Podcasts about critical studies

This week on the Monday Wire: For our weekly catchup with the ACT Party's Simon Court, News and Editorial Director and Monday Wire Host, Joel, spoke to him about ACT local candidates opposing moves to mitigate the climate crisis at a regional level, the ban of Israeli MPs Itamar Ben-Gvir and Bezalel Smotrich for visiting the country, and changes to proposed anti-stalking laws. Joel also spoke to Claudia Rozas — a lecturer in Critical Studies at the University of Auckland, about the new English curriculum, and the need for Māori and Pacific authors to be engaged with. Producer Samantha spoke to PSA organiser Claire Nickson about staffing and funding cuts at the National Geohazard Monitoring Centre and its implications for the public. Samantha also spoke to Justin Sobion, Professor of Law at University of Auckland about the Princess of Tonga calling for whales to be granted legal personhood. Whakarongo mai!

On Friday last week, the consultation process for the proposed new English curriculum for intermediate and high school students ended. The proposed English curriculum will result in senior high school students learning Shakespeare and 19th-century texts, and spelling and keyboard lessons for younger students. However, concerns have been raised that the proposed curriculum is ‘Eurocentric,' does not engage with Te Tiriti o Waitangi, and lacks Māori and Pacific text. News and Editorial Director and Monday Wire Host, Joel, spoke to Claudia Rozas — a lecturer in Critical Studies at the University of Auckland, about why elements of te ao Māori should be incorporated into the English curriculum and the importance of Māori and Pacific text being engaged with.

This week on the Monday Wire: For our weekly catchup with the ACT Party's Simon Court, News and Editorial Director and Monday Wire Host, Joel, spoke to him about ACT local candidates opposing moves to mitigate the climate crisis at a regional level, the ban of Israeli MPs Itamar Ben-Gvir and Bezalel Smotrich for visiting the country, and changes to proposed anti-stalking laws. Joel also spoke to Claudia Rozas — a lecturer in Critical Studies at the University of Auckland, about the new English curriculum, and the need for Māori and Pacific authors to be engaged with. Producer Samantha spoke to PSA organiser Claire Nickson about staffing and funding cuts at the National Geohazard Monitoring Centre and its implications for the public. Samantha also spoke to Justin Sobion, Professor of Law at University of Auckland about the Princess of Tonga calling for whales to be granted legal personhood. Whakarongo mai!

Homeland security is rarely just a matter of the homeland; it involves the circulation and multiplication of policing practices across borders. Though the term "homeland security" is closely associated with the United States, Israel is credited with first developing this all-encompassing approach to domestic surveillance and territorial control. Today, it is a central node in the sprawling global homeland security industry worth hundreds of billions of dollars. And in the wake of the 2008 Mumbai terrorist attacks, India emerged as a major growth market. Known as "India's 9/11" or simply "26/11," the attacks sparked significant public pressure to adopt "modern" homeland security approaches. Since 2008, India has become not only the single largest buyer of Israeli conventional weapons, but also a range of other surveillance technology, police training, and security expertise. Pairing insights from science and technology studies with those from decolonial and postcolonial theory, Fabricating Homeland Security: Police Entanglements Across India and Palestine/Israel (Stanford UP, 2024) traces 26/11's political and policy fallout, concentrating on the efforts of Israel's homeland security industry to advise and equip Indian city and state governments. Through a focus on the often unseen and overlooked political struggles at work in the making of homeland security, Rhys Machold details how homeland security is a universalizing project, which seeks to remake the world in its image, and tells the story of how claims to global authority are fabricated and put to work. Rhys Machold is Senior Lecturer in the School of Social and Political Sciences at the University of Glasgow. His work focuses on imperialism, colonialism, and empire, working from a transnational approach. He is an editor at Critical Studies on Security and an editorial board member at International Studies Review. He held research and teaching appointments at York University (Canada), the Danish Institute for International Studies, the Tata Institute of Social Sciences, and Wilfrid Laurier University. Deniz Yonucu is a Senior Lecturer in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on policing and security, surveillance, left-wing and anti-colonial resistance, memory, and racism. Her monograph Police, Provocation, Politics: Counterinsurgency in Istanbul is the winner of the 2023 Anthony Leeds Prize for the best book in urban anthropology, awarded by the Critical Urban Anthropology Section of the American Anthropological Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Homeland security is rarely just a matter of the homeland; it involves the circulation and multiplication of policing practices across borders. Though the term "homeland security" is closely associated with the United States, Israel is credited with first developing this all-encompassing approach to domestic surveillance and territorial control. Today, it is a central node in the sprawling global homeland security industry worth hundreds of billions of dollars. And in the wake of the 2008 Mumbai terrorist attacks, India emerged as a major growth market. Known as "India's 9/11" or simply "26/11," the attacks sparked significant public pressure to adopt "modern" homeland security approaches. Since 2008, India has become not only the single largest buyer of Israeli conventional weapons, but also a range of other surveillance technology, police training, and security expertise. Pairing insights from science and technology studies with those from decolonial and postcolonial theory, Fabricating Homeland Security: Police Entanglements Across India and Palestine/Israel (Stanford UP, 2024) traces 26/11's political and policy fallout, concentrating on the efforts of Israel's homeland security industry to advise and equip Indian city and state governments. Through a focus on the often unseen and overlooked political struggles at work in the making of homeland security, Rhys Machold details how homeland security is a universalizing project, which seeks to remake the world in its image, and tells the story of how claims to global authority are fabricated and put to work. Rhys Machold is Senior Lecturer in the School of Social and Political Sciences at the University of Glasgow. His work focuses on imperialism, colonialism, and empire, working from a transnational approach. He is an editor at Critical Studies on Security and an editorial board member at International Studies Review. He held research and teaching appointments at York University (Canada), the Danish Institute for International Studies, the Tata Institute of Social Sciences, and Wilfrid Laurier University. Deniz Yonucu is a Senior Lecturer in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on policing and security, surveillance, left-wing and anti-colonial resistance, memory, and racism. Her monograph Police, Provocation, Politics: Counterinsurgency in Istanbul is the winner of the 2023 Anthony Leeds Prize for the best book in urban anthropology, awarded by the Critical Urban Anthropology Section of the American Anthropological Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Homeland security is rarely just a matter of the homeland; it involves the circulation and multiplication of policing practices across borders. Though the term "homeland security" is closely associated with the United States, Israel is credited with first developing this all-encompassing approach to domestic surveillance and territorial control. Today, it is a central node in the sprawling global homeland security industry worth hundreds of billions of dollars. And in the wake of the 2008 Mumbai terrorist attacks, India emerged as a major growth market. Known as "India's 9/11" or simply "26/11," the attacks sparked significant public pressure to adopt "modern" homeland security approaches. Since 2008, India has become not only the single largest buyer of Israeli conventional weapons, but also a range of other surveillance technology, police training, and security expertise. Pairing insights from science and technology studies with those from decolonial and postcolonial theory, Fabricating Homeland Security: Police Entanglements Across India and Palestine/Israel (Stanford UP, 2024) traces 26/11's political and policy fallout, concentrating on the efforts of Israel's homeland security industry to advise and equip Indian city and state governments. Through a focus on the often unseen and overlooked political struggles at work in the making of homeland security, Rhys Machold details how homeland security is a universalizing project, which seeks to remake the world in its image, and tells the story of how claims to global authority are fabricated and put to work. Rhys Machold is Senior Lecturer in the School of Social and Political Sciences at the University of Glasgow. His work focuses on imperialism, colonialism, and empire, working from a transnational approach. He is an editor at Critical Studies on Security and an editorial board member at International Studies Review. He held research and teaching appointments at York University (Canada), the Danish Institute for International Studies, the Tata Institute of Social Sciences, and Wilfrid Laurier University. Deniz Yonucu is a Senior Lecturer in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on policing and security, surveillance, left-wing and anti-colonial resistance, memory, and racism. Her monograph Police, Provocation, Politics: Counterinsurgency in Istanbul is the winner of the 2023 Anthony Leeds Prize for the best book in urban anthropology, awarded by the Critical Urban Anthropology Section of the American Anthropological Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Homeland security is rarely just a matter of the homeland; it involves the circulation and multiplication of policing practices across borders. Though the term "homeland security" is closely associated with the United States, Israel is credited with first developing this all-encompassing approach to domestic surveillance and territorial control. Today, it is a central node in the sprawling global homeland security industry worth hundreds of billions of dollars. And in the wake of the 2008 Mumbai terrorist attacks, India emerged as a major growth market. Known as "India's 9/11" or simply "26/11," the attacks sparked significant public pressure to adopt "modern" homeland security approaches. Since 2008, India has become not only the single largest buyer of Israeli conventional weapons, but also a range of other surveillance technology, police training, and security expertise. Pairing insights from science and technology studies with those from decolonial and postcolonial theory, Fabricating Homeland Security: Police Entanglements Across India and Palestine/Israel (Stanford UP, 2024) traces 26/11's political and policy fallout, concentrating on the efforts of Israel's homeland security industry to advise and equip Indian city and state governments. Through a focus on the often unseen and overlooked political struggles at work in the making of homeland security, Rhys Machold details how homeland security is a universalizing project, which seeks to remake the world in its image, and tells the story of how claims to global authority are fabricated and put to work. Rhys Machold is Senior Lecturer in the School of Social and Political Sciences at the University of Glasgow. His work focuses on imperialism, colonialism, and empire, working from a transnational approach. He is an editor at Critical Studies on Security and an editorial board member at International Studies Review. He held research and teaching appointments at York University (Canada), the Danish Institute for International Studies, the Tata Institute of Social Sciences, and Wilfrid Laurier University. Deniz Yonucu is a Senior Lecturer in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on policing and security, surveillance, left-wing and anti-colonial resistance, memory, and racism. Her monograph Police, Provocation, Politics: Counterinsurgency in Istanbul is the winner of the 2023 Anthony Leeds Prize for the best book in urban anthropology, awarded by the Critical Urban Anthropology Section of the American Anthropological Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Homeland security is rarely just a matter of the homeland; it involves the circulation and multiplication of policing practices across borders. Though the term "homeland security" is closely associated with the United States, Israel is credited with first developing this all-encompassing approach to domestic surveillance and territorial control. Today, it is a central node in the sprawling global homeland security industry worth hundreds of billions of dollars. And in the wake of the 2008 Mumbai terrorist attacks, India emerged as a major growth market. Known as "India's 9/11" or simply "26/11," the attacks sparked significant public pressure to adopt "modern" homeland security approaches. Since 2008, India has become not only the single largest buyer of Israeli conventional weapons, but also a range of other surveillance technology, police training, and security expertise. Pairing insights from science and technology studies with those from decolonial and postcolonial theory, Fabricating Homeland Security: Police Entanglements Across India and Palestine/Israel (Stanford UP, 2024) traces 26/11's political and policy fallout, concentrating on the efforts of Israel's homeland security industry to advise and equip Indian city and state governments. Through a focus on the often unseen and overlooked political struggles at work in the making of homeland security, Rhys Machold details how homeland security is a universalizing project, which seeks to remake the world in its image, and tells the story of how claims to global authority are fabricated and put to work. Rhys Machold is Senior Lecturer in the School of Social and Political Sciences at the University of Glasgow. His work focuses on imperialism, colonialism, and empire, working from a transnational approach. He is an editor at Critical Studies on Security and an editorial board member at International Studies Review. He held research and teaching appointments at York University (Canada), the Danish Institute for International Studies, the Tata Institute of Social Sciences, and Wilfrid Laurier University. Deniz Yonucu is a Senior Lecturer in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on policing and security, surveillance, left-wing and anti-colonial resistance, memory, and racism. Her monograph Police, Provocation, Politics: Counterinsurgency in Istanbul is the winner of the 2023 Anthony Leeds Prize for the best book in urban anthropology, awarded by the Critical Urban Anthropology Section of the American Anthropological Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Homeland security is rarely just a matter of the homeland; it involves the circulation and multiplication of policing practices across borders. Though the term "homeland security" is closely associated with the United States, Israel is credited with first developing this all-encompassing approach to domestic surveillance and territorial control. Today, it is a central node in the sprawling global homeland security industry worth hundreds of billions of dollars. And in the wake of the 2008 Mumbai terrorist attacks, India emerged as a major growth market. Known as "India's 9/11" or simply "26/11," the attacks sparked significant public pressure to adopt "modern" homeland security approaches. Since 2008, India has become not only the single largest buyer of Israeli conventional weapons, but also a range of other surveillance technology, police training, and security expertise. Pairing insights from science and technology studies with those from decolonial and postcolonial theory, Fabricating Homeland Security: Police Entanglements Across India and Palestine/Israel (Stanford UP, 2024) traces 26/11's political and policy fallout, concentrating on the efforts of Israel's homeland security industry to advise and equip Indian city and state governments. Through a focus on the often unseen and overlooked political struggles at work in the making of homeland security, Rhys Machold details how homeland security is a universalizing project, which seeks to remake the world in its image, and tells the story of how claims to global authority are fabricated and put to work. Rhys Machold is Senior Lecturer in the School of Social and Political Sciences at the University of Glasgow. His work focuses on imperialism, colonialism, and empire, working from a transnational approach. He is an editor at Critical Studies on Security and an editorial board member at International Studies Review. He held research and teaching appointments at York University (Canada), the Danish Institute for International Studies, the Tata Institute of Social Sciences, and Wilfrid Laurier University. Deniz Yonucu is a Senior Lecturer in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on policing and security, surveillance, left-wing and anti-colonial resistance, memory, and racism. Her monograph Police, Provocation, Politics: Counterinsurgency in Istanbul is the winner of the 2023 Anthony Leeds Prize for the best book in urban anthropology, awarded by the Critical Urban Anthropology Section of the American Anthropological Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/israel-studies

