Podcasts about Terminator

Send a textThe guys note the obvious Terminator parallels. Mike has major issues with some shots and even the motives of one of the bad guys. Andrew...well he can't even get out of the opening without complaining!JOIN OUR SOCIALS!magusmediaproductions.netwww.facebook.com/groups/thisisnothappeningpod/ @TINHXFilesPodCONTACT US!tinhxfp@gmail.com

Welcome to another Movie Bracket Battle!  We took the last 16 weeks of movie recommendations, seeded them, and pit them against each other in an awesome spectacle of emotions and choice.  Who will win?  Tune in to find out.   The brackets match-ups begin as such: THE WIZARD OF OZ (1939) vs. VAN HELSING (2004) ROCKETMAN (2019) vs THE EVIL DEAD (1981) DUNE: PART 2 (2024) vs TOTAL RECALL (1980) NIGHTCRAWLER (2014) vs GREENLAND (2021) SE7EN (1995) vs JOYRIDE (2001) DAWN OF THE DEAD (2004) vs THE BLAIR WITCH PROJECT (1999) ARACHNOPHOBIA (1990) vs PUSS IN BOOTS: THE LAST WISH (2022) THE TERMINATOR (1984) vs PREDATOR (1990) Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Also Hosted by Christopher Boughan. Visit the new Youtube channel, "Post Credits Podcast" to watch the video version.   Thank you for listening! Check us out on many podcast services: Apple Podcasts, Amazon Music, Google Podcasts, Spotify, Podbean. Check is out on YouTube for the full video each week: https://www.youtube.com/@Postcreditspodcast1

M3GAN is back! Our favorite killer robot is back for round two - Terminator 2 style. Brain implants to emotions to best-seller-list manipulation, we chat about these and MUCH more. Email us: KillerFunPodcast@gmail.comFollow us on Facebook: fb.me/KillerFunPodcastAll the Tweets, er, POSTS: https://x.com/KillerFunPodInstagram: killerfunpodcast

Welcome everyone to Perched On The Top Rope Episode 309, John Laurinaitis Interview!In this episode, the former WWE Vice President of Talent Relations, Raw and SmackDown General Manager discusses getting back into wrestling with Big Time Wrestling!Tickets: www.wcpbtwtix.comJohn Laurinaitis talks various firsts he is having from the Match Mayhem event with Big Time Wrestling from his first meet and greet, first time doing a meet and greet with his younger brother, The Terminator and reuniting with Shane Douglas to reunite the WCW tag team of The Dynamic Dudes.Laurinaitis talks Legion of Doom going into The Ohio Wrestling Hall of Fame and how excited he is for his brother.We also hear about Mr. Laurinaitis defeating John Cena and he also shares his thoughts about Ax and Smash, Demolition going into the WWE Hall of Fame!!!With WWE 2k26 coming out this Friday, John Laurinaitis shares what it was like being part of the video game franchise and also talks about his Mattel WWE Elite Build-A-Figure!Remember, spoiler free's the way to be!Perched On The Top RopeLinktr.ee: https://linktr.ee/PerchedOnTheTopRopePro Wrestling Tees (BUY A SHIRT): https://www.prowrestlingtees.com/related/perchedonthetoprope.htmlFacebook: www.facebook.com/perchedonthetopropeTwitter: https://x.com/PerchedTopRopeInstagram: www.instagram.com/perchedonthetopropepodcastApple Podcast: https://podcasts.apple.com/us/podcast/perched-on-the-top-rope/id1562935713Support this podcast at — https://redcircle.com/perchedonthetoprope/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Panelists: Dim Talking Points: Following the path of sinusitus, The Shah of Iran, The Photo Album, apologizing for priviledge, an evening at Hamer Hall watching Terminator 2: Judgement Day, the Viet building a village on water.#sinusitis #sleepapnea #snoring #melbourne #music #thedukeleverageshow #instagram #spotify #podcast #maga #trump #epstein #soundcloud #australia #newpodcast #podcaster #newepisodeIf you think you have a story to share or want to find a safespace to argue the pointless and the poignant, drop us a line at therealdukeleverage@gmail.com or DM us on the social media feeds. We're all about making dreams come true!https://linktr.ee/thedukeleverageshowDon't forget to hit the URL in the profile to get to our links. Make sure to like, share and follow and if you've listened to over 2 hours over 3 episodes you should keep our doors open and buy us a coffee!

This week John Poz's TMPT welcomes into the show for the flagship episode, former 6x AJPW Tag team champion, Johnny Ace aka John Laurinaitis . The former EVP of WWE joins the show to talk about his entire professional wrestling career. Host John Poz and Johnny talk about breaking into the business, WWE, WCW, NWA, FCW, NXT, AJPW, his brothers The Terminator and Road Warrior Animal, the legacy of his family, his return to wrestling, and so much more. World Classic Professional Big Time Wrestling Presents MARCH MAYHEM 3/14 -wcpbtwtix.com FOR TICKETSStore - Teepublic.com/stores/TMPTFollow us @TwoManPowerTrip on Twitter and IG

Shocking Dark aka Terminator II (1989)Directed By: Bruno MatteiStarring: Christopher Ahrens, Haven Tyler, Geretta Geretta, Someone from some other movieWe're starting this year's crummy movie March with a movie that we've seen pop up on some actor's IMDB page, and with a title like Terminator II, how could we not be intrigued - considering this crummy movie march theme is Terminator clones. IMDB.com describes Terminator II (aka Shocking Dark) as: "In a polluted future Venice researchers work to improve the situation. One day, unknown forces start killing them. A team of soldiers and a couple of civilians is sent to investigate. Soon, they encounter strange murderous creatures."We Also Talked About:Running the Light by Sam Talent (Amazon)Play Nice: The Rise, Fall, and Future Of Blizzard Entertainment by Jason Schrier (Amazon)Rise of the 49ers (Amazon)The Boy DetectiveCruel: The Cross Village Encounter (Tubi)We Bury the Dead (Amazon)Like what you hear here? We're on the youtubes now with our entire new back catalog and some upcoming exclusive content available at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://youtube.com/@deweypodmonster⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠(Some of the above links are affiliate links, if you purchase through these affiliate links we do get a small kickback, and it's the best way to support this show!).Rate and Review us on the podcast platform of your choice!As always, remember, you can always find the latest goings on at our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://Crap.Town⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our fellow podcast network members at https://⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Yourunpodcast.com⁠⁠⁠

Doyle, Joe, and Jeff do a Monday night episode before the Toronto game to recap the last week, talk about how the trade deadline will be sad, and how most Terminator fans only acknowledge two movies.​broadstreetbully.com​Twitter @thebsbpodcast​Instagram @thebsbpodcast

The Terminator (1984)Marc's PickPART 1 – The Nutshell – If you haven't seen itA spoiler-free breakdown of The Terminator designed to help you decide if this 80s sci-fi landmark is actually your kind of film and worth your time.An exploration of how the movie balances action, tension and emotional stakes, without assuming you already love the franchise or its iconic moments.We'll give other movie comparisons, tone, style and feel.By the end of Part 1, you will have made a decision!---PART 2 – The Unboxing – If you've seen itWhat Did You Miss?The ideas working beneath the surface, from the mechanics of its time line to the way tension is built through framing, sound design and perspective.Moments that gain new weight on reflection, including how the film uses contrast, repetition and visual storytelling to deepen character and raise stakes.A closer look at how it handles themes of fate, technology, inevitability and human connection and why those themes land differently now than they did on release.---Paul's Facts of the DayHow the film was made on a tight budget using guerrilla style production methodsThe early career circumstances that shaped director James Cameron's approachCasting stories and near misses that could have changed the film entirelyPractical effects craftsmanship that still sparks debate decades later---Hate It or Rate It?Marc, Darren & Paul submit their scores and The Terminator takes its place in the Legend League.Does it still deserve its iconic status?Or does it land differently today?---PART 3 – Listener LoungeYour questions, your comments and your shout-outs, the Question of the Week and of course… the reveal of next week's movie.---Listen Nowhttps://2ly.link/24tPI---View the Legend LeagueEvery movie we've featured and rated on the podcasthttps://linkly.link/2Bfcv---View the Listener LeagueSee how how we rated the movies chosen by our listeners.https://linkly.link/2Bi9l---Join the conversation

Neal maps the future of the traditional white haired action villain, explains why governments would love to mandate toe typewriters, tries to describe a mysterious part of Dublin’s city centre using Theoretical Physics, conjures a talking cat to explain the mechanics of speaking without vocal cords, defends Edwyn Collins' incorrect inflexions in Addidas World, relates a defining childhood moment involving a very special word, worries about toilet brush design, proposes a unifying theory for the Terminator movies, illuminates the dark side of cartoon dogs, wonders how you go about decaffeinating something, relates how bread vans triggered an ambulance phobia, remembers when the name AA1 Aardvark used to mean something and looks at tastefully rebooting Die Hard, what cats hear when we say anti disestablish mentarianism (last time I used that word without breaks in it, it broke the feed), why dog beds are nonsense, The Ant and the Aardvark, why The Animals of Farthing Wood is unsuitable for children, Jellystone and other hideous cartoon reboots, a piece of student infrastructure resembling an ancient royal litter, fines for swearing in Demolition Man (1993), schooling in the twenty-second century, the surprising logistics of walking computers and more. VISIT IntoYourHead.ie for everything and more. IN THE FAR FUTURE? Feeds broken? Site dilapidated? Everyone dead? No problem! Find hundreds of Into Your Head shows and Matchstick Cats comics on Archive dot org. LICENSE: Creative Commons BY-NC-ND 4.0 – Attribution: Neal O'Carroll.

