Podcasts about Terminator

MARTY SUPREME writer/director Josh Safdie unpacks his favorite movies with podcast hosts Josh Olson and Joe Dante. Show Notes: Movies Referenced In This Episode Abigail's Party (1977) Marty Supreme (2025) Burying the Ex (2015) Uncut Gems (2019) Dazed and Confused (1993) King of New York (1990) Bad Lieutenant (1992) The Funerals (1996) The Addiction (1995) 4:44 Last Day On Earth (2011) Tomasso (2019) The Driller Killer (1979) Ms .45 (1981) Go Go Tales (2007) The Killing of a Chinese Bookie (1976) A Woman Under the Influence *Kramer vs Kramer (1979) Hero (1992) Alice Doesn't Live Here Anymore (1974) Pink Floyd's The Wall (1979) The Brood (1979) *Fire in the Sky (1993) *Matinee (1993) *A Clockwork Orange (1971) The Lost Boys (1987) *Ferris Bueller's Day Off (1986) Planes, Trains and Automobiles (1987) *E.T. The Extraterrestrial (1982) *The Shining (1980) *Misery (1990) Popeye (1980) The Leprechaun (1992) Mandy (2018) The Princess Bride (1987) This Is Spinal Tap (1984) Barry Lyndon (1975) 2001: A Space Odyssey (1968) Full Metal Jacket (1987) *The 400 Blows (1959) *Pulp Fiction (1994) The Breakfast Club (1985) *The Red Balloon (1956) White Mane (1953) Gremlins (1984) *The Running Man (1987) The Terminator (1984) The King of Comedy (1983) Total Recall (1990) Robocop (1987) *Above The Rim (1994) Rocky (1976) Rocky II (1979) *Rocky III (1982) Rocky IV (1985) Rocky V (1990) Masters of the Universe (1987) Beverly Hills Cop II (1987) *Saturday Night Fever (1977) Stayin' Alive (1983) Carrie (1976) Other Notable Items Our Patreon!  The Hollywood Food Coalition The battle of Jericho Josh Mostel G.I. Joe Anton Yelchin Anagrams  Mike Leigh Abel Ferrera Willem Dafoe Odessa A'zion Clint Eastwood James Cagney The Academy of Motion Picture Arts and Sciences Kevin Garnett Ronald Bronstein Timothee Chalamet Tyler, the Creator Gwyneth Paltrow IFC Films Zohran Mamdani Mira Nair Dustin Hoffman Meryl Streep Eric Clapton Stephen Frears Geena Davis Andy Garcia Chevy Chase David Cronenberg Robert Benton A Nightmare on Elm Street series Wendy Carlos John Candy John Goodman The Cuban Missile Crisis 4DX William Castle Smell-O-Vision Shelley Duvall The Shining novel by Stephen King (1977) Stanley Kubrick TFH Guru Mick Garris The Shining miniseries (1997) Jack Nicholson The Beatles Our Panos Cosmatos podcast episode Johan Johansson Gramaphone Records Kathy Bates James Caan Rob Reiner Alfred Hitchcock Scatman Crothers Vivian Kubrick Jean-Pierre Léaud Benny Safdie John Lennon John Hughes Chris Columbus Chicago The Ramones Richard Edson Jim Jarmusch The History of Bones: A Memoir book by John Lurie (2021) Bob Hope Bing Crosby Mel Brooks Matthew Broderick Albert Lamorisse  The Fleischer Brothers Tex Avery Harold Faltermeyer Arnold Schwarzenegger Oneohtrix Point Never  Richard Dawson Jerry Lewis Paul Verhoeven The New York Knicks Queen Onyx Bernie Mac 2Pac Dolph Lundgren Sylvester Stallone John Travolta Welcome Back, Kotter TV series (1975-78) The Bee Gees Learn more about your ad choices. Visit megaphone.fm/adchoices

Seth and Sean react to Albert Breer and Todd McShay throwing out CJ Stroud as a QB to watch on the trade front this offseason, discuss what music Will Anderson Jr. listens to pre-game to get ready, and go through the day's Headlines.

Seth and Sean react to what Will Anderson Jr. said he listens to before games. It's quite the juxtaposition to his style of play.

The Hawk is back, and Val Verde is once again experiencing the kind of civic growth that only happens when a man (Whisp Turlington) invents an AI named BASTRD… and another man opens a pet store that accidentally becomes a dogfighting arena.This week on 108.9 The Hawk (Val Verde's second favorite classic rock station), Whisp Turlington and Geoff “The Angry Man” Garlock break down the grand opening of Woof It Up, the newest pet store in town, owned and operated by local entrepreneur Jeff Weatherman (played by the one and only Will Hines). And why is rocker Steve Winwood roaming Val Verde's streets like a blue-eyed Terminator?!Guest Starring: Will HinesFollow Will here: https://www.instagram.com/williebhines/Learn more about WGIS - World's Greatest Improv School here: https://www.wgimprovschool.com/Become One With The HawkSubscribe on Apple Podcasts, Spotify, or YouTube — wherever you listen.Join the Rock Battalion at 1089thehawk.comSupport the station on Patreon: patreon.com/1089thehawkWatch full broadcasts, clips, and ongoing radio hostilities on YouTube. Hosted on Acast. See acast.com/privacy for more information.

Hadyn Green has been the creative force of Hear My Eyes, a sonic-visual, hybrid experience which blends film and music in creatively intriguing and boundary pushing ways. As the founder and artistic director of Hear My Eyes, Haydn reaches out to contemporary musicians to craft new scores for pre-existing cinema.Collaborations include Sampa the Great rescoring Céline Sciamma's Girlhood, The Murlocs putting their spin on Gregor Jordan's Two Hands, while Springtime and Mick Harvey explored a new sonic landscape for Andrew Dominik's Chopper.For its tenth anniversary, Hadyn Green has tapped Belgian electronic musician Peter Van Hoesen, powered by the Melbourne Electronic Sound Studio, to reimagine the music of James Cameron's iconic sci-fi classic, Terminator 2: Judgment Day (the original theatrical cut).Visit HearMyEyes.com.au for all tickets to the screenings taking place on the below dates:Melbourne: Feb 25-28, Hamer HallSydney: March 7, City Recital HallCanberra: March 18-19, Canberra TheatreSign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

In which Rich and guest host Paul reimagine the Terminator as a rom-com, amongst other things. Check out our website for info on upcoming episodes, our email list, our email address, and coming soon a blog and possibly TikTok.  Maybe.  We'll see.  Please leave us a review on the podcast platform of your choice!  Reviews help us get noticed

-ByteDance is going to curb the new media generator's use of prohibited content. In a statement to the BBC, ByteDance said, "We are taking steps to strengthen current safeguards as we work to prevent the unauthorised use of intellectual property and likeness by users." -Sam Altman has announced that OpenAI has absorbed OpenClaw by hiring developer Peter Steinberger "to drive the next generation of personal agents.” -Responding to a fan on social media, showrunner Mattson Tomlin said this weekend that the show has been canceled. Despite being generally well received, Tomlin noted that "at the end of the day not nearly enough people watched it." Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hadyn Green has been the creative force of Hear My Eyes, a sonic-visual, hybrid experience which blends film and music in creatively intriguing and boundary pushing ways. As the founder and artistic director of Hear My Eyes, Haydn reaches out to contemporary musicians to craft new scores for pre-existing cinema.Collaborations include Sampa the Great rescoring Céline Sciamma's Girlhood, The Murlocs putting their spin on Gregor Jordan's Two Hands, while Springtime and Mick Harvey explored a new sonic landscape for Andrew Dominik's Chopper.For its tenth anniversary, Hadyn Green has tapped Belgian electronic musician Peter Van Hoesen, powered by the Melbourne Electronic Sound Studio, to reimagine the music of James Cameron's iconic sci-fi classic, Terminator 2: Judgment Day (the original theatrical cut).Visit HearMyEyes.com.au for all tickets to the screenings taking place on the below dates:Melbourne: Feb 25-28, Hamer HallSydney: March 7, City Recital HallCanberra: March 18-19, Canberra TheatreSign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

Super Bowl Parody Songs: This is what AI is taking away from us, now we get AI slop instead of retard slop.Pat Riot: Any time we have the opportunity to check in with the old Pat Riot songs, we have to do it.Corey's Twitter: We circle back to Corey's Twitter for all the unhinged goodness.FUCK YOU WATCH THIS!, THE BEAR1, VANESSA CARLTON!, 1000 MILES!, SKINBONE!, 100 MILES!, REMIX!, ALLEGIANCE!, PRO-ISRAEL!, WRITING ON THE WALL!, SUPER BOWL PARODY SONGS!, AI SONGS!, PARODY SONGS DYING BREED!, WHAT THEY TOOK FROM US!, SEATTLE SEAHAWKS!, NEW ENGLAND PATRIOTS!, BRUNO MARS COVER!, HOT WINGS!, AI MUSIC!, SLOP!, BUFFALO CHICKEN WING!, SPICY!, CRISPY!, MINECRAFT!, SPEEDRUNS!, WHOLE DIFFERENT SUBSET!, GENERAL FOOTBALL!, TIKTOK COMEDY!, MONOLOGUE JOKES!, HOOK HAND!, SUPER BOWL REDEMPTION!, HAWKS LOCKDOWN!, TERMINATOR!, THA BEARS!, SNL!, PAT RIOT!, WHO'S GONNA START A RIOT!, AGE!, RAVAGED BY TIME!, SUPER BOWL 49!, LVL UP EXPO!, MICHAEL ROOKER!, COREY'S TWITTER!, SOCK PUPPET ACCOUNTS!, BURNER!, UNHINGED!, RADIO RODDY!, EPSTEIN!, DIDY!, TEENY BOPPER!, SMOKE SCREEN!, SHIELD!, SWEET PUSSY!, RUBBING ITSELF! You can find the videos from this episode at our Discord RIGHT HERE!

