Podcast appearances and mentions of diana depasquale

There is no eating in the archive. This is not only a practical admonition to any would-be researcher but also a methodological challenge, in that there is no eating—or, at least, no food—preserved among the printed records of the early United States. Synthesizing a range of textual artifacts with accounts (both real and imagined) of foods harvested, dishes prepared, and meals consumed, An Archive of Taste: Race and Eating in the Early United States (University of Minnesota Press, 2020) reveals how a focus on eating allows us to rethink the nature and significance of aesthetics in early America, as well as of its archive. Klein considers eating and early American aesthetics together, reframing the philosophical work of food and its meaning for the people who prepare, serve, and consume it. She tells the story of how eating emerged as an aesthetic activity over the course of the eighteenth century and how it subsequently transformed into a means of expressing both allegiance and resistance to the dominant Enlightenment worldview. Klein offers richly layered accounts of the enslaved men and women who cooked the meals of the nation's founders and, in doing so, directly affected the development of our national culture—from Thomas Jefferson's emancipation agreement with his enslaved chef to Malinda Russell's Domestic Cookbook, the first African American–authored culinary text. The first book to examine the gustatory origins of aesthetic taste in early American literature, An Archive of Taste shows how thinking about eating can help to tell new stories about the range of people who worked to establish a cultural foundation for the United States. Diana DePasquale is an Associate Teaching Professor at Bowling Green State University. She teaches courses on race, gender, sexuality, and American culture. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit.  Learn more about your ad choices. Visit megaphone.fm/adchoices

There is no eating in the archive. This is not only a practical admonition to any would-be researcher but also a methodological challenge, in that there is no eating—or, at least, no food—preserved among the printed records of the early United States. Synthesizing a range of textual artifacts with accounts (both real and imagined) of foods harvested, dishes prepared, and meals consumed, An Archive of Taste: Race and Eating in the Early United States (University of Minnesota Press, 2020) reveals how a focus on eating allows us to rethink the nature and significance of aesthetics in early America, as well as of its archive. Klein considers eating and early American aesthetics together, reframing the philosophical work of food and its meaning for the people who prepare, serve, and consume it. She tells the story of how eating emerged as an aesthetic activity over the course of the eighteenth century and how it subsequently transformed into a means of expressing both allegiance and resistance to the dominant Enlightenment worldview. Klein offers richly layered accounts of the enslaved men and women who cooked the meals of the nation’s founders and, in doing so, directly affected the development of our national culture—from Thomas Jefferson’s emancipation agreement with his enslaved chef to Malinda Russell’s Domestic Cookbook, the first African American–authored culinary text. The first book to examine the gustatory origins of aesthetic taste in early American literature, An Archive of Taste shows how thinking about eating can help to tell new stories about the range of people who worked to establish a cultural foundation for the United States. Diana DePasquale is an Associate Teaching Professor at Bowling Green State University. She teaches courses on race, gender, sexuality, and American culture. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit.  Learn more about your ad choices. Visit megaphone.fm/adchoices

There is no eating in the archive. This is not only a practical admonition to any would-be researcher but also a methodological challenge, in that there is no eating—or, at least, no food—preserved among the printed records of the early United States. Synthesizing a range of textual artifacts with accounts (both real and imagined) of foods harvested, dishes prepared, and meals consumed, An Archive of Taste: Race and Eating in the Early United States (University of Minnesota Press, 2020) reveals how a focus on eating allows us to rethink the nature and significance of aesthetics in early America, as well as of its archive. Klein considers eating and early American aesthetics together, reframing the philosophical work of food and its meaning for the people who prepare, serve, and consume it. She tells the story of how eating emerged as an aesthetic activity over the course of the eighteenth century and how it subsequently transformed into a means of expressing both allegiance and resistance to the dominant Enlightenment worldview. Klein offers richly layered accounts of the enslaved men and women who cooked the meals of the nation’s founders and, in doing so, directly affected the development of our national culture—from Thomas Jefferson’s emancipation agreement with his enslaved chef to Malinda Russell’s Domestic Cookbook, the first African American–authored culinary text. The first book to examine the gustatory origins of aesthetic taste in early American literature, An Archive of Taste shows how thinking about eating can help to tell new stories about the range of people who worked to establish a cultural foundation for the United States. Diana DePasquale is an Associate Teaching Professor at Bowling Green State University. She teaches courses on race, gender, sexuality, and American culture. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit.  Learn more about your ad choices. Visit megaphone.fm/adchoices

