Podcasts about asian american literature

In Love and War: Collective Memory and the Self is our fifth conversation in a series centering the Warscapes anthology Insurgent Feminisms: Writing War (Daraja Press). Featuring Samina Najmi, Ubah Cristina Ali Farah, Beverly Parayno and Veruska Cantelli.Writing about war is often synonymous with writing about memory. Erasing narratives, stories and collective memory is the explicit agenda and the inevitable outcome of any war. And thus, writers counter, resist and seize back memory and along the way, shape the historical accounts of places and people that have experienced violence and trauma. The discussion explores the task of writers retrieving memories from war but through the double focus on gender and colonial pasts. They ask: what is the role of the imagination in writing against forgetfulness? How does form, style and aesthetics enter into the writing of trauma and violence? Where does imagination take you within the memory frame of your stories? How can imagination be a place to resist annihilation, how can imagination be a tool for liberation?Samina Najmi teaches multiethnic U.S. literatures at California State University, Fresno. A scholar of race, gender, and war in U.S. literature, she has edited or coedited four volumes and authored critical essays on works by Naomi Shihab Nye, Brian Turner, and Nora Okja Keller that consider their engagement with war from a feminist perspective. Her article, “Narrating War: Arab and Muslim American Aesthetics,” appears in the Cambridge History of Asian American Literature (2016). Samina has also published over thirty creative nonfiction essays, which often meld memoir with political commentary. These essays appear in Warscapes, The Margins, Asian American Literary Review, and elsewhere. Her memoir “One Summer in Gaza” was reprinted recently in Doubleback Review, and her essay on Aaron Bushnell's self-immolation is forthcoming in The Markaz Review. Samina spent her childhood in England and grew up in Pakistan.Ubah Cristina Ali Farah was born in Verona to a Somali father and an Italian mother. She grew up in Mogadishu but fled to Europe at the outbreak of the civil war. She is a writer, an oral historian and performer, and a teacher. She has published stories and poems in several anthologies, and in 2006 she won the Lingua Madre National Literary Prize. Her novel Madre piccola (2007) was awarded a Vittorini Prize and has been translated into English as Little Mother (Indiana University Press, 2011). Il Comandante del fiume was published by 66thand2nd in 2014.Beverly Parayno is a second-generation Filipina raised in San Jose, California. She is the author of the short story collection WILDFLOWERS (PAWA Press, 2023), a 2023 Foreword INDIES Finalist and winner of a 2024 IPPY Bronze Medal. Parayno is a graduate of Vermont College of Fine Arts. She serves on the board of the San Francisco-based literary arts nonprofit Philippine American Writers and Artists (PAWA) and the Munster Literature Centre in Cork, Ireland. Parayno lives in Cameron Park, California, where she co-facilitates the Cameron Park Library Writers Workshop.Veruska Cantelli is Associate Professor in the Core Division at Champlain College. Before that, she was an Assistant Professor of Rhetoric and Interdisciplinary Studies at the Center for Global Communication Strategies at the University of Tokyo and also taught Comparative Literature at Queens College, CUNY with a focus on literature of war and women's autobiographies, particularly on non-western narratives of the self. She is the translator of Lettere Rivoluzionarie by Diane di Prima (2021), and the author of "The Dance of Bones: Tomioka Taeko's Stage of Reprobates" in Otherness: Essays and Studies (2021), "The Maternal Lineage: Orality and Language in Natalia Ginzburg's Family Sayings" for the Journal of International Women's Studies (2017) as well as several articles and interviews for Warscapes magazine. She is the...

Mimi Khúc is a PhD, writer, scholar, and teacher of things unwell. She is currently the Co-Editor of The Asian American Literary Review and an adjunct lecturer in Disability Studies at Georgetown University. Her work includes Open in Emergency, a hybrid book-arts project decolonizing Asian American mental health; the Asian American Tarot, a reimagined deck of tarot cards; and the Open in Emergency Initiative, an ongoing national project developing mental health arts programming with universities and community spaces.  Her new creative-critical, genre-bending book on mental health and a pedagogy of unwellness, dear elia: Letters from the Asian American Abyss (Duke University Press, 2024), is a journey into the depths of Asian American unwellness at the intersections of ableism, model minoritization, and the university, and an exploration of new approaches to building collective care. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Mimi Khúc is a PhD, writer, scholar, and teacher of things unwell. She is currently the Co-Editor of The Asian American Literary Review and an adjunct lecturer in Disability Studies at Georgetown University. Her work includes Open in Emergency, a hybrid book-arts project decolonizing Asian American mental health; the Asian American Tarot, a reimagined deck of tarot cards; and the Open in Emergency Initiative, an ongoing national project developing mental health arts programming with universities and community spaces.  Her new creative-critical, genre-bending book on mental health and a pedagogy of unwellness, dear elia: Letters from the Asian American Abyss (Duke University Press, 2024), is a journey into the depths of Asian American unwellness at the intersections of ableism, model minoritization, and the university, and an exploration of new approaches to building collective care. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Mimi Khúc is a PhD, writer, scholar, and teacher of things unwell. She is currently the Co-Editor of The Asian American Literary Review and an adjunct lecturer in Disability Studies at Georgetown University. Her work includes Open in Emergency, a hybrid book-arts project decolonizing Asian American mental health; the Asian American Tarot, a reimagined deck of tarot cards; and the Open in Emergency Initiative, an ongoing national project developing mental health arts programming with universities and community spaces.  Her new creative-critical, genre-bending book on mental health and a pedagogy of unwellness, dear elia: Letters from the Asian American Abyss (Duke University Press, 2024), is a journey into the depths of Asian American unwellness at the intersections of ableism, model minoritization, and the university, and an exploration of new approaches to building collective care. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mimi Khúc is a PhD, writer, scholar, and teacher of things unwell. She is currently the Co-Editor of The Asian American Literary Review and an adjunct lecturer in Disability Studies at Georgetown University. Her work includes Open in Emergency, a hybrid book-arts project decolonizing Asian American mental health; the Asian American Tarot, a reimagined deck of tarot cards; and the Open in Emergency Initiative, an ongoing national project developing mental health arts programming with universities and community spaces.  Her new creative-critical, genre-bending book on mental health and a pedagogy of unwellness, dear elia: Letters from the Asian American Abyss (Duke University Press, 2024), is a journey into the depths of Asian American unwellness at the intersections of ableism, model minoritization, and the university, and an exploration of new approaches to building collective care. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices

Neema Avashia is the daughter of Indian immigrants and was born and raised in southern West Virginia. She has been an educator and activist in the Boston Public Schools since 2003 and was named a City of Boston Educator of the Year in 2013. Her first book, Another Appalachia: Coming Up Queer and Indian in a Mountain Place, was published by West Virginia University Press in March 2022. It has been called “A timely collection that begins to fill the gap in literature focused mainly on the white male experience” by Ms. Magazine, and “A graceful exploration of identity, community, and contradictions,” by Scalawag. The book was named Best LGBTQ Memoir of 2022 by BookRiot, was one of the New York Public Library's Best Books of 2022, and was a finalist for the New England Book Award, the Weatherford Award, and a Lambda Literary Award. Neema lives in Boston with her partner, Laura, and her daughter, Kahani. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Neema Avashia is the daughter of Indian immigrants and was born and raised in southern West Virginia. She has been an educator and activist in the Boston Public Schools since 2003 and was named a City of Boston Educator of the Year in 2013. Her first book, Another Appalachia: Coming Up Queer and Indian in a Mountain Place, was published by West Virginia University Press in March 2022. It has been called “A timely collection that begins to fill the gap in literature focused mainly on the white male experience” by Ms. Magazine, and “A graceful exploration of identity, community, and contradictions,” by Scalawag. The book was named Best LGBTQ Memoir of 2022 by BookRiot, was one of the New York Public Library's Best Books of 2022, and was a finalist for the New England Book Award, the Weatherford Award, and a Lambda Literary Award. Neema lives in Boston with her partner, Laura, and her daughter, Kahani. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Neema Avashia is the daughter of Indian immigrants and was born and raised in southern West Virginia. She has been an educator and activist in the Boston Public Schools since 2003 and was named a City of Boston Educator of the Year in 2013. Her first book, Another Appalachia: Coming Up Queer and Indian in a Mountain Place, was published by West Virginia University Press in March 2022. It has been called “A timely collection that begins to fill the gap in literature focused mainly on the white male experience” by Ms. Magazine, and “A graceful exploration of identity, community, and contradictions,” by Scalawag. The book was named Best LGBTQ Memoir of 2022 by BookRiot, was one of the New York Public Library's Best Books of 2022, and was a finalist for the New England Book Award, the Weatherford Award, and a Lambda Literary Award. Neema lives in Boston with her partner, Laura, and her daughter, Kahani. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Neema Avashia is the daughter of Indian immigrants and was born and raised in southern West Virginia. She has been an educator and activist in the Boston Public Schools since 2003 and was named a City of Boston Educator of the Year in 2013. Her first book, Another Appalachia: Coming Up Queer and Indian in a Mountain Place, was published by West Virginia University Press in March 2022. It has been called “A timely collection that begins to fill the gap in literature focused mainly on the white male experience” by Ms. Magazine, and “A graceful exploration of identity, community, and contradictions,” by Scalawag. The book was named Best LGBTQ Memoir of 2022 by BookRiot, was one of the New York Public Library's Best Books of 2022, and was a finalist for the New England Book Award, the Weatherford Award, and a Lambda Literary Award. Neema lives in Boston with her partner, Laura, and her daughter, Kahani. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Neema Avashia is the daughter of Indian immigrants and was born and raised in southern West Virginia. She has been an educator and activist in the Boston Public Schools since 2003 and was named a City of Boston Educator of the Year in 2013. Her first book, Another Appalachia: Coming Up Queer and Indian in a Mountain Place, was published by West Virginia University Press in March 2022. It has been called “A timely collection that begins to fill the gap in literature focused mainly on the white male experience” by Ms. Magazine, and “A graceful exploration of identity, community, and contradictions,” by Scalawag. The book was named Best LGBTQ Memoir of 2022 by BookRiot, was one of the New York Public Library's Best Books of 2022, and was a finalist for the New England Book Award, the Weatherford Award, and a Lambda Literary Award. Neema lives in Boston with her partner, Laura, and her daughter, Kahani. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Neema Avashia is the daughter of Indian immigrants and was born and raised in southern West Virginia. She has been an educator and activist in the Boston Public Schools since 2003 and was named a City of Boston Educator of the Year in 2013. Her first book, Another Appalachia: Coming Up Queer and Indian in a Mountain Place, was published by West Virginia University Press in March 2022. It has been called “A timely collection that begins to fill the gap in literature focused mainly on the white male experience” by Ms. Magazine, and “A graceful exploration of identity, community, and contradictions,” by Scalawag. The book was named Best LGBTQ Memoir of 2022 by BookRiot, was one of the New York Public Library's Best Books of 2022, and was a finalist for the New England Book Award, the Weatherford Award, and a Lambda Literary Award. Neema lives in Boston with her partner, Laura, and her daughter, Kahani. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