An all-star cast today with: Emmy Probasco, a fellow at Georgetown's Center for Security and Emerging Technology (CSET) and former Navy officer with deep expertise in autonomous weapons and military AI adoption; Michael Horowitz, a University of Pennsylvania professor who previously ran the Pentagon office that rewrote U.S. policy on autonomy in weapons systems; Bryan Clark, a defense analyst at the Hudson Institute and retired Navy officer specializing in naval warfare and military technology; and Henry Farrell, a political scientist and writer focused on the intersection of technology, geopolitics, and economic coercion. [00:00] America's First Precise Mass Campaign Against Iran The U.S. debuts the Lucas drone — a sub-$100K system reverse-engineered from Iran's own Shahed 136 — alongside legacy Tomahawk strikes in a campaign of unprecedented scale and velocity. [10:00] Regime Change Without a Plan The panel debates the theory of victory when you decapitate leadership but have nobody to pick up the pieces, with implications for nuclear proliferation, Gulf stability, and the Strait of Hormuz. [18:00] Weapons Stockpiles, Air Defense, and What China Is Learning Burning through expensive interceptors against cheap drones risks drawing down Pacific stockpiles, while China gets a front-row seat to how American air defenses operate at scale. [25:00] Claude Enters the Chat: AI in Military Operations Claude's integration into CENTCOM's Maven Smart System prompts a discussion on what military AI actually does — mostly boring bureaucratic tasks — and why the Terminator narrative misses the point. [46:00] The Anthropic–Pentagon Fight Mike argues the dispute is about personality and politics, not policy — Anthropic never refused a government request, and the real clash is over who gets to decide future use cases. [56:00] Treating a U.S. Company Like Huawei Threatening Anthropic with supply chain risk designations — tools built for foreign adversaries — could chill the entire tech sector's willingness to work with the Pentagon and poison allied trust in American tech. If we're doing emergency pods once a week now should I stop calling them emergency pods? Learn more about your ad choices. Visit megaphone.fm/adchoices

An all-star cast today with: Emmy Probasco, a fellow at Georgetown's Center for Security and Emerging Technology (CSET) and former Navy officer with deep expertise in autonomous weapons and military AI adoption; Michael Horowitz, a University of Pennsylvania professor who previously ran the Pentagon office that rewrote U.S. policy on autonomy in weapons systems; Bryan Clark, a defense analyst at the Hudson Institute and retired Navy officer specializing in naval warfare and military technology; and Henry Farrell, a political scientist and writer focused on the intersection of technology, geopolitics, and economic coercion. [00:00] America's First Precise Mass Campaign Against Iran The U.S. debuts the Lucas drone — a sub-$100K system reverse-engineered from Iran's own Shahed 136 — alongside legacy Tomahawk strikes in a campaign of unprecedented scale and velocity. [10:00] Regime Change Without a Plan The panel debates the theory of victory when you decapitate leadership but have nobody to pick up the pieces, with implications for nuclear proliferation, Gulf stability, and the Strait of Hormuz. [18:00] Weapons Stockpiles, Air Defense, and What China Is Learning Burning through expensive interceptors against cheap drones risks drawing down Pacific stockpiles, while China gets a front-row seat to how American air defenses operate at scale. [25:00] Claude Enters the Chat: AI in Military Operations Claude's integration into CENTCOM's Maven Smart System prompts a discussion on what military AI actually does — mostly boring bureaucratic tasks — and why the Terminator narrative misses the point. [46:00] The Anthropic–Pentagon Fight Mike argues the dispute is about personality and politics, not policy — Anthropic never refused a government request, and the real clash is over who gets to decide future use cases. [56:00] Treating a U.S. Company Like Huawei Threatening Anthropic with supply chain risk designations — tools built for foreign adversaries — could chill the entire tech sector's willingness to work with the Pentagon and poison allied trust in American tech. If we're doing emergency pods once a week now should I stop calling them emergency pods? Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Paul and Rich discuss Terminator civilization, including Terminator Paw Patrol, Terminator home life, and Amish Terminators.  No, really. Check out our website for info on upcoming episodes, our email list, our email address, and coming soon a blog and possibly TikTok.  Maybe.  We'll see.  Please leave us a review on the podcast platform of your choice!  Reviews help us get noticed

Enough about romance, it's time to get rich! This week the guys are talking some money movies in Outrageous Fortune and Million Dollar Mystery. They're talking Bette Midler, Shelley Long, George Carlin, and even Terminator, Baz Luhrmann, and Moulin Rogue!

Your long-lost legends of long-winded lore are back, reporting live from the 2026 Web Summit Conference in Doha, Qatar! Together they proudly present the second installment of their pop culture anecdote grab-bag: TMI: Oops, All Digressions. This time around, they dive into the origins (and alternate-universe casting) of the James Bond franchise — including the hilariously un-spy-like way Ian Fleming stole the name “James Bond” from a real-life bird expert, plus the many almost-Bonds who nearly wore the tux. From there, the conversation takes the scenic route into how Bond indirectly helped inspire Indiana Jones, why Spielberg never got his 007 shot (but still got the last laugh), and a detour through Terminator lore — from Arnold’s gun-range training to the surprising movie that earned him his biggest payday. Meanwhile, Heigl breaks down the proud, baffling tradition of electric jug music via the 13th Floor Elevators, and Jordan nerds out on the strange history of currency (stone money, cheese wheels as collateral, and why your penny is living on borrowed time) before sliding into the origins of playing cards — capped off by the mind-melter that there are more possible shuffles of a deck than there are atoms on Earth. So strap in for TMI: Oops, All Digressions! No structure. No safety net. Just facts. (Recorded February 2, 2026.)See omnystudio.com/listener for privacy information.

Wir haben das Internet von unseren Kindern nur geliehen! Die Woche beginnt düster. Denn während das Verteidi… sorry, sogenannte “Kriegsministerium” der USA Politik über Gesetze macht, die eigentlich mal zu echtem Schutz gedacht waren, wirft ein neue Recherche abermals ein Schlaglicht auf das Verhalten Metas in Hinblick auf Jugendliche. Und ich sag mal so: Es sieht - mal wieder - nicht gut aus. ➡️ The Atlantic über Metas Dokumente zum Jugendschutz: [https://www.theatlantic.com/technology/2026/02/meta-child-safety-documents-instagram/686163/?gift=JPpBcG1V91hbaN04g4KhsuGbLGVjMCdsY7UaDsBv_bE](https://www.theatlantic.com/technology/2026/02/meta-child-safety-documents-instagram/686163/?gift=JPpBcG1V91hbaN04g4KhsuGbLGVjMCdsY7UaDsBv_bE) ➡️ Wargames von 1983 gratis bei YouTube Movies: [https://youtu.be/utkrhQNSjac](https://youtu.be/utkrhQNSjac?si=MqeJJYYBKV1uhIt1) ➡️ Mit der "Haken Dran"-Community ins Gespräch kommen könnt ihr am besten im Discord: [http://hakendran.org](http://www.hakendran.org⁠) Kapitelmarken, KI-unterstützt 00:00:00 - Hallo Alexander! 00:02:23 - OpenAI, das Pentagon und Lieferketterisiken durch Anthropic? 00:11:58 - KI und Atomkrieg-Simulationen 00:14:56 - OpenAIs Verantwortung: Warnsignale bei Amoklauf 00:22:52 - Meta, GIPHY und die Epstein/Trump-GIFs 00:25:09 - Metas Versagen beim Jugendschutz: Profit über Sicherheit 00:39:50 - Metas Kampf gegen betrügerische Anzeigen und Malvertising 00:44:38 - IRS will 16 Milliarden Dollar von Meta 00:49:56 - Metas Stablecoin Comeback 00:51:03 - Funktionen und Emotionen ℹ️ Hinweis: Dieser Podcast wird von einem Sponsor unterstützt. Alle Infos zu unseren Werbepartnern findet ihr [hier: https://wonderl.ink/%40heise-podcasts](https://wonderl.ink/%40heise-podcasts)

Der Nahost-Krieg ist Realität – und sofort stellt sich die entscheidende Frage: Explodiert der Ölpreis – und kippt die Stimmung an den Börsen? In unserer Jubiläumsfolge 300 analysieren wir genau dieses Szenario: Was passiert, wenn geopolitische Risiken eskalieren? Wie reagieren Märkte historisch auf Krieg und Krisen? Und warum politische Börsen oft anders laufen, als viele erwarten. Die Ereignisse seit unserer Aufzeichnung zeigen, wie schnell aus einem Risiko Realität wird – und wie wichtig es ist, vorbereitet zu sein, statt überrascht zu werden. Außerdem in dieser Folge: – Warum ein neuer „Liberation-Day-Moment“ an den Märkten unwahrscheinlich ist – Bitcoin im Winter: Korrektur oder Vorbereitung auf den nächsten Zyklus? – KI-Narrative als Kurstreiber – und was passiert, wenn die Story kippt – Warum „alles verkaufen“ in Krisenzeiten meist der teuerste Fehler ist 300 Folgen Brichta & Bell – Strategie schlägt Schlagzeile.

#craftbeer #netflix #warnerbros Big Jim aka James Cameron, legendary director of The Terminator, Titanic, Avatar, Aliens, and on and on and on, has taken a stand against the potential Netflix/Warner Bros. Discovery acquisition that would essentially create a TV and film monopoly. Perhaps more importantly to Mr. Cameron, it could be a critical blow to movie theaters. Will his open letter make a difference? Probably not, but we talk about the implication of media monopolies, especially when it comes to politics. Lastly, we get into controversial UFC fighter, Sean Strickland, as he called Bad Bunny a slur, degraded female fighters, and posted racist depictions of his opponent before fight night. Though some cheered on his antics, we think it may cause diminishing returns for the UFC if the political pendulum swings back and demands to root for better people. Cheers! Beer of the Week: Blue/Point Brewing Co. Toasted Lager

Join screenwriter Stuart Wright as he dives into movies that changed your life with film producer Daisy Allsop, in this engaging episode of 3 Films That Have Impacted Everything In Your Adult Life. Explore Dances With Wolves's impact, The Terminator analysis, and True Romance's influence on her personal growth and cinema's transformative power. Daisy Allsop also discusses the making of her first documentary OTTO BAXTER: NOT A FUCKING HORROR STORY and the short film THE PUPPET ASYLUM - directed by Otto Baxter within the making of this documentary. Movies That Changed Your Life   Find out about Daisy Allsop producing her first documentary first documentary OTTO BAXTER: NOT A FUCKING HORROR STORY and the lasting impact of cinema with Stuart Wright on his movie podcast.   [1:20] OTTO BAXTER: NOT A FUCKING HORROR STORY 3 Films That Have Impacted Everything In Your Adult Life Dances With Wolves impact  [19:55] Daisy Allsop says Dances With Wolves is an early memory of going to the cinema with her father and how it felt like a big event to go up to the West End, from Wimbledon.  The Terminator analysis [24:45] Daisy Allsop says she does not how many times she watch The Terminator. It was one of many films her father had recorded off of TV. They were stored on VHS shelving he had made in the hallway with titles on their spines, alphabetised.  True Romance Influence   [29:58] Daisy Allsop says True Romance is officially the film that made her want to work in film. Key Take Aways:   Discover how movies that changed your life shape personal and professional growth. Learn about how Daisy Allsop produced her first documentary OTTO BAXTER: NOT A FUCKING HORROR STORY. Understand cinema's transformative power through Dances With Wolves (1990), The Terminator (1984), True Romance (1993) About the Guest:   Daisy Allsop is ap producer known for Otto Baxter: Not a Fucking Horror Story (2023) and Tell It to the Bees (2018). Otto Baxter: Not a Fucking Horror Story is available to watch in the UK on NOW TV   Subscribe on Apple Podcasts, follow on Spotify or wherever you listen to your podcasts for more movies that impacted your life!  Share your favourite movies that impacted your life on X (@leytonrocks) and leave a 5-star review and tell us which 3 films impacted your adult life. Best ones get read out on the podcast. Credits:   Intro/Outro music: *Rocking The Stew* by Tokyo Dragons (https://www.instagram.com/slomaxster/)  Written, produced, and hosted by Stuart Wright for [Britflicks.com](https://www.britflicks.com/britflicks-podcast/)   Learn more about your ad choices. Visit megaphone.fm/adchoices