Homeland security is rarely just a matter of the homeland; it involves the circulation and multiplication of policing practices across borders. Though the term "homeland security" is closely associated with the United States, Israel is credited with first developing this all-encompassing approach to domestic surveillance and territorial control. Today, it is a central node in the sprawling global homeland security industry worth hundreds of billions of dollars. And in the wake of the 2008 Mumbai terrorist attacks, India emerged as a major growth market. Known as "India's 9/11" or simply "26/11," the attacks sparked significant public pressure to adopt "modern" homeland security approaches. Since 2008, India has become not only the single largest buyer of Israeli conventional weapons, but also a range of other surveillance technology, police training, and security expertise. Pairing insights from science and technology studies with those from decolonial and postcolonial theory, Fabricating Homeland Security: Police Entanglements Across India and Palestine/Israel (Stanford UP, 2024) traces 26/11's political and policy fallout, concentrating on the efforts of Israel's homeland security industry to advise and equip Indian city and state governments. Through a focus on the often unseen and overlooked political struggles at work in the making of homeland security, Rhys Machold details how homeland security is a universalizing project, which seeks to remake the world in its image, and tells the story of how claims to global authority are fabricated and put to work. Rhys Machold is Senior Lecturer in the School of Social and Political Sciences at the University of Glasgow. His work focuses on imperialism, colonialism, and empire, working from a transnational approach. He is an editor at Critical Studies on Security and an editorial board member at International Studies Review. He held research and teaching appointments at York University (Canada), the Danish Institute for International Studies, the Tata Institute of Social Sciences, and Wilfrid Laurier University. Deniz Yonucu is a Senior Lecturer in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on policing and security, surveillance, left-wing and anti-colonial resistance, memory, and racism. Her monograph Police, Provocation, Politics: Counterinsurgency in Istanbul is the winner of the 2023 Anthony Leeds Prize for the best book in urban anthropology, awarded by the Critical Urban Anthropology Section of the American Anthropological Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/national-security

Homeland security is rarely just a matter of the homeland; it involves the circulation and multiplication of policing practices across borders. Though the term "homeland security" is closely associated with the United States, Israel is credited with first developing this all-encompassing approach to domestic surveillance and territorial control. Today, it is a central node in the sprawling global homeland security industry worth hundreds of billions of dollars. And in the wake of the 2008 Mumbai terrorist attacks, India emerged as a major growth market. Known as "India's 9/11" or simply "26/11," the attacks sparked significant public pressure to adopt "modern" homeland security approaches. Since 2008, India has become not only the single largest buyer of Israeli conventional weapons, but also a range of other surveillance technology, police training, and security expertise. Pairing insights from science and technology studies with those from decolonial and postcolonial theory, Fabricating Homeland Security: Police Entanglements Across India and Palestine/Israel (Stanford UP, 2024) traces 26/11's political and policy fallout, concentrating on the efforts of Israel's homeland security industry to advise and equip Indian city and state governments. Through a focus on the often unseen and overlooked political struggles at work in the making of homeland security, Rhys Machold details how homeland security is a universalizing project, which seeks to remake the world in its image, and tells the story of how claims to global authority are fabricated and put to work. Rhys Machold is Senior Lecturer in the School of Social and Political Sciences at the University of Glasgow. His work focuses on imperialism, colonialism, and empire, working from a transnational approach. He is an editor at Critical Studies on Security and an editorial board member at International Studies Review. He held research and teaching appointments at York University (Canada), the Danish Institute for International Studies, the Tata Institute of Social Sciences, and Wilfrid Laurier University. Deniz Yonucu is a Senior Lecturer in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on policing and security, surveillance, left-wing and anti-colonial resistance, memory, and racism. Her monograph Police, Provocation, Politics: Counterinsurgency in Istanbul is the winner of the 2023 Anthony Leeds Prize for the best book in urban anthropology, awarded by the Critical Urban Anthropology Section of the American Anthropological Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

Platforms are now an almost ubiquitous feature of schools. We talk with Lucas Cone (University of Copenhagen) about his work around teachers' everyday engagements with platforms – in particular the benefits of using affect theory to make sense of teachers' affiliations and relationships with these clearly problematic technologies.  Accompanying reference >>>  Lucas Cone (2024) Subscribing school: digital platforms, affective attachments, and cruel optimism in a Danish public primary school, Critical Studies in Education, 65(3):294-311, DOI: 10.1080/17508487.2023.2269425

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode, Emily features Daisy Nam, the director and chief curator at the Wattis Institute of Contemporary Arts. Daisy discusses her journey from growing up in Los Angeles to her roles at prestigious institutions like NYU, Columbia, Harvard, and Marfa Ballroom. She shares insights on the significance of art spaces in cities, her love for art books, and memorable exhibitions, particularly the current 'Steady' sculpture show involving artists Esther Partegas and Michelle Lopez. Daisy highlights the unique aspects and challenges of working in the contemporary art world, emphasizing the importance of maintaining art spaces and building partnerships within the art community. Daisy also shares her personal experiences and perspectives on art and nature in Northern California.About Curator Daisy Nam:Daisy Nam is the director and curator of CCA Wattis Institute of Contemporary Art in San Francisco, which opens their new galleries on the expanded campus in Fall of 2024. Previously, she was at Ballroom Marfa, a contemporary art space dedicated to supporting artists through residencies, commissions, and exhibitions, first as the curator in 2020 and then the director and curator in 2022. From 2015–19, she was the assistant director at the Carpenter Center for the Visual Arts, Harvard University, managing the administration  and organizing programs, exhibitions, and publications. From 2008–2015, she produced seven seasons of talks, screenings, performances, and workshops as the assistant director of public programs at the School of the Arts, Columbia University.Curatorial residencies and fellowships include: Marcia Tucker Senior Research Fellow at the New Museum, New York (2020); Bellas Artes, Bataan, Philippines (2020); Surf Point in York, Maine (2019); Gwangju Biennale Foundation, Korea (2018). She holds a master's degree in Curatorial and Critical Studies from Columbia University and a bachelor's degree in Art History and Cinema Studies from New York University. She has taught at RISD, and lectured at Lesley University, Northeastern, SMFA/Tufts, SVA as a visiting critic. She co-edited a publication, Best! Letters from Asian Americans in the arts withPaper Monument in 2021.CLICK HERE to learn more about Daisy. CLICK HERE to connect to The Wattis InstituteCLICK HERE to get more info about the Wattis exhibition 'STEADY' --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