There is no eating in the archive. This is not only a practical admonition to any would-be researcher but also a methodological challenge, in that there is no eating—or, at least, no food—preserved among the printed records of the early United States. Synthesizing a range of textual artifacts with accounts (both real and imagined) of foods harvested, dishes prepared, and meals consumed, An Archive of Taste: Race and Eating in the Early United States (University of Minnesota Press, 2020) reveals how a focus on eating allows us to rethink the nature and significance of aesthetics in early America, as well as of its archive. Klein considers eating and early American aesthetics together, reframing the philosophical work of food and its meaning for the people who prepare, serve, and consume it. She tells the story of how eating emerged as an aesthetic activity over the course of the eighteenth century and how it subsequently transformed into a means of expressing both allegiance and resistance to the dominant Enlightenment worldview. Klein offers richly layered accounts of the enslaved men and women who cooked the meals of the nation’s founders and, in doing so, directly affected the development of our national culture—from Thomas Jefferson’s emancipation agreement with his enslaved chef to Malinda Russell’s Domestic Cookbook, the first African American–authored culinary text. The first book to examine the gustatory origins of aesthetic taste in early American literature, An Archive of Taste shows how thinking about eating can help to tell new stories about the range of people who worked to establish a cultural foundation for the United States. Diana DePasquale is an Associate Teaching Professor at Bowling Green State University. She teaches courses on race, gender, sexuality, and American culture. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit.  Learn more about your ad choices. Visit megaphone.fm/adchoices

There is no eating in the archive. This is not only a practical admonition to any would-be researcher but also a methodological challenge, in that there is no eating—or, at least, no food—preserved among the printed records of the early United States. Synthesizing a range of textual artifacts with accounts (both real and imagined) of foods harvested, dishes prepared, and meals consumed, An Archive of Taste: Race and Eating in the Early United States (University of Minnesota Press, 2020) reveals how a focus on eating allows us to rethink the nature and significance of aesthetics in early America, as well as of its archive. Klein considers eating and early American aesthetics together, reframing the philosophical work of food and its meaning for the people who prepare, serve, and consume it. She tells the story of how eating emerged as an aesthetic activity over the course of the eighteenth century and how it subsequently transformed into a means of expressing both allegiance and resistance to the dominant Enlightenment worldview. Klein offers richly layered accounts of the enslaved men and women who cooked the meals of the nation’s founders and, in doing so, directly affected the development of our national culture—from Thomas Jefferson’s emancipation agreement with his enslaved chef to Malinda Russell’s Domestic Cookbook, the first African American–authored culinary text. The first book to examine the gustatory origins of aesthetic taste in early American literature, An Archive of Taste shows how thinking about eating can help to tell new stories about the range of people who worked to establish a cultural foundation for the United States. Diana DePasquale is an Associate Teaching Professor at Bowling Green State University. She teaches courses on race, gender, sexuality, and American culture. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit.  Learn more about your ad choices. Visit megaphone.fm/adchoices

