Podcast appearances and mentions of Stephen King

Rob Reiner and his wife, Michele, were tragically murdered over the weekend and the film community is still reeling. Reiner was not only a kind man, someone dedicated to protecting the rights and freedoms of everybody, and a talented filmmaker, he was one of the very few filmmakers that understood exactly how to translate Stephen King to the big screen. Author Nat Cassidy (The Wolf at the Door) and film commentator Drew McWeeny (The Hip Pocket Podcast) join Beznican and Vespe to discuss the tragic loss of Reiner and celebrate his massive contributions to the world of cinema, from his King adaptations Stand By Me, Misery, and The Shawshank Redemption (which he produced for Frank Darabont) to the genre defining classics This Is Spinal Tap, The Princess Bride, When Harry Met Sally, and A Few Good Men.

In this episode, we break down the biggest and most unsettling stories shaping pop culture right now—spanning Hollywood, sports, film, and reality TV.  

tep back into the nightmare with the Geekflix crew as we dive into Episode 4 of IT: Welcome to Derry — the darkest, bloodiest, and most revealing chapter yet. Pennywise is back in full force, and this episode gives us major lore drops, brutal horror moments, psychological tension, and new clues about Derry's cursed history. Whether you're a horror fan, a Stephen King diehard, or just obsessed with seeing how far Welcome to Derry will go — this review has everything you need. If you enjoy the breakdown, hit LIKE, SUBSCRIBE, and drop your thoughts on Episode 4 below… What was the creepiest moment for YOU? #WelcomeToDerry #ITSeries #Pennywise #Geekflix #HorrorReview #StephenKing #DerryMaine #ITWelcomeToDerry #Episode4 #HBO #HorrorBreakdown #Geekz

Episode Summary This episode is a geek news and trailer roundup with a full IT: Welcome to Derry Season 1 finale discussion, plus reactions to the Supergirl: Woman of Tomorrow teaser and the Netflix live action Avatar: The Last Airbender Season 2 trailer. We also hit the biggest Game Awards 2025 winners and reveals, including Clair Obscur: Expedition 33, Star Wars: Fate of the Old Republic, a new Divinity announcement, and first impressions of the Street Fighter movie trailer. Spoiler note: Full spoilers for IT: Welcome to Derry Season 1 kick in during the dedicated segment later in the episode. Timestamps and Topics 0:00:00 Intro, holiday check-in, and California fog weather 00:01:22 Question of the Week: Which classic horror movie should become a modern series? 00:05:31 Streaming consolidation talk and why big mergers worry creators and viewers 00:12:08 Far Cry series discussion and what makes the games work as TV 00:17:05 The Game Awards 2025 recap: winners and biggest reveals 00:25:48 Trailer reactions: Supergirl: Woman of Tomorrow teaser and Lobo glimpse 00:32:52 Trailer reactions: Netflix Avatar: The Last Airbender Season 2, Toph, Azula, bending rules 00:39:25 IT: Welcome to Derry Season 1 spoiler discussion and finale thoughts 00:49:28 What's next: Season 2 (1935) and Season 3 (1908) setting breakdown 00:53:03 Ratings and recommendations, plus network updates and wrap-up Key Takeaways The show dives into how streaming consolidation could impact jobs, creativity, and what viewers pay. Far Cry feels like a perfect TV sandbox if it nails the villain and the escalating rebellion vibe. The Game Awards conversation focuses on what looks exciting now versus what might be years away. Supergirl: Woman of Tomorrow looks like it's keeping the comic's tone and trauma-driven edge front and center. Netflix Avatar Season 2 has the ingredients, but the details matter, especially Toph's presentation and Azula's intensity. IT: Welcome to Derry sticks the landing for the crew, and the back-in-time structure could keep future seasons fresh. Memorable Quotes "Merging in the end makes a small amount of people rich." "That is such a devious strategy. You almost got to respect it." "How does this story about Pennywise make me feel feelings?" "I need to see bloodbending." Call to Action If you enjoyed the episode, follow Geek Freaks on Apple Podcasts and Spotify, leave a five star review, and share the show using #GeekFreaksPodcast. Also keep an eye on our socials for Geekies voting and nominees this week. Links and Resources GeekFreaksPodcast.com is the source of all news discussed during our podcast. Follow Us Instagram: @geekfreakspodcast Threads: @geekfreakspodcast Twitter: @geekfreakspod Facebook: Geek Freaks Podcast Patreon: Geek Freaks Podcast Listener Questions Send us what you want covered next, including: Which Game Awards reveal are you most excited to actually play? What moment from IT: Welcome to Derry Season 1 hit you the hardest? What Avatar Season 2 moment do you think Netflix cannot afford to cut? Apple Podcast Tags IT: Welcome to Derry, IT Welcome to Derry finale, Pennywise, Stephen King, Supergirl: Woman of Tomorrow, DCU, Lobo, Jason Momoa, Avatar: The Last Airbender, Netflix Avatar live action, Toph, Azula, The Game Awards 2025, Clair Obscur: Expedition 33, Star Wars: Fate of the Old Republic, Knights of the Old Republic, Divinity, Larian Studios, Street Fighter movie, Far Cry series, Noah Hawley, Rob McElhenney, streaming wars, geek news, TV trailers, video game news

The boys head to prison on Devil's Island to discuss 1973's “Papillon”! One of the highest-grossing movies of the year, this true-story account of Steve McQueen's character befriending Dustin Hoffman's character to help keep each other alive and prepare their escape from the no-chance-of-return prison, a world away from their native France. Made by the team behind Oscar-winner “Patton” from 1971, shot very much on location, some call this McQueen's best performance. Before we get into it, John gives us a mini-review of “Hamnet”, the romantic drama film by Chloé Zhao starring Paul Mescal and Jessie Buckley, based on the book based on the play. Grab a beer and join in!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 9:41 John's “Hamnet” mini-review; 15:08 1973 Year in Review; 41:21 Films of 1973: “Papillon”; 1:24:21 What You Been Watching?; 1:29:08 Next Week's Episode Teaser Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Cast & Crew: Chloé Zhao, Maggie O'Farrell, Paul Mescal, Jessie Buckley, Fred J Koenekamp, Henri Charriere, Dalton Trumbo, Lorenzo Semple Jr., William Goldman, Franklin J. Schaffner. Recommendations: Hamnet, Welcome to Derry, The Witcher, Slow Horses, Home Alone, The Righteous Gemstones, Sisu 2, Pluribus, The Exorcist, Enter The Dragon, Live and Let Die, The Sting, American Graffiti, Soylent Green. Additional Tags: French Guyana, Paris, Honduras, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

What happened is that Tyreese got bitten :( What's going on is that we have Danielle on to talk about this uniquely artful episode of The Walking Dead.  Next up: The Walking Dead S5E9 “Them”. Let us know your thoughts! You can email or send a voice message to talk@podcastica.com.  Or check out our Walking Dead Facebook group, where we put up comment posts for each episode, at facebook.com/groups/deadcast. Check out my (Jason's) other podcast, Wax Episodic, where friends and I cover our favorite current shows, like: Fallout, the crazy retro-futuristic post-apocalyptic series, with S2 premiering this week on Amazon Prime Video. Covered by me, Kara, and Kasi. Pluribus, the Twilight-Zoney Apple TV show from Breaking Bad creator Vince Gilligan, covered by me and Karen. (!) It: Welcome to Derry, the horrific HBO series, prequel to the recent It movies based on the Stephen King book. Covered by me and Shawn of Strange Indeed. Alien: Earth, the heady, gross-out FX/Hulu sci-fi series based on the Alien movies. Covered by me, Randy, and Kara. Available wherever you get podcasts, or at waxepisodic.com   Come join our Discord and chat with me, Lucy, and other listeners:  Don't know what Discord is? It's kind of like a chat forum, our own little private Podcastica space to talk about The Walking Dead, other shows, and whatever else we want. It's free, and it's fun. And Lucy is in there. Invitation link: https://discord.gg/6WUMt3m3qe  Show support and get ad-free episodes and a bunch of other cool stuff: patreon.com/jasoncabassi  Or go to buymeacoffee.com/cabassi for a one-time donation. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices

How can you be more relaxed about your writing process? What are some specific ways to take the pressure off your art and help you enjoy the creative journey? With Joanna Penn and Mark Leslie Lefebvre. In the intro, Spotify 2025 audiobook trends; Audible + BookTok; NonFiction Authors Guide to SubStack; OpenAI and Disney agreement on Sora; India AI licensing; Business for Authors January webinars; Mark and Jo over the years Mark Leslie LeFebvre is the author of horror and paranormal fiction, as well as nonfiction books for authors. He's also an editor, professional speaker, and the Director of Business Development at Draft2Digital. Joanna Penn writes non-fiction for authors and is an award-winning, New York Times and USA Today bestselling author of thrillers, dark fantasy, and memoir as J.F. Penn. She's also an award-winning podcaster, creative entrepreneur, and international professional speaker. Mark and Jo co-wrote The Relaxed Author in 2021. You can listen to us talk about the process here. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Why the ‘relaxed' author Write what you love Write at your own pace Write in a series (if you want to) Schedule time to fill the creative well and for rest and relaxation Improve your writing process — but only if it fits with your lifestyle You can find The Relaxed Author: Take the Pressure Off Your Art and Enjoy the Creative Journey on CreativePennBooks.com as well as on your favorite online store or audiobook platform, or order in your library or bookstore. You can find Mark Leslie Lefebvre and his books and podcast at Stark Reflections.ca Why the ‘relaxed' author? Joanna: The definition of relaxed is “free from tension and anxiety,” from the Latin laxus, meaning loose, and to be honest, I am not a relaxed or laid-back person in the broader sense. Back in my teens, my nickname at school was Highly Stressed. I'm a Type A personality, driven by deadlines and achieving goals. I love to work and I burned out multiple times in my previous career as an IT consultant. If we go away on a trip, I pack the schedule with back-to-back cultural things like museums and art galleries to help my book research. Or we go on adventure holidays with a clear goal, like cycling down the South-West coast of India. I can't even go for a long walk without training for another ultra-marathon! So I am not a relaxed person — but I am a relaxed author. If I wanted to spend most of my time doing something that made me miserable, I would go back to my old day job in consulting. I was paid well and worked fewer hours overall. But I measure my life by what I create, and if I am not working on a creative project, I am not able to truly relax in my downtime. There are always more things I want to learn and write about, always more stories to be told and knowledge to share. I don't want to kill my writing life by over-stressing or burning out as an author. I write what I love and follow my Muse into projects that feel right. I know how to publish and market books well enough to reach readers and make some money. I have many different income streams through my books, podcast and website. Of course, I still have my creative and business challenges as well as mindset issues, just like any writer. That never goes away. But after a decade as a full-time author entrepreneur, I have a mature creative business and I've relaxed into the way I do things. I love to write, but I also want a full and happy, healthy life. I'm still learning and improving as the industry shifts — and I change, too. I still have ambitious creative and financial goals, but I am going about them in a more relaxed way and in this book, I'll share some of my experiences and tips in the hope that you can discover your relaxed path, too. Mark: One of the most fundamental things you can do in your writing life is look at how you want to spend your time. I think back to the concept of: ‘You're often a reflection of the people you spend the most time with.' Therefore, typically, your best friend, or perhaps your partner, is often a person you love spending time with. Because there's something inherently special about spending time with this person who resonates in a meaningful way, and you feel more yourself because you're with them. In many ways, writing, or the path that you are on as a writer, is almost like being on a journey with an invisible partner. You are you. But you are also the writer you. And there's the two of you traveling down the road of life together. And so that same question arises. What kind of writer-self do you want to spend all your time with? Do you want to spend all your time with a partner that is constantly stressed out or constantly trying to reach deadlines based on somebody else's prescription of what success is? Or would you rather spend time with a partner who pauses to take a contemplative look at your own life, your own comfort, your own passion and the things that you are willing to commit to? Someone who allows that all to happen in a way that feels natural and comfortable to you. I'm a fan of the latter, of course, because then you can focus on the things you're passionate about and the things you're hopeful about rather than the things you're fearful about and those that bring anxiety and stress into your life. To me, that's part of being a relaxed author. That underlying acceptance before you start to plan things out. If the writing life is a marathon, not a sprint, then pacing, not rushing, may be the key. We have both seen burnout in the author community. People who have pushed themselves too hard and just couldn't keep up with the impossible pace they set for themselves. At times, indie authors would wear that stress, that anxiety, that rush to produce more and more, as a badge of honor. It's fine to be proud of the hard work that you do. It's fine to be proud of pushing yourself to always do better, and be better. But when you push too far — beyond your limits — you can ultimately do yourself more harm than good. Everyone has their own unique pace—something that they are comfortable with—and one key is to experiment until you find that pace, and you can settle in for the long run. There's no looking over your shoulder at the other writers. There's no panicking about the ones outpacing you. You're in this with yourself. And, of course, with those readers who are anticipating those clearly communicated milestones of your releases. I think that what we both want for authors is to see them reaching those milestones at their own paces, in their own comfort, delighting in the fact their readers are there cheering them on. Because we'll be silently cheering them along as well, knowing that they've set a pace, making relaxed author lifestyle choices, that will benefit them in the long run. “I'm glad you're writing this book. I know I'm not the only author who wants peace, moments of joy, and to enjoy the journey. Indie publishing is a luxury that I remember not having, I don't want to lose my sense of gratitude.” —Anonymous author from our survey Write what you love Joanna: The pandemic has taught us that life really is short. Memento mori — remember, you will die. What is the point of spending precious time writing books you don't want to write? If we only have a limited amount of time and only have a limited number of books that we can write in a lifetime, then we need to choose to write the books that we love. If I wanted a job doing something I don't enjoy, then I would have remained in my stressful old career as an IT consultant — when I certainly wasn't relaxed! Taking that further, if you try to write things you don't love, then you're going to have to read what you don't love as well, which will take more time. I love writing thrillers because that's what I love to read. Back when I was miserable in my day job, I would go to the bookstore at lunchtime and buy thrillers. I would read them on the train to and from work and during the lunch break. Anything for a few minutes of escape. That's the same feeling I try to give my readers now. I know the genre inside and out. If I had to write something else, I would have to read and learn that other genre and spend time doing things I don't love. In fact, I don't even know how you can read things you don't enjoy. I only give books a few pages and if they don't resonate, I stop reading. Life really is too short. You also need to run your own race and travel your own journey. If you try to write in a genre you are not immersed in, you will always be looking sideways at what other authors are doing, and that can cause comparisonitis — when you compare yourself to others, most often in an unfavorable way. Definitely not relaxing! Writing something you love has many intrinsic rewards other than sales. Writing is a career for many of us, but it's a passion first, and you don't want to feel like you've wasted your time on words you don't care about. “Write what you know” is terrible advice for a long-term career as at some point, you will run out of what you know. It should be “write what you want to learn about.” When I want to learn about a topic, I write a book on it because that feeds my curiosity and I love book research, it's how I enjoy spending my time, especially when I travel, which is also part of how I relax. If you write what you love and make it part of your lifestyle, you will be a far more relaxed author. Mark: It's common that writers are drawn into storytelling from some combination of passion, curiosity, and unrelenting interest. We probably read or saw something that inspired us, and we wanted to express those ideas or the resulting perspectives that percolated in our hearts and minds. Or we read something and thought, “Wow, I could do this; but I would have come at it differently or I would approach the situation or subject matter with my own flair.” So, we get into writing with passion and desire for storytelling. And then sometimes along the way, we recognize the critical value of having to become an entrepreneur, to understand the business of writing and publishing. And part of understanding that aspect of being an author is writing to market, and understanding shifts and trends in the industry, and adjusting to those ebbs and flows of the tide. But sometimes, we lose sight of the passion that drew us to writing in the first place. And so, writing the things that you love can be a beacon to keep you on course. I love the concept of “Do something that you love, and you'll never work a day in your life.” And that's true in some regard because I've always felt that way for almost my entire adult life. I've been very lucky. But at the same time, I work extremely hard at what I love. Some days are harder than others, and some things are really difficult, frustrating and challenging; but at the end of the day, I have the feeling of satisfaction that I spent my time doing something I believe in. I've been a bookseller my entire life even though I don't sell books in brick-and-mortar bookstores anymore—that act of physically putting books in people's hands. But to this day, what I do is virtually putting books in people's hands, both as an author and as an industry representative who is passionate about the book business. I was drawn to that world via my passion for writing. And that's what continues to compel me forward. I tried to leave the corporate world to write full time in 2018 but realized there was an intrinsic satisfaction to working in that realm, to embracing and sharing my insights and knowledge from that arena to help other writers. And I couldn't give that up. For me, the whole core, the whole essence of why I get up in the morning has to do with storytelling, creative inspiration, and wanting to inspire and inform other people to be the best that they can be in the business of writing and publishing. And that's what keeps me going when the days are hard. Passion as the inspiration to keep going There are always going to be days that aren't easy. There will be unexpected barriers that hit you as a writer. You'll face that mid-novel slump or realize that you have to scrap an entire scene or even plotline, and feel like going back and re-starting is just too much. You might find the research required to be overwhelming or too difficult. There'll be days when the words don't flow, or the inspiration that initially struck you seems to have abandoned you for greener pastures. Whatever it is, some unexpected frustration can create what can appear to be an insurmountable block. And, when that happens, if it's a project you don't love, you're more likely to let those barriers get in your way and stop you. But if it's a project that you're passionate about, and you're writing what you love, that alone can be what greases the wheels and helps reduce that friction to keep you going. At the end of the day, writing what you love can be a honing, grounding, and centering beacon that allows you to want to wake up in the morning and enjoy the process as much as possible even when the hard work comes along. “For me, relaxation comes from writing what I know and love and trusting the emergent process. As a discovery writer, I experience great joy when the story, characters and dialogue simply emerge in their own time and their own way. It feels wonderful.” — Valerie Andrews “Writing makes me a relaxed author. Just getting lost in a story of my own creation, discovering new places and learning what makes my characters tick is the best way I know of relaxing. Even the tricky parts, when I have no idea where I am going next, have a special kind of charm.” – Imogen Clark Write at your own pace Mark: Writing at your own pace will help you be a more relaxed author because you're not stressing out by trying to keep up with someone else. Of course, we all struggle with comparing ourselves to others. Take a quick look around and you can always find someone who has written more books than you. Nora Roberts, traditionally published author, writes a book a month. Lindsey Buroker, fantasy indie author, writes a book a month of over 100,000 words. If you compare yourself to someone else and you try to write at their pace, that is not going to be your relaxed schedule. On the other hand, if you compare yourself to Donna Tartt, who writes one book every decade, you might feel like some speed-demon crushing that word count and mastering rapid release. Looking at what others are doing could result in you thinking you're really slow or you could think that you're super-fast. What does that kind of comparison actually get you? I remember going to see a talk by Canadian literary author Farley Mowat when I was a young budding writer. I'll never forget one thing he said from that stage: “Any book that takes you less than four years to write is not a real book.” Young teenage Mark was devastated, hurt and disappointed to hear him say that because my favorite author at the time, Piers Anthony, was writing and publishing two to three novels a year. I loved his stuff, and his fantasy and science fiction had been an important inspiration in my writing at that time. (The personal notes I add to the end of my stories and novels came from enjoying his so much). That focus on there being only a single way, a single pace to write, ended up preventing me from enjoying the books I had already been loving because I was doing that comparisonitis Joanna talks about, but as a reader. I took someone else's perspective too much to heart and I let that ruin a good thing that had brought me personal joy and pleasure. It works the same way as a writer. Because we have likely developed a pattern, or a way that works for us that is our own. We all have a pace that we comfortably walk; a way we prefer to drive. A pattern or style of how and when and what we prefer to eat. We all have our own unique comfort food. There are these patterns that we're comfortable with, and potentially because they are natural to us. If you try to force yourself to write at a pace that's not natural to you, things can go south in your writing and your mental health. And I'm not suggesting any particular pace, except for the one that's most natural and comfortable to you. If writing fast is something that you're passionate about, and you're good at it, and it's something you naturally do, why would you stop yourself from doing that? Just like if you're a slow writer and you're trying to write fast: why are you doing that to yourself? There's a common pop song line used by numerous bands over the years that exhorts you to “shake what you got.” I like to think the same thing applies here. And do it with pride and conviction. Because what you got is unique and awesome. Own it, and shake it with pride. You have a way you write and a word count per writing session that works for you. And along with that, you likely know what time you can assign to writing because of other commitments like family time, leisure time, and work (assuming you're not a full-time writer). Simple math can provide you with a way to determine how long it will take to get your first draft written. So, your path and plans are clear. And you simply take the approach that aligns with your writer DNA. Understanding what that pace is for you helps alleviate an incredible amount of stress that you do not need to thrust upon yourself. Because if you're not going to be able to enjoy it while you're doing it, what's the point? Your pace might change project to project While your pace can change over time, your pace can also change project to project. And sometimes the time actually spent writing can be a smaller portion of the larger work involved. I was on a panel at a conference once and someone asked me how long it took to write my non-fiction book of ghost stories, Haunted Hamilton. “About four days,” I responded. And while that's true — I crafted the first draft over four long and exhausting days writing as much as sixteen hours each day — the reality was I had been doing research for months. But the pen didn't actually hit the paper until just a few days before my deadline to turn the book over to my editor. That was for a non-fiction book; but I've found I do similar things with fiction. I noodle over concepts and ideas for months before I actually commit words to the page. The reason this comes to mind is that I think it's important to recognize the way that I write is I first spend a lot of time in my head to understand and chew on things. And then by the time it comes to actually getting the words onto the paper, I've already done much of the pre-writing mentally. It's sometimes not fair when you're comparing yourself to someone else to look at how long they physically spend in front of a keyboard hammering on that word count, because they might have spent a significantly longer amount of a longer time either outlining or conceptualizing the story in their mind or in their heart before they sat down to write. So that's part of the pace, too. Because sometimes, if we only look at the time spent at the ‘writer's desk,' we fool ourselves when we think that we're a slow writer or a fast writer. Joanna: Your pace will change over your career My first novel took 14 months and now I can write a first draft in about six weeks because I have more experience. It's also more relaxing for me to write a book now than it was in the beginning, because I didn't know what I was doing back then. Your pace will change per project I have a non-fiction work in progress, my Shadow Book (working title), which I have started several times. I have about 30,000 words but as I write this, I have backed away from it because I'm (still) not ready. There's a lot more research and thinking I need to do. Similarly, some people take years writing a memoir or a book with such emotional or personal depth that it needs more to bring it to life. Your pace will also shift depending on where you are in the arc of life Perhaps you have young kids right now, or you have a health issue, or you're caring for someone who is ill. Perhaps you have a demanding day job so you have less time to write. Perhaps you really need extended time away from writing, or just a holiday. Or maybe there's a global pandemic and frankly, you're too stressed to write! The key to pacing in a book is variability — and that's true of life, too. Write at the pace that works for you and don't be afraid to change it as you need to over time. “I think the biggest thing for me is reminding myself that I'm in this to write. Sometimes I can get caught up in all the moving pieces of editing and publishing and marketing, but the longer I go without writing, or only writing because I have to get the next thing done instead of for enjoyment, the more stressed and anxious I become. But if I make time to fit in what I truly love, which is the process of writing without putting pressure on myself to meet a deadline, or to be perfect, or to meet somebody else's expectations — that's when I become truly relaxed.” – Ariele Sieling Write in a series (if you want to) Joanna: I have some stand-alone books but most of them are in series, both for non-fiction and for my fiction as J.F. Penn. It's how I like to read and write. As we draft this book, I'm also writing book 12 in my ARKANE series, Tomb of Relics. It's relaxing because I know my characters, I know my world; I know the structure of how an ARKANE story goes. I know what to put in it to please my readers. I have already done the work to set up the series world and the main characters and now all I need is a plot and an antagonist. It's also quicker to write and edit because I've done it before. Of course, you need to put in the work initially so the series comes together, but once you've set that all up, each subsequent book is easier. You can also be more relaxed because you already have an audience who will (hopefully) buy the book because they bought the others. You will know approximately how many sales you'll get on launch and there will be people ready to review. Writing in a non-fiction series is also a really good idea because you know your audience and you can offer them more books, products and services that will help them within a niche. While they might not be sequential, they should be around the same topic, for example, this is part of my Books for Authors series. Financially, it makes sense to have a series as you will earn more revenue per customer as they will (hopefully) buy more than one book. It's also easier and more relaxing to market as you can set one book to free or a limited time discount and drive sales through to other books in the series. Essentially, writing a book in a series makes it easier to fulfill both creative and financial goals. However, if you love to read and write stand-alone books, and some genres suit stand-alones better than series anyway, then, of course, go with what works for you! Mark: I like to equate this to no matter where you travel in the world, if you find a McDonald's you pretty much know what's on the menu and you know what to expect. When you write in a series, it's like returning to hang out with old friends. You know their backstory; you know their history so you can easily fall into a new conversation about something and not have to get caught up on understanding what you have in common. So that's an enormous benefit of relaxing into something like, “Oh, I'm sitting down over coffee, chatting with some old friends. They're telling me a new story about something that happened to them. I know who they are, I know what they're made out of.” And this new plot, this new situation, they may have new goals, they may have new ways they're going to grow as characters, but they're still the same people that we know and love. And that's a huge benefit that I only discovered recently because I'm only right now working on book four in my Canadian Werewolf series. Prior to that, I had three different novels that were all the first book in a series with no book two. And it was stressful for me. Writing anything seemed to take forever. I was causing myself anxiety by jumping around and writing new works as opposed to realizing I could go visit a locale I'm familiar and comfortable with. And I can see new things in the same locale just like sometimes you can see new things and people you know and love already, especially when you introduce something new into the world and you see how they react to it. For me, there's nothing more wonderful than that sort of homecoming. It's like a nostalgic feeling when you do that. I've seen a repeated pattern where writers spend years writing their first book. I started A Canadian Werewolf in New York in 2006 and I did not publish it until ten years later, after finishing it in 2015. (FYI, that wasn't my first novel. I had written three and published one of them prior to that). That first novel can take so long because you're learning. You're learning about your characters, about the craft, about the practice of writing, about the processes that you're testing along the way. And if you are working on your first book and it's taking longer than planned, please don't beat yourself up for that. It's a process. Sometimes that process takes more time. I sometimes wonder if this is related to our perception of time as we age. When you're 10 years old, a day compared to your lifetime is a significant amount of time, and thinking about a year later is considering a time that is one-tenth of your life. When you have a few more decades or more under your belt, that year is a smaller part of the whole. If you're 30, a year is only one-thirtieth of your life. A much smaller piece. Just having written more books, particularly in a series, removes the pressure of that one book to represent all of you as a writer. I had initial anxiety at writing the second book in my Canadian Werewolf series. Book two was more terrifying in some ways than book one because finally, after all this time, I had something good that I didn't want to ruin. Should I leave well enough alone? But I was asked to write a short story to a theme in an anthology, and using my main character from that first novel allowed me to discover I could have fun spending more time with these characters and this world. And I also realized that people wanted to read more about these characters. I didn't just want to write about them, but other people wanted to read about them too. And that makes the process so much easier to keep going with them. So one of the other benefits that helps to relax me as a writer working on a series is I have a better understanding of who my audience is, and who my readers are, and who will want this, and who will appreciate it. So I know what worked, I know what resonated with them, and I know I can give them that next thing. I have discovered that writing in a series is a far more relaxed way of understanding your target audience better. Because it's not just a single shot in the dark, it's a consistent on-going stream. Let me reflect on a bit of a caveat, because I'm not suggesting sticking to only a single series or universe. As writers, we have plenty of ideas and inspirations, and it's okay to embrace some of the other ones that come to us. When I think about the Canadian rock trio, Rush, a band that produced 19 studio albums and toured for 40 years, I acknowledge a very consistent band over the decades. And yet, they weren't the same band that they were when they started playing together, even though it was the same three guys since Neil Peart joined Geddy Lee and Alex Lifeson. They changed what they wrote about, what they sang about, themes, styles, approaches to making music, all of this. They adapted and changed their style at least a dozen times over the course of their career. No album was exactly like the previous album, and they experimented, and they tried things. But there was a consistency of the audience that went along with them. And as writers, we can potentially have that same thing where we know there are going to be people who will follow us. Think about Stephen King, a writer who has been writing in many different subjects and genres. And yet there's a core group of people who will enjoy everything he writes, and he has that Constant Reader he always keeps in mind. And so, when we write in a series, we're thinking about that constant reader in a more relaxed way because that constant reader, like our characters, like our worlds, like our universes, is like we're just returning to a comfortable, cozy spot where we're just going to hang out with some good friends for a bit. Or, as the contemplative Rush song Time Stand Still expresses, the simple comfort and desire of spending some quality time having a drink with a friend. Schedule time to fill the creative well and for rest and relaxation Mark: What we do as writers is quite cerebral, so we need to give ourselves mental breaks in the same way we need to sleep regularly. Our bodies require sleep. And it's not just physical rest for our bodies to regenerate, it's for our minds to regenerate. We need that to stay sane, to stay alive, to stay healthy. The reality for us as creatives is that we're writing all the time, whether or not we're in front of a keyboard or have a pen in our hand. We're always writing, continually sucking the marrow from the things that are happening around us, even when we're not consciously aware of it. And sometimes when we are more consciously aware of it, that awareness can feel forced. It can feel stressful. When you give yourself the time to just let go, to just relax, wonderful things can happen. And they can come naturally, never feeling that urgent sense of pressure. Downtime, for me, is making space for those magic moments to happen. I was recently listening to Episode 556 of The Creative Penn podcast where Joanna talked about the serendipity of those moments when you're traveling and you're going to a museum and you see something. And you're not consciously there to research for a book, but you see something that just makes a connection for you. And you would not have had that for your writing had you not given yourself the time to just be doing and enjoying something else. And so, whenever I need to resolve an issue or a problem in a project I'm writing, which can cause stress, I will do other things. I will go for a run or walk the dogs, wash the dishes or clean the house. Or I'll put on some music and sing and dance like nobody is watching or listening—and thank goodness for that, because that might cause them needless anxiety. The key is, I will do something different that allows my mind to just let go. And somewhere in the subconscious, usually the answer comes to me. Those non-cerebral activities can be very restorative. Yesterday, my partner Liz and I met her daughter at the park. And while we quietly waited, the two of us wordlessly enjoyed the sights and sounds of people walking by, the river in the background, the wind blowing through the leaves in the trees above us. That moment wasn't a purposeful, “Hey, we're going to chill and relax.” But we found about five minutes of restorative calm in the day. A brief, but powerful ‘Ah' moment. And when I got back to writing this morning, I drew upon some of the imagery from those few minutes. I didn't realize at the time I was experiencing the moment yesterday that I was going to incorporate some of that imagery in today's writing session. And that's the serendipity that just flows very naturally in those scheduled and even unscheduled moments of relaxation. Joanna: I separate this into two aspects because I'm good at one and terrible at the other! I schedule time to fill the creative well as often as possible. This is something that Julia Cameron advises in The Artist's Way, and I find it an essential part of my creative practice. Essentially, you can't create from an empty mind. You have to actively seek out ways to spark ideas. International travel is a huge part of my fiction inspiration, in particular. This has been impossible during the pandemic and has definitely impacted my writing. I also go to exhibitions and art galleries, as well as read books, watch films and documentaries. If I don't fill my creative well, then I feel empty, like I will never have another idea, that perhaps my writing life is over. Some people call that writer's block but I know that feeling now. It just means I haven't filled my creative well and I need to schedule time to do that so I can create again. Consume and produce. That's the balance you need in order to keep the creative well filled and the words flowing. In terms of scheduling time to relax instead of doing book research, I find this difficult because I love to work. My husband says that I'm like a little sports car that goes really, really fast and doesn't stop until it hits a wall. I operate at a high productivity level and then I crash! But the restrictions of the pandemic have helped me learn more about relaxation, after much initial frustration. I have walked in nature and lain in the garden in the hammock and recently, we went to the seaside for the first time in 18 months. I lay on the stones and watched the waves. I was the most relaxed I've been in a long time. I didn't look at my phone. I wasn't listening to a podcast or an audiobook. We weren't talking. We were just being there in nature and relaxing. Authors are always thinking and feeling because everything feeds our work somehow. But we have to have both aspects — active time to fill the creative well and passive time to rest and relax. “I go for lots of walks and hikes in the woods. These help me work out the kinks in my plots, and also to feel more relaxed! (Exercise is an added benefit!)” –T.W. Piperbrook Improve your writing process — but only if it fits with your lifestyle Joanna: A lot of stress can occur in writing if we try to change or improve our process too far beyond our natural way of doing things. For example, trying to be a detailed plotter with a spreadsheet when you're really a discovery writer, or trying to dictate 5,000 words per hour when you find it easier to hand write slowly into a journal. Productivity tips from other writers can really help you tweak your personal process, but only if they work for you — and I say this as someone who has a book on Productivity for Authors! Of course, it's a good idea to improve things, but once you try something, analyze whether it works for you — either with data or just how you feel. If it works, great. Adopt it into your process. If it doesn't work, then discard it. For example, I wrote my first novel in Microsoft Word. When I discovered Scrivener, I changed my process and never looked back because it made my life so much easier. I don't write in order and Scrivener made it easier to move things around. I also discovered that it was easier for me to get into my first draft writing and creating when I was away from the desk I use for business, podcasting, and marketing tasks. I started to write in a local cafe and later on in a co-working space. During the pandemic lockdown, I used specific playlists to create a form of separation as I couldn't physically go somewhere else. Editing is an important part of the writing process but you have to find what works for you, which will also change over time. Some are authors are more relaxed with a messy first draft, then rounds of rewrites while working with multiple editors. Others do one careful draft and then use a proofreader to check the finished book. There are as many ways to write as there are writers. A relaxed author chooses the process that works in the most effective way for them and makes the book the best it can be. Mark: When it comes to process, there are times when you're doing something that feels natural, versus times when you're learning a new skill. Consciously and purposefully learning new skills can be stressful; particularly because it's something we often put so much emphasis or importance upon. But when you adapt on-going learning as a normal part of your life, a natural part of who and what you are, that stress can flow away. I'm always about learning new skills; but over time I've learned how to absorb learning into my everyday processes. I'm a pantser, or discovery writer, or whatever term we can apply that makes us feel better about it. And every time I've tried to stringently outline a book, it has been a stressful experience and I've not been satisfied with the process or the result. Perhaps I satisfied the part of me that thought I wanted to be more like other writers, but I didn't satisfy the creative person in me. I was denying that flow that has worked for me. I did, of course, naturally introduce a few new learnings into my attempts to outline; so I stuck with those elements that worked, and abandoned the elements that weren't working, or were causing me stress. The thought of self-improvement often comes with images of blood, sweat, and tears. It doesn't have to. You don't have to bleed to do this; it can be something that you do at your own pace. You can do it in a way that you're comfortable with so it's causing you no stress, but allowing you to learn and grow and improve. And if it doesn't work but you force yourself to keep doing it because a famous writer or a six-figure author said, “this is the way to do it,” you create pressure. And when you don't do it that way, you can think of yourself as a failure as opposed to thinking of it as, “No, this is just the way that I do things.” When you accept how you do things, if they result in effectively getting things done and feeling good about it at the same time, you have less resistance, you have less friction, you have less tension. Constantly learning, adapting, and evolving is good. But forcing ourselves to try to be or do something that we are not or that doesn't work for us, that causes needless anxiety. “I think a large part of it comes down to reminding myself WHY I write. This can mean looking back at positive reviews, so I can see how much joy others get from my writing, or even just writing something brand new for the sake of exploring an idea. Writing something just for me, rather than for an audience, reminds me how much I enjoy writing, which helps me to unwind a bit and approach my projects with more playfulness.” – Icy Sedgwick You can find The Relaxed Author: Take the Pressure Off Your Art and Enjoy the Creative Journey on CreativePennBooks.com as well as on your favorite online store or audiobook platform, or order in your library or bookstore. The post The Relaxed Author Writing Tips With Joanna Penn and Mark Leslie Lefebvre first appeared on The Creative Penn.

