Podcasts about self portraits

Podcasts, reviews, interviews, essays, and more at the Ancillary Review of Books.Please consider supporting ARB's Patreon!Credits:Guest: Maia Gil′AdíTitle: The Lost Book of Adana Moreau by Michael ZapataHost: Jake Casella BrookinsMusic by Giselle Gabrielle GarciaArtwork by Rob PattersonOpening poem by Bhartṛhari, translated by John BroughReferences:Palgrave SFF: A New CanonThe Zombie ArchiveDoom Patterns: Latinx Speculations and the Aesthetics of ViolenceAugustina Bazterrica's Tender is the FleshFernanda Trias' Pink SlimeKazuo Ishiguro's Never Let Me GoColson Whitehead's Zone OneToni Morrison's BelovedFernanda Melchor's Hurricane SeasonIndrapramit DasBrendan Shay Basham's Swim Home to the Vanished & Casella's reviewMariana Enriquez's Our Share of NightFredric JamesonChicago Review of Books AwardsIlana Masad's “Holocaust Beach Reads” for The Maris ReviewJason (Friday the 13th)Simón BolívarAugust Derleth, Clark Ashton Smith, H.P. Lovecraft, C.L. MooreMoebius/Jean GiraudAncient AliensBlake Crouch's Dark Matter & adaptationStuds TerkelUS Occupation of the Dominican Republic, 1916Junot Diaz's The Brief Wondrous Life of Oscar WaoJonbar pointsAimee Pokwatka's Self-Portrait with NothingLavie Tidhar's The Circumference of the Earth & Unholy LandRob Nixon's Slow Violence and the Environmentalism of the PoorSesshu Foster's Atomic AztecsMaia on Bluesky

In this episode of High Theory, Jason Schneiderman talks about Nothingism. A term of his own coinage, a tongue-in-cheek manifesto, nothingism is an invitation to refuse the values of digital culture in favor of the values of print. You can read more about poetry at the end of print culture in Jason's new book, entitled Nothingism (Michigan UP, 2025). In the episode Jaason refers to M.B. Parkes's book Pause and Effect An Introduction to the History of Punctuation in the West and the poetry of his teacher Agha Shahid Ali. Jason Schneiderman is a poet and teacher. He is the author of five poetry collections, most recently Self Portrait of Icarus as a Country on Fire (Red Hen, 2024). He also edited an anthology of queer theory for first year writing courses called Queer: A Reader for Writers (Oxford, 2016). He works as a Professor of English at CUNY's BMCC and in the MFA Program for Writers at Warren Wilson College. The image for this episode was made by Saronik Bosu. It shows a blue blur on a pink floral print background. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

On the fortieth episode of All the Film Things, I talked with professor/ author James Miller! James Miller is a liberal studies professor at the New School for Social Research in New York City. He wrote music reviews for Rolling Stone in the 70s and spent much of the 80s reviewing books and writing pop music criticism for Newsweek. Among Jim's many accomplishments, he has been a Guggenheim Fellow and his work continues to be published in magazines, peer- reviewed academic journals, and newspapers. Jim has written several books over the course of his decades- spanning career focused on various subject matters from philosophy (Examined Lives: From Socrates to Nietzsche) to politics (Can Democracy Work? A Short History of a Radical Idea, from Ancient Athens to Our World) to music. His book Flowers in the Dustbin: The Rise of Rock & Roll won the ASCAP- Deems Taylor Award for the best music book written of 1999.Jim's latest book, the first he's written focused on film, is titled The Passion of Pedro Almodóvar: A Self- Portrait in Seven Films and will be published through Columbia University Press on April 29. Through this book, Jim examines the work, and by extension self, of Almodóvar through his most personal films. This book will be available for purchase wherever books are sold so preorder your copy now on Barnes & Noble, Amazon, etc.! You'll definitely want to click this link to preorder the book on Barnes & Noble!: https://www.barnesandnoble.com/w/the-passion-of-pedro-almodovar-james-miller/1146504374;jsessionid=473B373D1171A12E15F5B951CC989AA7.prodny_store01-atgap07 If you're in the New York area, Jim will be sitting down with Robert Polito for an hour- long conversation on pub day about his book at the New School at 6 pm. Learn more about this event by clicking this link!: https://event.newschool.edu/booklunchjimmillerThis is Jim's first appearance on ATFT! I wouldn't have had the opportunity to interview him without two- time ATFT guest, film historian Max Alvarez presenting me with this opportiunity. I'm very grateful to him and Sarah C. Noell of Columbia University Press for helping bring this interview into fruition. Before reading Jim's book, I had seen three Almodóvar films and the latter two, Parallel Mothers (2021) and All About My Mother (1999), blew me away. For a few years now, I had been wanting to go through Almodóvar's work but his films are not so easy to come by. Reading Jim's brilliant, analytical book was the perfect opportunity to finally dive in, leaving me completely changed. Why aren't people talking about Almodóvar?! Quentin Tarantino was right when he said Almodóvar is largely underrated in the US. This episode was recorded on April 3, 2025. In this episode, Jim shares incredible stories from his career from gettign a private concert from Paul McCartney to inspiring a Jimi Hendrix song. We talk about some of cinema's greatest filmmakers, such as Ingmar Bergman and Alfred Hitchcock, before discussing the work of Pedro Almodóvar for much of the episode. Filmmakers and film aficionados will especially enjoy this episode. Jim also talks about the impact of Michelangelo Antoninoni's Blow-up (1966) , Almodóvar's dynamic with muse Penélope Cruz, and inspiring Tom Hayden to write his memoir. All this and much more on the latest episode of All the Film Things!P.S.) If you're listening on Spotify, share your thoughts on Pedro Almodóvar in the comments! Background music created and used with permission by the Copyright Free Music - Background Music for Videos channel on YouTube.

Bob Dylan predikar om domen, tystnar i marginalen, hittar hem på vägen. 80- och 90-talets Amerika flimrar förbi – med gospel, plasttrummor och ett oväntat mästerverk. Till sist: en lista över allt det som gör honom till just honom. Detta är det sista avsnittet av Bob Dylans Amerika.Musikpodden finns även på:Instagram: Musik_poddenSpotify / Apple podcast: Musikpodden med Arvid BranderKontakt: podcastarvid@gmail.comKällor:Denna serie bygger på ett omfattande researcharbete med både primära och sekundära källor. Här är en mer detaljerad sammanställning av det material som legat till grund för avsnitten – alltifrån biografier, journalistik och akademiska artiklar till dokumentärer, intervjuer, musikanalyser och film.Böcker & biografier– Chronicles: Volume One – Bob Dylan (2004)– Down the Highway: The Life of Bob Dylan – Howard Sounes (2001)– No Direction Home: The Life and Music of Bob Dylan – Robert Shelton (1986)– Bob Dylan in America – Sean Wilentz (2010)– Dylan Goes Electric! – Elijah Wald (2015)Tidskrifter, tidningar & reportage– The Guardian, The New York Times, Rolling Stone, Washington Post, Mojo Magazine– Dissent Magazine – särskilt om Dylans roll efter 60-talet och det politiska landskapet– New Yorker och The Atlantic – essäer om Dylan och USA:s kulturella utveckling– Artiklar från The Bob Dylan Encyclopedia och The Dylan ReviewFilmer, dokumentärer & visuell media– Don't Look Back (D.A. Pennebaker, 1967)– No Direction Home (Martin Scorsese, 2005)– Rolling Thunder Revue: A Bob Dylan Story (Martin Scorsese, 2019)– I'm Not There (Todd Haynes, 2007)– The Other Side of the Mirror (Murray Lerner, 2007)– Slutscenen i Manhattan (Woody Allen, 1979)Musik & konsertmaterial– Samtliga studioalbum, med särskilt fokus på:Time Out of Mind (1997)Blood on the Tracks (1975)Highway 61 Revisited (1965)Slow Train Coming, Infidels, Oh Mercy, Desire, Self Portrait, m.fl.– The Bootleg Series Vol. 1–17 – för tidigare outgivet material och alternativa tagningar– Liveinspelningar från Newport 1965, Rolling Thunder Revue, Live Aid (1985), Unplugged (1994)Intervjuer & offentliga framträdanden– Dylans tal vid Nobelpriset i litteratur (2016)– Grammy Awards & Rock and Roll Hall of Fame (1988, 1991)– Presskonferenser från 60- och 70-talet– Livekommentarer, scensnack och publikreaktioner dokumenterade i bootlegsWebbresurser & digitala arkiv– Expecting Rain – Dylanforum med texttolkningar, nyhetsarkiv och bootlegs– BobDylan.com – officiella texter, turnédatum, utgivningar– Highway 61 Interactive (CD-ROM, 1995)– Clintonwhitehouse4.archives.gov – tal från Kennedy Center Honors, 1997– Farmaid.org – historiken kring Live Aid och starten av Farm AidÖvrigt– Quentin Tarantinos recension av American Graffiti – använd som kulturell parallell– Citat, anekdoter och bakgrund från svenska och internationella radioprogram, fanzines och Dylan-forskare– Diverse samtal, egna tolkningar och anekdoter vävda in medvetet subjektivtJazz musician playing under a train bridge by koulaxizis -- https://freesound.org/s/546210/ -- License: Attribution NonCommercial 4.0 Hosted on Acast. See acast.com/privacy for more information.

Originating in the Netherlands, The Ungoogleable Michaelangelo is a creator of cosmic, comedic, and contemplative content, here to serve the Lore.  Also known as a "Bardo Bard," he is a multidimensional artist, he utilizes pareidolic divination, wit, wordplay, and a 6th sense of humor to mindfully investigate where the limits of language meet the fringes of reality.  His work finds expression through visual art, written and spoken word, music, film, puppetry, uncanny impressions, performance, and Oracular Interactions.   He is the host and creator of the podcast Self Portraits as Other People, the narrator of Consciousness and the Bicameral Mind: The Julian Jaynes Society podcast, and the author of The He & The She of It, Impatient Transformations and his new work, Lore Spores Vol. 1--which the subject of this podcast.  For more information check him out at:  https://www.theungoogleable.com/ The cover art is the work of the guest, and it is a helpful image to the oracular interaction which will transpire on the podcast as is the spirit of Dion Fortune, who successfully resisted the egregore of German Fascism in the 1940s by not directing energy into it and supporting other egregores:-)   This podcast is available on your favorite podcast feed, or here:  https://endoftheroad.libsyn.com/episode-313-the-ungoogleable-michaelangelo-lore-spores-vol-ipareidolic-divinationoracular-sensibilities-andor-interactions Have a blessed week!

