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https://www.amazon.co.uk/Villain-Venice-Steampunk-Adventure-Expanded/dp/B0GYVW1ZM3?source=ps-sl-shoppingads-lpcontext&ref_=fplfs&psc=1&smid=A3P5ROKL5A1OLE Project Hail Mary is a 2026 science fiction film produced and directed by Phil Lord and Christopher Miller and written by Drew Goddard, based on the 2021 novel of the same name by Andy Weir. It stars Ryan Gosling, who also produced the film, as Ryland Grace, and Sandra Hüller, James Ortiz, and Lionel Boyce play supporting roles. The story follows Ryland Grace, a middle school teacher who awakens aboard an interstellar spacecraft with no memory of how he got there. Pre-production began in 2020, before Weir's novel was published. Filming took place throughout 2024 in the United Kingdom, both on location and on sets. All scenes aboard the spacecraft Hail Mary were filmed on a practical set that was constructed for the film. Project Hail Mary premiered in London on March 9, 2026, and was released in the United States by Amazon MGM Studios on March 20, with Sony Pictures Releasing International releasing in other territories. It received positive reviews, with praise for Lord and Miller's direction, Gosling's performance, the character of Rocky, as well as the humor, themes and visuals. It was a commercial success, grossing over $685 million worldwide and becoming the seventh-highest-grossing film of 2026. Plot In the near future, middle school teacher and former molecular biologist Ryland Grace wakes up from an induced coma on the interstellar spacecraft Hail Mary, suffering from amnesia. Grace learns that he is the sole survivor of a three-person crew that was traveling towards the Tau Ceti system, 11.9 light-years from Earth. In a series of flashbacks, Grace recalls that scientists discovered a "Petrova line" of infrared light stretching from the Sun to Venus; an alien microbe in the line, dubbed "astrophage", was proliferating on the Sun's surface, dimming the Sun at a rate that would cause catastrophic global cooling within thirty years. The head of the Petrova Taskforce, Eva Stratt, recruited Grace to study it due to his background in speculative astrobiology. Grace experimented on a sample and discovered that astrophage was composed of unicellular organisms that absorb electromagnetic radiation from the Sun and expel it for propulsion. Grace joined Stratt's Project Hail Mary, an international "long-shot" mission to send a crewed spacecraft to Tau Ceti, the only star in Earth's solar neighborhood not occluded by astrophage. The flight to Tau Ceti would be a suicide mission, as the ship could only carry enough fuel for a one-way trip; any findings would have to return to Earth in smaller space probes. In the present, Grace encounters an alien spacecraft that docks with the Hail Mary. It is made of a solid form of xenon, which Grace dubs "xenonite". The ship's occupant is a rock-like, five-legged alien from Erid, a planet in the 40 Eridani A system. Grace names the alien "Rocky", deduces that Eridians "see" via echolocation, and creates a machine translation system to interpret Rocky's musical language into English. Rocky is a mechanical engineer and the sole survivor of the Eridians' mission to save their own star from astrophage infection. Grace and Rocky agree to work together, and become close friends. As neither can survive in the other's atmosphere, Rocky works aboard the Hail Mary inside a pressurized ball of xenonite. Grace and Rocky study the Petrova line of the planet Tau Ceti e, which Grace names "Adrian",{{cite web |url=https://www.techradar.com/streaming/entertainment/project-hail-mary-ending-explained |title=''Project Hail Mary'' Ending Explained: What happens to Ryland Grace and Rocky, will there be a sequel, and more on Ryan Gosling's new sci-fi movie |last=Power |first=Tom |website=[[TechRadar]] |date=March 20, 2026 |access-date=May 26, 2026 |archive-date=March 21, 2026 |archive-url=https://web.archive.org/web/20260321104440/https://www.techradar.com/streaming/entertainment/project-hail-mary-ending-explained |url-status=live}}"}},"i":0}}]}">[a] and discovers that the line hosts an entire microbial biosphere. Rocky theorizes that microbial organisms in Adrian's atmosphere are consuming the astrophage, keeping the population in check. Learning that Grace cannot return home, Rocky offers to share some of his own ship's astrophage fuel with the Hail Mary. Grace remembers that an astrophage explosion killed the original crew's science officers. With no time to train replacements, Stratt asked Grace to join the mission. During a risky maneuver to gather the astrophage predator from Adrian's atmosphere, a fuel leak causes the Hail Mary to spin uncontrollably, rendering Grace unconscious. Rocky breaks out of his ball to save Grace but is severely injured. While Rocky recovers, Grace studies the captured astrophage predator, dubbing it "taumoeba"[b] and selectively breeding it to survive the nitrogen in Venus's atmosphere. Rocky revives, and the two celebrate their success; Grace recalls that he fearfully refused to join the Hail Mary crew, but Stratt had him drugged and put aboard the ship anyway, believing he was the only one capable of completing the mission. Rocky and Grace say their goodbyes and begin their journeys back home. Shortly thereafter, Grace discovers that the taumoeba has evolved to escape its xenonite breeding tanks and is starting to consume Hail Mary's astrophage fuel. Grace stops the taumoeba leak, but realizes that Rocky's ship, being entirely made of xenonite, will have no way to contain the taumoeba; it will eat all of Rocky's fuel, stranding him and dooming Erid. Grace decides to use his remaining fuel to rescue Rocky and the Eridians rather than return home, and sends his video logs and taumoeba samples to Earth via the probes. Stratt and her team receive the probes and use the taumoeba to cure the Sun's astrophage infection. Meanwhile, on Erid, Grace lives in an Earth-like biodome the Eridians have constructed for him. Rocky informs him that Eridian scientists can prepare the Hail Mary for the return voyage to Earth. Grace ponders the news before beginning another day of teaching science to eager Eridian children. Cast Ryan Gosling, who portrays Dr. Ryland Grace, also served as a producer on the film Ryan Gosling as Ryland Grace, a middle school science teacher and former molecular biologist on a mission to save humanity[7] Sandra Hüller as Eva Stratt, the head of the international task force behind Project Hail Mary[8] James Ortiz as Rocky, an alien Grace encounters on his journey.[9] The character was effected through a puppet controlled by a team of five puppeteers led by Ortiz, dubbed the "Rockyteers", with Ortiz also providing the artificial voice assigned to him[10] Ortiz also has an uncredited role as a television presenter[11] Lionel Boyce as Carl, a member of security personnel Ken Leung as Yao Li-Jie, the Chinese commander of the Hail Mary spacecraft Milana Vayntrub as Olesya Ilyukhina, a Russian engineer on board the Hail Mary Priya Kansara as the voice of Mary, the Hail Mary's onboard computer[9] Malachi Kirby as Martin Dubois, the original scientist of the Hail Mary[12] Liz Kingsman as Annie Shapiro, a backup scientist of the Hail Mary Mia Soteriou as Dr. Browne Orion Lee as Dr. Li Michelle Greenidge as Chimamanda Additionally, Eunice Huthart (the film's stunt coordinator), Damien de Froberville (co-president of Sony Pictures Animation), Ray Porter (the audiobook narrator), and Meryl Streep provided the rejected alternative voices for Rocky.