Rich Keefe & Ryan Davey review It: Welcome to Derry the HBO series that serves as a prequel to the recent It films. Was it better than the movies? Was it scary? Plus all the connections (they found) to other Stephen King books and movies. What did you think of the show? Twitter, Instagram & YouTube: @DORKpodcast To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Reposted from The ‘Cast of Us, which you can find at: https://podcastica.com/podcast/the-cast-of-us — What happened is that Tyreese got bitten :( What's going on is that we have Danielle on to talk about this uniquely artful episode of The Walking Dead.  Next up: The Walking Dead S5E9 “Them”. Let us know your thoughts! You can email or send a voice message to talk@podcastica.com.  Or check out our Walking Dead Facebook group, where we put up comment posts for each episode, at facebook.com/groups/deadcast. Check out my (Jason's) other podcast, Wax Episodic, where friends and I cover our favorite current shows, like: Fallout, the crazy retro-futuristic post-apocalyptic series, with S2 premiering this week on Amazon Prime Video. Covered by me, Kara, and Kasi. Pluribus, the Twilight-Zoney Apple TV show from Breaking Bad creator Vince Gilligan, covered by me and Karen. (!) It: Welcome to Derry, the horrific HBO series, prequel to the recent It movies based on the Stephen King book. Covered by me and Shawn of Strange Indeed. Alien: Earth, the heady, gross-out FX/Hulu sci-fi series based on the Alien movies. Covered by me, Randy, and Kara. Available wherever you get podcasts, or at waxepisodic.com   Come join our Discord and chat with me, Lucy, and other listeners:  Don't know what Discord is? It's kind of like a chat forum, our own little private Podcastica space to talk about The Walking Dead, other shows, and whatever else we want. It's free, and it's fun. And Lucy is in there. Invitation link: https://discord.gg/6WUMt3m3qe  Show support and get ad-free episodes and a bunch of other cool stuff: patreon.com/jasoncabassi  Or go to buymeacoffee.com/cabassi for a one-time donation. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices

UNDER THE STARS MOVIE REVIEW Regarding true love, I give you this quote from the pages of “A Wizard and Glass” by Stephen King. “True love, like any other strong and addicting drug, is boring—once the tale of encounter and discovery is told, kisses quickly grow stale and caresses tiresome…except, of course, to those who […]

Editors - Esther Sokolow, Glenn Garland ACE and Matthew V. Colonna ACE IT: Welcome to Derry editors Esther, Glenn and Matt had never worked together prior to the new HBO series, but quickly formed a family bond that translated into a fun and creative cutting room.  Their antics included scaring unsuspecting tourists taking the Warner Brothers tram tour past their offices.  And you know what Jack Torrance says about "all work and no play"! Developed by Andy Muschietti, Barbara Muschietti and Jason Fuchs, It: Welcome to Derry is based on Stephen King's 1986 novel It and is a prequel to the films It (2017) and It: Chapter Two (2019).  The series takes place in 1962, when a couple and their son move to Derry, Maine just as a young boy disappears.  With their arrival, bad things begin to happen in the town.  Again. ESTHER SOKOLOW Esther Sokolow is a Los Angeles-based editor who specializes in genre-rich storytelling, bold characters, and projects with cinematic scope.  Esther's collaboration with IT: Welcome to Derry showrunner Andy Muschietti began on IT: Chapter Two, where she served as 1st Assistant Editor, and continued on The Flash, where she was promoted to Additional Editor. Her work bridges studio tentpoles and independent character dramas, with a focus on horror, psychological thrillers, and supernatural themes. Her early film diet of Hitchcock, classic mysteries, and silent comedies provided provided inspiration for an editor drawn to tension, timing, and the emotional weight of what's unspoken. Later, the spectacle of The Lord of the Rings sparked a love for scale and the thrill of stories that move an audience. Originally from Atlanta, she moved to California to study Film Editing at Chapman University. In 2015, she was selected as an honorary intern for American Cinema Editors (ACE), an experience that shaped her early career and inspired a commitment to both craft and mentorship. Esther now speaks on an annual panel for the ACE Internship Program and serves on MPEG's Apprenticeship and Growth Committee, supporting the next generation of editors and assistant editors. Before stepping into the editing chair, Esther worked as an assistant editor on feature films including Rampage, Bloodshot, The Guilty, Stronger, Fall, and Rememory. She also worked in-house as a VFX Editor at Method Studios, contributing to Guardians of the Galaxy and San Andreas. Her years supporting other editors honed more than technique; they taught her to listen to pacing, to performance, and to subtle story beats others might overlook. That same quiet attention now shapes her own work. GLENN GARLAND, ACE Glenn Garland is television and film editor with more than twenty years of experience in the entertainment industry. In addition to cutting IT: Welcome To Derry, other impressive TV credits include Poker Face, The Vampire Diaries, Preacher, Banshee, Stan Against Evil, and Altered Carbon. Glenn's equally notable feature resume includes editing Rob Zombie's Halloween and Halloween II, the critically acclaimed King of California, The Turning, Lords Of Salem, The Devil's Rejects, Black Box and most recently Broke. In addition to editing, Glenn has produced the television series Paradise City as well as feature films 31, Jersey Bred, LX 2048, The Man Who Was Thursday and most recently, Life Is. He has also created and hosts the podcast series Editors on Editing, which can be heard on Art of the Frame. MATTHEW V. COLONNA, ACE Aside from his work on It: Welcome to Derry, Matt's work can be seen on another Stephen King-inspired series, Castle Rock, and the King-adjacent series, Locke & Key.  Other notable tv shows cut by Matt include Dexter (2008-09), Narcos (2015-17) and Sugar (2024).  Matt also happens to be one of the original drummers for Black Eyed Peas.  How about that?! The Credits Visit Extreme Music for all your production audio needs Listen to Glenn talk about cutting Poker Face Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

IT welcome to Derry Season One Review | Best of 2025 Movies, TV, Comics | Mostly Superheroes Podcast The long-awaited deep dive is here! The full Mostly Superheroes crew tackles the entire first season of the HBO Max prequel series, IT welcome to Derry. Does this return to Stephen King's most cursed town live up to the Pennywise legacy? Find out our honest thoughts on the scares, the lore expansion, the 1960s setting, and how it connects to the larger IT universe. Plus, we look back at the best of the year: our definitive lists for the Best Movies, TV Shows, and Comic Books of 2025. www.mostlysuperheroes.com

This week we talk about the underrated and brutal samurai film 13 Assassins

THE CHILLING SEASON FINALE!! IT: Welcome to Derry Full Episode Reaction Watch Along:   / thereelrejects   Start your online business with a $1 per-month trial when you visit https://www.shopify.com/rejects! Gift Someone (Or Yourself) A Stranger Things RR Tee! https://shorturl.at/hekk2 Vecna: The Mind Slayer tee by @G9DESIGN & Dr. Stranger Things tee by @SASAMIIKU — perfect for hardcore fans & collectors alike! IT (2017) Movie Reaction:    • IT (2017) SCARED THE CRAP OUT OF US!! MOVI...   IT: Chapter Two (2019) Movie Reaction:    • IT CHAPTER 2 (2019) IS STILL FREAKIN' SCAR...   With The Running Man & The Long Walk out, the Scream Queens (Tara & Roxy) + Andrew RETURN for their penultimate IT: Welcome to Derry Reaction, Recap, Commentary, Breakdown, & Spoiler Review! Roxy Striar (Wildcat), Tara Erickson (The Rage Pod), & Andrew Gordon (Cinepals) react to the Season 1 Finale (Episode 8) of IT: Welcome to Derry, HBO's chilling Stephen King prequel that has been unraveling the dark, cyclical history of Derry, Maine. Developed by Andy Muschietti, Barbara Muschietti, and Jason Fuchs, the series has steadily built toward a confrontation that blends real-world horror, buried trauma, and the cosmic terror behind Pennywise's reign. Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter:  https://twitter.com/roxystriar Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Jason and Lisa discuss the OG "Final Destination" film, which Stephen King said a lot of great things about. Does it hold up? Check out all of our podcasts on our home website ⁠www.rabbitholepodcasts.com⁠Support us by giving us a dollar! ⁠patreon.com/rabbitholepods⁠Questions, comments, concerns? Email Jason at whateverjasonsoto@gmail.com

« Ils la surnommaient Miss Cent Mille Volts, la Veuve Courant, la Rôtisseuse. »Dans cet épisode, Victoire, Jeanne, Hugo et Tanguy comparent le roman-feuilleton de Stephen King, La Ligne Verte, à son adaptation en film avec Tom Hanks et Michael Clarke Duncan. Désormais retraité, Paul Edgecombe se souvient de ses années comme gardien à la "ligne verte", le couloir de la mort d'une prison du sud des Etats-Unis dans les années 1930. Ses collègues et lui voient leurs certitudes voler en éclats à l'arrivée de John Caffey, un détenu aussi imposant que mystérieux, accusé du meurtre de deux petites filles...Mais le film de Frank Darabont est-il fidèle à l'œuvre originale ? Réponse dans l'épisode ! 5 min 22 : On commence par parler du roman-feuilleton La Ligne Verte écrit par Stephen King et paru en 6 épisodes en 1996.1 h 11 min 30 : On enchaîne sur son adaptation en film réalisée par Frank Darabont avec Tom Hanks et Michael Clarke Duncan, sortie au cinéma en 1999.2 h 04 : On termine sur nos recommandations autour de Stephen King, des années 30, de la prison et de la peine de mort.Si vous avez lu ou vu La Ligne verte, n'hésitez pas à partager votre avis avec nous !Recommandations :La Malédiction du pull-over rouge, une émission d'Affaires sensibles (2021)De nos frères blessés, réalisé par Hélier Cisterne (2020)Ne tirez pas sur l'oiseau moqueur, de Harper Lee (1960)Stand by me, réalisé par Rob Reiner (1987)Nickel Boys, de Colson Whitehead (2019)Shining, de Stephen King (1977)Marche ou crève, réalisé par Francis Lawrence (2025)Des souris et des hommes, de John Steinbeck (1937)Sing Sing, réalisé par Greg Kwedar (2023)

Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon! NEWS'Superman/Spider-Man' #1 gets full creative team reveal and first cover lookMarvel's X-Men enter a dangerous new era as Shadows of Tomorrow' begins: March 2026 covers & launches revealedDarth Maul returns in a brutal new era, and Marvel's prequel series reveals his darkest plan yetMarvel's next huge event is already underway and Wolverine & Captain America hold the keys to ARMAGEDDONUltimate Universe shocker: Hickman opens up as Marvel debuts ‘Endgame' preview + 9 never-seen sketch coversDC Vertigo unveils first 2026 trailer—plus exclusive new Covers for March titlesThe Viltrumites are coming for Battle Beast in a blood-soaked new arc in March 2026Event Horizon is back from hell: Prequel sells out, sequel comic set 200 years laterWEBTOON just changed everything for creators: Massive 2026 overhaul announced!Skeletor just leveled up: Masters of the Universe becomes an ongoing series in 2026Our Top Books of the Week:Dave:Amazing Spider-Man #17 (Pepe Larraz, Joe Kelly)The End 2099 #1 (Steve Orlando, Ibraim Roberson)Alex:​​Absolute Batman #15 (Scott Snyder, Jock)Our Soot Stained Heart #1 (Joni Hägg, Stipan Morian)Standout KAPOW moment of the week:Alex: Ultimate Wolverine #12 (Condon, Cappuccio)Dave: Absolute Batman #15 (Scott Snyder, Jock)TOP BOOKS FOR NEXT WEEKAlex: The Power Fantasy #14 (Gillen, Wijngaard) & DIE: Loaded #2 (Gillen, Hans)Dave: Superman: The Kryptonite Spectrum #5 (W. Maxwell Prince, Martín Morazzo)JUDGING BY THE COVER JR.Dave: Book of Revelation #3 (Ivan Shavrin but also Fabrizio De Tommaso)Alex: Nightwing #133 (Dustin Nguyen variant)Interview: Ben Percy talks The End Times and Punisher in 2026 (out in February)Origin of the Project:Last we spoke we talked a bit about The End Times, but now the project sees the revival of Stephen King's Bachman universe through Bad Hand Books, how'd that come to be?Expanding the Bachman Lore:Claudia Inez Bachman has always been a shadowy figure in King's mythos — how did it feel to help bring her to life as a writerly voice in her own right?Collaboration with Stephen King:What was the collaboration process like with King himself? Did you two discuss tone, continuity, or the meta-narrative of Bachman's legacy?Post-Apocalyptic Themes:You've described this world as “the world has ended and it's rebuilding.” What emotional or thematic space did you want to explore in that aftermath, compared to the usual “apocalypse in progress” stories?Social Commentary:The project examines misinformation and the role of local journalism — how do those themes mirror our current media landscape, and what kind of response are you hoping to evoke from readers?Physical vs. Digital Experience:With both a newspaper edition and a digital version available, what do you hope readers gain from physically holding this story in their hands versus reading it online?Continuing the Bachman Tradition:Bachman's work was often darker and more cynical than King's mainline fiction. Does The End Times lean into that same spirit of anger and disillusionment?(Fun / Silly Question):If The End Times really were the last surviving newspaper on Earth, what headline would you want your byline to appear under? (“Local Writer Saves Humanity”? “Coffee Shortage Ends Civilization”?

Tonight on We Are Paradox Media's "Late Night in the Rockies" Weekend Host TessaTNT will be reading Stephen Kings' book "You Like it Dark: Stories".Become a supporter of this podcast: https://www.spreaker.com/podcast/we-are-paradox-media--3672397/support.