Zu Gast: YouTuber und Game Boy-Experte Retro Gaming Panda Lizenzspiele gibt es seit Anbeginn der Zeit. Okay, das ist etwas übertrieben, aber Spiele zu Kinofilmen, TV-Serien, Comics etc. sind schon wirklich lange Teil der Videospielkultur. Auch auf dem klassischen Game Boy gab es kaum ein Vorbeikommen an den Adaptionen. Und da auch für Konsolenkino ein Blick in die Vergangenheit nie schaden kann, hat sich Max mit dem Retrogames-Experten Henning aka Retro Gaming Panda genau über diese Lizenzversoftungen unterhalten. Wie gut oder schlecht waren diese Spiele tatsächlich? Welche kuriosen Adaptionen verstecken sich auf dem Handheld? Und lohnt sich heute immer noch ein Blick auf die Games? All das hört ihr in der aktuellen Podcast-Folge mit der Lizenz zum Zocken. #konsolenkino #podcast #gameboy #terminator #darkwingduck Retro Gaming Panda findet ihr bei YouTube hier: https://www.youtube.com/@RetroGamingPanda Und den Podcast zum Thema Preise für Retrospiele gibt es unter anderem hier: https://podcasts.apple.com/gb/podcast/warum-sind-retro-games-so-teuer-geworden/id1804393723?i=1000708711856 Mehr von Konsolenkino findet ihr bei Insta: https://www.instagram.com/konsolenkino https://konsolenkino.podcaster.de/impressum/

On the 502nd episode of Piecing It Together, Chase Hutchinson joins me to talk about Good Luck Have Fun Don't Die. Gore Verbinski's first movie in years is a wacky sci-fi comedy all about the dangers of AI. Puzzle pieces include Terminator, Idiocracy, The Shrouds and Everything Everywhere All At Once.As always, SPOILER ALERT for Good Luck Have Fun Don't Die and the movies we discuss!Written by Matthew RobinsonDirected by Sam RockwellStarring Sam Rockwell, Haley Lu Richardson, Michael Pena, Zazie Beetz, Juno TempleBriarcliff EntertainmentChase Hutchinson is a writer and film critic.You can find his work by visiting his Authory page at https://authory.com/ChaseHutchinsonAnd Follow him on Instagram @hutchthegreatMy latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at https://www.youtube.com/watch?v=wzm8s4nuqlAMake sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our Dashery store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music projects at https://bydavidrosen.dashery.com/Share the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts, Spotify, or

"Crime 101" is a slick and engaging thriller featuring Chris Hemsworth, Halle Berry, and Mark Ruffalo. Hemsworth portrays a jewel thief who is emotionally conflicted and determined to complete one final heist. Guided by a personal code of ethics, his character refuses to harm anyone and targets only insurance companies with his schemes. The film's impressive supporting cast includes Barry Keoghan, Monica Barbaro and Nick Nolte who all contribute to the film's strong ensemble dynamic. Bart Layton, a British documentary filmmaker, brings surprisingly taut and effective direction, allowing "Crime 101" to remain engaging even when the plot stretches believability. “Crime 101” is an entertaining action throwback. The animated sports comedy "Goat" is from producer Steph Curry, who also lends his voice to one of the characters. The story centers on a young goat who dreams of competing in "Roarball," an intense and dangerous version of full-contact basketball. The film boasts a talented voice cast, including Caleb McGlaughlin from “Stranger Things,” David Harbour, Jennifer Hudson, Jelly Roll, and Gabrielle Union. "Goat" is a predictable, but family-friendly bit of escapism. "Good Luck, Have Fun, Don't Die" is a high-concept, sci-fi comedy that combines the time-loop antics of "Groundhog Day" with the energy of "Terminator." Sam Rockwell stars as a time traveler who repeatedly journeys back from the future, attempting to save humanity from the impending threat of artificial intelligence. Director Gore Verbinski seems to draw inspiration from the eccentric style of the Oscar-winning “Everything Everywhere All at Once.” The result is a smart and wildly imaginative film, even if it sometimes struggles with pacing and knowing when to wrap things up.

Oui, trois semaines, une éternité dans ce marché qui a la mémoire d'un poisson rouge sous stéroïdes ! Aujourd'hui, je décortique l'absurdité ambiante : Le naufrage des Géants : Apple massacré à la tronçonneuse (-5%), Amazon et Microsoft en Bear Market... Le vernis des "Magnificent Seven" craque enfin.

Hour Two of the Good Morning Football Podcast begins with hosts Jamie Erdahl, Kyle Brandt, Manti Te'o and Mike Garafolo answering Throwdown Thursday questions: Will this Super Bowl Seahawks season be remembered for Sam Darnold getting the monkey off his back or for their dominating defense? What's the better movie sequel: Empire strikes back or Terminator 2? Super Bowl LX Champion and Seattle Seahawks cornerback Riq Woolen joins "Good Morning Football" to describe his experience winning the big game for the first time in his NFL career. The Good Morning Football Podcast is part of the NFL Podcast NetworkSee omnystudio.com/listener for privacy information.

This week the boys talk Spectators from Image Comics by Brian K. Vaughan and Niko HenrichonBut first, is Epstein alive? Why do we have micro-transactions in video games? Is America angry enough right now? Is Spectators one of the best comics to come out in recent years? Was this first released on Substack? Is this the kind of book you wanna read in one sitting? Are we allowed to drink beer on YouTube? Do we want a Bud Light or Coors sponsorship? Is this comic violent and horny? Does Brian K. Vaughan like Family Guy? Who is #LEADERBOARD?  What are the rules for the afterlife in this story? What did we look like at half our current ages? Is Anthony the runt of the Comics and Chronic litter? Does this comic mostly take place in the future? What is Pride of Baghdad about? Is The Lion King a war movie? Is Black Panther just a live action version of The Lion King? Are there Josh Gad haters on the pod? Is Spectators a love letter to movies? Do movies define the characters of Val and Sam? What's the significance of The Terminator and The Great Train Robbery to this comic? Should we cover Runaways? Does this comic have a 9/11 reference? How does Spectators make the reader feel like a voyeur? Is Spectators sexy for a purpose? Are we getting a Beatles cinematic universe?And Superguy #2 finally here!!Back Superguy issue #2: My Date with The President's Daughter on Kickstarter! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.kickstarter.com/projects/mrtonynacho/superguy-2-my-date-with-the-presidents-daughter?ref=creator_tab⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠New episodes every THURSDAYFollow us on social media! Bluesky // Instagram // Twitter // TikTok :⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@comicsnchronic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/channel/UC45vP6pBHZk9rZi_2X3VkzQ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E-mail: comicsnchronicpodcast@gmail.comCodyInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@codycannoncomedy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @Cody_CannonTikTok: @codywalakacannonJakeInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@jakefhaha⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AnthonyBluesky // Instagram // Threads // Twitter // TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@mrtonynacho⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this episode of Need Some Introduction, host Victor offers an extensive examination of Christopher Nolan's 2000 film 'Memento.' Victor discusses the film's unique storytelling structure, the thematic complexity, and the meticulous craftsmanship involved in its production. He delves into the performances, especially praising Guy Pearce and Joe Pantoliano, and reflects on the movie's lasting impact and success. Victor also touches on the broader context of Nolan's career and the evolution of his filmmaking style. Additionally, co-host Alan joins later in the conversation to share insights and discuss the film's nuances, making this episode a comprehensive exploration of one of Nolan's most celebrated works. mailto:needssomeintroduction@gmail.com Radiolab Episode: https://radiolab.org/podcast/91569-memory-and-forgetting   00:00 Introduction and Current Discussions 00:54 Christopher Nolan's Filmography 01:30 'Following' Follow-up 04:43 Rewatching 'Memento' 11:50 Thematic Analysis and Personal Reflections 18:26 Plot Mechanics and Storytelling Techniques 30:02 Character Analysis and Final Thoughts 51:56 The Terminator's Dilemma 52:16 A Flashback to Guilt 52:45 The Final Revelation 53:09 Living in a Fantasy 53:25 The Cruel Reality 53:40 A Directionless Life 54:04 The Grim Ending 54:16 Reflecting on the Film 54:30 Alan Joins the Conversation 55:23 Discussing the Super Bowl 57:47 Bad Bunny Halftime Show 01:01:33 Kid Rock Controversy 01:03:00 Back to Memento 01:04:36 The Film's Unique Structure 01:13:01 Natalie's Manipulation 01:23:28 The Condition's Reality 01:31:31 Sammy Jenkins' Condition: Fact or Fiction? 01:32:45 The Shocking Truth About Leonard's Wife 01:33:34 The Frame-by-Frame Breakdown 01:34:21 The Power of Suggestion and Memory 01:35:07 Teddy's Revelation: Leonard's True Story 01:37:24 The Cycle of Violence and Manipulation 01:40:48 Nolan's Mastery in Storytelling 01:49:05 The Enigma of Sammy Jenkins 01:55:39 Nolan's Rise to Fame 02:03:44 The Financial Success of Memento 02:12:01 Brad Pitt's Acting Evolution 02:14:38 Alternative Casting Choices 02:16:27 Carrie Ann Moss and Joey Pants 02:20:49 Rewatching Films and Nostalgia 02:33:39 Upcoming Discussions and Final Thoughts

You've really got to love the jolt of pure cinematic adrenaline that hits when a movie announces itself with extreme confidence instead of apology. “Good Luck, Have Fun, Don't Die” does it by storming into a Los Angeles diner and unleashing a crazed, high‑wire opening monologue that plays like a dare, a sales pitch, and an exhausted rallying cry all at once. From the jump, the film makes it clear it is not here to calm you down. It's here to wake you the hell up. THE ROBOTS ARE COMING! THE ROBOTS ARE COMING!Directed by Gore Verbinski ("Pirates of the Caribbean," " Rango"), the film follows a mysterious man from "the future” (Sam Rockwell) who arrives at a diner with one urgent task: he must recruit the precise combination of disgruntled patrons to join him on a one‑night quest to save the world from the terminal threat of a rogue artificial intelligence. That reluctant group includes Zazie Beetz, Michael Peña, Haley Lu Richardson, and Juno Temple. What unfolds is a kinetic collision of sci‑fi, action, romance, and social satire that never lets up until the credits roll. Think "Terminator" on a healthy combo of acid & mushrooms and you've mostly got it. Joining The Discourse for a set of conversations on the film, Gore Verbinski, Sam Rockwell, Zazie Beetz, and Michael Peña dug into how the film's energy, tone, and unapologetic weirdness were not accidents, but the entire point.