Seguro que alguna vez han dicho eso de: "Hasta el infinito y más allá" o "Sayonara baby..". Esas frases han sido creadas por nuestro invitado: Quico Rovira- Beleta, autor de la traducción al castellano para el cine de películas como Toy Story o Terminator, por supuesto, pero también de las sagas de Star Wars o StarTreck, Spiderman, buena parte del Universo Marvel o clásicos como Forrest Gump, Sentido y sensibilidad o La Princesa prometida. Más de 1.500 títulos en su haber que forman parte de nuestra vida. Quico Rovira-Beleta tiene mucho, mucho que contar.Escuchar audio

In the second half of our conversation with Nick from Pod of Thunder, we dive deep into music, emotion, and entertainment.We compare the emotional depth of Steve Vai's "For the Love of God" with Joe Satriani's instrumental work, exploring how technical skill alone isn't enough—emotional connection is what separates great performances from legendary ones. We discuss instrumental music's power to convey emotion without words, touching on artists like Nat King Cole and what makes truly vulnerable performances resonate.Plus: Todd's saga with terrible hospital cutlery (it's worse than you think) and a fun debate about movie sequels better than their originals—from Terminator 2 to The Last Crusade.Linktree: https://linktr.ee/seangeekpodcastPatreon: https://www.patreon.com/c/meetthegeeksWe are a part of the Boneless Podcast Network: https://boneless-catalogue-player.lovable.app/Merch:Tee Public: https://www.teepublic.com/seangeekpodcastRed Bubble: https://www.redbubble.com/people/seangeekpodcast/shop@seangeekpodcast on Twitter, Instagram and FacebookMentioned in this episode:New Merch AdAn ad that incorporates Red Bubble and Tee Public

In this week's episode, we take a look at hysteria over AI, and compare it to past religious movements like William Miller's Great Disappointment. This coupon code will get you 50% off the audiobook of Half-Elven Thief, Book #1 in the Half-Elven Thief series, (as excellently narrated by Leanne Woodward) at my Payhip store: RIVAH50 The coupon code is valid through March 2, 2026. So if you need a new audiobook this winter, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 291 of The Pulp Writer Show. My name is Jonathan Moeller. Today is February 28th, 2026, and today we're looking at AI hysteria and whether or not AI gives any actual benefits to people. We also have Coupon of the Week, progress updates on my current writing projects, and also Question the Week, where we talk to people about AI. But first, let's start off with Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Half-Elven Thief (as excellently narrated by Leanne Woodward) at my Payhip store. That coupon code is RIVAH50. This coupon code will be valid through March 2, 2026. So if you need a new audiobook as we exit winter and come into spring, we have got you covered. Now let's have an update on my current writing and publishing and audiobook projects. I'm pleased to report that the rough draft of Cloak of Summoning is done. It turned out to be just about as long as Cloak of Worlds, maybe a thousand words shorter. I am about 20% through the first round of editing, and I am hopeful that that book will be out sometime in March, probably the first week of March if all go as well. I've also written a short story called Dragon Claw that newsletter subscribers will get for free in ebook format when Cloak of Summoning comes out, which as I said will hopefully be in early March. I'm also 11,000 words into Blade of Wraiths, the fourth book in my Blades of Ruin epic fantasy series, and that will be my main project once Cloak of Summoning is published. In audiobook news, the audiobook of Blade of Shadows (as narrated by Brad Wills) is now out at almost all the stores, so you can get it at Audible, Apple, Google Play, Kobo, and the other main stores. Cloak of Titans (as narrated by Hollis McCarthy) is done and is currently rolling out to the stores. I think as of right now, you can get it at Google Play, Kobo, and my own Payhip store, but it should be showing up on Audible and the other main stores before too much longer. So that is where I'm at with my current writing, publishing, and audiobook projects. 00:01:56 Question of the Week Now let's move on to Question of the Week. For the first Question of the Week of 2026 and this week's question: have you personally derived any benefits or experienced any negatives from the rise of generative AI? And this question was inspired by the topic of this week's post, obviously enough since we're talking about AI. I should note that this is a contentious topic with divergent opinions, and so I asked people to remain civil in the comments and they definitely were, so thank you for everyone for that. Now let's have some opinions on AI before I tell you how AI has positively and mostly negatively affected my life. Joachim says: I have not used AI for private purposes. My Con: My Chromebook might be obsolete rather sooner than later. In my company, we use an AI, which is helpful. It has all the knowledge articles, so you can ask, how do I do this or that? The company's Con: laptop prices are going up. Eddie says: My Cons are much the same as yours. My Pros are using it to create images for tabletop games to help players visualize monsters and NPCs. I have found it effective in turning voice to text meeting notes into meeting minutes and actions. Jesse says: Software engineer here. I have found it helpful when I'm working on something in a language I'm not as familiar with the syntax. As a "how I might do this" learning tool, it's not bad. As a "do this for me/vibe code" thing, no thanks…too much trust. John says: Yes and no. I was in an AI startup that stopped paying me and my team for two months then let us go. We're currently suing them for back pay, but the tech worked and is still working. I also work in ad tech. Devs are trying to get more productive using AI tools. It's hit and miss as far as I can tell, but using traditional machine learning and data science to optimize marketing has worked for decades and still works, but that's not what people consider to be AI nowadays. Also drove across the country last August and used ChatGPT to plan my trip, and that works splendidly. I think John might win here for largest negative in his comment though, to be fair, that's more for business reasons than for AI itself, though I, for his sake, I'm pleased he was able to use ChatGPT to plan his drive across the country and ChatGPT didn't send him driving off a cliff someplace. Jenny says: I'm so over everyone trying to push this "solution" on me. It's like protein enhanced foods. Stop trying to put protein and AI into everything. Just put it where it makes sense or let me choose it. My negative experiences far outweigh anything helpful. Jimmy says: I have quit using Google search. It never tried to find the answer that I asked for. It just returned what it felt like. Its answers usually matched the paid ads it led the list with. Rob says: Okay for meeting notes and rough drafting for job applications, et cetera. Other than that, seems to have limited use for me personally and is a nuisance on my phone, internet browser, et cetera. And finally, Randy says: my biggest Con is that the AI answers that pop up when I'm trying to search range between inaccurate and dangerously wrong. I suspect many people don't realize they aren't reading actual data when they see them. So thank you to everyone who shared their thoughts on that. For myself, I've mostly experienced negative things with AI and a few positive things though to be honest, both the positive and negative things were relatively minor in the greater scheme of things. So I shall list off the Pros and Cons of my experiences with generative AI. I should mention that none of my books, short stories, for sale audiobooks, or book covers contain any AI elements. If it says Jonathan Moeller on the cover and it's not on YouTube, then it is 100% human made. Now, the Pros and Cons. The Pros: Power Director 365, the video editing program I use for YouTube, has an "animated by AI" feature so I've used it to animate some of my book covers for use of Facebook ads with middling results at best. I used Google's Voice AI stuff to create AI voice versions of the Silent Order books and then put them on YouTube because I wanted to understand the technology. I'm not planning to ever do actual audiobook versions of Silent Order since they wouldn't make back any money, so I wasn't screwing a narrator out of work and the voices involved were licensed by Google, so there was no copyright infringement the way there is with companies like Anthropic. That said, I suspect this is less generative AI and simply a more advanced text to speech technology, which has been around forever. I mean, you could do text to speech back on the earliest versions of the Macintosh. I mean, ideally, I would like text to speech to just be a button in your ereader app of choice for accessibility reasons, and then you can purchase the audiobook if the text to speech was too bland. Overall, a lot of people listen to the AI versions on YouTube, but the listeners mostly complained about the synthetic voice and would've preferred a real narrator, unsurprisingly. Now onto the Cons. Facebook ads went from very effective to middling at best on a good day, thanks to their Advantage Plus AI. I am constantly bombarded by AI generated scam emails of several different varieties. I deleted twelve before I recorded this. The price of Microsoft Office went up, the price for RAM and GPUs went up due to data center hoarding them all. The price for electricity has gone up. Windows 11 and Microsoft Office's performance has gone down quite a bit due to forced AI integration. In fact, I got so annoyed at Windows 11, I switched to writing on a Mac Mini, which I suppose was a positive because I like the Mac Mini, but still. Google Search and all Google products in general are much less useful because of AI and the quality of information on the internet (already low) has gone down quite a bit due to the prevalence of AI slop. Admittedly, neither these Pros or Cons are majorly serious to me personally (with the possible exception of electricity prices going up), but the Cons definitely outweigh the Pros. I can confidently say I have derived no real benefit from generative AI, and I suspect a lot of other people could say the same, if they're honest. 00:07:27 Main Topic of the Week: William Miller, The Great Disappointment, and AI Now onto our related main topic this week, AI hysteria, William Miller, and The Great Disappointment. This past week there were numerous articles from and interviews with various AI bros saying that within 12 to 18 months, AI will replace white collar work and humanity must simply adjust. When I read these articles, I wasn't reminded of the Singularity, of AI, of Skynet and the Terminator, or anything technological. Instead, I thought of a preacher named William Miller who died about 190 years ago. William Miller came out of the Second Great Awakening, which was one of the waves of religious vitality and furor that grip America every so often. Miller almost died in combat as an officer in the War of 1812, and saw one of his men killed in front of him, which understandably left a lasting impression. His experiences led him to an examination of mortality that resulted in a fervent Baptist conversion. He also became convinced that he could calculate the date of Christ's return from the Bible and decided that Jesus Christ would return on October 22nd, 1844. By then, he had a substantial following, and on the day his followers gathered in their churches to await the End of Days and the judging of the living and the dead, many of them having already given away their possessions, but nothing happened. Miller's movement collapsed and most of his followers abandoned their beliefs, though some splinter groups eventually involved into the Adventist branch of American Protestantism, of which the Seventh Day Adventists are the most prominent. Nowadays, when Miller is discussed online, the usual tone is to laugh at the religious rubes from the benighted past, so unlike us enlightened and savvy moderns. But I think the truth is that Miller succumbed to a universal human impulse. Every generation thinks that it is going to be the last generation or the generation that will see the culmination of history, whether they're viewing that through a religious lens or a secular lens. For example, when I was in my early twenties, I knew a very religious woman my own age, who was convinced that the world had become so wicked that it would end by the time she was 30. A few years later, I met another woman who thought global warming would ensure the collapse of the ecosystem and the end of the food chain by the time we were 30. However, I have not been 30 for a rather long span of time now, and for better or for worse, the world grinds on. Nor is this an impulse limited to my own generation. People who came of age during the Cold War thought the world would end in nuclear fire during their lifetimes and a little after that from global cooling. Lesser examples could be seen in the Y2K scare in 2000. Throughout the Middle Ages and the early modern period, it was common for peasant revolts to be led by charismatic preachers who predicted that soon all thrones would be overthrown and Christ would return to judge the living and the dead. Because of all these examples, I'm certain there is a universal human impulse to believe that the world will end in our lifetimes. I think this comes partly from a combination of fear and hope, fear of the future and the end of the world and hope that one's life will be lifted out of the mundane in the final fulfillment of history. You don't have to get up and go to school or work tomorrow if the world ends, but the truth is that the world is most likely not going to end, and you and I are probably going to have to get up and go to work tomorrow. I think the hyperbole about AI comes from that same sort of apocalyptic impulse, this idea that one is living to see and participating in the apotheosis of history when what one is in fact doing is using a money losing chatbot that frequently gets things wrong. To be clear, AI isn't going to wipe out white collar work, and it isn't going to cause the collapse of society, though like cryptocurrency, it will cause a lot of harm without very much benefit. AI simply isn't good enough and doesn't do what does boosters say that it can do. There are numerous people who, in my opinion, are accurately explaining and pointing out the many flaws in AI and in the economic bubble it has created, just as there were people who predicted the fall of the Soviet Union, the dot-com bubble, the housing bubble, the criminal activities of FTX and the flaws of cryptocurrency, and were frequently derided as cranks until subsequent events prove them right. So why all the hyperbole around AI? I think part of it is the end of days impulse we discussed above. The rest of it, I'm afraid, is simple crass desire for money and power. Why are all these tech companies burning unfathomable sums of money on AI when it's obvious, painfully obvious, that the bubble is heading for a crash? After the dot-com crash of the early 2000s, the Internet companies that survived eventually evolved into the tech titans of our day (Amazon and Google come to mind). All these different AI companies and boosters are hoping that their company is the one that survives and becomes the next titan conglomerate of the 2030s. Admittedly, I think this is unlikely. I think that while the most probable outcome for the current model of AI, LLMs, and generative AI is that it ends up like cryptocurrency. For a while, crypto advocates thought that it would overthrow central banking and lead to unprecedented freedom and prosperity. However, while there are many valid criticisms to be made of central banking and fiat currency, one of their advantages is that that they do a good job of shutting down the kind of scams that crypto easily facilitates. For all the glowing promises of its boosters, the primary use case for cryptocurrency has been to cause economic disruptions and to facilitate crimes and scams. I suspect AI will probably degenerate down to a similar state once the bubble pops. The technology won't go away, but it can't do all the miraculous things its backers promise. The money is going to run out eventually and it will inflict a lot of economic damage on its way out. And like crypto, AI will mostly have negative uses. Likely its most common use cases will be to help students cheat on exams, make stupid political memes where someone's least favorite politician (whoever that is) is shaking hands with Emperor Palpatine or Thanos or whoever, engage in mass copyright infringement, and to scam seniors out of their savings. So if you are disturbed by the rhetoric around AI, take heart. When you read an article from someone announcing the glories of AI and discussing how all of civilization will have to rework itself around AI, remember that the person in question is most likely seeking money or power, or are like William Miller's followers the day before October 22nd, 1844. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.  

