Podcasts about Mika

Winning more clients and creating a more client-centric planning experience requires a shift. A shift away from the numbers. A shift towards the human. In this episode, Tim Maurer, Chief Advisory Officer at Signature FD shares his insights on building a human-first approach to transform both your prospecting and your planning. Instead of relying on advisor-driven presentations, Tim focuses on connecting with what truly drives people - values, stories, and emotions - so that clients feel ownership of their plan. And they trust that you're the person to guide them along the way. You'll Learn: Tim's 4 steps for human-first prospecting that converts Ideas for building plans that clients embrace and act on How to shift from advisor-driven to client-inspired advice Why removing emotions from money is actually a mistake A philosophy for using money to create memorable experiences  *To sign up for Brendan's newsletter packed with resources to master the human side of advice → Click Here Resources: 55: Infusing Life Into The Financial Planning Process with Tim Maurer 141: The Power of Storytelling: How To Craft Stories That Convert Prospects Into Clients with Stacy Havener Thinking, Fast and Slow by Daniel Kahneman  Blink by Malcolm Gladwell Die With Zero by Bill Perkins Nudge by Richard H. Thaler and Cass R. Sunstein  Give to Grow by Mo Bunnell The Courage to Be Disliked by Ichiro Kishimi and Fumitake Koga  The Wim Hof Method by Wim Hof Connect with Brendan Frazier:  RFG Advisory LinkedIn: Brendan Frazier Connect with Tim Maurer:  SignatureFD LinkedIn: Tim Maurer About Our Guest:  As the Chief Advisory Officer at SignatureFD, Tim acts as the coach and advocate of their experienced corps of advisors in pursuit of the optimal delivery of their unique client experience. They partner with clients to "activate" their wealth in four key areas: Grow, Protect, Give, and Live. Anchoring in these core pillars offers a level of transparency to wealth management, enabling clients to better understand how they can use their wealth to achieve their goals and impact the things that matter most to them – what SignatureFD calls Net Worthwhile™. A graduate of Towson University, Tim taught financial planning at his alma mater for seven years. His third book, Simple Money, is an exploration of prescriptive personal finance through the lens of behavioral science. He is a regular CNBC contributor and writes for Forbes.com. A central theme drives his writing and speaking: Personal finance is more personal than it is finance. Regardless of income or net worth, Tim believes it is our underlying values and goals that drive our behavior with money, which ultimately determines our satisfaction in work and life. Couching timely application in timeless wisdom, he educates at private events as well as in television, radio, print, and online media. With a passion for relational communication, he has been featured on NBC's TODAY Show, CNBC, and ABC's Nightline; on NPR programs The Diane Rehm Show and Marketplace; as well as in The Wall Street Journal, The Washington Post, The New York Times, The Baltimore Sun, Kiplinger's Personal Finance, U.S. News & World Report, and Money magazine, among others. Tim is a husband and father first and lives in Charleston, South Carolina, where his wife Mika and two boys, Kieran and Connor, are active members of their community. Outside of personal finance, his favorite pursuit is music, whether consuming or contributing on the drums, keys, or, only occasionally, the upright bass. He is also part of a group dedicated to serving the second poorest country in the Western hemisphere, Nicaragua, through micro-finance and entrepreneurial ventures. – Content here is for illustrative purposes and general information only. It is not legal, tax, or individualized financial advice; nor is it a recommendation to buy, sell,

A state and local focus this week. Our very special guest this week is Mika Race and she has graciously agreed to come on the program and share her story about the abuse of government power right here in Sevier County. After watching the episode, please head over to Youtube (link below) and subscribe to her channel for more updates as well as all of the episodes she put together with the receipts of abuse. On the state level, there is a movement afoot for liberty and I will share with you some news that should have every freedom loving conservative and Christian in the state excited to participate in our system of self-governance. Get your tickets for the annual Freedom Fest hosted by Tennessee Constitutional Grassroots Coalition this coming October 4th. Don't forget to subscribe to the blog - https://libertyleadershipandlies.com and Mika's channel on Youtube - https://www.youtube.com/@PigeonForgeEminentDomainYou can subscribe to or follow the podcast on Apple or Spotify, or on your favorite podcast platform – Rumble | YouTube | Overcast | Amazon Music | iHeartRadio | Pocket Casts | RadioPublicJoin me on social media:Twitter – both at @LarryForTN12 @LiesLibertyTruth Social – @LarryForTN12Instagram – @larry_conservative_activist @the_l5_podcastFacebook – Larry Linton - Sevier County Conservative Activist Facebook – Liberty, Leadership and LiesGab – @LarryLintonGETTR – @LarryLintonTelegram – t.me/libertyleadershipandliesTiktok – https://www.tiktok.com/@libertyleadershipandliesOr on the web at – https://libertyleadershipandlies.com#LarryForTN12 #LintonForTN12 #LarryLintonForTN12 #LibertyLeadershipAndLies #Liberty #Leadership #Lies #Constitutionalist #Conservative #Tennessee #StandInTheArena #Fritts4TN #GoodOldBoys #EminentDomain #Malfeasance #Corruption #PigeonForge #SevierCounty #FreedomAndLessGovernment

Après deux semaines de course, Jonas Vingegaard est en tête du Tour d'Espagne, avec 48 secondes d'avance sur Joao Almeida. Dans ce podcast Chasse-Patate, Matthieu, Johann (bullomaniak), Mikaël (stidpmi) et Titouan (ElRojo) analysent ce duel pour la victoire finale et reviennent sur les éléments marquants des deux premières semaines de la Vuelta. https://www.youtube.com/watch?v=Vc84kdG_cH8 Programme 0:00 - Introduction 1:43 - Que retenir du début de Vuelta ? 7:01 - Les manifestations contre Israel-Premier Tech 17:02 - Le duel Vingegaard-Almeida pour la victoire 47:16 - Les autres prétendants au général 55:50 - Les autres coureurs marquants du début de Vuelta 1:07:19 - Conclusion Photo : Unipublic / Rafa Gómez / Sprint Cycling Agency Générique : Peluda Production

Juhu! Die großen Ferien sind vorbei, der beste Monat des Jahres hat begonnen und wir sind zurück aus der Sommerpause! Wir starten in die neue Season und teilen mit euch, was es alles Neues gibt. Mika erzählt, wie sie mit ihrem Long Covid zurecht kommt (mal besser, mal schlechter) und warum sie neulich ein Bild für Margarete Stokowski gemalt hat. Mia erzählt, wie sie mit dem Schreiben ihres Buches zurecht kommt (mal besser, mal schlechter) und warum sie jetzt Kalorien zählt. Spoiler: Es geht um die Illusion der Kontrolle. —Der Recovery Walk findet am 27. September statt und hier könnt ihr euch kostenlos anmelden: recoverywalkleipzig.eventbrite.deEs werden auch noch helfende Hände für den Recovery Walk gesucht. Wer will, kann eine Stunde lang helfen, schreibt dazu an Daniela:daniela@recovery-deutschland.orgMias nächste Lesungen aus »Rausch und Klarheit«25.09. in Alsdorf / Stadtbücherei, 19:3001.10. in Mülheim / Universität, 17:00Abonniere den SodaKlub Newsletter oder werde Mitglied im SodaKlub:https://steadyhq.com/de/sodaklub/newsletter/sign_uphttps://steadyhq.com/de/sodaklub/about#js-publication_plansSchickt uns Sprachnachrichten: https://www.speakpipe.com/sodaklub Abonniere Mias Newsletter —> Romanzen und Finanzenhttps://steadyhq.com/de/mia-gatow/newsletter/sign_up Wenn du dich nicht binden willst, aber trotzdem gerne beitragen möchtest, kannst du uns auch über Paypal eine einmalige Spende schicken —> hallo@sodaklub.comWir lieben unsere Arbeit und deine Mitgliedschaft ermöglicht uns, sie weiterhin zu machen. Danke dafür!

Fluent Fiction - Japanese: Finding Harmony in Shinjuku: A Journey of Reflection and Renewal Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-09-05-22-34-02-ja Story Transcript:Ja: 東京は賑やかな街です。En: Tokyo is a bustling city.Ja: しかし、その中にも静かな場所があります。En: However, within it, there are quiet places.Ja: 新宿御苑です。En: One such place is Shinjuku Gyoen.Ja: 遅い夏の午後、ミカは新宿御苑に来ました。En: On a late summer afternoon, Mika came to Shinjuku Gyoen.Ja: 最近、彼女の祖母のオボンの集まりに出席しました。En: Recently, she had attended her grandmother's Obon gathering.Ja: そこで、彼女は命の儚さを実感しました。En: There, she realized the fleeting nature of life.Ja: 彼女の心には家族の歴史と伝統への深い思いが秘められていました。En: Hidden in her heart was a deep affection for her family's history and traditions.Ja: しかし、彼女は足首を捻挫していました。En: However, she had sprained her ankle.Ja: 歩くのが大変でした。En: Walking was difficult.Ja: それは彼女の心の葛藤を象徴しているようでした。En: It seemed to symbolize her inner conflict.Ja: それでも、彼女は自然の中で平和を見つけたいと思いました。En: Even so, she wanted to find peace in nature.Ja: 庭の中を歩くのは難しかったです。En: Walking through the garden was challenging.Ja: でも、彼女は池の近くで静かに座りました。En: But, she quietly sat near the pond.Ja: 鯉が泳いでいました。En: Koi were swimming.Ja: 彼女は家族や過去の記憶について考えました。En: She thought about her family and memories of the past.Ja: かつては何気ない日常が、今はかけがえのないものに感じました。En: What once seemed like an ordinary day now felt irreplaceable.Ja: そのとき、一匹の蝶がミカの肩に止まりました。En: At that moment, a butterfly landed on Mika's shoulder.Ja: それは静かな変化の瞬間でした。En: It was a moment of quiet change.Ja: 蝶は命の継続を象徴していました。En: The butterfly symbolized the continuation of life.Ja: ミカは突然、心に平穏を感じました。En: Suddenly, Mika felt a sense of peace in her heart.Ja: 過去と未来がつながっていることに気づきました。En: She realized that the past and future were connected.Ja: 彼女は母に電話をしました。En: She called her mother.Ja: 来年のオボンにもっと意義のある家族の集まりを計画したいと伝えました。En: She expressed her desire to plan a more meaningful family gathering for next year's Obon.Ja: 新しい気持ちで文化的なルーツと家族のつながりを大切にしたいと思いました。En: With a fresh perspective, she wanted to cherish her cultural roots and family connections.Ja: その午後、新宿御苑の静けさの中で、ミカは変化しました。En: In the quiet of Shinjuku Gyoen that afternoon, Mika transformed.Ja: 彼女は新しい決意を持ち、心が軽くなりました。En: She carried a new resolve, and her heart felt lighter.Ja: 太陽が沈むと、庭は美しい夕日に包まれました。En: As the sun set, the garden was enveloped in a beautiful sunset.Ja: ミカは、また歩き始めました。心の中に新たな光を感じながら。En: Mika began to walk again, feeling a new light within her. Vocabulary Words:bustling: 賑やかなquiet: 静かなgathering: 集まりrealized: 実感しましたfleeting: 儚さhidden: 秘められていましたaffection: 思いsprained: 捻挫していましたankle: 足首conflict: 葛藤symbolize: 象徴しているchallenging: 難しかったpond: 池koi: 鯉irreplaceable: かけがえのないbutterfly: 蝶moment: 瞬間continuation: 継続connected: つながっているperspective: 気持ちcherish: 大切にしたいcultural: 文化的なresolve: 決意lighter: 軽くなりましたenveloped: 包まれましたsunset: 夕日transformed: 変化しましたrealize: 気づきましたmeaningful: 意義のあるtraditions: 伝統

Ready to dive deep into the real, unfiltered world of Kim DePaola—a.k.a. Kim D—from the Real Housewives of New Jersey? In this can't-miss episode of Obsessed, hosts Jules, Mika and Tia sit down with the iconic entrepreneur, reality TV star, and fashion maven to spill all the tea you crave.Episode HighlightsBehind-the-Scenes Drama: Kim D reveals what really went down on RHONJ and how she navigated that infamous “villain to icon” journey.Fashion Obsession & Entrepreneur Insights: Hear how Kim's lifelong passion for fashion started (wait until you hear the story about her stepfather's influence!) and how she built her boutique empire—plus, expert style tips for every age.Mental Health is Wealth: Kim doesn't shy away from discussing the mental toll of her high-speed lifestyle, sharing her favorite ways to recharge—think solitude, dogs, nutritious meals, and even her go-to mental health day routine.Confidence Unlocked: What's the secret to Kim's magnetic confidence? She reveals why authenticity is her superpower, and why she refuses to play by other people's rules—especially when it comes to femininity, power, and relationships.Nutrition, Diet & Ageing Secrets: Kim drops her personal diet philosophy (spoiler: she's not about “low fat” fads) and how she's maintained her energy, skin, and shape through the years.Real Talk on Boundaries: Get actionable advice from Kim about setting personal limits, managing anxiety, and why listening to your inner voice matters more than pleasing others.Must-Listen MomentsKim's unfiltered thoughts on the “Boss Babe” movement and the cost of the hustle culture for women.The real story behind her iconic confidence and how she overcame anxiety—plus, why taking mental health days actually levels up your productivity.Fashion do's and don'ts for women in their 30s, 40s, 50s, and beyond—plus, why Kim believes “dress your age” is an outdated myth.The juicy backstory on her most life-changing decisions—hint: it involves Housewives drama, tough love, and choosing herself over relationships.Key TakeawaysPrioritize your mental health and set clear boundaries—even if the world is watching.Authentic confidence is built from within, not from external approval.Your style, your way: Age is just a number when you know what works for you.Connect with UsListen & Subscribe on Apple PodcastsFollow Jules, Tia, and Kim D on InstagramGet Mika's Vegan Treats Featured in the Episode

