Podcasts about paintings

In this episode, Stacie is joined by fine artist and educator Emily Jeffords for a deep, transparent conversation about building an art career that honors both creativity and sustainability. Emily shares her journey from selling her first paintings for just a dollar to creating a thriving business centered on fine art and artist mentorship. Together, they explore the emotional and practical realities of showing up authentically online, navigating burnout, and learning how to align personal values with business decisions. Today on Art + Audience: Emily's early pricing model missteps: Hear how her unorthodox approach shaped her understanding of value and pricing. Starting small: Emily explains why having a tiny audience at the beginning is actually a gift, offering creative freedom and space to find your true voice. Voice over volume: Discover why developing a clear, authentic message matters more than chasing followers and how the algorithm often rewards that clarity. Surviving burnout: Emily opens up about the personal cost of success, including a health crisis and divorce, and the steps she took to rebuild from the inside out. Content strategy for creatives: Learn Emily's method for defining core content pillars, making it easier to share consistently and with purpose online. Reclaiming creativity through pleasure: Why embracing joy, play, and new experiences is essential for long-term creative and emotional sustainability. Reinvention and resilience: Stacie and Emily share how they've redefined their brands after major life and business changes and what they've learned in the process.   Connect with Emily Jeffords: Instagram: @emily_jeffords Website: emilyjeffords.com | emilyjeffordslearn.com The Creative Stability Workbook: how to sell your art in any market and season The EJS (free) Resource Library: all of our top recommended resources for creatives  Connect with Stacie Bloomfield: Subscribe, Rate and Review: Art + Audience Podcast Website: staciebloomfield.com | leverageyourart.com Instagram: @gingiber | @leverageyourart  Facebook: @ShopGingiber Pinterest: pinterest.com/gingiber Leverage Your Art: Stacie's signature course, opening again this August 2025. Got questions? Call the Art + Audience Podcast hotline: (479) 966-9561  

Shagbotttom SocietyVictorian Hedonism comes to life.In 13 parts, By BradentonLarry - Listen to the Podcast at Explicit Novels.The two girls held a whispered conference on the big bed, and then Sage was pushing Reyansh away. She said, "Hold on one sec, lover; I want to try something."There was a very quick rearrangement, during which Don never had to leave Felicia's sweet embrace. Then Sage was laying with her head hanging over the edge of the bed, as Felicia lowered her mouth to Sage's cunt and clit, which she proceeded to lick and suck. Felicia's ass was up in the air, and Don continued to fuck her from behind. Then Sage beckoned to Reyansh, "Bring that big boy over here."Eager to comply, he lowered his hard cock for Sage so she could take it into her mouth and then her throat. Sage held his hips to keep her from getting carried away, but he was free to fuck her throat, and that's exactly what he began to do, reaching forward to cup and squeeze Sage's tits in his hands.Don looked down to see his relatively thick cock sliding in and out of Felicia's tight cunt, Felicia's perfect ass, her slender back, the back of her head with her adorable pixie cut, Sage's taut abs and strong thighs, her breasts being manhandled by Reyansh, her beautiful throat as she let him use it, and Reyansh's dark, athletic body as he worked himself in and out of Sage. It was a beautiful spectacle!Don could tell from the way Felicia was moving her right arm that she was fingering Sage as she licked. It didn't take too long before one of Sage's hands went from Reyansh's hip to the top of Felicia's head, and then it was only a minute longer before Sage was writhing on the bed between Felicia and Reyansh as she had a long, intense orgasm. As she shook and trembled, Reyansh pulled his now dripping wet cock out to let her breath."Damn! That was a good one!" Sage breathed."It looked like it," Don grinned from across the bed.Sage sat up and grinned back at him, before curling up to grab Felicia's face and kiss her deeply. Reyansh got up on the bed behind Sage and coaxed her up onto her hands and knees. Then the two women were kissing in the middle of the bed as the two men fucked them from behind. No one was trying to come; they were just enjoying themselves kissing and fucking.After a little bit of this, Sage broke the kiss, and looked over Felicia's shoulder, smiled at Don and asked, "Are you enjoying her hot cunt, Don?""Oh yes!" he grinned. "Are you enjoying Reyansh's big cock inside you?""You know," she laughed. "I really am.""Good!""I agree, but I was thinking, You know how I had all those cocks fucking me earlier?""I do," Don nodded. "It was very hot!""Yeah it was! But I don't remember sweet Felicia here having more than one cock at any time.""Is that right?""Reyansh," Sage asked over her shoulder, "did you see Felicia getting more than one cock?""No, I certainly didn't."All through this exchange, Felicia had done little more than giggle and push back on Don's cock."Well, this won't do at all," Sage decided. "Stop fucking me and get over here and feed Felicia your cock."Don held still until Reyansh was in position, but then he went back to fucking little Felicia harder, shoving her forward onto the cock in her mouth and throat. Sage crawled over to him and kissed him deeply before bending down to reach under Felicia to play with her clit. Before they could get Felicia to the breaking point, though, Sage stopped and asked Don, "She's got a pretty tight little ass, do you think you can fit inside it?""I could certainly try," Don laughed.Felicia murmured her approval around Reyansh's cock."Don't be so quick, sweetie," Sage said. "You're going to have a cock in your cunt too."Felicia's murmur was more enthusiastic, and she managed to nod her head rather emphatically.In another minute, Sage had Reyansh lie on his back and then Felicia mount him, bending forward so Don could push his cock, slippery with Felicia's juices, slowly up into her very tight, very hot ass. Sage leaned on Don's shoulder and whispered in his ear, "Fuck her ass good, baby. Make her come between you two studs!""Yes, ma'am," Don grinned, and proceeded to begin fucking Felicia's ass intently. Long, slow strokes gradually became shorter and faster. All the while Felicia was rocking her pelvis between the two men and groaning with pleasure.Sage move around to get down on her hands and knees so she could kiss Felicia, who could do little but let herself be kissed."Do you like having those cocks fucking you?" Sage asked."Yes," Felicia moaned. "It feels so good.""Are you going to come on their hard cocks?""Uh huh," Felicia breathed. "Very soon.""Do it, baby!" Sage said as she stroked Felicia's pretty face. "Come for us!""Oh god, yes!" Felicia cried as her body began to spasm between the two men. She shook and clenched, her cunt and ass pulling and grasping at the cocks inside her.Sage leaned in again and kissed her deeply. "Good girl," she smiled. Then she looked over Felicia's shoulder and asked, "Did you come? No? What about you down there? No? Well! We'll have to fix that, won't we? You two were partners in the game, right? You met in Rendezvous, right? Very good. Don and I are partners too, so I think we should finish this swap right. Reyansh, I want you to give me your cum wherever you want, and Don, you come for Felicia."Don slowly drew out of Felicia's ass so she could let Reyansh get out from under her. He took her in his arms and asked her, "Where do you want me to come, Felicia?""Please fuck my ass some more, Don," she said as her hand went to his cock. "But let me ride you."In short order, Don was lying next to Sage. She had her legs wrapped around Reyansh's waist, while he held her wrists up over her head as he drove into her cunt. Don was holding his cock erect for Felicia, who was squatting over him, pushing her tight ass down over his flaring head and thick shaft. Felicia leaned back with her hands on Don's thighs and began to raise and lower herself on him.Reyansh was driving into Sage's cunt with abandon, grinding against her clit and surely bottoming out in her grasping cunt. He was looking into her eyes as he fucked her harder and faster. Soon, both of them were groaning and clenching on the bed next to Don and Felicia as Sage's cunt was eagerly pulling a flood of hot cum out of Reyansh's cock.Don found the fact that he was lying next to Sage as she climaxed on another man's cock intensely erotic. The thought that she was yet again getting filled with cum only made the situation hotter! Don began to arch his back to fuck up into Felicia's ass, and reached down to use his thumb to play with her clit. Then there was motion on the bed next to them, and Sage leaned across Don to replace his thumb with her mouth on Felicia's clit. Reyansh stood up on the bed and offered Felicia his cock to clean off.Don lay back and watched the beautiful woman riding his cock take Reyansh's cummy cock into her mouth and suck on it hungrily, and felt Sage's fingers against the base of his cock as she pushed them up into Felicia's cunt. Then Felicia was coming again, moaning around the cock in her mouth and pushing down on Don. This was all Don could take and he felt his body shoving up into her ass as his balls tightened and his cock swelled inside her. Then he was arching his back, pushing up on Sage and into Felicia as he erupted, pumping a geyser of hot cum up into her.Very slowly, assisted by Reyansh, a quivering Felicia fell backwards, letting Don's cock slip out of her. Sage immediately caught it and took it into her mouth, claiming the last of his cum for herself.When she managed to get up on one arm and look at Don, Sage smiled and said, "Another shower?"Don laughed, utterly smitten by the sleepy, well-fucked look in her eyes and her messy mane of red hair, and said, "Sure, but if you think you're getting more sex out of me, "She kissed him quickly and said, "We'll see about that." Then she was clambering over him and pulling him out of the bed. Reyansh was lying there cradling Felicia in his arms, and Sage called back to them, "Don't take all the covers; we'll be back."As the water poured over them, in a brief break in their making out and hurried cleaning, Sage looked up at him and asked, "So, out in the other world, um, are you seeing anyone?"Don chuckled, bent down to kiss her, and then picked her up. She threw her arms around his neck and wrapped her legs around his waist, sinking down on his cock. Don's hands gripped her ass and slowly raised and lowered her. He smiled and said, "Well, I have this relationship with Toshia that's gotten interesting, but, as you know, she's got a girlfriend, but, actually, I was thinking I would like to be seeing you. If you're free, that is.""I think we can work something out," she smirked. "I take it we're going to be swingers, or something like that.""That does seem to be the way things are going," he kissed her again. "How does that sound to you?""Hum, pretty damn good. Just remember, ""I belong to you," he nodded."Aye, and, for the record, in case you were wondering, vice versa," she said as she flexed herself against him, working up and down and grinding against the base of his cock.Don grinned, "Yeah, I worked that out.""But we share.""Right.""And if we get a chance, we're banging the hell out of Toshia," she said."Of course.""Good," she kissed him. "Now fuck me. I want to have one more orgasm before we go to bed.""Greedy girl," he smiled."Hell yeah!""There was a lot more sex on the Riverboat, and we spent some time at the Resort.""Did she really say that about me?" Toshia asked."I swear," Don chuckled."Uh, I do like the sound of that," she smiled. "But you were saying.""Yeah, we did the Jungle Room, naturally, and I showed her the Temple. She got gangbanged in the Grotto, which is a very wet area, as you might expect.""How many guys? In the gangbang, I mean.""It's not a competition, you know," Don laughed.Toshia rolled her eyes at him."There were about a dozen, plus me.""Yes! Still the champion!" Toshia grinned."Well, that was before her trials, so, ""Doesn't count," Toshia said."Seriously?""I have ruled. Okay, you can go on with the story."Chapter 7. Lady Primrose's EarringsAs he and Sage made their way to the Crimson Mountain, Don was acutely aware of their impending separation, and the fact that they might remain apart for quite some time. Accordingly, he made sure they had a variety of plans for meeting up, if possible, leaving messages, when the opportunity presented itself, etc. Passing through the Manor they would leave word with the Scholar, and then linger about there at least for a few days. Passing through the Resort they would both check in with the Sheriff and leave word with the Sage."I'll try to remember that," Sage laughed."Yeah, and I'm trying to get used to thinking of you as Evelyn," Don smiled.Don also told her about the Wizard as a potential ally whose home might be a good meeting place, and the Witches of the Glen who might be helpful. Of course, they also thought the Maidenhead might be useful, even if they couldn't be too sure it would long remain in Megan's control. In turn, Evelyn told him about a cafe in the bazaar on the far side of the sea, and they agreed to check in at the tavern on the beach and Ambrosia's when in the vicinity of Rendezvous.When they got to the locker rooms in the Hall of the Crimson Mountain King, they bathed, but Don made a point of retrieving the staffs the Wizard had given him and Shelonda what seemed so long ago. Stephanie had had no real experience with such things, and Nicole was positively averse to using any kind of weapon. Evelyn, though, had some martial arts training, though it was mostly in aikido, and definitely had no problem with weapons."Too bad we don't have swords," she mused as she spun the enchanted wooden staff in her hands. Having been made for Shelonda, it was just about the perfect size for Evelyn."God, you're hot!" Don grinned as he admired the way the muscles in her arms and wrists moved as she played with the staff."Oh, we should have gotten bows and arrows from the elves!"Don groaned, "Ugh, why didn't I think of that?"She laughed, "Well, you're not the only one who didn't.""On the other hand," he mused, "it doesn't seem like we're very likely to be called upon to fight anyone. Still, an unbreakable staff can be a useful tool.""Hard wood can definitely be good to get your hands on," she smirked.It turned out that, as long as they bathed and were naked, the red-robed servitors had no problem with letting them proceed into the Pleasure Dome and seemed to pay no attention at all to the staffs."Holy hell!" Evelyn breathed as they entered the vast chamber, momentarily stunned by the scale of both the room and the orgy going on in it."Yeah," Don nodded.They proceeded to the circular couch in the middle of the dome, Evelyn taking in the spectacle as they went."The king's throne is that away, but I want to see if we can just ride the sofa up," Don said. "But first, come with me. I want to have some time with you before we head up."He led her down to the base of the stairs, where they set their staffs off to the side, out of the way but close at hand, and made love for what might be the last time in a long while. Though a few of the other revelers offered to join in, Don and Evelyn kept to themselves this time. When they were finally worn out, they made a quick trip to the nearest fountain to clean up and then returned to the sofa. With their staffs across their laps, and their hands tightly clasped, they rode the couch up to the waiting room."Damn!" Evelyn grinned. "This is not safe at all!"