In this episode of "F-Stop Collaborate and Listen," host Matt Payne engages in a captivating conversation with Sara Kushner, a talented self-portrait photographer with 16 years of experience. Sara delves into her journey, explaining how self-portraiture functions as a form of therapy, allowing her to process emotions and express vulnerability. She contrasts her art with the influencer-driven self-portrait culture, emphasizing authenticity and artistic intent. The discussion also touches on Sara's dual role as an anti-diet registered dietitian, her plans to combine her passions in future workshops, and the technical aspects and emotional depth of self-portrait photography. Sara shares how she navigates judgment and the unique blend of landscape and self-portraiture in her work, striving to evoke emotions and authenticity in her audience. Links: Follow Sara on Instagram Stay connected with Sara on her newsletter Learn more about the Natural Landscape Photography Awards Stay connected with Matt on his newsletter Support the podcast on Patreon Sara's offering 10% our listeners/watchers on her prints, use the code FSTOP10 Sara's recommended photographers: Katie Lingan, Van Gachnang

In this episode of Please Me, host Eve sits down with the incredibly talented self-taught portrait photographer, Melissa Ushtchenko. Melissa specializes in boudoir self-portraits, creating a unique blend of art and self-reflection that goes far beyond the traditional selfie. They dive into the empowering process of capturing oneself through the lens, discussing the therapeutic and meditative qualities of self-portraiture, and how it helps build confidence and a deeper connection with one's body. Melissa shares her journey from brand photography to becoming a boudoir photographer, ignited by a moment of divine inspiration during the pandemic. She explains how boudoir self-portraits differ from the usual Instagram selfies and how the solo experience of self-photography allows individuals to explore and express their true selves without the influence of external judgment. Throughout the conversation, Eve and Melissa explore the importance of embracing the "messiness" of the process, both in photography and in life, and how this acceptance can lead to beautiful, unexpected results. They also discuss how this practice can be a powerful tool for people recovering from surgeries or learning to love their bodies after significant changes. Melissa also talks about her course that guides people in creating their own self-portrait practice, offering a space for continuous self-discovery and empowerment. The episode wraps up with tips on how to prepare for a boudoir session, including the importance of being present, tapping into sensuality, and creating a personalized, sensory-rich environment. Learn more about your ad choices. Visit megaphone.fm/adchoices

In March, I found myself at a retreat in the Wicklow mountains, facilitated by Diarmuid Lyng and Michael Ryan. An entirely transformative experience and one that I felt the need to share through a discussion with Diarmuid - Wexford County Hurler, TG4 Commentator, retreat facilitator, husband, father and builder of a cultural facility in south Kilkenny. The podcast covers alot of ground but is centred around the Summer Nature of Man retreat in Donegal 6th to 9th June 2025 - and the myriad reasons why some of you should attend. www.diarmuidlyng.ie will offer more detailed information on the retreat and the other projects that Diarmuid is involved in. The poet mentioned (I know) is David Whyte, the poem Self Portrait. I hope you enjoy - and if you do please feel free to share with those who might benefit from the retreat. Thanks for reading.

Wisdom Key #111

The White House is doing damage control after a group chat about US military strikes on Yemen leaked. We'll tell you why US measles cases are still rising. Columbia University's faculty is fighting to restore millions in federal funding. We take you to the largest protest against Hamas since the start of the war in Gaza. Plus, President Trump isn't a fan of his self-portrait. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ever felt the urge to create just for yourself? This week, I'm chatting with Anjana Olson, an award-winning photographer, educator, and lighting guru, about her self-portrait journey and how it's transformed her art AND her business.Anjana is a PPA Master of Photography, Master of Wedding Photography, and Photographic Craftsman based in Farmingdale, Maine. She's been leading the Maine Professional Photographers Association for years and has built an incredible brand with LAD Photography—specializing in weddings, high school seniors, fine art, boudoir, fitness, headshots, and families.Oh, and did I mention?5x Maine Wedding Photographer of the Year2x Team USA competitor in the World Photographic CupRanked 6th in the world for a fine art portrait!Anj shares how she turned to self-portraits as a creative outlet during a challenging post-C-section recovery and the pandemic. She walks us through her process, from pulling inspiration from a jar of prompts to using a 5-second interval timer for seamless shooting.Beyond creativity, Anj discusses how her self-portrait work has unexpectedly attracted clients interested in narrative-driven photography, bridging the gap between fine art and branding sessions. Plus, she offers insights into pricing strategies to ensure sustainable, profitable work.Connect with Anjana:hello@anjportraitstudio.comanjportraitstudio.comHope you enjoy this episode! And hey—if you're ready to level up your photography biz, let's chat. Visit LuciDumasCoaching.com for more info!Connect with Photography Business Coach Luci Dumas: Website Email: luci@lucidumas.comInstagram FacebookYouTube

Enjoy Louis Gale, author of A Written Self Portrait on Psychosis. After a significant heart break, Louis started his first book, an introduction to his experience. He has lived in Berlin, spent time in a mental health hospital, been engaged, and overcome life on the street. This Californian has written a colorful narrative and is releasing a second book ....of love, hate, self deprecation....all on this canvass of hyper exaggeration exploring a range of realms. Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

Stephen Gibson is the author of several poetry collections, including Self-Portrait in a Door-Length Mirror, selected by Billy Collins as the winner of the 2017 Miller Williams Poetry Prize; Rorschach Art Too, winner of the Donald Justice Prize; and Rorschach Art. His most recent book is Frida Kahlo in Fort Lauderdale. Gibson, who retired in 2015, taught at Palm Beach State College for thirty-two years. He lives in West Palm Beach, Florida. Find more the new book at: https://www.stephen-gibson.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem that references small talk in a big way. Next Week's Prompt: Write an ekphrastic poem based on a work of art by an artist that shares your first or last name. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

In today's episode, Gastor and Shalewa talk about who would you want near you during a breakup, sending your partner into space, and perfecting your crime.Instagram:@WarReportPod@SilkyJumbo@GastorAlmonteTwitter:@SilkyJumbo@GastorAlmonteTheme music "Guns Go Cold" provided by Kno of Knomercyproductions Twitter: @Kno Instagram: @KnoMercyProductions

The post Self Portrait 1981 Self Portrait of the poet as Cassius Clay 1982 by Nick Makoha appeared first on A Mouthful of Air.

In this episode of The Truth in This Art, I reconnect with Jerome Chester, also known as The Groovy Vandal, for his second appearance on the podcast. A multidisciplinary artist known for his bold, colorful work, Jerome shares updates on his artistic journey, including his ongoing self-portrait series and his upcoming solo show. We discuss how his creative process has evolved, the challenges and joys of working as an artist, and his distinct approach to caricatures. Jerome also delves into the idea of world-building in art, reimagining everyday objects like stop signs with a unique twist. Join us as we explore the intersections of creativity, identity, and Baltimore's vibrant art scene.Be sure to listen to Jerome Chester's previous episode here. Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

It's episode 208 and time for us to talk about our Reading Resolutions for 2025! We discuss our love of spreadsheets, the churn of books in public libraries, literacy, unschooling, and more!  You can download the podcast directly, find it on Libsyn, or get it through Apple Podcasts or your favourite podcast delivery system. In this episode Anna Ferri | Meghan Whyte | Matthew Murray

In this episode, we are joined by the iconic comedian Liza Treyger! We are talking about how she was fired as a camp counselor, unhappy hours in NYC, Spice Girls, and so much more! Check out Night Owl: Liza Treyger now on Netflix! Get Merch: campcounselorspodcast.com/merchSTRIP MALL TEASE TOUR TICKETS: https://linktr.ee/zzzachariahWant BONUS CONTENT? Join our PATREON! ➜ This episode is sponsored by Boll & Branch. Get 15% off plus free shipping at BollAndBranch.com/camp➜ This episode is spon sored by MeUndies. Get 20% off your first order plus free shipping at MeUndies.com/counselors when you use code: counselors Check out our website and submit your inquiries for advice, juicy gossip, confessions, and horror stories! Sources:➜ Tom Sanders. “Woman in Court for Aggressively Farting at Her Boyfriend's Ex.” Metro, 30 Jan. 2025.➜ Matt Schooley. “Massachusetts Official Accused of Stealing City Funds, Buying 153 Pounds of Steak Tips, Self Portrait.” CBS News, 10 Jan. 2025. Camp Songs:Spotify PlaylistYouTube PlaylistSammich's Secret Mixtape Social Media:Camp Counselors TikTokCamp Counselors InstagramCamp Counselors FacebookCamp Counselors Twitter

In this episode, we delve into the captivating world of Taiwanese-Australian artist Ruth Ju-Shih Li, renowned for her innovative ceramics and clay sculptures. Li's journey began at the National Art School in Sydney, where she discovered her passion for ceramics. Her work often takes the form of abstract self-portraits, drawing inspiration from her diverse cultural heritage and personal experiences. Currently, Li's thought-provoking pieces are on display at the Bankstown Biennale in the exhibition "Same Same/Different," showcasing her continued exploration of identity and cultural narratives.The 11th Asia Pacific Triennial of Contemporary Art: Zhang Xu Zhan Asian Bitches Down Under was featured as one of the Top 20 Intersectional Feminist Podcasts by FeedSpot, listen to other amazing podcast programs HERE Facebook | Asian Bitches Down UnderInstagram | Asian Bitches Down Under Buy Me A Coffee | Asian Bitches Down Under

Doesn't dating feel like a chore when it used to be fun? What happened? Debbie reflects on her dating experience in the 80's compared to now and Caitlyn compares what her vision of dating was as a kid to what it ended up being in reality, as the atmosphere of dating has changed. Have we lost the art of dating? Caitlyn also breaks down her top tips on how to take the best self portraits for your dating profile or just for your self confidence!  Have a comment or dating story to share? Give us a call at 801-575-5599!  You can also send us an email at daha@ksl.com Follow Dating at Her Age on social media: Facebook  Instagram  Tik Tok   Learn more about Debbie and Caitlyn!   Debbie Dujanovic is the co-host of “Dave & Dujanovic” and “Dating at Her Age” on KSL NewsRadio. Follow her on Facebook and TikTok. Follow “Dating at Her Age” on Facebook, Instagramand Tik Tok.  Caitlyn Johnston is a producer for KSL NewsRadio and the Dave & Dujanovic Show. She also produces and co-hosts “Dating at Her Age” on KSL NewsRadio. Follow her on Instagram.  