In this episode, Ben and Chris dive deep into Nobuhiko Obayashi's poignant 1991 drama Chizuko's Younger Sister — a lesser-known gem that blends grief, coming-of-age, and the supernatural with the director's signature dreamlike touch. We explore how the film captures the emotional aftermath of loss through the eyes of high schooler Mika, visited by the ghost of her older sister Chizuko. How does Obayashi navigate memory and identity? What sets this apart from other Japanese dramas of the era? And why does this film still resonate over three decades later? Join The Searchers as they unpack the film's themes, its haunting visuals, and its place in Obayashi's unique filmography. For episode 100, we will be covering another Obayashi film with a returning guest. Who and what could they be?! Stay tuned for its release in mid September. As always, thanks for listening! Please rate us a 5/5 on Apple, Spotify, or Podbean, and review us on Apple. Submit your mailbags to us at thesearcherspodcast@gmail.com.  Our episode catalogue: https://searchersfilmpodcast.podbean.com/

Suoraa puhetta johtaa Maria Pettersson. Studiossa keskustelemassa Hilkka Olkinuora, Petja Kopperoinen ja Mika Pantzar. Hilkka Olkinuora on lukenut Ylen artikkelin, joka alkaa sanoilla "viranomaiset ovat jo pitkään keränneet ilmiantoja työttömistä". Sana ilmianto herätti Hilkassa stalinistiset vibat. Juttu käsitteli työttömyysetuuksien väärinkäyttöä työnteon, opiskelun tai yritystoiminnan salaamisella. Viranomainen sanoi jutussa innoissaan, että kuka tahansa voi ilmiantaa nimettömästi vaikka sukulaisensa. Olemmeko siirtymässä luottamusyhteiskunnasta ilmiantoyhteiskuntaan mm. sen vuoksi, että viranomaisvalvontaa halvemmaksi tulee kansalaisvalvonta? Petja Kopperoinen nostaa puheenaiheeksi peukun eli muuntohuume Alfa-PVP:n. Nyt kun luo katseen mediaan, jokaisesta tuutista tulee kauhukuvia siitä, mitä peukku aiheuttaa, mistä sitä löytyy, mitä se maksaa ja miten pitää peukun käyttäjiä pelätä kotimatkalla. Muun muassa rikostarkastaja Kimmo Sainio otti kantaa Ylen Uutispodcastissa, että huumeista pitäisi puhua niiden oikeilla nimillä, ettei huumausaine muutu tavanomaiseksi, eli pitäisi puhua Alfa-PVP:stä eikä peukusta. Sainion mukaan ilmiöstä tulee myös hyväksyttävämpää, kun mediassa puhutaan peukusta ja samalla viihdekäytöstä. Petja toteaa tietoisuuden lisäämisen olevan asialle hyväksi, mutta onko tällä nykyisellä uutisoinnilla enää mitään muuta tarkoitusta, kuin aiheuttaa pakokauhua meissä "vähän paremmissa" ihmisissä. Minkä takia huumeista puhutaan lempinimillä ja näin arkipäiväistetään koko huumeiden käyttöä? Mika Pantzar kertoo tutustuneensa 12-vuotiaana Helsingin pörssiin isoisänsä innostamana. Tämän vierailun jälkeen Mika ryhtyi sijoittajaksi. Mika osallistui 14-vuotiaana Fennia Patrian yhtiökokoukseen, jossa läsnä oli 12 ruotsin kieltä puhuvaa pukumiestä, kun hän oli paikalla villapaitaan pukeutuneena, eikä ymmärtänyt kokouksesta yhtään mitään. Tämän kokouksen jälkeen hän ei ole vieraillut yhdessäkään osakkaiden kokouksessa. - Tämä nuoruuteni tarina liittyy siihen, että tänä päivänä suhtaudun aika kriittisesti tällaiseen sijoittajavetoiseen maailmaan. Ennen vanhaan piti aina säästää, mutta tänä päivänä nuorilla on käsitys, että nyt pitää sijoittaa. Osittain tämä on eläketurvakysymys, heille on kerrottu "suurta huijausta" siitä, että heillä ei tule olemaan eläketurvaa ja siksi tulisi aloittaa sijoittaminen. Mitä ajattelette, onko tällainen sijoittaminen ok? Miksi Suomessa halutaan nyt niin kovasti nuorison piirissä kansankapitalismia?

Fluent Fiction - Japanese: Moonlit Connections: An Art Student's Night of Discovery Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-09-02-22-34-02-ja Story Transcript:Ja: 秋の夕方、郊外の賑やかなショッピング街は月見祭りでにぎわっていました。En: On an autumn evening, the bustling shopping street in the suburbs was lively with a moon-viewing festival.Ja: 通りには提灯が揺れ、伝統的なお菓子を売る屋台からは秋の香りが漂っていました。En: Lanterns swayed on the streets, and the scent of autumn wafted from stalls selling traditional sweets.Ja: 静かな芸術学生のゆきは、大学の授業が終わった後、この祭りに行くことを決めました。En: Yuki, a quiet art student, decided to go to this festival after her university classes were over.Ja: 心の奥では、人ともっと深くつながりたいと願っていましたが、彼女の内向的な性格がそれを妨げていました。En: Deep down, she wished to connect more deeply with people, but her introverted nature held her back.Ja: 親友のミカは、「一歩踏み出せば、新しい世界が見えるよ」といつも励ましてくれていました。En: Her best friend, Mika, always encouraged her, saying, "If you take one step forward, you'll see a new world."Ja: 一方、ゆきが通う通りの角にある人気の茶屋で働くひろしは、新しい物語のインスピレーションを探していました。En: Meanwhile, Hiroshi, who works at a popular teahouse around the corner from where Yuki attends, was searching for inspiration for a new story.Ja: 彼は若く、エネルギッシュな若者で、旅行ブログを書いていますが、最近は本物の話を見つけることに苦労していました。En: He is a young and energetic individual who writes a travel blog, but recently, he struggled to find a true story.Ja: 祭りの夜、勇気を振り絞ったゆきは、月を見に行こうと決心しました。En: On the night of the festival, Yuki summoned up her courage and decided to go moon-viewing.Ja: ひろしもまた、祭りの屋台を探索し、新しい発見を求めていました。En: Hiroshi also explored the festival stalls, seeking new discoveries.Ja: 月明かりが街を照らし、祭りの中心にある月見のスペースで、二人は偶然顔を合わせました。En: The moonlight lit up the town, and in the moon-viewing area at the center of the festival, the two accidentally met.Ja: お互いの様子を見て、ひろしが冗談で「月がとても綺麗だから、僕たちも仲良くなっちゃうかもね」と言いました。En: Observing each other, Hiroshi jokingly said, "The moon is so beautiful, maybe we'll become friends."Ja: それを聞いたゆきは思わず笑ってしまいました。En: Hearing that, Yuki couldn't help but laugh.Ja: その笑顔をきっかけに、二人は自然と話し始め、気が付けば夜空を見上げながら、お互いの好きなことや夢について語り合っていました。En: Prompted by that smile, they naturally started talking, and before they knew it, they were looking up at the night sky, talking about their favorite things and dreams.Ja: ゆきは絵を見せ、ひろしは旅行の話をしました。En: Yuki showed her drawings, and Hiroshi talked about his travels.Ja: 彼らは共に芸術やストーリーへの深い愛情を共有しました。En: They shared a deep love for art and stories.Ja: 夜が更けていく中、二人は祭りの喧騒を離れ、一緒に帰ることにしました。En: As the night grew later, they decided to leave the festival's hustle and bustle together.Ja: ゆきは、少しずつ自分を表現する自信を得て、ひろしは真に心動かされる物語を見つけました。En: Yuki gained confidence in expressing herself little by little, and Hiroshi found a truly moving story.Ja: 帰り道、赤く染まる木々を眺めながら、二人はこれからも続くであろう友情と思いがけない出会いに感謝しました。En: On the way home, gazing at the trees dyed red, they expressed gratitude for the unexpected encounter and friendship that surely would continue.Ja: ゆきの心は、新しいチャンスに向かって開かれていました。En: Yuki's heart was open to new opportunities. Vocabulary Words:suburbs: 郊外bustling: 賑やかlanterns: 提灯scent: 香りwafted: 漂ってintroverted: 内向的なencouraged: 励ましてsummoned: 振り絞ったcourage: 勇気moon-viewing: 月見festivities: 祭りaccidentally: 偶然jokingly: 冗談でprompted: きっかけobserving: 様子hustle and bustle: 喧騒energetic: エネルギッシュなopportunity: チャンスencounter: 出会いgrateful: 感謝expressing: 表現patrons: お客stalls: 屋台tradition: 伝統drawings: 絵stories: 物語trees dyed red: 赤く染まる木々inspiration: インスピレーションsharing: 共有confidence: 自信

Sunday Edition Presents:   An Intimate Evening With… Cindy Hollis    Now available  wherever you get your podcasts   This episode of An Intimate Evening With… takes us into the heart, humor, and harmony of Cindy Hollis, whom many of us affectionately consider our karaoke queen—even though she modestly resists that title. Cindy insists she's just here to have fun and hold space for community, music, and joyful togetherness.  That ethos has shaped over five years of Saturday night karaoke gatherings, and it's also what made this intimate evening such a powerful and memorable experience.  In this fun, vulnerable, informative, and entertaining conversation, Cindy shares her life story with honesty and joy.  From family to faith, from unexpected turns in life direction to deep inspiration and community connection, Cindy opens up about the path that brought her here—and the people, passions, and playlists that continue to light her way.   She walks us through her process for building connection through music and shares a carefully curated list of ten songs that reflect her karaoke journey.  This set is a tribute to her karaoke partner in crime Mika, to the community that sings together every week, and to all of us who find something healing in sharing time, space, and song.  This is an episode about leadership, laughter, and the kind of bold presence that lifts others up while standing firmly in self-love and authenticity.   Listen now and celebrate Cindy, community, and the magic of music with us.   Stay connected:   Subscribe to the Sunday Edition News group by emailing:    SundayEditionNews+subscribe@groups.io     Join the conversation in the Sunday Edition Facebook group:  Above the Fold    Check out Anthony on Substack at: The Real Anthony Corona   Postscript   To the tune of “Caribbean Queen”  a parody written in Cindy's honor:  Intro:    Saturday night and the mics come alive,   Voices lift the room, the spirit survives,   She's the reason we gather, week after week,   Cindy Hollis, our queen, giving love when we speak.    Verse 1:   Five years strong, and the songs still flow,   With Mika by her side, the spotlight glows,   From classics to pop, we all take our turn,   Sharing joy in the music, the lessons we learn.    Chorus:   Karaoke queen…   She facilitates our shared dream   Shepherding hearts that beat as one,   Karaoke on the run, run, run.Episode Notes Notes go here This podcast is powered by Pinecast.

Aviso de conteúdo sensível!Serial Experiments Lain chegou!No episódio de hoje, Mika, a irmã de Lain, passa por maus bocados! A realidade a sua volta parece volátil e imprevisível.Teria o Wired a capacidade de manipular a consciência das pessoas?Essa temporada conta com a participação de ⁠⁠⁠⁠Lud⁠⁠⁠⁠ e ⁠⁠⁠⁠Miyuki⁠⁠⁠⁠ e com a arte da ⁠⁠⁠⁠Bella⁠⁠⁠⁠!Siga nossas ⁠⁠⁠⁠redes⁠⁠⁠⁠!

Beuster, Mika www.deutschlandfunkkultur.de, Fazit

Duke is a working cocker spaniel. A rescue dog, who has, thanks to the training expertise of Service Dogs UK, forged a surprise career as a fully trained PTSD service dog with British army veteran, Pete. Spending Saturday at a busy country show in itself demonstrates the impact Duke has had on the life of his owner and handler. Before his partnership with Duke, Pete couldn't go into a shop. He explains how Duke helps him when he’s at risk of an PTSD episode and the practical and emotional support he provides. Dogs with Jobs presenter, Kate Fairweather, met Duke and Pete at the South Downs Show in August (and was so transfixed by Duke and Pete that she forgot to take a photo!)... A big thank you to Pete for talking to Dogs with Jobs and giving an insight into how Duke has transformed his life and become part of his wider family. Connected episodes on assistance dogs Mika, the well being and trauma support dog in the Metropolitan Police By your side: navigating life with a guide dog over time Ralph, the owner-trained, multi-tasking assistance dog - perfect for a Rogate teenager Darcey, the Canine Partner: an assistance dog relationship in full bloom Benjy, the trainee guide dog's first five weeks on the job Daisy, the autism assistance dog - practical, psychological and emotional support Do you work your dog? Or perhaps you know someone else who might like to come on the show? I love all and any working dogs and am always looking for dogs to interview. Get in touch with me, Kate, via team@shineradio.uk. Find more dogs with interesting jobs. © & ℗ Kate Fairweather, 2025See omnystudio.com/listener for privacy information.

Duke is a working cocker spaniel. A rescue dog, who has, thanks to the training expertise of Service Dogs UK, forged a surprise career as a fully trained PTSD service dog with British army veteran, Pete. Spending Saturday at a busy country show in itself demonstrates the impact Duke has had on the life of his owner and handler. Before his partnership with Duke, Pete couldn't go into a shop. He explains how Duke helps him when he’s at risk of an PTSD episode and the practical and emotional support he provides. Dogs with Jobs presenter, Kate Fairweather, met Duke and Pete at the South Downs Show in August (and was so transfixed by Duke and Pete that she forgot to take a photo!)... A big thank you to Pete for talking to Dogs with Jobs and giving an insight into how Duke has transformed his life and become part of his wider family. Connected episodes on assistance dogs Mika, the well being and trauma support dog in the Metropolitan Police By your side: navigating life with a guide dog over time Ralph, the owner-trained, multi-tasking assistance dog - perfect for a Rogate teenager Darcey, the Canine Partner: an assistance dog relationship in full bloom Benjy, the trainee guide dog's first five weeks on the job Daisy, the autism assistance dog - practical, psychological and emotional support Do you work your dog? Or perhaps you know someone else who might like to come on the show? I love all and any working dogs and am always looking for dogs to interview. Get in touch with me, Kate, via team@shineradio.uk. Find more dogs with interesting jobs. © & ℗ Kate Fairweather, 2025See omnystudio.com/listener for privacy information.

