Podcast appearances and mentions of denise cruz

Denise Cruz-Castino is a Latina screenwriter whose first produced movie, 5 Weddings premiered at Cannes in 2018. It starred Rajkummar Rao of the Oscar nominated film The White Tiger, with co-stars Bo Derek and Candy Clark, and played in 52 countries. Her latest animated children's horror shorts that she sold to DreamworksTV are on Peacock's streaming series Spine Chilling Stories. She sold a live action short, The Fountain, to Disney, her horror short, Imaginary Friends, was produced by Raving Eejit Entertainment, and did the festival circuits. Her comedy short, Things Look Grim was produced by Sasha Goldberg. She and her writing partner Johnny Harrington have a sitcom about Denise's crazy family that's Mexican on one side and Jewish on the other that's currently in development. She's getting ready to go into production to direct her first short in 2023 for a strong female lead dramedy. Her scripts have placed in Final Draft Big Break, Fade-In Screenwriting and Nicholl's Fellowship contests. 5 Weddings follows an American journalist, who travels to India to cover Bollywood weddings. Interwoven with the joy and fun of these traditional ceremonies, the film goes beyond the fluff -- to explore the human component of Hijras: a sect of transgender dancers who have been an integral part of Indian weddings for centuries.

A reportagem aborda dois temas. A partir de ações policiais na Região Metropolitana de Porto Alegre, basicamente em Viamão, contra pessoas e empresas que poluem o meio ambiente, o cooperativismo é abordado como uma das soluções para estes casos. Além, claro, da conscientização ambiental. E mais, o cooperativismo ainda auxilia na inclusão social. Então, descarte de restos de obras por tele entulhos em área de preservação e descarte de resíduos de cemitérios próximo a áreas verdes e também com moradias. Reportagem de Cid Martins, sonoplastia de Fernando Bortolin, locução de Denise Cruz.

Hi there, Welcome to CRUZFEST: Today I am thrilled to be arts calling Denise Cruz-Castino! About our guest: Denise Cruz-Castino graduated from UCLA, had a successful advertising writing career, and has turned that into a screenwriting career. Her first feature produced 5 Weddings premiered at Cannes in 2018, opened in 52 countries worldwide, co-stars Bo Derek and Candy Clark and was produced by Uniglobe Entertainment. She's currently working on a feature comedy with Josephson Entertainment and has Miranda Bailey attached as director. She recently had several children's horror animation shorts produced by DreamworksTV Youtube channel for their Spine Chilling Stories. She has sold a live-action short to Disney, had a horror short produced by Raving Eejit Entertainment, and her short, Things Look Grim, was produced by Sasha Golberg. She and her writing partner Johnny Harrington have several other projects they're pitching like their WW2 drama and several sitcoms. Her blog that helps newbie screenwriters, screenwriterwriting.blogspot, was named Website of the Week by Script Magazine. Her scripts have placed in Final Draft Big Break, Fade-In Screenwriting and Nicholl Fellowship contests. Twitter: https://twitter.com/cruzwriter For more information, please visit: denisecruzcastino.com -- Re: the latest attack on abortion rights, please consider visiting https://www.podvoices.help for resources during this difficult time. Arts Calling is produced by Jaime Alejandro at cruzfolio.com. If you like the show: consider reviewing the podcast and sharing it with those who love the arts, your support truly makes a difference! Check out cruzfolio.com for more podcasts about the arts and original content! Make art. Much love, j This podcast is powered by Pinecast.

In 2020, Denise Cruz, Professor of English and Comparative Literature at Columbia, worked with the CTL through a Provost's Innovative Course Design Grant to transform her large lecture course in Asian American Literature into a blended format. Today, we speak with Denise about the profound impact the new course format has had on student engagement, motivation, and collaboration in her class, and the dead ideas in teaching that she confronted as she designed and taught it. Spoiler alert: the redesign was so successful that Dr. Cruz was awarded both the Presidential Teaching Award and Mark Van Doren Teaching Award. Transcript available at ctl.columbia.edu/podcastResourcesDenise Cruz presents her course redesign project at Columbia's 2021 Celebration of Teaching and Learning Symposium: https://youtu.be/_QA9FdiYNfE

March 12, 2021 - Ashley Grayned of Decatur Public Schools and Dr. Denise Cruz of Richland Community College joined Byers and Co to talk about the DPS and RCC partnership on the Prep Academy, providing the opportunity for students to graduate high school with an associate's degree. Listen to the podcast now.  See omnystudio.com/listener for privacy information.

