regret it. Your book, The Optimist, is out in a couple of weeks. When did you stop writing it?Keach Hagey: The end of December, end of last year, was pencils fully down.Andrew Keen: And I'm sure you told the publisher that that was far too long a window. Seven months on Silicon Valley is like seven centuries.Keach Hagey: It was actually a very, very tight timeline. They turned it around like incredibly fast. Usually it'sAndrew Keen: Remarkable, yeah, exactly. Publishing is such, such, they're such quick actors, aren't they?Keach Hagey: In this case, they actually were, so I'm grateful for that.Andrew Keen: Well, they always say that six months or seven months is fast, but it is actually possible to publish a book in probably a week or two, if you really choose to. But in all seriousness, back to this question, I mean, and I want everyone to read the book. It's a wonderful book and an important book. The best book on OpenAI out. What would you have written differently? Is there an extra chapter on this? I know you warned about a lot of this stuff in the book. So it must make you feel in some ways quite vindicated.Keach Hagey: I mean, you're asking if I'd had a longer deadline, what would I have liked to include? Well, if you're ready.Andrew Keen: Well, if you're writing it now with this news under your belt.Keach Hagey: Absolutely. So, I mean, the thing, two things, I guess, definitely this news about the for-profit conversion failing just shows the limits of Sam's power. So that's pretty interesting, because as the book was closing, we're not really sure what those limits are. And the other one is Trump. So Trump had happened, but we do not yet understand what Trump 2.0 really meant at the time that the book was closing. And at that point, it looked like Sam was in the cold, you know, he wasn't clear how he was going to get inside Trump's inner circle. And then lo and behold, he was there on day one of the Trump administration sharing a podium with him announcing that Stargate AI infrastructure investment. So I'm sad that that didn't make it into the book because it really just shows the kind of remarkable character he is.Andrew Keen: He's their Zelig, but then we all know what happened to Woody Allen in the end. In all seriousness, and it's hard to keep a straight face here, Keach, and you're trying although you're not doing a very good job, what's going to happen? I know it's an easy question to ask and a hard one to answer, but ultimately this thing has to end in catastrophe, doesn't it? I use the analogy of the Titanic. There are real icebergs out there.Keach Hagey: Look, there could be a data breach. I do think that.Andrew Keen: Well, there could be data breaches if it was a non-profit or for-profit, I mean, in terms of this whole issue of trying to have it both ways.Keach Hagey: Look, they might run out of money, right? I mean, that's one very real possibility. They might run outta money and have to be bought by someone, as you said. That is a totally real possibility right now.Andrew Keen: What would happen if they couldn't raise any more money. I mean, what was the last round, the $40 billion round? What was the overall valuation? About $350 billion.Keach Hagey: Yeah, mm-hmm.Andrew Keen: So let's say that they begin to, because they've got, what are their hard costs monthly burn rate? I mean, it's billions of just.Keach Hagey: Well, the issue is that they're spending more than they are making.Andrew Keen: Right, but you're right. So they, let's say in 18 months, they run out of runway. What would people be buying?Keach Hagey: Right, maybe some IP, some servers. And one of the big questions that is yet unanswered in AI is will it ever economically make sense, right? Right now we are all buying the possibility of in the future that the costs will eventually come down and it will kind of be useful, but that's still a promise. And it's possible that that won't ever happen. I mean, all these companies are this way, right. They are spending far, far more than they're making.Andrew Keen: And that's the best case scenario.Keach Hagey: Worst case scenario is the killer robots murder us all.Andrew Keen: No, what I meant in the best case scenario is that people are actually still without all the blow up. I mean, people are actual paying for AI. I mean on the one hand, the OpenAI product is, would you say it's successful, more or less successful than it was when you finished the book in December of last year?Keach Hagey: Oh, yes, much more successful. Vastly more users, and the product is vastly better. I mean, even in my experience, I don't know if you play with it every day.Andrew Keen: I use Anthropic.Keach Hagey: I use both Claude and ChatGPT, and I mean, they're both great. And I find them vastly more useful today than I did even when I was closing the book. So it's great. I don't know if it's really a great business that they're only charging me $20, right? That's great for me, but I don't think it's long term tenable.Andrew Keen: Well, Keach Hagey, your new book, The Optimist, your new old book, The Optimist: Sam Altman, Open AI and the Race to Invent the Future is out in a couple of weeks. I hope you're writing a sequel. Maybe you should make it The Pessimist.Keach Hagey: I think you might be the pessimist, Andrew.Andrew Keen: Well, you're just, you are as pessimistic as me. You just have a nice smile. I mean, in all reality, what's the most optimistic thing that can come out of this?Keach Hagey: The most optimistic is that this becomes a product that is actually useful, but doesn't vastly exacerbate inequality.Andrew Keen: No, I take the point on that, but in terms of this current story of this non-profit versus profit, what's the best case scenario?Keach Hagey: I guess the best case scenario is they find their way to an IPO before completely imploding.Andrew Keen: With the assumption that a non-profit can do an IPO.Keach Hagey: That they find the right lawyers from wherever they are and make it happen.Andrew Keen: Well, AI continues its hallucinations, and they're not in the product themselves. I think they're in their companies. One of the best, if not the best authority, our guide to all these hallucinations in a corporate level is Keach Hagey, her new book, The Optimist: Sam Altman, Open AI and the Race to Invent the Future is out in a couple of weeks. Essential reading for anyone who wants to understand Sam Altman as the consummate salesman. And I think one thing we can say for sure, Keach, is this is not the end of the story. Is that fair?Keach Hagey: Very fair. Not the end of the story. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Text the Bookcast and say "hi"!Welcome to Chapter 71!My guest today is Dr. Constance Squires. She holds a Ph.D. in English from Oklahoma State University and teaches Creative Writing at the University of Central Oklahoma in Edmond. In her new book, Low April Sun, Constance creates a novel around the events and the aftermath of the Murrah Bombing in Oklahoma City in 1995. She is also the author of the novels Along the Watchtower, which won the 2012 Oklahoma Book Award for Fiction and Live from Medicine Park, a 2018 Oklahoma Book Award finalist. In addition to these novels, Constance has a short story collection called Hit Your Brights and her short fiction has also appeared in Guernica, The Atlantic Monthly, Shenandoah, Identity Theory, Bayou, the Dublin Quarterly, This Land, and a number of other magazines.  ​Constance's nonfiction has appeared in Salon, the New York Times, the Village Voice, World Literature Today, the Philological Review, Largehearted Boy, and has been featured on the NPR program Snap Judgment.  She contributed to the RollingStone500: Telling Stories in Stereo (thers500.com). and wrote the screenplay for Sundance fellow Jeffrey Palmer's 2015 short film, Grave Misgivings. In our conversation, we talk a lot about Low April Sun and the challenges of creating fiction around significant real-world events. We also talk about the publishing journey and she gives some great advice for emerging writers. Connect with Constance: website | Instagram | FacebookMentioned on the Show:Falling Man - Don DelilloExtremely Loud and Incredibly Close - Jonathan Safran FoerLibra - Don DelilloThe Secret Garden - Frances Eliza Hodgson BurnettLittle House on the Prairie - Laura Ingalls WilderLittle Women - Louisa May AlcottUniversity of Oklahoma PressT.S. EliotEzra PoundDrive Your Plow Over the Bones of the Dead - Olga Tokarczuk James - Percival EverettRoots - Alex HaleyBlue Sky Tinker, Tailor, Soldier, Spy - John le CarreConnect with J: website | TikTok | Twitter | Instagram | FacebookShop the Bookcast on Bookshop.orgMusic by JuliusH

This is a panel discussion. The panelists are: Stephen Pimpare is Professor of Public Policy at Vermont Law and Graduate School. He is the author of four books, including A Peoples History of Poverty and, most recently, Politics for Social Workers: A Practical Guide to Effecting ChangeBob Hennelly Hosts What's Going On! Moral Monday on WBAI.He's an award winning print and broadcast journalist and staff reporter. He was with the Chief-Leader for years covering unions since 1897. Bob is also a regular contributor for Salon where he writes about the economy and politics. Over the years he has done reporting for CBS's 60 Minutes, the New York Times, the Village Voice, the Christian Science Monitor, CBS MoneyWatch, National Public Radio, WNYC, and Pacifica. He is the author of his new book, just released and published by Democracy at Work: "Stuck Nation: Can the United States Change Course on Our History of Choosing Profits Over People?"Lincoln Mitchell teaches political science and public policy at Columbia University. He is the author of nine books and his writings have appeared numerous publications.topics:-The assault on colleges and universities, forcing them to fall into Trump's views, or face financial ruin. Some universities resist.-Threat of deportation/rendition to US born citizens.-DOGE theft of data from government agencies such as SSA and IRS.-Assault on federal employee unions, and destabilization of the Civil ServiceDeconstruction of the New Deal Social Contract Music: David Rovic, "It's up to you"WNHNFM.ORG  production

