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In Puritan New England, a young man leaves Faith, his wife, to go into the forest to meet the Devil. It's a story "as deep as Dante," said Herman Melville. In this episode, Jacke reads "Young Goodman Brown," by Nathaniel Hawthorne, then Jacke and Mike discuss the story that Stephen King has called "one of the ten best stories written by an American." Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with John Shors Travel in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website historyofliterature.com. Act soon - there are limited spots available! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
Zo examines the recent adaptation of a Stephen King novel: Edgar Wright's The Running Man (2025) starring Glen Powell and comparing this film to the novel as well as the much beloved 1987 adaptation of The Running Man starring Arnold Schwarzenegger and directed by Paul Michael Glaser. What where the main differences? In what way was the new movie faithful to the novel? How do the different themes compare in these films and the novel? Find out in this episode; spoilers ahead! Episode Chapters02:12 Motivated Running03:58 Richard Bachman06:09 The Comparisons - Novel, Movie, Movie10:24 The Running Man Ad28:04 Critically Thinking About The Running Man Please leave a comment, suggestion or question on our social media: Back Look Cinema: The Podcast Links:Website: www.backlookcinema.comEmail: fanmail@backlookcinema.comYouTube: https://www.youtube.com/@backlookcinemaTwitter: https://twitter.com/backlookcinemaFacebook: https://www.facebook.com/BackLookCinemaInstagram: https://instagram.com/backlookcinemaThreads: https://www.threads.net/@backlookcinemaTikTok: https://www.tiktok.com/@backlookcinemaTwitch https://www.twitch.tv/backlookcinemaBlue Sky: https://bsky.app/profile/backlookcinema.bsky.socialMastodon: https://mstdn.party/@backlookcinemaBack Look Cinema Merch at Teespring.comBack Look Cinema Merch at Teepublic.com Again, thanks for listening.
On a new Reporting as Eligible, Matt, JR, and Paul discuss Stephen King mostly off mic before turning to the game, and what if anything we can learn. They then move on to the Bears, and what we can expect in the third and final meeting between the two. Plus, do the Packers cheap out on coaches? Do they realize Gary is cooked? And is Diggs going to save the secondary? And of course, listener questions!
This week, the boys drink some whiskey and head to 1960 to discuss the less famous slasher movie of the year, “Peeping Tom”! Directed by Michael Powell, this film was a major inspiration for Martin Scorsese and a terror to the people of England, leading to its removal from theaters after only 5 days. Unlike “Psycho”, it was subsequently banned from many other countries… yet today, this movie feels like a tone poem of modern culture. We give you a 1960 year-in-review and discuss. linktr.ee/theloveofcinema - Check out our YouTube page! Our phone number is 646-484-9298. It accepts texts or voice messages. 0:00 Intro; 18:55 1960 Year in Review; 46:50 Films of 1960: “Peeping Tom”; 1:20:49 What You Been Watching?; 1:36:12 Next Week's Episode Teaser Additional Cast/Crew: Leo Marks, Albert Fennell, Otto Heller, Karlheinz Böhm, Anna Massey, Moira Shearer, Maxine Audley, Brenda Bruce, Miles Malleson, Esmond Knight, Martin Miller, Michael Goodliffe, Jack Watson, Shirley Anne Field, Pamela Green, Derek Cianfrance, Timotheé Chalamet, Channing Tatum, Liam Neeson, Akiva Schaffer, Joel Edgerton, Kerry Condon, William H. Macy. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Train Dreams, Stranger Things Finale, Stranger Things Season 5, The Naked Gun, Wicked: For Good, Caught Stealing, Fallout, Roofman, Additional Tags: Gordon Ramsay, Thelma Schoonmaker, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.
Frozen Tundra Frequencies - Talking Green Bay Packers 24/7/1265
On a new Reporting as Eligible, Matt, JR, and Paul discuss Stephen King mostly off mic before turning to the game, and what if anything we can learn. They then move on to the Bears, and what we can expect in the third and final meeting between the two. Plus, do the Packers cheap out on coaches? Do they realize Gary is cooked? And is Diggs going to save the secondary? And of course, listener questions! Hosted on Acast. See acast.com/privacy for more information.
Today I welcome back one of my favorite Gothic writers, Simone St. James. Her new book, A BOX FULL OF DARKNESS is out this month, perfect for fans of THE SUN DOWN MOTEL. We are careful not to reveal spoilers, but we enjoy revisiting her haunting fictional town of Fell, New York, and we chat about her inspirations that range from The X-Files to Stephen King novels read way too young. Simone is also my guest this month for my Patreon Book Club, so feel free to join us for a chance to ask her your questions directly. All links and show notes available at https://www.sheworeblackpodcast.com/
This is KDK-12 to KDK-1! This is KDK-12 to KDK-1! Come in!Just kiddin', it's your pals The Cinebytes, back to kick off 2026 with a SUPER SIZED episode on a SUPER GREAT movie!You know it, you love it, it's one of everyone's faves...except maybe Stephen King...it's Stanley Kubrick's The Shining (1980)!And know it and love it as you may...do you know how different it is from the book? Are you aware of the wild conspiracy theories surrounding it? Did you know that whether you play it forwards, or backwards (or both), it's just as awesome?We get into all of this and more as we unravel one of the wildest family dramas since my last Thanksgiving! Just light a fire, grab a bourbon, and let us regale you with EVERYTHING (we know) about this 46 year old masterpiece!Send us a textSupport the showPodcast art by Jayson Cessna: https://jaysoncessna.crevado.comMusic by Dusty Lane, created in LMMS.Movie clips provided by https://movie-sounds.org/horror-movie-samples/