[13][14] Production Development In March 2020, Metro-Goldwyn-Mayer was nearing a deal to acquire adaptation rights to the then-upcoming Andy Weir novel Project Hail Mary (2021), with Ryan Gosling set to star in and produce the film.[7] The rights for the novel were acquired for $3 million.[15] In May 2020, Phil Lord and Christopher Miller were hired to direct and produce the film.[16] Due to Lord and Miller being unable to work on the screenplay because of commitments to Spider-Man: Across the Spider-Verse (2023), Drew Goddard (who previously adapted Weir's 2011 novel The Martian into a 2015 film) was hired the following month to write the screenplay.[17][18] In April 2024, Amazon, which acquired Metro-Goldwyn-Mayer in 2022,[19] revealed a possible 2026 release window for the film.[20] In May 2024, Sandra Hüller joined the cast, with Greig Fraser hired as cinematographer.[8] Milana Vayntrub joined the cast the following month.[21] Filming The film's crew, actors Ryan Gosling and Sandra Hüller, writer Drew Goddard, author/producer Andy Weir, and directors Phil Lord and Christopher Miller visiting NASA's Jet Propulsion Laboratory on February 25, 2026 Principal photography began on June 3, 2024, in the United Kingdom and wrapped on October 26, 2024.[22][23] Filming took place at Shepperton Studios.[24] Location filming occurred at The Hemel Hempstead School, the South Parade Pier in Portsmouth,[25] the Mullard Radio Astronomy Observatory in Cambridge,[26] and Durdle Door and Man o' War Cove in Dorset.[27][28][29] The film was "filmed for IMAX" by using large-sensor Arri Alexa 65 cameras, which provide 6.5K (20 MP) of resolution, with an aspect ratio of 2.1:1,[30] utilizing the whole sensor with anamorphic lenses rotated by 90 degrees to achieve the IMAX standard 1.43:1 aspect ratio. For regular presentations, the common 2:1 format (Univisium) was derived by cropping the top and bottom of the IMAX image. The film switches between taller and wider aspect ratios. When a scene takes place in the present, a taller aspect ratio is used—1.43:1 for IMAX 15/70 mm or Dual Laser, 1.85:1 for Xenon or Single Laser, and 2.00:1 for non-IMAX presentations. For scenes in the past, an aspect ratio of 2.39:1, a standard ratio for anamorphic process cinematography, was achieved with the regular use of anamorphic lenses.[31] In an interview with The Hollywood Reporter, Miller mentioned that no chroma keying was used in the film, with the entire set being shot practically.[32] Fraser had previously collaborated with visual effects supervisor Paul Lambert on the Dune films; their disdain for green and blue screens, which impacts lighting and visuals through color spill, led them to use blackouts and grey screens on the film instead.[33] Miller had previously stated that VFX was used to depict the spaceship from the outside, while shots of Gosling in space were shot against a black or varying color backdrop.[34] NASA provided support through both the input of scientific experts and astronaut Kjell N. Lindgren visiting Gosling during filming to share insights on human spaceflight.[35] Post-production The visual effects were developed by Framestore (which also collaborated on the film adaptation of The Martian),[36] Industrial Light & Magic (ILM), Sony Pictures Imageworks, BUF and Wylie Co. VFX, with Mags Sarnowska serving as visual effects supervisor alongside Lambert.[37] While puppeteer Ortiz voiced Rocky during filming with Gosling, it was initially thought that a more high-profile actor would replace him. However, Lord and Miller felt that Ortiz's performance could not be improved upon during screenings of the film.[38] Lord praised the collaboration between practical and visual effects in the creation of the character Rocky's performance: Rocky was built and designed by the legendary Neal Scanlan and his creature shop and is performed by puppeteering legend James Ortiz and his team, who were on set with Ryan in every scene. Rocky's performance is a beautiful collaboration between James and the other Rockyteers on set and the wonderful animators at Framestore led by the funny soulful Arslan Elver.[39] Miller noted that by the end of the film shots with Rocky were about 50% VFX animation and 50% puppetry.[40] The digitally shot and produced film was transferred to film stock and then re-digitized to achieve the "warmth" of analog film.[31] The initial test screening of the film was 3 hours and 45 minutes long, and was cut down to the final length due to feedback from the screenings.[41] Joel Negron served as film editor.[42] Music Main article: Project Hail Mary (soundtrack) It was announced at San Diego Comic-Con that Daniel Pemberton would score the film. Pemberton worked with Lord and Miller on Spider-Man: Into the Spider-Verse (2018) and its 2023 sequel, which they produced. This is the first film directed by Lord and Miller to not be scored by Mark Mothersbaugh.[43] The score, consisting of 38 tracks, was released digitally on March 20, 2026.[44] The film also includes fourteen other songs, including "Sign of the Times" by Harry Styles, "Two of Us" by the Beatles, "Rainbows" by Dennis Wilson and "Gracias a la vida" sung by Mercedes Sosa.[45] Marketing The film's title on the marquee of Moreland Theater in Portland, Oregon in March 2026 The first trailer was released on June 30, 2025.[46] It was the most-viewed trailer for any original film in the first week of its release, accumulating 400 million views globally.[47] Lego released a model of the Hail Mary spacecraft on March 1, 2026, as part of the Lego Icons series.[48] Release Theatrical Project Hail Mary was released on March 20, 2026, in 4,007 theaters by Amazon MGM Studios in the United States and Canada, and Sony Pictures Releasing International in all other territories.[5] It was also released in select IMAX theaters, with a 1.43:1 aspect ratio.{{cite web |last=D'Alessandro |first=Anthony |title=Ryan Gosling, Lord & Miller Amazon MGM Studios Space Adventure ''Project Hail Mary'' Sets Launch for Spring 2026 |date=April 18, 2024 |website=[[Deadline Hollywood]] |url=https://deadline.com/2024/04/ryan-gosling-project-hail-mary-release-date-1235889844/ |access-date=April 18, 2024 |archive-date=April 19, 2024 |archive-url=https://web.archive.org/web/20240419002823/https://deadline.com/2024/04/ryan-gosling-project-hail-mary-release-date-1235889844/ |url-status=live}}{{cite web |last=D'Alessandro |first=Anthony |title=Amazon MGM Studios & Sony Pictures Ink Multi-Year International Theatrical Distribution Deal |date=June 27, 2025 |website=[[Deadline Hollywood]] |url=https://deadline.com/2025/06/amazon-mgm-studios-sony-international-distribution-1236444141/ |access-date=July 1, 2025 |archive-date=June 27, 2025 |archive-url=https://web.archive.org/web/20250627130223/https://deadline.com/2025/06/amazon-mgm-studios-sony-international-distribution-1236444141/ |url-status=live}}{{cite web |last=Gray |first=Jeremy |date=June 30, 2025 |title=''Project Hail Mary'' Film Adaptation Looks Like a Visual Feast |url=https://petapixel.com/2025/06/30/project-hail-mary-film-adaptation-looks-like-a-visual-feast/ |access-date=July 1, 2025 |website=[[PetaPixel]] |archive-date=July 12, 2025 |archive-url=https://web.archive.org/web/20250712225014/https://petapixel.com/2025/06/30/project-hail-mary-film-adaptation-looks-like-a-visual-feast/ |url-status=live |language=en-US}}{{cite web |last=Kim |first=Anny |date=December 16, 2025 |title=Everything to know about ''Project Hail Mary'', coming soon from Amazon MGM Studios |url=https://www.aboutamazon.com/news/entertainment/project-hail-mary-ryan-gosling-amazon-mgm-studios |access-date=December 31, 2025 |publisher=About Amazon |language=en-US}}"}},"i":0}}]}">[c] Home media The film was released on digital streaming platforms on May 12, 2026.