There is no eating in the archive. This is not only a practical admonition to any would-be researcher but also a methodological challenge, in that there is no eating—or, at least, no food—preserved among the printed records of the early United States. Synthesizing a range of textual artifacts with accounts (both real and imagined) of foods harvested, dishes prepared, and meals consumed, An Archive of Taste: Race and Eating in the Early United States (University of Minnesota Press, 2020) reveals how a focus on eating allows us to rethink the nature and significance of aesthetics in early America, as well as of its archive. Klein considers eating and early American aesthetics together, reframing the philosophical work of food and its meaning for the people who prepare, serve, and consume it. She tells the story of how eating emerged as an aesthetic activity over the course of the eighteenth century and how it subsequently transformed into a means of expressing both allegiance and resistance to the dominant Enlightenment worldview. Klein offers richly layered accounts of the enslaved men and women who cooked the meals of the nation’s founders and, in doing so, directly affected the development of our national culture—from Thomas Jefferson’s emancipation agreement with his enslaved chef to Malinda Russell’s Domestic Cookbook, the first African American–authored culinary text. The first book to examine the gustatory origins of aesthetic taste in early American literature, An Archive of Taste shows how thinking about eating can help to tell new stories about the range of people who worked to establish a cultural foundation for the United States. Diana DePasquale is an Associate Teaching Professor at Bowling Green State University. She teaches courses on race, gender, sexuality, and American culture. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Colin Woodard's new book Union: The Struggle to Forge the Story of United States Nationhood (Viking, 2020) tells the story of the struggle to create a national myth for the United States, one that could hold its rival regional cultures together and forge, for the first time, an American nationhood. It tells the dramatic tale of how the story of our national origins, identity, and purpose was intentionally created and fought over in the nineteenth and early twentieth centuries. On one hand, a small group of individuals--historians, political leaders, and novelists--fashioned and promoted a history that attempted to transcend and erase the fundamental differences and profound tensions between the nation's regional cultures. America had a God-given mission to lead humanity toward freedom, equality, and self-government and was held together by fealty to these ideals. This emerging nationalist story was immediately and powerfully contested by another set of intellectuals and firebrands who argued that the United States was instead an ethno-state, the homeland of the allegedly superior "Anglo-Saxon" race, upon whom Divine and Darwinian favor shined. Their vision helped create a new federation--the Confederacy--prompting the bloody Civil War. While defeated on the battlefield, their vision later managed to win the war of ideas, capturing the White House in the early twentieth century, and achieving the first consensus, pan-regional vision of U.S. nationhood in the years before the outbreak of the first World War. This narrower, more exclusive vision of America would be overthrown in mid-century, but it was never fully vanquished. Woodard tells the story of the genesis and epic confrontations between these visions of our nation's path and purpose through the lives of the key figures who created them, a cast of characters whose personal quirks and virtues, gifts and demons shaped the destiny of millions. Colin Woodard is a New York Times bestseller writer-historian, and journalist who has reported from more than fifty foreign countries and six continents. A longtime foreign correspondent for The Christian Science Monitor and The San Francisco Chronicle, he is a reporter at the Portland Press Herald, where he received a 2012 George Polk Award and was a finalist a 2016 Pulitzer Prize. His work has appeared in The New York Times, The Washington Post, The Economist, Smithsonian and Politico. He is the author of American Nations, American Character, The Lobster Coast, The Republic of Pirates, and Ocean’s End. Diana DePasquale is an Associate Teaching Professor at Bowling Green State University. She teaches courses on race, gender, sexuality, and American culture. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit. Learn more about your ad choices. Visit megaphone.fm/adchoices

Colin Woodard's new book Union: The Struggle to Forge the Story of United States Nationhood (Viking, 2020) tells the story of the struggle to create a national myth for the United States, one that could hold its rival regional cultures together and forge, for the first time, an American nationhood. It tells the dramatic tale of how the story of our national origins, identity, and purpose was intentionally created and fought over in the nineteenth and early twentieth centuries. On one hand, a small group of individuals--historians, political leaders, and novelists--fashioned and promoted a history that attempted to transcend and erase the fundamental differences and profound tensions between the nation's regional cultures. America had a God-given mission to lead humanity toward freedom, equality, and self-government and was held together by fealty to these ideals. This emerging nationalist story was immediately and powerfully contested by another set of intellectuals and firebrands who argued that the United States was instead an ethno-state, the homeland of the allegedly superior "Anglo-Saxon" race, upon whom Divine and Darwinian favor shined. Their vision helped create a new federation--the Confederacy--prompting the bloody Civil War. While defeated on the battlefield, their vision later managed to win the war of ideas, capturing the White House in the early twentieth century, and achieving the first consensus, pan-regional vision of U.S. nationhood in the years before the outbreak of the first World War. This narrower, more exclusive vision of America would be overthrown in mid-century, but it was never fully vanquished. Woodard tells the story of the genesis and epic confrontations between these visions of our nation's path and purpose through the lives of the key figures who created them, a cast of characters whose personal quirks and virtues, gifts and demons shaped the destiny of millions. Colin Woodard is a New York Times bestseller writer-historian, and journalist who has reported from more than fifty foreign countries and six continents. A longtime foreign correspondent for The Christian Science Monitor and The San Francisco Chronicle, he is a reporter at the Portland Press Herald, where he received a 2012 George Polk Award and was a finalist a 2016 Pulitzer Prize. His work has appeared in The New York Times, The Washington Post, The Economist, Smithsonian and Politico. He is the author of American Nations, American Character, The Lobster Coast, The Republic of Pirates, and Ocean’s End. Diana DePasquale is an Associate Teaching Professor at Bowling Green State University. She teaches courses on race, gender, sexuality, and American culture. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit. Learn more about your ad choices. Visit megaphone.fm/adchoices