Happy New Year everybody! Here's our last episode on the road before the group settles in (more or less) at Alexandria, and I and special guest Robin Springer are savoring it. It's a great episode, with Aaron really shining in his first full appearance after his short intro last week. Mentioned: Jason's interview with Ross Marquand: https://podcasts.apple.com/us/podcast/the-cast-of-us-a-last-of-us-walking-dead-cast/id382998388?i=1000336475474 World War Z x The Walking Dead - DLC Reveal Trailer: https://www.youtube.com/watch?v=Qerr0roEDGA Next up: The Walking Dead S5E12 “Remember”. Let us know your thoughts! You can email or send a voice message to talk@podcastica.com. Or check out our Walking Dead Facebook group, where we put up comment posts for each episode, at facebook.com/groups/deadcast. Check out my (Jason's) other podcast, Wax Episodic, where friends and I cover our favorite current shows, like: Fallout, the crazy retro-futuristic post-apocalyptic series, with S2 premiering this week on Amazon Prime Video. Covered by me, Kara, and Kasi. Pluribus, the Twilight-Zoney Apple TV show from Breaking Bad creator Vince Gilligan, covered by me and Karen. (!) It: Welcome to Derry, the horrific HBO series, prequel to the recent It movies based on the Stephen King book. Covered by me and Shawn of Strange Indeed. Alien: Earth, the heady, gross-out FX/Hulu sci-fi series based on the Alien movies. Covered by me, Randy, and Kara. Available wherever you get podcasts, or at waxepisodic.com Come join our Discord and chat with me, Lucy, and other listeners: Don't know what Discord is? It's kind of like a chat forum, our own little private Podcastica space to talk about The Walking Dead, other shows, and whatever else we want. It's free, and it's fun. And Lucy is in there. Invitation link: https://discord.gg/6WUMt3m3qe Show support and get ad-free episodes and a bunch of other cool stuff: patreon.com/jasoncabassi Or go to buymeacoffee.com/cabassi for a one-time donation. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of Currently Reading, Kaytee and Meredith are deep diving into their top reads of 2025. This year, they alternate between reads and superlatives. From best Cheeto chapters to books that made them uncomfortable, the year had some amazing books and experiences. Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site) . . . 1:35 - Ad For Ourselves 1:54 - NYT Article about book podcasts "Seven Podcasts for Bookworms" 2:27 - Currently Reading Patreon 5:23 - Some Stats From Our Reading Lives 7:07 - 68% of reads were backlist (Kaytee) 7:38 - Kaytee read 230 books 7:59 - Meredith read 127 books 8:54 - 64% female/36%male authors (Meredith) 9:09 - Average rating of 4.1 (Meredith) 10:53 - 44% Kindle, 13% audiobook, poetry 4% of total reads, 17% nonfiction (Meredith) 12:28 - 22% romance, 20% fantasy, 14% as literary (Kaytee) 14:34 - 32% authors revisited, library serendipity #1 recommendation source followed by Elizabeth Barnhill, Roxanna and Betsie Ikenberry (Meredith) 16:13 - Katie Proctor #1 recommendation source, followed by the indie press list, libro. Fm, and Meredith (Kaytee) 17:55 - Berkeley and Random House biggest publishing houses, followed by Harper, William Morrow, Atria and Flatiron Books (Kaytee) 18:21 - Minotaur, Atria and Random House biggest publishing houses (Meredith) 19:57 - Our Top 10 Reads of 2025 20:27 - Superlative #1: Book or books you will recommend most from this year? 20:39 - A Rebellion of Care by David Gate (Kaytee) 21:20 - So Far Gone by Jess Walter (Meredith) 23:25 - The Ghostwriter by Julie Clark (Meredith #10) 24:08 - You Could Make This Place Beautiful by Maggie Smith (Kaytee #10) 24:28 - Awake by Jen Hatmaker 24:30 - I Thought It Would Be Better Than This by Jessica Turner 25:30 - Superlative #2: Which book would be hardest to shelve in the library? 25:51 - Turns of Fate by Anne Bishop (Meredith) 26:02 - The Tainted Cup by Robert Jackson Bennett 27:01 - My Lady Jane by Cynthia Hand, Brodi Ashton and Jodi Meadows (Kaytee) 27:55 - Royal Gambit by Daniel O'Malley (Meredith #9) 29:32 - Death of the Author by Nnedi Okorafor (Kaytee #9) 30:31 - Superlative #3: The book we wanted to throw across the room 30:38 - Death of the Author by Nnedi Okorafor (Meredith) 32:23 - Secret of Secrets by Dan Brown (Kaytee) 33:11 - The Time Traveler's Wife by Audrey Niffenegger 33:57 - A Winter's Promise by Christelle Dabos (Meredith #8) 35:53 - My Friends by Fredrik Backman (Kaytee #8) 37:16 - Superlative #4: The book that made you the most uncomfortable 37:29 - Eager by Ben Goldfarb (Kaytee) 38:57 - Sandy Hook by Eilzabeth Williamson (Meredith) 40:25 - Forensics by Val McDermid (Meredith #7) 41:52 - Forensics by Val McDermid (Blackwells edition) 42:24 - Prodigal Summer by Barbara Kingsolver (Kaytee #7) 42:52 - Demon Copperhead by Barbara Kingsolver 43:42 - Superlative #5: The best picture book that you read aloud this year 44:15 - No, David! By David Shannon (Meredith) 45:07 - The Creature of Habit by Jennifer E. Smith and Leo Espinosa (Kaytee) 46:35 - The Correspondent by Virginia Evans (Meredith AND Kaytee #6) 47:33 - CR Season 7: Episode 46 49:09 - Superlative #6: The best audiobook experience 49:23 - Woodworking by Emily St. James (Kaytee) 50:19 - This Book Will Bury Me by Ashley Winstead (Meredith) 51:38 - North Sun by Ethan Rutherford (Meredith #5) 52:53 - This Changes Everything by Tyler Merritt (Kaytee #5) 53:01 - I Take My Coffee Black by Tyler Merritt 54:31 - Superlatives #7: Longest and shortest book read this year 54:46 - A Little Daylight Left by Sarah Kay (Meredith shortest) 55:03 - The Shadow Rising by Robert Jordan (Meredith longest) 55:34 - The Answer is No by Fredrik Backman (Kaytee shortest, amazon link) 55:53 - These Truths by Jill Lepore (Kaytee longest) 56:20 - The Stand by Stephen King 57:16 - The Unseen World by Liz Moore (Meredith #4) 57:25 - The God of the Woods by Liz Moore 58:50 - This is Happiness by Niall Williams (Kaytee #4) 59:57 - Superlative #8: Best book outside your wheelhouse 1:00:09 - The Dragon Reborn by Robert Jordan (Meredith) 1:01:07 - The Dutch House by Ann Patchett (Kaytee) 1:01:30 - Erasure by Percival Everett 1:01:32 - A Wish in the Dark by Christina Soontornvat 1:03:34 - The Goblin Emperor by Katherine Addison (Meredith #3) 1:07:15 - Most Ardently by Gabe Cole Novoa (Kaytee #3) 1:07:31 - Pride by Ibi Zoboi 1:08:56 - Superlative #9: Your favorite new to you author 1:09:08 - Swordheart by T. Kingfisher (Meredith) 1:09:31 - Stone Yard Devotional by Charlotte Wood (Meredith) 1:09:48 - Song of Blood & Stone by L. Penelope (Kaytee) 1:10:12 - The Monsters We Defy by Leslye Penelope 1:11:03 - Victorian Psycho by Virginia Feito (Meredith #2) 1:12:37 - Take What You Can Carry by Gian Sardar (Kaytee #2) 1:14:07 - Superlative #10: The most milkshake book/cheeto chapter book you read this year 1:14:50 - The Other Side of the Wall by Andrea Mara (Meredith, Blackwell's link) 1:14:57 - All Her Fault by Andrea Mara 1:15:53 - The Reappearance of Rachel Price by Holly Jackson (Meredith) 1:16:35 - The Mysterious Case of the Alperton Angels by Janice Hallett (Kaytee) 1:18:14 - Lady Tremaine by Rachel Hockhauer (Meredith #1) 1:20:57 - Impossible Creatures by Katherine Rundell (Kaytee #1) 1:23:13 - book print etsy shop Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. January's IPL is our annual visit to Fabled Bookshop in Waco, Texas. Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business. All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!
Reposted from The ‘Cast of Us, which you can find at: https://podcastica.com/podcast/the-cast-of-us — Happy New Year everybody! Here's our last episode on the road before the group settles in (more or less) at Alexandria, and I and special guest Robin Springer are savoring it. It's a great episode, with Aaron really shining in his first full appearance after his short intro last week. Mentioned: Jason's interview with Ross Marquand: https://podcasts.apple.com/us/podcast/the-cast-of-us-a-last-of-us-walking-dead-cast/id382998388?i=1000336475474 World War Z x The Walking Dead - DLC Reveal Trailer: https://www.youtube.com/watch?v=Qerr0roEDGA Next up: The Walking Dead S5E12 “Remember”. Let us know your thoughts! You can email or send a voice message to talk@podcastica.com. Or check out our Walking Dead Facebook group, where we put up comment posts for each episode, at facebook.com/groups/deadcast. Check out my (Jason's) other podcast, Wax Episodic, where friends and I cover our favorite current shows, like: Fallout, the crazy retro-futuristic post-apocalyptic series, with S2 premiering this week on Amazon Prime Video. Covered by me, Kara, and Kasi. Pluribus, the Twilight-Zoney Apple TV show from Breaking Bad creator Vince Gilligan, covered by me and Karen. (!) It: Welcome to Derry, the horrific HBO series, prequel to the recent It movies based on the Stephen King book. Covered by me and Shawn of Strange Indeed. Alien: Earth, the heady, gross-out FX/Hulu sci-fi series based on the Alien movies. Covered by me, Randy, and Kara. Available wherever you get podcasts, or at waxepisodic.com Come join our Discord and chat with me, Lucy, and other listeners: Don't know what Discord is? It's kind of like a chat forum, our own little private Podcastica space to talk about The Walking Dead, other shows, and whatever else we want. It's free, and it's fun. And Lucy is in there. Invitation link: https://discord.gg/6WUMt3m3qe Show support and get ad-free episodes and a bunch of other cool stuff: patreon.com/jasoncabassi Or go to buymeacoffee.com/cabassi for a one-time donation. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices
“I think you can go now.”70mm goes INTERNATIONAL kicks off with Jacques Demy's THE UMBRELLAS OF CHERBOURG. We also talk about our fave first watches of 2025, the official 2026 debut of PICK FOUR, and selling gasoline vape pens. In the uncut portion of the episode, we dig into huge chicken updates, recent diary watches, questionable Indiana Jones lore, and the master of horror Stephen King.Chapters:(00:00:00) Introductions(00:01:30) Faves of 2025(00:14:22) The Umbrellas of Cherbourg(01:02:16) Next week(01:03:30) Proto's Journey AnnouncementSupport the 70mm Patreon to join our VHS Village Discord and access exclusive episodes in the 70mm Vault which includes over 70 movies! Signing up for the Patreon also get your own membership card, member-only discounts on merch, and the ability to vote on future episodes!Don't forget you can visit our website to shop our storefront to buy prints and merch, follow us on Letterboxd, email the show, and much more.70mm is a TAPEDECK podcast, along with our friends at BAT & SPIDER, The Letterboxd Show, Austin Danger Pod, Escape Hatch, Will Run For..., Lost Light, The Movie Mixtape, and Twin Vipers.(Gone but not forgotten; Cinenauts + FILM HAGS.) ★ Support this podcast on Patreon ★
https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]
Justin is out sick this week, so it is just Rachel and Larry. They catch up and then discuss their resolutions for the coming year. Enjoy!! - Please send your emails to heresjohnnypodcast@gmail.com - To join our community, feel free to join our discord! (https://discord.gg/htr6kRB) - Check out our past reviews and lists on our show website at https://www.heresjohnnypodcast.com/ - If you are able, you can support us on Patreon (patreon.com/heresjohnnypodcast) You can find Rachel on the Zombie Grrlz Horror Podcast, where they review horror films from the feminist perspective. For Stream Queens, we talk about horror movies you can stream on the internet. The More Deadly cast is dedicated to reviewing and signal-boosting horror movies directed by women-identified artists. The Cast of Ka tackles Stephen King's definitive work, The Dark Tower, one book at a time. Also, check out Rachel's Star Wars content over at Outpost Unknown (https://www.youtube.com/channel/UC8oumJZs4V_bTeL5cm7MAFg)!
