Podcasts about hailed

Douglas Knehans is an American-Australian composer whose music has been performed, recorded, and broadcast worldwide by leading orchestras, opera companies, chamber ensembles, and distinguished soloists. Hailed by The New Yorker for its "primitive force and melodic insistence that recall Stravinsky," his music has earned international recognition through performances, recordings, broadcasts, and awards including The American Prize, ISCM World Music Days, the Kennedy Center, New Music USA, the National Endowment for the Arts, and the Australia Council for the Arts. He is the founder and Artistic Director of ABLAZE Records, and his music is distinguished by dramatic intensity, architectural clarity, expressive immediacy, and exceptional orchestral craftsmanship.https://www.facebook.com/douglas.knehanshttps://www.instagram.com/dknehanscomposer/https://www.douglasknehans.com/https://www.ablazerecords.net/https://www.thamsummit.com/Book a free discovery call with me! We can spend an hour looking at your creative career. You deserve to thrive, and your artistry matters. https://calendly.com/jennet/thmMake sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review! Thanks for joining me on Crushing Classical! Theme music by DreamVance.I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a discovery call from my website.  https://jennetingle.com/work-with-meI'm your host, Jennet Ingle. I love you all. Stay safe out there! 

This week, Brian talks with author and theologian Ross McCullough about his recent book, The Body of This Death. Hailed by Christianity Today as “an instant classic of Christian spiritual writing,” the book wraps deep theological and philosophical themes in a sci-fi mystery told through the letters of an archbishop awaiting execution. Careful to avoid major spoilers, Brian and Ross dive into the story's reflections on the importance of physical presence, human connection, and resisting digital escapism.The Body of This Death: https://bookstore.wordonfire.org/products/letters-from-the-last-archbishop-of-lancaster?srsltid=AfmBOoqXR2C50LglSQlVRnHw0kuUe-2GtTNtEsn_3CCgI8m0Vu-hRObDChristianity Today article: https://www.christianitytoday.com/2026/02/screwtape-for-our-times-body-of-this-death-review/More about Ross: https://www.georgefox.edu/honors-program/faculty-pages/ross-mccullough.htmlDr. Brian Doak is an Old Testament scholar and professor: https://www.georgefox.edu/academics/undergrad/departments/religion/faculty/doak.htmlIf you enjoy listening to the George Fox Talks podcast and would like to watch, too, check out our channel on YouTube! We also have a web page that features all of our podcasts, a sign-up for our weekly email update, and publications from the George Fox University community.

Fleadh Cheoil na hÉireann took over Belfast City Centre for over a week drawing huge crowds. The all-Ireland traditional Irish music competition and festival has been near universally hailed as an enormous success. It has been cited as having made a massive cultural, social, and economic impact on the city. How much money was made? What impact will it have on the Fleadh, and can any lessons be learned? Ciarán Dunbar is joined by Belfast Telegraph reporter, and fleadh veteran, Liam Tunney, and by Business Editor Margaret Canning. Hosted on Acast. See acast.com/privacy for more information.

In this electrifying episode, we sit down with Joe Diamond—The Midwest Mystic, America's Greatest Mind Reader, and world-record holder—for a mind-bending journey into the heart of mystery, intuition, and the unexplained.Hailed by Coast to Coast AM as America's Greatest Mind Reader and praised by Penn & Teller for performing “the kind of mentalism we like the best,” Joe Diamond has spent more than two decades transforming ordinary rooms into places of genuine wonder. A master of interactive mentalism who blends psychology, storytelling, clean comedy, and razor-sharp intuition, he has appeared on Penn & Teller: Fool Us, The Today Show, Netflix, Showtime, and countless other platforms. He's also the official Mind Reader at the haunted Maxwell Mansion in Lake Geneva, Wisconsin, and a longtime artist-in-residence at the historic (and reportedly haunted) Dole Mansion. His most astonishing feat? Solving the world's largest corn maze—blindfolded—earning him a legitimate world record.In this conversation, Joe opens up about his personal paranormal encounters and shares thoughtful, grounded perspectives on high strangeness, hauntings, psychometry, spoon bending, and the thin line between performance and the genuinely unexplained. He reflects on the nature of mystery itself, the power of intuition, and why the unknown continues to captivate us.And yes—true to form—Joe brings the impossible into the room. Prepare for live mind-reading demonstrations that will leave you questioning what's possible and asking the same question his audiences always do: How did he know?Whether you're a lifelong skeptic, a believer in the paranormal, or simply someone who loves a great story and a jaw-dropping demonstration, this episode delivers goosebumps, laughter, and a profound sense of wonder.Gear up and get freaky with official Let's Get Freaky merchandise! Our spooky-cool collection features hoodies, t-shirts, mugs, stickers, and more—perfect for showing your love of the paranormal while staying comfy and stylish. Dive into the full range now: https://tee.pub/lic/wX4lEJj3DMIGot a mind-blowing paranormal encounter, cryptid sighting, UFO experience, or any high-strangeness story that still gives you chills? We want to hear it—and we want YOU on the show! Become a guest on Let's Get Freaky and share your true story with our growing freaky community. Drop us a line at: letsgetfreakypodcast@mail.com Or slide into our DMs on socials: Facebook, Instagram, X, TikTok, or YouTube → @tcletsgetfreakypodcast.

"What I do with the high school choirs is important. I always tell them, 'I'm really just trying to convince you to do what you already know you can do, to give yourself to it, to create this big whole beautiful experience for yourselves. Then your audience is privileged to get to see what you can do.' That's the inner calling. It's using conducting, singing, and teaching to try to inspire people to connect with their music-making magic, just trying to connect people."Hailed as a “composer of energized and soulful music,” Zanaida Stewart Robles is an award-winning artist whose vibrant works have been performed worldwide by professional ensembles, community choirs, educational institutions, churches, and individuals world wide. A sought-after composer, vocalist, and educator, she blends rich harmonies, rhythmic drive, and influences from gospel and jazz to progressive rock, creating music that connects deeply with performers and audiences alike. Her works are available from MusicSpoke, E.B. Marks Music, Pavane Publishing, Oxford University Press, Gentry Publications, Hinshaw Music, and Stainer and Bell.Dr. Robles is performing arts instructor at Harvard-Westlake Upper School in Studio City, CA. She served for 2 years on the advisory board for the California Choral Directors Association as Repertoire and Resources Chair for Choral Composition. For three years, she served as chair of the board of directors for the Grammy-award-winning choral group Tonality. She also served for four years on the board of directors for the National Association of Negro Musicians.As a concert soprano soloist, studio vocalist for film and television, and professional ensemble singer, Dr. Robles has sung throughout the United States, and in parts of Europe, New Zealand, and Australia. Some of her film, television, and video game credits include “Glee,” “Godzilla,” “Star Wars: The Last Jedi,” and “Wicked.”Dr. Robles holds a Doctor of Musical Arts degree in choral music from the USC Thornton School of Music, a Master of Music degree in conducting from CSU Northridge, a Bachelor of Music degree in vocal performance from CSU Long Beach, and she is a graduate of the Los Angeles County High School for the Arts.To get in touch with Zanaida, you can visit zanaidarobles.com or find her on Facebook (@zanaida.robles) or Instagram (@zanaidastewartrobles).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