[53] It began streaming on the MGM+ subscription streaming service and Prime Video on June 18 and July 3, respectively.[54][55][56] It was also released on 4K Ultra HD Blu-ray, Blu-ray, and DVD on August 11, 2026, by Alliance Entertainment.[57] Following the standard disc release will be an Amazon exclusive three-disc SteelBook gift set, scheduled for October 13.[57] It will include a third disc with the film in its full 1.43:1 IMAX ratio, plus additional bonus material and a collectible booklet.[citation needed] Reception Box office As of September 11, 2026 Project Hail Mary has grossed $344.1 million in the United States and Canada, and $341.2 million in other territories, for a worldwide total of $685.3 million.[4][5] In the United States and Canada, Project Hail Mary was released on March 20, 2026, and was projected to gross $63–65 million in North America from 4,007 theaters in its opening weekend.[58] Initially, publications estimated that the film would gross $45–55 million.[59] After grossing $31 million on opening day, including $12 million in previews, the film debuted to $80.6 million in the United States and Canada,[60] and $60.4 million overseas for a worldwide total of $141 million,[61] becoming Amazon MGM Studios' biggest debut to date.[60] In its second weekend, the film made $54.1 million (a drop of 32.8%), remaining in first.[62] It was surpassed by The Super Mario Galaxy Movie in its third weekend, grossing $31.7 million.[63] In Japan, the film became the highest-grossing foreign film of 2026 in terms of box office revenue attendance on its first day of release.[64] Critical response The performances of Ryan Gosling, Sandra Hüller, and James Ortiz were praised by critics On the review aggregator website Rotten Tomatoes, 95% of 430 critics' reviews are positive, with an average rating of 8.2/10. The website's consensus reads: "A visually dazzling space odyssey that's carried along effortlessly by the gravitational pull of Ryan Gosling at his most winning, Project Hail Mary is a near-miraculous fusion of smarts and heart."[65] Metacritic, which uses a weighted average, assigned the film a score of 77 out of 100, based on 60 critics, indicating "generally favorable" reviews.[66] Audiences polled by CinemaScore gave the film an "A" on an A+ to F scale.[67] The film received an average rating of 8 out of 10 from Cine21.[68] G. Allen Johnson of the San Francisco Chronicle deemed it "a masterpiece of a family popcorn movie, with eye-popping hand-crafted production design and outstanding creature design and puppetry work."[69] Randy Myers of The Mercury News gave the film a 3.5/4 rating, writing: "While you can't help but marvel at the visuals and applaud the commitment of Gosling's endearing performance, what also makes Project Hail Mary so gosh darn lovable is that it imbues us with child-like wonder from scenes that pay homage to such classics as E.T., Flight of the Navigator and, yes, Rocky."[70] Cosplay of Ryland Grace with a fan-created Rocky prop at NärCon 2026 Robbie Collin of The Telegraph concluded in his review: "Does it have many original ideas of its own? Perhaps not. But its greatest hits mixtape of other people's has been compiled with such flair – as well as a sound comprehension of why they worked so well the first time – that it's hard not to be swept up regardless."[71] Barry Hertz of The Globe and Mail shared a similar opinion, writing: "At almost every turn, Project Hail Mary attempts to convince you that it is groundbreaking, innovative filmmaking. But in actuality, the movie lands as a grand act of cinematic recycling – the fusing together of familiar, comforting bits and pieces into something determined to please crowds and warm hearts."[72] Amy Nicholson of the Los Angeles Times wrote: "While Stanley Kubrick's unsentimental 2001: A Space Odyssey inspired the iPad, Lord and Miller want to inspire a better version of us."[73] Brian Truitt of USA Today gave the film a four out of four rating, writing that "Project Hail Mary is one of those old-school popcorn movies with big ideas, the kind of film that Steven Spielberg and George Lucas would have made back in the day and kids of all ages would have obsessed over and bought the toys."[74] Ryan Cooper of The American Prospect wrote that the film portrayed a "shockingly realistic view of heroism" and was "one of the rare films that is quite a bit better than the book".[75] Peter Bradshaw of The Guardian wrote: "Gosling is an effortlessly charming screen player, and he keeps it watchable, though the film itself has moments of dullness and a sort of puppyish silliness [...] Perhaps refreshingly, the film doesn't aim for the stunned awe and rapture of, say, Christopher Nolan's Interstellar or even Jon Spaihts' underrated Passengers, but it does have the classic sci-fi spacecraft tropes: the huge, mysterious architecture with its vertiginous tunnels in which legacy pop music is played to soothe the inhabitants."[76] GVSU anthropology professor Deana L. Weibel praised Grace's intellectual humility in the film.[77] Nicholas Barber of the BBC declared it one of the best films of 2026, writing: Project Hail Mary is an unusual science-fiction blockbuster in that it's mostly about people using their brains to solve problems [...] Does that approach sound a bit dry and academic? If so, rest assured that Project Hail Mary is touching and inspiring – and surprisingly fun [...] it's directed by Phil Lord and Christopher Miller, who take a complicated, potentially bleak narrative and make it as fast-paced and cheerful as their animated hit The Lego Movie. Meanwhile, Ryan Gosling brings all of his goofball charm to the role of an amnesiac biologist who is trying to save the world.[78] Conversely, Owen Gleiberman of Variety called it "not a very good movie", adding that "it's baggy and incredibly derivative of movies you've seen before [...] More crucially, everything to do with the onboard alien is far too cute and formulaic".[79]
Molecular biologist turned award-winning chef, food writer, photographer, and bestselling cookbook author Nik Sharma shares what he's been reading lately and talks about his forthcoming cookbook, Fundamentals of Flavor. Nik Sharma is the bestselling author of cookbooks celebrated for blending culinary science with deeply personal storytelling: Season, The Flavor Equation, and Veg-Table. A former molecular biologist, Sharma brings a unique lens to the kitchen, where flavor is both a feeling and a formula. He serves as Editor in Residence at America's Test Kitchen, where he hosts the YouTube show Flavor Forward with Nik Sharma, is a co-host of the show In the Test Kitchen on Netflix, and is a cast member on the upcoming America's Test Kitchen show on PBS. Sharma is the creator of the award-winning blog Nik Sharma Cooks (formerly A Brown Table), and his writing and photography have been featured in The San Francisco Chronicle, The New York Times, The Guardian, and The Wall Street Journal, among others. He lives in Los Angeles, California, where he's always dreaming up his next recipe.SUBSTACK! MERCH! WATCH! CONTACT! hello@gaysreading.com Hosted on Acast. See acast.com/privacy for more information.