Tommy Åström, Lasse Granqvist och Jens Fjellström bjuder in till 10-årsjubileum med livepublik och ett stjärngalleri av gäster med Mika Zibanejad, Irma Helin Zibanejad, Niklas Wikegård och Jonas Eriksson. Truls racket på plats på poddbordet efter Möregårdhs makalösa matchboll i Malmö när kinesiska världsettan finalbesegrades. Djurgårdens sportchef och mångåriga tv-profilen Niklas Wikegård om New York Rangers-stjärnan Mika Zibanejad i OS 2026 eller inte: ”Han är superklar. Det är Sam Hallam som kanske inte ska vara klar.” Mika om spel i Svenska Hockeyligan igen i framtiden: ”Jag har fem år kvar i NHL, så vi tar det på nästa jubileum."Prisade tv-experten Irma Helin Zibanejad: ”Sverige blir inte klara för Fotbolls-VM den här hösten, och landslaget har stundtals oroväckande låg nivå.”Domarlegendaren Jonas Eriksson: ”Ta in båren direkt, så blir det pinsamt för maskande spelare som simulerar skada.” Hosted on Acast. See acast.com/privacy for more information.

Hey CX Nation,In this week's episode of The CXChronicles Podcast #264, we welcomed Mika Yamamoto, Chief Customer and Marketing Officer at Freshworks based in San Mateo, CA. Freshworks Inc. (NASDAQ: FRSH) builds uncomplicated service software that delivers exceptional customer and employee experiences. Their enterprise-grade solutions are powerful, yet easy to use, and quick to deliver results. Their people-first approach to AI eliminates friction, making employees more effective and organizations more productive.Over 72,000 companies, including Bridgestone, New Balance, Nucor, S&P Global, and Sony Music, trust Freshworks' customer experience (CX) and employee experience (EX) software to fuel customer loyalty and service efficiency.In this episode, Mika and Adrian chat through the Four CX Pillars: Team, Tools, Process & Feedback. Plus share some of the ideas that her team at Freshworks think through on a daily basis to build world class customer experiences.**Episode #264 Highlight Reel:**1. The power of reflection & attention to the customer journey you're building 2. Enhancing customer experience through employee engagement  3. Building your playbook on tech-stack efficiency and utilization 4. Breaking down silos to build world-class customer & employee experiences 5. Investing in "Voice of Customer" (VOC) & "Voice of Employee" (VOE) Click here to learn more about Mika YamamotoClick here to learn more about FreshworksHuge thanks to Mika for coming on The CXChronicles Podcast and featuring her work and efforts in pushing the customer experience & customer success space into the future.For our Apple & Spotify podcast listener friends, make sure you are following CXC & please leave a 5 star review so we can find new listeners & members of the "CX Nation". You know what would be even better?Go tell one of your friends or teammates about CXC's custom content,  strategic partner solutions (Hubspot, Intercom, & Freshworks to name a few) & On-Demand services & invite them to join the CX Nation, a community of nearly 15K+ customer focused business leaders!Want to see how your customer experience compares to the world's best CX-driven companies? We recently launched CXC Healthzone, an intelligence platform that shares benchmarks & insights for how companies across the world are tackling The Four CX Pillars: Team, Tools, Process & Feedback & how they are building the pillars upon an AI-powered foundation for the future. Huge thanks for being apart of the "CX Nation" and helping customer focused business leaders across the world make happiness a habit!Reach Out To CXC Today!Support the showContact CXChronicles Today Tweet us @cxchronicles Check out our Instagram @cxchronicles Click here to checkout the CXC website Email us at info@cxchronicles.com Remember To Make Happiness A Habit!!

This week the guys discuss Mika moving to Wing and how that limits NYR's roster options, discuss the biggest storyline heading into the season and more Then Ishaan Tharoor joins the Breakaway to discuss the reasons to be hopeful for the season, what country NYR are on a global politics stage and Russia and the Winter Olympics Finally the guys return and answer a few 5 stars for the week. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mika Waltari byl finský patriot, ale procestoval mnoho jiných zemí. Miloval Istanbul, Praha se mu zdála smutná a ponurá. V Egyptě, kam zavedl čtenáře svým nejslavnějším románem Egypťan Sinuhet, paradoxně nikdy nebyl. Byl známý svou přísnou pracovní morálkou a vysokou produktivitou. Během 2. druhé světové války se podílel na propagandě, ale později se k totalitním režimům stavěl kriticky. Jeho díla jsou dodnes oblíbená po celém světě. Zemřel 26. srpna 1979.Všechny díly podcastu Příběhy z kalendáře můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

11. sunnuntai helluntaista 24.8.2025. Panu Pitkänen puhuu päivän tekstin Luuk. 19:41–48 pohjalta.

Mika startet nicht in Frejus beim T100 Rennen und gönnt sich ne Pause! Er nimmt uns mit in den Prozess wie es dazu kam. Wir sprechen über Tallin, den Ironman in der Schweiz und was euch am Wochenende in Frankreich erwartet. Präsentiert von: https://incylence.com 15% mit "Buddy" bis einschließlich 15.09 Naturafit - Manufaktur für Mikronährstoffe www,naturafit.de CODE: 15% mit "buddytalk"

Mikaël Ivers - Domaine des Trouillères - Auvergne by RadioVino

Cet été, Eric Jean-Jean vous propose de revivre les meilleurs moments du "Grand Studio RTL". Ecoutez Le Grand Studio RTL avec Éric Jean-Jean du 23 août 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Le Tour d'Espagne va s'élancer ce samedi en Italie, de Turin, avec un Jonas Vingegaard favori pour tenter de décrocher sa première Vuelta, mais face notamment à la doublette UAE Joao Almeida et Juan Ayuso. Qui aura l'avantage ? Dans ce podcast Chasse-Patate, Matthieu, Johann (bullomaniak) et Mikaël (stidpmi) font leur pronostic et passent en revue les éléments importants avant le début de la Vuelta : le parcours, les coureurs à suivre, les objectifs pour les Français… Avec aussi un œil sur le Tour de l'Avenir, dont Paul Seixas est le grand favori. https://youtu.be/3NfI6z1s9p0?si=fh_-yoeENw33Ds2S Programme 0:00 - Introduction 1:54 - Le parcours 15:53 - Le duel Visma-UAE pour la victoire 26:49 - Les outsiders pour le général 35:10 - Les objectifs pour les Français 44:06 - D'autres coureurs à suivre 52:41 - Seixas pour le Tour de l'Avenir ? 1:03:30 - Conclusion Présentation détaillée du Tour d'Espagne sur le forum Présentation détaillée du Tour de l'Avenir sur le forum Photo : A.S.O. / Tony Esnault Générique : Peluda Production

Nanna Olasdotter Hallberg och Kristofer Andersson mot Hanna Fahl och Åsa Beckman Lyssna på alla avsnitt i Sveriges Radio Play. P3 Klubben-stjärnorna Nanna Olasdotter Hallberg och Kristofer Andersson möter DN-stjärnorna Hanna Fahl och Åsa Beckman!Kallas samordnarna i arbetet med Sveriges nya psalmer internt för psalmordnare? Har Folke Rydén hoppat fallskärm från flygplan ca 2700 gånger? Ser rapparen Azelia Banks sig själv i Ulf Kristersson? Är disponent Hjalmar Lundbom den enda som är begravd vid Kiruna kyrka? Och hjälpte Kalle Moraeus till i sökandet efter katten Mika som återfanns efter 43 dagar på rymmen?Äntligen höst och tramsig frågesport om veckans nyheter igen!Programledare: Annika LantzDomare: Babs DrouggeProducent: Rickard Nerbe Tekniker: Susanne Martinsson

16. augustā par Izgleiteibys i zinuotnis ministrejis organizātuo konkursa uzvarātuoju atzeita i par Latvejis Jaunīšu golvyspiļsātu 2026 pasludynuota Rēzeknis vaļstpiļsāta. Itymā godā Latvejis jaunīšu golvyspiļsāta ir Līpuoja, bet pārnejā godā taids tituls beja Leivuonam. Kū tod dūd itaids statuss konkretai piļsātai i pošvaļdeibai, kaida ir jaunīšu dzeive Rēzeknē, i kaidys aktivitatis nuokušgod jaunīši reikuos Rēzeknē, par tū raidejumā sprīžam kūpā ar interešu izgleiteibys īstuodis Austrumlatvejis radūšū pakolpuojumu centra „Zeimuļs” vadeituoju Līgu Springu, Rēzeknis Vaļsts 1. gimnazejis absolventu, nu jau jurisprudeņcis studentu Latvejis Universitatē Mārtiņu Mikažānu, Rēzeknis Vaļsts 1. gimnazejis 11. klasis škoļneicu Nikolu Princovu i Leivuona jaunīšu centra „Kvartāls” vadeituoju Mariju Driksnu.