How do you juggle multiple book projects, a university teaching role, Kickstarter campaigns, and rock albums—all without burning out? What does it take to build a writing career that spans decades, through industry upheavals and personal setbacks? Kevin J. Anderson shares hard-won lessons from his 40+ year career writing over 190 books. In the intro, Draft2Digital partners with Bookshop.org for ebooks; Spotify announces PageMatch and print partnership with Bookshop.org; Eleven Audiobooks; Indie author non-fiction books Kickstarter; Bones of the Deep – J.F. Penn This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Kevin J. Anderson is the multi-award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the director of publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor and rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Managing multiple projects at different stages to maximise productivity without burning out Building financial buffers and multiple income streams for a sustainable long-term career Adapting when life disrupts your creative process, from illness to injury Lessons learned from transitioning between traditional publishing, indie, and Kickstarter Why realistic expectations and continuously reinventing yourself are essential for longevity The hands-on publishing master's program at Western Colorado University You can find Kevin at WordFire.com and buy his books direct at WordFireShop.com. Transcript of Interview with Kevin J. Anderson Jo: Kevin J. Anderson is the multi award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the Director of Publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor, a rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. Welcome back to the show, Kevin. Kevin: Well, thanks, Joanna. I always love being on the show. Jo: And we're probably on like 200 books and like 50 million copies in print. I mean, how hard is it to keep up with all that? Kevin: Well, it was one of those where we actually did have to do a list because my wife was like, we really should know the exact number. And I said, well, who can keep track because that one went out of print and that's an omnibus. So does it count as something else? Well, she counted them. But that was a while ago and I didn't keep track, so… Jo: Right. Kevin: I'm busy and I like to write. That's how I've had a long-term career. It's because I don't hate what I'm doing. I've got the best job in the world. I love it. Jo: So that is where I wanted to start. You've been on the show multiple times. People can go back and have a listen to some of the other things we've talked about. I did want to talk to you today about managing multiple priorities. You are a director of publishing at Western Colorado University. I am currently doing a full-time master's degree as well as writing a novel, doing this podcast, my Patreon, all the admin of running a business, and I feel like I'm busy. Then I look at what you do and I'm like, this is crazy. People listening are also busy. We're all busy, right. But I feel like it can't just be writing and one job—you do so much. So how do you manage your time, juggle priorities, your calendar, and all that? Kevin: I do it brilliantly. Is that the answer you want? I do it brilliantly. It is all different things. If I were just working on one project at a time, like, okay, I'm going to start a new novel today and I've got nothing else on my plate. Well, that would take me however long to do the research and the plot. I'm a full-on plotter outliner, so it would take me all the while to do—say it's a medieval fantasy set during the Crusades. Well, then I'd have to spend months reading about the Crusades and researching them and maybe doing some travel. Then get to the point where I know the characters enough that I can outline the book and then I start writing the book, and then I start editing the book, which is a part that I hate. I love doing the writing, I hate doing the editing. Then you edit a whole bunch. To me, there are parts of that that are like going to the dentist—I don't like it—and other parts of it are fun. So by having numerous different projects at different stages, all of which require different skill sets or different levels of intensity— I can be constantly switching from one thing to another and basically be working at a hundred percent capacity on everything all the time. And I love doing this. So I'll be maybe writing a presentation, which is what I was doing before we got on this call this morning, because I'm giving a new keynote presentation at Superstars, which is in a couple of weeks. That's another thing that was on our list—I helped run Superstars. I founded that 15 years ago and it's been going on. So I'll be giving that talk. Then we just started classes for my publishing grad students last week. So I'm running those classes, which meant I had to write all of the classes before they started, and I did that. I've got a Kickstarter that will launch in about a month. I'm getting the cover art for that new book and I've got to write up the Kickstarter campaign. And I have to write the book. I like to have the book at least drafted before I run a Kickstarter for it. So I'm working on that. A Kickstarter pre-launch page should be up a month before the Kickstarter launches, and the Kickstarter has to launch in early March, so that means early February I have to get the pre-launch page up. So there's all these dominoes. One thing has to go before the next thing can go. During the semester break between fall semester—we had about a month off—I had a book for Blackstone Publishing and Weird Tales Presents that I had to write, and I had plotted it and I thought if I don't get this written during the break, I'm going to get distracted and I won't finish it. So I just buckled down and I wrote the 80,000-word book during the month of break. This is like Little House on the Prairie with dinosaurs. It's an Amish community that wants to go to simpler times. So they go back to the Pleistocene era where they're setting up farms and the brontosaurus gets into the cornfield all the time. Jo: That sounds like a lot of fun. Kevin: That's fun. So with the grad students that I have every week, we do all kinds of lectures. Just to reassure people, I am not at all an academic. I could not stand my English classes where you had to write papers analysing this and that. My grad program is all hands-on, pragmatic. You actually learn how to be a publisher when you go through it. You learn how to design covers, you learn how to lay things out, you learn how to edit, you learn how to do fonts. One of the things that I do among the lectures every week or every other week, I just give them something that I call the real world updates. Like, okay, this is the stuff that I, Kevin, am working on in my real world career because the academic career isn't like the real world. So I just go listing about, oh, I designed these covers this week, and I wrote the draft of this dinosaur homestead book, and then I did two comic scripts, and then I had to edit two comic scripts. We just released my third rock album that's based on my fantasy trilogy. And I have to write a keynote speech for Superstars. And I was on Joanna Penn's podcast. And here's what I'm doing. Sometimes it's a little scary because I read it and I go, holy crap, I did a lot of stuff this week. Jo: So I manage everything on Google Calendar. Do you have systems for managing all this? Because you also have external publishers, you have actual dates when things actually have to happen. Do you manage that yourself or does Rebecca, your wife and business partner, do that? How do you manage your calendar? Kevin: Well, Rebecca does most of the business stuff, like right now we have to do a bunch of taxes stuff because it's the new year and things. She does that and I do the social interaction and the creating and the writing and stuff. My assistant Marie Whittaker, she's a big project management person and she's got all these apps on how to do project managing and all these sorts of things. She tried to teach me how to use these apps, but it takes so much time and organisation to fill the damn things out. So it's all in my head. I just sort of know what I have to do. I just put it together and work on it and just sort of know this thing happens next and this thing happens next. I guess one of the ways is when I was in college, I put myself through the university by being a waiter and a bartender. As a waiter and a bartender, you have to juggle a million different things at once. This guy wants a beer and that lady wants a martini, and that person needs to pay, and this person's dinner is up on the hot shelf so you've got to deliver it before it gets cold. It's like I learned how to do millions of things and keep them all organised, and that's the way it worked. And I've kept that as a skill all the way through and it has done me good, I think. Jo: I think that there is a difference between people's brains, right? So I'm pretty chaotic in terms of my creative process. I'm not a plotter like you. I'm pretty chaotic, basically. But I come across— Kevin: I've met you. Yes. Jo: I know. But I'm also extremely organised and I plan everything. That's part of, I think, being an introvert and part of dealing with the anxiety of the world is having a plan or a schedule. So I think the first thing to say to people listening is they don't have to be like you, and they don't have to be like me. It's kind of a personal thing. I guess one thing that goes beyond both of us is, earlier you said you basically work at a hundred percent capacity. So let's say there's somebody listening and they're like, well, I'm at a hundred percent capacity too, and it might be kids, it might be a day job, as well as writing and all that. And then something happens, right? You mentioned the real world. I seem to remember that you broke your leg or something. Kevin: Yes. Jo: And the world comes crashing down through all your plans, whether they're written or in your head. So how do you deal with a buffer of something happening, or you're sick, or Rebecca's sick, or the cat needs to go to the vet? Real life—how do you deal with that? Kevin: Well, that really does cause problems. We had, in fact, just recently—so I'm always working at, well, let's be realistic, like 95% of Kevin capacity. Well, my wife, who does some of the stuff here around the house and she does the business things, she just went through 15 days of the worst crippling migraine string that she's had in 30 years. So she was curled up in a foetal position on the bed for 15 days and she couldn't do any of her normal things. I mean, even unloading the dishwasher and stuff like that. So if I'm at 95% capacity and suddenly I have to pick up an extra 50%, that causes real problems. So I drink lots of coffee, and I get less sleep, and you try to bring in some help. I mean, we have Rebecca's assistant and the assistant has a 20-year-old daughter who came in to help us do some of the dishes and laundry and housework stuff. You mentioned before, it was a year ago. I always go out hiking and mountain climbing and that's where I write. I dictate. I have a digital recorder that I go off of, and that's how I'm so productive. I go out, I walk in the forest and I come home with 5,000 words done in a couple of hours, and I always do that. That's how I write. Well, I was out on a mountain and I fell off the mountain and I broke my ankle and had to limp a mile back to my car. So that sort of put a damper on me hiking. I had a book that I had to write and I couldn't go walking while I was dictating it. It has been a very long time since I had to sit at a keyboard and create chapters that way. Jo: Mm-hmm. Kevin: And my brain doesn't really work like that. It works in an audio—I speak this stuff instead. So I ended up training myself because I had a big boot on my foot. I would sit on the back porch and I would look out at the mountains here in