Podcasts about western art

[Western Art] Executive editor Michael Clawson joins host and co-publisher Adolfo Castillo as they discuss the July 2025 issue of Western Art Collector. They chat about features on painter Dan Knepper and sculptors Stephanie Reveannaugh and Dustin Payne. The issue also has special sections on Western sculpture and a destination guide to the state of Wyoming, which includes coverage of Jackson Hole, Cody, Cheyenne and Sheridan. Today's episode is sponsored by Michigan's Muskegon Museum of Art and The Bennett Prize, which celebrates women artists. To learn more about these two sponsors and their long-standing partnership in the art world, visit  thebennettprize.org.

[Western Art] We have three special artists joining the show: returning guests Logan Maxwell Hagege and Josh Elliott, and first-time guest Glenn Dean. All three painters will be showing new work at the exhibition Sun Brothers: Dean, Elliott, Hagege in the Land of Enchantment at the Couse-Sharp Historic Site. The show opens June 27 in Taos, New Mexico. The three painters talk about their long friendship, the business of art and their unique painting styles. Today's episode is sponsored by Michigan's Muskegon Museum of Art and The Bennett Prize, which celebrates women artists. To learn more about these two sponsors and their long-standing partnership in the art world, visit  thebennettprize.org.

Ep. 248 Adrienne L. Childs is an independent scholar, art historian, and curator. She is Senior Consulting Curator at The Phillips Collection. Her current book is an exploration of Black figures in European decorative arts entitled Ornamental Blackness: The Black Figure in European Decorative Arts, published by Yale University Press. She is currently co-curator of Vivian Browne: My Kind of Protest for The Phillips Collection. She recently co-curated The Colour of Anxiety: Race, Sexuality and Disorder in Victorian Sculpture at The Henry Moore Institute in Leeds, England. She was the guest curator of Riffs and Relations: African American Artists and the European Modernist Tradition at The Phillips Collection in Washington DC, 2020. In April 2022 The High Museum of Art awarded Childs the 2022 Driskell Prize in recognition of her contribution to African American art and art history. Childs co-curated The Black Figure in the European Imaginary at The Cornell Fine Arts Museum at Rollins College in 2017. She is co-editor of the volume essays Blacks and Blackness in European Art of the Long Nineteenth Century, Routledge. She also contributed an essay on art and activism to Volume V, part II of The Image of the Black in Western Art edited by Henry Louis Gates, Jr. and David Bindman. As former curator at the David C. Driskell Center at the University of Maryland she curated many exhibitions including Her Story: Lithographs by Margo Humphrey; Arabesque: The Art of Stephanie Pogue; Creative Spirit: The Art of David C. Driskell and Tradition Redefined: The Larry and Brenda Thompson Collection of African American Art. Childs holds a BA from Georgetown University, an MBA from Howard University and a PhD in the History of Art from the University of Maryland. Photocredit: Rodrigo Salido Moulinié  Website https://www.adriennelchilds.com/ Phillips Collection  Vivian Browne: My Kind of Protest |The Phillips Collection https://www.phillipscollection.org/sites/default/files/2025-04/phillips-collection-presents-vivian-browne-my-kind-of-protest-press-release.pdf  https://www.phillipscollection.org/press/phillips-collection-presents-multiplicity-blackness-contemporary-american-collage https://www.phillipscollection.org/event/2020-02-28-riffs-and-relations-african-american-artists-and-european-modernist-tradition Ornamental Blackness https://www.ornamentalblackness.com/ The Driskell Center https://driskellcenter.umd.edu/news/former-driskell-center-curator-adrienne-childs-phd-wins-2022-driskell-prize High Museum https://high.org/driskell-prize/adrienne-l-childs/ The Clark https://www.clarkart.edu/fellow/detail/adrienne-childs-(1) Courtauld https://courtauld.ac.uk/whats-on/reconsidering-riffs-and-relations/ Columbia University https://abolitionism.universityseminars.columbia.edu/people/adrienne-l-childs The Wadsworth https://www.thewadsworth.org/event/public-lecture-pearl-drops-and-blackamoors-the-black-body-and-pearlescent-adornment-in-european-art-with-adrienne-l-childs/ ARTnews https://www.artnews.com/art-news/news/adrienne-l-childs-david-c-driskell-prize-high-museum-1234620561/ Culture Type https://www.culturetype.com/tag/adrienne-l-childs/Enfilade  https://enfilade18thc.com/2024/09/20/lecture-adrienne-childs-on-pearl-drops-and-blackamoors/ MontclairArt Museum https://www.montclairartmuseum.org/press/press-room/montclair-art-museum-presents-landmark-exhibition-century-100-years-black-art-mam Portland Museum https://www.portlandmuseum.org/eventscalendar/2021-bernard-osher-lecture Journal Panorama https://journalpanorama.org/article/riffs-and-relations/ AHNCA https://ahnca.org/event/the-colour-of-anxiety-race-sexuality-and-disorder-in-victorian-sculpture/

