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We're joined today by Emily Reese; Minnesota Public Radio newscaster, VGM podcast legend and co-creator of the Level with Emily Reese and Top Score podcasts with Sam Keenan. She is a trumpet player, and studied music education and jazz studies at the University of Colorado, Boulder and received her master's degree in Music Theory from the University of Nebraska-Lincoln. Emily is an avid gamer (RPGs and FPS games are a favorite), and a lover of music with jazz and classical in particular. Today's show began as an interview with Emily but quickly turned into the three of us talking shop about the inner workings of creating the best possible podcast. All the discussion of audio editing and interview planning you can handle, as well as some career highlights from the trio. It's not our typical show format, but we had a great time talking with a fellow podcast host and kindred spirit. Emily started her radio career in 2005 and began working at Minnesota Public Radio in 2008, where she and Sam created Top Score in 2011. Top Score was one of the earliest and most prominent video game music podcasts which featured interviews with some of the most famous composers in the industry. It ushered in an era of mainstream game music appreciation, as well as being a huge inspiration to many aspiring VGM podcasters including us here at Pixelated Audio! After Top Score ended in 2015, Emily and Sam created a new podcast to carry the torch, Level with Emily Reese, which focuses on broader game audio topics including composers, sound designers, voiceover actors and performers. Her vast musical and audio knowledge make Emily's interviews with composers and audio professionals some of the most in-depth around. If you'd like to hear more, check out Level with Emily Reese, which currently has over 200 episodes and releases on an almost weekly cadence. The show can be found on their website, on YouTube, on your favorite podcast platform, or on their Patreon page. To learn more about Emily and Sam's other projects, check out their company page Joon Media. Track List: 0:00:03 "Towhee Grove" Oxenfree - by scntfc 0:14:49 "Welcome Home" The Aquatic Adventure of the Last Human - by Karl Flodin 0:29:23 "Star Forge" Straylight - Rob Kovacs 0:44:11 "Lauren Winter's Theme" Heavy Rain - by Normand Corbeil 1:08:32 "Anka" Signs of the Sojourner - by Steve Pardo
With Valve moving into the handheld market, we reflect on whether there's a place for a Switch-style PC in this episode. Plus! In a sequel of sorts to our Bad eBay Games Court episode, Big Sammy Holdings and Matthew Castle Productions are moving into the hardware market – hear us conceptualise the (fictional) perfect handheld games console. This week's music is from the Heavy Rain soundtrack by the late Normand Corbeil, the Control soundtrack by Petri Alanko and Martin Stig Andersen, and the Space Harrier soundtrack by Hiroshi Kawaguchi and Yu Suzuki.
Quand le PIFFFcast vous parle de robots, n'attendez pas du Johnny 5 ou du Nono le petit robot ami d'Ulysse. IA tentant d'inséminer une humaine, machines de guerre broyeuses d'os, androïdes au service d'un capitaine Nemo de l'espace… Ici, on n'a pas peur du retour du Terminator ! Avec Véronique Davidson, Xavier Colon, Laurent Duroche, Talal Selhami et Cyril Despontin. Réalisation : Xavier Colon Musique du générique : Donuts' slap par Laurent Duroche ► Flux RSS pour Android : bit.ly/2FrUwHo ► En écoute aussi sur Itunes : apple.co/2Enma9n ► Sur Deezer : www.deezer.com/fr/show/56007 ► Sur Spotify : open.spotify.com/show/4n3gUOfPZhyxL5iKdZIjHA ► Mais aussi sur Youtube : https://youtu.be/NfiUMUH5Kwk Référence des films cités : • Récap Sitges • The Lodge de Severin Fiala, Veronika Franz (2019) • Le repaire du ver blanc de Ken Russell (1988) • The Last of us (jeu vidéo) • Spider Baby de Jack Hill (1967) • Terminator: Dark Fate de Tim Miller (2019) • Génération Proteus de Donald Cammel (1977) • Le trou noir de Gary Nelson (1979) • Hardware de Richard Stanley (1990) • Death Machine de Stephen Norrington (1994) • Virus de John Bruno (1999) Bande originale : Planète Hurlante de Christian Duguay composée par Normand Corbeil (1995)
Género ya en sí mismo, la música orquestal de videojuegos tiene su lugar de honor dentro de los estilos contemporáneos. El programa no analiza con detalle su evolución, sino que simplemente ejemplifica algunas de las partituras más notables, en especial las de dos grandes compositores: Wataru Hokoyama y James Hannigan. Los videojuegos, años y autores son los siguientes:1998. Parque Jurásico: El Mundo Perdido (Michael Giacchino). 2001. Harry Potter y la piedra filosofal (Jeremy Soule). 2002. Medal of honor (Michael Giacchino). 2004. Harry Potter y el prisionero de Azkabán (Jeremy Soule). 2005. Star Wars: Republic Commando (Jesse Harlin). 2006. Black (Chris Tilton). 2010. Heavy rain (Normand Corbeil). 2010. Castlevania: Lords of Shadow (Óscar Araújo). 2013. Assassin’s Creed III: The Tyranny of King Washington (Lorne Balfe). Wataru Hokoyama: 2006. Afrika. 2013. Soul Sacrifice. James Hannigan: 2001. Conquest: Frontier Wars. 2001. RuneScape. 2007. Harry Potter y la Orden del Fénix. 2009. Harry Potter y el misterio del príncipe. 2010. El Señor de los Anillos: Aragorn’s quest.