Flick is joined by composer Peter Van Hoesen and Haydn Green, the artistic director and founder of Hear My Eyes to discuss Van Hoesen's reimagined live score for James Cameron's 1991 classic Terminator 2: Judgement Day. Plus, reviewers Kate Fitzpatrick and Anthony Carew discuss their thoughts on two new comedies: Matt Johnson's Nirvana the Band the Show the Movie & Jim O'Hanlon's Fackham Hall.

In Nerd Culture #247 schakelen we weer moeiteloos tussen nostalgie, industriepolitiek en pure franchise-chaos. Van Ted Lasso en X-Men: Days of Future Past tot nieuwe trailers van o.a. Star Wars: The Mandalorian & Grogu en opvallende studio-ontwikkelingen: het is zo'n aflevering waarin alles tegelijk gebeurt. We praten over AI-deepfakes die acteurs digitaal kapen, over George R.R. Martin die liever een film dan een serie wilde voor A Knight of the Seven Kingdoms, en over Marvel dat Thor blijkbaar nog lang niet laat gaan.Ondertussen schuiven grote spelers als Warner, Paramount en Netflix opnieuw met miljarden, krijgt Resident Evil een creatieve reset en dromen makers hardop van een rauwe, horror-achtige Terminator. Kortom: dit is weer een week waarin popcultuur niet alleen entertainment is, maar ook een schaakbord. Welkom bij Nerd Culture #247.Seeddance 2.0 imponeert maar zet industrie op scherpIn deze aflevering duiken we in een onderwerp dat de film- en tv-industrie opnieuw op scherp zet: AI versus acteurs. ByteDance, het moederbedrijf van TikTok, lanceerde met Seedance 2.0 een AI-videomodel dat realistische scènes genereert met herkenbare acteurs — zónder toestemming. Denk aan deepfakes van grote sterren en iconische personages die vrij circuleren alsof het publiek domein is. SAG-AFTRA spreekt van “blatant infringement” en ook Disney en de Motion Picture Association trekken fel van leer. Het gaat hier niet alleen om copyright, maar om consent, compensatie en de toekomst van menselijk talent in een tijdperk waarin technologie steeds overtuigender wordt. Is dit innovatie, of gewoon digitale roofbouw op creativiteit? In Nerd Culture bespreken we wat hier écht op het spel staat — juridisch, cultureel en moreel.A Knight of the Seven Kingdoms moest eigenlijk een film zijnDaarnaast bespreken we een opvallend detail rond A Knight of the Seven Kingdoms: George R.R. Martin had eigenlijk liever een speelfilm gezien in plaats van een zesdelige HBO-serie. Volgens showrunner Ira Parker was Martins oorspronkelijke voorkeur een twee uur durende film over Dunk en Egg, maar HBO stuurde aan op een serieformat — en die strijd verloor hij. Wat betekent dat voor het verhaal? We praten over de keuze voor wekelijkse releases, de kortere afleveringen en het bewuste besluit om het verhaal strak vanuit Dunk's perspectief te houden, zonder zijpaden. Tegelijk werpen we een blik op de bredere toekomst van Westeros, want terwijl Dunk & Egg een serie werden, zou Aegon's Conquest misschien wél als grootschalige film kunnen eindigen. De vraag is dus: werkt deze intiemere aanpak beter voor Westeros… of had Martin toch gelijk?Timestamps:00:00:00 Nerd Culture #24700:00:00 Huishoudelijke Mededeling00:02:22 Wat hebben we gekeken / gelezen / geluisterd00:02:43 Ted Lasso00:07:35 Train Dreams00:10:53 X-Men: Days of Future Past00:18:23 A Knight of the Seven Kingdoms00:21:23 Stripboek00:24:30 Pressure Trailer00:27:00 Robert Duvall overleden (The Godfather, Apocalypse Now)00:29:14 Tom Cruise vs Brad Pitt deepfake video00:29:50 SAG-AFTRA vs ByteDance – Seedance 2.0 AI controverse00:38:40 Oproep aan Muppetmakers00:41:15 Warner Bros in gesprek met Paramount over overname00:45:00 Toy Story 5 Trailer00:47:47 Super Bowl Half-Time Show 199500:51:05 George R.R. Martin wilde A Knight of the Seven Kingdoms als film00:54:45 House of the Dragon Season 3 Trailer00:56:30 Thor overleeft Avengers: Doomsday (MCU update)01:00:10 Zach Cregger krijgt volledige vrijheid voor Resident Evil reboot01:05:00 Live-action Terminator horror pitch (The Batman 2 schrijver)01:08:20 The Mandalorian & Grogu Trailer01:14:00 Mandalorian merchandise – Hasbro Black Series01:18:00 TMNT x GI Joe figures01:19:00 Lee Cronin's The Mummy Trailer01:23:10 Tip van Huey – Star Wars / Shadows of the Empire01:27:20 Tip van Koos – Global Comix

Get off your dang phone...when you finish listening to this. This week Nando, DJ, and Diggins go back to the present to watch a movie that isn't quite Terminator and isn't quite Black Mirror and isn't quite a video game, Good Luck, Have Fun, Don't Die. They nitpick the kids, the cats, and of course the ending.   Recommendations DJ - Mewgenics (video game) Diggins - A Field in England (movie), The Layer of the White Worm (movie), One Cut of the Dead (movie), The Thing (movie), By Design (movie) Nando - Nirvana The Band The Show The Movie (movie), Overwatch (video game), The Muppet Show (series)   Plugs Mostly Nitpicking on Bluesky The Nando v Movies Discord Roses and Rejections Diggins' Substack - A Little Perspective All of Nando's Links   Mostly Nitpicking theme by Nick Porcaro Logo by Michelle Chapman  

Les Ciné-Buddies Dirty Tommy, Philippe et Jean "are back" avec le chef d'oeuvre de James Cameron "Terminator 2", 1992, starring Arnold Schwarzenegger. La nouvelle fantastique vidéo de Romain Lehnhoff sur le podcast maintenant disponible sur la chaine abracadaPod de Youtube. Son Katia Lazareva, assistante monteuse Diana Mosafir. Likez et souscrivez à la chaine!

This week we talk about Star Trek: The Experience failures, Clair Obscur: Expedition 33, Bookish, Predator Badlands, High on Life 2, Deep Rock Galactic Survivor, Chaosium Con, Woman in the Yard, Black Phone 2, Last Mythal, Song of Ice and Fire, Character POV, The Terminator, Translated Novels, the Warner Brothers sale, the Discord changes, the Inheritance Cycle, and The Mist. So watch that malicious splash, it's time for a GeekShock!

In this electrifying segment of The Clay Edwards Show, host Clay Edwards unleashes on Donald Trump's bombshell announcement to declassify all government files on aliens, UFOs, and UAPs, dubbing it "Release the Aliens." Reacting to Barack Obama's casual admission of extraterrestrial life on a podcast—with zero follow-ups from the interviewer—Clay hilariously imagines liberal journalists grilling Trump on alien election interference or Nazi connections. Diving into theories, he explores ancient aliens, Hollywood soft disclosures in films like 1984 and Terminator, and AI's rapid evolution as a potential game-changer. Listener calls flood in with personal UFO sightings, military insider stories of French pilots flying saucers, and debates on whether aliens upend religion or prove we're "fallen angels." Clay tackles skeptics claiming interstellar travel is impossible due to physics, counters with wormhole science, and affirms his belief in non-Hollywood extraterrestrials. Whether fact, fiction, or impending apocalypse, this unfiltered rant questions government secrets, cultural impacts, and if aliens could finally end taxes—strap in for a mind-bending reality check.