Brooklyn-based artist and sometimes New Yorker magazine cartoonist Guy Richards Smit returns to the podcast eight years after his first visit to talk about: His admitted high self-regard, paired with self-awareness, which we identify as being rare; our respective experiences and takes on artist blowhards; his history with cartooning, going back to his obsession with gag cartoons, going back to a New Yorker cartoon book he read at his grandparents' house when he was a kid; how he started making his own gag cartoons; the steps he took to build his cartoon portfolio, leading to getting published in the New Yorker after a year and a half of submitting (which is much quicker than some); the cartoon he made for the New Yorker website, the ‘Daily,' that went viral (receiving 1500 comments, not to mention other viral stats), including getting re-created in Turkish by a Turkish cartoonist; how he actually sees the cartoons as sketches for paintings (and gets quite painterly in the making of them); how about half of his cartoons are more insider-baseball-art cartoons, and the one he made that references one artist that he had in mind, although several reactions interpreted it as another artist, whom Guy actually heard from, wondering if it was about them. In the 2nd half of our conversation, available to Patreon Supporters of the podcast, you'll hear Guy talk about: How the parameters for where art can come from have changed, and how humor in art is still held, especially in the U.S., as a bit off limits; how his desire to paint a rock led to his Sisyphus cartoon (every cartoonist wants to do a Sisyphus cartoon); his desire to make a put out cartoons that are beautiful, not really a quality that the cartoon editor, or even cartoon consumers, are necessarily looking for; why the New Yorker cartoonists haven't been able to form a union, which is related to why there aren't really any other high-profile venues for gag cartoons to be seen; how he didn't have a gallery for 15 years, and was “forced to sell” his own work, using Instagram successfully for sales in the pre-algorithmic takeover era, when he got three to four times more engagement than he gets now (and thankfully for him he now doesn't require sales thru IG as much); his new dealer, Adam Cohen, who opened the gallery A Hug from The Art World three years ago; and how wanting to draw a Miro sculpture led to one of his most popular and most responded to cartoons at the Independent art fair in NYC this past spring. This podcast relies on listener support; please consider becoming a Patreon supporter of the podcast, for as little as $1/month, here: https://www.patreon.com/theconversationpod

[REBROADCAST FROM April 14, 2025] Curator Aimee Ng discusses the reopening and renovations of the venerable Frick Collection, including what exhibits to check out. 

[REBROADCAST FROM April 18, 2025] Today is the opening of the Guggenheim's major survey of artist Rashid Johnson, who was born in Chicago in the late 1970s. "Rashid Johnson: A Poem for Deep Thinkers," displays almost 90 pieces, including paintings, films, sculptures, and a site-specific installation at the top of the museum's rotunda. Johnson discusses his practice alongside Naomi Beckwith, Guggenheim deputy director and chief curator.