Hello and happy new year! It's been another year of us yappin' out movies, and like every year, we've come together to talk about our favorites! How many of our lists had Sinners at the top? What's with all the Stephen King adaptations this year? And did we all manage to watch enough movies to each bring a full top 10 list? Join us as we look back on these questions and the year in general! Thanks for listening! Time […]
Tonight on We Are Paradox Media's Late Night in the Rockies" Weekend Host TessaTNT will be reading from Stephen Kings latest "You Like It Darker: Stories" followed bt "The Why Files?" and the beginning of a UFO video that wil be shared on We Are Paradox Media's Facebook page.Become a supporter of this podcast: https://www.spreaker.com/podcast/we-are-paradox-media--3672397/support.THANK YOU!!! So much for hanging out with me! I am so lucky to have you here with me to witness and experience so many crazy and amazing things! Thank you to all of my friends out there wherever you may be Beyond The Omniverse.Don't forget "We are all in this together, together we can make the world better and together my friends, We Are PAradox Media!!! Without YOU there is no us.PLEASE!!! If you have the means, ability and/or initiative.... If you enjoy or believe in what I am doing here..... or/and enjoy hangin out with me on the interwaves please sling or fling some green my way to help keep this "MOTHER SHIP" affloat!Places you may donate or help are...By MAIL:We Are Paradox MediaP.O. Box 663Bayfield, CO81122CASH APP:$TessaTNTPayPal:@TessaTNTVenmo:@Tessa-Thomas-Peterson
This week, Nick is joined by returning guest and friend of the Gimme Three Podcast, Ryan Lacen. The two celebrate the life, career, and some of their all-time favorites in this tribute to the legendary Rob Reiner.- First up: can you handle the truth? Rob Reiner directs Aaron Sorkin's first screenplay—Tom Cruise, Demi Moore, and Jack Nicholson star in A Few Good Men. - Second: misery loves company. Rob Reiner directs his second Stephen King adaptation in the Academy Award-winning thriller, Misery. - Finally, we explore a film that blends all that makes a Rob Reiner film great; comedy, adventure, and romance are all on display in The Princess Bride.What is your favorite Rob Reiner film? ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.
Send us a textThis is the second episode of my new spin off series with my friend Jeff Caxide, where we dissect and talk about the short stories of Stephen King. This episode we talk about his 2015 anthology “The Bazaar of Bad Dreams.”Outro: Holy Tears by Isis https://isistheband.bandcamp.com/https://www.discogs.com/artist/371615-Jeff-Caxidehttps://cronetl.bandcamp.com/album/endless-midnightSynth Outro by Abraxas HornMy email and social links:Brandonlegion666@yahoo.comTwitter: Horrorwolf666Instagram: Brandonlegion666 Facebook: Horrorwolf666Website: www.horrorwolf666.com(Merchandise)https://www.teepublic.com/user/the-horrorwolf666-podcast
This week on Derry Public Radio, join CM, Josh, and Eve as they grapple with the unsettling short story "Cain Rose Up" from Stephen King's “Skeleton Crew”. Set against the backdrop of a college dormitory, the hosts dissect the chilling moments leading up to a tragic act of violence, exploring themes of emptiness, societal pressure, and the randomness of horror. With a mix of humor and critical analysis, they delve into the character of Curt Garrish, his internal struggles, and the stark contrast between his violent thoughts and the mundane college life surrounding him. For more Derry Public Radio, head over to www.patreon.com/derrypublicradio for exclusive episodes, early releases, and more bonus content!
To cap off their 9th season, in episode 368 James and Luke list their best (and worst) reads, then name the best (and worst) adaptations of the year. It was an exciting year highlighted by their first ever live recording featuring the incredible Martha Wells who joined the show to talk Murderbot at WorldCon in Seattle. The podcast didn't stop at just sci-fi, though, making a deep dive into Dracula, exploring a legendary anime, dissecting a trio of Stephen King movies, laughing with a Shakespeare retelling for the ages, and lamenting a fantasy series cancelled before its time. Topics also include: The Wheel of Time, Nosferatu, Mickey 17, Conclave, The Ring, The Iron Giant, and so much more. Thank you to everyone who made this year a great one for Ink to Film! Categories Intro - 00:00:27 Podcast Stats - 00:02:21 Biggest Surprise - 00:13:42 Worst Read - 00:25:30 Best Read - 00:35:38 Worst Watch - 00:50:53 Best Watch (A.K.A. Best Adaptation) - 01:02:47 Looking Ahead - 01:20:53 Pickup any of the novels they've covered at the Ink to Film Bookshop! https://bookshop.org/shop/inktofilm Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects! www.patreon.com/inktofilm Ink to Film's Twitter, Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Luke Elliott Website: www.lukeelliottauthor.com Social Media: https://www.lukeelliottauthor.com/social Writing: https://www.lukeelliottauthor.com/pub... James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/
Horror! Medo! Desespero! Prepare-se para personalidades duplas que resolvem sair no soco, gatos assassinos, ciganos vingativos, vampiros incestuosos e uma neblina que esconde tudo… menos decisões ruins de roteiro. É terror, é adaptação literária, é talento desperdiçado, é Stephen King dizendo “vai assim mesmo”.Puxe a cadeira, tape o nariz e venha conosco para mais um […]
Is Hollywood retreating from woke to avoid going broke? On this episode of The Federalist Radio Hour, Christian Toto, founder of the Hollywood in Toto website and podcast, joins Federalist Senior Elections Correspondent Matt Kittle to dissect 2025's comedy comeback, explain why Sydney Sweeney's jeans controversy should inform the way conservatives show up for certain pop culture, and review the best and worst movies of the year. The Federalist Foundation is a nonprofit, and we depend entirely on our listeners and readers — not corporations. If you value fearless, independent journalism, please consider a tax-deductible gift today at TheFederalist.com/donate. Your support keeps us going
Recording on New Year's Eve for a show that drops just as 2026 begins, Jim Hill and Eric Hersey cover a full slate of Universal news, rumors, and unexpected updates before shifting into a classic Jim Hill history lesson. The episode starts in the present with major developments at Universal Orlando and ends in the late 1960s on the Hollywood backlot, tracing how one clever Tram Tour gag eventually led to one of Universal's most iconic fire-based attractions. NEWS • Universal Destinations and Experiences begins construction on Catchlight Crossings, a 1,000-unit affordable housing community near Universal Orlando • What's included in the development - retail, medical offices, community space, transportation hubs, and a tuition-free Bezos Academy preschool • How Catchlight Crossings fits into Universal's long-term Housing for Tomorrow initiative and who the community is designed to serve • Rumor watch - could Stephen King's It become a headline house at Halloween Horror Nights 2026, and how that would fit alongside Universal's existing horror icons • The planned reimagining of Universal Orlando's Horror Make-Up Show is delayed, keeping the attraction open longer than expected • Universal's seasonal Backlot Club holiday card game wraps up and whether it could become a recurring collectible • Wicked: For Good debuts as the most-watched PVOD title in the U.S. in a single day, with a breakdown of pricing and bonus features FEATURE • The surprising origins of Universal Studios Hollywood's Burning House and why it was added to the Tram Tour in the early 1970s • How Jay Stein, under Lew Wasserman's direction, searched for cheap, repeatable, four-minute-resettable spectacle after the success of the Flash Flood • A short-lived and controversial gorilla gag inspired by Tarzan that generated complaints from parents • The evolution from jungle sight gags to the Snow Cottage, movie magic illusions, and the push to let guests feel heat instead of cold • How the Burning House eventually paved the way for Backdraft and future flame-based Universal attractions HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Eric Hersey - IG: @erichersey | X: @erichersey | Website: strongmindedagency.com FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is brought to you by Be Our Guest Vacations. From Universal Orlando and Hollywood to Disney parks, cruises, and beyond, their Platinum-level concierge service takes the stress out of vacation planning. Learn more at beourguestvacations.com. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices
Finally getting this one out of the vault and since we have been taking a short break for the holidays, I figure i'll give everyone an extra present and release it to everyone. A while back, we watched Kubrick's The Shining and Anita was not a fan. She is a huge fan of Stephen King's novel, so I got her to watch the version he did for TV and I was surprised at both of our reactions to it! Hope you all have had Happy Holidays and lets make this year better than the last one! ...Man, it needs to be better than the last one. More Movie Reviews on LetterBoxd - https://letterboxd.com/hvhpodcast/ Watch Us On YouTube - https://www.youtube.com/channel/UCfN67zqLBcbJNJw1cHI0Hlw Get HVH Merch - https://www.teepublic.com/user/hvhpodcast Music By: @tradevoorhees Learn more about your ad choices. Visit megaphone.fm/adchoices
Matt and Laci go through the The Shining, probably the best English-language horror movie ever made. Is it the story of a man's battle with alcoholism, a complicated metaphor for the American ruling class's many sins, or is it just a simple haunted house story? What if I told you… yes? The Shining started life as Stephen King's third novel. It was a very personal novel for King, inspired by his own life and his struggles with alcoholism and fatherhood. It's understandable that he wouldn't like Kubrick not centering those issues in his film, but Kubrick saw something completely different in The Shining. The podcast tracks the history of their very public disagreement and King's criticisms of the film. The Shining's production was shrouded in secrecy and mystery. The cast and crew filmed in England for more than a year, and while Shelley Duvall was open in the press about the difficulty of the assignment, she never thought Kubrick treated her unfairly or unprofessionally, and she always pushed back whenever anyone said Kubrick mistreated her during production of the movie. Time stamps: 00:02:43 — History segment: Stephen King's early career; early disagreements between Stanley Kubrick and King; Kubrick's career overview; Kubrick and co-writer Diane Johnson adapt the novel; casting Jack Nicholson, Danny Lloyd, and Scatman Crothers; Shelley Duvall's career overview 00:58:30 — Movie discussion 02:11:30 — Final thoughts & star ratings Sources: The Stephen King Companion: Four Decades of Fear from the Master of Horror by George Beahm (2024) - https://amzn.to/4qvoNMO A Night at the Movies: The Horrors of Stephen King - TCM documentary (2011) - https://bit.ly/4oXM9tf "Kubrick Films 'The Shining' In Secrecy in English Studio" by Aljean Harmetz | The New York Times (1978) - https://nyti.ms/47TYJUl Kubrick: The Definitive Edition by Michel Ciment | https://amzn.to/4nAScmh "How Stanley Kubrick protected child actor Danny Lloyd while creating 'The Shining'" by Swapnil Dhruv Bose | Far Out (2020) - https://bit.ly/4opNtEY "'No arc at all': The reason why Stephen King hated Stanley Kubrick film 'The Shining'" by Swapnil Dhruv Bose | Far Out (2024) - https://bit.ly/47bb3hol "Searching for Shelley Duvall: The Reclusive Icon on Fleeing Hollywood and the Scars of Making 'The Shining'" by Seth Abramovitch | The Hollywood Reporter (2021) - https://bit.ly/3Lkni3Y Interview with Shelley Duvall by Roger Ebert | RogerEbert.com (2012) - https://bit.ly/44eI0sT "No, Shelley Duvall was not traumatized by Stanley Kubrick on The Shining – she embraced it" by Tom Murray (2024) - https://bit.ly/3LbNvSq Artwork by Laci Roth. Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC). Songs by Rural Route Nine in this episode: "Winston-Salem" - https://youtu.be/-acMutUf8IM "Snake Drama" - https://youtu.be/xrzz8_2Mqkg "The Bible Towers of Bluebonnet" - https://youtu.be/k7wlxTGGEIQ Follow the show! Twitter: @1weekrental | @MattStokes9 | @LRothConcepts Facebook: @1weekrental Instagram: @1weekrental TikTok: @1weekrental | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @1weekrental.bsky.social
We return to Derry and dig deep into the origins of the horror. In this episode, we break down the scares, explore the lore, discuss standout moments, and talk about how It: Welcome to Derry expands Stephen King's terrifying universe. Is this prequel a worthy addition to the It legacy?