Steiny & Guru chat with 49ers beat writer for the San Francisco Chronicle, Eric Branch about the Week 1 win, Brock Purdy's growth, and the greatness of Kyle Shanahan.
Steiny & Guru wonder if Brock Purdy is beginning to turn heads more than just his head coach and they also catch up with the San Francisco Chronicle's Eric Branch about the amazing first week for the 49ers.
Steiny & Guru discuss Brock Purdy's placement among QBs and why it's such a polarizing conversation, Kyle Shanahan's relationship with QBs, the 49ers feeling heading into Dolphins week, where were you when Brock took the league by storm in 2022, Steph Curry's declaration, gambling in sports, and chicken tenders being an issue at Oracle Park. Plus, SF Chronicle's Eric Branch at 10:30a + Miami's Zach Gelb at 12:00p.
Hour 4 kicks off with a discussion with Susan Slusser of the San Francisco Chronicle on young players getting a taste of the bigs as the Giants' season winds down, plus National Headlines involving the Kawhi Leonard trade and the latest developments in the MLB playoff chase.See omnystudio.com/listener for privacy information.
Susan Slusser of the San Francisco Chronicle speaks to the decision to shut down Raphael Devers due to a core muscle injury. But what's surprising is that Devers has been playing with this issue for quite some time, and it's not the first time a player has done so. Susan and John discuss the complexities of core muscle injuries, which are often misunderstood and difficult to diagnose. See omnystudio.com/listener for privacy information.
Hour 4 kicks off with a discussion with Susan Slusser of the San Francisco Chronicle on young players getting a taste of the bigs as the Giants' season winds down, plus National Headlines involving the Kawhi Leonard trade and the latest developments in the MLB playoff chase.See omnystudio.com/listener for privacy information.
Susan Slusser of the San Francisco Chronicle speaks to the decision to shut down Raphael Devers due to a core muscle injury. But what's surprising is that Devers has been playing with this issue for quite some time, and it's not the first time a player has done so. Susan and John discuss the complexities of core muscle injuries, which are often misunderstood and difficult to diagnose. See omnystudio.com/listener for privacy information.
Ed's in Venice, so Alex and Kirsten discuss the FUKT.Purist Satirical Hypercar Reveal, fake engine sounds and smells, privacy, surveillance, Angeles Death Highway, Waymo in San Diego, Dumb Headlines, the Rivian R2, CyberCab challenges for 1st Responders, and Alex makes a prediction.EPISODE TIMESTAMPS00:00 — Welcome to The AutonocastAlex and Kirsten open an Ed-free episode and discuss Ed Niedermeyer's trip to Europe for the premiere of Alex Gibney's Elon Musk documentary.04:27 — FUKT Global and the Ultimate Car-Culture SatireAlex introduces FUKT Global and Angela's Death Highway, unpacking a viral AI-powered parody of modern enthusiast cars, EVs, synthetic driving experiences, and automotive marketing.08:39 — Fake Engine Sounds, Fake Manuals & Fake Gasoline SmellsWhy FUKT's fictional electric “Purist” brilliantly skewers synthetic transmissions, artificial engine sounds, simulated shifting, and the auto industry's attempts to recreate analog driving.12:02 — Surveillance, Flock Cameras & the Future of Driver PrivacyThe parody gets more serious: 14 interior cameras, connected vehicles, driver monitoring, and the provocative idea that “safety should follow the driver, not the car.”13:26 — Is This the Nightmare Future of Human Driving?Alex explains how mass-market vehicles could become increasingly automated, monitored, and restricted while true analog driving becomes a luxury available primarily to wealthy enthusiasts.15:00 — Can Technology Preserve Driving Freedom?A vision for future EVs that could reproduce the performance, sound, feel, and dynamics of classic Mustangs, Porsche 911s, and other enthusiast cars while balancing safety, privacy, freedom, and agency.17:03 — What Would an Autonomous-Vehicle Satire Look Like?The hosts imagine applying FUKT's approach to the AV industry: billion-dollar fundraising, robotaxi promises, surveillance, shifting timelines, and technology pivots.19:00 — Tesla Cybercab and the Power of “Narrative Command”Kirsten examines the optics surrounding Tesla's Cybercab event and how a relatively small deployment can appear enormous through social media, influencers, and Tesla's ability to control the autonomy narrative.21:01 — Tesla vs. Waymo: Perception vs. DeploymentAlex argues that Waymo may have thousands of vehicles operating while Tesla has far fewer Cybercabs, yet public perception increasingly treats the companies as peers in the robotaxi race.22:35 — Robotaxis Without Steering Wheels or PedalsZoox and Tesla Cybercab introduce a new safety challenge: what happens when a driverless vehicle without conventional controls becomes disabled or stuck?23:51 — First Responders and the Driverless-Car ProblemKirsten discusses emerging California rules addressing how autonomous vehicles interact with police, firefighters, emergency personnel, teleoperators, and roadside incidents.26:09 — Riding Waymo in San DiegoFresh from Waymo's newly launched San Diego service, Kirsten describes pricing, pickup locations, routing, passenger experience, and how the service compares with Uber.28:04 — Would You Put Your Child in a Waymo Alone?The discussion turns from abstract AV safety to a much more personal threshold: what would parents need to know before allowing a child to travel alone in an autonomous vehicle?29:06 — Robotaxis, Uber & Personal SafetyKirsten explores the tradeoff between a driverless vehicle that may require passengers to walk several blocks and a human-driven Uber offering true door-to-door service.32:42 — Why Autonomous Cars May Not Kill Car OwnershipAlex argues that parents and existing car owners may prefer personally owned autonomous vehicles that are always available rather than relying exclusively on shared robotaxi fleets.33:39 — The Cybercab First-Responder QuestionThe hosts return to Tesla Cybercab and debate how vehicles without manual controls can be moved when software, connectivity, or autonomy fails.35:23 — Tesla Cybercab, FMVSS & NHTSAKirsten explains the federal self-certification process, Tesla's Cybercab approach, vehicles without traditional controls, and NHTSA's inquiry into whether alternative systems