In this episode of the Weinberg in the World podcast, Aimee Resnick '26 interviews Priscilla Vail-Caldwell '85, founder of Vail-Caldwell Projects. Priscilla shares her undergraduate experiences at Northwestern, including impactful classes and internships that shaped her career in the arts. She discusses her current role as an advisor and curator, helping clients build art collections with a focus on research and quality. Aimee: Welcome to the Weinberg in the World Podcast, where we bring you stories of interdisciplinary thinking in today's complex world. My name is Aimee Resnick and I am your student host of the special podcast episode. I'm a senior studying social policy at Northwestern University who plans to pursue public administration in my home state of Colorado. Today, I'm very excited to be speaking with Priscilla Vail-Caldwell, who is the founder of the consulting firm, Vail-Caldwell Projects. Thank you, Priscilla for taking the time to speak with me today. Priscilla: Thank you, Aimee, for having me. Aimee: Of course. To start us off today, we were wondering if you can just tell us a little bit more about your time at Northwestern as an undergraduate in terms of what did you study and what were the impactful experiences you had at Northwestern that led you to your current career? Priscilla: I think one thing to note is that I came to Northwestern following a year of study abroad in France. As a senior, I studied in France, and then I came to Northwestern with an idea that I wanted to be at a big university near a city. Logistics had something to do with actually my choice of university, and I think it had to do with the fact that I had this experience that had really kind of opened my mind up about the world, essentially. There was that, and for some reason I declared an art history major very early on in my time at Northwestern. I think as a freshman, I had already decided that that was what I was going to do. You had asked what was one of the transformative experiences that I had at school, and I was thinking that ironically, in a way, I think it may have been a studio art class that I took because it was very rigorous and I enjoyed it, and I had a lot of respect for the other students in the class who I thought were gifted than I was. And I then realized that that wasn't really what I should be doing, but I still wanted to be involved in the arts, and I wanted to be involved in art history and working with objects. I always enjoyed those big introductory courses, sort of identifying paintings, and it seemed like a game to me, really. And I enjoyed that. And then frankly, learning about history through the lens of art. That was always something that kind of compelled me. I think another thing that I did while I was on campus, and I do think this is something that big universities offer, especially ones like Northwestern that are near a city like Chicago, are the opportunities to work in different situations outside of the university campus. I always worked, while I was at Northwestern, I waitressed, I did all sorts of things in order to earn extra money, and I found a job at a gallery downtown in Chicago called Frumkin & Struve. It's no longer in existence, but at the time, it was one of the big galleries downtown. And I worked there every Saturday. And then I had time in my schedule during the week, and I would work there usually one day during the week as well. And Bill and Debbie Struve were the principals of the gallery, and they gave me a lot... I mean, for a college student, they gave me a lot of responsibility, and they really brought me into the fold in a sense. So, I was included in all sorts of things, and the dinners for the artists, and I got to meet a lot of the artists that they were working with. And it was exciting and engaging, and I thought that that seemed like the kind of life I wanted to lead. I enjoyed the interaction with the artists primarily. Aimee: Oh, I totally empathize with your studio art experience, I'm taking painting right now, and there are some incredible painters in that class. But I also wanted to just say, I think that your experience having a really meaningful internship in Chicago is a good reminder to students to look outside the Northwestern bubble for opportunities as they're going through school. And I was wondering if you could tell us a little bit more about what you do at Vail-Caldwell Projects now that you're in New York. Priscilla: Well, I'm an advisor and a curator, and I've had my own advisory business now for the last... I think it's been about eight years. I've always been in the professional... I've always been in the commercial art world, but in this iteration, I advise private people who are building collections on acquiring works of art for the collection. We're building things oftentimes from the ground up. Oftentimes, I will start working on a project with somebody and there will be nothing essentially, and we will work on that together and build something that is meaningful and very specific in every single case with every client that I work with. All my projects are very, very different. There are clients that I work with who buy only the work of one artist. There are clients that I work with who focus very specifically on certain kinds of movements in, for instance, the California Light and Space Movement. There are people who are interested in collecting works by female artists. It all ends up having very different kinds of focuses. Each one of the projects allows me to apply my research skills and learn a lot alongside whoever it is that I'm advising, oftentimes about different aspects of the art world. I see what I do, as always, very research-based and obviously sort of a search for quality and also to include different voices in any kind of project that I work on. I also have a very strong background in modern American painting. I have this kind of hybrid experience where I oftentimes advise people on the purchase of work by contemporary and emerging artists, but I have a strong background in historic American painting. Many of my curatorial projects have been focused on the works of some of the seminal painters of the 20th century. I've done a series of exhibitions at Paul Kasmin Gallery on the work of Stuart Davis. I worked with Kasmin on a number of projects. Another one was a exhibition of sculptures by Elie Nadelman, who is artist who came to the United States from Europe and is considered part of the canon of modern American painting or sculpture, really. He's not a painter, he is a sculptor. I've also done projects with smaller galleries where I've curated relevant shows of young, relatively unknown artists. And that's always fun. I enjoy doing that. That's really a wonderful way for me to dive in and learn about what's going on out there amongst a group of recent graduates. So that's always exciting and I enjoy that kind of work very, very much. And currently, I think one of the things that I've just started working on is a collaboration with a gallery in London called Pi Artworks and an artist who they represent, whose name is Jyll Bradley. So I also advise the estate of Stuart Davis. Aimee: Yes, it does. And I have a related question, which is that you mentioned having worked with a lot of different genres and periods and different artists in this realm of art history. And while you were going through your education in your early career, was there a certain artist or movement that was particularly influential or touching to you? Priscilla: I'm going to answer that question by giving you a little bit more of my background. I left Northwestern, I moved to New York, and I took a job at a small gallery. And that year of working there were like three people on staff. That was an experience that taught me that I wanted to go back to school and learn to become more expert on something. I wasn't sure exactly what that was going to be, but I needed more skills actually in order to have the sort of job in the art world that I envisioned. I was accepted at Williams, which a small... Everybody's always confused because it's a college, but it has two graduate programs, and one of them is an art history program that's associated with the Clark Art Institute. I was one of 12 students in that following year, entering in to a two-year program. I had the good fortune of... Linda Nochlin was the visiting professor at the time who, if you're not familiar with Linda Nochlin, she was, she died a few years ago, one of the great feminist revisionist art historians of her time. And so studying with Linda, I began to look into the histories of certain artists like Eva Hesse and Jackie Winsor. Eva Hesse, of course, has been dead for many, many years. Jackie Winsor just died recently. At that moment in time, and I'm still very moved by the work and very interested in it, but I was very much focused on the work of minimalist and post-minimalist female sculptors to be extremely specific. That experience studying with Linda and looking into the histories of these women and the difficulties that they faced in a world that discriminates against women was eye-opening for me. And it's informed everything that I've probably done since. Aimee: Well, that's very interesting. And I think it's fascinating how some of these formative pieces of art really brought your eye into the future and your current work. And I know at the Block Museum on campus, we've had several exhibits that kind of follow in line with the types of art that you've just described in terms of the revisionist view of art history, the modernism with their Arabic art exhibit not too long ago. And I'm going to transition us to that because you're currently a member of the Block Museum Advisory Committee, and I just want to hear more about the work that you do there and then how you use that as a way to bring volunteerism and philanthropy into your professional career. Priscilla: I have always felt that volunteering my time to certain organizations in the art world is as important as the work that I do professionally. The idea of giving back, which I think frankly is something that either is kind of... For me, it's something that was ingrained in me as a young person. I try to only align myself with organizations whose missions I agree with. And that kind of mission usually includes a sort of mentorship for young artists so that there's a teaching element, which I think is really important. And also this sense of inclusion and diversity in institutions at every level. It's not just the artists that you're showing, but also in integration into the organization itself so that it represents the world in a sense. I mean, that's kind of big, but I think you get the gist of what I'm saying. I sit on the advisory board, and I mean, I think that I help in a number of different ways, but I have a feeling that my experience in the commercial art world and my interaction with lots of different artists and different galleries helps the director and the curatorial department in different ways. I can shed some insight sometimes that is useful. And of course, there are other people on the advisory board, not just me, who have similar experiences. My colleague Steve Henry, who is a classmate of mine, is one of the directors, one of the partners, not directors at Paula Cooper Gallery here in New York, so he sits on the advisory board with me as well. I think Lisa has been very wise in the way that she's chosen the members of her board, where we all contribute important things in different ways. Aimee: Absolutely. And I'm curious, outside of the Block, what other organizations do you volunteer your time to? Priscilla: Right now, the Block is my focus, but I was for a long time on the board of an organization here in