Colin Woodard's new book Union: The Struggle to Forge the Story of United States Nationhood (Viking, 2020) tells the story of the struggle to create a national myth for the United States, one that could hold its rival regional cultures together and forge, for the first time, an American nationhood. It tells the dramatic tale of how the story of our national origins, identity, and purpose was intentionally created and fought over in the nineteenth and early twentieth centuries. On one hand, a small group of individuals--historians, political leaders, and novelists--fashioned and promoted a history that attempted to transcend and erase the fundamental differences and profound tensions between the nation's regional cultures. America had a God-given mission to lead humanity toward freedom, equality, and self-government and was held together by fealty to these ideals. This emerging nationalist story was immediately and powerfully contested by another set of intellectuals and firebrands who argued that the United States was instead an ethno-state, the homeland of the allegedly superior "Anglo-Saxon" race, upon whom Divine and Darwinian favor shined. Their vision helped create a new federation--the Confederacy--prompting the bloody Civil War. While defeated on the battlefield, their vision later managed to win the war of ideas, capturing the White House in the early twentieth century, and achieving the first consensus, pan-regional vision of U.S. nationhood in the years before the outbreak of the first World War. This narrower, more exclusive vision of America would be overthrown in mid-century, but it was never fully vanquished. Woodard tells the story of the genesis and epic confrontations between these visions of our nation's path and purpose through the lives of the key figures who created them, a cast of characters whose personal quirks and virtues, gifts and demons shaped the destiny of millions. Colin Woodard is a New York Times bestseller writer-historian, and journalist who has reported from more than fifty foreign countries and six continents. A longtime foreign correspondent for The Christian Science Monitor and The San Francisco Chronicle, he is a reporter at the Portland Press Herald, where he received a 2012 George Polk Award and was a finalist a 2016 Pulitzer Prize. His work has appeared in The New York Times, The Washington Post, The Economist, Smithsonian and Politico. He is the author of American Nations, American Character, The Lobster Coast, The Republic of Pirates, and Ocean’s End. Diana DePasquale is an Associate Teaching Professor at Bowling Green State University. She teaches courses on race, gender, sexuality, and American culture. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit. Learn more about your ad choices. Visit megaphone.fm/adchoices

Colin Woodard's new book Union: The Struggle to Forge the Story of United States Nationhood (Viking, 2020) tells the story of the struggle to create a national myth for the United States, one that could hold its rival regional cultures together and forge, for the first time, an American nationhood. It tells the dramatic tale of how the story of our national origins, identity, and purpose was intentionally created and fought over in the nineteenth and early twentieth centuries. On one hand, a small group of individuals--historians, political leaders, and novelists--fashioned and promoted a history that attempted to transcend and erase the fundamental differences and profound tensions between the nation's regional cultures. America had a God-given mission to lead humanity toward freedom, equality, and self-government and was held together by fealty to these ideals. This emerging nationalist story was immediately and powerfully contested by another set of intellectuals and firebrands who argued that the United States was instead an ethno-state, the homeland of the allegedly superior "Anglo-Saxon" race, upon whom Divine and Darwinian favor shined. Their vision helped create a new federation--the Confederacy--prompting the bloody Civil War. While defeated on the battlefield, their vision later managed to win the war of ideas, capturing the White House in the early twentieth century, and achieving the first consensus, pan-regional vision of U.S. nationhood in the years before the outbreak of the first World War. This narrower, more exclusive vision of America would be overthrown in mid-century, but it was never fully vanquished. Woodard tells the story of the genesis and epic confrontations between these visions of our nation's path and purpose through the lives of the key figures who created them, a cast of characters whose personal quirks and virtues, gifts and demons shaped the destiny of millions. Colin Woodard is a New York Times bestseller writer-historian, and journalist who has reported from more than fifty foreign countries and six continents. A longtime foreign correspondent for The Christian Science Monitor and The San Francisco Chronicle, he is a reporter at the Portland Press Herald, where he received a 2012 George Polk Award and was a finalist a 2016 Pulitzer Prize. His work has appeared in The New York Times, The Washington Post, The Economist, Smithsonian and Politico. He is the author of American Nations, American Character, The Lobster Coast, The Republic of Pirates, and Ocean’s End. Diana DePasquale is an Associate Teaching Professor at Bowling Green State University. She teaches courses on race, gender, sexuality, and American culture. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit. Learn more about your ad choices. Visit megaphone.fm/adchoices