Chapters00:00Introduction and Connection02:26Real Estate Dreams and Retirement Plans04:48Adoption Story and Family Background07:27Understanding Sexuality and Identity09:54Coming Out and Family Dynamics12:35Spiritual Experiences and Past Lives15:07Reflections on Family Relationships17:59Life Lessons and Personal Growth21:52Adapting to New Environments23:34Pets and Their Needs24:21Relationships and Love25:22Career Transitions and Playwriting28:51The Impact of HIV/AIDS on Relationships31:55The Journey to Becoming a Playwright35:25Navigating the Film Industry38:35Upcoming Projects and Aspirations40:42Life Lessons and Philosophies43:42Reflections on Society and PoliticsSummary:In this episode, Stephen Druckman shares his personal journey from his early life in Boston to his successful career as a playwright. He discusses his family dynamics, coming out as gay, and the challenges he faced in his identity. Stephen reflects on his artistic philosophy, the importance of kindness, and his current projects, including a new play. The conversation touches on themes of love, acceptance, and the complexities of navigating life as an artist in today's world.Takeaways:Stephen's early life was marked by family challenges and adoption.He always knew he was different and gay from a young age.His journey into playwriting began as a way to express his identity.Stephen emphasizes the importance of kindness in life and art.He believes love is the core reason for our existence.His experiences in the theater have shaped his artistic philosophy.Stephen's new play explores themes of love and aging.He reflects on the impact of the AIDS crisis on his generation.The conversation highlights the importance of authenticity in art.Stephen's insights on the current political climate reveal his concerns for the future.Bio:STEVEN DRUKMAN was nominated for the Pulitzer Prize in Drama for his play Another Fine Mess (Portland Center Stage). His plays include Pru Payne (Arizona Theatre Company, SpeakEasy Stage in Boston, MA); Going to See the Kid (Merrimack Rep); Death of the Author (Geffen Playhouse, starring Austin Butler in his first stage role); The Prince of Atlantis (South Coast Rep); The Innocents (Asolo Rep); The Bullet Round (Arena Stage, Portland, OR); In this Corner (The Old Globe, winner of the San Diego Circle Best New Play Award); Going Native (Long Wharf Theatre); Flattery Will Get You (Connecticut Rep); and more. Drukman's work has been developed by the Mark Taper Forum, Manhattan Theatre Club, Intiman Theatre, Sundance Theatre Lab, Williamstown Theatre Festival, Playwrights Horizons, New York Theatre Workshop, and many others.  As a journalist, Drukman wrote for The New York Times for many years, as well as The Nation, The Village Voice, and International Herald Tribune.  He also served as the theatre reviewer for Artforum and WNYC-FM. As an actor, Drukman has been directed by Richard Foreman, Anne Bogart, Maria Irene Fornes and Arnold Wesker, and was a member of the Organic Theater Company in Chicago, where he won a Jeff Award. He received his Ph.D. from NYU, where he is an Associate Professor of playwriting.To contact Steven:To contact Wilkinson:  BecomingWilkinson@gmail.com

Chris Kelly joined me to discuss his dad and his love of lesson plans; living in Canada and having having one US TV station; Little Rascals; other comedy hubs beside Canada; his influence; improv; his dad writing for SNL; Harry Shearer; every TV show having its own process; Letterman's reaction to being passed by Politically Incorrect in the ratings; having structure even in lunch orders; writing for the Village Voice; getting hired on HA!'s After Drive and Comedy Channels Sports Monster; being told Sports Monster had no viewers in Philadelphia; being the first to write about sports in National Lampoon; getting to NL when they got rid of the nudity, and having it shut down; the letters; the "prefect game" in Late Night; Tom Gammill & Cathy; writing VO's for Penn Jillette; meeting Bill Maher and discussing the Politically Incorrect should have a Johnny Carson like monologue; Bills early TV appearances; Buffalo Bill, Geena Davis and Jay Tarses; Slap Maxwell; Richard Mulligan; Arianna Huffington; Christine O'Donnell; moving to ABC; writing with Bill his New Rule on football streaming; Roseanne vs. OJ jury episode; great talk show guests; Charles Grodin; Dom Irrera makes a host look good; Andrew Smith on Johnny Carson and getting his job by "whipping it out"; Bill Scheft; Reese Witherspoon; having to write 100's of jokes on the same topic; Top 10 list; calling to congratulate Bill on 9/11 episode that got him fired; all desk show bits were created by Bill except New Rules written by Billy Martin; The Kardashians; Regis Philbin; what's Bill like; best and worst guests; Scott Carter's tremendous fingerprints on the show; his cat book, Downton Tabby

April 23, 2025 - With the ever-growing need to understand ourselves and humanity as a whole, it is necessary to examine the concepts of morality, ethics and universal values as guiding principles of the human condition. With generous support from Y.T. Hwang Family Foundation, The Korea Society presents a Series on Ethics and Common Values. This series promotes the understanding of central themes of our human existence - morality, ethics, personal responsibility, compassion and civility - through a series of lectures by distinguished speakers and conversation with extraordinary individuals who exemplify the universal values in line with the mission of Y. T. Hwang Family Foundation and The Korea Society. The Korea Society and Y. T. Hwang Family Foundation is proud to present Ilyon Woo in a conversation with Ed Park. Ilyon Woo is the New York Times best-selling author of Master Slave Husband Wife: An Epic Journey from Slavery to Freedom, which won the 2024 Pulitzer Prize in Biography. Time Magazine called Master Slave Husband Wife an “edge-of-your-seat drama”; The Wall Street Journal pronounced it: “A narrative of such courage and resourcefulness it seems too dashing to be true.... a ‘genuine nail-biter.'” It was one of the New York Times's “10 Best Books of 2023” and People Magazine's “Top Ten Books of 2023,” also named a best book of the year by The New Yorker, Time, NPR, Smithsonian Magazine, Boston, Chicago Public Library, and Oprah Daily. A finalist for a Kirkus Prize, the book was long-listed for the Carnegie Medal, nominated for the Goodreads Choice Awards, and supported by a Whiting Creative Nonfiction Writing Grant. Woo is also the author of The Great Divorce: A Nineteenth-Century Mother's Extraordinary Fight Against Her Husband, the Shakers, and Her Times. Her writing has appeared in The Boston Globe, The Wall Street Journal, Time Magazine, and The New York Times. Woo has traveled the country to speak at bookstores, museums, schools, and book festivals, and she has been featured on such programs as NPR's Morning Edition, All Things Considered, and CBS Sunday Morning. She holds a BA in the Humanities from Yale College and a PhD in English from Columbia University. Ed Park is the author of the novels Same Bed Different Dreams (2023), a finalist for the Pulitzer Prize and winner of the Los Angeles Times Book Prize, and Personal Days (2008), a finalist for the PEN/Hemingway Award. His fiction, essays, and reviews have appeared in The New Yorker, The New York Review of Books, Harper's, The Atlantic, Bookforum, McSweeney's, and many other publications. He is a founding editor of The Believer and the former literary editor of The Village Voice, and has worked in newspapers and book publishing. He currently teaches writing at Princeton University. For more information, please visit the link below: https://www.koreasociety.org/arts-culture/item/1980-y-t-hwang-family-foundation-series-on-ethics-common-values-a-conversation-with-ilyon-woo

Join "Dance Talk” ® with Joanne Carey and special guests Stevn Melendez and Wendy Perron.In this episode of "Dance Talk” ® , host Joanne Carey engages with Steven Melendez, the artistic director of New York Theatre Ballet, and Wendy Perron, a dance historian and former editor of Dance Magazine. They discuss the significance of Judson Dance Theater, its impact on modern dance, and how its philosophies resonate with contemporary dance practices.The conversation explores the challenges of restaging historical works, the importance of audience engagement, and the political context of dance as a form of protest and expression.The episode culminates in a preview of an upcoming performance that aims to bridge the past and present of dance April 23-26.The Judson Dance Theater was a pioneering experimental dance collective that operated in New York City from 1962 to 1964. They performed at Judson Memorial Church in Greenwich Village, known for its social and artistic activism. Judson Dance Theater is widely recognized as a key force in the development of postmodern dance and its avant-garde approach influenced subsequent generations of choreographers. Steven Melendez was born in New York City in 1986 and started his ballet training with the LIFT Program at Ballet School New York at the age of 7. He has danced as a Soloist dancer with Ballet Concierto in Buenos Aires, Argentina, a Principal dancer with The Vanemuine Theater Ballet Company in Tartu, Estonia, and for over 15 years with New York Theatre Ballet. He was a national and international guest artist and teacher and has worked across Europe, Asia, and Central and South America. Steven co-choreographed his first large-scale work, Song Before Spring, for New York Theatre Ballet which was named a Dance Europe critic's choice “Best Premiere” of 2016. Steven is currently a member of the alumni advisory committee on diversity and inclusion for School of American Ballet and served as the Hiland Artistic Director for National Dance Institute New Mexico. Steven was named as the Artistic Director of New York Theatre Ballet in April of 2022Wendy Perron is a dancer/choreographer turned writer/editor/scholar. She trained in modern dance and ballet and earned a BA from Bennington College and an MA from SUNY Empire State College. She danced with the Trisha Brown Company in the 1970s and choreographed more than 40 works for her own group, which received commissions from Lincoln Center Festival, the Joyce Theater, Jacob's Pillow, and the Danspace Project. Perron has taught at Bennington, Princeton, NYU Tisch School of the Arts, and the Conservatory at SUNY Purchase. In the early 1990s she served as associate director of Jacob's Pillow. She was the editor in chief of Dance Magazine from 2004 to 2013, and has also written for the New York Times, the Village Voice, vanityfair.com, and journals in Europe and China. An authority on Judson Dance Theater and postmodern dance, Perron has lectured across the country and in Russia and China. In 2011 she was the first dance artist to be inducted into the New York Foundation for the Arts' Hall of Fame. Her second book, The Grand Union: Accidental Anarchists of Downtown Dance, 1970-1975, met with acclaim when it was published in 2020. She has recently performed with Yoshiko Chuma and the School of Hard Knocks in downtown venues. Her new online series, “Unsung Heroes of Dance History,” presents research on dance artists outside the “canon.” She has been on the Juilliard faculty since 2019.To see this performancehttps://nytb.org/tickets“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ https://dancetalkwithjoannecarey.com/Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Tony Ortega - School of ScientologyTony Ortega is a journalist who was formerly the editor of The Village Voice. He's written about Scientology since 1995, and in May 2015 released a book about Scientology's harassment of Paulette Cooper titled 'The Unbreakable Miss Lovely.' He continues to monitor breaking developments in Scientology and other controversial subjects from an undisclosed location in an underground bunker he shares with four cats and one of them wrinkly Shar Pei dogs. Despite his super-secret security protections, you can still reach him pretty easily by sending him a message at tonyo94 AT gmail.comThe Underground BunkerBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