Welcome back to Nothing Shines Like Dirt. Episode 57. Elise and Lesley sit down with Denise Cruz-Castino and discuss her film 5 Weddings, which premiered at Cannes International Film Festival, the League of Women Writers, and Dangerous encounters in India.

"Go-getters”  Aydrea Walden, T. Michael Martin and Denise Cruz reveal the unique approaches to story and business that helped them hit the ground running with their writing careers.

Denise Cruz‘s Transpacific Femininities: The Making of the Modern Filipina (Duke University Press, 2012) traces representations of Filipinas in literature and popular culture during periods of transitional power in the Philippines, from the transition from Spanish to American colonial power, then to Japanese Imperialism, then to independence and the Cold War, and then to contemporary global capital. Professor Cruz questions how these disruptions in power destabilized the elite classes, and provided moments of possibility for writers to shift ideas of femininity in the Philippines and for Filipinas abroad. Rather than focus solely on gender within the Philippines, Cruz considers how Filipina femininity was made through imperial networks from Spain, Japan, America and across the globe. In doing so, she exposes how the making of the Filipina was neither natural nor national, but was actually a strategic response to shifting colonial powers as well as to the demands of the global capital market.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Denise Cruz‘s Transpacific Femininities: The Making of the Modern Filipina (Duke University Press, 2012) traces representations of Filipinas in literature and popular culture during periods of transitional power in the Philippines, from the transition from Spanish to American colonial power, then to Japanese Imperialism, then to independence and the Cold War, and then to contemporary global capital. Professor Cruz questions how these disruptions in power destabilized the elite classes, and provided moments of possibility for writers to shift ideas of femininity in the Philippines and for Filipinas abroad. Rather than focus solely on gender within the Philippines, Cruz considers how Filipina femininity was made through imperial networks from Spain, Japan, America and across the globe. In doing so, she exposes how the making of the Filipina was neither natural nor national, but was actually a strategic response to shifting colonial powers as well as to the demands of the global capital market.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Denise Cruz‘s Transpacific Femininities: The Making of the Modern Filipina (Duke University Press, 2012) traces representations of Filipinas in literature and popular culture during periods of transitional power in the Philippines, from the transition from Spanish to American colonial power, then to Japanese Imperialism, then to independence and the Cold War, and then to contemporary global capital. Professor Cruz questions how these disruptions in power destabilized the elite classes, and provided moments of possibility for writers to shift ideas of femininity in the Philippines and for Filipinas abroad. Rather than focus solely on gender within the Philippines, Cruz considers how Filipina femininity was made through imperial networks from Spain, Japan, America and across the globe. In doing so, she exposes how the making of the Filipina was neither natural nor national, but was actually a strategic response to shifting colonial powers as well as to the demands of the global capital market.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Denise Cruz‘s Transpacific Femininities: The Making of the Modern Filipina (Duke University Press, 2012) traces representations of Filipinas in literature and popular culture during periods of transitional power in the Philippines, from the transition from Spanish to American colonial power, then to Japanese Imperialism, then to independence and the Cold War, and then to contemporary global capital. Professor Cruz questions how these disruptions in power destabilized the elite classes, and provided moments of possibility for writers to shift ideas of femininity in the Philippines and for Filipinas abroad. Rather than focus solely on gender within the Philippines, Cruz considers how Filipina femininity was made through imperial networks from Spain, Japan, America and across the globe. In doing so, she exposes how the making of the Filipina was neither natural nor national, but was actually a strategic response to shifting colonial powers as well as to the demands of the global capital market.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Denise Cruz‘s Transpacific Femininities: The Making of the Modern Filipina (Duke University Press, 2012) traces representations of Filipinas in literature and popular culture during periods of transitional power in the Philippines, from the transition from Spanish to American colonial power, then to Japanese Imperialism, then to independence and the Cold War, and then to contemporary global capital. Professor Cruz questions how these disruptions in power destabilized the elite classes, and provided moments of possibility for writers to shift ideas of femininity in the Philippines and for Filipinas abroad. Rather than focus solely on gender within the Philippines, Cruz considers how Filipina femininity was made through imperial networks from Spain, Japan, America and across the globe. In doing so, she exposes how the making of the Filipina was neither natural nor national, but was actually a strategic response to shifting colonial powers as well as to the demands of the global capital market.  Learn more about your ad choices. Visit megaphone.fm/adchoices