satisfy federal safety requirements.37:47 — Is the NHTSA Inquiry a “Something Burger”?Alex and Kirsten debate how significant the federal scrutiny really is—and whether Tesla will simply continue deploying until regulators establish a boundary it must address.39:01 — Can You Drive a Cybercab With a Controller?A discussion of service modes, remote assistance, emergency controls, and reports and images suggesting unconventional ways Cybercabs might be maneuvered without a steering wheel.39:23 — The Waymo Headline Where Nothing HappenedThe hosts dissect a San Francisco Chronicle story about a toddler, a crosswalk, and an approaching Waymo—and debate clickbait versus meaningful AV safety journalism.42:26 — Why One AV Incident Can Affect the Entire IndustryAlex and Kirsten discuss how autonomous vehicles are often treated as a single technological category, meaning a serious incident involving one company could damage public confidence in every AV developer.44:28 — Has the Consumer AV Safety Debate Already Been Won?Alex clarifies his argument that, whatever unresolved regulatory and technical issues remain, autonomous vehicles are increasingly becoming normalized in the minds of ordinary consumers.45:14 — Kirsten's First Drive of the Rivian R2Kirsten previews her extended Rivian R2 test, discussing its driving experience, interior materials, ergonomics, improvements over the R1, and some surprisingly important design details.47:44 — Could the Rivian R2 Replace Alex's Tesla Model S?Alex explains why Tesla FSD—or an equivalent point-to-point driver-assistance system—has become a requirement for his next new vehicle, while Kirsten prepares to test Rivian's latest ADAS capabilities.48:15 — The Future of Driving & The Autonocast PartyThe episode closes with thoughts on how long human driving will remain practical and an early preview of the tenth annual Autonocast party.Topics: Tesla Cybercab, Waymo, autonomous vehicles, robotaxis, Tesla FSD, NHTSA, FMVSS, Zoox, Rivian R2, Uber, AV safety, autonomous vehicle regulation, first responders, driverless cars, automotive surveillance, Flock cameras, EVs, human driving, car culture, AI, ADAS, privacy, mobility, and the future of transportation.
SF Chronicle's Bruce Jenkins and Marty Lurie look thru the Windows of Baseball with the Breaking News: Giants placed Devers on the 60-day injured list SundaySee omnystudio.com/listener for privacy information.
SF Chronicle's Bruce Jenkins and Marty Lurie look thru the Windows of Baseball with the Breaking News: Giants placed Devers on the 60-day injured list SundaySee omnystudio.com/listener for privacy information.
Marian Leitner-Waldman is the founder and CEO of Archer Roose Wines, one of the fastest growing wine companies in the U.S., dedicated to uniting world-class winemaking with sustainable packaging. She is on a mission to democratize fine wine by making the wine industry more inclusive and leveraging format to fit the lifestyles of modern consumers. The brand's Emmy-award winning commercials, starring business partner and actress Elizabeth Banks, have been lauded by the San Francisco Chronicle as the “most innovative wine marketing around.” Marian is the recipient of Wine Industry's Advisor “Most Inspiring Person in Wine” in 2025 and was honored as one of the 2025 Women in Beverage by the Beverage Information Group.Find Me:IG + TikTok citrusdiaries.studiocitrusdiaries.com | hello@citrusdiaries.comCreate your podcast today! #madeonzencastr
Susan Slusser of the San Francisco Chronicle speaks to the impressive play of Devers, who's been on a tear since May 1, with 35 home runs and 36 doubles. We also discusses the importance of Logan Webb and Devers' leadership, particularly in his ability to inspire younger players like Bryce Eldridge.See omnystudio.com/listener for privacy information.
Susan Slusser of The San Francisco Chronicle covers the Giants' struggles and potential turning points in a disappointing season. We discuss the importance of hitting rock bottom, and the possibility of a rebuild. Slusser shares her insights on the team's young players, including Bo Davidson and Jackson Flora, who are making a name for themselves in the minor leagues. The discussion also touches on the team's pitching staff, the bullpen's struggles, and the need for improvement. Slusser highlights the potential of Carson Seymour, Dylan Smith, and Trent Harris, who are making a positive impact. See omnystudio.com/listener for privacy information.
Susan Slusser of The San Francisco Chronicle covers the Giants' struggles and potential turning points in a disappointing season. We discuss the importance of hitting rock bottom, and the possibility of a rebuild. Slusser shares her insights on the team's young players, including Bo Davidson and Jackson Flora, who are making a name for themselves in the minor leagues. The discussion also touches on the team's pitching staff, the bullpen's struggles, and the need for improvement. Slusser highlights the potential of Carson Seymour, Dylan Smith, and Trent Harris, who are making a positive impact. See omnystudio.com/listener for privacy information.
SF Chronicle's Bruce Jenkins and Marty look thru the windows of Baseball on the Giants' split double header today vs the D-Backs, the Pope wearing a White Sox Pope hat and moreSee omnystudio.com/listener for privacy information.
SF Chronicle's Bruce Jenkins and Marty look thru the windows of Baseball on the Giants' split double header today vs the D-Backs, the Pope wearing a White Sox Pope hat and moreSee omnystudio.com/listener for privacy information.
One of the Bay Area's youngest journalism organizations is about to turn one. Coyote Media Collective launched last September 2025, in the midst of shrinking newsrooms and a fraught time for journalism. And from the get go, they announced they wanted to be different from existing news organizations.That started with the way they were funded- , they raised more than 150 thousand dollars on the crowd funding platform Give Butter. And their model is also different from legacy media- it's a worker-owned, and co-founded by 11 longtime Bay Area journalists- including former SF Chronicle reporters Soleil Ho, Nuala Bishari, and Cecilia Lei.Then, there's their vibe. Quirky, whimsical journalism with attitude. In this interview, Crosscurrents host Hana Baba, speaks with Nuala and Cecilia, as they get ready to mark their first anniversary next month.