On the Saturday April 19, 2025 edition of The Richard Crouse Show we meet Dr. Janet McMordie. She is a sports medicine physician who blends her medical expertise with a passion for the arts. During the pandemic, she embarked on a simultaneous journey into storytelling, discovering a revitalized connection to her creativity. She shifted from a tunnel-visioned medical career to explore improv, acting, and producing. We talk about medicine, acting, her award-winning Second Act Actors podcast and much more. Then, David Cronenberg. The Village Voice called him "the most audacious and challenging narrative director in the English-speaking world.” He has directed horror films, dramas, psychological thrillers and gangster films, like “Shivers,” “Scanners,” “Videodrome,” “The Fly,” “A History of Violence,” “Eastern Promises” and “The Dead Zone” among many others. Seven of his films were selected to compete for the Palme d'Or, the most recent being “The Shrouds,” which was screened at the 2024 Cannes Film Festival. Starring Vincent Cassel, Diane Kruger and Guy Pearce, “The Shrouds” explores the future of death. Casserl plays a “an innovative businessman and grieving widower, who builds a novel device to connect with the dead inside a burial shroud. This burial tool installed at his own state-of-the-art though controversial cemetery allows him and his clients to watch their specific departed loved one decompose in real time.” It's an unsettling idea for a film, but it is a powerful and ultimately therapeutic look at grief in its many forms.

Amy is joined by author Kathy Iandoli to discuss her book, God Save the Queens: The Essential History of Women in Hip-Hop, exploring the incredible history of female pioneers in hip-hop history from old school crews like The Mercedes Ladies to contemporary superstars like Lil' Kim.Donate to Breaking Down PatriarchyKathy Iandoli is a critically acclaimed journalist, author, podcaster, media coach, and documentarian. She has nearly 25 years experience working in the music industry—from media, to publicity, radio, and artist management. Her first book, God Save The Queens: The Essential History of Women In Hip-Hop was named an NPR Best Book Of the Year. She is the author of the biography Baby Girl: Better Known As Aaliyah, as well as the co-author of rapper, Lil' Kim's memoir, The Queen Bee. Kathy has written about music and gender for two decades, with bylines in VIBE, The Source, XXL, Village Voice, Rolling Stone, Billboard, Pitchfork, BUST, Teen Vogue, PAPER, Playboy, i-D, Cosmopolitan, Maxim, The Guardian, VICE, and many others. Kathy was a professor-in-residence of Music Business at NYU for 7 years as well as an alum of Steinhardt's Music Business Graduate Program and has served as a pundit (television, radio, and panels) for discussions on hip-hop and gender.

Keach Hagey's upcoming new biography of OpenAI's Sam Altman is entitled The Optimist. But it could alternatively be called The Salesman. The Wall Street Journal reporter describes Altman as an exceptional salesman whose superpower is convincing (ie: selling) others of his vision. This was as true, she notes, in Altman's founding of OpenAI with Elon Musk, their eventual split, and the company's successful pivot to language models. Hagey details the dramatic firing and rehiring of Altman in 2023, attributing it to tensions between AI safety advocates and commercial interests. She reveals Altman's personal ownership of OpenAI's startup fund despite public claims to the contrary, and discusses his ongoing challenge of fixing the company's seemingly irresolvable nonprofit/for-profit structure. 5 Key Takeaways * Sam Altman's greatest skill is his persuasive ability - he can "sell ice to people in northern climates" and convince investors and talent to join his vision, which was crucial for OpenAI's success.* OpenAI was founded to counter AI risks but ironically accelerated AI development - starting an "arms race" after ChatGPT's release despite their charter explicitly stating they wanted to avoid such a race.* The 2023 firing of Altman involved tensions between the "effective altruism" safety-focused faction and Altman's more commercially-oriented approach, with the board believing they saw "a pattern of deliberate deception."* Altman personally owned OpenAI's startup fund despite publicly claiming he had no equity in OpenAI, which was a significant factor in the board's distrust leading to his firing.* Despite regaining his position, Altman still faces challenges converting OpenAI's unusual structure into a more traditional for-profit entity to secure investment, with negotiations proving difficult after the leadership crisis.Keach Hagey is a reporter at The Wall Street Journal, where she focuses on the intersection of media and technology. She was part of the team that broke the Facebook Files, a series that won a George Polk Award for Business Reporting, a Gerald Loeb Award for Beat Reporting and a Deadline Award for public service. Her investigation into the inner workings of Google's advertising-technology business won recognition from the Society for Advancing Business Editing and Writing (Sabew). Previously, she covered the television industry for the Journal, reporting on large media companies such as 21st Century Fox, Time Warner and Viacom. She led a team that won a Sabew award for coverage of the power struggle inside Viacom. She is the author of The King of Content: Sumner Redstone's Battle for Viacom, CBS and Everlasting Control of His Media Empire, published by HarperCollins, and The Optimist: Sam Altman, OpenAI and the Race to Invent the Future, published by W.W. Norton & Company. Before joining the Journal, Keach covered media for Politico, The National in Abu Dhabi, CBS News and the Village Voice. She has a bachelor's and a master's in English literature from Stanford University. She lives in Irvington, N.Y., with her husband, three daughters and dog.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

William Luvaas has published four novels: The Seductions of Natalie Bach (Little, Brown) Going Under (Putnam), Beneath The Coyote Hills (Spuyten Duyvil), and Welcome To Saint Angel (Anaphora Lit. Press); and three story collections: A Working Man's Apocrypha (Univ. Okla. Press) Ashes Rain Down: A Story Cycle (Spuyten Duyvil), The Huffington Post's 2013 Book of the Year and a finalist for the Next Generation Indie Book Awards – and his most recent, The Three Devils.  His new collection The Three Devils And Other Stories is forthcoming from Cornerstone Press at the Univ. of Wisconsin.  His honors include an NEA fellowship, first place in Glimmer Train's Fiction Open Contest, The Ledge Magazine's 2010 Fiction Awards Competition, and Fiction Network's Second National Fiction Competition.  Over one hundred of his stories, essays, and articles have appeared in many publications, including The Sun, North American Review, Epiphany, The Village Voice, The American Literary Review, Antioch Review, Cimarron Review, Short Story, and the American Fiction anthology.  He has taught creative writing at San Diego State University, U.C. Riverside, and The Writer's Voice in New York and has also worked as a carpenter, craftsman, community organizer, and freelance journalist.  He lives in Los Angeles with his wife Lucinda, an artist and filmmaker.

Robert Sietsema is a longtime New York City restaurant critic and neighborhood wanderer who has written for the Village Voice and Eater and who, prior to that, ran the influential underground food zine Down the Hatch. He currently publishes a really great Substack, Robert Sietsema's New York. It's dispatched in a purely Sietsema way - full of reporting, knowledge, and lots of undiscovered restaurant gems around New York City. You should really be reading Robert's work and our conversation covers burgers, soups, pizza, and New York as a place that has everything - and not always good. Also on the show, Matt shares about his recent trip to Tucson, Arizona. What a great food city! Mentioned on the episode: Seis Kitchen at Mercado San Agustin, La Estrella Bakery, Presta, La Mesa Tortillas, Time Market, Casa Asada, Taqueria Juanitos, El Rustico. Check out the Tucson Google map and save for a future visit.Do you enjoy This Is TASTE? Drop us a review on Apple, or star us on Spotify. We'd love to hear from you. Read more:5 Wonderful Things I've Eaten Around NYC Lately [RSNY]This Is TASTE 51: Robert Sietsema [TASTE]See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In 1966 the Mayor's Office of Film was established to try and encourage local filmmaking, in the hopes that it might help boost the economy. What resulted were films that presented a raw and unfiltered version of the city on the edge of crisis. Starting April 1, the Criterion Channel will feature a collection of films under the headline "Fun City: NYC Woos Hollywood, Flirts with Disaster," featuring films like "Dog Day Afternoon," "Cotton Comes to Harlem," "The Panic in Needle Park," and more. Writer and film critic J. Hoberman, who served as a film critic for the Village Voice and curated the Criterion series, discusses this period of film history. Hoberman's forthcoming book is called The 1960s New York Avant-Garde: Primal Happenings, Underground Movies, Radical Pop.