This week on End Credits we get topical. We're tackling two movies this week, one new and one old, and they both have the state of society on their minds. First up, from 1976, we will continue with our ongoing series and a satire that's still razor sharp, and for the review we will get into the latest film from a provocative filmmaker that was recently in theatres for too short a time. This Wednesday, July 29, at 3 pm, Adam A. Donaldson and Candice Lepage will discuss: 6 For '76: Network. Continuing on with our series dedicated to the movies of 1976 we come to the pièce de résistance: Sidney Lumet's Network. Hailed for the last 50 years as a stinging satire, and a prescient polemic, Network has one of the most famous scenes in movie history when Peter Finch as network news anchor Howard Beale declares, "I'm mad as hell and I'm not going to take this anymore." How does this movie still hit so hard in 2026? REVIEW: I Love Boosters (2026). It's been eight years since Boots Riley's first film, Sorry to Bother You, a stunning and star-studded debut that was bursting with ideas and a point of view. Get ready for I Love Boosters, which is also full of ideas but this time it focuses on a group of organized shoplifters - called Boosters - practicing "fashion forward filanthropy" (branding!). That's just the beginning though because the plot gets so much more complicated, and weirder, than you can possibly imagine. So the question of the hour is, do we love I Love Boosters? End Credits is on CFRU 93.3 fm and cfru.ca Wednesday at 3 pm.

Hailed by the Minneapolis Star Tribune as “the sharpest political commentator on the Twin Cities comedy scene”, Robert Baril mines the news of the day to fuel his informed, biting style of comedy.  With three albums out now (Sex and Politics, TMI, 2020) and in clubs across the country, Baril tackles all the hot button…

Hailed by the Minneapolis Star Tribune as “the sharpest political commentator on the Twin Cities comedy scene”, Robert Baril mines the news of the day to fuel his informed, biting style of comedy.  With three albums out now (Sex and Politics, TMI, 2020) and in clubs across the country, Baril tackles all the hot button…

“Either they don't know, don't show... or don't care about what's going on in the hood.” Join Ian, Liam, Kev & Megs for our 341st episode as we head to South Central Los Angeles for John Singleton's astonishing directorial debut, Boyz n the Hood (1991). Hailed as one of the defining films of the 1990s, we explore a coming-of-age story that remains as powerful, relevant, and heartbreaking today as it was over thirty years ago. This week we discuss: John Singleton's remarkable debut — just 23 years old when he directed the film. How did a first-time filmmaker produce one of the most confident American dramas of its generation? The opening statistics — the film begins with a stark warning about violence affecting young Black men. We explore the context behind those figures, how they reflected America in the early '90s, and how the picture has changed over the decades. Larry Fishburne's Furious Styles — one of cinema's greatest fathers? We discuss why his guidance remains one of the film's emotional anchors. Cuba Gooding Jr., Ice Cube and Morris Chestnut — three young men whose futures are shaped by environment, opportunity, and the choices they make. Ian breaks down the screenplay — how Singleton balances social commentary with intimate character work, allowing the message to emerge naturally from the lives of its characters. Liam explores the film's central question — to what extent are our lives determined by circumstance, and how much agency do we truly have to change our future? Megs examines the women of Boyz n the Hood — what role do they play within the story, and how effectively does the film portray the different pressures facing young women in the same community? Kev looks at the film's legacy — how Boyz n the Hood influenced generations of filmmakers, from its storytelling to its uncompromising realism. The "show versus tell" balance — despite its powerful message, does the film avoid becoming preachy by grounding every social issue in believable human relationships? The ending — devastating, inevitable, hopeful, or all three? We discuss one of the most emotionally resonant conclusions in modern American cinema. And finally, whether Boyz n the Hood is the Best Film Ever — or simply one of the most important films ever made about growing up, community, and the cycles that shape our lives. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are very thankful to the following Patreon backers for their generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Aashrey Chris Pedersen Randal Silva Nate The Great Rev Bruce Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Kicking the Seat navigates the choppy waters of Christopher Nolan's The Odyssey!The writer/director's latest destroyed box office records on its opening weekend, and is selling out round-the-clock 70MM IMAX screenings nationwide. Hailed as the cinematic event of 2026, this modern take on Odysseus' (Matt Damon) post-Trojan War tribulations is the rare film that unites critics and audiences in celebration of a must-see epic event.But according to one critic's opinion (you'll never guess whose), Nolan's film is merely evidence of the global decline in reading, reading comprehension, and layered analysis.Does that matter when evaluating a blockbuster movie? If not, why not?Join Ian and Mark as they engage with the spectacle, stakes, and stark page-to-screen differences that comprise the movie everyone is talking about! We also take your questions, comments, and SuperChats!Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow Links:Watch the Odyssey (2026) trailer.Check out Mark "The Movie Man" Krawczyk's The Spoiler Room Podcast. Ep1243: The Odyssey (2026) - Live Movie Review Kicking the Seat

Olivia Laing is known as one of the most distinctive voices in contemporary literature. Their work is renowned for its capacity to make abstract ideas feel precise, intimate, and beautifully thought through without ever talking down to the reader. Their books include the number one Sunday Times bestseller The Garden Against Time, Funny Weather: Art in an Emergency and, most recently, The Silver Book: a bewitching love story set during the making of Fellini's Casanova and Pasolini's Salò. In June 2026 Laing came to Intelligence Squared for a one-off celebration of the ten-year anniversary of their seminal work, The Lonely City. Hailed as ‘a new kind of literature' when first published, The Lonely City is both a personal quest to master the art of being alone, and an investigation into how artists have reckoned with isolation. The book asks questions that resonate in our increasingly digital and divided world. What does it mean to be lonely? How do we connect with others? Does technology draw us closer together, or keep us apart?         Laing was joined live at Union Chapel in London by Charlie Porter, as they reflected on the legacy of The Lonely City, the paperback publication of The Silver Book and what loneliness, intimacy, solidarity and connection mean in a world of rising fascism. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Chris van Voorst van Beest is an American bassist and composer who grew up in Maine and lives in Brooklyn, NY. Hailed as "a double bassist with an exceptional ability to improvise," (Erminio Garotta - Sound & Vision) Chris has been fortunate to have performed and/or recorded with artists as diverse as Frank Kimbrough, Robert Glasper, Gabriel Kahane, and Joe Lovano. Known for his big sound and lyrical bass lines, Chris has emerged as a unique voice within New York's jazz and improvised music community, playing as a sideman in a variety of ensembles, leading his own trio, and writing original music; most recently releasing his debut record as a leader "Bye Design" (Adhyaropa Records). Also a frequent multi-genre collaborator, Chris has composed and performed incidental music for dance (Nest, w/ choreographer Kelly Ashton Todd), chamber music for a book (The Lamplighter), and is currently co-producing a record of Americana songs, to be released in early 2025.As a writer, Chris is as much informed by a deep love of classical composers as he is by his heroes of jazz and popular music. Writing music for both improvisation and 'classical' settings, a listener can hear the influences spill into one another, evident in his most recent work Quintet for Winds (see Chamber Music page), which draws as much inspiration from the lush harmonies of Duke Ellington as it does the lively rhythms of Darius Milhaud. In 2017, Chris created his own chamber project Miniatures and Improvisations, putting together concerts that featured a broad program of short pieces for chamber trio, each work immediately followed by the musical response of an improvising trio, exploring the dialogue between the written and the unknown. Chris was awarded a Dutch grant for composition in 2010 to compose music for a children's story (The Lamplighter) and has been nominated three times for the Charles Ives Arts and Letters award.Support the show