At 96 years old, Jimmy Pattison still runs his $16 billion empire personally.  He's built it over 63 years without outside capital or a college degree. He owns 100% of car dealerships, billboards, radio stations—even Ripley's Believe It or Not—with a philosophy of: "No partners, no shareholders, no relatives."  This episode reveals the principles behind one of North America's great private empires: how to build and compound a reputation, why the best deals happen in silence, and what a Japanese bicycle taught him about operational excellence. You'll learn the hidden advantage of selling “souvenir editions” instead of newspapers, how he turned a ghost radio station into a ratings leader overnight, and why he once fired the entire bottom 10% of his staff—then took them out for steak.  Most people play for approval. Pattison plays for permanence through reputation, relentless clarity, and never mistaking flash for fundamentals.  This episode is for informational purposes only and is based on Jimmy: An Autobiography by Jim Pattison and Paul Grescoe.  Check out highlights from these books in our repository, and find key lessons from Pattison here—⁠⁠⁠⁠⁠https://fs.blog/knowledge-project-podcast/outliers-jimmy-pattison/ Approximate timestamps: Subject to variation due to dynamically inserted ads: （00:00) How a Teen Sold Yesterday's News（01:10) Jimmy Pattison's Billion-Dollar Playbook（03:24) The Debt That Built Character（05:41) Part 1: Foundations - The Boy Who Sold Seeds Door-To-Door（06:52) When Victory Becomes a Liability（08:46) The University of Used Cars（10:02) The Art of the Close（13:30) When Business Becomes Theater（15:22) The Price of Independence（16:36) The Pattern（17:44) Part 2: Starting to Build - Back to Zero（18:09) The Price of Independence（20:08) Bleeding Money（21:11) The Secret Weapon（22:11) The Main Street Disaster（23:09) Dead Air to Hot Air（24:33) The Ghost Station（25:40) The Conglomerate Dream（27:03) The Target（28:24) Cold Calling Wall Street（29:35) The Silent Hunt（30:49) The Takeover（31:36) Part 3: Neonex International - Perfect Timing, Wrong Direction（32:09) The Magic Money Machine（34:17) The Toast Order（35:06) The Forbidden Target（36:15) The Christmas Surprise（37:27) The Bluff（38:07) The Unraveling（39:07) The Education（40:27) Part 4: The Jim Pattison Group of Companies - Returning the Paintings（40:49) The Corporate Confession（42:08) The New Operating System（44:01) The Dinner That Changed Everything（46:23) The Great Escape（47:31) The Boy and the Bicycle（49:07) The Quality Revolution（51:14) Part 5: The Empire Builder - Still at the Wheel（51:47) The New Playbook（54:17) The Grocery Gambit（55:13) The Media Monopoly（55:52) The Numbers Game（57:20) The Ultimate Lesson（59:15) Reflections and Lessons Upgrade—If you want to hear my thoughts and reflections at the end of all episodes, join our membership: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠fs.blog/membership⁠⁠⁠⁠⁠⁠⁠ and get your own private feed. Newsletter—The Brain Food newsletter delivers actionable insights and thoughtful ideas every Sunday. It takes 5 minutes to read, and it's completely free. Learn more and sign up at ⁠⁠⁠⁠⁠fs.blog/newsletter⁠⁠ Follow Shane on X at: ⁠⁠x.com/ShaneAParrish

Youth Services Librarian Amanda joins us to promote the 'Color Our World' Summer Reading Challenge which opened on June 14th and goes through August 9th. Learn more and register by visiting oakcreeklibrary.org/src. Or, visit our events calendar to stay up to date on all of the fun activities that will keep you and your family busy this summer: oakcreeklibrary.org/events. Check out what we talked about: Books mentioned: Instructional drawing books by Ed Emberley and Ralph Masiello. "In Search of Van Gogh: Capturing the Life of the Artist Through Photographs and Paintings" by Gloria Fossi with readalike "Monet: the Restless Vision" by Jackie Wullschläger. "10 Cats: A Chaotic Colourful Counting Book" by Emily Gravett with readalike "Where's My Cat?" by Seymour Chwast. "Painting Tools & Materials: A Practical Guide to Paints, Brushes, Palettes and More" by Elizabeth T. Gilbert with readalike "The Sierra Club Guide to Sketching in Nature" by Cathy Johnson. "Art Club" by Rashad Doucet with readalike series "Cat Kid Comic Club" by Dav Pilkey. Websites mentioned: The Met Collection – https://www.metmuseum.org/art/collection Art Collecting Information and Gallery Guides – https://art-collecting.com/index.htm To access complete transcripts for all episodes of Not Your Mother's Library, please visit: oakcreeklibrary.org/podcast The following music was used for this media project: "Radio Martini" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Somewhere Sunny (ver 2)" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Malt Shop Bop" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Super Friendly" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Porch Swing Days - faster" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Wallpaper" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Life of Riley" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Check out books, movies, and other materials through the Milwaukee County Federated Library System: countycat.mcfls.org hoopladigital.com wplc.overdrive.com oakcreeklibrary.org

In this tender and illuminating episode, I open with reflections on the energetic shifts moving through my life right now. I share the story of a guardian spider who watched over our home and has now disappeared, and a tree that stood strong in our yard until it had to be cut down. These signs in nature often mirror what's stirring within - and this episode is full of that reflection. I'm also joined by our beautiful GUIDED sister Bethany, who vulnerably shares a deeply personal journey through a recent health crisis and the spiritual awakening that emerged from it. What began as an intense diagnosis became a portal - into deeper connection, healing, and the sacred fire of Kundalini rising. Through spiritual practice, voice activation, and the loving presence of our GUIDED community, Bethany has witnessed a profound shift in her energy, clarity, and wellness. If you're moving through a season of transformation - whether in your health, your home, or your heart - may this episode remind you that you are not alone. You are deeply held, always guided, and always supported. Join us in GUIDED for more sacred stories like this one, and a space to rise together. ⸻ Support our Family (via PayPal) SHOP Juuso's Paintings  DOWNLOAD OUR APP on iOS DOWNLOAD OUR APP on Android  Book a Journey Home Akashic Records Reading with Ashley Join us in GUIDED — our living sanctuary of support, weekly Satsangs, monthly Line Activations, workshops, community and more. How to do the Line Activation  Receive a FREE Line Activation  Learn more about our work, offerings, and upcoming events at alnwithin.com Follow on Instagram @alnwithin and TikTok @alnwithin

It's a Saturday night and emerging Saskatoon artist Rowen Dinsmore is hosting her exhibition entitled, “What Gave You That Impression (?)”Friends, family and art enthusiasts are here to check out Rowen's stunning paintings, which she has been working on in this space for the past two months thanks to the Bridges Art Movement artist collective, also known as BAM.BAM was formed 11 years ago by a group of University of Saskatchewan Fine Arts graduates who were looking for a space to work and showcase their art. Dave Stonhouse was one of those graduates and today he not only leads BAM but works closely Saskatoon artists to help develop their skills and find their artistic voice.At a time when local artists are working hard to find spaces to share their talents, Dave and the BAM collective are ensuring these emerging voices are being heard. I've known Dave for years as he used to teach at Mount Royal with my wife. He currently teaches at Nutana Collegiate and sees the world through such a unique lens, which I think comes through wonderfully in our conversation.We also discuss why working with emerging artists is so fulfilling and how being a father to a very busy 3 year-old boy has changed is relationship with art. You can follow and listen to YXE Underground wherever you find your favourite podcasts including Apple Podcasts, Spotify or the website: yxeunderground.comDon't forget to leave a 5-star review if you like what you hear. This is the final episode of Season 7 of the podcast and I really want to thank all of you listeners for your incredible support this season. We shared a really wide variety of stories this season; everything from yoga for patients in the Adult Short Stay Mental Health Unit at Royal University Hospital to the emphasis put on community by the Saskatoon Symphony Orchestra. From EAL teachers in elementary and high schools to learning how to safely administer naloxone to a person in distress. We even hosted a movie night at the Remai Modern which was so much fun! We covered a lot this season and I am grateful you can along for the ride. I am also grateful to all of the people who took the time to share their stories and passions with listeners. It's not easy talking into a microphone and I really do appreciate their courage in telling their stories. I will be taking July and August off to gather interviews for Season 8, which will drop in September, but be on the lookout for a bonus episode or two this summer! And if you know someone or an organization who you think would be a wonderful guest on the podcast, let me know. There is a nomination form on the website or you can email me directly at ericandersonyxe@gmail.com. You can also get in touch with me through social media. Thank you again for all of your support and I hope you have a wonderful summer. Cheers...Eric  Host, Producer, Editor: Eric AndersonTheme Music: Andrew DicksonWebsite: https://www.yxeunderground.comRecorded: On Treaty 6 Territory and the traditional homeland of the Metis