In Adoption Fantasies: The Fetishization of Asian Adoptees from Girlhood to Womanhood (Ohio State UP, 2023), Kimberly D. McKee explores the ways adopted Asian women and girls are situated at a nexus of objectifications—as adoptees and as Asian American women—and how they negotiate competing expectations based on sensationalist and fictional portrayals of adoption found in US popular culture. McKee traces the life cycle of the adopted Asian woman, from the rendering of infant adoptee bodies in the white US imaginary, to Asian American fantasies of adoption, to encounters with the hypersexualization of Asian and Asian American women and girls in US popular culture. Drawing on adoption studies, Asian American studies, critical ethnic studies, gender studies, and cultural studies, McKee analyzes the mechanisms informing adoptees' interactions with consumers of this media—adoptive parents and families and strangers alike—and how those exchanges and that media influence adoptees' negotiations with the world. From Modern Family to Sex and the City to the notoriety surrounding Soon-Yi Previn and Woody Allen, among many other instances, McKee scrutinizes the fetishization and commodification of women and girls adopted from Asia to understand their racialized experiences. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Today I talked to Christopher Patterson about two books: the late Y-Dang Troeung's Landbridge [life in fragments] (Knopf Canada, 2023) and Christopher's own Nimrods: A Fake-Punk Self-Hurt Anti-Memoir (Duke UP, 2023), which was published under the name Kawika Guillermo. In Landbridge, Y-Dang Troeung meditates on her family's refugee history and the genocide that has marked the lives of millions of Cambodians like herself. She writes scathingly about how she and her family became the “faces” of Cambodian refugees in Canada, officially welcomed by then prime minister Pierre Elliot Trudeau, her 11-month old face plastered on newspapers as a sign of Canadian benevolence; her return trips to Phnom Penh with her mother and then with her partner Chris are filled with anguish and guilt but also love and friendship. Interspersed with memories of her childhood growing up in Canada – going out in the middle of the night to collect worms for money, enduring the racist attack of neighbors and schoolmates, staying up with her brothers to watch their beloved Montreal Canadiens – she talks about how her research into and deep knowledge about Cambodia is dismissed in academia. As much as it is a reflection on the past, Landbridge is also a missive to the future, a letter from a dying mother to her beloved child. Y-Dang's voice is powerful and raw, her words filled with joy, regret, anger, and love, sometimes within the space of a few sentences. I started reading this book and found that I could not put it down until I had finished it. Nimrods recounts a very different kind of Asian diasporic experience. Guillermo explores the pain of a childhood and adulthood marked by rigidly Christian dictates espoused by a father who was abusive and alcoholic. The alienation that he feels as a brown-skinned, biracial and bisexual person within his own family is echoed by the racism that he experiences living in the United States. His attempts to flee that past lead to a life of travel outside of the United States. Guillermo challenges the reader with a reading surface in which text and white space are in uneven relation to each other – words or letters fade in or out, the order in which you're supposed to read is unclear, images are interspersed with text – but the difficulty of the text and the difficult emotions that it depicts seemed to me to ultimately be a rumination on the nature of community and forgiveness. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I talked to Christopher Patterson about two books: the late Y-Dang Troeung's Landbridge [life in fragments] (Knopf Canada, 2023) and Christopher's own Nimrods: A Fake-Punk Self-Hurt Anti-Memoir (Duke UP, 2023), which was published under the name Kawika Guillermo. In Landbridge, Y-Dang Troeung meditates on her family's refugee history and the genocide that has marked the lives of millions of Cambodians like herself. She writes scathingly about how she and her family became the “faces” of Cambodian refugees in Canada, officially welcomed by then prime minister Pierre Elliot Trudeau, her 11-month old face plastered on newspapers as a sign of Canadian benevolence; her return trips to Phnom Penh with her mother and then with her partner Chris are filled with anguish and guilt but also love and friendship. Interspersed with memories of her childhood growing up in Canada – going out in the middle of the night to collect worms for money, enduring the racist attack of neighbors and schoolmates, staying up with her brothers to watch their beloved Montreal Canadiens – she talks about how her research into and deep knowledge about Cambodia is dismissed in academia. As much as it is a reflection on the past, Landbridge is also a missive to the future, a letter from a dying mother to her beloved child. Y-Dang's voice is powerful and raw, her words filled with joy, regret, anger, and love, sometimes within the space of a few sentences. I started reading this book and found that I could not put it down until I had finished it. Nimrods recounts a very different kind of Asian diasporic experience. Guillermo explores the pain of a childhood and adulthood marked by rigidly Christian dictates espoused by a father who was abusive and alcoholic. The alienation that he feels as a brown-skinned, biracial and bisexual person within his own family is echoed by the racism that he experiences living in the United States. His attempts to flee that past lead to a life of travel outside of the United States. Guillermo challenges the reader with a reading surface in which text and white space are in uneven relation to each other – words or letters fade in or out, the order in which you're supposed to read is unclear, images are interspersed with text – but the difficulty of the text and the difficult emotions that it depicts seemed to me to ultimately be a rumination on the nature of community and forgiveness. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Today I talked to Christopher Patterson about two books: the late Y-Dang Troeung's Landbridge [life in fragments] (Knopf Canada, 2023) and Christopher's own Nimrods: A Fake-Punk Self-Hurt Anti-Memoir (Duke UP, 2023), which was published under the name Kawika Guillermo. In Landbridge, Y-Dang Troeung meditates on her family's refugee history and the genocide that has marked the lives of millions of Cambodians like herself. She writes scathingly about how she and her family became the “faces” of Cambodian refugees in Canada, officially welcomed by then prime minister Pierre Elliot Trudeau, her 11-month old face plastered on newspapers as a sign of Canadian benevolence; her return trips to Phnom Penh with her mother and then with her partner Chris are filled with anguish and guilt but also love and friendship. Interspersed with memories of her childhood growing up in Canada – going out in the middle of the night to collect worms for money, enduring the racist attack of neighbors and schoolmates, staying up with her brothers to watch their beloved Montreal Canadiens – she talks about how her research into and deep knowledge about Cambodia is dismissed in academia. As much as it is a reflection on the past, Landbridge is also a missive to the future, a letter from a dying mother to her beloved child. Y-Dang's voice is powerful and raw, her words filled with joy, regret, anger, and love, sometimes within the space of a few sentences. I started reading this book and found that I could not put it down until I had finished it. Nimrods recounts a very different kind of Asian diasporic experience. Guillermo explores the pain of a childhood and adulthood marked by rigidly Christian dictates espoused by a father who was abusive and alcoholic. The alienation that he feels as a brown-skinned, biracial and bisexual person within his own family is echoed by the racism that he experiences living in the United States. His attempts to flee that past lead to a life of travel outside of the United States. Guillermo challenges the reader with a reading surface in which text and white space are in uneven relation to each other – words or letters fade in or out, the order in which you're supposed to read is unclear, images are interspersed with text – but the difficulty of the text and the difficult emotions that it depicts seemed to me to ultimately be a rumination on the nature of community and forgiveness. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Today I talked to Christopher Patterson about two books: the late Y-Dang Troeung's Landbridge [life in fragments] (Knopf Canada, 2023) and Christopher's own Nimrods: A Fake-Punk Self-Hurt Anti-Memoir (Duke UP, 2023), which was published under the name Kawika Guillermo. In Landbridge, Y-Dang Troeung meditates on her family's refugee history and the genocide that has marked the lives of millions of Cambodians like herself. She writes scathingly about how she and her family became the “faces” of Cambodian refugees in Canada, officially welcomed by then prime minister Pierre Elliot Trudeau, her 11-month old face plastered on newspapers as a sign of Canadian benevolence; her return trips to Phnom Penh with her mother and then with her partner Chris are filled with anguish and guilt but also love and friendship. Interspersed with memories of her childhood growing up in Canada – going out in the middle of the night to collect worms for money, enduring the racist attack of neighbors and schoolmates, staying up with her brothers to watch their beloved Montreal Canadiens – she talks about how her research into and deep knowledge about Cambodia is dismissed in academia. As much as it is a reflection on the past, Landbridge is also a missive to the future, a letter from a dying mother to her beloved child. Y-Dang's voice is powerful and raw, her words filled with joy, regret, anger, and love, sometimes within the space of a few sentences. I started reading this book and found that I could not put it down until I had finished it. Nimrods recounts a very different kind of Asian diasporic experience. Guillermo explores the pain of a childhood and adulthood marked by rigidly Christian dictates espoused by a father who was abusive and alcoholic. The alienation that he feels as a brown-skinned, biracial and bisexual person within his own family is echoed by the racism that he experiences living in the United States. His attempts to flee that past lead to a life of travel outside of the United States. Guillermo challenges the reader with a reading surface in which text and white space are in uneven relation to each other – words or letters fade in or out, the order in which you're supposed to read is unclear, images are interspersed with text – but the difficulty of the text and the difficult emotions that it depicts seemed to me to ultimately be a rumination on the nature of community and forgiveness. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Today I talked to Christopher Patterson about two books: the late Y-Dang Troeung's Landbridge [life in fragments] (Knopf Canada, 2023) and Christopher's own Nimrods: A Fake-Punk Self-Hurt Anti-Memoir (Duke UP, 2023), which was published under the name Kawika Guillermo. In Landbridge, Y-Dang Troeung meditates on her family's refugee history and the genocide that has marked the lives of millions of Cambodians like herself. She writes scathingly about how she and her family became the “faces” of Cambodian refugees in Canada, officially welcomed by then prime minister Pierre Elliot Trudeau, her 11-month old face plastered on newspapers as a sign of Canadian benevolence; her return trips to Phnom Penh with her mother and then with her partner Chris are filled with anguish and guilt but also love and friendship. Interspersed with memories of her childhood growing up in Canada – going out in the middle of the night to collect worms for money, enduring the racist attack of neighbors and schoolmates, staying up with her brothers to watch their beloved Montreal Canadiens – she talks about how her research into and deep knowledge about Cambodia is dismissed in academia. As much as it is a reflection on the past, Landbridge is also a missive to the future, a letter from a dying mother to her beloved child. Y-Dang's voice is powerful and raw, her words filled with joy, regret, anger, and love, sometimes within the space of a few sentences. I started reading this book and found that I could not put it down until I had finished it. Nimrods recounts a very different kind of Asian diasporic experience. Guillermo explores the pain of a childhood and adulthood marked by rigidly Christian dictates espoused by a father who was abusive and alcoholic. The alienation that he feels as a brown-skinned, biracial and bisexual person within his own family is echoed by the racism that he experiences living in the United States. His attempts to flee that past lead to a life of travel outside of the United States. Guillermo challenges the reader with a reading surface in which text and white space are in uneven relation to each other – words or letters fade in or out, the order in which you're supposed to read is unclear, images are interspersed with text – but the difficulty of the text and the difficult emotions that it depicts seemed to me to ultimately be a rumination on the nature of community and forgiveness. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