There is growing interest in critical studies of education and technology. But what does it mean to be ‘critical' of edtech, and how can this work genuinely make a difference in the world? Felicitas Macgilchrist (Carl von Ossietzky Universität Oldenburg) talks about the need to look beyond claims of transformation and novelty, drawing attention to marginalised forms of edtech, and the power of rageful hope. Accompanying reference >>>  Macgilchrist, F. (2021).  What is ‘critical' in critical studies of edtech? Learning, Media and Technology 46(3):243–249 https://doi.org/10.1080/17439884.2021.1958843

If world cinema studies have mostly displayed national cinemas and their transnational mutations, Seung-hoon Jeong's global frame highlights two conflicting ethical facets of globalization: the ‘soft-ethical' inclusion of differences in multicultural, neoliberal systems and their ‘hard-ethical' symptoms of fundamentalist exclusion and terror.  Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical ‘abjection' and ethical ‘agency.' In this frame, Biopolitical Ethics in Global Cinema (Oxford UP, 2023) explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Ultimately, the book renews critical discourses on global issues––including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia––through a core cluster of political, ethical, and psychoanalytic philosophies. Seung-hoon Jeong is Assistant Professor of Cinematic Arts at California State University Long Beach. He is the author of Cinematic Interfaces: Film Theory after New Media, co-translator of the Korean edition of Jacques Derrida's Acts of Literature, and co-editor of The Global Auteur: The Politics of Authorship in 21st Century Cinema and Thomas Elsaesser's The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology. Steve Choe is Associate Professor of Critical Studies in the School of Cinema at San Francisco State University who researches and teaches in film and media theory. He is the author of Afterlives: Allegories of Film and Mortality in Early Weimar Germany (2014), Sovereign Violence: Ethics and South Korean Cinema in the New Millennium (2016) and ReFocus: The Films of William Friedkin (2023). He is the co-editor of Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia (2019) and editor of the Handbook for Violence in Film and Media (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

If world cinema studies have mostly displayed national cinemas and their transnational mutations, Seung-hoon Jeong's global frame highlights two conflicting ethical facets of globalization: the ‘soft-ethical' inclusion of differences in multicultural, neoliberal systems and their ‘hard-ethical' symptoms of fundamentalist exclusion and terror.  Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical ‘abjection' and ethical ‘agency.' In this frame, Biopolitical Ethics in Global Cinema (Oxford UP, 2023) explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Ultimately, the book renews critical discourses on global issues––including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia––through a core cluster of political, ethical, and psychoanalytic philosophies. Seung-hoon Jeong is Assistant Professor of Cinematic Arts at California State University Long Beach. He is the author of Cinematic Interfaces: Film Theory after New Media, co-translator of the Korean edition of Jacques Derrida's Acts of Literature, and co-editor of The Global Auteur: The Politics of Authorship in 21st Century Cinema and Thomas Elsaesser's The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology. Steve Choe is Associate Professor of Critical Studies in the School of Cinema at San Francisco State University who researches and teaches in film and media theory. He is the author of Afterlives: Allegories of Film and Mortality in Early Weimar Germany (2014), Sovereign Violence: Ethics and South Korean Cinema in the New Millennium (2016) and ReFocus: The Films of William Friedkin (2023). He is the co-editor of Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia (2019) and editor of the Handbook for Violence in Film and Media (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

If world cinema studies have mostly displayed national cinemas and their transnational mutations, Seung-hoon Jeong's global frame highlights two conflicting ethical facets of globalization: the ‘soft-ethical' inclusion of differences in multicultural, neoliberal systems and their ‘hard-ethical' symptoms of fundamentalist exclusion and terror.  Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical ‘abjection' and ethical ‘agency.' In this frame, Biopolitical Ethics in Global Cinema (Oxford UP, 2023) explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Ultimately, the book renews critical discourses on global issues––including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia––through a core cluster of political, ethical, and psychoanalytic philosophies. Seung-hoon Jeong is Assistant Professor of Cinematic Arts at California State University Long Beach. He is the author of Cinematic Interfaces: Film Theory after New Media, co-translator of the Korean edition of Jacques Derrida's Acts of Literature, and co-editor of The Global Auteur: The Politics of Authorship in 21st Century Cinema and Thomas Elsaesser's The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology. Steve Choe is Associate Professor of Critical Studies in the School of Cinema at San Francisco State University who researches and teaches in film and media theory. He is the author of Afterlives: Allegories of Film and Mortality in Early Weimar Germany (2014), Sovereign Violence: Ethics and South Korean Cinema in the New Millennium (2016) and ReFocus: The Films of William Friedkin (2023). He is the co-editor of Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia (2019) and editor of the Handbook for Violence in Film and Media (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

If world cinema studies have mostly displayed national cinemas and their transnational mutations, Seung-hoon Jeong's global frame highlights two conflicting ethical facets of globalization: the ‘soft-ethical' inclusion of differences in multicultural, neoliberal systems and their ‘hard-ethical' symptoms of fundamentalist exclusion and terror.  Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical ‘abjection' and ethical ‘agency.' In this frame, Biopolitical Ethics in Global Cinema (Oxford UP, 2023) explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Ultimately, the book renews critical discourses on global issues––including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia––through a core cluster of political, ethical, and psychoanalytic philosophies. Seung-hoon Jeong is Assistant Professor of Cinematic Arts at California State University Long Beach. He is the author of Cinematic Interfaces: Film Theory after New Media, co-translator of the Korean edition of Jacques Derrida's Acts of Literature, and co-editor of The Global Auteur: The Politics of Authorship in 21st Century Cinema and Thomas Elsaesser's The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology. Steve Choe is Associate Professor of Critical Studies in the School of Cinema at San Francisco State University who researches and teaches in film and media theory. He is the author of Afterlives: Allegories of Film and Mortality in Early Weimar Germany (2014), Sovereign Violence: Ethics and South Korean Cinema in the New Millennium (2016) and ReFocus: The Films of William Friedkin (2023). He is the co-editor of Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia (2019) and editor of the Handbook for Violence in Film and Media (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

If world cinema studies have mostly displayed national cinemas and their transnational mutations, Seung-hoon Jeong's global frame highlights two conflicting ethical facets of globalization: the ‘soft-ethical' inclusion of differences in multicultural, neoliberal systems and their ‘hard-ethical' symptoms of fundamentalist exclusion and terror.  Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical ‘abjection' and ethical ‘agency.' In this frame, Biopolitical Ethics in Global Cinema (Oxford UP, 2023) explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Ultimately, the book renews critical discourses on global issues––including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia––through a core cluster of political, ethical, and psychoanalytic philosophies. Seung-hoon Jeong is Assistant Professor of Cinematic Arts at California State University Long Beach. He is the author of Cinematic Interfaces: Film Theory after New Media, co-translator of the Korean edition of Jacques Derrida's Acts of Literature, and co-editor of The Global Auteur: The Politics of Authorship in 21st Century Cinema and Thomas Elsaesser's The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology. Steve Choe is Associate Professor of Critical Studies in the School of Cinema at San Francisco State University who researches and teaches in film and media theory. He is the author of Afterlives: Allegories of Film and Mortality in Early Weimar Germany (2014), Sovereign Violence: Ethics and South Korean Cinema in the New Millennium (2016) and ReFocus: The Films of William Friedkin (2023). He is the co-editor of Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia (2019) and editor of the Handbook for Violence in Film and Media (2022).

While in New Zealand, I had the privilege of sitting down with Elizabeth Rata, a sociologist of education at the University of Auckland. Elizabeth is the Director of the Knowledge in Education Research Unit (KERU), within the School of Critical Studies at the Faculty of Education and Social Work—and she is based! Her research includes knowledge in the curriculum, knowledge politics, ethnic revivalism, Māori education, research methods, and the history of New Zealand education.Watch this episode on YouTube.

In this episode, Justin and Matt speak with Andrew Culp. Andrew Culp (MA 2009, Ph.D. 2013) is a Professor of Media History and Theory and Program Director of the MA Aesthetics and Politics program (starting Spring 2023) in the School of Critical Studies and in the MA Aesthetics and Politics Program, California Institute of the Arts (CalArts). In his first book, Dark Deleuze (University of Minnesota Press, 2016), he proposes a revolutionary new image of Gilles Deleuze's thought suited to our 24/7 always-on media environment, and it has been translated into eight languages. With his second book, A Guerrilla Guide to Refusal (University of Minnesota Press, 2022), he arms the reader with critical theory as part of a journey through anarchist infowar, queer outlaws, and Black insurgency. He is currently working on two projects: a new structuralist theory of the state's arkhḗ, and a critical history of cybernetics from those subverting it from its inside. Culp's writing on these and other topics has appeared in Flügschriften, Radical Philosophy, symplokē, parallax, angelaki, Deleuziana, The Alienocene, and Boundary 2 online. As part of The Destructionist International, he also makes films and other media. His most recent is the experimental documentary Machines in Flames (2022), which explores the legacy of techno-sabotage. Andrew Culp: http://www.andrewculp.org/ Link to PDF of Guerilla Guide to Refusal: https://drive.google.com/file/d/1ml50d6vO80Ev2bF03yZGkP1RjNPGhpo1/view?usp=drive_link Destructionist International: https://destructionist.international/ warmachinepodcast.com Music for this episode: Exhausted Divinity, Niky Nine https://lazerdiscs.bandcamp.com/track/exhausted-divinity-2 Primitivo, Axons https://onsetaudio.bandcamp.com/track/primitivo Bone Orchard, Void Stasis https://cryochamber.bandcamp.com/track/bone-orchard

Episode 452 / Liv Aanrud earned her B.F.A in painting from the University of Wisconsin—Eau Claire(2001) and her M.F.A from Mason Gross School of Art, Rutgers University(2011). She has taught at ARTworks Charter School, Santa Barbara City College, the Armory Center for the Arts, and has designed and led textile workshops in the U.S and Canada. Aanrud's work has been the subject of one-person exhibitions at Kravets Wehby Gallery in New York City, and  BozoMag, New Image Art, Arvia, 1700 Naud and TSA-LA in Los Angeles. Solo shows also include Finlandia University in Hancock MI, Sierra Nevada College, Lake Tahoe, Pamela Salisbury Gallery, and John Davis Gallery, Hudson, NY, Oasis Gallery, Marquette, MI and Steven Harvey Fine Art Projects, New York City. Her work has been shown in group exhibitions across the U.S., Taiwan, Germany, and Spain. She currently lives and works in Los Angeles, California. S&V Sponsored by the NY Studio School: The 60-credit, two-year MFA curriculum immerses aspiring artists in a rigorous program of study – awakening students' imagination, ambition and dedication to artistic production. Each semester begins with an intensive two-week Marathon developed to ignite new ideas and generate momentum. The first year offers a range of studio classes, with a shift to personal development in the second year. Classes are bolstered by the Evening Lecture Series, technical workshops, one-on-one faculty guidance, group critiques, visiting artists, and faculty-guided trips. The weekly Critical Studies seminar explores a range of theoretical approaches to artmaking and culminates in a written thesis paper and Thesis Exhibition. NYSS faculty are internationally distinguished artists and teachers, dedicated to the School's experiential pedagogy.  They encourage students to work hard and think searchingly, establishing ethical and philosophical frameworks for their life's work. Enrollment is limited to 15 MFA candidates per cohort each academic year. The priority application deadline for programs starting fall 2025 is January 15, 2025 - apply today at nyss.org.  