Today's poem is Self-Portrait as Kendrick Lamar, Laughing to the Bank by Ashanti Anderson. The Slowdown is your daily poetry ritual. In this episode, Major writes… "I first read today's poem as the rap battle of the summer, arguably of the century, played out between Kendrick Lamar and Drake. This helped me understand again the relationship between hip-hop and poetry. Wit and insinuation are vital elements of our culture." Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

Lauren is joined by Christopher Kane, one of the most celebrated designers of his generation, to discuss everything from his relationship with late Central Saint Martins instructor Louise Wilson, to his rise on the international fashion scene, to the dissolution of his brand. They also get into his recent collaboration with the London-based Self-Portrait, and what that experience may portend about his next act. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Part 3 of James' self-portrait project. Sketching, drawing, and chatting — Drawing education and inspiration community. On the Reinventing The Tattoo Network on Mondays at 9 pm EST

Sketching, drawing, and chatting — Drawing education and inspiration community. On the Reinventing The Tattoo Network on Mondays at 9 pm EST

Sketching, drawing, and chatting — Drawing education and inspiration community. On the Reinventing The Tattoo Network on Mondays at 9 pm EST

Way too many women hate looking at pictures of themselves, making self portraiture, and even boudoir photography, an incredible portal for transformation. Misty Moss, Boudoir Photographer, Self Portrait Artist, and Burlesuqe Performer, along with your host, Jannine MacKinnon, Sex, Love, and Relationship Coach, share about their journeys in transforming through the taboo, and the power of being witnessed and celebrated while working through your insecurities in front of the lense. If you desire to feel more confident in your body and in who you are, this is the episode for you. In This Episode Shadow Work Baby: Learning to Make Friends With Your Demons Healing Negative Body Image Through Self Portraiture and Boudoir Photography History of Renaissance Paintings and Boudoir: Reclaiming Nude Art For The Female Gaze and Empowerment The Importance Of Feeling Into Your Body and Creating Space For Big Feelings A New Perspective on Self Portraiture Taking Time To Connect With The Love and Pleasure Of Your Body More About Misty Moss Misty Moss is a boudoir photographer, self portrait artist, and burlesque performer in Victoria, Canada. Specializing in helping her clients and community see themselves as powerful works of art since 2016, she has honed in on helping others experience their own body celebration story after discovering the transformative (and frankly mildly addicting) powers of empowerment, embodiment, and self love that these art forms offer. Her motto is "my art heals my clients, and my clients heal me" - truly honouring the mutual energy exchange and transformative powers that boudoir photography holds. Website: https://www.moss-photography.com/ Instagram: https://www.instagram.com/mossboudoir Facebook Group: https://www.facebook.com/groups/mossphotographyselfloveclub Show Notes Infuse Your Body with Sensual Radiance With Our Free Honey Pot Meditation: https://janninemackinnon.com/honey-pot/  Spark a Shift in Your Sexuality and Relationships with a Complimentary Connection Call: https://tidycal.com/janninemackinnon/catalyst-call  Save 25% off Beducated, the Netflix for Online Sex Education with code UM25: https://janninemackinnon.com/beducated/  Save 15% off and Embrace Your Divine Feminine with the Unapologetic Practices Collection with code PODCAST: https://janninemackinnone.com/practices/ Connect on Instagram: https://www.instagram.com/jannine.mackinnon/

By Tea Gerbeza

Visit glögg glögg, a POP up ART sale, Dec 13-14 in Woodstock NY: website or IG---------------What can an artist do during times of political unrest and instability? In this episode (Part 2 of our series), we aim to find out. Jennifer Coates joins me again to share some stories from the past of how artists coped throughout history, because somehow research is very reassuring right now! We looked at the ways these specific artists reflected and reacted to their time:Goya: Made his most honest work in secretDave Drake: Created signed pottery and poetry and used them to comment on his life and times, even though enslavedOtto Dix: Painted the horrors of the past in order to warn society against repeating themMario Mafai: Documented destruction of housing under FascismFelix Nussbaum: Painted even while hiding from the GestapoPiet Mondrian: Built a controlled world of harmony and equilibrium to escape toGeorge Grosz: Openly lampooned everyone in power & the mediaFrancisco de Goya works: "Goya's Graphic Imagination" exhibition at the Met 2021, "Disasters of War" Etchings 1810-20, "Still Life of a Lambs Head and Flanks" 1812, "The Black Paintings" incl "Saturn Devouring His Son" 1823, "The Dog" 1823, and "Witches Sabbath" 1823Dave Drake: all examples of stoneware jugs and vesselsOtto Dix works: "The Trench" 1923, "War Cripples" 1920, "The Skull" 1924, "Mealtime in the Trenches" 1924Mario Mafai works: "Demolition" 1936, "Destruction of the Neighborhoods" 1939Felix Nussbaum works: "Self-Portrait with Jewish Identity Card" 1943, "Death Triumphant" 1944Piet Mondrian work: "Tableau 1, Lozenge with Four Lines and Gray" 1926George Grosz work: "Pillars of Society" 1926Other artists/movements mentioned: DeStijl Movement, Futurist Movement, Dada Movement, Yves TanguayPart 3 is out now!**Disclaimer: As we are not historians by trade, some factual errors may have slipped through. Apologies if so **Jennifer Coates online: web and IGAmy Talluto online: web and IGThank you, Jennifer! Thank you, Listeners!All music by Soundstripe----------------------------Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pep Talks website: ⁠⁠⁠peptalksforartists.com⁠⁠⁠Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠⁠⁠Amy's website: ⁠⁠⁠amytalluto.com⁠⁠⁠Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated! --- Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support

The Blacksmith House Poetry Series at the Cambridge Center for Adult Education has been bringing established and emerging poets to Harvard Square since its founding by Gail Mazur in 1973. The series is named after the Blacksmith House at 56 Brattle Street, site of the village smithy and the spreading chestnut tree of Longfellow's 1839 poem "The Village Blacksmith." Earlier this week, series director Andrea Cohen introduced the poets -- Carl Phillips and Penelope Pelizzon -- who read from their new collections. Carl read from Scattered Snows, to the North, and Penelope read from A Gaze Hound That Hunteth By the Eye. Next week, on December 9, 2024, two more writers will be featured. David Semanki will read from his debut collection of poems, Ghost Camera, and Jason Schneiderman will read from his latest collection: Self Portrait of Icarus as a Country on Fire. Click here: to listen.

Can having a personal project make you a better photographer? This episode is another installment in my series featuring the expertise of new educators. I'm speaking with fellow photographer Angela Doran about her incredible portfolio of self portraits, plus how committing herself to self portraiture has improved her professional work. The Shoot It Straight Podcast is brought to you by Sabrina Gebhardt, photographer and educator. Join us each week as we discuss what it's like to be a female creative entrepreneur while balancing entrepreneurship and motherhood. If you're trying to find balance in this exciting place you're in, yet willing to talk about the hard stuff too, Shoot It Straight Podcast is here to share practical and tangible takeaways to help you shoot it straight.This episode is brought to you by The Round Table, a community built for female photographers who want to continue growing their business while forging industry friendships along the way! In this group, you will learn practical ways to move your business forward, while finding community and accountability with like-minded photographers. Come join us and get access to new live trainings, a growing vault of education, and an incredible community. Learn More >>Review the Show Notes:Get to know Angela (2:46)Angela's journey with self portraiture (4:08)Feeling awkward while taking self portraits (5:16)The benefits of a personal project (10:01)Where inspiration comes from (11:46)Angela's self portraits with her son (12:50)Planning 52 weeks of ideas (16:47)Getting started with self portraiture (19:01) 1:27Editing images from your phone (22:19)Being selective about sharing (22:59)Staying committed to self portraiture (23:43)Self-Portrait Success (25:08)Rapid-fire questions (26:02)Connect with Angela:Website: angeladoran.comInstagram: instagram.com/angeladoranphotographyAngela Freebie: angeladoran.com/spfreebieAngela Mentoring: angeladoran.com/for-photographers Connect with Sabrina:Instagram: instagram.com/sabrinagebhardtphotographyWebsite: sabrinagebhardt.com Hosted on Acast. See acast.com/privacy for more information.

Aimé Césaire's masterpiece of exile and homecoming, Return to my Native Land – beautifully translated by John Berger – is now a Penguin Classic. To celebrate, Jason Allen-Paisant (who has written the introduction for the new edition) and Colin Grant discuss the poem. Allen-Paisant's most recent poetry collection, Self-Portrait as Othello (Carcanet), won both the T.S. Eliot Prize and the Forward Prize for Best First Collection; Colin Grant is director of WritersMosaic, a division of the Royal Literary Fund, his most recent book is a memoir, I'm Black So You Don't Have to Be (Jonathan Cape). Hosted on Acast. See acast.com/privacy for more information.