Mikey & Jeremy preview 1994's Forrest Gump by watching the trailer and discussing their familiarity with the film. They also reveal the new category in The Cobra Guys Qustionnaire and play a quick session utiliizing another 90's classic, Terminator 2: Judgement Day

Episode 348: “The Terminator” (1984): Movie Review Chris and Derek go back to 1984 to review the James Cameron science-fiction film, “The Terminator” starring Arnold Schwarzenegger and Linda Hamilton. The guys discuss the director, the cast, box office, scenes, themes, special effects and more. For the “Fun with Caveman” segment of the show, Chris asks Derek trivia questions about dystopian future films. You can contact Chris & Derek here: Email: chris@popgoesyourworld.com derek@popgoesyourworld.com Theme song – “Fantasy Life” by H-Beam provided by Music Alley. “Top of the Pops” theme – “Warm Up” by Alain Galarneau provided by Music Alley.

It's a bird, it's a plane, it's a Simpson, it's a Terminator, it's a Fortnite! Today, the CoD King Nick Costanza returns to the podcast to discuss the gaming platform phenomenon of Fortnite. Show Notes Nick Costanza - Bluesky - YouTube Conner McCabe – Bluesky Produced, Edited, and Original music by Jeremy Schmidt Call Me By Your Game – Instagram - Bluesky – YouTube - TikTok Super NPC Radio – Patreon - Discord - Bluesky – Instagram – Twitch Episode Citations Fortnite - Didyouknow Gaming Video

In this second episode of our 2026 series about iconic movies from the 1980s, we are sitting down to discuss the seminal action movie of the decade, The Terminator. Over the course of our sprawling conversation you will hear us talk, among others, about how the movie came together in an unlikely way and became a word-of-mouth hit, how it cemented Arnold Schwarzenegger's status as the action man of his time, and how it spawned a billion-dollar franchise on the back of what essentially was an exploitation horror with a sci-fi gimmick. We also talk about the film's special effects, its oddly ingenious music, how its setup is as ridiculous as it is phenomenal and much, much more!Tune in and enjoy!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our patreon at patreon.com/uncutgemspod (3$/month)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and support us by gaining access to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Rich Foster⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Hey Retro Fans!

MARTY SUPREME writer/director Josh Safdie unpacks his favorite movies with podcast hosts Josh Olson and Joe Dante. Show Notes: Movies Referenced In This Episode Abigail's Party (1977) Marty Supreme (2025) Burying the Ex (2015) Uncut Gems (2019) Dazed and Confused (1993) King of New York (1990) Bad Lieutenant (1992) The Funerals (1996) The Addiction (1995) 4:44 Last Day On Earth (2011) Tomasso (2019) The Driller Killer (1979) Ms .45 (1981) Go Go Tales (2007) The Killing of a Chinese Bookie (1976) A Woman Under the Influence *Kramer vs Kramer (1979) Hero (1992) Alice Doesn't Live Here Anymore (1974) Pink Floyd's The Wall (1979) The Brood (1979) *Fire in the Sky (1993) *Matinee (1993) *A Clockwork Orange (1971) The Lost Boys (1987) *Ferris Bueller's Day Off (1986) Planes, Trains and Automobiles (1987) *E.T. The Extraterrestrial (1982) *The Shining (1980) *Misery (1990) Popeye (1980) The Leprechaun (1992) Mandy (2018) The Princess Bride (1987) This Is Spinal Tap (1984) Barry Lyndon (1975) 2001: A Space Odyssey (1968) Full Metal Jacket (1987) *The 400 Blows (1959) *Pulp Fiction (1994) The Breakfast Club (1985) *The Red Balloon (1956) White Mane (1953) Gremlins (1984) *The Running Man (1987) The Terminator (1984) The King of Comedy (1983) Total Recall (1990) Robocop (1987) *Above The Rim (1994) Rocky (1976) Rocky II (1979) *Rocky III (1982) Rocky IV (1985) Rocky V (1990) Masters of the Universe (1987) Beverly Hills Cop II (1987) *Saturday Night Fever (1977) Stayin' Alive (1983) Carrie (1976) Other Notable Items Our Patreon!  The Hollywood Food Coalition The battle of Jericho Josh Mostel G.I. Joe Anton Yelchin Anagrams  Mike Leigh Abel Ferrera Willem Dafoe Odessa A'zion Clint Eastwood James Cagney The Academy of Motion Picture Arts and Sciences Kevin Garnett Ronald Bronstein Timothee Chalamet Tyler, the Creator Gwyneth Paltrow IFC Films Zohran Mamdani Mira Nair Dustin Hoffman Meryl Streep Eric Clapton Stephen Frears Geena Davis Andy Garcia Chevy Chase David Cronenberg Robert Benton A Nightmare on Elm Street series Wendy Carlos John Candy John Goodman The Cuban Missile Crisis 4DX William Castle Smell-O-Vision Shelley Duvall The Shining novel by Stephen King (1977) Stanley Kubrick TFH Guru Mick Garris The Shining miniseries (1997) Jack Nicholson The Beatles Our Panos Cosmatos podcast episode Johan Johansson Gramaphone Records Kathy Bates James Caan Rob Reiner Alfred Hitchcock Scatman Crothers Vivian Kubrick Jean-Pierre Léaud Benny Safdie John Lennon John Hughes Chris Columbus Chicago The Ramones Richard Edson Jim Jarmusch The History of Bones: A Memoir book by John Lurie (2021) Bob Hope Bing Crosby Mel Brooks Matthew Broderick Albert Lamorisse  The Fleischer Brothers Tex Avery Harold Faltermeyer Arnold Schwarzenegger Oneohtrix Point Never  Richard Dawson Jerry Lewis Paul Verhoeven The New York Knicks Queen Onyx Bernie Mac 2Pac Dolph Lundgren Sylvester Stallone John Travolta Welcome Back, Kotter TV series (1975-78) The Bee Gees Learn more about your ad choices. Visit megaphone.fm/adchoices

Seth and Sean react to Albert Breer and Todd McShay throwing out CJ Stroud as a QB to watch on the trade front this offseason, discuss what music Will Anderson Jr. listens to pre-game to get ready, and go through the day's Headlines.

Seth and Sean react to what Will Anderson Jr. said he listens to before games. It's quite the juxtaposition to his style of play.

The Hawk is back, and Val Verde is once again experiencing the kind of civic growth that only happens when a man (Whisp Turlington) invents an AI named BASTRD… and another man opens a pet store that accidentally becomes a dogfighting arena.This week on 108.9 The Hawk (Val Verde's second favorite classic rock station), Whisp Turlington and Geoff “The Angry Man” Garlock break down the grand opening of Woof It Up, the newest pet store in town, owned and operated by local entrepreneur Jeff Weatherman (played by the one and only Will Hines). And why is rocker Steve Winwood roaming Val Verde's streets like a blue-eyed Terminator?!Guest Starring: Will HinesFollow Will here: https://www.instagram.com/williebhines/Learn more about WGIS - World's Greatest Improv School here: https://www.wgimprovschool.com/Become One With The HawkSubscribe on Apple Podcasts, Spotify, or YouTube — wherever you listen.Join the Rock Battalion at 1089thehawk.comSupport the station on Patreon: patreon.com/1089thehawkWatch full broadcasts, clips, and ongoing radio hostilities on YouTube. Hosted on Acast. See acast.com/privacy for more information.

"Come with me if you want to podcast!"Podcasters Assemble - Season 13 will be analyzing all six movies in the Terminator franchise.Submissions for "The Terminator" (1984) are due on Monday, March 16th, 2026!The Terminator (1984)T2 - Judgement Day (1991)Terminator 3: Rise of the Machines (2003)Terminator: Salvation (2009)Terminator: Genisys (2015)Terminator: Dark Fate (2019)Click here for the submission form, or check out ProbablyWork.com for more!Please keep in mind that there is a 10-minute entry limit - with exceptions given to Zack (our narrator), Erik (our editor), AND any of our Patreon members. (Note: There is a one-week grace period after each due date.)Promo Featuring:Erik as Kyle ReeseElyse as Sarah ConnorZack as the T-800(Written and Edited by Erik Slader)Click here to listen to more of Zack attempting to do the Arnold voice on our Patreon.The Podcasters will Assemble again... If you would like to be featured on an upcoming episode head over to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://probablywork.com/podcasters-assemble/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You can also join the discussion in our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord server⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Our Merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Network InfoThis podcast is a production of the We Can Make This Work (Probably) Network. Follow us below to keep up with this show and discover our many other podcasts! The place for those with questionable taste!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠| ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠| ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @probablywork⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.probablywork.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ProbablyWorkPod@gmail.com⁠⁠

Hadyn Green has been the creative force of Hear My Eyes, a sonic-visual, hybrid experience which blends film and music in creatively intriguing and boundary pushing ways. As the founder and artistic director of Hear My Eyes, Haydn reaches out to contemporary musicians to craft new scores for pre-existing cinema.Collaborations include Sampa the Great rescoring Céline Sciamma's Girlhood, The Murlocs putting their spin on Gregor Jordan's Two Hands, while Springtime and Mick Harvey explored a new sonic landscape for Andrew Dominik's Chopper.For its tenth anniversary, Hadyn Green has tapped Belgian electronic musician Peter Van Hoesen, powered by the Melbourne Electronic Sound Studio, to reimagine the music of James Cameron's iconic sci-fi classic, Terminator 2: Judgment Day (the original theatrical cut).Visit HearMyEyes.com.au for all tickets to the screenings taking place on the below dates:Melbourne: Feb 25-28, Hamer HallSydney: March 7, City Recital HallCanberra: March 18-19, Canberra TheatreSign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

In which Rich and guest host Paul reimagine the Terminator as a rom-com, amongst other things. Check out our website for info on upcoming episodes, our email list, our email address, and coming soon a blog and possibly TikTok.  Maybe.  We'll see.  Please leave us a review on the podcast platform of your choice!  Reviews help us get noticed

-ByteDance is going to curb the new media generator's use of prohibited content. In a statement to the BBC, ByteDance said, "We are taking steps to strengthen current safeguards as we work to prevent the unauthorised use of intellectual property and likeness by users." -Sam Altman has announced that OpenAI has absorbed OpenClaw by hiring developer Peter Steinberger "to drive the next generation of personal agents.” -Responding to a fan on social media, showrunner Mattson Tomlin said this weekend that the show has been canceled. Despite being generally well received, Tomlin noted that "at the end of the day not nearly enough people watched it." Learn more about your ad choices. Visit podcastchoices.com/adchoices

Super Bowl Parody Songs: This is what AI is taking away from us, now we get AI slop instead of retard slop.Pat Riot: Any time we have the opportunity to check in with the old Pat Riot songs, we have to do it.Corey's Twitter: We circle back to Corey's Twitter for all the unhinged goodness.FUCK YOU WATCH THIS!, THE BEAR1, VANESSA CARLTON!, 1000 MILES!, SKINBONE!, 100 MILES!, REMIX!, ALLEGIANCE!, PRO-ISRAEL!, WRITING ON THE WALL!, SUPER BOWL PARODY SONGS!, AI SONGS!, PARODY SONGS DYING BREED!, WHAT THEY TOOK FROM US!, SEATTLE SEAHAWKS!, NEW ENGLAND PATRIOTS!, BRUNO MARS COVER!, HOT WINGS!, AI MUSIC!, SLOP!, BUFFALO CHICKEN WING!, SPICY!, CRISPY!, MINECRAFT!, SPEEDRUNS!, WHOLE DIFFERENT SUBSET!, GENERAL FOOTBALL!, TIKTOK COMEDY!, MONOLOGUE JOKES!, HOOK HAND!, SUPER BOWL REDEMPTION!, HAWKS LOCKDOWN!, TERMINATOR!, THA BEARS!, SNL!, PAT RIOT!, WHO'S GONNA START A RIOT!, AGE!, RAVAGED BY TIME!, SUPER BOWL 49!, LVL UP EXPO!, MICHAEL ROOKER!, COREY'S TWITTER!, SOCK PUPPET ACCOUNTS!, BURNER!, UNHINGED!, RADIO RODDY!, EPSTEIN!, DIDY!, TEENY BOPPER!, SMOKE SCREEN!, SHIELD!, SWEET PUSSY!, RUBBING ITSELF! You can find the videos from this episode at our Discord RIGHT HERE!