New York. It's actually on Long Island City called Sculpture Center, which is a Kunsthalle and a place that essentially acts as an exhibition space oftentimes for artists who live outside the United States to have their first museum exhibition here in the US. It's a place of discovery, I think for a lot of people. It's a place that is very research-based, and they have a very knowledgeable curatorial staff that is very involved in the international art world. They do that. And then they also do a very, what I think is a really important annual exhibition that is an open call to artists that is directed at younger emerging artists, again, who haven't exhibited in an institutional space. And there are funds provided and mentorship provided. And it's a kind of learning lab for a group of artists who then create a group show. There's also a curator who's hired from outside who comes up with a theme for the show, and then they work together to put on these annual exhibitions. And they're amazing shows, and they do great work, and it's a very rich environment. Aimee: Next time I'm in New York, I'd love to come see the gallery. That is so interesting. Priscilla: It's a beautiful space. It's a beautiful, beautiful space in Long Island City. I would be happy to take you there, so let's do that. Aimee: Thank you. Priscilla: Yeah. Aimee: I think we're going to pivot a little bit from your specific career more to the field of art history on the whole, and a big part of being in art history is curating relationships with your clients, which you mentioned previously. What is your advice for students who are looking to foster quick relationships with other people, be it interviewers, co-workers, anyone in the professional world that they need to have a really strong bond with? Priscilla: Well, I will say that when... I did a lot of research on people before I meet them, so that at least I understand what it is that they do, what some of their interests might be. I feel like... I mean, in any case, in any field, if you're going into an interview, if you're meeting somebody for the first time, if it's an important engagement of any sort, it's really good to know who it is, who you're talking to. I think first of all, I would say do your research and figure out, find some interesting things to talk about that will interest the person who you are meeting with. And also will give them a sense that you actually know who they are. I think that's always... That's just flattering for one thing, and it also makes you look like you've paid attention. I used to take every opportunity to go out and do things, and I mean, I go to a lot of openings. I get myself into situations where I will meet people. I think that it can be uncomfortable. You might not know anybody where you're going. You could feel sort of nervous and shy, but I think you have to push yourself to be in situations where you might not feel comfortable, but something will come out of it almost inevitably, and you'll walk away knowing somebody who you didn't know before, and you never know where that's going to lead you. I'm a big believer in that, and I sort of feel like I have two personas. I have the person who doesn't like to do those sorts of things, and then I have the person who has to get up in the morning and go to work and for whom it's a requirement. I think those are two bits of advice that I would have. I mean, for students at Northwestern, of course, if they're looking to create networks for themselves, I mean, they have one, right? I mean, you all have an amazing network through the university, and you have professors who want to support and help you. Again, even though I think sometimes it's difficult to push yourself to go in and talk to your professors, they are there for that reason and they want to support the student body and see them be successful and help you to find things outside of the university that will engage you and also perhaps end up being a path towards a career. I don't know if all of that necessarily answers your question, but you've got... I think sometimes you wake up in the morning and you think that you don't have the tools at your fingertips, but you do and you just have to press the button. Aimee: That's good advice. I think a lot of times students at Northwestern are too timid to take advantage of many of those resources. That's really good advice. I have a little bit of background for this last question, which is that I, myself, was an artist history major for two years, dropping the major because I realized I was never going to get a job in art history because I don't necessarily have a family background or the connections to leverage to get a job in art history. And I was just curious, understanding that art history enrollment is rapidly declining. The cover story of the Nation magazine in early April was about how art history enrollment is declining. What advice would you offer to people who might not traditionally undertake a career in art history who are interested in becoming art historians or people in the art world? Priscilla: I think that oftentimes when people approach the idea of being an art historian or being in the art world, that they don't think broadly enough about all of the different things that happen in the art world. Of course, the glamorous jobs are to be a curator at a museum and to be a director or a principal at a gallery. And frankly, not everybody... I mean, as far as gallery work is concerned, really... I mean, there's curation going on, but it's sales primarily. So that might not be for everybody for one thing. Sales is not exactly the job that everybody wants to have. But what I've been thinking about a lot recently, and certainly a lot of the people in the art world who I rely very, very heavily on and whose expertise is impressive are there are registrarial departments at galleries and museums. Those are people who work with the objects and who have to deal with whether it's insurance or packing or moving objects from one country to another. And all of these things, while it may sound less glamorous, are still very interesting and complicated. And so those are jobs, I think that certainly registrarial departments, we depend on them. They're extremely important. And they have their own networks as well, by the way. There's also art restoration and working directly with objects, which is an interesting kind of combination of the scientific and the art historical. Especially for people who are interested in the sciences, there's an application for that in the art world. And there's a lot of ways of... There's all sorts of things that happen like carbon dating and various different X-ray techniques and all sorts of things that help to say define an object isn't really what I mean. But you have to understand organic chemistry in order to be a painting conservator. I think that we should think maybe differently about the art world a little bit than we do sometimes. And art history will inform all of those things. I mean, all of those people who are working in those different departments need to understand art history. They probably wouldn't even be doing that work unless they did. But you can come at it from a different angle. And I think that that's something that should probably be more emphasized. We need more art conservators out there. We really do. And there are a lot of objects to work on. Aimee: Definitely. Definitely. And I have one more follow-up question on that, which is my worst job I ever worked was at the American Museum of Western Art. I love the museum. I think it's a beautiful museum. I love pictures of cowboys, my favorite genre, but at the same time, it was just scanning documents all day as an unpaid internship. And I think that finances are often a really big barrier to entry for people in art history, given the precedence of unpaid internships, years long fellowships where you're not compensated. I'm just going to narrow in on my question, which is what advice would you give to people from non-traditional backgrounds who want to pursue a job in art history at all? Priscilla: Well, a lot of graduate programs now are fully funded, so that might be something to explore a little bit. I know that for instance, Williams, there are a lot of... I don't know that every single one of them, but many of those students are fully funded and also receive help with living expenses, health insurance, all of their expenses are accounted for. That isn't exactly what you're asking me. But I do think that it's good to... If art history is something that you're serious about, and frankly, if something you're serious about an advanced degree is something to consider, there are programs that will essentially fully fund you to study. So that's one potential way. The art world's a little hard actually in terms of entry-level jobs, and people aren't really paid a living wage. And I would like to know a way around that, too. It's a funny thing. It does prevent a lot of people who are gifted and able and should have access to the field, it probably prevents them from entering the field and that's our loss really. Aimee: I totally agree. And hopefully, we'll see some change in that arena during our lifetimes. Priscilla: I hope so. Yeah. I wish I had a better answer to your question, but also I think that when people go in for interviews, sometimes you are hesitant to be realistic about what you need. And I do think that there's no harm in being forthright about that. That's just a practicality, and you should expect it. Aimee: Yes, self-advocacy is very important. And I think that leads us to our very last question. This is our closeout question we ask every interviewee, which is what advice would you give to a senior in college who is about to graduate? From any field, from any major, what advice do you have for young people in this transitional moment? Priscilla: Well, try not to be discouraged. The world is in upheaval right now, but it won't remain that way. Or I think that we hope that it won't, and we've got to believe that it won't. And that it's funny. This is a kind of big question right now, Aimee. Also, don't close yourself off to opportunities that may not fit exactly into the vision of what you have for yourself. I mean, we do meander sometimes, and I think that it's actually important to because you learn a lot about yourself when you sort of take a fork in the road that you didn't expect that you might. I guess proceed without fear if it's possible, and have confidence in yourself. I mean, anybody who's graduating from Northwestern has done an amazing... They're capable. You're able. You can go out there and get it done. So yeah, I guess we all just remain... I know it sounds sort of like trite, but be positive. Aimee: Absolutely. That's all we can do. All we can do is control our own- Priscilla: Yeah. And fight and stand up for the things that you believe in. Give me the opportunity. Say it, say it out loud. Say what you mean. Don't be scared that somebody might disagree with you. Aimee: Absolutely. It's tough to keep that in mind with the current challenges the university is facing, but that is very good advice. I just want to say in general, thank you so much for your great advice and for chatting with us today. I think this podcast will be so helpful to many students who are interested in either going into art history or just looking at the state of the world right now. So thank you for being with us. Priscilla: Aimee, thank you. You're a very impressive young woman, I appreciate the invitation and it was fun talking to you. Aimee: Thank you. So to all of our listeners, thank you for listening to this special episode of the Weinberg in the World Podcast. We hope you have a great day and go Cats.