Paintings by two artists with an autism and three artists with multicultural backgrounds are on display at the Parliament House New South Wales this month. We visited the exhibition's opening and spoke to people such as a Sydney-based Japanese visual artist Masayo Colley, whose ink paintings and other works are on display at the DAPA Inclusive Art Exhibition. - ニューサウスウェールズ州の州議会議事堂で６月、オーティズムを持つアーティスト２人と、マレーシア、中国、日本のバックグラウンドを持つアーティスト３人の絵画が展示されています。「DAPA Inclusive Art Exhibition」で墨絵作品などが展示されているシドニーのコリー真咲代さんなどに、展示のオープニングでお話を聞きました。

Brandon Zech and Jessica Fuentes talk about artistic legacies, including Damien Hirst's posthumous paintings, artists who have launched work into space, and artist foundations. “A lot of artists consider what happens with their body of work — with this momentum they've created during their lifetime — after their death. But, historically, people haven't thought about the continuation of art making after their death. They've thought about how their artwork gets cared for in their absence, not how can they continue to have artwork.” This week's podcast is sponsored in part by The National Juneteenth Museum's upcoming inaugural Juneteenth Festival, Freedom Vibes. The event features a conversation with Ambassador Andrew Young, performances by Orchestra Noir, The O'Jays, and the Whispers, and a block party on Saturday, June 21. Festivities for the Fort Worth event are from June 19 to June 22, and the "Declarations of Freedom" visual art exhibition opens on June 12 and runs through July 19. Learn more here: www.freedomvibes2025.com See related readings here: https://glasstire.com/2025/06/15/art-dirt-posthumous-paintings-art-in-space

What makes an object haunted? These four paintings have strange and mysterious backgrounds, along with claims of supernatural phenomena. #1 The Hands Resist Him, #2 The Anguished Man, #3 Woman of the Rain, #4 The Crying Boy Theme Music by Matt Glass https://www.glassbrain.com/ Instagram: @astudyofstrange Support the Show! astudyofstrange.substack.com/ Website: www.astudyofstrange.com Hosted by Michael May Email stories, comments, or ideas to astudyofstrange@gmail.com! ©2025 Convergent Content, LLC

You asked, we answered! This is part 2/3 of our audience q+a series, and in this episode we powered through a nice handful: how grant writing = getting the best grade, showing linocuts with galleries, how to charge for duties and fees, and more!Thanks for sending in your questions. You know we love to ramble.Also: we made you a digital artist statement writing guide! You'll not only receive a full start-to-finish process on how to start crafting your statement, but how you can break it down and understand it better, too. You can buy that guide for 10 little dollars right ⁠⁠⁠⁠⁠⁠⁠here. ⁠⁠⁠⁠⁠⁠⁠Support the show:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@heywhatareyouworking⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on IGFollow the hosts:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@andreaguzzetta⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@speaking_in_rainbows⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@devonwalzart⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on IG

Tell us what you like or dislike about this episode!! Be honest, we don't bite!International artist and fashion icon Domingo Zapata joins Matt Haycox for a no-BS chat about art, brand, and building a multimillion-dollar empire with paint, passion, and patience. From hustling for leftover pizza in the Bronx to painting Keith Richards and collecting Patek Philippe watches, Domingo shares how he went from broke to global, without ever selling out.This episode dives deep into:Why marketing doesn't sell $2M paintings, but brand does.The difference between painting what you see vs what you feel.How luxury is about story, not price tag, from Screaming Eagle wine to Rolex.Why discipline, not drugs, fuels Domingo's creativity.The real return on investment of art: emotion, legacy, and status.Plus, Domingo and Matt get real about fame, fakes, and why he'd never sell his Tiffany Patek, even for $4 million.Timestamps:00:00 – This Is Not Your Average Podcast…01:16 – Meet Domingo Zapata: The Artist Who Paints With Fire03:07 – Inside the TUKTUK Gallery: Where Chaos Meets Creativity06:17 – A Bar Chat Like No Other – The Truth Starts Pouring10:00 – Domingo Plays Piano… And It's Not What You Expect16:54 – A Game of Pool, A Masterclass in Life Lessons30:47 – The Sit-Down: Fame, Failure, and Finding Purpose54:09 – Final Words That'll Stay With You_____________________________________________________________________________________Welcome to Stripping Off with Matt Haycox This isn't your average business podcast. It's where real entrepreneurs, celebs, and industry leaders strip back the polished PR, and get brutally honest about the journeys that made them. Hosted by entrepreneur and investor Matt Haycox, Stripping Off dives into the raw, unfiltered realities behind success: the wins, the fuck-ups, the breakthroughs, and everything in between. No scripts. No sugar-coating. Just real talk from people who've lived it. Whether you're hustling to scale your business or just love a behind-the-scenes look at how people really make it, this podcast is your front-row seat to the truth behind the triumphs. Who Is Matt Haycox? - Click for BADASS Trailer

Fred Oldfield grew up with his large family on Washington State's Yakima Indian reservation. He was generally conceded to be the premier western painter of the last 50 years.  This series will look at the old west through the cowboy artist's eyes.   Initially Fred had no idea of being an artist but one day he painted a bull thistle on the bunkhouse wall.  His big brother said, "What did you want to paint that for?  It's just a thistle."  Fred was thrilled that the subject had been recognized and after that, he always thought of himself as an artist.   Soon the world agreed. His paintings are owned and loved all over the world.  The painting we're showing today - Prisoners of Wounded Knee was Fred's own favorite of all his paintings.  The Wounded Knee Massacre, in 1890, resulted in the deaths of over 200 Lakota people, including women and children, by U.S. Army soldiers.  The tenderness with which he depicts the figures in the painting comes from his own memories of reservation life. Fred Oldfield is remembered today in his paintings and in the children's  art lessons taught at the Western Heritage Center.  100 kids come every week and in the small classes, 12 to 15 max. Some have gone on to study art in college - and three have returned to the Western Heritage Center to teach.  The Fred Oldfield  Western Heritage Center was housed at the Washington State  Fairgrounnds for many  years, but it is now looking for a new home. Watch Dorothy's interview with Fred Oldfield while he was still at the Western Heritage Center. Learn more about your ad choices. Visit megaphone.fm/adchoices

When it comes to collections, we all know Mr Whitehall is right up there... But is there a system? Does he consult Mrs Whitehall before making an addition to his various collections? That's what DL Antoni is asking this week!JOIN THE WITTERING WHITEHALLS FOR THEIR BARELY (A)LIVE TOUR: https://thewitteringwhitehalls.co.uk/You can email your questions, thoughts or problems to TheWitteringWhitehalls@gmail.comOr, perhaps you'd like to send a WhatsApp message or Voice note? Why not?! Send them in to +447712147236This episode contains explicit language and adult themes that may not be suitable for all listeners.Please review Global's Privacy Policy: https://global.com/legal/privacy-policy/

China’s unofficial national flower is getting Heze noticed, as its cities strive to develop unique calling cards Synopsis: Every first Friday of the month, The Straits Times catches up with its foreign correspondents about life and trends in the countries they're based in. The Straits Times’ foreign editor Li Xueying and China correspondent Joyce Lim take us to Heze, a city in Shandong province, where peonies aren't just admired by tourists - they drive a multi-billion yuan industry. Long revered for their cultural significance, peonies now powers a thriving local economy, supporting hundreds of thousands of jobs and carrying unexpected political symbolism, including ties to First Lady Peng Liyuan. What can a single city alone reveal about the China’s deeper economic challenges - from changing consumer behaviour to rising youth unemployment and growing regional divides? Highlights (click/tap above): 1:28 The cultural significance of peonies in China 4:04 Peonies in modern Chinese culture 5:42 Toothpaste, cooking oil and TCM - how peony is made into 260 products 13:33 Challenges and strategies for cities in China 17:43 Conclusion and broader economic insights Read Joyce Lim’s article here: https://str.sg/LcLs Read Li Xueying’s articles: https://str.sg/iqmR Follow Li Xueying on LinkedIn: https://str.sg/ip4x Register for Asian Insider newsletter: https://str.sg/stnewsletters Host: Li Xueying (xueying@sph.com.sg) Edited by: Fa’izah Sani Executive producer: Ernest Luis Follow Asian Insider Podcast on Fridays here: Channel: https://str.sg/JWa7 Apple Podcasts: https://str.sg/JWa8 Spotify: https://str.sg/JWaX Feedback to: podcast@sph.com.sg --- Follow more ST podcast channels: All-in-one ST Podcasts channel: https://str.sg/wvz7 ST Podcasts website: http://str.sg/stpodcasts ST Podcasts YouTube: https://str.sg/4Vwsa --- Get The Straits Times app, which has a dedicated podcast player section: The App Store: https://str.sg/icyB Google Play: https://str.sg/icyX --- #STAsianInsiderSee omnystudio.com/listener for privacy information.