In this History of Western Prints (HoP) episode, Tru and I begin to explore the life and work of William Hogarth, the first British artist featured on Platemark's HoP series. Hogarth, renowned as the father of Western sequential art, is discussed through detailed analyses of three of his best known series: A Harlot's Progress, A Rake's Progress, and Marriage A-la-Mode. The episode delves into 18th-century London's morality, capturing the societal and artistic context of Hogarth's work. Highlights include discussions on the intricacies of Hogarth's prints, his depiction of social issues, the impact of his work on English law (copyright laws finally established!), and his mixed successes in various art forms. This first of two episodes on Hogarth sets the stage for part two when we look at his images around elections in Enlightenment England. Harlot's Progress video from Paul Mellon Centre for Studies in British Art. https://youtu.be/VPQze0EbpdQ  Harlot's Progress video from Reading the Past. https://youtu.be/u1rtBD0qvPY?si=DkVatOJ5-vEyrIqF  Beer Street and Gin Lane video from Reading the Past. https://youtu.be/A3-Je-lSKrE?si=C9igJSDSvYVyRabY Platemark website Sign-up for Platemark emails Leave a 5-star review Support the show Get your Platemark merch Check out Platemark on Instagram Join our Platemark group on Facebook   After Anton von Maron (Austrian, 1733–1808). Johann Winkelmann, after 1768. Engraving. After Allan Ramsay (British, 1713–1784). Portrait of William Hunter, 1760. Engraving. Wellcome Collection. William Hogarth (British, 1697–1764). The Painter and his Pug, 1745. Oil on canvas. 35.4 x 27.5 cm. Tate Britain, London. Jean-Baptiste-Siméon Chardin (French, 1699–1779). Saying Grace, c. 1740. Oil on canvas. 49.5 × 38.5 cm. (19.5 in × 15.2 in.). Louvre, Paris. Jean-Baptiste Greuze (French, 1725–1805). The Village Bride, 1761. Oil on canvas. 92 x 117 cm. Louvre, Paris. The Banqueting House, London. Saint Paul's Church, London. William Hogarth (British, 1697–1764). Self-Portrait, c. 1735. Oil on canvas. 21 1/2 x 20 in. (54.6 x 50.8 cm.). Yale Center for British Art, New Haven. William Hogarth (British, 1697–1764). An Emblematic Print on the South Sea, late 18th century. Engraving and Etching. Plate: 10 13/16 x 13 3/8 in. (27.4 x 33.9 cm.); sheet: 11 5/16 x 14 in. (28.7 x 35.6 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Harlot's Progress, Plate 1, 1732 or before. Etching and engraving. Sheet: 12 5/16 x 15 1/8 in. (31.3 x 38.4 cm.). Metropolitan Museum of Art, New York. Chart identifying elements in Harlot's Progress Plate 1. William Hogarth (British, 1697–1764). A Harlot's Progress, Plate 2, 1732 or before. Etching and engraving. Sheet: 12 3/8 x 14 13/16 in. (31.4 x 37.7 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Harlot's Progress, Plate 3, 1732 or before. Etching and engraving. Sheet: 12 11/16 x 15 3/8 in. (32.2 x 39 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Harlot's Progress, Plate 4, 1732 or before. Etching and engraving. Sheet: 13 1/8 x 15 3/16 in. (33.3 x 40.4 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Harlot's Progress, Plate 5, 1732 or before. Etching and engraving. Sheet: 13 3/8 x 16 3/16 in. (34 x 41.1 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Harlot's Progress, Plate 6, 1732 or before. Etching and engraving. Sheet: 12 1/2 x 15 3/16 in. (31.7 x 38.6 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Rake's Progress, Plate 1, 1735. Etching and engraving. Sheet: 15 13/16 x 19 1/16 in. (40.2 x 48.4 cm.). Metropolitan Museum of Art, New York. Gérard Jean-Baptiste Scotin (French, Paris 1698–after 1755), after William Hogarth (British, 1697–1764). A Rake's Progress, Plate 2, 1735. Etching and engraving. Sheet: 14 3/16 x 16 1/4 in. (36 x 41.3 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Rake's Progress, Plate 3, 1735. Etching and engraving. Sheet: 13 7/8 x 15 7/8 in. (35.2 x 40.4 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Rake's Progress, Plate 4, 1735. Etching and engraving. Sheet: 14 3/16 x 16 1/4 in. (36.1 x 41.3 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Rake's Progress, Plate 5, 1735. Etching and engraving. Sheet: 15 5/8 x 18 13/16 in. (39.7 x 47.8 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Rake's Progress, Plate 6, 1735. Etching and engraving. Sheet: 14 x 16 in. (35.5 x 40.7 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Rake's Progress, Plate 7, 1735. Etching and engraving. Sheet: 15 5/8 x 18 3/4 in. (39.7 x 47.7 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Rake's Progress, Plate 8, 1735. Etching and engraving. Sheet: 15 9/16 x 18 13/16 in. (39.6 x 47.8 cm). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). A Rake's Progress, 1735. Eight oil on canvas paintings. Sir John Soane's Museum, London. Louis-François Roubiliac (French, 1702–1762). William Hogarth, c. 1741. Terracotta bust. Overall: 28 1/2 x 17 3/4 in. (72.4 x 45.2 cm.). National Portrait Gallery, London. William Hogarth (British, 1697–1764). Marriage A-la-Mode: 1, The Marriage Settlement, c. 1743. Oil on canvas. 66.9 x 90.8 cm. The National Gallery, London. William Hogarth (British, 1697–1764). Marriage A-la-Mode: 2, The Tête-à-Tête, c. 1743. Oil on canvas. 66.9 x 90.8 cm. The National Gallery, London. William Hogarth (British, 1697–1764). Marriage A-la-Mode: 3, The Inspection, c. 1743. Oil on canvas. 66.9 x 90.8 cm. The National Gallery, London. William Hogarth (British, 1697–1764). Marriage A-la-Mode: 4, The Toilette, c. 1743. Oil on canvas. 66.9 x 90.8 cm. The National Gallery, London. William Hogarth (British, 1697–1764). Marriage A-la-Mode: 5, The Bagnio, c. 1743. Oil on canvas. 66.9 x 90.8 cm. The National Gallery, London. William Hogarth (British, 1697–1764). Marriage A-la-Mode: 6, The Lady's Death, c. 1743. Oil on canvas. 66.9 x 90.8 cm. The National Gallery, London. Gérard Jean-Baptiste Scotin (French, 1698–after 1755), after William Hogarth (British, 1697–1764). Marriage A-la-Mode: Plate 1, 1745. Etching and engraving. Sheet: 15 3/16 x 18 5/16 in. (38.5 x 46.5 cm.). Metropolitan Museum of Art, New York. Bernard Baron (French, 1969–1762), after William Hogarth (British, 1697–1764). Marriage A-la-Mode: Plate 2, 1745. Etching and engraving. Sheet: 15 1/16 x 18 1/4 in. (38.3 x 46.3 cm.). Metropolitan Museum of Art, New York. Bernard Baron (French, 1969–1762), after William Hogarth (British, 1697–1764). Marriage A-la-Mode: Plate 3, 1745. Etching and engraving. Plate: 15 3/8 x 18 1/2 in. (39 x 47 cm.). Metropolitan Museum of Art, New York. Simon Francis Ravenet, the elder (French, 1706–1774), after William Hogarth (British, 1697–1764). Marriage A-la-Mode: Plate 4, 1745. Etching and engraving. Plate: 15 1/4 x 18 1/2 in. (38.7 x 47 cm.). Metropolitan Museum of Art, New York. Simon Francis Ravenet, the elder (French, 1706–1774), after William Hogarth (British, 1697–1764). Marriage A-la-Mode: Plate 5, 1745. Etching and engraving. Plate: 15 1/4 x 18 7/16 in. (38.8 x 46.9 cm.). Metropolitan Museum of Art, New York. Simon Francis Ravenet, the elder (French, 1706–1774), after William Hogarth (British, 1697–1764). Marriage A-la-Mode: Plate 6, 1745. Engraving. Plate: 15 3/16 x 18 3/8 in. (38.6 x 46.7 cm). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). Beer Street, 1751. Engraving. Sheet: 15 1/8 x 12 11/16 in. (38.4 x 32.2 cm.). Metropolitan Museum of Art, New York. William Hogarth (British, 1697–1764). Gin Lane, 1751. Etching and engraving. Sheet: 15 1/16 x 12 1/2 in. (38.3 x 31.7 cm.). Metropolitan Museum of Art, New York.

Alex sits down with Sue (@sue.shutterbug) to dive into the journey of self-portraiture, creativity, and building confidence behind the camera. Sue shares her insights on using self-portraits as a powerful creative tool, her experiences with social media growth, and tips for photographers looking to put themselves out there. Sue shares her photography story, reflecting on her journey so far, and talks about her recent experience at Photo Camp, where she spoke about pushing creative boundaries. She offers advice on building self-confidence through self-portraits and tips for creating unique, captivating shots. Sue also discusses a memorable photoshoot that took an unexpected turn and what she learned from it. She dives into how TikTok and Instagram influenced her photography style and offers tips on building a strong online presence. Plus, she answers a question from Alex's last guest, Cassidy, about where she finds her inspiration. _____ Connect with Sue: Follow on Instagram: @sue.shutterbug Connect with Alex Blake: Watch on YouTube: Alex Blake Photography  Follow on Instagram: @alexblakephotography Photo Camp Info: photocampinfo.com AI CULLING/EDITING 30 DAY FREE TRIAL: https://aftershoot.com/friends?ref=alexotto HONEYBOOK DISCOUNT: https://share.honeybook.com/alex89263 ____ Remember to rate, review, and subscribe to the podcast!

