Podcasts about Comparative literature

Melvyn Bragg and guests discuss one of the great figures in world literature. The French playwright Molière (1622-1673) began as an actor, aiming to be a tragedian, but he was stronger in comedy, touring with a troupe for 13 years until Louis XIV summoned him to audition at the Louvre and gave him his break. It was in Paris and at Versailles that Molière wrote and performed his best known plays, among them Tartuffe, Le Misanthrope and Le Malade Imaginaire, and in time he was so celebrated that French became known as The Language of Molière.With Noel Peacock Emeritus Marshall Professor in French Language and Literature at the University of GlasgowJan Clarke Professor of French at Durham UniversityAnd Joe Harris Professor of Early Modern French and Comparative Literature at Royal Holloway, University of LondonProducer: Simon TillotsonReading list:David Bradby and Andrew Calder (eds.), The Cambridge Companion to Molière (Cambridge University Press, 2006)Jan Clarke (ed.), Molière in Context (Cambridge University Press, 2022)Georges Forestier, Molière (Gallimard, 2018)Michael Hawcroft, Molière: Reasoning with Fools (Oxford University Press, 2007)John D. Lyons, Women and Irony in Molière's Comedies of Mariage (Oxford University Press, 2023)Robert McBride and Noel Peacock (eds.), Le Nouveau Moliériste (11 vols., University of Glasgow Presw, 1994- )Larry F. Norman, The Public Mirror: Molière and the Social Commerce of Depiction (University of Chicago Press, 1999)Noel Peacock, Molière sous les feux de la rampe (Hermann, 2012)Julia Prest, Controversy in French Drama: Molière's Tartuffe and the Struggle for Influence (Palgrave Macmillan, 2014)Virginia Scott, Molière: A Theatrical Life (Cambridge University Press, 2020)In Our Time is a BBC Studios Audio Production

In today's episode, college admissions expert Holly Schreiber and I discuss how to transform college visits into strategic tools. We break down the three key types of visits—Fit Finder, Test Drive, and Gut Check—and how they help students not only clarify their preferences but also stand out to schools. Tune in for expert advice on making the most of college visits and keeping your student engaged in the process!BioHolly has tutored for over a decade and specializes in undergraduate and graduate admissions and is also an expert coach and test prep tutor. She received her BA in Russian from Bowdoin College and her PhD in Comparative Literature and American Studies from Indiana University. She has worked as a tenure track professor at the University of Maine, serving as a MA/PhD advisor and on the graduate admissions committee. Before and during her time with Signet, she has helped over 100 students navigate application essays, program selection, and testing. She loves acting and comedy. Her familiarity with executive function support, standardized testing, writing, and admissions makes her a great holistic advisor to both parents and students alike. She is funny, patient, and meticulously organized.Access the recording of the full webinar and resources by visiting www.signeteducation.com/eventsAccess free resources and learn more about Sheila and her team at Signet Education at signeteducation.com or on LinkedIn at https://www.linkedin.com/in/sheilaakbar/.

A dystopian reality has gripped America's colleges and universities: ICE agents are snatching and disappearing international students in broad daylight; student visas are being revoked en masse overnight; funding cuts and freezes are upending countless careers and our entire public research infrastructure; students are being expelled and faculty fired for speaking out against Israel's US-backed genocidal war on Gaza and ethnic cleansing of Palestinians. An all-out assault on higher ed and the people who live, learn, and work there is being led by the federal government and aided by law enforcement, internet vigilantes, and even university administrators. Today's climate of repression recalls that of McCarthyism and the height of the anti-communist Red Scare in the 1950s, but leading scholars of McCarthyism and political repression say that the attacks on higher education, free speech, and political repression we're seeing today are “worse” and “much broader.” In this installment of The Real News Network podcast, TRNN Editor-in-Chief Maximillian Alvarez speaks with a panel of scholars about the Trump administration's authoritarian war on higher education in America, the historical roots of the attacks we're seeing play out today, and what lessons we can draw from history about how to fight it. Panelists include: Ellen Schrecker, a historian and author who has written extensively about McCarthyism and American higher education, and a member of the American Association of University Professors national committee on academic freedom and tenure. Schrecker is the author and co-editor of numerous books, including: The Right To Learn: Resisting the Right-Wing Attack on Academic Freedom; The Lost Promise: American Universities in the 1960s; No Ivory Tower: McCarthyism and the Universities; and Many Are the Crimes: McCarthyism in AmericaDavid Palumbo-Liu, Louise Hewlett Nixon Professor in Comparative Literature at Stanford University, host of the podcast Speaking Out of Place, and author of several books, including: Speaking Out of Place: Getting Our Political Voices Back; The Deliverance of Others: Reading Literature in a Global Age; and Asian/American: Historical Crossings of a Racial FrontierAlan Wald, H. Chandler Davis Collegiate Professor Emeritus of English Literature and American Culture at the University of Michigan. Wald is an editor of Against the Current and Science & Society, he serves as a member of the academic council of Jewish Voice for Peace, and he is the author of a trilogy of books from the University of North Carolina Press: Exiles from a Future Time: The Forging of the Mid-Twentieth-Century Literary Left; Trinity of Passion: The Literary Left and the Antifascist Crusade; and American Night: The Literary Left in the Era of the Cold WarStudio Production: David HebdenAudio Post-Production: Jules TaylorHelp

After four decades of reform and development, China is confronting a domestic waste crisis. As the world's largest waste-generating nation, the World Economic Forum projects that by 2030, the volume of household waste in China will be double that of the United States. Starting in the early 2000s, Chinese policymakers came to see waste management as an object of environmental governance central to the creation of "modern" cities, and experimented with the circular economy, in which technology and policy could convert all forms of waste back into resources. Based on long-term research in Guangzhou, Circular Ecologies: Environmentalism and Waste Politics in Urban China (Stanford University Press, 2024) critically analyzes the implementation of technologies and infrastructures to modernize a mega-city's waste management system, and the grassroots ecological politics that emerged in response. In Guangzhou, waste's transformation revealed uncomfortable truths about China's environmental governance: a preference for technology over labor, the aestheticization of order, and the expropriation of value in service of an ecological vision. Amy Zhang argues that in post-reform China, waste-the material vestige of decades of growth and increasing consumption-is a systemic irritant that troubles China's technocratic governance. Waste provoked an unlikely coalition of urban communities, from the middle class to precarious migrant workers, that came to constitute a nascent, bottom-up environmental politics, and offers a model for conceptualizing ecological action under authoritarian conditions. Amy Zhang is Assistant Professor of Anthropology at New York University.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

After four decades of reform and development, China is confronting a domestic waste crisis. As the world's largest waste-generating nation, the World Economic Forum projects that by 2030, the volume of household waste in China will be double that of the United States. Starting in the early 2000s, Chinese policymakers came to see waste management as an object of environmental governance central to the creation of "modern" cities, and experimented with the circular economy, in which technology and policy could convert all forms of waste back into resources. Based on long-term research in Guangzhou, Circular Ecologies: Environmentalism and Waste Politics in Urban China (Stanford University Press, 2024) critically analyzes the implementation of technologies and infrastructures to modernize a mega-city's waste management system, and the grassroots ecological politics that emerged in response. In Guangzhou, waste's transformation revealed uncomfortable truths about China's environmental governance: a preference for technology over labor, the aestheticization of order, and the expropriation of value in service of an ecological vision. Amy Zhang argues that in post-reform China, waste-the material vestige of decades of growth and increasing consumption-is a systemic irritant that troubles China's technocratic governance. Waste provoked an unlikely coalition of urban communities, from the middle class to precarious migrant workers, that came to constitute a nascent, bottom-up environmental politics, and offers a model for conceptualizing ecological action under authoritarian conditions. Amy Zhang is Assistant Professor of Anthropology at New York University.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

After four decades of reform and development, China is confronting a domestic waste crisis. As the world's largest waste-generating nation, the World Economic Forum projects that by 2030, the volume of household waste in China will be double that of the United States. Starting in the early 2000s, Chinese policymakers came to see waste management as an object of environmental governance central to the creation of "modern" cities, and experimented with the circular economy, in which technology and policy could convert all forms of waste back into resources. Based on long-term research in Guangzhou, Circular Ecologies: Environmentalism and Waste Politics in Urban China (Stanford University Press, 2024) critically analyzes the implementation of technologies and infrastructures to modernize a mega-city's waste management system, and the grassroots ecological politics that emerged in response. In Guangzhou, waste's transformation revealed uncomfortable truths about China's environmental governance: a preference for technology over labor, the aestheticization of order, and the expropriation of value in service of an ecological vision. Amy Zhang argues that in post-reform China, waste-the material vestige of decades of growth and increasing consumption-is a systemic irritant that troubles China's technocratic governance. Waste provoked an unlikely coalition of urban communities, from the middle class to precarious migrant workers, that came to constitute a nascent, bottom-up environmental politics, and offers a model for conceptualizing ecological action under authoritarian conditions. Amy Zhang is Assistant Professor of Anthropology at New York University.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

After four decades of reform and development, China is confronting a domestic waste crisis. As the world's largest waste-generating nation, the World Economic Forum projects that by 2030, the volume of household waste in China will be double that of the United States. Starting in the early 2000s, Chinese policymakers came to see waste management as an object of environmental governance central to the creation of "modern" cities, and experimented with the circular economy, in which technology and policy could convert all forms of waste back into resources. Based on long-term research in Guangzhou, Circular Ecologies: Environmentalism and Waste Politics in Urban China (Stanford University Press, 2024) critically analyzes the implementation of technologies and infrastructures to modernize a mega-city's waste management system, and the grassroots ecological politics that emerged in response. In Guangzhou, waste's transformation revealed uncomfortable truths about China's environmental governance: a preference for technology over labor, the aestheticization of order, and the expropriation of value in service of an ecological vision. Amy Zhang argues that in post-reform China, waste-the material vestige of decades of growth and increasing consumption-is a systemic irritant that troubles China's technocratic governance. Waste provoked an unlikely coalition of urban communities, from the middle class to precarious migrant workers, that came to constitute a nascent, bottom-up environmental politics, and offers a model for conceptualizing ecological action under authoritarian conditions. Amy Zhang is Assistant Professor of Anthropology at New York University.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

After four decades of reform and development, China is confronting a domestic waste crisis. As the world's largest waste-generating nation, the World Economic Forum projects that by 2030, the volume of household waste in China will be double that of the United States. Starting in the early 2000s, Chinese policymakers came to see waste management as an object of environmental governance central to the creation of "modern" cities, and experimented with the circular economy, in which technology and policy could convert all forms of waste back into resources. Based on long-term research in Guangzhou, Circular Ecologies: Environmentalism and Waste Politics in Urban China (Stanford University Press, 2024) critically analyzes the implementation of technologies and infrastructures to modernize a mega-city's waste management system, and the grassroots ecological politics that emerged in response. In Guangzhou, waste's transformation revealed uncomfortable truths about China's environmental governance: a preference for technology over labor, the aestheticization of order, and the expropriation of value in service of an ecological vision. Amy Zhang argues that in post-reform China, waste-the material vestige of decades of growth and increasing consumption-is a systemic irritant that troubles China's technocratic governance. Waste provoked an unlikely coalition of urban communities, from the middle class to precarious migrant workers, that came to constitute a nascent, bottom-up environmental politics, and offers a model for conceptualizing ecological action under authoritarian conditions. Amy Zhang is Assistant Professor of Anthropology at New York University.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

After four decades of reform and development, China is confronting a domestic waste crisis. As the world's largest waste-generating nation, the World Economic Forum projects that by 2030, the volume of household waste in China will be double that of the United States. Starting in the early 2000s, Chinese policymakers came to see waste management as an object of environmental governance central to the creation of "modern" cities, and experimented with the circular economy, in which technology and policy could convert all forms of waste back into resources. Based on long-term research in Guangzhou, Circular Ecologies: Environmentalism and Waste Politics in Urban China (Stanford University Press, 2024) critically analyzes the implementation of technologies and infrastructures to modernize a mega-city's waste management system, and the grassroots ecological politics that emerged in response. In Guangzhou, waste's transformation revealed uncomfortable truths about China's environmental governance: a preference for technology over labor, the aestheticization of order, and the expropriation of value in service of an ecological vision. Amy Zhang argues that in post-reform China, waste-the material vestige of decades of growth and increasing consumption-is a systemic irritant that troubles China's technocratic governance. Waste provoked an unlikely coalition of urban communities, from the middle class to precarious migrant workers, that came to constitute a nascent, bottom-up environmental politics, and offers a model for conceptualizing ecological action under authoritarian conditions. Amy Zhang is Assistant Professor of Anthropology at New York University.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mary Trump is an American psychologist and author. Her first book, Too Much and Never Enough: How My Family Created the World's Most Dangerous Man (2020), sold nearly one million copies on its first day of publication. She is the author of two other New York Times bestsellers, The Reckoning, and a memoir, Who Could Ever Love You. Mary holds a PhD in clinical psychology and, as an adjunct professor at Adelphi University, taught graduate courses in developmental psychology, psychopathology, and trauma. She also has a Master's degree in English and Comparative Literature from Columbia University. She writes The Good in Us, a best-selling newsletter on Substack, is the founder of Mary Trump Media whose YouTube channel has over 370,000 subscribers, and is well-known as the niece and outspoken critic of former president Donald Trump. Don't miss this incredibly insightful conversation about the current political landscape and the challenging road ahead for American democracy. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

J.J. and Dr. Abigail Gillman interpret the ideas and impact of the Buber-Rosenzweig Bible translation. Follow us on Bluesky @jewishideaspod.bsky.social for updates and insights!Please rate and review the the show in the podcast app of your choice.We welcome all complaints and compliments at podcasts@torahinmotion.org  For more information visit torahinmotion.org/podcastsAbigail Gillman is a Professor of Hebrew, German, and Comparative Literature in the Department of World Languages and Literatures.  She teaches courses on modern German literature; Hebrew literature; Israeli Cinema; and Religion and Literature (cross-listed as XL and RN). She teaches and lectures in the Core Curriculum, and has also taught in the CAS Writing Program. She recently published A History of German Jewish Bible Translation (University of Chicago Press, 2018). This book takes as its starting point the remarkable number of re-translations of the Hebrew Bible produced in Germany—translations into German and Yiddish—from the Haskalah through the twentieth century.  The book demonstrates that bible translation in Jewish society was (and still is) used to promote diverse educational, cultural, and linguistic goals. She is currently writing about the parable/mashal across Jewish Literature, and about “monstrous motherhood” in recent Israeli (and Jewish) film and memoirs.

Is genuine originality a realistic goal for artists?From fashion to fantasy, entertainment to enterprise, we seek the 'new' as the means to originality, change, and creativity. And for the most part, we imagine the new is always identifiable as a radical break from the past. But the nature of the new is more elusive and unknown than it first appears. Is the new an illusion, and the search for originality a mistake? Should creative endeavour be focussed on other goals, such as the timeless, the provocative, and the beautiful? Or is the new an essential part of life, creativity and action, without which we would have mere passive re-orderings of the known?Martin Puchner is a literary critic and philosopher. He is the Byron and Anita Wien Chair of Drama and of English and Comparative Literature at Harvard University. Claire Hynes is Associate Professor in Literature & Creative Writing at the University of East Anglia, and an author of fiction and creative non-fiction. Stanley Fish is a literary critic, legal scholar, and public intellectual. Renowned for his role in developing reader-response theory in literary studies, Fish has written on a wide range of topics including the poetry of John Milton, the distinction between free speech and academic freedom, and the doctrine of liberalism. And don't hesitate to email us at podcast@iai.tv with your thoughts or questions on the episode!To witness such debates live buy tickets for our upcoming festival: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of The Poetry Vlog (TPV), author and artist Jessica Tanck reads from her book Winter Here (UGA Press, 2024) to lead a discussion on the beauty of contrast, the battle to resist conformity, and the importance of queer community.Jessica Tanck is the author of Winter Here (UGA Press, 2024), winner of the 2022 Georgia Poetry Prize. She holds degrees from the University of Wisconsin-Madison and the University of Illinois at Urbana-Champaign, where she completed a B.A. in English Literature - Creative Writing and Comparative Literature and an M.F.A. in Creative Writing - Poetry. Her work appears or is forthcoming in The Adroit Journal, Alaska Quarterly Review, Beloit Poetry Journal, Blackbird, Colorado Review, DIAGRAM, Gulf Coast, Kenyon Review, The Los Angeles Review, Meridian, New England Review, New Ohio Review, Ninth Letter, Waxwing, and others. Jess was born in Chicago, IL, but grew up in Sheboygan, WI, on the shores of Lake Michigan. The recipient of a Vice Presidential Fellowship and a Clarence Snow Memorial Fellowship, Jess lives and writes in Salt Lake City, where she is a Ph.D. candidate in English Literature and Creative Writing at the University of Utah. She served as the 2022-2023 Editor of Quarterly West, where she is currently guest-editing a special issue on “Extreme Environments”— a central concern of hers, as well as the focus of her doctoral dissertation and the reading for her qualifying exams.Learn more about Jess at:✔︎ https://www.jessicatanck.com/

With Congress approving a plan to slash $880 billion from the federal budget, all eyes are turning to Medicaid as the most likely source of cuts. I asked Former North Carolina Health Secretary Kody Kinsley, KFF's Larry Levitt and California Health Care Foundation's Katie Heidorn to join me to discuss the likely shape and impact of proposed cuts, and take questions from UC Berkeley students. Kody called it a “self-licking ice cream cone”—cuts that destabilize the government, leading to further cuts. Larry warned of formula battles that will soon erupt. Katie laid out the devastating effects on state budgets.We've also released this episode as a full video episode on YouTube. Subscribe to The Other 80 YouTube channel for video extras, video episodes and viral healthcare policy content. Click here to watch this episode in full. Watch the full VIDEO version of this episode: https://www.youtube.com/watch?v=X110GShMTtE&t=52sRelevant LinksKFF: The Public's View on Potential Changes to MedicaidKFF: Impact of Medicaid Per Capita Cap Kody Kinsley testimony to Congress on MedicaidPre-election episode with Larry LevittKFF: Can Republicans cut $880 Billion without Slashing Medicaid?CBPP: Impact of Medicaid CutsCHCF: Defending Medi-Cal in 2025About Our GuestsKatie Heidorn is the director of state health policy at CHCF, where she leverages the foundation's data, expertise, and partnerships to help California's state government make informed decisions about health care. Katie is based in CHCF's Sacramento office.Katie has nearly two decades of experience working in health policy, government, and nonprofits and is a skilled leader, facilitator, and communicator. She comes to CHCF after more than two years as executive director for the Insure the Uninsured Project (ITUP). Before that, Katie was the government affairs advocate for Health Net and the development director and policy lead at the nonprofit California Coverage and Health Initiatives. Katie spent a decade in California state government, including as a deputy secretary for the California Health and Human Services Agency and principal consultant in the Senate Appropriations Committee. She is also an alumna of the California Senate Fellows Program.Katie received her master's degree in Public Administration from the University of Southern California and bachelor's degree in Biochemistry and Molecular Biology and Comparative Literature from the University of California, Davis.Source: https://www.chcf.org/person/katie-heidorn/Kody...

现实和虚拟的边界在哪？我还能否相信被赋予的认同感，和被消费的爱？一篇发表在《自然-通讯》上的研究表明：人每天会产生超过6000个”想法“（https://www.nature.com/articles/s41467-020-17255-9）。你有没有想过，这些想法有多少是你自己产生的，又有多少是你所接收到信息赋予你的？你有没有听过高水平的辩论赛，辩手的一席话似乎就足以让观众的想法180度转向。那么什么是真实？为什么宗教的世界观对于信徒来说切实存在，而对于无神论者又难以共情？对于一个人来说是真实的东西，另一个人看来却仿佛可笑？你有没有喜欢上过一个电影、动漫、游戏中的人物，觉得他们就在自己身边？或者对一个品牌产生好感甚至忠诚，觉得这是自己向往的生活方式？这又和信徒有什么区别？现实与虚构的边界似乎没有我们想象的那么清晰。而这些思辨似乎都会指向一个问题，”相信“是什么？本期节目，我们有幸邀请到了弗吉尼亚理工大学宗教与文化系副教授，倪湛舸老师对谈，来和她一起从人文学者的角度聊聊现实和虚构的边界在哪里？我们又是如何“相信”的？本期你会听到倪湛舸弗吉尼亚理工大学宗教与文化系副教授芝加哥大学宗教与文学博士、前哈佛大学神学院客座研究员著有学术专著*The Pagan Writes Back*，并创作出版过多部诗集、随笔集，以及历史小说《莫须有》近期研究关注中国宗教与网络小说李天宇大白媒介研究者（主要兴趣：科技史、动画与电子游戏）李天域Jack主业有三家公司，主要在服装行业，目前年营收超过千万在这段对话中，我们从事实信念、虚构想象、宗教信仰这三种经常叠加在一起的”相信“是什么开始聊起，聊到了：宗教和科学控制人们认识世界的方式？商业、品牌、文化作品等如何通过“相信”来控制你的钱包、劳动、认知和爱？资本主义的新精神是什么？为什么情绪变成了商业追逐的新目标？我们在购买的到底是商品，还是某种想象？节目的最后，倪教授探讨了修真小说所反映的中国人对于”升级“的痴迷可能是导致内卷的原因之一，以及虚构背后人们渴望善恶有报的愿景所具有的真实的力量。本期节目对我们来说完全可以用醍醐灌顶来形容，相信你也一定能有所收获。那就请你和我们一起加入这场关于真实、虚构，以及”相信“的游戏吧！结语天宇：倪老师一直是我非常敬仰的学者，她总是能用精准的语言把复杂的理论和概念解释清楚，相信这一点你也一定感同身受。就像我们在节目里说的，尽管我们的业余时间、我们的理想和爱或许都已经成为了被资本剥削的对象，但我们仍然有无法被剥夺的情动，这是无比珍贵的。我正在制作（录制和书写中）的，和你正在消费的，都是一档经过封装的节目。它固然需要在数字内容的海洋中与无数节目争夺流量，但也正因为此，我们聊天时许多快乐与思考的瞬间才能够超越当时的时空和我们自身的存在，能有一些和你产生共鸣的可能。因为这真实存在的力量来源于我们在虚拟空间的交互，所以我们仍然可以选择相信。本期节目制作王一山（制片人）在洋（节目剪辑）Alan（节目运营）TIANYU2FM的理念：每期对谈有价值的声音我们是天宇和天域，是挚友，也是一起求知的伙伴。这是一档为了开拓眼界，走出自我局限而设立的播客，我们通过与人的对谈来与未知的领域及知识互动。主持人简介天域|杰激（声音偏高）：服装电商公司创始人、UnDeR20合伙人（小红书：[李天域Jack](https://www.xiaohongshu.com/user/profile/595aebbe82ec396233ef3a72)）天宇|大白（声音偏低）：从事中日流行文化与媒介研究（文章见于澎湃新闻私家历史、网易新闻历史频道等）扩展阅读（由倪湛舸教授提供）关于模仿、宗教信仰、玄学Kendall Walton, Mimesis as Make-Believe: On the Foundations of the Representational ArtsNeil Van Leeuwen, Religion as Make-Believe: A Theory of Belief, Imagination, and Group IdentityTheodor Adorno, The Stars Down to EarthJohn and Jean Comaroff, “Ocuult Economies, Revisited”Christopher Patridge, “Occulture and Everyday Enchantment”关于创意资本主义Brian Moeran and Timothy de Waal Malefyt ed., Magical Capitalism: Enchantment, Spells, and Occult Practices in Contemporary EconomiesGuiseppe Cocco and Barbara Szaniecki ed., Creative Capitalism, Multitudinous Creativity: Radicalities and Alterities 关于小说、虚构性、历史小说Gallagher, Catherine. "The Rise of Fictionality". *The Novel, Volume 1: History, Geography, and Culture*, edited by Franco Moretti, Princeton: Princeton University Press, 2006, pp. 336-363. Zeitlin, Judith T.. "Xiaoshuo". *The Novel, Volume 1: History, Geography, and Culture*, edited by Franco Moretti, Princeton: Princeton University Press, 2006, pp. 249-261.Saba Mahmood, “*Azazeel* and the Politics of Historical Fiction in Egypt,”Comparative Literature (2013) 65 (3): 265–284.关于修真小说Ni, Zhange. 2020. "*Xiuzhen* (Immortality Cultivation) Fantasy: Science, Religion, and the Novels of Magic/Superstition in Contemporary China" *Religions* 11, no. 1: 25.Ni, Zhange. 2020. ““REIMAGINING DAOIST ALCHEMY, DECOLONIZING TRANSHUMANISM: THE FANTASY OF IMMORTALITY CULTIVATION IN TWENTY‐FIRST CENTURY CHINA”, *Zygon: Journal of Religion and Science* 55(3), 748–771Feher, Michel. "Self-appreciation; or, the aspirations of human capital." *Public Culture* 21.1 (2009): 21-41.

Mick Brown's The Nirvana Express: How the Search for Enlightenment Went West (Oxford UP, 2023) is a riveting account about the West's engagement with Eastern spirituality across a century. It traces the life of multiple characters that intersected across time and space to create a network of interlinking stories about saints, salesmen and scoundrels all involved in spirituality. From Edwin Arnold, whose epic poem about the life of the Buddha became a best-seller in Victorian Britain, to the occultist and magician Aleister Crowley; and from spiritual teachers Jiddu Krishnamurti, Meher Baba and Ramana Maharshi to the controversial guru Rajneesh, The Nirvana Express is an exhilarating, sometimes troubling journey through the West's search for enlightenment. Archit Nanda is PhD scholar in Comparative Literature at Queen Mary University of London. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Mick Brown's The Nirvana Express: How the Search for Enlightenment Went West (Oxford UP, 2023) is a riveting account about the West's engagement with Eastern spirituality across a century. It traces the life of multiple characters that intersected across time and space to create a network of interlinking stories about saints, salesmen and scoundrels all involved in spirituality. From Edwin Arnold, whose epic poem about the life of the Buddha became a best-seller in Victorian Britain, to the occultist and magician Aleister Crowley; and from spiritual teachers Jiddu Krishnamurti, Meher Baba and Ramana Maharshi to the controversial guru Rajneesh, The Nirvana Express is an exhilarating, sometimes troubling journey through the West's search for enlightenment. Archit Nanda is PhD scholar in Comparative Literature at Queen Mary University of London. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Mick Brown's The Nirvana Express: How the Search for Enlightenment Went West (Oxford UP, 2023) is a riveting account about the West's engagement with Eastern spirituality across a century. It traces the life of multiple characters that intersected across time and space to create a network of interlinking stories about saints, salesmen and scoundrels all involved in spirituality. From Edwin Arnold, whose epic poem about the life of the Buddha became a best-seller in Victorian Britain, to the occultist and magician Aleister Crowley; and from spiritual teachers Jiddu Krishnamurti, Meher Baba and Ramana Maharshi to the controversial guru Rajneesh, The Nirvana Express is an exhilarating, sometimes troubling journey through the West's search for enlightenment. Archit Nanda is PhD scholar in Comparative Literature at Queen Mary University of London. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Mick Brown's The Nirvana Express: How the Search for Enlightenment Went West (Oxford UP, 2023) is a riveting account about the West's engagement with Eastern spirituality across a century. It traces the life of multiple characters that intersected across time and space to create a network of interlinking stories about saints, salesmen and scoundrels all involved in spirituality. From Edwin Arnold, whose epic poem about the life of the Buddha became a best-seller in Victorian Britain, to the occultist and magician Aleister Crowley; and from spiritual teachers Jiddu Krishnamurti, Meher Baba and Ramana Maharshi to the controversial guru Rajneesh, The Nirvana Express is an exhilarating, sometimes troubling journey through the West's search for enlightenment. Archit Nanda is PhD scholar in Comparative Literature at Queen Mary University of London. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Mick Brown's The Nirvana Express: How the Search for Enlightenment Went West (Oxford UP, 2023) is a riveting account about the West's engagement with Eastern spirituality across a century. It traces the life of multiple characters that intersected across time and space to create a network of interlinking stories about saints, salesmen and scoundrels all involved in spirituality. From Edwin Arnold, whose epic poem about the life of the Buddha became a best-seller in Victorian Britain, to the occultist and magician Aleister Crowley; and from spiritual teachers Jiddu Krishnamurti, Meher Baba and Ramana Maharshi to the controversial guru Rajneesh, The Nirvana Express is an exhilarating, sometimes troubling journey through the West's search for enlightenment. Archit Nanda is PhD scholar in Comparative Literature at Queen Mary University of London. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/buddhist-studies

Mick Brown's The Nirvana Express: How the Search for Enlightenment Went West (Oxford UP, 2023) is a riveting account about the West's engagement with Eastern spirituality across a century. It traces the life of multiple characters that intersected across time and space to create a network of interlinking stories about saints, salesmen and scoundrels all involved in spirituality. From Edwin Arnold, whose epic poem about the life of the Buddha became a best-seller in Victorian Britain, to the occultist and magician Aleister Crowley; and from spiritual teachers Jiddu Krishnamurti, Meher Baba and Ramana Maharshi to the controversial guru Rajneesh, The Nirvana Express is an exhilarating, sometimes troubling journey through the West's search for enlightenment. Archit Nanda is PhD scholar in Comparative Literature at Queen Mary University of London. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Mick Brown's The Nirvana Express: How the Search for Enlightenment Went West (Oxford UP, 2023) is a riveting account about the West's engagement with Eastern spirituality across a century. It traces the life of multiple characters that intersected across time and space to create a network of interlinking stories about saints, salesmen and scoundrels all involved in spirituality. From Edwin Arnold, whose epic poem about the life of the Buddha became a best-seller in Victorian Britain, to the occultist and magician Aleister Crowley; and from spiritual teachers Jiddu Krishnamurti, Meher Baba and Ramana Maharshi to the controversial guru Rajneesh, The Nirvana Express is an exhilarating, sometimes troubling journey through the West's search for enlightenment. Archit Nanda is PhD scholar in Comparative Literature at Queen Mary University of London. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

Mick Brown's The Nirvana Express: How the Search for Enlightenment Went West (Oxford UP, 2023) is a riveting account about the West's engagement with Eastern spirituality across a century. It traces the life of multiple characters that intersected across time and space to create a network of interlinking stories about saints, salesmen and scoundrels all involved in spirituality. From Edwin Arnold, whose epic poem about the life of the Buddha became a best-seller in Victorian Britain, to the occultist and magician Aleister Crowley; and from spiritual teachers Jiddu Krishnamurti, Meher Baba and Ramana Maharshi to the controversial guru Rajneesh, The Nirvana Express is an exhilarating, sometimes troubling journey through the West's search for enlightenment. Archit Nanda is PhD scholar in Comparative Literature at Queen Mary University of London. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Max Pearson presents a collection of the week's Witness History interviews from the BBC World Service.We find out how Sylvan Goldman's invention of the shopping trolley in 1930s America turned him into a multi-millionaire.Our expert is Rachel Bowlby, Professor of Comparative Literature at University College London, who is also the author of two books on the history of shopping.We hear about Toyota's military pick-up trucks that transformed the 1987 north African conflict between Chad and Libya.The 2015 migrant crisis in Europe which led to thousands of people setting-up camp in the French port of Calais.Next, how US forces invaded the Central American state of Panama in 1989 to depose General Manuel Noriega.And finally in 1965 at the height of the USA's civil rights struggle, the landmark legislation that was brought in to guarantee the rights of African Americans to vote.This programme contains outdated language which some people might find offensive.Contributors: Charles Kuralt – a journalist for CBS News Sylvan Goldman – inventor of the shopping trolley Rachel Bowlby - Professor of Comparative Literature at University College London Mahamat Saleh Bani - former officer in the Chadian Armed Forces Enrique Jelenszky – lawyer Jean-Marc Puissesseau - former President and Chairman of the Port of Calais C T Vivian – US minister George Wallace – former Governor of Alabama Lyndon B Johnson – former President of the United States(Photo: A woman pushing a shopping cart, 1949. Credit: Bettman via Getty Images)

******Support the channel******Patreon: https://www.patreon.com/thedissenterPayPal: paypal.me/thedissenterPayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9lPayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpzPayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9mPayPal Subscription 20 Dollars: https://tinyurl.com/y95uvkao ******Follow me on******Website: https://www.thedissenter.net/The Dissenter Goodreads list: https://shorturl.at/7BMoBFacebook:https://www.facebook.com/thedissenteryt/Twitter: https://x.com/TheDissenterYT This show is sponsored by Enlites, Learning & Development done differently. Check the website here: http://enlites.com/ Dr. Kristen Ghodsee is an award-winning author and professor and chair of Russian and East European Studies at the University of Pennsylvania. She also serves as a member on the graduate groups of Anthropology and Comparative Literature. Dr. Ghodsee's articles and essays have been translated into over twenty-five languages and have appeared in publications such as Dissent, Foreign Affairs, Jacobin, The Baffler, The New Republic, Quartz, NBC Think, The Lancet, Project Syndicate, Le Monde Diplomatique, Die Tageszeitung, The Washington Post, and the New York Times. She is the author of 12 books, including Why Women Have Better Sex Under Socialism: And Other Arguments for Economic Independence. In this episode, we focus on Why Women Have Better Sex Under Socialism. We start by talking about the premise of the book, and discuss what state socialism is. We then talk about the lives of women in socialist countries, how state socialist countries failed women, the transition to capitalism, work and the economic situation of women, motherhood and gender roles, women in leadership positions, and women's sex lives. Dr. Ghodsee responds to some criticisms of her book. Finally, we talk about the current state and future of capitalism.--A HUGE THANK YOU TO MY PATRONS/SUPPORTERS: PER HELGE LARSEN, JERRY MULLER, BERNARDO SEIXAS, ADAM KESSEL, MATTHEW WHITINGBIRD, ARNAUD WOLFF, TIM HOLLOSY, HENRIK AHLENIUS, FILIP FORS CONNOLLY, ROBERT WINDHAGER, RUI INACIO, ZOOP, MARCO NEVES, COLIN HOLBROOK, PHIL KAVANAGH, SAMUEL ANDREEFF, FRANCIS FORDE, TIAGO NUNES, FERGAL CUSSEN, HAL HERZOG, NUNO MACHADO, JONATHAN LEIBRANT, JOÃO LINHARES, STANTON T, SAMUEL CORREA, ERIK HAINES, MARK SMITH, JOÃO EIRA, TOM HUMMEL, SARDUS FRANCE, DAVID SLOAN WILSON, YACILA DEZA-ARAUJO, ROMAIN ROCH, DIEGO LONDOÑO CORREA, YANICK PUNTER, CHARLOTTE BLEASE, NICOLE BARBARO, ADAM HUNT, PAWEL OSTASZEWSKI, NELLEKE BAK, GUY MADISON, GARY G HELLMANN, SAIMA AFZAL, ADRIAN JAEGGI, PAULO TOLENTINO, JOÃO BARBOSA, JULIAN PRICE, EDWARD HALL, HEDIN BRØNNER, DOUGLAS FRY, FRANCA BORTOLOTTI, GABRIEL PONS CORTÈS, URSULA LITZCKE, SCOTT, ZACHARY FISH, TIM DUFFY, SUNNY SMITH, JON WISMAN, WILLIAM BUCKNER, PAUL-GEORGE ARNAUD, LUKE GLOWACKI, GEORGIOS THEOPHANOUS, CHRIS WILLIAMSON, PETER WOLOSZYN, DAVID WILLIAMS, DIOGO COSTA, ALEX CHAU, AMAURI MARTÍNEZ, CORALIE CHEVALLIER, BANGALORE ATHEISTS, LARRY D. LEE JR., OLD HERRINGBONE, MICHAEL BAILEY, DAN SPERBER, ROBERT GRESSIS, IGOR N, JEFF MCMAHAN, JAKE ZUEHL, BARNABAS RADICS, MARK CAMPBELL, TOMAS DAUBNER, LUKE NISSEN, KIMBERLY JOHNSON, JESSICA NOWICKI, LINDA BRANDIN, GEORGE CHORIATIS, VALENTIN STEINMANN, PER KRAULIS, ALEXANDER HUBBARD, BR, MASOUD ALIMOHAMMADI, JONAS HERTNER, URSULA GOODENOUGH, DAVID PINSOF, SEAN NELSON, MIKE LAVIGNE, JOS KNECHT, LUCY, MANVIR SINGH, PETRA WEIMANN, CAROLA FEEST, STARRY, MAURO JÚNIOR, 航 豊川, TONY BARRETT, BENJAMIN GELBART, NIKOLAI VISHNEVSKY, STEVEN GANGESTAD, AND TED FARRIS!A SPECIAL THANKS TO MY PRODUCERS, YZAR WEHBE, JIM FRANK, ŁUKASZ STAFINIAK, TOM VANEGDOM, BERNARD HUGUENEY, CURTIS DIXON, BENEDIKT MUELLER, THOMAS TRUMBLE, KATHRINE AND PATRICK TOBIN, JONCARLO MONTENEGRO, AL NICK ORTIZ, NICK GOLDEN,AND CHRISTINE GLASS!AND TO MY EXECUTIVE PRODUCERS, MATTHEW LAVENDER, SERGIU CODREANU, BOGDAN KANIVETS, ROSEY, AND GREGORY HASTINGS!

Aycan Akçamete is an assistant professor of Comparative Literature and Theatre Arts at the University of Oregon. She talks about her book project "Staging Turkey at Arcola Theatre: Intercultural Networks and Cosmopolitan Spectatorship" and her teaching. Research Notes: Mattie Burkert is an associate professor of English and Digital Humanities, and author of "Speculative Enterprise: Public Theaters and Financial Markets in London, 1688–1763" (University of Virginia Press, 2021) https://londonstagedatabase.uoregon.edu https://www.r18collective.org

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liut talks with Professor Adrian Daub about the recent elections in Germany, where we saw a surge in votes for the Far Right AfD party, which is now the second most powerful party in the country. They discuss the significance of this rise in popularity and the ways the elections reveal a number of shifts in German politics as the various parties stake out positions that align with not just a center-right orientation but, more dangerously, a far-right one. They speak of the parallels to the recent election of Donald Trump to the US presidency, and what it says about the entrenchment of both neoliberalism and a faux populism based on xenophobia and not serving the actual material interests of everyday people.Adrian Daub teaches German and Comparative Literature at Stanford, where he directs the Clayman Institute for Gender Research. He is the author most recently of The Cancel Culture Panic (2024), and co-hosts the podcast In Bed With the Right.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liut talks with Professor Adrian Daub about the recent elections in Germany, where we saw a surge in votes for the Far Right AfD party, which is now the second most powerful party in the country. They discuss the significance of this rise in popularity and the ways the elections reveal a number of shifts in German politics as the various parties stake out positions that align with not just a center-right orientation but, more dangerously, a far-right one. They speak of the parallels to the recent election of Donald Trump to the US presidency, and what it says about the entrenchment of both neoliberalism and a faux populism based on xenophobia and not serving the actual material interests of everyday people.Adrian Daub teaches German and Comparative Literature at Stanford, where he directs the Clayman Institute for Gender Research. He is the author most recently of The Cancel Culture Panic (2024), and co-hosts the podcast In Bed With the Right.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liut talks with Professor Adrian Daub about the recent elections in Germany, where we saw a surge in votes for the Far Right AfD party, which is now the second most powerful party in the country. They discuss the significance of this rise in popularity and the ways the elections reveal a number of shifts in German politics as the various parties stake out positions that align with not just a center-right orientation but, more dangerously, a far-right one. They speak of the parallels to the recent election of Donald Trump to the US presidency, and what it says about the entrenchment of both neoliberalism and a faux populism based on xenophobia and not serving the actual material interests of everyday people.Adrian Daub teaches German and Comparative Literature at Stanford, where he directs the Clayman Institute for Gender Research. He is the author most recently of The Cancel Culture Panic (2024), and co-hosts the podcast In Bed With the Right.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

Today I have the pleasure of talking with Professor Adrian Daub about the recent elections in Germany, where we saw a surge in votes for the Far Right AfD party, which is now the second-most powerful party in the country.  We discuss the significance of this rise in popularity,  and the ways the elections reveal a number of shifts in German politics, as the various parties stake out positions which align with not just a center-right orientation, but, more dangerously, a far right one. We speak of the parallels to the recent election of Donald Trump to the US presidency, and what it says about the entrenchment of both neoliberalism and a faux populism based on xenophobia, and not serving the actual material interests of everyday people.Adrian Daub teaches German and Comparative Literature at Stanford, where he directs the Clayman Institute for Gender Research. He is the author most recently of The Cancel Culture Panic (2024), and co-hosts the podcast In Bed With the Right.”

Nearly fifty years after the end of the war in Vietnam, American children of Vietnamese refugees continue to process the meanings of the war and its consequences through creative work. Displacing Kinship: The Intimacies of Intergenerational Trauma in Vietnamese American Cultural Production (Temple UP, 2024) examines how Vietnamese American cultural productions register lived experiences of racism in their depictions of family life and marginalization. Second-generation texts illustrate how the children of refugees from Vietnam are haunted by trauma and a violent, ever-present, but mostly unarticulated past. Linh Thủy Nguyễn's analysis reveals that present experiences of economic insecurity and racism also shape these narratives of familial loss. Developing a theory of intergenerational trauma, Nguyễn rethinks how U.S. imperialism, the discourse of communism, and assimilation impacted families across generations. Through ethnic studies and feminist and queer-of-color critique, Displacing Kinship offers a critical approach for reading family tensions and interpersonal conflict as affective investments informed by the material, structural conditions of white supremacy and racial capitalism. She was recently featured in an interview regarding her monograph with Toward Inclusive Excellence (TIE) of Choice, apublishing unit of the Association of College and Research Libraries. The complete interview is available at www.choice360.org/tie-post/tie-talks-with-linh-thuy-nguyen/. Linh Thủy Nguyễn, PhD, is associate professor of American ethnic studies; adjunct associate professor of gender, women's, and sexuality studies; and faculty associate in the Center for Southeast Asia and its Diasporas and the Harry Bridges Labor Center at the University of Washington. Her research explores the interpersonal and structural relationships between history, memory, race, war, migration, nation, and family. You can find more at linhthuynguyen.com. Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard. Her research explores modern Vietnamese literature, literary translation across French, Vietnamese, English, and Chinese, and the literary history of French Indochina. She can be reached at cpham@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Nearly fifty years after the end of the war in Vietnam, American children of Vietnamese refugees continue to process the meanings of the war and its consequences through creative work. Displacing Kinship: The Intimacies of Intergenerational Trauma in Vietnamese American Cultural Production (Temple UP, 2024) examines how Vietnamese American cultural productions register lived experiences of racism in their depictions of family life and marginalization. Second-generation texts illustrate how the children of refugees from Vietnam are haunted by trauma and a violent, ever-present, but mostly unarticulated past. Linh Thủy Nguyễn's analysis reveals that present experiences of economic insecurity and racism also shape these narratives of familial loss. Developing a theory of intergenerational trauma, Nguyễn rethinks how U.S. imperialism, the discourse of communism, and assimilation impacted families across generations. Through ethnic studies and feminist and queer-of-color critique, Displacing Kinship offers a critical approach for reading family tensions and interpersonal conflict as affective investments informed by the material, structural conditions of white supremacy and racial capitalism. She was recently featured in an interview regarding her monograph with Toward Inclusive Excellence (TIE) of Choice, apublishing unit of the Association of College and Research Libraries. The complete interview is available at www.choice360.org/tie-post/tie-talks-with-linh-thuy-nguyen/. Linh Thủy Nguyễn, PhD, is associate professor of American ethnic studies; adjunct associate professor of gender, women's, and sexuality studies; and faculty associate in the Center for Southeast Asia and its Diasporas and the Harry Bridges Labor Center at the University of Washington. Her research explores the interpersonal and structural relationships between history, memory, race, war, migration, nation, and family. You can find more at linhthuynguyen.com. Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard. Her research explores modern Vietnamese literature, literary translation across French, Vietnamese, English, and Chinese, and the literary history of French Indochina. She can be reached at cpham@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Nearly fifty years after the end of the war in Vietnam, American children of Vietnamese refugees continue to process the meanings of the war and its consequences through creative work. Displacing Kinship: The Intimacies of Intergenerational Trauma in Vietnamese American Cultural Production (Temple UP, 2024) examines how Vietnamese American cultural productions register lived experiences of racism in their depictions of family life and marginalization. Second-generation texts illustrate how the children of refugees from Vietnam are haunted by trauma and a violent, ever-present, but mostly unarticulated past. Linh Thủy Nguyễn's analysis reveals that present experiences of economic insecurity and racism also shape these narratives of familial loss. Developing a theory of intergenerational trauma, Nguyễn rethinks how U.S. imperialism, the discourse of communism, and assimilation impacted families across generations. Through ethnic studies and feminist and queer-of-color critique, Displacing Kinship offers a critical approach for reading family tensions and interpersonal conflict as affective investments informed by the material, structural conditions of white supremacy and racial capitalism. She was recently featured in an interview regarding her monograph with Toward Inclusive Excellence (TIE) of Choice, apublishing unit of the Association of College and Research Libraries. The complete interview is available at www.choice360.org/tie-post/tie-talks-with-linh-thuy-nguyen/. Linh Thủy Nguyễn, PhD, is associate professor of American ethnic studies; adjunct associate professor of gender, women's, and sexuality studies; and faculty associate in the Center for Southeast Asia and its Diasporas and the Harry Bridges Labor Center at the University of Washington. Her research explores the interpersonal and structural relationships between history, memory, race, war, migration, nation, and family. You can find more at linhthuynguyen.com. Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard. Her research explores modern Vietnamese literature, literary translation across French, Vietnamese, English, and Chinese, and the literary history of French Indochina. She can be reached at cpham@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Nearly fifty years after the end of the war in Vietnam, American children of Vietnamese refugees continue to process the meanings of the war and its consequences through creative work. Displacing Kinship: The Intimacies of Intergenerational Trauma in Vietnamese American Cultural Production (Temple UP, 2024) examines how Vietnamese American cultural productions register lived experiences of racism in their depictions of family life and marginalization. Second-generation texts illustrate how the children of refugees from Vietnam are haunted by trauma and a violent, ever-present, but mostly unarticulated past. Linh Thủy Nguyễn's analysis reveals that present experiences of economic insecurity and racism also shape these narratives of familial loss. Developing a theory of intergenerational trauma, Nguyễn rethinks how U.S. imperialism, the discourse of communism, and assimilation impacted families across generations. Through ethnic studies and feminist and queer-of-color critique, Displacing Kinship offers a critical approach for reading family tensions and interpersonal conflict as affective investments informed by the material, structural conditions of white supremacy and racial capitalism. She was recently featured in an interview regarding her monograph with Toward Inclusive Excellence (TIE) of Choice, apublishing unit of the Association of College and Research Libraries. The complete interview is available at www.choice360.org/tie-post/tie-talks-with-linh-thuy-nguyen/. Linh Thủy Nguyễn, PhD, is associate professor of American ethnic studies; adjunct associate professor of gender, women's, and sexuality studies; and faculty associate in the Center for Southeast Asia and its Diasporas and the Harry Bridges Labor Center at the University of Washington. Her research explores the interpersonal and structural relationships between history, memory, race, war, migration, nation, and family. You can find more at linhthuynguyen.com. Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard. Her research explores modern Vietnamese literature, literary translation across French, Vietnamese, English, and Chinese, and the literary history of French Indochina. She can be reached at cpham@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Nearly fifty years after the end of the war in Vietnam, American children of Vietnamese refugees continue to process the meanings of the war and its consequences through creative work. Displacing Kinship: The Intimacies of Intergenerational Trauma in Vietnamese American Cultural Production (Temple UP, 2024) examines how Vietnamese American cultural productions register lived experiences of racism in their depictions of family life and marginalization. Second-generation texts illustrate how the children of refugees from Vietnam are haunted by trauma and a violent, ever-present, but mostly unarticulated past. Linh Thủy Nguyễn's analysis reveals that present experiences of economic insecurity and racism also shape these narratives of familial loss. Developing a theory of intergenerational trauma, Nguyễn rethinks how U.S. imperialism, the discourse of communism, and assimilation impacted families across generations. Through ethnic studies and feminist and queer-of-color critique, Displacing Kinship offers a critical approach for reading family tensions and interpersonal conflict as affective investments informed by the material, structural conditions of white supremacy and racial capitalism. She was recently featured in an interview regarding her monograph with Toward Inclusive Excellence (TIE) of Choice, apublishing unit of the Association of College and Research Libraries. The complete interview is available at www.choice360.org/tie-post/tie-talks-with-linh-thuy-nguyen/. Linh Thủy Nguyễn, PhD, is associate professor of American ethnic studies; adjunct associate professor of gender, women's, and sexuality studies; and faculty associate in the Center for Southeast Asia and its Diasporas and the Harry Bridges Labor Center at the University of Washington. Her research explores the interpersonal and structural relationships between history, memory, race, war, migration, nation, and family. You can find more at linhthuynguyen.com. Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard. Her research explores modern Vietnamese literature, literary translation across French, Vietnamese, English, and Chinese, and the literary history of French Indochina. She can be reached at cpham@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Super Bowl LIX was amazing, but not because of the football, or the commercials. It was the 13-minute half-time tour de force of political theology and protest art, brought to you by Kendrick Lamar. Acting like a parable to offer more to those who already get it, and to take away from those who don't get it at all, the performance was so much more than a petty way to settle a rap beef.But what exactly was going on? Today's episode is an introduction to the political theology of Kendrick Lamar. Evan Rosa welcomes Femi Olutade, arguably the living expert on the theology of Kendrick Lamar. A lifelong fan of hip hop and student of theology, he's deeply familiar not just with music Kendrick made, but the influences that made Kendrick, as well as Christian scripture and moral theology. Femi has written incredibly nuanced theological musicological reflections about Kendrick Lamar's 2017 album DAMN., which won the Pulitzer Prize for Music.Femi joined Dissect Podcast host Cole Cushna as lead writer for a 20-episode analysis of DAMN., offering incredible insight into the theological, moral, and political richness of Kendrick Lamar.About Femi OlutadeFemi Olutade is the lead writer for Season 5 of Dissect, an analysis of Kendrick Lamar's Pulitzer Prize-winning album DAMN. He's arguably the living expert on the theology of Kendrick Lamar. A lifelong fan of hip hop and student of theology, he's deeply familiar not just with music Kendrick made, but the influences that made Kendrick, as well as Christian scripture and moral theology. Femi has written incredibly nuanced theological musicological reflections about Kendrick Lamar's 2017 album DAMN., which won the Pulitzer Prize for Music.Femi joined host Cole Cushna as lead writer for a 20-episode analysis of DAMN., offering incredible insight into the theological, moral, and political richness of Kendrick Lamar.Show NotesFemi Olutade's Theology of Kendrick LamarKendrick Lamar's Super Bowl LIX Half-Time Show (Video)Kendrick Lamar's Half-time Show Lyrics (Full)Season 5 of Dissect: Kendrick Lamar's DAMN.Kendrick Lamar's Political Theology as a Diss Track to AmericaSuper Bowl LIX was amazing, but not because of the football, or the commercials. It was the 13 minute half-time tour de force that Kendrick Lamar offered the world.Uncle Sam introduces the show, the quote “Great American Game.” A playstation controller appears. Is the game football? Video game? Or some other game? Kendrick appears crouched on a car—dozens of red, white, and blue dancers emerge, evoking both the American flag which they eventually form, as well as the gang wars between bloods and crips—or as Kendrick says in Hood Politics, “Demo-crips” and “Re-blood-icans”And what ensues is an intricately choreographed set of layered meanings, allusions, hidden references and Easter eggs—not all of which have been noticed, not to mention explained or understood.You can find links to the performance and the lyrics in the show notes.Femi Olutade on the Theology of Kendrick LamarToday's episode is an introduction to the political theology of Kendrick Lamar. And joining me is Femi Olutade, arguably the living expert on the theology of Kendrick Lamar. As a lifelong fan of hip hop, he's deeply familiar not just with music Kendrick made, but the influences that made Kendrick. Femi has written incredibly nuanced theological musicological reflections about Kendrick Lamar's 2017 album DAMN., which won the Pulitzer Prize for Music.And I became familiar with Femi's work in 2021, while listening to a podcast called Dissect—which analyzes albums line by line, note by note. They cover mostly hip hop, but the season on Radiohead's In Rainbows is also incredible. Femi joined host Cole Cushna to co-write a 20-episode analysis of DAMN., offering incredible insight into the theological, moral, and political richness of Kendrick Lamar, which repays so many replays. Forward, AND backward. Yes, you can play the album backwards and forwards like a mirror and they tell two different stories, one about wickedness and pride, and the other about weakness, love, and humility.If you want to jump to my conversation with Femi about Kendrick Lamar's Political Theology, please do, just jump ahead a few minutes.Not Just a Diss Track to Drake, but a Diss Track to AmericaBut I wanted to offer a few preliminaries of my own to help with this most recent context of the Super Bowl halftime performance.Because almost immediately, it was interpreted as nothing more than one of the pettiest, egotistical, and overkill ways to settle a rap beef between Kendrick and another hip hop artist, Drake. Some fans celebrated this. Others found it at best irrelevant and confusing, and at worst an offensive waste of an opportunity to make a larger statement before an audience of 133 million viewers.In my humble opinion, both get it wrong. Kendrick Lamar simply does not work this way.If it was the biggest diss track of all time, it wasn't aimed merely at Drake, but America. And if it was offensive, it was because of its moral clarity and force, striking a prophetic chord operating similar to a parable.Jesus and Kendrick on Prophecy and ParablesParables, according to Jesus, are meant to give more to those who already have, and take away from those who already have nothing (Matthew 13:13). Because, as the prophet Isaiah says, “seeing they do not perceive, and hearing they do not listen, nor do they understand” (Isaiah 6:9).At this point, it's possible that you're entirely confused, and if so, I'd invite you to hang with me and lean in. Watch it again, listen more closely. Because rap, according to Jay Z, is a lean-in genre. You can't understand it without close examination, without contextual, bottom-up, historical appreciation, or without a willingness to be educated about what it's like to be Black in America.But I guarantee you that in Kendrick Lamar's outstanding choreographed prophetic theatre, there's much more going on—”there's levels to it”—to quote Lamar.You Picked the Right Time, but the Wrong GuyAnd if you want it clearly spelled out for you—a cleaner, smoother, tighter, more palatable, less subtle social commentary that can be abstracted from history, circumstance, and the genre of rap itself so that it can be rationally evaluated—well, you're occupying the exact position Kendrick is critiquing, which he prophetically predicts in the very performance itself. As he warns us:The revolution 'bout to be televised You picked the right time, but the wrong guyStill, what was that?? First, it's public performance art, so just let it land. Watch it again. Notice something new. Submit yourself to it. Let it change you.The Black American Experience in Hip Hop and Kendrick LamarAnd if you really want to understand it, you need to be open to the possibility that some social commentary can only be understood in light of certain lived experiences. In this case, at least the Black American experience. And then, rather than demanding that Kendrick explain it to you in your own vernacular, listen to what he's already said. Lean in an listen to his whole body of work, learn his story, expertly rendered in jaw-dropping lyrical performance. Drive with him through his childhood streets of Compton on Good Kid M.A.A.D. City. Journey with him from caterpillar to butterfly on To Pimp a Butterfly, look in the mirror presented before you in the Pulitzer-prize winning DAMN., hear out his messy psyche laid bare in Mr. Morale and the Big Steppers, take a ride with him in GNX…In the days following Kendrick's super bowl performance, J Kameron Carter, Professor of African American Studies, Comparative Literature, and Religion at the University of California at Irvine, called for a more in-depth study of the 13-minute performance, noting that:“[B]lack performance carries within it an interrogation of the question of country as the problem and question of US political theology and the legacy of Christian empire.”This episode isn't meant to close any books or offer a full explanation of Kendrick's performance, let alone his music, but just to lean in, and to quote Kendrick, “salute truth and the prophecy.”Production NotesThis podcast featured Femi OlutadeEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Macie Bridge, Alexa Rollow, Zoë Halaban, Kacie Barrett & Emily BrookfieldA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give

