Podcast appearances and mentions of Ethan J Kytle

David Cunningham joins John to speak about his pathbreaking article about visiting each of the 113 communities that removed or relocated Confederate symbols between 2015 and 2023. After discussing his co-authored Social Problems article, “Contesting Commemorative Landscapes” which first got him thinking about monument removal, he posits that “expungement, amplification, and repositioning” are three ways contemporary communities contest the monuments of the past.. The conversation from there ranges onward through various kinds of contested removal, ending with Cesar Chavez and his ongoing de-monumentalization. David is author of There's Something Happening Here: The New Left, the Klan, and FBI Counterintelligence and the award-winning Klansville, U.S.A.: The Rise and Fall of the Civil Rights-Era KKK,, a member of the City of St. Louis Reparations Commission and recently has been engaged in exploring political signalling in public art and monuments, including a forthcoming article on the political and cultural work of murals in Protestant and Catholic communities and in the interface areas that connect them in Belfast. His earlier Recall This Book episodes include on racialized policing in the US, on January 6th , and also on the 2024 presidential election–and a conversation with Glenn Patterson, author of Lapsed Protestant about the mural culture and politicized spaces of Belfast and Northern Ireland. Read the episode here. Mentioned in the episode By David Cunmningham himself: “What Richmond got Right about taking down Confederate Monuments” and a 2023 article coauthored with Christina Simko, “Montgomery's Monumental Truths” On place vs space there is wonderful work by Pierre Nora and Henri Lefebvre. Interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman. The lucid John Guillory article (mentioned but not discussed) is “Monuments and Documents: On the Object of Study in the Humanities.” Confederate generals whose statues were erected essentially to glorify the KKK famously include Nathaniel Bedford Forrest. Private parks built up to collect Confederate monuments (with an underlying anti-government bias) include North Carolina's Valor Memorial Park, and in Texas the SS American Memorial Foundation's military retreat space now adorned with removed Confederate statues. In Bentonville, this park glorifies a Confederate statue that has now been (dubiously) linked to Governor James H. Berry. The MOCA/Brick reimagined MONUMENTS Exhibition includes work by Kara Walker and Bethany Collins. https://www.nps.gov/boaf/learn/historyculture/shaw.htm Sylva North Carolina Confederate plaque debate. Kazuo Ishiguro, The Buried Giant and the Nietzschean problem of “creative forgetting.” The idea of Productive creative cognitive dissonance is drawn from MLK's idea of “creative tension.” Hajar Yazdiha, Struggle for the People's King How long will the Chavez National Monument last? The statue at UC Fresno is already gone…” Is The Trail of Tears a historical site the same way Confederate statues are? Denmark Vescey's Garden by Ethan J. Kytle and, Blain RobertsZore Neale Hurston Their Eyes were Watching God Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