[Western Art] Join us as co-publisher Adolfo Castillo interviews executive editor Michael Clawson about the June 2025 issue of Western Art Collector. They chat about a three-artist exhibition featuring Logan Maxwell Hagege, Josh Elliott and Glenn Dean, and also features on Rachel Brownlee and Chloe Marie. This issue also has our popular Women Artists section, as well as a section devoted to canyons and deserts. Today's episode is sponsored by Michigan's Muskegon Museum of Art and The Bennett Prize, which celebrates women artists. To learn more about these two sponsors and theiRachel Brownleer long-standing partnership in the art world, visit thebennettprize.org.

[Western Art] Co-publisher Wendie Martin hosts today's show with guest Michael Clawson, executive editor of Western Art Collector. They chat about the May 2025 issue of Western Art Collector, which includes features on cover artist G. Russell Case, Karl Bodmer at the Joslyn Museum and our popular New Mexico destination guide. Today's episode is sponsored by Michigan's Muskegon Museum of Art and The Bennett Prize, which celebrates women artists. To learn more about these two sponsors and their long-standing partnership in the art world, visit  thebennettprize.org.

In this episode of We're No Dam Experts, Rebecca and Shannon sit down with artist Ellyse Kieliszewski, who made the journey from Arkansas to Great Falls, Montana. Ellyse shares how her art has evolved since moving to Montana, including her debut experience at Western Art Week. Ellyse discusses how the stunning Montana landscape continues to inspire her work. Ellyse's artwork will be featured this summer at the Great Falls Farmers' Market, and she gives us the scoop on how you can find and purchase her pieces. Whether you're an art lover or simply looking for something unique to take home, this episode offers an inside look at the local art scene and one artist's journey of growth and creativity. How to find Ellyse's work: Instagram: ellyses_studio_arts Facebook: Ellyse's Studio Arts Website: ellysesstudioarts.com Email: ellysesstudioarts@gmail.com

[Western Art] Today's show features Petecia Le Fawnhawk, a multi-disciplinary artist from Arizona. Petecia's work includes design, fashion, photography, music, paintings and more—much of it focused on the evocative imagery and energy of the Desert Southwest. We talk about Petecia's time in dusty desert towns in Arizona,bbeing inspired by Georgia O'Keeffe, her move to Los Angeles and her upcoming shows, one of which is September's Far West exhibition, which she puts on with her husband, painter Mark Maggiori. Her newest show runs April 4-12, 2025, in Scottsdale, Arizona, at Amery Bohling Fine Art. This episode is sponsored by Western Art Collector. Subscribe today at westernartcollector.com.

[Western Art] Here's your rundown on the April 2025 issue of Western Art Collector. Co-publisher Adolfo Castillo chats with executive editor Michael Clawson about all the events happening in April. Features in the issue include a fascinating story about the time a Charles M. Russell painting crossed paths with President John F. Kennedy the day before one of America's darkest moments. Other Texas-themed features include a look into the long friendship between singer Red Steagall and the Cowboy Artists of America, and we also take you into a lovely Texas art collection. Finally, we also talk about the Scottsdale Art Auction, which is featured on the April 2025 cover. This episode is sponsored by Western Art Collector. Learn about shows like this every month by visiting westernartcollector.com.

This Memorial Day weekend, join the Phippen Museum for their 51st Annual Western Art Show and Sale. This cherished tradition brings the best of Western art and family-friendly entertainment to the Yavapai County Courthouse Plaza in beautiful downtown Prescott. From May 24–26, 2025, immerse yourself in an unforgettable celebration of Western culture, featuring fine art, live events, and activities for all ages. Recognized as one of the top Western art gatherings in the nation, this open-air show invites attendees to connect with artists, experience their work firsthand, and even take home an original masterpiece. Some of the featured events include:... For the written story, read here >> https://www.signalsaz.com/articles/the-heart-of-the-west-51st-annual-phippen-museum-western-art-show-and-sale/Check out the CAST11.com Website at: https://CAST11.com Follow the CAST11 Podcast Network on Facebook at: https://Facebook.com/CAST11AZFollow Cast11 Instagram at: https://www.instagram.com/cast11_podcast_network

Welcome to the award-winning The Hill Country Podcast. The Texas Hill Country is one of the most beautiful places on earth. In this podcast, Hill Country resident Tom Fox visits with the people and organizations that make this the most unique area of Texas. This week, Tom welcomes back Darrell Beauchamp, Executive Director of the Museum of Western Art, to discuss upcoming events at the MOWA. Darrell provides insights into the museum's recent and upcoming exhibits and events. The conversation highlights the museum's 42nd Annual Roundup Exhibition and Sale, set to kick off on April 25th, featuring a diverse range of 180 works from over 70 artists. Darrell also previews intriguing exhibitions like Rachel Spencer's ‘Icons of the American West' photography show and Walt Gonski's impressionist Western art series, among others. Darrell recaps the museum's successful past few months, including notable shows such as Kevin McPherson's ‘Pond Series' and ‘South Texas Aesthetic' by Jason Scull and Noe Perez. Darrell discusses the museum's artist-in-residence program and commitment to bringing visitors unique, quality art. Key highlights: Upcoming Events and Exhibitions Photography and Iconic Exhibits Celebration and Artist Interaction Recent Exhibits and Artists in Residence Sculpture Garden and Texas Rangers Resources: Museum of Western Art Nancy Huffman Fine Art Other Hill Country-Focused Podcasts: Hill Country Authors Podcast Hill Country Artists Podcast Texas Hill Country Podcast Network

[Western Art] You've seen them on the news, in the history books and certainly in your favorite movies and TV shows—joining us on the podcast today is the FBI. Sitting down for a lengthy chat about art is Special Agent Christopher Dudley with the FBI's Art Crime. We talk about the role the FBI plays in art-related cases, including theft and fraud, and also about several recent cases that the FBI has had a hand in, including the recent theft of letters related to Charles M. Russell. This is one you won't want to miss. The episode is sponsored by Western Art Collector. Read more about Charlie Russell and other Western artists at westernartcollector.com.

[Western Art] We're talking about one of Western art's busiest months on todays show. Co-publisher Wendie Martin chats with executive editor Michael Clawson about the March 2025 issue of Western Art Collector. Inside the issue are previews on all of the biggest shows: Night of Artists in Texas, Cowgirl Up! in Arizona, March in Montana and The Russell in Montana and many others. They also chat about Western landscapes and how an artist's perspective creates new possibilities at locations that have been painted many times. This episode is sponsored by Western Art Collector. Learn about shows like this every month by visiting westernartcollector.com.

Raymond Carr, puppeteer and founder of Ninja Puppets, and Jason Hines, artistic director of the Center for Puppetry Arts join Lois for a conversation about “The Muppet Movie,” recorded live at the Plaza Theater for “City Lights Cinema.” Plus, Author Zaria Ware discusses her book, “"BLK Art: The Audacious Legacy of Black Artists and Models in Western Art.”See omnystudio.com/listener for privacy information.

[Western Art] Co-publisher Adolfo Castillo returns to the show to speak with executive editor Michael Clawson about the February 2025 issue of Western Art Collector magazine. Michael discusses features related to the Autry Museum of the American West, a drawing show at Medicine Man Gallery and Western Horizons at Legacy Gallery. Special sections in the issue include sections on Western still life paintings and wilderness areas in North America. They also discuss the magazine's first-ever bronze cover featuring the work of John Coleman. Learn more about the magazine by visiting westernartcollector.com.

[Western Art] Returning to the show is Arizona art dealer, author and podcaster Mark Sublette. He returns to the show to celebrate the 150th Birthday of Maynard Dixon, whose Western art still inspires artists today. Mark is an authority on Dixon, which includes a book on the artist and a new Maynard Dixon museum in Tucson, Arizona. Today's episode is sponsored by Western Art Collector, where you will find content on Maynard Dixon and other artists. Read more at westernartcollector.com.

Artist William Haskell speaks on his art and life at the Mountain Oyster Club in Tucson, Arizona for the Friends of Western Art.

Co-Publisher Wendie Martin hosts today's show with guest MIchael Clawson, Executive Editor of Western Art Collector. Michael discusses the January 2025 issue of Western Art Collector, which includes features on Amery Bohling, Taylor Crisp and te upcoming Coors Western Art Exhibit & Sale. They also chat about special sections devoted to Arizona, Western auctions and contemporary Western art. Subscribe to Western Art Collector today at westernartcollector.com.