What inspired the idea of being “spiritual but not religious”? Modern quests for experiential insight have diverse roots. Influences range from the work of Aldous Huxley – The Perennial Philosophy and The Doors of Perception – to the 12 steps of Alcoholics Anonymous and their references to “God as we understood Him”.Don Lattin is the author of Distilled Spirits: Getting High, Then Sober, with a Famous Writer, a Forgotten Philosopher, and a Hopeless Drunk, which highlights the impact of Gerald Heard, who got Huxley interested in Eastern wisdom, and turned on many others to LSD – including Bill Wilson, the co-founder of AA.This book is the prequel to an earlier bestseller, The Harvard Psychedelic Club: How Timothy Leary, Ram Dass, Huston Smith, and Andrew Weil Killed the Fifties and Ushered in a New Age for America. That grew out of Don's career as a reporter, covering religion for the San Francisco Chronicle while becoming an addict and alcoholic.We discuss how his own story overlaps with those he writes about, from religious doubts to experiencing oneness on LSD. In the process, we explore whether altered states lead to mystical insights or resolve mental health issues – topics addressed by Don's recent books, God on Psychedelics and Changing Our Minds.These days, Don shares reflections on cults and other new religious movements via his Substack, Messiahs I Have Known, which I highly recommend.--
Susan Slussewr of the San Francisco Chronicle recaps Rafael Devers' return to Boston and the Giants' injury concerns. We also touch on the Padres' new ownership and their potential impact on the team's future. An injury to Carson Whisenhunt has left the rotation uncertain after leaving the game with arm pain last night as SF is now in full evaluation mode for the rest of the season.See omnystudio.com/listener for privacy information.
In Hour 2, Willard and Dibs continue breaking down San Francisco 49ers' principal owner Jed York's arrest in Ohio, and what it means for the future of the organization. They also revisited the 2017 press conference where York infamously said to Lowell Cohn, "You can't fire owners."" Also, how much does this damage York's overall reputation? Later in the hour, they're joined by San Francisco Chronicle columnist Ann Killion to discuss York's arrest and the humiliation that comes with it.
In Hour 3, Willard and Dibs continue their conversation with The San Francisco Chronicle's Ann Killion about San Francisco 49ers' principal owner Jed York's arrest in Ohio. They also talk to NBC Bay Area anchor Raj Mathai to discuss York's arrest and how involved he'll be moving forward.
In Hour 1 of Willard & Dibs, Mark Willard and Dan Dibley react to San Francisco 49ers' owner Jed York being arrested in East Palestine, Ohio, and charged with two misdemeanors: disorderly conduct and possession of criminal tools. The charges are related to a prostitution case. In Hour 2, Willard and Dibs continue breaking down San Francisco 49ers' principal owner Jed York's arrest in Ohio, and what it means for the future of the organization. They also revisited the 2017 press conference where York infamously said to Lowell Cohn, "You can't fire owners."" Also, how much does this damage York's overall reputation? Later in the hour, they're joined by San Francisco Chronicle columnist Ann Killion to discuss York's arrest and the humiliation that comes with it. In Hour 3, Willard and Dibs continue their conversation with The San Francisco Chronicle's Ann Killion about San Francisco 49ers' principal owner Jed York's arrest in Ohio. They also talk to NBC Bay Area anchor Raj Mathai to discuss York's arrest and how involved he'll be moving forward. In Hour 4, Willard and Dibs discuss the moral aspect of Jed York's alleged crimes leading to his arrest in East Palestine, Ohio.
Susan Slussewr of the San Francisco Chronicle recaps Rafael Devers' return to Boston and the Giants' injury concerns. We also touch on the Padres' new ownership and their potential impact on the team's future. An injury to Carson Whisenhunt has left the rotation uncertain after leaving the game with arm pain last night as SF is now in full evaluation mode for the rest of the season.See omnystudio.com/listener for privacy information.
Later in the hour, they're joined by San Francisco Chronicle columnist Ann Killion to discuss York's arrest and the humiliation that comes with it.
SF Chronicle's Bruce Jenkins and Marty look thru the Windows of Baseball: Rafael Devers hears boo's in his return to Fenway Park See omnystudio.com/listener for privacy information.
SF Chronicle's Bruce Jenkins and Marty look thru the Windows of Baseball: Rafael Devers hears boo's in his return to Fenway Park See omnystudio.com/listener for privacy information.
Progressive California lawmaker Aisha Wahab defeated BART Board President Melissa Hernandez in the special election to serve the remainder of former East Bay Representative Eric Swalwell's term. Wahab's victory comes despite millions spent by pro-Israeli lobbying group AIPAC to defeat her and support her more moderate Democratic opponent, Hernandez. Marisa and Guy sit down with San Francisco Chronicle senior politics writer Joe Garofoli to talk about why this race got so much attention from AIPAC and what will happen when the two candidates face off again in November. Check out Political Breakdown's weekly newsletter, delivered straight to your inbox. Learn more about your ad choices. Visit megaphone.fm/adchoices
Chapal Rani was one of India's most famous performers of jatra, Bengal's popular theater. Traditionally, all the roles, including female roles, were played by men—and Chapal Rani was perhaps the most prominent performer of women on the stage. He's also the subject of a new book from Sandip Roy, titled Chapal Rani, the Last Queen of Bengal. Roy, who joins us the show today, tells the story of Chapal Rani's life, from stardom to obscurity and later rediscovery; how Chapal Rani would transform himself every night onstage; and how jatra changes how we talk about gender and performance. Sandip Roy is a writer, columnist, and podcaster currently living in Kolkata. He is a columnist for Mint Lounge, The Hindu, and the host of the Sandip Roy Show on Indian Express. His work has appeared in The New York Times, BBC, The San Francisco Chronicle, NPR, Huffington Post, Conde Nast Traveller, among other publications. For over a decade, Roy was editor of Trikone, the world's oldest magazine on LGBTQ+ South Asian issues. He is the author of the novel Don't Let Him Know. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chapal Rani, the Last Queen of Bengal. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Chapal Rani was one of India's most famous performers of jatra, Bengal's popular theater. Traditionally, all the roles, including female roles, were played by men—and Chapal Rani was perhaps the most prominent performer of women on the stage. He's also the subject of a new book from Sandip Roy, titled Chapal Rani, the Last Queen of Bengal. Roy, who joins us the show today, tells the story of Chapal Rani's life, from stardom to obscurity and later rediscovery; how Chapal Rani would transform himself every night onstage; and how jatra changes how we talk about gender and performance. Sandip Roy is a writer, columnist, and podcaster currently living in Kolkata. He is a columnist for Mint Lounge, The Hindu, and the host of the Sandip Roy Show on Indian Express. His work has appeared in The New York Times, BBC, The San Francisco Chronicle, NPR, Huffington Post, Conde Nast Traveller, among other publications. For over a decade, Roy was editor of Trikone, the world's oldest magazine on LGBTQ+ South Asian issues. He is the author of the novel Don't Let Him Know. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chapal Rani, the Last Queen of Bengal. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Chapal Rani was one of India's most famous performers of jatra, Bengal's popular theater. Traditionally, all the roles, including female roles, were played by men—and Chapal Rani was perhaps the most prominent performer of women on the stage. He's also the subject of a new book from Sandip Roy, titled Chapal Rani, the Last Queen of Bengal. Roy, who joins us the show today, tells the story of Chapal Rani's life, from stardom to obscurity and later rediscovery; how Chapal Rani would transform himself every night onstage; and how jatra changes how we talk about gender and performance. Sandip Roy is a writer, columnist, and podcaster currently living in Kolkata. He is a columnist for Mint Lounge, The Hindu, and the host of the Sandip Roy Show on Indian Express. His work has appeared in The New York Times, BBC, The San Francisco Chronicle, NPR, Huffington Post, Conde Nast Traveller, among other publications. For over a decade, Roy was editor of Trikone, the world's oldest magazine on LGBTQ+ South Asian issues. He is the author of the novel Don't Let Him Know. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chapal Rani, the Last Queen of Bengal. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Chapal Rani was one of India's most famous performers of jatra, Bengal's popular theater. Traditionally, all the roles, including female roles, were played by men—and Chapal Rani was perhaps the most prominent performer of women on the stage. He's also the subject of a new book from Sandip Roy, titled Chapal Rani, the Last Queen of Bengal. Roy, who joins us the show today, tells the story of Chapal Rani's life, from stardom to obscurity and later rediscovery; how Chapal Rani would transform himself every night onstage; and how jatra changes how we talk about gender and performance. Sandip Roy is a writer, columnist, and podcaster currently living in Kolkata. He is a columnist for Mint Lounge, The Hindu, and the host of the Sandip Roy Show on Indian Express. His work has appeared in The New York Times, BBC, The San Francisco Chronicle, NPR, Huffington Post, Conde Nast Traveller, among other publications. For over a decade, Roy was editor of Trikone, the world's oldest magazine on LGBTQ+ South Asian issues. He is the author of the novel Don't Let Him Know. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chapal Rani, the Last Queen of Bengal. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Chapal Rani was one of India's most famous performers of jatra, Bengal's popular theater. Traditionally, all the roles, including female roles, were played by men—and Chapal Rani was perhaps the most prominent performer of women on the stage. He's also the subject of a new book from Sandip Roy, titled Chapal Rani, the Last Queen of Bengal. Roy, who joins us the show today, tells the story of Chapal Rani's life, from stardom to obscurity and later rediscovery; how Chapal Rani would transform himself every night onstage; and how jatra changes how we talk about gender and performance. Sandip Roy is a writer, columnist, and podcaster currently living in Kolkata. He is a columnist for Mint Lounge, The Hindu, and the host of the Sandip Roy Show on Indian Express. His work has appeared in The New York Times, BBC, The San Francisco Chronicle, NPR, Huffington Post, Conde Nast Traveller, among other publications. For over a decade, Roy was editor of Trikone, the world's oldest magazine on LGBTQ+ South Asian issues. He is the author of the novel Don't Let Him Know. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chapal Rani, the Last Queen of Bengal. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
Big Sur's residents are used to natural disasters. This time, Highway 1 is closed again thanks to the Timber Fire that started on Aug. 8, which has burned more than 5,000 acres. Parts of Big Sur are also under mandatory evacuation orders. As the SF Chronicle's Connor Letourneau reports, it's the latest chapter in a “boom and bust” cycle that Big Sur's small businesses know all too well. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hour 1: The Giants' season is off to a rough start, and the 49ers are gearing up for a big game against the Chargers. In this episode, the hosts dive into the latest news and updates from the world of sports, including the Giants' struggles and the 49ers' joint practice with the Chargers. The hosts discuss the Giants' poor performance, citing their lack of coffee and the struggles of their players, including Carson Whisenhunt and Buddy Kennedy. They also touch on the recent news that the San Francisco Chronicle has pulled their beat writer from the road, indicating the team's struggles are affecting even the local media. The hosts also praise the new website, boxscore dot email, which provides clean and easy-to-read box scores for baseball games. The conversation shifts to the 49ers, who are preparing for a game against the Chargers. The hosts discuss the team's joint practice, where they faced off against the Chargers and came out on the losing end. They also talk about the 49ers' injury updates, including Christian McCaffrey's tightness and George Kittle's decision to not participate in padded practices. The hosts also discuss the 49ers' offseason additions, including Osa Diggi Zua, who they believe will make a big impact on the team. If you're a sports fan looking for the latest news and updates, this episode is a must-listen. The hosts provide in-depth analysis and commentary on the world of sports, covering everything from the Giants' struggles to the 49ers' joint practice. Tune in to hear more about the latest developments in the world of sports and get ready to join the conversation.See omnystudio.com/listener for privacy information.
Hour 1: The Giants' season is off to a rough start, and the 49ers are gearing up for a big game against the Chargers. In this episode, the hosts dive into the latest news and updates from the world of sports, including the Giants' struggles and the 49ers' joint practice with the Chargers. The hosts discuss the Giants' poor performance, citing their lack of coffee and the struggles of their players, including Carson Whisenhunt and Buddy Kennedy. They also touch on the recent news that the San Francisco Chronicle has pulled their beat writer from the road, indicating the team's struggles are affecting even the local media. The hosts also praise the new website, boxscore dot email, which provides clean and easy-to-read box scores for baseball games. The conversation shifts to the 49ers, who are preparing for a game against the Chargers. The hosts discuss the team's joint practice, where they faced off against the Chargers and came out on the losing end. They also talk about the 49ers' injury updates, including Christian McCaffrey's tightness and George Kittle's decision to not participate in padded practices. The hosts also discuss the 49ers' offseason additions, including Osa Diggi Zua, who they believe will make a big impact on the team. If you're a sports fan looking for the latest news and updates, this episode is a must-listen. The hosts provide in-depth analysis and commentary on the world of sports, covering everything from the Giants' struggles to the 49ers' joint practice. Tune in to hear more about the latest developments in the world of sports and get ready to join the conversation.See omnystudio.com/listener for privacy information.
John Lund continues to update the poll: who is most critical to stay healthy for the 49ers in 2026? We welcome in Susan Slusser of The San Francisco Chronicle on the Giants' challenges they're facing, including the sloppy play and ineffective bullpen. Meanwhile, the 49ers are gearing up for the season, and 49ers legend Jesse Sapolu shares his thoughts on the team's joint practices with the Chargers. He talks about the differences between the current era and his playing days, including the structured practices and the influence of the NFL's concussion protocols.See omnystudio.com/listener for privacy information.
Susan Slusser of the San Francisco Chronicle shares her insights on the Giants' performance, highlighting frustration after Sunday's sloppy game. She also discusses the impact of the new ABS system on catcher Patrick Bailey's effectiveness as SF heads to Cleveland, and her thoughts on the decision to call up Tugboat Wilkinson.See omnystudio.com/listener for privacy information.