David Cunningham joins John to speak about his pathbreaking article about visiting each of the 113 communities that removed or relocated Confederate symbols between 2015 and 2023. After discussing his co-authored Social Problems article, “Contesting Commemorative Landscapes” which first got him thinking about monument removal, he posits that “expungement, amplification, and repositioning” are three ways contemporary communities contest the monuments of the past.. The conversation from there ranges onward through various kinds of contested removal, ending with Cesar Chavez and his ongoing de-monumentalization. David is author of There's Something Happening Here: The New Left, the Klan, and FBI Counterintelligence and the award-winning Klansville, U.S.A.: The Rise and Fall of the Civil Rights-Era KKK,, a member of the City of St. Louis Reparations Commission and recently has been engaged in exploring political signalling in public art and monuments, including a forthcoming article on the political and cultural work of murals in Protestant and Catholic communities and in the interface areas that connect them in Belfast. His earlier Recall This Book episodes include on racialized policing in the US, on January 6th , and also on the 2024 presidential election–and a conversation with Glenn Patterson, author of Lapsed Protestant about the mural culture and politicized spaces of Belfast and Northern Ireland. Read the episode here. Mentioned in the episode By David Cunmningham himself: “What Richmond got Right about taking down Confederate Monuments” and a 2023 article coauthored with Christina Simko, “Montgomery's Monumental Truths” On place vs space there is wonderful work by Pierre Nora and Henri Lefebvre. Interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman. The lucid John Guillory article (mentioned but not discussed) is “Monuments and Documents: On the Object of Study in the Humanities.” Confederate generals whose statues were erected essentially to glorify the KKK famously include Nathaniel Bedford Forrest. Private parks built up to collect Confederate monuments (with an underlying anti-government bias) include North Carolina's Valor Memorial Park, and in Texas the SS American Memorial Foundation's military retreat space now adorned with removed Confederate statues. In Bentonville, this park glorifies a Confederate statue that has now been (dubiously) linked to Governor James H. Berry. The MOCA/Brick reimagined MONUMENTS Exhibition includes work by Kara Walker and Bethany Collins. https://www.nps.gov/boaf/learn/historyculture/shaw.htm Sylva North Carolina Confederate plaque debate. Kazuo Ishiguro, The Buried Giant and the Nietzschean problem of “creative forgetting.” The idea of Productive creative cognitive dissonance is drawn from MLK's idea of “creative tension.” Hajar Yazdiha, Struggle for the People's King How long will the Chavez National Monument last? The statue at UC Fresno is already gone…” Is The Trail of Tears a historical site the same way Confederate statues are? Denmark Vescey's Garden by Ethan J. Kytle and, Blain RobertsZore Neale Hurston Their Eyes were Watching God Learn more about your ad choices. Visit megaphone.fm/adchoices

David Cunningham joins John to speak about his pathbreaking article about visiting each of the 113 communities that removed or relocated Confederate symbols between 2015 and 2023. After discussing his co-authored Social Problems article, “Contesting Commemorative Landscapes” which first got him thinking about monument removal, he posits that “expungement, amplification, and repositioning” are three ways contemporary communities contest the monuments of the past.. The conversation from there ranges onward through various kinds of contested removal, ending with Cesar Chavez and his ongoing de-monumentalization. David is author of There's Something Happening Here: The New Left, the Klan, and FBI Counterintelligence and the award-winning Klansville, U.S.A.: The Rise and Fall of the Civil Rights-Era KKK,, a member of the City of St. Louis Reparations Commission and recently has been engaged in exploring political signalling in public art and monuments, including a forthcoming article on the political and cultural work of murals in Protestant and Catholic communities and in the interface areas that connect them in Belfast. His earlier Recall This Book episodes include on racialized policing in the US, on January 6th , and also on the 2024 presidential election–and a conversation with Glenn Patterson, author of Lapsed Protestant about the mural culture and politicized spaces of Belfast and Northern Ireland. Read the episode here. Mentioned in the episode By David Cunmningham himself: “What Richmond got Right about taking down Confederate Monuments” and a 2023 article coauthored with Christina Simko, “Montgomery's Monumental Truths” On place vs space there is wonderful work by Pierre Nora and Henri Lefebvre. Interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman. The lucid John Guillory article (mentioned but not discussed) is “Monuments and Documents: On the Object of Study in the Humanities.” Confederate generals whose statues were erected essentially to glorify the KKK famously include Nathaniel Bedford Forrest. Private parks built up to collect Confederate monuments (with an underlying anti-government bias) include North Carolina's Valor Memorial Park, and in Texas the SS American Memorial Foundation's military retreat space now adorned with removed Confederate statues. In Bentonville, this park glorifies a Confederate statue that has now been (dubiously) linked to Governor James H. Berry. The MOCA/Brick reimagined MONUMENTS Exhibition includes work by Kara Walker and Bethany Collins. https://www.nps.gov/boaf/learn/historyculture/shaw.htm Sylva North Carolina Confederate plaque debate. Kazuo Ishiguro, The Buried Giant and the Nietzschean problem of “creative forgetting.” The idea of Productive creative cognitive dissonance is drawn from MLK's idea of “creative tension.” Hajar Yazdiha, Struggle for the People's King How long will the Chavez National Monument last? The statue at UC Fresno is already gone…” Is The Trail of Tears a historical site the same way Confederate statues are? Denmark Vescey's Garden by Ethan J. Kytle and, Blain RobertsZore Neale Hurston Their Eyes were Watching God Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