China’s unofficial national flower is getting Heze noticed, as its cities strive to develop unique calling cards Synopsis: Every first Friday of the month, The Straits Times catches up with its foreign correspondents about life and trends in the countries they're based in. The Straits Times’ foreign editor Li Xueying and China correspondent Joyce Lim take us to Heze, a city in Shandong province, where peonies aren't just admired by tourists - they drive a multi-billion yuan industry. Long revered for their cultural significance, peonies now powers a thriving local economy, supporting hundreds of thousands of jobs and carrying unexpected political symbolism, including ties to First Lady Peng Liyuan. What can a single city alone reveal about the China’s deeper economic challenges - from changing consumer behaviour to rising youth unemployment and growing regional divides? Highlights (click/tap above): 1:28 The cultural significance of peonies in China 4:04 Peonies in modern Chinese culture 5:42 Toothpaste, cooking oil and TCM - how peony is made into 260 products 13:33 Challenges and strategies for cities in China 17:43 Conclusion and broader economic insights Read Joyce Lim’s article here: https://str.sg/LcLs Read Li Xueying’s articles: https://str.sg/iqmR Follow Li Xueying on LinkedIn: https://str.sg/ip4x Register for Asian Insider newsletter: https://str.sg/stnewsletters Host: Li Xueying (xueying@sph.com.sg) Edited by: Fa’izah Sani Executive producer: Ernest Luis Follow Asian Insider Podcast on Fridays here: Channel: https://str.sg/JWa7 Apple Podcasts: https://str.sg/JWa8 Spotify: https://str.sg/JWaX Feedback to: podcast@sph.com.sg --- Follow more ST podcast channels: All-in-one ST Podcasts channel: https://str.sg/wvz7 ST Podcasts website: http://str.sg/stpodcasts ST Podcasts YouTube: https://str.sg/4Vwsa --- Get The Straits Times app, which has a dedicated podcast player section: The App Store: https://str.sg/icyB Google Play: https://str.sg/icyX --- #STAsianInsiderSee omnystudio.com/listener for privacy information.

AP correspondent Charles de Ledesma reports a New York artist, who had been living in Israel, was inspired by the eight terrifying months spent as a hostage of Hamas.

In Merry Wives of Windsor, Falstaff says “the appetite of her eye did seem to scorch me up like a burning-glass!” Burning glasses were a specific kind of lens, that allowed you to harness the sun's rays to create fire. They were a predesessor on the road to later lens construction that allowed for the convex shape which allows someone to create prescription glasses. In Shakespeare's lifetime, a specific kind of spectacles known as aphakic spectacles were prescriped as a matter of routine in post operative care for someone that underwent a cataract surgery .Paintings from this tim period show a variety of spectacles and eyewear that were used in this time period, and Shakespeare's plays themselves reveal the cultural impression of glasses and how they were perceived. Here today to explain the development of lenses form Shakespeare's lifetime, the post operative care for cataract surgery in particular, and to tell us more about special lenses like “burning glasses” and “reading stones” are our guests and ophthalmological historians, Chris Leffler and Charles Letocha.    Hosted on Acast. See acast.com/privacy for more information.

What does it mean to create something that didn't exist before—and to do so with a sense of possibility, even in the face of constraint? In this episode, artist Mario Moore joins Dr. Heidi Brooks to reflect on art as agency, the power of process, and the untold stories behind his Yale-commissioned painting Black Governors. Together, they explore the tension between presence and invisibility, and what it means to embed stories within stories—without always offering a central gaze or a single interpretation. This is a conversation about creativity as resistance, about learning through making, and about honoring what came before—while imagining what's still possible. Whether you're an artist, educator, student, or leader, Mario Moore's perspective offers a powerful lens on agency in the face of constraint—and how storytelling, through image or action, can challenge assumptions, spark dialogue, and expand what feels possible. If you've ever wondered how art intersects with justice or how process itself can be a form of wisdom, this episode is for you. “Paintings tend to grow—and you need to follow along and let it do its thing.” — Mario Moore Learning Through Experience is produced through the Yale School of Management. What resonates with you about this conversation? We'd love to hear from you—reach out to LTEpodcast@yale.edu. And subscribe to the monthly LinkedIn newsletter for additional insights and reflections about episode topics and questions to ponder. Watch this episode on YouTube. Show Notes & Key Moments 03:00 – Art, Activism and Early ImmersionHis mom was an artist; his grandmother, an activist. That legacy shaped Mario's worldview—and his work. “We'd go from studios to marches. I didn't separate creativity from protest.” 06:30 – Detroit, Imagination and Possibility in the Face of ScarcityThe collapse of the city where he was born and raised helped Mario Moore ask what might be rebuilt. “If everything's been taken away—why not imagine something new?” 11:30 – From Hollywood Backdrops to His Own VisionAfter working as a set sculptor on major films, Mario Moore realized he needed to reclaim time and space for his own creative voice. “I was building other people's stories. But I had something to say.” 20:50 – The Process: Sketches, Research and Listening to the WorkMario doesn't just paint—he excavates. Through sketches, archival research and revision, he lets each piece grow into what it needs to be. “I never want to force a painting into a plan. I follow where it leads.” 24:30 – Finding the Black Governors: History Hidden in Plain SightThe title “Black Governors” is significant to Connecticut, referencing the way enslaved and free African Americans would elect leaders to mediate the community's needs to power structure. “This history wasn't in textbooks. But it shaped everything.” 26:00 – The Layers of Black GovernorsMario Moore walks us through the visual and historical components of the painting. “Every corner of this painting has a story—and most have been forgotten.” 35:20 – Why the Top Hat MattersA nod to period fashion? Sure. A playful defiance of expectations? Absolutely. “Fun is part of the work. That's how I keep creating.” 37:10 – Composition, Centering and the Power of Visual FramingMario explains why placement matters—from the buttons on a coat to who gets to face the viewer. “This figure doesn't face you on purpose. It's not about one man—it's about many.” 39:00 – Final Reflections: Legacy, Leadership, and What EnduresFor Mario Moore, art is both an offering and an invitation. For Heidi, the piece is now part of her everyday experience—and a prompt for future leaders. “This painting lives here now. And it's asking all of us to see differently.” Resources Mario Moore's website: https://www.mariomoorestudio.com/ 

This crossword was the embodiment of what makes the NYTimes Crossword so outstanding: a fantabulous theme amid a sea of novel and some LOL supporting clues. Just check out today's podcast, and then raise a glass in honor of David J. Kahn, creator of today's masterpiece. [Oh, and then raise it a second time in the direction of Will "Funnier! Make it funnier... and cleverer!!" Shortz, editor extraordinaire!.]Show note imagery: DEDE Allen, one of the greatest film editor's of all time.We love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