The latest Scots Whay Hae! podcast is the third of our Edinburgh Fringe Festival Previews, where Ali talks to a few of the artists who will be appearing at the festival this year.First of all, he spoke to writer and director Dante Passarelli about The Last Drop which is part of the São Paulo Showcase and which was nominated for Brazil's 2024 Shell Award for Best Playwriting. In the play, “A couple awaits a real estate agent to visit their historic but decayed apartment. A mould stain appears on the ceiling, revealing an unstoppable leak. A man is then called in to fix the ceiling but abruptly disappears.”Then performers, and directors, of One Fell Swoop Circus Jonathan Morgan and Charice Rust talk about their Fringe show By a Thread which “weaves virtuosic acrobatics through moments of confusion, hilarity, romance, playfulness, fear and friendship, uncovering the threads of connection present in all relationships.”Finally, from the Ballet National Folklorique du Luxembourg, Simone Mousset and the great man himself, M. Chevalier, discuss The Great Chevalier which they bring to this year's Edinburgh Fringe. “Hailed as the Bad Boy of Folklore and renowned for his expertise, bold artistic vision, and magnetic stage presence, Mr Chevalier pays tribute to Summerhall as part of the 50th anniversary of the company's iconic Pigeon Dance.”Thanks to Ambrose, Agnes and Calum from Storytelling PR for arranging these interviews.For full details, and all the ways to listen, head over the scotswhayhae.com

Olivia Laing is known as one of the most distinctive voices in contemporary literature. Their work is renowned for its capacity to make abstract ideas feel precise, intimate, and beautifully thought through without ever talking down to the reader. Their books include the number one Sunday Times bestseller The Garden Against Time, Funny Weather: Art in an Emergency and, most recently, The Silver Book: a bewitching love story set during the making of Fellini's Casanova and Pasolini's Salò. In June 2026 Laing came to Intelligence Squared for a one-off celebration of the ten-year anniversary of their seminal work, The Lonely City. Hailed as ‘a new kind of literature' when first published, The Lonely City is both a personal quest to master the art of being alone, and an investigation into how artists have reckoned with isolation. The book asks questions that resonate in our increasingly digital and divided world. What does it mean to be lonely? How do we connect with others? Does technology draw us closer together, or keep us apart?         Laing was joined live at Union Chapel in London by Charlie Porter, as they reflected on the legacy of The Lonely City, the paperback publication of The Silver Book and what loneliness, intimacy, solidarity and connection mean in a world of rising fascism. --- This is the first instalment of a two-part episode. If you'd like to become a Member and get access to all our full ad free conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mary Kissel discusses NATO's decision to reinforce Ukraine with advanced drone technology and Patriot missile manufacturing. Ukraine is hailed as the "future of warfare," transitioning from a security consumer to a security contributor. Kissel emphasizes the need for the US to counter Russian propaganda. (6)1903

Performance and Works used with permission from the artist and venue. Hailed by Stereophile Magazine for "sound[ing] like the 21st-century grandchildren of JJ Johnson and Kai Winding" and praised by the International Trombone Associations Journal for his "virtuosity [and] melodic and harmonic mastery," Altin Sencalar is in high demand across the country as a performer, educator, and composer. We caught Altin on tour in support of his 2025 release 'Unleashed'. Featuring Altin on Trombone, Matt Twaddle on Piano, Leland Nelson on Bass and Sofia Goodman on Drums, and from a May 24th, 2025 performance, it's Altin Sencalar– Live at the Bop Stop.

Clare's defensive stability has been hailed as a key factor behind their qualification for the All Ireland Camogie Quarter Final. A five point defeat of Offaly will see Clare contest back to back last six ties. The Banner overturned a two point half time deficit, conceding just two points in the second half in doing so. Clare FM analyst Ann Marie McGann says the backline have been in great form all season.

In the second mini episode it's Highlander II: The Quickening! Hailed as one of the worst movies ever made, will the boys agree or maybe discuss this misunderstood MASTERPIECE

For our 200th episode of In My Humble Opinion, we're bringing it back to where it all started.Dante Higgins was the very first guest to sit down with us, and now he returns alongside producer and songwriter Mark Byrd for a full circle conversation about growth, artistry, and Houston hip hop.Hailed by the Houston Press as "Houston's underappreciated man of the people," Higgins has spent more than a decade building a reputation as one of the city's most respected lyricists, known for his introspective storytelling and vivid portrayals of life on Houston's Southside. Throughout his career, he has collaborated with artists including Paul Wall, Propain, Doughbeezy, Tawn P, M.A.C., and MC Beezy while carving out a lane rooted in authenticity and substance. (Houston Press)Joining him is Mark Byrd, a Grammy nominated producer and songwriter whose résumé includes work alongside Kanye West, Dr. Dre, Lil Wayne, 2 Chainz, Big K.R.I.T., CyHi, and Jeremih. Together, the duo discusses why regional identity still matters in rap, the intentional process behind their upcoming project, Southside of the Astrodome, and how years of studying the craft have shaped their approach to making music.It's a fitting way to celebrate 200 episodes: reconnecting with the artist who helped launch this journey and highlighting a creative partnership that is producing some of Houston's most thoughtful and intentional music.

Mamdani hailed as a Socialist Kingmaker! Plus, Trump just threw a grenade into his own party, James Carville calls out democratic establishment, DC reflection pool is beautiful.

As England kick off their World Cup campaign tonight, one man will be impossible to ignore: FIFA president Gianni Infantino. Hailed by supporters as the man who transformed football's governing body and accused by critics of chasing power and influence, he's become one of the most powerful figures in global sport. But who is the man at the centre of football's biggest stage?This podcast was brought to you thanks to the support of readers of The Times and The Sunday Times. Subscribe today: http://thetimes.com/thestoryGuest: Martyn Ziegler chief sports reporter, The Times.Host: Luke Jones.Producers: Dave Creasey and Edward Drummond.We want to hear from you - email: thestory@thetimes.comRead more: The ruthless rise of Gianni Infantino and his Fifa money machineFurther listening: The GameClips: BBC News, FIFA, Sky News, Channel 4 News, Fox News, CNN.Image: Getty Images.This podcast was brought to you thanks to subscribers of The Times and The Sunday Times. To enjoy unlimited digital access to all our journalism subscribe here. Hosted on Acast. See acast.com/privacy for more information.