Join host Blake Howard and a handpicked team of film experts as they ambush John Frankenheimer's RONIN (1998). Over 12 episodes, they'll explore the mysteries of the briefcase MacGuffin, praise co-writer David Mamet's tough, balletic dialogue, and break down the film's iconic action and chase sequences. Tune in because, as Sam says, 'Whenever there is any doubt, there is no doubt. That's the first thing they teach you.'All your concerns will be addressed before we (Sean Burns, Peter Avellino and I) leave.Scene 2: 9.21-15.22Sean BurnsSean Burns is a film critic for WBUR's Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. Currently a member of the Online Film Critics Society and the Critics Choice Association, he's also “the most annoyingest person ever,” according to his niece.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsPeter AvellinoI'm a writer. I live in Los Feliz. Sometimes I go to the movies. There's more to tell, but not just now.WEBSITE: https://mrpeelsardineliqueur.blogspot.com/TWITTER: @PeterAPeelJoin our Patreon for as little as $1 a month for an exclusive weekly podcast + access to the OHM discord here.ONE HEAT MINUTE PRODUCTIONSWEBSITE: ONEHEATMINUTE.COMPATREON: ONE HEAT MINUTE PRODUCTIONS PATREONTWITTER: @ONEBLAKEMINUTE & @KATIEWALSHSTX & @OHMPODSSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In 1992 Bill Duke teamed up with Laurence Fishburne and Jeff Goldblum to create one of the best film noirs ever made and a masterpiece of Black cinema. Walter Greason and Tim Fielder join in to talk about it, the rise of hip hop, and the early 90s. About our guests:A native of Mississippi, Tim Fielder is an illustrator, cartoonist, animator and OG Afrofuturist. He is the founder of Dieselfunk Studios, an intermedia storytelling company, and is an educator for institutions such as the New York Film Academy and Howard University. Tim has served clients such as Marvel, Tri-Star Pictures, Ubisoft Entertainment, and the Village Voice, and is known for his TEDx Talk on Afrofuturism. He won the prestigious 2018 Glyph Award, and his work has been showcased in the Hammonds House Museum, Exit Art and NYU Gallatin Gallery. He attended Jackson State University, School of Visual Arts, and New York University. He lives in New York City.Walter Greason teaches American and world history, using media ecology, economics, and African diaspora studies. His areas of research include urban planning, Afrofuturism, and multimedia user experience design. He is an author, editor, and contributor to more than twenty books, mostly notably the award-winning books Suburban Erasure and The Black Reparations Project.  His work on the Timothy Thomas Fortune Cultural Center has garnered international acclaim for the innovative use of digital technology, leading to multiple urban revitalization projects in Minnesota, Florida, New Jersey, and Louisiana. He has written for or appeared as the feature guest on media outlets ranging from the Washington Post, USA Today, the Canadian Broadcast Channel, the Philadelphia Daily News, the Huffington Post, National Public Radio, Historians at the Movies, the New York Times Read Along, WURD Philadelphia, and Today with Dr. Kaye (WEEA, Baltimore). He was a Future Faculty Fellow at Temple University where he completed his Ph.D. in History and a Presidential Scholar at Villanova University where he studied History, English, Philosophy, Peace and Justice Studies, and Africana Studies. His most recent project, The Graphic History of Hip Hop, with Afrofuturist illustrator Tim Fielder, has been featured at the United Nations, the Smithsonian Institution's National Museum for African American History and Culture, the Metropolitan Museum of Art in New York City, the Schomburg Center in the New York Public Library system, and San Diego Comic-Con in 2024.

On the Saturday April 19, 2025 edition of The Richard Crouse Show we meet Dr. Janet McMordie. She is a sports medicine physician who blends her medical expertise with a passion for the arts. During the pandemic, she embarked on a simultaneous journey into storytelling, discovering a revitalized connection to her creativity. She shifted from a tunnel-visioned medical career to explore improv, acting, and producing. We talk about medicine, acting, her award-winning Second Act Actors podcast and much more. Then, David Cronenberg. The Village Voice called him "the most audacious and challenging narrative director in the English-speaking world.” He has directed horror films, dramas, psychological thrillers and gangster films, like “Shivers,” “Scanners,” “Videodrome,” “The Fly,” “A History of Violence,” “Eastern Promises” and “The Dead Zone” among many others. Seven of his films were selected to compete for the Palme d'Or, the most recent being “The Shrouds,” which was screened at the 2024 Cannes Film Festival. Starring Vincent Cassel, Diane Kruger and Guy Pearce, “The Shrouds” explores the future of death. Casserl plays a “an innovative businessman and grieving widower, who builds a novel device to connect with the dead inside a burial shroud. This burial tool installed at his own state-of-the-art though controversial cemetery allows him and his clients to watch their specific departed loved one decompose in real time.” It's an unsettling idea for a film, but it is a powerful and ultimately therapeutic look at grief in its many forms.

Notes and Links to Donna Minkowitz's Work         Donna Minkowitz is a writer of fiction and memoir who author Mary Gaitskill has celebrated as “original, energetic, witty, and meaty.” Andrew Solomon dubbed her “utterly entrancing… a writer with breathtakingly fluent language.” She is also the author of the fantasy-influenced memoir Growing Up Golem and the memoir Ferocious Romance, about being an openly lesbian reporter covering the Christian right undercover. Growing Up Golem was a finalist for both a Lambda Literary Award and for the Publishing Triangle's Judy Grahn Nonfiction Award, and Ferocious Romance won a Lambda Literary Award. Donna, a former columnist for the Village Voice and The Advocate, has also written for the New York Times Book Review, The Nation, Salon, Slate, and New York magazine.    DONNAVILLE, her first novel and third book, was recently published by Indolent Books. Buy Donnaville   Donna's Website   Book Review for Donnaville from Kirkus Reviews   At about 2:05, Donna provides background on her formative reading and writing years  At about 3:40, Pete and Donna talk about the benefits of reading works a bit too old for them At about 5:05, Donna responds to Pete's questions about the Torah and how its stories affected her writing At about 6:30, Donna talks about formative and transformative writers, including poets and Greek mythology At about 8:05, Donna responds to Pete's questions about representation in discussing the significance of Sappho's work At about 10:25, Donna discusses the nuances of the word “queer” and generational usages  At about 14:00, Pete and Donna stan Honor Thy Father by Gay Talese, which receives a shout out in Donnaville At about 17:20, Donna expands on writers who inspired her as a high school and college student; she talks about the complicated legacy and work of Tolkien  At about 21:30, Pete asks Donna and how the detail shown in Donnaville connects to her work as an esteemed journalist  At about 23:40, Donna talks about her undercover journalism work, including a memorable white nationalism conference and purported former Olympic hopeful At about 26:40, Donna talks about the book's opening scene and connections to her real life, with regard to therapy and therapists and ways of finding growth At about 31:55, Pete describes the book's exposition and compliments Donna's  At about 34:05, Donna cites Denise Levertov's and Delmore Schwartz's (“Narcissus”) work as inspiration for her book featuring a city inside her mind; Pete cites another wonderful Schwartz text, “In Dreams Begin Responsibilities” At about 36:40, Donna talks about Foucault and resistance in connection to an evocative line from her book At about 37:20, Donna expands upon how there are two characters in the book who are not pieces of her, and she explains the significance of Harlequin in the book At about 41:45, Donna responds to Pete's question about the lying nature of Harlequin  At about 44:15, Donna and Pete explore ideas of connection and confusion between abusers and their young victims At about 47:50, Donna talks about early “action” that Donna in the book is urged to take At about 49:40, Pete highlights a beautiful quote regarding the “sacred divine” and Donna talks about expectations of hurt At about 50:30, The two discuss the contradictions of the book's jailer, and Donna further discusses ideas of shame At about 53:25, Donna expands on how she sees parts of her life and family in certain characters in the book At about 54:40, Pete shouts out a story, William Carlos Willams' “The Use of Force,” that explores ideas of sadism in similar ways as Donnaville  At about 55:50, Donna muses over ideas of self-care, emotional regulation, and structure in our lives featured in the book At about 57:35, Pete gives details about the book's main focus, and Donna responds to his observations about Donnaville as “a happily queer book” as she also expands upon pleasures found in the book At about 1:02:05, Pete cites traumas alluded to in the book and a deep quote about traumas emerging in people's lives At about 1:04:10, Donna ponders Pete's question about a nurturing group of older people and connects the book to Joseph Campbell's “Hero's Journey” At about 1:07:30, Pete and Donna discuss a possible animated movie based on the book and possible voice actors At about 1:09:25, Donna shouts out as bookstores to buy her book, such as The Bureau of General Services, Queer Division, Stanza Books and Binnacle Books        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. This week, his conversation with Episode 255 guest Chris Knapp is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran.    I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 277 with Jahmal Mayfield, who writes gritty crime novels that touch on large social issues. His stellar SMOKE KINGS was inspired by Kimberly Jones' passionate viral video, “How can we win?”    The episode airs on March 25.  