On this week we speak with Dr. Federica Fornaciari, who is a Professor, a researcher, a children's book author, and the Academic Program Director for the MA in Strategic Communications at National University. She received a doctorate in Communication with a concentration in Electronic Security and Privacy from the University of Illinois at Chicago and a Master of Arts in Journalism and Mass Communication from Marshall University.  Her research and teaching revolve around emerging technologies, privacy issues, digital identities, frame theory, and media representation. Federica has published several peer-reviewed articles and book chapters including “The silver generation and beauty: does American culture provide models for positive ageing?” in Critical Studies in Fashion & Beauty; “Reframing Hate: The Changing Face of White Power Narratives” in Discourse Analysis and Conflict Studies. “What is Privacy Anyway? A Longitudinal Analysis of Media Frames of Privacy” in the Journal of Intellectual Freedom and Privacy, and “Pricey privacy: Framing the economy of information in the digital age” in First Monday. A storyteller at heart, Federica recently published her first children's book titled “Rosa & Cammy: From Reggio to the World” to cultivate cultural bridges and ignite young minds with the magic of imagination. Federica's multifaceted journey embodies the spirit of exploration, nurturing intellectual growth, and fostering connection amidst the ever-evolving landscape of communication. --------------   Dr. Fornaciari discusses the concept of technological sublime and its application to AI. The technological sublime refers to the awe, admiration, and fear that arise when encountering a monumental technological advancement. AI, particularly generative AI, elicits a sense of technological sublime due to its ability to push the boundaries of human creativity and intelligence. However, there is also a sense of apprehension and concern about the societal impacts of AI and the potential loss of human values. The conversation also touches on the importance of privacy, media literacy, and critical thinking in the age of deepfakes.  ---------------- Learn more about our guest: https://www.nu.edu/degrees/arts-and-humanities/faculty/federica-fornaciari/ https://www.linkedin.com/in/federica-fornaciari/ ---------------- Thank you to our show sponsor: Lebra https://www.lebrahq.com/    

EPISODE 121 | Coup Coup G'joob: Civic Disturbances in the U.S. 1900 - Present This is a continuation of our previous episode about coup attempts, rebellions and civic unrest in the United States prior to the 20th century. This time, we jump into the 20th century and bring us right up to the present day. After hearing all this, you decide if things really are, as some would have you believe, the worst it's ever been, or if in fact, America has always struggled with its foundational problems and original sins, coupled with an unusual appetite for, or at least tolerance of, violence.  Like what we do? Then buy us a beer or three via our page on Buy Me a Coffee.  You can also SUBSCRIBE to this podcast. Review us here or on IMDb!  SECTIONS Sitting on a Cornflake - Race riots, the Green Corn Rebellion of 1917, the Red Summer of 1919, Anarchists, the Battle of Blair Mountain (1921), 1931 - Bloody Harlan, the Housing Riots, the Kingfish vs. the Wild Bull of Jeanerette Corporation Tee-Shirt - The Business Plot of 1933-1934 Yellow Matter Custard - The McMinn County War (the Battle of Athens) (1946) You Let Your Face Grow Long - The 1960s - Ax Handle Saturday, the Ole Miss Riot, the Harlem Riot, the Selma marches, the Watts Riot, the Long Hot Summer of 1967, segregationists in North Carolina, the Stonewall Riots, the Weathermen and the Days of Rage; the 1970s - the Kent State shootings, the Hard Hat Riot, Alcatraz and Catalina occupations, the Attica Prison Riot, the Weather Underground Organization (WUO) bombings and more; the 1980s and 1990s in brief A Serviceable Villain - The 21st century - Pseudolaw gets violent, the rise of protests, Occupy Wall Street, the Gretchen Whitmer kidnapping plot, stochastic terrorism, Trump mouths off, King Henry II and his "turbulent priest", the Manson family, proposed solutions to violent outbursts, Pakistan's Sabaoon Project, Kenya's Preventing of Violent Extremism through Education, Islamic deradicalization group Muflehun, Google's Redirect Method, what we can do Music by Fanette Ronjat More Info EPISODE 115 | Cuckoo Coups in the U.S. The Beatles explained: What does ‘goo goo g'joob' mean? When the Socialist Revolution Came to Oklahoma—and Was Crushed in Smithsonian Magazine Red Summer: When Racist Mobs Ruled on American Experience Red Summer of 1919: How Black WWI Vets Fought Back Against Racist Mobs on History.com The Battle of Blair Mountain on ReImagine Appalachia Introduction to the West Virginia Mine Wars on the National Park Service Remembering Bloody Harlan on Parallel Narratives When the Unemployed Fought Back on Shelterforce.org Huey Long: His Life and Times Why is so little known about the 1930s coup attempt against FDR? in The Guardian Considering History: The 1933 Business Plot to Overthrow America in the Saturday Evening Post The Battle of Athens: An Obscure American Revolution on Legends of America The Battle of Athens in American Heritage What happened on Ax Handle Saturday, Aug. 27, 1960, in Jacksonville? The Riot at Ole' Miss on American RadioWorks Riots erupt over desegregation of Ole Miss on History.com Riots of 1964: The Causes of Racial Violence paper by Roy Wilkins at the Notre Dame Law Review Inside the Harlem Uprising of 1964 at Rutgers Watts Rebellion on History.com She Played a Key Role in the Police Response to the Watts Riots. The Memory Still Haunts Her—But Black History Is Full of Haunting Memories in Time The 1967 Riots: When Outrage Over Racial Injustice Boiled Over on History.com What was the Stonewall uprising? in National Geographic Stonewall then and now in The Harvard Gazette Chicago's Forgotten 'Days of Rage' THE MAY 4 SHOOTINGS AT KENT STATE UNIVERSITY: THE SEARCH FOR HISTORICAL ACCURACY Kent State shootings: The 1970 student protests that shook the US on the BBC What was the Weather Underground? on The Hill How the Weather Underground Failed at Revolution and Still Changed the World in Time Evading the FBI: The Weather Underground Organization at Yale University Press Some Say Occupy Wall Street Did Nothing. It Changed Us More Than We Think in Time Occupy Wall Street swept the world and achieved a lot, even if it may not feel like it in The Guardian Gretchen Whitmer kidnapping articles on PBS News The Final Twist in the Gretchen Whitmer Kidnap Case on Slate Donald Trump, Stochastic Terrorist in Mother Jones Stochastic terrorism: critical reflections on an emerging concept in Critical Studies on Terrorism How Stochastic Terrorism Uses Disgust to Incite Violence in Scientific American Deradicalizing, Rehabilitating, and Reintegrating Violent Extremists at the United States Institute of Peace (USIP) Bringing them home: Pakistan's child deradicalisation centre offers second chance Education for Preventing Violent Extremism (EPVE) working group paper from the Club of Madrid Lessons Learned from Student-led Initiatives to Prevent Violent Extremism in Kenyan Universities PREVENTING VIOLENT EXTREMISM THROUGH PROMOTING INCLUSIVE DEVELOPMENT, TOLERANCE AND RESPECT FOR DIVERSITY discussion paper from the United Nations Development Programme (UNDP) Preventing violent extremism webpage at UNESCO Preventing Violent Radicalization in America report from the National Security Preparedness Group at the Bipartisan Policy Center DHS Rebrands and Expands Biased, Ineffective Countering Violent Extremism Program at the Brennan Center for Justice The Redirect Method on Moonshot The Search for Extremism: Deploying the Redirect Method at the Washington Institute for Near East Policy Follow us on social: Facebook Twitter Other Podcasts by Derek DeWitt DIGITAL SIGNAGE DONE RIGHT - Winner of a 2022 Gold Quill Award, 2022 Gold MarCom Award, 2021 AVA Digital Award Gold, 2021 Silver Davey Award, 2020 Communicator Award of Excellence, and on numerous top 10 podcast lists.  PRAGUE TIMES - A city is more than just a location - it's a kaleidoscope of history, places, people and trends. This podcast looks at Prague, in the center of Europe, from a number of perspectives, including what it is now, what is has been and where it's going. It's Prague THEN, Prague NOW, Prague LATER 