In the Long Walk, Director Mattie Do talks about her film that is difficult to put in one box alone. Is it science fiction, fantasy, are there horror elements ? Lots of layers to explore in this interesting film. Not the Stephen King adaptation. #thelongwalk
Mike Flanagan knows horror. Any fan of the genre will tell you that he's one of the most exciting directors working today, creating haunting and uniquely terrifying films like "Oculus," "Gerald's Game," and "Doctor Sleep," not to mention his many Netflix series, including "The Haunting of Hill House" and "The Fall of the House of Usher." His latest film, "The Life of Chuck," may therefore seem like a bit of a departure. It doesn't explicitly aim to scare viewers in the ways that they might expect from a Flanagan production. But as the filmmaker himself would explain, it's a logical continuation of the kinds of stories he likes to explore. Namely, it concerns itself with big thematic topics, like the impact of one person on others and the peculiarities of living a finite existence. It's a moving, expansive film that has the capacity to horrify, stun, and affect its audience just as much as anything he's made before, even if it has no broken-neck ghosts or bathtub-dwelling ghouls. Mike Flanagan was kind enough to spend some time speaking with us about the details of how the Stephen King story that inspired the film came to him at exactly the right time. He also talks about the differences and similarities of telling stories on TV and film, what it's like to adapt King's work, and how he came to work with his son for the very first time. You can listen to this interview below. Please be sure to check out the film, which is now available to rent and own through NEON and is up for your consideration at this year's Academy Awards in all eligible categories. Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
The Savant Boys are back to give you all the Year End Wrap Up! A lot of storylines to cover, from Stephen King and horror films dominating the box office this year to Marvel downfall with fans. We've lost many stars this year and we want to give our prayers and thoughts to the family, friends, and fans they've impacted with their work in cinema. We cap off the episode with our Top 5 films of the year. Which movies made your top 5?
Time has been kind to Stanley Kubrick's “The Shining.” His adaptation of the best-selling novel was initially dismissed by critics and author Stephen King, however it has since been hailed for its chilling aesthetic, superb visual fabric and harrowing sound design. Always ahead of his time, Kubrick got the last laugh, as "The Shining" is now rightfully considered one of the greatest horror films in cinema. Steve Cozzolino checks in to the Overlook and joins Dennis to discuss why all work and no play makes Jack a dull boy. Hosted on Acast. See acast.com/privacy for more information.
On the 103rd episode of the Slice By Slice podcast, Jesse and Josh catch up and discuss Halloween Horror Nights Orlando 2025 and the 1982 film, Creepshow. Recorded on 12/15/2025.IntroNews and AnnouncementsCorrections and UpdatesWhat We WatchedFilm DiscussionsCreepshow (1982)Outro
Today I'm reviewing The Deep Well—a horror novel that feels like something Stephen King might've written early in his career: moody, character-focused, and more interested in unease than cheap scares.The story takes its time getting started, but the slow burn pays off with solid character development and an atmosphere that steadily tightens as the mystery deepens. There's also a small but meaningful romantic thread woven through the narrative—never overpowering the horror, but worth mentioning for how it adds emotional weight.If you enjoy nostalgic-feeling horror, coming-of-age dread, and stories that prioritize characters over constant action, The Deep Well is a thoughtful, eerie read worth checking out.✨ Tune in for my spoiler-free breakdown—what worked, where the pacing may test your patience, and who this book is best suited for. Follow on Spotify and subscribe on YouTube for more horror, fantasy, and genre-spanning book reviews.#TheDeepWell #HorrorBooks #SlowBurnHorror #StephenKingVibes #BookReviewPodcast #SpotifyPodcasts #BookTube #AtmosphericReads #HorrorFiction
It is time to return to Mid-World in this final Kingcast episode of 2025 as indie horror star Graham Skipper (Re-Animator: The Musical, Almost Human, Beyond the Gates) joins Breznican and Vespe to discuss the fourth book in Stephen King's Dark Tower series: Wizard and Glass. We break down the plot, underline how it weirdly mirrors the plot that George Lucas would later use for The Phantom Menace, and take a deep dive into how this book really plays to King's strength at mixing intricate character work and unbelievable world-building.
