Podcasts about gill perry

Welcome back, loves!The male gaze didn't begin with film, it was already centuries old by the time cameras appeared. In this episode, I trace how powerful patrons, religious institutions and elite collectors shaped beauty standards through the paintings they commissioned. From reclining Venuses to carefully staged portraits, these images didn't just depict women, they trained viewers how to look at them. But when women finally entered the art world and began painting themselves and each other, the visual language started to shift.By the end of the episode, you may never look at a painting, a movie scene, or even your own camera roll quite the same way again.Are. You. Ready?****************Sources & Further Reading:The Civil Contract of Photography, Ariella Aïsha Azoulay. 2008. Zone Books.Negotiating the Female Body in Art, Elisabeth Bronfen. 1998. University of Chicago Press.Women, Art, and Society, Whitney Chadwick. 1990. Thames & Hudson.Why Love Hurts, Eva Illouz. 2012. Polity Press.The Painting of Modern Life, T. J. Clark. 1985. Princeton University Press.The Will to Change: Men, Masculinity, and Love, bell hooks. 2004. Atria Books.Ways of Seeing, John Berger. 1972. Penguin Books.Museum Frictions, Ivan Karp & Corinne A. Kratz (eds.). 2006. Duke University Press.Women, Art, and Power, Linda Nochlin. 1988. Harper & Row.Old Mistresses: Women, Art, and Ideology, Rozsika Parker & Griselda Pollock. 1981. Routledge & Kegan Paul.Vision and Difference, Griselda Pollock. 1988. Routledge.The Burden of Representation, John Tagg. 1988. University of Minnesota Press.Visual and Other Pleasures, Laura Mulvey. 1989. Palgrave Macmillan.Gender and Art, Gill Perry. 1999. Yale University Press.Cold Intimacies, Eva Illouz. 2007. Polity Press.Art and Agency, Alfred Gell. 1998. Oxford University Press.The Linda Nochlin Reader, Linda Nochlin (ed. by Maura Reilly). 2015. Thames & Hudson.The Guerrilla Girls' Bedside Companion to the History of Western Art, Guerrilla Girls. 1998. Penguin Books.****************Peer-Reviewed Articles & Theoretical EssaysNochlin, Linda. “Why Have There Been No Great Women Artists?” 1971. ARTnews.Pollock, Griselda. “Feminist Interventions in the Histories of Art.” 1988. Various academic journals.Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” 1975. Screen.****************Paintings Mentioned:Venus of Urbino — TitianLa Fornarina — RaphaelPortrait of Eleonora di Toledo with Her Son — Agnolo BronzinoThe Arnolfini Portrait — Jan van EyckGinevra de' Benci — Leonardo da VinciPortrait of Agnolo and Maddalena Doni — RaphaelThe Birth of Venus — Sandro BotticelliDanaë — TitianDanaë — Jean-François de TroySusanna and the Elders — TintorettoGrande Odalisque — IngresLa Maja Desnuda — Francisco GoyaGirl with a Pearl Earring — VermeerThe Three Graces — RubensDiana Leaving the Bath (representing Boucher's mythological nudes)Self‑Portrait as the Allegory of Painting — Artemisia GentileschiSelf‑Portrait with Her Daughter Julie — Élisabeth Vigée Le BrunSelf‑Portrait — Judith LeysterThe Child's Bath — Mary CassattWoman at Her Toilette — Berthe MorisotThe Chess Game — Sofonisba Anguissola****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on TikTok & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************Intro/Outro Music:“Fame Inc” by Savvier — https://icons8.com/music

Last year Visualise Training and Consultancy launched “Seeing Beyond the Eyes”, a project which brings the optical and sight loss support sectors together to benefit patients with visual impairments.   This year the project has won Vision UK John Thompson Award for Excellence in Services, Support and Care 2019.    We spoke with Dan Williams founder of Visualise Training and Consultancy and dispensing optician Jayshree Vasani to find out more about the project and the award.    Dan and Jayshree spoke with RNIB Connect Radio’s Simon Pauley.    For more information visit: www.visualisetrainingandconsultancy.com (https://www.visualisetrainingandconsultancy.com/)   (Photo: The Seeing Beyond the Eyes team. L-R Peter Black, Gill Perry, Daniel Williams, Jayshree Vasani)

Part 3 of 3. Audio recording of the Myths of the Artist study day at Tate Modern in relation with Gauguin exhibition. Speakers include Emma Barker, Gill Perry, Christine Riding, Belinda Thomson, Grayson Perry, Ming Wong and Alastair Wright.

Part 2 of 3. Audio recording of the Myths of the Artist study day at Tate Modern in relation with Gauguin exhibition. Speakers include Emma Barker, Gill Perry, Christine Riding, Belinda Thomson, Grayson Perry, Ming Wong and Alastair Wright.

Part 1 of 3. Audio recording of the Myths of the Artist study day at Tate Modern in relation with Gauguin exhibition. Speakers include Emma Barker, Gill Perry, Christine Riding, Belinda Thomson, Grayson Perry, Ming Wong and Alastair Wright.

Open University Art History researcher, Gill Perry takes us through The National Portrait Gallery and explores the relationship between 18th Century art and theatre and the notion of actresses and their portraits as seductive, beguiling objects. Gill also looks at paralells in the ways contemporary female stars use media images to promote themselves as celebrities.

Transcript -- Open University Art History researcher, Gill Perry takes us through The National Portrait Gallery and explores the relationship between 18th Century art and theatre and the notion of actresses and their portraits as seductive, beguiling objects. Gill also looks at paralells in the ways contemporary female stars use media images to promote themselves as celebrities.

Open University Art History researcher, Gill Perry takes us through The National Portrait Gallery and explores the relationship between 18th Century art and theatre and the notion of actresses and their portraits as seductive, beguiling objects. Gill also looks at paralells in the ways contemporary female stars use media images to promote themselves as celebrities.

Transcript -- Open University Art History researcher, Gill Perry takes us through The National Portrait Gallery and explores the relationship between 18th Century art and theatre and the notion of actresses and their portraits as seductive, beguiling objects. Gill also looks at paralells in the ways contemporary female stars use media images to promote themselves as celebrities.