In the contemporary world, political violence has been an unavoidable issue for everyone. It is therefore essential to criticize political violence in a textured way. The Iraqi Ba'th state's Anfāl operations (1987-1991) is one of the twentieth century's ultimate acts of destruction of the possibility of being human. It remains the first and only crime of state in the Middle East to be tried under the 1948 UN Genocide Convention, the 1950 Nuremberg Principles, and the 1969 Iraqi Penal Code and to be recognized as genocide, crimes against humanity, and war crimes in Baghdad between 2006 and 2007.  Being Human: Political Modernity and Hospitality in Kurdistan-Iraq (Rutgers UP, 2024) offers an unprecedented pathway to the study of political violence. It is a sweeping work of anthropological hospitality, returning to the Anfāl operations as the violence of political modernity only to turn to the human survivors' hospitality and acts of translation - testimonial narratives, law, politics, archive, poetry, artworks, museums, memorials, symbolic cemeteries, and infinite pursuit of justice in the Kurdistan Region of Iraq.  Being Human gathers together social sciences, humanities, and the arts to understand modernity's violence and its living on. Fazil Moradi is Visiting Associate Professor at Faculty of Humanities, University of Johannesburg; Associate Researcher at the Institute for Social Anthropology, Austrian Academy of Sciences; and Affiliated Scholar at the Center for the Study of the Holocaust, Genocide, and Crimes against Humanity at the Ralph Bunche Institute for International Studies, Graduate Center—City University of New York. Apart from Being Human, his recent publications include Memory and Genocide: On What Remains and the Possibility of Representation (co-ed. by Maria Six-Hohenbalken and Ralph Buchenhorst, Routledge 2017); and ‘Tele-Evidence: On the Translatability of Modernity's Violence' (Special Issue, co-edited by Richard Rottenburg, Critical Studies 2019); and editor of ‘In Search of Decolonised Political Futures: Engaging Mahmood Mamdani' s Neither Settler Nor Native' (Special Issue in Anthropological Theory, 2023). Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of economic anthropology, hope and time studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the contemporary world, political violence has been an unavoidable issue for everyone. It is therefore essential to criticize political violence in a textured way. The Iraqi Ba'th state's Anfāl operations (1987-1991) is one of the twentieth century's ultimate acts of destruction of the possibility of being human. It remains the first and only crime of state in the Middle East to be tried under the 1948 UN Genocide Convention, the 1950 Nuremberg Principles, and the 1969 Iraqi Penal Code and to be recognized as genocide, crimes against humanity, and war crimes in Baghdad between 2006 and 2007.  Being Human: Political Modernity and Hospitality in Kurdistan-Iraq (Rutgers UP, 2024) offers an unprecedented pathway to the study of political violence. It is a sweeping work of anthropological hospitality, returning to the Anfāl operations as the violence of political modernity only to turn to the human survivors' hospitality and acts of translation - testimonial narratives, law, politics, archive, poetry, artworks, museums, memorials, symbolic cemeteries, and infinite pursuit of justice in the Kurdistan Region of Iraq.  Being Human gathers together social sciences, humanities, and the arts to understand modernity's violence and its living on. Fazil Moradi is Visiting Associate Professor at Faculty of Humanities, University of Johannesburg; Associate Researcher at the Institute for Social Anthropology, Austrian Academy of Sciences; and Affiliated Scholar at the Center for the Study of the Holocaust, Genocide, and Crimes against Humanity at the Ralph Bunche Institute for International Studies, Graduate Center—City University of New York. Apart from Being Human, his recent publications include Memory and Genocide: On What Remains and the Possibility of Representation (co-ed. by Maria Six-Hohenbalken and Ralph Buchenhorst, Routledge 2017); and ‘Tele-Evidence: On the Translatability of Modernity's Violence' (Special Issue, co-edited by Richard Rottenburg, Critical Studies 2019); and editor of ‘In Search of Decolonised Political Futures: Engaging Mahmood Mamdani' s Neither Settler Nor Native' (Special Issue in Anthropological Theory, 2023). Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of economic anthropology, hope and time studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

In the contemporary world, political violence has been an unavoidable issue for everyone. It is therefore essential to criticize political violence in a textured way. The Iraqi Ba'th state's Anfāl operations (1987-1991) is one of the twentieth century's ultimate acts of destruction of the possibility of being human. It remains the first and only crime of state in the Middle East to be tried under the 1948 UN Genocide Convention, the 1950 Nuremberg Principles, and the 1969 Iraqi Penal Code and to be recognized as genocide, crimes against humanity, and war crimes in Baghdad between 2006 and 2007.  Being Human: Political Modernity and Hospitality in Kurdistan-Iraq (Rutgers UP, 2024) offers an unprecedented pathway to the study of political violence. It is a sweeping work of anthropological hospitality, returning to the Anfāl operations as the violence of political modernity only to turn to the human survivors' hospitality and acts of translation - testimonial narratives, law, politics, archive, poetry, artworks, museums, memorials, symbolic cemeteries, and infinite pursuit of justice in the Kurdistan Region of Iraq.  Being Human gathers together social sciences, humanities, and the arts to understand modernity's violence and its living on. Fazil Moradi is Visiting Associate Professor at Faculty of Humanities, University of Johannesburg; Associate Researcher at the Institute for Social Anthropology, Austrian Academy of Sciences; and Affiliated Scholar at the Center for the Study of the Holocaust, Genocide, and Crimes against Humanity at the Ralph Bunche Institute for International Studies, Graduate Center—City University of New York. Apart from Being Human, his recent publications include Memory and Genocide: On What Remains and the Possibility of Representation (co-ed. by Maria Six-Hohenbalken and Ralph Buchenhorst, Routledge 2017); and ‘Tele-Evidence: On the Translatability of Modernity's Violence' (Special Issue, co-edited by Richard Rottenburg, Critical Studies 2019); and editor of ‘In Search of Decolonised Political Futures: Engaging Mahmood Mamdani' s Neither Settler Nor Native' (Special Issue in Anthropological Theory, 2023). Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of economic anthropology, hope and time studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In the contemporary world, political violence has been an unavoidable issue for everyone. It is therefore essential to criticize political violence in a textured way. The Iraqi Ba'th state's Anfāl operations (1987-1991) is one of the twentieth century's ultimate acts of destruction of the possibility of being human. It remains the first and only crime of state in the Middle East to be tried under the 1948 UN Genocide Convention, the 1950 Nuremberg Principles, and the 1969 Iraqi Penal Code and to be recognized as genocide, crimes against humanity, and war crimes in Baghdad between 2006 and 2007.  Being Human: Political Modernity and Hospitality in Kurdistan-Iraq (Rutgers UP, 2024) offers an unprecedented pathway to the study of political violence. It is a sweeping work of anthropological hospitality, returning to the Anfāl operations as the violence of political modernity only to turn to the human survivors' hospitality and acts of translation - testimonial narratives, law, politics, archive, poetry, artworks, museums, memorials, symbolic cemeteries, and infinite pursuit of justice in the Kurdistan Region of Iraq.  Being Human gathers together social sciences, humanities, and the arts to understand modernity's violence and its living on. Fazil Moradi is Visiting Associate Professor at Faculty of Humanities, University of Johannesburg; Associate Researcher at the Institute for Social Anthropology, Austrian Academy of Sciences; and Affiliated Scholar at the Center for the Study of the Holocaust, Genocide, and Crimes against Humanity at the Ralph Bunche Institute for International Studies, Graduate Center—City University of New York. Apart from Being Human, his recent publications include Memory and Genocide: On What Remains and the Possibility of Representation (co-ed. by Maria Six-Hohenbalken and Ralph Buchenhorst, Routledge 2017); and ‘Tele-Evidence: On the Translatability of Modernity's Violence' (Special Issue, co-edited by Richard Rottenburg, Critical Studies 2019); and editor of ‘In Search of Decolonised Political Futures: Engaging Mahmood Mamdani' s Neither Settler Nor Native' (Special Issue in Anthropological Theory, 2023). Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of economic anthropology, hope and time studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

On this week's collected, connected conversations (the fifth in our summer series): the conclusion to our five-part retrospective, Why Canada Needs Natives Needy, wherein we feature a few more settler-centric solutions to settler-made problems, as well as examples of what truly independent Indigenous initiatives look like. Featured voices this podcast include (in order of appearance): • Naiomi Metallic, associate professor of law at Dalhousie University, and Yellowhead Institute advisory board member • Tim Thompson, First Nations education advocate, and Yellowhead Research Fellow and advisory board member • Kim TallBear, professor in the Faculty of Native Studies at the University of Alberta and Canada Research Chair in Indigenous Peoples, Technoscience & Environment • Ken Williams, playwright and associate professor with the University of Alberta department of drama • Brock Pitawanakwat, associate professor of Indigenous Studies at York University • Terese Mailhot, author and associate professor of English at Purdue University • Robert Jago, writer, educator, co-founder and director of the Coast Salish History Project • Danika Billie Littlechild, assistant professor of law and legal studies at Carleton University, and Ethical Space research stream leader at the Conservation through Reconciliation Partnership • Dr. Jeffrey Ansloos, clinical psychologist, associate professor of Indigenous health and social policy at the University of Toronto, and Canada Research Chair in Critical Studies in Indigenous Health and Social Action on Suicide • Jesse Thistle, author and assistant professor in the department of humanities at York University // CREDITS: Creative Commons music this episode includes ‘Expanding Cycle' and ‘Up + Up (reprise/arise)' by Correspondence (CC BY); Design for Dreaming by Lo-Fi Astronaut (CC BY); '02 - ricochets on the lake' by neil|lien (CC BY ND); 'Its A Trap' and 'A Moody Phonecall' by John Bartmann (CC 0); 'spacewalk' by Tea K Pea (CC BY); 'Seasonal Interlude' and 'F block (Outro)' by Gagmesharkoff (CC BY); 'Vibes Phibes' by DaveJf (CC 0).

Marshall Trammell is an experimental archivist, percussionist, conductor, and composer. His aesthetics and activism are centered in social change interventions using political aesthetic theory, data creation, mapping, and collective music-and-artmaking in order to relocate the act of co-production from traditional cultural institutions into communities. Hafez Modirzadeh is a saxophonist, composer, and theorist whose music and research focuses on cross-cultural approaches. His research has been published in journals including Music in China, Black Music Research, Leonardo, and Critical Studies in Improvisation. Trammell and Modirzadeh will perform We Say NO To Genocide on the final night of Other Minds Festival 28, Saturday, September 28, 2024. In the interview, we discuss the pair's history of collaboration, Trammell's Music Research Strategies, and Modirzadeh's cross-cultural approach to music. Music: David Boyce, Hafez Modirzadeh, and Marshall Trammell live at Bird & Beckett Books & Records Follow Hafez on Facebook. Follow us on Facebook, Instagram, and Twitter. otherminds.org Contact us at otherminds@otherminds.org. The Other Minds Podcast is hosted and edited by Joseph Bohigian. Outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).