So who, exactly is government. It's the question that Michael Lewis and an all-star team of writers address in a particularly timely new volume of essays. Who is Government? According to the Montana based Sarah Vowell, author of “The Equalizer”, an essay in the volume about the National Archives, government enables all American citizens to find stories about themselves. Vowell praises the modesty of most government employees. But she warns, the work of public servants like the National Archives' Pamela Wright is anything but modest and represents the core foundation of American democracy. Vowell's message is the antidote to the chainsaw. Essential listening in our surreal times.Here are the five Keen On America takeaways in this conversation with Vowell:* The National Archives as a democratic resource: Pamela Wright's work at the National Archives focused on digitizing records (over 300 million so far) to make them accessible to all Americans, regardless of where they live. This democratization of access allows people to bypass intimidating physical buildings and access their history from anywhere.* Public servants are often modest and unsung: Sarah describes how government workers like Wright tend to be modest, team-oriented people who focus on doing their job rather than seeking recognition. This stands in contrast to more visible or self-promoting public figures.* Personal connections to national archives: The conversation reveals how Americans can find their own family stories within government records. Sarah discovered her own family history, including her grandfather's WPA work and connections to the Cherokee Nation's Trail of Tears through archival documents.* Government's impact on opportunity: Sarah emphasizes how government programs like the Higher Education Act of 1965 created opportunities that changed her family's trajectory from poverty to professional careers through access to public education and financial assistance programs.* The interconnectedness of government services and American life: The conversation concludes with Sarah's observation about how government services form an "ecosystem of opportunity" that impacts everything from education to outdoor recreation jobs in Montana, with each part connected to others in ways that aren't always visible but are essential to how society functions.Sarah Vowell is the New York Times bestselling author of seven nonfiction books on American history and culture. By examining the connections between the American past and present, she offers personal, often humorous accounts of American history as well as current events and politics. Her book, Lafayette in the Somewhat United States, explores both the ideas and the battles of the American Revolution, especially the patriot founders' alliance with France as personified by the teenage volunteer in George Washington's army, the Marquis de Lafayette. Vowell's book, Unfamiliar Fishes is the intriguing history of our 50th state, Hawaii, annexed in 1898. Replete with a cast of beguiling and often tragic characters, including an overthrown Hawaiian queen, whalers, missionaries, sugar barons, Teddy Roosevelt and assorted con men, Unfamiliar Fishes is another history lesson in Americana as only Vowell can tell it – with brainy wit and droll humor. The Wordy Shipmates examines the New England Puritans and their journey to and impact on America. She studies John Winthrop's 1630 sermon “A Model of Christian Charity” and the bloody story that resulted from American exceptionalism. And she also traces the relationship of Winthrop, Massachusetts' first governor, and Roger Williams, the Calvinist minister who founded Rhode Island – an unlikely friendship that was emblematic of the polar extremes of the American foundation. Throughout she reveals how American history can show up in the most unexpected places in our modern culture, often in poignant ways. Her book Assassination Vacation is a haunting and surprisingly hilarious road trip to tourist sites devoted to the murders of presidents Lincoln, Garfield and McKinley. Vowell examines what these acts of political violence reveal about our national character and our contemporary society. She is also the author of two essay collections, The Partly Cloudy Patriot and Take the Cannoli. Her first book Radio On, is her year-long diary of listening to the radio in 1995. She was guest editor for The Best American Nonrequired Reading 2017. Most recently she contributed an essay for Who Is Government? The Untold Story of Public Service by Michael Lewis (Riverhead, March 18, 2025). Vowell's thirty years as a journalist and columnist began in the freewheeling atmosphere of the weekly newspapers of the 1990s, including The Village Voice, the Twin Cities' City Pages and San Francisco Weekly, where she was the pop music columnist. An original contributor to McSweeney's, she has worked as a columnist for Salon and Time, a reviewer for Spin, a reporter for GQ, and a contributing opinion writer for the New York Times, where she covered politics, history, education and life in Montana. She was a contributing editor for the public radio show This American Life from 1996-2008, where she produced numerous commentaries and documentaries and toured the country in many of the program's live shows. Her notable side projects have included a decade as the founding president of 826NYC, a nonprofit tutoring and writing center for students aged 6-18 in Brooklyn; producing a filmed oral history series commemorating the fiftieth anniversary of the Montana Constitutional Convention of 1972; and occasional voice acting, including her role as teen superhero Violet Parr in Brad Bird's Academy Award-winning The Incredibles, and its sequel, Incredibles 2, from Pixar Animation Studios.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Sex worker rights advocate, comedian, and writer, Kaytlin Bailey is the Founder & Executive Director of Old Pros, Old Pros is a nonprofit that uses storytelling to advocate for sex worker rights. Host of The Oldest Profession Podcast, she is also the creator of Whore's Eye View, a comedic mad dash through 10,000 years of history from a sex worker's perspective.A globally recognized leader in the sex worker rights movement, Kaytlin Bailey has been quoted in The New York Times, Rolling Stone, The Washington Post, The Boston Globe, New York Post, The Village Voice, The Nation, Reason, and on NBC. She has written op-eds for The Daily Beast, Vice, and Reason magazine. Kaytlin Bailey has been invited to speak on Fox Business, Sirius XM, at Yale Law School, Penn University, and UCLA. Kaytlin Bailey's views are backed by Amnesty International, The World Health Organization, Human Rights Watch, and UNAids who all agree that the decriminalization of sex work is the only policy that reduces violence. This episode is brought to you by Olipop, a new healthy brand of soda. Go to https://drinkolipop.com/ and use code Marcela15 at checkout to get 15% off your first order. This episode is brought to you by Shopify. Shopify can help you take your business to the next level. Click HERE to set up your Shopify shop today and watch your business soar! This episode is brought to you by BranditScan, the best defese you have against social media fraud. Click HERE to get started with BranditScan today and get your first month for free. There is no better service to protect your social media accounts and your name and likeness. This episode is brought to you by Playboy. Click HERE to get a membership today and unlock a premium Playboy experience like no other. This episode is brought to you by Skillshare. Click HERE to start exploring all the courses Skillshare has to offer, from drawing and music, to graphic design and marketing, start expanding your knowledge today. This episode is brought to you by Fiverr. Click HERE to start hiring professionals to help you in various areas and take your business to the next level. This episode is brought to you by PodMatch. Click HERE to bring your podcasting journey to the next level by getting set up's Only Fans  VIP Membership HERE Free Membership HEREn

Jack Rabid has spent 40 years documenting underground music as the founder and editor of The Big Takeover. His writing has appeared in Spin, Creem, Village Voice, and dozens more. He drums for Even Worse, Leaving Trains, Last Burning Embers, and Springhouse. He hosts The Big Takeover Show on realpunkradio.com. Based in Brooklyn with his wife and two kids, he remains a fixture in punk journalism and radio.

My Summer Lair host Sammy Younan talks to writer Tricia Romano author of The Freaks Came Out To Write: The Definitive History of the Village Voice, the Radical Paper that Changed American Culture. My Summer Lair Chapter #293: What's The First Thing That Comes To Your Mind When I Say The Village Voice? Recorded: Wednesday, September 4, 2024 at 1:00 pm (EST) For more show notes visit MySummerLair.com. Bonus Fun? Sign up for my newsletter because the F in FOMO doesn't stand for Fun. Stress free pop culture (TV shows! Books! Movies! Music! So Many Recommendations!!) tastefully harvested for your divine delight. Once a week a carefully curated edition of My Pal Sammy goes directly to your inbox. Magic or Science? You decide.

In this episode, Kris speaks with Wayne Madsen and Peter Grant about the current state of affairs regarding Donald Trump and the future of America. Wayne details out his thoughts on parallels to Germany in 1939, and what he thinks to be the very same blueprint. Peter Grant details connections between Trump and the KGB through a former father-in-law and gives a detailed history on KGB connections going back to the 1980s. Wayne Madsen is an investigative journalist and syndicated columnist whose articles have appeared in publications such as In These Times, The Miami Herald, and The Village Voice. He is the author of Genocide and Covert Operations in Africa 1993–1999 and The Handbook of Personal Data Protection. A former U.S. naval officer and has worked for the NSA, he has appeared on 20/20, 60 Minutes, and Nightline. He is also the author of several TrineDay books like Jaded Tasks and Overthrow a Fascist Regime on $15 a DayPeter Grant is a writer and independent researcher specializing in open source intelligence with a special focus on history and politics in Russia and the former Soviet Union, global kleptocracy and corruption, Eurasian organized crime and the activities of Russia's intelligence services. In particular, I focus on the interplay between these issues and American politics. He is also the author of While We Slept: Vladimir Putin, Donald Trump, and the Corruption of American Democracy

Toxic leadership stems from the burdens of unresolved trauma and difficult life experiences. When you don't do the work to regulate your nervous system, the parts of you that protect you through mico-managing, shaming, blaming, not trusting anyone, or worse will eventually wreak havoc on your career, those you lead, and your own capacity for discomfort.So, what does it look like for you to commit to doing the work?Maybe you go to therapy or coaching, or adopt practices to deepen your self-awareness and reflection. The trouble is, “doing the work” can easily turn into navel-gazing or intellectualizing. The same tools that might help you unburden can also be used to numb out. We so often are sold the idea that we will overcome and be done with it that we bypass doing the real, deep, lifelong work.Today's guest illustrates–literally–what it looks and feels like to commit to doing powerful work. Her gorgeous new graphic novel, Past Tense, shares her windy and beautiful journey of doing the work through the lens of Internal Family Systems.Sacha Mardou was born in Macclesfield in 1975 and grew up in Manchester, England. She began making comics after getting her BA in English Literature from the University of Wales, Lampeter. Her critically acclaimed graphic novel series, Sky in Stereo, was named an outstanding comic of 2015 by the Village Voice and shortlisted for the 2016 Slate Studio Prize.Since 2019 she has been making comics about therapy and healing. Her graphic memoir Past Tense: Facing Family Secrets and Finding Myself in Therapy is out now. Since 2005 she has lived in St Louis, Missouri with her cartoonist husband Ted May, their daughter and two disruptive cats.Listen to the full episode to hear:How going to therapy for what she thought was just anxiety became a journey of unpacking her past How her therapist helped her “correct the picture” she'd been holding of people and events of her childhoodHow Sacha adapted her private sketched therapy notes into the comics she shares publiclyHow working with IFS to process her childhood has impacted her present-day relationshipsHow the IFS process has helped Sacha recast her difficult experiences as gifts and strengths and her story as valuableHow Sacha approached writing her book wholeheartedly, while still protecting her boundariesLearn more about Sacha Mardou:WebsitePast Tense: Facing Family Secrets and Finding Myself in TherapyInstagram: @mardou_drawsFacebook: @sachamardouLearn more about Rebecca:rebeccaching.comWork With RebeccaSign up for the weekly Unburdened Leader EmailResources:Family Secrets with Dani ShapiroEP 72: Identifying and Addressing the Burdens of Individualism with Deran Young & Dick SchwartzEP 101: Transforming the Legacy Burdens from Relational Trauma with Deran YoungCompassion Prison ProjectCece Sykes LCSWRalph De La Rosa, LCSWDoris LessingEric MaiselElizabeth GilbertSitting Pretty: The View from My Ordinary Resilient Disabled Body, Rebekah TaussigLove Is a Burning Thing, Nina St. PierreTeenage Fanclub - Mellow DoubtThe FranchiseThe Office

Welcome back to ARTMATTERS: The Podcast for Artists.Today we continue our conversation with Julie Harrison, a New York-based artist whose decades-long career has spanned drawing, photography, video, painting, and performance.In this episode we discuss framing and exhibiting works on paper, the overlap between drawing and collage, overcoming creative blocks, exploring new tools, building community and the importance of art history. We also talk laziness, playing tricks with materials, and not waiting for perfection. Harrison's work has been exhibited at MoMA, the Museum of Arts & Design and the Neuberger Museum, with reviews in The New York Times, Hyperallergic, and The Village Voice. Harrison is a recipient of NEA and NYFA grants, she has published with Granary Books and held residencies at the Nordic Arts Center and Cold Spring Harbor Lab. Harrison also founded the Art & Technology B.A. program at Stevens Institute of Technology, where she taught for 18 years.You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!  If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mann www.isaacmann.com insta: @isaac.mann guest: Julie Harrisonwww.julie-harrison.com insta: @julie_harrison_nycThank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music. 