Al and Kev talk about their favourite games this year so far Timings 00:00:00: Theme Tune 00:00:30: Intro 00:04:23: What Have We Been Up To 00:25:31: Game News 00:43:48: Story Of Seasons X Royal Zoological Society of Scotland 00:47:59: Mid-year Check-in 01:18:11: Outro Links Moonlight in Garland 1.0 Release Above Snakes Console Release Out and About Release Coral Island 1.2 Update Sugardew Island Dog Aether Wizard Life “Announcement” Trailer Fields of Mistria Merch Collection Story of Seasons x Royal Zoological Society of Scotland Contact Al on Mastodon: https://mastodon.scot/@TheScotBot Email Us: https://harvestseason.club/contact/ Transcript (0:00:30) Al: Hello, farmers, and welcome to another episode of the harvest season. My name is Al. (0:00:36) Kev: My name is Kevin. (0:00:38) Al: And we are here today to talk about cottagecore games. (0:00:41) Kev: Wooo! (0:00:43) Al: I’m back from my holiday. Hello. (0:00:45) Kev: You… from the Isle of Men… (0:00:49) Kev: I don’t know where you were. (0:00:49) Al: All the men. Yeah, I know that’s where I was. I love man, as usual. Yes, I’m back. (0:00:51) Kev: I don’t know where you were. (0:00:54) Kev: Okay. (0:00:56) Kev: Yeah. (0:00:58) Kev: The opposite of No Man’s Sky. (0:01:00) Al: Almanska, yeah. I’m melting because I got home and it’s apparently 25 degrees and that’s too hot for me. (0:01:01) Kev: Heh. Heh heh. (0:01:10) Kev: So, look, the people, you know a lot of Americans, (0:01:15) Kev: and we love to give you a hard time (0:01:16) Kev: because those are nothing numbers for us, (0:01:19) Kev: but I will say, you know, (0:01:20) Kev: I think something a lot of Americans easily overlook (0:01:24) Kev: is you’re pretty far up north. (0:01:26) Al: Mm hmm. Yeah. Yeah, yeah, yeah, I’m further north. I’m further (0:01:26) Kev: Well, like latitude-wise, right? (0:01:28) Kev: Like you’re Canada north, which gets frosty. (0:01:32) Al: north than all America except that last (0:01:33) Kev: Yeah. (0:01:36) Kev: Yeah, so, you know, that’s fair, (0:01:39) Kev: But, but we’re still going to. (0:01:40) Kev: I’m laughing, you know. (laughs) (0:01:41) Al: Well, also, it’s interesting because like every time that someone like from a warmer (0:01:47) Al: place moves to the UK and then the experience, the UK summer, they’re like, oh, people weren’t (0:01:53) Al: just talking nonsense. It is, it’s different. And it’s hard to explain. I don’t know why, (0:01:59) Al: but it is just, it is, I don’t know. Like I don’t know, because I’ve never lived in (0:02:03) Kev: Wha- (0:02:04) Al: a hotter place. But all I will say is that lots of people who have lived in really hot (0:02:09) Al: places come to the UK (0:02:11) Al: and say that the heat is different. (0:02:13) Kev: Huh, I mmm. I don’t know I mean well (0:02:16) Kev: I will say this right like one thing you guys aren’t built for warmer temperatures generally speaking not like (0:02:23) Kev: Alright, so you know down here in the American South for instance, right? (0:02:27) Kev: We have air conditioning so you know you can go in a building and escape the heat (0:02:32) Kev: And that’s not always the case over there in there (0:02:33) Al: Yeah, my office is currently warmer than outside. So, but also I am ginger, so definitely not built (0:02:37) Kev: Yeah, there you go see so say yeah (0:02:43) Al: for heat. Yeah, yeah, I use factor 50 sun cream. All right. This episode we’re going to do, (0:02:44) Kev: Here’s biologically sensitive to pretty much everything (0:02:58) Al: uh, I think, I think Cody and Kevin insinuated that this episode would be the tales of the (0:03:03) Al: shower episode is not, that’s going to be in a couple of weeks, just because we’re having some (0:03:07) Al: scheduling things and, uh, you know, want to make sure we’ve, uh, the game has been played properly (0:03:13) Al: before it is covered. So that will be in a couple of weeks. Um, this week we’re going to talk about, (0:03:19) Al: we’re going to do a major check-in, see how we’re feeling about games for the year. Um, this is (0:03:24) Kev: Mm-hmm (0:03:24) Al: obviously not our game of the year episode that will be in five months, no, four months, four (0:03:30) Kev: Pudby (0:03:32) Al: More months! (0:03:33) Kev: That’s not I’m going to pretend you didn’t say that I’m going to pretend you didn’t say that (0:03:34) Al: That’s how time works, apparently. (0:03:41) Al: It’s halfway through August, and that means it’s four and a half months to the end of the year. (0:03:44) Kev: That’s not true (0:03:46) Al: It also means it’s nearly my birthday, but anyway. (0:03:50) Kev: Well, so get the two-third year check-in (0:03:54) Al: We are going to… We’re just calling… I said mid, not half. I said mid-years, (0:03:59) Al: Yeah, so we’re gonna talk about what we would talk about again. (0:04:04) Al: And what we think might be in the running for Game of the Year this year. (0:04:08) Al: We’ll see. I’ll be interested to see whether we’re right or not. (0:04:12) Kev: All right, I’m first question have I played enough games to come up with three? (0:04:18) Al: Ah, who cares? Before that, we’ve got a bunch of news. But first of all, Kevin, what have you been up to? (0:04:26) Kev: Oh (0:04:27) Kev: Okay, so (0:04:30) Kev: Okay, where should I start? Okay, you know, I’ll start with this (0:04:32) Kev: Okay, the battle cats mobile game with the funny you are our art in the cats. They’re goofy looking (0:04:39) Kev: I’ve discussed it on the show before (0:04:42) Kev: So that’s a game I go on and off and generally something draws me back to it and (0:04:50) Kev: The what is the number one crossover to draw me to any game out (0:04:54) Al: Oh wow, oh goodness. Number one. We had this exact same conversation a month and a half ago, (0:04:58) Kev: Number one (0:05:04) Al: and I can’t remember what the answer was, and I feel like I overthought it, (0:05:04) Kev: Probably (0:05:07) Al: just like I’m overthinking it just now. (0:05:09) Kev: You are I don’t know what but (0:05:12) Kev: It was probably the same because it’s crosses over the law. There you go (0:05:13) Al: Probably. Sonic. Ah, yay, I got it right this time. (0:05:19) Kev: Sanic in in in in the battle cats (0:05:22) Al: Sonic’s in Battlecat! (0:05:24) Kev: Yeah, it’s actually I forgot to bring it up last week (0:05:26) Kev: It was - it started two weeks ago from recording and today I think is the last day. Sorry listeners too late for you (0:05:33) Kev: He’s not but neither is (0:05:37) Kev: Hatsune Miku or (0:05:39) Kev: Street fighter, but they’re in there (0:05:40) Al: I don’t know. If somebody told me that Hatsune Miku is a cat, I would believe it. (0:05:48) Kev: you know, um, you know what, that’s fair. That’s fair. Um, here, let me, uh, as, as we do, I’ll, yeah, I’ll do the, the slack thread. (0:05:57) Kev: Um, uh, let me, I’m going to show you the art, um, because, so how these crossovers and battle cats usually work is, uh, there’ll be a banner of four characters, um, from the actual property crossover, whatever. (0:06:12) Kev: Um, uh, and, and so, yeah, the four. (0:06:18) Kev: Characters, um, and they went with the, the obvious ones, Sonic, Tails, Knuckles, and Shadow, the Hedgehog, because of course the poster children. (0:06:27) Kev: Um, but what’s fun is, uh, they’ll also introduce a series of cats, uh, as in the battle cats TM, um, that look like, or cause play as the other characters. (0:06:40) Kev: Um, and they’re quite goofy looking. (0:06:42) Kev: Um, I don’t. (0:06:42) Al: Why is there such a height disparity there? (0:06:48) Kev: I don’t know. That’s a good question. I don’t, I, that particular image, oh no, that, that particular image, I think it’s just, uh, just the, the framing, like it’s front to back. (0:06:49) Al: Like, shadow is meant to be… (0:06:56) Al: Well, no, I think, sure, for the actual sonic and shadow on the right-hand side, (0:07:02) Al: but on the left-hand side, the sonic cat is clearly like three times the height of shadow cat. (0:07:04) Kev: okay yeah oh yeah yeah okay so there’s a sonic cat that looks like shadow like (0:07:12) Kev: the regular cat like shadow cat but then you can evolve him and he turns into (0:07:16) Kev: this taller cat I don’t know why because it’s the battle cats they love to do (0:07:18) Al: Oh. Oh, so you’ll be able to get both of them as as tall or (0:07:19) Kev: weird things that’s why that’s your answer it looks like a twinkie with a (0:07:23) Kev: sonic cat yeah I’ve only seen Sonic’s evolution so I don’t know if the other (0:07:31) Kev: cats can evolve in tall forms or (0:07:34) Kev: weird forms but Sonic Cat does get weird he turns tall like a Twinkie but (0:07:40) Kev: yeah so yeah it’s I will say Battle Cats is pretty good with their collabs (0:07:46) Kev: because of course you get the characters but you also get stages which come with (0:07:52) Kev: full Sonic soundtracks there’s like four special stages that you can do on a (0:07:56) Kev: repeat in different missions and so it’s been a lot of fun the Sonic cast are (0:08:02) Kev: Actually quite quite good (0:08:04) Kev: The actual characters I pulled I got Sonic (0:08:08) Kev: So I’m happy. I got one at least (0:08:11) Kev: Calvin pulled tails, I believe but sadly we didn’t get the others (0:08:17) Kev: But what is nice these collabs will frequently come back (0:08:21) Kev: Well, maybe not frequently, but but they come back on some regularity. It is to be expected (0:08:26) Kev: So I’ll be saving up for the next time Sonic swings around but it’s it’s been good fun (0:08:32) Kev: I’m getting better and I do (0:08:34) Kev: Enjoy the game battle cats not just the the polls really got your whatever so it’s been nice to get back into the end (0:08:40) Kev: So yeah Sonic and the battle cats. It’s been a lot of fun. Oh, you know what there was an intro video (0:08:44) Kev: Let me find the intro video. Hold on. I’ll put it in you can watch it later (0:08:48) Kev: But but they did a little animation. It was good (0:08:52) Kev: So yeah aside from that, um, oh, you know what I finished monk the the detective show monk (0:09:01) Kev: It’s it’s good. I (0:09:04) Kev: Yeah, eight seasons so I kind of crushed it cuz I don’t know I’ve been binge watching but it’s like the regular show (0:09:10) Kev: I’ll watch when I get home or whatever (0:09:13) Al: Oh, it’s it’s old. I mean, I said it’s old. I mean, not super old, but like 20 years old. (0:09:16) Kev: Sorry, what was that? Oh (0:09:19) Kev: Yeah, yeah, well, that’s a thing they actually did I after I finish I have to watch (0:09:26) Kev: the (0:09:27) Kev: Sorry, I have to see (0:09:29) Kev: There’s a movie they’d made a movie in 2023 50 (0:09:34) Kev: years or so after the end (0:09:36) Kev: and I can’t wait to check that out (0:09:40) Kev: they have all the original actors they (0:09:43) Kev: look quite old but it’s still enjoyable (0:09:45) Kev: but yeah anyways my great series the (0:09:49) Kev: main actor Tony Shalab he’s he is such a (0:09:53) Kev: good actor like his performances are (0:09:55) Kev: just incredible easy recommend for (0:09:58) Kev: anyone but yeah the later seasons were (0:10:01) Kev: really good season sevens really good (0:10:04) Kev: it feels like they knew the end was (0:10:07) Kev: coming so they did a lot of stuff to (0:10:10) Kev: celebrate the series if you will so yeah (0:10:13) Kev: good good stuff was good (0:10:15) Kev: um let’s see other than that nothing (0:10:20) Kev: honestly not that much it’s been crazy (0:10:23) Kev: at work but thankfully I finally finished (0:10:24) Kev: this huge project and so I’ll finally be (0:10:26) Kev: able to partake in other things again (0:10:28) Kev: these upcoming oh wait wait one more (0:10:31) Kev: thing how could I tear a nail after my (0:10:34) Kev: last week I played the update their nail (0:10:36) Al: Oh yes. Nice. It’s just more of the same. (0:10:37) Kev: um it’s yeah turn out a good game still (0:10:40) Kev: good game the core still the same the (0:10:43) Kev: new levels the new line yes and no like (0:10:47) Kev: the center of the general purpose but (0:10:49) Kev: they introduce a lot of new mechanics (0:10:50) Kev: and and different kind of ways to solve (0:10:54) Kev: the puzzle I’ve been enjoying it of (0:10:56) Kev: course but let them fun thing they did (0:10:58) Kev: they’ll add new objectives even to the (0:11:00) Kev: old stages so let’s say I had a hundred (0:11:04) Kev: four all those areas I had a hundred (0:11:05) Kev: percent are not only like seventy five (0:11:08) Kev: percent because they had a new objective (0:11:10) Kev: so gives you a good reason to go back (0:11:12) Kev: and then try the old levels and have fun (0:11:13) Kev: with them again since it’s like a (0:11:16) Kev: procedurally generated level it’s you (0:11:18) Kev: know it’s fun every time so yeah a (0:11:20) Kev: tear in L it’s good all right out what (0:11:24) Al: Hmm. Not a huge amount because I’ve been on holiday and going on holiday with kids means (0:11:33) Al: not having a holiday. So I’ve not had a huge amount of time to do much, but I have started (0:11:36) Kev: Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha. (0:11:42) Al: playing Donkey Kong, Bonanza. I’m only like an hour or so in. I mean, I’ve got a good (0:11:47) Kev: okay (0:11:48) Al: idea of how the game plays, but I’m not like super. (0:11:50) Kev: yeah (0:11:54) Al: Super far through it. I got through the tutorial level and I’m kind of like half the way through (0:11:55) Kev: why (0:11:58) Al: the next set of levels. Yeah, mostly, mostly. I am very frustrated with the camera. It is (0:11:59) Kev: okay I’ve heard that game is good like really really good (0:12:05) Kev: mostly (0:12:13) Al: fine when you’re out in the open, but as soon as you get into any like tunnel or like go (0:12:20) Al: underground. It’s super not fun. (0:12:24) Al: a great camera for that. And I think the most frustrating thing is there was a section (0:12:28) Al: in the tutorial where the camera worked really well for underground. It like kind of zoomed (0:12:33) Al: out and you could see through the ground and it was like a really nice way. But it’s I’ve (0:12:37) Al: not seen it again do that since then. And I don’t know why they don’t use that camera (0:12:41) Al: when you’re underground because like you just end up like going up against the wall and (0:12:43) Kev: Hm. (0:12:47) Al: it gets really confused. And it’s really hard to see anything. And considering it’s a game (0:12:54) Al: where you’re like smashing everything up and you’re encouraged to make tunnels through (0:12:57) Al: the ground. I don’t know why they didn’t put more effort into that camera. Not that I can (0:13:00) Kev: is there an option for that i’m gonna guess no because it’s a nintendo game (0:13:04) Al: see. Yeah, not that I can see. There’s a decent amount of controller options, but nothing (0:13:07) Kev: nintendo doesn’t believe in options heck sometimes (0:13:15) Al: for changing how the camera works other than inverted camera. (0:13:19) Kev: do you remember in was it no sword and shield they hid the audio options on an item (0:13:27) Kev: you had to talk to an NPC to get it (0:13:28) Al: Oh yeah, that was a certain field. That was bizarre. And it wasn’t even the first area. (0:13:30) Kev: no it was like motor stoke yeah I’m (0:13:35) Al: You had to get up to Motorstoke, I think. Which is like a third of the way through the game. (0:13:40) Kev: pretty sure so that was there’s a couple (0:13:42) Kev: yeah you had to pass the wilder that’s (0:13:45) Al: You couldn’t change the volume settings until you were a third. It’s just bizarre. (0:13:48) Kev: crazy yeah yeah ha ha ha ha ha ha ha (0:13:50) Al: And then you have to buy it. Yeah, that was a stupid decision. (0:13:56) Al: Like a lot of times with games, I’m like, OK. (0:13:58) Al: Sure, I don’t like that, but maybe that’s stupid, right? (0:14:02) Kev: Oh my gosh, yes, oh. (0:14:02) Al: That’s just that is literally an accessibility option, right? (0:14:05) Al: Like, come on. (0:14:06) Kev: Yep. (0:14:07) Kev: Oh my gosh, you know, I hate them, but I also love, because I just love trash fires. (0:14:16) Kev: I love bad stupid decisions like that. (0:14:19) Kev: Battle Cats actually has one. It’s like the single flaw in the entire game, because the game is very well made in my opinion. (0:14:25) Kev: And it’s a very minor, like very niche thing, but there’s, as you can imagine, (0:14:32) Kev: They have like a gallery or whatever, right? Go through the menu and, you know, go through the characters, see their stats, yada, yada. (0:14:39) Kev: Well, they have an enemy guide too, same thing, but the enemy guide is just a straight horizontal list. (0:14:48) Kev: There’s no pages, you can’t filter, you can’t search, you just have to go left to right through an entire (0:14:55) Kev: huge roster of enemies. It’s almost the worst. (0:15:00) Kev: Anyways options are good (0:15:02) Kev: Forgive people options people (0:15:04) Kev: Do good things (0:15:05) Al: So yeah, I think that’s, that’s about it. I mean, I’ve been watching through the Sandman (0:15:11) Al: show, but I’m not really talking about that because, you know, Neil Gaiman, awkward. So (0:15:15) Kev: Sand man, I wait. What is that? I don’t know what that is (0:15:18) Al: Sandman who’s a DC character at TCC, that one, but it’s the Netflix adapted it into (0:15:21) Kev: Oh, it is that one okay, okay (0:15:26) Al: a show. And they did the first season a couple of years ago, and then the whole Neil Gaiman (0:15:32) Al: and stuff, you know, because he was the one that wrote down, man. (0:15:34) Kev: Uh, yeah. (0:15:35) Al: And they were like, oh, oh, but they did manage to get the second season done without him. (0:15:44) Kev: Well, guess what, anything you do probably gives someone awful money. (0:15:44) Al: He’s almost certainly getting money for it, but whatever. (0:15:53) Al: Yes, I know, I know, I know, I know, I know. It doesn’t make me feel better. (0:15:58) Al: Yeah, so I have been watching that and I’ve mostly been managing to ignore him. (0:16:06) Al: And focus on the show and it’s good. I like it. I enjoy the show. (0:16:08) Kev: sure sure that’s cool yeah it’s wild to me the the the you know years between seasons structure (0:16:18) Kev: that netflix does um I don’t know I just I find it crazy like I was at wednesday the wednesday show (0:16:25) Kev: that was a three-year gap and it was only eight episodes I think the new season that’s insane to (0:16:26) Al: Yeah. Yeah, yeah. (0:16:33) Kev: me you remember when shows I say this someone watching monk you’d get like (0:16:38) Kev: ish episodes of season every year isn’t that great 20 to 26 (0:16:42) Al: Well, you want to have a conversation? No, I don’t like that. (0:16:48) Kev: what what (0:16:48) Al: So, right, OK, so there’s two parts to this. One, do I wish the shows that I like released (0:16:52) Kev: okay (0:16:55) Al: yearly? Probably, if they could keep the quality up, yes. But do I wish that all series were (0:16:58) Kev: yeah okay (0:17:02) Al: still 20 episodes? Absolutely not. Why would I want 20 episodes when half of them are boring? (0:17:09) Al: right, give me the eight episodes that are good, don’t give me the more that (0:17:12) Al: you don’t care about, give me what you think you want, not something that is enforced by (0:17:17) Al: studios because they need year-round episodes, like we don’t need to do that anymore and I don’t (0:17:23) Kev: Mmm, I mean (0:17:23) Al: care for it. It’s like how it’s like, oh you know, like do you complain about the fact that episodes (0:17:32) Al: aren’t always, you know, was it 48 minutes long anymore because they don’t all have to fit into (0:17:36) Al: the exact same advert blocks. Now, (0:17:39) Kev: Mm-hmm. I (0:17:42) Kev: May kind of do (0:17:42) Al: you can take that too far, Netflix with your two and a half hour season finale of Stranger Things (0:17:48) Al: season four last time. That was too far, but other than that, I mean that doesn’t, you can have (0:17:48) Kev: Yes, yes (0:17:53) Kev: Exactly (0:17:58) Al: a middle thing which is not in the extremes there. I like when episodes aren’t like necessarily (0:18:02) Al: consistent because they want to fit in what they want to fit in, that they feel fits their artistic (0:18:07) Al: expression. I like that. (0:18:08) Kev: yeah okay sure I guess okay you know here’s the call here’s the here’s the qualifier right (0:18:13) Al: Do you really miss clip episodes? (0:18:18) Kev: is it good right which is a dumb thing because that’s the question right because let’s all right (0:18:19) Al: Yes, of course. (0:18:23) Kev: let’s yeah you can look at examples on both ends of the spectrum right um look at uh look at cora (0:18:30) Kev: right that that show could have used some more episodes for sure um that that first season needed (0:18:33) Al: possibly. I mean maybe they didn’t have anything else they wanted to put in it, right? Like… (0:18:38) Kev: at least a couple more episodes at first (0:18:41) Al: Yeah, I guess my point is not like, oh, I wish we didn’t have more episodes, right? I’m not saying (0:18:48) Al: that. Like, if there’s good stuff, I want to see it. But I don’t agree with the, oh, wasn’t it (0:18:53) Al: great when every show had 20 to 22 episodes and they were all the exact same length and they (0:18:59) Al: happened. No, I don’t. I don’t long for those days. I don’t. (0:19:02) Kev: Don’t know I got a monk. It’s been pretty good the whole time. I guess it did depends (0:19:04) Al: But I just, it’s just when you, when you got the like episode, that was the clip episode, (0:19:11) Al: because they had to put out an episode and they didn’t care. They didn’t want anything. (0:19:13) Kev: Monk did not do that actually crazy, but you sure yeah, yeah, but but okay. Yes, that’s just (0:19:16) Al: Sure. But most shows did almost every show did. And some of them did it better than others, (0:19:21) Kev: Yes, yes (0:19:22) Al: but you always, every time it happened, you rolled your eyes and went, Oh, here we go. (0:19:24) Kev: Yeah, okay, you know what you’re right (0:19:26) Al: And you watched it anyway, because maybe there was something that was actually going to progress the (0:19:29) Al: story. You don’t know. It might be fully clips or it might actually do something. (0:19:31) Kev: Sure (0:19:33) Kev: Eh, I guess (0:19:34) Al: But I mean, I think the, I think the, as you say, the complication is it depends on the show. (0:19:42) Al: It depends on what they’re doing. And I don’t think it’s, it’s obviously not the case that (0:19:47) Al: creators get to do what they want all the time. Obviously I’m not, I’m not suggesting that is, (0:19:48) Kev: Okay, okay, yeah, yeah, that’s (0:19:53) Al: but I think having more freedom for that, I think is a good thing in general. And. (0:19:59) Kev: Sure, you know, okay fine. I don’t need every show to (0:20:03) Kev: How should I put this? Okay? I don’t it’s not that I want every show to be 26 episodes every year or whatever (0:20:10) Kev: but when I look at (0:20:11) Al: The numbers just getting higher and higher (0:20:13) Kev: when I look at (0:20:16) Kev: Though the Wednesday series (0:20:18) Kev: Right episodes in three years that that seems like you know that it seems cheap for lack of a better word, right? (0:20:20) Al: So, I think, well, I mean, you say that cheap, like you pay for the subscription for Netflix (0:20:32) Al: when you want to get the stuff and you watch it and then you stop subscribing, right? I (0:20:34) Kev: Sure, sure. Yeah. Yeah (0:20:36) Al: think of those sorts of shows as in the same way that people complain about them because (0:20:41) Al: they’re structured like films, I think of them in that sort of way as well, right? Three (0:20:46) Kev: That that is true (0:20:47) Al: years, three years between a film and its sequels. (0:20:50) Al: Not an unusual amount of time, and eight episodes is longer than a film would be. (0:20:51) Kev: That is very true that that’s what that’s what I’m (0:20:56) Kev: You’re right, that’s that’s what I’m not thinking here because that that is more common nowadays (0:21:00) Kev: Isn’t it where a season of a show is really just an extra-long movie like the Marvel Studios shows? (0:21:06) Kev: You’re you’re right about that (0:21:10) Kev: Yeah, that’s a good point touche (0:21:12) Al: I mean Marvel have a problem with sequels in general just now, right? Like when was the last, (0:21:16) Kev: Ah (0:21:18) Al: you know, in we got three Iron Mans and I think it was eight years or something like that and (0:21:26) Kev: Yeah (0:21:26) Al: it’s now been what four years since Shang-Chi and we haven’t even got a second yet. (0:21:30) Kev: Yeah (0:21:31) Al: Like there is a real problem they have with sequels just in general which is a whole other (0:21:34) Al: conversation and is probably part of the reason that they’re not getting big box office numbers (0:21:35) Kev: Yeah (0:21:41) Al: because most. (0:21:42) Al: There are big numbers. (0:21:43) Al: We’re always the third in a series, you know, Iron Man one didn’t make a billion. (0:21:46) Kev: Mmm, that’s a good point. (0:21:48) Al: Iron Man three did make a billion. (0:21:52) Al: Just saying also, you know, it’s things like, you know, the Marvels being called the Marvels (0:21:52) Kev: Uh, yeah. (0:21:57) Al: rather than Captain