In this quick Geek Freaks Headlines update, Frank breaks down what the next two seasons of Welcome to Derry could focus on, and why those specific historical-era horror events matter for the show's bigger mythology. We lay out the timeline jumps, what kind of story each era is set up to tell, and what fans should be watching for as the series expands the IT universe beyond Pennywise sightings and into Derry's long memory.00:00 Intro and today's headline00:08 Season 2 setup and the Bradley Gang Massacre era00:33 Season 3 setup and the Ironworks explosion era00:58 Why these time periods matter for Derry's mythology01:15 Wrap up and where to follow for more headlinesNote: Timestamps are best-fit for a short audio clip and may shift slightly depending on your platform export.The next two seasons look positioned to use different time periods to show how Derry “cycles” through tragedy.Season 2's era sets up a human-driven horror story with community fallout and lingering fear.Season 3's era leans into an industrial catastrophe angle, which can reshape the town's identity and trauma.Big timeline jumps help the show build dread through history, not just through a single monster.If the series commits to cause-and-effect across decades, it can make Derry itself feel like the main villain.These are paraphrase-ready pulls you can tweak to match the final edit:“Derry doesn't just have a monster problem, it has a history problem.”“The scariest part is how normal life keeps growing around these tragedies.”“When the show jumps decades, it's really showing the same wound from a new angle.”If you enjoyed this episode, subscribe to Geek Freaks Headlines, leave a quick review, and share the episode using #GeekFreaksHeadlines so more horror and Stephen King fans can find the show.GeekFreaksPodcast.com (our source for all news discussed on the show)Instagram: @geekfreakspodcastTwitter: @geekfreakspodThreads: @geekfreakspodcastFacebook: Geek Freaks PodcastPatreon: GeekFreakspodcastGot a theory about what Welcome to Derry should focus on next, or a specific IT deep cut you want us to cover? Send it in and we may feature it in a future Headlines episode.Apple Podcast Tags: Welcome to Derry, IT, Stephen King, Pennywise, Horror TV, HBO Max, TV News, Geek Culture, Pop Culture News, Episode Recap, Season 2, Season 3Timestamps and TopicsKey TakeawaysMemorable QuotesCall to ActionLinks and ResourcesFollow UsListener Questions

De nerdmeter staat weer vol in deze nieuwe aflevering van Nerd Culture. We trappen af met wat we allemaal hebben gekeken, gelezen en geluisterd, waaronder IT: Welcome to Derry, Mr. Mercedes en zelfs Troll 2. Daarna schakelen we moeiteloos door naar het grote nieuws: verse trailers voor Supergirl, Hijack en The Boys, stevige Marvel-geruchten rond Avengers: Doomsday en de vraag of AI inmiddels trailers en beelden begint te domineren.Ook bespreken we Disney's opvallende deal met OpenAI, de toekomst van Warner Bros., en waarom 28 Years Later maar blijft doorgaan. Kortom: van Stephen King tot superhelden en van Hollywood-politiek tot pure nerdhype.Avengers Doomsday is een showdown tussen Doom en CapDe geruchten rond Avengers: Doomsday nemen een verrassende wending. Waar veel fans rekenden op een frontale botsing tussen Reed Richards en Victor Von Doom, lijkt Marvel een andere, veel persoonlijkere route te kiezen. Volgens meerdere insiders draait de kern van de film om een conflict tussen Doctor Doom en Steve Rogers. Doom zou Captain America verantwoordelijk houden voor een multiverse-incursion, veroorzaakt door zijn beslissing om na Endgame in het verleden te blijven bij Peggy Carter. Daarmee verschuift de focus van een klassieke intellectuele rivaliteit naar een morele en emotionele confrontatie, met grote gevolgen voor het MCU. Wij bespreken wat dit betekent voor Doom, voor Cap én voor de richting van de Multiverse Saga richting Secret Wars.Disney sluit deal met OpenAIOok Disney zet een grote stap richting een AI-gedreven toekomst. The Walt Disney Company heeft een meerjarige deal gesloten met OpenAI en wordt daarmee de eerste grote contentpartner van Sora, OpenAI's generatieve AI-videoplatform. Fans kunnen straks met simpele prompts korte video's en beelden maken met officieel gelicenseerde Disney-, Marvel-, Pixar- en Star Wars-personages, van Mickey Mouse tot Darth Vader. Opvallend: Disney investeert tegelijk 1 miljard dollar in OpenAI, maar benadrukt dat zijn IP níét wordt gebruikt om AI-modellen te trainen en dat geen stemmen of gelijkenissen van acteurs zijn inbegrepen. Wij bespreken wat dit betekent voor creativiteit, auteursrecht en de machtspositie van Disney in een tijd waarin Hollywood steeds nerveuzer wordt van AI.Blockbuster Helden: De Adelaars van RomeEens waren ze vrienden en wapenbroeders in het Romeinse leger, de Romein Marcus en de Germaan Arminius. Maar het verraad van Arminius, waardoor drie Romeinse legioenen werden uitgeroeid, dreef een wig tussen hun vriendschap. Ze staan nu tegenover elkaar als aartsvijanden. Arminius heeft de zoon van Marcus ontvoerd en als zijn eigen zoon geadopteerd, zijn hoogzwangere vrouw Thusnelda werd door de Romeinen gevangengenomen. Haar leven is in gevaar en alleen Marcus kan haar redden.Hoewel Enrico Marini met een grote historische accuraatheid en een fenomenale stijl de wereld van De Adelaars van Rome vorm geeft, is zelfs dat niet de grote kracht van de serie. Het is vooral een serie vol emoties, zoals hij zelf zegt: ‘Iedereen kan zich identificeren met familieproblemen. Het zijn emotionele conflicten die elke lezer kan begrijpen. Het verhaal komt dan veel dichterbij. Als het emotionele aspect van een familie of vriendschap ontbreekt, wordt het verhaal minder interessant. Emotie is de kern van elk goed verhaal.'Timestamps:00:00:00 Nerd Culture #23700:01:13 Wat hebben we gekeken?00:01:20 IT: Welcome to Derry00:04:12 Mr. Mercedes00:07:05 Troll 200:12:34 Special Forces00:19:42 Blockbuster Helden00:25:12 Supergirl Trailer00:27:40 The Rock & Brendan Fraser00:31:25 Paramount vs Warner Bros00:36:00 Disney x OpenAI (Sora)00:40:12 Hijack Season 2 Trailer00:43:45 Sakamoto Days (Live-Action)00:45:48 Street Fighter Trailer00:46:08 28 Years Later00:49:31 Thor in Avengers: Doomsday?00:51:48 Sebastian Stan over Doomsday00:56:43 Doom vs Captain America01:04:00 Sigourney Weaver & Alien01:07:00 The Boys – Final Season

Découvrez notre épisode sur ce classique dystopique de Stephen King alias Richard Bachman avec Emilie Fleutot et Céline Lafon Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

It's killer automobile week! Jamie Graham joins Mike to discuss two 80s Stephen King adaptations...the brilliant Christine (1983) and the terrible Maximum Overdrive (1986)!  Hosted, Produced and Edited by Mike Muncer Music by Jack Whitney.  Artwork by Mike Lee-Graham Get ad free episodes and weekly bonus content on our Patreon! www.patreon.com/evolutionofhorror  Mike Muncer is a producer, podcaster and film journalist and can be found on BLUE SKY and INSTAGRAM Visit our website www.evolutionofhorror.com  Buy tickets for our UPCOMING SCREENINGS & EVENTS Buy yourself some brand new EOH MERCH! Email us!  Follow EOH on INSTAGRAM Like EOH on FACEBOOK Join the EOH DISCUSSION GROUP Join the EOH DISCORD Follow EOH on LETTERBOXD  

Narrator Mia Hutchinson-Shaw joins AudioFile's Michele Cobb to discuss narrating Annie Mare and Ruthie Knox's cozy mystery HOMEMAKER. We follow along with protagonist Prairie Hawk Nightingale, a homemaker extraordinaire, on her quest to solve the disappearance of her former friend. Hutchinson-Shaw shares what it's like to narrate this delightful cast of characters, why she likes cozy mysteries, and how she got into acting and narration. Read AudioFile's review of the audiobook: Published by Brilliance Audio AudioFile's 2025 Best Mystery & Suspense Audiobooks are: THE BUSINESS TRIP by Jessie Garcia, read by Andrew Eiden, Dylan Reilly Fitzpatrick, Fred Berman, Gail Shalan, Hillary Huber, Jennifer Pickens, John Pirhalla, Kimberly M. Wetherell, Kirby Heyborne, Tim Campbell HOMEMAKER by Annie Mare, Ruthie Knox, read by Mia Hutchinson-Shaw NEVER FLINCH by Stephen King, read by Jessie Mueller, Stephen King  SOUTH OF NOWHERE by Jeffery Deaver, read by Kaleo Griffith THE SUMMER GUESTS by Tess Gerritsen, read by Hillary Huber A TRUE VERDICT by Robert Rotstein, read by Sean Pratt, Phil Thron, Kelli Tager, Sophie Amoss, Natalie Naudus, Fajer Al-Kaisi, Hillary Huber, Mark Bramhall, Robin Miles, Alex Boyles, Roxanne Hernandez, Eunice Wong, Deanna Anthony, Graham Halstead Explore the full list of 2025 Best Audiobooks on our website. Support for our podcast comes from Dreamscape, an award-winning audiobook publisher with a catalog that includes authors L.J. Shen, Freida McFadden, and Katee Robert. Discover your next great listen at dreamscapepublishing.com.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textWe are back from hiatus and diving straight into the high-stakes world of Industry Season 3, Episode 3, "It." Join former Morgan Stanley investment bankers Jen and Kristen as we decode the finance behind the drama at the COP climate conference in Switzerland. In this episode, we break down the hypocrisy of ESG investing, the regulatory "Chinese Wall" between equity research and investment banking, and why pressuring an analyst for a buy rating isn't just frowned upon—it's illegal. We also analyze the mechanics of Petra and Harper's rogue attempt to launch a new "Leviathan" fund, fact-checking everything from non-compete clauses to Harper's strategic lie about being a former "trader" rather than a salesperson.Beyond the balance sheets, we dig into the psychological horror of the episode—from Eric's glitter-covered spiral into a midlife crisis to the trauma-bonding between Yasmin and Henry Muck. We discuss the nuances of "dad trauma," the reality of IPO lockup periods, and the cringe-worthy dynamics of pitching a non-ESG fund at a climate summit. We also explore the literary references to King Lear and Leviathan that foreshadow the power struggle between Harper, Petra, and the wealthy Otto Mostyn.Finally, we debate the double meaning of the episode title "It"—is it a reference to Stephen King horror, or simply who has the "It factor" to survive on Wall Street? We wrap up by delivering our Bullish and Bearish takes on the cast, deciding who is playing the long game and who is about to fold. Whether you're here for the technical breakdown of hedge fund marketing or the messy workplace drama, we've got the skinny on what's real and what's just Hollywood.Learn more about 9fin HERE Shop our Self Paced Courses: Investment Banking & Private Equity Fundamentals HEREFixed Income Sales & Trading HERE Wealthfront.com/wss. This is a paid endorsement for Wealthfront. May not reflect others' experiences. Similar outcomes not guaranteed. Wealthfront Brokerage is not a bank. Rate subject to change. Promo terms apply. If eligible for the boosted rate of 4.15% offered in connection with this promo, the boosted rate is also subject to change if base rate decreases during the 3 month promo period.The Cash Account, which is not a deposit account, is offered by Wealthfront Brokerage LLC ("Wealthfront Brokerage"), Member FINRA/SIPC. Wealthfront Brokerage is not a bank. The Annual Percentage Yield ("APY") on cash deposits as of 11/7/25, is representative, requires no minimum, and may change at any time. The APY reflects the weighted average of deposit balances at participating Program Banks, which are not allocated equally. Wealthfront Brokerage sweeps cash balances to Program Banks, where they earn the variable APY. Sources HERE.

Ben and Josh team up to review The Running Man, by Stephen King Next Up: 2025 Year in Review Check us out on YouTube:https://youtube.com/c/FantologyPodcastChat with us more and support in the links belowhttps://www.fantologybooks.comhttps://discordapp.com/invite/k5efNbGhttps://www.patreon.com/fantology_bookshttp://www.audibletrial.com/Fantologyhttps://www.redbubble.com/people/fantology/shopMusic Credit: Nathan Towns, see more at https://nathantownscomposer.com/

Content warning: We talk about child abuse as part of our discussion of both the 1980s "Satanic Panic" craze in the history section, and extensively in the discussion of the movie itself. Laci and Matt hop on their bicycles and rush home in time to see American Bandstand on the TV set while scarfing down mayonnaise sandwiches and whole milk. That's right, we're talking It! No, not the hit movie from 2017, but the made-for-TV miniseries from 1990 that traumatized a generation. Next week (Dec. 19, 2025): The lovely AJ and Kristie from In Love With Horror return to the show to meet us at the North Pole for a discussion of the Christmas classic Elf (2003)!    Time stamps: 00:02:42 — History segment: Quentin Tarantino's dumb critique of Stephen King for not originating the "fear monster" idea; the Satanic Panic of the 1980s; the origins of It; development of It for TV; reception and legacy of the TV movie; the "child orgy" scene from the book, explained 00:39:08 — Movie discussion  02:22:36 — Final thoughts and star ratings    Sources: "Back to Derry: An Oral History of 'Stephen King's It'" by Ethan Alter | Yahoo! (2015) - https://yhoo.it/4nZHwyj  Eli Roth's History of Horror: Uncut | Season 1, Episode 3 - "Quentin Tarantino" (2019) - https://apple.co/4ng0jEy  "Interviewing Tim Curry, aka Pennywise, on the set of Stephen King's IT" by Steve Newton | Fangoria (1990) - https://bit.ly/3KXXHOc  "Steve's Explanation For Loser's Sex Scene" | Stephen King Official Message Board (2013) - https://bit.ly/4hlGiex  "Stephen King's It: 25th Anniversary" | SciFiNow Annual. Vol. 2 (2015)   Artwork by Laci Roth.    Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: "Winston-Salem" - https://youtu.be/-acMutUf8IM "Snake Drama" - https://youtu.be/xrzz8_2Mqkg "The Bible Towers of Bluebonnet" - https://youtu.be/k7wlxTGGEIQ    Follow the show!  Twitter: @1weekrental | @MattStokes9 | @LRothConcepts Facebook: @1weekrental Instagram: @1weekrental TikTok: @1weekrental | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @1weekrental.bsky.social

Hoy hablaremos de la cena de los Premios Nobel en Estocolmo, con su gran banquete y su desfile de postres; el santuario de la Virgen de Ocotlán en Tlaxcala, con su manantial, sus retablos dorados y su curiosa similitud con la Virgen de Guadalupe; y “El Periquillo Sarniento”, el pícaro novohispano que nos hace reír mientras critica a su época. ¿Qué tienen en común un banquete elegante, una virgen barroca y un pícaro literario? El “Pensador Mexicano”, José Joaquín Fernández, Stephen KIng y su terror cinematográfico.See omnystudio.com/listener for privacy information.

Watch this episode as a full video interview on YouTubeJoe Hill is a Sunday Times bestseller and the #1 New York Times bestselling author of Heart-Shaped Box, The Fireman, and Full Throttle. He won the Eisner Award for Best Writer for his long-running comic book series, Locke & Key, co-created with artist Gabriel Rodriguez. Much of his work has been adapted for movies and television. His second novel, Horns, was translated to film in 2014 and starred Daniel Radcliffe. His third novel, NOS4A2, is now a hit series on AMC, starring Zachary Quinto. The first season of Locke & Key was released on Netflix in early 2020 and became an overnight smash. His latest book, King Sorrow, is out now.We had a great time speaking with Joe, learning why he wanted to keep his identity as Stephen King's son a secret when he first started out, how he nearly gave up on novel writing, and why he doesn't plan his novels. He tells us all about his latest, King Sorrow, and its epic structure and story that spans both fantasy and horror, and we talk about why horror is having a bit of a resurgence just now. Plus, we get into the whole AI debate, and Joe even takes time to ask us some either/or questions at the end!Links:Buy King Sorrow and Joe's other books nowVisit Joe's websiteFollow Joe on InstagramSupport us on Patreon and get great benefits!: https://www.patreon.com/ukpageonePage One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on ThreadsPage One - The Writer's Podcast is part of STET Podcasts - the one stop shop for all your writing and publishing podcast needs! Follow STET Podcasts on Instagram and Bluesky Hosted on Acast. See acast.com/privacy for more information.

The Running Man by Stephen KingAndy and Dani go for a jog. Just kidding, absolutely not. This week we tackle The Running Man and ask the hard questions: who actually liked this book, and why are you hiding? We unpack the what-was-the-point energy, the truly wild amount of racism, and Stephen King's deep, unsettling commitment to extremely detailed bodily harm. Seriously, we get it. The guts were out.

O Reflix 164 chega ao penúltimo capítulo da temporada de IT: Bem-Vindo à Derry, explorando em profundidade os acontecimentos intensos do episódio 7, marcado por um dos eventos mais emblemáticos da mitologia de Stephen King: o trágico incêndio no The Black Spot. Brunão e Baconzitos analisam como a série retrata esse episódio histórico da cidade — um momento que ecoa racismo, trauma coletivo e a presença maligna que sempre esteve por trás de Derry. No IT: Bem-Vindo à Derry episódio 7, a atmosfera de tensão atinge um novo patamar. O incêndio não apenas revela feridas antigas, mas também conecta o passado ao presente, mostrando como Pennywise manipula o medo e a violência ao longo das décadas. A narrativa se aprofunda na dor dos personagens, no impacto duradouro do desastre e nas pistas que indicam o rumo do aguardado final da temporada. Brunão e Baconzitos discutem ainda como o episódio constrói o caminho para o encerramento da temporada, reforçando temas como trauma, memória e resistência. Se você acompanha a série semana a semana e quer entender todo o contexto por trás desse momento marcante, o Reflix 164 oferece uma análise completa, rica em detalhes e conexões com o universo literário de Stephen King.