On the 502nd episode of Piecing It Together, Chase Hutchinson joins me to talk about Good Luck Have Fun Don't Die. Gore Verbinski's first movie in years is a wacky sci-fi comedy all about the dangers of AI. Puzzle pieces include Terminator, Idiocracy, The Shrouds and Everything Everywhere All At Once.As always, SPOILER ALERT for Good Luck Have Fun Don't Die and the movies we discuss!Written by Matthew RobinsonDirected by Sam RockwellStarring Sam Rockwell, Haley Lu Richardson, Michael Pena, Zazie Beetz, Juno TempleBriarcliff EntertainmentChase Hutchinson is a writer and film critic.You can find his work by visiting his Authory page at https://authory.com/ChaseHutchinsonAnd Follow him on Instagram @hutchthegreatMy latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at https://www.youtube.com/watch?v=wzm8s4nuqlAMake sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our Dashery store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music projects at https://bydavidrosen.dashery.com/Share the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts, Spotify, or

Hour Two of the Good Morning Football Podcast begins with hosts Jamie Erdahl, Kyle Brandt, Manti Te'o and Mike Garafolo answering Throwdown Thursday questions: Will this Super Bowl Seahawks season be remembered for Sam Darnold getting the monkey off his back or for their dominating defense? What's the better movie sequel: Empire strikes back or Terminator 2? Super Bowl LX Champion and Seattle Seahawks cornerback Riq Woolen joins "Good Morning Football" to describe his experience winning the big game for the first time in his NFL career. The Good Morning Football Podcast is part of the NFL Podcast NetworkSee omnystudio.com/listener for privacy information.

This week the boys talk Spectators from Image Comics by Brian K. Vaughan and Niko HenrichonBut first, is Epstein alive? Why do we have micro-transactions in video games? Is America angry enough right now? Is Spectators one of the best comics to come out in recent years? Was this first released on Substack? Is this the kind of book you wanna read in one sitting? Are we allowed to drink beer on YouTube? Do we want a Bud Light or Coors sponsorship? Is this comic violent and horny? Does Brian K. Vaughan like Family Guy? Who is #LEADERBOARD?  What are the rules for the afterlife in this story? What did we look like at half our current ages? Is Anthony the runt of the Comics and Chronic litter? Does this comic mostly take place in the future? What is Pride of Baghdad about? Is The Lion King a war movie? Is Black Panther just a live action version of The Lion King? Are there Josh Gad haters on the pod? Is Spectators a love letter to movies? Do movies define the characters of Val and Sam? What's the significance of The Terminator and The Great Train Robbery to this comic? Should we cover Runaways? Does this comic have a 9/11 reference? How does Spectators make the reader feel like a voyeur? Is Spectators sexy for a purpose? Are we getting a Beatles cinematic universe?And Superguy #2 finally here!!Back Superguy issue #2: My Date with The President's Daughter on Kickstarter! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.kickstarter.com/projects/mrtonynacho/superguy-2-my-date-with-the-presidents-daughter?ref=creator_tab⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠New episodes every THURSDAYFollow us on social media! Bluesky // Instagram // Twitter // TikTok :⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@comicsnchronic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/channel/UC45vP6pBHZk9rZi_2X3VkzQ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E-mail: comicsnchronicpodcast@gmail.comCodyInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@codycannoncomedy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @Cody_CannonTikTok: @codywalakacannonJakeInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@jakefhaha⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AnthonyBluesky // Instagram // Threads // Twitter // TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@mrtonynacho⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