From fast food drive-throughs to Netflix autoplay, many of America's favorite products are designed to maximize profits at the expense of our health. But Thomas Goetz, co-founder of Building H, believes there's a better way. In this episode about corporate responsibility and public health, the former WIRED editor explains why changing company behavior may be easier than changing consumer habits – and how a new health accountability index could help transform America.We cover:

Send us a textComing to Fowl Players Radio 2/10/2025- Author David Finkle!! Fowl Players Radio kicks off Season 12 with an interview with David Finkle- author of “The Great Gatsby Murder Case" David Finkle is a New York-based writer who concentrates on politics and the arts. He writes regularly on theater, books and music for New York Stage Review and The Clyde Fitch Report, where he is chief drama critic. He's contributed to scores of publications, including The New York Times, The Village Voice, The New York Post, The Nation, The New Yorker, New York, Vogue, Mirabella, Harper's Bazaar, Psychology Today, Saturday Review and American Theatre. He is the author of People Tell Me Things, a story collection, The Man With the Overcoat, a novel, Humpty Trumpty Hit a Brick Wall: Donald J. Trump's First Year in Verse and Great Dates With Some Late Greats, a story collection. His websites: www.davidfinkle.com www.davidfinklewrites.com #fowlplayersradio #davidfinkle#thegreatgatsbymurdercase #davidfinkleauthor #michaelspedden#fowlplayersofperryville www.fowlplayersradio.com www.fowlplayersofperryville.comwww.youtube.com/@fowlplayersradiowww.fowlplayersradio.comwww.thefowlplayersofperryville.com#michaelspedden#fowlplayersradio#fowlplayersofperryville@fowl_radio@SpeddenMichaelwww.youtube.com/@fowlplayersradiowww.patreon.com/fowlplayersradiobuymeacoffee.com/fowlplayerw

John interviews Marcus Baram who is Senior Reporter at Capital and Main. His work has appeared in The New Yorker, The New York Times, The Village Voice, New York magazine, and the New York Daily News. He has long documented economic inequality and the massive cuts to the social safety net Donald Trump and Russell Vought envision for America. They discuss his latest for Capital and Main - "Trump's Budget Director Pick, on Path to Confirmation, Could Hurt Millions of Working-Class Americans Including MAGA Voters". Then, John once again chats with Simon Moya-Smith and Julie Francella for their segment "We're Still Here". Simon is an Oglala Lakota and Chicano journalist. Julie is a mental health professional experienced in handling complex trauma with Indigenous youth and families. She is an enrolled member of the Ojibway of Batchewana First Nation Reserve. They talk about the racism surrounding the Kansas City Chiefs in the Superbowl and the Trump administration's desire to forcibly relocate Palestinians from Gaza which draws parallels to the forced relocations of indigenous people in America.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The gang joins up with friend and fellow-podcaster Catrin Lowe so they can head into the place where erotic thriller crosses over with true crime as they look at Bob Fosse's grim and sweaty Star 80.   Follow Catrin on Twitter or Bluesky. Follow Don't You Want Me? on Apple Podcasts Read Teresa Carpenter's orginal Village Voice article: Death of a Playmate Listen to The Video Archives Podcast episode on Star 80.     Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Episode SummaryIn this episode about Cars (2006), Erin and Rachel take a road trip to Radiator Springs, discussing Pixar history, environmentalism, and masculinity and masculinity along the way. Ka-chow! Episode BibliographyThe Amazing Double Life of Jorgen Klubien. (2013, October 15). FLIP. https://flipanimation.blogspot.com/2013/10/the-amazing-double-life-of-jorgen.htmlArnold, W. (2006, June 8). Cars is a joyous ride. Seattle PI. https://www.seattlepi.com/entertainment/movies/article/cars-is-a-joyous-ride-1205659.phpCars. (n.d.). Box Office Mojo. Retrieved January 17, 2025, from https://www.boxofficemojo.com/release/rl1195935233/Cars (2006) - Awards. (n.d.). IMDb. https://www.imdb.com/title/tt0317219/awards/Cars (2006) - Full Cast & Crew. (n.d.). IMDb. https://www.imdb.com/title/tt0317219/fullcreditsCars (film). (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Cars_(film)Cars — Pixar Animation Studios. (2025). Pixar Animation Studios. https://www.pixar.com/carsCars Production Information. (n.d.). https://web.archive.org/web/20070308104817/http://adisney.go.com/disneypictures/cars/us/bios/CARSProdNotes.pdfCulbreth, S., & Huber, R. J. (2015). Cars and social interest. The Journal of Individual Psychology, 71(3), 327-336.Ebert, R. (2006, June 8). NASCAR + Pixar = Pixcars movie review (2006). Roger Ebert. https://www.rogerebert.com/reviews/cars-2006Gillam, K., & Wooden, S. R. (2008). Post-princess models of gender: The new man in Disney/Pixar. Journal of Popular Film and Television, 36(1), 2-8. doi: 10.3200/JPFT.36.1.2-8Hill, J. (2011, July 6). The Roads Not Taken With Pixar's Cars Films. HuffPost. https://www.huffpost.com/entry/disney-cars-films_b_890538Hott, L. R., & Lewis, T. (Directors). (1997). Divided Highways: The Interstates and the Transformation of American Life [Film]. https://www.youtube.com/watch?v=PLr-8QPbiAYJoe Ranft. (n.d.). Wikipedia. Retrieved January 18, 2025, from https://en.wikipedia.org/wiki/Joe_RanftJørgen Klubien. (n.d.). Pixar Cars Wiki. https://pixarcars.fandom.com/wiki/J%C3%B8rgen_KlubienKinzler, K. D., & DeJesus, J. M. (2013). Northern = smart and Souther = nice: The development of accent attitudes in the United States. The Quarterly Journal of Experimental Psychology, 66(6), 1146-1158. DOI: 10.1080/17470218.2012.731695Klubien, J. (2024). Story Development. Jorgen Klubien. https://jorgenklubien.com/portfolio/story%20developmentLasseter, J. (Director). (2006). Cars [Film]. Pixar Animation Studios.Lowry, B. (2006, June 4). Film Review: Cars. Variety. https://variety.com/2006/film/reviews/cars-3-1200515758/Malouf, M. (2017). Behind the closet door: Pixar and petro-literacy. In S. Wilson, A. Carlson, & I. Szeman (Eds.), Petrocultures: Oil, politics, culture (pp. 138-161). Ness, M. (2017, July 27). Driving Without Wonder: Pixar's Cars. Reactor. https://reactormag.com/driving-without-wonder-pixars-cars/Price, D. A. (2009). The Pixar Touch: The Making of a Company. Knopf Doubleday Publishing Group.Rahayu, N. (2019). The portrayal of gender and race in the Cars trilogy. Atavisme, 22,(1), 75-87. doi: 10.24257/atavisme.v22i1.532.75-87Reaves, J. (2006). Movie Review: 'Cars'. Metromix. https://web.archive.org/web/20060613101342/http://metromix.chicagotribune.com/movies/mmx-060609-movies-review-cars%2C0%2C997014.storyTenzek, K. E., & Nickels, B. M. (2019). End-of-life in Disney and Pixar films: An opportunity forengaging in difficult conversation. OMEGA-Journal of Death and Dying, 80(1), 49-68. doi: 10.1177/0030222817726258Travers, P. (2006, June 1). Cars. Rolling Stone. https://www.rollingstone.com/tv-movies/tv-movie-reviews/cars-119316/Wilonsky, R. (2006, May 30). Running on Fumes. The Village Voice. https://web.archive.org/web/20140107215214/http://www.villagevoice.com/2006-05-30/film/running-on-fumes/WonderLand. (2020, November 8). Pixar Cars 2006 Behind The Scenes. YouTube. https://www.youtube.com/watch?v=uF40QwDZtXo