In this special episode, Haley sits down with GL Richardson, the featured artist for this year's Young Guns of the Coors Western Art Show. From his East Coast beginnings in Virginia to his transformative experience as a ranch hand in New Mexico, GL shares how the West has inspired his artistic journey. Discover the stories behind his latest works, his creative process, and his thoughts on the evolving landscape of Western art. This is a must-listen for art lovers, ranch enthusiasts, and anyone captivated by the spirit of the American West.Topics [0:00] Introduction to GL Richardson[2:51] Life on the Ranch[4:59] Early Paintings and Ranch Inspiration[7:33] Stylistic Evolution[11:15] GL's Creative Process[14:37] Featured Artwork[21:28] The Future of Western Art[25:14] Closing Thoughts and ResourcesLinksGL's WebsiteFollow GL on Instagram - @internetglYoung GunsNeed professional help finding, buying or selling a legacy ranch, contact us: Mirr Ranch Group 901 Acoma Street Denver, CO 80204 Phone: (303) 623-4545 https://www.MirrRanchGroup.com/

Inside this episode with Mitch Hampton This episode is an exciting one for us in that it contains many firsts: for one it our first show featuring a gallery and for another it is the first with two guests who are also a married couple. Among the many reasons for me creating and then hosting our podcast is that I was most fortunate to grow up in the New York City of the 1970s and 80s, in which I was literally raised on institutions such as MOMA, the Guggenheim, the Whitney, as well as the Metropolitan Museum of Art. Cawdrey Gallery represents a most important feature of our current art world - that which is representative of worlds of art in places away from the coasts of these United States. Nancy and Steve have had quite the eclectic lives since they also had a long career, off all things, running a Wilderness School. I can't think of a better example of the pluralism and diversity to which we are devoted on our podcast than this conversation with Steve and Nancy Cawdrey of Montana.  More about our friends at the wonderful Cawdrey Gallery, here: ( please not this is an abbreviated version for space- for our full article visit our show Facebook page and Cawdrey Gallery Website) The Cawdrey Gallery proudly hosts contemporary artists of the American West. The spirit of the West is as dynamic and diverse as ever, and we aim to showcase much more than just Western Art through a range of subject matter and mediums from sublimely painted vistas to animated sculptures. We facilitate and inspire fine art experiences with our collectors, artists, and community. When gallery owner and artist Nancy Dunlop Cawdrey began painting in Montana about 25 years ago, she wanted to express how it really FELT living in Big Sky Country. Nancy along with her husband Steve and son Morgan, opened their first gallery in Bigfork, MT. In 2017 the gallery relocated to Whitefish and expanded to represent more than 20 artists working in over 10 different media. Making art and experiencing art is about rediscovering the world, moment by moment, and our hope is that it invites us to linger and remain in that moment of awe. American Western art is not only about preserving a storied past—but it is also about capturing and reimagining our present. Visit us at Cawdrey Gallery to see a large variety of original fine art and high quality reproductions all in one space. Be sure to also walk around charming downtown Whitefish, Montana, home to many talented artists including western photographers, western wildlife sculptors, unique ceramicists and potters, and a variety of contemporary fine artists. More about Nancy Cawdrey and her beautiful work, here: “Whatever medium I am working in, I like to mix color on the surface of the painting–giving the work more immediacy and spontaneity–what I call spirited silk painting. On silk I can really float brilliant color with spirit and gusto.” Nancy Dunlop Cawdrey paints with vibrant French dyes on crepe de chine silk fabric adapting her experience in water media to express her renowned contemporary style. Cawdrey's signature western motif paintings, vibrant florals, and commanding wildlife masterworks can be found in museums and private collections around the world. In 2020, Nancy was honored to launch a one-woman traveling museum exhibit titled “Forever Glacier” which focuses on the mammals native to Glacier National Park. Links to Cawdrey Gallery Website: www.CawdreyGallery.Com Facebook: https://www.facebook.com/CawdreyGallery Instagram: https://www.instagram.com/cawdreygall... You Tube: https://www.youtube.com/user/nancycaw... #art #gallery #montana #western #west #utah #uk #northwest #unitedstates #nature #wilderness #roberthenri #theartspirit #painting #france #1950s #1960s #1970s #1980s #middleeast #berlinwall #vietnamwar #martinlutherking #nativeamerican #johnfkennedy #robertkennedy #germany #genx #babyboomer #kevinredstar --- Support this podcast: https://podcasters.spotify.com/pod/show/mitch-hampton/support

[Western Art] On this episode of First Look (Episode 304), co-publisher Adolfo Castillo chats with executive editor Michael Clawson about the December issue of Western Art Collector. Michael will fill listeners in on all of the content in the issue, including features on painters Alice Leese and Dennis Ziemienski, and special sections Art of the Cowboy, Winter Scenes and the annual Western Holiday Gift Guide. In addition, they also talk about all the shows and openings happening in the Western art world from coast to coast. This episode is sponsored by Western Art Collector magazine. Learn more about the magazine at westernartcollect.com.

高階秀爾さん国立西洋美術館館長などを歴任し、幅広い評論活動を行った美術史家で東京大名誉教授の高階秀爾さんが１７日、心不全のため東京都内の自宅で死去した。 Japanese art historian Shuji Takashina, professor emeritus at the University of Tokyo and former director of the National Museum of Western Art, died of heart failure Oct. 17 at his home in Tokyo. He was 92.

Welcome to award-winning The Hill Country Podcast. The Texas Hill Country is one of the most beautiful places on earth. In this podcast, Hill Country resident Tom Fox visits with the people and organizations that make this the most unique area of Texas. This week Tom welcomes back Dr. Darrell Beauchamp to delve into the vibrant world of Western art through the exhibits of the Museum of Western Art in Kerrville, Texas. This episode highlights notable past shows like the Scott Christensen and Quang Ho exhibit, deemed the summer blockbuster by art critics, and dives into current and upcoming exhibitions such as Al Glann's 'Poetry in Motion' and Kevin MacPherson's 'Reflections on a Pond.' Dr. Beauchamp discusses the appeal of Glan's innovative use of negative space and the immersive experience of MacPherson's 365-day painting series. The conversation covers more than just exhibitions, providing insights into the thriving artistic community and the cultural significance of artists like Jason Scull and Noe Perez, whose work captures the essence and wildlife of South Texas. Tune in for a rich tapestry of artistic narratives that echo through the Hill Country, inviting both physical and virtual visitors to the Museum of Western Art.  Key Highlights: Current and Upcoming Museum Exhibits Spotlight on Scott Christensen and Quang Ho Al Glann's Artistic Journey and Podcast Insights Upcoming Events at the Gallery Kevin MacPherson's Reflections on a Pond Jason Scull and Noe Perez Resources: Museum of Western Art Other Hill Country Focused Podcasts Hill Country Authors Podcast Hill Country Artists Podcast Texas Hill Country Podcast Network

Kathryn Haigh entered the University of Cincinnati with designs on a career in fashion. But an art history class would change all that and ignite her passion for museums. In this episode, the first female CEO of the Eiteljorg Museum of American Indians and Western Art talks about career, her vision for the museum and what she views as a cultural transformation in Indy.

[Western Art] Returning to the podcast is co-publisher Wendie Martin, who speaks with executive editor Michael Clawson about the November 2024 issue of Western Art Collector. This month's issue includes a wide variety of features, including an in-depth look at a major watercolor by Charles M. Russell, a preview of Kim Wiggins' newest solo show and a peek into the new Maynard Dixon Museum in Tucson, Arizona. In addition to all of the great gallery coverage, the issue also includes the popular Western Small Works & Miniatures special section. Today's episode is sponsored by Western Art Collector. Learn more about the magazine at westernartcollector.com.

I had Allyson Scheumaker on today, and we talked about the A.R. Mitchell Museum of Western Art, of which she is the Executive Director. It's a very interesting museum  with some amazing illustrators that Mitchell had traded with.  So it's a unique kind of podcast, understanding how a smaller museum can not only survive, but thrive.They have illustration shows, they have shows related to the photographs that Mitchell took, and of course, A.R. Mitchell was a very interesting guy. He did over 150 covers for magazines between 1927 and 1942. He's born in like 1889 and dies in 1977 so he lived a long, interesting life. All of this is in Trinidad, Colorado... A place that you may have never heard about. I've never been, but I plan to go. I've had conversations with artists and clients alike and they've all been impressed with the art that is in this museum. So, I hope you enjoy episode 316 of the Art Dealer Diaries Podcast featuring the Executive Director of the A.R. Mitchell Museum of Western Art, Allyson Scheumaker.