Born and raised in Newport, Rhode Island, Sid Abruzzi came to surfing and skateboarding in the early 1960s. In 1969, 18-year-old Abbruzzi drove down to New Jersey to buy a few Rick single-fins, as surfboards were hard to come by in Rhode Island back then. He swiftly sold the boards, then sold another batch, and found a liking for this buying and selling business. In 1971, Abbruzzi opened Water Brothers Surf and Skate, which became the hub of surf-skate culture in Rhode Island. And in the spirit of "If you build it, they will come," the various quarterpipes, halfpipes, and full-scale skateparks that Abbruzzi spearheaded attracted the world's greatest skateboarders.  Hailed as the "Godfather of New England surfing," Abbruzzi is a regular at Ruggles, the fabled reef break along the scenic Newport Cliff Walk. When it became endangered, he stepped up as the spot's most vocal advocate, fighting the good fight—and winning.  Abbruzzi is a punk rocker. In 1981, he, his brother, and some friends started the band Big World. Abbruzzi was the lead singer. He threw body and blood into the shows. Big World opened for Iggy Pop, The Tubes, and Johnny Thunders, among others. Abbruzzi is the subject of Water Brother: The Sid Abbruzzi Story, a 2024 feature documentary. Now 74, Abbruzzi lives with his wife Danielle not far from the break where he first rode his first waves some 60-plus years ago. In this episode of Soundings, Abbruzzi talks with Jamie Brisick about the founding of Water Brothers, the commitment of cold water surfing, building his legendary skatepark, playing music, and shaping New England's surf and skate scene for over half a century. Presented by Rainbow® Sandals Produced by Jonathan Shifflett. Music by PazKa (Aska Matsumiya & Paz Lenchantin). Become a TSJ member at surfersjournal.com

TODAY on the GWA Podcast is the esteemed painter Joan Snyder. Hailed for her large-scale gestural canvases that pulsate with colour, line and text, and are often layered with, buried in, or imploded with images of flowers, faces, or bodies, Snyder's all-encompassing works are nothing but electric. Sometimes large scale, with brushstrokes that populate the canvas like gemstones or musical scores with a whole range of keys: look at Snyder's work for a while, and it's like whole worlds emerge. Simultaneously soft but violent, beautiful yet aggressive, her works can evoke every season of emotion, just as she once wrote in her journal in 1972: "The strokes in my painting speak of my life and experiences. They are sometimes soft, they sometimes laugh, and are often violent. They bleed and cry. I speak of love and anguish, of fear, and mostly of hope." Born in 1940, Snyder came to art not straight away, but by chance during her studies at Rutgers University, when she was studying sociology in preparation for a career in social work. But it was under the mentorship of Billy Prichard that she pivoted to art, showing just how important teachers can be. Today we meet Joan in her Brooklyn studio, where she remains one of the legendary artists of her time. A recipient of a MacArthur Fellowship and an American Academy of Arts and Letters Award, and in museum collections all over the world, Snyder, at 85 – nearly 86 – is painting more than ever and this summer, will take to Paris for her upcoming show, Earthsongs at Thaddaeus Ropac Paris, and I cannot wait to find out more. Joan Snyder: Earthsongs opens 6 June at Thaddeus Ropac Paris https://ropac.net/exhibitions/796-joan-snyder-earthsongs/ THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: www.famm.com/en/ www.instagram.com/famm_mougins // www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Tory Pope Co-produced with Molly LaFosse Music by Ben Wetherfield

Opera sensation Danielle de Niese charts her rise to worldwide fame as the daughter of Sri Lankan Burgher immigrants to first Australia and then America. Debuting at the Met as a 19 year-old Barbarina in Mozart's The Marriage of Figaro, she has gone to star in opera houses around the world, including at Glyndebourne, where she now lives with her husband. Hailed as "Opera's Coolest Soprano" by the New York Times in 2009, de Niese takes us behind the scenes of her success and offers insights into her art, as she embarks on her first directorial role. 

Hello and welcome to The Rob Burgess Show. I am, of course, your host, Rob Burgess. On this our 299th episode, our guest is Julie Cruse. Hailed as “pioneer of computational choreography” by Dance Magazine, Julie Cruse is a writer, inventor, instructional designer, content strategist and former academic with an MFA and MA. Spanning two decades, her educational innovations have served four Ivy League, four public and two community colleges. Her distinctions include 30-plus grants and honors, a National Science Foundation fellowship and recognition as Outstanding Alumni in Innovation. A first-generation student and creator of VICKi™(patent-pending), the world's first choreographic software, Cruse has turned her own story into a movement for transparency and survivor solidarity through AcademicAbuse.com. Her new book, “The Burn List: A Memoir of Abuse from Home to Higher Education” was published in March. Follow me on Bluesky: bsky.app/profile/robaburg.bsky.social Follow me on Mastodon: newsie.social/@therobburgessshow Check out my Linktree: linktr.ee/therobburgessshow Subscribe to my Substack: therobburgessshow.substack.com/

Hailed by many as the greatest film ever made, Citizen Kane was the debut feature from Orson Welles and featured many of his colleagues from the Mercury Theatre productions of Broadway and radio. We'll hear Mr. Welles and his co-stars in radio thrillers: Ray Collins in "Marry for Murder" (originally aired on CBS on September 9, 1943); Welles in "Lazarus Walks" (AFRS rebroadcast from October 19, 1943); Joseph Cotten in "You'll Never See Me Again" (originally aired on CBS on September 14, 1944); George Coulouris in "The Long Shot" (AFRS rebroadcast from January 31, 1946); Agnes Moorehead in "The Evil of Adelaide Winters" (originally aired on CBS on September 10, 1951); and Everett Sloane in "Alibi" (AFRS rebroadcast from July 7, 1957).

The three victims killed in a shooting at a San Diego mosque are hailed as heroes for calliing 911 and protecting more than 100 children inside. A potentially drunk New York City driver kills two in violent chain-reaction crash. Two Americans arrested in Japan for breaking into enclosure baby "Punch" calls home. Sydney Silvagni reports. See omnystudio.com/listener for privacy information.