Hang onto your slipcases because Blake Howard (One Heat Minute Productions) and special guest Scout Tafoya (author of The Black Book: An Anthony Mann Reader) collaborate to dissect CRITERION COLLECTION physical media releases.Winchester '73Noirish shadows spread across the frontier in this landmark western, the first of the celebrated collaborations between director Anthony Mann and actor James Stewart that redefined the genre with their moral and psychological intensity. Beginning his midcareer transition into increasingly edgy roles, Stewart portrays an avenging sharpshooter whose stolen rifle becomes a harbinger of death as it is passed from one doomed hand to the next. Featuring a stellar cast that includes a touching Shelley Winters, a sensationally sleazy Dan Duryea, and a pre-stardom Rock Hudson, this elemental tale of violence begetting violence broke new ground with its evocation of the West as a no-man's-land of antiheroes and villains.4K UHD + BLU-RAY SPECIAL EDITION FEATURESNew 4K digital restoration, undertaken by Universal Pictures in collaboration with The Film Foundation, with uncompressed monaural soundtrackOne 4K UHD disc of the film and one Blu-ray with the film and special featuresAudio commentary featuring actor James Stewart and film historian Paul LindenschmidtNew interview with film programmer Adam Piron on the portrayal of Native Americans in the western genreForces of Nature: Anthony Mann at Universal, a program on a key chapter in the director's careerLux Radio Theatre adaptation of the film from 1951TrailerEnglish subtitles for the deaf and hard of hearingPlus: An essay by critic Imogen Sara SmithNew cover by Gregory ManchessScout Tafoya - Buy THE BLACK BOOK hereScout Tafoya is a film critic, video essayist, filmmaker, and author of Cinemaphagy: On The Psychedelic Classical Form of Tobe Hooper, the first book-length critical study of the director of "The Texas Chain Saw Massacre." Originally from Doylestown, PA, he is the creator of RogerEbert.com's The Unloved, the longest-running video essay series on the web, about movies in need of a second look. His writing has appeared in the Village Voice, Film Comment, Nylon Magazine, the Los Angeles Review of Books, and The Film Stage, among others. He is the director of over 25 feature films, including "Eyam," "House of Little Deaths," and "Beata Virgo Viscera," which debuted on RogerEbert.com. His features and his extensive video essay work can be found at Patreon.com/honorszombie.Support: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome back to ARTMATTERS: The Podcast for Artists.This week, we're joined by Julie Harrison, a New York-based artist whose decades-long career has spanned drawing, photography, video, painting, and performance.In this episode we discuss Julie's transition from grayscale to color and back again, her interest in scientific imagery, archiving and selecting reference materials, drawing techniques, early artistic influences and her career path. We also discuss her transition to painting in the 1980s, graduate school, the importance of mentorship and the intersection of challenge, doubt and curiousity at play behind her practice. Julie's work has been exhibited at MoMA, the Museum of Arts & Design and the Neuberger Museum, with reviews in The New York Times, Hyperallergic, and The Village Voice. Harrison is a recipient of NEA and NYFA grants, she has published with Granary Books and held residencies at the Nordic Arts Center and Cold Spring Harbor Lab. Harrison also founded the Art & Technology B.A. program at Stevens Institute of Technology, where she taught for 18 years.Enjoy this conversation with the artist Julie Harrison.You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!  If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mann www.isaacmann.cominsta: @isaac.mann guest: Julie Harrisonwww.julie-harrison.com insta: @julie_harrison_nycThank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music. 

Jan 26, 2025 Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more GET TICKETS TO PODJAM II In Vegas March 27-30 Confirmed Guests! Professor Eric Segall, Dr Aaron Carroll, Maura Quint, Tim Wise, JL Cauvin, Ophira Eisenberg, Christian Finnegan and More! Anya Kamenetz speaks, writes, and thinks about generational justice; about thriving, and raising thriving kids, on a changing planet. Her newsletter on these topics is The Golden Hour. She covered education for many years including for NPR, where she co-created the podcast Life Kit: Parenting. Her newest book is The Stolen Year: How Covid Changed Children's Lives, And Where We Go Now. Kamenetz is currently an advisor to the Aspen Institute and the Climate Mental Health Network, working on new initiatives at the intersection of children and climate change. Anya Kamenetz speaks, writes, and thinks about generational justice; about thriving, and raising thriving kids, on a changing planet. Her newsletter on these topics is The Golden Hour. She covered education as a journalist for many years including for NPR, where she also co-created the podcast Life Kit:Parenting in partnership with Sesame Workshop. Kamenetz is currently an advisor to the Aspen Institute and the Climate Mental Health Network on new initiatives at the intersection of children and climate change. She's the author of several acclaimed nonfiction books: Generation Debt (Riverhead, 2006); DIY U: Edupunks, Edupreneurs, and the Coming Transformation of Higher Education (Chelsea Green, 2010) ; The Test: Why Our Schools Are Obsessed With Standardized Testing, But You Don't Have To Be (Public Affairs, 2016); The Art of Screen Time: How Your Family Can Balance Digital Media and Real Life (Public Affairs, 2018), and The Stolen Year: How Covid Changed Children's Lives, And Where We Go Now (Public Affairs, 2022). Kamenetz was named a 2010 Game Changer in Education by the Huffington Post, received 2009, 2010, and 2015 National Awards for Education Reporting from the Education Writers Association, won an Edward R. Murrow Award for innovation in 2017 along with the rest of the NPR Ed team, and the 2022 AERA Excellence in Media Reporting on Education Research Award. She's been a New America fellow, a staff writer for Fast Company Magazine and a columnist for the Village Voice. She's contributed to The New York Times, The Washington Post, New York Magazine and Slate, and been featured in documentaries shown on PBS, CNN, HBO and Vice. She frequently speaks on topics related to children, parenting, learning, technology, and climate to audiences including at Google, Apple, and Sesame, Aspen Ideas, SXSW, TEDx, Yale, MIT and Stanford. Kamenetz grew up in Baton Rouge and New Orleans, Louisiana, in a family of writers and mystics, and graduated from Yale University. She lives in Brooklyn with her husband and two daughters. The Stand Up Community Chat is always active with other Stand Up Subscribers on the Discord Platform.   Join us Monday and Thursday at 8EST for our Weekly Happy Hour Hangout!  Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing

Send us a textIan Port talks about his book THE BIRTH OF LOUD: LEO FENDER, LES PAUL & THE GUITAR-PIONEERING RIVALRY THAT SHAPED ROCK 'N ROLL.  (From 1-17-19)Ian Port is an award-winning writer and music critic whose work has appeared in Rolling Stone, The Village Voice, and The Believer, among other publications. He is also the former music editor of the San Francisco Weekly. He lives in New York. For more information, visit: www.iansmithport.com.

When we say Best of the Year we mean the WHOLE damn year (we need all the time we can get to read all the books from all the other lists!) so here it is, in mid-January, our Best of 2024 roundup. We're joined by a very special guest, our friend and fellow bookclub member, Addison Kirst, owner of des pair books in Echo Park, Los Angeles.  Books and Authors mentioned in this Episode: Sally Rooney - Intermezzo Percival Everett - James  Miranda July - All Fours  Richard Flanagan - Question 7 Yael vanderwooten - The Safe Keep Trisha Romano - The Freaks Came Out to Write: The Definitive History of the Village Voice, the Radical Paper That Changed American Culture Dolly Atherton - Good Material Claire Dederer - Monsters: A Fan's Dilemma  Robert Plunket - Love junkie Louis Ferdinand Celine - War   Elizabeth Beller - Once Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy Kaveh Akbar - Martyr!  Rachel Kushner - Creation Lake Garth Greenwell - Small rain Mark Twain - Adventures of Huckleberry Finn William Faulkner   Louis Ferdinand Celine - Journey to the End of the Night H.G. Wells Rebecca West Anton Chekhov Richard Flanagan - Death of a River Guide  Rick Rubin - The Creative Act: A Way of Being Cookie Mueller - Walking Through Clear Water in a Pool Painted Black Sofia Coppola - Archive Simone de Beauvoir - The Woman Destroyed   Otessa Moshfegh - Homesick For Another World  James Baldwin - Giovanni's Room  Eve Babitz - Sex and Rage   Sarah J Maas - A Court of Thorns and Roses  Bram Stoker - Dracula  Mary Shelley - Frankenstein  Salman Rushdie - Knife - Elif Shafak - There are Rivers in the Sky   Liz Moore - God of the Woods  Martin MacInnes - In Ascension Charles Burns - Final Cut Danzy Senna - Color Television Tony Tulathimutte - Rejection Jordan Harper - Last King of California  Hanif Abdurraqib - There's Always This Year: On Basketball and Ascension Stefan Zweig - Beware of Pity  Magda Szabo Stacy Horn - Killing fields of East New York Nicholas Carr - Superbloom  Karen Russell - The Antidote  Sarah Silgar - Vantage Point   Ali Smith - Gliff Emma pattee - Tilt  Han Kang - We Do Not Part  Florence Knapp - The Names  Joyce Carol Oates - Fox / Butcher Rebecca Yarros - Onyx Storm Chimamanda Ngozi Adichie- Dream Count S A Cosby - King of Ashes Jon Savage -  The Secret Public Samantha Harvey - Orbital Got something to say? Hit us up at @youshouldprobablyreadmore Buy your books from @despairbooks www.despairbooks.com

The Author Events Series presents Carrie Rickey | A Complicated Passion, The Life and Work of Agnès Varda  REGISTER In conversation with Gary Kramer Born in Los Angeles, Carrie Rickey is an award-winning film critic, art critic, and film historian. She was the film critic at the Philadelphia Inquirer for twenty-five years and has also written for Artforum, Art in America, Film Comment, the New York Times, the Village Voice, and Politico. She has taught at the School of the Art Institute of Chicago and the University of Pennsylvania. She lives in Philadelphia. A Complicated Passion, The Life and Work of Agnès Varda is the first major biography of the storied French filmmaker, who was hailed by Martin Scorsese as ''one of the Gods of cinema.'' Over the course of her sixty-five-year career, the longest of any female filmmaker, Agnès Varda (1928 – 2019) wrote and directed some of the most acclaimed films of her era, from her tour de force Cléo from 5 to 7 (1962), a classic of modernist cinema, to the beloved documentary The Gleaners and I (2000) four decades later. She helped to define the French New Wave, inspired an entire generation of filmmakers, and was recognized with major awards at the Cannes, Berlin, and Venice Film Festivals, as well as an honorary Oscar at the Academy Awards. In this lively biography, former Philadelphia Inquirer film critic Carrie Rickey explores the ''complicated passions'' that informed Varda's charmed life and indelible work. Rickey traces Varda's three remarkable careers - as still photographer, as filmmaker, and as installation artist. She explains how Varda was a pioneer in blurring the lines between documentary and fiction, using the latest digital technology and carving a path for women in the movie industry. She demonstrates how Varda was years ahead of her time in addressing sexism, abortion, labor exploitation, immigrant rights, and race relations with candor and incisiveness. She makes clear Varda's impact on contemporary figures like Ava DuVernay, Greta Gerwig, Barry Jenkins, the Safdie brothers, and Martin Scorsese, who called her one of the Gods of cinema. And she delves into Varda's incredibly rich social life with figures such as Harrison Ford, Jean-Luc Godard, Jim Morrison, Susan Sontag, and Andy Warhol, and her nearly forty-year marriage to the celebrated director Jacques Demy. A Complicated Passion is the vibrant biography that Varda, regarded by many as the greatest female filmmaker of all time, has long deserved. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night The views expressed by the authors and moderators are strictly their own and do not represent the opinions of the Free Library of Philadelphia or its employees. (recorded 9/16/2024)