There are few grand narratives that loom over Asian Americans more than the “model minority.” While many Asian Americanist scholars and activists aim to disprove the model minority as “myth,” author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms “model minority masochism.” Examining hegemonic masculine Asian American cultural performance across multiple media, from literature and theater to videogames and activist archives, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all. Listen in as we discuss his book Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity (Oxford UP, 2022) Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

There are few grand narratives that loom over Asian Americans more than the “model minority.” While many Asian Americanist scholars and activists aim to disprove the model minority as “myth,” author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms “model minority masochism.” Examining hegemonic masculine Asian American cultural performance across multiple media, from literature and theater to videogames and activist archives, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all. Listen in as we discuss his book Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity (Oxford UP, 2022) Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

There are few grand narratives that loom over Asian Americans more than the “model minority.” While many Asian Americanist scholars and activists aim to disprove the model minority as “myth,” author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms “model minority masochism.” Examining hegemonic masculine Asian American cultural performance across multiple media, from literature and theater to videogames and activist archives, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all. Listen in as we discuss his book Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity (Oxford UP, 2022) Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

There are few grand narratives that loom over Asian Americans more than the “model minority.” While many Asian Americanist scholars and activists aim to disprove the model minority as “myth,” author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms “model minority masochism.” Examining hegemonic masculine Asian American cultural performance across multiple media, from literature and theater to videogames and activist archives, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all. Listen in as we discuss his book Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity (Oxford UP, 2022) Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

There are few grand narratives that loom over Asian Americans more than the “model minority.” While many Asian Americanist scholars and activists aim to disprove the model minority as “myth,” author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms “model minority masochism.” Examining hegemonic masculine Asian American cultural performance across multiple media, from literature and theater to videogames and activist archives, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all. Listen in as we discuss his book Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity (Oxford UP, 2022) Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

There are few grand narratives that loom over Asian Americans more than the “model minority.” While many Asian Americanist scholars and activists aim to disprove the model minority as “myth,” author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms “model minority masochism.” Examining hegemonic masculine Asian American cultural performance across multiple media, from literature and theater to videogames and activist archives, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all. Listen in as we discuss his book Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity (Oxford UP, 2022) Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

There are few grand narratives that loom over Asian Americans more than the “model minority.” While many Asian Americanist scholars and activists aim to disprove the model minority as “myth,” author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms “model minority masochism.” Examining hegemonic masculine Asian American cultural performance across multiple media, from literature and theater to videogames and activist archives, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all. Listen in as we discuss his book Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity (Oxford UP, 2022) Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee.

 This week on Women on the Line we are covering the recent abrupt cancellation of The Asian American Literature Festival in Washington DC on Turtle Island. We spoke with Liminal Founder and Editor, Leah Jing McIntosh as well as writer Hasib Hourani, who are currently over on Turtle Island and who were expected to attend the festival alongside 8 Asian-Australian and Aotearoa-based writers. You can learn more about the campaign to hold the Smithsonian accountable to the Asian-American literature community by following the Asian American Literature Collective on instagram. Checkout their community action toolkit here.

Grace and Alvina revisit the topic of sustained success, talk about their weaknesses, and discuss the recent and abrupt cancellation of the Asian American Literature Festival. See complete show notes at www.bookfriendsforever.com. Click here to become a Patreon member: https://www.patreon.com/Bookfriendsforever1. Educators! Pre-order Chinese Menu for the Carle Museum and receive a FREE virtual classroom visit with Grace to celebrate the Moon Festival on Sept 29th! Not an educator? Want something different? Pre-order Chinese Menu from Porter Square Book and receive an enamel dragon pin (perfect for the upcoming Year of the Dragon)! All info here: https://gracelin.com/news-events/

This August, the Asian American Literary Festival was to take place in Washington, DC.. The event had already garnered substantial investments and expectations from both national and international groups and states. Thus there was considerable shock and outrage when Acting Director Yao-Fen You abruptly cancelled the entire festival, without a word of explanation.The Washington Post and other sources have hinted that it might be because of potentially controversial content.  The Post wrote: "According to emails shared with The Post, You notified Lawrence-Minh Bui Davis, the festival's director since its founding in 2017 and a curator at the Smithsonian that “due to the current political climate,” Smithsonian leadership had requested that all upcoming exhibitions and multiday programs be reviewed under a policy known as Smithsonian Directive 603, which is meant to help identify any potentially sensitive or controversial content and prepare for potential responses from the public."On today's show we speak with Ching-In Chen, a poet who was curating a festival event featuring books by trans and nonbinary writers, and Kate Hao, a program coordinator on contract with the Smithsonian for the festival, about the controversy, and about the issues it raises about art for the community vs. art that must conform to state institutional preferences and politics. We discuss why this festival is absolutely essential for the present day, where we have Asian Americans being used to help dismantle affirmative action, and where we see persistent and deadly acts of anti-Asian violence.We also hear about possible plans to go forward without the Smithsonian, and ways we can help support the artists and organizers.Acting Director You declined to comment for this show.Descended from ocean dwellers, Ching-In Chen is a genderqueer Chinese American writer, community organizer and teacher. They are author of The Heart's Traffic: a novel in poems (Arktoi Books/Red Hen Press, 2009) and recombinant (Kelsey Street Press, 2018 Lambda Literary Award for Transgender Poetry) as well as chapbooks to make black paper sing (speCt! Books) and Kundiman for Kin :: Information Retrieval for Monsters (Portable Press at Yo-Yo Labs, Leslie Scalapino Finalist). Chen is co-editor of The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities (South End Press, 1st edition; AK Press, 2nd edition) and currently a core member of the Massage Parlor Outreach Project as well as a Kelsey Street Press collective member. They have received fellowships from Kundiman, Lambda, Watering Hole, Can Serrat, Imagining America, Jack Straw Cultural Center and the Intercultural Leadership Institute as well as the Judith A. Markowitz Award for Exceptional New LGBTQ Writers. They are currently collaborating with Cassie Mira and others on Breathing in a Time of Disaster, a performance, installation and speculative writing project exploring breath through meditation, health and environmental justice. They teach in the School of Interdisciplinary Arts and Sciences and the MFA program in Creative Writing and Poetics at University of Washington Bothell and serve as Writer in Residence at Hugo House. www.chinginchen.comKate Hao is a poet and fiction writer, a cultural worker, a shy Leo, an ex-pianist, a soup enthusiast, an aspiring morning person. She grew up in the suburbs of northern Virginia and currently calls Providence, Rhode Island home.