Contemporary Vulnerabilities: Reflections on Social Justice Methodologies (U Alberta Press, 2024) centres on critical reflections about vulnerable moments in research committed to social change. Exploring the many vulnerabilities within social science research, this interdisciplinary collection gathers critical stories, reflections, and analyses about innovative methodologies that engage with unconventional and unexpected spaces of research that scholars inhabit and share. The authors encourage us to collaborate within, reflect on, and confront the frictions of inquiry around social change. Towards an aim of contesting the dominance of Eurocentric epistemologies, the collection includes modes of storytelling and examples of knowledge gathering that are often excluded from academic texts in general and methodological texts in particular - such as queer, crip, and indigenous ways of being and knowing. Scholars and students across all disciplines will find provocation and recognition in this volume. See the full Table of Contents here. Claire Carter is Associate Professor in the Department of Gender, Religion, and Critical Studies at the University of Regina Chelsea Temple Jones is Associate Professor in the Department of Child and Youth Studies at Brock University Caitlin Janzen is a doctoral candidate in Sociology at York University and also works at the Postdoc Office of the University of Calgary. Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Contemporary Vulnerabilities: Reflections on Social Justice Methodologies (U Alberta Press, 2024) centres on critical reflections about vulnerable moments in research committed to social change. Exploring the many vulnerabilities within social science research, this interdisciplinary collection gathers critical stories, reflections, and analyses about innovative methodologies that engage with unconventional and unexpected spaces of research that scholars inhabit and share. The authors encourage us to collaborate within, reflect on, and confront the frictions of inquiry around social change. Towards an aim of contesting the dominance of Eurocentric epistemologies, the collection includes modes of storytelling and examples of knowledge gathering that are often excluded from academic texts in general and methodological texts in particular - such as queer, crip, and indigenous ways of being and knowing. Scholars and students across all disciplines will find provocation and recognition in this volume. See the full Table of Contents here. Claire Carter is Associate Professor in the Department of Gender, Religion, and Critical Studies at the University of Regina Chelsea Temple Jones is Associate Professor in the Department of Child and Youth Studies at Brock University Caitlin Janzen is a doctoral candidate in Sociology at York University and also works at the Postdoc Office of the University of Calgary. Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Contemporary Vulnerabilities: Reflections on Social Justice Methodologies (U Alberta Press, 2024) centres on critical reflections about vulnerable moments in research committed to social change. Exploring the many vulnerabilities within social science research, this interdisciplinary collection gathers critical stories, reflections, and analyses about innovative methodologies that engage with unconventional and unexpected spaces of research that scholars inhabit and share. The authors encourage us to collaborate within, reflect on, and confront the frictions of inquiry around social change. Towards an aim of contesting the dominance of Eurocentric epistemologies, the collection includes modes of storytelling and examples of knowledge gathering that are often excluded from academic texts in general and methodological texts in particular - such as queer, crip, and indigenous ways of being and knowing. Scholars and students across all disciplines will find provocation and recognition in this volume. See the full Table of Contents here. Claire Carter is Associate Professor in the Department of Gender, Religion, and Critical Studies at the University of Regina Chelsea Temple Jones is Associate Professor in the Department of Child and Youth Studies at Brock University Caitlin Janzen is a doctoral candidate in Sociology at York University and also works at the Postdoc Office of the University of Calgary. Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

On this week's collected, connected conversations (the third in our summer series): our third installment of Why Canada Needs Natives Needy, in which we debunk diagnoses of Indigenous impoverishment peddled by settlers, often to their own benefit. And while some come off as almost comical, others appear downright disturbing.  Featured voices this podcast include (in order of appearance): • Q. Anthony Ali, freelance writer, commentator and podcaster • Ken Williams, playwright and associate professor with the University of Alberta department of drama • Dr. Jeffrey Ansloos, clinical psychologist, associate professor of Indigenous health and social policy at the University of Toronto, and Canada Research Chair in Critical Studies in Indigenous Health and Social Action on Suicide • Candis Callison, associate professor in the Institute for Critical Indigenous Studies and the School for Public Policy and Global Affairs at the University of British Columbia • Kim TallBear, professor in the Faculty of Native Studies at the University of Alberta, and Canada Research Chair in Indigenous Peoples, Technoscience & Environment // CREDITS: Creative Commons music this episode includes ‘Expanding Cycle' and ‘Up + Up (reprise/arise)' by Correspondence (CC BY); 'Rising Heart' by Sro (CC BY-SA); 'Just a Taste' by Gagmesharkoff (CC BY); 'Day Off' by Serat (CC BY).

As an artist and educator, I see that this moment calls for a way of working through decolonization and forging a path of care. I like to think of this through multispecies communities so that, as humans, we're surrounded by more than human life, even in our urban environments. This path of care for our multi-species, communities that make up the neighborhood, the community, and ultimately the earth is where I see my call for research and practice. I know Julie Andreyev from my time on the board of the Canadian Association for Sound Ecology and from the acoustic ecology in Vancouver where she is an Associate Professor in the Audain Faculty of Art, Emily Carr University of Art + Design where she teaches New Media + Sound Arts and Critical Studies.Julie is located on the unceded, traditional and ancestral territories of the Coast Salish people, including the  xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh Úxwumixw (Squamish), and səl̓ilw̓ətaʔɬ (Tsleil-Waututh) First Nations, as well as the unceded traditional territories of more-than-human animals and plant life including bears, deers, raccoons, eagles, ravens, crows, hummingbirds, cedars, firs, salals and others.It's the first time I see a land acknowledgement that includes more-than-human life and Julie is a good person to lead the way. Her multispecies art practice explores more-than-human creativity and our relations. You'll hear talk about some current projects including Bird Park Survival Station, a long term reciprocity project with local birds, and Branching Songs a sound art project that draws attention to wondrous gifts provided by trees and forest ecosystems.During our conversation Julie mentioned her book : Lessons from a Multispecies Studio : Uncovering Ecological Understanding and Biophilia through Creative ReciprocityNear the end Julie tells a fascinating story about crow friends of hers, so stay tuned. Julie's recommended listening are:Tree Museum Talking Territory Podcast : interviews that explore the aesthetics and politics of trees, animals and relations to the land. When We Talk About Animals podcastQuantum Listening by Pauline Oliveros One Drum by Richard WagameseThe Light Eaters by Zoë SchlangerEntangled Life by Merlin Sheldrake *END NOTES FOR ALL EPISODESHere is a link for more information on season 5. Please note that, in parallel with the production of the conscient podcast and it's francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' which are 'short, practical essays for those frightened by the ecological crisis'. To subscribe (free of charge) see https://acalmpresence.substack.com. You'll also find a podcast version of each a calm presence posting on Substack or one your favorite podcast player.Also. please note that a complete transcript of conscient podcast and balado conscient episodes from season 1 to 4 is available on the web version of this site (not available on podcast apps) here: https://conscient-podcast.simplecast.com/episodes.Your feedback is always welcome at claude@conscient.ca and/or on conscient podcast social media: Facebook, X, Instagram or Linkedin. I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on April 2, 2024

This week on rabble radio, we're sharing a clip from our most recent Courage My Friends podcast series episode, hosted on Needs No Introduction. In this episode, host Resh Budhu sits down with professor and researcher Dr. Chandni Desai and professor, author and policy analyst Dr. Muhannad Ayyash. The three discuss the destruction of Gaza's educational systems and the role of scholasticide within genocide.  About our guests  Dr. Muhannad Ayyash was born and raised in Silwan, Al-Quds, before immigrating to Canada where he is professor of Sociology at Mount Royal University. He is also a policy analyst at Al-Shabaka: The Palestinian Policy Network. He is the author of A Hermeneutics of Violence, has co-edited two books, and is the author of multiple journal articles, book chapters, and opinion pieces. Dr. Chandni Desai is an assistant professor in the Critical Studies of Equity and Solidarity at the University of Toronto. Her areas of research, teaching and supervision include: comparative settler colonialisms, Palestine studies, the politics of the Middle East, state violence (carceral politics, militarism and war), cultures of resistance and revolution, political economy, third world internationalism, solidarity, memory, oral history, anti-racism and feminism. She is working on her first book Revolutionary Circuits of Liberation: The Radical Tradition of Palestinian Resistance Culture and Internationalism. Desai also hosts the Liberation Pedagogy Podcast.  Check out Scholars Against the War on Palestine and SAWP's International Actions Against Scholasticide Toolkit.   To listen to the full episode of Scholasticide and solidarity: The mind and memory of Gaza, please tune into Needs No Introduction. Needs No Introduction is available on rabble.ca, Apple Podcasts and Spotify. The Courage My Friends podcast series is presented by rabble.ca and the Tommy Douglas Institute, with the support of the Douglas Coldwell Layton Foundation. If you like the show please consider subscribing on Apple Podcasts, Spotify, or wherever you find your podcasts. And please, rate, review, share rabble radio with your friends — it takes two seconds to support independent media like rabble. Follow us on social media across channels @rabbleca.

Neurodivergent students make up 15 to 20 percent of the education systems population, but with many of these  students showing signs of an  “Invisible disability” such as ADHD, autism and dyslexia, they are left receiving little to no help by the school and government. Following the release of the “The Illusion of Inclusion” report by the Education Hub, I speak to Senior Lecturer of Critical Studies in Education, at the University of Auckland, Dr Jude MacArthur, about the funding disparity for neurodivergent students which places them at a considerable disadvantage.

For their regular catch-up, host Oto spoke to the Green Party's Ricardo Menéndez March about: The recent cross-party inquiry into climate adaptation, The Roads of Regional Significance Project and boosts to our defence budget.  He also spoke to Dr Ritesh Shah from the University of Auckland about an Open Letter to the UoA foundation calling for the university to divest from companies involved in arms sales and human rights violations. Producer Rachel spoke to Senior lecturer of Critical Studies in Education at the University of Auckland, Dr Jude MacArthur, about the funding disparity for neurodivergent and disabled students within New Zealand's education system.