Colin Woodard's new book Union: The Struggle to Forge the Story of United States Nationhood (Viking, 2020) tells the story of the struggle to create a national myth for the United States, one that could hold its rival regional cultures together and forge, for the first time, an American nationhood. It tells the dramatic tale of how the story of our national origins, identity, and purpose was intentionally created and fought over in the nineteenth and early twentieth centuries. On one hand, a small group of individuals--historians, political leaders, and novelists--fashioned and promoted a history that attempted to transcend and erase the fundamental differences and profound tensions between the nation's regional cultures. America had a God-given mission to lead humanity toward freedom, equality, and self-government and was held together by fealty to these ideals. This emerging nationalist story was immediately and powerfully contested by another set of intellectuals and firebrands who argued that the United States was instead an ethno-state, the homeland of the allegedly superior "Anglo-Saxon" race, upon whom Divine and Darwinian favor shined. Their vision helped create a new federation--the Confederacy--prompting the bloody Civil War. While defeated on the battlefield, their vision later managed to win the war of ideas, capturing the White House in the early twentieth century, and achieving the first consensus, pan-regional vision of U.S. nationhood in the years before the outbreak of the first World War. This narrower, more exclusive vision of America would be overthrown in mid-century, but it was never fully vanquished. Woodard tells the story of the genesis and epic confrontations between these visions of our nation's path and purpose through the lives of the key figures who created them, a cast of characters whose personal quirks and virtues, gifts and demons shaped the destiny of millions. Colin Woodard is a New York Times bestseller writer-historian, and journalist who has reported from more than fifty foreign countries and six continents. A longtime foreign correspondent for The Christian Science Monitor and The San Francisco Chronicle, he is a reporter at the Portland Press Herald, where he received a 2012 George Polk Award and was a finalist a 2016 Pulitzer Prize. His work has appeared in The New York Times, The Washington Post, The Economist, Smithsonian and Politico. He is the author of American Nations, American Character, The Lobster Coast, The Republic of Pirates, and Ocean’s End. Diana DePasquale is an Associate Teaching Professor at Bowling Green State University. She teaches courses on race, gender, sexuality, and American culture. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit.

Colin Woodard's new book Union: The Struggle to Forge the Story of United States Nationhood (Viking, 2020) tells the story of the struggle to create a national myth for the United States, one that could hold its rival regional cultures together and forge, for the first time, an American nationhood. It tells the dramatic tale of how the story of our national origins, identity, and purpose was intentionally created and fought over in the nineteenth and early twentieth centuries. On one hand, a small group of individuals--historians, political leaders, and novelists--fashioned and promoted a history that attempted to transcend and erase the fundamental differences and profound tensions between the nation's regional cultures. America had a God-given mission to lead humanity toward freedom, equality, and self-government and was held together by fealty to these ideals. This emerging nationalist story was immediately and powerfully contested by another set of intellectuals and firebrands who argued that the United States was instead an ethno-state, the homeland of the allegedly superior "Anglo-Saxon" race, upon whom Divine and Darwinian favor shined. Their vision helped create a new federation--the Confederacy--prompting the bloody Civil War. While defeated on the battlefield, their vision later managed to win the war of ideas, capturing the White House in the early twentieth century, and achieving the first consensus, pan-regional vision of U.S. nationhood in the years before the outbreak of the first World War. This narrower, more exclusive vision of America would be overthrown in mid-century, but it was never fully vanquished. Woodard tells the story of the genesis and epic confrontations between these visions of our nation's path and purpose through the lives of the key figures who created them, a cast of characters whose personal quirks and virtues, gifts and demons shaped the destiny of millions. Colin Woodard is a New York Times bestseller writer-historian, and journalist who has reported from more than fifty foreign countries and six continents. A longtime foreign correspondent for The Christian Science Monitor and The San Francisco Chronicle, he is a reporter at the Portland Press Herald, where he received a 2012 George Polk Award and was a finalist a 2016 Pulitzer Prize. His work has appeared in The New York Times, The Washington Post, The Economist, Smithsonian and Politico. He is the author of American Nations, American Character, The Lobster Coast, The Republic of Pirates, and Ocean’s End. Diana DePasquale is an Associate Teaching Professor at Bowling Green State University. She teaches courses on race, gender, sexuality, and American culture. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Alabaster Peaks, we meet with Possum, a local anarchist and freaky deaky radio host (Diana DePasquale), and Gucci Breakfast & Belamir Sweet (Mike Santry & A Whole Roast Goat with a Simpson's T-shirt Pulled Onto It) , a pair of local hoteliers/roommates.  We discuss it all!   Join Us!  www.alabasterpeaks.com Questions? Suggestions? alabasterpeaks@gmail.com Logo By Erin Kanary Music By Matt Polovka and Bradley Hall, Biz Baz Studio, Doug Maxwell, and Birocratic