How do you juggle multiple book projects, a university teaching role, Kickstarter campaigns, and rock albums—all without burning out? What does it take to build a writing career that spans decades, through industry upheavals and personal setbacks? Kevin J. Anderson shares hard-won lessons from his 40+ year career writing over 190 books. In the intro, Draft2Digital partners with Bookshop.org for ebooks; Spotify announces PageMatch and print partnership with Bookshop.org; Eleven Audiobooks; Indie author non-fiction books Kickstarter; Bones of the Deep – J.F. Penn This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Kevin J. Anderson is the multi-award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the director of publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor and rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Managing multiple projects at different stages to maximise productivity without burning out Building financial buffers and multiple income streams for a sustainable long-term career Adapting when life disrupts your creative process, from illness to injury Lessons learned from transitioning between traditional publishing, indie, and Kickstarter Why realistic expectations and continuously reinventing yourself are essential for longevity The hands-on publishing master's program at Western Colorado University You can find Kevin at WordFire.com and buy his books direct at WordFireShop.com. Transcript of Interview with Kevin J. Anderson Jo: Kevin J. Anderson is the multi award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the Director of Publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor, a rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. Welcome back to the show, Kevin. Kevin: Well, thanks, Joanna. I always love being on the show. Jo: And we're probably on like 200 books and like 50 million copies in print. I mean, how hard is it to keep up with all that? Kevin: Well, it was one of those where we actually did have to do a list because my wife was like, we really should know the exact number. And I said, well, who can keep track because that one went out of print and that's an omnibus. So does it count as something else? Well, she counted them. But that was a while ago and I didn't keep track, so… Jo: Right. Kevin: I'm busy and I like to write. That's how I've had a long-term career. It's because I don't hate what I'm doing. I've got the best job in the world. I love it. Jo: So that is where I wanted to start. You've been on the show multiple times. People can go back and have a listen to some of the other things we've talked about. I did want to talk to you today about managing multiple priorities. You are a director of publishing at Western Colorado University. I am currently doing a full-time master's degree as well as writing a novel, doing this podcast, my Patreon, all the admin of running a business, and I feel like I'm busy. Then I look at what you do and I'm like, this is crazy. People listening are also busy. We're all busy, right. But I feel like it can't just be writing and one job—you do so much. So how do you manage your time, juggle priorities, your calendar, and all that? Kevin: I do it brilliantly. Is that the answer you want? I do it brilliantly. It is all different things. If I were just working on one project at a time, like, okay, I'm going to start a new novel today and I've got nothing else on my plate. Well, that would take me however long to do the research and the plot. I'm a full-on plotter outliner, so it would take me all the while to do—say it's a medieval fantasy set during the Crusades. Well, then I'd have to spend months reading about the Crusades and researching them and maybe doing some travel. Then get to the point where I know the characters enough that I can outline the book and then I start writing the book, and then I start editing the book, which is a part that I hate. I love doing the writing, I hate doing the editing. Then you edit a whole bunch. To me, there are parts of that that are like going to the dentist—I don't like it—and other parts of it are fun. So by having numerous different projects at different stages, all of which require different skill sets or different levels of intensity— I can be constantly switching from one thing to another and basically be working at a hundred percent capacity on everything all the time. And I love doing this. So I'll be maybe writing a presentation, which is what I was doing before we got on this call this morning, because I'm giving a new keynote presentation at Superstars, which is in a couple of weeks. That's another thing that was on our list—I helped run Superstars. I founded that 15 years ago and it's been going on. So I'll be giving that talk. Then we just started classes for my publishing grad students last week. So I'm running those classes, which meant I had to write all of the classes before they started, and I did that. I've got a Kickstarter that will launch in about a month. I'm getting the cover art for that new book and I've got to write up the Kickstarter campaign. And I have to write the book. I like to have the book at least drafted before I run a Kickstarter for it. So I'm working on that. A Kickstarter pre-launch page should be up a month before the Kickstarter launches, and the Kickstarter has to launch in early March, so that means early February I have to get the pre-launch page up. So there's all these dominoes. One thing has to go before the next thing can go. During the semester break between fall semester—we had about a month off—I had a book for Blackstone Publishing and Weird Tales Presents that I had to write, and I had plotted it and I thought if I don't get this written during the break, I'm going to get distracted and I won't finish it. So I just buckled down and I wrote the 80,000-word book during the month of break. This is like Little House on the Prairie with dinosaurs. It's an Amish community that wants to go to simpler times. So they go back to the Pleistocene era where they're setting up farms and the brontosaurus gets into the cornfield all the time. Jo: That sounds like a lot of fun. Kevin: That's fun. So with the grad students that I have every week, we do all kinds of lectures. Just to reassure people, I am not at all an academic. I could not stand my English classes where you had to write papers analysing this and that. My grad program is all hands-on, pragmatic. You actually learn how to be a publisher when you go through it. You learn how to design covers, you learn how to lay things out, you learn how to edit, you learn how to do fonts. One of the things that I do among the lectures every week or every other week, I just give them something that I call the real world updates. Like, okay, this is the stuff that I, Kevin, am working on in my real world career because the academic career isn't like the real world. So I just go listing about, oh, I designed these covers this week, and I wrote the draft of this dinosaur homestead book, and then I did two comic scripts, and then I had to edit two comic scripts. We just released my third rock album that's based on my fantasy trilogy. And I have to write a keynote speech for Superstars. And I was on Joanna Penn's podcast. And here's what I'm doing. Sometimes it's a little scary because I read it and I go, holy crap, I did a lot of stuff this week. Jo: So I manage everything on Google Calendar. Do you have systems for managing all this? Because you also have external publishers, you have actual dates when things actually have to happen. Do you manage that yourself or does Rebecca, your wife and business partner, do that? How do you manage your calendar? Kevin: Well, Rebecca does most of the business stuff, like right now we have to do a bunch of taxes stuff because it's the new year and things. She does that and I do the social interaction and the creating and the writing and stuff. My assistant Marie Whittaker, she's a big project management person and she's got all these apps on how to do project managing and all these sorts of things. She tried to teach me how to use these apps, but it takes so much time and organisation to fill the damn things out. So it's all in my head. I just sort of know what I have to do. I just put it together and work on it and just sort of know this thing happens next and this thing happens next. I guess one of the ways is when I was in college, I put myself through the university by being a waiter and a bartender. As a waiter and a bartender, you have to juggle a million different things at once. This guy wants a beer and that lady wants a martini, and that person needs to pay, and this person's dinner is up on the hot shelf so you've got to deliver it before it gets cold. It's like I learned how to do millions of things and keep them all organised, and that's the way it worked. And I've kept that as a skill all the way through and it has done me good, I think. Jo: I think that there is a difference between people's brains, right? So I'm pretty chaotic in terms of my creative process. I'm not a plotter like you. I'm pretty chaotic, basically. But I come across— Kevin: I've met you. Yes. Jo: I know. But I'm also extremely organised and I plan everything. That's part of, I think, being an introvert and part of dealing with the anxiety of the world is having a plan or a schedule. So I think the first thing to say to people listening is they don't have to be like you, and they don't have to be like me. It's kind of a personal thing. I guess one thing that goes beyond both of us is, earlier you said you basically work at a hundred percent capacity. So let's say there's somebody listening and they're like, well, I'm at a hundred percent capacity too, and it might be kids, it might be a day job, as well as writing and all that. And then something happens, right? You mentioned the real world. I seem to remember that you broke your leg or something. Kevin: Yes. Jo: And the world comes crashing down through all your plans, whether they're written or in your head. So how do you deal with a buffer of something happening, or you're sick, or Rebecca's sick, or the cat needs to go to the vet? Real life—how do you deal with that? Kevin: Well, that really does cause problems. We had, in fact, just recently—so I'm always working at, well, let's be realistic, like 95% of Kevin capacity. Well, my wife, who does some of the stuff here around the house and she does the business things, she just went through 15 days of the worst crippling migraine string that she's had in 30 years. So she was curled up in a foetal position on the bed for 15 days and she couldn't do any of her normal things. I mean, even unloading the dishwasher and stuff like that. So if I'm at 95% capacity and suddenly I have to pick up an extra 50%, that causes real problems. So I drink lots of coffee, and I get less sleep, and you try to bring in some help. I mean, we have Rebecca's assistant and the assistant has a 20-year-old daughter who came in to help us do some of the dishes and laundry and housework stuff. You mentioned before, it was a year ago. I always go out hiking and mountain climbing and that's where I write. I dictate. I have a digital recorder that I go off of, and that's how I'm so productive. I go out, I walk in the forest and I come home with 5,000 words done in a couple of hours, and I always do that. That's how I write. Well, I was out on a mountain and I fell off the mountain and I broke my ankle and had to limp a mile back to my car. So that sort of put a damper on me hiking. I had a book that I had to write and I couldn't go walking while I was dictating it. It has been a very long time since I had to sit at a keyboard and create chapters that way. Jo: Mm-hmm. Kevin: And my brain doesn't really work like that. It works in an audio—I speak this stuff instead. So I ended up training myself because I had a big boot on my foot. I would sit on the back porch and I would look out at the mountains here in Colorado and I would put my foot up on another chair and I'd sit in the lawn chair and I'd kind of close my eyes and I would dictate my chapters that way. It was not as effective, but it was plan B. So that's how I got it done. I did want to mention something. When I'm telling the students this every week—this is what I did and here's the million different things—one of the students just yesterday made a comment that she summarised what I'm doing and it kind of crystallised things for me. She said that to get so much done requires, and I'm quoting now, “a balance of planning, sprinting, and being flexible, while also making incremental forward progress to keep everything moving together.” So there's short-term projects like fires and emergencies that have to be done. You've got to keep moving forward on the novel, which is a long-term project, but that short story is due in a week. So I've got to spend some time doing that one. Like I said, this Kickstarter's coming up, so I have to put in the order for the cover art, because the cover art needs to be done so I can put it on the pre-launch page for the Kickstarter. It is a balance of the long-term projects and the short-term projects. And I'm a workaholic, I guess, and you are too. Jo: Yes. Kevin: You totally are. Yes. Jo: I get that you're a workaholic, but as you said before, you enjoy it too. So you enjoy doing all these things. It's just sometimes life just gets in the way, as you said. One of the other things that I think is interesting—so sometimes physical stuff gets in the way, but in your many decades now of the successful author business, there's also the business side. You've had massive success with some of your books, and I'm sure that some of them have just kind of shrivelled into nothing. There have been good years and bad years. So how do we, as people who want a long-term career, think about making sure we have a buffer in the business for bad years and then making the most of good years? Kevin: Well, that's one thing—to realise that if you're having a great year, you might not always have a great year. That's kind of like the rockstar mentality—I've got a big hit now, so I'm always going to have a big hit. So I buy mansions and jets, and then of course the next album flops. So when you do have a good year, you plan for the long term. You set money aside. You build up plan B and you do other things. I have long been a big advocate for making sure that you have multiple income streams. You don't just write romantic epic fantasies and that's all you do. That might be what makes your money now, but the reading taste could change next year. They might want something entirely different. So while one thing is really riding high, make sure that you're planting a bunch of other stuff, because that might be the thing that goes really, really well the next year. I made my big stuff back in the early nineties—that was when I started writing for Star Wars and X-Files, and that's when I had my New York Times bestselling run. I had 11 New York Times bestsellers in one year, and I was selling like millions of copies. Now, to be honest, when you have a Star Wars bestseller, George Lucas keeps almost all of that. You don't keep that much of it. But little bits add up when you're selling millions of copies. So it opened a lot of doors for me. So I kept writing my own books and I built up my own fans who liked the Star Wars books and they read some of my other things. If you were a bestselling trad author, you could keep writing the same kind of book and they would keep throwing big advances at you. It was great. And then that whole world changed and they stopped paying those big advances, and paperback, mass market paperback books just kind of went away. A lot of people probably remember that there was a time for almost every movie that came out, every big movie that came out, you could go into the store and buy a paperback book of it—whether it was an Avengers movie or a Star Trek movie or whatever, there was a paperback book. I did a bunch of those and that was really good work. They would pay me like $15,000 to take the script and turn it into a book, and it was done in three weeks. They don't do that anymore. I remember I was on a panel at some point, like, what would you tell your younger self? What advice would you give your younger self? I remember when I was in the nineties, I was turning down all kinds of stuff because I had too many book projects and I was never going to quit writing. I was a bestselling author, so I had it made. Well, never, ever assume you have it made because the world changes under you. They might not like what you're doing or publishing goes in a completely different direction. So I always try to keep my radar up and look at new things coming up. I still write some novels for trad publishers. This dinosaur homestead one is for Blackstone and Weird Tales. They're a trad publisher. I still publish all kinds of stuff as an indie for WordFire Press. I'm reissuing a bunch of my trad books that I got the rights back and now they're getting brand new life as I run Kickstarters. One of my favourite series is “Dan Shamble, Zombie P.I.” It's like the Addams Family meets The Naked Gun. It's very funny. It's a private detective who solves crimes with monsters and mummies and werewolves and things. I sold the first one to a trad publisher, and actually, they bought three. I said, okay, these are fast, they're fun, they're like 65,000 words. You laugh all the way through it, and you want the next one right away. So let's get these out like every six months, which is like lightning speed for trad publishing. They just didn't think that was a good idea. They brought them out a year and a half apart. It was impossible to build up momentum that way. They wanted to drop the series after the third book, and I just begged them—please give it one more chance. So they bought one more book for half as much money and they brought it out again a year and a half later. And also, it was a trad paperback at $15. And the ebook was—Joanna, can you