Send us a textFifty boys, three miles per hour, and a country that turns suffering into spectacle. We sat down with Stephen King's The Long Walk and followed the road past rules and warnings into the messy questions beneath: who we become under pressure, what we owe our friends, and whether victory means anything when the system owns the prize.We start with the bones of the story—a near-future police state, televised cruelty, and a “voluntary” contest that looks a lot like a draft. From there, we compare the book's ravenous crowds with the film's desolate highways and surveillance lens, and the effect that choice has on tone. The early deaths strip away any pretense of sport, and our debate widens: is the pace a physical trial or a psychological siege? Can you outwalk pain, or only postpone sleep?Characters carry the heart. We wrestle with Balkovich—antagonist, outcast, and a portrait of how isolation curdles into harm. Then there's Pete, a quiet anchor whose empathy reframes the odds, treating each death as a loss rather than a step toward winning. Along the way we tackle the wish at the end of the Walk: what can money never buy, and why do the rules forbid the only changes that would matter? Our argument peaks on the ending—was the final sacrifice noble or selfish, protective love or a theft of agency—and what that implies about vengeance, healing, and the long shadow of war.If you like moral dilemmas, survival strategy, and sharp book-to-film contrasts, this one goes deep. Tap play, then tell us: what would your wish be, and did the winner truly win? Subscribe, share with a friend who loves King, and leave a review with your take on the final scene—we'll feature the best replies next week.

"The Long Walk" is an American dystopian survival thriller film directed and produced by Francis Lawrence from a screenplay by JT Mollner, based on the 1979 novel of the same name by Stephen King. The film stars Cooper Hoffman, David Jonsson, Garrett Wareing, Tut Nyuot, Charlie Plummer, Ben Wang, Roman Griffin Davis, Josh Hamilton, Judy Greer, and Mark Hamill and has been awarded the Robert Altman Award for Best Ensemble at the 2025 Film Independent Spirit Awards. Screenwriter JT Mollner and casting director Rich Delia were kind enough to spend some time talking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now available to rent and own at home from Lionsgate. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

For this episode, Gary chats with the very busy and very talented Nnedi Okorafor, who has had quite a year with the publication of major new novel Death of the Author; One Way Witch, the second novella in her She Who Knows trilogy; Space Cat, a children's book starring her own cat Periwinkle; and The Best American Science Fiction and Fantasy 2025, which she co-edited with John Joseph Adams. We chat about what she's been reading, her fondness for Stephen King and Peter Straub's The Talisman, and what's up for next year, including the final volume of that trilogy, set in the world of her World Fantasy winning Who Fears Death.

The BTTM guys are running their mouths about THE RUNNING MAN. Allan, Tyler, and Justin dig into the recent Edgar Wright-directed film and the same-named 1987 Arnold Schwarzenegger star vehicle, which are both adapted -- to different degrees -- from the novel by Stephen King (under his Richard Bachman alias). It's a boisterous discussion among three guys whose reactions range from ambivalent to underwhelmed to disgusted. Maybe the trickiest adaptation to rate for the Better Than the Movie fellas since the HALLOWE'EN PARTY / A HAUNTING IN VENICE debacle of BTTM episode 7.  Enjoy!   Hosted by Tyler Austin, Justin Remer, and Allan Traylor. Produced by Justin Remer.  Recorded at the LAPL Octavia Lab.  Check out the "Better Than the Movie" audiobook playlist on Libro.fm - https://libro.fm/playlists/skylight-better-than-the-movie Opening music: "Optimism (Instrumental)" by Duck the Piano Wire   Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band  

Moviewallas is on YouTube! Welcome back to Moviewallas, your weekly home for film reviews, movie news, and unscripted banter. In Episode 583, Joe, Rashmi, and Yazdi return with three eclectic films — a genre classic, a melancholic sci-fi indie, and a striking festival discovery. The Running Man The team revisits this 1987 sci-fi action film starring Arnold Schwarzenegger, based on a novel by Stephen King (writing as Richard Bachman). With dystopian satire, over-the-top set pieces, and prophetic media commentary, this one sparks discussion about tone, influence, and whether it's aged like fine cheese or fine wine. Eternity A meditative sci-fi indie that blends time travel with grief, memory, and philosophical introspection. The group discusses structure, pacing, and how smaller films use sci-fi not for spectacle but to explore human emotion and existential questions. Jay Kelly A Tribeca 2024 entry featuring a breakout performance and a quietly bold visual style. The hosts examine what makes this intimate drama stand out, especially among recent indie debuts, and how character and form can create lasting impact. PLUS… Joe shows off his San Diego FC pride A few bonus thoughts on the season's streaming backlog Like, comment, and subscribe if you enjoy passionate, spoiler-free film conversations with deep dives and laughter. Let us know in the comments: what's a genre film that's grown on you over time? Hosted by: Joe, Rashmi & Yazdi Watch on YouTube or wherever you get your podcasts Follow us on Instagram and Twitter: @moviewallas www.moviewallas.com

The Monkey. Join Morris and Rick as they delve into this 2025 Stephen King adaptation. Is this Osgood Perkins blood fest worth turning the key to your desires, or should this cursed toy story be thrown down a well and forgotten?

En esta ocasión analizamos Misery (1990), el escalofriante duelo interpretativo entre James Caan y una inolvidable Kathy Bates en una de las mejores adaptaciones de Stephen King. Repasamos las anécdotas más sorprendentes del rodaje, los cambios respecto a la novela y cómo Rob Reiner consiguió convertir una historia claustrofóbica en un clásico del suspense. Un viaje directo al infierno de la obsesión… sin necesidad de romperte las piernas. Voces de: Iñaki Lobo Sánchez: (https://www.ivoox.com/escuchar-audios-inaki-lobo-sanchez_al_2334351_1.html?show=programs) Alex Soto (https://www.ivoox.com/perfil-alex-soto_a8_listener_14910952_1.html) Telegram: https://t.me/+q592Qjx965MwY2I0 #LibroFrikotote: https://www.amazon.com/-/es/Sr-I%C3%B1aki-Sanch%C3%A9z/dp/8419983748 Mail: lafrikoteka@gmail.com Whatsapp: 620475003

Dive deep into John Carpenter's In the Mouth of Madness (1994) as the Mouths of Madness Podcast celebrates its 50th episode with a hilarious, unfiltered, multi-generation horror review! From Lovecraftian cosmic horror, Sam Neill's descent into madness, and the Apocalypse Trilogy, to fan-favorite talk about Vigo the Carpathian, Stephen King vibes, creepy creature effects, and the film's mind-bending reality-breaking finale — this episode is packed with laughs, arguments, deep analysis, and blunt hot takes across generations. If you love horror movie reviews, Carpenter classics, Lovecraft lore, cosmic dread, practical effects, underrated '90s horror, and pure podcast chaos, this is your new favorite show. Grab your black crayon, hold onto your straitjacket tight, and step with us into Hobbs End as we decide: is In the Mouth of Madness a killer, survivor, or a total victim?Your Hosts- Kevin, Dan, Bearclaw, and Logan. Produced by Nathan. What are your thoughts on our episode? Email Us- ThePaddedRoom@outlook.comJoin The Madness!InstagramYouTubeFacebookTikTokLetterboxdMerch“We All Go Mad” Theme Music by Nathan

Hola Cabañers: Otra Adaptación de Stephen King, Si y nos encanta. Y ademas de un libro que hace mucho tiempo es de los que mas nos gustan de Tito King. Que nos habrá parecido la película... Estructura de programa 00:00:00 Presentaciones 00:05:15 La Larga Marcha 01:20:00 Recomendaciones Raúl - Last Samurai Standing Starling - Documental 'Jeff Buckley, It's never Over' Joseries Wicked 2 Solo: La Diplomática Netflix El tebeo de la semana: Impenetrable, de Alix Garin 01:45:00 Comentarios de los oyentes y Próximos Podcast Que lo disfrutéis Orgullo Cabañer

Today on the show – Edgar Wright is back! The Running Man is his new Stephen King adaptation, co-written with Michael Bacall, and on this week's show, the three of us run for our lives through the reality TV dystopia of that movie, and its creation.The film is a new take on the 1982 novel of the same name, and imagines an America in a state of national calamity. The economy is in ruins. Violence is on the rise. Corporations rule everything. And authoritarian brutality has become primetime entertainment in the form of a gameshow in which cash-strapped contestants are hunted down and dispatched as a form of TV spectacle. The longer you survive, the more money you make for the loved ones you'll soon be leaving behind. But of course, if you somehow manage to make it through thirty days alive, you can return to that family, one billion dollars richer. Edgar and Michael are no strangers to the sort of kineticism inherent in a premise like that. Edgar is of course the filmmaker behind breathless popcorn classics such as Shaun Of The Dead, Hot Fuzz and 2017's Baby Driver. Michael meanwhile is the writer behind both 21 and 22 Jump Street – two of the best action comedies in recent decades. The Running Man sees the pair – who previously worked together on the script for Scott Pilgrim Vs The World – back at maximum velocity and bringing the noise. In the spoiler conversation you're about to hear, Edgar and Michael tell me about the overlaps they found between the 2025 that King predicted and our own real-life version (the original novel was set in our present day). We talk about the anger that drives their protagonist in this tale, Ben Richards, played by Glen Powell. And, with A.I such an integral part of the malevolent Network and their manipulation of the public in this tale, I was also curious to ask Michael and Edgar where each of their heads are at, in terms of that technology and the slow, dangerous creep of it into our moviemaking landscape?Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.To get ad-free episodes and exclusive content, join us on Patreon.Get coverage on your screenplay by visiting ScriptApart.com/coverage. Hosted on Acast. See acast.com/privacy for more information.

Tom and Jenny discuss the excellent dystopian horror film, based on the novel by Stephen King (writing as Richard Bachman) and directed by Francis Lawrence. Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, like us on Facebook, and follow us on Instagram. Also check out Jenny's horror channel, The Scare Salon, … Continue reading Movie Time: The Long Walk (2025)

Horror movies, holiday slashers, and classic monster mayhem collide in this episode of This Week in Horror History, covering December 8–14 in spooky cinema. We dig into the releases, icons, and deep cuts that shaped horror long before Christmas morning ever arrived.This week's watch list includes:Christine (1983) – John Carpenter's sleek, icy adaptation of Stephen King's killer-car novel. We look at how this haunted Plymouth went from a modest box office performer to a cult favorite thanks to its mood, music, and vicious metal-on-flesh set pieces.The Wolfman (1941) – Lon Chaney Jr.'s tragic Larry Talbot helped define the sympathetic monster and rewrote the rules for werewolf lore. We talk legacy, atmosphere, and why this frosty Universal chiller still plays perfectly on a cold December night.Scream 2 (1997) – Meta slashers head to college as Sidney Prescott and Ghostface return in a sequel that should've fizzled but absolutely works. Film theory, sequel rules, and late-'90s horror energy all collide in one of the most successful slasher follow-ups ever.Maniac Cop 2 (1990) – An undead cop, wild stunts, and a grimy New York that feels like a haunted maze. We spotlight why this over-the-top sequel is a cult gem for fans of action-horror hybrids.We also roll through a birthday crawl for some horror legends: Rick Baker, Vampira, Bill Nighy, and Dee Wallace, celebrating how their work reshaped monsters, ghosts, and genre weirdos across decades.In our “Then and Now: Meta Slashers” segment, we use Scream 2 as a jumping-off point to talk about how self-aware horror evolved—from '90s snark to today's nostalgia-driven, legacy-sequel era. And for your weekly recommendation, we head back to the 1950s with Tarantula (1955), a giant-spider creature feature that channels Cold War anxieties into big, creepy fun and pairs beautifully with other atomic-age monster flicks.All that plus our sponsor Cozy Earth— 41% off with Promo Code SPOOKY ultra-comfy bedding perfect for staying warm while you binge horror history marathons in December.If you love horror podcasts, classic monster movies, '80s Stephen King adaptations, and meta slasher sequels, this week's trip through the dates will fill your holiday season watchlist and keep your nights eerie all December long.

Hello libration nation! This week's book is The Gunslinger by Stephen King a dark twisted fantasy novel and the first book in King's The Dark Tower series. It follows the journey of Roland Deschain, the last gunslinger, as he traverses a desolate and mysterious landscape in pursuit of the enigmatic Man in Black. The story blends elements of fantasy, horror, and Western, exploring themes of destiny, obsession, and the nature of good and evil, as Roland confronts both external foes and his own inner demons on his quest to reach the Dark Tower, the nexus of all universes.GuestBill Blume was determined to be a writer from a young age, often taking the lead in crafting adventures during childhood games in South Carolina. After graduating from the University of South Carolina with a degree in Broadcast Journalism, he worked as a TV news producer before transitioning to a dispatcher role for Henrico County Police in 2001. In Richmond, he and his wife became active in the local writing community, contributing to James River Writers, where he served on the board and continues to engage with fellow writers and industry professionals.He is the author of several books, and has an upcoming novel, To Hell and Back coming out January 20th, 2026.Our drink this week was a Dark & Stormy, the perfect dark and spicy drink to pair with an anti-hero like Roland Deschain.In This EpisodeSh*tty First Draft - Anne LamottGeorge Lucas Star Wars changesOriginal Gunslinger vs. Revised EditionShiver by Maggie SteifvaterJames River WritersBooks by Stephen KingBattle of the Planets SeriesMalinda Lo BooksNK Jemison BooksErin Bowman Books West of Apocalypse by Bill BlumeRichmond SPCARichmond Animal LeagueSarah Glenn Marsh