This episode is dedicated to the trailblazing Black women of Charleston who, in 1927, established the Book Lovers' Club. Listen in as Mika kicks off her 1st ever book club meeting featuring the authors of Denmark Vesey's Garden, the August 2020 selection, Ethan J. Kytle and Blain Roberts. To watch the virtual meet-up with closed captions and ASL interpretation, click here: youtu.be/t_2TWCJ0p6c Join My Book Club: forms.gle/vPXYSsf2gPZ9PayK7 September's Selection, Charleston Syllabus: ugapress.org/book/9780820349572…arleston-syllabus/ New to the show? Check out this previous episode: soundcloud.com/user-150973509/read-these-books-by-black-women Sign-up for the Charleston Activist Newsletter: bit.ly/CANLIST This podcast is people powered. Here's how you can show support: bit.ly/SupportCAN , $mikagadsden on CashApp Support this podcast via Patreon: patreon.com/ChsActNet Follow the Charleston Activist Network on Social Media: IG: @charlestonactivistnetwork Twitter: @ChsActNet FB: @charlestonactivistnetwork Email Mika: Tamika@charlestonactivistnetwork.com

This was such a timely and wonderful episode! I originally asked Dr. Kytle to come on to talk about COVID after he wrote some articles about Fresno's experience with the Spanish Flu in 1918, but he also happens to be expert on the history of slavery and has written extensively about confederate memorials in the U.S. We ended up spending more time talking about protests and race relations in this episode. This was an amazing conversation and there is so much to be learned here.

Blain Roberts and Ethan J. Kytle, Professors of History at California State University—Fresno, discuss their co-authored book, Denmark Vesey’s Garden: Slavery and Memory in the Cradle of the Confederacy (The New Press, 2018), competing narratives about slavery in the South, and the fraught history of race, memory and memorialization in the region. Hailed by the New York Times as a “fascinating and important new historical study that examines . . . the place where the ways slavery is remembered mattered most,” Denmark Vesey’s Garden “maps competing memories of slavery from abolition to the very recent struggle to rename or remove Confederate symbols across the country” (The New Republic). This timely book reveals the deep roots of present-day controversies and traces them to the capital of slavery in the United States: Charleston, South Carolina, where almost half of the slaves brought to the United States stepped onto our shores, where the first shot at Fort Sumter began the Civil War, and where Dylann Roof murdered nine people at Emanuel A.M.E. Church, which was co-founded by Denmark Vesey, a black revolutionary who plotted a massive slave insurrection in 1822. As they examine public rituals, controversial monuments, and competing musical traditions, “Kytle and Roberts’s combination of encyclopedic knowledge of Charleston’s history and empathy with its inhabitants’ past and present struggles make them ideal guides to this troubled history” (Publishers Weekly, starred review). A work the Civil War Times called “a stunning contribution, ” Denmark Vesey’s Garden exposes a hidden dimension of America’s deep racial divide, joining the small bookshelf of major, paradigm-shifting interpretations of slavery’s enduring legacy in the United States. Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association.

Blain Roberts and Ethan J. Kytle, Professors of History at California State University—Fresno, discuss their co-authored book, Denmark Vesey’s Garden: Slavery and Memory in the Cradle of the Confederacy (The New Press, 2018), competing narratives about slavery in the South, and the fraught history of race, memory and memorialization in the region. Hailed by the New York Times as a “fascinating and important new historical study that examines . . . the place where the ways slavery is remembered mattered most,” Denmark Vesey’s Garden “maps competing memories of slavery from abolition to the very recent struggle to rename or remove Confederate symbols across the country” (The New Republic). This timely book reveals the deep roots of present-day controversies and traces them to the capital of slavery in the United States: Charleston, South Carolina, where almost half of the slaves brought to the United States stepped onto our shores, where the first shot at Fort Sumter began the Civil War, and where Dylann Roof murdered nine people at Emanuel A.M.E. Church, which was co-founded by Denmark Vesey, a black revolutionary who plotted a massive slave insurrection in 1822. As they examine public rituals, controversial monuments, and competing musical traditions, “Kytle and Roberts’s combination of encyclopedic knowledge of Charleston’s history and empathy with its inhabitants’ past and present struggles make them ideal guides to this troubled history” (Publishers Weekly, starred review). A work the Civil War Times called “a stunning contribution, ” Denmark Vesey’s Garden exposes a hidden dimension of America’s deep racial divide, joining the small bookshelf of major, paradigm-shifting interpretations of slavery’s enduring legacy in the United States. Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