Welcome to award-winning The Hill Country Podcast. The Texas Hill Country is one of the most beautiful places on earth. In this podcast, Hill Country resident Tom Fox visits with the people and organizations that make this the most unique areas of Texas. This week Tom welcomes Mark Haufler, Chairman of the Board of Directors of the Hill Country Youth Orchestras and Patricia Lee, Executive Artistic Director.   The Hill Country Youth Orchestras been serving young musicians in the Hill Country area since 1987. Initially starting as a small organization in one town with just 50-60 students, it has grown to include three locations and ten orchestra levels, serving 150-220 students, in a tuition-free each year. The program, praised for fostering discipline and teamwork through music, has helped students flourish locally and internationally. Lee discusses her journey from conductor to director, to Executive Artistic Director. Haufler, shared his non-musical but passionate journey in supporting the organization. The conversation also highlights the orchestra's breadth across different locations like Kerrville, Boerne, and Fredericksburg, each offering unique opportunities for student musicians. They discussed the upcoming annual High Tea fundraiser at the Museum of Western Art on October 19. This unique event, famous in Kerr County, combines Western and English culture, featuring activities like bingo and showcasing student performances. Both Patricia and Mark highlight their enthusiasm for the event and encourage participation. The episode serves as both an insight into the cultural and educational impacts of the Hill Country Youth Orchestras and as a call to support their mission through the High Tea event. Key Highlights ·      History and Growth of Hill Country Youth Orchestras ·      Roles and Contributions of Key Members ·      Impact on Students and Community ·      Expansion to Other Locations ·      Annual High Tea Fundraiser Resources Hill Country Youth Orchestra High Tea Tickets Other Hill Country Focused Podcasts Hill Country Authors Podcast Hill Country Artists Podcast

[Western Art] Returning to the podcast is Adolfo Castillo, who hosts an enlightening discussion with executive editor Michael Clawson about the October issue of Western Art Collector magazine. Michael talks about the annual Western Museum Directory, a brand new section devoted to outdoor adventures, and major shows happening all around the art world, including the Lone Star Art Auction and the Cowboy Artists of America annual show, and so much more. Today's episode is sponsored by Western Art Collector. Learn more about the magazine at westernartcollector.com.

Wendie Martin is the host of this Western Art Collector First Look inside the September issue. Joining her as her guest is Michael Clawson, Western Art Collector's executive editor, who takes you into the heart of this next issue. Michael talks about features on artist and gallery owner Carrie Wild, Mark Maggiori's new show in New York City, and Dan Corazzi's encounters with wildlife as he travels with two prominent wildlife artists. This issue also has the Wildlife special section, which is always a reader favorite. This episode is sponsored by Western Art Collector. Read more at westernartcollector.com.

I had Ron Munn on today. Ron's been in the business for 60+ years. He started his first gallery in 1968 and ran a very successful auction for decades. I've known him for over 30 years and he's always been one of the individuals I wanted to have on the podcast, because he has the longevity. He's known all of the players and he's seen the art and the art business over the past 60 years which it gives him a very unique perspective that other people don't have.He's still active too. He'll be showing in Albuquerque in early August 2024 at the 25th Annual Great Southwestern Antique Show. In fact, it's really fun to hear about the early days of this business because it's so much different than it once was.I was on the tail end of it. I started 35 years ago and the unfortunate truth is that most of the big time dealers from back then have all passed on. Luckily for us, Ron is able to pass their wisdom and stories on just like this podcast will pass Ron's and even my own stories on to the next generation.So this is a podcast that offers a unique perspective into the world of Native arts. Native American artwork as seen through the eyes of an early dealer and auctioneer. Ron Munn on episode 306 of the Art Dealer Diaries Podcast.

We talk with illustrator Elliot Lang (@ellistrator) about getting out of your own way, Ninja Scroll and the Character in Context Show at the A.R. Mitchell Museum of Western Art in Trinidad, Colorado. Check out his work at elliotlang.com and the available work from the show here.

On today's episode of First Looks for Western Art Collector, co-publisher Adolfo Castillo talks with executive editor Michael Clawson about the August issue of Western Art Collector. Inside the issue are features on Silas Thompson, Sean Michael Chavez, a group show inspired by author/painter Will James and more, as well as special sections on ranch life and Western portraiture. This episode is sponsored by Western Art Collector, the only monthly magazine devoted to art of the American West. Learn more at westernartcollector.com.

In this episode of Cowgirl Artists of America's podcast, we talked with CGA board member Jackie Sever, custom cowboy boot maker Morgan Booker, and rancher Andrea Wilson. Jackie, a talented mixed media artist, shares her insights on indigenous representation in Western art. Morgan and Andrea discuss their collaborative project for the Women's Work 2024 exhibition, highlighting the integration of modern ranching practices and artistic expression. This episode is filled with inspiring stories and valuable advice for artists and ranchers alike.Find more about the "Women's Work" exhibition and Cowgirl Artists of America at www.cowgirlartistsofamerica.org.Instagram: @cowgirlartistsofamericaFollow our CGA Members: Morgan Buckert: @morganbuckertcustombootsJackie Sevier : @npstudio4Andrea Vargas: @andrea_isabel_vargasDon't miss the "Women's Work" exhibition opening on August 2nd and 3rd, 2024, at the AR Mitchell Museum of Western Art in Trinidad, Colorado. For more details and to support the exhibition, visit our website or follow us on Instagram.

On today's episode of First Looks for Western Art Collector, co-publisher Wendie Martin talks with executive editor Michael Clawson about the July issue of Western Art Collector. Inside the issue are features on Teal Blake, LaQuincey Reed, the Winborg family of artists and more, as well as special sections on Western scupture and a destination guide on Wyoming. This episode is sponsored by Western Art Collector, the only monthly magazine devoted to art of the American West. Learn more at westernartcollector.com. 

I had Donna Howell-Sickles on today, and I think she's probably one of the more recognizable Western multimedia artists. So today's podcast was fun for me on many levels. First off, Donna is iconic and paints iconic imagery and second, she was a leader in the field early on. On top of that, I just love her story. I mean, she grew up on a ranch that was hit with a terrible drought, but they managed to hang on to it. After all of that, her parents became teachers. For Donna, it was really a struggle to get where she wanted to be as an artist. You know, she had to go against the grain and in so many ways. Not only from facing her family who felt that she would need a job that can pay the bills and that art wasn't going to cut it, but simply existing as a standout woman artist in a very male dominated space.Anyways, she's a lovely individual. I guess I just really enjoyed this podcast. Donna Howell-Sickles on episode 297 of Art Dealer Diaries Podcast.

The Eiteljorg Museum of American Indians and Western Art is a special place that shows off Native American and American West history.Jamie Simek, Vice President for Advancement at the Eiteljorg Museum, joined us Monday morning to talk about the partnership between the Native American Women Warriors group and the Eiteljorg Museum, and how the museum is honoring Memorial Day weekend 2024.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

COWBOY ART IS ALIVE AND WELL AND LIVING IN PUYALLUP, WA Joella Oldfield foldfield@comcast.net:  (253)241-3254 Joella Oldfield of the Fred Oldfield Western Heritage Center, talks about the trend toward rediscovering Western Art. 10:50 Standing Patt - Dr. Patt Schwab - How to Keep Abreast of Humorpattschwab@icloud.com) Phone: 206-525-1031

On this episode of American Art Collective we get the first look at the June Issue for Western Art Collector! Michael Clawson talks with us about the cover aritst Carrie Ballantyne, the features including; Abigail Gutting, Edward H. Bohlin and the biannual La Luz de Taos. We talk about the collecto's focuses on women artists and canyons and deserts. Plus, upcoming events, shows and so much more! This episode is sponosored by Western Art Collector Magazine.