It's almost been a month since protests began at Columbia University in New York, where students established a Gaza Solidarity encampment to demand that the university divest from companies associated with the State of Israel.  With similar protests subsequently springing up at campuses across the globe, calling for universities to divest from Israel, the issue of ethical and responsible investment has become widely discussed in academic institutions across the globe.  In the wake of the international student uprisings, an open letter and petition has been sent to the University of Auckland Foundation to divest from companies that are involved in gross human rights violations and weapons manufacturing. The Letter has been signed by a number of Professors, faculty members and students who are concerned about the University of Auckland's possible investment ties, and are calling for the University to adopt a more ethical investment framework.  Oto spoke to Dr Ritesh Shah, a senior lecturer in Critical Studies in Education and co-author of the letter, to discuss the calls for divestment to the University, as well as the current situation in Rafah, which he had also been researching. If you'd like to sign the petition to the University of Auckland Foundation, you can find it here:

  Clement Manyathela is joined by the national Chair in Critical Studies at Wits University Professor Melissa Steyn discussing the identity of the white race in South Africa after apartheid.See omnystudio.com/listener for privacy information.

Since the Israeli bombardment of Gaza began, nearly 400 schools have been damaged or destroyed. Last month, Israel destroyed Gaza's last standing university. According to Chandni Desai, Israel has a long record of targeted attacks on Palestinian academics and institutions that produce knowledge and culture. Chandni Desai is Assistant Professor in the Critical Studies of Equity and Solidarity at the University of Toronto.

  Clement speaks to Professor Melissa Steyn, the National Chair in Critical Studies at Wits University and Asanda Ngoasheng, an academic and Diversity Trainer about race relations in South Africa.See omnystudio.com/listener for privacy information.

SummaryIn the first episode of our 2024 season, our host Stephanie Fortunato speaks with Tairone Bastien, curator of 'A Feral Commons', a global public art co-commission project that examines the often unrecognized co-dependence and open-ended collaborations between human and non-human beings. The project is led by Alserkal Advisory in collaboration with GCDN and with support from UAP – and features site-specific installations located in three cultural districts worldwide: Alserkal Avenue, Kingston Creative, and Victoria Yards.Guest bioTairone Bastien (he/him) is an independent curator based in Toronto and an Assistant Professor in the Criticism and Curatorial Practice program at Ontario College of Art and Design University. Tairone co-curated the inaugural Toronto Biennial of Art in 2019 and in 2022. From 2011-2016, Tairone established the arts program at Alserkal Avenue and the Alserkal Residency in Dubai, for artists, curators, and researchers in the Middle East, North Africa, and South Asia. From 2005-2010, he was a curator for Performa in New York City, co-organizing the first three editions of the ground-breaking biennial of live performance art. Tairone holds a Master of Art from the Center for Curatorial Studies, Bard College, New York; and a Bachelor's Degree in Art History with a Minor in Critical Studies in Sexuality from the University of British Columbia. External referencesA Feral Commons Website: https://aferalcommons.com/A Feral Commons ArtistsIo Makandal: https://iomakandal.com/Muhannad Shono: https://muhannadshono.com/Camille Chedda: https://www.camillechedda.com/Alserkal article detailing A Feral Commons: https://alserkal.online/words/the-global-co-commissionUrban Art Project (UAP): https://www.uapcompany.com/Alserkal: https://alserkal.online/Kingston Creative:https://kingstoncreative.org/Victoria Yards: https://www.victoriayards.co.za/Toronto Biennial: https://torontobiennial.org/Hassan Sharif: https://en.wikipedia.org/wiki/Hassan_SharifAna Tsing: https://en.wikipedia.org/wiki/Anna_TsingFeral Atlas, 79 field reports from scientists, humanists, and artists that show you how to recognize “feral” ecologies: https://feralatlas.org/Mushroom at the end of the world: https://en.wikipedia.org/wiki/The_Mushroom_at_the_End_of_the_WorldArticle detailing Chedda's Art Exhibition: https://our.today/jamaican-camille-chedda-selected-for-climate-themed-art-exhibition/Juksgei River, Johannesburg South Africa: https://en.wikipedia.org/wiki/Jukskei_RiverWater for the Future, an organization dedicated to reviving the Jukskei river's ecosystem through collaborative, community-based spatial interventions. Collaborating with Makandal on her exhibition: https://www.waterforthefuture.co.za/ LinkedInsTairone Bastien : https://www.linkedin.com/in/tairone-bastien-6310608/?originalSubdomain=caAlserkal LinkedIn:https://www.linkedin.com/company/alserkal/Camille Chedda:https://www.linkedin.com/in/camille-chedda-8233bb33/Io Makandal:https://www.linkedin.com/in/io-makandal-schiess-6b693629/ InstagramsMuhannad Shono: https://www.instagram.com/muhannad.shono/Io Makandal: https://www.instagram.com/iomakandal/Camille Chedda: https://www.instagram.com/camillechedda/Alserkal: https://www.instagram.com/alserkalavenue/

My guest this week is filmmaker and cinematographer Hope Hall who has built a career that includes assuming the role as Principal Presidential Videographer to President Obama, a position that she considered was the best job in the world. Her journey however started a long way from the White House in a different world as a modern dancer. Hope was born in 1969 in Chicago to Tom Hall, a retired Navy officer and advertising account executive, and Betsy Hall, a secretary. She is the youngest of three children and has three more siblings from her father's second marriage. Her mother navigates lifelong severe mental illness and Hope asked for her siblings and her to move in with her father and step mother, after living in Mexico and Brazil and her parents' divorce. She then lived with her new family in Chicago, California and Connecticut. Music has always played a role in Hope's life; she plays the piano, guitar, and now the drums, as well as being a singer. She also practiced gymnastics in her youth, and classical ballet proved to be the start of her dancing career. Hope took part in dance and theater in high school and college before making her way to Venice, San Francisco and New York as a professional dancer. From an early age she had a sense of social justice and enjoyed story telling so she was naturally drawn to photo-journalism, which gave her the foundation for film-making. Hope studied at the University of Paris III, IV, Center for Critical Studies (1989-90), the University of California, Berkeley, getting her B.A. in History and French (1991) and her M.A. at Stanford University in Documentary Film & Video (2000). Hope then moved back to NYC where she began incorporating music videos and projection design into her cinematography and directing practice. In addition to serving as President Obama's videographer, Hope was Senior Advisor for Video & Senior Road Videographer to Senator Warren's presidential campaign, and then Director, Digital Strategy Advisor and Cinematographer for both the Biden and Harris campaign and administration. Hope lives in New York where she is now enjoying life as a freelancer. Hope's website:IMDB and Instagram:https://www.hopehall.com/https://www.imdb.com/name/nm0355650/https://www.instagram.com/hopiehall Hope's playlist: https://open.spotify.com/playlist/3XEjsZ56rsZcKydhZ7d4gY?si=fab36f6723184574Some women whose work Hope admires: Wendall HarringtonPenny de los SantosJessie HensonPurcell CarsonSadia Shepard Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramEmail: hollowellstudios@gmail.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4769409/advertisement

My guest this week is filmmaker and cinematographer Hope Hall who has built a career that includes assuming the role as Principal Presidential Videographer to President Obama, a position that she considered was the best job in the world. Her journey however started a long way from the White House in a different world as a modern dancer. Hope was born in 1969 in Chicago to Tom Hall, a retired Navy officer and advertising account executive, and Betsy Hall, a secretary. She is the youngest of three children and has three more siblings from her father's second marriage. Her mother navigates lifelong severe mental illness and Hope asked for her siblings and her to move in with her father and step mother, after living in Mexico and Brazil and her parents' divorce. She then lived with her new family in Chicago, California and Connecticut. Music has always played a role in Hope's life; she plays the piano, guitar, and now the drums, as well as being a singer. She also practiced gymnastics in her youth, and classical ballet proved to be the start of her dancing career. Hope took part in dance and theater in high school and college before making her way to Venice, San Francisco and New York as a professional dancer. From an early age she had a sense of social justice and enjoyed story telling so she was naturally drawn to photo-journalism, which gave her the foundation for film-making. Hope studied at the University of Paris III, IV, Center for Critical Studies (1989-90), the University of California, Berkeley, getting her B.A. in History and French (1991) and her M.A. at Stanford University in Documentary Film & Video (2000). Hope then moved back to NYC where she began incorporating music videos and projection design into her cinematography and directing practice. In addition to serving as President Obama's videographer, Hope was Senior Advisor for Video & Senior Road Videographer to Senator Warren's presidential campaign, and then Director, Digital Strategy Advisor and Cinematographer for both the Biden and Harris campaign and administration. Hope lives in New York where she is now enjoying life as a freelancer. Hope's website:IMDB and Instagram:https://www.hopehall.com/https://www.imdb.com/name/nm0355650/https://www.instagram.com/hopiehall Hope's playlist: https://open.spotify.com/playlist/3XEjsZ56rsZcKydhZ7d4gY?si=fab36f6723184574Some women whose work Hope admires: Wendall HarringtonPenny de los SantosJessie HensonPurcell CarsonSadia Shepard Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramEmail: hollowellstudios@gmail.com

Evan Matthews is a rising star in the film industry who interned with legendary producer Mike Medavoy at Phoenix Pictures and served as right hand to Mark Burnett on iconic shows like The MTV Movie Awards and Survivor. Evan's groundbreaking sci-fi thesis, "Recoil" (2015), has garnered 10 awards and over 20 nominations across 50 international film festivals, featuring an astounding 265 VFX shots. His talent shines in the award-winning short film "The Teleios Act" (2019), which secured numerous accolades, including Best Director and Best Short Film.   My guest, Evan Matthews, and I discuss: Evan's internship with legendary producer Mike Medavoy at Phoenix Pictures. Evan's role as the right hand to Mark Burnett, featuring stories from The MTV Movie Awards, Survivor, The Apprentice, and On the Lot. Evan's groundbreaking sci-fi thesis, "Recoil" (2015), earned him 10 awards and over 20 nominations across 50 international film festivals, setting a school record with 265 VFX shots. Evan's award-winning short film, "The Teleios Act" (2019), secured multiple jury prizes, including Best Director, Audience Choice, Best Actress, and the coveted Best Short Film accolade. Dive into film school with Evan! Evan Matthews holds a BA in Film Theory and Critical Studies, as well as a Masters in Screenwriting and Directing from USC's prestigious School of Cinematic Arts. Get tips on what to do if you make eye contact with Johnny Depp. Learn about his time at Harpers Bazaar, which included a session with Ryan Reynolds. Discover Evan's directorial debut, "Motherland," and much more!   You're going to love my conversation with Evan Matthews Instagram Watch "The Teleios Act" Watch "Recoil" IMDB Evan's director reel   Follow Jeff Dwoskin (host): Jeff Dwoskin on Twitter The Jeff Dwoskin Show podcast on Twitter Podcast website Podcast on Instagram Join my mailing list Buy me a coffee (support the show) Subscribe to my Youtube channel (watch Crossing the Streams!) Yes, the show used to be called Live from Detroit: The Jeff Dwoskin Show Love the books I talk about on the show? Here is my Amazon store to shop.