In this episode we're shaking things up with Bookshelf Roulette! No pre-planned selections—just pure randomness. Using a random number generator, we each pick a few books from our shelves and dive into spontaneous discussions. Did we read them? Do we love them? Do we remember them? From forgotten gems to books we've been meaning to get to, we explore what's lurking in the corners of our collections. Tune in for some unexpected literary discoveries, personal stories, and maybe even a few surprises as we take a fresh, unplanned look at what's on our shelves.What surprises are hiding on your bookshelf? Join in the fun—pull out a random book, whether you follow our rules or come up with your own way to pick, and share what you find with us! From forgotten classics to books you've been meaning to read, we'd love to hear about the unexpected gems in your collection.We've got some fantastic author-focused episodes lined up for the foreseeable future, and we want to give you plenty of time to dive in if you'd like to read along with us. These episodes come around every ten episodes, and with our bi-weekly release schedule, you'll have a few months to get ready for each. Here's what we have in store:* Episode 115: Kazuo Ishiguro* Episode 125: Flannery O'Connor* Episode 135: William Faulkner* Episode 145: Elizabeth Taylor* Episode 155: Naguib MahfouzThere's no rush—take your time, and grab a book (or two, or three) so you're prepared for these as they come!Join the Mookse and the Gripes on DiscordWant to share your thoughts on these upcoming authors or anything else we're discussing? Join us over on Discord! It's the perfect place to dive deeper into the conversation—whether you're reading along with our author-focused episodes or just want to chat about the books that are on your mind.We're also gearing up for our second novella book club, where we'll be reading Giovanni's Room by James Baldwin at the start of July. It's a fantastic book, and we'd love to have you join the discussion. It's a great space to engage with fellow listeners, share your insights, and discover new perspectives on the books you're reading.ShownotesBooks* Lesser Ruins, by Mark Haber* Your Absence Is Darkness, by Jón Kalman Stefánsson, translated by Philip Roughton* Three Summers, by Margarita Liberaki, translated by Karen Van Dyck* Great Granny Webster, by Caroline Blackwood* The Short Stories of Elizabeth Hardwick* Giovanni's Room, by James Baldwin* Gould's Book of Fish, by Richard Flanagan* Question 7, by Richard Flanagan* Quartet in Autumn, by Barbara Pym* Hopscotch, by Julio Cortázar, translated by Gregory Rabassa* The Nose and Other Stories, by Nikolai Gogol, translated by Susanne Fuso* Dead Souls, by Nikolai Gogol* A Swim in the Pond in the Rain: In Which Four Russians Give a Masterclass on Writing, Reading, and Life, by George Saunders* The Namesake, by Jhumpa Lahiri* The Master and Margarita, by Mikhail Bulgakov* First Love, by Ivan Turgenev* The Forgery, by Ave Barrera, translated by Ellen Jones and Robin Myers* Cautery, by Lucía Lijtmaer, translated by Maureen Shaughnessy* On Earth as It Is Beneath, by Ana Paula Maia, translated by Padma Viswanathan* Chilco, by Daniela Catrileo, translated by Jacob Edelstein* The World We Saw Burning, by Renato Cisneros, translated by Fionn Petch* The Oppermanns, by Lion Feuchtwanger, translated by James Cleugh* The Aesthetics of Resistance, by Peter Weiss, translated by Joachim Neugroschel* Hotel du Lac, by Anita Brookner* A Start in Life, by Anita Brookner* Providence, by Anita Brookner* Look at Me, by Anita Brookner* Proustian Uncertainty: On Reading and Rereading In Search of Lost Time, by Saul Friedländer* Paintings in Proust: A Visual Companion to In Search of Lost Time, by Eric Karpeles* Monsieur Proust, by Céleste Albaret, translated by Barbara Bray* Lost Time: Lectures on Proust in a Soviet Prison Camp, by Józef Czapski, translated by Eric Karpeles* Strike Your Heart, by Amélie Nothomb, translated by Alison Anderson* Pétronille, by Amélie Nothomb, translated by Alison Anderson* Life Form, by Amélie Nothomb, translated by Alison Anderson* The Neapolitan Quartet, by Elena Ferrante, translated by Ann Goldstein* H Is for Hawk, by Helen Macdonald* Vesper Flights, by Helen Macdonald* Is a River Alive?, by Robert MacfarlaneOther* The Eclipse Viewer PodcastThe Mookse and the Gripes Podcast is a bookish conversation hosted by Paul and Trevor. Every other week, we explore a bookish topic and celebrate our love of reading. We're glad you're here, and we hope you'll continue to join us on this literary journey!A huge thank you to those who help make this podcast possible! If you'd like to support us, you can do so via Substack or Patreon. Subscribers receive access to periodic bonus episodes and early access to all new episodes. Plus, each supporter gets their own dedicated feed, allowing them to download episodes a few days before they're released to the public. We'd love for you to check it out! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit mookse.substack.com/subscribe

A new art exhibit at the George W. Bush Presidential Center showcases the former president's paintings and the museum's collegiate setting. The AP's Jennifer King reports.

David is an art history professor. For the last year, he has been researching an early 20th-century American impressionist named Agnes Millen Richmond. He's started buying her paintings… and they're expensive. Susan says they have too many already! She says her husband is obsessed! Who's right? Who's wrong?We are on TikTok and YouTube! Follow us on both @judgejohnhodgmanpod! Follow us on Instagram @judgejohnhodgman!Thanks to reddit user u/OldTechNewSpecs for naming this week's case! To suggest a title for a future episode, keep an eye on the Maximum Fun subreddit at reddit.com/r/maximumfun! Judge John Hodgman is member-supported! Join at $5 a month at maximumfun.org/join!

Burnt details his home situation as of late, Joan tells us about a friend of the twins and his unfortunate condition, and Doug keeps his chin up. Their guest this week is Erica, who is offering artwork to neighbors employing a unique technique.Go to cbbworld.com and sign up for the Maximus plan to unlock this episode and ALL seasons of The Neighborhood Listen ad-free, as well as full length exclusive BONUS ROOM episodes adventuring deeper into Dignity Falls!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Profile This, TV Time with Ted and Headlines!

Now from her permanent studio overlooking the French River Laurie Cochrane puts her mind and spirit into stunning paintings. Come along and listen as she discribes the colours, formats, and content of art that just pleases the soul of those from northern Ontario. Wispy bent white pines may be stereotypic, but they are so comforting... you can almost hear the wind singing in their needles.

My guest today on the Online for Authors podcast is Penelope Holt, author of the book The Angel Scroll. Penelope was born and educated in England and now lives in New York. She is a novelist, playwright, business writer, and marketing executive, whose work has been performed at the Edinburgh Fringe Festival, York Arts Center, and New York's American Folk Theater. In addition to writing fiction, The Angel Scroll, and The Apple, based on the controversial Herman Rosenblat Holocaust romance, Holt is a prolific writer, editor, and co-author of non-fiction, including Singing God's Work, the story of the Harlem Gospel Choir, Emotional Intelligence at Work, and many other works. She is married with two children.   In my book review, I stated The Angel Scroll is a wonderful women's fiction mystery full of mysticism and romance. You are going to love Claire, a recently widowed painter who manages to paint a masterpiece well-beyond her abilities. Although the piece brings her fame, she feels like a fraud, having painted something that brings everyone else peace when it brings her nothing but sadness. Despite this, she can't bear to part with it.   Enter recently widowed antiquarian, Richard. He believes Claire's painting is one-third of an ancient Christian prophecy, and that this might explain Claire's recent psychic abilities. Before long, the two are on an adventure taking them to Jerusalem, Rome, Siena, Glastonbury Tor, and New England.   Within these pages, you'll find intrigue, passion, greed, love, wisdom, good, and evil - like a microcosm of the world we live in! Once I started, I couldn't put it down.   Subscribe to Online for Authors to learn about more great books! https://www.youtube.com/@onlineforauthors?sub_confirmation=1   Join the Novels N Latte Book Club community to discuss this and other books with like-minded readers: https://www.facebook.com/groups/3576519880426290   You can follow Author Penelope Holt Website: https://www.penelopeholt.com/ FB: @Penelope.Holt IG: @penelopejaneholt X: @PenelopeHolt LinkedIn: @Penelope Holt   Purchase The Angel Scroll on Amazon: Paperback: https://amzn.to/4lqcKhw Ebook: https://amzn.to/3RC1JM9   Teri M Brown, Author and Podcast Host: https://www.terimbrown.com FB: @TeriMBrownAuthor IG: @terimbrown_author X: @terimbrown1   Want to be a guest on Online for Authors? Send Teri M Brown a message on PodMatch, here: https://www.podmatch.com/member/onlineforauthors   #penelopeholt #theangelscroll #womensfiction #mystery #terimbrownauthor #authorpodcast #onlineforauthors #characterdriven #researchjunkie #awardwinningauthor #podcasthost #podcast #readerpodcast #bookpodcast #writerpodcast #author #books #goodreads #bookclub #fiction #writer #bookreview *As an Amazon Associate I earn from qualifying purchases.