On Today's Show" Creating something is not just for people to view, but it's for the creator. It's that idea that when you create, it puts you more in touch with your humanity and that being in touch with your humanity is what you are giving through your artwork. " - Grace Lin For Grace Lin, the value in literature comes from its ability to allow you to understand other humans and get in touch with your own humanity. But this value isn't just from reading. As a writer, she recognizes the change that the artist goes through in the process of creating. In her own experience, the process of writing has allowed her to understand and feel comfortable with her Asian-American identity, which in turn has helped her in making content for other young Asian-Americans who are struggling in the same ways she used to.It's these experiences and understandings that have contributed to her passion for keeping humanity in writing and fighting for that access. That's why she has so eloquently spoken about the importance of reading other perspectives despite potential initial discomfort in her apt metaphor of putting on a new pair of glasses. In this episode, she'll take us through all of that and more.ContentsChapter 1 - ThE LeEtal hOuSe (2:29)Chapter 2 - Bees for Betsy, but not for Grace (3:50)Chapter 3 - For those to come (5:24)Chapter 4 - The Search for Delicious (7:22)Chapter 5 - The thousand-dollar dandelion (11:24)Chapter 6 - New Glasses (16:17)Chapter 7 - The art of effort (22:55)Chapter 8 - Chinese Menu (29:20)Chapter 9 - New Faces, Familiar Places (33:00)Chapter 10 - Beanstack Featured Librarian (34:38)This episode's Beanstack featured librarian is Jenny Lee Ryan, the Program Coordinator for Farmington Public Library in New Mexico. Listen to the end to hear some of her best tips for getting readers engaged in their programming. Links https://gracelin.com/ https://thereadingculturepod.com/grace-lin https://www.fmtn.org/192/Library https://beanstack.com

Poetry is Closer to Truth than History. The host for this show is Chang Wang. The guest is Bryan Thao Worra. Bryan Thao Worra is an award-winning Lao American poet, who serves on the Council on Asian Pacific Minnesotans. He holds over 20 literary, academic, and professional awards. Worra was selected as the Lao delegate to serve as a Cultural Olympian during the 2012 London Summer Games. His writing is cited in over 9 international textbooks including the Princeton Encyclopedia of Poetry and Poetics and the Historical Dictionary of Asian American Literature and Theater. He recently presented at the Library of Congress on Lao American literature. The author of 8 books, his work appears in 100+ publications globally including Australia, Canada, England, Scotland, Germany, France, Singapore, Hong Kong, Korea, Chile, and Pakistan. His writing has been translated into 10 different languages. In this episode of 'A Nation of Immigrants,' Bryan Thao Worra shares his life stories, his poetry, his advocacy on behalf of refugees, and his reflections on cultural identity and arts. The ThinkTech YouTube Playlist for this show is https://www.youtube.com/playlist?list=PLQpkwcNJny6m0sDYgbpbsi65EHVp8ynG8 Please visit our ThinkTech website at https://thinktechhawaii.com and see our Think Tech Advisories at https://thinktechadvisories.blogspot.com.

An interview with Min Song, professor of English at Boston College University. The interview focuses on Professor Song's most recent book, Climate Lyricism.

In 2007, Azia Kim pretended to be a Stanford freshman and even lived in the school's dormitory for several months. In 2010, Jennifer Pan hired a hitman to kill her parents after they found out she had been deceiving them about her educational successes. Why would someone make such an illogical choice? And how do they stage such convincing lies for so long? erin Khuê Ninh considered what drives people to such extreme lengths in her book, Passing for Perfect: College Impostors and Other Model Minorities. While situations like faking college acceptance or murdering one's parents are outlier examples, they reveal the cost of the extreme pressure to achieve excellence. Ninh insisted that being a “model minority” is not a myth; it's a set of convictions and aspirations woven into identities, particularly those of certain groups of Asian Americans, from an early age. But turning children into high-achieving professionals can come at a high price: What happens when failure becomes too difficult to admit? erin Khuê Ninh is an Associate Professor of Asian American Studies at the University of California, Santa Barbara. She is the author of Ingratitude: The Debt-Bound Daughter in Asian American Literature, which won the Literary Studies Book Award from the Association for Asian American Studies in 2013. Takeo Rivera is Assistant Professor of English at Boston University, where he is also core faculty in Women's, Gender, and Sexuality Studies and affiliated faculty in African American Studies and the Center for Antiracist Research. His book Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity is forthcoming from Oxford University Press in early 2022. He is also a Stanford alumnus who served as a resident assistant from 2006-2008. Buy the Book: Passing for Perfect: College Impostors and Other Model Minorities from Temple University Press Presented by Town Hall Seattle. To become a member or make a donation click here. 

In 2020, Denise Cruz, Professor of English and Comparative Literature at Columbia, worked with the CTL through a Provost's Innovative Course Design Grant to transform her large lecture course in Asian American Literature into a blended format. Today, we speak with Denise about the profound impact the new course format has had on student engagement, motivation, and collaboration in her class, and the dead ideas in teaching that she confronted as she designed and taught it. Spoiler alert: the redesign was so successful that Dr. Cruz was awarded both the Presidential Teaching Award and Mark Van Doren Teaching Award. Transcript available at ctl.columbia.edu/podcastResourcesDenise Cruz presents her course redesign project at Columbia's 2021 Celebration of Teaching and Learning Symposium: https://youtu.be/_QA9FdiYNfE

We're chatting with Sheela Lal and Fatema Haque about the Unerased Book Club, building community through Asian American Literature. The Book Club was founded by Sheela in Ann Arbor in 2018--but she currently resides in Ferndale. Fatema joined as a co-facilitator and that forged a partnership with the non-profit organization Rising Voices of Asian American Families. More info at: https://www.unerasedbookclub.com/ And follow: www.instagram.com/unerasedbc  Their next book is Bright Lines by Tanwi Nandini Islam Music by Zunsette. 