guess what their ebook was priced at? Jo: $15. Kevin: $15. And they said, gee, your ebook sales are disappointing. I said, well, no, duh. I mean, I am jumping around—I'm going like, but you should have brought these out six months apart. You should have had the ebook, like the first one at $4. Jo: But you're still working with traditional publishers, Kevin? Kevin: I'm still working with them on some, and I'm a hybrid. There are some projects that I feel are better served as trad books, like the big Dune books and stuff. I want those all over the place and they can cash in on the movie momentum and stuff. But I got the rights back to the Dan Shamble stuff. The fans kept wanting me to do more, and so I published a couple of story collections and they did fine. But I was making way more money writing Dune books and things. Then they wanted a new novel. So I went, oh, okay. I did a new novel, which I just published at WordFire. But again, it did okay, but it wasn't great. I thought, well, I better just focus on writing these big ticket things. But I really liked writing Dan Shamble. Somebody suggested, well, if the fans want it so much, why don't you run a Kickstarter? I had never run a Kickstarter before, and I kind of had this wrong attitude. I thought Kickstarters were for, “I'm a starving author, please give me money.” And that's not it at all. It's like, hey, if you're a fan, why don't you join the VIP club and you get the books faster than anybody else? So I ran a Kickstarter for my first Dan Shamble book, and it made three times what the trad publisher was paying me. And I went, oh, I kind of like this model. So I have since done like four other Dan Shamble novels through Kickstarters, made way more money that way. And we just sold—we can't give any details yet—but we have just sold it. It will be a TV show. There's a European studio that is developing it as a TV show, and I'm writing the pilot and I will be the executive producer. Jo: Fantastic. Kevin: So I kept that zombie detective alive because I loved it so much. Jo: And it's going to be all over the place years later, I guess. Just in terms of—given I've been in this now, I guess 2008 really was when I got into indie—and over the time I've been doing this, I've seen people rise and then disappear. A lot of people have disappeared. There are reasons, burnout or maybe they were just done. Kevin: Yes. Jo: But in terms of the people that you've seen, the characteristics, I guess, of people who don't make it versus people who do make it for years. And we are not saying that everyone should be a writer for decades at all. Some people do just have maybe one or two books. What do you think are the characteristics of those people who do make it long-term? Kevin: Well, I think it's realistic expectations. Like, again, this was trad, but my first book I sold for $4,000, and I thought, well, that's just $4,000, but we're going to sell book club rights, and we're goingn to sell foreign rights, and it's going to be optioned for movies. And the $4,000 will be like, that's just the start. I was planning out all this extra money coming from it, and it didn't even earn its $4,000 advance back and nothing else happened with it. Well, it has since, because I've since reissued it myself, pushed it and I made more money that way. But it's a slow burn. You build your career. You start building your fan base and then your next one will sell maybe better than the first one did. Then you keep writing it, and then you make connections, and then you get more readers and you learn how to expand your stuff better. You've got to prepare for the long haul. I would suggest that if you publish your very first book on KU, don't quit your day job the next day. Not everybody can or should be a full-time writer. We here in America need to have something that pays our health insurance. That is one of the big reasons why I am running this graduate program at Western Colorado University—because as a university professor, I get wonderful healthcare. I'm teaching something that I love, and I'm frankly doing a very good job at it because our graduates—something like 60% of them are now working as writers or publishers or working in the publishing world. So that's another thing. I guess what I do when I'm working on it is I kind of always say yes to the stuff that's coming in. If an opportunity comes—hey, would you like a graphic novel on this?—and I go, yes, I'd love to do that. Could you write a short story for this anthology? Sure, I'd love to do that. I always say yes, and I get overloaded sometimes. But I learned my lesson. It was quite a few years ago where I was really busy. I had all kinds of book deadlines and I was turning down books that they were offering me. Again, this was trad—book contracts that had big advances on them. And anthology editors were asking me. I was really busy and everybody was nagging me—Kevin, you work too hard. And my wife Rebecca was saying, Kevin, you work too hard. So I thought, I had it made. I had all these bestsellers, everything was going on. So I thought, alright, I've got a lot of books under contract. I'll just take a sabbatical. I'll say no for a year. I'll just catch up. I'll finish all these things that I've got. I'll just take a breather and finish things. So for that year, anybody who asked me—hey, do you want to do this book project?—well, I'd love to, but I'm just saying no. And would you do this short story for an anthology? Well, I'd love to, but not right now. Thanks. And I just kind of put them off. So I had a year where I could catch up and catch my breath and finish the stuff. And after that, I went, okay, I am back in the game again. Let's start taking these book offers. And nothing. Just crickets. And I went, well, okay. Well, you were always asking before—where are all these book deals that you kept offering me? Oh, we gave them to somebody else. Jo: This is really difficult though, because on the one hand—well, first of all, it's difficult because I wanted to take a bit of a break. So I'm doing this full-time master's and you are also teaching people in a master's program, right. So I have had to say no to a lot of things in order to do this course. And I imagine the people on your course would have to do the same thing. There's a lot of rewards, but they're different rewards and it kind of represents almost a midlife pivot for many of us. So how do we balance that then—the stepping away with what might lead us into something new? I mean, obviously this is a big deal. I presume most of the people on your course, they're older like me. People have to give stuff up to do this kind of thing. So how do we manage saying yes and saying no? Kevin: Well, I hate to say this, but you just have to drink more coffee and work harder for that time. Yes, you can say no to some things. My thing was I kind of shut the door and I just said, I'm just going to take a break and I'm going to relax. I could have pushed my capacity and taken some things so that I wasn't completely off the game board. One of the things I talk about is to avoid burnout. If you want a long-term career, and if you're working at 120% of your capacity, then you're going to burn out. I actually want to mention something. Johnny B. Truant just has a new book out called The Artisan Author. I think you've had him on the show, have you? Jo: Yes, absolutely. Kevin: He says a whole bunch of the stuff in there that I've been saying for a long time. He's analysing these rapid release authors that are a book every three weeks. And they're writing every three weeks, every four weeks, and that's their business model. I'm just like, you can't do that for any length of time. I mean, I'm a prolific writer. I can't write that fast. That's a recipe for burnout, I think. I love everything that I'm doing, and even with this graduate program that I'm teaching, I love teaching it. I mean, I'm talking about subjects that I love, because I love publishing. I love writing. I love cover design. I love marketing. I love setting up your newsletters. I mean, this isn't like taking an engineering course for me. This is something that I really, really love doing. And quite honestly, it comes across with the students. They're all fired up too because they see how much I love doing it and they love doing it. One of the projects that they do—we get a grant from Draft2Digital every year for $5,000 so that we do an anthology, an original anthology that we pay professional rates for. So they put out their call for submissions. This year it was Into the Deep Dark Woods. And we commissioned a couple stories for it, but otherwise it was open to submissions. And because we're paying professional rates, they get a lot of submissions. I have 12 students in the program right now. They got 998 stories in that they had to read. Jo: Wow. Kevin: They were broken up into teams so they could go through it, but that's just overwhelming. They had to read, whatever that turns out to be, 50 stories a week that come in. Then they write the rejections, and then they argue over which ones they're going to accept, and then they send the contracts, and then they edit them. And they really love it. I guess that's the most important thing about a career—you've got to have an attitude that you love what you're doing. If you don't love this, please find a more stable career, because this is not something you would recommend for the faint of heart. Jo: Yes, indeed. I guess one of the other considerations, even if we love it, the industry can shift. Obviously you mentioned the nineties there—things were very different in the nineties in many, many ways. Especially, let's say, pre-internet times, and when trad pub was really the only way forward. But you mentioned the rapid release, the sort of book every month. Let's say we are now entering a time where AI is bringing positives and negatives in the same way that the internet brought positives and negatives. We're not going to talk about using it, but what is definitely happening is a change. Industry-wise—for example, people can do a book a day if they want to generate books. That is now possible. There are translations, you know. Our KDP dashboard in America, you have a button now to translate everything into Spanish if you want. You can do another button that makes it an audiobook. So we are definitely entering a time of challenge, but if you look back over your career, there have been many times of challenge. So is this time different? Or do you face the same challenges every time things shift? Kevin: It's always different. I've always had to take a breath and step back and then reinvent myself and come back as something else. One of the things with a long-term career is you can't have a long-term career being the hot new thing. You can start out that way—like, this is the brand new author and he gets a big boost as the best first novel or something like that—but that doesn't work for 20 years. I mean, you've got to do something else. If you're the sexy young actress, well, you don't have a 50-year career as the sexy young actress. One of the ones I'm loving right now is Linda Hamilton, who was the sexy young actress in Terminator, and then a little more mature in the TV show Beauty and the Beast, where she was this huge star. Then she's just come back now. I think she's in her mid-fifties. She's in Stranger Things and she was in Resident Alien and she's now this tough military lady who's getting parts all over the place. She's reinvented herself. So I like to say that for my career, I've crashed and burned and resurrected myself. You might as well call me the Doctor because I've just come back in so many different ways. You can't teach an old dog new tricks, but— If you want to stay around, no matter how old of a dog you are, you've got to learn new tricks. And you've got to keep learning, and you've got to keep trying new things. I started doing indie publishing probably around the time you did—2009, something like that. I was in one of these great positions where I was a trad author and I had a dozen books that I wrote that were all out of print. I got the rights back to them because back then they let books go out of print and they gave the rights back without a fight. So I suddenly found myself with like 12 titles that I could just put up. I went, oh, okay, let's try this. I was kind of blown away that that first novel that they paid me $4,000 for that never even earned it back—well, I just put it up on Kindle and within one year I made more than $4,000. I went, I like this, I've got to figure this out. That's how I launched WordFire Press. Then I learned how to do everything. I mean, back in those days, you could do a pretty clunky job and people would still buy it. Then I learned how to do it better. Jo: That time is gone. Kevin: Yes. I learned how to do it better, and then I learned how to market it. Then I learned how to do print on demand books. Then I learned how to do box sets and different kinds of marketing. I dove headfirst into my newsletter to build my fan base because I had all the Star Wars stuff and X-Files stuff and later it was the Dune stuff. I had this huge fan base, but I wanted that fan base to read the Kevin Anderson books, the Dan Shamble books and everything. The only way to get that is if you give them a personal touch to say, hey buddy, if you liked that one, try this one. And the way to do that is you have to have access to them. So I started doing social media stuff before most people were doing social media stuff. I killed it on MySpace. I can tell you that. I had a newsletter that we literally printed on paper and we stuck mailing labels on. It went out to 1,200 people that we put in the mailbox. Jo: Now you're doing that again with Kickstarter, I guess. But I guess for people listening, what are you learning now? How are you reinventing yourself now in this new phase we are entering? Kevin: Well, I guess the new thing that I'm doing now is expanding my Kickstarters into more. So last year, the biggest Kickstarter that I've ever had, I ran last year. It was this epic fantasy trilogy that I had trad published and I got the rights back. They had only published it in trade paperback. So, yes, I reissued the books in nice new hardcovers, but I also upped the game to do these fancy bespoke editions with leather embossed covers and end papers and tipped in ribbons and slip cases and all kinds of stuff and building that. I did three rock albums as companions to it, and just building that kind of fan base that will support that. Then I started a Patreon last year, which isn't as big as yours. I wish my Patreon would get bigger, but I'm pushing it and I'm still working on that. So it's trying new things. Because if I had really devoted myself and continued to keep my MySpace page up to date, I would be wasting my time. You have to figure out new things. Part of me is disappointed because I really liked in the nineties where they just kept throwing book contracts at me with big advances. And I wrote the book and sent it in and they did all the work. But that went away and I didn't want to go away. So I had to learn how to do it different. After a good extended career, one of the things you do is you pay it forward. I mentor a lot of writers and that evolved into me creating this master's program in publishing. I can gush about it because to my knowledge, it is the only master's degree that really focuses on indie publishing and new model publishing instead of just teaching you how to get a job as an assistant editor in Manhattan for one of the Big Five publishers. Jo: It's certainly a lot more practical than my master's in death. Kevin: Well, that's an acquired taste, I think. When they hired me to do this—and as I said earlier, I'm not an academic—and I said if I'm going to teach this, it's a one year program. They get done with it in one year. It's all online except for one week in person in the summer. They're going to learn how to do things. They're not going to get esoteric, analysing this poem for something. When they graduate from this program, they walk out with this anthology that they edited, that their name is on. The other project that they do is they reissue a really fancy, fine edition of some classic work, whether it's H.G. Wells or Jules Verne or something. They choose a book that they want to bring back and they do it all from start to finish. They come out of it—rather than just theoretical learning—they know how to do things. Surprise, I've been around in the business a long time, so I know everybody who works in the business. So the heads of publishing houses and the head of Draft2Digital or Audible—and we've got Blackstone Audio coming on in a couple weeks. We've got the head of Kickstarter coming on as guest speakers. I have all kinds of guest speakers. Joanna, I think you're coming on— Jo: I'm coming on as well, I think. Kevin: You're coming on as a guest speaker. It's just like they really get plugged in. I'm in my seventh cohort now and I just love doing it. The students love it and we've got a pretty high success rate. So there's your plug. We are open for applications now. It starts in July. And my own website is WordFire.com, and there's a section on there on the graduate program if anybody wants to take a look at it. Again, not everybody needs to have a master's degree to be an indie publisher, but there is something to be said for having all of this stuff put into an organised fashion so that you learn how to do all the things. It also gives you a resource and a support system so that they come out of it knowing a whole lot of people. Jo: Brilliant. Well, thanks so much for your time, Kevin. That was great. Kevin: Thanks. It's a great show. The post Managing Multiple Projects And The Art of the Long-Term Author Career with Kevin J. Anderson first appeared on The Creative Penn.

In which author, music executive and host of the Identified podcast Nabil Ayers discusses selling used CDs, The Terminator, The Drum Doctor and more. Certificate #48391.