May 4, 2025Since His first coming, every generation of artists of every medium have produced their “visions” of Christ. Paintings, sculptures, and representations in film/TV all seek to capture qualities associated with Him. In Rev 1:9-20, the Apostle John was given a vision of Jesus in all of His unveiled glory which left the elderly apostle on his face. What do our lives reveal about our vision of Christ? Do we see Him with the clarity that has now been revealed? Revelation 1:9-20

On the Thursday May 1 edition of Georgia Today: Americorps volunteers across Georgia face layoffs from the Trump administration; the Georgia Alzheimers Association partners with state law enforcement for a new training initiative; and a Milledgeville farm hosts an exhibit of paintings by author Flannery O'Connor.

Topics discussed on today's show: National Bubble Tea Day, Slang Terms Not Used Anymore, More Or Less: Contacts vs Glasses, Birthdays, Kids & Paintings, History Quiz, 20 in 25, 3 Run Home Run, Celeb News, Commanders New Stadium, Pee-Wee Bike, Passed Away, Asking Friends For Help, Haute Dawgz, Deep Cut Face Off: Mother Songs, and Apologies.

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Join Mezza & Craig as they chat to musician, Egbert Derix, about working with both Fish and Steve Hogarth on his solo album "Paintings in Minor Lila" as well as working with Fish on his "Feast of Consequences" and "Welschmertz" albums.Chat also includes lots of Egbert's other work with John Helliwell of Supertramp and Bill Hicks amongst others (!).For more information please visit www.egbertderix.com

Contemporary figurative painter Xenia Gray unpacks how post-Soviet Siberia, spiritual retreats, and life in D.C. converge in canvases that pulse with raw feeling.Growing up in 1990s Siberia—creating a protective “shell” and turning to art for what words couldn't sayFinding her visual voice later in life: mixed media, unseen faces, and the recent pivot to vivid greensCamino de Santiago, Vipassana silence, and yoga—how physical and spiritual practice cracked creative blocksShowing vulnerability without losing humor: balancing motherhood, UX day-work, and a fast-rising studio careerWhy D.C.'s tight-knit arts scene lets her thrive—and how she avoids the ego traps of trends and metricsCurious about the journey behind her latest series The Great Silence? Hit play, then browse her work at xeniagray.art.This episode was recorded at my creative home away from home, a hotel that's also a vibrant cultural center. Check out Eaton DC here.  Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

[@4 min] Alright, this week...friend of the show Andrew Jorgensen returns to take a Free Throw on the upcoming Opera Theatre of St Louis festival season. You'll be shocked to find out which of the four productions he is looking forward to the most... [@16 min] And then…we exercise our opera snob muscles and discuss what makes an opera high art, like Wagner's Ring Cycle, or pop garbage, like Charpentier's Louise. [@32 min] Plus, in the ‘Two Minute Drill'…Jacksonville University decides that the arts aren't important, Carolina Opera gets sued, but at least Kennedy Center believes in the red, white, and blue… GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

#HerkeseSanat Sanat Tarihi Uzmanı, Sakıp Sabancı Müzesi Eğitim, Öğrenme Programları ve Etkinlikler Sorumlusu Fatma Coşkuner çocuk ve sanat ilişkisini anlatıyor. ... "Çocuk, sanatla daha dürüst, daha içten ve daha özgür bir ilişki kuruyor. Çünkü kalıplarla sınırlamıyor bakışını. Açıklık ve sezgisellikle hareket ediyor. Çünkü içinde hesap yok, yargı yok, ölçü yok. Sadece saf bir ifade arzusu var. Çocuklar sadece hissediyorlar ve bu his, sanatın özüne en yakın noktayı bulmalarını sağlıyor. Dolayısıyla sanat, çocuğu daha bilinçli, özgür, yaratıcı ve farkında olacağı bir yolculuğa çıkarıyor." ... Peki çocuk ve sanat nasıl tanıştırmalı, ne yapmalı, nasıl yapmalı? Fatma Coşkuner bu soruları yanıtlarken, birlikte yapılabilecek etkinlikleri de anlattı. Son olarak doktora konusu olan ve çocuklarla da çalıştığı Aivazovsky'nin "Dokuzuncu Dalga" ve "Fırtına" adlı tablolarını anlattı. Çocuklar bu tablolara bakınca ne görüyor, yorumları ne oluyor, bu tablolardan hangi hikayeleri çıkardılar?Programda Coşkuner'in 23 Nisan nedeniyle etkinlik önerileri de var. NEDEN FATMA COŞKUNER? Fatma Coşkuner, Boğaziçi Üniversitesi Tarih Bölümü'nde lisans ve yüksek lisans eğitimi gördü. European University at St. Petersburg'da ikinci yüksek lisans derecesini, 2021 yılında Koç Üniversitesi'nde “On the Threshold of the Black Sea: Intersecting Identity and Discourses of Empire in the Paintings of Ivan Konstantinovich Aivazovsky” adlı tezi ile doktora derecesini aldı. Yüksek lisans çalışmalarında Kırım Savaşı üzerinden Osmanlı-Rus ilişkilerine odaklanan Coşkuner, doktora sürecinde Ermeni-Rus ressam Ivan K. Aivazovsky üzerinden imparatorluk, kimlik ve coğrafya/mekân algısının sanatla olan ilişkisi üzerine çalışmalarını sürdürdü. Doktora eğitimi süresince Moskova, St. Petersburg, Paris, Londra, Feodosia, Erivan şehirlerinde konu üzerine birincil kaynak ve arşiv çalışmalarına devam etti. Stajını Varşova Milli Müzesi'nde Doğu Sanatları Bölümü'nde tamamladı. Koç Üniversitesi ve Sabancı Üniversitesi de dahil olmak üzere Türkiye'nin çeşitli üniversitelerinde sanat tarihi ve mimarlık tarihi üzerine dersler verdi. Ulusal ve uluslararası çok sayıda kongre ve konferansa katıldı. Yine ulusal ve uluslararası alanda olmak üzere yayınlanmış makaleleri ve kazandığı ödülleri bulunmaktadır. Halen Sabancı Üniversitesi Sakıp Sabancı Müzesi'nde Eğitim, Öğrenme Programları ve Etkinlikler Sorumlusu olarak görev yapıyor. Akademik ve profesyonel deneyimini kullanarak sanat, tarih ve müzecilik alanlarını birbirine bağlayan etkili projeler geliştirmeye devam ediyor. NEDEN HERKESE SANAT? Uzak durduğumuz sanat dallarının seyircisi olmayı öğreniyoruz. Nacide Berber uzmanlara soruyor, Cengiz Saral yayına hazırlıyor. Herkese Sanat cumartesi saat 12.30'da. tekrarı pazar 18.30'da NTVRadyo'da. Programın ses kayıtlarını, radyoda yayınlandıktan sonra, kaçıranlar ve tekrar dinlemek isteyenler için ntvradyo.com.tr adresindeki arşivinde ve podcast platformlarında bulabilirsiniz. İstediğiniz zaman istediğiniz yerde dinlemeniz için. #ntvradyo #herkesesanat #Aivazovky #çocukvesanat #resim #dokuzuncudalga #fatmacoşkuner

Ever been to an art gallery and thought a painting was watching you wherever you moved? Maybe it was a trick of the light, or maybe, like many cases suggest, that painting is haunted. Athena and Tiernan brush up on all the evidence to help you solve the case. Brought to you by Small Wardour, makers of some of the best podcasts for kids. *** If your chief detectives want to hear more from the investigations, including more compelling evidence and extra fun facts, then you can become a paid subscriber of the show. Just click Subscribe on Apple Podcasts or visit patreon.com/bustortrustpodcast to get access to weekly bonus episodes, ad-free and early listening and exclusive extras. Your support will help us to investigate even more amazing mysteries. Learn more about your ad choices. Visit podcastchoices.com/adchoices

If your florals feel stiff or overworked, you might be making this super common mistake. In this episode, I'll show you how loosening up can lead to more expressive, joyful paintings—and how my process evolved.  Join my $10 workshop, The Art of Letting Go, starting April 28.