Watch On-Demand Video   Watch On-Demand Video Throughout their history, Asians in America have faced massive racial discrimination from indentured servitude to exclusion laws through internment during World War II. Asian Americans continue to face ongoing discrimination in myriad ways. The Atlanta spa murders, while a grotesque manifestation of this history, is sadly not an isolated event. Join Michael Zeldin in his conversation with Jennifer Ho, President of the Association for Asian American Studies, Director of the Center for Humanities & the Arts and Professor of Ethnic Studies at the University of Colorado, Boulder in a discussion of what it means to be an Asian American and especially an Asian American woman. Guest Jennifer Ho Professor, Ethnic Studies Director, Center for Humanities & the Arts University of Colorado Boulder President, Association for Asian American Studies The daughter of a refugee father from China and an immigrant mother from Jamaica, Jennifer Ho is a professor in the department of Ethnic Studies and the director of the Center for Humanities and the Arts (CHA) at the University of Colorado Boulder. Ho received her BA in English from the University of California, Santa Barbara (1992) and her PhD in English from Boston University (2003) and had a faculty appointment at the University of North Carolina at Chapel Hill from 2004-2019, where she taught courses in Asian American literature, contemporary multiethnic American literature, critical race studies, and intersectionality. Ho is the author of three books: Consumption and Identity in Asian American Coming-of-Age Novels (Routledge Press, 2005), Racial Ambiguity in Asian American Culture (Rutgers University Press, 2015), which won the 2016 South Atlantic Modern Languages Association award for best monograph, and Understanding Gish Jen (University of South Carolina Press, 2015). She is co-editor of a collection of essays on race and narratology, Race, Ethnicity, and Narrative in the United States (OSU Press, 2017) and a series of teaching essays on Asian American literature, Teaching Approaches to Asian American Literature (forthcoming MLA). She has published in journals such as Modern Fiction Studies, Journal for Asian American Studies, Amerasia Journal, The Global South and has also presented at conferences such as the International Society for the Study of Narrative, American Studies Association, Modern Language Association, American Literature Association, and the Association of Asian American Studies, where she has just been elected as the incoming President, effective April 2020. Two of her current book projects are a breast cancer memoir and a family autobiography that will consider Asian Americans in the global south through the narrative of her maternal family's immigration from Hong Kong to Jamaica to North America. In addition to her academic work, Ho is active in community engagement around issues of race and intersectionality, leading workshops on anti-racism and how to talk about race in our current political climate. Books Narrative, Race, and Ethnicity in the United States. Edited along with James Donahue (SUNY Potsdam) & Shaun Morgan (Tennessee Wesleyan College). Columbus: The Ohio State University Press, 2017. Understanding Gish Jen. Columbia, SC: The University of South Carolina Press, 2015. Racial Ambiguity in Asian American Culture. New Jersey: Rutgers University Press, 2015. Consumption and Identity in Asian American Coming-of-Age Novels. New York: Routledge Press, 2005.   Host Michael Zeldin Michael Zeldin is a well-known and highly-regarded TV and radio analyst/commentator. He has covered many high-profile matters, including the Clinton impeachment proceedings, the Gore v. Bush court challenges, Special Counsel Robert Muller's investigation of interference in the 2016 presidential election, and the Trump impeachment proceedings.  In 2019,

Watch On-Demand Video   Watch On-Demand Video Throughout their history, Asians in America have faced massive racial discrimination from indentured servitude to exclusion laws through internment during World War II. Asian Americans continue to face ongoing discrimination in myriad ways. The Atlanta spa murders, while a grotesque manifestation of this history, is sadly not an isolated event. Join Michael Zeldin in his conversation with Jennifer Ho, President of the Association for Asian American Studies, Director of the Center for Humanities & the Arts and Professor of Ethnic Studies at the University of Colorado, Boulder in a discussion of what it means to be an Asian American and especially an Asian American woman. Guest Jennifer Ho Professor, Ethnic Studies Director, Center for Humanities & the Arts University of Colorado Boulder President, Association for Asian American Studies The daughter of a refugee father from China and an immigrant mother from Jamaica, Jennifer Ho is a professor in the department of Ethnic Studies and the director of the Center for Humanities and the Arts (CHA) at the University of Colorado Boulder. Ho received her BA in English from the University of California, Santa Barbara (1992) and her PhD in English from Boston University (2003) and had a faculty appointment at the University of North Carolina at Chapel Hill from 2004-2019, where she taught courses in Asian American literature, contemporary multiethnic American literature, critical race studies, and intersectionality. Ho is the author of three books: Consumption and Identity in Asian American Coming-of-Age Novels (Routledge Press, 2005), Racial Ambiguity in Asian American Culture (Rutgers University Press, 2015), which won the 2016 South Atlantic Modern Languages Association award for best monograph, and Understanding Gish Jen (University of South Carolina Press, 2015). She is co-editor of a collection of essays on race and narratology, Race, Ethnicity, and Narrative in the United States (OSU Press, 2017) and a series of teaching essays on Asian American literature, Teaching Approaches to Asian American Literature (forthcoming MLA). She has published in journals such as Modern Fiction Studies, Journal for Asian American Studies, Amerasia Journal, The Global South and has also presented at conferences such as the International Society for the Study of Narrative, American Studies Association, Modern Language Association, American Literature Association, and the Association of Asian American Studies, where she has just been elected as the incoming President, effective April 2020. Two of her current book projects are a breast cancer memoir and a family autobiography that will consider Asian Americans in the global south through the narrative of her maternal family's immigration from Hong Kong to Jamaica to North America. In addition to her academic work, Ho is active in community engagement around issues of race and intersectionality, leading workshops on anti-racism and how to talk about race in our current political climate. Books Narrative, Race, and Ethnicity in the United States. Edited along with James Donahue (SUNY Potsdam) & Shaun Morgan (Tennessee Wesleyan College). Columbus: The Ohio State University Press, 2017. Understanding Gish Jen. Columbia, SC: The University of South Carolina Press, 2015. Racial Ambiguity in Asian American Culture. New Jersey: Rutgers University Press, 2015. Consumption and Identity in Asian American Coming-of-Age Novels. New York: Routledge Press, 2005.   Host Michael Zeldin Michael Zeldin is a well-known and highly-regarded TV and radio analyst/commentator. He has covered many high-profile matters, including the Clinton impeachment proceedings, the Gore v. Bush court challenges, Special Counsel Robert Muller's investigation of interference in the 2016 presidential election, and the Trump impeachment proceedings.  In 2019, Michael was a Resident Fellow at the Institute of Politics at the Harvard Kennedy School, where he taught a study group on Independent Investigations of Presidents. Previously, Michael was a federal prosecutor with the U.S. Department of Justice. He also served as Deputy Independent/ Independent Counsel, investigating allegations of tampering with presidential candidate Bill Clinton's passport files, and as Deputy Chief Counsel to the U.S. House of Representatives, Foreign Affairs Committee, October Surprise Task Force, investigating the handling of the American hostage situation in Iran. Michael is a prolific writer and has published Op-ed pieces for CNN.com, The Wall Street Journal, The New York Times, The Hill, The Washington Times, and The Washington Post.