Blain Roberts and Ethan J. Kytle, Professors of History at California State University—Fresno, discuss their co-authored book, Denmark Vesey’s Garden: Slavery and Memory in the Cradle of the Confederacy (The New Press, 2018), competing narratives about slavery in the South, and the fraught history of race, memory and memorialization in the region. Hailed by the New York Times as a “fascinating and important new historical study that examines . . . the place where the ways slavery is remembered mattered most,” Denmark Vesey’s Garden “maps competing memories of slavery from abolition to the very recent struggle to rename or remove Confederate symbols across the country” (The New Republic). This timely book reveals the deep roots of present-day controversies and traces them to the capital of slavery in the United States: Charleston, South Carolina, where almost half of the slaves brought to the United States stepped onto our shores, where the first shot at Fort Sumter began the Civil War, and where Dylann Roof murdered nine people at Emanuel A.M.E. Church, which was co-founded by Denmark Vesey, a black revolutionary who plotted a massive slave insurrection in 1822. As they examine public rituals, controversial monuments, and competing musical traditions, “Kytle and Roberts’s combination of encyclopedic knowledge of Charleston’s history and empathy with its inhabitants’ past and present struggles make them ideal guides to this troubled history” (Publishers Weekly, starred review). A work the Civil War Times called “a stunning contribution, ” Denmark Vesey’s Garden exposes a hidden dimension of America’s deep racial divide, joining the small bookshelf of major, paradigm-shifting interpretations of slavery’s enduring legacy in the United States. Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

Blain Roberts and Ethan J. Kytle, Professors of History at California State University—Fresno, discuss their co-authored book, Denmark Vesey's Garden: Slavery and Memory in the Cradle of the Confederacy (The New Press, 2018), competing narratives about slavery in the South, and the fraught history of race, memory and memorialization in the region. Hailed by the New York Times as a “fascinating and important new historical study that examines . . . the place where the ways slavery is remembered mattered most,” Denmark Vesey's Garden “maps competing memories of slavery from abolition to the very recent struggle to rename or remove Confederate symbols across the country” (The New Republic). This timely book reveals the deep roots of present-day controversies and traces them to the capital of slavery in the United States: Charleston, South Carolina, where almost half of the slaves brought to the United States stepped onto our shores, where the first shot at Fort Sumter began the Civil War, and where Dylann Roof murdered nine people at Emanuel A.M.E. Church, which was co-founded by Denmark Vesey, a black revolutionary who plotted a massive slave insurrection in 1822. As they examine public rituals, controversial monuments, and competing musical traditions, “Kytle and Roberts's combination of encyclopedic knowledge of Charleston's history and empathy with its inhabitants' past and present struggles make them ideal guides to this troubled history” (Publishers Weekly, starred review). A work the Civil War Times called “a stunning contribution, ” Denmark Vesey's Garden exposes a hidden dimension of America's deep racial divide, joining the small bookshelf of major, paradigm-shifting interpretations of slavery's enduring legacy in the United States. Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Blain Roberts and Ethan J. Kytle, Professors of History at California State University—Fresno, discuss their co-authored book, Denmark Vesey’s Garden: Slavery and Memory in the Cradle of the Confederacy (The New Press, 2018), competing narratives about slavery in the South, and the fraught history of race, memory and memorialization in the region. Hailed by the New York Times as a “fascinating and important new historical study that examines . . . the place where the ways slavery is remembered mattered most,” Denmark Vesey’s Garden “maps competing memories of slavery from abolition to the very recent struggle to rename or remove Confederate symbols across the country” (The New Republic). This timely book reveals the deep roots of present-day controversies and traces them to the capital of slavery in the United States: Charleston, South Carolina, where almost half of the slaves brought to the United States stepped onto our shores, where the first shot at Fort Sumter began the Civil War, and where Dylann Roof murdered nine people at Emanuel A.M.E. Church, which was co-founded by Denmark Vesey, a black revolutionary who plotted a massive slave insurrection in 1822. As they examine public rituals, controversial monuments, and competing musical traditions, “Kytle and Roberts’s combination of encyclopedic knowledge of Charleston’s history and empathy with its inhabitants’ past and present struggles make them ideal guides to this troubled history” (Publishers Weekly, starred review). A work the Civil War Times called “a stunning contribution, ” Denmark Vesey’s Garden exposes a hidden dimension of America’s deep racial divide, joining the small bookshelf of major, paradigm-shifting interpretations of slavery’s enduring legacy in the United States. Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