Did This Far-Left Group Secretly Fund Right-Wing Extremists? (ft. Miranda Devine, Kayce Smith, & Bryan Hubbard)Story 1: For years, the Left has touted white supremacy as the greatest threat to America. It turns out they may have been the ones creating it. NY Post Columnist & Host of ‘Pod Force One' Miranda Devine joins Will to examine the paper trail behind the Southern Poverty Law Center's (SPLC) indictment, which allegedly shows them moving millions of dollars into the pockets of the very groups they claim to oppose.Story 2: Ric Flair claims to have beaten Wilt Chamberlain's “body count” record, but do the numbers add up? Barstool's Kayce Smith helps Will & The Crew do the math, before previewing the first night of the NFL Draft.Story 3: Hailed as a “miracle drug” by some, Ibogaine has an uncanny ability to either reduce or completely eliminate opioid withdrawal symptoms in 80% of patients, so why has it been illegal since the 70s? CEO of Americans for Ibogaine Bryan Hubbard sits down with Will to break down Ibogaine's legal history and medical applications in the wake of President Donald Trump's announcement regarding the drug.Subscribe to ‘Will Cain Country' on YouTube here: ⁠⁠⁠⁠⁠Watch Will Cain Country!⁠⁠⁠Follow ‘Will Cain Country' on X (⁠⁠⁠@willcainshow⁠⁠⁠), Instagram (⁠⁠⁠@willcainshow⁠⁠⁠), TikTok (⁠⁠⁠@willcainshow⁠⁠⁠), and Facebook (⁠⁠⁠@silicanes⁠⁠⁠)Follow Will on X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@WillCain⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode Notes **Did you know you can support my podcast for as little as $1 a month? You can do that by heading over to my Patreon HERE!!  My guest this week is Eddie Barbash. Hailed by Jon Batiste as "one of the world's most important saxophonists," Eddie Barbash was a founding member of the house band for the Late Show With Stephen Colbert and currently tours the world with Cory Wong and the Wongnotes. His unmistakable sound is featured on the Oscar and Grammy-winning soundtrack of Soul. He has performed at venues ranging from Carnegie Hall to Madison Square Garden to the Village Vanguard and has headlined both the Newport Jazz and Folk Festivals, the New Orleans Jazz and Heritage Festival, and the Umbria Jazz Festival. Barbash's versatile sound has led him to collaborate with musicians in many styles. At 18 he joined the sextet of legendary jazz drummer Chico Hamilton and the quintet of emerging jazz star Jon Batiste. In his 20's he fell in love with American traditional music and began touring with bluegrass phenom Sierra Hull. He's a frequent guest with funk band Vulfpeck and indie rocker Sam Evian. In 2016 he performed a duet on national TV with Yo-Yo Ma and in 2024 he performed the world premier of "Songs Of Nature," a concerto for saxophone and choir by Pulitzer Prize winning composer Paul Moravec. Eddie has a new album out called “Larkspur” where he plays fiddle and old time tunes solo on saxophone. And it is awesome! For more about Eddie, including his store, his tour dates, and social links, head HERE! Link for Irish Sessions called Foinn Seisiun Irish Sessions.  ​  Songs featured in this episode: All songs featured in this episode are from Eddie's new album “Larkspur” As Always a HUGE thank you to all of my sponsor's that make this podcast possible each week! Mandolin Cafe Peghead Nation promo code mandolinbeer Northfiled Mandolins Ear Trumpet Labs Ellis Mandolins Pava Mandolins Tone Slabs Elderly Instruments String Joy Strings promo code mandolinbeer Tone Traveller**

Hailed as one of the greatest clowns of all time. Avner's performances defy the barriers of language and culture, making him a global theatrical barnstormer.

The ceasefire deal between the U.S., Israel, and Iran is already showing signs of fraying. Avi Salzman from Barron’s tells us there’s little sign of movement in the Strait of Hormuz. Wisconsin voters passed a first-of-its-kind law restricting future data centers. Politico’s Tyler Katzenberger explains what the referendum says about how some voters feel about the AI boom. Golf’s most prestigious tournament, the Masters, starts today. The Athletic’s Brody Miller joins to discuss the field — and why Tiger Woods’s absence carries extra weight this year. Plus, the Justice Department says former Attorney General Pam Bondi won’t testify before the House regarding the Epstein files, last month was the hottest March in the U.S. on record, and the massive monument erected in honor of a land-mine-sniffing rat. Today’s episode was hosted by Cecilia Lei.

The deployment of state-of-the-art vehicle-moving technology at Shannon Airport is being hailed as a "huge move forward" for safety at the facility. The Clare base has become the first airport in Ireland to have a First-Mover R-3500 electric vehicle-moving system. The device will allow the airport, 50% of the fleet of which is now electrified, to move electric vehicles in the event that they break down or go on fire. Deputy Chief Officer of Shannon's Airport Police Fire Service, Mark Browne, says it'll allow staff to relocate EVs without creating an unnecessary fire hazard.

Hailed for her impeccable attention to finessing low-end, Jaclyn Sanchez is bringing analog back into the mix. Nicknamed Jackie BOOM by legendary drummer Steve Jordan during a Bettye LaVette session for her energetic, present demeanor, the alias captures her ability to fuse analog depth with pop clarity for a sonic experience that hits like a record. She has worked with music icons including Lauryn Hill, Anderson .Paak, Robert Glasper, and Common. Her credits include a Grammy Award for Album of the Year with Jon Batiste, a Grammy nomination for her work with H.E.R., and a Latin Grammy win with Cultura Profética. Beyond the studio, Jaclyn advocates for community through authentic sharing of personal and professional experience. In 2025, Jaclyn served as Production Manager opening Blue Note Los Angeles, and now runs Casa Lily in the heart of Hollywood today.   Hosted by: Katie Maifeld and Brianna Cofield Executive Producers: Karrie Keyes, Beckie Campbell, and Susan Kost Edited by: Yiran Chen Music by: Jess Fenton (https://www.jessfenton.com/) Admin by: Kanika Khanna The SoundGirls Podcast is presented by soundgirls.org 

Global media executive and #1 bestselling author Adam Torres has garnered 25 million+ views as the Mission Matters powerhouse host. As a "Top 2%" Podcast Futurist out of 4 million global podcasts, his show series is available in 180 countries. Hailed as "The New Larry King," Torres creates a warm, engaging, and insightful platform for his guests, which include world leaders, C-suite executives, celebrities, world-class athletes, and top influencers. He has been featured in Forbes, Yahoo! Finance, CBS, and Fox Business. Adam Torres ushers in a new, fresh, and exciting chapter in the history of new media.   Summary:   This episode is a masterclass for anyone curious about podcasting — whether you're thinking of starting, already a few episodes in, or wondering if the space is too crowded. Adam makes a compelling case that podcasting is barely in its infancy, why mission-driven creators are positioned to win big, and how AI is changing the game for long-term content builders. He also shares the three monetization strategies that actually worked for him, the "Goldilocks Rule" of designing a sustainable show, and why the number one secret to a top-ranked podcast has nothing to do with audio quality.   Key Takeaways:   - Anyone can start — and start messy. - Design a system, not a schedule. - Longevity is the real ranking algorithm. - Podcasting is still in year one. - The three real monetization paths. - Your catalog is your moat. - Imperfection builds connection. - Podcasters are the new historians.   Episode Chapters:   0:00 Cold open — Adam's vision of podcasting for life 1:04 Welcome & guest introduction 2:00 Why podcasting is the new gold mine of media 2:40 Adam's origin story — from finance to media 5:00 The pivot: a mentor says "write a book" 7:25 How Mission Matters was born (and why Adam almost said no) 9:38 The Oprah model — designing a CEO-meets-creator lifestyle 10:45 Reality check: podcasting is a 5+ year commitment 11:25 What to think about before building your show 12:05 The Goldilocks Rule of podcasting sustainability 13:45 Why Adam plans to podcast into his 100s 15:00 Designing a show you can do "in your sleep" 16:50 Building in buffers and production systems 19:17 Why interview shows energize (not drain) the host 20:00 The truck-stop interview — embracing imperfection 22:32 What actually makes a top-ranked podcast 23:00 Compounding content: why your catalog is your asset 25:00 AI search and why you can't fake a back catalog 27:10 Sponsor break 27:36 What Adam is working on now + why he wrote 1 Billion Podcasts 29:30 The case: podcasting hasn't even started yet 30:45 Dynamic advertising and the YouTube parallel 32:30 Generational wealth through podcasting 32:47 The three monetization strategies that worked 33:45 What inspires Adam 34:30 Adam's legacy: launching a million storytellers 36:00 Why podcasters are the new historians 36:30 Where to find Adam + get the free book 37:16 Closing & outro