Colorado and I would put my foot up on another chair and I'd sit in the lawn chair and I'd kind of close my eyes and I would dictate my chapters that way. It was not as effective, but it was plan B. So that's how I got it done. I did want to mention something. When I'm telling the students this every week—this is what I did and here's the million different things—one of the students just yesterday made a comment that she summarised what I'm doing and it kind of crystallised things for me. She said that to get so much done requires, and I'm quoting now, “a balance of planning, sprinting, and being flexible, while also making incremental forward progress to keep everything moving together.” So there's short-term projects like fires and emergencies that have to be done. You've got to keep moving forward on the novel, which is a long-term project, but that short story is due in a week. So I've got to spend some time doing that one. Like I said, this Kickstarter's coming up, so I have to put in the order for the cover art, because the cover art needs to be done so I can put it on the pre-launch page for the Kickstarter. It is a balance of the long-term projects and the short-term projects. And I'm a workaholic, I guess, and you are too. Jo: Yes. Kevin: You totally are. Yes. Jo: I get that you're a workaholic, but as you said before, you enjoy it too. So you enjoy doing all these things. It's just sometimes life just gets in the way, as you said. One of the other things that I think is interesting—so sometimes physical stuff gets in the way, but in your many decades now of the successful author business, there's also the business side. You've had massive success with some of your books, and I'm sure that some of them have just kind of shrivelled into nothing. There have been good years and bad years. So how do we, as people who want a long-term career, think about making sure we have a buffer in the business for bad years and then making the most of good years? Kevin: Well, that's one thing—to realise that if you're having a great year, you might not always have a great year. That's kind of like the rockstar mentality—I've got a big hit now, so I'm always going to have a big hit. So I buy mansions and jets, and then of course the next album flops. So when you do have a good year, you plan for the long term. You set money aside. You build up plan B and you do other things. I have long been a big advocate for making sure that you have multiple income streams. You don't just write romantic epic fantasies and that's all you do. That might be what makes your money now, but the reading taste could change next year. They might want something entirely different. So while one thing is really riding high, make sure that you're planting a bunch of other stuff, because that might be the thing that goes really, really well the next year. I made my big stuff back in the early nineties—that was when I started writing for Star Wars and X-Files, and that's when I had my New York Times bestselling run. I had 11 New York Times bestsellers in one year, and I was selling like millions of copies. Now, to be honest, when you have a Star Wars bestseller, George Lucas keeps almost all of that. You don't keep that much of it. But little bits add up when you're selling millions of copies. So it opened a lot of doors for me. So I kept writing my own books and I built up my own fans who liked the Star Wars books and they read some of my other things. If you were a bestselling trad author, you could keep writing the same kind of book and they would keep throwing big advances at you. It was great. And then that whole world changed and they stopped paying those big advances, and paperback, mass market paperback books just kind of went away. A lot of people probably remember that there was a time for almost every movie that came out, every big movie that came out, you could go into the store and buy a paperback book of it—whether it was an Avengers movie or a Star Trek movie or whatever, there was a paperback book. I did a bunch of those and that was really good work. They would pay me like $15,000 to take the script and turn it into a book, and it was done in three weeks. They don't do that anymore. I remember I was on a panel at some point, like, what would you tell your younger self? What advice would you give your younger self? I remember when I was in the nineties, I was turning down all kinds of stuff because I had too many book projects and I was never going to quit writing. I was a bestselling author, so I had it made. Well, never, ever assume you have it made because the world changes under you. They might not like what you're doing or publishing goes in a completely different direction. So I always try to keep my radar up and look at new things coming up. I still write some novels for trad publishers. This dinosaur homestead one is for Blackstone and Weird Tales. They're a trad publisher. I still publish all kinds of stuff as an indie for WordFire Press. I'm reissuing a bunch of my trad books that I got the rights back and now they're getting brand new life as I run Kickstarters. One of my favourite series is “Dan Shamble, Zombie P.I.” It's like the Addams Family meets The Naked Gun. It's very funny. It's a private detective who solves crimes with monsters and mummies and werewolves and things. I sold the first one to a trad publisher, and actually, they bought three. I said, okay, these are fast, they're fun, they're like 65,000 words. You laugh all the way through it, and you want the next one right away. So let's get these out like every six months, which is like lightning speed for trad publishing. They just didn't think that was a good idea. They brought them out a year and a half apart. It was impossible to build up momentum that way. They wanted to drop the series after the third book, and I just begged them—please give it one more chance. So they bought one more book for half as much money and they brought it out again a year and a half later. And also, it was a trad paperback at $15. And the ebook was—Joanna, can you guess what their ebook was priced at? Jo: $15. Kevin: $15. And they said, gee, your ebook sales are disappointing. I said, well, no, duh. I mean, I am jumping around—I'm going like, but you should have brought these out six months apart. You should have had the ebook, like the first one at $4. Jo: But you're still working with traditional publishers, Kevin? Kevin: I'm still working with them on some, and I'm a hybrid. There are some projects that I feel are better served as trad books, like the big Dune books and stuff. I want those all over the place and they can cash in on the movie momentum and stuff. But I got the rights back to the Dan Shamble stuff. The fans kept wanting me to do more, and so I published a couple of story collections and they did fine. But I was making way more money writing Dune books and things. Then they wanted a new novel. So I went, oh, okay. I did a new novel, which I just published at WordFire. But again, it did okay, but it wasn't great. I thought, well, I better just focus on writing these big ticket things. But I really liked writing Dan Shamble. Somebody suggested, well, if the fans want it so much, why don't you run a Kickstarter? I had never run a Kickstarter before, and I kind of had this wrong attitude. I thought Kickstarters were for, “I'm a starving author, please give me money.” And that's not it at all. It's like, hey, if you're a fan, why don't you join the VIP club and you get the books faster than anybody else? So I ran a Kickstarter for my first Dan Shamble book, and it made three times what the trad publisher was paying me. And I went, oh, I kind of like this model. So I have since done like four other Dan Shamble novels through Kickstarters, made way more money that way. And we just sold—we can't give any details yet—but we have just sold it. It will be a TV show. There's a European studio that is developing it as a TV show, and I'm writing the pilot and I will be the executive producer. Jo: Fantastic. Kevin: So I kept that zombie detective alive because I loved it so much. Jo: And it's going to be all over the place years later, I guess. Just in terms of—given I've been in this now, I guess 2008 really was when I got into indie—and over the time I've been doing this, I've seen people rise and then disappear. A lot of people have disappeared. There are reasons, burnout or maybe they were just done. Kevin: Yes. Jo: But in terms of the people that you've seen, the characteristics, I guess, of people who don't make it versus people who do make it for years. And we are not saying that everyone should be a writer for decades at all. Some people do just have maybe one or two books. What do you think are the characteristics of those people who do make it long-term? Kevin: Well, I think it's realistic expectations. Like, again, this was trad, but my first book I sold for $4,000, and I thought, well, that's just $4,000, but we're going to sell book club rights, and we're goingn to sell foreign rights, and it's going to be optioned for movies. And the $4,000 will be like, that's just the start. I was planning out all this extra money coming from it, and it didn't even earn its $4,000 advance back and nothing else happened with it. Well, it has since, because I've since reissued it myself, pushed it and I made more money that way. But it's a slow burn. You build your career. You start building your fan base and then your next one will sell maybe better than the first one did. Then you keep writing it, and then you make connections, and then you get more readers and you learn how to expand your stuff better. You've got to prepare for the long haul. I would suggest that if you publish your very first book on KU, don't quit your day job the next day. Not everybody can or should be a full-time writer. We here in America need to have something that pays our health insurance. That is one of the big reasons why I am running this graduate program at Western Colorado University—because as a university professor, I get wonderful healthcare. I'm teaching something that I love, and I'm frankly doing a very good job at it because our graduates—something like 60% of them are now working as writers or publishers or working in the publishing world. So that's another thing. I guess what I do when I'm working on it is I kind of always say yes to the stuff that's coming in. If an opportunity comes—hey, would you like a graphic novel on this?—and I go, yes, I'd love to do that. Could you write a short story for this anthology? Sure, I'd love to do that. I always say yes, and I get overloaded sometimes. But I learned my lesson. It was quite a few years ago where I was really busy. I had all kinds of book deadlines and I was turning down books that they were offering me. Again, this was trad—book contracts that had big advances on them. And anthology editors were asking me. I was really busy and everybody was nagging me—Kevin, you work too hard. And my wife Rebecca was saying, Kevin, you work too hard. So I thought, I had it made. I had all these bestsellers, everything was going on. So I thought, alright, I've got a lot of books under contract. I'll just take a sabbatical. I'll say no for a year. I'll just catch up. I'll finish all these things that I've got. I'll just take a breather and finish things. So for that year, anybody who asked me—hey, do you want to do this book project?