Yhdysvaltain kansallispäivän kunniaksi Kulttuuriykkönen sukeltaa amerikkalaisen kirjallisuuden maailmaan. Vieraina ovat runoilija Anni Sumari, joka on kääntänyt amerikkalaista nykyrunoutta, suomentaja Tero Valkonen, joka kääntää parhaillaan David Foster Wallacen Infinite Jest -teosta, Yhdysvaltain historian professori Marko Maunula, sekä HS:n kulttuuritoimittaja Jukka Petäjä. Ohjelmassa keskusteltiin mm. seuraavista teoksista: Merenvaahdon palatsi. Amerikkalaista nykyrunoutta (suom. ja toim. Anni Sumari) Laila Lalami: The Other Americans George Saunders: Lincoln Bardossa (suom. Kaijamari Sivill) George Packer The Inner History of America Jill Lepore: The Whites of Their Eyes Ethan J. Kytle, Blain Roberts: Denmark Vesey’s Garden Arlie Hochschild: Strangers in Their Own Land Juontajana on Pietari Kylmälä. Ohjelma on osa Yle Radio 1:n Uuden maailman heinäkuuta.

Blain Roberts and Ethan J. Kytle, Professors of History at California State University—Fresno, discuss their co-authored book, Denmark Vesey’s Garden: Slavery and Memory in the Cradle of the Confederacy, competing narratives about slavery in the South, and the fraught history of race, memory and memorialization in the region.

David speaks with historians Ethan J. Kytle and Blain Roberts about their new book DENMARK VESEY'S GARDEN: SLAVERY AND MEMORY IN THE CRADLE OF THE CONFEDERACY. Originally aired on September 13th 2018.

On this very special LIVE episode of Mic'd Up, host Mika Gadsden sits down with authors, Ethan J. Kytle and Blain Roerts for a Q & A discussion about their groundbreaking book, Denmark Vesey's Garden. This discussion, coordinated by the owners of Itinerant Literate Books, is titled "Food for Thought" and was hosted at Charleston's own, Harold's Cabin. Special Thanks Shout Outs: Do Work Media for recording and producing this episode CT Burton for serving as Executive Producer Follow Those Featured in this Episode: Ethan Kytle on Twitter: @EthanKytle Blain Roberts on Twitter: @BlainRoberts1 The Authors' Website: denmarkveseysgarden.com Do Work Media: @doworkmedia on Twitter and IG. Charleston Activist Network: @CharlestonActivistNetwork on IG and Facebook and @ChsActNet on Twitter, charlestonactivistnetwork.com Itinerant Literate Books: @chsbookmobile on Twitter, itinerantliteratebooks.com Join us on our trip to the National Memorial for Peace and Justice & The Legacy Museum: http://bit.ly/Journey4JusticeChas

A book that strikes at the source of the recent flare-ups over Confederate symbols in Charlottesville, New Orleans, and elsewhere, Ethan J. Kytle and Blain Roberts‘ Denmark Vesey’s Garden: Slavery and Memory in the Cradle of the Confederacy (The New Press, 2018) reveals the deep roots of these controversies and traces them to the capital of slavery in the United States: Charleston, South Carolina, where almost half of the slaves brought to the U.S. stepped onto our shores, where the first shot at Fort Sumter began the Civil War, and where Dylann Roof murdered nine people at Emanuel A.M.E. Church, which was co-founded by Denmark Vesey, a black revolutionary who plotted a massive slave insurrection in 1822. As early as 1865, former slaveholders and their descendants began working to construct a romanticized memory of the antebellum South. In contrast, former slaves, their descendants, and some white allies have worked to preserve an honest, unvarnished account of slavery as the cruel system it was. Examining public rituals, controversial monuments, and competing musical traditions, Denmark Vesey’s Garden tracks these two rival memories from the Civil War to recent decades—when a segregated tourism industry reflecting these opposing visions of the past took hold in the popular vacation destination. Denmark Vesey’s Garden exposes a hidden dimension of America’s deep racial divide, joining the small bookshelf of major, paradigm-shifting interpretations of slavery’s enduring legacy in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices

A book that strikes at the source of the recent flare-ups over Confederate symbols in Charlottesville, New Orleans, and elsewhere, Ethan J. Kytle and Blain Roberts‘ Denmark Vesey’s Garden: Slavery and Memory in the Cradle of the Confederacy (The New Press, 2018) reveals the deep roots of these controversies and traces them to the capital of slavery in the United States: Charleston, South Carolina, where almost half of the slaves brought to the U.S. stepped onto our shores, where the first shot at Fort Sumter began the Civil War, and where Dylann Roof murdered nine people at Emanuel A.M.E. Church, which was co-founded by Denmark Vesey, a black revolutionary who plotted a massive slave insurrection in 1822. As early as 1865, former slaveholders and their descendants began working to construct a romanticized memory of the antebellum South. In contrast, former slaves, their descendants, and some white allies have worked to preserve an honest, unvarnished account of slavery as the cruel system it was. Examining public rituals, controversial monuments, and competing musical traditions, Denmark Vesey’s Garden tracks these two rival memories from the Civil War to recent decades—when a segregated tourism industry reflecting these opposing visions of the past took hold in the popular vacation destination. Denmark Vesey’s Garden exposes a hidden dimension of America’s deep racial divide, joining the small bookshelf of major, paradigm-shifting interpretations of slavery’s enduring legacy in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices

A book that strikes at the source of the recent flare-ups over Confederate symbols in Charlottesville, New Orleans, and elsewhere, Ethan J. Kytle and Blain Roberts‘ Denmark Vesey's Garden: Slavery and Memory in the Cradle of the Confederacy (The New Press, 2018) reveals the deep roots of these controversies and traces them to the capital of slavery in the United States: Charleston, South Carolina, where almost half of the slaves brought to the U.S. stepped onto our shores, where the first shot at Fort Sumter began the Civil War, and where Dylann Roof murdered nine people at Emanuel A.M.E. Church, which was co-founded by Denmark Vesey, a black revolutionary who plotted a massive slave insurrection in 1822. As early as 1865, former slaveholders and their descendants began working to construct a romanticized memory of the antebellum South. In contrast, former slaves, their descendants, and some white allies have worked to preserve an honest, unvarnished account of slavery as the cruel system it was. Examining public rituals, controversial monuments, and competing musical traditions, Denmark Vesey's Garden tracks these two rival memories from the Civil War to recent decades—when a segregated tourism industry reflecting these opposing visions of the past took hold in the popular vacation destination. Denmark Vesey's Garden exposes a hidden dimension of America's deep racial divide, joining the small bookshelf of major, paradigm-shifting interpretations of slavery's enduring legacy in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

A book that strikes at the source of the recent flare-ups over Confederate symbols in Charlottesville, New Orleans, and elsewhere, Ethan J. Kytle and Blain Roberts‘ Denmark Vesey’s Garden: Slavery and Memory in the Cradle of the Confederacy (The New Press, 2018) reveals the deep roots of these controversies and traces them to the capital of slavery in the United States: Charleston, South Carolina, where almost half of the slaves brought to the U.S. stepped onto our shores, where the first shot at Fort Sumter began the Civil War, and where Dylann Roof murdered nine people at Emanuel A.M.E. Church, which was co-founded by Denmark Vesey, a black revolutionary who plotted a massive slave insurrection in 1822. As early as 1865, former slaveholders and their descendants began working to construct a romanticized memory of the antebellum South. In contrast, former slaves, their descendants, and some white allies have worked to preserve an honest, unvarnished account of slavery as the cruel system it was. Examining public rituals, controversial monuments, and competing musical traditions, Denmark Vesey’s Garden tracks these two rival memories from the Civil War to recent decades—when a segregated tourism industry reflecting these opposing visions of the past took hold in the popular vacation destination. Denmark Vesey’s Garden exposes a hidden dimension of America’s deep racial divide, joining the small bookshelf of major, paradigm-shifting interpretations of slavery’s enduring legacy in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices

A book that strikes at the source of the recent flare-ups over Confederate symbols in Charlottesville, New Orleans, and elsewhere, Ethan J. Kytle and Blain Roberts‘ Denmark Vesey’s Garden: Slavery and Memory in the Cradle of the Confederacy (The New Press, 2018) reveals the deep roots of these controversies and traces them to the capital of slavery in the United States: Charleston, South Carolina, where almost half of the slaves brought to the U.S. stepped onto our shores, where the first shot at Fort Sumter began the Civil War, and where Dylann Roof murdered nine people at Emanuel A.M.E. Church, which was co-founded by Denmark Vesey, a black revolutionary who plotted a massive slave insurrection in 1822. As early as 1865, former slaveholders and their descendants began working to construct a romanticized memory of the antebellum South. In contrast, former slaves, their descendants, and some white allies have worked to preserve an honest, unvarnished account of slavery as the cruel system it was. Examining public rituals, controversial monuments, and competing musical traditions, Denmark Vesey’s Garden tracks these two rival memories from the Civil War to recent decades—when a segregated tourism industry reflecting these opposing visions of the past took hold in the popular vacation destination. Denmark Vesey’s Garden exposes a hidden dimension of America’s deep racial divide, joining the small bookshelf of major, paradigm-shifting interpretations of slavery’s enduring legacy in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1862, slave Robert Smalls was working as a pilot aboard a Confederate transport ship in Charleston, S.C., when he seized a unique chance to escape. In this week's episode of the Futility Closet podcast we'll follow his daring predawn journey, which rescued 17 people from slavery and changed the course of South Carolina history. We'll also reflect on justice for bears and puzzle over a hijacker's surprising request. Please consider becoming a patron of Futility Closet -- on our Patreon page you can pledge any amount per episode, and all contributions are greatly appreciated. You can change or cancel your pledge at any time, and we've set up some rewards to help thank you for your support. You can also make a one-time donation via the Donate button in the sidebar of the Futility Closet website. Sources for our feature on Robert Smalls: Andrew Billingsley, Yearning to Breathe Free: Robert Smalls of South Carolina and His Families, 2007. Kitt Haley Alexander, Robert Smalls: First Black Civil War Hero, 2001. Peggy Cooper Davis, “Introducing Robert Smalls,” Fordham Law Review 69:5 (April 2001), 1695. “Robert Smalls,” American National Biography Online, accessed Feb. 14, 2016. Henry Louis Gates Jr., “Which Slave Sailed Himself to Freedom?”, PBS.org (accessed Feb. 14, 2016). Micah White, “Black History Unsung Heroes: Robert Smalls,” biography.com, Feb 9, 2015. “Smalls, Robert,” History, Art & Archives, U.S. House of Representatives (accessed Feb. 14, 2016). Blain Roberts and Ethan J. Kytle, “Robert Smalls's Great Escape,” New York Times, May 12, 2012. Avis Thomas-Lester, “Civil War Hero Robert Smalls Seized the Opportunity to Be Free,” Washington Post, March 2, 2012. Amy Geier Edgar, “Bill Would Honor Black Pioneer in Business, Politics,” Associated Press, March 26, 2004. Listener mail: Todd Wilkinson, "What Do You Do With a Bear That Kills a Person?", National Geographic, Aug. 20, 2015. Sarene Leeds, "'Downton Abbey' Recap: Season 6, Episode 5," Wall Street Journal, Jan. 31, 2016. This week's lateral thinking puzzle was contributed by listener Rini Rikka. You can listen using the player above, download this episode directly, or subscribe on iTunes or via the RSS feed at http://feedpress.me/futilitycloset. Many thanks to Doug Ross for the music in this episode. If you have any questions or comments you can reach us at podcast@futilitycloset.com. Thanks for listening!