Género ya en sí mismo, la música orquestal de videojuegos tiene su lugar de honor dentro de los estilos contemporáneos. El programa no analiza con detalle su evolución, sino que simplemente ejemplifica algunas de las partituras más notables, en especial las de dos grandes compositores: Wataru Hokoyama y James Hannigan. Los videojuegos, años y autores son los siguientes:1998. Parque Jurásico: El Mundo Perdido (Michael Giacchino). 2001. Harry Potter y la piedra filosofal (Jeremy Soule). 2002. Medal of honor (Michael Giacchino). 2004. Harry Potter y el prisionero de Azkabán (Jeremy Soule). 2005. Star Wars: Republic Commando (Jesse Harlin). 2006. Black (Chris Tilton). 2010. Heavy rain (Normand Corbeil). 2010. Castlevania: Lords of Shadow (Óscar Araújo). 2013. Assassin’s Creed III: The Tyranny of King Washington (Lorne Balfe). Wataru Hokoyama: 2006. Afrika. 2013. Soul Sacrifice. James Hannigan: 2001. Conquest: Frontier Wars. 2001. RuneScape. 2007. Harry Potter y la Orden del Fénix. 2009. Harry Potter y el misterio del príncipe. 2010. El Señor de los Anillos: Aragorn’s quest.
With your hosts Han Lilja of Lilja's Library and Lou Sytsma. Welcome to Episode 24 of The Stephen King Podcast! Something Old - Carrie, Something New - Dr. Sleep, & Someone Blue - Blue Tyson That is. Blue, Hans and myself engage in full on SPOILER filled talks about the latest Stephen King book - Dr. Sleep and the latest cinematic adaptation of one of his works - Carrie. Plus the latest Stephen King news. We hope you will all enjoy this episode and as usual we want to hear from you. Good or bad, we want it all! You can leave us comments, questions, topic suggestions at: 1) FaceBook - Lilja's Library 2) Audio Message - Speak Pipe widget on the right hand of the podcast page (send voicemail) In this podcast:1) 00:56 - Lilja and Lou Intro. 2) 01:33 - From The Deathroom - Stephen King News 3) 10:18 - Reviews From The Night Shift Part 1 - Bood Review - Dr. Sleep 4) 38:07 - Reviews From The Night Shift Part 2 - Movie Review - Carrie(2013) 5) 59:51 - Preview of Podcast 25 And Signoff 6) 1:02:13 - Bloopers Intro Music - Don't Fear The Reaper - Blue Oyster Cult Dr. Sleep Music - Beyond Two Souls Theme - Hans Zimmer & Lorne Balfe and Normand Corbeil. Carrie Clip - from the 1976 Brian DePalma Movie Outro Music - Stand By Me - Ben E. King iTunes - The Stephen King Podcast. RSS Feed - RSS. Support The Show - Thank You!
The difficult decisions players must make in Heavy Rain are underscored by a gorgeous soundtrack, written by French-Canadian film composer Normand Corbeil.
In which I cover things that videogames have affected in wider culture. Interview with Normand Corbeil by Emily Reese from Top Score; Space Cruise (Title) by Ben Prunty from FTL by Subset Games; and Wreck-It Ralph by Henry Jackman from Wreck-It Ralph movie by Disney.
In which I pay tribute to a great composer, and finish up with music from a different adventure game. Ethan Mars Theme, Bulldozer and Painful Memories by Normand Corbeil from Heavy Rain by Quantic Dream; and Intro C2 and Village by Radek Szamrej from Teenagent by Metropolis Software.