Christy Brown: Self Portrait - Midas Man - John McAuliffe

A love of art and teaching have inspired Isa Obradovich to share her passions with others. As a successful artist and aspiring educator, her work is displayed across university halls, in local art centers, and in the Boomer Gallery of London. Isa has also received attention and acclaim across social media, where her massive following continues to expand. We'll also talk about the joy of building a community in college, the transformative impact college can have on your confidence, and about making art education more accessible to everyone. Featured Majors: Art Education, Teaching English to Speakers of Other Languages (TESOL) certification

Karen Anne Coccioli is a Jersey City, New Jersey native who's proud of her Italian heritage. She grew up in a multi-generational family with her maternal aunt, grandmother and sister all under one roof. Like the diverse neighbors that surrounded her as a child—Italians, Puerto Ricans, Cubans and Jews—families took care of each other. Her parents had limited education but loved to read. Karen's love of writing and books coupled with her identity as a gay woman manifested a desire to delve into academic studies. She holds a Ph.D. in comparative literature, especially within the context of feminist meditations regarding gender identity, sexuality and madness. Her mad hatter and fun sides both come out to play in her writing.https://www.karenannecoccioli.com/

On this episode, Elizabeth chats one-on-one with Jason Schneiderman (https://newjschneiderman.wordpress.com/) about his new book, Self Portrait of Icarus as a Country on Fire (https://bookshop.org/p/books/self-portrait-of-icarus-as-a-country-on-fire-jason-schneiderman/20915982) (Red Hen Press, 2024).

The Quincy artist stages elaborate images designed to challenge the exoticizing gaze so often directed at Arab women.

Born in New Haven, CT, Heidi Lender began her career reporting on the fashion universe for national magazines, writing features and styling photo shoots throughout her twenties. With a BA in apparel and textiles from Cornell University, she covered style and travel from New York to Paris, where she served as Fashion Director and Associate Bureau Chief of Women's Wear Daily and W Magazine. After Paris she went to India, where she lived part-time while studying yoga for the next eight years. In 2007, she opened and taught at a yoga studio in San Francisco, and two years later she discovered her creative self in photography. Self-taught, she began by creating self-portraits and realised a meaningful way to make sense of the world and her place in it. Her images are often based in self-inquiry that stem from personal experiences, relationships and/or investigate identity.She is represented by galleries in the U.S. and Uruguay and has exhibited internationally. Heidi is a founding member of the online collective Six Shooters, has twice been a Critical Mass finalist, received recognition from the likes of the Pollux Awards and the Julia Margaret Cameron Award. Her work has been featured in PDN and Rangefinder magazines and in online photo blogs including CNN, NPR and the New Yorker's Photo Booth. Editorial credits include WSJ Magazine, Disegno Journal and Grey Magazine. In 2014, Kehrer Verlag published the photography book “Grassland” under Lender's pseudonym, H. Lee. She currently resides on an 80-acre ranch in Pueblo Garzón, Uruguay, where she has founded CAMPO, a nonprofit creative institute supporting international artists (www.campogarzon.org).In this episode and her discussion with Anne, Heidi recounts her impulsive decision to leave her burgeoning career as a fashion director in Paris at the young age of 26. A pivotal moment in Heidi's personal story, she tells Anne, is her discovery of Garzón, Uruguay. During an impromptu trip to South America, she stumbled upon her dream home in the quaint village, which became the birthplace of CAMPO. Heidi describes to Anne how her passion for photography flourishes in this picturesque setting, where the art of self-portraiture becomes a therapeutic outlet and a means of self-expression. The episode highlights how photography, combined with mindfulness practices, has been a crucial part of Heidi's healing journey.Heidi then goes deeper into the founding and growth of CAMPO, which has evolved into a sanctuary for artists, chefs and writers from around the world. Heidi articulates her vision of creating transformative experiences for both residents and attendees, fostering a sense of community through artistic collaboration. The festival, now a three-day event with a month-long residency program, is using the theme "unsettled" this year. The theme explores migration and movement, thus reflecting Heidi's own journey of continuous reinvention.***Are you curious about Anne's Coaching & Consulting:Feeling lost or burnt out? Discover Anne's blend of business savvy & spirituality. Transition from career exhaustion to trusting yourself again with her unique coaching approach.Book your free one on one exploratory coaching session here. To find out more about Anne's coaching approach, her consulting background and more, head over here. This episode is brought to you by AVM Consulting Struggling to connect with your audience? Feeling disconnected from your brand's purpose? Is motivating your team becoming a daunting task?AVM Consulting offers a unique blend of coaching, consulting, and storytelling services designed to help your brand connect authentically, align with your values, and inspire your team to achieve greatness.With a track record of success in working with fashion and luxury partners worldwide, AVM Consulting, led by industry expert and certified coach Anne Mühlethaler, is your trusted partner in achieving your brand's vision. Ready to transform your brand and drive meaningful change? Don't wait any longer. We like to make magic happen.FIND OUT MORE ABOUT AVM CONSULTING HERE. ***If you enjoyed this episode, click subscribe for more, and consider writing a review of the show on Apple Podcasts, we really appreciate your support and feedback. And thank you so much for listening!  For all notes and transcripts, please visit Out Of The Clouds on Simplecast - https://out-of-the-clouds.simplecast.com/   Sign up for Anne's email newsletter for more from Out of the Clouds at https://annevmuhlethaler.com.  Follow Anne and Out of the Clouds: IG: @_outoftheclouds or  @annvi  Or on Threads @annviOn Youtube @OutoftheClouds For more, you can read and subscribe to Anne's Substack, the Mettā View, her weekly dose of insights on coaching, brand development, the future of work, and storytelling, with a hint of mindfulness.

Born in New Haven, CT, Heidi reported on the fashion universe for national magazines, writing features and styling photo shoots throughout her twenties. With a BA in apparel and textiles from Cornell University, she covered style and travel from New York to Paris, where she served as Fashion Director and Associate Bureau Chief of Women's Wear Daily and W Magazine. After Paris she went to India, where she lived part-time studying yoga for the next 8 years. In 2007, she opened and taught at a yoga studio in San Francisco, and two years later, she discovered her creative self in photography. Self-taught, she began by creating self-portraits and realized a meaningful way to make sense of the world and her place in it. Her images are often based in self-inquiry that stem from personal experiences, relationships, and/or investigate identity.She is represented by galleries in the U.S. and Uruguay and has exhibited internationally. Heidi is a founding member of the online collective Six Shooters, has twice been a Critical Mass finalist, received recognition from the likes of WPGA Pollux Awards and the Julia Margaret Cameron Award. Her work has been featured in PDN and Rangefinder magazines and in online photo blogs including CNN, NPR and the New Yorker's Photo Booth. Editorial credits include WSJ Magazine, Disegno and Grey Magazine. In 2014, Kehrer Verlag published the photography book Grassland under Lender's pseudonym H. Lee. She currently resides on an 80-acre ranch in Pueblo Garzon, Uruguay, where she has founded CAMPO, a nonprofit creative institute, supporting international artists, www.campogarzon.org.In this episode, Heidi recounts her impulsive decision to leave her burgeoning career as a fashion director in Paris at the young age of 26. Her tale is marked by personal challenges, including a divorce and the emotional rollercoaster of IVF, which she bravely shares with Anne. Heidi's journey of self-discovery and resilience is punctuated by her immersion into the world of yoga, where she trained under the renowned Pattabhi Jois, finding solace and a renewed sense of purpose.Prompted by Heidi expressing the realizations she had while shopping in Goa, Anne shares a similar experience from her recent trip to Greece, emphasizing the significance of unique, locally crafted fashion. Anne also speaks candidly about her battle with rheumatoid arthritis and how yoga has been instrumental in her physical and emotional well-being, noting that movement does indeed help with pain, despite seeming counterintuitive. The episode takes a reflective turn as Heidi shares the trials and tribulations she faced during her attempts at conceiving through IVF, eventually leading her to embrace a different life path with acceptance and grace.A pivotal moment in Heidi's personal story, she tells Anne, is her discovery of Garzon, Uruguay. During an impromptu trip to South America, she stumbled upon her dream home in the quaint village, which became the birthplace of CAMPO. Heidi describes to Anne how her passion for photography flourishes in this picturesque setting, where the art of self-portraiture becomes a therapeutic outlet and a means of self-expression. The episode highlights how photography, combined with mindfulness practices, has been a crucial part of Heidi's healing journey.Heidi goes deeper into the founding and growth of CAMPO, which has evolved into a sanctuary for artists, chefs, and writers from around the world. Heidi articulates her vision of creating transformative experiences for both residents and attendees, fostering a sense of community through artistic collaboration. The festival, now a three-day event with a month-long residency program, is using the theme "unsettled" this year. The theme explores migration and movement, thus reflecting Heidi's own journey of continuous reinvention.The episode concludes with a heartfelt discussion between Heidi and Anne on the value of solitude, introspection, and the interconnectedness of creative pursuits and personal growth. Heidi shares important moments of reconnection with her past and influential figures, weaving a narrative of the importance of serendipity and openness to new perspectives. Through her story, Heidi exemplifies resilience, creativity, and the transformative power of embracing life's unpredictable turns.An intimate and heartwarming interview with a talented artist who has a plethora of global experience. Out of the Clouds website: https://outoftheclouds.com/Out of the Clouds on Instagram: https://www.instagram.com/_outofthecloudsThe Mettā View website: https://avm.consulting/metta-viewAnne on Instagram: https://www.instagram.com/annvi/Anne on Threads: https://www.threads.net/@annviAnne on LinkedIn: https://www.linkedin.com/in/anne-v-muhlethaler/Heidi's website: https://heidilender.com/Camp Garzon: https://campogarzon.org/Heidi on Instagram: https://www.instagram.com/heidilenderHeidi on LinkedIn: https://www.linkedin.com/in/heidi-lender/Argentinian chef Francis Mallmann: https://en.wikipedia.org/wiki/Francis_MallmannRestaurant Garzon: https://www.restaurantegarzon.com/W magazine: https://www.wmagazine.com/Women's wear daily: https://wwd.com/Us Magazine: https://www.usmagazine.com/Ashtanga Yoga: https://en.wikipedia.org/wiki/Ashtanga_vinyasa_yogaJohn Berlinsky: https://www.mettayogastudio.com/john-berlinskyK. Patthabi Jois: https://en.wikipedia.org/wiki/K._Pattabhi_JoisPunta del Este: https://en.wikipedia.org/wiki/Punta_del_EsteThe beheaded goddess book: https://www.amazon.com/Beheaded-Goddess-Daughters-Narcissistic-Fathers-ebook/dp/B007Y9L8Z6Rafael Vignoli, the architect: https://en.wikipedia.org/wiki/Rafael_Vi%C3%B1olyDesiree, you gotta be: https://open.spotify.com/track/6CU0zWIWVTEnmWpSjVHM93?si=66f28c3e590a4eb2Ain't no mountain, Diana Ross version: https://open.spotify.com/playlist/4Viqm1uiiHtM5Y0FwTCtFR?si=a5cc9dfe19634c0fJames McBride: https://en.wikipedia.org/wiki/James_McBride_(writer)Tommy Orange: https://en.wikipedia.org/wiki/Tommy_OrangeCAF 8 Virtual Film Forum - Aquí está el enlace actualizado para Film Forum: https://us06web.zoom.us/webinar/register/WN_1utIIAFPToi3gKu-CVvlagLink to donate and support Campo: https://campogarzon.org/support/ This episode is brought to you by AVM Consulting Struggling to connect with your audience? Feeling disconnected from your brand's purpose? Is motivating your team becoming a daunting task?AVM Consulting offers a unique blend of coaching, consulting, and storytelling services designed to help your brand connect authentically, align with your values, and inspire your team to achieve greatness.With a track record of success in working with fashion and luxury partners worldwide, AVM Consulting, led by industry expert and certified coach Anne Mühlethaler, is your trusted partner in achieving your brand's vision. Ready to transform your brand and drive meaningful change? Don't wait any longer. We like to make magic happen.FIND OUT MORE ABOUT AVM CONSULTING HERE. ***If you enjoyed this episode, click subscribe for more, and consider writing a review of the show on Apple Podcasts, we really appreciate your support and feedback. And thank you so much for listening!  For all notes and transcripts, please visit Out Of The Clouds on Simplecast - https://out-of-the-clouds.simplecast.com/   Sign up for Anne's email newsletter for more from Out of the Clouds at https://annevmuhlethaler.com.  Follow Anne and Out of the Clouds: IG: @_outoftheclouds or  @annvi  Or on Threads @annviOn Youtube @OutoftheClouds For more, you can read and subscribe to Anne's Substack, the Mettā View, her weekly dose of insights on coaching, brand development, the future of work, and storytelling, with a hint of mindfulness.