The scariest clown to ever appear on screen drives a storyline involving a fictional tribe in Maine. “IT: Welcome to Derry” uses horror writer Stephen King's 1986 novel as a jumping off point. The hit HBO Max miniseries provides a new Native American theme to the plot with some veteran Native talent in front of and behind the camara. It is one of the notable projects from 2025, a list that also includes Sterlin Harjo's “The Lowdown”, the TIFF Best Canadian Feature winner, “Uiksaringitara,” and SXSW Documentary Feature Special Jury Award winner, “Remaining Native.” We'll recall some of the best film and TV projects from the year and see what's in store for 2026. GUESTS Johnnie Jae (Otoe-Missouria and Choctaw), founder of Red Pop! News Jason Asenap (Comanche and Muscogee), writer, critic, and filmmaker Sunrise Tippeconnie (Commanche, Navajo and Cherokee), director of programming at deadCenter Film and co-host of the Reel Indigenous Podcast Kimberly Guerrero (Confederated Tribes of the Colville Reservation and Salish and Kootenai), actress, screenwriter, and professor at the University of California, Riverside Favorite films and television shows of the year Sunrise Tippeconnie: Tiger – (documentary short), director Loren Waters Drowned Land – (documentary), director Colleen Thurston Legend of Fry-Roti: Rise of the Dough – (short film), director Sabrina Saleha Free Leonard Peltier – (documentary), directors Jesse Short Bull and David France Siren of the Wood – (short film), director Christopher Corsy Jason Asenap: Tiger – (short doc), director Lauren Waters Endless Cookie – (animated film), directors Seth Scriver and Peter Scriver Remaining Native – (documentary), director Paige Bethmann The Lowdown – (television show), creator Sterlin Harjo Johnnie Jae: Guardian of the Land – (documentary), director LaRonn Katchia Inkwo for When the Starving Return – (animated short), director Amanda Strong Pow! – (animated short), director Joey Clift Courage – (documentary short), director Eric Michael Hernandez Uiksaringitara (Wrong Husband) – (feature film), director Zacharias KunukHere’s an extended interview with IT: Welcome to Derry star Kimberly Guerrero speaking on her role of Rose in the television series. She starts off describing her early career in Hollywood. https://nativeamericacalling-offload-media.s3.us-west-2.amazonaws.com/wp-content/uploads/2025/12/123125-Kimberly-Guerrero-web-audio.wav
In 1966 Stanley Kubrick told a friend that he wanted to make “the world's scariest movie.” A decade later Stephen King's The Shining landed on the director's desk, and a visual masterpiece was born. J. W. Rinzler and Lee Unkrich's book Stanley Kubrick's The Shining (Taschen, 2023) is the definitive compendium of the film that transformed the horror genre features hundreds of never-before-seen photographs, rare production ephemera from the Kubrick Archive, and extensive new interviews with the cast and crew. Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In 1966 Stanley Kubrick told a friend that he wanted to make “the world's scariest movie.” A decade later Stephen King's The Shining landed on the director's desk, and a visual masterpiece was born. J. W. Rinzler and Lee Unkrich's book Stanley Kubrick's The Shining (Taschen, 2023) is the definitive compendium of the film that transformed the horror genre features hundreds of never-before-seen photographs, rare production ephemera from the Kubrick Archive, and extensive new interviews with the cast and crew. Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
In this horror movie review, we take a deep dive into Doctor Sleep, the long-awaited sequel to The Shining, and break down whether it succeeds in continuing one of the most iconic horror stories ever made. We analyze how the film balances Stephen King's novel with Stanley Kubrick's legacy, examine Danny Torrance's journey into adulthood, and discuss the film's themes, villains, and connections to the Overlook Hotel. This review looks at what Doctor Sleep does right, where it struggles, and whether it earns its place as a true sequel to The Shining.!
On our last podcast of 2025 we're trying something new with a "minisode" dedicated to Mike Flanagan's adaptation of Stephen King's The Life Of Chuck. Does it live up to all the praise it's received? Is Mike Flanagan the new Frank Darabont (when it comes to Stephen King adaptations)? Listen in to find out! If you want to let us know what you thought of The Life Of Chuck you can email us at podcast@mcyapandfries.com or send us a comment via social media : You can finds us on Bluesky at @mcyapandfries.bsky.social (and you can also find Iain there at @mcnastyprime.bsky.social) We're occasionally still on the hellsite that is twitter at @mcyapandfries or individually @gavyap, & @mcnastyprime and you can follow us on Instagram ( @mcyapandfries, @gavyap77 & @McNastyPrime). Click the images below to open the podcast in your player of choice, and, if you like, please leave us a review! Every review helps! If you want to REALLY help support our show, click on the banner below to head over to our sponsors Greenroom136.com!
George reviews some major 2025 releases that we missed earlier in the year, including the latest Knives Out movie WAKE UP DEAD MAN, Stephen King dystopian drama THE LONG WALK, and Aziz Ansari guardian angel comedy-drama GOOD FORTUNE.Subscribe to our Patreon! patreon.com/PulpKitchenPodcast Send us your questions to hello@pulpkitchenpodcast.com!Enjoy new episodes of Pulp Kitchen every WednesdayYouTube/Spotify: Pulp Kitchen PodcastInstagram: https://www.instagram.com/pulpkitchenpodcast / https://www.instagram.com/jamesbriefel/ / https://www.instagram.com/georgepundek/TikTok: https://www.tiktok.com/@pulpkitchenpodcastLetterboxd: https://letterboxd.com/GeorgePulp/ Hosted on Acast. See acast.com/privacy for more information.
The Obsessive Viewer - Weekly Movie/TV Review & Discussion Podcast
This week, Joe Shearer joins me to review Francis Lawrence's Stephen King adaptation, The Long Walk in a feature review and then, in this week's secondary review, we share our thoughts on Charlie Polinger's The Plague. Joe and I also discuss movie events around Indianapolis, and pay tribute to Rob Reiner and James Ransone. Watch the Video Version of this Episode Here Timestamps Show Start - 00:28 Introducing Joe - 02:28 Remembering Rob Reiner - 17:47 Remembering James Ransone - 28:51 Feature Review The Long Walk (2025) - 33:00 Spoiler - 1:03:05 Secondary Review The Plague (2025) - 1:22:55 Closing the Ep - 1:43:47 Patreon Clip - 1:46:47 Related Links Rob Reiner, 'When Harry Met Sally,' 'The Princess Bride' and 'Stand by Me' Director and 'All in the Family' Actor, Dies at 78 in Apparent Homicide James Ransone, 'The Wire' and 'It: Chapter Two' Actor, Dies at 46 Joe's Letterboxd Joe's Writing on Midwest Film Journal Joe's 2010 Rob Reiner Interview for "Flipped" at Heartland Joe's 2017 Rob Reiner Interview for "LBJ" at Heartland Joe's Review of The Plague Joe's Review of Five Nights at Freddy's 2 Joe's Glengarry Glen Ross Essay Joe's The Firm Essay My 2025 Podcast and Writing Archive The Long Walk Book Reactions on Patreon IT: Welcome to Derry Episode Reactions on Patreon Patreon Potpourri - 035 - "Awards Season 2025" - Splitsville (2025), Bob Trevino Likes It (2025), If I Had Legs I'd Kick You (2025), and The Perfect Neighbor (2025) - Nov 17-Dec 24, 2025 Patreon Companion Episodes Collection Indianapolis Theaters Alamo Drafthouse Indy Kan-Kan Living Room Theaters Keystone Art Flix Brewhouse Ways to Support Us Support Us on Patreon for Exclusive Content Official OV Merch Buy Me A Coffee Obsessive Viewer Obsessive Viewer Presents: Anthology Obsessive Viewer Presents: Tower Junkies As Good As It Gets - Linktree Start Your Podcast with Libsyn Using Promo Code OBSESS Follow Us on Social Media My Letterboxd | YouTube | Facebook | Twitter Instagram | Threads | Bluesky | TikTok | Tiny's Letterboxd Mic Info Matt: ElectroVoice RE20 into RØDEcaster Pro II (Firmware: 1.6.8) Joe: Tonor USB Microphone in Riverside FM Episode Homepage: ObsessiveViewer.com/OV497 Next Time on the Podcast OV498 - IFJA Top Ten Films of 2025
Amazon Link - https://a.co/d/3jc2wcyBBB&JOEBBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-lone-gunman-podcast-jfk-assassination--1181353/support.