What's in this episode:Dr Stephanie Han was my writing teacher in Hong Kong and today I ask her to take us through her journey to writing, which was being a kid who didn't fit in and wanted to figure out where she belonged in the world.She was the inaugural PhD student at The University of Hong Kong, researching Asian American Literature.Stephanie Han has lived in many cities and countries, and I ask her what influence that has had on her writing. The biggest lesson was learning to look at different people and situations with a fresh perspective, and forced her to look at how she fit into her environment.Stephanie reminds me of what deep reading/close reading is, and why it's an integral part of the writer's learning. That's what helps us refine our own work in the editing phase.An experienced teacher and mentor, Stephanie Han talks us through some common mistakes she sees new writers make, and how to work past them.Stephanie tells me about her Warrior Women Writers website, explaining why she chose that title and what a warrior woman writer is for her. It's taken from the title of Asian American writer's book called The Woman Warrior.For her these writers are women who put their voice out there, take a risk in being seen and won't be silenced. It's an opportunity to for women to author their own lives.Stephanie now teaches Asian American literature because it's not something that's offered in many colleges. It was a gap she was asked to fill by Asian American students who were looking to learn more about the the history of their stories.In our conversation she talks about why set up the class, as well as her class on intersectionality.We move on to discuss how getting published does not mean you are a writer. Writing means you are a writer."I'm a professional rejection" says award-winning author Stephanie Han. Stephanie has powerful words to share around publication and validation. This alone is worth listening to!We finish our conversation with Stephanie telling me about a book she's writing to help women write their divorce story. This can potentially be used in court, or simply as a therapeutic exercise.She is also writing a new book of poetry and prose.Links mentioned in the episode:The Woman Warrior, Maxine Hung KingstonEmpowering Women Through Narrative | drstephaniehanStephanie Han - Author. Educator. Woman Warrior.Stephanie Han (@drstephaniehan) • Instagram photos and videosAssociated blog post:https://emmadhesi.com/stephanie-han/Support the show (https://www.patreon.com/emmadhesi)

What does it mean to embrace a love ethic? To use it to heal from collective histories of betrayal? Jaimie and Sunny explore the cycles of pain and shame that inform both American history and their individual personal identities. They discuss the wisdom of Black feminist sage bell hooks and how those cycles might be broken.  In this episode, we reference the following texts and spiritual leaders:All About Love by bell hooksThe Cultural Politics of Emotion by Sara AhmedIngratitude: The Debt-Bound Daughter in Asian American Literature by erin Khuê NinhBetrayal and Other Acts of Subversion by Leslie Bow

Mandarin Chinese teacher Wileen Hsing and host Evelyn Lauer discuss what participation means digitally, why some meetings should be held on zoom forever, and how fanny packs -- both literally and metaphorically -- are the pandemic trend. Hsing has been a public high school teacher for more than 20 years. Initially, she taught ELL and English, but for the last twelve years, she's been teaching Mandarin Chinese in the World Language department. Through these two decades, Hsing has been Chinese Club sponsor, a union rep, a cooperating teacher, a mentor teacher, Steward for Evaluations and PD, and teacher rep for her district's Peer Assistance and Review panel. She has also hosted two exchange programs to China and has written proposals for her district's Asian American Studies and Asian American Literature courses. When not teaching, she is a handwriting artist for a card company called Punkpost, where she is the Midwest regional leader. You can connect with Hsing on Twitter and Instagram at @madebytofu.Follow your host, Evelyn Lauer @evelynalauer on Twitter & Instagram.

Nina Li Coomes is a writer based in Chicago. Nina grew up in Japan and I grew up in China, so we talk about our experiences immigrating to the U.S. and growing up in the U.S.. We also talk about her writing, language barriers in activism, talking to Asian parents about politics, public school education, patriotism, citizenship, national borders, books recs from Asian American authors, and how hot Gong Li is! (2:30) - Nina introduces herself and her writing.(5:00) - Nina's newest essay on Chicago public schools.(12:00) - Immigrating to the U.S. from Japan, living as a mixed race child in the U.S. and Japan.(18:00) - The importance of translation and reducing language barriers in activism.(20:00) - Having political conversations with Asian parents (23:00) - Patriotism, Imagined Communities(27:00) - How is citizenship awarded, when is it taken away, how do you prove you're a citizen? Chinese citizenship. (30:00) - Regional dialects. (32:00) - Nina's book recs by Asian American authors!(34:15) - Asian American representation in literature and film. Amy Tan, Crazy Rich Asians, The Half of It, Mulan. Contact Nancy at:interpellasian@gmail.comWebsitePOC Podcast has an Instagram now! And a Twitter! Nina:TwitterInstagramOde to a Chicago Public SchoolBook recs: If I Had Your Face by Frances ChaHow Much of These Hills is Gold by C Pan ZhangMinor Feelings by Cathy Park HongHarmless Like You by Rowan Hisayo BuchananStarling Days by Rowan Hisayo BuchananWelcome to Progressive Opinions of Color (POC), a podcast that seeks to create space for more people of color in politics and economics. With the 2020 presidential election coming up and the state of the economy during COVID-19, it is more important than ever to think about who we include in the conversations about politics and economics. I am Nancy Wu, your host. I’m also an Asian American woman, an economist, and a huge politics and policy nerd. I triple majored in Economics, Government (Political Science) and Gender Studies at Dartmouth and have a Master’s in Development Economics from Oxford. I work as an Economist full time and have previously worked in economic policy at the White House (under Obama, of course) and progressive think tanks. The goal of this podcast is to engage the Asian American community and other POC and BIPOC voices in an industry that is so heavily represented by old white men. The POC Podcast will host conversations on the 2020 Presidential Election, Joe Biden, Kamala Harris, the coronavirus pandemic, the state of the economy, and other pressing topics in politics, economics, and culture, all through perspectives inclusive of the lived experiences of people of color. Whether you're new to politics or already a huge politics nerd, I hope this podcast inspires community and conversation among us. Join me in reimagining politics and economics with underrepresented voices. The economy is complicated enough. Learn about it through stories from real people.