1574, and a baby girl on board a ship fleeing from France, arrives in London. Esther Inglis went on to become a successful Tudor bookmaker and artist and Eleanor Chan argues that the inclusion of psalm music in the self portraits created by Inglis is a coded way of symbolising belonging at a time of religious strife. The essay draws on research done by New Generation Thinker Eleanor Chan, who has been working as a Leverhulme Early Career Fellow at the University of Manchester and the Warburg Institute. Work by Esther Inglis is included in the exhibition Now You See Us: Women Artists in Britain 1520–1920 which runs at Tate Britain until October 13th 2024 You can hear more about Tudor music and art in a Free Thinking episode called a Lively Tudor World which features Eleanor Chan and Christina Faraday. It's available on BBC Sounds. You can also find Eleanor Chan's Essay about another Tudor composer - The discordant tale of Thomas Weelkes. Producer: Luke Mulhall

A true gift to bring on my boys Jacob Lie and Greg Warner to discuss pick-up artist techniques and the sexual proclivities of Bram Stoker. Follow Jacob and Greg on Instagram. Edvard Munch: "Self-Portrait with a Bottle of Wine" Walt Whitman: "Earth, My Likeness" Produced by G34 Productions and filmed at Grove 34 in Astoria, Queens.

"From Steel Pulse to Wu-Tang: A Festival of Musical Diversity"Larry Mishkin discusses a review of various experiences and performances, starting with a cannabis event called "Miracle in Mundelein," which took place over the past weekend. The main focus of the review is a discussion of a Grateful Dead show from September 9, 1987, at the Providence Civic Center in Rhode Island. The show was notable for being the second night of a three-show run, marking the opening of the Grateful Dead's 1987 East Coast fall tour.Key highlights include:"Hey Pocky Way" Performance: This was the first time the Grateful Dead performed the song "Hey Pocky Way," which is originally by the Meters, a New Orleans funk band. The song became a fan favorite, primarily due to the influence of Brent Mydland, the band's keyboardist. However, the song fell out of rotation after Brent's death in 1990."Jack Straw" Performance: Another song featured was "Jack Straw," a Grateful Dead classic written by Bob Weir and Robert Hunter. It was originally performed in 1971 and became a staple in the band's setlists. The song was performed in the second spot of the setlist during the 1987 show, indicating the band's tendency to feature it early in their concerts.Music News Segment: The transcript also includes a segment on music news, which starts with a brief history of the band Cheap Trick, particularly their song "I Want You to Want Me."Review of the Miracle in Mundelein Festival: The review shifts to discussing the recent "Miracle in Mundelein" festival, where several acts performed:Steel Pulse: A roots reggae band from Birmingham, England, who delivered a lively and energetic performance.The Soul Rebels: A New Orleans brass band known for their energetic live shows and collaborations with major artists. Their set featured Raekwon and GZA from the Wu-Tang Clan, adding a strong hip-hop element to the performance.Wiz Khalifa: The headliner of the event, Wiz Khalifa, is praised for his stage presence and connection with the audience. The review notes his strong advocacy for cannabis and how his music resonated well with the crowd.Overall, the review captures the blend of nostalgia with the Grateful Dead's classic performances and the fresh, dynamic energy of the Miracle in Mundelein festival, highlighting both the music and the culture of cannabis.https://www.cheaptrick.com/ Grateful DeadSeptember 9, 1987 (37 years ago)Providence Civic CenterProvidence, Rhode IslandGrateful Dead Live at Providence Civic Center on 1987-09-09 : Free Borrow & Streaming : Internet Archive Second night of a three show run, the opening shows of 1987 East Cost fall tour.  INTRO:                                 Hey Pocky Way                                                Track #1                                                :35 – 2:03 First time ever played Hey Pocky Way was written by George Porter Jr., Leo Nocentelli, Art Neville & Joseph Modeliste, founding members of The Meters, an American funk band formed in 1965 in New Orleans by Modeliste (drums), Porter Jr. (bass), Nocentelli (guitar) and Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Song was released on Rejuvenation the band's fifth studio album in 1974. In 2003, the album was ranked number 138 on Rolling Stone magazine's list of the 500 greatest albums of all time,[6] and 139 in a 2012 revised list. Beginning with this show, the Dead began to feature Hey Pocky Way, usually as a show opener.  Sung by Brent who really got into it with both his keyboard playing and strong singing, it  became a fan favorite.  But as a Brent influenced tune, it died when he did. Played:  25 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast: July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (Brent's second to last show)  SHOW No. 1:                    Jack Straw                                                Track #2                                                4:00 – 5:50 "Jack Straw"  written by Bob Weir and Robert Hunter. The track first appeared on the album Europe '72. The song was first performed in concert on October 19, 1971, in Minneapolis, Minnesota at new keyboardist Keith Godchaux's first appearance with the band. In the song's earliest performances (c. 1971–72), Weir sang all of the vocals. By the time the 'Europe 72' version was recorded, (at the Olympia Theater in Paris on 5-03-72), Weir and Jerry Garcia were switching up the vocals - as they had on April 26th when 'Hundred Year Hall' was recorded. The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding an abstract opening jam prior to the song's first verse.[1] Bob Weir stated in a 2004 interview that the song's lyrics were partly based on John Steinbeck's novel Of Mice and Men.[2] The song's themes include riding the rails, the Great Depression, and hobo (homeless) camps of the era. Jack Straw is also—perhaps coincidentally—the name of the original plantation owner, who lived controversially with his gay lover, Peter Ochello, in Tennessee Williams's play Cat on a Hot Tin Roof.[3] Always a great song to hear in concert, the fans loved it and it was always an omen of good things to come in the show. Played:  477 timesFirst:  October 19, 1971 at Northrop Auditorium, Minneapolis, MN, USALast:  July 8, 1995 at Soldier Field in Chicago MUSIC NEWS Miracle In Mundelein – second year of the festival in Mundelein a suburb northwest of Chicago.  Missed last year with JRAD but made it this year on Saturday with my sons Jonathan and Daniel, Jonathan's fiancé, Bella and Daniel's buddy AJ.  Different theme to this year's music focusing on hip hop and rap, not part of my regular music, but certainly a key genre for Daniel and AJ who filled me on details during the show. Acts:Steel Pulse - Steel Pulse are a roots reggae band from the Handsworth area of Birmingham, England. They originally formed at Handsworth Wood Boys School, and were composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass); along with Basil's brother Colin briefly on drums and Mykaell Riley (vocals, percussion). Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album. They were initially refused live dates in Caribbean venues in Birmingham due to their Rastafarian beliefs. During the popularization of punk rock in the mid-1970's, Steel Pulse began to play punk venues such as the Hope and Anchor in London and The Electric Circus in Manchester in 1976.[1] Aligning themselves closely with the Rock Against Racism organization and featuring in its first music festival in early 1978, they chose to tour with sympathetic elements of the punk movement,[1] including the Stranglers and XTC. Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Fun set that was in progress when we arrived, great sound and lots of energy that kept the crowd moving. The Soul Rebels - The Soul Rebels (also Soul Rebels Brass Band, Soul Rebels or The Rebels) are an eight-piece New Orleans based brass ensemble that incorporate elements of soul, jazz, funk, hip-hop, rock and pop music within a contemporary brass band framework.  Starting out as a local New Orleans favorite, The Soul Rebels have evolved into collaborating live with major artists in all worlds of music including:Katy PerryNasMetallicaGreen DayTrombone ShortyProdigyString Cheese IncidentUmphrey's McGeeGalacticSuzanne VegaEurythmicsLettuceGov't Mule                                               And many more The band has built its career around an eclectic live show that harnesses the power of horns and percussion in a funky party-like atmosphere. The band routinely plays over 250 shows a year. They have been described by the Village Voice as "the missing link between Public Enemy and Louis Armstrong.  The Soul Rebels consist of percussionists and founding members Lumar LeBlanc and Derrick Moss, trumpet players Julian Gosin and Marcus Hubbard, trombonists Corey Peyton and Paul Robertson, saxophonist Erion Williams, and sousaphonist Manuel Perkins Jr.                                                 On Saturday, they featured Raekwon and GZA from Wu Tang Clan.                                      RAEKWON - Corey Woods[2] (born January 12, 1970),[3][4] better known by his stage name Raekwon (/reɪˈkwɒn/, ray-KWON), is an American rapper. He rose to prominence as a founding member of the hip-hop group Wu-Tang Clan, which achieved mainstream success following the release of their debut album, Enter the Wu-Tang (36 Chambers), in 1993. Raekwon would subsequently pursue a solo career, releasing his first solo album, entitled Only Built 4 Cuban Linx..., in 1995. The album received critical acclaim, and is regarded by many critics as one of the greatest hip-hop albums of all time, as well as a staple of 1990s rap.                                     Raekwon attributes the name Raekwon to the Five-Percent Nation, an offshoot of the Nation of Islam, when he was a "young kid."[11] He converted to Islam in 2009.                                     Growing up, he witnessed his mother being hit and abused by different men, an experience which he said "affected [him] a lot."[10] As a young man, his mother kicked him out of their Park Hill home when Raekwon got into an argument with her boyfriend and his mother sided with the boyfriend. During this time, he spiraled into a pattern of hopelessness and violent behavior.[8] He became addicted to cocaine and crack cocaine until he became aware of how the crack epidemic was affecting those around him, at which point "it was an automatic stop."[10]Raekwon and rap partner Ghostface Killah attended junior high school together on Staten Island.[14] Raekwon attended New Dorp High School, where he befriended rappers Remedy, Method Man and Inspectah Deck.[15]             Woods first rapped as Sha Raider. In 1992, he joined the Wu-Tang Clan, an originally nine-member rap group drawing mainly from the Staten Island but also from the Brooklyn boroughs of New York City. He rapped as Raekwon The Chef, and also used the aliases Lex Diamonds, Shallah Raekwon, and Louis Rich. After being caught in a crossfire and accidentally shot four times, Raekwon began rapping in earnest. He later described being shot as an "important eye opener." In September 2009, MTV ranked Raekwon tenth among "hottest" rappers. In December, HipHopDx's 2009 awards named Only Built For Cuban Linx... Pt. II album of the year, calling it "the Hip Hop equivalent to The Godfather 2, with Rae as revitalized as Marlon was". Raekwon won Emcee of the Year—the prior year, Nas won—while HipHopDX staff explained, Raekwon brought it back to lyrical, dope rap. He released an album that spoke to teens, twenty-somethings, thirty-somethings, and beyond. Without compromising, the Chef made an edgy Hip Hop record that refused to bastardize the catalog he laid down 15 years ago. On top of that, Rae (along with Ghostface) was a go-to for numerous rappers making albums, ranging from the Playaz Circle to Jadakiss to BK One. That's beyond real, as was a year filled with performing in arenas, clubs and even churches. When it came to mastering the ceremony, Rae had 'em all following the leader.[28]— HipHopDX GZA - Gary Eldridge Grice[2] (born August 22, 1966), better known by his stage names GZA (/ˈdʒɪzə/JIZ-ə) and The Genius,[3] is an American rapper. A founding member of the hip hop group Wu-Tang Clan, GZA is the group's "spiritual head", being both the first member in the group to receive a record deal and being the oldest member.[4] He has appeared on his fellow Wu-Tang members' solo projects, and has maintained a successful solo career starting with his second album Liquid Swords (1995). His lyrical style often dismisses typical rap story lines in favor of science and wide-ranging philosophies and has been characterized as "armed with sharp metaphors and a smooth flow".[5][6][7][8] An analysis of GZA's lyrics found that he has the second largest vocabulary in popular hip hop music.[9][10] He teamed up with an education group to promote science education in New York City through hip hop. In 1992, GZA joined the Wu-Tang Clan, a group of nine, formed by his cousin RZA. GZA had some high-profile appearances on the group's debut album, Enter the Wu-Tang (36 Chambers) (1993), including a solo track, "Clan in da Front".[22] This, combined with appearances on other Clan members' albums such as Return to the 36 Chambers: The Dirty Version (1995) and Only Built 4 Cuban Linx... (1995) brought him much recognition. According to Method Man, "we form like Voltron and GZA happens to be the head".                         The combination of the Soul Rebels beat and Raekwon's and GZA's rapping made for an exceptional set of music that caught me off guard but was worth the price of admission.  With lots of cannabis references scattered throughout their lyrics and stage talk, they were a perfect match for this festival. Wiz Khalifa - Cameron Jibril Thomaz (born September 8, 1987),[2] better known by his stage name Wiz Khalifa, is an American rapper from Pittsburgh, Pennsylvania. He signed with the local independent label Rostrum Records to release his debut studio album, Show and Prove (2006). His contract entered a short-lived joint venture with Warner Bros. Records the following year. His Eurodance-influenced 2008 single, "Say Yeah" received urban radio airplay and entered both the Rhythmic Top 40 and Hot Rap Songs charts, becoming his first minor hit.