On this SUPER FREAKY BONUS EPISODE we got Diana DePasquale, Chris LaVigne & Mike Santry!  We talk superpowers, love languages, and of course, Fred Durst! Help us follow our microphone dreams! www.gofundme.com/alabasterpeaks Join Us! www.alabasterpeaks.com Questions? Suggestions? Bradley@alabasterpeaks.com Logo By Erin Kanary Music By Matt Polovka and Bradley Hall www.gofundme.com/alabasterpeaks

On this episode Diana DePasquale talks to Zach Sands, author of Film Comedy and the American Dream (Routledge, 2017). Some of the films Zach writes about are Harvey, The Graduate, Blazing Saddles, The Jerk, Trading Place, and Office Space. Zach’s doctorate is in American Culture Studies with an Interdisciplinary Specialization in Critical Studies in Media and Film from Bowling Green State University, he holds a masters degree in Film and Literature from Northern Illinois University and a BA in Film Production from Columbia College in Chicago. He has taught courses in Film and media studies and in 2009 Zach was the recipient of a Fulbright Scholarship and traveled to Moldova. Zach blogs at misterspectator.blogspot.com Diana DePasquale is an instructor in the School of Cultural and Critical Studies at Bowling Green State University. Currently a doctoral candidate in BGSU’s American Culture Studies program, Diana earned her M.A. in American Culture Studies from BGSU in 2012 and her B.A. in American Studies from Rutgers, the State University of New Jersey in 2010. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode Diana DePasquale talks to Zach Sands, author of Film Comedy and the American Dream (Routledge, 2017). Some of the films Zach writes about are Harvey, The Graduate, Blazing Saddles, The Jerk, Trading Place, and Office Space. Zach’s doctorate is in American Culture Studies with an Interdisciplinary Specialization in Critical Studies in Media and Film from Bowling Green State University, he holds a masters degree in Film and Literature from Northern Illinois University and a BA in Film Production from Columbia College in Chicago. He has taught courses in Film and media studies and in 2009 Zach was the recipient of a Fulbright Scholarship and traveled to Moldova. Zach blogs at misterspectator.blogspot.com Diana DePasquale is an instructor in the School of Cultural and Critical Studies at Bowling Green State University. Currently a doctoral candidate in BGSU’s American Culture Studies program, Diana earned her M.A. in American Culture Studies from BGSU in 2012 and her B.A. in American Studies from Rutgers, the State University of New Jersey in 2010. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode Diana DePasquale talks to Zach Sands, author of Film Comedy and the American Dream (Routledge, 2017). Some of the films Zach writes about are Harvey, The Graduate, Blazing Saddles, The Jerk, Trading Place, and Office Space. Zach’s doctorate is in American Culture Studies with an Interdisciplinary Specialization in Critical Studies in Media and Film from Bowling Green State University, he holds a masters degree in Film and Literature from Northern Illinois University and a BA in Film Production from Columbia College in Chicago. He has taught courses in Film and media studies and in 2009 Zach was the recipient of a Fulbright Scholarship and traveled to Moldova. Zach blogs at misterspectator.blogspot.com Diana DePasquale is an instructor in the School of Cultural and Critical Studies at Bowling Green State University. Currently a doctoral candidate in BGSU’s American Culture Studies program, Diana earned her M.A. in American Culture Studies from BGSU in 2012 and her B.A. in American Studies from Rutgers, the State University of New Jersey in 2010. Diana has been published in Studies in American Humor, and online at In Media Res. She is also a proud winner of The Moth Story Slam in Detroit. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode Diana DePasquale talks to Zach Sands, author of Film Comedy and the American Dream (Routledge, 2017). Some of the films Zach writes about are Harvey, The Graduate, Blazing Saddles, The Jerk, Trading Place, and Office Space. Zach’s doctorate is in American Culture Studies with an Interdisciplinary Specialization... Learn more about your ad choices. Visit megaphone.fm/adchoices