Welcome to Part 1 of the Coffee Fest live on the show floor interviews from Anaheim, CA 2023! It was a pleasure to kick things of with coffee legend and returning guest, Kenneth Davids! Kenneth has been involved with coffee since the early 1970s and has published three books on coffee, including the influential Home Roasting: Romance and Revival, now in its second edition, and Coffee: A Guide to Buying, Brewing and Enjoying, which has sold nearly 250,000 copies in five editions. His latest book, 21st Century Coffee: A Guide, is an unprecedentedly thorough survey of specialty coffee in all of its aspects, authoritative yet engaging. Ken's workshops and seminars on coffee sourcing, evaluation and communication have been featured at professional coffee meetings on six continents. He is Professor Emeritus of Critical Studies at the California College of the Arts in San Francisco. In 1996 he was awarded a Special Achievement Award for Outstanding Contributions to Coffee Literature by the Specialty Coffee Association of America. In our conversation we discuss emerging coffee processing, the evolution of consumer coffee culture and the inevitable adoption and accessibility of experimental coffee.  Links: www.kennethdavidscoffee.com Next we here from Madeleine Longoria Garcia of Pacific Coffee Research! Madeleine is an owner of Pacific Coffee Research - a coffee roastery, education center, and consulting company based in Kailua Kona, Hawaiʻi. She has worked in coffee since 2010, filling a myriad of roles from barista to cafe manager to coffee picker! With Hawaiʻi as her home since 2014, she is active in the local coffee community as a committee chair with the Hawaiʻi Coffee Association and board member of the Synergistic Hawaiʻi Agriculture Council. Madeleine believes access to information and education is at the core of building a more resilient coffee industry. We chat with Madeleine about the need for quality control programs both in the wider industry and right in your own coffee shop. This is a very useful conversation if you want to see your consistency and quality improve dramatically.  Links: www.pcr.coffee   Related episodes:  349 : Talking About 21st Century Coffee w/ Kenneth Davids 339 : What Good Barista Training Produces ROR #23 : How to Close the Industry-Consumer Flavor Gap w/ Phil Beattie, Dillanos Coffee Roasters 296: Holistic Barista Training w/ David Castillo of Go Get Em Tiger , Los Angeles   Sponsor: www.coffeefest.com  

Ruth Fulton Benedict was one of the first women to become really prominent in the field of anthropology. She had a huge impact, but she's often overshadowed by some of her students, including Zora Neale Hurston and Margaret Mead.  Research: Banner, Lois W. “Intertwined Lives: Margaret Mead, Ruth Benedict, and Their Circle.” New York. Alfred A. Knopf. 2003. Banner, Lois W. “Mannish Women, Passive Men, and Constitutional Types: Margaret Mead's Sex and Temperament in Three Primitive Societies as a Response to Ruth Benedict's Patterns of Culture.” Signs. Vol. 28, No. 3, Gender and Science: New Issues (Spring 2003). Via JSTOR. https://www.jstor.org/stable/10.1086/345325 Benedict, Ruth, 1887-1948, and Gene Weltfish. The Races of Mankind. New York: Public Affairs Committee, 1943. Borovoy, Amy. “Ruth Benedict and the Study of Japanese Culture.” UC San Diego School of Global Policy and Strategy. 8/26/2020. Via YouTube. https://www.youtube.com/watch?v=IfZYIGltfsE Britannica, The Editors of Encyclopaedia. "Ruth Benedict". Encyclopedia Britannica, 13 Sep. 2022, https://www.britannica.com/biography/Ruth-Benedict. Accessed 17 May 2023. Burns, J. Conor. "Anthropology." History of Modern Science and Mathematics, edited by Brian S. Baigrie, Charles Scribner's Sons, 2002. Gale In Context: Science, link.gale.com/apps/doc/CV2640700006/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=4a63896c. Accessed 22 May 2023. Kent, Pauline. “Japanese Perceptions of ‘The Chrysanthemum and the Sword.'” Dialectical Anthropology, June 1999, Vol. 24, No. 2 (June 1999). https://www.jstor.org/stable/29790600 Lie, John. “Ruth Benedict's Legacy of Shame: Orientalism and Occidentalism in the Study of Japan.” Asian Journal of Social Science , 2001, Vol. 29, No. 2 (2001). Via JSTOR. https://www.jstor.org/stable/23653936 Mead, Margaret and Ruth Benedict. “An Anthropologist At Work Writings Of Ruth Benedict.” Secker & Warburg. 1959. "Patterns of Culture." American Decades Primary Sources, edited by Cynthia Rose, vol. 4: 1930-1939, Gale, 2004, pp. 645-647. Gale In Context: U.S. History, link.gale.com/apps/doc/CX3490200798/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=fa7f9002. Accessed 17 May 2023. "Ruth Fulton Benedict." Dictionary of American Biography, Charles Scribner's Sons, 1974. Gale In Context: U.S. History, link.gale.com/apps/doc/BT2310017919/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=0181011f. Accessed 17 May 2023. "Ruth Fulton Benedict." Scientists: Their Lives and Works, UXL, 2006. Gale In Context: Science, link.gale.com/apps/doc/K2641500229/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=4fba0976. Accessed 17 May 2023. Salamone, Frank A., 2018. “Life‑affirming versus Life‑denying Cultures : Ruth Benedict and Social Synergy”, in BEROSE International Encyclopaedia of the Histories of Anthropology, Paris. https://www.berose.fr/article1333.html?lang=en Schachter, Judith . "Ruth Benedict". In obo in Anthropology. 18 May. 2023. . Vassar Encyclopedia. “Ruth Benedict '1909.” 2009. https://vcencyclopedia.vassar.edu/distinguished-alumni/ruth-benedict/ Yong, Daniel. “Ruth Benedict: Strength in Disability.” University of Chicago. 12/13/2020. https://womanisrational.uchicago.edu/2020/12/13/ruth-benedict-strength-in-disability/ Young, Virginia Heyer. “Ruth Benedict: Beyond Relativity, Beyond Pattern.” Critical Studies in the History of Anthropology. Series editors Regna Darnell and Stephen O. Murray. University of Nebraska Press. 2005. See omnystudio.com/listener for privacy information.

Emily Weiner is a painter living and working in Nashville, TN. She received her BA from Barnard College, Columbia University (2003) and her MFA in Fine Arts at the School of Visual Arts in New York City (2011). She is represented by Red Arrow Gallery in Nashville, TN and has exhibited work at Whitespace Gallery (Atlanta, GA); Kunsthall Grenland (Porsgrunn, Norway); Wespace (Shanghai, China); David Lusk Gallery (Nashville, TN); Gerdarsafn Museum (Kopavogur, Iceland); LeRoy Neiman Gallery, Columbia University (New York); CULT (San Francisco); Soloway (Brooklyn), and Grizzly Grizzly (Philadelphia). Emily has been a Visiting Artist at the American Academy in Rome; Residency Co-Leader at Watershed Center for the Ceramic Arts, Newcastle, Maine; Artist Teacher-Resident at The Cooper Union, New York, NY; Artist-in-Residence at The Banff Centre, Canada; and Resident at Camac Art Center in France. She is a adjunct faculty at Watkins College of Art, Belmont University; and was previously Associate Adjunct Professor in Painting at Pratt Institute in Brooklyn and faculty in Visual and Critical Studies at The School of Visual Arts in NYC. Past curatorial projects include Soloway Gallery, The Willows NYC, and Vanderbilt University Gallery. Emily's work as an artist and curator has received press in The New York Times, The New Yorker, Artforum, Artsy, the BBC, New American Paintings, ArtNews, Domus (Italy), and The Brooklyn Rail, among other publications and media platforms.She is a winner of the Fall 2022 Hopper Prize and a 2022 nominee for the Joan Mitchell Fellowship.

Can a reserve's chronically unsafe drinking water be associated with a greater risk of suicide for its residents? That's the lethal link hypothesized in newly-released research entitled “Is Suicide a Water Justice Issue? Investigating Long-Term Drinking Water Advisories and Suicide in First Nations in Canada.” Co-authored by scholars Jeffrey Ansloos and Annelies Cooper, their investigative framework connects the colonial dots between relentless indignities inflicted upon Indigenous communities with the criminally disproportionate rates of premature Indigenous death.  An Associate Professor and the Canada Research Chair in Critical Studies in Indigenous Health and Social Action on Suicide at the University of Toronto, Dr. Ansloos joins host/producer Rick Harp and MI regular Candis Callison (Associate Professor in the Institute for Critical Indigenous Studies and the Graduate School of Journalism at UBC) to discuss the wider implications of this study.  NOTE: The Hope for Wellness Helpline is available 24/7 at 1-855-242-3310, its online chat option at hopeforwellness.ca A wholly Indigenous owned and operated podcast, MEDIA INDIGENA is 100% audience funded. Learn how you can support our work so we may keep our content free for all to access.  // CREDITS: Our theme is 'nesting' by birocratic.