[3] Outside of music, Thomaz has delved into acting with television roles in Dickinson and The Eric Andre Show, the lead role alongside Snoop Dogg in the 2012 stoner comedy film Mac & Devin Go to High School, and voice roles in the animated series American Dad!, Duncanville, and Big City Greens. Thomaz founded the record label Taylor Gang Entertainment in 2008, through which he has signed artists including Juicy J, Ty Dolla Sign, and Berner. Known for his abundant usage of cannabis, Thomaz launched his own cannabis brand, Khalifa Kush, in 2016, which expanded for release in nationwide dispensaries in 2022. His stage name is derived from Khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy.[10] Khalifa stated to Spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got a tattoo of his stage name on his 17th birthday.[11][12] By the age of 15, he was regularly recording his music at a local studio called I.D. Labs.[13] Impressed by the young teen's talent, E. Dan, the owner of the studio offered Khalifa an intern job at the studio in exchange for free recording time. Dan, being a veteran of the Pittsburgh hip-hop scene, would help develop and mentor the young artist early on in his career. He was the headliner and lived up to the billing.  Great tunes, great stage presence, great spokesperson for cannabis.  My first experience with his music and it was very positive. A great musical education for me with my tutors, Daniel and AJ. More in MJ News  Herbie Flowers  RIPJerry Miller  RIPGoose this week at the Salt Shed, Thursday and Friday   SHOW No. 2:                    Greatest Story Ever Told                                                Track #9                                                3:25 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #10                                                0:00 – 1:33 Greatest Story – written by Hunter/Bobby/Mickey, originally called “The Pump Song” on Mickey Hart's 1972 album Rolling Thunder.  As the opening tune of Ace, it is called Greatest Story Ever Told.  But this isn't about that song.  Here, it is the lead-in to a first set couple of “extras” thrown in for some fun. "Devil with a Blue Dress On" (also known as "Devil with the Blue Dress") is a song written by Shorty Long and William "Mickey" Stevenson, first performed by Long and released as a single in 1964. A later version recorded by Mitch Ryder and The Detroit Wheels in 1966 peaked at No. 4 on the U.S. Billboard Hot 100.  "Devil with the Blue Dress" was originally released as Shorty Long's debut single on Motown in 1964, but the single failed to chart. The song describes a femme fatale in a blue dress and not an actual devil.[2] Two years later, Mitch Ryder and The Detroit Wheels recorded the song at Bell Sound Studios in New York City[3] as a medley with an original arrangement of Little Richard's "Good Golly, Miss Molly". Their version, released on their album, “Breakout . . . . !”,  was notably more up-tempo than Long's more blues-influenced rendition.[2] Reaching No. 4 on the Hot 100, their version of the track would end up becoming their most well-known and highest charting hit in the United States. Rolling Stone Magazine ranked it No. 428 on their list of Top 500 Songs of All Time. Basically, another great cover to showcase Brent's singing and keyboard skills.  This was the first of 3 times the Dead covered the song.  Another fun diversion by the band that kept the Deadheads guessing and not wanting to ever miss a show. The transition out of Greatest Story is seamless and makes it so you can't hear the end of Greatest Story without hearing the signature beat of Devil making it a “natural” fit. Played – 3 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  SHOW No. 3:                    Good Golly Miss Molly                                                Track #11                                                0:00 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #12                                                0:00 – 0:51"Good Golly, Miss Molly" is a rock 'n' roll song first recorded in 1956 by American musician Little Richard and released in January 1958 as single on the Specialty label, and later on the album, Little Richard in July 1958.[1] The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first (in 1957), Little Richard had the hit, reaching No. 4.[2] Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 92 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time. Little Richard first heard the phrase "Good golly, Miss Molly" from a Southern DJ named Jimmy Pennick.[4] He modified the lyrics into the more suggestive "Good golly, Miss Molly/You sure like to ball." Little Richard himself later claimed that he took Ike Turner's piano intro from his influential 1951 rock and roll song "Rocket 88", and used it for "Good Golly, Miss Molly".[5] "I always liked that record," Richard recalled, "and I used to use the riff in my act, so when we were looking for a lead-in to 'Good Golly, Miss Molly', I did that and it fit." In 1966, Mitch Ryder and the Detroit Wheels incorporated "Good Golly Miss Molly" into their version of "Devil with a Blue Dress On". Their version scored a major hit, not only in Ryder's native Detroit, but nationwide, placing at No. 4 on the Billboard Top 100. As with Devil, a Brent thing.  Unfortunately, it was only around for a month.  Then vanished from the Dead's playlist thereafter.  Played:  3 times, makes senseFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  MJ NEWS:             Miracle in Mudelein – a great event sponsored by Rise Dispensaries and Rhythm cultivators.  Second year, featuring great music, excellent food and drink and too many booths for dabbing from various types of rigs including a Studenglass Gravity Bong – my first time using one and it is not your father's four foot Graffix bong!  Daniel and AJ were all over it and as it turned out, the wait in line was well worth the experience.  Rather than try to explain it to you, just Google Gravity Bong and see for yourself!  Great high.             Miracle is that Lake County, a more conservative leaning county, and Mundelein permitted the event.  Attendees can bring in their own flower or extracts (supposedly only if purchased at an Illinois dispensary), smoking accessories, etc.  Rise also was selling products at the show.             A wonderful thing to attend an event and not have to hide and smuggle in your cannabis.  People lighting up everywhere, offering to share, talking strains, etc.  Police were there to keep order and otherwise let it all go on.  Very professional.             Excellent mellow crowd (what else would you expect?).  Well run.  Shot joints out of a canon.  A wonderful day and experience for those who enjoy cannabis, especially not having to hide it or pretend you don't have any when everyone knows attendees are smuggling it in anyway.             A great way to promote cannabis and help normalize it within the community.  And a fun event to be able to share with my boys, Bella and AJ.  Fun had by all.  SHOW No. 4:                    Not Fade Away                                                Track #24 (NOTE – this song is listed as Track #23 AND #24, be sure to use #24)                                                0:00 – end "Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality[3]) and first recorded by Holly and his band, the Crickets. Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded.[1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, "Not Fade Away" was originally released as the B-side of the hit single "Oh, Boy!" on 10.27.1957 and was included on the album The "Chirping" Crickets (1957). The Crickets' recording never charted as a single. In 2004, this song was ranked number 107 on Rolling Stone's list of "The 500 Greatest Songs of All Time". The song is closely associated with the Grateful Dead as one of their signature tunes—one which the band transformed from Holly's 1950s boy/girl romanticism to one reflecting the 1960s' more spiritual universal love. Their 1971 recording of the song is included on their second live album, Skull and Roses, paired with Going Down The Road Feeling Bad, a regular happening in the early ‘70's. Primarily a second set tune that used to show up in the second half of the second set after Drums-Space.  Beginning in 1983, the Dead began to play it as the second set closer, trailing off with “Love is real will not fade away” as they exited the stage.  A few years later, the Deadheads starting chanting the line as the Dead left the stage and in some cases, kept it up until the band reappeared for their encore, when the band would pick back up on the beat and play it for another minute or so before their encore tune, such as with this show.    Great example of the Deadheads making their mark on the show and the band being tuned in enough to play along with it.  Although sometimes if the Dead took too long to come out for the encore, the chanting would start to fade off.  And sometimes even when the chant made it all the way to the band's return on stage, the band would ignore it and just dive straight into their encore.  Fun when it all came together like this show. Played:  561 timesFirst:  February 19, 1969 at Fillmore West, San Francisco, CA, USALast:  July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis) OUTRO:                               The Mighty Quinn                                                Track #25                                                2:11 – 3:48 Bob Dylan wrote and first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years.  The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann, from their album Mighty Garvey, and became a great success. A demo of 14 of the 1967 Basement Tapes recordings, including the first of two takes of "Quinn the Eskimo (The Mighty Quinn)", was produced in 1968, but was not intended for release. Recordings taken from the demos began appearing on bootlegs, starting with Great White Wonder,[7] a double-album bootleg that came out in July 1969. The first official release of the song was in 1970 on Dylan's Self Portrait album,[14] a live recording from 1969's Isle of Wight Festival. The live version (titled "The Mighty Quinn (Quinn the Eskimo)") was also selected in 1971 for the second compilation of Dylan's career, Bob Dylan's Greatest Hits Vol. II. Covered by:  the Hollies, Leon Russell and Phish, among others. Although they never played the song with Bob Dylan, the Grateful Dead started playing "The Mighty Quinn" in concert in 1985. It became a favorite encore among the Grateful Dead's fans, and remained so to the end of their career. Last verses, end with, “when Quinn the Eskimo gets here, everybody's gonna want to doze” but the Deadheads heard it as “dose” and always gave it a big cheer. Played:  59 timesFirst:  December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  Shoutouts: Lary Vinocur – birthdayElena Mishkin – birthday .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Sue is 69 and was diagnosed autistic less than a year ago at the age of 68. Ironically, her working life was spent with autistic children and young adults; coincidence? Probably not.  Born in 1955, an only child to parents who had been wounded and traumatised by their experiences in WW2. Sue was loved, but she was not the child they imagined or hoped for, with her anger, meltdowns and over-sensitivities, her school anxieties and loneliness, but autism wasn't even a thing then.   In 2018, when Sue's own children were in their mid and late twenties, they suggested to her that she might be autistic - after both realising that they were autistic. Before they could explore this further together, lockdown came and in 2020 Sue's beautiful, talented son died of an accidental overdose. She has no doubt his use of drugs were very much a coping strategy which went very very wrong, and wonders how many undiagnosed autistic people don't show up on the statistics for early deaths or other misadventures.  Sue finds herself now coming to terms with her own diagnosis, against a background of guilt and shame and grief at not having recognised it before - particularly in her own children; particularly for her son. Looking forward, Sue is concerned for her future as she knows that recognition of autism in women of her age is still very low, and that there must be so many undiagnosed and unrecognised autistic people already in care homes and hospitals. Hopefully well before she needs it, Sue is going to write a Self Portrait, explaining those things which will make all the difference to her own well-being.  Sue's relationship with the natural world has been a constant and deeply regulating relationship throughout her entire life.  And she knows she will not thrive without time in the natural world. She will not thrive if she's forced to sit in a communal lounge with daytime tv blaring. Sue will need there to be quiet spaces and low lighting and books and ´my' food and no labels in her clothing and so much more.  Sue thinks we could all be writing our own self portraits, now,  before we need them, otherwise we're at the mercy of others to decide what would be ´good' for us - just as we were at school. Sue has been deeply moved, reassured and inspired by the stories on the podcast and having the opportunity to speak and share her story - our 50th episode! - with what feels like her own authentic voice, for the first time in her life, she says has been an ‘extraordinary' experience. Follow Sue on ⁠Instagram⁠ Upcoming Circles and Events ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our October Post Discovery Support Circle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Join 'The Relational Space'⁠⁠⁠⁠⁠ Circle⁠ ⁠Join our 'In Conversation Event' Autism Assessments⁠ 3 ways you can support the podcast and the work we do... Become a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠member⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, champion or partner and join our growing community. Buy us a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠coffee.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rate & review⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the show or an episode Thank you to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Community Partners ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠who are supporting the work that we are doing. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠A Tidy Mind⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Growth Pod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Hormones On The Blink ⁠⁠⁠⁠⁠⁠⁠ The Late Discovered Club is hosted by Catherine Asta and edited by Caty Ava - visit our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠www.thelatediscoveredclub.com⁠⁠ Contact ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Catherine Asta⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Allora⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Asta Community of Professionals⁠⁠⁠⁠