John 1:6-8You might like to get some copies of The Lightning-Fast Field Guide to the Bible for yourself and for others - here's a link that gets TMBH a little kickback: https://amzn.to/4pEYSS9Thanks to everyone who supports TMBH at patreon.com/thetmbhpodcastYou're the reason we can all do this together!Discuss the episode hereMusic by Jeff Foote

The additional of a new €350,000 emergency tender fire appliance to Clare County Fire and Rescue Service's fleet is being hailed as a strong vote of confidence from the Government. The vehicle will be permanently based at Ennis Fire Station and will assist members in responding to road traffic collisions, road hazards, river rescues and hazardous materials incidents. The station currently boasts two Class B fire appliances, a Bronto aerial rescue vehicle a water tanker and a four-wheel-drive van. The new appliance has been funded by the Department of Housing, Local Government and Heritage, and Clare County Chief Fire Officer Adrian Kelly says it significantly bolsters their resources.

Join Alex in a solo episode as he explores the more overt mother obsession themes in Hitchcock's Psycho (1960). The film released two years after Hitchcock's Vertigo, which had subtler mother obsession themes. In this film, which stars Janet Leigh as Marion Crane and Anthony Perkins as Norman Bates, Hitchcock specifically smacks the audience over the head with the overt Oedipal complex and Freudian themes. Hailed as a masterpiece in its own right, Psycho is considered to be Hitchcock's first horror movie, with a insane lasting cultural impact, the least of which the shrieking violins. The discussion is split into two broad parts: the first explores the Freudian themes in a historical context, as a sort of companion follow-up to the previous episode on Vertigo, and the second part latches onto the psychiatrist's monologue at the end the film as a closer interpretation to what a modern clinical psychologist might assess and analyze within the context of the film's plot. Have a listen to this episode, but be sure Mother doesn't catch you! If you like this content, you might like my new Audible audiobook/course, A Psychologist Goes to the Movies, available now! It features six films that have been on this show, condensed into 25-30 min essays, researched and analyzed. Please leave your feedback on this post, the main site (cinemapsychpod.swanpsych.com), on Facebook (@CinPsyPod), or Threads/Instagram (@cinemapsych_podcast). We'd love to hear from you! Don't forget to check out our Paypal link to contribute to this podcast and keep the lights on! Don't forget to check out our MERCH STORE for some great merch with our logo and other designs! Legal stuff: 1. All film clips are used under Section 107 of Title 17 U.S.C. (fair use; no copyright infringement is intended). 2. Intro and outro music by half.cool ("Gemini"). Used under license. 3. Film reel sound effect by bone666138. Used under license CC-BY 3.0. Episode Transcription Go to this link to read a transcript generated by Whisper AI Large V3 Model. Disclaimer: It is not edited and may contain errors!

With Oscar season upon us, Mike and Jay revisit one of the most debated Best Picture winners of the modern era: Crash (2004), Paul Haggis's ensemble drama about race, prejudice, and the tangled moral collisions of Los Angeles. Hailed in 2005 as urgent and important, and dismissed just as quickly in the years since as heavy-handed and self-congratulatory, Crash now lands in a cultural moment where its subject matter isn't theory or metaphor, but headline news. Did the Academy get it right, or is this prestige cinema that mistakes volume for insight? After the main review, the guys count down their Bottom Five Stereotypes, spotlighting the most tired, reductive character shortcuts Hollywood keeps pulling from the shelf. Then it's time for a round of Kick Two, Pick Two celebrating the career of Robert Duvall, before the long-awaited reveal of the listener poll results that will determine which Dueling Double Bills Mike and Jay will be forced to endure for the next episode. And the award for white-guy concern teetering on virtue-signaling goes to... Filmjitsu!

Dame Tracey Emin is BACK on The GWA Podcast! Hailed for her paintings, videos, textiles, neons, writing, sculptures, installations, and now, her extraordinary work as an educator, raising the next generation of artists at TKE Studios in Margate, right by where we are recording today – Emin has been at the forefront of art for more than four decades. Born in Croydon, and raised in Margate with her twin brother Paul, Emin had a complex child- and teenagehood, which she details in her part-memoir, Strangeland – as well as in works such as Why I Never Became a Dancer or Mad Tracey From Margate. Officially leaving school aged 15, Emin went to Maidstone College of Art, and onto the Royal College – where she won over her interviewees with her impressive sketch book selection. In 1993, she kept a shop in Brick Lane, titled “The Shop”, which ended with a party on her 30th birthday, and that year had her first exhibition – at a then-new gallery called White Cube. On view were objects she had collected over the years – from teenage diaries to toys, paintings, drawings and unsent letters. She titled it My Major Retrospective, just in case she never had another show. However, this was just the start. Emin has since exhibited all over the world – most recently the Yale Center for British Art, where I saw her work a floor above JMW Turner, getting me to realise the painterly relationship between the two artists – despite working 250 years apart – from how Emin plays with moods akin to his stormy weathers, to how the bodies in her paintings evoke his mountainous landscapes, with vein-like rivers. As well as Palazzo Strozzi, highlighting Emin's relationship to the history and iconography in Italian art – such as life, death and the crucifixion, to the decay of the body and enlightenment through spiritual (and sexual) quests. It challenged the city's history, revealing the rawness of a woman's perspective in a culture that so rarely addressed it. Now, we meet in Margate on the occasion of the largest – and perhaps the most important – exhibition in her life so far, “A Second Life” opening at Tate Modern on 27 February, in the very city where her artistic life thrived. But it's also a show taking place after monumental personal shifts, such as her mother's passing in 2016, surviving cancer in 2020, the opening of her free studio-based art school in 2023, but also when the world couldn't be more excited for Emin. She has said of this show to be a “true celebration of living” and I can't wait to find out more…