Jenny is joined by guest host Brian Gottlock for a special chat with Kathie Bennewitz, Executive Director of Edward Hopper House Museum & Study Center in Nyack, NY, about how growing up with the light reflecting off the Hudson River shaped Hopper's art, how strong women shaped Hopper's life, and how he didn't make it big until age 40. Kathie also gave us a ton of wonderful recommendations to explore more Hopper beyond the house and dig deeper into art history in the Hudson Valley. Head over to ⁠valleygirlspodcast.com⁠ for the episode page and a blog post for all the info and resources! And don't miss their amazing current exhibition, "Portal: The Window in American Photography" open through April 27th!Thanks for listening! To help support the Valley Girls, please follow our podcast from our show page, leave a rating and review, and please spread the word and share our podcast with others. We really appreciate your support!To stay up to date and for more content you can find us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠valleygirlspodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠, at ⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/ValleyGirlsPodNY⁠⁠⁠⁠⁠⁠⁠⁠⁠, at ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.com/@ValleyGirlsPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠, and also check out the Newsletter and Pod Squad tab on our website to sign up for our e-mail newsletter and join ⁠⁠⁠⁠⁠⁠⁠⁠⁠our Facebook Group⁠⁠⁠⁠⁠⁠⁠ ⁠⁠so you never miss a thing! All links can also be found in our Instagram bio.Episode music by Robert Burke Warren entitled Painting a Vast Blue Sky can be found at ⁠⁠⁠⁠⁠⁠⁠⁠⁠robertburkewarren.bandcamp.com/track/painting-a-vast-blue-sky⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Let’s examine the clever and effective use of political art during the reign of Queen Elizabeth while visiting Jesus College founded in 1571 under the reign of the Monarch, making it the only Elizabethan College within the University of Oxford. Paintings of her likeness demonstrated the Tudor concept of power. The portraiture of Queen Elizabeth the First of England illustrates the evolution of English royal portraits from the representations of simple likenesses to the later multifaceted imagery used to convey the power, authority, supremacy and aspirations of the state, as well as of the monarch at its head. Elizabeth paid more attention to propaganda than art, disseminating her portraits widely throughout her realm, including North America. Check out the YouTube version of this episode at https://youtu.be/izUNMacYZic which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. England History books available at https://amzn.to/4526W5n British Kings & Queens books available at https://amzn.to/430VOo0 Age of Discovery books available at https://amzn.to/3ZYOhnK Age of Exploration books available at https://amzn.to/403Wcjx ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORICAL JESUS podcast is available at https://parthenonpodcast.com/historical-jesus Mark's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/HistoricalJesu Instagram: https://www.instagram.com/denarynovels Mark's Books: https://amzn.to/3k8qrGM See omnystudio.com/listener for privacy information.

Tom Roberts' Shearing The Rams and Sidney Nolan's Ned Kelly series both feature on Lorraine's list 

The “Prom of Trash with John Waters” kicks off the “WussyFest” this year, and Waters shares the event details. Plus, Roadrunner Raph takes the spotlight for our series, “Speaking of Comedy,” and curator Asen Kirin discusses “The Awe of Ordinary Labors: 20th Century Paintings from Ukraine,” on view at the Georgia Museum of Art at UGA through June 1.See omnystudio.com/listener for privacy information.

This week it's "The Goetiana Paintings"! Learn more about your ad choices. Visit megaphone.fm/adchoices

[Western Art] Today's show features Petecia Le Fawnhawk, a multi-disciplinary artist from Arizona. Petecia's work includes design, fashion, photography, music, paintings and more—much of it focused on the evocative imagery and energy of the Desert Southwest. We talk about Petecia's time in dusty desert towns in Arizona,bbeing inspired by Georgia O'Keeffe, her move to Los Angeles and her upcoming shows, one of which is September's Far West exhibition, which she puts on with her husband, painter Mark Maggiori. Her newest show runs April 4-12, 2025, in Scottsdale, Arizona, at Amery Bohling Fine Art. This episode is sponsored by Western Art Collector. Subscribe today at westernartcollector.com.

This week it's "The Goetiana Paintings"! Learn more about your ad choices. Visit megaphone.fm/adchoices

Me (Ed) and Holly have always loved matte paintings and miniatures, and despite knowing very little about how to work with them, we are diving in with GRIND. In today's episode we talk about how we plan to pull that off, and also Holly's journey into the world of production design! Theme song by Matt Glass (@glassbrain), Artwork by Felipe Sobreiro (@sobreiro) Hosted by Brea Grant (@breagrant) and Ed Dougherty (@eddied4me)Join our Patreon for extra content!

Listen: Lauren Class Schneider talks to Sam Kissajukian’s, creator and performer of “Sam Kissajukian’s 300 Paintings” at the Vineyard Theatre. Sam Kissajukian in The Vineyard Theatre’s 2025 Production of 300 PAINTINGS, Photo by Carol Roseg “Class Notes” actively covers New York's current theater season on, off, and off-offBroadway. For a read more The post Class Notes: Sam Kissajukian “Sam Kissajukian’s 300 Paintings” appeared first on BroadwayRadio.

We're doing a Quantum Leap! The electric fog has dumped Greg & Dana into The Conjuring Universe, which means one thing: it's time to snoop. Get ready for the terrifying "true" tales you've never heard, including Ed Warren's encounter with a foul-mouthed feline and that time Lorraine Warren mind-melded with Bigfoot. Plus, Keelin phones in from the Satanic Cult HQ, we learn a wild new claim about The Exorcist, and Dana saves up for a spaghetti dinner with Annabelle. Top up your holy water and hang onto your rosary, because your mortal soul is on the line in the season finale of The Haunted Objects Podcast! Get HOP merch: https://planetweird.store/ Visit our website: https://hauntedobjectspodcast.com Subscribe on Spotify: https://tinyurl.com/42xxbaw7 Follow Us on Instagram: https://tinyurl.com/y4rnpup9 SHOW NOTES: - The Annabelle Head Cast: https://tinyurl.com/5am49w4v - Priest Explains Cursed Objects: https://tinyurl.com/376hzrh5 - Ed and Lorraine Tell Annabelle's Story: https://tinyurl.com/ncjscn68 - Museum's Ed Warren Painting: https://tinyurl.com/yh8s7n8z - Unboxing the Ed Warren Painting: https://tinyurl.com/yh8s7n8z - Ed Warren's Paintings, 1969: https://tinyurl.com/33kfp7u6 - More Paintings By Ed: https://tinyurl.com/2dy27wb3 - ‘Ghost Hunter' Ed Warren, 1971: https://tinyurl.com/4z4ad2z7 - Ed Warren in The Exorcist: https://tinyurl.com/h4675x2k - Ed Calls Himself a Demonologist: https://tinyurl.com/27fwazts - TRIGGER WARNING - THR Article: https://tinyurl.com/yc4athnm - Bootleg Warren Book: https://tinyurl.com/4uydw9ej - Read “The Demonologist”: https://amzn.to/4hsiu7t - Read “Graveyard": https://amzn.to/3Ea6s4i - Read “Ghost Hunters": https://amzn.to/40AEp5s - Sally Jessy Raphael Interview: https://tinyurl.com/57y8vbyb - Haunting In Connecticut: https://tinyurl.com/bdh73z7x - “Demons In Connecticut”: https://tinyurl.com/yn8btam7 - Angie Barry On The Warrens: https://tinyurl.com/3aemce58 - “Enfield Poltergeist” Apple TV+: https://tinyurl.com/uvva7u8e - BBC's Coverage Of Enfield: https://tinyurl.com/tdctkz52 - Cursing Cat Sings Jingle Bells: https://tinyurl.com/c2t7wuvz - Watch “The Devil On Trial” on Netflix: https://tinyurl.com/34jn23av - “Devil on Trial” Case: https://tinyurl.com/47yafpzt - Dino Toy From The Devil: https://tinyurl.com/bdd9fe4n - The Conjuring Lawsuit Settled: https://tinyurl.com/2j96j8tv - Warren “Case Files” from NESPR: https://tonyspera.com/case-files/ - Ed Gives a Warren Museum Tour: https://tinyurl.com/2rzsn7r7 Part of the Spectrevision Radio Network Copyright 2025 Planet Weird Hosted by Greg and Dana Newkirk Produced by Connor J Randall Photography / Editing by Karl Pfeiffer Additional Research by Keelin Mathews Art by Dustin Williams Production Assistance by Michelle Randall Theme by Adam Hayman "The Disembodied Voice" by Chuck Fresh Learn more about your ad choices. Visit megaphone.fm/adchoices