Marvel two probably would have made more money if it had done that. (0:21:58) Kev: Yeah… (0:22:01) Al: Now, there are obviously other issues with that in terms of misogyny, but that was still (0:22:04) Al: there when the first film came out and it made a billion. (0:22:05) Kev: Yeah… (0:22:06) Kev: Yeah, exactly! (0:22:07) Kev: Right, right? (0:22:07) Al: Why did the mark? (0:22:08) Al: Why did Captain Marvel make a billion and the Marvels didn’t? (0:22:11) Al: And then there’s all this other complications. (0:22:12) Al: Well, nobody has any money anymore and COVID killed everything until blah, blah, blah, blah, blah. (0:22:17) Al: But Deadpool and Wolverine made a billion. (0:22:19) Al: That was the third in the series as well, right? (0:22:22) Al: Like they clearly can make lots of money. (0:22:24) Al: They’re just not doing what they used to do, which made them lots of money. (0:22:28) Al: They make a film and it doesn’t make a lot of money. (0:22:30) Al: And they go, Oh, well, well, let’s not make a second. (0:22:31) Al: But the whole point was your first ones never make a lot of money. (0:22:34) Al: It’s the second and third that make the money. (0:22:36) Al: And also which third film in the MCU made the least money, Thor. (0:22:42) Al: Or three. Why was that? (0:22:43) Al: Cos Thor 2 was bad. (0:22:44) Kev: It was really bad is it is it hmm (0:22:47) Al: Coincidence? (0:22:49) Kev: Have we are I’m thinking got you know on our discords and slacks have we argued which of the worst Marvel films (0:22:55) Kev: I feel like that that needs to happen. Oh (0:22:56) Al: I mean, it’s I mean, it’s Star of the Dark World, right? (0:22:59) Kev: I mean I (0:23:02) Kev: Okay, I don’t want to turn but it’s probably a rise probably dark world. Yeah, I’m struggling to think (0:23:06) Al: Eternals, I’m not trying, I’m not trying to say Eternals was one of the best, but it’s not the worst, not at all. (0:23:10) Kev: It’s not as bad as dark world. Yeah, I believe a dark world (0:23:12) Al: Absolutely not. There is, I don’t think there is an MCU film that is as bad as those. (0:23:18) Kev: Yeah, that was rough. Oh I miss (0:23:22) Al: Like, I mean, try and explain this plot of that film. (0:23:29) Kev: Yeah, yeah, no there’s (0:23:30) Al: Thor’s girlfriend gets injected with something, and he has to get it out of her, (0:23:32) Kev: And they and he used to fight dark elves (0:23:34) Al: and also his mum dies, maybe, I think. (0:23:38) Kev: Did she did I don’t know why but oh god (0:23:41) Al: You can know everything about that film, just from the bit where they go back in time (0:23:46) Al: and endgame to it. That is the only bit about that film that matters. (0:23:47) Kev: They were yeah, yeah, they really didn’t see good. Oh, yeah (0:23:50) Al: It tells you everything. (0:23:53) Al: In fact, there’s more, there’s more character progression and more heart in that scene when (0:23:58) Al: he goes back than there is in the entire film. You know, when he meets his mom and he’s sad (0:24:02) Kev: There is (0:24:03) Al: because he knows she’s about to die, you know, that is more than the entire film has. (0:24:05) Kev: Yeah, you’re you’re right I did enjoy that what 15 minute bit (0:24:10) Al: And then, and then he calls for his, then he calls from y’all near and it comes for him and he’s (0:24:14) Al: so happy. He says, I’m still worthy. (0:24:18) Kev: You’re right, that was better than the entire movie. You’re right. I (0:24:23) Al: I mean, I don’t know how they, how did they make that film so long when there’s so little that happens? (0:24:29) Kev: Don’t I don’t know. I just whatever well, I will say this Kat Dennings (0:24:31) Al: Anyway, you would, you would, you would have to have a, you’d have to have a, well, yeah, (0:24:36) Al: okay, true. I mean, that’s fair. She does improve any film. But you’d have to have a really good (0:24:38) Kev: Yeah, yeah, that’s correct (0:24:44) Al: argument to convince me that that’s not the worst film. I don’t think anything even comes close. (0:24:47) Kev: Yeah, okay, you know what fair fair. I’m gonna yeah fair. I haven’t seen fantastic for (0:24:53) Al: Anyway, what was my point? Yeah. Yeah. I was watching The Sandman and then I’m probably (0:24:58) Kev: Sandman (0:25:00) Al: going to watch Weddings day after that. Cause that’s, I need to, I need to watch that next (0:25:02) Kev: Cool I like the Adams family (0:25:03) Al: season. And then where else have we got Strange, Strange New Worlds, Star Trek. That’s coming out (0:25:09) Al: just now. Need to watch that as well. Name a Star Trek that doesn’t fit that description. (0:25:10) Kev: Oh (0:25:12) Kev: Is that the one with the hot guy I don’t remember (0:25:18) Kev: Oh (0:25:21) Kev: That’s a good point, but that’s a good point (0:25:22) Al: Anyway, that’s what we’ve been up to. Maybe I’ll have more to talk about Bonanza when (0:25:32) Kev: No, we did it (0:25:34) Al: next time we’ll see. All right. We’re going to talk about some, (0:25:36) Kev: Get to the end (0:25:38) Kev: I’m saying get to the end. There’s there’s good things in that game. Mm-hmm (0:25:40) Al: I don’t think I’ll do that in a week. I have heard that the story is good, but I’ve not got (0:25:47) Al: to any point that actually matters with the story yet. Yeah. Let’s talk about some. (0:25:52) Al: Game news. First up, Moonlight in Garland, which Kevin’s probably going, Oh, I can’t remember what (0:25:59) Al: that game is. I don’t recognize that name. Well, it’s coming out of early access on the 27th of (0:26:00) Kev: CORRECT! (0:26:06) Al: August. I mean, it’s pretty much it’s. (0:26:12) Kev: Ha ha ha use the mad libs the cottagecore game mad laser you just yeah (0:26:19) Kev: There I’m looking (0:26:22) Al: Seems like it’s less farming, more community building, and it’s like a kind of town slash (0:26:29) Kev: Yeah (0:26:32) Kev: Yeah, this has a very specific (0:26:32) Al: city rather than village. (0:26:38) Kev: Aesthetic to like mid-2000s. I don’t know a (0:26:42) Al: Yeah, I was thinking Polly Pocket, but like the characters from Polly Pocket rather than the (0:26:45) Kev: Pocket Polly like it’s weird. Um (0:26:50) Kev: Yeah, yeah, yeah exactly the characters right that’s exactly I’m talking (0:26:51) Al: action. Yeah, it’s funny that we both had the same thought that that shows you where it’s at. (0:26:57) Kev: Yeah, that’s so (0:26:59) Kev: Wait, is this the one where you can do crime? No, that might be a different one. We live in the city (0:27:02) Al: No, that’s not this one. That’s not this one. No crime in this one. (0:27:08) Kev: Gosh good old cottagecore. We’re in too deep. Oh, we’re in too deep (0:27:15) Kev: All right (0:27:17) Kev: Wait, so what was the actual news here? Are we at one point a release? Okay, August 27th (0:27:22) Al: Yes, 27th of August. Next, “Above Snakes have announced their console releases coming on the 4th of September.” So that is Switch, Xbox. (0:27:30) Kev: I’m kind of surprised they’re doing console’s release was that do we cover again I I don’t (0:27:35) Al: That was a Kickstarter stretch thing. (0:27:37) Kev: even remember did we come (0:27:39) Al: I don’t know if we did a proper one on it. We had our episode where we talked about the cultural… (0:27:46) Kev: Yeah, yeah, Nami on that, yeah, yeah, I remember that. (0:27:48) Al: I don’t want to say appropriation, the cultural questions around it. (0:27:52) Al: Shall we see? (0:27:52) Kev: Yeah, yeah, I do remember that. (0:27:54) Al: I don’t know if we actually covered that. (0:27:55) Kev: But, well, you know what? (0:27:58) Kev: Hats off to them if that was a goal (0:28:01) Kev: and they’re actually doing it, right? (0:28:02) Kev: Because even games that do release from Kickstarter (0:28:05) Kev: don’t always get to the console port when they promise it. (0:28:08) Al: Absolutely. Yeah, I should probably play at some point. I do have it. I own it on Steam (0:28:19) Al: because I backed it because it came out on that period of time where I was backing basically (0:28:24) Kev: everything before you (0:28:25) Al: every vaguely cottage core Kickstarter. I’m better now. I have not backed a farming game (0:28:33) Al: on Kickstarter since Autonomica. (0:28:38) Al: I went back in April. Yeah. I have backed two Kickstarters back then, but since then, (0:28:39) Kev: So your time on rehab was successful. (0:28:41) Kev: Good, good for you. (0:28:47) Al: but neither of them have been farming. (0:28:49) Kev: Nah, look at you, progress. (0:28:53) Kev: Well, hey, that’s September 4th. (0:28:56) Kev: Oh, I don’t like how close that is. (0:28:58) Kev: How’s it going so fast now? (0:29:00) Al: I don’t know. Time. (0:29:04) Kev: Time. (0:29:07) Al: Next we have Out and About. They managed to release this time successfully. This was the (0:29:10) Kev: Your comment. (0:29:15) Kev: This time. (0:29:19) Al: one where last week they tried to release, but they accidentally, or they realized they (0:29:23) Al: hadn’t clicked the access button, which put it into review, and then it took several days (0:29:24) Kev: They deleted the button. (0:29:30) Al: so now they have actually released their early access. Congratulations to Out and About. (0:29:34) Kev: good for them they did it I don’t know the game looks fine I guess it’s walking (0:29:45) Kev: through a forest looking (0:29:48) Al: Yeah, it’s doing something different. It’s not just like, it’s not farming, it’s foraging, (0:29:52) Al: and the idea is you’re exploring, and it’s another picture-taking one as well, but (0:29:58) Al: you’re foraging for things. It’s cute. (0:30:00) Kev: Yeah, it is. It’s, uh, it’s like, uh, what is it? Uh, the, the, the, the, the hike game. Um, I forget, it kind of reminds me of that, but a little more involved. (0:30:10) Al: Oh, a short hike. Yeah. It’s much more, you know, it’s 3D, third person view. No. Yeah. (0:30:12) Kev: Yeah. It’s the one. Yeah. But you know, you’re actually foraging. (0:30:16) Kev: Yeah. Yeah. It looks like an extension of that. Not necessarily better extension, but just, you know, kind of in that vein of ideas of just going through the woods and looking at stuff. (0:30:28) Al: I’m also comparing it to Alba in my head because it was kind of similar where you’re (0:30:35) Kev: Yeah, yeah that too yeah, um yeah, okay. Well hey good good for them. They found the button finally (0:30:44) Al: Congratulations. Next we have Coral Island have announced that their 1.2 update is out. (0:30:51) Kev: Okay, why why is there someone in a dinosaur suit? (0:30:56) Al: Why not? What a silly question! I’m guessing that’s one of the spooky costumes, cause. (0:30:58) Kev: How good (0:31:00) Kev: You know, that’s a good counterpoint, okay (0:31:06) Al: So the things that are coming in this update, multiplayer, they’ve revamped their romance (0:31:11) Al: progression, adding more hearts. You can get up to a heart event, sorry, you can get up (0:31:15) Al: to 15 hearts now with heart events. So 11 to 15 are after marriage, like the stargy (0:31:22) Al: ones added in like 1.4 or something, I forget. (0:31:27) Al: But they’ve also added spooky costumes, okay? (0:31:35) Al: Like, this is one of those ones that feels weird that this feels like (0:31:40) Al: something they wanted to do for 1.0 and just didn’t, but. (0:31:43) Kev: yeah that’s it that is very much what it feels like Mitch drew I guess good for (0:31:49) Kev: them that a gate got here like yeah I am NOT gonna fault them for that because (0:31:54) Kev: it’s a game dev is hard I don’t know if you know that out oh oh I like you I’m (0:32:00) Al: Yeah, yeah, yeah, that’s fair. (0:32:02) Kev: looking I’m sorry I’m looking for the video some of the costumes the the NPC’s (0:32:06) Kev: rather pretty good there’s like a tinker the good chicken a Tinkerbell costume I (0:32:09) Kev: like that that’s good (0:32:11) Al: Yeah, there does seem to be a lot of care taken on these costumes. They’re not, they’re not just like generic things. Each person has like a unique costume and they’re all very interesting. The twins have almost the same costume, which is fun, but they’re not quite. They’re slightly different, which is based on, you know, their personality. (0:32:32) Kev: That’s fun to, yeah, that’s, yeah, I like that, that’s, that’s good, yeah, um, dressing (0:32:37) Kev: up your NPCs. (0:32:38) Kev: You know what, I take it that the dinosaur costume is a good idea. (0:32:41) Al: I’m trying to find them. So I’ve asked you motivates us that I found their spooky festival section of the video. I’m guessing that’s where you saw it. Well, I see someone as a panda. (0:32:48) Kev: Yeah, there’s near the start (0:32:51) Kev: All the twins. Oh (0:32:51) Al: I was near the start of the video. (0:32:54) Kev: Yeah, it’s near the start all that. I’m looking at the twin costumes. Those are good. Actually (0:32:59) Kev: They might be the best costumes (0:33:01) Kev: It’s a I don’t know. There’s like little blueberry monsters. I don’t know how to describe it better (0:33:09) Kev: That’s cool. What is that guy there? (0:33:10) Al: It’s definitely you have to see. (0:33:12) Kev: Yeah, there’s a guy in a black turtle. What is that is that supposed to be a costume that doesn’t look that’s just a (0:33:18) Kev: Guy in a sweatshirt and jeans. I don’t get that (0:33:22) Al: And yeah, OK, I don’t know what his I don’t know what Pablo’s costume is he trying to be Steve Jobs or something? (0:33:30) Kev: I guess with Shane. I don’t know. I don’t know (0:33:33) Al: I don’t know. (0:33:37) Al: Where’s this dinosaur costume you’re talking about? (0:33:38) Kev: Yo (0:33:40) Kev: Okay, okay, let me let me find it it’s in the video it was near the very start (0:33:45) Al: Oh, I’ve got it, I’ve got it, I’ve got it. Yeah, that’s, that’ll be a spooky costume, (0:33:47) Kev: You found it great (0:33:49) Kev: Yeah, it probably is I like it. It’s dumb. I like it what? (0:33:49) Al: because it’s pumpkins and lights around them. (0:33:55) Al: There are some silly costumes you can use as your player as well in the game that I’ve (0:33:59) Al: put on before. I can’t remember what I was dressed up as, but they, it’s not just like, (0:34:05) Al: they have a decent amount of player customization already. (0:34:08) Kev: Yeah, yeah. There’s also a collab with Fungi Swarm. (0:34:09) Al: Uh, yeah, that’s their game. (0:34:15) Al: Our other game, isn’t it? Um, uh, what, there’s, uh, redeemable items. Okay. (0:34:17) Kev: Yeah, it is. Which, yeah, but I think… (0:34:24) Kev: There’s a antler dog guy. I don’t know what that is, but, uh… (0:34:27) Al: Uh, a mythical pet outfit. (0:34:31) Kev: I don’t know what… I don’t… Okay, I don’t know what this creature is. (0:34:34) Al: “Razzi” or “Razzdi” (0:34:37) Kev: whereas the it’s an off. (0:34:41) Kev: It’s a blue reindeer dog. (0:34:42) Kev: I don’t know what else to describe it. (0:34:44) Al: Well, speaking of dogs, (0:34:45) Kev: Uhhh… (0:34:47) Kev: You! Ooh, good transition, tell me. (0:34:48) Al: for some reason we’re talking about Sugadoo Island again, (0:34:51) Kev: W-w-why?! (0:34:51) Al: this game. (0:34:53) Al: ‘Cause, dog, they’ve released a code (0:34:57) Al: that you can redeem in the game and it gives you dog. (0:35:01) Kev: But okay spotted dog, that’s (0:35:04) Al: If it’s anything like everything else in this game, (0:35:07) Al: you won’t be able to name it. (0:35:08) Al: It won’t do anything other than just follow you around (0:35:11) Al: like a blind rat, I don’t know. (0:35:14) Kev: I’m not sure how well blind rec could follow you but they do that is true you’ll fly like (0:35:15) Al: It’s not really turned on for metaphors just now. (0:35:22) Al: They have a good sense of smell. (0:35:28) Kev: a dog I have a dog they do follow you yeah that is true its name is spotted dog that’s (0:35:32) Al: Yeah, but with personality, I doubt this one a lot. (0:35:41) Kev: That’s it. (0:35:41) Al: That would, I mean I’d be surprised if it wasn’t just dog. (0:35:44) Kev: Yeah. (0:35:48) Al: Next we have Aether Wizard Life have released a what they’re calling their first announcement (0:35:56) Al: trailer but I’m confused because this game was announced multiple years ago so I don’t (0:35:57) Kev: Okay (0:36:00) Al: know how this is an announcement trailer. (0:36:01) Kev: And (0:36:02) Kev: It’s only for backers, which I don’t know you probably want to make that available. Oh, there is. Oh, okay. Let me see. Oh (0:36:06) Al: There’s a link to the actual video as well. (0:36:11) Kev: Yeah, there is. Okay. Yeah, that’s all right. I was like at the Kickstarter page (0:36:15) Kev: First of all, I don’t like this name at all. I don’t know if we covered this game, but I don’t like that at all (0:36:18) Al: No. (0:36:23) Al: This is, I don’t know if we’ve seen gameplay before. (0:36:26) Al: This is the first time seeing some of this stuff. (0:36:29) Al: The building of your house is basically (0:36:32) Al: exactly the same as the Spiritfarer building, (0:36:36) Kev: Yup! (0:36:37) Al: which I’m not complaining about because that is good. (0:36:39) Al: I like that. (0:36:40) Al: More of that, please. (0:36:40) Kev: Yeah, that modularity, it’s good. Build your castle. (0:36:44) Al: There are some, shall we say, thirsty characters (0:36:48) Kev: Oh, geez. Good. That guy, I mean, that one guy alone, he’s the worst offender. It’s the first one they show you, too. (0:36:59) Al: There’s yep, it’s uh, you’re gonna this is this is a weed game apparently (0:37:00) Kev: Good heavens. (0:37:06) Kev: Oh my gosh, that… Oh, shit. You know what? Fine. Lean into it. Just full thirst into it and just do it. (0:37:16) Kev: If you’re going to do it, go all in. (0:37:16) Al: Every game has to have a hook, I just don’t think that that is a unique hook. (0:37:22) Kev: True? That’s true. It probably worked for some people, not me, but… (0:37:27) Al: You’re definitely not you. Not you. Have you got to the other characters yet? (0:37:32) Kev: Yeah, I see the other characters like they’re (0:37:36) Kev: Is it this is hmm, this is a problem when everyone does it like everyone loses their (0:37:42) Kev: You know, it’s it’s it’s tough to stick out in the crowd, right? Like these just look generic (0:37:46) Kev: I don’t know the guy who looks like he’s dressing up like an elf (0:37:50) Kev: I don’t know and then why are there two in silhouettes? Why do you have to silhouette those characters? I feel like you shouldn’t (0:37:56) Al: for our secret. We’re going to tell you later. I don’t just like the character designs. The (0:37:58) Kev: Okay (0:38:01) Kev: There’s a girl with the ponytail of the sword (0:38:03) Al: character design’s okay. What I do find a bit weird is not the character designs and not your (0:38:11) Al: playable character design. They’re both fine. What’s weird is them both together in the same (0:38:17) Al: game. They look like very different designs. They look like they’re from different games. (0:38:20) Kev: They do (0:38:22) Kev: Right because yeah, cuz we’re looking at the (0:38:27) Kev: The oh (0:38:29) Kev: Yeah, yeah, you’re right. You’re right. Absolutely cuz these NPCs, you know very (0:38:34) Kev: Detailed sort of designs and and whatnot and you’re a little in the generic side (0:38:35) Al: much more detailed. (0:38:38) Al: I don’t dislike the playable characters design, it just feels, I think it looks bad purely (0:38:40) Kev: You’re right, I agree with it (0:38:44) Kev: Yeah (0:38:48) Al: because of how the other one. (0:38:52) Kev: you’re right it doesn’t you know what the problem is I as far as i’ve seen there’s no like (0:38:57) Kev: portrait art for your character right because yeah yeah yeah because it’s it’s a very different (0:38:59) Al: That’s what it is, it’s the portrait art of course I’m just yeah I’m looking at a bit of one of them in game and yeah they look, they look much more similar to your characters but the portrait art is so much more detail. (0:39:11) Kev: art style as as portrait arts are so frequently done but there’s not one for your your character (0:39:18) Kev: And so I don’t know it’s just I see I get what you’re saying. Absolutely (0:39:22) Kev: Um (0:39:24) Kev: But I mean even in the in-game art style like it’s there’s still a little more detail than your character (0:39:31) Kev: Because like your characters is (0:39:32) Al: It’s the face, there’s no nose. (0:39:33) Kev: Yeah, ooh, that’s a good point, right? There’s no facial features. It’s just like the eyes and the smile (0:39:39) Kev: That’s it on your the player character. You’re right. You’re super right (0:39:42) Al: Anyway, the interesting thing about this, I guess, is the magic stuff, and it does look quite detailed. (0:39:48) Al: So maybe that could be interesting. (0:39:50) Al: And then there’s some combat. (0:39:52) Kev: yeah there’s a lot of stuff going on here there’s an owl with the flower on its head and (0:39:58) Kev: I don’t even know what’s going on with these like skill trees or I don’t know there’s a lot going on here (0:40:03) Al: I think, I think they’re for like making new spells, possibly. (0:40:07) Kev: yeah honestly (0:40:08) Al: Look, I’m gonna, I’m gonna probably play it because I did back on Kickstarter, (0:40:12) Al: like the idiot that I was, but. (0:40:14) Kev: the the magic stuff I think is the bigger draw here that looks pretty interesting slash well done (0:40:19) Al: Yeah. Yeah. Agreed. (0:40:21) Kev: There’s combat (0:40:22) Kev: Magical creatures that looks fun (0:40:26) Kev: It’s wild the data will NPCs just they don’t even live up to that it’s crazy (0:40:33) Al: Next, fields of mystery, I have announced a merch collection. (0:40:37) Al: So, you know, go get your fields of mystery on merch, I guess. (0:40:40) Kev: is it good merch let’s see i’m looking (0:40:45) Al: So they they have a they have they have a pin. (0:40:47) Kev: oh goodness what is that the first the first one is the oh yeah yeah the first one they show you is (0:40:53) Al: They have a pin that you tilt and it changes between (0:40:58) Al: more clothes and fewer clothes. (0:41:00) Kev: Yeah, it’s it’s (0:41:03) Kev: Presumably it’s I don’t know the characters, but that’s datable guy and yet (0:41:07) Kev: You know you tilt it and it’s and now he’s shirtless cuz good heavens (0:41:11) Al: That’s the entire marriage. That’s all the marriage. That’s everything. (0:41:12) Kev: Oh (0:41:14) Kev: My god, it’s all that. I’m not good in the laundry. It’s just (0:41:20) Al: It’s just like the pen from Friends, which Joey had, and you click it, and the women’s clothes (0:41:27) Al: come off, right? Like, what is this? Why is this your only piece of marriage? And it’s two characters. (0:41:28) Kev: Yeah! laughs (0:41:37) Kev: Yes, too! laughs (0:41:38) Al: Two characters, one male, one female. (0:41:41) Kev: Oh, that’s incredible! laughs (0:41:41) Al: What a weird decision. (0:41:47) Kev: Oh, and… (0:41:48) Al: I need to go what I need to go read the comments. (0:41:49) Kev: Beholds in… it’s… why I need to understand how… because… (0:41:55) Al: Oh, people, people like this. (0:41:58) Kev: Oh, the first one’s “Lily, Take My Money.” Oh my goodness, these… oh! (0:42:05) Kev: This is why we’re in this cottagecore world, brain rot, dateable nonsense. (0:42:12) Kev: It’s your fault, commenters. (0:42:15) Kev: And what kills me is Fields of Mystery has that kind of 90s anime art style vibe. (0:42:23) Kev: You could play off that, right, for your merch, but no, we get to… (0:42:28) Kev: Two pins that take off the character’s clothes! (0:42:34) Al: odd decision it’s like they sit down and they go right okay we’re gonna make some merch what’s our (0:42:38) Al: first merch gonna be a poster no no not a poster like a t-shirt no not a t-shirt a pin yeah we (0:42:40) Kev: Apparently according to the commenters. (0:42:47) Al: could do a pin but what if it was a pin where they undress them I just I don’t I don’t (0:42:54) Kev: Ohh, look, alright, look, I mean, I mean, I tried to be delicate, I have kids gloves when I talk about these subjects, but look, this commenter here said it’s straight, it’s the fields of gooning. (0:43:15) Kev: Ohh, good heavens. Worst part is, it looks like it’s gonna be a huge success, so. (0:43:21) Al: Oh probably, probably. I just like what you I can’t imagine. It just it would feels like it would be even if you want it. It feels like embarrassing to own. (0:43:31) Kev: Well… (0:43:33) Al: And the whole point of pins is to show them off, right? (0:43:36) Kev: Yeah? laughs (0:43:38) Kev: You just make sure to always show it off at one angle and never ever move it to the other angle. laughs (0:43:49) Al: All right moving on to a very interesting story, a story of seasons. (0:43:54) Kev: - Yeah, okay, from the worst story to the best. (0:43:59) Al: It’s a little bit of shame we don’t have Cody on to talk about this but let’s go with it anyway. (0:44:04) Al: So story of seasons and well Marvelous, the company that makes, well they’re the European (0:44:12) Al: company that ports and not ports, they translate and publish the story of season games. (0:44:20) Al: I just know that Marvelous is the Japanese version of the company as well, (0:44:24) Al: they are the same company now aren’t they, I think. Anyway it doesn’t matter, (0:44:27) Al: anyway story of seasons company, the European part of it have made a partnership, they started in 2020, (0:44:36) Al: they