What struck me most in my conversation with author Jennifer Shaw is how often we underestimate the power of understanding our own story. Jennifer grew up sensing she was different, yet never had the words for why. Hearing her share how a late diagnosis of autism and ADHD finally helped her trust her own voice reminded me how important it is for all of us to feel seen. As she talked about raising two autistic sons, finding healing through writing, and learning to drop the shame she carried for so long, I found myself thinking about the many people who still hide their struggles because they don't want to be judged. I believe listeners will connect deeply with Jennifer's honesty. She shows that creativity can grow out of the very things we once thought were flaws, and that resilience is something we build each time we choose to show up as ourselves. This episode reminded me why I created Unstoppable Mindset: to hold space for stories like hers—stories that help us see difference as strength and encourage us to build a world where every person is valued for who they truly are. Highlights: 01:33 – See how early misunderstandings can shape the way someone learns to navigate people and communication.06:53 – Learn how masking and observation influence the way neurodivergent adults move through the world.11:21 – Explore how parenting experiences can open the door to understanding your own identity.12:20 – Hear how finally naming a lifelong pattern can shift shame into clarity and self-trust.20:46 – Understand why self-doubt becomes a major barrier and how stepping forward can change that story.25:57 – Discover how personal journeys can naturally weave themselves into creative work and character building.29:01 – Gain insight into why creative careers grow through endurance rather than rapid wins.30:55 – Learn how creative practices can act as grounding tools when life becomes overwhelming.33:20 – Explore how willpower and environment work together in building real resilience.40:23 – See how focusing only on limitations can keep society from recognizing real strengths.45:27 – Consider how acceptance over “fixing” creates more space for people to thrive.46:53 – Hear why embracing difference can open a more confident and creative way of living.51:07 – Learn how limiting beliefs can restrict creativity and how widening your lens can unlock growth.59:38 – Explore how curiosity and lived experience fuel a deeper creative imagination. About the Guest: J. M. Shaw lives in Alberta, Canada, with her husband and two young children. She has been writing for most of her life, though it took years to find the courage to share her stories. What began as a childhood hobby evolved into a passion that, at times, borders on obsession—and is decidedly cheaper than therapy. Though initially interested in teaching and psychology, Shaw ultimately graduated and worked as an X-ray technologist—all the while continuing to write in secret. Through it all, storytelling remained her constant: a sanctuary, a compass, and a way to make sense of the chaos. Her early work filled journals and notebooks, then spilled into typewritten manuscripts and laptop hard drives—worlds crafted from raw imagination and quiet observation. A pivotal turning point came in 2019, when Shaw was diagnosed with autism and ADHD. The news brought clarity to a lifetime of feeling “too much” or “too different.” She realized that her intense focus, emotional depth, and ability to live inside fictional worlds weren't flaws—they were the gifts of a neurodivergent mind. Her unique insights allow her to create characters with emotional realism, while her mythical creatures, societies, and belief systems draw inspiration from both history and modern culture. In many ways, her fantasy series mirrors her own arc: navigating society through the lens of autism, embracing her differences, and discovering where she belongs. Shaw's fiction blends magic with meaning, often exploring themes of identity, resilience, and redemption. Though her worlds are fantastical, her stories remain grounded in human truths. Her characters—flawed, searching, and sometimes broken—feel eerily real. Literary influences like Stephen King, Margaret Atwood, and Dean Koontz helped shape her genre-bending style, while her mother—an English major and blunt-but-honest critic—instilled in her a love of classic literature and the drive to become a better storyteller. In 2021, Shaw released The Ascension, the first book in her fantasy-adventure series, The Callum Walker Series. Since then, she's published three sequels, with dozens of short stories, poems, and manuscripts still in her vault. Though painfully introverted, she attends book signings and author talks to connect with readers—shedding ecstatic tears as they share how deeply her work resonates with them. While these moments can be overwhelming, they remind her why she writes: to create stories that matter. Currently, Shaw is working on the fifth installment of The Callum Walker Series, expanding the emotional arcs and raising the stakes in her imagined realms. Alongside it, she is developing a new dystopian-adventure that blends inequality, rebellion, love, and moral complexity. Whether indie or traditionally published, her dream remains the same: to see her books in bookstores across the world and to keep building worlds for those who need them most. Ways to connect with Jennifer**:** Website: www.jmshawauthor.com Facebook: jmshawauthor Instagram: @jmshaw_author About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Well, hi everyone, and welcome to another edition of unstoppable mindset where inclusion, diversity and the unexpected meet. And we put it that way, because a lot of diversity people never address the issue of or include people with disabilities in their world, and some of us confront that, and I specifically take the approach you either are inclusive or you're not. There's no partial inclusion. So we put inclusion at the first part of unstoppable mindset, then diversity and the unexpected, which is everything that doesn't have anything to do with inclusion or diversity, which is most things, but it makes it kind of fun anyway, and we're glad that you're here, wherever you happen to be listening or watching, the Podcast. Today, we get to chat with Jennifer Shaw. Jennifer is an author, and she's been a a closet writer part of her life, but but she came out of the closet and has been publishing, which is cool, and she has a lot of other stories to tell, unstoppable in a lot of different ways. So I'm sure we're going to have a lot of fun talking today, and I hope that you learn some interesting and relevant concepts to your world. So Jennifer, thanks for being here and for being on unstoppable mindset. We really appreciate you coming. Jennifer Shaw  02:36 Thank you so much for having me. Well, Michael Hingson  02:38 why don't we start at the beginning, and why don't you tell us about kind of the early Jennifer, early Jennifer, Jennifer Shaw  02:44 so I was very much of an introvert, very shy. I didn't really know how to talk to people. Kind of was trying to figure things out, and was having, was having a hard time figuring things out, and became more of a misfit. And I needed a way of dealing with, you know, my misunderstandings. I came became very much a people watcher, and for a while, that worked, but I needed an outlet in order to be able to analyze and sort out my ideas. And then my mom bought me a typewriter because, you know, I'm that old. And I started, I know about typewriters? Yeah, and I started writing as a hobby, and then it became a passion and obsession. Now it's just cheaper than therapy. And in 2019 I was diagnosed with autism and ADHD, which makes total sense, looking back at all the things that I used to do and the way I felt, it makes sense now, and I thought I never shared any of my stories, but I've been writing by that point for over 30 years. And I thought, well, maybe writing is my special interest. And I got brave, and I sent off my first book in my series. It's now published because I just finished that one at the time to an editor, and I'm thinking, well, the worst they can say is it sucks. And my editor came back and said, This doesn't suck. You should publish. So two years later, I did Michael Hingson  04:05 cool well. So of course, one of the big questions, one of the most important ones of the whole day, is, do you still have the typewriter? No, yeah, I know. I don't know what happened to mine either. It is. It has gone away somewhere. Jennifer Shaw  04:19 Mine was really cool. It was a plug in electrical one had a white out strip and everything. I gave a presentation for grade five classroom, and I told them, I got started on a typewriter, and then I was going into how I got published, and different aspects of fiction writing and and plots and character development, that stuff and that, after an hour and a half, the only questions they had to ask was, what's a typewriter? Michael Hingson  04:43 Typewriter, of course, if you really want to delve into history and be fascinating to learn the history of the typewriter, do you know it? Jennifer Shaw  04:51 No, I do not. Michael Hingson  04:53 So the among other things, one of the first ways a typewriter was developed and used was. Was a countess in Europe who had a husband who didn't pay much attention to her. So she had a lover, and she wanted to be able to communicate with her lover. She is blind, and so she couldn't just have people write down messages and relay them and all that. So somebody invented this machine where she could actually create messages with a keyboard a typewriter, and then seal them, and she could get her ladies in waiting, or whoever to to give them to her, her lover. That was her way to communicate with with him, without her husband finding out. Yeah, so the ultimate note taker, the ultimate note taker, I learned to type. Well, I started to learn at home, and then between seventh and eighth grade, I took some summer school courses, just cuz it was something to do, and one of them was typing, and I didn't even think about the fact that all the other kids in the class kept complaining because they didn't know what letters they were pushing because there were no labels on the keys, which didn't bother me a bit. And so I typed then, I don't know. I assume it still is required out here, but in the eighth grade, you have to pass a test on the US Constitution, and for me to be able to take the test, they got the test transcribed into Braille, and then I brought my typewriter in and typed the answers. I guess. I don't know why they didn't just have me speak to someone, but I'm glad they did it that way. So it was fine. I'm sure it was a little bit noisy for the other kids in the class, but the typewriter wasn't too noisy. But, yeah, I typed all the answers and went from there. So that was kind of cool, but I don't remember what happened to the typewriter over the years. Jennifer Shaw  06:52 I think it gave way to keyboards and, you know, online writing programs. Michael Hingson  06:58 Yeah, I'm sure that it did, but I don't know what happened to my typewriter nevertheless, but oh well. But yeah, I did, and keyboards and everything else. But having used the typewriter, I already knew how to type, except for learning a few keys. Well, even mine was a manual typewriter. And then there was a Braille typewriter created by IBM. It's called the Model D, and it was like a regular typewriter, except instead of letters on the the keys that went up and struck the paper, it was actually braille characters and it and it struck hard enough that it actually created braille characters on the paper. So that was, that was kind of fun. But, yeah, I'm sure it all just kind of went to keyboards and everything else and and then there were word processors, and now it's just all computers. Jennifer Shaw  07:53 Yep, yep. We're a digital age. Michael Hingson  07:55 Nowadays. We are very much a digital age. So you went to to regular school and all that, yep, Jennifer Shaw  08:04 and I was never like I was it was never noticed that I was struggling because, I mean, for the most part, women tend to mask it. That's why less, fewer women are diagnosed than men. I just internalized it, and I came up with my own strategies to deal with things, and unless you were disruptive to class or you had some sort of learning difficulties and stuff, you never really got any attention. So I just sort of disappeared, because I never struggled in school and I was just the shy one. Yeah, taught myself how to communicate with other kids by taking notes of conversations. I have notebooks where I'm like, okay, so and so said this. This was the answer, okay, there was a smile. So that must be what I need to say when somebody says that. So I developed a script for myself in order to be able to socialize. Michael Hingson  08:55 And that was kind of the way you you masked it, or that was part of masking it. Jennifer Shaw  09:00 That was part of masking it. I spent a lot of time people watching so that I could blend in a lot more, kind of trying to figure it out. I felt like I was an alien dropped off on this planet and that somebody forgot to give me the script. And, you know, I was trying to figure things out as I went. Michael Hingson  09:15 Well, maybe that's actually what happened, and they'll come back and pick you up someday, maybe, but then you can beat up on them because they didn't leave a script. Jennifer Shaw  09:25 Yeah, you guys left me here with no instructions, Michael Hingson  09:27 or you were supposed to create the instructions because they were clueless. There's that possibility, you know, Jennifer Shaw  09:33 maybe I was like, you know, patient X or something, Michael Hingson  09:37 the advanced model, as it were. So you, you went through school, you went through high school, and all that. You went to college. Jennifer Shaw  09:45 I did, yes, yeah, I went through I was going to be a teacher, but they were doing the teacher strike at that time, and that I was doing my observation practicum. And I was like, I don't know if that's something I want to go into. I'm glad I didn't. And. Instead, you know, I mean, I had an interest in psychology, and I took some psychology classes, and loved them. It intrigues me how the mind works. But I ended up going into a trade school I went to in Alberta. It's the, it's called an innate northern Alberta Institute of Technology, and I became an x ray technologist, and I worked in that field for many years. Michael Hingson  10:22 Did you enjoy it? I loved it. I love that I Jennifer Shaw  10:25 didn't have to, you know, like, yes, you have to work in an environment where you got other people there, but you can still work independently and, and I loved that. And I love this. I've always been very much a science math geek, you know, things numbers. I have a propensity for numbers and and then science and math, just, you know, they were fun. Michael Hingson  10:45 Yeah, well, I agree, having a master's degree in physics and I have a secondary teaching credential, so I appreciate what you're saying. It's interesting. I would think also, as an x ray technician, although you had to give people instructions as to where to position themselves and all that. It wasn't something where you had to be very conversationally intensive, necessarily, Jennifer Shaw  11:07 yeah, and I mean, people didn't, you know, I didn't spend a lot of time with each patient, and I was able to mask a lot of my awkwardness and stuff and short short bursts, so nobody really noticed. And, you know, I had fun with the science part of it. And, yeah, it just it was never noticed. Although the social aspects, interacting with co workers and stuff, was bit difficult after, you know, outside of the actual tasks, that was interesting. Michael Hingson  11:38 I have a friend who just recently graduated from school learning to be an x ray technician. And I tease her all the time and tell her, you got to really be careful, though, because those x rays can slip out of your grasp if you're not careful, that you just never know when one's going to try to sneak away. So you better keep an eye on them and slap it when it does. Yeah, go catch them. I sent her an email last week saying, I just heard on the news an x ray escape from your hospital. What are you doing to catch it? They're fun, yeah, but, but you, but you did all of that, and then, so how long were you an x ray technician Jennifer Shaw  12:22 a little over 10 years I retired once my kids were born, Michael Hingson  12:27 okay, you had a more, well, a bigger and probably more important job to do that way, Jennifer Shaw  12:36 yes, and I mean, like at the time, we didn't know that both my boys would be, you Know, diagnosed on the spectrum, both of them have anxiety and ADHD, but I just, I was struggling with with work and being a mom, and it, in all honesty, it was going to cost me more for childcare than it was for me to just stay home. Michael Hingson  13:00 How did your so when they were diagnosed, what did your husband think Jennifer Shaw  13:04 my husband was? He says, okay, okay, I get it. Yeah, I can see those things and stuff like that. And I know when from my perspective, because both my boys went through the ADOS assessment, my thoughts were, those are the things you're looking for, because I've done those my whole life. And then, so, like, my oldest was diagnosed in like, June or July, and I received my diagnosis that September, and then my littlest guy was diagnosed the following year. Michael Hingson  13:29 You went through the assessment, and that's how you discovered it. Yep. So how old were you when they when they found it? Jennifer Shaw  13:35 Oh, I don't know if I want to give ages. I was just under 40. Okay. Michael Hingson  13:40 Well, the reason I asked was, as we talked a little bit about before we actually started the recording, I've had a number of people on the podcast who learned that they were on the spectrum. They were diagnosed later in life. I've talked to people who were 40 and even, I think, one or two above, but it just is fascinating to learn how many people actually were diagnosed later in life. And I know that part of it has to do with the fact that we've just gotten a lot smarter about autism and ADHD and so on, which which helps. So I think that that makes a lot of sense that you can understand why people were diagnosed later in life, and in every case, what people have said is that they're so relieved they have an answer they know, and it makes them feel so much better about themselves. Jennifer Shaw  14:36 Yeah, I know for myself, once I was diagnosed, I've never really kept it a secret. I've, you know, I I've given myself permission to ask questions if I'm confused, and then it opens up the doors for other people, like I will, I will tell them, like some things I don't understand, like I don't understand sarcasm. It's difficult. I can give it I don't understand when somebody is being sarcastic to me, and there's some idioms. And jokes that I that just they weigh over my head, so I'm giving myself permission to ask if I'm confused, because otherwise, how will I know? Michael Hingson  15:11 Yeah, it's it's pretty fascinating, and people deal with it in different ways. It's almost like being dyslexic, the same sort of concept you're dealing with, something where it's totally different and you may not even understand it at first, but so many people who realize they're dyslexic or have dyslexia, find ways to deal with it, and most people never even know, yeah, yeah. Jennifer Shaw  15:39 Well, I mean, I've like, not this year, but within the last couple years, I've been diagnosed with dyslexia as well. And then come to find out that my father had it as well, but he just never mentioned. It just never came up. Michael Hingson  15:51 Yeah, yeah. It's, it's pretty fascinating. But human the human psyche and the human body are very malleable, and we can get creative and deal with a lot of stuff, but I think the most important thing is that you figure out and you learn how to deal with it, and you don't make it something that is a negative in your life. It's the way you are. I've talked many times to people, and of course, it comes from me in part, from the being in the World Trade Center. Don't worry about the thing you can't control. And the fact is that autism is there, you're aware of it, and you deal with it, and maybe the day will come when we can learn to control it, but now at least you know what you're dealing with. And that's the big issue, yeah. Jennifer Shaw  16:39 And I think it like you hit it on the nail on the head, is like, the reason so many adults are being diagnosed is because we know more about it. I distinctly remember somebody asking me shortly after I was diagnosed, and they asked me specifically, oh, what's it like to be autistic? And I was like, I don't know. What's it like to not be. It's all I know. You tell me what it's like to not be, and I can tell you what it's like to be. Says it's not something you can really, yeah, people just can't experience it, I guess. Michael Hingson  17:08 Well, people ask me a lot, what's it like to be blind, and what is it like that you're just live in the dark? Well, I don't live in the dark, and that's something that is so unfortunate that we believe that eyesight is the only game in town, or most people do, and the reality is, blindness isn't about darkness. So I don't see, all right, the problem with most people is they do see, and that doesn't work for them. When suddenly the power goes out and you don't have lights anymore. Why do you distinguish one from the other? It's so unfortunate that we do that, but unfortunately, we collectively haven't taught ourselves to recognize that everyone has gifts, and we need to allow people to to manifest their gifts and not negate them and not demean the people just because they're different than us. Jennifer Shaw  17:56 Yeah, and I know I've had I've had people tell me it's like, oh well, you don't look autistic, and I'm like, I don't know what you would expect me to look like, but I've honestly tried really hard not to think of of the autism and the ADHD. I tried really hard not to look at it as a disability. In my own life, I've looked at it as it's just my brain is wired differently. Yeah, I've explained this to my boys. It's, you know, our minds are always open. We can't filter anything that's coming in. And it's like our computer, you know, our brain, if you imagine our brain as being a computer, we've got every possible tab open trying to perform a million different tasks. We've got music playing here, video playing here. We're trying to search for this file. We can't find anything. And then every now and then, it just becomes very overwhelming, and we get the swirly wheel of death and we have to restart, yeah, but we can multitask like nobody's business until then well, and Michael Hingson  18:45 the reality is, most people can learn to do it, although focusing on one thing at a time is always better anyway, but still, I hear what you're saying. My favorite story is a guy wanted to sell me life insurance when I was in college, and I knew at the time that people who were blind or had other disabilities couldn't buy life insurance because the insurance companies decided that we're a higher risk. It turns out that they weren't making that decision based on any real evidence or data. They just assumed it because that's the way the world was, and eventually that was dealt with by law. But this guy called up one day and he said, I want to sell you life insurance. Well, I thought I'd give him a shot at it, so I invited him over, and he came at three in the afternoon, and I didn't tell him in advance. I was blind, so I go to the door with my guide dog at the time Holland, and I opened the door, and he said, I'm looking for Mike Hinkson. And I said, I'm Mike hingson. You are. I'm Michael Hinkson. What can I do for you? Well, you didn't sound blind on the telephone. And I'm still wondering, what are the heck does that mean? Jennifer Shaw  19:52 Yeah, yeah, exactly. It's just, I think, you know, it's a lack of understanding. And. You know, the inability to put yourself in somebody else's shoes? Michael Hingson  20:03 Well, I think we have the ability, but we just don't, we don't learn how to use it. But you're right. It's all about education. And I think, personally, that all of us are teachers, or should be or can be. And so I choose not to take offense when somebody says you don't sound blind, or makes other kinds of comments. I i may push a little hard, but I can't be angry at them, because I know that it's all about ignorance, and they just don't know, and we as a society don't teach which we should do more of Jennifer Shaw  20:38 Yeah, I know that once I made, you know, like I posted on my, you know, with talk to my friends and stuff about the fact that I have autism and that I just, I'm learning about it myself as well. I've had a lot of people come to me and ask me, it's like, well, what, what? What did you notice? How did you find out? And I think I might be on the spectrum. And there's, you know, and it's amazing how many people came out of the woodwork with queries about, you know, questions. And I was like, This is awesome. I can answer questions and educate, yeah, Michael Hingson  21:09 well, and it's true, and the only way we can really learn and deal with some of the stuff is to have a conversation, and to have conversations with each other and be included in the conversation, and that's where it gets really comfortable, or uncomfortable is that people don't want to include you. Oh, I could end up like that person, or that person just clearly isn't, isn't as capable as I because they're blind or they have autism. Well, that's just not true, yeah, and it's, it's a challenge to deal with. Well, here's a question for you. What do you think is the biggest barrier that that people have or that they impose on themselves, and how do you move past it? Jennifer Shaw  21:52 I think that the biggest barrier that people pose on them, pose on themselves, is doubting whether or not they're worthwhile and and I know I did the lat I did that for many years and and, like I said, it wasn't until I received my diagnosis, I thought maybe, maybe, you know, I won't know unless I try. So I got out of my comfort zone, and I surpassed my doubt, and I tried, and then I come to find out that, okay, I should publish. And I've had some, you know, I've had a lot of fun doing that, and I've seen some success in that as well. Michael Hingson  22:24 One of my favorite quotes goes back to the original Star Wars movie Yoda, who said there is no try, do or do not. Don't try. I think that's absolutely true. Do it. That's why I also totally decided in the past to stop using the word failure, because failure is such an end all inappropriate thing. All right, so something didn't work out. The real question, and most of us don't learn to do it, although some of us are trying to teach them, but the biggest question is, why did this happen? What do I do about it? And we don't learn how to be introspective and analyze ourselves about that, I wrote a book that was published last year called Live like a guide dog, true stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and it's all about teaching people from lessons I learned from my dogs about how to control fear and how to really step back when things happen and analyze what you do, what you fear, what you're about and how you deal with it. But there's no such thing as failure. It's just okay. This didn't work out right. Why? Why was I afraid? Or why am I afraid now? And what do I do about it? And we just don't see nearly as much analytical thinking on those kinds of subjects as we should. Jennifer Shaw  23:49 Yeah, wasn't there a quote somewhere? I can't remember who it was. I think was Edison, maybe, that he didn't fail 99 times. He found 99 times how not to do it right, and he just kept going and going and going until we got it right. Yeah. The other Michael Hingson  24:04 one I really like is the quote from Einstein that the definition of insanity is trying the same thing every time and expecting something different to happen. I think Jennifer Shaw  24:12 they said that at my graduation from high school, you'll get what you got, yeah, Michael Hingson  24:19 and you can decide to look for alternatives and look for ways to do it better, but, but it is, I think you're I don't know if it was Edison, but I'm going to assume it was who said that, but I think you're right, and it certainly makes a lot of Jennifer Shaw  24:35 sense, yes, yeah, and I've tried to live by embracing, because I've told this to my kids as well, and I've embraced the idea that, you know, we learn better from our mistakes than we do from the things we did right, Michael Hingson  24:49 although we could learn if we really thought about it, when we do something right and we go back and look at it and say, What could I have done to even make that better? And we usually don't do that well, that worked out well, so I don't have to worry about that. Well, exactly we should, you know, Jennifer Shaw  25:07 2020 looking back and saying, Well, what would we have done if this had happened? We just sort of stop. It's like when you're looking for your keys in your house. Once you find them, you stop looking. You don't keep looking for possible places it could have been. You just stop the journey. Michael Hingson  25:20 Or you don't look at why did I put them there? That's not where I usually put them. Speaker 1  25:26 Yeah, exactly, yeah. So when Michael Hingson  25:30 you discovered that you were on the spectrum, what did your husband think about Jennifer Shaw  25:34 that? He thought it made sense. Um, that Michael Hingson  25:37 explains a lot about you. Jennifer Shaw  25:38 Yeah, a little bit might be on the spectrum as well. He might be ADHD, because he has a lot of the same traits as me. But he says, yeah, it's kind of not worth going and getting it checked out and stuff like that so Michael Hingson  25:54 well, until he he wants to, then that probably makes sense. Jennifer Shaw  25:59 And there's no reason. There's no reason. Yeah, Michael Hingson  26:03 things go well, and that that's the big, important thing. But you look at at life, you look at what's going on, and you look at how you can change, what you need to change, and go forward Exactly. So tell me about your writing. You have, you have been writing a series. What did you do before the series? What was sort of the first things that you wrote that were published? Jennifer Shaw  26:26 That I wrote a short story for in a classroom assignment, my teacher published it. Wrote a couple poems. I had a teacher, a different teacher published those. But this, the series that I've written is kind of my first foray into publishing and stuff. And then just prior to that, it was just writing stories for myself, or writing scenes that came to to mind that I wanted to explore, and a lot of them had to do with characters overcoming adversity, because that's how I felt. That was what was going on in my life, Michael Hingson  26:57 and it was so what's the series about? Jennifer Shaw  27:03 So it's a magic, fantasy action adventure, some supernatural suspense kind of all sprinkled in for good measure, because I get bored of my series is there's our world, our time, coexisting magical realm, but there's a veil that separates us, and we can't see across this veil because we don't have magic. But these creatures that do can and have and they've been the source of inspiration for our fairy tales and Monster stories. And then my main character, a young man by the name of Callum Walker, is born with the ability to use magic. He doesn't know why. He's trying to make the most of it. We do learn why as we go through the series, but he doesn't know. And because he has magic, he's able to cross this veil into this magical realm. And he's learning about this world. He's learning about the beings in it. Adventures ensue, and we follow him through the series, trying to figure out as he's trying to figure out who he is, where he belongs, because he's too magic for here, but to human care and then master these abilities to survive. Michael Hingson  27:56 So has he figured out an answer to the question of why or where? Jennifer Shaw  28:00 Not yet. No answers as we go, but he's learning more. Mostly it's he's learning to accept himself and to start to trust and open up. And, you know, instead of thinking that there must be something wrong with him, and that's why he has these abilities, he starts to think, Okay, well, what can I do with these abilities and stuff? So in a lot of ways, his journey mirrors mine Michael Hingson  28:23 well, and he's asking questions, and as you ask questions, that's the most important thing you're willing to consider and explore, absolutely. So are these self published, or does a publisher publish them? Jennifer Shaw  28:40 I'm indie, published through press company called Maverick first press. Michael Hingson  28:44 Inc, have any of the books been converted to audio? Jennifer Shaw  28:48 Not yet, but I am looking into it. Michael Hingson  28:51 Some of us would like that I do read braille, and I could get a book in electronic form, and I can probably get it converted, but it'll be fun if you do get them into an audio format. I love magic and fantasy, and especially when it isn't too dark and too heavy. I've read Stephen King, but I've gotten away from reading a lot of Stephen King, just because I don't think I need things to be that dark. Although I am very impressed by what he does and how he comes up with these ideas, I'll never know. Jennifer Shaw  29:20 Yeah, I know. I don't think that it's as dark as Stephen King, but it's certainly a little darker and older than Harry Potter series. Michael Hingson  29:26 So, yeah, well, and and Harry Potter has been another one that has been certainly very good and has has encouraged a lot of kids to read. Yes and adults, Jennifer Shaw  29:42 yeah, we don't all have to be middle grade students to enjoy a middle 29:46 grade book, right? Michael Hingson  29:49 Oh, absolutely true. Well, so if you had to give one piece of advice or talk about experiences, to write. Writers who are trying to share, what would you what would you tell them? Jennifer Shaw  30:05 I would say that writing and publishing, it's a marathon. It's not a race. Don't expect immediate success. You have to work for it. But don't give up. You know? I mean, a lot of times we tend to give up too soon, when we don't see results and stuff. But if you give up, you'll never reach the finish line if you continue going, you may, you know, eventually you'll reach the finish line, and maybe not what you expect, but you will reach that finish line if you keep going. Michael Hingson  30:30 Yeah, we we are taught all too often to give up way too early. Well, it didn't work, so obviously it's not the right answer. Well, maybe it was the right answer. Most people aren't. JK Rowling, but at the same time, she went through a lot before she started getting her books published, but they're very creative. Yep, I would, I would still like to see a new series of Harry Potter books. Well, there is a guy who wrote James Potter his son, who's written a series, which is pretty good, but, you know, they're fun, yeah. Jennifer Shaw  31:07 Oh, I mean, that's why we like to read them. We like to imagine, we like to, you know, put ourselves in the shoes of, you know, the superhero. And I think that we all kind of, you know, feel a connection to those unlikely heroes that aren't perfect. And I think that appeals to a lot of people. Michael Hingson  31:27 I think it certainly does. I mean, that's clearly a lot of Harry Potter. He was certainly a kid who was different. Couldn't figure out why, and wasn't always well understood, but he worked at it, and that is something that we all can take a lesson to learn. Speaker 1  31:45 Exactly yes. So Michael Hingson  31:48 given everything that goes on with you, if the world feels overwhelming at some point, what kind of things do you do to ground yourself or or get calm again? Jennifer Shaw  31:59 Well, writing is my self care. It's my outlet. It's therapy. Aside from writing, I I'm getting back into reading because I'm going to book signing events and talks and such, and everybody's recommending, oh, read this book, read this book, and I'm finding some hidden gems out there. So I'm getting back into reading, and that seems to be very relaxing, but I do go. I do have to step away from a lot of people sometimes and just be by myself. And I'll, I'll put my headphones on, and I'll listen to my my track. I guess it's not track anymore. It was Spotify. And I'll just go for a walk for an hour, let my mind wander like a video and see where it leads me, and then come back an hour later, and my husband's like, Oh, where'd you walk? Because, like, I have no idea, but you should hear the adventures I had, yeah, Michael Hingson  32:44 both from what you read and what you thought Jennifer Shaw  32:45 about, yeah, just the things going through my head. What? And then the same thing when I'm writing, I see it as a movie in my head, and I'm just writing down what I see a lot of times, long for the ride. Michael Hingson  32:55 Yeah, your characters are writing it, and you're just there, Jennifer Shaw  32:58 yeah, you know. And when I'm when I'm in the zone. I call those the zone moments. And I won't know what's going to happen until it starts to happen. And I'm writing a sentence, oh, I didn't know that was gonna happen. I want to see where this goes. And it'll take me to somewhere where I'm like, wow, that's an amazing scene. How could I, how did I think of that? Or, on the contrary, it'll take me somewhere and I'll be like, What is wrong with me? I know that came out of my head, but what is wrong with me? So, you know, it's a double edged sword, Michael Hingson  33:26 but write them all down, because you never know where you can use them. Jennifer Shaw  33:29 Oh, absolutely. I don't delete anything. I can just wind and then start again, see where it leads. And it never goes to the same place twice. Michael Hingson  33:37 That's what makes it fun. It's an adventure. I don't know. I think there's an alien presence here somewhere. Jennifer Shaw  33:44 Who knows? Maybe I'm the next step in evolution. Could Michael Hingson  33:47 be or you come from somewhere else. And like I said, they put you down here to figure it out, and they'll come back and get you Jennifer Shaw  33:57 well, but never know. There's so many things we don't understand. You know, Michael Hingson  34:00 well, then that's true, but you know, all you can do is keep working at it and think about it. And you never know when you'll come up, come up with an answer well, or story or another story, right? So keep writing. So clearly, though, you exhibit a lot of resilience in a number of ways. Do you think resilience is something we're born with, or something that we learn, or both. Jennifer Shaw  34:25 I think it's a little of both. You know, maybe we have a stronger determination or willfulness when we're born, but it can also be a part of our environment. You know, we develop things that we want to do. We develop desires and dreams and stuff. And you know the combination of the two, the you know, the willful resolve and the desire to dream and be better. And I think those two combined will drive us towards our our goals. Michael Hingson  34:53 Now are your parents still with us? Yes. So what did they think when. You were diagnosed as being on the spectrum. Jennifer Shaw  35:03 Um, I think my dad was more open to the idea. I don't think my mom believed it, but then she's kind of, she's kind of saying, like, okay, maybe, maybe it's, oddly enough, she was, you know, more open to the idea of me having ADHD than autism. And I just think there was just a lack of understanding. But as time has gone on, I think she sees it, not just in me, but I think she sees aspects of that in herself as well. Michael Hingson  35:28 And in a sense, that's what I was wondering, was that they, they saw you grow up, and in some ways, they had to see what was going on. And I was wondering if, when you got an answer, if that was really something that helped them or that they understood? Jennifer Shaw  35:46 Yeah, I I think so. Although I did internalize a lot of of my understandings and misconceptions about life, I internalized it a lot, and I was the annoying cousins because I just, you know, said the appropriate things at inappropriate times and didn't catch jokes and didn't understand sarcasm and and I was just the oddball one out. But I think now that my mom understands a little bit more about autism and ADHD, she's seeing the signs Michael Hingson  36:13 well, and whether she understood it or not, she had to, certainly, as your mom, see that there was something going on. Well, I don't know my I'm whether she verbalized it or she just changed it out. Jennifer Shaw  36:28 I think she was just, she was working two full time jobs raising five kids on her own. I think that there just wasn't enough time in the day to notice everything. 36:37 Yeah, well, Michael Hingson  36:40 but it's always nice to really get an answer, and you you've accepted this as the answer, and hopefully they will, they will accept it as well. So that's a good thing. Jennifer Shaw  36:54 Whether or not they accept it is up to them. I'm that's their choice. Yeah, yeah. It's their choice. The most important thing is that I'm understanding it. Michael Hingson  37:04 Yeah, well, and then helps you move forward. Which is, which is a good thing? Yes. So do you think that vulnerability is part of resilience? Jennifer Shaw  37:18 I think it's important to understand where we're vulnerable. It's like accepting your weaknesses. We all want to improve. We don't want to stay weak and vulnerable, but the only way to improve is to accept those and to understand those and to identify those so that we know where to improve. So I think that it is important. Michael Hingson  37:38 I think it's crucial that we continue to work on our own ideas and attitudes and selves to be able to to move forward. And you're right. I think vulnerability is something that we all exhibit in one way or another, and when we do is that a bad thing? No, I don't think it should be. I think there are some people who think they're invulnerable to everything, and the reality is they're not Jennifer Shaw  38:09 those narcissists. Yeah, Michael Hingson  38:11 was getting there, but that's and that's exactly the problem. Is that they won't deal with issues at all. And so the fact of the matter is that they they cause a lot more difficulty for everyone. Yep, of course, they never think they do, but they do. Yeah. Jennifer Shaw  38:30 I mean, if you don't accept the fact that you're not perfect and that you have weaknesses and vulnerabilities, then you're just it turns into you're just either denying it or you're completely ignorant. How do you Michael Hingson  38:41 balance strength and softness? And because, you know when you're dealing with vulnerability and so on, and it happens, well, how do you, how do you bring all of it to balance? Jennifer Shaw  38:50 Um, it's the yin and yang, right? Um, you know, the strength keeps you going, the softness keeps you open to accepting and learning. Michael Hingson  38:59 Yeah, that makes sense. It gives you the opportunity to to go back and analyze and synthesize whatever you're thinking. Yes. Well, autism is, by the definitions that we face, considered a disability, which is fine, although my belief is that everybody on the planet has a disability, and for most people, as others have heard me say on this podcast, the disability that most people have is their light dependent, and they don't do well if suddenly the lights go out until they can find a smartphone or whatever, because the inventors, 147 years ago created the electric light bulb, which started us on a road of looking for ways to have light on demand whenever we wanted it and whenever we do want it, when that works, until suddenly the light on demand machine isn't directly available to us when light goes away. So I think that light on demand is a lovely thing, but the machines that provide it are. Only covering up a disability that most people have that they don't want to recognize. Jennifer Shaw  40:05 And I'd also argue that the more dependent we become on technology, that the harder it is to adjust to, you know, the way we used to live. If you go to the grocery store, everything's automated. And if the power goes out at the grocery store, nobody knows how to count out change now, yeah, Michael Hingson  40:22 they they cannot calculate on their own. I continue to work to be able to do that. So I like to to figure things out. People are always saying to me, How come you got the answers so quickly of how much change or how much to leave for a tip I practice, yeah, it's not magical. And the reality is, you don't always have a calculator, and a calculator is just one more thing to lug around. So why have it when you can just learn to do it yourself? Yeah? Jennifer Shaw  40:49 Or we have a cell phone which has got everything on it. Michael Hingson  40:52 Oh, I know, yeah, there is that too. But you know, the the thing about all of this is that we all have disabilities, is what I'm basically saying. But if you use disability in sort of the traditional sense, and by that I mean you have certain kinds of conditions that people call a disability, although I will submit absolutely that disability does not mean a lack of ability. But how do societal definitions of disability, kind of affect people more than the actual condition itself, whatever it is. Jennifer Shaw  41:26 I think society as a whole tend to focus on the negatives and the limitations, and if you focus solely on those, then nobody can see beyond those to what a person can do, because there's a whole, you know, there's a whole lot out there that people can do. You can, you can learn to adjust to a lot of things. The brain is very malleable. And, you know, we're not just given one sense for one reason. You know, we have five senses, well, arguably more, depending on who you talk to, yeah, to feel out the world. And same thing with autism is, you know, I mean, I had a hard time those things that would come naturally to people, like socializing, learning to speak, even my son at the playground, he didn't know how to approach kids to ask him to play and but those things can be learned. They just have to spend the time doing it well. Michael Hingson  42:19 And I hear you, do you think that autism is under the definition of disability? Jennifer Shaw  42:26 I think it can be very debilitating. I think that, you know, and then some people suffer more severe. They're more ranges than than I do mine, but I do think that the brain can learn to adjust a lot, maybe not the same as everybody else, and there will be struggles and there will be challenges, and there'll be anxieties and and things is it is, in a way, a disability. It'll never go away. But I don't think it has to be debilitating Michael Hingson  42:59 struggles and anxieties, but everyone experiences that in one way or another, and that's, of course, the point. Why should some of us be singled out? Jennifer Shaw  43:07 Yeah, exactly. Yeah. I do know, though, that with there's, I guess we call them an invisible disability, because I don't look autistic, I don't look ADHD, but I struggle inwardly. It's a lot more emotional. It's a lot more mental, you know, analyzing every conversation I've ever had. It's very exhausting and confusing, and it can lead to other things and stuff that, you know, I mean, I don't think everybody else goes around counting license plates obsessively, you know, adding up numbers on license plates and stuff. And if I don't, it can be very anxiety inducing. I don't think everybody else has to, you know, make notebooks worth of conversations to learn to talk to people and watch the world around them, to try to figure out how to act. I think for a lot of people, it comes naturally. And because I had to learn all those things on my own and stuff, it created a lot more anxiety than another person would have in that area, and life is already chaotic enough, you know, more anxiety on top of anxiety and such. Michael Hingson  44:11 Yeah, but some of that we create ourselves and don't need to. And again, it gets back to the fact we all have different gifts, and so some people are much more socially outgoing, so they can do so many more things that seem like everyone should be able to do them. But again, not everyone has the same gifts. Yeah, I think that we need to recognize that. Sorry, go ahead. I was gonna say, Jennifer Shaw  44:34 just like, not everybody has the same weaknesses, right? I learned. I think, you know, if we, if we learned to, you know, share the strengths that we have that might overcome somebody else's weaknesses and stuff. It would be a whole lot better place. Instead of trying to label everybody and segregate everybody based on their limitations, let's, let's look at their strengths and see which ones coordinate. Yeah. Michael Hingson  44:56 How does HD? ADHD manifest itself? Jennifer Shaw  45:00 Yeah, it's some, in a lot of ways, very similar to autism, and that's probably why it's now considered part of the autism spectrum. I have a difficult time focusing on things that I don't find intriguing, like, oh gosh, if I had to read a social studies textbook, I would go stark raving mad and fall asleep. And I've really hard time staying focused. Don't have to read the same paragraph 20 times, but you give me a textbook on physics, and I'm right in there, and I'll hyper focus for like, 12 straight hours, forgetting the world exists and don't eat, don't sleep, don't move, and I will just immerse myself in that. And then there's a difficult time regulating emotions so somebody gets upset about something for the most part. You know, you can calm yourself down and stuff like that. With autism and ADHD, it's really hard to regulate those emotions and come down from that hyper, hyper emotional state down to a normal state. Michael Hingson  46:00 I can see that in a lot of ways, it can look very similar to to autism in terms of the way you're describing it. It makes, makes sense, yeah, which? Which is something one has to deal with. Well, if people stop trying to fix what makes us different? What could we do with the world? How would things be different? Jennifer Shaw  46:22 I think the world be very interesting if we stopped trying to fix people and just started trying to accept people and see how, you know, like, I think that for one we would also be a lot more open to accepting people, but that would have to come first. And I think that would be amazing, because, you know, if we were all the same and we all tried to fit into the same mold, it's going to be a very boring place. Michael Hingson  46:46 The thing that is interesting about what you just said, and the question really is, when we try to fix things, why do we need to fix things? What is it that's really broken? And that's of course, the big issue is that people make assumptions based on just their own experiences, rather than looking at other people and looking at their experiences. Is that really broken? As it goes back to like when I talk about blindness, yeah, am I broken? I don't think so. I do things differently. If I had been able to see growing up, that would have been nice. But you know what? It's not the end of the world not to and it doesn't make me less of a person, and you happen to be on the autism spectrum, that's fine. It would be nice if you didn't have to deal with that, and you could function and deal with things the way most people do. But there are probably advantages, and there's certainly reasons why you are the way you are, why I am the way I am. And so why should that be a bad thing? Jennifer Shaw  47:48 I don't think it is. I mean, other than the fact that I would love to be, you know, not have to suffer with the stress and anxieties that I do, and the insecurities and the doubt and trying to figure out this world and where I belong and stuff, I wouldn't. I like the way my brain works. I like the way I think, you know, very What if, very out of the box, very creative mindsets. And I wouldn't change that for the world. Michael Hingson  48:15 Yeah, and I think people really should be accepted the way they are. Certainly there are people who we classify as geniuses because they do something that we didn't think of, and it catches on, and it's creative. Einstein did it. I mean, for that matter, there's something that that Elon Musk has done that has created this vehicle that no one else created successfully before him. Now I'm not sure that he's the greatest business guy, because I hear that Tesla is not the most profitable company in the world, but that's fine. Or Steve Jobs and Bill Gates created things. Did they do it all? Jennifer Shaw  48:56 Sorry, Sebastian Bach too. Yeah. I mean those prodigies, right? Michael Hingson  49:01 And they didn't do they didn't do everything. I understand that Einstein wasn't the greatest mathematician in the world, but he was great at concepts, and he had other people who who helped with some of the math that he didn't do, but, but the reality is, we all have gifts, and we should be able to use those gifts, and other people should appreciate them and be able to add on to what they do. One thing I always told employees when I hired people, is my job isn't to boss you around because I hired you because you demonstrated enough that you can do the job I want you to do, but my job is not to boss you, but rather to use my skills to help enhance what you do. So what we need to do is to work together to figure out how I can help you be better because of the gifts that I bring that you don't have. Some people got that, and some people didn't. Jennifer Shaw  49:50 Some people are just, they're less, you know, open minded. I think I don't know, like, less accepting of other people and less accepting of differences. And it's unfortunate. Passionate, you know, and that creates a lot of problems that, you know, they can't look beyond differences and to see the beauty behind it. Michael Hingson  50:11 Yeah, and, and the fact of the matter is that, again, we were all on the earth in one way or another, and at some point we're going to have to learn to accept that we're all part of the same world, and working together is a better way to do it. Yeah, absolutely. How do we get there? Jennifer Shaw  50:28 Yeah, I don't know. Maybe idealistic, you know, Star Trek society, or utopian society, you know. And maybe in 100 or 200 years, we'll get there. But if you think about 100 years ago, if you look at us 100 years ago, and then you think of all the technology that we have today, and that's in, like, one century is not a long time, given how long people have been on this planet. And look at all the things we've accomplished, technology wise, and look at all the great things that we have done, you know, and it's just imagine how many more, or how much, how much more we could do if we work together instead of working against each other. Michael Hingson  51:06 Yeah, and that's of course, the issue is that we haven't learned yet to necessarily work together. To some, for some people, that gets back to narcissism, right? They, they're, they're the only ones who know anything. What do you do? But yeah, I hear you, but, but, you know, I think the day is going to come when we're going to truly learn and understand that we're all in this together, and we really need to learn to work together, otherwise it's going to be a real, serious issue. Hopefully that happens sooner than later, Jennifer Shaw  51:39 yes, yeah, I don't think so, but it would be a nice to imagine what it would be like if it happened tomorrow. Michael Hingson  51:47 Yeah, how much potential do you think is lost, not because of limitations, but, but rather because of how we define them? Jennifer Shaw  51:58 I think we use limitations to set our boundaries, but by setting boundaries, we can never see ourselves moving past them, and nor do we try so. I think that setting limitations is hugely detrimental to our growth as as you know, creative minds. Michael Hingson  52:18 I think also though limitations are what we often put on other people, and oftentimes out of fear because somebody is different than us, and we create limitations that that aren't realistic, although we try to pigeonhole people. But the reality is that limitations are are are also representations of our fears and our misconceptions about other people, and it's the whole thing of, don't confuse me with the facts. Jennifer Shaw  52:51 Yes, yeah. And you know there's Yeah, like you said, there's these self limitations, but there's also limitations that we place on other people because we've judged them based on our understanding. Michael Hingson  53:03 Yeah, and we shouldn't do that, because we probably don't really know them very well anyway, but I but I do think that we all define ourselves, and we each define who we are, and that gets back to the whole thing of, don't judge somebody by what they look like or or what you think about them. Judge people by their actions, and give people the opportunity to really work on showing you what they can do. Jennifer Shaw  53:36 Absolutely, that's definitely a motto by which I've tried to live my life. I honestly don't know everybody out there. I mean, I don't think anybody does. And unless somebody gives me a reason or their behavior says otherwise, I'm going to assume that they're, you know, a good person, you know. I mean, if they, you know, if I assume this person is a good person, but maybe they smack me across face or take, you know, steal from me and stuff, then I'm going to judge those behaviors. Michael Hingson  54:02 One of the things that I learned, and we talked about in my book live like a guide dog, is dogs, and I do believe this love unconditionally, unless something really hurts them, so that they just stop loving. But dogs love unconditionally, but they don't trust unconditionally. But the difference between dogs and people is again, unless something truly has been traumatic for a dog. Dogs are more open to trust than we are. They don't worry about, well, what's this guy's hidden agenda, or why is this woman the way she is? The fact is that they're open to trust and they're looking to develop trusting relationships, and they also want us to set the rules. They want us to be the pack leaders. I'm sure there are some dogs that that probably are better than the people they're with, but by and large, the dog wants the person to be the pack leader. They want them to tell the dog, what are the rules? So. Every guide dog I've had, it's all about setting boundaries, setting rules, and working with that dog so that we each know what our responsibilities to the relationship are. And I think absolutely dogs can get that just as much as people do. They're looking for us to set the rules, but they want that, and the fact of the matter is that they get it just as much as we do. And if that relationship really develops, the kind of trust that's possible, that's a bond that's second to none, and we should all honor that we could do that with with each other too. Yeah, there are people who have hidden agendas and people that we can learn not to trust because they don't want to earn our trust either. They're in it for themselves. But I don't think that most people are that way. I think that most people really do want to develop relationships. Jennifer Shaw  55:51 Yeah, and another aspect of dogs too, is they're very humble, you know, they they don't, I mean, they probably do have some, you know, some egos, but for the most part, they're very humble, and they don't dwell on the mistakes of their past. They live in the moment. And I love Yeah, no, go ahead. They do absolutely they do Michael Hingson  56:14 one of the things that I learned after September 11, because my contacted the folks at Guide Dogs for the Blind about it, my diet, my guide dog was Roselle, and I said, Do you think this affected her, the whole relationship? And the veterinarian I spoke with, who was the head of veterinary services, the guide dogs asked, did anything directly threaten her? And I said, no, nothing did. He said, Well, there's your answer. The fact is, dogs don't do what if they don't worry about what might have been or even what happened if it didn't affect them? They they do live in the moment when we got home after the events on September 11, I took roselle's harness off and was going to take her outside. She would have none of it. She ran off, grabbed her favorite tug bone and started playing tug of war with our retired guy dog, Lenny. It was over for her. It was done. Jennifer Shaw  57:06 It's finished, the journey's done, and I'm living in this moment now, yeah, Michael Hingson  57:10 different moment. I'm not going to worry about it, and you shouldn't either, which was the lesson to learn from that. Yes, but the reality is that dogs don't do what. If dogs really want to just do what they need to do. They know the rules, like I said. They want to know what you expect, and they will deal with that. And by and large, once you set rules, dogs will live by those rules. And if they don't, you tell them that you didn't do that the right way. You don't do that in a mean way. There are very strong ways of positively telling a dog, yeah, that's not what the right thing was to do. But by the same token, typica