In this bonus episode of Scott Peterson Revisited, we look beyond the evidence to examine the man at the center of the case. Was Scott Peterson capable of murdering his pregnant wife, Laci, and their unborn son, Conner?We explore Scott's family history, childhood, relationships, repeated infidelities, and carefully cultivated image as the family's “Golden Boy” and “Mr. Perfect.” We also consider the patterns of deception and compartmentalization that emerged throughout his life and ask whether they offer clues to how he could commit such a devastating crime—and continue to deny responsibility more than two decades later.Unmasking Scott Peterson examines the man behind the carefully constructed image and asks: What happens when maintaining the mask becomes more important than confronting reality?Content warningThis episode discusses the murder of a pregnant woman and the death of an unborn child.Sources and further listeningInside the Mind of Scott Peterson, Keigh Ablow, M.D., St. Martin's Press, 2005.Till Death Do Us Part: Love, Marriage, and the Mind of the Killer Spouse, Dr. Robi Ludwig and Matt Birkbeck, Atria Books, 2006.When the Husband is the Suspect, F. Lee Bailey with Jean Rabe, A Forge Book, 2008. Witness for the Prosecution of Scott Peterson, Amber Frey, Regan Books, 2005. For Laci: A Mother's Story of Love, Loss, and Justice, Sharon Rocha, Crown Publishers, 2006. Blood Brother: 33 Reasons My Brother Scott Peterson is Guilty, Anne Bird, Regan Books, 2005. “Fun and unpredictable, that was the real Laci,” Diana Walsh for The San Francisco Chronicle, May 30, 2004. “William “Kent” Gains - December 8, 1972 - August 21, 2021, Epilogg.com. Links to our original episodes: This episode revisits research originally presented in Episodes 71 and 72 of Once Upon a Crime in 2017. https://www.truecrimepodcast.com/s2-ep71-the-12-crimes-of-christmas-laci-peterson-part-1/https://www.truecrimepodcast.com/s2-ep72-the-12-crimes-of-christmas-laci-peterson-part-2/Sponsors: See a list of our sponsors and discount codes on our website:https://www.truecrimepodcast.com/sponsors/Links: Patreon - www.patreon.com/onceuponacrime Our Website - www.truecrimepodcast.com OUAC Merchandise Shop - https://onceuponacrime.dashery.comYouTube - https://www.youtube.com/@OnceUponACrimePodcastSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Susan Slusser from the San Francisco Chronicle joins the show. They discuss the Giants calling up Matt "Tugboat" Wilkinson, a promising young pitcher who's been dominating in the minors. But what makes him so special, and why now is the right time to give him a shot? Susan shares her insights on Wilkinson's impressive stats and what the team might be thinking. Plus, they discussed the latest news on Tony Vitiello's future with the Giants, and what it means for the team's leadership. See omnystudio.com/listener for privacy information.
SF Chronicle's Bruce Jenkins and Marty Look thru the Windows of Baseball LIVE in Studio with Aaron Lurie and Sandra GSee omnystudio.com/listener for privacy information.
SF Chronicle's Bruce Jenkins and Marty Look thru the Windows of Baseball LIVE in Studio with Aaron Lurie and Sandra GSee omnystudio.com/listener for privacy information.
Emily Hoeven expected the towns hosting America's new data centers to be the angriest. She found the opposite. In a recent column for the San Francisco Chronicle — titled "'We were a dying little town': How Silicon Valley data centers are reshaping rural America" — she maps a strange disconnect: the dread over data centers looms large in the Bay Area, cradle of the artificial intelligence boom, while places bearing the weight, like Ellendale, North Dakota, have made their peace.
Welcome to The Celluloid Mirror!In this episode we discuss Paul Norman's 1995 film Ice Cream Man starring Clint Howard and Steven Spielberg's 2001 film A.I. Artificial Intelligence starring Haley Joel Osment.Did we do this episode partly to comment on a certain other Ice Cream Man film that is currently getting torn apart by horror fans and uses generative A.I.? Yup. We briefly discuss Eli Roth's latest "efforts." We also discuss how the 1995 Ice Cream Man is a whole lot of fun, A.I. was mis-marketed leading to poor audience reactions, read some listener/viewer comments, and spend some time on the internet. Ice Cream Man Reviews:Stefan Birgir Stefans: https://www.sbs.is/movie-review/ice-cream-man-1995/Robert Scucci: https://www.giantfreakinrobot.com/ent/horror/ice-cream-man-review.htmlCritic Quotes about A.I. Artificial Intelligence:“By the end A.I. exhibits all its creators' bad traits and none of the good. So we end up with the structureless, meandering, slow-motion endlessness of Kubrick combined with the fuzzy, cuddly mindlessness of Spielberg.” - Mick Lasalle, SF Chronicle“There aren't many at all like Spielberg and Kubrick, directors willing to lasso dreams (that's Steven) and nightmares (that's Stanley) or die trying. A.I. is a clash of the titans, a jumble, an oedipal drama, a carny act. I want to see it again.” - Lisa Schwazbaum, EWSubscribe to the audio-only version of The Celluloid Mirror on your podcast platform of choice or subscribe to our YouTube Channel at https://www.youtube.com/@4milecircusprod and turn on reminders to catch our livestreams. Find The Celluloid Mirror (including bonus episodes) at its home on Patreon: http://www.patreon.com/4milecircusRegular episodes (as well as some other posts) are free to all. Most posts are free if you subscribe, and there are even more if you wanna pay. Join us!Learn more about our work in general at http://www.4milecircus.comMusic"Twisted" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"
With the Giants' season not going as planned, Susan Slusser of the San Francisco Chronicle delves into the team's struggles and the decisions made by their front office. The Giants' season has been marked by a lack of success, but John and Susan discuss the reasoning behind the team's moves, including the signing of big-name players and the trade deadline deals. They explore the idea that sometimes, big swings can lead to big misses, and that the team's front office is trying to instill a winning culture despite the challenges they're facing.See omnystudio.com/listener for privacy information.
SF Chronicle's Bruce and Marty look thru the Windows of Baseball on Mike Krukow retiring announcement and the Wall of Fame ceremony celebrating: Brandon Belt, Brandon Crawford, Joe Panik, Buster Posey, and Pablo Sandoval See omnystudio.com/listener for privacy information.
The U.S. economy saw a surprising slowdown, but the picture is more complicated. Courtenay Brown from Axios explains. White House priorities are hitting a wall in the Senate, deepening a rift between President Trump and Majority Leader John Thune. Semafor’s Burgess Everett tells us why the math doesn’t add up for Trump’s agenda. A court-ordered review found serious failures in medical care at California’s largest ICE detention center. The San Francisco Chronicle’s Ko Lyn Cheang breaks down the findings and what detainees say they’re enduring inside. Plus, the father of a high-school shooter was sentenced to 15 years for buying him the gun and failing to intervene, European countries agreed to boycott the World Cup, and Ben Affleck’s quiz-show success. Today’s episode was hosted by Gideon Resnick.