On this episode of the American Art Collective we get a First Look into the upcoming May issue of Western Art Collector! Michael Clawson sits down with us and talks about the cover artist Gary Ernest Smith who is also featured in the magazine. Other features include stories on Frederic Remington and the Fechin House. We also cover the state of the art in New Mexico and the collector's focus on the art of the horse. Plus we tease the shows and events you won't want to miss and so much more! This episode is sponsored by Western Art Collector magazine.

Logan Maxwell Hagege is an Ojai, CA-based contemporary artist with modern visions of the American West. Logan is no stranger to longtime Mountain & Prairie listeners—he first joined me on the podcast back in 2019, and he made another appearance in 2022 alongside several other renowned Western artists in an episode recorded live at Maxwell Alexander Gallery's 10-year anniversary exhibition. In this episode, I reconnected with Logan at his Ojai studio, and we caught up on a long list of fascinating topics, including his upcoming exhibition at the Gerald Peters Gallery in New York City titled Flowers Will Grow. - Since our first podcast conversation, Logan's artistic career has continued to skyrocket, and his work has earned the acclaim of a growing number of collectors, critics, and journalists. Most recently, his painting titled “Time and Space” won Best in Show at the Autry's Masters of the American West show. He's also been featured in all corners of the Western art world, including a recent spread in Western Art and Architecture and collaborations with well-known brands such as Stetson and Pendleton. But perhaps most impressively, he's accomplished all of this success while being a deeply committed husband and father of two young children. - As you'll hear in this conversation, Logan works extremely hard and is fully committed to exploring new realms of his artistic interests, but he brings balance and calmness to what could easily become an all-consuming obsession. I caught Logan just as he was wrapping up all the final details for his upcoming show, and we had a fun discussion about a wide range of topics, including: The intensity of preparing for a show, accepting the judgment that comes with showing art, his practice of constant doodling, how living in Ojai has changed his approach, the importance of self-talk, Georgia O'Keefe, the idea that perfection is boring, the need for action, and much more. Check out the episode notes for a full list of topics discussed and links to everything. - And if you happen to be in New York, the Flowers Will Grow exhibition will open with a reception with Logan on Thursday evening, April 18, 2024, and will be on display through May 23rd. There's a link in the episode notes with all of that information. - A huge thanks to Logan for letting me barge into his studio during such a busy time and a huge thanks to you for listening. Enjoy! --- Logan Maxwell Hagege Logan on Instagram Flowers Will Grow at the Gerald Peters Gallery NYC Full episode notes and links: https://mountainandprairie.com/lmh-2/ --- TOPICS DISCUSSED: 2:45 - What the hell is happening in Logan's studio, and his upcoming show in New York 5:15 - Why Logan is working with a gallery outside of the Maxwell-Alexander Gallery 7:30 - Whether Logan was nervous the last time he showed his art in New York 9:00 - The impact of being able to show more examples of an artist's work 11:15 - How periods of intensity and external pressure have shaped Logan's work 12:45 - How Logan's art has changed since his 2018 show 14:30 - What a Logan's process looks like when there isn't external pressure from deadlines 17:45 - Logan's doodling process 19:45 - The need for action 23:30 - How Logan deals with the fact that unique art will be judged 27:45 - Discussing perfection and how boring it is 28:45 - Who Logan admires 31:15 - Discussing Georgia O'Keefe 32:45 - Discussing Logan's life in Ojai 40:00 - The importance of retreat for Logan's art 42:00 - The impact of self-talk 44:30 - Discussing the new gallery 47:45 - Logan's book and artist recommendations   --- ABOUT MOUNTAIN & PRAIRIE: Mountain & Prairie - All Episodes Mountain & Prairie Shop Mountain & Prairie on Instagram Upcoming Events About Ed Roberson Support Mountain & Prairie Leave a Review on Apple Podcasts

One of the great things about this job is that sometimes these things come in that are just wonderful gifts. One of those gifts happened  to come in today, and her name is Karen Schmidt. Karen's grandfather was Albert Schmidt, who was a very famous Santa Fe painter.She came in with a large collection of paintings that she found in Albert's house after her grandmother passed in 1989. The house is not just any old house either. it's a house that was built and designed by artist William Pennhallow Henderson. It's an important house. In fact, it's a historical landmark and it's in Tesuque, NM. So she comes in, I'm looking at the paintings and I'm thinking, wow, this is amazing.  These paintings came with her grandfather's house, and they somehow end up with me. Now I get the opportunity to sell this segment of the Albert Schmidt estate and it's a very unique and rewarding thing that can happen as a dealer.It's sort of a dream situation when you have that opportunity and I thought I would share it. So we sat down together for a little bit and recorded the conversation. It's not a very long podcast, but it's meaningful and just know that when you're seeing this, it is in the moment of when I'm meeting her for the first time and seeing these paintings for the first time.I knew who Albert Schmidt was. I've had his paintings. I love his paintings. So it's a nice little inside scoop of how this collection became available and how it got to Medicine Man Gallery. Anyhow,  I just wanted to share it with you and I hope you enjoy. H This is Art Dealer Diaries Podcast featuring Karen Schmidt,speaking on the paintings of her grandfather, Albert Schmidt.

Summary Tirzah of Tirzah Lane Art shares her journey of finding her artistic niche in the Western art world. She emphasizes the importance of making art for the sake of creating art in the beginning for all artists and not getting caught up on putting labels to it. Tirzah also discusses the mindset shift and investments that have contributed to her recent growth. She talks about the process of expanding her art into wearable products, such as scarves, and the role of digital art in her creative process. Additionally, she offers advice on photography and branding for artists and shares her excitement for future plans and diversifying her business.  Takeaways Focus on making art for the sake of art and don't stress about finding a niche too early. Shift your mindset and invest in your art to see growth and success. Explore different ways to expand your art, such as creating wearable products. Utilize digital tools like Procreate to enhance your artistic process. Don't be afraid to ask for feedback and incorporate it into your creative journey. Invest in a good camera or use your phone to capture high-quality photos for branding purposes. Remember that your brand is more than just a logo and focus on being yourself. Stay open to new opportunities and diversify your business to keep growing. Chapters 00:00 Introduction and Background 01:25 Finding Your Style and Niche 05:35 Mindset Shift and Investing in Art 07:49 Expanding Art into Wearable Products 09:40 Transition to Digital Art 11:07 Photography and Branding 15:46 Future Plans and Diversifying FOLLOW: Tirzah Lane on Instagram Shop Online https://www.tirzahlaneart.com/ Brush Strokes Pottery on Instagram Nominate an Artist: If you'd like to nominate an artist (can be yourself) send us an email at info@brushstrokespottery.com Interseted in learning more about all things ceramic cactus? Visit https://brushstrokespottery.com

On this episode of American Art Collective we are joined by Michael Clawson who gives us the first look into the April issue for Western Art Collector magazine. We celebrate the 200th issue with a brand new look! Michael teases the features and breaks down some memorable covers from over the years, talks about the Tuscon Museum of Art centennial and remembers Ed Mell. He also dishes on the special selections like the state of the art in Texas and painting the old west! Plus, we have all the details on upcoming shows and events and so much more! This episode is sponsored by Western Art Collector Magazine.