A jego imię to (cyka, cyka) Slim Shady. Oraz Eminem. I Marshall Mathers też. W 15 odcinku Pop Milenialnie zabieramy Was w epicką, 2,5-godzinną podróż po wszystkich twarzach tej niezwykłej postaci. A żeby było bardziej hip-hopowo, do podcastu zaprosiliśmy całą tonę gości! Lubisz Eminema? My też - ale mamy uwagi. Nie lubisz? Kto wie, może przekonamy Cię do odsłuchania jego płyt.UWAGA: podcast można teraz ⁠⁠⁠⁠wspierać w serwisie Patronite!⁠ Można też ⁠⁠⁠⁠POSTAWIĆ NAM KAWĘ⁠Muzyka: Michał Mierzwafot. Mika-photography, Creative Commons Attribution-Share Alike 3.0 Unported 

In this episode, host Shikha Jain, MD, speaks with Mika Stambaugh about bridging the patient and doctor information gap, her personal journey with patient advocacy and more. •    Welcome to another exciting episode of Oncology Overdrive 1:34 •    About Stambaugh 1:43 •    The interview 4:00 •    How did you get into media and PR? […] What Was your journey to get to this point in your career?  4:31 •    Have you seen the evolution of people in health care speaking with the media? 6:57 •    How do you remain objective when discussing hot button political topics with experts? 10:05 •    Who is the coolest or most interesting person you have interviewed?  11:08 •    Can you tell us about your recent cancer diagnosis and how it impacted you? 13:25 •    How did your facial Mohs surgery impact your career? 18:39 •    What was it about this situation that made you decide to share your journey publicly? 24:11 •    Do you recommend getting a second opinion to people? How did the decision to seek out a second opinion come about for you? 27:57 •    Do you see yourself continuing to work in the patient advocacy space? 30:35 •    If someone could only listen to the last minute of this episode, what would you want listeners to take away? 36:50 •    How to contact Stambaugh 37:55 •    Thanks for listening 39:05 Mika Stambaugh is an Emmy award winning journalist and dynamic entrepreneur. We'd love to hear from you! Send your comments/questions to Dr. Jain at oncologyoverdrive@healio.com. Follow Healio on X and LinkedIn: @HemOncToday and https://www.linkedin.com/company/hemonctoday/. Follow Dr. Jain on X: @ShikhaJainMD. Stambaugh can be reached @MikaStambaugh on X and @mikastambaugh on Instagram, or via email mikastambaugh@gmail.com. Disclosures: Jain and Stambaugh report no relevant financial disclosures.