—well, I'd love to, but I'm just saying no. And would you do this short story for an anthology? Well, I'd love to, but not right now. Thanks. And I just kind of put them off. So I had a year where I could catch up and catch my breath and finish the stuff. And after that, I went, okay, I am back in the game again. Let's start taking these book offers. And nothing. Just crickets. And I went, well, okay. Well, you were always asking before—where are all these book deals that you kept offering me? Oh, we gave them to somebody else. Jo: This is really difficult though, because on the one hand—well, first of all, it's difficult because I wanted to take a bit of a break. So I'm doing this full-time master's and you are also teaching people in a master's program, right. So I have had to say no to a lot of things in order to do this course. And I imagine the people on your course would have to do the same thing. There's a lot of rewards, but they're different rewards and it kind of represents almost a midlife pivot for many of us. So how do we balance that then—the stepping away with what might lead us into something new? I mean, obviously this is a big deal. I presume most of the people on your course, they're older like me. People have to give stuff up to do this kind of thing. So how do we manage saying yes and saying no? Kevin: Well, I hate to say this, but you just have to drink more coffee and work harder for that time. Yes, you can say no to some things. My thing was I kind of shut the door and I just said, I'm just going to take a break and I'm going to relax. I could have pushed my capacity and taken some things so that I wasn't completely off the game board. One of the things I talk about is to avoid burnout. If you want a long-term career, and if you're working at 120% of your capacity, then you're going to burn out. I actually want to mention something. Johnny B. Truant just has a new book out called The Artisan Author. I think you've had him on the show, have you? Jo: Yes, absolutely. Kevin: He says a whole bunch of the stuff in there that I've been saying for a long time. He's analysing these rapid release authors that are a book every three weeks. And they're writing every three weeks, every four weeks, and that's their business model. I'm just like, you can't do that for any length of time. I mean, I'm a prolific writer. I can't write that fast. That's a recipe for burnout, I think. I love everything that I'm doing, and even with this graduate program that I'm teaching, I love teaching it. I mean, I'm talking about subjects that I love, because I love publishing. I love writing. I love cover design. I love marketing. I love setting up your newsletters. I mean, this isn't like taking an engineering course for me. This is something that I really, really love doing. And quite honestly, it comes across with the students. They're all fired up too because they see how much I love doing it and they love doing it. One of the projects that they do—we get a grant from Draft2Digital every year for $5,000 so that we do an anthology, an original anthology that we pay professional rates for. So they put out their call for submissions. This year it was Into the Deep Dark Woods. And we commissioned a couple stories for it, but otherwise it was open to submissions. And because we're paying professional rates, they get a lot of submissions. I have 12 students in the program right now. They got 998 stories in that they had to read. Jo: Wow. Kevin: They were broken up into teams so they could go through it, but that's just overwhelming. They had to read, whatever that turns out to be, 50 stories a week that come in. Then they write the rejections, and then they argue over which ones they're going to accept, and then they send the contracts, and then they edit them. And they really love it. I guess that's the most important thing about a career—you've got to have an attitude that you love what you're doing. If you don't love this, please find a more stable career, because this is not something you would recommend for the faint of heart. Jo: Yes, indeed. I guess one of the other considerations, even if we love it, the industry can shift. Obviously you mentioned the nineties there—things were very different in the nineties in many, many ways. Especially, let's say, pre-internet times, and when trad pub was really the only way forward. But you mentioned the rapid release, the sort of book every month. Let's say we are now entering a time where AI is bringing positives and negatives in the same way that the internet brought positives and negatives. We're not going to talk about using it, but what is definitely happening is a change. Industry-wise—for example, people can do a book a day if they want to generate books. That is now possible. There are translations, you know. Our KDP dashboard in America, you have a button now to translate everything into Spanish if you want. You can do another button that makes it an audiobook. So we are definitely entering a time of challenge, but if you look back over your career, there have been many times of challenge. So is this time different? Or do you face the same challenges every time things shift? Kevin: It's always different. I've always had to take a breath and step back and then reinvent myself and come back as something else. One of the things with a long-term career is you can't have a long-term career being the hot new thing. You can start out that way—like, this is the brand new author and he gets a big boost as the best first novel or something like that—but that doesn't work for 20 years. I mean, you've got to do something else. If you're the sexy young actress, well, you don't have a 50-year career as the sexy young actress. One of the ones I'm loving right now is Linda Hamilton, who was the sexy young actress in Terminator, and then a little more mature in the TV show Beauty and the Beast, where she was this huge star. Then she's just come back now. I think she's in her mid-fifties. She's in Stranger Things and she was in Resident Alien and she's now this tough military lady who's getting parts all over the place. She's reinvented herself. So I like to say that for my career, I've crashed and burned and resurrected myself. You might as well call me the Doctor because I've just come back in so many different ways. You can't teach an old dog new tricks, but— If you want to stay around, no matter how old of a dog you are, you've got to learn new tricks. And you've got to keep learning, and you've got to keep trying new things. I started doing indie publishing probably around the time you did—2009, something like that. I was in one of these great positions where I was a trad author and I had a dozen books that I wrote that were all out of print. I got the rights back to them because back then they let books go out of print and they gave the rights back without a fight. So I suddenly found myself with like 12 titles that I could just put up. I went, oh, okay, let's try this. I was kind of blown away that that first novel that they paid me $4,000 for that never even earned it back—well, I just put it up on Kindle and within one year I made more than $4,000. I went, I like this, I've got to figure this out. That's how I launched WordFire Press. Then I learned how to do everything. I mean, back in those days, you could do a pretty clunky job and people would still buy it. Then I learned how to do it better. Jo: That time is gone. Kevin: Yes. I learned how to do it better, and then I learned how to market it. Then I learned how to do print on demand books. Then I learned how to do box sets and different kinds of marketing. I dove headfirst into my newsletter to build my fan base because I had all the Star Wars stuff and X-Files stuff and later it was the Dune stuff. I had this huge fan base, but I wanted that fan base to read the Kevin Anderson books, the Dan Shamble books and everything. The only way to get that is if you give them a personal touch to say, hey buddy, if you liked that one, try this one. And the way to do that is you have to have access to them. So I started doing social media stuff before most people were doing social media stuff. I killed it on MySpace. I can tell you that. I had a newsletter that we literally printed on paper and we stuck mailing labels on. It went out to 1,200 people that we put in the mailbox. Jo: Now you're doing that again with Kickstarter, I guess. But I guess for people listening, what are you learning now? How are you reinventing yourself now in this new phase we are entering? Kevin: Well, I guess the new thing that I'm doing now is expanding my Kickstarters into more. So last year, the biggest Kickstarter that I've ever had, I ran last year. It was this epic fantasy trilogy that I had trad published and I got the rights back. They had only published it in trade paperback. So, yes, I reissued the books in nice new hardcovers, but I also upped the game to do these fancy bespoke editions with leather embossed covers and end papers and tipped in ribbons and slip cases and all kinds of stuff and building that. I did three rock albums as companions to it, and just building that kind of fan base that will support that. Then I started a Patreon last year, which isn't as big as yours. I wish my Patreon would get bigger, but I'm pushing it and I'm still working on that. So it's trying new things. Because if I had really devoted myself and continued to keep my MySpace page up to date, I would be wasting my time. You have to figure out new things. Part of me is disappointed because I really liked in the nineties where they just kept throwing book contracts at me with big advances. And I wrote the book and sent it in and they did all the work. But that went away and I didn't want to go away. So I had to learn how to do it different. After a good extended career, one of the things you do is you pay it forward. I mentor a lot of writers and that evolved into me creating this master's program in publishing. I can gush about it because to my knowledge, it is the only master's degree that really focuses on indie publishing and new model publishing instead of just teaching you how to get a job as an assistant editor in Manhattan for one of the Big Five publishers. Jo: It's certainly a lot more practical than my master's in death. Kevin: Well, that's an acquired taste, I think. When they hired me to do this—and as I said earlier, I'm not an academic—and I said if I'm going to teach this, it's a one year program. They get done with it in one year. It's all online except for one week in person in the summer. They're going to learn how to do things. They're not going to get esoteric, analysing this poem for something. When they graduate from this program, they walk out with this anthology that they edited, that their name is on. The other project that they do is they reissue a really fancy, fine edition of some classic work, whether it's H.G. Wells or Jules Verne or something. They choose a book that they want to bring back and they do it all from start to finish. They come out of it—rather than just theoretical learning—they know how to do things. Surprise, I've been around in the business a long time, so I know everybody who works in the business. So the heads of publishing houses and the head of Draft2Digital or Audible—and we've got Blackstone Audio coming on in a couple weeks. We've got the head of Kickstarter coming on as guest speakers. I have all kinds of guest speakers. Joanna, I think you're coming on— Jo: I'm coming on as well, I think. Kevin: You're coming on as a guest speaker. It's just like they really get plugged in. I'm in my seventh cohort now and I just love doing it. The students love it and we've got a pretty high success rate. So there's your plug. We are open for applications now. It starts in July. And my own website is WordFire.com, and there's a section on there on the graduate program if anybody wants to take a look at it. Again, not everybody needs to have a master's degree to be an indie publisher, but there is something to be said for having all of this stuff put into an organised fashion so that you learn how to do all the things. It also gives you a resource and a support system so that they come out of it knowing a whole lot of people. Jo: Brilliant. Well, thanks so much for your time, Kevin. That was great. Kevin: Thanks. It's a great show. The post Managing Multiple Projects And The Art of the Long-Term Author Career with Kevin J. Anderson first appeared on The Creative Penn.