Donny Football in for the guys today! A discussion about Stephen King's best work. Who at the station doesn't like horror movies? And Dom thinks William Shakespeare didn't exist.
Watching Now: IT Welcome to Derry is a Watching Now podcast from Couch Soup. Join us for reactions, reviews, and excitement about all things Pennywise. Join us for some laughs and ultra-nerdy discussion!
In der letzten Folge des Jahres machen wir nochmal ein Fass auf! Live aus dem Schmidtchen in Hamburg würdigen Torsten und Gerry zunächst das Lebenswerk von Regie-Legende ROB REINER (Harry und Sally, Misery). Danach wird es wild: Die wunderbare INA MÜLLER verrät den beiden Pansen u.a. warum sie mal gerne Horror Filme geschaut hat, und warum jetzt nicht mehr, und der großartige REINER SCHÖNE nimmt sie mit auf eine Reise durch seine beeindruckende Karriere von HAIR bis OPTIMUS PRIME und alles zwischendrin. Viel Spaß und rutscht gut rüber!
Tonight on We Are Paradox Media's "Late Night in the Rockies" Weekend Ghostess TessaTNT will be reading from Stephen Kings' "You Like It Darker: Stories".Become a supporter of this podcast: https://www.spreaker.com/podcast/we-are-paradox-media--3672397/support.
It's the end of 2025, which means we're 25 years into the 21st century. As they're wont to do, the Losers take inventory of the last 25 years and pick the 10 best Stephen King movies during that stretch. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
In this expansive and entertaining chat, Elizabeth and James Duncan, Gabriel Ricard and Kevin Ridgeway talk about ther book We Have Waited Long Enough as well as others of their works, and treat us to some readings as well. And, in usual Meat For Teacast style, the conversation takes twists and turns and ends up on the four questions...ANSWERS/Kevin Ridgeway:Current Book: 1. Moonglow A Go-Go, by Joan Jobe Smith 2. The Grifters, by Jim Thompson3. Finding God In Arby's, by John Dorsey 4. Waiting on Hummingbirds, by James Benger & Jason Baldinger Current Music: 1. Surf's Up (1971), The Beach Boys 2. Naturally (1971), JJ Cale 3. Feats Don't Fail Me Now (1974), Little Feat4. Link Wray (1971), Link WrayCurrent Shows:1. I Think You Should Leave with Tim Robinson2. The Daily Show 3. South Park 4. Shameless ANSWERS/James Duncan:Book: It's The End Of The World As We Know It: New Tales of Stephen King's The StanTV: Ludwig (British mystery/comedyMusic: The Replacements "Let It Be"Buy the book through James' website: https://www.jameshduncan.com/books
Andrea Kail, Matthew Kressel, and Tom Gerencer join us to discuss the Stephen King movie adaptations The Running Man, The Long Walk, The Dead Zone, and The Mist. Time stamps: The Running Man (17:44), The Long Walk (47:14), The Dead Zone (1:10:45), The Mist (1:30:20). Ad-free episodes are available to our paid supporters over at patreon.com/geeks. Learn more about your ad choices. Visit megaphone.fm/adchoices
Is this the bleakest episode of The Walking Dead? It's up there for sure. It's also a fantastic episode, with our found family of characters persisting, enduring, surviving, and supporting each other even at their lowest. We're happy to be joined by special guest Megan Lehman as we talk it out. PS Merry Christmas and happy holidays everybody! We're taking this next week off, so we'll be back with another episode in the new year. Next up: The Walking Dead S5E10 “The Distance”. Let us know your thoughts! You can email or send a voice message to talk@podcastica.com. Or check out our Walking Dead Facebook group, where we put up comment posts for each episode, at facebook.com/groups/deadcast. Check out my (Jason's) other podcast, Wax Episodic, where friends and I cover our favorite current shows, like: Fallout, the crazy retro-futuristic post-apocalyptic series, with S2 premiering this week on Amazon Prime Video. Covered by me, Kara, and Kasi. Pluribus, the Twilight-Zoney Apple TV show from Breaking Bad creator Vince Gilligan, covered by me and Karen. (!) It: Welcome to Derry, the horrific HBO series, prequel to the recent It movies based on the Stephen King book. Covered by me and Shawn of Strange Indeed. Alien: Earth, the heady, gross-out FX/Hulu sci-fi series based on the Alien movies. Covered by me, Randy, and Kara. Available wherever you get podcasts, or at waxepisodic.com Come join our Discord and chat with me, Lucy, and other listeners: Don't know what Discord is? It's kind of like a chat forum, our own little private Podcastica space to talk about The Walking Dead, other shows, and whatever else we want. It's free, and it's fun. And Lucy is in there. Invitation link: https://discord.gg/6WUMt3m3qe Show support and get ad-free episodes and a bunch of other cool stuff: patreon.com/jasoncabassi Or go to buymeacoffee.com/cabassi for a one-time donation. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices
In this chapter, Ned nearly dies when he previews Dr. Blackwell's "Quiet Room" right before his sister Ellen brings a team the Liminal Lodge to save him. Will they be able to rescue him? Will they take him to Tacoma General Hospital and have him committed to the psychiatric ward? Or will Dr. Blackwell keep him in the Liminal Lodge, and finally remove him from his "shell"? For Merch and everything else Bad Magic related, head to: https://www.badmagicproductions.com Subscribe to SiriusXM Podcasts+ to listen to new episodes of Scared to Death ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.