On February 25, 2020, the Lannan Center presented a reading and talk featuring poets John Murillo and Tina Chang. Introduction by Patricia Guzman.John Murillo is the author of the poetry collections Up Jump the Boogie (2010), which was a finalist for both the Kate Tufts Discovery Award and the PEN Open Book Award, and Kontemporary Amerikan Poetry, forthcoming from Four Way Books in 2020. His work has appeared in Callaloo, Court Green, Ninth Letter, and Ploughshares, and is forthcoming in Angles of Ascent: A Norton Anthology of African-American Poetry. A graduate of New York University’s MFA program in creative writing, he is an assistant professor of English at Wesleyan University and teaches in the low-residency MFA program at Sierra Nevada College.Tina Chang is the author of the poetry collections Hybrida (2019), Of Gods & Strangers (2011), and Half-Lit Houses (2004). She is co-editor of the anthology Language for a New Century: Contemporary Poetry from the Middle East, Asia and Beyond (2008). Her poems have appeared in American Poet, McSweeney’s, Ploughshares, and The New York Times and anthologized in Identity Lessons, Poetry Nation, Asian American Literature, and Asian American Poetry: The Next Generation, among others. She has received awards from the Academy of American Poets, the Barbara Deming Memorial Fund, the Ludwig Vogelstein Foundation, the New York Foundation for the Arts, Poets & Writers, and the Van Lier Foundation. Chang is the Poet Laureate of Brooklyn, the first woman named to this position, and she currently teaches poetry at Sarah Lawrence College.Music: Quantum Jazz — "Orbiting A Distant Planet" — Provided by Jamendo.

This is a wonderful book edited by Crystal Parikh and Daniel Y Kim

Live from the Asian American Literature Festival, it’s VS! Danez and Franny talk with Cathy Linh Che, Joseph Legaspi, and Sarah Gambito about the remarkable work they’ve done building and maintaining Kundiman. Plus we hear some beautiful poems by all three guests, and some truly excellent shade is thrown.  NOTE: Make sure you rate us on Apple Podcasts and write us a review!

On today's show:The Committee to Protect Journalists' Joel Simon talks about his book on whether governments should pay ransom when their... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

In this episode we discuss To All The Boys I Loved Before by Jenny Han with Catherine and Marguerite—who have both done scholarly work and taught classes on Asian American Literature. Thank you both again for joining us and helping demonstrate how worthy teen literature is of scholarly discussion. Our conversation here is wide ranging, fruitful, and—frankly—a little long. So, to make it digestible and also not deprive anyone of the full conversation, we'll be releasing it as two episodes. Here is part one; look for part two in two weeks.

It's a new year of Asian American Literature! On this episode, Books & Boba highlights and discusses the latest news in Asian American literature for January 2018 including new releases, publishing deals, and newsworthy stories. For additional thoughts and discussion on the monthly pick, visit the Books & Boba Goodreads group. Don't forget! The Books & Boba January 2018 pick is Pachinko by Min Jin Lee Follow the hosts: Reera Yoo (@reeraboo) Marvin Yueh (@marvinyueh) Follow the Book Club: Facebook Twitter Goodreads Group This podcast is part of Potluck: An Asian American Podcast Collective

Nov. 12, 2015. Writer Viet Thanh Nguyen read from his new novel, "The Sympathizer," and participated in a moderated discussion with Mimi Khùc of the University of Maryland. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=7130

May 4, 2015. A panel discussion among writers Ocean Vuong, Cathy Linh Che and Eugenia Leigh on the state of Asian-American literature. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6807

Oct. 30, 2014. MacArthur Genius Fellow Yiyun Li reads from her work and discusses the state of Asian-American literature. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6625

May 21, 2014. Bangladeshi-American poet Tarfia Faizullah read from and discussed her first collection of poetry, "Seam," which explores the history of the Birangona, Bangladeshi women raped by Pakistani soldiers during the Liberation War of 1971, and the ethics of interviewing. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6522

Erin Khue Ninh is the author of Ingratitude: The Debt-Bound Daughter in Asian American Literature (New York University Press, 2011), which in 2013, won the Literary Studies Book Award from the Association for Asian American Studies. Ingratitude investigates the figure of the daughter in Asian American literature, which has lately been dismissed as a figure that downplays political and historical conflict by fulfilling model minority achievement. Ninh responds to this view by seeing the immigrant family as a form of capitalist enterprise, and thus the Asian American daughter as a locus of conflicting power. Through literary analyses of texts by Jade Snow Wong, Maxine Hong Kingston, Evelyn Lau and others, Ninh explores the figure of the Asian American daughter as a debtor, whose obligation to the parents are always designated to fail, and whose rebellion comes in the form of sexual freedom and through the act of writing itself. Learn more about your ad choices. Visit megaphone.fm/adchoices

Erin Khue Ninh is the author of Ingratitude: The Debt-Bound Daughter in Asian American Literature (New York University Press, 2011), which in 2013, won the Literary Studies Book Award from the Association for Asian American Studies. Ingratitude investigates the figure of the daughter in Asian American literature, which has lately been dismissed as a figure that downplays political and historical conflict by fulfilling model minority achievement. Ninh responds to this view by seeing the immigrant family as a form of capitalist enterprise, and thus the Asian American daughter as a locus of conflicting power. Through literary analyses of texts by Jade Snow Wong, Maxine Hong Kingston, Evelyn Lau and others, Ninh explores the figure of the Asian American daughter as a debtor, whose obligation to the parents are always designated to fail, and whose rebellion comes in the form of sexual freedom and through the act of writing itself. Learn more about your ad choices. Visit megaphone.fm/adchoices

Erin Khue Ninh is the author of Ingratitude: The Debt-Bound Daughter in Asian American Literature (New York University Press, 2011), which in 2013, won the Literary Studies Book Award from the Association for Asian American Studies. Ingratitude investigates the figure of the daughter in Asian American literature, which has lately been dismissed as a figure that downplays political and historical conflict by fulfilling model minority achievement. Ninh responds to this view by seeing the immigrant family as a form of capitalist enterprise, and thus the Asian American daughter as a locus of conflicting power. Through literary analyses of texts by Jade Snow Wong, Maxine Hong Kingston, Evelyn Lau and others, Ninh explores the figure of the Asian American daughter as a debtor, whose obligation to the parents are always designated to fail, and whose rebellion comes in the form of sexual freedom and through the act of writing itself. Learn more about your ad choices. Visit megaphone.fm/adchoices

Erin Khue Ninh is the author of Ingratitude: The Debt-Bound Daughter in Asian American Literature (New York University Press, 2011), which in 2013, won the Literary Studies Book Award from the Association for Asian American Studies. Ingratitude investigates the figure of the daughter in Asian American literature, which has lately been dismissed as a figure that downplays political and historical conflict by fulfilling model minority achievement. Ninh responds to this view by seeing the immigrant family as a form of capitalist enterprise, and thus the Asian American daughter as a locus of conflicting power. Through literary analyses of texts by Jade Snow Wong, Maxine Hong Kingston, Evelyn Lau and others, Ninh explores the figure of the Asian American daughter as a debtor, whose obligation to the parents are always designated to fail, and whose rebellion comes in the form of sexual freedom and through the act of writing itself. Learn more about your ad choices. Visit megaphone.fm/adchoices