Frida Kahlo was one of the most iconic and influential artists of the 20th century. From her tumultuous childhood in Mexico to her groundbreaking work that challenged conventions and captured the human spirit, Frida's story is one of resilience, passion, and unapologetic self-expression. We dig into the events that shaped her — including her near-fatal accident and complex relationship with Diego Rivera — and how they fueled her creative genius. Discover the symbolism behind her most famous works, her role in the feminist movement, and the legacy she left behind as an enduring symbol of strength and individuality. Follow us on IG: @homance_chronicles Connect with us: linktr.ee/homance Send us a Hoe of History request: homancepodcast@gmail.com  

Monica Michelle is joined by artist Kyrianna Bolles.Kyrianna lives with chronic pain.In this episode, Monica and Kyrianna discuss: Kyrianna's struggle to be accommodated for her pain throughout school yearsHow Kyrianna uses her portraits to help represent other's chronic conditionsThe communities Kyrianna has built, from a college support group to an artist collectiveKyrianna's favorite tools for art and chronic painTIMESTAMPS00:00 Intro to Kyrianna 10:45 Kyrianna's self portraits 24:42 Kyrianna's Support group 33:40 Animus45:57 Kyriannas favorite support tools The full transcript and all links mentioned can be found on the episode page on invisiblenotbroken.com Hosted on Acast. See acast.com/privacy for more information.

How could Vincent have been a creative genius - yet also "insane?" Jeb and Blake take a look at Nimoy's very personal thoughts about this question. This episode deals with the topic of self-harm and suicide. If you're struggling with thoughts of self harm, please get help immediately.  You can reach trained and empathetic counselors (in the USA) by dialing 988 or 1-800-273-TALK.  We care about our listeners and want you to be around for many years to enjoy life - and our work.   Links for Show Notes: Nimoy's play VINCENT via Archive 81 Words - This American Life on the DSM  The Book of Kells Bullshit or Not? Was JTR really Nessie? Article on Jo Bonger The Golden Gate Quartet Weird Al's Skipper Dan (YouTube) Doctor Who clip of Vincent at the art gallery Early montage sequence shows: Self Portrait (1888) Starry Night (1889) Vase with 15 Sunflowers (1888) Bedroom at Arles (1888) Night Cafe in the Place Lamartine in Arles (1888) Encampment of gypsies with caravans (1888) Langlois Bridge at Arles (1888) Fishing boats on the beach at Saintes Maries  Wheat FIeld with Cypresses (1880)  You can find all these and more at the online Van Gogh museum.             Meanwhile... Could Manos be loosely based on Paul and Vincent?

This episode is brought to you by CHANEL. CHANEL Connects – the acclaimed arts and culture podcast – is back for its fourth season, with nine episodes featuring the artists, curators and thinkers shaping culture today. If you enjoy the episode, you can hear much more from the new season, just search CHANEL Connects now on your preferred streaming platforms or visit chanel.com.   The artist William Kentridge and curator Carolyn Christov-Bakargiev are old friends who, together, have created some of the most resonant work of their time. These two giants of the art world discuss the Venice installation of William's film “Self-Portrait as a Coffee Pot,” Carolyn‘s previous work as director of the Castello di Rivoli museum in Italy, and the origins of their long and rich creative relationship. Learn more about your ad choices. Visit podcastchoices.com/adchoices

To celebrate reaching 450 episodes, Peter looks at the philosophical resonance of two famous artworks from the turn of the 16th century: Dürer's Self-Portrait and Michelangelo's paintings in the Sistine Chapel.