Great Falls becomes the Western Art Capital of the World for one week every March! This year Western Art Week is March 13th-17th. Started in 1969, Western Art Week features hundreds of artists from different backgrounds and styles. This year 15 shows will feature work across Great Falls. You can find a full list of shows and events here: https://visitgreatfallsmontana.org/western-art-week/

On this episode of American Art Collective's First Look, we talk with Michael Clawson about the upcoming March issue for Western Art Collector magazine. Michael teases the features including Maeve Eichelberger, Edward S. Curtis and an idyllic collector's home. He also tells us about western landscapes and Cowgirl Up! Plus, get the latest on much anticipated shows and events and so much more! This episode is sponsored by Western Art Collector magazine.

Travel expert and PBS host Rick Steves stops by for “ATL Up and Away.” Plus, we hear about the new exhibition at the Booth Museum of Western Art, “Dorothea Lange and Pirkle Jones: Death of a Valley,” and find out about Atlanta Contemporary's new executive director. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of the American Art Collective, Michael Clawson dives into the February issue of Western Art Collector Magazine. He dishes on the features including Tom Petrie's piece on Charlie Russell, Gina Teichert in Central Coast and Western Horizons at Legacy Galleries. He also tells us about the state of the art in California, the contemporary west and the wilderness. Plus, exciting upcoming previews, shows and so much more! This episode is sponsored by Western Art Collector Magazine!

Mark Sublette is the founder and owner of Medicine Man Gallery. A formal Naval physician, Mark is an expert in western art, specializing in the art of Maynard Dixon. He hosts the "The Art Dealer Diaries Podcast," which features over 200 interviews with unique individuals who curate, collect, create, write, sell, and deal in Western and Native art. Mark's involvement in the arts is all-encompassing. He buys, sells, researches, educates, and has established a foundation for the arts. Mark also is the author of the Charles Bloom Murder Mystery series. The photography featured in his novels is his other love. He joins Russell and Alan for a fascinating chat.

Our extended family (40+ people) just got back from spending a week in San Antonio, Texas. The Texas hill country is a beautiful place to visit almost any time of year, but it's especially gorgeous when it's all lit up and decorated for Christmas. Today, I'm sharing all the fun and budget-friendly things we did while we were there, and giving tips for finding similar bargains in your neck of the woods. Show Notes SCRIPTURES CITED: I didn't quote a single Bible verse in this week's episode, but our family's theme verse certainly fits: "Whether then you eat or drink or whatever you do, do it to the glory of God." (1 Corinthians 10:31) That goal should hold in public and private, at home and abroad, in our dealings with each other, with hotel clerks and waitresses and park rangers and valet attendants and cashiers and cleaning ladies and museum docents and fellow travelers. We want to treat everyone we come into contact with in a way that honors and glorifies the Lord Jesus Christ -- at Christmas time, especially! RELATED LINKS: In the order they were mentioned... - Collin Street Bakery (in Corsicana, TX) - clean bathrooms, 10-cent coffee, free fruit cake samples - Pearce Museum (also in Corsicana) - Civil War artifacts, extensive arrowhead collection, Western Art (not free, but well worth the small entry fee) - Magnolia Market (in Waco, TX) - quaint shops and beautiful outdoor spaces where kids can burn some energy before hitting the road again - Walkway of Lights (in Marble Falls, TX) - free display opens at 6pm every night in December - Christmas Travel Bingo - free printables I pass out to the kids and grandkids before going through the walkway of lights; we treat it like a scavenger hunt - First United Methodist Church (in Johnson City, TX) - has been hosting a live nativity for 50 years, also features free hot cocoa and cookies and an impressive collection of nativity sets - Pedernales Electric Cooperative (also in Johnson City) - magnificent lighted trees, plus picnic tables where our family usually eats a light dinner of fruit & nuts, hummus & veggies, cheese & crackers, and summer sausage that we've brought from home - Garden Ridge Farmer's Market (San Antonio, TX) - huge indoor/outdoor market held monthly on the 2nd Saturday at Northeast Bible Church , all year long; don't miss the free children's activities, crafts, and games - Midday Noels at First Presbyterian Church (San Antonio, TX) - concerts take place every Thursday in December at noon - San Antonio Riverwalk (San Antonio, TX) ( - so colorful! bedecked with beautiful cyclamens and poinsettias by day and Christmas lights by night - The Alamo (San Antonio, TX) - it is still free to tour the church and grounds; there is a fee to see the new collection of artifacts - San Antonio Missions National Park (San Antonio, TX) - no entry fee; start with the largest, San Jose; try to arrive by 10 or 11 AM to take the extremely informative Ranger tour (free) and pick up a free workbook so your kids can earn a junior ranger badge while they are there; if you have time, visit the other missions on the trail; they are all just a few miles apart - USA Factory Tours - this website is a great resource for finding businesses willing to give tours of their manufacturing plants - SAS Factory ((San Antonio, TX) - make a reservation to take a free tour of San Antonio Shoes while you're in town (ages 6 and up); and buy some 5-cent popcorn and 10-cent sodas from the general store once you're done - Witte Museum (San Antonio, TX) - you can get free admission to this amazing natural history museum every Tuesday night from 3-6 PM  - Japanese Tea Garden (San Antonio, TX) - beautiful sunken garden built in an old stone quary - McNay Art Museum (San Antonio, TX) - the collections on display are sometimes hit or miss, but the building has some cool architectural features and unique outdoor spaces; they offer free admission the first Sunday (12-5 PM) and second Thursday (4-9PM) of every mont - THE SAGA at San Fernando Cathedral (San Antonio, TX) - a free slide show that plays on the outside of this historic building several times a week featuring the art, music, and history of Texas - Historic Pearl (San Antonio, TX) - throughout the month of December, they offer free holiday movies on Mondays from 7-9PM and a fun Christmas Market on Wednesdays from 6-9PM - Hotel Emma (San Antonio, TX) - this unique hotel shares a parking lot with the Pearl, so walk on over and take a look around while you're there - Six Flags Fiesta Texas (San Antonio, TX) - we buy our tickets online from the Book of Free; every year they run a special just before Thanksgiving where you can get 8 tickets to Six Flags' Holiday in the Park plus a $25 gift card plus several copies of their namesake saving book for just $99, which works out to less than $10 a ticket; if you go, be sure to watch their amazing stage production, Night of Miracles. I cannot recommend it highly enough! - Fort Sam Houston (San Antonio, TX) - pet the deer that roam free in the quadrangle, then visit the free museum to see how the army has changed over the years. San Antonio Aquarium (San Antonio, TX) - check Groupon for discount tickets; that's how we got ours STAY CONNECTED: - Subscribe: Flanders Family Freebies -(weekly themed link lists of free resources) - Instagram: follow @flanders_family for more great content - Family Blog: Flanders Family Home Life (parenting tips, homeschool help, lots of free printables!)  - Marriage Blog: Loving Life at Home  (encouragement in your roles as wife, mother, believer)  

Tim Cox is a renowned Western artist and an Arizona cowboy. He draws inspiration from his firsthand experience of the cowboy life, and his art primarily focuses on depicting authentic scenes of modern ranchers, horsemen, cowgirls, cattle, and horses. Over the years, Tim Cox has become one of the most recognizable Western artists in contemporary art. His early career was characterized by the rugged and demanding lifestyle of remote cow camps. Tim spent long days in the saddle, working on ranches, and his dedication to capturing the essence of the West led to late nights spent in front of his easel, translating his experiences onto canvas. Tim Cox's art is celebrated for its vivid portrayal of the Western way of life, showcasing the beauty of the land, the people, and the animals that inhabit it. His work resonates with those who appreciate the rich heritage and traditions of the American West. To explore Tim Cox's artwork and learn more about his contributions to Western art, you can visit his official website at Tim Cox Fine Art. Additionally, you can find his art available for sale at Gallery4Collectors.com and ElegantHorsePictures.com. Tim Cox also maintains a presence on social media, including Facebook, where you can stay updated on his latest creations and insights into the Western art world.