Ah Beth, you deserved so much better than this. To help mark this moment, we have special guest Becky Anderson from the What's On Tonight podcast, who's favorite TWD character is Beth.  Mentioned: Check out Becky's What's On Tonight Podcast: Spotify: https://open.spotify.com/show/6CYZjrcBK1U7qsQyLwhALf?si=43c79b0e908e4b01 Facebook: https://www.facebook.com/people/Whats-On-Tonight/61566882612402/  Next up: Back to the rewatch! It's The Walking Dead S5E6 “Consumed. Let us know your thoughts! You can email or send a voice message to talk@podcastica.com.  Or check out our Walking Dead Facebook group, where we put up comment posts for each episode, at facebook.com/groups/deadcast. Check out Jason's other podcast, Wax Episodic: Did I mention Karen is back? Yep, for our coverage of the new Apple TV show Pluribus, by Vince Gilligan, the creator of Breaking Bad. And Jason and Shawn (from Strange Indeed) are also covering HBO's It: Welcome to Derry, the horrific prequel series to the recent It movies based on the Stephen King book… Available wherever you get podcasts, or at waxepisodic.com   Come join our Discord and chat with me, Lucy, and other listeners:  Don't know what Discord is? It's kind of like a chat forum, our own little private Podcastica space to talk about The Walking Dead, other shows, and whatever else we want. It's free, and it's fun. And Lucy is in there. Invitation link: https://discord.gg/6WUMt3m3qe  Show support and get ad-free episodes and a bunch of other cool stuff: patreon.com/jasoncabassi  Or go to buymeacoffee.com/cabassi for a one-time donation. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices

Reposted from The ‘Cast of Us, which you can find at: https://podcastica.com/podcast/the-cast-of-us — Ah Beth, you deserved so much better than this. To help mark this moment, we have special guest Becky Anderson from the What's On Tonight podcast, who's favorite TWD character is Beth.  Mentioned: Check out Becky's What's On Tonight Podcast: Spotify: https://open.spotify.com/show/6CYZjrcBK1U7qsQyLwhALf?si=43c79b0e908e4b01 Facebook: https://www.facebook.com/people/Whats-On-Tonight/61566882612402/  Next up: Back to the rewatch! It's The Walking Dead S5E6 “Consumed. Let us know your thoughts! You can email or send a voice message to talk@podcastica.com.  Or check out our Walking Dead Facebook group, where we put up comment posts for each episode, at facebook.com/groups/deadcast. Check out Jason's other podcast, Wax Episodic: Did I mention Karen is back? Yep, for our coverage of the new Apple TV show Pluribus, by Vince Gilligan, the creator of Breaking Bad. And Jason and Shawn (from Strange Indeed) are also covering HBO's It: Welcome to Derry, the horrific prequel series to the recent It movies based on the Stephen King book… Available wherever you get podcasts, or at waxepisodic.com   Come join our Discord and chat with me, Lucy, and other listeners:  Don't know what Discord is? It's kind of like a chat forum, our own little private Podcastica space to talk about The Walking Dead, other shows, and whatever else we want. It's free, and it's fun. And Lucy is in there. Invitation link: https://discord.gg/6WUMt3m3qe  Show support and get ad-free episodes and a bunch of other cool stuff: patreon.com/jasoncabassi  Or go to buymeacoffee.com/cabassi for a one-time donation. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we're looking at Larry Cohen's bizarre sequel to Tobe Hooper's hit TV miniseries, Salem's Lot which was based on the novel by Stephen King. While the studio bent over backwards to convince video renters that this movie was also from the mind of Stephen King and also had that cool Kurt Barlow vampire, Cohen's movie bears very, very little in common with the original. When anthropologist Joe Weber is called back to New York to deal with his delinquent son, he decides to reconnect with the kid by moving out to an old cottage he inherited from his aunt in Salem's Lot, Maine. When they arrive, however, they quickly learn that the town is haven to a race of vampires hiding in plain sight. They have plans for Joe and his son Jeremy and are desperately trying to maintain their ancient way of life.Cohen set out to make a satire of American conservatism in the 80's with this movie but the end product doesn't quite stick the landing. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

This week on Derry Public Radio, join CM, Josh, and Eve as they navigate the chilling depths of Mike Flanagan's adaptation of Stephen King's "Gerald's Game". From the intense emotional weight of her past to the shocking twists of her present, the trio explores how Flanagan masterfully translates King's complex themes of trauma and survival into a visual medium. With a mix of humor and heartfelt analysis, they delve into the film's standout performances, particularly Carla Gugino's portrayal of Jesse, and the haunting presence of the Moonlight Man. As they wrap up their discussion, expect a deep dive into the film's powerful imagery, character dynamics, and the unsettling moments that linger long after the credits roll. For more Derry Public Radio, head over to www.patreon.com/derrypublicradio for exclusive episodes, early releases, and more bonus content!

Often described as Walt Disney meets Stephen King, David Bertolino transformed the Horror industry in the '90s with Spooky World. The Berlin, Massachusetts theme park was the Halloween Horror Nights before Halloween Horror Nights, a national sensation that turned Halloween into a tourist destination for ghouls of all ages. His incredible story is the subject of Spooktacular!, a killer new documentary streaming on Amazon and Shudder via Quiver Distribution. Recently, David joined the show to talk with executive producer Michael Roffman, and you can hear their spirited chat now. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this chapter, Ned pushes further into his troubling pursuit of previewing the afterlife and contacting Courtney, guided by the spirit of Dr. Blackwell herself, who Ned's sister Ellen does not believe has her brother's safety and wellbeing in mind. She and her mother look to have Ned involuntarily committed to a psychiatric facility before he completely sheds his "shell."  (Also - I explain why this switched from a two-parter to a four-parter in the intro.) For Merch and everything else Bad Magic related, head to: https://www.badmagicproductions.com Subscribe to SiriusXM Podcasts+ to listen to new episodes of Scared to Death ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.