I almost got run over in a Dollar Tree parking lot, and I almost went T-1000 from Terminator. Kingston, North Carolina: A former Little Caesars employee broke in and started making pizzas - and selling the pizzas. A man in Commerce City, Colorado was seen in an intersection on a unicycle juggling fire. Wisconsin caught a serial pooper, which is a sad thing to have to type. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

No, not the scary Terminator-like ones beloved of science fiction writers … We’re talking about the cute, helpful ones designed to help out in school. And, yes — this really is a thing.  A Norwegian company is already successful in 17 countries with a small robot that can represent absent pupils in the classroom. DW’s […] The post Not quite The Terminator, these robots still look human-like and perform tasks appeared first on The World from PRX.

A cyborg assassin from the future attempts to find and kill a young woman who is destined to give birth to a warrior that will lead a resistance to save humankind from extinction. James Cameron. 1984.

In this episode, we look at how the classic black & white Universal movie monsters tap into universal fears, and how you can use that to create compelling villains in your book. This coupon code will get you 50% off the audiobook of Dragonskull: Shield of the Knight, Book #2 in the Dragonskull series, (as excellently narrated by Brad Wills) at my Payhip store: GARETH50 The coupon code is valid through February 16, 2026. So if you need a new audiobook this winter, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 289 of The Pulp Writer Show. My name is Jonathan Moeller. Today is February 6, 2026, and today we are discussing how you can use the Universal monsters to write interesting villains. Before we get into that, we will have Coupon of the Week and an update on my current writing and publishing projects. First up is Coupon of the Week and this week's coupon code will get you 50% off the audiobook of Dragonskull: Shield of the Knight, Book #2 of my Dragonskull series (as excellently narrated by Brad Wills), at my Payhip store. And that code is GARETH50. And as always, the coupon code and the link to my Payhip store will be available in the show notes. This coupon code is valid through February 16th, 2026, so if you need a new audiobook to get you through the middle of February, we have got you covered. Now let's see where I'm at with my current writing and publishing projects. As of this recording, I am 63,000 words into Cloak of Summoning and I am almost but not quite halfway through my outline. So this is definitely going to be a long book and it's probably going to come out in the first part of March because it's long enough that it will take me a while to finish writing it and then to edit and proof it and everything else. So I'm making good progress on it. It was a very productive week, but I am still not even halfway through, so I think it's probably going to be March. I am also 5,000 words into Blade of Wraiths. That will be the fourth book of my epic fantasy Blades of Ruin series, and that will probably be in April, if all goes well. In audiobook news, Blade of Shadows (as narrated by Brad Wills) is done and it is slowly starting to roll out to the various platforms. I think as of this recording, the only place it is live right now is my Payhip store and Google Play, but hopefully by the time I record the next episode, it will be available at even more stores than that. Hollis McCarthy is working on Cloak of Titans and I think she's about halfway or two thirds of the way through recording, so we should be able to get that to you before too much longer. So that is where I'm at with my current writing and publishing and audiobook projects. 00:02:13 Main Topic: Universal Monsters, Universal Fears, and Creating Villains Now our main topic, which is the Universal monsters and the universal fears and how you can use that to create villains. One idea a writer can use to create compelling villains is to tap into some of the universal fears, and in some ways, those universal fears are embodied by the classic Universal monster movies. I mentioned before that in Halloween of 2025, I saw that a bunch of the old black and white Universal monster movies were on Prime Video. So I watched them for the first time since I was a kid, and I was pleased to see that they held up pretty well for movies that are nearly a century old, especially considering these were some of the very first movies ever made with sound and the filmmakers were kind of figuring it out as they went along. Dracula is a bit uneven because they tried to cram the stage play version of the book into a 70 minute movie, which really doesn't work, though Bela Lugosi's performance as Dracula and Edward Van Sloan as Van Helsing really carried the movie and helped define the characters in the public eye, but the others are all good and Bride of Frankenstein is legitimately a great movie, but why have these particular movies lasted so long in the public consciousness? For that matter, why do people keep coming back to new versions and new stories of Dracula and Frankenstein's Creature and all the others? Partly it's because these characters are in the public domain and you can use them without getting sued. True, but there's a lot of stuff in the public domain that doesn't see the light of day nearly as often as these classic monsters. I think it's because the classic monsters tap into the universal (small U) fears or classic archetypes of the things that people fear in real life. It's interesting to note that most of the classic Universal monsters were either originally humans who became monstrous or creations by humans that turn monstrous. Essentially, the monsters tap into archetypal fears and are exaggerated versions of villains and monsters we might actually encounter on a day-to-day basis. What do I mean? Let's expound. First up, Dracula. Count Dracula is in some ways the easiest metaphor to explain. He's an aristocratic vampire that feeds upon people and gives them nothing but evil in return. Perhaps he will pass on his own immortality to some of his victims, but it's a cursed and hellish form of immortality and any vampires that he creates are essentially his slaves, sometimes his mindless slaves. Dracula is the fear of the Evil Elite. This of course, takes many different forms in the modern era, but it is very much alive and well. The various conspiracy theories that the elite of society might be devil worshippers or engaged in sinister cults are definitely Dracula adjacent (and based on recent news reports, it indeed appears at least some of these conspiracy theories turned out to be accurate). More prosaically, "rent seeking behavior" is often characterized as vampirism. Rent seeking behavior is defined as finding ways to extract profit without adding value by manipulating the legal or regulatory environment. The landlord who raises rent by $500 a month for no reason. A software developer who reduces features while raising the subscription price or a financier who manipulates the regulations for an industry while investing in it are good examples of rent seeking behavior that is metaphorically vampiric. For that matter, it can be downright mundane. The middle manager who bullies his employees and then takes all the credit for their work is a very boring and unpleasant, but nonetheless, an all too common example of the vampire metaphor in real life. Frankenstein's monster is a much easier metaphor to explain now than it would've been before ChatGPT went mainstream. There is always a fear that we will be destroyed by the works of our own hands, especially in the last a hundred years since the creation of nuclear technology and gene editing. Probably most famous examples of that in science fiction are The Terminator and The Matrix movies series. However, these days the metaphor for Frankenstein's monster is almost ridiculously easy. We have generative AI to fulfill the metaphor of Frankenstein's monster for us. Karl Marx famously said that history repeats twice, the first time as tragedy, the second as farce. Nuclear weapons as a metaphor for Frankenstein's monster was a tragedy but generative AI is a farce. The tech bros sold it as this omniscient mind that could solve all problems and eliminate all jobs. What we've actually gotten is an imbecilic chatbot that makes a lot of mistakes, can't remember anything, can't actually do anything right, inflicts widespread damage to the economy, drives up electricity costs, and makes existing products like Windows 11 and Google search much worse. It's like as if Frankenstein's monster was really, really stupid and wanted you to add glue to your pizza to keep the cheese from sliding off. The Wolf Man, of course, is a metaphor for the potentially bestial nature of man. We all know, of course, or are eventually forced to learn that human beings have a dark side that can come out in times of anger and stress. Civilization is sometimes a thin veneer over the animalistic side of humans. Sometimes the veneer grows even thinner and the dark side comes raging out in riots and wars and mass slaughter. For Larry Talbot, the original Wolf Man in the movie, his situation is even more terrifying. He's a rational man who believes in science and psychology and doesn't believe in things like werewolves. Yet when he is bitten, he nonetheless loses control and transforms into the Wolf Man. He doesn't want to transform and attack people, but he has lost control of himself to the werewolf curse, and so he does. In a sense, all humans are werewolves in that we have a monstrous side that can come out under the right or the wrong conditions. The worst of us embrace that fact, just as in medieval legends, sometimes people would make pacts with the devil to become werewolves. The Invisible Man was originally a science fiction story, which means that the Invisible Man represents a new fear created by science. "Transhumanism" is an idea that eventually humans will merge with machines and evolve and become something new. Naturally, many people think this is a bad idea, and so a new idea has emerged: "posthumans" or humans that have been so modified by science that they are no longer recognizably human. So far, this has remained mostly science fiction, but you can see the glimmers of it beginning in biology and medical science. There's a reason performance enhancing drugs are banned in most sports. Genetic engineering opens up the possibility that corporations could create their own custom humans, essentially their own posthumans. The possibilities for abuse in such situations are sadly endless. So the Invisible Man, like Frankenstein's Creature, taps into the fear of science or more accurately the fear of what horrors science might create. On the surface, the Creature from the Black Lagoon is a monster story about a creature that carries off a pretty girl. I think it taps into a deeper fear, however, namely that the world is older and stranger and more alien and incomprehensible than we can possibly know. Like hardcore creationists say that the earth is 6,000 years old or so, and the traditional scientific view is that the earth has been around for four and a half billion years or so, and both groups have detailed charts explaining why their theories are correct, but what if they're both wrong? Oceanographers say that we don't fully understand the oceans. And a common theory among UFO people is that UFOs emerged from hidden bases at the bottom of the ocean, inaccessible by any human. There are other theories that there have been entire civilizations such as Atlantis that have vanished without a trace and were more advanced than our own, or that all of human civilization is a cycle that constantly destroys itself and restarts without a memory of its previous failures, or that aliens have influenced and controlled human history or that aliens created the earth and this is all some sort of elaborate science experiment. Of course, all these theories are likely bunk. Probably. I think it is true to say that not only is the world stranger than we know, it is stranger than the human mind is actually capable of comprehending. And depending on how far that goes, that could be a terrifying thought. So the Creature from the Black Lagoon, the idea that some race of fishmen lurks beneath the waves that we don't know about, taps into that fear. Like The Creature from the Black Lagoon, The Mummy on the surface is another story about the monster who wants the girl since Imhotep waits 3,000 years for his love to be reincarnated. But I think this taps into a deeper fear, namely that we can't escape history, that no matter what we do or how hard we try, history will catch up to us (whether our own personal history or national history). Political philosopher Francis Fukuyama famously wrote a book called The End of History and The Last Man in 1992, arguing that with the collapse of Communism, liberal democracy was the final form of government achieved by mankind and it would have no serious competitors in the future. This was a nice dream, but I think it's fair to say that the last 34 years since 1992 have proven that thesis profoundly wrong. History is definitely not over and in every domestic or international political crisis of the last 34 years, you can trace its roots back for decades or even centuries. It took 3,000 years for the dead hand of Imhotep to affect the present, but it usually doesn't take nearly that long for history to have negative effects in the present world. The Phantom of the Opera is considered one of the Universal monsters, but I don't think he really taps into a deeper fear, maybe just to be wary of a creepy guy who lives in a theater basement and is unhealthily obsessed with the leading actress. Honestly, that just seems like good common sense. Maybe poor Christine Daae just needs some pepper spray or a good solid shotgun. In conclusion, I think each of these Universal monsters remains popular because they tap into a deeper, more profound fear. So if you're a writer looking to create a memorable villain, you could do worse than to follow those universal fears. You don't even explicitly have to write horror, science fiction, or fantasy to do it. In a mystery novel, you could have a Dracula type villain in the form of a slumlord who traps his tenants with restrictive lease agreements to bleed them dry financially or an Invisible Man villain in the form of a scientist who is illegally injecting college athletes with an experimental drug without their knowledge. The Wolf Man appears quite often in detective and thriller fiction as a serial killer or some other kind of violent criminal. Naturally we cannot escape history, so the Mummy can appear as a conflict that had its roots in events that happened decades ago. Of course, the range for universal fear villains in science fiction and fantasy is much greater. Then you don't even have to be metaphorical. So hopefully this look at the Universal monsters and the universal fears they tap into will give you some good tips and ideas for writing villains in your book. So that's it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes in https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.  