In the latest episode, I catch up with educator, writer and podcast host Veronica Fitzpatrick, to talk about Alex Garland's expression of the "vicious prosthesis" Ex Machina.  Veronica Fitzpatrickis a film writer and professor based in Providence, Rhode Island. My writing has appeared in Bright Wall/Dark Room, Screen Slate, Post45, the Village Voice (rip), and elsewhere. In 2022, I contributed to BFI's Sight and Sound Greatest Films of All Time poll.Formerly a Mellon Postdoctoral Fellow in the Cogut Institute for the Humanities, I teach in Brown's department of Modern Culture and Media. I used to teach at Cornell, Carnegie Mellon, the University of Pittsburgh, and Notre Dame.I co-host The Bright Wall/Dark Room Podcast and co-edit/organize world picture.“Can I Fuck This?”: Alex Garland's Ex MachinaThank you so much for the ongoing support!One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Episode 953 - Jason Interviews Carol Lay My Time Machine FantagraphicsMy Time Machine takes off when Carol Lay's silver-haired protagonist (who happens to resemble the author) embarks on a foolhardy odyssey that transports her from the politically addled and environmentally anxious America of 2020 to a bleak and distant future. Trapped in a glitchy time machine at the end of the world, a strange creature banging unnervingly at the door, what else is an exhausted amateur time traveler to do but sit back and play her concertina?Having inherited the blueprints designed by the Time Traveler of H.G. Wells' historical account, our curious and all-too-human adventurer enlists her genius ex-husband to construct a modern version of the time machine. Torn between wanting to fix the past and needing to know what lies ahead, she decides to see how our follies will play out in order to bring back information that might help save civilization from itself. She anticipates trouble, but it's far worse — not only has humanity failed to mitigate climate change, but by 2035 the world has succumbed to fascism. Then, by 2045, it has devolved to anarchy. Intrigued by the possibilities detailed in Wells' book, she decides to visit the year 802,701 to verify the original Traveler's tale. In that inexplicably lush land she encounters enemies that propel her to the earth's last, hellish days.Carol Lay's My Time Machine is serious and funny, a sly cautionary political satire, and a rollicking time travel story full of puzzling paradoxes, edge-of-your-seat suspense, breezy badinage, and a deeply felt wonder at the universe.Orders of My Time Machine include a unique bookplate signed by Carol Lay while supplies last!Buy It: https://www.fantagraphics.com/products/my-time-machine-a-graphic-novelCarol Lay graduated from UCLA with a B.F.A. in Fine Arts, but when a friend gave her a crash course in comics, she found her calling. Her first independent comics series, the critically acclaimed Good Girls, appeared in 1987 from Fantagraphics. She also drew commercially for Mattel; did storyboards for rock videos, feature films and commercials, later working part-time as an animation storyboard artist on several shows. In 1990, she started a weekly strip in the L.A. Weekly, Story Minute. She has contributed to numerous anthologies, including Wimmen's Comix and Simpsons Comics. Her work has appeared in the Village Voice, Entertainment Weekly, Newsweek, The New York Times, The Wall Street Journal, The New Yorker, Mad Magazine, and others.Like & Subscribe on Youtube www.youtube.com/@comicsforfunandprofit5331Patreon https://www.patreon.com/comicsfunprofit  Merch https://comicsfunprofit.threadless.comYour Support Keeps Our Show Going On Our Way to a Thousand EpisodesDonate Here https://bit.ly/36s7YeLAll the C4FaP links you could ever need  https://beacons.ai/comicsfunprofit Listen To the Episode Here: https://comcsforfunandprofit.podomatic.com/ 

A famed author and humorist takes a deep dive into grief (with Dr. Bianca Harris as co-host).Sloane Crosley is the author of The New York Times bestselling books Grief Is for People, How Did You Get This Number, and I Was Told There'd Be Cake. She is also the author of Look Alive Out There, Cult Classic and The Clasp, both of which have been optioned for film. She served as editor of The Best American Travel Writing series and is featured in The Library of America's 50 Funniest American Writers, The Best American Nonrequired Reading, Phillip Lopate's The Contemporary American Essay and others. She was the inaugural columnist for The New York Times Op-Ed "Townies" series, a contributing editor at Interview Magazine, and a columnist for The Village Voice, Vanity Fair, The Independent, Black Book, Departures and The New York Observer. She is a contributing editor at Vanity Fair. She has taught at Columbia University and The Yale Writers' Workshop.In this episode we talk about:A series of consecutive losses that Sloane enduredThe concept of cumulative grief Sloane's version of the five stages of griefHer beef with acceptanceBibliotherapy as a source of healingAnd much moreRelated Episodes:The Science Of Grief: What Helps, What Doesn't, And Why We Don't Talk About It Enough | Cody DelistratyHow To Talk To Yourself When Things Suck | Sam Sanders#450. The Science of Loss and Recovery | Mary-Frances O'ConnorSign up for Dan's newsletter hereFollow Dan on social: Instagram, TikTokTen Percent Happier online bookstoreSubscribe to our YouTube ChannelOur favorite playlists on: Anxiety, Sleep, Relationships, Most Popular EpisodesFull Shownotes: https://happierapp.com/podcast/tph/sloane-crosley-874Additional Resources:Download the Happier app today: https://my.happierapp.com/link/downloadAnxiety: The Missing Stage of Grief: A Revolutionary Approach to Understanding and Healing the Impact of LossAll My Puny SorrowsOtherwise: New & Selected Poems By Jane KenyonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week Money Rehab is being guest-hosted by Peter Tuchman, trader on the floor of the New York Stock Exchange and host of the MNN podcast Trade Like Einstein. Today, he breaks down the latest news from the markets: why Nvidia fell and took the market with it and what events this week will affect the market. Plus, in the second part of the episode, you'll hear Peter's interview with Jade Shenker, commercial real estate agent and star of Owning Manhattan on Netflix. In their conversation, Jade talks about how she's disrupting commercial real estate, why reality TV and real estate go together and how The Village Voice kickstarted her career. Subscribe to Peter's podcast Trade Like Einstein wherever you get your favorite podcasts. Follow Peter here. Learn more about Jade Shenker here. Recorded Monday, 12.09.24. All investment strategies involve risk of loss. The content you hear on this podcast is for entertainment purposes only and does not constitute financial advice by our hosts or by Money News Network.  

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Anya Kamenetz speaks, writes, and thinks about generational justice; about thriving, and raising thriving kids, on a changing planet. Her newsletter on these topics is The Golden Hour. She covered education for many years including for NPR, where she co-created the podcast Life Kit: Parenting. Her newest book is The Stolen Year: How Covid Changed Children's Lives, And Where We Go Now. Kamenetz is currently an advisor to the Aspen Institute and the Climate Mental Health Network, working on new initiatives at the intersection of children and climate change. Anya Kamenetz speaks, writes, and thinks about generational justice; about thriving, and raising thriving kids, on a changing planet. Her newsletter on these topics is The Golden Hour. She covered education as a journalist for many years including for NPR, where she also co-created the podcast Life Kit:Parenting in partnership with Sesame Workshop. Kamenetz is currently an advisor to the Aspen Institute and the Climate Mental Health Network on new initiatives at the intersection of children and climate change. She's the author of several acclaimed nonfiction books: Generation Debt (Riverhead, 2006); DIY U: Edupunks, Edupreneurs, and the Coming Transformation of Higher Education (Chelsea Green, 2010) ; The Test: Why Our Schools Are Obsessed With Standardized Testing, But You Don't Have To Be (Public Affairs, 2016); The Art of Screen Time: How Your Family Can Balance Digital Media and Real Life (Public Affairs, 2018), and The Stolen Year: How Covid Changed Children's Lives, And Where We Go Now (Public Affairs, 2022). Kamenetz was named a 2010 Game Changer in Education by the Huffington Post, received 2009, 2010, and 2015 National Awards for Education Reporting from the Education Writers Association, won an Edward R. Murrow Award for innovation in 2017 along with the rest of the NPR Ed team, and the 2022 AERA Excellence in Media Reporting on Education Research Award. She's been a New America fellow, a staff writer for Fast Company Magazine and a columnist for the Village Voice. She's contributed to The New York Times, The Washington Post, New York Magazine and Slate, and been featured in documentaries shown on PBS, CNN, HBO and Vice. She frequently speaks on topics related to children, parenting, learning, technology, and climate to audiences including at Google, Apple, and Sesame, Aspen Ideas, SXSW, TEDx, Yale, MIT and Stanford. Kamenetz grew up in Baton Rouge and New Orleans, Louisiana, in a family of writers and mystics, and graduated from Yale University. She lives in Brooklyn with her husband and two daughters. The Stand Up Community Chat is always active with other Stand Up Subscribers on the Discord Platform.   Join us Monday and Thursday at 8EST for our Weekly Happy Hour Hangout!  Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing