Podcasts about Comparative literature

Europe – and the rest of the world – is currently undergoing profound change. The (geo)political landscape is shifting, raising questions about what Europe is. During the European Literature Night, we invite six authors from across the continent to reflect on what it means to transform.Europe will have to define its culture, its values and its future, a future that will hopefully be shaped and informed by taking into account as many voices as possible. It is the very reason the network of European national cultural organisations, EUNIC Netherlands, is inviting six authors from across Europe to De Balie in Amsterdam during Europe Day. In their work, these authors explore what transformation means, within literature, within society and within themselves.About the writers:Małgorzata Lebda (Nowy Sącz, Poland, 1985) is well-known as a poet, with six collections to her name. Among other major accolades, she won the prestigious Wisława Szymborska Award in 2022. Voracious, the winner of Empik's Best Newcomer in Poland and shortlisted for the Conrad, and Angelus and NIKE Prize, is her debut novel. Małgorzata Lebda is also a photographer and marathon runner. She is at the European Literature Night at the invitation of Polish Culture NL. Carolina Pihelgas (Talinn, Estonia, 1986) is an Estonian writer, poet, translator, and editor. Her collection of prose poems Valgus kivi sees (The Light within the Stone, 2019) received the Estonian Cultural Endowment Award for the best poetry book of the year. In 2020, she was appointed Tartu's City Writer Laureate. The author of seven collections of poetry published her first novel Vaadates ööd (Watching the Night) in 2022. The short novel The Cut Line is her second work of prose and her first work to be translated into English and published in February 2026. She is at the European Literature Night at the invitation of the Estonian Embassy in the Netherlands. Artem Chapeye (Kolomyia, Ukraine, 1981) is a Ukrainian writer, translator, reporter and traveller. As a translator of Mahatma Gandhi's texts and believer in non-violent political change, he took up arms and now defends Ukraine. He is author of both creative non-fiction and popular fiction. Four of Chapeye's books were shortlisted for the BBC Ukraine Book of the Year Award: Journey with “Mamayota in Search of Ukraine” in 2011, “The Red Zone” (his debut in fiction) in 2014, “Overrun” in 2015, and “The Ukraine” in 2018. He is at the European Literature Night at the invitation of the Ukrainian Embassy. Iulian Bocai (Oltenië, Romania, 1986) studied Comparative Literature at the University of Bucharest. He has a PhD in intellectual history. He has published five books and dabbles both in literature and nonfiction. His first novel, Ciudata și înduioșătoarea viață a lui Priță Barsacu (The Weird and Endearing Life of Priță Barsacu) won multiple national and international awards and came out in a Dutch translation in 2025 by Charlotte van Rooden. Before going into writing, he spent a decade translating mainly novels and children books from English, French and German into Romanian and has seen literature from both sides of the fence, working both as a writer and editor/translator. He likes writing better. He is at the European Literature Night at the invitation of the Romanian Cultural Institute for the Benelux. Amanda Michalopoulou (Athens, Greece, 1966) is the author of eight novels, three short story collections, a theater play and a novella. She has been a contributing editor at Kathimerini in Greece and Tagesspiegel in Berlin. She is a winner of the Revmata Award (1994), the Diavazo Award for her novel Jantes (1996) and the Academy of Athens Prize for her short story collection “Bright Day” (2013). The American translation of her book I'd Like won the International Literature Prize by NEA in the US (2008) and the Liberis Liber Prize of the Independent Catalan Publishers (2012). Her stories and essays have been translated into twenty languages. Her novels Why I killed my best friend and God's Wife, were short-listed for the ALTA National Translation Award in the US. Her short story Mesopotamia was selected for Best European Fiction 2018 (Dalkey Archive). She is at the European Literature Night at the invitation of the Greek Embassy in the Netherlands. Dmitrij Kapitelman (Kiev, Ukraine, 1986) came to Germany with his family at the age of eight as a “contingent refugee”. He studied political science at Leipzig University and graduated from the German School of Journalism in Munich. He works as a freelance journalist. He is at the European Literature Night at the invitation of the Goethe Institute. In collaboration with: EUNIC NetherlandsProgramme editor: Veronica BaasModerator: Viola Karsten and Veronica BaasZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Tales of Health: Illness, Disability, and Citizenship in the Romantic National Tale (Liverpool UP, 2026) is about the way the Romantic National Tale exercises power and defines the boundaries of citizenship through the categories of health, illness, and disability. When we see these categories at work in these novels, we understand how socio-political belonging is premised on the conception of the healthy body, to the exclusion of bodies deemed otherwise. Employing the medical humanities and, especially, the social determinants of health, this book shows that the National Tale achieves its consolidation of the nation through its enforcement of a rigorous politics of health that polices its characters' and citizens' bodies. Focusing on novels from Sydney Owenson, Maria Edgeworth, Germaine de Staël, Walter Scott, and Jane Austen allows this argument to show that the imbricated concerns of health and citizenship extend well beyond the immediate anxiety roused by the implementation of the 1800 Act of Union. This book argues that, by prioritizing the categories of health, illness, and disability, we better understand how power and citizenship function in this widely influential early nineteenth-century genre of Romantic fiction and, thus, how we continue to envision citizenship as an extension of bodily characteristics. Matthew L. Reznicek is Associate Professor of Medical Humanities at the University of Minnesota Medical School, where he uses eighteenth- and nineteenth-century British and Irish literature to explore the impact of social, historical, and cultural factors in the experience of medicine and health. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th- and 21st-century Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Tales of Health: Illness, Disability, and Citizenship in the Romantic National Tale (Liverpool UP, 2026) is about the way the Romantic National Tale exercises power and defines the boundaries of citizenship through the categories of health, illness, and disability. When we see these categories at work in these novels, we understand how socio-political belonging is premised on the conception of the healthy body, to the exclusion of bodies deemed otherwise. Employing the medical humanities and, especially, the social determinants of health, this book shows that the National Tale achieves its consolidation of the nation through its enforcement of a rigorous politics of health that polices its characters' and citizens' bodies. Focusing on novels from Sydney Owenson, Maria Edgeworth, Germaine de Staël, Walter Scott, and Jane Austen allows this argument to show that the imbricated concerns of health and citizenship extend well beyond the immediate anxiety roused by the implementation of the 1800 Act of Union. This book argues that, by prioritizing the categories of health, illness, and disability, we better understand how power and citizenship function in this widely influential early nineteenth-century genre of Romantic fiction and, thus, how we continue to envision citizenship as an extension of bodily characteristics. Matthew L. Reznicek is Associate Professor of Medical Humanities at the University of Minnesota Medical School, where he uses eighteenth- and nineteenth-century British and Irish literature to explore the impact of social, historical, and cultural factors in the experience of medicine and health. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th- and 21st-century Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Tales of Health: Illness, Disability, and Citizenship in the Romantic National Tale (Liverpool UP, 2026) is about the way the Romantic National Tale exercises power and defines the boundaries of citizenship through the categories of health, illness, and disability. When we see these categories at work in these novels, we understand how socio-political belonging is premised on the conception of the healthy body, to the exclusion of bodies deemed otherwise. Employing the medical humanities and, especially, the social determinants of health, this book shows that the National Tale achieves its consolidation of the nation through its enforcement of a rigorous politics of health that polices its characters' and citizens' bodies. Focusing on novels from Sydney Owenson, Maria Edgeworth, Germaine de Staël, Walter Scott, and Jane Austen allows this argument to show that the imbricated concerns of health and citizenship extend well beyond the immediate anxiety roused by the implementation of the 1800 Act of Union. This book argues that, by prioritizing the categories of health, illness, and disability, we better understand how power and citizenship function in this widely influential early nineteenth-century genre of Romantic fiction and, thus, how we continue to envision citizenship as an extension of bodily characteristics. Matthew L. Reznicek is Associate Professor of Medical Humanities at the University of Minnesota Medical School, where he uses eighteenth- and nineteenth-century British and Irish literature to explore the impact of social, historical, and cultural factors in the experience of medicine and health. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th- and 21st-century Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Tales of Health: Illness, Disability, and Citizenship in the Romantic National Tale (Liverpool UP, 2026) is about the way the Romantic National Tale exercises power and defines the boundaries of citizenship through the categories of health, illness, and disability. When we see these categories at work in these novels, we understand how socio-political belonging is premised on the conception of the healthy body, to the exclusion of bodies deemed otherwise. Employing the medical humanities and, especially, the social determinants of health, this book shows that the National Tale achieves its consolidation of the nation through its enforcement of a rigorous politics of health that polices its characters' and citizens' bodies. Focusing on novels from Sydney Owenson, Maria Edgeworth, Germaine de Staël, Walter Scott, and Jane Austen allows this argument to show that the imbricated concerns of health and citizenship extend well beyond the immediate anxiety roused by the implementation of the 1800 Act of Union. This book argues that, by prioritizing the categories of health, illness, and disability, we better understand how power and citizenship function in this widely influential early nineteenth-century genre of Romantic fiction and, thus, how we continue to envision citizenship as an extension of bodily characteristics. Matthew L. Reznicek is Associate Professor of Medical Humanities at the University of Minnesota Medical School, where he uses eighteenth- and nineteenth-century British and Irish literature to explore the impact of social, historical, and cultural factors in the experience of medicine and health. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th- and 21st-century Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Tales of Health: Illness, Disability, and Citizenship in the Romantic National Tale (Liverpool UP, 2026) is about the way the Romantic National Tale exercises power and defines the boundaries of citizenship through the categories of health, illness, and disability. When we see these categories at work in these novels, we understand how socio-political belonging is premised on the conception of the healthy body, to the exclusion of bodies deemed otherwise. Employing the medical humanities and, especially, the social determinants of health, this book shows that the National Tale achieves its consolidation of the nation through its enforcement of a rigorous politics of health that polices its characters' and citizens' bodies. Focusing on novels from Sydney Owenson, Maria Edgeworth, Germaine de Staël, Walter Scott, and Jane Austen allows this argument to show that the imbricated concerns of health and citizenship extend well beyond the immediate anxiety roused by the implementation of the 1800 Act of Union. This book argues that, by prioritizing the categories of health, illness, and disability, we better understand how power and citizenship function in this widely influential early nineteenth-century genre of Romantic fiction and, thus, how we continue to envision citizenship as an extension of bodily characteristics. Matthew L. Reznicek is Associate Professor of Medical Humanities at the University of Minnesota Medical School, where he uses eighteenth- and nineteenth-century British and Irish literature to explore the impact of social, historical, and cultural factors in the experience of medicine and health. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th- and 21st-century Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tales of Health: Illness, Disability, and Citizenship in the Romantic National Tale (Liverpool UP, 2026) is about the way the Romantic National Tale exercises power and defines the boundaries of citizenship through the categories of health, illness, and disability. When we see these categories at work in these novels, we understand how socio-political belonging is premised on the conception of the healthy body, to the exclusion of bodies deemed otherwise. Employing the medical humanities and, especially, the social determinants of health, this book shows that the National Tale achieves its consolidation of the nation through its enforcement of a rigorous politics of health that polices its characters' and citizens' bodies. Focusing on novels from Sydney Owenson, Maria Edgeworth, Germaine de Staël, Walter Scott, and Jane Austen allows this argument to show that the imbricated concerns of health and citizenship extend well beyond the immediate anxiety roused by the implementation of the 1800 Act of Union. This book argues that, by prioritizing the categories of health, illness, and disability, we better understand how power and citizenship function in this widely influential early nineteenth-century genre of Romantic fiction and, thus, how we continue to envision citizenship as an extension of bodily characteristics. Matthew L. Reznicek is Associate Professor of Medical Humanities at the University of Minnesota Medical School, where he uses eighteenth- and nineteenth-century British and Irish literature to explore the impact of social, historical, and cultural factors in the experience of medicine and health. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th- and 21st-century Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tales of Health: Illness, Disability, and Citizenship in the Romantic National Tale (Liverpool UP, 2026) is about the way the Romantic National Tale exercises power and defines the boundaries of citizenship through the categories of health, illness, and disability. When we see these categories at work in these novels, we understand how socio-political belonging is premised on the conception of the healthy body, to the exclusion of bodies deemed otherwise. Employing the medical humanities and, especially, the social determinants of health, this book shows that the National Tale achieves its consolidation of the nation through its enforcement of a rigorous politics of health that polices its characters' and citizens' bodies. Focusing on novels from Sydney Owenson, Maria Edgeworth, Germaine de Staël, Walter Scott, and Jane Austen allows this argument to show that the imbricated concerns of health and citizenship extend well beyond the immediate anxiety roused by the implementation of the 1800 Act of Union. This book argues that, by prioritizing the categories of health, illness, and disability, we better understand how power and citizenship function in this widely influential early nineteenth-century genre of Romantic fiction and, thus, how we continue to envision citizenship as an extension of bodily characteristics. Matthew L. Reznicek is Associate Professor of Medical Humanities at the University of Minnesota Medical School, where he uses eighteenth- and nineteenth-century British and Irish literature to explore the impact of social, historical, and cultural factors in the experience of medicine and health. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th- and 21st-century Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Rehumanizing People of the Past: Bioarchaeology, Medical Museums and Archives, and the Human Remains Trade (SUNY Press, 2026) argues that much of the technical communication used to reference human remains--including reports in bioarchaeology, labels and descriptions in medical museums and archives, and web content in the human remains trade--does not adequately recognize the humanity of the individuals represented by those remains. The book presents "rehumanizing language" as a solution to this dehumanization problem, framing it as advocacy and social justice work in technical communication. Building from concepts and ethical standards in bioarchaeology, medical museums and archives, and the human remains trade along with technical communication and rhetoric of health and medicine (RHM), each chapter presents a framework for developing rehumanizing language in various contexts to better honor, dignify, and respect the people represented by human remains. These frameworks are also applied to several original studies, which explore existing technical communication and the ways it uses rehumanizing language or could be adapted to be more rehumanizing. Overall, this book is a tool for both technical communicators and practitioners in numerous fields, offering practical guidance for emphasizing the humanity of the dead. Kristin LaFollette is Associate Professor of English at the University of Southern Indiana. She is the author of Hematology, a full-length collection of poetry, and coeditor of Queer Approaches: Emotion, Expression, and Communication in the Classroom. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Rehumanizing People of the Past: Bioarchaeology, Medical Museums and Archives, and the Human Remains Trade (SUNY Press, 2026) argues that much of the technical communication used to reference human remains--including reports in bioarchaeology, labels and descriptions in medical museums and archives, and web content in the human remains trade--does not adequately recognize the humanity of the individuals represented by those remains. The book presents "rehumanizing language" as a solution to this dehumanization problem, framing it as advocacy and social justice work in technical communication. Building from concepts and ethical standards in bioarchaeology, medical museums and archives, and the human remains trade along with technical communication and rhetoric of health and medicine (RHM), each chapter presents a framework for developing rehumanizing language in various contexts to better honor, dignify, and respect the people represented by human remains. These frameworks are also applied to several original studies, which explore existing technical communication and the ways it uses rehumanizing language or could be adapted to be more rehumanizing. Overall, this book is a tool for both technical communicators and practitioners in numerous fields, offering practical guidance for emphasizing the humanity of the dead. Kristin LaFollette is Associate Professor of English at the University of Southern Indiana. She is the author of Hematology, a full-length collection of poetry, and coeditor of Queer Approaches: Emotion, Expression, and Communication in the Classroom. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Rehumanizing People of the Past: Bioarchaeology, Medical Museums and Archives, and the Human Remains Trade (SUNY Press, 2026) argues that much of the technical communication used to reference human remains--including reports in bioarchaeology, labels and descriptions in medical museums and archives, and web content in the human remains trade--does not adequately recognize the humanity of the individuals represented by those remains. The book presents "rehumanizing language" as a solution to this dehumanization problem, framing it as advocacy and social justice work in technical communication. Building from concepts and ethical standards in bioarchaeology, medical museums and archives, and the human remains trade along with technical communication and rhetoric of health and medicine (RHM), each chapter presents a framework for developing rehumanizing language in various contexts to better honor, dignify, and respect the people represented by human remains. These frameworks are also applied to several original studies, which explore existing technical communication and the ways it uses rehumanizing language or could be adapted to be more rehumanizing. Overall, this book is a tool for both technical communicators and practitioners in numerous fields, offering practical guidance for emphasizing the humanity of the dead. Kristin LaFollette is Associate Professor of English at the University of Southern Indiana. She is the author of Hematology, a full-length collection of poetry, and coeditor of Queer Approaches: Emotion, Expression, and Communication in the Classroom. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Rehumanizing People of the Past: Bioarchaeology, Medical Museums and Archives, and the Human Remains Trade (SUNY Press, 2026) argues that much of the technical communication used to reference human remains--including reports in bioarchaeology, labels and descriptions in medical museums and archives, and web content in the human remains trade--does not adequately recognize the humanity of the individuals represented by those remains. The book presents "rehumanizing language" as a solution to this dehumanization problem, framing it as advocacy and social justice work in technical communication. Building from concepts and ethical standards in bioarchaeology, medical museums and archives, and the human remains trade along with technical communication and rhetoric of health and medicine (RHM), each chapter presents a framework for developing rehumanizing language in various contexts to better honor, dignify, and respect the people represented by human remains. These frameworks are also applied to several original studies, which explore existing technical communication and the ways it uses rehumanizing language or could be adapted to be more rehumanizing. Overall, this book is a tool for both technical communicators and practitioners in numerous fields, offering practical guidance for emphasizing the humanity of the dead. Kristin LaFollette is Associate Professor of English at the University of Southern Indiana. She is the author of Hematology, a full-length collection of poetry, and coeditor of Queer Approaches: Emotion, Expression, and Communication in the Classroom. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why has gender identity become such a controversial talking point in modern politics?Judith Butler, pioneering gender theorist whose changed the way we think about gender and sexuality, explores the topic of their most recent book, Who's Afraid of Gender? (March 2024). Butler offers a compelling and powerful diagnosis of the anxieties and fears that make up today's wars over gender. In this talk, Butler will explore how, despite 'gender' being the most fraught issue of our times, there is still cause for hope. This timely and timeless intervention continues to imagine new possibilities for freedom and solidarity. Judith Butler is Distinguished Professor in the Graduate School and formerly the Maxine Elliot Chair in the Department of Comparative Literature and the Program of Critical Theory at the University of California, Berkeley. They are most well-known for their ground-breaking book Gender Trouble (1990) and their theory of performativity.Don't hesitate to email us at podcast@iai.tv with your thoughts or questions on the episode!To witness such debates live buy tickets for our upcoming festival: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Work-in-Progress talks with Hessam Abedini, PhD candidate, Comparative Literature and 2025–26 OHC Dissertation Fellow. This project examines how to translate the Persian epic Shahnameh (AD 1010) without imposing Western literary conventions on it. Previous English translations have compared the Persian poet Firdausi to Homer, distorting the epic's unique cosmological framework that blends pre-Islamic Iranian traditions, Islamic theology, and Neoplatonic philosophy. The research proposes translation methods that preserve Iranian concepts like divine glory and cosmic order, allowing readers to encounter this masterwork on its own cultural terms rather than through Western frameworks. 025–26 OHC Dissertation Fellow. This project examines how to translate the Persian epic Shahnameh (AD 1010) without imposing Western literary conventions on it. Previous English translations have compared the Persian poet Firdausi to Homer, distorting the epic's unique cosmological framework that blends pre-Islamic Iranian traditions, Islamic theology, and Neoplatonic philosophy. The research proposes translation methods that preserve Iranian concepts like divine glory and cosmic order, allowing readers to encounter this masterwork on its own cultural terms rather than through Western frameworks.

From Joan of Arc to Kim Kardashian, and Davy Crockett to Donald Trump, celebrity culture has deep and wide roots. Famous people who elicited Kardashian-level feelings of love and hate in the public were present centuries ago — long before screens and social media. Though, as we find out in this podcast, they all share similar qualities. *This episode originally aired on June 30, 2022.Irina Dumitrescu is a writer, co-host of the LRB podcast Encounters with Medieval Women, and a professor of Medieval English at the University of Bonn.Sharon Marcus is author of The Drama of Celebrity and the Orlando Harriman Professor of English and Comparative Literature at Columbia University.

Episode 234: Veterans, Memory and Transnational Networks of Solidarity: Connected Histories of Yugoslavia and Algeria Centering on the exchanges between Yugoslav Partisans and Front de Libération Nationale (FLN) during and after the Algerian war of independence, the lecture explores the role of memory and war legacies in Yugoslav socialist internationalism and anti-colonial solidarity. The lecture focuses on the narratives of the shared struggle for liberation, the sharing of the Yugoslav experiences of the People's Liberation War (1941-1945) and the postwar building of state socialism in Algeria, and transfers of knowledge in war commemoration. The memory of the People's Liberation War – the antifascist struggle and socialist revolution during the Second World War in Yugoslavia – played a connecting role with liberation movements such as the FLN. The war memory surfaced in the Partisans' deep identification with the Algerian liberation struggle, and different spheres of Yugoslav assistance to Algeria were based on the wartime and postwar experiences in Yugoslavia. Medical assistance represents an illuminating example, focusing on the care for the wounded and disabled Algerian soldiers, based on the Yugoslav know-how in the establishment of military medicine and disability care for the Partisans. Finally, veterans' internationalism developed between the two countries in the 1970s, involving exchanges in the field of war remembrance. Jelena Đureinović is a historian of Yugoslavia interested in memory and legacies of war in the 20th and 21st centuries. She is a researcher at the Research Centre for the History of Transformations (RECET) at the University of Vienna. Her current project, funded through the APART-GSK program of the Austrian Academy of Sciences, investigates Yugoslav socialist internationalism and the connected history of antifascism and anticolonialism. It examines the role of war legacies in the relations between the Yugoslav Partisan veterans and liberation movements from Africa, with Algeria in focus. Her main research interests include memory studies, global Cold War history and the history of Yugoslavia. Her book The Politics of Memory of the Second World War in Contemporary Serbia: Collaboration, Resistance and Retribution was published by Routledge in 2020. This episode was recorded on the 02nd of December 2025 at the Centre d'Études Maghrébines en Algérie (CEMA) Prof. Sidi Mohamed Lakhdar Barka, Professor of Comparative Literature from the Department of English at University of Oran 2 moderated the lecture. To see related slides please visit our web site www.themaghribpodcast.com We thank our friend Ignacio Villalón, a doctoral candidate at the University of Crete / Institute for Mediterranean Studies, for his guitar performance for the introduction and conclusion of this podcast. Recorded and edited by  Hayet Yebbous Bensaid, Librarian, Outreach Coordinator, Content Curator (CEMA).

This month on Conversations from the Pointed Firs: Charles Cantalupo, literary critic and historian specializing in indigenous writing and poetry; poet and author of Clooscape the Poet, an interpretation of a Wabanaki folk figure and legendary presence and spirit of “homeland” in along the Atlantic coastlands of New England and the Atlantic Provinces of Canada. Charles is Professor Emeritus of English, Comparative Literature, and African Studies at Penn State; co-author of the Asmara Declaration on African Languages and Literature; critic and translator of African writers from Eritrea; author of a personal memoir, Joining Africa, about his African experience, and author of several published anthologies.

Smadar Ben-Natan is an assistant professor of Global Studies in the Schnitzer School of Global Studies and Languages at the University of Oregon. Originally from Israel, her research focuses on human rights, international law, Palestine/Israel, armed conflict, criminal justice, incarceration, and colonialism. Research Notes: Michael Allan is an Associate Professor of Comparative Literature and program faculty in Cinema Studies, Arabic Studies, Comics and Cartoon Studies, and Middle East and North African Studies. He discusses his new book "Cinema before the World: The Global Routes of the Lumière Brothers" published by Fordham University Press in 2026.

Feng Xiaogang's New Year Films: Industry, Regulation, Humour and Authorship (Routledge, 2025) offers not only an in-depth study of Feng Xiaogang as a cinematic auteur but also a comprehensive and informative discussion of the industrial transformation of mainstream Chinese cinema under party-state regulation from the 1990s to the 2010s. Ai Qi is a lecturer at the School of Journalism and Communication, Shandong Normal University, China. Qi holds a Ph.D. in Film and Television Studies from the University of Nottingham, UK. His current research mainly focuses on Chinese cinema, new media and cultural studies, non-human celebrities in the digital age in particular. Recently, he published an article on Capybara, discussing why this animal species becomes popular online with attention to Chinese Sang culture. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Feng Xiaogang's New Year Films: Industry, Regulation, Humour and Authorship (Routledge, 2025) offers not only an in-depth study of Feng Xiaogang as a cinematic auteur but also a comprehensive and informative discussion of the industrial transformation of mainstream Chinese cinema under party-state regulation from the 1990s to the 2010s. Ai Qi is a lecturer at the School of Journalism and Communication, Shandong Normal University, China. Qi holds a Ph.D. in Film and Television Studies from the University of Nottingham, UK. His current research mainly focuses on Chinese cinema, new media and cultural studies, non-human celebrities in the digital age in particular. Recently, he published an article on Capybara, discussing why this animal species becomes popular online with attention to Chinese Sang culture. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Feng Xiaogang's New Year Films: Industry, Regulation, Humour and Authorship (Routledge, 2025) offers not only an in-depth study of Feng Xiaogang as a cinematic auteur but also a comprehensive and informative discussion of the industrial transformation of mainstream Chinese cinema under party-state regulation from the 1990s to the 2010s. Ai Qi is a lecturer at the School of Journalism and Communication, Shandong Normal University, China. Qi holds a Ph.D. in Film and Television Studies from the University of Nottingham, UK. His current research mainly focuses on Chinese cinema, new media and cultural studies, non-human celebrities in the digital age in particular. Recently, he published an article on Capybara, discussing why this animal species becomes popular online with attention to Chinese Sang culture. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Feng Xiaogang's New Year Films: Industry, Regulation, Humour and Authorship (Routledge, 2025) offers not only an in-depth study of Feng Xiaogang as a cinematic auteur but also a comprehensive and informative discussion of the industrial transformation of mainstream Chinese cinema under party-state regulation from the 1990s to the 2010s. Ai Qi is a lecturer at the School of Journalism and Communication, Shandong Normal University, China. Qi holds a Ph.D. in Film and Television Studies from the University of Nottingham, UK. His current research mainly focuses on Chinese cinema, new media and cultural studies, non-human celebrities in the digital age in particular. Recently, he published an article on Capybara, discussing why this animal species becomes popular online with attention to Chinese Sang culture. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Feng Xiaogang's New Year Films: Industry, Regulation, Humour and Authorship (Routledge, 2025) offers not only an in-depth study of Feng Xiaogang as a cinematic auteur but also a comprehensive and informative discussion of the industrial transformation of mainstream Chinese cinema under party-state regulation from the 1990s to the 2010s. Ai Qi is a lecturer at the School of Journalism and Communication, Shandong Normal University, China. Qi holds a Ph.D. in Film and Television Studies from the University of Nottingham, UK. His current research mainly focuses on Chinese cinema, new media and cultural studies, non-human celebrities in the digital age in particular. Recently, he published an article on Capybara, discussing why this animal species becomes popular online with attention to Chinese Sang culture. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

674. Part 2 of our conversation about prison reform with returning guest Leslie Bary. In this episode, we discuss Leslie Bary's recent article, “From Angola with Love: Activism, Academics, and the Abolitionist Future,” which chronicles her thirty-year journey providing post-conviction relief and solidarity for death row and maximum-security prisoners at the Louisiana State Penitentiary. Leslie examines the intersection of praxis and theory, the limitations of the prison-industrial complex, and the evolving relationship between academic work and abolitionist activism.Leslie Bary is an Assistant Professor of Spanish and Latin American Studies at the University of Louisiana at Lafayette, where she specializes in Latin American literature and cultural theory. A Comparative Literature scholar with a Ph.D. from UC Berkeley, her work often bridges the gap between literary studies and humanitarian support, including recent efforts assisting ICE detainees in Louisiana. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 222 years. Order your copy today! This week in the Louisiana Anthology. Judge Felix Voorhies. Acadian Reminiscences.     In the cold winter days the family assembled in the hall, where a goodly fire blazed on the hearth, and while the wind whistled outside, our grandmother, an exile from Acadia, would relate to us the stirring scenes she had witnessed when her people were driven from their homes by the British, their sufferings during their long pilgrimage overland from Maryland to the wilds of Louisiana, the dangers that beset them on their long journey through endless forests, along the precipitous banks of rivers too deep to be forded.     And as she spoke, we drew closer to her, and grouped around her and stirred not, lest we lose one of her words.     When she spoke of Acadia, her face brightened, her eyes beamed with a strange brilliancy, and she kept us spellbound, so eloquent and yet so sad were her words, and then tears trickled down her aged cheeks and her voice trembled with emotion. This week in Louisiana history. April 17, 1811. Attakapas Parish abolished, became St. Martin & St. Mary. This week in New Orleans history. April 17, 1964: The Ford Mustang made its local debut at New Orleans dealerships, sparking a massive automotive craze across the Gulf South. This week in Louisiana. Visit the Bienvenue Lafayette Exhibition at the Cabildo. 701 Chartres Street (Jackson Square) New Orleans, LA 70130 Hours: Tuesday ' Sunday 9:00 AM to 4:00 PM Website: louisianastatemuseum.org Email: info@louisianastatemuseum.org Phone: (504) 568-6968 April marks the exactly 200th anniversary month of the Marquis de Lafayette's arrival in New Orleans: Historical Commemoration: This special exhibit runs from April 10, 2025, to January 18, 2026, honoring the bicentennial of Lafayette's "triumphant tour" of the United States. The Cabildo Transformation: Learn how city officials spent the equivalent of $450,000 in 1825 to transform the Cabildo into lavish accommodations for the Marquis.  Artifacts of Liberty: The exhibition features unique documents and works of art that explore Lafayette's legacy as a champion of democracy and the abolition of slavery. Postcards from Louisiana. Court of 2 Sisters Brunch Band.  Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Recorded April 14th 2026. Join Trinity's Professor of English, Eve Patten, for a discussion on literary character formation with Professor James Chandler, William B. Ogden Distinguished Service Professor in the Department of English, Department of Cinema and Media Studies at the University of Chicago; Professor Sharon Marcus, Orlando Harriman Professor of English and Comparative Literature at Columbia University; and Professor Claire Connolly, Chair of Modern English at University College Cork. This event is organised by the Trinity Long Room Hub in association with the Society of Fellows and Heyman Center for the Humanities at Columbia University. Learn more at www.tcd.ie/trinitylongroomhub

Steve Dowden is a Professor of German language and literature in the Department of German, Russian, and Asian Languages and Literatures. He graduated in 1984 from the University of California with a Ph.D in German literature. After a decade teaching at Yale and a year as a Humboldt Fellow at the University of Konstanz he joined the Brandeis faculty in 1994. Dowden has published on German literature, art, music, and intellectual history from the eighteenth to the twenty-first century. Bryan Counter completed his PhD in Comparative Literature at SUNY Buffalo and teaches in the English departments at Western New England University and Framingham State University.In this episode we discuss Thomas Bernhard's novels 'Correction' and 'Wittgenstein's Nephew'.--- Become part of the Hermitix community: Hermitix Twitter - ⁠⁠⁠https://twitter.com/Hermitixpodcast⁠⁠⁠ Support Hermitix: Patreon - ⁠⁠⁠https://www.patreon.com/hermitix⁠⁠⁠ Donations: - ⁠⁠⁠https://www.paypal.me/hermitixpod⁠⁠⁠ Hermitix Merchandise - ⁠⁠⁠http://teespring.com/stores/hermitix-2⁠⁠⁠ Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLK Ethereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9B75a00D9E74

673. Part 1 of our conversation about prison reform with returning guest Leslie Bary. In this episode, we discuss Leslie Bary's recent article, “From Angola with Love: Activism, Academics, and the Abolitionist Future,” which chronicles her thirty-year journey providing post-conviction relief and solidarity for death row and maximum-security prisoners at the Louisiana State Penitentiary. Leslie examines the intersection of praxis and theory, the limitations of the prison-industrial complex, and the evolving relationship between academic work and abolitionist activism. Leslie Bary is an Assistant Professor of Spanish and Latin American Studies at the University of Louisiana at Lafayette, where she specializes in Latin American literature and cultural theory. A Comparative Literature scholar with a Ph.D. from UC Berkeley, her work often bridges the gap between literary studies and humanitarian support, including recent efforts assisting ICE detainees in Louisiana. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 222 years. Order your copy today! This week in the Louisiana Anthology. Kevin Cutrer. 'The School Custodian on the Birds and the Bees.' I'd say consult your biology book but textbooks never cover looks exchanged across the lunchroom table: the language is too ' clinical, no boy meets girl, just sperm meets egg. I guess by now you've discovered legs as if they were a phenomenon never before stumbled upon. This doesn't make you Ponce de L'on. You're just a part of the old pattern everyone sees, but no one learns in time to do them any good. This week in Louisiana history. April 10, 1824. French Marquis de Lafayette arrived in New Orleans. This week in New Orleans history. April 10, 1845: The French Opera House opened its doors at the corner of Bourbon and Toulouse Streets, serving as the cultural heart of the city for over 70 years. This week in Louisiana. Books Along the Teche Literary Festival. 102 W. Main Street New Iberia, LA 70560 Hours: Various event times (Friday evening through Sunday) Website: booksalongthetecheliteraryfestival.com Email: info@booksalongtheteche.com Phone: (337) 364-6114 This festival celebrates the literary culture of South Louisiana with a focus on the works of James Lee Burke: Dave Robicheaux's Hometown: Take guided tours of the locations made famous in Burke's mystery novels set in New Iberia and the surrounding bayous. Authors on the Teche: The event features readings and workshops from celebrated regional authors and poets. Cajun Culture): Enjoy live music, local cuisine, and the "Great Southern Writer" symposium held in the historic Sliman Theater. Postcards from Louisiana. Felix's Restaurant and Oyster Bar.            Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

For Episode 85 of STARK REALITY, Host James Dier aka DJ $mall ¢hange rolls out the tattered red carpet to the Great White North aka Canada, and talks to special guest SINA RAHMANI. Sina is the creator and host of The East is a Podcast, a show that focuses a critical lens on the history of the present of the modern Middle East and North Africa, featuring interviews with experts and archival mashups. his twitter: @urorientalist Sina completed his Ph.D. in Comparative Literature at UCLA. He is a translator, scholar, and writer. His work has been published in the PMLA, Iranian Studies, boundary 2, Radical History Review, and Public Books. He does this podcast in his spare time, of which he has plenty. He has never gone fishing. Needless to say, his podcast is really dope and a great source of info on West Asia and what is going on in this terrible world in general, from an anti imperialist perspective. Well worth doing a deep dive, he has a lot of excellent guests and his rants are always on point. He also helps produce a number of other quality leftist podcasts, Red Nation with Nick Estes, Office Hours with Adam Hussian (of Rev Left Radio), and many others. In our discussion we talk about Iran, ofc, the concept of Kayfabe, how Americans are the most propagandized ppl on the planet, media, social media platforms in the West, how podcasting has changed in the 8 years he's been doing his podcast, and more. Sina is the man and was very appreciative of his time and perspective. Go check his interviews and guests at www.eastpodcast.com - you will definitely learn something. Recorded March 31st, 2026. James Dier aka $mall ¢hangewww.djsmallchange.comwww.facebook.com/djsmallchange www.soundcloud.com/smallchange666 T/IG: @djsmallchangeNickel and Dime Radio on WFMUhttp://wfmu.org/playlists/nd For all of Host James Dier aka DJ $mall ¢hange's in-depth interviews and exclusive guest playlists, Subscribe to both STARK REALITY and STARK REALITY PLAYLISTS on Apple Podcasts, Mixcloud or live & direct on uptownradio.net / jasoncharles.net Podcast Network Music Channel's STARK REALITY Series PageSee omnystudio.com/listener for privacy information.

In an era dominated by visual information, what can the sounds of a pandemic reveal about crisis and care? How might attuning to sonic atmospheres uncover new dimensions to states of emergency and their implications for collective life? In Sonic Socialism: Crisis and Care in Pandemic Hanoi (U California Press, 2025), Christina Schwenkel examines the use of sound in COVID-19 response efforts in urban Vietnam. Based on “soundwork” conducted in Hanoi in 2020 during the pandemic's first year, she shows how acoustic technologies played a pivotal yet overlooked role in state efforts to achieve record-low infection rates worldwide. Across lived experiences of quarantine, lockdown, and spatial distancing, Schwenkel explores sound-based interventions to curb virus transmission, and the public's response to these auditory measures. From instant messaging alerts to public health videos and neighborhood loudspeakers, sonic governance sought to transform urban sounds and listening practices to mobilize action, drawing people into networks of care and control. As anthropology stands at a crossroads, Sonic Socialism makes the compelling case for the value of sensory autoethnography in reimagining a more careful and caring ethnographic practice in a post-pandemic world. Christina Schwenkel is Professor of Anthropology and Southeast Asian Studies at the University of California, Riverside. She currently serves on the Editorial Committee of University of California Press and is Vice Chair of the AAS Publications Editorial Board. Her research examines the material legacies of infrastructural warfare in urban Vietnam and the Cold War circulations of people, objects, design technologies, and architectural practices among socialist-allied countries in its wake. She is the author of The American War in Contemporary Vietnam: Transnational Remembrance and Representation (Indiana UP, 2009) and the award-winning Building Socialism: The Afterlife of East German Architecture in Urban Vietnam (Duke UP, 2020), which together explore the material practices through which people remember and rebuild in the aftermath of empire. Her most recent book, a sensory autoethnography entitled Sonic Socialism: Crisis and Care in Pandemic Hanoi (UC Press, 2025), extends her work on urban disaster and decay to encompass media infrastructures and the anthropology of sound. Sonic Socialism is available in open-access format via Luminos. She can be reached via her personal website: https://christinaschwenkel.com. Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard University. Her research focuses on modern Vietnamese literature, socialist realism, and literary translation across French, Vietnamese, Chinese, and English. She can be reached at cpham@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In an era dominated by visual information, what can the sounds of a pandemic reveal about crisis and care? How might attuning to sonic atmospheres uncover new dimensions to states of emergency and their implications for collective life? In Sonic Socialism: Crisis and Care in Pandemic Hanoi (U California Press, 2025), Christina Schwenkel examines the use of sound in COVID-19 response efforts in urban Vietnam. Based on “soundwork” conducted in Hanoi in 2020 during the pandemic's first year, she shows how acoustic technologies played a pivotal yet overlooked role in state efforts to achieve record-low infection rates worldwide. Across lived experiences of quarantine, lockdown, and spatial distancing, Schwenkel explores sound-based interventions to curb virus transmission, and the public's response to these auditory measures. From instant messaging alerts to public health videos and neighborhood loudspeakers, sonic governance sought to transform urban sounds and listening practices to mobilize action, drawing people into networks of care and control. As anthropology stands at a crossroads, Sonic Socialism makes the compelling case for the value of sensory autoethnography in reimagining a more careful and caring ethnographic practice in a post-pandemic world. Christina Schwenkel is Professor of Anthropology and Southeast Asian Studies at the University of California, Riverside. She currently serves on the Editorial Committee of University of California Press and is Vice Chair of the AAS Publications Editorial Board. Her research examines the material legacies of infrastructural warfare in urban Vietnam and the Cold War circulations of people, objects, design technologies, and architectural practices among socialist-allied countries in its wake. She is the author of The American War in Contemporary Vietnam: Transnational Remembrance and Representation (Indiana UP, 2009) and the award-winning Building Socialism: The Afterlife of East German Architecture in Urban Vietnam (Duke UP, 2020), which together explore the material practices through which people remember and rebuild in the aftermath of empire. Her most recent book, a sensory autoethnography entitled Sonic Socialism: Crisis and Care in Pandemic Hanoi (UC Press, 2025), extends her work on urban disaster and decay to encompass media infrastructures and the anthropology of sound. Sonic Socialism is available in open-access format via Luminos. She can be reached via her personal website: https://christinaschwenkel.com. Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard University. Her research focuses on modern Vietnamese literature, socialist realism, and literary translation across French, Vietnamese, Chinese, and English. She can be reached at cpham@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In an era dominated by visual information, what can the sounds of a pandemic reveal about crisis and care? How might attuning to sonic atmospheres uncover new dimensions to states of emergency and their implications for collective life? In Sonic Socialism: Crisis and Care in Pandemic Hanoi (U California Press, 2025), Christina Schwenkel examines the use of sound in COVID-19 response efforts in urban Vietnam. Based on “soundwork” conducted in Hanoi in 2020 during the pandemic's first year, she shows how acoustic technologies played a pivotal yet overlooked role in state efforts to achieve record-low infection rates worldwide. Across lived experiences of quarantine, lockdown, and spatial distancing, Schwenkel explores sound-based interventions to curb virus transmission, and the public's response to these auditory measures. From instant messaging alerts to public health videos and neighborhood loudspeakers, sonic governance sought to transform urban sounds and listening practices to mobilize action, drawing people into networks of care and control. As anthropology stands at a crossroads, Sonic Socialism makes the compelling case for the value of sensory autoethnography in reimagining a more careful and caring ethnographic practice in a post-pandemic world. Christina Schwenkel is Professor of Anthropology and Southeast Asian Studies at the University of California, Riverside. She currently serves on the Editorial Committee of University of California Press and is Vice Chair of the AAS Publications Editorial Board. Her research examines the material legacies of infrastructural warfare in urban Vietnam and the Cold War circulations of people, objects, design technologies, and architectural practices among socialist-allied countries in its wake. She is the author of The American War in Contemporary Vietnam: Transnational Remembrance and Representation (Indiana UP, 2009) and the award-winning Building Socialism: The Afterlife of East German Architecture in Urban Vietnam (Duke UP, 2020), which together explore the material practices through which people remember and rebuild in the aftermath of empire. Her most recent book, a sensory autoethnography entitled Sonic Socialism: Crisis and Care in Pandemic Hanoi (UC Press, 2025), extends her work on urban disaster and decay to encompass media infrastructures and the anthropology of sound. Sonic Socialism is available in open-access format via Luminos. She can be reached via her personal website: https://christinaschwenkel.com. Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard University. Her research focuses on modern Vietnamese literature, socialist realism, and literary translation across French, Vietnamese, Chinese, and English. She can be reached at cpham@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

In an era dominated by visual information, what can the sounds of a pandemic reveal about crisis and care? How might attuning to sonic atmospheres uncover new dimensions to states of emergency and their implications for collective life? In Sonic Socialism: Crisis and Care in Pandemic Hanoi (U California Press, 2025), Christina Schwenkel examines the use of sound in COVID-19 response efforts in urban Vietnam. Based on “soundwork” conducted in Hanoi in 2020 during the pandemic's first year, she shows how acoustic technologies played a pivotal yet overlooked role in state efforts to achieve record-low infection rates worldwide. Across lived experiences of quarantine, lockdown, and spatial distancing, Schwenkel explores sound-based interventions to curb virus transmission, and the public's response to these auditory measures. From instant messaging alerts to public health videos and neighborhood loudspeakers, sonic governance sought to transform urban sounds and listening practices to mobilize action, drawing people into networks of care and control. As anthropology stands at a crossroads, Sonic Socialism makes the compelling case for the value of sensory autoethnography in reimagining a more careful and caring ethnographic practice in a post-pandemic world. Christina Schwenkel is Professor of Anthropology and Southeast Asian Studies at the University of California, Riverside. She currently serves on the Editorial Committee of University of California Press and is Vice Chair of the AAS Publications Editorial Board. Her research examines the material legacies of infrastructural warfare in urban Vietnam and the Cold War circulations of people, objects, design technologies, and architectural practices among socialist-allied countries in its wake. She is the author of The American War in Contemporary Vietnam: Transnational Remembrance and Representation (Indiana UP, 2009) and the award-winning Building Socialism: The Afterlife of East German Architecture in Urban Vietnam (Duke UP, 2020), which together explore the material practices through which people remember and rebuild in the aftermath of empire. Her most recent book, a sensory autoethnography entitled Sonic Socialism: Crisis and Care in Pandemic Hanoi (UC Press, 2025), extends her work on urban disaster and decay to encompass media infrastructures and the anthropology of sound. Sonic Socialism is available in open-access format via Luminos. She can be reached via her personal website: https://christinaschwenkel.com. Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard University. Her research focuses on modern Vietnamese literature, socialist realism, and literary translation across French, Vietnamese, Chinese, and English. She can be reached at cpham@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In an era dominated by visual information, what can the sounds of a pandemic reveal about crisis and care? How might attuning to sonic atmospheres uncover new dimensions to states of emergency and their implications for collective life? In Sonic Socialism: Crisis and Care in Pandemic Hanoi (U California Press, 2025), Christina Schwenkel examines the use of sound in COVID-19 response efforts in urban Vietnam. Based on “soundwork” conducted in Hanoi in 2020 during the pandemic's first year, she shows how acoustic technologies played a pivotal yet overlooked role in state efforts to achieve record-low infection rates worldwide. Across lived experiences of quarantine, lockdown, and spatial distancing, Schwenkel explores sound-based interventions to curb virus transmission, and the public's response to these auditory measures. From instant messaging alerts to public health videos and neighborhood loudspeakers, sonic governance sought to transform urban sounds and listening practices to mobilize action, drawing people into networks of care and control. As anthropology stands at a crossroads, Sonic Socialism makes the compelling case for the value of sensory autoethnography in reimagining a more careful and caring ethnographic practice in a post-pandemic world. Christina Schwenkel is Professor of Anthropology and Southeast Asian Studies at the University of California, Riverside. She currently serves on the Editorial Committee of University of California Press and is Vice Chair of the AAS Publications Editorial Board. Her research examines the material legacies of infrastructural warfare in urban Vietnam and the Cold War circulations of people, objects, design technologies, and architectural practices among socialist-allied countries in its wake. She is the author of The American War in Contemporary Vietnam: Transnational Remembrance and Representation (Indiana UP, 2009) and the award-winning Building Socialism: The Afterlife of East German Architecture in Urban Vietnam (Duke UP, 2020), which together explore the material practices through which people remember and rebuild in the aftermath of empire. Her most recent book, a sensory autoethnography entitled Sonic Socialism: Crisis and Care in Pandemic Hanoi (UC Press, 2025), extends her work on urban disaster and decay to encompass media infrastructures and the anthropology of sound. Sonic Socialism is available in open-access format via Luminos. She can be reached via her personal website: https://christinaschwenkel.com. Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard University. Her research focuses on modern Vietnamese literature, socialist realism, and literary translation across French, Vietnamese, Chinese, and English. She can be reached at cpham@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today it's a special honor to welcome Serhat Tutkal and Hevin Karakurt to Speaking Out of Place. These two scholars engage in a broad discussion of Kurdish history, culture, politics, literature and language, with particular attention to issues of statelessness, identity, and violence. We talk about the current moment with regard to Turkey, Syria, Palestine, and the US-Israel war on Iran and beyond. We use as a starting poet Serhat's remarkable essay, “Note from Non-People,” and then move to a discussion of his work on dehumanization. We end with imagining paths out of cycles of violence and dehumanization, and consider specifically the way we might imagine new sorts of utopias and vistas of life-affirmation.Hevin Karakurt is a PhD candidate in Comparative Literature at Stanford University, where she studies Kurdish literature across languages and territories. In this way, she works on the question of how a literature of a collective that shares neither one nation nor any one language might function. Before coming to Stanford, she worked as a researcher in the Swiss National Science Foundation funded research project “Half-Truths. Truth, Fiction, and Conspiracy in the ‘Post-Factual' Age”, at the University of Basel.Serhat Tutkal is a Kurdish academic. He is a postdoctoral researcher funded by the Secretariat of Science, Humanities, Technology and Innovation (Secihti) in Mexico. He has a PhD from Universidad Nacional de Colombia (Bogotá) with a dissertation on the legitimation and delegitimation of Colombian state violence. He mainly works on violence, racism, and dehumanization in West Asia and Latin America 

Cinema Before the World: The Global Routes of the Lumière Brothers (Fordham UP, 2026) investigates the transnational origins of filmmaking by focusing on a case study in world cinema—the 1896-1897 voyage of one of the Lumière Brothers camera operators, Alexandre Promio, across North Africa and the Middle East. The book shows how the sites in these early films are not simply backdrops, but integral to film form and its global history. Connecting a series of filmic principles (framing, tracking shots, close-ups) to the sites where they are made visible (a rooftop in Algiers, a train station and the Jaffa Gate in Jerusalem), Allan unsettles a familiar narrative of imperial vision. In the interplay of local history and global media, he highlights tensions between ethnography, observation, and visual capture, revealing how the Lumière Brothers films persist as living archives. The book evokes a formative moment when cinema stood before the world—both as a technological marvel and as a medium that shaped how space and time were perceived. Tracing a journey from Algeria to Egypt and Palestine, and moving across media from lithography to photography and panoramas, Allan shows how in the hands of later filmmakers, such as Egyptian director Youssef Chahine and the Syrian collective Abounaddara, the Lumière films continue to enrich and inform visions of what cinema—and the world—can be. Cinema before the World offers a critical historical intervention in the global story of the cinematograph and a visionary method for film scholarship grounded in transnational analysis across languages, regions, and media. Michael Allan is Associate Professor of Comparative Literature and Cinema Studies at the University of Oregon. He is the author of In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton, 2016, winner, MLA First Book Prize) and serves as editor of the journal Comparative Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Cinema Before the World: The Global Routes of the Lumière Brothers (Fordham UP, 2026) investigates the transnational origins of filmmaking by focusing on a case study in world cinema—the 1896-1897 voyage of one of the Lumière Brothers camera operators, Alexandre Promio, across North Africa and the Middle East. The book shows how the sites in these early films are not simply backdrops, but integral to film form and its global history. Connecting a series of filmic principles (framing, tracking shots, close-ups) to the sites where they are made visible (a rooftop in Algiers, a train station and the Jaffa Gate in Jerusalem), Allan unsettles a familiar narrative of imperial vision. In the interplay of local history and global media, he highlights tensions between ethnography, observation, and visual capture, revealing how the Lumière Brothers films persist as living archives. The book evokes a formative moment when cinema stood before the world—both as a technological marvel and as a medium that shaped how space and time were perceived. Tracing a journey from Algeria to Egypt and Palestine, and moving across media from lithography to photography and panoramas, Allan shows how in the hands of later filmmakers, such as Egyptian director Youssef Chahine and the Syrian collective Abounaddara, the Lumière films continue to enrich and inform visions of what cinema—and the world—can be. Cinema before the World offers a critical historical intervention in the global story of the cinematograph and a visionary method for film scholarship grounded in transnational analysis across languages, regions, and media. Michael Allan is Associate Professor of Comparative Literature and Cinema Studies at the University of Oregon. He is the author of In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton, 2016, winner, MLA First Book Prize) and serves as editor of the journal Comparative Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Cinema Before the World: The Global Routes of the Lumière Brothers (Fordham UP, 2026) investigates the transnational origins of filmmaking by focusing on a case study in world cinema—the 1896-1897 voyage of one of the Lumière Brothers camera operators, Alexandre Promio, across North Africa and the Middle East. The book shows how the sites in these early films are not simply backdrops, but integral to film form and its global history. Connecting a series of filmic principles (framing, tracking shots, close-ups) to the sites where they are made visible (a rooftop in Algiers, a train station and the Jaffa Gate in Jerusalem), Allan unsettles a familiar narrative of imperial vision. In the interplay of local history and global media, he highlights tensions between ethnography, observation, and visual capture, revealing how the Lumière Brothers films persist as living archives. The book evokes a formative moment when cinema stood before the world—both as a technological marvel and as a medium that shaped how space and time were perceived. Tracing a journey from Algeria to Egypt and Palestine, and moving across media from lithography to photography and panoramas, Allan shows how in the hands of later filmmakers, such as Egyptian director Youssef Chahine and the Syrian collective Abounaddara, the Lumière films continue to enrich and inform visions of what cinema—and the world—can be. Cinema before the World offers a critical historical intervention in the global story of the cinematograph and a visionary method for film scholarship grounded in transnational analysis across languages, regions, and media. Michael Allan is Associate Professor of Comparative Literature and Cinema Studies at the University of Oregon. He is the author of In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton, 2016, winner, MLA First Book Prize) and serves as editor of the journal Comparative Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Cinema Before the World: The Global Routes of the Lumière Brothers (Fordham UP, 2026) investigates the transnational origins of filmmaking by focusing on a case study in world cinema—the 1896-1897 voyage of one of the Lumière Brothers camera operators, Alexandre Promio, across North Africa and the Middle East. The book shows how the sites in these early films are not simply backdrops, but integral to film form and its global history. Connecting a series of filmic principles (framing, tracking shots, close-ups) to the sites where they are made visible (a rooftop in Algiers, a train station and the Jaffa Gate in Jerusalem), Allan unsettles a familiar narrative of imperial vision. In the interplay of local history and global media, he highlights tensions between ethnography, observation, and visual capture, revealing how the Lumière Brothers films persist as living archives. The book evokes a formative moment when cinema stood before the world—both as a technological marvel and as a medium that shaped how space and time were perceived. Tracing a journey from Algeria to Egypt and Palestine, and moving across media from lithography to photography and panoramas, Allan shows how in the hands of later filmmakers, such as Egyptian director Youssef Chahine and the Syrian collective Abounaddara, the Lumière films continue to enrich and inform visions of what cinema—and the world—can be. Cinema before the World offers a critical historical intervention in the global story of the cinematograph and a visionary method for film scholarship grounded in transnational analysis across languages, regions, and media. Michael Allan is Associate Professor of Comparative Literature and Cinema Studies at the University of Oregon. He is the author of In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton, 2016, winner, MLA First Book Prize) and serves as editor of the journal Comparative Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Cinema Before the World: The Global Routes of the Lumière Brothers (Fordham UP, 2026) investigates the transnational origins of filmmaking by focusing on a case study in world cinema—the 1896-1897 voyage of one of the Lumière Brothers camera operators, Alexandre Promio, across North Africa and the Middle East. The book shows how the sites in these early films are not simply backdrops, but integral to film form and its global history. Connecting a series of filmic principles (framing, tracking shots, close-ups) to the sites where they are made visible (a rooftop in Algiers, a train station and the Jaffa Gate in Jerusalem), Allan unsettles a familiar narrative of imperial vision. In the interplay of local history and global media, he highlights tensions between ethnography, observation, and visual capture, revealing how the Lumière Brothers films persist as living archives. The book evokes a formative moment when cinema stood before the world—both as a technological marvel and as a medium that shaped how space and time were perceived. Tracing a journey from Algeria to Egypt and Palestine, and moving across media from lithography to photography and panoramas, Allan shows how in the hands of later filmmakers, such as Egyptian director Youssef Chahine and the Syrian collective Abounaddara, the Lumière films continue to enrich and inform visions of what cinema—and the world—can be. Cinema before the World offers a critical historical intervention in the global story of the cinematograph and a visionary method for film scholarship grounded in transnational analysis across languages, regions, and media. Michael Allan is Associate Professor of Comparative Literature and Cinema Studies at the University of Oregon. He is the author of In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton, 2016, winner, MLA First Book Prize) and serves as editor of the journal Comparative Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In this episode of the Project Narrative Podcast, Jim Phelan and Maria Mäkelä discuss a short story by Julio Cortázar, “Axolotl,” published in Spanish in 1956. Mäkelä will be reading the English translation by Paul Blackburn, published in  Cortázar’s translated collection End of the Game and Other Stories, published in 1978. Mäkelä is Senior Lecturer in Comparative Literature and Head of the degree program in Literary Studies at the University of Tampere, Finland. Mäkelä’s work in narrative theory has ranged widely across fictional and non-fictional narratives, literary narratives, non-literary narratives, and many other things. With Paul Dawson, Mäkelä co-edited The Routledge Companion to Narrative Theory. Currently, Mäkelä is the Consortium Principal Investigator for a project funded by the Research Council of Finland, Authors of the Story Economy: Narrative and Digital Capital in the 21st Century Literary Field. Mäkelä is also a stalwart member of the International Society for the Study of Narrative, and served as the society’s President in 2019.

In Part 2 of our discussion on Virginia Woolf's A Room of One's Own, editor Dora Zhang returns to discuss the original cover and the design of the Norton Library edition, her first encounter with Woolf's writing during college, and a few of her favorite moments in the text. Dora Zhang is Associate Professor of English and Comparative Literature at the University of California, Berkeley. She is the author of Strange Likeness: Description and the Modernist Novel (University of Chicago Press, 2020), which studies the works of Henry James, Marcel Proust, and, centrally, Virginia Woolf in order to reinvigorate our understanding of the ubiquitous but undertheorized category of novelistic description. Her writing has also appeared in the Los Angeles Review of Books, Public Books, The Chronicle Review, and The Point.To learn more or purchase a copy of the Norton Library edition of A Room of One's Own, go to https://wwnorton.com/books/9780393893991. Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

Sounds of Justice, the fourth series in the Global Campus “To the Righthouse” podcast programme,  explores the deep and often surprising connections between music and human rights. Taking inspiration from The Routledge Companion to Music and Human Rights, it travels across genres, geographies and histories to look at the role of music in advancing empathy, solidarity, identity and resistance to injustice.Aimed at music-makers, change-makers and anyone with an interest in music, social justice and the connections between them, Sounds of Justice is an invitation to listen afresh, to imagine anew and to be moved to action.  The series is hosted by Ignacio Saiz who designed it in collaboration with advisors Angela Impey and Julian Fifer. It brings together leading voices from across the music, social justice and human rights fields, including Manfred Nowak, George Ulrich, Shana Redmond, Rasika Ajotikar, Christina Hazboun, Rachel Harris, Mansoor Adayfi, César Rodríguez-Garavito and Rebecca Dirksen.Music has been central to how people of African descent – in the United States and across the diaspora – have imagined and demanded justice . From Paul Robeson and Nina Simone to the present, this episode listens in on iconic anthems that have carried, shaped and mobilized movements for Black lives.* Shana L. Redmondis a multimodal writer-creator and scholar. She is the author of Anthem: Social Movements and the Sound of Solidarity in the African Diaspora (NYU Press, 2014) and the award-winning Everything Man: The Form and Function of Paul Robeson (Duke UP, 2020). A Guggenheim Fellow and Grammy nominee, she is professor of English and Comparative Literature and Director of the Center for the Study of Ethnicity & Race at Columbia University in the City of New York.

In this episode, Diana Magdy, a gender equality specialist, feminist researcher and oral historian has a conversation with Professor Hoda Elsadda unpacking the politics of archiving, revealing archives as spaces of power and resistance rather than neutral repositories. Diana Magdy is an Atlantic Fellow for Social and Economic Equity and a feminist researcher and gender equality specialist from Cairo, Egypt. She has 12 years of experience in gender and development. As a feminist oral historian, she has worked on documenting the Egyptian feminist movement, producing feminist knowledge in Arabic, and archive building. In this area, she published a paper titled ‘Narrating Gender in Egypt's Public Sphere: The Archive of Women's Oral History'. Professor Hoda Elsadda is a feminist activist, Professor of English and Comparative Literature at Cairo University, and Co-founder of the Women and Memory Forum. She previously held a Chair in the Study of the Contemporary Arab World at Manchester University, and was Co-Director of the Centre for the Advanced Study of the Arab World in the UK. Her research interests are in the areas of gender studies, comparative literature and oral history. She is author of Gender, Nation and the Arabic Novel: Egypt: 1892-2008 (Edinburgh UP and Syracuse UP, 2012); and co-editor of Oral History in Times of Change: Gender, Documentation and the Making of Archives (Cairo Papers, 35:1, 2018). Find out more about Diana's work: https://afsee.atlanticfellows.lse.ac.uk/en-gb/fellows/2023/diana-magdy Find out more about Hoda's work: https://wmf.org.eg/en/member/hoda-elsadda/

We're introducing a brand new sub-series on Book Talk for BookTok: Academia Unlocked. In this ongoing Thursday series, Jac and Amy bring their 13 years of academic training in literature and creative writing to some of the most influential works ever written. From classic literature to modern literary fiction, Academia Unlocked is designed to make challenging books approachable, understandable, and fun to explore. Each book unfolds across a four-episode arc that builds your understanding week by week. We begin with literary literacy — breaking down the story, characters, historical context, and themes so readers can fully understand the text. From there, we move into college-level literary analysis, exploring symbolism, psychology, narrative structure, and deeper meaning. In the third episode, we examine the book's influence across film, television, music, and culture, sometimes bringing in Comparative Literature perspectives to see how stories evolve across different mediums. Finally, the fourth episode opens the conversation to listener interpretations, reader responses, and occasional special guests, because literature becomes richer when readers engage with it. Books we will be covering will include: Wuthering Heights — Emily Brontë Pride and Prejudice — Jane Austen The Color Purple — Alice Walker Twilight — Stephenie Meyer The Joy Luck Club — Amy Tan Their Eyes Were Watching God — Zora Neale Hurston Pachinko — Min Jin Lee Interview with the Vampire — Anne Rice The House on Mango Street — Sandra Cisneros Beloved — Toni Morrison Emma— Jane Austen Whether you've read these books before or are encountering them for the first time, Academia Unlocked will help you understand how literature works , and how to apply those tools to every story you read. New Academia Unlocked episodes release every Thursday, alongside our ongoing literary analysis of romantasy series including A Court of Thorns Silver Flames and more. Share your thoughts for a chance to be featured! Submit them at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠booktalkforbooktok.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for a future mini-episode or exclusive Patreon discussion. Support the Show:  Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/booktalkforbooktok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Etsy Store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Us on Social: Instagram: @BookTalkForBookTok TikTok: @BookTalkForBookTok YouTube: @BookTalkForBookTok Learn more about your ad choices. Visit megaphone.fm/adchoices

In Part 1 of our discussion on Virginia Woolf's A Room of One's Own, we welcome editor Dora Zhang to discuss the author's early life in a literary and artistic household, the enduring nature and distinctive prose of Woolf's works, and the argument of certain necessary material conditions for creating art. Dora Zhang is Associate Professor of English and Comparative Literature at the University of California, Berkeley. She is the author of Strange Likeness: Description and the Modernist Novel (University of Chicago Press, 2020), which studies the works of Henry James, Marcel Proust, and, centrally, Virginia Woolf in order to reinvigorate our understanding of the ubiquitous but undertheorized category of novelistic description. Her writing has also appeared in the Los Angeles Review of Books, Public Books, The Chronicle Review, and The Point.To learn more or purchase a copy of the Norton Library edition of A Room of One's Own, go to https://wwnorton.com/books/9780393893991. Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

What happens when the world tells you you're too much and you start shrinking yourself to survive?Today we meet William Ollayos and we're talking about the queer book that saved his life: Reverie by Ryan La Sala. And Ryan joins us for the conversation!William Ollayos is an educator, advocate, and aspiring writer based in Connecticut. He serves as an Area Coordinator in Wesleyan University's Office of Residential Life, and as a Law & Policy Fellow with Connecticut's Commission on Women, Children, Seniors, Equity & Opportunity, where he administers the statewide LGBTQ+ Justice & Opportunity Network. Bill is also a J.D. candidate at Quinnipiac University School of Law and holds an M.A. in Comparative Literature from UMass Amherst.Ryan La Sala is a bestselling and award-winning author known for his genre-defying, queer-centered horror and fantasy, including The Honeys, which is in development to become a major motion picture, and The Dead of Summer duology. He is also the author of Beholder, Reverie, and Be Dazzled. He has been featured in The New York Times Book Review, Entertainment Weekly, NPR, and more. He writes to you from New York, overseen by his cat, Haunted Little Girl.Connect with William and RyanWilliam's Instagram: @willbruwritesThe Hartford Times: hartfordtimes.com/author/william-ollayos/Ryan's website: ryanlasala.comTiktok: @theryanlasalaThreads: @theryanlasalaOur BookshopVisit our Bookshop for new releases, current bestsellers, banned books, critically acclaimed LGBTQ books, or peruse the books featured on our podcasts: bookshop.org/shop/thisqueerbookBuy your copy of Reverie here: https://bookshop.org/a/82376/9781728255835Become an Associate Producer!Become an Associate Producer of our podcast through a $20/month sponsorship on Patreon! A professionally recognized credit, you can gain access to Associate Producer meetings to help guide our podcast into the future! Get started today: patreon.com/thisqueerbookCreditsHost/Founder: John ParkerExecutive Producer: Jim PoundsAssociate Producers: Archie Arnold, K Jason Bryan and David Rephan, Bob Bush, Natalie Cruz, Troy Ford, Jonathan Fried, Joe Perazzo, Bill Shay, Sean Smith, and Karsten VagnerPatreon Subscribers: Stephen D., Terry D., Stephen Flamm, Ida Göteburg, Thomas Michna, Sofia Nerman, and Gary Nygaard.Creative and Accounting support provided by: Gordy EricksonQuatrefoil LibraryQuatrefoil has created a curated lending library made up of the books featured on our podcast! If you can't buy these books, then borrow them! Link: https://libbyapp.com/library/quatrefoil/curated-1404336/page-1Support the show

How does emotion shape the landscape of public intellectual debate? In Sentimental Republic: Chinese Intellectuals and the Maoist Past (Harvard UP, 2025), Hang Tu proposes emotion as a new critical framework to approach a post-Mao cultural controversy. As it entered a period of market reform, China did not turn away from revolutionary sentiments. Rather, the post-Mao period experienced a surge of emotionally charged debates about red legacies, ranging from the anguished denunciations of Maoist violence to the elegiac remembrances of socialist egalitarianism. Sentimental Republic chronicles forty years (1978–2018) of bitter cultural wars about the Maoist past. It analyzes how the four major intellectual clusters in contemporary China—liberals, the Left, cultural conservatives, and nationalists—debated Mao's revolutionary legacies in light of the postsocialist transition. Should the Chinese condemn revolutionary violence and “bid farewell to socialism”? Or would a return to revolution foster alternative visions of China's future path? Tu probes the nexus of literature, thought, and memory, bringing to light the dynamic moral sentiments and emotional excess at work in these post-Mao ideological contentions. By analyzing how rival intellectual camps stirred up melancholy, guilt, anger, and resentment, Tu argues that the polemics surrounding the country's past cannot be properly understood without reading the emotional trajectories of the post-Mao intelligentsia. Hang Tu is Assistant Professor of Chinese Studies at the National University of Singapore and Deputy Director of the CCKF–NUS Southeast Asia Center for Chinese Studies. A scholar of Chinese literature and thought, his research focuses on the cultural politics of emotion in modern and contemporary China. His work has appeared in Critical Inquiry, The Journal of Asian Studies, Modern Intellectual History, MCLC, and Prism. Camellia (Linh) Pham is a PhD student in Comparative Literature at Harvard University. Her research focuses on modern Vietnamese literature, socialist realism, and literary translation across French, Vietnamese, Chinese, and English. She can be reached at cpham@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi's approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today. Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

This is part oneRachel Zoe hosts a dinner party on The Real Housewives of Beverly Hills, and things get pretty awkward pretty quickly. To watch this recap on video, listen to our bonus episodes, and get ad free listening,, go to Patreon.com/watchwhatcrappens. Find bonus episodes at patreon.com/watchwhatcrappens and follow us on Instagram @watchwhatcrappens @ronniekaram @benmandelker Hosted on Acast. See acast.com/privacy for more information.

This is part 2 of 2Rachel Zoe hosts a dinner party on The Real Housewives of Beverly Hills, and things get pretty awkward pretty quickly. To watch this recap on video, listen to our bonus episodes, and get ad free listening,, go to Patreon.com/watchwhatcrappens. Find bonus episodes at patreon.com/watchwhatcrappens and follow us on Instagram @watchwhatcrappens @ronniekaram @benmandelker Hosted on Acast. See acast.com/privacy for more information.