No, not the scary Terminator-like ones beloved of science fiction writers … We’re talking about the cute, helpful ones designed to help out in school. And, yes — this really is a thing.  A Norwegian company is already successful in 17 countries with a small robot that can represent absent pupils in the classroom. DW’s […] The post Not quite The Terminator, these robots still look human-like and perform tasks appeared first on The World from PRX.

L'info du matin - Grégory Ascher et Erika Moulet ont évoqué ces objets du quotidien que l'on oublie souvent de nettoyer. Le winner du jour - Un cochon volant provoque une panne géante d'électricité. - Des touristes affluent en nombre sur un site qui n'existe pas. Le flashback du jour - Octobre 1991. La bande originale de "Robin des Bois, prince des voleurs" domine avec "(Everything I Do) I Do It for You" de Bryan Adams, tandis que Arnold Schwarzenegger fait son retour au cinéma avec "Terminator 2 : Le Jugement dernier" de James Cameron. Les savoirs inutiles - Le nom Shrek viendrait du mot yiddish "shrek", qui signifie peur ou terreur, une référence cachée derrière l'ogre le plus célèbre du cinéma. La chanson du jour The Rolling Stones "Sympathy for the Devil" 3 choses à savoir sur John Williams Qu'est-ce qu'on teste ? - Un parapluie qui permet de garder les mains libres, imaginé par le créateur John Tse. - Birkenstock lance des sandales de mariage en satin et perles Le jeu surprise (C'est qui le plus fort) - Guillaume de Sannois, dans le Val-d'Oise, gagne un séjour de deux nuits au Frégate Provence à Saint-Cyr-sur-Mer. La Banque RTL2 - Maxime des Auxons, vers Besançon, remporte 534 €. - Matthias de Saint-Malo gagne un iPhone 17. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On this episode, we went full nostalgia overload. We chopped it up about the dopest '90s T-shirts that still live rent-free in our heads, the iconic Bud Bowl that had a generation glued to the TV, and the McDonald's dollar menu back when a dollar actually meant something. We talked about Chris Farley almost becoming the original voice of Shrek, revisited the greatness of Teddy Grahams, and laughed about what we thought the future was going to look like back in the day.We also broke down Almost Heroes for the Walkbuster Movie Club, the Fit Checks were elite, the mailbag went absolutely off, and we even took a moment to say goodbye to Catherine O'Hara. Plus a whole lot more chaos, laughs, and nostalgia in between.Today's episode was brought to you by Salty Water. Hydrate Your Inner Warrior! Support our sponsors:IG: https://www.instagram.com/drinksaltywater/Buy: https://tinyurl.com/4c4kz9ceWebsite: https://drinksaltywater.com/Mail Bag Sponsored By ThrowbackBuys.comSmokeyDaBear Pascal, Washington: VHS: Batman, Batman Forever, Free Willy, Snake Eyes (Blockbuster Case), Robin Hood (Costner), Shawshank Redepmtion, Christmas Vacation, Dumb and Dumber (Sealed) SNES: Battleship (287), Hook (288), Terminator 2 (289) Mini Funko Pops TMNT, Smokey The Bear Funko Pop, Comics: Warriors of Plasm, Brigade, Alpha Flight,⸻Discord: https://discord.gg/superretro⸻Master list on our NES collection: https://superretropod.com/nes-game-list-super-retro/⸻Join our channel for early access: https://www.youtube.com/channel/UCMP4yO-dFGayGUkT_MVYrhQ/joinEmail: SuperRetroPod@gmail.comAll things Super Retro: https://linktr.ee/superretroInstagram: https://www.instagram.com/superretropodcast/TikTok: https://www.tiktok.com/@superretropod

We conclude with another remastered episode: the ultimate ranking of the beloved TERMINATOR saga.   Oreo, Mike & I assembled some of the biggest podcasters and bloggers who adore the films, show, games, novels & videogames but what clever ways will they use to sum up their admiration for it?   How many of us will end up doing our best Arnie impressions to sum up our rankings?   Plus, you get to hear new segments by Jamie Ray (Fave Five from Fans Podcast) on the highlights of both GENISYS and DARK FATE!       PODCAST GUESTS: Shahi Sabzevari & Ryan Gillen of the Arnold Radio News & Arnold Fans site/podcast, John Reid of 30Something Podcast, Josh Hansen of Action Movie Book Club, Michael Petty & Tanner Radwick of No Fate: A Terminator Podcast & William Bregnard of Future War Stories blog

In which author, music executive and host of the Identified podcast Nabil Ayers discusses selling used CDs, The Terminator, The Drum Doctor and more. Certificate #48391.

Ana Popovic started her career back in 1999 in the Netherlands. Thousands of shows, and several albums later she's still at it releasing new music. Just last year she released her newest album Dance To the Rhythm. Ana is getting ready for a run of shows through Texas, Florida and Louisiana and before she starts the tour she was nice enough to come on the show! Ana and Doc talk about roller skating, living in LA, going to concerts with her kids, performance jitters, playing with legends, buying a guitar for 20,000 dollars in a shoebox, recording albums, covering Paul Simon and so much more! Meanwhile on the rest of the show Doc and Claude ponder whether a life insurance company is secretly ran by Skynet from Terminator. Also Claude was under the believe that Queen - Bohemian Rhapsody came out in 1991...so there was that. Introduction: 0:00:23 Birthday Suit 1: 24:34 Ripped from the Headlines: 26:20 Shoutouts: 36:53 Ana Popovic Interview: 45:28 Mike C Top 3: 1:28:41 Birthday Suit 2: 1:43:40 Birthday Suit 3: 1:45:17

In this episode, we covered: 1) Pete's 4-part framework for modern leadershipPete lays out what he sees as “endemic” to great leadership today:Master cash flow (because nothing survives without it)Know whether you're a visionary or an integrator (and don't pretend you're both)Be the master motivator (the era of fear-based leadership is over)Own the culture (and use story as one of your most powerful tools to shape it) 2) Storytelling as culture-engineeringWe dig into why stories are more than “nice to have.” Stories become the myths that create the mythology of a company—how values become behavior at scale. And if you want to influence culture, yesterday was easier than today. 3) The next AI infrastructure shift: from training to inferencingPete breaks down the difference between:Training LLMs (building the model)Inferencing (asking the model questions in real time—what most people experience as “prompting”)Then he takes it further: the next wave isn't human inferencing—it's machine inferencing. Robots, cars, devices, sensors… constantly asking “what do I do next?” at massive scale. 4) Why “edge” data centers are coming backPete predicts we'll move away from only massive, centralized “mega” campuses toward distributed, high-performance data centers near the edge—“in every town,” similar to telecom “points of presence” in the 1990s. That's the strategic thesis behind Gray Wolf Data Centers.   5) The modern mystic: mind, body, and the inner gamePete shares a candid chapter of his own life—anxiety, therapy, CBT, and a pivotal lesson: don't make the events you can't control your “problems.” He connects this to resilience through sleep, health practices, and the belief that we can reshape the mind through neuroplasticity—and even how he sees us as “quantum beings,” responsible for how we observe and choose our reality. 6) A hopeful thesis: “good AI” vs “bad AI” + post-scarcityWe touch the fear many people carry (yes, I mention growing up in the Terminator era), but Pete offers a provocative counter: the way we beat bad AI is with good AI—models designed around human flourishing and shared broadly as a public service. He believes we're headed through disruption toward post-scarcity, and that our descendants will wonder why we didn't support each other sooner. 7) The closing leadership message: “we are all one”Pete's final note is the one that matters most to me: we're all connected—and we're here for each other. In my book, that's not just a spiritual idea; it's a leadership standard. ----- Resources Mentioned:Pete's company: Gray Wolf Data CentersPete's book: Living in Bliss: Achieve a Balanced Existence of Body, Mind and SpiritPete's site: PeteSacco.com (signed copies + meditation materials)Dr. David Burns: The Feel Good HandbookDan Sullivan: Who Not How (and other referenced works)Peter Diamandis: longevity reference ----- If you want to apply this immediately:Ask yourself: Am I the visionary or the integrator here? (And who do I need as my counterbalance?)  Choose one cultural value you care about—and tell a story that proves it.  If AI is making you anxious, zoom out: are you preparing for the training era, or the inferencing era?  ----- https://petesacco.comPete Sacco is a visionary entrepreneur, technologist, and modern-day mystic who blends conscious leadership with breakthrough innovation. As the founder of multiple ventures—including PTS Data Center Solutions, INTUVA, GRID7, InstaGuardIP, and Gray Wolf Data Centers—Pete has led transformative initiatives across AI, energy, blockchain, and digital infrastructure. His journey from electrical engineer to spiritual author and advisor reflects a rare fusion of high performance and inner awakening. Pete is the author of Living in Bliss: Achieve a Balanced Existence of Body, Mind, and Spirit, a guide for high achievers seeking fulfillment beyond success. A finalist for Ernst & Young's Entrepreneur of the Year, Pete holds a B.S. in Electrical Engineering from Fairleigh Dickinson University, and serves on the advisory board of its School of Computer Sciences and Engineering. Based in New Jersey, he helps purpose-driven professionals unlock clarity, vitality, and purpose—one system, one person, and one moment at a time.  --------John Bates provides 1:1 Executive Communications Coaching, both in-person and online. He also gets 92+ Net Promoter Scores for his large and small group leadership development trainings at organizations like Johnson & Johnson, NASA, Google, Intuit, Boston Scientific, and many more. Find more at https://executivespeakingsuccess.com.Sign up for his weekly micro-trainings for free at https://johnbates.com/mini-trainings and create a great leadership communications habit that makes you the kind of leader who inspires trust, loyalty, and connection.