8-11-25 Mika Frankl joins TEAM Talk after UFC's monumental media deal ending the 'Pay-per-view' format

Your nb 1 nordic podcast is back ! This time we discuss everything that's happened at blink, with of course Mika's skiriously cool win. Tune in to hear the latest

Misunderstood ako.. paano ba ‘to? Paano nga ba ma-survive ang hate and bashing? Anong gagawin ko pag feeling ko mabu-burn out na ako? Should I stay or should I go? In this special Paano Ba ‘To mini-series, Bianca Gonzalez sits down with the Final Four housemates of #PBBCollab—to get to know them better not as half of a duo, but individually. Ano nga bang best life advice na mai-sha-share nila? In this episode, we sit down with Kapuso Big Winner, Mika Salamanca.Follow #PaanoBaTo on our socials!IG: www.instagram.com/paanobatoFB Group: www.facebook.com/groups/paanobatoTiktok: www.tiktok.com/@askpaanobato To know more about the work of Bianca Gonzalez, check out her pages on IG/FB/X/YouTube/Tiktok: @iamsuperbianca Paano Ba ‘To?!Created by Bianca GonzalezEst. 2014

durée : 00:43:58 - Questions du soir d'été - par : Marguerite Catton - Alors que s'ouvre un nouveau tour de négociations pour un traité international contre la pollution plastique à Genève au siège des Nations Unies, se pose la question de l'omniprésence du plastique dans nos sociétés. - réalisation : Phane Montet - invités : Dorothée Moisan Journaliste indépendante spécialiste des questions climatiques et environnementales; Joseph Tayefeh Secrétaire général de Plastalliance, syndicat national de la plasturgie et des composites; Mikaëla Le Meur anthropologue, chargée de recherche FNRS à l'Université Libre de Bruxelles

durée : 00:43:58 - Questions du soir d'été - par : Marguerite Catton - Alors que s'ouvre un nouveau tour de négociations pour un traité international contre la pollution plastique à Genève au siège des Nations Unies, se pose la question de l'omniprésence du plastique dans nos sociétés. - réalisation : Phane Montet - invités : Dorothée Moisan Journaliste indépendante spécialiste des questions climatiques et environnementales; Joseph Tayefeh Secrétaire général de Plastalliance, syndicat européen de la plasturgie; Mikaëla Le Meur anthropologue, chargée de recherche FNRS à l'Université Libre de Bruxelles

W nowym odcinku z serii „ZAPLECZE” rozmawiamy z Krzysztofem Miką, Head of Retail w Coffeedesk. Zaglądamy na zaplecze firmy, która zrewolucjonizowała myślenie o kawie speciality w Polsce. Krzysztof opowiada o fenomenie najlepszych półek sprzedażowych w Europie i o tym, jak budować rentowność oraz relacje z klientami w branży HoReCa.Z tego odcinka dowiesz się m.in.:- Jak Coffeedesk buduje „najlepsze półki sprzedażowe w Europie” i jak selekcjonuje produkty?- Dlaczego jakość i stawianie klienta w centrum uwagi jest kluczowe w gastronomii?- Jak świat online przenika się ze światem offline w biznesie kawiarnianym?- W jaki sposób Coffeedesk wykorzystuje kawiarnie jako „coffeedeskowe R&D” do testowania nowych produktów?- Jak zarządzać biznesem HoReCa w oparciu o dane i jak AI może wspierać menadżerów w pracy z zespołem?Linki:- Strona domowa- Instagram | X/Twitter- Gość: Krzysztof Mika – Head of Retail / Retail Area Manager w Coffeedesk- Kawiarnia to także Excel - Krzysztof Mika, Coffeedesk- The FormPartnerzy tego odcinka podcastu:- Palarnia kawy HAYB (w odcinku kod -10% na kawy i herbaty!)- CoffeedeskProwadzący: Krzysztof KołaczMam prośbę: Oceń ten podcast w Apple Podcasts oraz na Spotify. Zostaw tyle gwiazdek, ile uznasz. Twoja opinia ma znaczenie!Zainteresowany współpracą? Pogadajmy! kawa@boczemunie.plSłuchaj, gdzie chcesz: Apple Podcasts | Spotify i przez RSS.Rozdziały:(00:00:00) INTRO(00:00:47) Wstępniak(00:01:52) Gość: Krzysztof Mika (Coffeedesk)(00:10:14) Anatomia półek sprzedażowych(00:21:50) Zaufanie buduje się poprzez zasady(00:23:32) Akcesoria = powtarzalność(00:29:37) Online + Offline(00:36:51) Liczby ponad podziałami!(00:45:17) AI na zapleczu Coffeedesk(00:52:05) Do następnego!

Actor, filmmaker, and comedian Paul Santoli joins master acting coach Amy Lyndon and talent agent Ofelia Habelt to share how he stopped waiting for a big break—and created it himself.From his comedy roots to starring in his Amazon Prime feature film Because of Mika, Paul opens up about the mindset, hustle, and creative risks behind building your own career in Hollywood.

Ich möchte Dir eine Neuerung bei OAMN vorstellen, über die ich mich total freue: Du kannst unsere wöchentlichen Liveklassen nun auch dann besuchen, wenn Du keines meiner Programme gebucht hast. In dieser Folge erfährst Du, wie diese Klassen ablaufen, welche Inhalte Dich erwarten und wie Dich unsere Experten, Therapeutinnen und Coaches dabei unterstützen können, jede Woche ein bisschen was für Dich und Deine Abstinenz zu tun. Hier geht es direkt zur Abo-Buchung und damit zu Deinem Zugang zu den OAMN Liveklassen: https://link.oamn.jetzt/s/abo-buchung Hier geht es zu detaillierten Infos rund um die Abo-Buchung und die OAMN Liveklassen: https://oamn.jetzt/abo Wenn Du Dir die Ausschnitte lieber als Video ansehen möchtest, das kannst Du hier: https://www.youtube.com/watch?v=90EuINImAx4 Meine Podcastfolge mit Valentin Alex zum Thema Yoga und Nüchternheit kannst Du Dir hier anhören: https://oamn.jetzt/2020/01/warum-yoga-sich-so-gut-eignet-um-den-alkohol-zu-besiegen-mit-valentin-alex/ Den SodaKlub Podcast mit Mia und Mika findest Du hier: https://www.sodaklub.com/hoeren Meine Onlinekurse "Die ersten 30 Tage ohne Alkohol mit Nathalie" und "Abstinenz stabilisieren" findest Du hier: https://oamn.jetzt/meine-programme/ Und falls Du Lust hast und Dir Zeit nehmen würdest, hier ist die Anleitung für eine Podcast-Rezension bzw. eine Podcast-Bewertung: https://faq.oamn.jetzt/de-de/26-technische-fragen/46-wie-kann-ich-deine-kanale-und-veroffentlichungen-bewerten