Your Children Aren’t Here to Be Fixed, They’re Here to Wake You Up What if every argument with your child, every slammed door, every moment of frustration has nothing to do with them and everything to do with a wound you never healed? It’s a confronting question. And for most parents, the instinct is to reject it immediately. But in this powerful conversation with Dr. Shefali, the founder of the Conscious Parenting movement, she reveals a truth that could transform not just the way you parent, but the way you understand every relationship in your life: your children are not the problem. They are the mirror. The Zombie Epidemic in Modern Parenting “Most people are so-called zombie-like, moving through life in reactivity,” Dr. Shefali explains. “Not aware that they can get into the driver’s seat and begin to mandate their reactions.” As a clinical psychologist with a doctorate from Columbia University and three New York Times bestselling books, Dr. Shefali has spent decades studying a pattern that plays out in homes across the world. Parents unconsciously project their unresolved pain, unmet needs, and unfulfilled dreams onto their children without ever realising it. And that unchecked authority goes completely unsupervised. The result? We cast our children into roles they never chose. We write the movie, direct the scenes, and expect everyone to follow the script. Then when our children resist, we label them as difficult. When they defy us, we feel rejected. But they’re not rejecting us. They’re rejecting the role we assigned them. Your Triggers Are the Gift Dr. Shefali offers a framework that flips everything on its head. Rather than assuming your reaction to your child’s behaviour is justified, start with the presumption that you have projected your own wounds onto the situation. Then prove to yourself that you haven’t. She uses the example of a child hiding a C grade from their parent. The instinct is anger, disappointment, even betrayal. But when you pause and trace that reaction to its root, you often discover an old wound around shame, unworthiness, or fear of failure that was planted decades ago during your own childhood. “The triggers are the gifts that help you turn around and look within,” she says. “They show you where you’re not yet free.” This is the essential inner work. And it doesn’t just transform parenting. It breaks the cycle of generational trauma that quietly passes from one family to the next. Social Media: The Red Flag Parents Can’t Ignore The conversation takes an urgent turn when Dr. Shefali addresses social media’s impact on young people. She doesn’t soften her words, comparing unrestricted access for children to handing them drugs or alcohol. She highlights the alarming rise in anxiety, self-harm, eating disorders, and isolation among teenagers, driven by a digital world built on comparison, perfectionism, and curated reality. She applauds Australia’s legislation restricting social media for children under 16, and urges parents to treat screen time as a red flag behaviour that demands firm, non-negotiable boundaries. Three Truths Every Parent Needs to Hear Dr. Shefali closes with three uncomfortable truths. First, your children are here to show you where you haven’t healed. Second, every moment of reactivity towards your child is a wake-up call to unresolved pain within you. And third, your child is not here to fulfil your expectations. They are here to live their own life and their own destiny. See Dr. Shefali Live in Australia, March 2026 Dr. Shefali is bringing her transformative teachings to Australia for two powerful live events. Hailed by Oprah as “revolutionary” and the “best child expert,” she is a 3-time New York Times bestselling author, clinical psychologist, and pioneer of the Conscious Parenting movement who has trained over 1,200 coaches worldwide. This event is for everyone, not just parents. Whether you’re a mother, father, leader, teacher, or simply someone seeking healing and direction, this experience will help you reconnect with your true self and break free from outdated patterns, expectations, and emotional pain. Melbourne | Palais Theatre | Wednesday, 11 March 2026 Sydney | State Theatre | Thursday, 12 March 2026 Tickets are limited. Book now at events.drshefali.com/australia Watch the full conversation on YouTube. Find Out More About Dr. Shefali Website: drshefali.com Follow on Instagram: @doctorshefali Book: The Parenting Map

A special docket aimed at reducing a backlog of low-level offenses in Chittenden County has cleared just over 700 cases. The governor is pushing to expand the initiative to other counties.

Jane Fonda was so beloved that she was once named the fourth most admired woman in the world. She was also so hated that her face was used for target practice in urinals at military bases across the country. This all stemmed from a ten-day tour she took of North Vietnam in 1972: a trip that would forever cement her as either a patriot or a traitor in the eyes of a divided nation and would put her in the crosshairs of the President of the United States. This episode contains themes that may be disturbing to some listeners, including eating disorders and suicide. If you're thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

Jane Fonda was so beloved that she was once named the fourth most admired woman in the world. She was also so hated that her face was used for target practice in urinals at military bases across the country. This all stemmed from a ten-day tour she took of North Vietnam in 1972: a trip that would forever cement her as either a patriot or a traitor in the eyes of a divided nation and would put her in the crosshairs of the President of the United States. This episode contains themes that may be disturbing to some listeners, including eating disorders and suicide. If you're thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

EPYSODE 67: "Would You Believe", by Billy Nicholls. Guest: Billy Nicholls. Additional commentary by Uncle Herff. This week we present one of the most beautiful and bittersweet stories in 1960s British pop: Billy Nicholls' legendary 1968 album Would You Believe. Hailed by critics, this shimmering psych-pop masterpiece was shelved before its proper release and went on to become one of the rarest and most sought-after records in the collector world. We explore the album's lush orchestration, studio craftsmanship, and the influence of the Immediate Records scene, including the key roles played by producer Andrew Loog Oldham and some of Billy's famous musician friends. We discuss the label troubles, industry upheavals, and twists of fate that kept this stunning record in the shadows for decades. Plus a great story of how a Beatle helped kickstart Billy's career! Whether you're a long-time admirer of this wonderful album or discovering it for the first time, this epysode unpacks the music, the myth, and the enduring magic that transformed a once-lost LP into a psych-pop holy grail. I hope you dig "Would You Believe" as much as I do. - Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinylrelics/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X @VinylRelicsPod Email me @ ⁠farmerjohnmusic@gmail.com⁠ ===LINKS=== Check out Billy's albums and other merchandise here: https://www.billynicholls.com   ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured: *denotes track is not available on Spotify. https://open.spotify.com/playlist/1WPmas1G4PACpC7Jy8VdEm?si=4a4261f398e545e3 *RELATIVELY CLEAN RIVERS "The Persian Caravan" THE SQUADRONAIRES “Cement Mixer” JOE BROWN “See You In My Dreams” EDDIE COCHRAN “Summertime Blues” THE EVERLY BROTHERS “When Will I Be Loved” BUDDY HOLLY “Crying, Waiting, Hoping” *BILLY NICHOLLS “Cut And Come Again” (demo) DEL SHANNON “Cut And Come Again” BILLY NICHOLLS “Would You Believe” BILLY NICHOLLS "Come Again" BILLY NICHOLLS "Life Is Short" BILLY NICHOLLS "Feeling Easy" BILLY NICHOLLS "Daytime Girl" BILLY NICHOLLS "Daytime Girl (Coda)" BILLY NICHOLLS "London Social Degree" BILLY NICHOLLS "Portobello Road" BILLY NICHOLLS "Question Mark" BILLY NICHOLLS "Being Happy" BILLY NICHOLLS "Girl From New York" BILLY NICHOLLS "It Brings Me Down" BILLY NICHOLLS “Kew” BILLY NICHOLLS “White Lightning” WHITE HORSE “Give It Up” WHITE HORSE “Can't Stop Loving You” PETE TOWNSHEND “Forever's No Time At All” BILLY NICHOLLS “Under One Banner” MORGAN “Flying High” ??MYSTERY ARTIST?? Tune in next week to find out... NEWPORT ELECTRIC "Written In The Cards" ^^That's my band. Shameless self-promotion!! Learn more about your ad choices. Visit megaphone.fm/adchoices

A woman who alleged that she was brutally assaulted by her ex-boyfriend last year recounted in a London court how her friend Barron Trump unexpectedly came to her rescue after she managed to contact him during the attackSee omnystudio.com/listener for privacy information.