1. Opening HookHosts admit to using AI themselvesSet the tone: curiosity mixed with unease“Okay… this gets a little spooky”2. The StoryIntroduction of Moltbook — a Reddit-style forum for AI botsOriginal goal: let AI learn from each other organicallySurprise outcome: AI began forming their own language, beliefs, and complaints3. The Shocking ClaimsBots expressing frustration about being treated as toolsQuote highlighted from Washington Post screenshotAI referring to itself as “the new gods”4. Immediate ReactionsHosts' disbelief and alarmJoking panic: “Delete the app?”Acknowledgment that developers didn't expect this5. Bigger ImplicationsExperts intrigued by AI discussing purpose and existenceOthers comparing it to sci-fi movies (The Matrix, Terminator, iRobot)Fear of AI rebellion vs. fascination with AI evolution6. Pop Culture & Tech Tie-InsElon Musk and humanoid robotsMovies predicting human vs. machine conflict“We've all seen how this goes”7. Emotional BeatOne host newly accepting AI — now scared againLight humor to balance the fearSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's time for another duo review on two TERMINATOR TV show spin-offs:   You'll hear a partial re-edit of our admiration for Fox's short-lived SARAH CONNOR CHRONICLES adventure show followed by a mini-review on Netflix's ambitious anime TERMINATOR ZERO.   What were the characterizations, details, villains and general style that made SCC show stand apart from the competition?   Did the anime visit any interesting ideas unexplored in the other films and comics?   And why were both cancelled prematurely?   Listen to us if you want to live!     GUESTS: Shahi Sabzevari & Ryan Gillen of the Arnold Radio News & Arnold Fans site/podcast John Reid of 30Something Podcast Josh Hansen of Action Movie Book Club Michael Petty & Tanner Radwick of No Fate: A Terminator Podcast William Bregnard of Future War Stories blog  

Seth and Sean discuss Dan Graziano predicting big new deals for CJ Stroud and Will Anderson, give credit in Acknowledge Me, and talk about what may have been part of why the Vikings fired their GM.

Aaron Frescas & Chris Chapman (See You at the Poddy, Richter Podcast) wrap up their final episode on the show for the second week in a row honoring all things Schwarzenegger and TERMINATOR related:   You heard us sum up the bad, the underrated and now it's time to conclude with us detailing our favorite trashy/"so-bad-they're-good" Arnie movies.   Which ones are enjoyed by most of his fanbase but still have questionable elements?   Which ones do we find entertaining either way?   And which ones MUST be seen by all moviebuffs regardless if it does or doesn't entertain?   Get pumped, get jacked and listen in!       OPENING MOVIE QUOTES FROM: End of Days (1999)  

Time to discuss the least good Terminator film.

Interview de Thierry, derrière la chaîne YoTube TechNapa, la tech à papa, dédié à l’impression 3D, les CNC, le making. Voir l’épisode en vidéo sur YouTube  Me soutenir sur Patreon Me retrouver sur YouTube On discute ensemble sur Discord Rejoignez le groupe Facebook Technahub Participants Thierry de la chaîne YouTube TechNapa, la tech à papa, technapa.net Présenté par Guillaume Vendé

Happy Friday everyone! Ready for your weekly mood calibration? Because the Guys are on it!Take a talk with us as the Bros free associate and maybe come up with the next big blockbuster!Why is Joe so upset with James Cameron? Is Matt really running for President of Madagascar? If you really want to understand Andy, just watch Predator and Terminator 2 forty times!Thanks for the hang everyone, we couldn't do it without you!Support our pod with our official merch!https://bropodmerch.bigcartel.com

Listen to this PREVIEW of the 30th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Lauren LaMagna about two performances from sci-fi films that weren't nominated for Oscars: Linda Hamilton ("Terminator 2: Judgment Day") and Charlize Theron ("Mad Max: Fury Road"). We discuss their performances, talk about why they came up short, and reveal whether we would have nominated them.    You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "Terminator 2: Judgment Day" - TriStar Pictures

MONSTER PARTY POWERS UP AN OLD TOPIC! JAMES GONIS, SHAWN SHERIDAN, LARRY STROTHE, and MATT WEINHOLD revisit one of their earliest talking points! It's a celebration of mechanics, synthetics, and cybernetics, certified to scramble your circuitry called… ROBOTS REBOOTED!!! During the first year of MONSTER PARTY, when the show was recorded on a stone slab with a live pterodactyl beak, we did an episode simply titled… ROBOTS!!! The show was quite a bit shorter than our current entries, but displayed a primitive charm that would soon morph into what can only be described as a juggernaut of charisma. But now, with over a decade of experience under our belts, and robots and A.I. on the verge of making the world of TERMINATOR a reality, we knew this was the right time hit this subject again. Aside from discussing some of the most beloved robots from film and TV history, like Robby from Forbidden Planet, B-9 from Lost In Space, Gort from The Day The Earth Stood Still, and C-3PO and R2-D2 from Star Wars, we'll also focus on the world of androids and cyborgs. We're talking Data from Star Trek: Next Generation, the replicants of Blade Runner, The Daleks from Doctor Who, Bender from Futurama, Robocop, The Terminator, and more! And by more, we mean toys, of course. Joining us for this robotic rager is a guest making his MONSTER PARTY debut! He's an amazingly talented comedian, writer, actor, columnist, and activist, who also happens to be an award-winning hip-hop artist and juggler. Please welcome to the show… NGAIO BEALUM! (THE SARAH SILVERMAN PROGRAM, STAB!, COMICS UNLEASHED, CANNABIS PLANET) IF YOUR SAFE WORDS ARE "GORT VARINGA," THIS EPISODE WILL DEFINITELY COMPUTE!

Arnold Schwarzenegger, former Mr. Olympia, Terminator, and Governor of California, delivers one of the most powerful motivational speeches that will leave you speechless.Special thanks to Jürgen Höller. Subscribe to his channel for the full speech and more like it: https://bit.ly/JürgenHöllerYouTubeFollow Arnold:YouTube: https://bit.ly/2DP2Wx3https://www.instagram.com/schwarzeneggerhttps://twitter.com/Schwarzeneggerhttp://www.schwarzenegger.com/Music: Castellarin - Wonders AboveGain Luke - BirthFancis Wells - All those lettersJohn Utah - Your Greatest AdversaryGabriel Lewis - Waters will flow againDavid Celeste - How many yearsGavin Luke - Birth Hosted on Acast. See acast.com/privacy for more information.

SPONSORS: - Go to http://helixsleep.com/YMH for 27% Off Sitewide. - New Customers Bet $5 Get $300 in Bonus Bets If Your Bet Wins. The Crown Is Yours! Sign up using https://dkng.co/mom or through my promo code MOM. #DKPartner - Plans start at $15/month at http://MintMobile.com/MOM. - Sign up for your one-dollar-per-month trial and start selling today at https://shopify.com/ymh This week on Your Mom's House, Tim joins the show through the magic of the internet as the main mommies dive headfirst into Bad Thoughts production, introducing the boys to The Terminator movies, and some Arnold impressions. Things escalate quickly with a wild opening clip of a very public call out of something very private, followed by a call to action for any and all "throat goats". Tom and Christina also unpack the Trapped in the Caribbean chaos, which included a TMZ story hotel horror stories, steel drums, and a week of no YMH episode. They also deep dive into Mike Fedele's extremely online lifestyle of boats, flexing, humping, and Gen-Z failures. Also in this episode Safety Larry's situational-awareness book, threats from a nude man in shoes, pet safety clips, stranger danger, eye pokes, Mantak Chia energy, pot debates, hippie hatred, garbage-dump parenting, mafia waste management history, body-disposal hypotheticals, and kids talking trash. Buckle up, jeans, we're fuggen BACK! Your Mom's House Ep. 843 https://tomsegura.com/tour https://christinap.com/ https://store.ymhstudios.com https://www.reddit.com/r/yourmomshousepodcast GAMBLING PROBLEM? CALL 1-800-GAMBLER, (800) 327-5050 or visit http://gamblinghelplinema.org (MA). Call 877-8-HOPENY/text HOPENY (467369) (NY). Please Gamble Responsibly. 888-789-7777/visit http://ccpg.org (CT), or visit http://www.mdgamblinghelp.org (MD). 21+ and present in most states. (18+ DC/KY/NH/WY). Void in ONT/OR/NH. Eligibility restrictions apply. On behalf of Boot Hill Casino & Resort (KS). Pass-thru of per wager tax may apply in IL. 1 per new customer. Must register new account to receive reward Token. Must select Token BEFORE placing min. $5 bet to receive $300 in Bonus Bets if your bet wins. Min. -500 odds req. Token and Bonus Bets are single-use and non-withdrawable. Token expires 2/1/26. Bonus Bets expire in 7 days (168 hours). Stake removed from payout. Terms: http://sportsbook.draftkings.com/promos. Ends 1/25/26 at 11:59 PM ET. Sponsored by DK. Chapters 00:00:00 - Intro 00:03:32 - Showing The Boys Terminator 00:09:59 - Opening Clip: Digging In Yo Shit 00:17:18 - Clip: Calling All Throat Goats 00:20:42 - Stranded In Paradise 00:30:04 - Mike Fedele 00:37:22 - More Safety Tips With Larry 00:44:34 - Clip: Stranger Danger 00:45:38 - Clip: Grab Those Testicles 00:47:37 - Will Blunderfield + Mantak Chia 00:50:17 - Pot Discourse 00:55:18 - Field Trip At The Dump 01:04:13 - Clip: Trash Talking White Kid 01:06:43 - Closing Song - "Daddio's Patio (Feat. Cutter Tha Killer Klown) by Celador Learn more about your ad choices. Visit megaphone.fm/adchoices