Julien Granel a mis 10 ans à percer sur jour au lendemain.Pourtant rien ne le prédestinait à devenir une des icônes pop de sa génération.Adolescent, il prend claque sur claque en découvrant Mika, Queen, Elton John ou encore David Bowie. Julien comprend que lui aussi, il l'a dans les tripes.Il rentre alors au conservatoire. Il y passe 14 ans et ressort avec une vision technique de la musique que n'ont pas tous les artistes, et qui lui permet de produire partout, tout le temps, au fil de ses idées les plus folles.Il se met alors à composer, chanter et tester sans relâche mais la sauce ne prend pas. 10 ans à se produire dans des CROUS, des jardins et des petits bars de villages.Son style trop original peine à se faire une place dans les playlists et les radios.Mais une rencontre avec Angèle va changer la donne.Elle l'embarque pour faire les premières parties sur sa tournée des zéniths. 60 dates dans les plus grandes salles de France que Julien va utiliser pour créer un show à son image et connecter enfin avec le public.Peu à peu, il devient maître dans l'art de transmettre son énergie débordante et déchaîne les foules.2024 est l'année de son explosion : Il enchaîne les dates, remporte une victoire de la musique, sort son plus gros tube et finit par faire de l'œil aux plus gros événements — qui se l'arrachent.Il devient l'artiste le plus programmé des festivals et fait une tournée pharaonique de 40 dates en 2 mois.Dans cet épisode Julien revient sur son début de carrière mouvementé :Les meilleurs apprentissages de ses années de conservatoireLa vie dans un tourbus et les coulisses d'une tournée monumentaleSes secrets pour créer sans limiteComment 3 mois à New York l'ont fait passer dans une autre dimensionCet échange est un shot de bonnes ondes/good vibes à consommer sans modération. Julien et son énergie contagieuse prouvent qu'avec de la persévérance et une vision affirmée, on peut imposer son style, même dans un univers ultra-codifié. De quoi vous inspirer à tracer votre propre chemin, coûte que coûte.TIMELINE:00:00:00 : Comment trouver son public quand on ne rentre dans aucune case, aucun style, aucune playlist00:16:27 : Garder une vie normale quand on passe la moitié de sa semaine dans un tourbus00:23:01 : Ce que lui apportent ses 14 ans de conservatoire encore aujourd'hui00:32:21 : Comprendre le modèle économique d'un artiste en 15 minutes00:44:36 : “Mon manager est fou : il a cru en moi quand je jouais encore dans des jardins”00:51:50 : Les secrets pour durer dans le temps01:05:13 : Associer chaque période de la vie à une chanson01:13:50 : “J'ai fait mon plus gros hit en 20 minutes”01:23:24 : Se servir de chaque rencontre pour grandir01:29:58 : Comment 3 mois à New York ont changé sa vie01:43:09 : Booster sa créativité en ne s'attachant à aucun style01:57:43 : Les points de bascule de la carrière de Julien02:10:24 : Enchaîner petits miracles et petits échecs jusqu'à ce que les planètes s'alignent02:17:51 : Ses morceaux les plus sous-côtésLes anciens épisodes de GDIY mentionnés : #405 - Nicolas Santi-Weil - Ami Paris & The Kooples - “Si tu n'arrives pas à en faire un client fais-en un ami”#458 - Eddy de Pretto - Artiste - Contre vents et marées#219 - Bob Sinclar - DJ - Mélanger des sons pour faire danser les gens#439 - Amanda Sthers - Écrivaine, réalisatrice, productrice - La liberté créative : se donner les moyens de ses ambitionsNous avons parlé de :Julien Granel au concert des InvinciblesJulien Granel à L'OlympiaJean-Charles de Castelbajac x Julien GranelLes BeastieBoysSabotage des BeastieBoysL'image de Julien devant les lettres de l'OlympiaPodcast - La MartingalePodcast - Combien Ça GagneLive Aznavour Olympia“Plus fort” - Julien GranelStudio MotorbassCariage House NYC“BB danse” feat. Theophilus London (clip tourné dans la Carriage House)Les SMAC - Scènes de Musiques ActuellesLéna SituationsCollectif More Women on StageMulticolorJam - Julien GranelPress Mute - EugénieEugénie sur InstagramWagram MusicVous pouvez retrouver Julien sur sur Instagram sur Youtube et sur toutes les plateformes d'écoute. N'hésitez pas à le DM si vous trouvez sur son porte-monnaie ;)Vous souhaitez sponsoriser Génération Do It Yourself ou nous proposer un partenariat ?Contactez mon label Orso Media via ce formulaire.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pyöreän pöydän studiossa keskustelemassa Anu Koivunen, Mika Pantzar ja Juha Itkonen. Puhetta johtaa Maria Pettersson. Anu Koivunen nostaa keskusteluun Gazan tilanteen. Helsingin Sanomat uutisoi eilen (29.7.) gallup -kyselyn tuloksena, että hieman alle puolet (48 %) suomalaisista tunnustaisi Palestiinan. Vajaa neljännes vastaajista eli 24 prosenttia katsoi, että Suomen ei pitäisi tunnustaa Palestiinaa. Pitäisikö Suomen tunnustaa Palestiinan valtio? Miten te olisitte vastanneet kysymykseen ja mitä ajattelette ulkopoliittisen johdon (presidentti Alexander Stubbin) toukokuisesta toteamuksesta, että tunnustetaan sitten kun teolla on tehoa. Olemme kuulleet, että Ranska aikoo tunnustaa ja Iso-Britanniakin miettii. Mitä ajattelette meidän poliittisen johdon toiminnasta tässä asiassa? Mika Pantzar on valinnut aiheeksi Naton puolustusmenot. Nato-maat ovat sopineet puolustusmenojen nostamisesta 5 prosenttiin BKT:sta. Sopimus pitää sisällään 1.5 prosenttia kansallisesti harkittaviin investointeihin/hankkeisiin. Tämä tarkoittaa, että noin neljä miljardia euroa suunnataan "maanpuolustukseen" liittyviin menoihin. Mika pyytää ritareita ideoimaan kohteita, jotka sopisivat tähän löysään kategoriaan. Mitä te tekisitte neljällä "maanpuolustusmiljardilla"? Juha Itkonen ottaa puheeksi Jussi Pullisen Helsingin Sanomiin (27.7.) kirjoittaman kolumnin otsikolla "Journalismin tulee rikkoa sukupolvien siiloja". Pullisen mukaan Beatles, IShowSpeed (Yhdysvaltalainen striimaaja ja rap-artisti) ja sote mahtuvat kaikki uutismediaan, jonka tulisi olla eri sukupolvia yhdistävä tila. Pullinen piirtää tekstissään Suomesta kuvan poikkeuksellisen ikäsiiloutuneena yhteiskuntana. Hän viittaa kirjoituksessaan vuoden alussa julkaistuun E2 Tutkimuksen sukupolvibarometriin. Saatesanoissaan tutkimuksen tekijät kirjoittavat näin: "Suomalaisessa elämäntavassa eri sukupolvet ovat etääntyneet toisistaan. Palvelut, työelämä ja julkinen keskustelu eivät vahvista sukupolvien yhteistyötä, vaan oletuksena on pikemminkin, että ikä ominaisuutena määrittelee paitsi ihmisen tarpeita, myös esimerkiksi arvoja, voimavaroja, osallisuutta ja kiinnostuksen kohteita." Juha tiedustelee raadilta, koetteko te että näin on. Oliko ennen paremmin ja mitä asialle voisi tehdä?

Join Orpheus aboard the magical ship, the Argo, from Iolchus en route to Colchis in search of the Golden Fleece.  Jason leads the expedition, but can he keep his team of heroes and demigods united as they face untold dangers? For the full back story of the Golden Fleece, listen to our Aries episode. The constellation of Argo Navis was one of Ptolemy's 48 but now exists as a grouping of 3 constellations. Written and directed by Bibi Jacob. Sound and production by Geoff Chong. Featuring: Tercelin Kirtley as Orpheus, Ciaran Cresswell as Jason, Sophie Helsing as the Argo, Doug Rand as Heracles, David Stanley as Polydeuces and Glaucus, Kester Lovelace as Castor, Additional voices by Anton Antebi. Original guitar compositions by Fredi Shehadi: ‘Starfish' in the opening scene. ‘Sail Away' instrumental version as the Argo sails towards Lemnos and the full song with the credits: https://www.youtube.com/shorts/FPRZQJVEeXg Original guitar compositions by Tercelin Kirtley: ‘Hoffman 1968' when the Argo sets sail. ‘Solovibrato' when Orpheus is grieving Eurydice. ‘Fastest Cars' in Lemnos. ‘Fire' when they meet King Cyzicus. ‘Fragix' when Orpheus talks about his lyre. We recorded in the SACD podcast studio, Paris and the Argo was recorded in Mikaël Sundin's studio in Stockholm. Thank you Micke!

Welcome to The Times of Israel's Daily Briefing, your 20-minute audio update on what's happening in Israel, the Middle East and the Jewish world. Diplomatic correspondent Lazar Berman joins host Amanda Borschel-Dan for today's episode. Yesterday, aircraft from Israel, the United Arab Emirates and Jordan airdropped dozens of pallets of humanitarian aid in the northern and southern Gaza Strip. This morning, Israel says more than 120 truckloads of food aid were distributed by the UN and aid agencies in the Gaza Strip on the first day of a partial pause in fighting. Berman explores how Israel's currently softened position is playing out on the global stage and compares it to previous cycles in which Israel allowed more aid into the Strip. UK Prime Minister Keir Starmer is set to press US President Donald Trump on ending “the unspeakable suffering” in Gaza when they meet at the US president’s golf resort in Scotland today, according to a Downing Street spokesperson says. The meeting at Turnberry, southwestern Scotland, comes as European countries express growing alarm at the situation in Gaza. What is Trump currently saying about the war in Gaza? Foreign Ministry director general Eden Bar-Tal summoned France’s deputy ambassador Mikaël Griffon for a reprimand at ministry headquarters in Jerusalem yesterday, over French President Emmanuel Macron’s announcement last week that Paris would recognize a Palestinian state. During the dressing down, he accused France of undermining talks for a hostage release deal with Hamas, as well as future negotiations with the Palestinian Authority. Berman delves into the idea that all the pressure on Israel to end the war -- and this "prize" of a state to the Palestinian people -- could harm the ceasefire negotiations and drag out the war with an emboldened Hamas. And we ask, is the UK set to follow France's example? And finally, the home of a Chabad rabbi in Dnipro was hit during a deadly Russian missile attack on the central Ukrainian city early Saturday. We learn about the "Shabbat miracle" that saved his family and hear what is happening with the Jewish community in Ukraine as the war marks some 1250 days. Check out The Times of Israel's ongoing liveblog for more updates. For further reading: Once again, Israel tried to restrict Gaza aid. Once again, it failed miserably Trump: Israel will ‘have to make decision’ on Gaza war, images of starvation ‘terrible’ Hundreds of rabbis demand Israel stop ‘using starvation as a weapon of war’ Subscribe to The Times of Israel Daily Briefing on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts. This episode was produced by the Pod-Waves. IMAGE: An Israeli soldier stands next to a truck at the Kerem Shalom crossing between southern Israel and the Gaza Strip on July 27, 2025. (Carlos REYES / AFP)See omnystudio.com/listener for privacy information.

Welcome back to the Tales of Recovery podcast! Join us in this revealing episode as we delve into the inspiring recovery story of Mika Chait, a wellness coach who was sober by age of 17.  Mika opens up about her struggles with addiction, depression, and anxiety, shedding light on the challenges that many youths face in today's world. Discover how Mika transformed her life, navigating through a tumultuous journey of substance abuse, mental health challenges, and recovery. Her candid discussion covers the importance of self-discovery, forgiveness, and the power of support systems in overcoming adversity. This episode highlights the possibilities of recovery, offering hope and encouragement for anyone battling similar issues. Whether you're a parent, friend, or someone seeking your path to healing, Mika's story is a testament to resilience and the potential for a brighter future. Tune in and be inspired by her incredible journey. You can follow Mika on IG @coachhmikaa and message her directly for her coaching practice.     

Popular Song - MIKA

Indochine - La belle et la bête Niagara - Pendant que les champs brûlent Rori - Vérité Francis Cabrel - Encore Et Encore Hoshi - Nouveau Jour Louise Attaque - Anomalie Eddy De Pretto - LOVE'n'TENDRESSE Axel Bauer et Zazie - À ma place Zaz - Sains Et Saufs Miossec - Non Non Non Non (Je Ne Suis Plus Saoul) Vanessa Paradis - Bouquet Final Stephan Eicher - Pas d'amis comme toi Gamine - Voilà les anges Benjamin Biolay - Juste avant de tomber Les Rita Mitsouko - Y'a D'la Haine ! Mika - Elle me dit Téléphone - Un autre monde Lisa Pariente - Pas banale Dua Lipa & Pierre De Maere - These Walls Ycare - Lap Dance Lamomali & M & Yamê - Totem Helena - Mauvais Garçon Art Mengo - Les Parfums de sa vie (je l'ai tant aimée) Santa - La différence Jean-Jacques Goldman - Bonne idée Aliose - Viens la nuit Louane - Les étoiles BB Brunes - Lalalove You Christine And The Queens - La Marcheuse (Radio Edit) Patrick Coutin - J'aime regarder les filles Anaïs - Peu Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Es ist wieder Zeit für Kurwa & Krajim! In der heutigen Folge geht es um den tragischen - und bis heute ungelösten - Mord an Katarzyna Zowada. Die Krakauer Studentin wurde 1998 brutal getötet und nur zufällig wurde das herausgefunden, als sie im Fluss gefunden wurde. Mika erzählt euch, was genau im Fluss gefunden wurde und wie die Ermittlungen bis heute weiterlaufen! Wo ihr uns noch findet: https://todsicher.podcaster.de/ https://www.instagram.com/todsicherpodcast https://www.facebook.com/todsicherpodcast https://twitter.com/todsicherpod https://ko-fi.com/todsicherpodcast Quellen: https://i.pl/tag/katarzyna-zowada https://gazetakrakowska.pl/okrutne-zabojstwo-sprzed-lat-sledztwo-trudniejsze-niz-lamiglowka/ar/3486633 https://wiadomosci.wp.pl/s/kryminalne-historie/kryptonim-skora-makabryczna-historia-z-krakowa-6813096329042656a Musik von https://audiohub.de

Charlene and Kurt welcome back Patrick LeFils of Songbirds Music Company and Southern Fellow-(Artist management and media at its finest!) and this time around he brings in Mika Lynch!  Get her story and listen to her sing!  Check out the video on our YouTube channel @jeepbeach...

Karl Vaters interviews Mike Edmondson about the hot-button topics of racial segregation in the American church, why affinity spaces matter, and how the gospel defeats racism – even the racism that has sometimes been promoted within the institutional church.Mika speaks with experience, wisdom, directness, and grace, generating more light than heat.Some of what Mika and Karl talk about includes:What is segregation?What is “Hereditary Heathenism?”Why did historically black churches begin?What are “Affinity Spaces” and why do they matter?How can we think and act more biblically about issues of race?And more. Links:Text of Mika's thread from XLink to Mika's original X threadNoteBird AppTo get Bonus Content every week, click here to become a Financial Partner, or here to subscribe to the Free Weekly Newsletter.

Face à Pascal Obispo, ce 19 juin 2025, Marc-Antoine Le Bret a notamment imité Nikos Aliagas, Mika et André Manoukian. Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

It's been 500 straight weeks of recording Blueshirts Breakaway and NYR have traded Chris Kreider to ANA. The guys recap a bit of their history and react the trade. Then Shayna Goldman joins the Breakaway to discuss potential offseason moves, Mika and what now with Kreider gone. Finally the guys return after some kind words from friends and answer some 5 star questions. Learn more about your ad choices. Visit megaphone.fm/adchoices