Jacqueline Faber is an author and freelance writer. She holds a PhD in Comparative Literature from Emory University, where she was the recipient of a Woodruff Scholarship, and taught in the Expository Writing Program at New York University, where she received an award for excellence in teaching. She studied philosophy in Bologna, Italy, and received a dissertation grant from Freie University in Berlin, Germany. Jacqueline writes across genres, including thrillers, rom-coms, and essays. Her work explores questions about memory, loss, language, and desire. Steeped in philosophical, psychological, and literary themes, her writing is grounded in studies of character. As a freelancer, she writes for various companies, including a fair-trade marketplace for global artisans, where she helps bring their unique stories to life. She lives with her family in Los Angeles. Learn more at jacquelinefaber.com Intro reel, Writing Table Podcast 2024 Outro RecordingFollow the Writing Table:On Twitter/X: @writingtablepcEverywhere else: @writingtablepodcastEmail questions or tell us who you'd like us to invite to the Writing Table: writingtablepodcast@gmail.com.

A Daughter of the Great Migration Reclaims Her Roots New York Times bestselling and National Magazine Award-winning author Morgan Jerkins will be at the Main Library this October to discuss Wandering in Strange Lands, the powerful story of her journey to understand her northern and southern roots, the Great Migration, and the displacement of black people across America. She will be the first featured Lit Chat author in the Library's new African American History series of community programs. The project, in part, seeks to expand the Library's African American History Collection and the associated Digital Community Archive and to make customers aware of all the FREE family research and local history resources available to them in the Special Collections Department at the Main Library, including the newly-expanded Memory Lab. For more information about how you can contribute materials to Special Collections or use these publicly-available resources to trace your family roots, research the history of your home or neighborhood and more, please click on this link. Morgan Jerkins's most recent book is the novel Caul Baby, an Amazon Best Book of 2021. Her other books are Wandering in Strange Lands: A Daughter of the Great Migration Reclaims Her Roots, one of Time's must-read books of 2020, and This Will Be My Undoing: Living at the Intersection of Black, Female, and Feminist in (White) America, a New York Times Bestseller. As a journalist, she's written about the internet, intersecting social issues and popular media through celebrity profiles and interviews, reportage, commentary, and personal essays. Her work has appeared in The New Yorker, The New York Times, and Vanity Fair, among others. She's won two National Magazine Awards and was a Forbes 30 Under 30 Leader in Media. Jerkins is also a filmmaker. Her debut short film, Black Madonna, which she wrote and co-directed, was selected at the Big Apple Film Festival, Pan African Film & Arts Festival, and NewFilmmakers Los Angeles. She teaches Creative Writing at Princeton University, where she also holds a Bachelor's in Comparative Literature. She has an MFA from Bennington College, and has taught at Columbia University, Pacific University, The New School, and Leipzig University, where she was the Guest Picador Professor. Based in New York City, she was born and raised in New Jersey. Interviewer Prof. Tammy Cherry has taught at Florida State College at Jacksonville as an English professor for 22 years. Along with composition classes, Tammy teaches African American literature and honors classes. She is a lifelong Jacksonville resident and recently served as co-host for the WJCT podcast Bygone Jax. Praise for Morgan Jerkins's Books “In Morgan Jerkins's remarkable debut essay collection, This Will Be My Undoing, she is a deft cartographer of black girlhood and womanhood. From one essay to the next, Jerkins weaves the personal with the public and political in compelling, challenging ways... With this collection, she shows us that she is unforgettably here, a writer to be reckoned with.” — Roxanne Gay “[A] forthright and informative account. . . . Jerkins's careful research and revelatory conversations with historians, activists, and genealogists result in a disturbing yet ultimately empowering chronicle of the African-American experience. Readers will be moved by this brave and inquisitive book.” — Publishers Weekly on Wandering in Strange Lands “Morgan Jerkins' fantastic, expansive novel of mothers and daughters and Harlem, Caul Baby, is a meditation on the limits of inheritance and legacy. It's also a love letter to a rapidly changing neighborhood.”— Kaitlyn Greenidge Check out Morgan's works from the library! Continue Reading MORGAN RECOMMENDS Girl, Woman, Other by Bernadine Evaristo Sing, Unburied, Sing by Jesmyn Ward In the Dream House by Carmen Maria Machado FEM by Magda Carneci THE LIBRARY RECOMMENDS Dear Ijeawele, or, A Feminist Manifesto in Fifteen Suggestions by Chimamanda Ngozi Adichie  Eloquent Rage: A Black Feminist Discovers Her Superpower by Brittney Cooper  Life, I Swear: Intimate Stories From Black Women on Identity, Healing, and Self-Trust by Chloe Dulce Louvouezo  A Renaissance of Our Own: A Memoir & Manifesto on Reimagining by Rachel E Cargle  Citizen: An American Lyric by Claudia Rankine  The Love Song of W.E.B. Du Bois by Honorée Fanonne Jeffers  These Ghost are Family by Maisy Card  Neighbors and Other Stories by Diane Oliver  The Revisioners by Margaret Wilkerson Sexton  --- Never miss an event! Sign up for email newsletters at https://bit.ly/JaxLibraryUpdates  Jacksonville Public LibraryWebsite: https://jaxpubliclibrary.org/ Twitter: https://twitter.com/jaxlibrary Facebook: https://www.facebook.com/JaxLibrary/ Instagram: https://www.instagram.com/jaxlibrary/ YouTube: https://www.youtube.com/user/jaxpubliclibraryfl Contact Us: jplpromotions@coj.net 

When’s the last time you laughed? Like really, full body, couldn’t catch your breath, laughed? Finding laughter can be challenging amongst the backdrop of political uncertainty and this constant stream of breaking news. But sometimes, laughter and comedy can be a great way to make sense of the world around us. Today, we talk about how comedy can be a vehicle for protest, political dialogue and even healing. GUESTS: Allie Rivera: Instructor & Performer, Sea Tea Comedy Theater Brenna Harvey: Instructor & Performer, Sea Tea Comedy Theater Dr. Sophia A. McClennen: Professor of International Affairs and Comparative Literature and Director of the Center for Global Studies at Penn State University. Where We Live is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode.Support the show: http://wnpr.org/donateSee omnystudio.com/listener for privacy information.

Henry Christophe was born to an enslaved mother on the Caribbean island of Grenada, and fought to overthrow the British in North America before helping his fellow enslaved Africans in Saint-Domingue—as Haiti was then called—to end slavery. He rose to power and became their king. In his time, he was popular and famous the world over. So how did he become an enigma? In The First and Last King of Haiti: The Rise and Fall of Henry Christophe, Dr. Marlene L. Daut reclaims the life story of this controversial revolutionary and only king of Haiti, drawing from a trove of previously overlooked sources to paint a captivating history of his life and the awe-inspiring kingdom he built. Peeling back the layers of myth and misconception reveals a man driven by both noble ideals and profound flaws, as unforgettable as he is enigmatic. More than just a biography, The First and Last King of Haiti is an exploration of power, ambition, and the human spirit. From his pivotal role in the Haitian Revolution to his coronation as king and eventual demise, this book is testament to the enduring allure of those who dare to defy the odds and shape the course of nations. The First and Last King of Haiti is a story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval. Slave, revolutionary, traitor, king, and suicide, Henry Christophe was, in his time, popular and famous the world over. Born in 1767 to an enslaved mother on the Caribbean island of Grenada, Christophe first fought to overthrow the British in North America, before helping his fellow enslaved Africans in Saint-Domingue, as Haiti was then called, to gain their freedom from France. Yet in an incredible twist of fate, Christophe ended up fighting with Napoleon's forces against the very enslaved men and women he had once fought alongside. Later, euniteng with those he had betrayed, he offered to lead them and made himself their king. But it all came to a sudden and tragic end when Christophe—after nine years of his rule as King Henry I—shot himself in the heart, some say with a silver bullet. Why did Christophe turn his back on Toussaint Louverture and the very revolution with which his name is so indelibly associated? How did it come to pass that Christophe found himself accused of participating in the plot to assassinate Haiti's first ruler, Dessalines? What caused Haiti to eventually split into two countries, one ruled by Christophe in the north, who made himself king, the other led by President Pétion in the south? The First and Last King of Haiti is a riveting story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval. Our guest is: Dr. Marlene Daut, who is Professor of French and African Diaspora Studies at Yale University. Her books include Baron de Vastey and the Origins of Black Atlantic Humanism; Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789–1865; Awakening the Ashes: An Intellectual History of the Haitian Revolution; and The First and Last King of Haiti: The Rise and Fall of Henry Christophe. She is co-editor of the Haitian Revolutionary Fictions: An Anthology, and her articles have appeared in The New Yorker, The New York Times, The Nation, Essence Magazine, Harper's Bazaar, The Conversation, New Literary History, Nineteenth-Century Literature, and Comparative Literature, among others. She is the co-creator and co-editor of H-Net Commons' digital platform, H-Haiti. Our host is: Dr. Christina Gessler, who is the creator and producer of the Academic Life podcast. Listeners might also enjoy: We Refuse: A Forceful History of Black Resistance Never Caught, with Dr. Erica Armstrong Dunbar Selling Anti-Slavery Running From Bondage Leading from the Margins Shoutin in the Fire Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Henry Christophe was born to an enslaved mother on the Caribbean island of Grenada, and fought to overthrow the British in North America before helping his fellow enslaved Africans in Saint-Domingue—as Haiti was then called—to end slavery. He rose to power and became their king. In his time, he was popular and famous the world over. So how did he become an enigma? In The First and Last King of Haiti: The Rise and Fall of Henry Christophe, Dr. Marlene L. Daut reclaims the life story of this controversial revolutionary and only king of Haiti, drawing from a trove of previously overlooked sources to paint a captivating history of his life and the awe-inspiring kingdom he built. Peeling back the layers of myth and misconception reveals a man driven by both noble ideals and profound flaws, as unforgettable as he is enigmatic. More than just a biography, The First and Last King of Haiti is an exploration of power, ambition, and the human spirit. From his pivotal role in the Haitian Revolution to his coronation as king and eventual demise, this book is testament to the enduring allure of those who dare to defy the odds and shape the course of nations. The First and Last King of Haiti is a story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval. Slave, revolutionary, traitor, king, and suicide, Henry Christophe was, in his time, popular and famous the world over. Born in 1767 to an enslaved mother on the Caribbean island of Grenada, Christophe first fought to overthrow the British in North America, before helping his fellow enslaved Africans in Saint-Domingue, as Haiti was then called, to gain their freedom from France. Yet in an incredible twist of fate, Christophe ended up fighting with Napoleon's forces against the very enslaved men and women he had once fought alongside. Later, euniteng with those he had betrayed, he offered to lead them and made himself their king. But it all came to a sudden and tragic end when Christophe—after nine years of his rule as King Henry I—shot himself in the heart, some say with a silver bullet. Why did Christophe turn his back on Toussaint Louverture and the very revolution with which his name is so indelibly associated? How did it come to pass that Christophe found himself accused of participating in the plot to assassinate Haiti's first ruler, Dessalines? What caused Haiti to eventually split into two countries, one ruled by Christophe in the north, who made himself king, the other led by President Pétion in the south? The First and Last King of Haiti is a riveting story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval. Our guest is: Dr. Marlene Daut, who is Professor of French and African Diaspora Studies at Yale University. Her books include Baron de Vastey and the Origins of Black Atlantic Humanism; Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789–1865; Awakening the Ashes: An Intellectual History of the Haitian Revolution; and The First and Last King of Haiti: The Rise and Fall of Henry Christophe. She is co-editor of the Haitian Revolutionary Fictions: An Anthology, and her articles have appeared in The New Yorker, The New York Times, The Nation, Essence Magazine, Harper's Bazaar, The Conversation, New Literary History, Nineteenth-Century Literature, and Comparative Literature, among others. She is the co-creator and co-editor of H-Net Commons' digital platform, H-Haiti. Our host is: Dr. Christina Gessler, who is the creator and producer of the Academic Life podcast. Listeners might also enjoy: We Refuse: A Forceful History of Black Resistance Never Caught, with Dr. Erica Armstrong Dunbar Selling Anti-Slavery Running From Bondage Leading from the Margins Shoutin in the Fire Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Henry Christophe was born to an enslaved mother on the Caribbean island of Grenada, and fought to overthrow the British in North America before helping his fellow enslaved Africans in Saint-Domingue—as Haiti was then called—to end slavery. He rose to power and became their king. In his time, he was popular and famous the world over. So how did he become an enigma? In The First and Last King of Haiti: The Rise and Fall of Henry Christophe, Dr. Marlene L. Daut reclaims the life story of this controversial revolutionary and only king of Haiti, drawing from a trove of previously overlooked sources to paint a captivating history of his life and the awe-inspiring kingdom he built. Peeling back the layers of myth and misconception reveals a man driven by both noble ideals and profound flaws, as unforgettable as he is enigmatic. More than just a biography, The First and Last King of Haiti is an exploration of power, ambition, and the human spirit. From his pivotal role in the Haitian Revolution to his coronation as king and eventual demise, this book is testament to the enduring allure of those who dare to defy the odds and shape the course of nations. The First and Last King of Haiti is a story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval. Slave, revolutionary, traitor, king, and suicide, Henry Christophe was, in his time, popular and famous the world over. Born in 1767 to an enslaved mother on the Caribbean island of Grenada, Christophe first fought to overthrow the British in North America, before helping his fellow enslaved Africans in Saint-Domingue, as Haiti was then called, to gain their freedom from France. Yet in an incredible twist of fate, Christophe ended up fighting with Napoleon's forces against the very enslaved men and women he had once fought alongside. Later, euniteng with those he had betrayed, he offered to lead them and made himself their king. But it all came to a sudden and tragic end when Christophe—after nine years of his rule as King Henry I—shot himself in the heart, some say with a silver bullet. Why did Christophe turn his back on Toussaint Louverture and the very revolution with which his name is so indelibly associated? How did it come to pass that Christophe found himself accused of participating in the plot to assassinate Haiti's first ruler, Dessalines? What caused Haiti to eventually split into two countries, one ruled by Christophe in the north, who made himself king, the other led by President Pétion in the south? The First and Last King of Haiti is a riveting story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval. Our guest is: Dr. Marlene Daut, who is Professor of French and African Diaspora Studies at Yale University. Her books include Baron de Vastey and the Origins of Black Atlantic Humanism; Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789–1865; Awakening the Ashes: An Intellectual History of the Haitian Revolution; and The First and Last King of Haiti: The Rise and Fall of Henry Christophe. She is co-editor of the Haitian Revolutionary Fictions: An Anthology, and her articles have appeared in The New Yorker, The New York Times, The Nation, Essence Magazine, Harper's Bazaar, The Conversation, New Literary History, Nineteenth-Century Literature, and Comparative Literature, among others. She is the co-creator and co-editor of H-Net Commons' digital platform, H-Haiti. Our host is: Dr. Christina Gessler, who is the creator and producer of the Academic Life podcast. Listeners might also enjoy: We Refuse: A Forceful History of Black Resistance Never Caught, with Dr. Erica Armstrong Dunbar Selling Anti-Slavery Running From Bondage Leading from the Margins Shoutin in the Fire Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Henry Christophe was born to an enslaved mother on the Caribbean island of Grenada, and fought to overthrow the British in North America before helping his fellow enslaved Africans in Saint-Domingue—as Haiti was then called—to end slavery. He rose to power and became their king. In his time, he was popular and famous the world over. So how did he become an enigma? In The First and Last King of Haiti: The Rise and Fall of Henry Christophe, Dr. Marlene L. Daut reclaims the life story of this controversial revolutionary and only king of Haiti, drawing from a trove of previously overlooked sources to paint a captivating history of his life and the awe-inspiring kingdom he built. Peeling back the layers of myth and misconception reveals a man driven by both noble ideals and profound flaws, as unforgettable as he is enigmatic. More than just a biography, The First and Last King of Haiti is an exploration of power, ambition, and the human spirit. From his pivotal role in the Haitian Revolution to his coronation as king and eventual demise, this book is testament to the enduring allure of those who dare to defy the odds and shape the course of nations. The First and Last King of Haiti is a story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval. Slave, revolutionary, traitor, king, and suicide, Henry Christophe was, in his time, popular and famous the world over. Born in 1767 to an enslaved mother on the Caribbean island of Grenada, Christophe first fought to overthrow the British in North America, before helping his fellow enslaved Africans in Saint-Domingue, as Haiti was then called, to gain their freedom from France. Yet in an incredible twist of fate, Christophe ended up fighting with Napoleon's forces against the very enslaved men and women he had once fought alongside. Later, euniteng with those he had betrayed, he offered to lead them and made himself their king. But it all came to a sudden and tragic end when Christophe—after nine years of his rule as King Henry I—shot himself in the heart, some say with a silver bullet. Why did Christophe turn his back on Toussaint Louverture and the very revolution with which his name is so indelibly associated? How did it come to pass that Christophe found himself accused of participating in the plot to assassinate Haiti's first ruler, Dessalines? What caused Haiti to eventually split into two countries, one ruled by Christophe in the north, who made himself king, the other led by President Pétion in the south? The First and Last King of Haiti is a riveting story of not only geopolitical clashes on a grand scale but also of friendship and loyalty, treachery and betrayal, heroism and strife in an era of revolutionary upheaval. Our guest is: Dr. Marlene Daut, who is Professor of French and African Diaspora Studies at Yale University. Her books include Baron de Vastey and the Origins of Black Atlantic Humanism; Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789–1865; Awakening the Ashes: An Intellectual History of the Haitian Revolution; and The First and Last King of Haiti: The Rise and Fall of Henry Christophe. She is co-editor of the Haitian Revolutionary Fictions: An Anthology, and her articles have appeared in The New Yorker, The New York Times, The Nation, Essence Magazine, Harper's Bazaar, The Conversation, New Literary History, Nineteenth-Century Literature, and Comparative Literature, among others. She is the co-creator and co-editor of H-Net Commons' digital platform, H-Haiti. Our host is: Dr. Christina Gessler, who is the creator and producer of the Academic Life podcast. Listeners might also enjoy: We Refuse: A Forceful History of Black Resistance Never Caught, with Dr. Erica Armstrong Dunbar Selling Anti-Slavery Running From Bondage Leading from the Margins Shoutin in the Fire Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

Fatin Abbas was born in Khartoum, Sudan, but her parents were forced to leave Sudan when the military seized power there in 1989, when Fatin was just 8 years old. The family settled in New York. She earned a BA in English literature from the University of Cambridge, a PhD in Comparative Literature from Harvard University, and an MFA in Creative Writing from Hunter College, the City University of New York.Her novel, Ghost Season is an exploration of Sudan's almost unrecognised history, through five vibrant and interesting characters who find themselves working for an NGO in a border town between north and south Sudan. It is a really powerful story of power dynamics, colonialism, history, love, friendship, identity, belonging, self-acceptance and so much more.After more than 16 months of war, Sudan has descended into one of the world's worst humanitarian crisis.The country is at imminent risk of collapsing after over a year and a half of violent conflict and is on the verge of mass famine with its food supply decimated and young children now starving to death in its cities, villages, and displacement camps. Over 10 million people have been displaced, and every single person in Sudan is affected by this worsening crisis.I hope this conversations helps us to keep Sudan in our thoughts, hearts, mind, prayers and in our activism always. ----As always, please do like, subscribe and follow. Connect with me on social media - I'd love to hear from you :)www.instagram.com/readwithsamiaSupport the show

Today on Speaking Out of Place we talk with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others. Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.Roya Ahmadi is a senior at Stanford University studying Human Biology with a self-designed concentration in Southwest Asian and North African (SWANA) Women's Health and a minor in Interdisciplinary Arts. She is interested in Muslim and SWANA women's sexual and reproductive health and culturally/religiously sensitive pregnancy care. Roya is a co-chair for the Stanford Institute for Diversity in the Arts Undergraduate Fellowship and a video and sound installation artist who has presented work in group shows across the US. Roya interned for the Center for Iranian Diaspora Studies at SFSU for two summers when she was in high school; the Center has had a deep impact on her artwork and her identity as an Iranian-American.Trailer:https://vimeo.com/1002914645

This hour we take a look at the history and evolution of chapters, and discuss how they impact our reading experiences. GUESTS: Nicholas Dames: Professor in the Department of English and Comparative Literature at Columbia University, where he studies the history and theory of the novel. His new book is The Chapter: A Segmented History from Antiquity to the Twenty-First Century. He is also co-editor in chief of Public Books Rebecca Makkai: Author of the Pulitzer Prize and National Book Award Finalist The Great Believers, among other books. Her latest book is I Have Some Questions For You. She is artistic director of StoryStudio Chicago Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Yniga, the main character of Glenn Diaz's novel of the same name, returns to her unnamed fishing town after her urban neighborhood burns down in a fire–what many suspect is retaliation for the capture of a wanted army general near her house. What follows is a story about activist politics, state retaliation and returning home. Yñiga (Ateneo de Manila University Press: 2022) was the winner of the 2024 Philippine National Book Award for the Best Novel in English. It has also been picked up by Titled Axis for international publication. Glenn Diaz's books also include The Quiet Ones (Ateneo de Manila University Press: 2017) which also won the Philippine National Book Award, and When the World Ended I Was Thinking about the Forest (Paper Trail Projects: 2022). His writing has appeared in The New York Times, Rosa Mercedes, Liminal, The Johannesburg Review of Books, and others. He holds a PhD from the University of Adelaide and currently teaches with the Department of English and Comparative Literature at the University of the Philippines Diliman. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Yniga. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others.Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others.Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others.Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place