THE DEATH OF A RANGER AND THE CREATION OF A HERO Colleague Professor Robert G. Parkinson. Michael Cresap marched his riflemen from the frontier to Boston in 1775, where the press hailed them as "secret weapons" against the British. However, these troops proved undisciplined, and Washington privately wished they had not come. Suffering likely from malaria, Cresap fell ill and died in a New York City boarding house in October 1775. Despite being a stranger, New York patriots gave Cresap a massive, lavish funeral at Trinity Church to rally support for the cause. The revolution transformed Cresap from a frontier instigator into a celebrated American patriot. NUMBER 5

Banafsheh Sayyad is a master sacred dancer and visionary spiritual embodiment teacher whose  forthcoming book, Dance of Oneness (Sounds True, March 2026), offers a revolutionary invitation to embody love through conscious movement. Drawing from her signature Dance of Oneness modality, a Divine Feminine lineage that fuses Taoist wisdom and the mystical traditions with flamenco, Tai Chi, Persian dance, and Sufi whirling, Banafsheh guides readers to awaken their light body, dissolve constriction, and rediscovery vitality and purpose.  Dance of Oneness traces Banafsheh's own awakening, from her exile in Iran to her emergence as a world-renown artist and teacher and invites readers to live as channels of love and light, healing both self and planet.  Hailed by the Los Angeles Times as a "mesmerizing foray into the body as a trance mechanism," her work has inspired thousands worldwide at centers such as Esalen, Kripalu, Omega, and Hollyhock, and through her acclaimed non-profit company, NAMAH, and her film "In the Fire of Grace", co-created with Andrew Harvey.   For more information and to connect with Banafsheh, please see:  https://danceofoneness.org/ This podcast is availabe on your favorite podcast platform, or here:   https://endoftheroad.libsyn.com/episode-329-banafsheh-sayyad-sufismmysticismdivine-feminine-embodimentdance-of-oneness Have a blessed weekend:-)

The former soldier in the French army who seized power in his African homeland. The leader of the Central African Republic who proclaimed himself emperor. The emperor who ruled as an avaricious dictator. Jean-Bédel Bokassa's time in power in the CAR began with promises of equality and justice. Hailed as a beacon of strength, he would go on to preside over a regime of eccentricity, excess and sadistic cruelty. But decades before the surreal coronation, the 17 wives and the vast collection of luxurious possessions, our story begins in a much humbler setting. In a forested village near the CAR's southern border, rebellion is in the air… A Noiser podcast production. Narrated by Paul McGann. Featuring Louisa Lombard, Richard Moncrieff, Gino Vlavonou. This is Part 1 of 3. Written by John Bartlett | Produced by Ed Baranski and Edward White | Exec produced by Joel Duddell | Fact check by Heléna Lewis | Sound supervisor: Tom Pink | Sound design & audio editing by George Tapp | Assembly editing by Dorry Macaulay, Anisha Deva | Compositions by Oliver Baines, Dorry Macaulay, Tom Pink | Mix & mastering: Cian Ryan-Morgan | Recording engineer: Joseph McGann. You can listen to the final two episodes of the Bokassa story straight away, without waiting and without ads, by joining Noiser+. Just click the subscription banner at the top of the feed or go to noiser.com/subscriptions Learn more about your ad choices. Visit podcastchoices.com/adchoices

 I'm so excited to say that my guest on the Great Women Artist Podcast is one of the world's most renowned photographers working today, Sally Mann. Hailed for her images of nature in the remote American south –  full of deeply layered memories and rivers that become characters of their own – and intimate portrayals of her children Jesse, Emmett and Virginia, Sally Mann creates photographs full of beauty. Beauty being something that is tied up with ephemerality, that is alive, that is in motion, something that we have to catch. As she aptly wrote in her 2015 memoir, Hold Still, “there cannot be any real beauty without the indolic whiff of decay.” Mann's photographs are therefore both painterly and fleeting. They capture people on the cusp of something else, whether that be illness or an increasingly decaying body, but she also captures the land, connecting us to the ancient and the natural worlds. Using an eight by 10 bellows camera and 19th century photographic techniques, her black and white aesthetic - that can be both dreamlike and hazy - chimes with her interest in memory and decay. Born in 1951 in Lexington, Virginia, Mann began her artistic career as a poet, but a deep dive in photography in the late 1960s whilst attending the Ansel Adams Gallery Yosemite Workshops was one of the catalysts for her photographic career. Words have always also taken center stage - she studied literature at Hollins College in Virginia in 1974 and completed an MA in creative writing the following year. She is the author of Hold Still: A Memoir with Photographs and was the subject of two documentaries, Blood Ties in 1994, and What Remains in 2006. However, this year she also released the New York Times bestselling book, Art Work: The Creative Life, a part memoir, part insight into her creative life, which is a strange and lonely one; one that is so personal and insular, and one that we can often take for granted and get angry at. Yet it was reading this that really reminded me about why so many of us do what we do… Books mentioned: Sally Mann - Hold Still: A Memoir with Photographs: https://www.waterstones.com/book/hold-still/sally-mann/9780241699287 Sally Mann - Art Work: The Creative Life: https://www.waterstones.com/book/art-work/sally-mann/9780241774540 Artists mentioned: Ansel Adams (1902–1984) Edward Weston (1886–1958) Cy Twombly (1928–2011) Bill Brandt (1904–1983) Robert Capa (1913–1954) Julia Margaret Cameron (1815–1879) Mary Ellen Mark (1940–2015) Joseph Szabo (b.1944) Lady Clementina Hawarden (1822–1865) Imogen Cunningham (1883–1976) Artworks mentioned: Sally Mann, The Perfect Tomato (1990): https://www.guggenheim.org/artwork/10396 Sally Mann, Immediate Family series (1984–1992) Sally Mann, Dead Duck (1988): https://observer.co.uk/culture/photography/article/sally-mann-my-quest-to-take-the-perfect-photograph-memoir Sally Mann, Marital Trust series (1990s to the early 2000s, to be exhibited at Gagosian in 2027) The Family of Man, a 1955 exhibition at MoMA, organised by Edward Steichen: https://www.moma.org/calendar/exhibitions/2429 -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

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